Lost And Sound In Berlin

Bradley Zero simply has that rare fusion of global success and grassroots authenticity. From humble beginnings as a teenage bar back in Leeds to becoming the founder of Rhythm Section International, what makes Bradley's approach so refreshing is his unwavering commitment to community. During our conversation, he reveals how finding his tribe in Peckham transformed his understanding of creative collaboration. "I was part of something," he reflects. "It wasn't networking... it was people somehow congregating around a small geographical area with an insane amount of creative energy." This foundation informs everything he touches – from his NTS radio show to Jumbi, his one-turntable hi-fi bar that draws inspiration from Jamaican sound systems and David Mancuso's legendary loft parties.The pandemic proved pivotal for Bradley, creating space for reflection on his role within the industry, leading him to launching Future Proof – a mentorship initiative aimed at demystifying the often secretive workings of the music industry. His observations about discovering the lack of diversity at upper industry levels led to this mission of opening doors and creating change "one step at a time."If you've ever danced to one of his sets or tuned in to his NTS show, you'll know that Bradley's musical philosophy defies easy categorization, embracing everything from jazz and broken beat to minimal techno and 90s piano house. Add to this rock solid DIY ethics, where "balancing micro and macro," help him keep check in on where he‘s at, helping him in nurturing local scenes while thinking globally.Whether discussing the challenges of festival versus club DJing or offering wisdom to his younger self about enjoying the journey, I loved having this chat.Follow Bradley Zero on Instagram  @bradley_zeroExplore Future Proof, his emerging‑artist mentorship programme at Rhythm Section: Future Proof If you enjoy Lost and Sound and want to help keep it thriving, the best way to support is simple: subscribe, leave a rating, and write a quick review on your favourite podcast platform. It really helps others find the show. You can do that here on Apple Podcasts, Spotify, or wherever you listen.Lost and Sound is sponsored by those good people at Audio‑Technica – check them out here: Audio‑TechnicaIt's that time of the year where if you‘re looking for a beach read about Berlin and you‘ve not done so already, grab a copy of Coming To Berlin, my journey through the city's creative underground, via Velocity Press.And if you're curious about Cold War‑era subversion, check out my BBC documentary The Man Who Smuggled Punk Rock Across The Berlin Wall on the BBC World Service.You can also follow me on Instagram at @paulhanford for behind‑the‑scenes bits, guest updates, and whatever else is bubbling up

Talking with Nicola Cruz feels a bit like tuning into a different frequency—the producer and DJ has spent the last decade helping redefine perceptions of South American electronic music through a series of transcendental releases and live appearances. Based in Ecuador, Cruz doesn't give many interviews, so I was super happy to have this rare conversationHe talks about his approach to DJing, where instead of scanning a crowd, he locks into the energy of one or two people and lets that guide the set. It's a more intimate, slower way of connecting, sometimes taking hours, and sometimes never quite happening at all. But when it works, it shapes everything.We also get into his field recording work—using geophones to capture the movement inside glaciers, recording whale sounds deep underwater. These aren't just sonic experiments; for Cruz, they're a way of exploring how we relate to the parts of the world we can't usually hear. His new album Kinesia lives in this space—somewhere between the physical and the imagined.At the heart of it all is a deep belief in creative freedom. Though he's formally trained, Cruz talks about the importance of unlearning, of breaking structures down in order to build something new. If you're interested in where electronic music, listening, and inner exploration overlap, this one's worth your time.Listen to Nicola Cruz's music: Spotify | BandcampListen to Kinesia: Spotify | BandcampFollow Nicola Cruz on Instagram: @nicola_cruzIf you enjoy Lost and Sound and want to help keep it thriving, the best way to support is simple: subscribe, leave a rating, and write a quick review on your favourite podcast platform. It really helps others find the show. You can do that here on Apple Podcasts, Spotify, or wherever you like to listen.Thanks also to this episode's sponsor, Audio-Technica – makers of beautifully engineered audio gear. Check them out here: Audio-TechnicaWant to go deeper? Grab a copy of my book Coming To Berlin, a journey through the city's creative underground, via Velocity Press.And if you're curious about Cold War-era subversion, check out my BBC documentary The Man Who Smuggled Punk Rock Across The Berlin Wall on the BBC Sounds app.You can also follow me on Instagram at @paulhanford for behind-the-scenes bits, guest updates, and whatever else is bubbling up.

Cristobal Tapia de Veer on instinct, tension, and walking away from The White LotusIt‘s not often I have a guest on the show primarily known for scorring for screen but the outspoken, punk-rock ethosed, voice-warping composer Cristobal Tapia de Veer is so Lost and Sound it hurts. Whether it's the unnerving soundworld of Utopia, the chaotic beauty of The White Lotus, or the warped voices of A24‘s Babygirl, his scores don't just sit behind the picture—they shape how you feel it.In this conversation, we talk about how some of his most striking ideas come in a flash. How one of The White Lotus‘ most memoral earworms: “took me the time it takes you to listen to it,” he says. “I feel like somebody else did it for me.”We get into why scoring the show felt like “trying on a yellow dress,” and how stepping into unfamiliar territory let him bring something raw and unexpected to it. He's honest about how uncomfortable that space was—and how that discomfort helped him land something sharper.Cristobal opens up about working in an industry that often pulls in the opposite direction of intuition. We talk about trusting the subconscious, letting go of control, and how stepping back sometimes allows something better to come through.We also touch on his recent public split from The White Lotus—and the bigger questions that come when creativity and power don't align.If you're interested in how a politically minded Iggy Pop fan became one of the most highly revered film and TV composers working right now, or just curious about what it takes to stay true to your instincts inside a system that often doesn't want you to, this one's worth your time.If you're enjoying Lost and Sound, please do subscribe and leave a rating or review on Apple, Spotify, Amazon, or wherever you listen. It really helps to spread the word and support Lost and Sound.Cristobal Tapia de Veer on Instagram Cristobal Tapia de Veer on Apple Music and TIDAL.Follow me on Instagram at PaulhanfordLost and Sound is sponsored by Audio-TechnicaMy BBC World Service radio documentary “The man who smuggled punk rock across the Berlin Wall” is available now on BBC Sounds. Click here to listen.My book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culturet Capital is out now on Velocity Press. Click here to find out more. Lost and Sound title music by Thomas Giddins

The boundary between imagination and technology blurs in Lila Tirando a Violeta's mesmerizing sonic experiments. From her early DIY noise experiments in Uruguay to her current position as one of electronic music's most distinctive emerging voices, Lila's creativity has flourished despite—or perhaps because of—the challenges of living with a chronic condition.When health issues confined her to hospitals and home at age 23, Lila found herself transitioning from improvisational performance to structured composition. The internet became both her music school and lifeline, leading to collaborations with artists like Loraine James and Amnesia Scanner—relationships that began digitally before materializing in the physical world. This digital-first approach mirrors the themes in her work, particularly her fascination with David Cronenberg's Videodrome, which she references in her new album "Dream of Snakes."What makes Lila's creative process so compelling is her transformation of limitation into innovation. She samples her own pulsating tinnitus, captures field recordings from hospital rooms, and builds intricate sonic collages without formal training. Though her aesthetic suggests urban futurism, she's found her creative sanctuary in the quiet Irish countryside, where nature and technology intertwine in unexpected ways.Most striking is Lila's openness about navigating the music industry—from including special lighting requests in her rider to dealing with international promoters who expect her to play reggaeton simply because of her South American heritage.If you're enjoying Lost and Sound, please do subscribe and leave a rating or review on Apple, Spotify, Amazon, or wherever you listen. It really helps to spread the word and support Lost and Sound.Lila Tirando a Violeta on Instagram Listen/Buy Dream Of Snakes hereFollow me on Instagram at PaulhanfordLost and Sound is sponsored by Audio-TechnicaMy BBC World Service radio documentary “The man who smuggled punk rock across the Berlin Wall” is available now on BBC Sounds. Click here to listen.My book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culturet Capital is out now on Velocity Press. Click here to find out more. Lost and Sound title music by Thomas Giddins

Bartees Strange makes music that doesn't sit still. One moment it's soaring indie rock, the next it's touched by soul, punk energy, or the weight of hip-hop—yet it all holds together in a way that feels completely his own. We sat down in a quiet Berlin hotel room to talk about the creative process behind his new album Horror, produced by Jack Antonoff and released on the iconic 4AD label.Bartees doesn't approach songwriting as a straight path. It's more like piecing together different fragments until something unexpected clicks. “I might write five or six sections and not know they're in the same song until I start plugging them into each other,” he said. That instinctive method pulls influence from across the board—Fleetwood Mac, Parliament, Burial, Neil Young—and filters it through a sound that's urgent, intimate, and ever-shifting.What stood out most in our conversation was his view on genre itself. For Bartees, it's not just about music—it's about identity, and how people are often encouraged to box themselves in. “Music is representative of people,” he told me. “And people separate themselves from each other because of all these things that don't make sense. Through music, I can show people that all those things you thought were unique to you are also unique to them.” His work holds a quiet defiance, a kind of gentle political energy that moves through emotion rather than statement.Before committing to music full-time, Bartees worked as deputy press secretary at the FCC under Obama. That experience brings a clear-eyed perspective to his writing—but it was never about strategy. “I tried not to do it. I got a job, I worked… but after a while, I was like I'd rather just not survive than not do what I want to do.” That sense of risk and necessity lives in every note.If you're enjoying Lost and Sound, please do subscribe and leave a rating or review on Apple, Spotify, Amazon, or wherever you listen. It really helps to spread the word and support Lost and Sound.Bartees Strange on Instagram Listen/Buy Horror by Bartees Strange hereFollow me on Instagram at PaulhanfordLost and Sound is sponsored by Audio-TechnicaMy BBC World Service radio documentary “The man who smuggled punk rock across the Berlin Wall” is available now on BBC Sounds. Click here to listen.My book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culturet Capital is out now on Velocity Press. Click here to find out more. Lost and Sound title music by Thomas Giddins

David Longstreth on Dirty Projectors, Orchestral Experimentation, and the Radical Psychedelia of FatherhoodDavid Longstreth stands at a fascinating creative crossroads. For twenty years, he's been the driving force behind Dirty Projectors, crafting music that defies easy categorization while earning collaborations with icons like Björk, Rihanna, and Paul McCartney. Now, with his ambitious new orchestral song cycle "Song of the Earth," Longstreth explores our shifting relationship with nature while processing what he calls "the radical psychedelia of fatherhood."Speaking from his California home studio (formerly a kitchen, before that a garage that "bloomed with mold"), Longstreth reveals how this project emerged from conversations with his longtime friend Andre de Ritter, conductor of the Berlin-based ensemble Stargaze. Drawing inspiration from Gustav Mahler's "Das Lied von der Erde," Longstreth initially set out to write nature poems, only to discover his feelings about the natural world had "gotten weird" – reflecting our collective anxiety about climate change.The beauty of Longstreth's approach lies in his embrace of uncertainty. Throughout our conversation, he repeatedly describes putting himself in musical situations "beyond what I'm capable of," allowing the learning curve itself to become part of the creative process. This has been his method since recreating Black Flag's "Damaged" album from memory for Dirty Projectors‘ 2007 "Rise Above" (deliberately avoiding revisiting the original) through to this orchestral collaboration that marries environmental themes with deeply personal transformation.Perhaps most captivating is Longstreth's description of how parenthood has fundamentally altered his perception. Watching his three-year-old daughter experience the world for the first time has made him question everything he knows, creating a profound sense of renewal that directly influences the emotional landscape of "Song of the Earth." Twenty years into his career, Longstreth has found a way to make music that feels simultaneously ambitious and intimate, political and personal – a rare achievement worth celebrating.If you're enjoying Lost and Sound, please do subscribe and leave a rating or review on Apple, Spotify, Amazon, or wherever you listen. It really helps to spread the word and support Lost and Sound.Dirty Projectors on Instagram Dirty Projectors Official StoreFollow me on Instagram at PaulhanfordLost and Sound is sponsored by Audio-TechnicaMy BBC World Service radio documentary “The man who smuggled punk rock across the Berlin Wall” is available now on BBC Sounds. Click here to listen.My book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culturet Capital is out now on Velocity Press. Click here to find out more. Lost and Sound title music by Thomas Giddins

Seamus Rawles Malliagh, better known as Iglooghost, is an artist who doesn't just make electronic music—he builds entire worlds. His sound is hyper-detailed, bursting with surreal textures, and deeply tied to the mythologies he creates around it.In this episode, we dive into how growing up in rural Dorset shaped his imagination, from childhood experiments with ley lines to the eerie, folklore-like atmosphere of empty landscapes. We also explore the making of his most recent album, Tidal Memory Exo, crafted during a five-year stint living near Thanet's brutalist seafront. Immersed in what he calls “aesthetic ugliness”—concrete towers, decay, a nearby sewage plant—he channeled these surroundings into an intricate fictional narrative, where a storm isolates Thanet from the mainland, birthing underground music subcultures.Iglooghost shares how discomfort and constraint fuel his creativity and how mythology plays a key role in his artistic process. Whether you're deep into his sonic universe or discovering him for the first time, we get into one about how environment, storytelling, and electronic music collide.If you're enjoying Lost and Sound, please do subscribe and leave a rating or review on Apple, Spotify, Amazon, or wherever you listen. It really helps to spread the word and support Lost and Sound.Iglooghost on InstagramIglooghost on BandcampFollow me on Instagram at PaulhanfordLost and Sound is sponsored by Audio-TechnicaMy BBC World Service radio documentary “The man who smuggled punk rock across the Berlin Wall” is available now on BBC Sounds. Click here to listen.My book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culturet Capital is out now on Velocity Press. Click here to find out more. Lost and Sound title music by Thomas Giddins

Étienne de Crécy is one of the architects of the French Touch movement—those lush, filter-heavy grooves that shaped house music in the ‘90s, right alongside acts like Daft Punk, Air, and Alex Gopher. But his journey didn't start in the clubs. Before electronic music, he was a punk bassist, navigating Parisian record shops that looked down on house music before the scene exploded worldwide.In this conversation, Étienne reflects on three decades of pushing electronic music forward, from his groundbreaking Super Discount series to his latest album, Warm Up. This new record marks a shift—more organic, more vocal-driven, and carrying a double meaning: a reference to its sound, but also a nod to the global moment we're in. “We are just at the warm-up… for the climate, for politics.”We talk about his creative process, his mathematical approach to composition, and why he avoids the easy route of plugins in favor of crate-digging for samples. Plus, the story of how he unearthed a long-lost collaboration with Damon Albarn, recorded twenty years ago and now perfectly fitting Warm Up's aesthetic.As electronic music culture shifts—where younger generations lean into harder, faster sounds—Étienne remains committed to a philosophy: “What I'm learning is to stay simple and to be amazed by simple things.”If you're enjoying Lost and Sound, please do subscribe and leave a rating or review on Apple, Spotify, Amazon, or wherever you listen. It really helps to spread the word and support Lost and Sound.Étienne de Crécy on InstagramWarm Up Listen/BuyFollow me on Instagram at PaulhanfordLost and Sound is sponsored by Audio-TechnicaMy BBC World Service radio documentary “The man who smuggled punk rock across the Berlin Wall” is available now on BBC Sounds. Click here to listen.My book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culturet Capital is out now on Velocity Press. Click here to find out more. Lost and Sound title music by Thomas Giddins

Loraine James is one of the most forward-thinking artists in electronic music today. Her sound is instinctive, fluid, and deeply personal—whether she's crafting glitchy, jazz-infused beats, bending genre expectations on Hyperdub, or exploring mood and texture through her Whatever the Weather project.In this episode of Lost and Sound, Loraine talks about her approach to making music without rigid plans, letting emotion and instinct guide the process. She shares insights into the creative freedom that shapes her work, from improvisation to embracing imperfections in her own way. We also dive into the personal themes in her music, including the deeply moving 2003, a track that reflects on loss and memory.With a new Whatever The Weather album out now on Ghostly International, Loraine talks about the balance between control and spontaneity, how she navigates external expectations without compromising her sound, and why she's never been interested in fitting into any one scene. Thoughtful, open, and refreshingly down-to-earth, I feel we got a rare look into the mindset of an artist constantly pushing her own boundaries.If you're enjoying Lost and Sound, please do subscribe and leave a rating or review on Apple, Spotify, Amazon, or wherever you listen. It really helps to spread the word and support Lost and Sound.Loraine James on InstagramWhatever The Weather on BandcampFollow me on Instagram at PaulhanfordLost and Sound is sponsored by Audio-TechnicaMy BBC World Service radio documentary “The man who smuggled punk rock across the Berlin Wall” is available now on BBC Sounds. Click here to listen.My book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culturet Capital is out now on Velocity Press. Click here to find out more. Lost and Sound title music by Thomas Giddins

What happens when music becomes so deeply personal that it reshapes the course of your life? Kali Malone joins me to explore this through the lens of The Sacrificial Code, the album that transformed her from an underground experimentalist into one of contemporary composition's most vital voices.Malone's approach to the organ exists in a liminal space—both ancient and futuristic. She explains how recording on a 16th-century instrument for the album's reissue created radically new interpretations despite the composition remaining unchanged: “The music is strictly composed, but the registration and delivery change its identity so much.” You could read it as a poetic parallel to human evolution—our core essence intact, yet constantly shifting.We dive into the tension between intuition and discipline, a defining force in her work. In an era of relentless digital noise, Malone advocates for silence as a creative act: “Remove all the layers and all the noise, and you'll slowly start to hear what you feel, what you want, what you believe in.” It's a philosophy that resonates far beyond music, speaking to anyone searching for artistic clarity.From Colorado's DIY punk scenes to Stockholm's experimental avant-garde, Malone's journey reveals the role of artistic communities in shaping sound. Her deep collaborations with Caterina Barbieri and Maria W Horn (both previous guests on Lost and Sound) highlight how musical friendships create “secret languages” that transcend time, breaking down artificial boundaries between traditions.And when asked what she'd tell her younger self? Without hesitation: “You're not crazy.” A simple but powerful affirmation for anyone carving their own path—where instinct often feels irrational but, in the end, is the most honest route forward.If you're enjoying Lost and Sound, please do subscribe and leave a rating or review on Apple, Spotify, Amazon, or wherever you listen. It really helps to spread the word and support Lost and Sound.Kali Malone on InstagramThe Sacrificial Code pre-order on BandcampFollow me on Instagram at PaulhanfordLost and Sound is sponsored by Audio-TechnicaMy BBC World Service radio documentary “The man who smuggled punk rock across the Berlin Wall” is available now on BBC Sounds. Click here to listen.My book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culturet Capital is out now on Velocity Press. Click here to find out more. Lost and Sound title music by Thomas Giddins

Tesfa Williams has been shaping the sound of UK underground music for over two decades. From his early days as Dread D in the Black Ops crew—helping define the sublow sound that fed into grime—to becoming a key figure in UK funky, his journey has always been about pushing bass culture forward.In this episode of Lost and Sound, Tesfa breaks down the evolution of UK club music, from jungle and garage to grime and beyond. We talk about his early days in West London's underground scene, the impact of pirate radio, and the industry challenges facing electronic artists today. He also shares the motivations behind his recent name change and how it connects to identity, culture, and artistic evolution.We also get deep into his latest album, Raves of Future Past—a record that bridges the past and future of UK bass with Tesfa's signature blend of raw energy and deep musicality. Plus, we explore the fragmentation of today's music landscape, the struggle for meaningful connection in a digital world, and the importance of community and reclaiming spaces for underground music.This is an essential listen for anyone passionate about UK club culture, sound system lineage, and the future of bass-driven music.If you're enjoying Lost and Sound, please do subscribe and leave a rating or review on Apple, Spotify, Amazon, or wherever you listen. It really helps to spread the word and support Lost and Sound.Tesfa Williams on InstagramBeyond Today EP by Tesfa Williams is available now on Heist Recordings, Bandcamp.Follow me on Instagram at PaulhanfordLost and Sound is sponsored by Audio-TechnicaMy BBC World Service radio documentary “The man who smuggled punk rock across the Berlin Wall” is available now on BBC Sounds. Click here to listen.My book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culturet Capital is out now on Velocity Press. Click here to find out more. Lost and Sound title music by Thomas Giddins

What happens when music and psychoanalysis occupy the same creative headspace? This week on Lost and Sound, I chat with Ezra Feinberg—composer, guitarist, and practicing psychoanalyst—about the deep interplay between experimental music, the subconscious mind, and the subtle forces that shape creativity.We dive into Soft Power, his latest album—a lush, hypnotic fusion of minimalism, kosmische music, ambient soundscapes, and psychedelic influences and one of my favourite albums of the last 12 months. We talk about how intention and perception collide in music, whether the emotions a listener feels mirror what the artist originally set out to express, and what it means to truly trust the creative process.Ezra shares how his twin worlds of music and psychoanalysis aren't as far apart as they seem, touching on problem-solving, patience, and artistic intuition. We explore the realities of navigating a career in underground music alongside parenthood, and how New York's evolving music scene has shaped his journey.Plus, we get into formative influences, spontaneous collaborations and the long game of making music on your own terms. A conversation about sound, time, and the quiet forces that shape creativity.If you're enjoying Lost and Sound, please do subscribe and leave a rating or review on Apple, Spotify, Amazon, or wherever you listen. It really helps to spread the word and support Lost and Sound.Ezra Feinberg on InstagramSoft Power by Ezra Feinberg is available on Tonal Union, Bandcamp.Follow me on Instagram at PaulhanfordLost and Sound is sponsored by Audio-TechnicaMy BBC World Service radio documentary “The man who smuggled punk rock across the Berlin Wall” is available now on BBC Sounds. Click here to listen.My book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culturet Capital is out now on Velocity Press. Click here to find out more. Lost and Sound title music by Thomas Giddins

Alva Noto—aka Carsten Nicolai—has spent decades at the forefront of experimental electronic music and multimedia art. Growing up in East Germany, his work has been shaped by the country's stark aesthetics, Leipzig's bookmaking traditions, and the GDR's Bauhaus-influenced design. In this episode, we talk about minimalism, sound as texture, the NOTON label and how his collaborations with Ryuichi Sakamoto (including The Revenant soundtrack) have redefined electronic music.Carsten takes us back to the late '80s and '90s—a time when electronic music was shifting from analog to digital, opening up new creative possibilities. He shares how artists like Kraftwerk and Brian Eno paved the way for his work and how embracing imperfections in technology led to the birth of glitch.We also explore how music distribution evolved from CDs to MP3s, how that shaped the way we experience sound, and what it means for artists today. Plus, Carsten reflects on his friendship with Ryuichi Sakamoto and their artistic journey together.Listen in for a deep dive into sound, technology, and the art of pushing boundaries.If you're enjoying Lost and Sound, please do subscribe and leave a rating or review on Apple, Spotify, Amazon, or wherever you listen. It really helps to spread the word and support Lost and Sound.Alva Noto on InstagramAlva Noto WebsiteFollow me on Instagram at PaulhanfordLost and Sound is sponsored by Audio-TechnicaMy BBC World Service radio documentary “The man who smuggled punk rock across the Berlin Wall” is available now on BBC Sounds. Click here to listen.My book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culturet Capital is out now on Velocity Press. Click here to find out more. Lost and Sound title music by Thomas Giddins

Turntablist, composer, and sonic explorer NikNak joins Lost and Sound to talk about pushing DJing into new dimensions. From layering ambient textures to weaving intricate narratives through sound, she's redefining what turntables can do.We get into her creative process, the influence of video game soundtracks, and how she's carved a space in the UK's experimental music scene. She shares stories from performing with Grandmaster Flash, winning the Oram Award in 2020, and navigating the realities of being an artist today—where financial pressures, privilege, and technology all shape the landscape.This was a really fun chat and NikNak makes some great points about sound as storytelling, the tension between artistry and survival, and why embracing play and experimentation is more important than ever.If you're enjoying the show, please consider subscribing and leaving a rating or review on Apple, Spotify, Amazon, or wherever you listen. It really helps to spread the word and support Lost and Sound.NikNak on Bandcamp.Follow me on Instagram at PaulhanfordLost and Sound is sponsored by Audio-TechnicaMy BBC World Service radio documentary “The man who smuggled punk rock across the Berlin Wall” is available now on BBC Sounds. Click here to listen.My book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culturet Capital is out now on Velocity Press. Click here to find out more. Lost and Sound title music by Thomas Giddins

Underground Bass culture never sits still and when it comes to forward momentum,  Slikback is at the heart of it. With at least 28 projects since 2018, his sound is restless, urgent—pushing bass, distortion, and rhythm into new forms. In this conversation, we get into the discipline behind his experimental process, how fatherhood has reshaped his approach, and the impact of his latest release on Tempa.We also talk about the move from traditional labels to self-releasing on Bandcamp—a decision that cracked open new creative freedom, especially during the pandemic. For Slikback, aka the very charming Freddie Mwaura Njau, it's not just about breaking industry norms; it's about the raw energy of finishing ideas, pushing sound forward without losing the impulse that made it exciting in the first place.From early influences growing up in Nairobi to global collaborations, from DIY scenes to Nyege Nyege's cultural force, this episode traces the connections that shape his music. We talk process, community, and the balance between instinct and refinement in electronic music today.If you're enjoying the show, please consider subscribing and leaving a rating or review on Apple, Spotify, Amazon, or wherever you listen. It really helps to spread the word and support Lost and Sound.Data by Slikback is out now on Tempa, listen or buy here.Follow me on Instagram at PaulhanfordLost and Sound is sponsored by Audio-TechnicaMy BBC World Service radio documentary “The man who smuggled punk rock across the Berlin Wall” is available now on BBC Sounds. Click here to listen.My book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culturet Capital is out now on Velocity Press. Click here to find out more. Lost and Sound title music by Thomas Giddins

Emo ambient? That's just one way to describe the ever-evolving work of boundary-pushing artist Mari Maurice, better known as more eaze. Her prolific output defies the norms of the music world, blending ambient, noise, autotune, and pedal steel with a deeply personal, human touch. In this episode, Mari shares her unique approach to making music that dissolves the lines between pop and what's considered, in inverted commas, „serious“ music. Her collaboration with claire rousay on Never Stop Texting Me beautifully exemplifies this artistic ethos.We talk about the challenges Mari faced in Austin's experimental scene and the creative freedom she‘s discovered since relocating to New York. Immersed in the city‘s rich musical landscape, she's embraced collaboration and opened up new dimensions in her sound, drawing from both minimalist and maximalist influences to reshape her approach to composition.Mari also reflects on the joy of making experimental music more accessible, sharing how a live performance sparked her own musical journey and shaped her ethos as an artist. Along the way, we explore the serendipitous nature of sound creation and the growing acceptance of pop elements in avant-garde music.If you're enjoying the show, please consider subscribing and leaving a rating or review on Apple, Spotify, Amazon, or wherever you listen. It really helps to spread the word and support Lost and Sound.Kinda Tropical by more eaze and claire rousay is out now on Thrill Jockey, pre-order the album No Floor hereFollow me on Instagram at PaulhanfordLost and Sound is sponsored by Audio-TechnicaMy BBC World Service radio documentary “The man who smuggled punk rock across the Berlin Wall” is available now on BBC Sounds. Click here to listen.My book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culturet Capital is out now on Velocity Press. Click here to find out more. Lost and Sound title music by Thomas Giddins

What happens when a rock and roller decides to venture into clubland? Singer, songwriter and author Lias Saoudi, the charismatic frontman of the Fat White Family, joined me initially to explore this question. Lending his seductive, slinky and sleezy tonsils to techno supergroup, Decius:  their second album "Decius Volume 2: Splendor and Obedience,” absolutely pumps and you can see why they were picked to play at Berghain's 19th Birthday. The Fat White Family have a rep. As Lias says in our conversation, they were a band made up of some of the five worst people in England, yet I found him to be a charming, erudite gent. From the psychological chaos of band dynamics to the romanticized notion of the tortured artist, our conversation touches on the existential struggles of maintaining artistic integrity. Lias offers a raw and honest perspective on balancing creative freedom with the pressures of performance, sharing humorous anecdotes about societal expectations and generational quirks along the way.If you like the show and you havn‘t already, please give it a subscribe and consider leaving a rating and a review on Apple, Spotify, Amazon or wherever you listen. It all really helps build the show.Decius Vol. II (Splendour & Obedience), released 31st January 2025 on The Leaf LabelThe Moonlandingz — The Sign Of A Man, listen here.Follow me on Instagram at PaulhanfordLost and Sound is sponsored by Audio-TechnicaMy BBC World Service radio documentary “The man who smuggled punk rock across the Berlin Wall” is available now on BBC Sounds. Click here to listen.My book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culturet Capital is out now on Velocity Press. Click here to find out more. Lost and Sound title music by Thomas Giddins

There's a quiet power in rediscovery. Some music doesn't just endure; it pulses beneath the surface. A.R Kane were one of those bands. This week on Lost and Sound, I had the honor of sitting down with Rudy Tambala, one-half of the groundbreaking duo and also a key figure in the formative acid house/chart smashers M/A/R/R/S.Rudy Tambala isn't someone who shouts about legacy. But you can feel it in everything he says. Back in the mid-to-late '80s, A.R Kane crafted sounds that were indescribable at the time—blurring post-punk guitars with dub's spaciousness, the ethereal textures of dream pop, and rhythms that felt beamed in from a future club culture still in its infancy. Their debut album, 69, and its follow-up, “i”, eschewed the live band format for a studio playfulness that pointed to bedroom producers and Ableton a good decade before this would even start to become norm. On the surface, AR Kane might not be a household name. But dig deeper, and their fingerprints are everywhere. You hear it in shoegaze, trip-hop, and the experimental corners of electronic music. The seeds of jungle, ambient, and post-rock are there too. These were records for outsiders, yet their influence seeps through so many of the sounds that defined the '90s and beyond.It's easy to place AR Kane in the same breath as My Bloody Valentine, Cocteau Twins, or even Prince in the way they created entire worlds of sound. But there's something so singular about their vision, it incorporated old films, literature and design concepts. Rudy spoke candidly about what it meant to exist in a space where commercial success wasn't the goal, but creating something new—something honest—was everything.This episode isn't just about AR Kane's legacy, though. It's about the art of listening differently and I got the impression it's clear that Rudy is no nostalgist. We talk about sonic boundaries, connecting this with both Marshall MacLuhan and, I'm sure you'll be pleased to know a food analogy or too.Tune in to Lost and Sound this week to hear Rudy Tambala in his own words—reflecting on the past, navigating the present, and imagining the future of sound.Rudy records now as Jübl, I think you could say AR Kane Mk 2, here's the Bandcamp.Up Home Collected by A.R. Kane on BandcampFollow me on Instagram at PaulhanfordLost and Sound is sponsored by Audio-TechnicaMy BBC World Service radio documentary “The man who smuggled punk rock across the Berlin Wall” is available now on BBC Sounds. Click here to listen.My book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culturet Capital is out now on Velocity Press. Click here to find out more. Lost and Sound title music by Thomas Giddins

Oliver Johnson, the synthesizer maestro better known as Dorian Concept, graces our latest episode with tales of musical evolution from "failed jazz artist" to electronic music luminary. Renowned for his collaborations with Thundercat, MF Doom and Flying Lotus, Johnson opens up about his unorthodox journey and the creative philosophies that guide him. We journey through the making of his latest EP, "Music from a Room Full of Synths," recorded at the Swiss Museum for Electronic Music Instruments, where jazz, funk, and hip-hop merge with club sounds.Another topic that came up was on how Dorian navigates artistic identity and societal expectations, revealing how personal experiences can forge a path to authenticity. From childhood piano lessons that prioritized play over pressure, to encountering musical influences that shaped his tastes.If you like what I'm doing with Lost and Sound, please like, rate, review or subscribe to the show on your podcast app of choice – it really does help."Music for a Room Full of Synths” is out now, check it out here. Follow me on Instagram at PaulhanfordLost and Sound is sponsored by Audio-TechnicaMy BBC World Service radio documentary “The man who smuggled punk rock across the Berlin Wall” is available now on BBC Sounds. Click here to listen.My book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culturet Capital is out now on Velocity Press. Click here to find out more. Lost and Sound title music by Thomas Giddins

This week, I'm joined by producer and sound designer Demian Licht. With a unique approach to creating deep techno, Demian treats frequencies and textures like an intricate structure, embracing minimalism and drawing inspiration from diverse sources beyond music itself, such as Greek mythology in her latest "Hémera" EP as well as Biohacking.Our discussion moves from Mexico City, where Demien honed her craft and became the first certified female Ableton trainer in Latin America to the chilly streets of Berlin, where she released her debut LP Die Kraft during the pandemic. We explore the transformative power of external influences on creativity, from surfing to learning new languages, and how stepping outside one's comfort zone can nurture genuine artistic expression. Demian highlights the significance of fostering an inclusive environment in music education, reflecting on the vital role of teaching in her career.If you like what I'm doing with Lost and Sound, please like, rate, review or subscribe to the show on your podcast app of choice – it really does help.HÉMERA VOL.1, out now on Demian Licht's label Motus Records. Listen an buy through Bandcamp here.Follow me on Instagram at PaulhanfordLost and Sound is sponsored by Audio-TechnicaMy BBC World Service radio documentary “The man who smuggled punk rock across the Berlin Wall” is available now on BBC Sounds. Click here to listen.My book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culturet Capital is out now on Velocity Press. Click here to find out more. Lost and Sound title music by Thomas Giddins

A few Sundays ago I spoke with Icelandic producer and DJ Bjarki, whose seems to be at an interesting point in his artistic evolution, capable of creating club bangers yet seemingly more curious to explore dark yet heartfelt spaces between satire and science. From his explosive blunt weapon of a debut track "I Want to Go Bang,” almost ten years ago now,  to his innovative new album "A Guide to Hellthier Lifestyle." Bjarki shares how he weaves themes like environmental awareness  and the wellness industry into his music, shaping each track into a piece of conceptual art. Bjarki has built up a reputation for releasing under different pseudonyms and is able to create music that doesn't sit under one label, he's pretty hilariously dissmissive about how easy it is to make a club banger in our chat, for one. We discuss the creative journey of producing an album that examines wellness and influencer culture while embracing new technologies like spatial sound design to enhance the listener's experience. We also get to weave one of my favourite semi-regular sidenotes into the conversation — the connections between music and food!If you like what I'm doing with Lost and Sound, please like, rate, review or subscribe to the show on your podcast app of choice – it really does help. “A Guide To Hellthire Lifestyle” by Bjarki is released on February 7th, pre-order on Bandcamp.Follow me on Instagram at PaulhanfordLost and Sound is sponsored by Audio-TechnicaPaul's BBC World Service radio documentary “The man who smuggled punk rock across the Berlin Wall” is available now on BBC Sounds. Click here to listen.Paul's debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culturet Capital is out now on Velocity Press. Click here to find out more. Lost and Sound title music by Thomas Giddins

It's the 150th episode of Lost and Sound and I'm joined by the legendary DJ and producer Laurent Garnier, who this week releases his epic Fabric Presents Mix, celebrating 25 years of the London superclub.Garnier famously checks out 400+ tracks a day, and we discuss how he sustains his passion for music amidst an avalanche of daily releases. He underscores the relentless pursuit of musical treasures, maintaining that even in a saturated market, gems persist. Garnier also reflects on the evolution of DJ culture and music trends, highlighting the significance of resisting nostalgia and embracing fresh tracks while acknowledging the challenges posed by technological advances in music distribution.Our conversation also touches on the nuances of today's techno scene, where commercial and underground elements often blur, not always in the best way. Garnier's approach shifts towards intimate venues that prioritize artistic expression over mainstream success. Lastly, we celebrate Fabric's 25th anniversary with Garnier's contribution: a mix for each of Fabric's rooms and a special "fourth room" mix for home listeners. Garnier is also a keen cook, and we draw on the parralels between clubs and restaurants, and how good resident DJs fulfull the same need for the culture as good chefs do. I loved hearing his insights into maintaining a successful DJ career, understanding crowd dynamics, and the intricacies of performing for different audiences.If you like what I'm doing with Lost and Sound, please like, rate, review or subscribe to the show on your podcast app of choice – it really does help.fabric presents Laurent Garnier: celebrating 25 years of fabric. Initial deluxe vinyl and CD release: 29th November. Pre-order here. Follow me on Instagram at PaulhanfordLost and Sound is sponsored by Audio-TechnicaMy BBC World Service radio documentary “The man who smuggled punk rock across the Berlin Wall” is available now on BBC Sounds. Click here to listen.My  book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culturet Capital is out now on Velocity Press. Click here to find out more. Lost and Sound title music by Thomas Giddins

Join us for an immersive journey into the world of sound and creativity with electroacoustic composer, Sarah Davachi. Discover her unique methodology that combines a secular interest in pipe organs with innovative approaches to music composition and psychoacoustics. Sarah invites us into her world, sharing insights into the process behind her latest album, "The Head Has Form'd in the Crier's Choir," and reflects on her academic pursuits that enrich her art. Explore how Sarah balances the cerebral with the ethereal, blending insights from Greek mythology with modern musicology to craft evocative soundscapes. She reveals how taking inspiration from Monteverdi and Rilke helped her create a conceptual suite that embodies emotional depth and narrative coherence. Uncover her philosophy of creative limitations, where constraints are not obstacles but tools for shaping cohesive musical experiences."The Head Has Form'd in the Crier's Choir,” on BandcampFollow Paul Hanford on InstagramLost and Sound is sponsored by Audio-TechnicaPaul's BBC World Service radio documentary “The man who smuggled punk rock across the Berlin Wall” is available now on BBC Sounds. Click here to listen.Paul's debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culturet Capital is out now on Velocity Press. Click here to find out more. Lost and Sound title music by Thomas Giddins

Andy Bell, celebrated for his work with iconic guitar bands Ride and Oasis, takes us on an unexpected journey into the world of electronic music. We chat about his latest project, Glok, and the new album "Alliance," crafted alongside Timothy Clerkin. Ride's early '90s shoegaze influence is unmistakable in his electronic creations, making for a fascinating blend of past and present musical elements. This episode touches on Andy's humility and creative spirit, offering a fresh perspective on his evolving musical path.Our exploration of minimalism uncovers its surprising role as a common thread across diverse musical genres. Navigating personal music preferences often led to the term "psychedelia," yet it is minimalism that for him truly ties together interests ranging from post-punk to ambient sounds. Conversations about Ride's reunion reveal insights into how cultures and eras influence each other, emphasizing a continued evolution of sound. The authenticity of past musical revivals is questioned while finding genuine connections in minimalism and transcendence.A transformative recording session in 2012 marks the beginning of Andy's electronic music journey, as he shares experiences with software and effects. Creating music during lockdown led to a serendipitous collaboration with Timothy Clerkin, highlighting the unpredictability of remote music production. We reflect on the influence of Andrew Weatherall and the tracks born from this unique partnership, with "Empyrean" standing out as a testament to Glok's sound.“Alliance” by Glok and Timothy Clerkin is out now on Bytes and available here.Follow Paul Hanford on InstagramLost and Sound is sponsored by Audio-TechnicaPaul's BBC World Service radio documentary “The man who smuggled punk rock across the Berlin Wall” is available now on BBC Sounds. Click here to listen.Paul's debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culturet Capital is out now on Velocity Press. Click here to find out more. Lost and Sound title music by Thomas Giddins

What compels an artist to stay true to their vision in a world full of expectations and pressures? Join us as we sit with the genre-straddling Granada-born, Berlin-based DJ and producer Kid Simius. We explore the psychology behind an artist's decision to either fit in or break the mold, a theme central to hias career. He shares how the cultural backdrop of his hometown Granada and the bustling energy of Berlin have shaped his musical path, from his humble beginnings of releasing tracks in 2012 to performing on international stages.  Kid Simius opens up about the emotional rollercoaster of releasing music, the challenges of being an international touring DJ, and how these experiences have influenced his creative process. He candidly discusses the personal significance of naming his album "Jose," a choice that reflects clarity and authenticity. We talk about the delicate balance of maintaining artistic integrity while navigating external pressures from social media and music industry expectations. Kid Simius' journey emphasizes the importance of self-expression and letting go of self-judgment, encouraging listeners to interpret music in their own unique ways.“José” by Kid Simius is out now on Shall Not Fade. Check it out here.Follow Paul Hanford on InstagramLost and Sound is sponsored by Audio-TechnicaPaul's BBC World Service radio documentary “The man who smuggled punk rock across the Berlin Wall” is available now on BBC Sounds. Click here to listen.Paul's debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culturet Capital is out now on Velocity Press. Click here to find out more. Lost and Sound title music by Thomas Giddins

How did a friendship spanning nearly four decades evolve into one of the most compelling musical partnerships in Berlin's underground scene? Alexander Hacke and Daniella de Picciotto, collectively known as Hackedepicciotto, join us to share their remarkable journey. They open up about their creative processes, blending industrial beats, electronic sounds, and classical harmonies into what they call Symphonic Drone. Their latest album, "The Best of Hackedepicciotto (Live in Napoli)” is more than just a collection of live performances; it's a reflection of their artistic evolution and enduring commitment to pushing musical boundaries.Step back to the vibrant 1980s in Berlin—a city on the fringes. Hacke and de Picciotto reflect on the iconic underground music scenes of Berlin and New York, which served as creative ground zero for many artists. They share personal stories of this era and examine how the spirit of repurposing old ideas into new, groundbreaking concepts has influenced generations of musicians. Their experiences highlight the radical artistic atmosphere that fostered connections with like-minded individuals eager to challenge societal norms.Imagine a life without a permanent address, driven by artistic freedom and cultural exploration. This episode also uncovers the couple's unique nomadic lifestyle and its profound impact on their music-making. Hacke and de Picciotto discuss the philosophical and spiritual insights gained from their travels, emphasizing a broader understanding of global interconnectedness in the face of modern consumerism.The Best Of Hackedepicciotto (Live In Napoli) is out Nov 1st on Mute. Find out more here.Follow Paul Hanford on InstagramLost and Sound is sponsored by Audio-TechnicaPaul's BBC World Service radio documentary “The man who smuggled punk rock across the Berlin Wall” is available now on BBC Sounds. Click here to listen.Paul's debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culturet Capital is out now on Velocity Press. Click here to find out more. Lost and Sound title music by Thomas Giddins

Paula Tape enthuses her work as a rising DJ and producer with a deep love of following where the music leads and how this connects with her identity.  From her indie band days drumming as a youth in Santiago to spinning records at Panorama Bar, Glastonbury and Boiler Room, Paula unfolds her unique story. Discover how Milan has become her hub for creativity and how touring through South America became an inspiration behind her latest EP, "Acid Latino," a testament to her rich Latin heritage.As we explore the nuances of Paula's artistic evolution, she shares her ambition to experiment with new musical styles and collaborate with other artists, pushing boundaries with lyrics and live vocals. We discuss the profound impact her travels have had on her music, especially the cultural richness of South America. Paula's narrative is a journey of personal growth, rediscovering cultural identity, and the challenges and triumphs of expressing oneself in a new language.This episode also delves into the emotional landscape of DJing and producing, where Paula reflects on the powerful connections built with audiences worldwide. The conversation touches on the importance of self-belief and kindness, addressing how mental challenges like depression can affect creativity and how resilence can be built through experience. Acid Latino EP is released November 20th on Future Classics. Feel 2 Reel is out as a single now. Check out both here.Follow Paul Hanford on InstagramLost and Sound is sponsored by Audio-TechnicaPaul's BBC World Service radio documentary “The man who smuggled punk rock across the Berlin Wall” is available now on BBC Sounds. Click here to listen.Paul's debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culturet Capital is out now on Velocity Press. Click here to find out more. Subscribe to the Lost and Sound Substack for fresh updates and writing.Lost and Sound title music by Thomas Giddins

Bogdan Raczynski has created a body of work as enigmatic as it is enthralling. Rumoured to have been discovered sleeping on a bench in Tokyo by Aphex Twin, he's collaborated with Björk, remixed Autechre and at one point took a break from electronica to release an album inspired by Polish folk music.Bogdan reflects on nearly three decades of defying norms within the music industry. We discuss his latest work, "You're Only Young Once, but You Can Be Stupid Forever," which captures his signature blend of playfulness and depth. Through the lens of his childhood experiences as a political refugee and his unique perspective on the world, we explore how these elements shape his creative process and continue to influence his groundbreaking sound.  As we talk with Bogdan, we explore creativity beyond the constraints of commercial success—we ponder the societal limitations that stifle potential artists. Emphasizing the importance of ambiguity in art, Bogdan shares personal anecdotes from his past, challenging the conventional need for predefined interpretations and advocating for spontaneous, personal engagements with creative works.  Our conversation also delves into the complex interplay between music, identity, and defiance. Bogdan shares how moments of feeling different have shaped his artistic identity, from the childhood discovery of a humorous hip-hop cassette to finding his place within the IDM scene of the '90s. We also tackle the struggle of balancing music with other career paths and the journey towards achieving a flow state in creativity. You're Only Young Once But You Can Be Stupid Forever is available on Vinyl / CD / download / stream from 18th October on Disciples. Check it out here.Follow Paul Hanford on InstagramLost and Sound is sponsored by Audio-TechnicaPaul's BBC World Service radio documentary “The man who smuggled punk rock across the Berlin Wall” is available now on BBC Sounds. Click here to listen.Paul's debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culturet Capital is out now on Velocity Press. Click here to find out more. Subscribe to the Lost and Sound Substack for fresh updates and writing.Lost and Sound title music by Thomas Giddins

Ever wondered how a music legend evolves over five decades? Join us as we unravel the extraordinary journey of Steve Hillage, a counter-cultural icon whose influence stretches from the psychedelic 60s to today's electronic scene. Through his candid reflections, Steve takes us back to the Canterbury scene's pioneering days, his transformative years with Gong, and his innovative solo projects bridging prog rock and proto-ambient music. Learn how he seamlessly transitioned into production in the early 80s, leaving his mark on post-punk and electro-pop, creating a Baleiric classic in the process and onto his role in acid house and techno through System 7 and Mirror System.  Discover the intuitive artistry behind Steve's creative process, the importance of persistence, and how he balances various strengths in collaborations. Dive into his ground-breaking ambient work, "Rainbow Dome Music," and understand the dual performance strategy that distinguishes System 7 and Mirror System at festivals. Get a sneak peek into his latest ventures, including new albums and potential live recordings, all illustrating Steve's perpetual evolution and adaptability in the music industry. Route 77 – the new Mirron System album is out October 25thFollow Paul Hanford on InstagramLost and Sound is sponsored by Audio-TechnicaPaul's BBC World Service radio documentary “The man who smuggled punk rock across the Berlin Wall” is available now on BBC Sounds. Click here to listen.Paul's debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culturet Capital is out now on Velocity Press. Click here to find out more. Subscribe to the Lost and Sound Substack for fresh updates and writing.Lost and Sound title music by Thomas Giddins

Paul sits down with Danish producer and musician Anders Trentemøller, unpacking his journey from early electronic EPs to the lush, melancholic soundscapes of his latest album, "Dreamweaver." Anders opens up about his creative process, the emotional depth of his music, and even the quirks of writing lyrics in a language that's not his own.We also touch on the delicate balance between creativity and constraints. Anders  shares how setting artistic boundaries can actually ignite innovation, and contrast the introspective solitude of studio work with the energy of live performance. We dive into the struggles of writer's block and the importance of receiving constructive feedback, all while emphasizing the joy that comes from evolving a piece of music with trusted collaborators. Anders has gone from bedroom producer to international success and we dive into one of his key moments with the  seminal album, "The Last Resort."Finally, we explore how childhood influences and early musical experiences shape our paths. We also get a peek into his collaborative spirit, whether working with musicians like Rachel Goswell of Slowdive or navigating the complexities of evolving musical styles.Dreamweaver, Trentemøller's 7th studio album is out now, find out more here.Follow Paul Hanford on InstagramLost and Sound is sponsored by Audio-TechnicaPaul's BBC World Service radio documentary “The man who smuggled punk rock across the Berlin Wall” is available now on BBC Sounds. Click here to listen.Paul's debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culturet Capital is out now on Velocity Press. Click here to find out more. Subscribe to the Lost and Sound Substack for fresh updates and writing.Lost and Sound title music by Thomas Giddins

Ever wondered how an award-winning musician navigates an entire orchestra of analog synthesizers? Join us on this week's Lost in Sound as Paul sits down with Will Gregory, one half of Goldfrapp and head honcho of the Will Gregory Moog Ensemble. You'll hear about his journey from playing saxophone with Tears for Fears in the '80s to collaborating with industry giants like Peter Gabriel, The Cure, and Portishead in the '90s. Discover the inspiration behind the Moog Ensemble's latest album, ignited by Wendy Carlos's "Switched-On Bach." Gregory sheds light on the unique challenges and nostalgic appeal of using vintage synthesizers, the logistics of live performances, and the thematic choice of making an album about Archimedes, connecting mathematics with music in unexpected ways. The pandemic reshaped his creative process, resulting in compositions that blend literal and abstract interpretations, akin to a film score for an imaginary biopic about the ancient mathematician. Explore the ever-evolving landscape of music consumption with us, as we discuss the shift from detailed jazz albums to the instant gratification of digital platforms like TikTok. Gregory reflects on the impact of these changes on listening habits and the importance of live performances in sustaining the music industry. We also delve into the cultural and artistic shifts of the early '70s, highlighting the necessity of artistic growth and the continuous battle with creative uncertainty. This episode offers an intimate look at the artistic journey and evolution of an innovative musician who has consistently pushed musical boundaries. Will Gregory Moog Ensemble - a Digital Deluxe edition of their debut album, Heat Ray: The Archimedes Project, set for release on Mute on 27 September 2024. Follow Paul Hanford on InstagramLost and Sound is sponsored by Audio-TechnicaPaul's BBC World Service radio documentary “The man who smuggled punk rock across the Berlin Wall” is available now on BBC Sounds. Click here to listen.Paul's debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culturet Capital is out now on Velocity Press. Click here to find out more. Subscribe to the Lost and Sound Substack for fresh updates and writing.Lost and Sound title music by Thomas Giddins

Ever wondered how an artist balances authenticity while pushing the electronic music boundaries? Lara Jones, the London-based experimental producer, saxophonist, keyboardist, and lyricist, opens up about her creative journey and how her music has evolved from the ambient sounds of her 2020 EP "Enzo" to the more club-oriented beats of her latest release, "Divided EP." She candidly shares her thoughts on the importance of allowing her music to grow with her interests, the challenges of maintaining authenticity, and how her identity shapes her creative process.Lara reflects on the emotional toll of the pandemic and the joy she found in touring her EPs. We explore the changing landscape of the music scene post-COVID, the rise of online collaborations, and the shifting attitudes towards live events. Lara's journey in creating her new EP is a testament to her desire to connect with her audience through a more community-driven approach, all while embracing a raw and varied vocal style inspired by artists like Lorraine James.Lara delves into the realities of making do with limited resources and unconventional spaces, emphasizing the importance of a flexible and fluid creative process. We discuss the unique dynamics of recording versus live performance and the ephemeral nature of live shows. Lara also shares the significance of her latest ambient project, designed for a geodesic dome installation, showcasing how her previous works continue to evolve.The Divided EP by Lara Jones is available from Sept 13th, find out more hereFollow Paul Hanford on InstagramLost and Sound is sponsored by Audio-TechnicaPaul's BBC World Service radio documentary “The man who smuggled punk rock across the Berlin Wall” is available now on BBC Sounds. Click here to listen.Paul's debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culturet Capital is out now on Velocity Press. Click here to find out more. Subscribe to the Lost and Sound Substack for fresh updates and writing.Lost and Sound title music by Thomas Giddins

Ever wondered how an artist collects dreams and ideas to craft an album? Electronic producer, musician and DJ Kelly Lee Owens walks us through her unique creative process behind her upcoming release, "Dreamstate," highlighting the importance of staying present and open to inspiration. She also shares her experiences touring with legends like Depeche Mode and the Chemical Brothers, shedding light on the euphoric energy that fuels her latest work.From the solitary nature of creation to the electrifying energy of live performances, Kelly opens up about the concept of positive escapism through music. She shares the joy and freedom found in connecting with massive crowds and recounts memorable encounters that have shaped her career. The conversation also touches on her collaborations with iconic artists such as Tom Rowlands and Bicep, emphasizing how mutual respect and artistic synergy can elevate the creative output.Lastly, we delve into themes of self-improvement and gratitude, exploring how Kelly balances the demands of an artistic career with personal growth. She reflects on her journey from working in a record store to becoming a full-time musician, highlighting the lessons learned and the importance of self-acceptance. This episode promises a heartfelt and candid look into Kelly Lee Owens' world, offering listeners invaluable insights into the life of a passionate and dedicated artist.‘Dreamstate', Kelly's fourth studio album is released Friday 18th October via dh2 and available to pre-order here.Follow Paul Hanford on InstagramLost and Sound is sponsored by Audio-TechnicaPaul's BBC World Service radio documentary “The man who smuggled punk rock across the Berlin Wall” is available now on BBC Sounds. Click here to listen.Paul's debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culturet Capital is out now on Velocity Press. Click here to find out more. Subscribe to the Lost and Sound Substack for fresh updates and writing.Lost and Sound title music by Thomas Giddins

Ever wondered what it's like to transition from being one of the UK's first graffiti writers to a distinguished DJ and producer? In our latest episode, we sit down with Richard Sen, who not only faced prison for his graffiti but also first started DJIng through the Acid House movement of the late '80s. We journey through his eclectic career, exploring his collaborations with icons like Brian Ferry and LCD Soundsystem, and discussing the impact of his new album "India Man," which delves deep into his multicultural heritage.Richard's story is a captivating blend of musical evolution and cultural exploration. From early influences shaped by a legendary Rolling Stones concert to discovering his own music taste through the Two-Tone movement and 80s pop, Richard takes us through the sounds that formed his artistic persona. We also explore the profound influence of hip-hop on his life, particularly how seminal works like "Subway Art" and "Style Wars" inspired his graffiti art during the turbulent times of Thatcher's Britain.But Richard's journey doesn't stop at music and art. He's also a criminology scholar and volunteer, dedicated to helping prisoners reintegrate into society. We discuss how his academic pursuits and volunteer work with Saint Giles Trust have provided him with a unique perspective on the justice system. Join us for an episode rich with personal anecdotes, cultural insights, and the transformative power of art and community.To let us know the artists you'd like to hear, send us an email or even a letter. We'd love to hear! Listen and buy Richard Sen's “India man” here.Listen to Richard's show on Do!! You!!! Radio every Fri 12-2pm here.Follow Paul Hanford on InstagramLost and Sound is sponsored by Audio-TechnicaPaul's BBC World Service radio documentary “The man who smuggled punk rock across the Berlin Wall” is available now on BBC Sounds. Click here to listen.Paul's debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culturet Capital is out now on Velocity Press. Click here to find out more. Subscribe to the Lost and Sound Substack for fresh updates and writing.Lost and Sound title music by Thomas Giddins

Prepare to be inspired as we bring you an electrifying conversation with Blixa Bargeld, the visionary behind Einstürzende Neubauten and a former pivotal figure in Nick Cave and the Bad Seeds. Discover Blixa's groundbreaking approach to music, from the inventive use of found objects to his rigorously disciplined writing techniques. He shares fascinating, lesser-known anecdotes involving music legends like Jimmy Page and John Lydon, all while combining his signature intensity with moments of humor and profound insight.Journey with us as we unravel the vibrant musical connections between Berlin and New York, delving into how the unique conditions in both cities fueled a wave of artistic experimentation. Learn about the impact of urban decay and affordability on Berlin's underground culture, drawing parallels to New York's creative flux during the same era. We also explore Neubauten's latest album "Rampen," delving into its live improvisational essence and the playful genre term "Alien Pop Music," emphasizing how creative constraints can spark unparalleled innovation.Lastly, we dive deep into Blixa's cryptic and non-linear writing style, understanding how he values the resonance of his work, even if it touches just one person. Blixa reveals his approach to improvisation and how the band's music serves as a medium for intellectual and artistic exploration. Through personal stories about Berlin's music scene in the 70s and 80s and his evolving writing process over the decades, this episode offers an intimate and compelling look into the mind of an avant-garde musical legend.To let us know the artists you'd like to hear, send us an email or even a letter. We'd love to hear! Listen and buy Einstürzende Neubauten's “Rampen” here.Follow Paul Hanford on InstagramLost and Sound is sponsored by Audio-TechnicaPaul's BBC World Service radio documentary “The man who smuggled punk rock across the Berlin Wall” is available now on BBC Sounds. Click here to listen.Paul's debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culturet Capital is out now on Velocity Press. Click here to find out more. Subscribe to the Lost and Sound Substack for fresh updates and writing.Lost and Sound title music by Thomas Giddins

What happens when a multifaceted artist like Rosie Lowe decides to record an album across multiple countries with nothing but a studio in a bag? Join us as Rosie shares the compelling story behind her newest creation, "Lover Other," and the profound influence of her upbringing in a musically rich family. From the soulful streets of Florence to the vibrant energy of Berlin, discover how different environments shaped the raw and spontaneous sounds of her latest work.We also dive into the complexities of navigating the modern music industry while staying true to one's artistic vision. Rosie opens up about the eclectic musical influences she inherited from her family and the challenge of resisting the industry's urge to box her into a specific genre. The conversation takes a closer look at the tension between authenticity and the pressures of self-promotion, offering valuable insights for any aspiring musician grappling with the business side of music.Rosie Lowe also sheds light on the importance of well-being and therapy in her life. From daily rituals like meditation and gratitude practices to the therapeutic nature of songwriting, Rosie reveals how these tools help her maintain balance and foster creativity. Whether you're a music enthusiast or someone seeking personal growth, this episode promises an enriching journey through the intersections of music, mental health, and self-discovery.To let us know the artists you'd like to hear, send us an email or even a letter. We'd love to hear! Lover, Other by Rosie Lowe is available from August 16th. Pre-order it here.Follow Paul Hanford on InstagramLost and Sound is proudly sponsored by Audio-TechnicaPaul's debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. Subscribe to the Lost and Sound Substack for fresh updates and writing.Lost and Sound title music by Thomas Giddins

DJ Fuckoff returns with a bang! After moving to Berlin with just a backpack and big dreams, our guest DJ Fuckoff skyrocketed to fame during the lockdowns with her electrifying streaming sets. We explore her unique blend of genres and find out how she taps into the emotional pulse of the crowd, creating unforgettable experiences on the dance floor. Get ready to hear about the empathetic side of DJing and how she balances her own mood with crowd reactions to create an inclusive and engaging atmosphere.Next, we dive deep into creative freedom and personal empowerment with DJ Fuckoff. Her breakthrough album "Fucktopia" marked a pivotal moment in her career by allowing her to explore diverse genres, from hardcore techno to ambient. We discuss the pressures of producing new music, the role of social media, and her choice to take a more relaxed approach to her craft. Discover how the conceptual framework of "Fucktopia" ties her tracks together and how her bold moniker has grown to symbolize a blend of confrontation and empowerment.Finally, DJ Fuckoff opens up about the intersection of anxiety and empowerment in the world of DJing, especially from a female perspective. She candidly shares personal experiences with sexism and inappropriate behavior in the industry, emphasizing the importance of speaking out against such misconduct. From her early exposure to music in Auckland to her father's influence in the psytrance scene, we journey through her musical upbringing and the path that led her to DJing success. Tune in for some valuable advice for aspiring DJs: play what you love and stay true to yourself.Check out DJ Fuckoff's work hereTo let us know the artists you'd like to hear, send us an email or even a letter. We'd love to hear! Follow Paul Hanford on InstagramLost and Sound is proudly sponsored by Audio-TechnicaPaul's debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. Subscribe to the Lost and Sound Substack for fresh updates and writing.Lost and Sound title music by Thomas Giddins

What happens when a Canadian multi-instrumentalist decides to blend jazzy electronic R&B with indie rock? Join us on Lost in Sound as Peter Sagar, better known as HOMESHAKE, takes us through his creative journey, right from the comfort of his Toronto home studio. Discover the intentional shift in his musical style, the influence of his early exposure to jazz, and the nurturing music scene in Edmonton, where he cut his teeth in Mac De Marco's live band, that shaped his unique sound. Peter also shares his candid thoughts on being labeled as "bedroom pop" and how his latest album, "Horsey," marks a significant step in his evolving artistic identity.In our candid chat, Peter reflects on a recent trip to Greece and the historical richness of Athens, emphasizing the need for breaks before the whirlwind of album promotion and touring. We discuss the emotional highs and lows of touring, the peculiar sense of disconnection it brings, and the challenges of maintaining personal connections and mental health on the road. For anyone intrigued by the complexities of a musician's life, Peter's insights offer a raw and intimate perspective.Peter also opens up about the transformative impact of streaming on the music industry and the sense of loss for the pre-digital era's community spirit. He shares his joy of discovering new music that maintains its mystery and magic, and how this influences his own production process. Wrapping up the episode, we chat about the spontaneous and subconscious nature of creating music, the discomfort artists feel with genre labels, and the idea of music ownership once their work enters the public sphere. Join us for a deep and heartfelt conversation with Homeshake that's sure to resonate with music lovers and aspiring artists alike.Horsie and CD Wallet are available to stream and purchase via BandcampTo let us know the artists you'd like to hear, send us an email or even a letter. We'd love to hear! Follow Paul Hanford on InstagramLost and Sound is proudly sponsored by Audio-TechnicaPaul's debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. Subscribe to the Lost and Sound Substack for fresh updates and writing.Lost and Sound title music by Thomas Giddins

What if you could blend the haunting echoes of history with cutting-edge electronic music? This week, Swedish composer Maria W. Horn reveals the secrets behind her spectralist compositions. We delve into her latest album, "Panoptikon," and how she seamlessly integrates ghostly choirs and recordings from an abandoned Swedish prison to evoke emotions that are both eerie and deeply human. Maria's background growing up in a remote Swedish area plays a significant role in her creative process, offering a unique perspective on the importance of community for artists.Maria shares invaluable insights on developing a unique voice, free from external pressures, and the benefits of embracing mistakes and uncertainties. She uses tools like SuperCollider to add an element of unpredictability to her work.Our discussion takes a fascinating turn as Maria describes her site-specific sound art projects, particularly her installation in Sweden's only panoptic prison. The emotional resonance of the prison's history inspired her to create an imaginary prison choir, combining sound and light to evoke the cycle of daylight and lamenting voices. Maria also opens up about her creative routines, the impact of COVID-19 on her life, and offers heartfelt advice to young artists. Trusting one's instincts, valuing friendships, and courageously releasing work independently emerge as key takeaways from our conversation.Panoptikon is available now, listen an buy on BandcampTo let us know the artists you'd like to hear, send us an email or even a letter. We'd love to hear! Follow Paul Hanford on InstagramLost and Sound is proudly sponsored by Audio-TechnicaPaul's debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. Subscribe to the Lost and Sound Substack for fresh updates and writing.Lost and Sound title music by Thomas Giddins

Send us a Text Message.What does it take to balance a life of activism and artistry? We sit down with musician, activist and sometimes writer Malonda for a thoughtful conversation where the self styled electric diva and dedicated activist shares the raw realities of juggling her passion for social change with a vibrant musical career. Get an insider's look into this Berlin-based artist‘s struggles with creative burnout, writer's block, and the unwavering resilience that fuels her belief that “defeat is never an option.” We discuss the role of visual components in music and the intricate process of grounding art in broader contexts as well as her non-linear artistic process that challenges conventional Eurocentric methods. The episode offers a humorous yet insightful look at the frustrations of unfinished projects and the language hurdles of living in Berlin, along with the collaborative magic that brings music to life.  This episode was recorded live on October 15th 2023 at Berlin's PodfestTo let us know the artists you'd like to hear, send us an email or even a letter. We'd love to hear! Malonda's album Mein Herz ist ein dunkler Kontinent is available via Applem Spotify, Amazon and wherever you get your musicThe video for recent single Scheißangst you can check out hereThe Miseducation of Achan Malonda podcast is hereFollow Paul Hanford on InstagramLost and Sound is proudly sponsored by Audio-TechnicaPaul's debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. Subscribe to the Lost and Sound Substack for fresh updates and writing.Lost and Sound title music by Thomas Giddins

Send us a Text Message.What happens when an artist refuses to conform to industry norms and continually pushes musical  boundaries? Join Paul for an enthralling conversation with the iconic Róisín Murphy, who has spent nearly three decades mesmerizing audiences with her unique blend of electronica, disco, house, techno, and soul. This arrives on the heels of her latest project, "Hit Parade Remixes," featuring interpretations of tracks from her most recent studio album by the likes of Moodymann, Payfone, and Eli Escobar.In this episode, we dissect the artistry behind Róisín's music production, from her character-driven vocal performances to her complex, layered songwriting. Róisín shares her fascination with topics like oxytocin and we also reflect on Róisín's early days with Moloko, the vibrant Sheffield music scene and her transformative collaborations, particularly with Matthew Herbert. Róisín offers poignant insights into her personal and professional journey, exploring how family, inspiration, and the unpredictability of creativity have shaped her sound. From nostalgic reflections on the dynamic Moloko era to the emotional resonance of dance music. Hit Parade Remixes is available here.To let us know the artists you'd like to hear, send us an email or even a letter. We'd love to hear! Follow Paul Hanford on InstagramLost and Sound is proudly sponsored by Audio-TechnicaPaul's debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. Subscribe to the Lost and Sound Substack for fresh updates and writing.Lost and Sound title music by Thomas Giddins

Send us a Text Message.Composer and musician Caterina Barbieri talks with Paul about her deeply philosophical and instinctive approach to synthesizers and building sonic communities. We chat about Caterina's journey from the classical conservatories of Bologna to the community-enriched soundscape of Berlin, capturing her transformation into a pioneer of electronic music. Woven into our conversation are the threads of Caterina's personal discovery, involving discovering the physical properties of sound at a SUNN O))) gig, how she navigates the often codified world of modular synthesis and finding a church like experience playing at Berlin's iconic Kraftwerk space. Caterina Barbieri's online shop is here.To let us know the artists you'd like to hear, send us a message. We'd love to hear! Follow Paul Hanford on InstagramLost and Sound is proudly sponsored by Audio-TechnicaPaul's debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. Subscribe to the Lost and Sound Substack for fresh updates and writing.Lost and Sound title music by Thomas Giddins

Send us a Text Message.When Jonnie Wilkes and former Lost and Sound guest JD Twitch began their Optimo Espacio night one sunday in 1997 at Glasgow's Sub Club, did they think that their eclectic style of mixing house and techno with post-punk, krautrock and far outt exotic treats would kickstart an institution, as well as carve the way for a dancefloor seachange?On this week's show, Jonnie takes the mic to share his auditory odyssey with us. The narrative weaves between his distinct loves for both DJing and music production, and how this ties into a background in fine art. With over two decades of experience to his name, Jonnie offers profound insights into how his artistry has shaped and been shaped by the reverberations of the industry. This echoes into talking about jis recently released Naum Gabo album (made with James Savage and released on the hugely influential DFA Records) is a dark, post-industrial journey that explores the outer reaches of electronics.Wilkes' candid reminiscences and musings on the emotional tapestry of live performances cast light on the intimate connections forged between DJ and audience, how our physical surroundings influence our creative process and the fluidity of art.F.Lux by Naum Gabo is available now here.Paul Hanford on InstagramLost and Sound is proudly sponsored by Audio-TechnicaPaul's  book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is published by Velocity Press. Click here to find out more. Subscribe to the Lost and Sound Substack for fresh updates and writing.Lost and Sound title music by Thomas Giddins

Matthew Collin has written some of the most seminal books about electronic music culture. His latest, ”Dream Machines," captures the essence of innovators who embraced technology to shape the future of music, through looking at electronic in Britain from Doctor Who to Acid House.  Our dialogue spans the rich textures of synth-pop, the deep grooves of dub, and the raw energy of hip-hop, all set against the backdrop of social and cultural revolutions that have ignited forward facing music.Uncover the influences that have invigorated the electronic music scene, from the revolutionary tape recorders post-World War II to the democratisation of music production that gave rise to bedroom techno artists and acid house legends. Matthew sheds light on the Hartnoll brothers' epic "Chime," and how the biggest expense for the track was £3.50 for cassette. We navigate the complexity of maintaining inclusivity in an industry that's ever-evolving, especially as new technologies like generative AI continue to push the boundaries of what's possible in music innovation.We explore the intriguing connections between psychedelic music and drugs, where the tabloid frenzy around acid house and ecstasy inadvertently fuelled a cultural movement. We reflect on the indelible marks left by pioneers like Delia Derbyshire and the BBC Radiophonic Workshop on synthesizer-driven pop. Matthew and Paul muse over the challenges of chronicling iconic figures and the importance of placing them within the ever-shifting cultural landscapes.Dream Machines is available now, published by Omnibus PressPaul Hanford on InstagramLost and Sound is proudly sponsored by Audio-TechnicaPaul's debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. Subscribe to the Lost and Sound Substack for fresh updates and writing.Lost and Sound title music by Thomas Giddins

Chloé Caillet's career has blown up expodentially in the last couple of years and now with her LGBTQ+ party series SMIILE currently touring the world, the DJ, producer, label owner and party starter sits down with Paul to reflect on her journey.Growing up between Paris, New York and London, Chloé taps into her rock origins, unveiling her advocacy for Queer party values and talks about balancing the demanding rhythm of a music career with the essential practices of mindfulness, fitness, and therapy. The episode pulsates with Chloe's drive to remain authentic in an industry that constantly evolves, and her insights are a beacon for those navigating the frenetic world of music and self-discovery.This week's episode isn't just about beats and basslines; it's an anthem to the spaces that music creates and the communities it builds. Our conversation dives into the symbiotic dance between DJing, production, and the influence of diverse musical spaces – from band nights in Paris to the ecstatic communion of raves. We revel in the shared energy that courses through genres, binding the likes of Andrew Weatherall with the unadulterated joy of discovery.Chloé and Paul round off with a reflection on the scene's metamorphosis, the social fabric of past and present raves, and the how social media is altering underground culture. We share the electric buzz of creating inclusive, empowering spaces that resonate with authenticity, as evidenced by a transformative party in Los Angeles where barriers were joyfully dismantled.Follow SMIILEPaul Hanford on InstagramLost and Sound is proudly sponsored by Audio-TechnicaPaul's debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. Subscribe to the Lost and Sound Substack for fresh updates and writing.Lost and Sound title music by Thomas Giddins

Luke Slater has remained an authentic titan in underground clubland for over 35 years. Among the very first European DJs and producers to be influenced by the techno and house coming out of Detroit and Chicago, he speaks with Paul ahead of the release of his new LB Dub Corp album.Luke and Paul dissect the seismic cultural shifts that propelled a once clandestine scene into a global phenomenon, pondering the balance between the rebellious soul of the genre and its mainstream allure. The dialogue ventures into the impact of technology on music creation, revealing how artists like Slater are not just navigating but shaping this science-fiction reality we live in today.The episode crescendos as we explore Slater's alchemic process of fusing diverse musical influences, from dub to collaborating with legends like Robert Owens and a spontaneous musical partnership with Miss Kitten. As we recount the journey of Planetary Assault Systems and the birth of tracks shaped by the unique acoustics of venues like Berghain, we draw back the curtain on the philosophy that drives this techno virtuoso's life and art.The new LB Dub Corp album ‚Saturn To Home‘ is out on Dekmantel on May 24th 2024. Pre-order it here.Paul Hanford on InstagramLost and Sound is proudly sponsored by Audio-TechnicaPaul's debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. Subscribe to the Lost and Sound Substack for fresh updates and writing.Lost and Sound title music by Thomas Giddins

Imagine stepping into a studio where the walls echo with a fusion of alt-pop and club ready electronic innovation, colored with the vibrant heritage of Honduran American culture. That's the journey we embark upon with multi-hyphenate Lorely Rodriguez, better known as Empress Of. Lorely doesn't just talk about her music, she takes us through the raw and transformative process of her creative process.The conversation takes us deeper, where the art of music production unfolds in its most genuine form. Stripping back the layers, Lorely muses on how the simplest of melodies can sometimes reveal the true strength of a composition. The chat turns to tales of stepping into the unknown, embracing the newness of a studio gadget, or the raw vulnerability of an acoustic performance.For Your Consideration by Empress Of is available now here.Presented and produced by Paul Hanford Paul Hanford on InstagramLost and Sound is proudly sponsored by Audio-TechnicaPaul's debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. Subscribe to the Lost and Sound Substack for fresh updates and writing.Lost and Sound title music by Thomas Giddins

Sebastian Mullaert, prodigious electronic musician and former classical violist, voted by Resident Advisor as one of the world's top live acts and twice Swedish Grammy nominated, reveals the enigmatic blend of spontaneity and meticulous craftsmanship that defines his practice, from his transition into electronic music, his acclaimed Circle Of Live project and his latest collaborative project HIND with Henrik Frendin.The essence of creativity and connection takes centre stage in this episode, where the interplay between intellect and emotion in music is dissected. Sebastian explores the transformative power of presence in the artistic process. Music lovers and creators alike will find resonance in our discussion on the challenges of pop production, and the importance of infusing recordings with the authenticity of the human touch.Finally, we challenge conventional notions of creativity, venturing beyond the quantifiable into the realm of natural energy and life force. In a society that often equates creativity with productivity, Sebastian advocates for an approach that honours the ebb and flow of the artistic cycle, emphasising the importance of nurturing an environment where artists can truly thrive. Sebastian Mullaert's insights serve as both inspiration and invitation to rediscover the joys of unfettered artistic expression.The album HIND – Sebastian‘s collaboration with Henrik Frendin is released 24th May via Lamour Records, pre-order it here.Presented and produced by Paul Hanford Paul Hanford on InstagramLost and Sound is proudly sponsored by Audio-TechnicaPaul's debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. Subscribe to the Lost and Sound Substack for fresh updates and writing.Lost and Sound title music by Thomas Giddins

Alt R&B sonic sculptor Eddington Again and I shared stories of our creative voyages—one leading to the bustling streets of Berlin, and the other to the quiet solitude of a writing nook. In our latest episode, the songwriter, singer and composer delves into their artistic metamorphosis, charting a course from their West Coast beginnings to the introspective melodies of their debut album "Naomi 9." Our conversation taps into how physical spaces, from sun-kissed coasts to the brooding German capital, leave an indelible mark on artistic expression. There's an unspoken language in the meticulous composition of music, much like the careful curation of a living space. This episode peels back the layers of Eddington Again‘s songwriting craft, where each note is placed with intention, telling its own story. We wax poetic about the pressures of industry demands and the constant pursuit of output, celebrating the purest form of expression that emerges despite, or perhaps because of, these challenges. It's a dialogue that honors the intricate dance of creating art that resonates with the soul of listeners. Finally, we bridge the gap between solitude and the rich tapestry of collaboration. Reflecting on the transition from pen to keyboard, and how our individual journeys through isolation can unexpectedly fuel the creative flames. Eddington Again opens up about the dynamics of working solo versus in harmony with others, and the search for those rare collaborators who share the same fervor for music. Eddington Again‘s album Naomi9 is out now on !K7 Records herePresented and produced by Paul Hanford Paul Hanford on InstagramLost and Sound is proudly sponsored by Audio-TechnicaPaul's debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. Subscribe to the Lost and Sound Substack for fresh updates and writing.Lost and Sound title music by Thomas GiddinsINSTA

Have you ever wondered what it takes to assert artistic independence in the ever-changing maelstrom of the music industry? Alt popstar Allie X joins us this week to unravel the tapestry of her career, from the depths of Canada's underground to her rise to stardom, and the creative force behind her latest LP "The Girl With No Face." Together, we traverse the terrain of her musical influences, the unmistakable imprint of '80s new wave and synthpop on her work, and the challenges she had been secretly braving in the industry.Through tales of attending legendary rock concerts to embracing the nuances of goth culture, we celebrate the journey of music-making and the intimate relationship between influence and personal expression. Allie X pulls back the curtain on the meticulous craft of album production, from the steep learning curves to mastering Ableton Live—all through the lens of an artist who maintains control over every beat of her journey.As the spotlight intensifies, we get real about the seldom-discussed intersection of chronic illness and the music industry. The conversation shifts to the raw and vulnerable aspects of Allie X's life, challenging the norms of what it means to be a public figure with private battles. Hear how the power of fan support emboldens authenticity and risk-taking in an artist's evolution. We wrap up with the emotional highs and lows that accompany an artist's trajectory, emphasizing the significance of resilience and the profound impact of a community that listens and lifts each other up through the rhythm of life.The Girl With No Face is available now, order it here.Presented and produced by Paul Hanford Paul Hanford on InstagramLost and Sound is proudly sponsored by Audio-TechnicaPaul's debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. Subscribe to the Lost and Sound Substack for fresh updates and writing.Lost and Sound title music by Thomas Giddins

Step into the ambient world of trailblazer Dr. Alex Paterson of The Orb, sharing his captivating story on Lost in Sound. Our journey with Alex takes us from the inception of ambient house to his acoustic adventures with the Sedibus project, all while uncovering the artistic vigor that has fueled his five-decade-long voyage through the music industry. We relish the nostalgia of chart-topping victories, a totally surreal chess-themed performance on Top of the Pops, and delve into the enduring resonance of "Little Fluffy Clouds."With laughter and earnest reflection, Alex recalls the exuberance of the acid house scene, his time as a roadie for Killing Joke, and the antics of The KLF, painting a vibrant picture of the friendships and chaos that shaped an era. This episode isn't just a look back at the past; it's a testament to music's timeless journey and the undying passion that drives an artist like Alex, who eschews retirement and zeitgeist for the relentless pursuit of creation.Finally, through candid anecdotes and personal memories, Alex provides insight into the lasting influence of late artists, muses humorously about secret islands for escaping fame, and shares how non-traditional musicians like himself have brought new sounds to the forefront. From wild rave stories to the enduring friendships forged in the heat of the acid house scene's heyday, this episode is an affectionate homage to the rhythms that keep legends like Dr. Alex Patterson crafting the soundtrack of our lives.The second Sedibus album ‘SETI' out now on Orbscure Recordings, check it out here. Presented and produced by Paul Hanford Paul Hanford on InstagramLost and Sound is proudly sponsored by Audio-TechnicaPaul's debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. Subscribe to the Lost and Sound Substack for fresh updates and writing.Lost and Sound title music by Thomas Giddins