Podcasts about rust and bone

In this episode, we're joined by Paul Cartlich, VP and Creative Director of Intermission Film. Paul shares personal experiences of imposter syndrome and the influence of music on his editing career, detailing his non-traditional journey into the world of film trailers. The episode explores the history and evolution of the trailer industry, with insights into its development particularly in London and its expansion into the US market. Paul discusses working with iconic editors, adapting to remote work, and the potential impact of AI on the industry. He highlights memorable campaigns (see below for some links) and the challenges of maintaining creative quality amidst technological advancements. Additionally, our conversation honors industry pioneers and we discuss key figures like Hitchcock and Kubrick, underscoring the continuous evolution of the industry while inviting admiration towards its legendary contributors.   https://intermissionfilm.com/ https://www.paulcartlich.com/ THE BOYS - https://www.paulcartlich.com/the-boys RUST AND BONE - https://www.paulcartlich.com/rust-and-bone DUNE PT 2 - https://www.paulcartlich.com/dune THE BOOK OF BOBA FETT - https://www.paulcartlich.com/boba FARGO S4 - https://www.paulcartlich.com/fargo-s4   Be sure to check out our wonderful sponsors:  Brent Allen Hagel - www.brentallenhagel.com/   The Golden Trailer Awards - goldentrailer.com/   ALIBI Music - alibimusic.com/     Please leave us a rating and review: https://apple.co/3QYy80e   You can find Corey on all the socials @coreysnathan such as www.linkedin.com/in/coreysnathan.

Foreign Film. Chapter 4 covers Marion Cotillard's French romance drama, Rust and Bone.As always, if you have any suggestions for what you'd like to see reviewed, ways that we can improve the podcast as a whole, or questions that you'd like to have read/answered during our weekly podcast, please contact us via any of the methods listed below! We'd love to hear from you :)Buy Bonus Shows: FilmBuds.Bandcamp.comBecome a Member: Patreon.com/FilmBudsFollow Film Buds:Film Buds on InstagramFilm Buds on TwitterFilm Buds on FacebookFilm Buds on Bandcamp (70+ Bonus Episodes)Film Buds on YouTubeSend Us Suggestions/Questions/Comments: TheFilmBudsPodcast@gmail.comOur Other Podcasts:Music BudsFrankenFilmsElle DeWeese Photography:Instagram: @ElleDeWeesePhotographyLLCFacebook: @ElleDeWeesePhotographyLLCWebsite: Elle DeWeese Photography LLC

This episode is also available as a blog post: https://allenwatcheseverything.wordpress.com/2012/11/07/rust-and-bone-de-rouille-et-dos-2012-3-55/ --- Send in a voice message: https://anchor.fm/al625/message

This week we discuss two films, both excellent character studies, from award-winning French director Jacques Audiard. The first is Dheepan (2015), the story of a makeshift family of 3 Tamil refugees relocated to a tough housing estate in France. The film, inspired by Sam Peckinpah's Straw Dogs, won the Palme d'Or at Cannes. The second is Rust and Bone (2012), based on the short story collection of the same name by Canadian Author Craig Davidson. The film meshes 2 of the short stories together, with a down on his luck boxer befriending an Orca trainer who experiences a life-changing injury.   Timestamps Dheepan (00:09:35) Rust and Bone (00:57:00)   Links Justwatch.com – streaming and rental links https://www.justwatch.com   Marion Cotillard and Matthias Schoenaerts interview https://www.youtube.com/watch?v=fWmJEqKvkts   Trentemoller – State Trooper Remix https://www.youtube.com/watch?v=Vz1wN5tFfu4

2012's foreign language awards magnet is under the sexy microscope this week, as Roe and Rory examine the cinematic depiction of a life-changing injury, and disability scholars' thinking about this representation of the sex life of a character with a disability. Tangents include the magnetic chemistry between Marion Cotillard and Matthias Schoenaerts, women internalising the male gaze, why great f*ck-buddies are the world's unsung heroes, and the tragic tale of the loneliest whale in the world.

Dive into a world of orcas and bare-knuckle fights on this week's Pick of the Flicks Podcast. Director Nick Rowland – the man behind new crime drama CALM WITH HORSES – reveals his love for Jacques Audiard's stunning drama RUST AND BONE, starring Marion Cotillard and Matthias Schoenaerts. We discuss the movie's unusual tonal jumps, Schoenaerts' bruising physicality and the rally driving film Rowland wants to make next.On The Pick of the Flicks Podcast, a different guest every week stops by to discuss their favourite movie of all time. We are proudly part of the Flickering Myth Podcast Network.If you enjoy the podcast, please subscribe on iTunes, Stitcher, Spotify and Player FM and leave us a comment, rating or review. For more entertainment news, reviews and interviews, head over to http://www.flickeringmyth.com/

The audience at La Mama Courthouse demanded encore bows from the cast of Rust and Bone on the night of its Victorian premiere performance, which they very humbly gave and most definitely deserved. Caleb Lewis’ three-pronged play asks a lot of its actors, and quite a bit from its audience as well. A trio of male performers - Luke Mulquiney, Adam Ibrahim and Glenn Maynard in this production - play out three of the stories from Craig Davidson's collection of the same title. Ibrahim plays a SeaWorld whale trainer whose leg was torn off by an Orca, Maynard a fading boxer in need of someone to fight for, and Mulquiney a crazed dog fighter who's struggling with his infertility. The narratives are all interspersed, such that Lewis needs to carefully choose when to switch from one to the next, director Daniel Clarke has to think carefully about how to transition between stories, and the actors have to be ready to change gears in an instant. As well as that, each of them needs to have the range to play all of the key supporting characters in the other two stories, most memorably a vigorous American boxing trainer, a bouncy surrogate son, a long-suffering wife and a lively new girlfriend. It’s always impressive when actors can play different ages, genders and nationalities without falling into stereotypes or farce. It certainly changes the equation when multiple stories are being told at once. It can make it harder for the audience to orient themselves at the beginning, and easier for them to drift away in the middle. The strong characterisations certainly help here, as does the very tight choreography by Ingrid Voorendt. For her, a boxing punch, the shattering of rust and bone, becomes a very effective motif to express the torment of these three characters. It definitely makes for the cleanest transitions, and, if nothing else, snaps the audience out of any confusion. Certain parts of each story feel very similar and almost interchangeable, which often seemed intentional. Of course, all three protagonists are men who are frustrated with the limitations of their bodies, and who loathe themselves much more than those around them ever could. There’s always something exhilarating about watching parallel lives play out in such tantalising proximity, both literally given it’s a small stage but also in terms of their inner experiences, even if their outer experiences might be wildly different. Making this many hops between the three stories, Lewis doesn't always land gracefully. Not all of the threads get tied securely, and some of the most thought-provoking moments are barely given any breathing space. No doubt, for each audience member, one narrative will probably emerge with all the connections intact while another might have a few pieces missing for them. It all depends on what makes a greater impression on you: the spiritual escapism of the whale story, the primal intensity of the boxer's tale or the urgent pathos of the dog fighter's plight.

The audience at La Mama Courthouse demanded encore bows from the cast of Rust and Bone on the night of its Victorian premiere performance, which they very humbly gave and most definitely deserved. Caleb Lewis’ three-pronged play asks a lot of its actors, and quite a bit from its audience as well. A trio of male performers - Luke Mulquiney, Adam Ibrahim and Glenn Maynard in this production - play out three of the stories from Craig Davidson's collection of the same title. Ibrahim plays a SeaWorld whale trainer whose leg was torn off by an Orca, Maynard a fading boxer in need of someone to fight for, and Mulquiney a crazed dog fighter who's struggling with his infertility. The narratives are all interspersed, such that Lewis needs to carefully choose when to switch from one to the next, director Daniel Clarke has to think carefully about how to transition between stories, and the actors have to be ready to change gears in an instant. As well as that, each of them needs to have the range to play all of the key supporting characters in the other two stories, most memorably a vigorous American boxing trainer, a bouncy surrogate son, a long-suffering wife and a lively new girlfriend. It’s always impressive when actors can play different ages, genders and nationalities without falling into stereotypes or farce. It certainly changes the equation when multiple stories are being told at once. It can make it harder for the audience to orient themselves at the beginning, and easier for them to drift away in the middle. The strong characterisations certainly help here, as does the very tight choreography by Ingrid Voorendt. For her, a boxing punch, the shattering of rust and bone, becomes a very effective motif to express the torment of these three characters. It definitely makes for the cleanest transitions, and, if nothing else, snaps the audience out of any confusion. Certain parts of each story feel very similar and almost interchangeable, which often seemed intentional. Of course, all three protagonists are men who are frustrated with the limitations of their bodies, and who loathe themselves much more than those around them ever could. There’s always something exhilarating about watching parallel lives play out in such tantalising proximity, both literally given it’s a small stage but also in terms of their inner experiences, even if their outer experiences might be wildly different. Making this many hops between the three stories, Lewis doesn't always land gracefully. Not all of the threads get tied securely, and some of the most thought-provoking moments are barely given any breathing space. No doubt, for each audience member, one narrative will probably emerge with all the connections intact while another might have a few pieces missing for them. It all depends on what makes a greater impression on you: the spiritual escapism of the whale story, the primal intensity of the boxer's tale or the urgent pathos of the dog fighter's plight.See omnystudio.com/listener for privacy information.

Vi ser denne gang flere sider af Ellen Page. Først lidt sødt, men dødsfarligt, til tanden med thrilleren HARD CANDY. Derefter eksploderer et teenage sind og udløser et kaostisk billedorgie i THE TRACEY FRAGMENTS. So get on the page og gå ikke glip af denne fantastiske episode!! Film også nævnt i denne episode: 7500, DEEP IN THE DARKNESS, MONTANA, WER, LIFE OF CRIME, COMMANDER LAWIN, FOR YOUR HEIGHT ONLY, PONTY POOL, JU-ON, DEATH AND THE MAIDEN, 30 DAY OF NIGHT, TIME CODE, ANTIVIRAL, CRAZY WESTERNERS, 12 YEARS A SLAVE, COHEN AND TATE, RUST AND BONE, RITUALS og mange flere!!

Marion Cotillard plays a killer whale trainer in RUST AND BONE, Bill Murray plays FDR in HYDE PARK ON HUDSON  and Gael Garcia Bernal plays an adman in NO. Chris Hormann (@TheMyrka) tells us about this year’s Film Society programme.

‘The Trebic Ghetto’ at 4pm on Sunday 11th November marks the 70th anniversary of the deportation of the Jews of Trebic to death camps: Walk on Hampstead Heath 9.50am on Monday 12th: Two Launch events for King’s Cross Neighbourhood Forum – Saturday 10th and Wednesday 14th November: The London Jazz Festival runs from Friday 9th to 18th November: Theatro Technis presents ‘Who is Noskov’ – five short plays: ‘Rust And Bone’ is film of the week: ‘Journeys East – A Discovery of Hidden Treasures’ a community exhibition at The Wallace Collection – including work form the Asian Women’s Group in West Hampstead. Jews of Trebic :: Shir Hayim :: Theatro Technis :: London Jazz Festival :: King' Cross Neighbourhood Fourm :: Wallace Collection :: Back to Camden Community Radio :: Follow CCRadio on Twitter :: File Download (7:16 min / 7 MB)

On The Movie Café today Janice Forsyth talks to David Thomson, one of the most revered and knowledgeable film critics on the planet, about his latest book The Big Screen which charts the movies and what they did to us. Plus there's reviews of ARGO, RUST AND BONE and THE SAPPHIRES.

With Kirsty Lang. Rust and Bone, Jacques Audiard's follow-up to his award-winning prison drama A Prophet is an earthy romantic fable about the unlikely relationship between a bare-knuckle boxer and a trainer of killer whales. Marion Cotillard, the star of Rust and Bone, talks to Kirsty, and critic Sandra Hebron reviews the film. Steven Tyler and Joe Perry from Aerosmith discuss their album, Music From Another Dimension. The band members talk about working with Julian Lennon and Johnny Depp, and why it's been over a decade since they last released new material. Paper is the subject of a new exhibition, The First Cut, at Manchester Art Gallery. The show features 31 artists from around the world who use this most basic of artistic materials to create their art. Kirsty Lang talks to Rob Ryan, one of the artists involved in the show who is known for his detailed papercuts, and curator Fiona Corridan. As Secret Cinema launch a Secret Hotel, writer Adam Smith acts as our guide on a whistle-stop tour of the great hotels in film, from The Shining to Psycho, and imagines what your experience might be if you were to stay there. Producer Ellie Bury.