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Listen to ASCO's Journal of Clinical Oncology Art of Oncology article, "Writing a Medical Memoir: Lessons From a Long, Steep Road” by David Marks, consultant at University Hospitals Bristol NHS Foundation Trust. The article is followed by an interview with Marks and host Dr. Mikkael Sekeres. Marks shares his challenging journey of writing a memoir describing his patients and career. Transcript Narrator: Writing a Medical Memoir: Lessons From a Long, Steep Road, by David Marks, PhD, MBBS, FRACP, FRCPath  The purpose of this essay is to take hematologist/oncologist readers of the Journal on my challenging journey of trying to write a memoir describing my patients and career. This piece is not just for those who might wish to write a book, it also can be generalized to other creative writing such as short stories or other narrative pieces intended for publication. My experience is that many of my colleagues have considered doing this but do not know where to start and that many embarking on this journey lack the self-confidence most writers require. I also describe other issues that unexpectably arose, particularly my struggle to get the book to its intended target audience, and of writing about myself in such a personal way. In my book of semifiction, I tell the stories of my patients with leukemia, but also describe what it is like to be a physician looking after young patients with curable but life-threatening diseases. I recount my medical career and working in the United Kingdom's National Health Service (NHS), a very different health system to the one I experienced when I worked in Philadelphia during the early 1990s. Telling the stories of my patients with leukemia (and my story) was my main motivation but I also wanted to challenge my creative writing skills in a longer format. As a young person, I wrote essays and some poetry. As a hemato-oncologist, the major outputs of my writing have been over 300 scientific papers and a 230-page PhD thesis. The discipline required to write papers does help with writing a nonfiction book, and as with writing scientific papers, the first step is having a novel idea. I admired the work of Siddhartha Mukherjee (“The Emperor of all Maladies”) and Mikkael Sekeres (“When Blood Breaks Down”), but I wanted to write about my patients and their effect upon me from a more personal perspective. I obtained written consent from the patients I wrote about; nearly all of them were happy for me to use their first name; they trusted me to tell their stories. All of the patients' stories have a substantial basis in fact. I also wrote about colleagues and other people I encountered professionally, but those parts were semifiction. Names, places, times, and details of events were changed to preserve anonymity. For example, one subchapter titled “A tale of two managers” comprises events that relate to a number of interactions with NHS medical managers over 30 years. The managers I wrote about represent a combination of many people, but it would not have been possible to write this while still working at my hospital. I had wanted to write a book for years but like most transplanters never had the sustained free time to jot down more than a few ideas. In the second UK lockdown of 2020 when we were only allowed to go out to work and for an hour of exercise, we all had more time on our hands. A columnist in the Guardian said that people should have a “lockdown achievement”; this would be mine. This is how I went about it. I knew enough about writing to know that I could not just go and write a book. I considered a university writing degree, but they were all online: There was not the nourishment of meeting and interacting with fellow writers. I joined two virtual writing groups and got some private sessions with the group's leader. We had to write something every week, submitted on time, and open for discussion. In one writing group, there was a no negative criticism rule, which I found frustrating, as I knew my writing was not good enough and that I needed to improve. I had no shortage of ideas, stories to tell, and patients and anecdotes to write about. I have a pretty good memory for key conversations with patients but learned that I did not have to slavishly stick to what was said. I also wrote about myself: my emotions and the obstacles I encountered. To understand how I guided my patients' journeys, my readers would need to understand me and my background. I carried a notebook around and constantly wrote down ideas, interesting events, and phrases. Every chapter underwent several drafts and even then much was totally discarded. I was disciplined and tried to write something every day, realizing that if I did not make progress, I might give up. Most days the words flowed; refining and editing what I wrote was the difficult part. Very different to Graham Greene in Antibes. He would go to his local café, write 200-400 words, then stop work for the day and have his first glass of wine with lunch before an afternoon siesta. How would I tell the story? My story was chronological (in the main), but I felt no need for the patient stories to be strictly in time order. The stories had titles and I did not avoid spoilers. “Too late” is the story of a patient with acute promyelocytic leukemia who died before she could receive specialist medical attention. This had a devastating effect on the GP who saw her that morning. So, there were plenty of patient stories to tell, but I needed to learn the craft of writing. Visual description of scenes, plots, and giving hints of what is to come—I had to learn all these techniques. Everything I wrote was looked at at least once by my mentor and beta readers, but I also submitted my work for professional review by an experienced editor at Cornerstones. This person saw merit in my work but said that the stories about myself would only interest readers if I was “somebody like David Attenborough.” Other readers said the stories about me were the most interesting parts. So far, I have focused on the mechanics and logistics of writing, but there is more to it than that. My oncology colleague Sam Guglani, who has successfully published in the medical area, was very useful. I asked him how his second book was progressing. “Not very well.” “Why?” “It takes a lot of time and I'm not very confident.” Sam writes such lovely prose; Histories was positively reviewed yet even he still has self-doubt. Hematologists/oncologists, transplanters, and chimeric antigen receptor T cell physicians are often confident people. Most of the time we know what to do clinically, and when we give medical advice, we are secure in our knowledge. This is because we have undergone prolonged training in the areas we practice in and possess the scientific basis for our decisions. This is not the case when doctors take on creative writing. Few of us have training; it is out of our comfort zone. Nearly all new writers are insecure, in a constant state of worry that our outpourings are not “good enough,” that “nobody will like it.” Even high-quality memoirs may be hard to get published. I did not enter this thinking I would fail, and I have received feedback that I “can write.” But when you look at people who can really write, who have already been published, and earn a living from writing, you think that you will never be as good. Does this matter for a medical memoir? Yes, it does. I came to realize to improve it is important to surround yourself with people who read a lot and preferably with some who are well-regarded published writers. These people should offer unrestrained feedback, and you should take note. However, I learned you do not need to do everything they say—it is not like responding to the reviewers of scientific papers—your book should retain your individual stamp and cover what you think is important. I found there are risks in writing a memoir. Private matters become public knowledge to your family and friends. In a hospital you have lots of work relationships, not all of which are perfect. It can be a tense environment; you often have to keep quiet. Writing about them in a book, even if colleagues and events are disguised or anonymized, runs the risk of colleagues recognizing themselves and not being happy with how they are portrayed. Writing a book's first draft is hard; getting it to its final draft even harder but perhaps not harder than writing a major paper for JCO or Blood. (For me writing the discussion section of a paper was the most difficult task). However, finding an agent is perhaps the hardest of all. Every agent has their own laborious submission system. About a third of agents do not respond at all; they may not even read your book. Another third may send you a response (after up to 3 months) saying that the book is “not for me.” Three agents told me that their own experiences with cancer made it impossible for them to read the book while others said it was a worthwhile project but it was not their area of interest. That encouraged me. It required resilience to get Life Blood published. I did not have the skills to self-publish, but I found a publisher that would accept the book, provided I contributed to the costs of publishing. This was not easy either because my book did not have as much final editing as a conventional publisher provides. Getting the book to its target audience was another major challenge. A number of hematologic journals agreed to consider reviews of the book, and my colleagues were generous in offering to review it. However, I wanted my book to be read by people with cancer and their families: nearly all of us at some point in our lives. A digital marketing consultant helped me publicize the book on social media and construct a user-friendly Web site. I hope this reflection offers some encouragement for budding authors who are hematologists/oncologists. However, as all writers reading this will know, writing is a lonely pursuit; it is something you do on your own for long periods and you cannot be sure your work will ever see the light of day. One of the main ingredients is persistence; this is probably the main difference between people who finish books and those who do not. Of course there may be benefits to physicians from writing per se, even if it is never published, although most hematologists/oncologists I know are quite goal oriented. Was it all worthwhile? Yes, I think so. Writing about my career stirred up lots of memories and has been quite cathartic. Physicians often feel they have insufficient time to reflect on their practice. It made me reflect on my achievements and what I could have done better. Could I have worked harder for my patients (rarely) or thought of therapeutic interventions earlier (sometimes)? What about my professional relationships? In my efforts to do the best for my patients, was I sometimes too impatient (yes)? I hope the book inspires young people contemplating a career in hematology/oncology but also gives them a realistic idea of the commitment it requires; even relatively successful doctors encounter adversity. To all my hematologic/oncologic and transplant colleagues worldwide, if you think you have a book in you, find the time and the intellectual space, start writing but also get help. In telling the story of your patients you honor them; it is a very satisfying thing to do but there are risks. I have had lots of feedback from friends and colleagues, the great majority of it positive, but when my book was published, I prepared myself for more critical reviews. I learned a lot from writing Life Blood; at the end, I was a stronger, more secure writer and hematologist/oncologist, more confident that the story of my patients and career was worth telling and relevant to a wider audience. Dr. Mikkael Sekeres: Hello, and welcome to JCO's Cancer Stories: The Art of Oncology, which features essays and personal reflections from authors exploring their experience in the oncology field. I'm your host, Dr. Mikkael Sekeres. I'm Professor of Medicine and Chief of the Division of Hematology at the Sylvester Comprehensive Cancer Center, University of Miami. And what a pleasure it is today to be joined by Professor David Marks, a consultant at University Hospitals Bristol NHS Foundation Trust in the UK. In this episode, we will be discussing his Art of Oncology article, "Writing a Medical Memoir: Lessons from a Long, Steep Road." Our guest's disclosures will be linked in the transcript. David, welcome to our podcast, and thanks so much for joining us. Professor David Marks: Thank you very much for inviting me. It's a real honor. Dr. Mikkael Sekeres: David, I really enjoyed your piece. We've never had a "how to write a memoir" sort of piece in Art of Oncology, so it was a great opportunity. And, you know, I think 30 years ago, it was extraordinarily rare to have a doctor who also was a writer. It's become more common, and as we've grown, still among our elite core of doctor-writers, we've also birthed some folks who actually write in long form—actual books, like you did. Professor David Marks: I'd sort of become aware that I wasn't the only person doing this, that there were lots of people who liked creative writing, but they had difficulties sort of turning that into a product. This was the reason for sort of writing this. I'm hardly an expert; I've only written one book, but I sort of hope that my experiences might encourage others. Dr. Mikkael Sekeres: I think it's a terrific idea. And before we get started about the book, I, of course, know you because you and I run in some of the same academic circles, but I wonder if you could tell our listeners a little bit about yourself. Professor David Marks: So, I'm Australian. That's where I did my internal medical and hematology training in Melbourne. And then I did a PhD to do with acute lymphoblastic leukemia at the University of Melbourne. I then moved to London for three years to do some specialist training in bone marrow transplantation and some lab work, before spending three years in Philadelphia, where I did transplant, leukemia, and some more lab work. And then, mainly for family reasons, moved back to the UK to take up a post in Bristol. I have retired from patient-facing practice now, although I still give medical advice, and I'm doing some consulting for a CAR T-cell company based in LA. Dr. Mikkael Sekeres: Great. And can I ask you, what drew you to focus on treating people with leukemia and doing research in that area? Professor David Marks: I think leukemia is just such a compelling disease. From really the first patient I ever looked after, there was a person who is both life-threateningly ill, has had their life turned upside down. Yet, there is—increasingly now—there's an opportunity to cure them or, at the very least, prolong their life significantly. And also, its sort of proximity to scientific research—that was the attraction for me. Dr. Mikkael Sekeres: There is something compelling about cancer stories in general. I think we talk about the privilege of doing what we do, and I think part of that is being invited into people's lives at probably one of the most dramatic moments of those lives. We're, of course, unwelcome visitors; nobody wants a diagnosis of cancer and having to have that initial conversation with an oncologist. But I wonder if, as doctors and as writers, we feel compelled to share that story and really celebrate what our patients are going through. Professor David Marks: So, that absolutely is one of my main motivations. I thought- there aren't, to my mind, all that many books out there that sort of try and tell things from both the patient with leukemia's point of view and the doctors looking after them. And I thought that their stories should be told. It's such a dramatic and frightening time, but I think the struggles that people go through in dealing with this—I think this is something I sort of felt people should have the opportunity to learn about. Dr. Mikkael Sekeres: Yeah, we're really honoring our patients, aren't we? Professor David Marks: Absolutely. When you think of the patients you've looked after, their courage, their steadfastness in dealing with things, of just battling on when they're not well and they're scared of things like dying—you've just got to admire that. Dr. Mikkael Sekeres: Yeah, yeah. David, you have a tremendous number of academic publications and have been transformative in how we treat people who have acute lymphoblastic leukemia. How did you first get into writing narrative medicine? Professor David Marks: Although I have written quite a lot scientifically, although that is incredibly different to creative writing, some of the same sort of care that one needs with a scientific paper, you do need for creative writing. I always liked English at school, and, you know, even as a teenager, I wrote some, you know, some poetry; it frankly wasn't very good, but I had a go. I came to a point where I wanted to write about my patients and a bit about my career. I had trouble finding the time; I had trouble finding the sort of intellectual space. But then COVID and lockdown occurred, and, you know, all of us had a lot more time; you know, we weren't even allowed to leave the house apart from working. So, at that point, I started writing. Prior to that, though, I had sort of kept a notebook, a quite big notebook, about stories I wanted to tell and events in my career and life that I wanted to tell. So there was something of a starting point there to go from. But when I first started writing, I realized that I just didn't know enough about writing. I needed to learn the craft of writing, and so I also joined a couple of writing groups. Dr. Mikkael Sekeres: That's—I find that absolutely fascinating. I think there are a lot of people who want to write, and there are some who have the confidence to go ahead and start writing, right? Whether they know the craft or not. And there are others who pause and say, "Wait a second, I've done a lot of reading, I've done a lot of academic writing, but I'm not sure I know how to do this in a creative way." So, what was your first step? Professor David Marks: I had sort of notes on these stories I wanted to write, and I did just try and write the sort of two- to five-page story, but I then sort of realized that it was just—it just wasn't very good. And I needed to learn really all the basic things that writers need, like developing a plot, like giving hints of what's to come, using visual description. Those things are obviously completely different to scientific writing, and I—it was a bit like going back to school, really. Dr. Mikkael Sekeres: And how did you even find writing groups that were at the right level for someone who was starting on this journey? Professor David Marks: So, I got a recommendation of a sort of local group in Bristol and a very established sort of mentor who has actually mentored me, Alison Powell. But it is difficult because some people on the group had written and published a couple of books; they were way ahead of me. And some people were just really starting out. But there were enough people at my level to give me sort of useful criticism and feedback. But yes, finding the right writing group where there's a free interchange of ideas—that is difficult. And, of course, my—what I was writing about was pretty much different to what everybody else was writing about. Dr. Mikkael Sekeres: So, you joined a writing group that wasn't specific to people in healthcare? Professor David Marks: There was something at my hospital; it was a quite informal group that I joined, and that had a whole number of healthcare professionals, but that didn't keep going. So, I joined a group that was really a mixture of people writing memoirs and also some people writing fiction. And I actually found a lot of the things that people writing fiction write, I needed to learn. A lot of those skills still apply to a sort of non-fictional or semi-fiction book. Dr. Mikkael Sekeres: You write in your Art of Oncology piece—I think a very insightful portion of it—where you're identifying people who can give you feedback about your writing, and you're looking for honest feedback. Because there are a lot of people where you might show them a piece and they say, "Gee, this is David Marks, I better say something nice. I mean, it's David Marks after all.” Right? So, you don't want that sort of obsequiousness when you're handing over a piece of writing because you need truth to be told if it's compelling or if it's not compelling. How did you identify the people who could give you that honest feedback, but also people you trust? Because there are also people who might read a piece and might be jealous and say, "Gee, David's already going on this journey, and I wish I had done this years ago," and they might not give you the right kind of feedback. Professor David Marks: Yeah, I mean, one of the writing groups I joined, there was a sort of "no criticism, no negative criticism" rule, and I did not find that to be useful because I knew my writing, frankly, wasn't good enough. So, funnily enough, my wife—she's very lucky—she has this reading group that she's had for 25 years, and these are—they're all women of her age, and they are just big, big readers. And those were my principal beta readers. And I sort of know them, and they knew that I wanted direction about, you know, what was working and what was not working. And so they were fairly honest. If they liked something, they said it. And if there was a chapter they just didn't think worked, they told me. And I was really very grateful for that. The other thing I did at a sort of critical moment in the book, when I just thought I was not on track, is I sent it to a professional editor at Cornerstones. And that person I'd never met, so they had no—you know, they didn't need to sort of please me. And that review was very helpful. I didn't agree with all of it, but it was incredibly useful. Dr. Mikkael Sekeres: That's fascinating. So, I've submitted pieces in venues where people can post comments, and I always force myself to read the comments. And sometimes that hurts a little bit when you get some comments back and think, "Oh my word, I didn't mean that." Sometimes those comments illuminate things that you never intended for people to take away from the piece. And sometimes you get comments where people really like one aspect, and you didn't even know that would resonate with them. So, any comments you can think of that you got back where you thought, "Oh my word, I never intended that," or the opposite, where the comments were actually quite complimentary and you didn't anticipate it? Professor David Marks: I was reviewed by an independent reviewer for The Lancet Haematology. And you've read my book, so you sort of know that looking after people with leukemia, you do encounter quite a lot of people who die. And she sort of, almost as a criticism, said, "Professor David Marks seems to have encountered an extraordinary number of people who've died." And I thought—almost as a sort of criticism—and I thought, "I'm sort of sorry, but that's the area we occupy, unfortunately." There's lots of success, but there is, you know, sometimes we don't succeed. So I found that—I found that hard to read. But when you open yourself up as a writer, when you talk about your personal things, you've got to develop a bit of a thick skin. And I really haven't ego about my writing. I sort of still feel it's very much in its formative stages, so I'm quite open to criticism. Dr. Mikkael Sekeres: And were there comments that you got that were—you were pleasantly surprised that people liked one aspect of the book, and you didn't know it would really hit with them that way? Professor David Marks: I think they particularly liked the patient stories. There's one thing in the book about a young woman who has this amazing experience of being rescued by CAR T-cell therapy. This young lady's still alive. And that very much sort of captured the imagination of the readers. They really identified her and wanted to sort of know about her and, you know, was she still okay and so on. Dr. Mikkael Sekeres: I remember there was a piece I wrote, and included a patient, and it was an entree to write about a medical topic, and my editor got back to me and said, "What happened to the patient?" Right? People get invested in this. We've done this our entire careers for, for decades for some people who've been in the field for that long, and you forget that it's still a diagnosis, a disease that most people don't encounter in their lives, and they get invested in the patients we describe and are rooting for them and hope that they do okay. Professor David Marks: Yeah, I found people got very involved with the patients, and I've had actually several sort of inquiries; they want to know if the patients are still okay. And I think that I can definitely understand that from a sort of human level. Dr. Mikkael Sekeres: So, you wrote a memoir. How long did it take you? Professor David Marks: I suppose from the time I really started writing properly, I'd say about two and a half years. So, quite a long time. Dr. Mikkael Sekeres: Two and a half years. That can be daunting to some people. What advice would you give them if they're thinking about going down this path? Professor David Marks: I think it's a very rewarding thing to do. It is hard work, as you and I know, and it's sort of extra work. The only way to find out if you can do it is to try to do it. And try and find some time to do it, but get help. You know, seek the company of other people who are more experienced writers and sort of find a mentor. Somehow, you've got to, I guess, believe in yourself, really, and trust yourself that what you're writing about is worthwhile. And yeah, I don't know that I have specific advice for people about that aspect of things. Dr. Mikkael Sekeres: Well, I think that's a great place actually to end: to tell people to believe in themselves and trust in themselves. And I want to encourage everyone listening to this podcast to please check out Professor David Marks' book, Lifeblood: Tales of Leukemia Patients and Their Doctor. It's a terrific read. David, thank you so much for joining us today. Professor David Marks: Thanks very much, Mikkael. It's been a pleasure. Dr. Mikkael Sekeres: It's been delightful from my perspective. Until next time, thank you for listening to JCO's Cancer Stories: The Art of Oncology. Don't forget to give us a rating or review, and be sure to subscribe so you never miss an episode. You can find all of ASCO's shows at asco.org/podcasts. Until next time, thank you, everyone.   The purpose of this podcast is to educate and to inform. This is not a substitute for professional medical care and is not intended for use in the diagnosis or treatment of individual conditions. Guests on this podcast express their own opinions, experience, and conclusions. Guest statements on the podcast do not express the opinions of ASCO. The mention of any product, service, organization, activity, or therapy should not be construed as an ASCO endorsement.   Show Notes: Like, share and subscribe so you never miss an episode and leave a rating or review. ADD URLhttps://ascopubs.org/journal/jco/cancer-stories-podcast Guest Bio: Professor David Marks is a consultant at University Hospitals Bristol NHS Foundation Trust in the UK.   Additional Reading: Life Blood: Stories of Leukaemia Patients and Their Doctor, by David Marks

Cette semaine La sécurité avant tout ♦ Police Municipale et Nationale ♦ Sécurité routière ♦ Délinquance, les bons chiffres d'Antibes ♦ Juan-les-Pins, la nuit. ♦ Les commerces aux activités illégales dans le viseur ♦ La nouvelle dynamique de Juan-les-Pins ♦ Le nouveau dispositif de surveillance de la Gare SNCF de Juan-les-Pins ♦ Les nouvelles mesures de sécurité des plages

Irgendwann ist auch mal gut – mit schwerer BBQ-Soße, mit durchwachsenen Fleischstücken, mit Ofenkartoffel und Crème Fraîche. Was, wenn das Grillerlebnis leicht wie eine Sommerbrise am Mittelmeer wäre? Muss es immer die harte, die schwere Tour sein? Ach, was. Klaus grillt mit dir hier Geflügel, Fisch und Melone. Und zeigt dir, wie dein Grillabend kurzerhand von Oer-Erkenschwick nach Antibes verlegt wird./////NEU!WIR GRILLEN BURGER bestellen: ⁠https://wirgrillen.com/WIRGRILLEN-BURGER⁠/////WIR KOCHEN & WIR GRILLEN bestellen: ⁠https://wirgrillen.com/⁠/////Die Macher des Podcasts: ⁠https://hoch5.com/⁠/////Der Mann am Grill: ⁠https://www.instagram.com/bbqklausbreinig/

Helli is back from a Bahamas cruise and Charlotte has booked a trip to Antibes so it's safe to say we're both ready for summer! But before then, we're chatting about how to embrace cringe. You need to embrace cringe and be seen trying (and possibly failing) to reach success and the things you want, but so often the fear of failing or looking stupid or feeling embarrassed is a barrier that stops us persisting and going after what we really want. For more content, including bonus episodes, become a paid member of our substack right here. Recommendations Last One Laughing on Amazon Prime Toxic Town on Netflix Also mentioned: Adolescence on Netflix Daring Greatly by Brene Brown

Cette semaine Focus sur Juan-les-Pins

A dramatic FridayFirst a look at this day in History.Then The Mysterious Traveler, originally broadcast April 11, 1950, 75 years ago, Operation Tomorrow,    A professor sends his assistant 100 years into the future in a newly built time machine. Arriving in the year 2050, the assistant finds that the world has been at war for ninety-five years! Followed by the news from 75 years ago, then Beyond Tomorrow, originally broadcast April 11, 1950, 75 years ago, Incident at Switchpath.  A story about two strange machines found buried deep in a cave.Then Everything for the Boys starring Ronald Coleman, originally broadcast April 11, 1944, 81 years ago, The Citadel starring Ida Lupino.   A drama about a doctor who cares for money than for healing. Followed by The Lives of Harry Lime starring Orson Welles, originally broadcast April 11, 1952, 73 years ago, Man of Mystery.  Gregory Arkadin summons Harry from Vienna to Antibes. He's a wealthy man who has had amnesia for 20 years. He hires Harry to find out who he really is. It's worth $10,000 to Harry if he succeeds.  Finally The Adventures of Jungle Jim, originally broadcast April 11, 1936, 89 years ago, Purple Triangle.  Shanghai Lil flies her plane into Jim's camp and has some important news for him!Thanks to Sean for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamFind the Family Fallout Shelter Booklet Here: https://www.survivorlibrary.com/library/the_family_fallout_shelter_1959.pdfhttps://wardomatic.blogspot.com/2006/11/fallout-shelter-handbook-1962.htmlAnd more about the Survive-all Fallout Sheltershttps://conelrad.blogspot.com/2010/09/mad-men-meet-mad-survive-all-shelter.html

Cette semaine Où terminent nos déchets. Comment sont-ils valorisés  ? Comment Antibes a gagné son indépendance énergétique.

Au cœur des Années Folles, la Côte d'Azur se transforme en terrain de jeu pour une génération d'artistes et de milliardaires américains en quête de liberté, de soleil et d'exubérance. Parmi eux, Scott et Zelda Fitzgerald incarnent ce moment unique d'insouciance, de fête et de création. Installés à Saint-Raphaël, puis à Antibes, ils vivent un été permanent fait de jazz, de baignades, d'alcool et de folies amoureuses. Scott y écrit Gatsby le Magnifique et commence Tendre est la nuit . Autour d'eux gravitent Cole Porter, Picasso, les Murphy, Dos Passos, Gertrude Stein… Ensemble, ils réinventent l'été sur la Riviera. Mais derrière les rires se cachent les premières fêlures : l'alcool, la jalousie, la folie. La magie se fissure avec le krach de 1929. Cette époque bénie s'éteint, mais laisse une empreinte éternelle sur la légende de la Côte d'Azur. Merci pour votre écoute Vous aimez l'Heure H, mais connaissez-vous La Mini Heure H https://audmns.com/YagLLiK , une version pour toute la famille.Retrouvez l'ensemble des épisodes de l'Heure H sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/22750 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : Un jour dans l'Histoire : https://audmns.com/gXJWXoQL'Histoire Continue: https://audmns.com/kSbpELwAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvVous aimez les histoires racontées par Jean-Louis Lahaye ? Connaissez-vous ces podcast?Sous le sable des Pyramides : https://audmns.com/rXfVppv36 Quai des orfèvres : https://audmns.com/eUxNxyFHistoire Criminelle, les enquêtes de Scotland Yard : https://audmns.com/ZuEwXVOUn Crime, une Histoire https://audmns.com/NIhhXpYN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Cette semaine Les orientations du budget 2025. Les échéances des chantiers. Lancement des nouvelles réalisations de l'année.

We're exploring our top five favorite cities in France. These are likely ones you haven't heard about or read about. They are less well-known, but truly amazing! Take a listen and share this episode with friends

Cette semaine L'apprentissage de la langue française à l'école

Cette semaine L'Hôpital d'Antibes, ses urgences, son offre de soins, ses pôles d'excellence, sa modernisation et l'avenir de la Santé Publique.

Cette semaine Spécial "Journée des droits des femmes" à Antibes Juan-les-Pins

Rebecca Whitlocke, founder of Antibes Yachting, is a marketing consultant and freelance copywriter based in southern France. With a background in wholesale travel and experience in superyacht hospitality, Rebecca's proudest achievement is launching her company while juggling life as a Mom to two sons. She focuses on helping yachting businesses grow through strategic marketing, PR, social media management, and event promotion.Host: ⁠⁠Andrea Tagliaferro⁠⁠A Yacht Dame ProductionsFOLLOW REBECCAWebsite: ⁠antibesyachting.com⁠⁠⁠⁠⁠⁠⁠⁠Linkedin: ⁠⁠⁠⁠⁠⁠⁠⁠⁠Rebecca WhitlockeInstagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@antibesyachtingYACHT FEMME:Website: ⁠⁠⁠⁠⁠⁠yachtfemme.com⁠⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠⁠@yachtfemme⁠⁠⁠⁠⁠⁠Linkedin: ⁠⁠⁠⁠⁠⁠Yacht Femme⁠⁠⁠⁠⁠⁠Spotify:⁠⁠⁠⁠⁠⁠ Yacht Femme⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠Yacht Femme

From the high seas to high stakes!

Cette semaine Les jardins, les espaces verts et les arbres dans la ville ? Quel est le lien entre Antibes et un célèbre humoriste français ?

Cette semaine L'Intelligence Artificielle, la Technopole Sophia Antipolis et Antibes Que se passe-t-il sur les plages de Juan-les-Pins ?!

Débrief du match de la 21e journée de ProB Roanne - Antibes (88-77) avec François Pertile et Morgan Parmentier autour de Fabien Zaghini.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Put in charge of his young son, Alain leaves Belgium for Antibes to live with his sister and her husband as a family. Alain's bond with Stephanie, a killer whale trainer, grows deeper after Stephanie suffers a horrible accident. Jacques Audiard. 2012.

#SalutmaFRance #HilkeMaunder #meinFrankreich #Antibes #dnews24 Luxus, Kultur, Natur - in Antibes lässt sich der graue deutsche Winter überstehen.

Fini les spectacles d'orques, de dauphins, d'otaries… Le Marineland d'Antibes ferme définitivement ses portes ce dimanche. 2 orques y sont mortes en 5 mois. Que vont devenir les animaux du parc ? On pose la question à Laurène Rocheteau, journaliste de BFMTV.com 

Le 1er novembre 1992, alors qu'Eric De Vriendt fait du vélo à Antibes, il est percuté par une voiture. Inconscient, il est transporté à l'hôpital. Il reste dans le coma pendant deux mois et demi. Sa compagne, Geneviève Montillet insiste pour le ramener à leur domicile. Il meurt quelques jours plus tard. Ecoutez L'heure du Crime avec Jean-Alphonse Richard.

Francia fue posiblemente el país preferido de Miles Davis para tocar. Desde luego donde más veces lo hizo desde la primera en 1949 con tan solo 22 años. Una caja de seis discos, 'Miles in France. Miles Davis Quintet 1963 & 1964. The bootleg series vol. 8', nos lo recuerda con grabaciones en el Festival de Jazz de Antibes de 1963 con George Coleman, Herbie Hancock, Ron Carter y Tony Williams y, como en este caso, en el Festival de Jazz de París de 1964, en la sala Pleyel, con Wayne Shorter ya en el quinteto en lugar de Coleman: 'Autumn leaves', 'So what', 'All of you'. 'My funny Valentine' y 'Joshua'Escuchar audio

En ningún país fuera de Estados Unidos tocó más veces desde que lo hizo por primera vez con solo 22 años. Francia siempre fue un país especial para Miles Davis. Y una caja de seis discos, 'Miles in France. Miles Davis Quintet 1963 & 1964. The bootleg series vol. 8', nos lo recuerda con grabaciones en el Festival de Jazz de Antibes de 1963 en compañía de George Coleman, Herbie Hancock, Ron Carter y Tony Williams: 'So what', 'All blues', 'Stella by starlight', 'Seven steps to heaven' y 'Walkin'. Escuchar audio

L'info du matin - Ce que la place occupée dans la fratrie révèle sur votre personnalité (par exemple, l'aîné est un leader naturel et donne confiance) Le winner du jour - Une histoire impliquant des carcasses de crevettes, une voiture, un voisin en caleçon et la police - Un cycliste percuté par un camion, sauvé grâce à sa Xbox dans son sac. Microsoft lui a offert une nouvelle console Le flashback de mai 2006 - Sortie du 9e album studio des Red Hot Chili Peppers, "Stadium Arcadium" - Arrivée de la série "Desperate Housewives" sur M6 Les savoirs inutile - Le mot lavabo vient du latin "lavare" (laver). Conjugué au futur de l'indicatif, "lavabo" signifie "je laverai" 3 choses à savoir sur "All I Want For Christmas is You" de Mariah Carey Qu'est-ce qu'on teste ? - Une tentative de séduire une intelligence artificielle pour gagner de l'argent Le jeu surprise - Marie-Laure de Royen vers Parigné-L'Evêque repart avec des chocolats Jeff De Bruges et une carte cadeau de 150 euros chez Maison Scarlett La banque RTL2 - Sophie de Saint-Méen vers Brest gagne 100 euros et des chocolats Jeff De Bruges - Alexandre de Golfe-Juan vers Antibes gagne 800 euros et des chocolats Jeff De Bruges

durée : 00:09:11 - La Transition de la semaine - par : Nicolas Herbeaux - Marine Land, le plus grand parc marin d'Europe situé à Antibes, fermera ses portes le 5 janvier prochain, à la suite de la promulgation de la loi de 2021 interdisant la détention de cétacés dans les delphinariums d'ici 2026. - réalisation : Jean-Christophe Francis - invités : Muriel Arnal Présidente de l'association Once Voice

L'info du matin - la règle des 42% pour être heureux au travail Le flashback d'octobre 1989 Les savoirs inutile : A la fin du Tournoi des 5 nations de 1973, c'est la France qui l'a remporté. Mais aussi l'Angleterre, le Pays de Galles, l'Ecosse et l'Irlande. Le winner du jour : - Ivre, il se trompe de maison en allant se coucher - Il passe de 10 à 80 chats et lance un appel aux dons pour stériliser les femelle 3 choses à savoir sur Xavier Niel Qu'est ce qu'on regarde ? - "Dune" - "The Penguin" - "Les Barbares" Le jeu surprise : Barbara de Castres vers Bordeaux gagne un séjour au Futuroscope pour 2 adultes et 2 enfants. Les coffres à jouet : Sabrina la maman et Lucie 11 ans de Richardville dans le 91, gagnent un séjour au Futuroscope pour 2 adultes et 2 enfants. La banque RTL2 : Jérôme de Antibes gagne 400 euros !!

Mon voyage à Antibes pour rencontrer Franck Thomas fut une bonne occasion de découvrir la dégustation intuitive dont il a expliqué les fondements dans l'épisode précédent. Et comme le partage est un mot important dans ce podcast, j'ai évidemment laissé mon micro ouvert pour vous en faire profiter chers auditeurs et chères auditrices. Cette fois, Franck prend un peu de recul et ce sont les excellentes Eva Bruot et Justine Ollivier qui mènent la danse. Une danse intime et introspective.Réalisation : Romain Becker, Antoine Msika, Florian NunezMixage : Emmanuel NappeyMusique originale : Emmanuel DoréGraphismes : ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Léna Mazilu⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Crédits photo : Anne-Laure SeretRetrouvez aussi Le Bon Grain de l'Ivresse sur le ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠web⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ sur ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ et sur ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠On se retrouve très vite pour de nouvelles aventures viticoles. D'ici-là éclatez-vous et buvez bon !Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

In a world where transformation is the ultimate freedom, Nick Brewer's journey from drug smuggling and a brutal prison in Argentina to personal redemption is nothing short of extraordinary. Join us as Nick shares his remarkable story of liberation and the profound spiritual awakening he experienced behind bars. From a life once consumed by danger and excess to founding Primal Moves, his path is a testament to resilience and change. Tune in to hear how he reinvented himself and now inspires others through his revolutionary method. Host Rose Claverie guides this gripping conversation on the Harvest Series.[1:50] : introduction on who is Nick Brewer.[2:54] : How did Nick get access to a yoga book in prison? Why was isolation in prison like a blessing for Nick? [3:54] : Nick comes back on his journey, when his skiing career was over at 18 when he injured himself, making him want to disapear. He gets to Antibes in France, and starts to sell cannabis and ecstasy, then moves to Marbella. [7:14] : Nick starts to smuggle cocaine. It's another world way more dangerous. He moves to Buenos Aires where he lives a double life.[9:50] : Nick was another man now. He transcendeted himself in prison. He comed back on how he got arrested and his life in prison, a city inside walls. [16:00] : How Nick managed to read his first book of yoga, and how it transformed him. He discovers what is ego and starts observing his mind. [20:00] : 4 years after his sentence, Nick had a total breakdown that led him to a desireless phase.[24:55] : Nick is free, on a plane to London. His former life is dissolved. [30:00] : Nick's new career and training. [36:50] : What is Nick's message after this journey? [37:43] : Harvest of the Day : where is the last time Nick felt radically connected?To know more about Nick and Primal Moves, check his Instagram account : @primalmovesibizaIn our next episode, we'll be speaking with Lynne Twist, an extraordinary activist dedicated to alleviating poverty, protecting the Amazon rainforest, and preserving its indigenous cultures. You can follow us on Instagram : @Harvestseries, or @rose.claverie for updatesand watch our filmed podcast or speakers on Youtube : Harvest Series.Sound editing by @lesbellesfrequencesTechnicians in Kaplankaya : Joel Moriasi, Hanan Yasir and teamMusic by ChambordArtwork : Davide d'AntonioHarvest Series is produced in partnership with Athena Advisers and Capital PartnersThe founders of Harvest Series are Burak Öymen and Roman Carel.Mentioned in this episode:Templar and Dr. ShefaliInterested in joining us for our two next fabulous events? A musical night at the Templar home in Portugal on the 21st of September, and a 3 day retreat to deepen your family connection with the amazing Dr. Shefali from the 30th of October.Templar and Shefali

Un conducteur de deux-roues a percuté une fillette qui traversait au passage piéton alors qu'il remontait une file de voiture à grande vitesse sur la roue arrière à Vallauris, entre Cannes et Antibes, dans les Alpes-Maritimes. Grièvement blessé, l'enfant a été pris en charge à l'hôpital de Nice et placé dans un coma artificiel.

Franck Thomas, sommelier, AntibesLa transmission, c'est une partie importante du métier de sommelier. C'est un passeur d'histoire, celui ou celle qui met le client en haleine et active sa salivation. La transmission se joue également quand il s'agit d'enseignement. Certificat de dégustation, formation en sommellerie ou au métier de caviste, WSET, Wine Scholar Guild. L'offre d'enseignement est large. Il y a des connaissances techniques à transmettre, production des vins, connaissance des pays et régions productrices, aptitude à la dégustation, etc. Voilà pour le fond. Se pose alors la question de la forme : comment transmettre ? Cette question, Franck Thomas se la pose depuis une vingtaine d'années. C'est pour écouter sa réponse que je suis allé lui tendre notre micro à Antibes, sa ville natale. Nous avons évidemment parlé de son parcours professionnel mais surtout personnel. Car il a suivi et suit toujours un long cheminement, en dehors des sentiers battus.Réalisation : Romain BeckerPost-production : Emmanuel NappeyMusique originale : Emmanuel DoréGraphismes : ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Léna Mazilu⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Retrouvez aussi Le Bon Grain de l'Ivresse sur le ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠web⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ sur ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ et sur ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠On se retrouve très vite pour de nouvelles aventures viticoles. D'ici-là éclatez-vous et buvez bon !Hébergé par Ausha. Visitez ausha.co/fr/politique-de-confidentialite pour plus d'informations.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Hösten är på intåg och vi knyter ihop sommarsäcken med att låta Lisa berätta om familjeresan till franska rivieran med fokus på Menton och Antibes. Vi berör såklart sommarens högaktuella snackis om överturism, men också trenden (?) med rawdogging. I det här avsnittet svarar vi också på några lyssnarfrågor. Finns det risk att resemagin försvinner när resefrekvensen blir större? Och hur fungerar egentligen själva psykologin bakom vårt resande – föddes vi med en rastlös vagabondsjäl eller har den vuxit sig […] The post 119: Att resa sommaren 2024 (del 2: Europa och världen) first appeared on Att resa-podden. Inlägget 119: Att resa sommaren 2024 (del 2: Europa och världen) dök först upp på Att resa-podden.

NOUVEAU - Abonnez-vous à Minuit+ pour profiter de Crimes - Histoires Vraies et de milliers d'histoires vraies sans publicité, d'épisodes en avant-première et en intégralité. Vous aurez accès sans publicité à des dizaines de programmes passionnants comme Espions - Histoires Vraies, Paranormal - Histoires Vraies ou encore Catastrophes - Histoires Vraies.

NOUVEAU - Abonnez-vous à Minuit+ pour profiter de Crimes - Histoires Vraies et de milliers d'histoires vraies sans publicité, d'épisodes en avant-première et en intégralité. Vous aurez accès sans publicité à des dizaines de programmes passionnants comme Espions - Histoires Vraies, Paranormal - Histoires Vraies ou encore Catastrophes - Histoires Vraies.

NOUVEAU - Abonnez-vous à Minuit+ pour profiter de Crimes - Histoires Vraies et de milliers d'histoires vraies sans publicité, d'épisodes en avant-première et en intégralité. Vous aurez accès sans publicité à des dizaines de programmes passionnants comme Espions - Histoires Vraies, Paranormal - Histoires Vraies ou encore Catastrophes - Histoires Vraies.

NOUVEAU - Abonnez-vous à Minuit+ pour profiter de Crimes - Histoires Vraies et de milliers d'histoires vraies sans publicité, d'épisodes en avant-première et en intégralité. Vous aurez accès sans publicité à des dizaines de programmes passionnants comme Espions - Histoires Vraies, Paranormal - Histoires Vraies ou encore Catastrophes - Histoires Vraies.

NOUVEAU - Abonnez-vous à Minuit+ pour profiter de Crimes - Histoires Vraies et de milliers d'histoires vraies sans publicité, d'épisodes en avant-première et en intégralité. Vous aurez accès sans publicité à des dizaines de programmes passionnants comme Espions - Histoires Vraies, Paranormal - Histoires Vraies ou encore Catastrophes - Histoires Vraies.

If you've ever wondered what it is like to live on the French Riviera, then you'll love my interview today with Laura Tobin, an Italian Food Blogger. Where she lives, she has Nice to the East, Antibes to the West, Monaco in the middle and Saint-Tropez just an hour away.Just like me, Laura is a traveller at heart. She has spent four years in the USA (Connecticut and Miami) and five years in the UK (London), Norway, and France. She speaks four languages fluently: Italian, English, French, and Spanish, and she has counted Roger Moore, yep, the one who played James Bond, as her neighbour.She has two silky chickens, which aren't like normal chickens, and she'll talk to us about her life in the South of France, Italian food, and how to explore the beautiful French Riviera without the crowds.Mentioned on Today's Episode:Chateau de Londigny Meet My Guest Laura Tobin, an Italian Foodblogger Your Guardian Chef Laura's YouTube ChannelFacebookInstagramI'm Kylie Lang, owner of Life in Rural France, a travel blog dedicated to helping others explore & discover all that France has to offer. On the blog, you'll discover sections covering:City Guides - everything you need to know about visiting cities such as Paris, Bordeaux, Carcassonne, Rouen, La Rochelle and many more.Moving to France - lots of resources to help you plan your move from visas and insurance to sim cards and watching TV.French Travel News - discover what's happening in France, from festivals and events to the latest deals and offers.If there is anything you'd like to know about living in France, the French culture or the history of this wonderful country, feel free to DM me on Instagram @lifeinruralfrance

Karina vous dévoile l'actu régionale du moment. Retrouvez Bruno sur Fun Radio avec Bruno Guillon, Christina, Pino, Karina, et Maurine sur funradio.fr et sur l'application Fun Radio.

Ce 167e épisode reçoit deux marins qui navigueront cette année en Ultim, le premier, Sébastien Josse, sur Banque Populaire XI, le second, Pascal Bidégorry, à bord de SVR Lazartigue.Mais avant de parler de leurs saisons respectives, nous ouvrons une large page consacrée à la New York Vendée-Les Sables d'Olonne que nos deux invités suivent avec beaucoup d'intérêt, d'autant que le scénario météo de la course donne lieu à des options assez radicales au milieu de l'Atlantique.Pascal Bidégorry explique comment on en est arrivé là, avec un front qui se présentait sur la route des 28 solitaires, que seuls Charlie Dalin et Boris Herrmann ont réussi à traverser sans dégâts, le second optant alors pour une route très nord afin de contourner un vaste anticyclone installé en Atlantique Nord. Une option jugée risquée par Sébastien Josse qui estime, que, compte tenu de l'instabilité météo, Charlie Dalin a bien fait de prendre une route plus directe, nos deux experts étant d'accord pour dire que le skipper de Macif Santé Prévoyance a les cartes bien en main.Pascal Bidégorry analyse quant à lui la position des deux autres groupes, entre les sudistes qui “subissent la situation” et ne vont pas avoir d'autre choix que de terminer la transat avec un vent de nord-est en plein dans le nez, et des “centraux”, composés notamment des bateaux à dérives, qui ont l'avantage de pouvoir choisir davantage leur route et pourraient très bien jouer une place sur le podium.Nous enchaînons avec Sébastien Josse qui raconte comment, avec Armel le Cléac'h et le Team Banque Populaire, ils ont préparé le Relais des océans qui consiste, à partir du 7 juin, à convoyer la flamme olympique de Brest aux Antilles, avec un équipage composé de quatre personnalités (Marie-José Pérec, Hugo Roellinger, Alexis Michalik, Marine Lorphelin). “Une sacrée responsabilité”, aux dires du marin, d'autant que le timing est serré, la flamme étant attendue le 15 juin en Guadeloupe.Pascal Bidégorry revient quant à lui sur sa participation récente au Trophée BPGO, couru en Figaro 3 avec Gaston Morvan (5e place), les deux marins finissant par détailler leur programme de la saison en Ultim, qui passera par les 24H Ultim en septembre à Lorient, une course entre Brest et Antibes en octobre, puis - ce n'est pas encore confirmé pour Banque Populaire XI - le Trophée Jules Verne, avec le record d'Idec Sport dans le viseur (40 jours 23h30).Diffusé le 4 juin 2024Générique : Fast and wild/EdRecordsPost-production : Grégoire Levillain Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

durée : 00:59:07 - Le Cours de l'histoire - par : Xavier Mauduit - Qu'est-ce qu'une barque à Antibes, un coffre à Alger, des terres collectives à Naples ou un mulet abandonné en Espagne disent de la citoyenneté ? L'ouvrage "La Cité des choses" observe les actions de la vie quotidienne et l'histoire de la protection des biens et des personnes pour y répondre. - invités : Simona Cerutti Historienne moderniste, directrice d'études à l'EHESS; Thomas Glesener Historien des mondes hispaniques, maître de conférences en histoire moderne à Aix-Marseille Université

Aujourd'hui dans "Punchline", Laurence Ferrari et ses invités débattent de la délinquance chez les jeunes.

Kelli and Sarah talk to Norma Trease from Below Deck Med. Topics include: Rumors that she's not real, sailing with Captain Glenn, how she got started in yachting, Antibes, her role on Below Deck, her long-term friendship with Captain Sandy, the varied jobs in yachting, walking the docks at boat shows, philanthropy and education in yachting, Below Deck charters vs. regular charters and her fictional Watch What Crappens feud with Sandy. Norma is real! And a new episode of Above Deck is out now!  Follow us on Instagram: @abovedeckpod  Get in touch: abovedeckpod@gmail.com  Get ya some Above Deck merch! https://shop.hurrdatmedia.com/collections/above-deck Please subscribe on Apple Podcasts, Spotify or wherever you get your podcasts, and tell a friend! To become a supporter, go to podcasters.spotify.com/pod/show/abovedeck or click SUPPORT in our Insta bio. Resources:seakeepers.orgsuperyachtsociety.orgNorma on Gangplank Reporthttps://captainsandyyawn.com/charities/ 00:00 Intro 01:54 Getting started in yachting 05:40 Location scouting for Below Deck 07:00 Meeting Captain Sandy 16:40 Jobs in yachting 18:22 Below Deck vs. regular yachting 27:47 Watch What Crappens 37:21 Outro This is another Hurrdat Media Production. Hurrdat Media is a podcast network and digital media production company based in Omaha, NE. Find more podcasts on the Hurrdat Media Network by going to HurrdatMedia.com or Hurrdat Media YouTube channel! Learn more about your ad choices. Visit megaphone.fm/adchoices

2 + Hours of CrimeFirst a look at this day in History.Then Mr. District Attorney starring Jay Jostyn, originally broadcast April 11, 1951, 73 years ago, The Case of the Money Machine.  A former worker in a mental hospital breaks in and steals one of the inmates who happens to be a mathematical genius. An act in the carnival is set up for the madman. Followed by The Lives of Harry Lime starring Orson Welles, originally broadcast April 11, 1952, 72 years ago, Man of Mystery. Gregory Arkadin summons Harry from Vienna to Antibes. He's a wealthy man who has had amnesia for 20 years. He hires Harry to find out who he really is. It's worth $10,000 to Harry if he succeeds. Then The Mysterious Traveler, originally broadcast April 11, 1950, 74 years ago,  Operation Tomorrow.   A professor sends his assistant 100 years into the future in a newly built time machine. Arriving in the year 2050, the assistant finds that the world has been at war for ninety-five years!Followed by a quick look at the news of April 11, 1950, then Beyond Tomorrow, originally broadcast April 11, 1950, 74 years ago,  Incident at Switchpath. A story about two strange machines found buried deep in a cave. Finally Superman, originally broadcast April 11, 1941, 83 years ago, Last of the Clipper Ships.  The discovery of a treasure map. Teak Barnaby wants that map...or else!   Though unbilled, Bud Collyer played Superman, and Jackie Kelk (Homer in Henry Aldrich) played Jimmy Olson. Thanks to Richard for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.stream

The French baritone Gérard Souzay was born Gérard Tisserand on 8 December 1918 and died in Antibes on 17 August 2004. This episode was one of my first episodes, originally posted in honor of his then 101st birthday. It has been chosen by my friend Randall Scarlata as his Listeners' Favorite episode in the last of this month's Great Baritones series, and this is particularly appropriate and moving, because from the age of 19 until Souzay's death, Randall had a close association with Souzay as both teacher and mentor. He tells some wonderful stories about their work together, shares some of Souzay's bon mots and also presents with great compassion some of the personal challenges that Souzay faced. He also discusses some of Souzay's other artistic pursuits, one in particular of which may surprise you! The episode itself explores Souzay's recorded legacy, with particular emphasis on his earliest recordings. Repertoire ranges from Jaime Ovalle to César Franck, and Robert Schumann and Franz Schubert to Maurice Ravel, Henry Purcell, and Claude Debussy (including an excerpt from his 1955 radio performance of Golaud in Pelléas et Mélisande), many of them accompanied by Souzay's musical and personal partner Dalton Baldwin. We also hear performances by his teachers and mentors Claire Croiza, Vanni-Marcoux, Pierre Bernac, and Lotte Lehmann, as well as his sister, Geneviève Touraine. And Randall's jewel of an introduction is a testimonial and tribute you'll want to turn to again and again. I am proud to present again for your listening pleasure a singer who means as much to me as any other who has ever lived. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford.  

Vous êtes, comme tous les êtres humains, fondamentalement et irrémédiablement ridicules. Vous risquez de vous casser la gueule dans les escaliers, en plein date. D'appeler votre boss Maman. De vous balader toute la journée avec du persil coincé entre les dents. A tout moment, et pour toujours, le risque est là : vous allez paraître ridicule, c'est inévitable. Mais puisque l'on se moque forcément de vous derrière votre dos, comment faire pour arrêter d'en avoir peur et vivre sa vie librement ?Dans cet épisode, la romancière Joy Majdalani s'interroge sur sa propre peur du ridicule en partant du roast qu'elle a demandé pour son enterrement de vie de jeune fille. Elle discute avec deux de ses amis, Fred et Marvin, qui utilisent le théâtre pour combattre chacun à leur manière la peur du ridicule. L'un y voit un moyen de s'accepter tel qu'il est, tandis que l'autre cherche à provoquer les rires exprès, pour rire de lui-même, avec le public. Joy Majdalani s'entretient finalement avec les docteurs René Proyer et Christophe Panichelli pour discuter du rôle central de l'humour pour désamorcer notre peur du ridicule. Car quoi qu'il arrive, le ridicule ne tue pas.Pour aller plus loin : Le livre “La thérapie par le rire” de Christophe Panichelli aux éditions Mardaga L'étude “Were they really laughed at? That much? Gelotophobes and their history of perceived derisibility.” publiée dans la revue HumorL'étude “Extending the study of gelotophobia: On gelotophiles and katagelasticists” L'article de Michael Titze publié dans le Humor & Health Journal"The Pinocchio Complex: Overcoming the fear of laughter". L'adaptation française du questionnaire GELOPH Le site du docteur Michael Titze : de nombreuses ressources sur la gélotophobie et l'humordrama Le roast d'Obama par Conan O'Brien au White House Correspondent dinner de 2013 diffusé par la chaîne de télévision C-SpanLe compte Instagram du Slip, la troupe d'improvisation de Fred Merci au théâtre Antibea, à Antibes, pour les extraits de la soirée stand up de Marvin Joy Majdalani a tourné et écrit cet épisode. Le montage est de Louise Tavera, et la réalisation sonore est signée Thomas Rozès. Le générique est réalisé par Clémence Reliat, à partir d'un extrait d'En Sommeil de Jaune. Lena Coutrot est la productrice d'Émotions, accompagnée d'Elsa Berthault. Suivez Louie Media sur Instagram, Facebook, Twitter. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Dive into the cosmic currents with Jo and Chloe in this insightful episode of Smashing Secrets Feng Shui! March is coming up, and Jo Russell, our Feng Shui expert, takes you on a journey through the energies awaiting each of the 12 Chinese zodiac signs. Gain valuable insights into what the month has in store for you and how to align with the prevailing energies. Meanwhile, Chloe Russell records from the enchanting Antibes in France, sparking inspiration for the duo's next adventure. Join them as they plan an upcoming episode that delves into the Feng Shui of this affluent locale, unraveling the secrets behind the harmony and prosperity found in such wealthy pockets of the world. ______   Smashing Secrets Feng Shui has been brought to you by Mother-Daughter Duo Jo and Chloe Russell. For in-depth monthly horoscopes and other Feng Shui and Chinese astrology updates, subscribe to our Patreon: patreon.com/smashingsecrets For monthly Feng Shui advice subscribe to our newsletter through our website smashingsecrets.com Follow us on Twitter for daily updates @smashingsecret Follow us on Instagram for weekly updates @smashingsecrets To watch our episodes on subscribe to our YouTube © 2024 Smashing Secrets. All Rights Reserved.

In today's episode of the podcast, Annie Sargent and Renee Bogue delve into the practicalities and joys of train travel in France. Despite facing challenges like train strikes, Renee and her husband demonstrate that effective planning can ensure a smooth journey. The couple shares their adventures on four coastal walks along the French Riviera, highlighting the scenic routes from Villefranche-sur-Mer to Nice and from Cap d'Ail to Monaco. The episode offers valuable insights into navigating the French rail system and tips for enjoyable coastal walks, making it a must-listen for those planning a similar journey. Table of Contents for this Episode Today on the podcast Bootcamp, May 2024 The Magazine Part of the Podcast Renee Bogue – Trip Report Train issues April – May 2023 Difficulties Returning a Car at CDG on a Previous Trip Finding Gas Stations and Car Rental Places in Densely Populated Areas Things that you enjoyed the most Walking the coastal paths along the Riviera Villefranche-sur-Mer to Nice Cap d'Ail coastal path to Mala Beach Saint-Jean-Cap-Ferrat Villa Ephrussi de Rothschild Private tour with Elyse in Toulouse Nîmes Albi Buy Your Train Tickets on the App on Your Phone Things they Enjoyed in oulouse Monaco Race Track and Casino What's a French Martini? Antibes, the Ford Hike and the Billionaire Harbor Conclusions After the 5th Trip About Tourist Information Places in France Using UBER in France Visiting the Château de Flaugergues outside of Montpellier Trying in McDonald's in France Thank you Patrons French History Brief – Mont Saint-Michel The Olympics – The Metro Tickets The Security During the Olympics Next Week on the Podcast Copyright More episodes about active vacations in France

In our latest podcast episode, we dive into the sun-soaked adventures of a family's beach hopping journey along the captivating French Riviera. From the scorching heat of Arizona to the azure waters of the Mediterranean, this episode is a vivid diary of their month-long escapade, blending the charms of quaint coastal towns with the allure of the Riviera's glitzy lifestyle. Discover the seamless transition from bustling Florence to the serene beaches of Nice, where every train ride unveils a new facet of the European travel experience - efficient, scenic, and a window to diverse cultures. Hear about their strategic choice of accommodation in Nice, serving as a gateway to the daily discoveries of nearby towns and their unique beaches, each narrating a different story. Get an insider's view of Cannes' luxurious beach clubs, Antibes' Provençal vibes, and the familial warmth of Villefranche-sur-Mer. Uncover hidden gems like a medieval tunnel and a villa's lush gardens, and learn how the simple pleasures - from gelato tastings to playful splashes in the sea - form the essence of a memorable family vacation. This episode isn't just about places; it's about experiences, connections, and the timeless appeal of the French Riviera. Tune in to immerse yourself in a tale of family, discovery, and the enchanting Mediterranean charm. More episodes about Provence and the Riviera #BeachHoppingRiviera, #FamilyTravelFrance, #FrenchRivieraAdventure, #MediterraneanEscapes, #CoastalWanderlust, #ExploreCannes, #AntibesCharm, #VillefrancheSurMer, #RivieraBeachLife, #TrainTravelEurope, #EuropeanSummer, #RivieraCulture, #SeasideStories, #TravelPodcast, #FamilyVacationGoals, #AzureWaters, #FrenchCoastExploration, #SunSoakedJourneys, #ProvençalVibes, #LuxuryBeachClubs