Podcast appearances and mentions of Jacques Audiard

durée : 00:53:57 - Certains l'aiment Fip - À l'occasion de la sortie le 11 juin, du film "Différente" de Lola Doillon où elle incarne le personnage principal, on invite l'ex-chanteuse des Savages et actrice française qui a joué aussi pour Jacques Audiard, Catherine Corsini, Serge Bozon ou Justine Triet.

durée : 00:59:11 - Alexandre Desplat, entre l'Europe et Hollywood (2/3) : Ses années françaises - par : Thierry Jousse - Pour ce deuxième épisode de la série consacré à Alexandre Desplat, nous serons en France, là où la carrière du compositeur a commencé, au milieu des années 1990, notamment auprès de Jacques Audiard…

Il est désormais une figure incontournable du cinéma international, Jacques Audiard revenait en 2005 avec son film "De battre mon cœur s'est arrêté". Un film très attendu qui s'inscrivait dans la lignée de son œuvre exigeante et engagée.

En la Filmoteca Regional se podrán ver las siguientes películas: En la Muestra de cine LGTBIViernes 16 de mayo de 2025 / 21:15 horasDomingo 18 de mayo de 2025 / 17:30 horas Emilia Pérez (Jacques Audiard, 2024). Francia. 132'. VOSERita Mora Castro es una infravalorada abogada mexicana de un gran bufete que un día recibe una oferta inesperada: ayudar a un temido jefe de un cartel, Juan 'Manitas' del Monte, a retirarse de su negocio y desaparecer para siempre convirtiéndose en la mujer que él siempre ha soñado ser: Emilia Pérez. Jueves 15 de mayo de 2025 / 18:30 horasSábado 17 de mayo de 2025 / 21:15 horasQueer (Luca Guadagnino, 2024). Italia. 107'. VOSE1950. William Lee, un expatriado estadounidense de unos 50 años en Ciudad de México, pasa sus días casi solo, salvo algunos contactos con otros miembros de la pequeña comunidad estadounidense. Su encuentro con Eugene Allerton, un joven estudiante recién llegado a la ciudad, le muestra, por primera vez, que finalmente podría ser posible establecer una conexión íntima con alguien. Estos son los estrenos de esta semana: Destino final: Lazos de sangre (Zach Lipovsky, Adam B. Stein, 110 min.)Acosada por una violenta pesadilla recurrente, la estudiante universitaria Stefanie se dirige a casa para localizar a la única persona que podría ser capaz de romper el ciclo y salvar a su familia de la espeluznante muerte que inevitablemente les espera a todos. Jane Austen arruinó mi vida (Dir. y guión: Laura Piani, debut, 94 min)Camille Rutherford, Pablo PaulyAgathe, irremediablemente torpe pero encantadora y llena de contradicciones, se encuentra en un desesperado estado de soltería. Su sueño es vivir un amor digno de una novela de Jane Austen, y su máxima aspiración es convertirse en escritora. En su lugar, pasa los días vendiendo libros en la legendaria librería británica Shakespeare & Co, en París. Al ser invitada a la Residencia de Escritores Jane Austen en Inglaterra, Agathe, deberá enfrentar sus inseguridades para cumplir el sueño de convertirse en novelista y se verá atrapada en un caótico triángulo amoroso que le hará replantearse su vida sentimental. El instinto (Dir. y guión: Juan Albarracín, 92 min)Javier Pereira, Fernando Cayo, Eva LlorachAbel es un arquitecto cuya carrera está en grave peligro debido a la agorafobia que padece. En el estudio le dan un ultimátum para que trabaje de forma presencial, como quieren los clientes. El tratamiento psicológico que lleva a cabo no le da resultados y a lo único que puede agarrarse es a la oferta que le hace Jose, un experto adiestrador de perros. Abel debe decidir entre rechazar la oferta y poner fin a su prometedora carrera o aceptar y someterse al tratamiento del adiestrador canino.

¿Te cuesta motivarte para leer en español?Tómate un café conmigo mientras leemos un fragmento del reportaje principal del nº113 de la revista para estudiantes de español "Punto y Coma".Descubre el nuevo álbum del artista más escuchado en español del momento: Bad Bunny.

Do you know how much of A Real Pain it is to keep the years straight with us straddling three different global release windows? We do! We got Caught by the Tides and are a little late with this one but nevertheless, join our Conclave for the fifth (!) time as we huddle around the Ghostlight to talk about the films of the last year! We cover award-winning films (Anora, The Brutalist, No Other Land), notable blockbusters (Dune: Part Two, Wicked), blitz through some honorable Challengers to our top picks, and then Look Back on our personal top fives. You know podcast favorite Luca Guadagnino is going to feature in Wilson's favorite films… but how Queer will it be?? If you're A Different Man, you'll have different faves, so enter our Red Rooms and tell us your favorite 2024 films on our FREE patreon, discord server, and our socials @ www.deepcutpod.comLinks:Ben's 2024 ListEli's 2024 ListWilson's 2024 ListTimestamps:(00:00:00) Intro(00:03:21) 2024 in general(00:17:06) Obligatory mentions(00:17:28) Anora (dir. Sean Baker)(00:22:55) Conclave (dir. Edward Berger)(00:25:14) The Brutalist (dir. Brady Corbet)(00:33:53) Nickel Boys (dir. Ramell Ross)(00:36:53) Hit Man (dir. Richard Linklater)(00:39:45) All We Imagine as Light (dir. Payal Kapadia)(00:43:02) Flow (dir. Gints Zilbalodis) (00:46:14) Emilia Perez (dir. Jacques Audiard)(00:50:29) Sing Sing (dir. Greg Kwedar)(00:52:01) The Substance (dir. Coralie Fargeat)(00:55:26) Wicked (dir. Jon M. Chu)(00:59:09) Deep Cut Coverage of 2024(00:59:20) All Shall Be Well (dir. Ray Yeung)(01:00:19) The People's Joker (dir. Vera Drew)(01:02:37) Happyend (dir. Neo Sora)(01:05:13) Deep Cut Upkeeps of 2024(01:08:55) Honorable mentions(01:08:57) Megalopolis (dir. Francis Ford Coppola)(01:12:43) Trap (dir. M. Night Shyamalan)(01:14:13) An Unfinished Film (dir. Lou Ye)(01:14:26) The Monk and the Gun (dir. Pawo Choyning Dorji)(01:16:02) Hard Truths (dir. Mike Leigh)(01:17:41) Not Friends (dir. Atta Hemwadee)(01:19:08) Fly Me to the Moon (dir. Sasha Chuk)(01:20:38) Black Box Diaries (dir. Shiori Ito)(01:24:06) A Traveler's Needs / By the Stream (dir. Hong Sang-soo)(01:25:56) Look Back (dir. Kiyotaka Oshiyama)(01:27:34) The Room Next Door (dir. Pedro Almodovar)(01:30:10) Didi (dir. Sean Wang)(01:31:22) Last Summer (dir. Catherine Breillat)(01:32:33) Hundreds of Beavers (dir. Mike Cheslik)(01:33:43) The Diarrhea Brothers Save the Day (dir. Joel Haver)(01:35:09) Rap World (dir. Conner O'Malley)(01:37:11) Janet Planet (dir. Annie Baker)(01:38:43) Ben's #5(01:41:06) SKIP ELI'S BIT!!(01:42:19) Wilson's #5(01:46:33) Eli's #5(01:50:14) Ben's #4(01:52:54) Wilson's #4(02:00:50) Eli's #4(02:01:47) Ben's #3(02:03:16) Wilson's #3(02:08:22) Eli's #3(02:12:30) Ben and Wilson's #2(02:23:46) Eli's #2(02:27:19) Ben's #1(02:31:50) Wilson's #1(02:38:39) Eli and ???'s #1(02:43:34) Upcoming from Deep Cut(02:46:32) Outro

Este episodio está un poco diferente: es un chismesito de algo que pasó hace muy poco y que nos hizo enojar un poquito la verdad. Entonces agarrando de pretexto las t0nterías que dijo Jacques Audiard (director de Emilia Pérez) sobre México y sobre el idioma español en general, decidimos hacer este episodio en donde con argumentos demostramos por qué este señor es un ign0rante con aires de superioridad basados en nada. Entonces sí, hay historia, hay factos, y sobre todo... hay chisme y comenta.

De retour des Etats-Unis avec un Oscar dans leur valise, la chanteuse Camille et le compositeur Clément Ducol ont fait un crochet par le studio de Code source. Récompensés le 2 mars à Los Angeles pour « El Mal », l'une des chansons de la bande originale qu'ils ont composée pour « Emilia Pérez », le couple avait déjà remporté un César deux jours plus tôt, ainsi qu'un trophée aux Golden Globes à l'automne dernier.Après avoir travaillé d'arrache-pied pendant quatre ans sur ce pari fou du réalisateur Jacques Audiard, un drame musical abordant la transidentité sur fond de narco-criminalité au Mexique, Camille et Clément Ducol viennent de sortir l'album « Camille Sings Emilia » dans lequel ils revisitent huit titres du film au chant et au piano.Dans cet épisode long-format de Code source, Camille et Clément Ducol reviennent sur leurs parcours et l'aventure « Emilia Pérez » avec Jules Lavie et Emmanuel Marolle, chef du service culture du Parisien.Écoutez Code source sur toutes les plates-formes audio : Apple Podcast (iPhone, iPad), Amazon Music, Podcast Addict ou Castbox, Deezer, Spotify.Crédits. Direction de la rédaction : Pierre Chausse - Rédacteur en chef : Jules Lavie - Reporter : Barbara Gouy - Production : Thibault Lambert, Pénélope Gualchierotti et Clara Grouzis - Réalisation et mixage : Pierre Chaffanjon - Musiques : François Clos, Audio Network, Camille - Archives : ABC. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

durée : 00:09:23 - L'invité de 7h50 - par : Léa Salamé - Jacques Audiard, réalisateur du film "Emilia Pérez", était l'invité de Sonia Devillers ce mercredi, pour sa première interview depuis les cérémonies des César & Oscars 2025.

durée : 02:58:57 - Le 7/10 - Le réalisateur Jacques Audiard, la maire de Lille Martine Aubry, l'euro-députée Céline Imart, le directeur de campagne de foodwatch Camille Dorioz, l'illustrateur sonore Michel Gaubert et le comédien Bertrand de Roffignac sont les invités du 7/10 ce matin.

durée : 00:09:23 - L'invité de 7h50 - par : Léa Salamé - Jacques Audiard, réalisateur du film "Emilia Pérez", était l'invité de Sonia Devillers ce mercredi, pour sa première interview depuis les cérémonies des César & Oscars 2025.

Des récompenses au festival de Cannes, aux Bafta Awards et aux Golden Globes, un succès critique et public, accompagné de 13 nominations aux Oscars. L'équipe d'« Emilia Pérez » était sur un petit nuage depuis la présentation du film à Cannes en mai dernier. Son réalisateur, Jacques Audiard, pouvait même prétendre à la plus haute récompense à Los Angeles. Mais ce dimanche 2 mars, « Emilia Pérez » a finalement remporté deux récompenses aux Oscars, dans les catégories meilleur second rôle féminin et meilleure chanson. Depuis plusieurs semaines, la campagne de promotion était devenue très éprouvante pour l'équipe du film, émaillée par de nombreuses polémiques. Accusé d'idéaliser la transidentité et le trafic de drogue, le dixième long-métrage de Jacques Audiard a ensuite été miné par d'anciens tweets racistes et islamophobes de l'actrice principale, Karla Sofia Gascon, qui ont ressurgi un mois avant la cérémonie des Oscars.Pour Code source, Renaud Baronian, journaliste au service culture du Parisien, raconte comment « Emilia Pérez » est passé de favori à indésirable.Écoutez Code source sur toutes les plates-formes audio : Apple Podcast (iPhone, iPad), Amazon Music, Podcast Addict ou Castbox, Deezer, Spotify.Crédits. Direction de la rédaction : Pierre Chausse - Rédacteur en chef : Jules Lavie - Reporter : Barbara Gouy - Production : Clara Garnier-Amouroux, Raphaël Pueyo, Pénélope Gualchierotti et Clémentine Spiler - Réalisation et mixage : Julien Montcouquiol - Musiques : François Clos, Audio Network - Archives : CNN, César, Festival de Cannes, Golden Globes, Oscar Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Malgré treize nominations, le film "Emilia Pérez" de Jacques Audiard n'a reçu que deux statuettes lors des Oscars 2025.

durée : 00:47:50 - Le Masque et la Plume - par : Rebecca Manzoni - Autour de Rebecca Manzoni, nos critiques et journalistes cinéma Ariane Allard, Jean-Marc Lalanne et Nicolas Schaller commentent le palmarès des films français et étrangers 2025 dans le cadre du prix des auditeurs et des auditrices du Masque & la Plume. - invités : Jacques Audiard, Mohammad RASOULOF - Jacques Audiard : Réalisateur français de cinéma, Mohammad Rasoulof : cinéaste iranien - réalisé par : Guillaume Girault

durée : 01:28:44 - "Emilia Pérez" aux Oscars - par : Laurent Valière - Avec 13 nominations pour la cérémonie qui se déroule ce soir à Los Angeles, Emilia Pérez est le film le plus nommé de la soirée. Jacques Audiard dévoile en exclusivité pour 42e rue la maquette sonore qui a présidé ensuite au tournage du film.

¿Quiénes fueron los ganadores en las principales categorías de la 97ª edición de los Premios de la Academia de cine, que se celebraron el domingo en Hollywood? "Anora", la tragicomedia sobre el explosivo romance entre una estríper y un joven heredero ruso en Nueva York, arrasó en la gala, coronándose como la mejor película del año y sumando cinco estatuillas en total. Mejor película: "Anora" Mejor director: Sean Baker, "Anora" Mejor actor: Adrien Brody, "El Brutalista" Mejor actriz: Mikey Madison, "Anora" Mejor actor de reparto: Kieran Culkin, "Un dolor real" Mejor actriz de reparto: Zoe Saldaña, "Emilia Pérez" Mejor película internacional: "Aún estoy aquí" (Brasil) Mejor película animada: "Flow" Mejor documental: "No Other Land" Mejor edición: Sean Baker, "Anora" Mejor vestuario: Paul Tazewell, "Wicked" Mejor diseño de producción: Nathan Crowley and Lee Sanders, "Wicked" Mejor maquillaje: Pierre-Olivier Persin, Stéphanie Guillon y Marilyne Scarselli, "La sustancia" Mejor canción original: Clement Ducol, Camille y Jacques Audiard, "El Mal" ("Emilia Pérez") En esta nueva columna de Videorama, conversamos En Perspectiva con Gastón González.

C dans l'air l'invité du 28 février 2025 avec Bruno Cras, journaliste spécialiste du cinéma, auteur du podcast Heurecinema.fr.Ce vendredi soir a lieu la 50e cérémonie des César, suivie des Oscars dimanche. De Catherine Deneuve, présidente de la cérémonie, à Pierre Niney et François Civil, qui s'affrontent pour le titre de meilleur acteur, le cinéma français a rendez-vous à l'Olympia. Deux grands succès populaires, "Le Comte de Monte-Cristo" et "L'Amour ouf", sont en lice, aux côtés de la comédie musicale "Emilia Perez" de Jacques Audiard, pour succéder à "Anatomie d'une chute", grand vainqueur de l'an dernier. Le plus grand succès de l'année, "Un p'tit truc en plus" d'Artus (10,8 millions d'entrées en France), devra se contenter au maximum d'un prix, celui du meilleur premier film. Quel destin pour l'autre long-métrage donné favori jusqu'à ces dernières semaines, "Emilia Perez" de Jacques Audiard ? Cette comédie musicale en espagnol sur la transition de genre d'un narcotrafiquant mexicain, à laquelle tout réussissait depuis sa présentation à Cannes, fait face à a polémique, en raison d'anciens messages de l'actrice principale, Karla Sofia Gascón, sur les réseaux sociaux. Elle y qualifie l'islam de "foyer d'infection pour l'humanité" et raille la diversité dans le divertissement ou encore le mouvement anti-raciste après la mort de George Floyd.Bruno Cras, journaliste spécialiste du cinéma, auteur du podcast Heurecinema.fr, décryptera avec nous l'année exceptionnelle du cinéma français et nous donnera son sentiment sur les cérémonies des César et des Oscars à venir. Des prix qui viennent couronner une année exceptionnelle pour le cinéma français. Avec 181,3 millions de places de cinéma vendues en France en 2024, le secteur se porte très bien, peu de temps après des années difficiles liées à la pandémie de Covid.

EMILIA PEREZ, Jacques Audiard's audacious trilingual crime musical, is our next stop on the Best Picture Showcase! The most critically divisive of the nominees tells the story of a Mexican drug kingpin (Karla Sofia Gascon) who enlists a junior lawyer (Zoe Saldana) to help her transition into living life as a woman via securing gender-affirming surgery, faking her death, moving her wife (Selena Gomez) and kids to Switzerland. It's...a lot.And it's weirdly not a spoiler to say this is only the first 40 or so minutes of the movie? This plan goes off without too many hitches. It's what follows when the kingpin, living now as the titular character, decides she can no longer live without her kids and needs them back in Mexico that leads to the film's culminating chaos.This is a movie of bold choices, wild lighting and camera operation, larger-than-life performances that play like a neon-soaked Mexican telenovela. It doesn't always work, sometimes to derisive hilarity, but sue me, it makes me smile.---Please rate, review & subscribe to The Movies wherever you listen to your podcasts!Follow The Movies on Instagram & Bluesky: linktr.ee/themovies_pod

Dans cette édition :Le passage du cyclone Garance à La Réunion a fait au moins 3 morts et de nombreux dégâts, nécessitant le déploiement de secours et la remise en état des réseaux.L'échange glacial entre les présidents Trump et Zelensky à la Maison Blanche illustre les tensions diplomatiques autour de la guerre en Ukraine, avec une réaction du président français Macron appelant au respect de l'Ukraine.Plusieurs changements réglementaires entrent en vigueur au 1er mars, comme le versement des aides sociales à la source, la baisse des indemnités maladie des fonctionnaires et le durcissement de la fiscalité environnementale.Le trafic de drogue est en forte hausse à Besançon, avec une recrudescence des règlements de comptes dans certains quartiers.La cérémonie des César a récompensé le film de Jacques Audiard, avec les prix du meilleur film, meilleure actrice et meilleur acteur.Le sauteur à la perche Armand Duplantis a battu son propre record du monde.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.

Dans cette édition :Échange tendu entre les présidents américain et ukrainien à la Maison Blanche, l'Europe condamnant l'attitude américaine envers l'Ukraine.Nouvelle vente d'équipements militaires américains à Israël et inquiétude pour la trêve entre Israël et le Hamas.Inquiétude pour la santé du pape François hospitalisé pour une pneumonie.Transfert d'un homme fiché S, frère d'un terroriste du Bataclan, dans une autre commune, une situation qui crée la psychose dans les villages.Bilan du passage du cyclone Garance à La Réunion, avec 4 morts et d'importants dégâts nécessitant plusieurs semaines de travaux.Retour sur la cérémonie des Césars, avec les grands gagnants Jacques Audiard, Asia Herzi et Karim Leklou.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.

Lucasfilm CEO Kathleen Kennedy has announced she will step down from her post at the end of 2025. How will this affect Star Wars? Also, Barbara Broccoli, heiress to the James Bond franchise, has sold the rights to Amazon. What could this mean for the 007 legacy? Kim Masters and Matt Belloni investigate.    Plus, NPR’s Jeff Lunden speaks to songwriters Clément Ducol and Camille about creating the musical world of Emilia Pérez. After director Jacques Audiard handed the married songwriting team a 20-page treatment, they undertook a months-long collaboration on the full script. They also speak about the multiple controversies surrounding the film — including the criticisms from GLAAD and Mexican citizens, and lead actress Karla Sofía Gascón’s bigoted social media posts.  

Lucasfilm CEO Kathleen Kennedy has announced she will step down from her post at the end of 2025. How will this affect Star Wars? Also, Barbara Broccoli, heiress to the James Bond franchise, has sold the rights to Amazon. What could this mean for the 007 legacy? Kim Masters and Matt Belloni investigate.  Plus, NPR's Jeff Lunden speaks to songwriters Clément Ducol and Camille about creating the operatic world of Emilia Pérez. After director Jacques Audiard handed the married songwriting team a 20-page treatment, they undertook a months-long collaboration on the full script. They also speak about the multiple controversies surrounding the film — including the criticisms from GLAAD and Mexican citizens, and lead actress Karla Sofía Gascón's bigoted social media posts.

The run up to this year's Oscars in Ireland has been quiet; for the first time in years there are no Irish contenders in the major categories.The movies named across several categories include Sean Baker's Anora, Jacques Audiard's Emilia Pérez, Brady Corbet's The Brutalist, Coralie Fargeat's The Substance as well as Conclave and Wicked.It's been a year when awards talk around movies and performances ebbed and flowed particularly since Cannes, as some gained momentum while others lost it.In one movie's case, Emilia Pérez, that can largely be explained by the self-inflicted controversy around Karla Sofía Gascón, the film's Oscar-nominated lead. For others, its more about timing and public reaction.Irish Times chief film correspondent Donald Clarke has a solid track record picking the winners and he tells In the News who he thinks will win in the main categories and why.And he predicts there is going to be one Irish winner on stage being handed the famous statuette.Presented by Bernice Harrison. Produced by John Casey. Hosted on Acast. See acast.com/privacy for more information.

Europe 1, partenaire de la diffusion de la 50ème cérémonie des César en clair et en direct sur Canal +, vous propose de retrouver en podcast la seconde et dernière partie de la cérémonie à l'Olympia dans son intégralité. Au programme, les différentes consécrations de la soirée.

SMFM2016500期节目的时候，有听友许愿想听五个人聚齐聊奥斯卡，你看，这不就来了么（央视主持范儿）。这期我们聊了聊10部提名奥斯卡最佳影片的作品，也顺便给大家推荐了几部，我们认为更值得的作品。我们吵了个痛快，也希望大家听个开心~04:05 今年的奥斯卡提名综述10:30 《艾米莉亚·佩雷斯》36:24 《魔法坏女巫》42:33 《粗野派》1:29:18 《无名小辈》1:37:23 《秘密会议》1:56:55 《阿诺拉》2:36:57 《沙丘2》2:39:52 《某种物质》2:45:39 《我仍在此 》2:49:33 《五分钱男孩》2:54:25 虽然没入围最佳影片，但是我们更推荐它们3:03:08 大家的一些预测「什么电苔」出了全新付费专辑《有什么好笑的？》，大家可以直接选择点击如下链接购买完整专辑，收听所有后续更新，https://www.xiaoyuzhoufm.com/podcast-topic/673ac195f373fe5d4d1f7d2f开头bgm：Dreaming by Blondie《阿诺拉》插曲结尾bgm：El Mal by Zoe Saldana/Karla Sofia Gascon/Camille 《艾米莉亚·佩雷斯》想做嘉宾，联系我们：whatfmmovie@163.com孔老师微博@做着学生的孔老师王老师微博@浩浩很含蓄什么电台官方微博@什么电苔某老师B站：什么电苔孔老师 本期阵容：什么电苔 全体主播第97届奥斯卡完整入围名单最佳男主角● 阿德里安·布洛迪 – 《粗野派》● 提莫西·夏勒梅 – 《无名小辈》● 科尔曼·多明戈 – 《监狱剧院》● 拉尔夫·费因斯 – 《秘密会议》● 塞巴斯蒂安·斯坦 – 《飞黄腾达》最佳男配角● 尤里·鲍里索夫 – 《阿诺拉》● 基兰·库利金 – 《真正的痛苦》● 爱德华·诺顿 – 《无名小辈》● 盖伊·皮尔斯 – 《粗野派》● 杰里米·斯特朗 – 《飞黄腾达》最佳女主角● 辛西娅·艾莉沃 – 《魔法坏女巫》● 卡拉·索菲亚·加斯孔 – 《埃米莉亚·佩雷斯》● 米基·麦迪逊 – 《阿诺拉》● 黛米·摩尔 – 《某种物质》● 费尔南达·托雷斯 – 《我仍在此》最佳女配角● 莫妮卡·巴巴罗 – 《无名小辈》● 阿丽安娜·格兰德 – 《魔法坏女巫》● 费莉西蒂·琼斯 – 《粗野派》● 伊莎贝拉·罗西里尼 – 《秘密会议》● 佐伊·索尔达娜 – 《埃米莉亚·佩雷斯》最佳动画长片 ● 《猫的奇幻漂流》 – Gints Zilbalodis, Matīss Kaža, Ron Dyens 和 Gregory Zalcman● 《头脑特工队2》 – Kelsey Mann 和 Mark Nielsen● 《蜗牛的回忆》 – Adam Elliot 和 Liz Kearney●《超级无敌掌门狗：企鹅的复仇》 – Nick Park, Merlin Crossingham 和 Richard Beek● 《荒野机器人》 – Chris Sanders 和 Jeff Hermann最佳动画短片● 《毛发再生的男人》 – Nicolas Keppens 和 Brecht Van Elslande● 《柏树树荫下》 – Shirin Sohani 和 Hossein Molayemi● 《魔糖》 – Daisuke Nishio 和 Takashi Washio● 《漫步至仙境》 – Nina Gantz 和 Stienette Bosklopper● 《噫！》 – Loïc Espuche 和 Juliette Marquet最佳摄影● 《粗野派》 – Lol Crawley● 《沙丘2》 – Greig Fraser● 《埃米莉亚·佩雷斯》 – Paul Guilhaume● 《玛丽亚·》 – Ed Lachman● 《诺斯费拉图》 – Jarin Blaschke最佳服装设计● 《无名小辈》 – Arianne Phillips● 《秘密会议》 – Lisy Christl● 《角斗士2》 – Janty Yates 和 Dave Crossman● 《诺斯费拉图》 – Linda Muir● 《魔法坏女巫》 – Paul Tazewell最佳导演● 《阿诺拉》 – Sean Baker● 《粗野派》 – Brady Corbet● 《无名小辈》 – James Mangold● 《埃米莉亚·佩雷斯》 – Jacques Audiard● 《某种物质》 – Coralie Fargeat最佳纪录片长片● 《黑箱日记》 – Shiori Ito, Eric Nyari 和 Hanna Aqvilin● 《唯一的家园》 – Basel Adra, Rachel Szor, Hamdan Ballal 和 Yuval Abraham● 《瓷器战争》 – Brendan Bellomo, Slava Leontyev, Aniela Sidorska 和 Paula DuPre’ Pesmen● 《政变的配乐》 – Johan Grimonprez, Daan Milius 和 Rémi Grellety● 《甘蔗》 – Julian Brave NoiseCat, Emily Kassie 和 Kellen Quinn最佳纪录片短片● 《死亡数字》 – Kim A. Snyder 和 Janique L. Robillard● 《我准备好了，典狱长》 – Smriti Mundhra 和 Maya Gnyp● 《事件》 – Bill Morrison 和 Jamie Kalven● 《心跳的仪器》 – Ema Ryan Yamazaki 和 Eric Nyari● 《 爱乐唯她：纽约爱乐首位女团员》 – Molly O'Brien 和 Lisa Remington最佳剪辑● 《阿诺拉》 – Sean Baker● 《粗野派》 – David Jancso● 《秘密会议》 – Nick Emerson● 《埃米莉亚·佩雷斯》 – Juliette Welfling● 《魔法坏女巫》 – Myron Kerstein最佳国际影片● 巴西 – 《我仍在此》● 丹麦 – 《拿针的女孩》● 法国 – 《埃米莉亚·佩雷斯》● 德国 – 《神圣无花果之种》● 拉脱维亚 – 《猫的奇幻漂流》最佳化妆与发型设计● 《不同的男人》 – Mike Marino, David Presto 和 Crystal Jurado● 《埃米莉亚·佩雷斯》 – Julia Floch Carbonel, Emmanuel Janvier 和 Jean-Christophe Spadaccini● 《诺斯费拉图》 – David White, Traci Loader 和 Suzanne Stokes-Munton● 《某种物质》 – Pierre-Olivier Persin, Stéphanie Guillon 和 Marilyne Scarselli● 《魔法坏女巫》 – Frances Hannon, Laura Blount 和 Sarah Nuth最佳原创音乐● 《粗野派》 – Daniel Blumberg● 《秘密会议》 – Volker Bertelmann● 《埃米莉亚·佩雷斯》 – Clément Ducol 和 Camille● 《魔法坏女巫》 – John Powell 和 Stephen Schwartz● 《荒野机器人》 – Kris Bowers最佳原创歌曲● 《El Mal》 – 选自《埃米莉亚·佩雷斯》；音乐：Clément Ducol 和 Camille；歌词：Clément Ducol, Camille 和 Jacques Audiard● 《The Journey》 – 选自《六三八》；音乐和歌词：Diane Warren● 《Like A Bird》 – 选自《监狱剧院》；音乐和歌词：Abraham Alexander 和 Adrian Quesada● 《Mi Camino》 – 选自《埃米莉亚·佩雷斯》；音乐和歌词：Camille 和 Clément Ducol● 《Never Too Late》 – 选自《埃尔顿·约翰：永不嫌晚》；音乐和歌词：埃尔顿·约翰, Brandi Carlile, Andrew Watt 和 Bernie Taupin最佳影片● 《阿诺拉》 – Alex Coco, Samantha Quan 和 Sean Baker, 制片人● 《粗野派》 – 提名待定● 《无名小辈》 – Fred Berger, James Mangold 和 Alex Heineman, 制片人● 《秘密会议》 – Tessa Ross, Juliette Howell 和 Michael A. Jackman, 制片人● 《沙丘2》 – Mary Parent, Cale Boyter, Tanya Lapointe 和 Denis Villeneuve, 制片人● 《埃米莉亚·佩雷斯》 – 提名待定● 《我仍在此》 – 提名待定● 《五分钱男孩》 – 提名待定● 《某种物质》 – 提名待定● 《魔法坏女巫》 – Marc Platt, 制片人最佳美术指导● 《粗野派》 – 美术指导：Judy Becker；布景装饰：Patricia Cuccia● 《秘密会议》 – 美术指导：Suzie Davies；布景装饰：Cynthia Sleiter● 《沙丘2》 – 美术指导：Patrice Vermette；布景装饰：Shane Vieau● 《诺斯费拉图》 – 美术指导：Craig L；布景装饰： Beatrice Brentnerová● 《魔法坏女巫》- 美术指导：Nathan Crowley; 布景装饰: Lee Sandales最佳真人短片●一个外星人 – Sam Cutler-Kreutz 和 David Cutler-Kreutz●阿努贾 – Adam J. Graves 和 Suchitra Mattai●我不是机器人 – Victoria Warmerdam 和 Trent● 最后的游骑兵 – Cindy Lee 和 Darwin Shaw● 无法沉默的人 – Nebojša Slijepčević 和 Danijel Pek最佳音效● 无名小辈 – Tod A. Maitland, Donald Sylvester, Ted Caplan, Paul Massey 和 David Giammarco● 沙丘2 – Gareth John, Richard King, Ron Bartlett 和 Doug Hemphill● 埃米利亚·佩雷斯 – Erwan Kerzanet, Aymeric Devoldère, Maxence Dussère, Cyril Holtz 和 Niels Barletta● 魔法坏女巫 – Simon Hayes, Nancy Nugent Title, Jack Dolman, Andy Nelson 和 John Marquis● 野生机器人 – Randy Thom, Brian Chumney, Gary A. Rizzo 和 Leff Lefferts最佳视觉效果● 异形：罗慕路斯 – Eric Barba, Nelson Sepulveda-Fauser, Daniel Macarin 和 Shane Mahan● 更好的人 – Luke Millar, David Clayton, Keith Herft 和 Peter Stubbs● 沙丘2 – Paul Lambert, Stephen James, Rhys Salcombe 和 Gerd Nefzer● 猩球王国 – Erik Winquist, Stephen Unterfranz, Paul Story 和 Rodney Burke● 魔法坏女巫 – Pablo Helman, Jonathan Fawkner, David Shirk 和 Paul Corbould最佳改编剧本（Writing – Adapted Screenplay）● 无名小辈 – 编剧：James Mangold 和 Jay Cocks● 秘密会议 – 编剧：Peter Straughan● 埃米利亚·佩雷斯 – 编剧：Jacques Audiard；与 Thomas Bidegain, Léa Mysius 和 Nicolas Livecchi 合作● 五分钱男孩 – 编剧：RaMell Ross & Joslyn Barnes● 监狱剧院 – 编剧：Clint Bentley, Greg Kwedar；故事：Clint Bentley, Greg Kwedar, Clarence Maclin, John “Divine G” Whitfield最佳原创剧本● 阿诺拉 – 编剧：Sean Baker● 粗野派 – 编剧：Brady Corbet, Mona Fastvold● 真正的痛苦 – 编剧：Jesse Eisenberg● 九月五日 – 编剧：Moritz Binder, Tim Fehlbaum；联合编剧：Alex David● 某种物质 – 编剧：Coralie Fargeat

Fin janvier, à un peu plus d'un mois des Oscars, Emilia Pérez, le film du réalisateur français Jacques Audiard, semblait lancé sur l'autoroute du succès. Ce long métrage, mi-thriller mi-comédie musicale, raconte l'histoire d'un narcotrafiquant mexicain qui fait appel à une avocate désabusée pour l'aider à achever sa transition de genre et à se réinventer en tant que femme.Après une double récompense au festival de Cannes et un succès public et critique à sa sortie en France, le film, diffusé par Netflix aux Etats-Unis, s'est lancé dans la course aux récompenses. Avec réussite : deux récompenses aux Bafta, trois aux Critics Choice Awards, quatre aux Golden Globes… Et treize nominations aux Oscars, ce qui en fait un des films les plus nommés de l'histoire de la cérémonie. Un véritable conte de fées pour l'équipe du film, en particulier pour son interprète principale, Karla Sofia Gascon, la première femme transgenre nommée pour l'Oscar de la meilleure actrice.Mais en parallèle, des critiques émergent du côté de la communauté transgenre et du public mexicain. Et tout s'écroule finalement à un mois des Oscars, quand des tweets islamophobes de Karla Sofia Gascon sont exhumés par une journaliste canadienne.Alors comment expliquer l'ascension éclair de ce film hybride que personne n'attendait ? Que lui est-il reproché précisément ? Et face à toutes ces critiques, risque-t-il de repartir bredouille des Oscars ? Dans cet épisode du podcast « L'Heure du Monde », Boris Bastide, critique cinéma au Monde, répond à toutes ces questions.Un épisode d'Adélaïde Tenaglia. Réalisation : Thomas Zeng. Présentation et suivi éditorial : Claire Leys. Dans cet épisode, extraits de la bande-annonce du film « Emilia Pérez » et du discours de Jacques Audiard aux Golden Globes, le 5 janvier 2025.Cet épisode a été diffusé le 28 février 2025.---Pour soutenir "L'Heure du Monde" et notre rédaction, abonnez-vous sur abopodcast.lemonde.fr Hébergé par Audion. Visitez https://www.audion.fm/fr/privacy-policy pour plus d'informations.

Nesta edição do podcast cinematório café, nós analisamos os filmes "Emilia Pérez", de Jacques Audiard, e "Wicked", de John M. Chu, dois musicais que concorrem ao Oscar 2025. - Visite a página do podcast no site e confira material extra sobre o tema do episódio - Junte-se ao Cineclube Cinematório e tenha acesso a conteúdo exclusivo de cinema Escrito e dirigido Jacques Audiard ("Ferrugem e Osso"), "Emilia Pérez" se passa no México, nos dias atuais, quando a advogada Rita recebe uma oferta inesperada. Ela precisa ajudar um temido chefe de cartel a se aposentar de seus negócios e desaparecer para sempre, tornando-se a mulher que ele sempre sonhou ser. No Festival de Cannes, o filme ganhou o Prêmio do Júri e o Prêmio de Melhor Atriz, divido entre Karla Sofía Gascón, Zoe Saldaña e Selena Gomez. No Oscar 2025, o longa recebeu 13 indicações: Melhor Filme, Filme Internacional, Direção, Roteiro Adaptado, Atriz (Karla Sofía Gascón, primeira mulher trans indicada nesta categoria), Atriz Coadjuvante (Zoe Saldaña), Fotografia, Montagem, Som, Maquiagem e Penteado, Trilha Sonora Original e Canção Original (para "El Mal" e "Mi Camino"). "Wicked" é dirigido por John M. Chu ("Podres de Ricos") e baseado no famoso musical da Broadway, por sua vez adaptado do livro de Gregory Maguire. Situado no universo do clássico "O Mágico de Oz", o filme é estrelado por Cynthia Erivo como Elphaba, uma jovem incompreendida por causa de sua pele verde incomum, que ainda não descobriu seu verdadeiro poder; e Ariana Grande como Glinda, uma jovem popular e ambiciosa, nascida em berço de ouro, que só quer garantir seus privilégios e ainda não conhece a sua verdadeira alma. No Oscar 2025, "Wicked" recebeu 10 indicações: Melhor Filme, Atriz (Cynthia Erivo), Atriz Coadjuvante (Ariana Grande), Montagem, Direção de Arte, Figurino, Maquiagem e Penteado, Efeitos Visuais, Som e Trilha Sonora Original. Sentam-se à mesa conosco neste podcast para discutir "Emilia Pérez" e "Wicked": - Ana Lúcia Andrade, professora de Cinema da Escola de Belas Artes da UFMG, autora dos livros "O Filme Dentro do Filme: a Metalinguagem no Cinema" e "Entretenimento Inteligente: O Cinema de Billy Wilder"; - Renné França, professor, crítico, diretor do filme “Terra e Luz”, autor do curso Cinema de Ação e do livro “Cine Killer“; - Larissa Vasconcelos, jornalista, crítica e redatora do cinematório. O cinematório café é produzido e apresentado por Renato Silveira e Kel Gomes. A cada episódio, nós propomos um debate em torno de filmes recém-lançados e temas relacionados ao cinema, sempre em um clima de descontração e buscando refletir sobre imagens presentes no nosso dia a dia. Quer mandar um e-mail? Escreva seu recado e envie para contato@cinematorio.com.br.

Welcome to the Not Old Better Show, Smithsonian Associates Interview Series on radio and podcast. I'm Paul Vogelzang.   The Academy Awards are Hollywood's grandest night—the moment when months of speculation, surprise wins, and snubs all culminate in one golden evening. And this year, the road to Oscar glory has been anything but predictable.   Was Anora's big night at the Critics Choice, DGA, and PGA the ultimate confirmation that it's the Best Picture frontrunner, or is there still room for a shocking upset? Will Sean Baker walk away with Best Director, or could someone else—maybe The Brutalist's Brady Corbet or Emilia Pérez's Jacques Audiard—steal the moment? And what about Wicked, which just had a stunning, completely unexpected win for Jon M. Chu at the Critics Choice Awards? Could the musical blockbuster actually shake up the race?   From underdog stories to behind-the-scenes drama, tonight, we're unpacking all the Oscar buzz with film critic Smithsonian Associate Noah Gittell. Noah Gittell will be appearing at Smithsonian Associates coming up…please check out our show notes today for more details. He's been following every twist and turn of this year's awards season, sorting through the narratives, the rumors, and the history that tell us where the Oscars might be headed. Plus, he's got the trivia and insights that will make sure you're the most informed person at your Oscars party.   It's a night of predictions, controversy, and maybe even a little Hollywood gossip. So, sit back and enjoy—this is going to be a fun one. I'm your host, Paul Vogelzang, and this is The Not Old – Better Show, Smithsonian Associates Interview Series on radio and podcast. My thanks to  Smithsonian Associate Noah Gittell. Noah Gittell will be appearing at Smithsonian Associates coming up…please check out our show notes today for more details. My thanks to the Smithsonian team for all they do to help us here on the show. My thanks to Sam Heninger and Miranda Heninger for their help producing and directing me, and my thanks to you, our wonderful audience here on radio and podcast. Be well, be safe, and Let's Talk About Better,  Not Old Better Show, Smithsonian Associates Interview Series on radio and podcast.

Join Matthew McQueeny, Tim Castano, and Jayme Alfano Mulhern for their 11th annual Mix-Minus Podcast Oscars special! Dive deep into the 2025 Academy Awards as our hosts explore each of the major categories and nominees. This year's Best Picture lineup includes "Anora," "The Brutalist," "A Complete Unknown," "Conclave," "Dune: Part Two," "The Substance," "Wicked," "Emilia Pérez," "I'm Still Here," and "Nickel Boys." For Best Actor, the contenders are Ralph Fiennes in "Conclave," Sebastian Stan in "The Apprentice," Timothée Chalamet in "A Complete Unknown," Colman Domingo in "Sing Sing," and Adrien Brody in "The Brutalist." The Best Actress race features Fernanda Torres in "I'm Still Here," Demi Moore in "The Substance," Karla Sofía Gascón in "Emilia Pérez," Cynthia Erivo in "Wicked," and Mikey Madison in "Anora." Supporting roles are fiercely contested with Zoe Saldana, Felicity Jones, Monica Barbaro, Ariana Grande, and Isabella Rossellini up for Best Supporting Actress, and Guy Pearce, Yuriy Borisov, Edward Norton, Kieran Culkin, and Jeremy Strong nominated for Best Supporting Actor. In the directing field, Coralie Fargeat for "The Substance," James Mangold for "A Complete Unknown," Sean Baker for "Anora," Jacques Audiard for "Emilia Pérez," and Brady Corbet for "The Brutalist" have captured nominations. The screenplay categories heat up with Jacques Audiard, Greg Kwedar, Clint Bentley, James Mangold, Jay Cocks, Jesse Eisenberg, Coralie Fargeat, Tim Fehlbaum, Moritz Binder, Alex David, Sean Baker, and Brady Corbet battling it out for top honors.  

Episode #441 Dheepan. Just in time for awards season, we look back at everyone's favorite French director Jacques Audiard and his previous work about Tamil refugees in Paris. We also talk Severance, Johann Sacre Bleu, Treasure Island and Gate of Hell.  Join the cause at Patreon.com/Quality. Follow the us on Ton Bluesky at kislingconnection and cruzflores, on Instagram @kislingwhatsit, and on Tiktok @kislingkino. You can watch Cruz and show favorite Alexis Simpson on You Tube in "They Live Together." Thanks to our artists Julius Tanag (http://www.juliustanag.com) and Sef Joosten (http://spexdoodles.tumblr.com). The theme music is "Eine Kleine Sheissemusik" by Drew Alexander. Also, I've got a newsletter, so maybe go check that one out, too. Listen to DRACULA: A RADIO PLAY on Apple Podcasts, at dracularadio.podbean.com, and at the Long Beach Playhouse at https://lbplayhouse.org/show/dracula And, as always, Support your local unions! UAW, SAG-AFTRA, and WGA strong and please leave us a review on iTunes or whatever podcatcher you listened to us on!

The Oscars are almost here! On the thirty- seventh episode of ATFT, my friends Emm- winning photojournalist, writer/ director Samy El- Kamel, and director Craig Ienne Pedroza join this year's panel to discuss the Oscar nominated films and share our predicted winners! This episode is explicit.2024 was a mixed year for us… Cole and Craig believe 2024 was a great year for cinema while Samy and I don't quite share that opinion. This year's awards season has become plagued by various controversies and many believing this is not as competitive as last year's Oscar race. For the 2025 Academy Awards, Jacques Audiard's Emilia Pérez earned the most nominations(13) this year whileboth The Brutalist and Wicked tied for second, earning 10 nominations each.Other films that received many nominations are Conclave, Anora, and The Substance.So many categories are up in the air with no film expected to sweep, leaving audiences torn on who will win. Will it be Sean Baker or Brady Corbet who takes home the Director Oscar? How about who will win Best Actress: Demi Moore, Fernanda Torres or Mikey Madison? These are just two of the widely debated categories. We will soon learn the answer on Sunday, March 2!This is the first time each of the ATFT regulars are all together for an episode! This is Cole's eighteenth appearance on ATFT (seventh on this wide release), Samy's eleventh (fourth on the wide release), and Craig's  sixth appearance (fourth on the wide release). This is the third annual Oscars special! Cole and I recorded the 2022 Oscars special through the Relevnt app, which is currently in the vault. The first wide released Oscars special (give Episode 15 a listen) was last year's 2023 Oscars special with Cole, Craig, and past guest Lina Smith. Since the Oscars is the “Super Bowl for film fans”, this episode was aimed to be more of a Sports Center- format. This episode was recorded on February 6, 2025. Cole recently won an Emmy for his work with First Coast News on the news package “Waiting for Rebuild”! Watch the full news package here!: https://youtu.be/Pa1m0qm8h-Q. Samy's latest short film “Waveform” will be making the rounds at film festivals soon so stay tuned by following his production company on Instagram and Youtube @barefootpythonmedia! Craig recently directed the short film “Floating Daisies” which will also begin its film festival run soon. Stay updated on that project by following @floatingdaisiesfilm on Instagram and Craig on both Instagram and Youtube @iennefilm!In this episode,Cole, Samy, Craig and I go through each category and discuss our predicted winners. The categories are discussed in the order of which the categories were read at last year's Oscars. There are very few categories we unanimously agree on. Arguments are had, impressions are hilariously done, and the power of friendship lives on. All this and much more on the latest episode of All the Film Things!ATFT Announcement!: All the Film Things will be back on March 26! Stay updated by following @all.the.film.things on Instagram! Music Credit:CINEMA by Alex-Productions | https://onsound.eu/Music promoted by https://www.free-stock-music.comCreative Commons / Attribution 3.0 Unported License (CC BY 3.0)https://creativecommons.org/licenses/by/3.0/deed.en_US

durée : 00:04:33 - Le Zoom de France Inter - Une histoire en langue espagnole, sur un narcotrafiquant mexicain, et filmée en studio à Bry-sur-Marne par un Français. Bienvenue dans les coulisses du tournage hors-normes du film "Emilia Perez" de Jacques Audiard, nommé dans treize catégories aux Oscars.

This week, we watch a dumpster fire of a film that Netflix managed to buy its way to a nearly record setting number of Oscar nominations. This film is not just poorly made in every respect, it also exploits every topic it decides to shove into its fractured story. This is the opposite of the film we need these days. Emilia Perez (2024), directed Jacques Audiard.

This week on Peanuts and Popcorn, we break down two more 2025 Oscar nominees for Best Picture. We'll get things going with the controversial, Emilia Peréz, starring Karla Gascón and Zoe Saldaña; directed by JacquesAudiard, and A Complete Unknow, starring Timothée Chalamet and Edward Norton, directed by James Mangold.Next up our Oscar preview show with the reviews forThe Brutalist (2024)The Substance (2024)Conclave (2024)The Nickel Boys (2024)

No Cinemático 502, Carlos Merigo, Bia Fiorotto, Sylvia Nazareth e Ronald Villardo conversam sobre "Emilia Pérez", filme dirigido por Jacques Audiard, que concorre a 13 Oscar's em 2025.Pauta: 4:09Spoilers: 01:01:56---SIGA @CINEMATICOPODTwitterInstagramCRÉDITOSApresentação: Carlos MerigoPauta e Produção: Bia FiorottoEdição: Gabriel PimentelAtendimento e Comercialização: Camila Mazza e Telma ZennaroTorne-se membro do B9 e ganhe benefícios: Braincast secreto; grupo de assinantes no Telegram; e mais! / @canalb9 Hosted on Acast. See acast.com/privacy for more information.

It's a very exciting and disappointing week as we take a look at not only oscar nominations but also a film that has 13 nominations and deserves none of them in Emilia Perez.       00:00:00 - Introductions and Banter 0:09:00 - Box Office 0:13:30 - Movie Recommendation- Fury, Dir. David Ayer, 2014 0:21:40 - Love Hurts, Dir. Jonathan Eusebio  0:32:15 - Oscar Nominations 1:08:20 - Emilia Perez, Dir. Jacques Audiard, Netflix   Hosted, produced and mixed by Grayson Maxwell and Roger Stillion.  Also Hosted by Christopher Boughan. Visit the new Youtube channel, "Post Credits Podcast" to watch the video version.   Thank you for listening! Check us out on many podcast services: Apple Podcasts, Amazon Music, Google Podcasts, Spotify, Podbean. Check is out on YouTube for the full video each week: https://www.youtube.com/@Postcreditspodcast1

From a fun little Cannes oddity to an Oscar mega-nominee…and (ahem) beyond, EMILIA PÉREZ has had quite the journey. It's also made the journey into the eyeballs of our three hosts and their esteemed guest, writer (of essays, books, TV, and now a novel!) Emily St. James. Everyone lived to tell the tale, but not in song…but don't worry, we have musical content in the form of a movie quiz about movie musicals that sound unmakeable.What's GoodAlonso - weekly Christmas cookie trialsDrea - Bookshop.org now has e-books (Preorder Woodworking by Emily St. James!)Emily - Woodworking :: Sabrina CarpenterIfy - Being back!B.J. Colangelo's Slashfilm article (referenced by Ify)Staff PicksAlonso - I'm Still HereDrea - CompanionEmily - You Are Not MeIfy - Johanne SacrebleuPodcast Like It's the 2000s Follow us on BlueSky, Twitter, Facebook, or InstagramWithDrea ClarkAlonso DuraldeIfy NwadiweProduced by Marissa FlaxbartSr. Producer Laura Swisher

We have another of our Soundtracking Everyman Film Club shows for you today, which we thought we'd share as a bonus episode to mark the extraordinary recognition the musical drama Emilia Perez has received. Landing a whopping 13 Oscar nominations, Emilia Perez tells the story of a Mexican lawyer who is offered an unusual job of helping a notorious cartel boss retire and transition into living as a woman. Edith was lucky enough to be joined at Everyman Broadgate by writer / director Jacques Audiard, Zoe Saldana - who plays the lawyer, Rita - and Clement Ducol and Camille, who collaborated on the music. Since Jacques doesn't speak great English, we also had translator Sophie on stage, so thank you in advance for you patience as first he gives his answers and then she relays them to us.

Netflix's Emilia Perez is a hot mess of a movie. This musical crime drama, written and directed by French filmmaker Jacques Audiard, follows a de-greenified Zoë Saldaña working as a lawyer for a Mexican drug lord who transitions.Saldaña's character later goes on to support the former Mexican drug lord as she attempts to atone for her criminal past by founding a nonprofit to rescue the victims of the country's drug cartels, including her own.What could have been a powerful exploration of the struggles faced by trans people and all women in Latin America instead turns everyone into cartoons. Emilia Perez reduces the harsh realities of cartel violence and trans struggles into a gaudy spectacle, making one wonder if it was slapped together just to throw a wrench in Wicked's awards season dominance.Adding to the controversy, new reports have surfaced about the film's lead, transgender actress Karla Sofía Gascón, and her troubling history of racist and anti-Muslim remarks.Today we take a look at Emilia Peréz and other terrible, campy films the world would rather forget ever existed. Plus-- Paul Reubens, best known as Pee-Wee Herman, comes out of the coffin as gay in a new documentary about his not-so-private life.Woman pleads guilty to sendng fart vdeos to her boyfriends ex. Chappell Roan celebrates her Grammy win for best new artist by calling out record labels, demanding they give their employees a livable wage and healthcare. A mysterious nationwide network against Trump called the 50501 Movement plans protests in all of the nation's capitols on Feb 5. Happy 20 year anniversary to Feast of Fun, one of the first 50 podcasts in history, still going strong 3133 shows later. SAVE FEAST OF FUN, HELP US GET A NEW COMPUTER:• feastoffun.com/donate

Com 13 indicações ao principal prêmio do cinema mundial, o musical francês ambientado no México estreia oficialmente nesta quinta-feira (6) no Brasil. O longa, semanas atrás visto como queridinho de Hollywood, agora se vê em meio a uma onda de críticas. Karla Sofía Gascón, indicada ao prêmio de melhor atriz por sua atuação no musical, foi afastada da campanha do filme, segundo o site "The Hollywood Reporter". Nas últimas semanas, posts antigos da atriz e declarações sobre seus concorrentes – incluindo Fernanda Torres – colocaram Karla Sofía no centro de polêmicas. Ambientado em solo mexicano, mas com atores europeus e norte-americanos, o filme não foi bem-visto no México. Antes visto como um dos favoritos ao prêmio de Melhor Filme Internacional, o longa dirigido pelo francês Jacques Audiard viu seu domínio ruir aos poucos entre críticos e opinião pública. Para explicar as polêmicas do filme e da atriz, como isso afeta a campanha em busca de estatuetas e como ‘Ainda Estou Aqui' e Fernanda Torres podem ser beneficiados, Natuza Nery conversa com Marina Person. Cineasta, atriz e apresentadora, Marina detalha o que fez a imagem de ‘Emilia Pérez' ruir, analisa os defeitos e as qualidades do musical e como ventos favoráveis sopram em direção ao cinema brasileiro.

  Oscar-bait or revolutionary masterpiece? Can Isaac, Juzo, and Cameron survive the most infamous 2024 Academy Award-nominated movie? From the mind of Jacques Audiard comes a musical crime film, Emilia Pérez. The story follows Mexican cartel leader Emilia, portrayed by Karla Sofía Gascón, who seeks lawyer Rita's (Zoe Saldaña's) assistance to orchestrate her disappearance and transition into a woman. With notable performances by Selena Gomez and Adriana Paz, the film has sparked discussion and dissent in the film community. But fear not movie lovers, your favorite hosts have embraced the chaos for your listening pleasure! And if you don't enjoy it, well I think Cameron is going to be in big trouble.  Cinema Spectator is a movie podcast hosted by Isaac Ransom, Juzo Greenwood, and Cameron Tuttle. The show is executive produced by Darrin O'Neill and recorded & produced in the San Francisco Bay Area, CA. You can support the show at patreon.com/ecfsproductions. Follow us on YouTube, Facebook, Instagram, and Twitter under ECFS Productions (@ecfsproductions). Isaac and Cameron started recording podcasts with their first project, Everything Comes from Something (2018), and are now focusing on new weekly content for Cinema Spectator. Cameron Tuttle is a full-time professional cinematographer who majored at SFSU Film School to collaborate with corporate, private, and creative productions. Cameron is the expert. Isaac Ransom works full-time as an experienced creative, digital marketer, and product manager. Isaac is the student. And Juzo, he just knows everything about film. The podcast is a passion project between two longtime friends; we hope you can enjoy our project with the limited time we have! Thank you for your time, your generosity, and support.

Anne and Ryan discuss the year's most Oscar-nominated film, Jacques Audiard's musical EMILIA PÉREZ starring Zoe Saldaña, Karla Sofía Gascón and Selena Gomez. The film follows a Mexican cartel leader who recruits a lawyer to help her transition into a woman and restart her life as a philanthropist. Drawing both accolades as an inventive, relevant musical and criticism as a tone-deaf overreach into Mexican and trans representation, EMILIA PÉREZ is the most polarizing film of any recent awards season. Join our discussion of Audiard's divisive musical, taking diversions into Justin Baldoni, George Lucas, offensive Tweets, Josh O'Connor, The Reader, Born in East L.A., and much, much more! EMILIA PÉREZ is currently available to stream on Netflix.

Le scandale déclenché par d'anciens tweets de l'actrice Karla Sofia Gascon peut-il bousiller les chances du film de Jacques Audiard ? Ce scandale en rappelle-t-il un autre, en 1991 ? Quelle facette de Vincent Lindon révèle le documentaire « Lindon, cœur sanglant » ? Dans quelle nouvelle comédie Will Ferrell se retrouve-t-il face à Reese Whitherspoon ? Pourquoi le film « La leçon de piano » fit-il date au Festival de Cannes ? Les découvertes musicales : - Bad Bunny – DtMF - Luvcat - Dinner @ Brasserie Zedel - Lola Young - Close To Me - Depeche Mode – Enjoy the silence Merci pour votre écoute La semaine des 5 Heures, c'est également en direct tous les jours de la semaine de 19h à 20h00 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de La semaine des 5 Heures avec les choix musicaux de Rudy dans leur intégralité sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/1451 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Dixième long-métrage du réalisateur français Jacques Audiard, « Emilia Pérez » a récolté 4 statuettes aux derniers Golden Globes, le dimanche 5 janvier à Los Angeles. L'éblouissant film porté par Karla Sofia Gascón, Zoé Saldaña et Selena Gomez a notamment remporté le prix du meilleur film musical et de la meilleure musique originale. Un palmarès prometteur à l'approche de la cérémonie des Oscars au mois de mars.Déjà récompensé du prix du jury au festival de Cannes en 2024, « Emilia Pérez » connaît depuis sa sortie cet été un succès critique et public, avec plus d'un million d'entrées en France. Pourtant, rien au départ ne laissait présager un tel engouement pour ce projet. Un drame musical en espagnol avec pour thème principal la transidentité, avec en toile de fond les cartels de drogue au Mexique.Code source raconte les coulisses du film et la campagne du film avec trois journalistes du service culture du Parisien : Catherine Balle, Renaud Baronian et Eric Bureau.Écoutez Code source sur toutes les plates-formes audio : Apple Podcast (iPhone, iPad), Amazon Music, Podcast Addict ou Castbox, Deezer, Spotify.Crédits. Direction de la rédaction : Pierre Chausse - Rédacteur en chef : Jules Lavie - Reporter : Barbara Gouy - Production : Thibault Lambert et Raphaël Pueyo - Réalisation et mixage : Pierre Chaffanjon - Musiques : François Clos, Audio Network - Archives : Golden Globes, Festival de Cannes. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Karla Sofía Gascón joins the show to talk about her experience starring in Jacques Audiard's bold, genre-defying film, Emilia Pérez. Gascón plays the title character – a menacing cartel leader who fakes her own death to live authentically as her true self.  Gascón shares her initial reaction to the script and the intense preparation that followed, describes the lengthy process that she and Audiard went through to find the right version of each character, and explains why playing Emilia was more challenging than playing Manitas. She also talks about working with her co-stars (Zoe Saldaña, Selena Gomez, and Adriana Paz), discusses the power of women on screen, and ruminates on what has been an incredible breakthrough moment in her career.  Listen to more from Netflix Podcasts.

Sean and Amanda are joined by ‘House of R' host Joanna Robinson to react to the 2025 Golden Globes, an up-and-down award show highlighted by strong performances from Brady Corbet's ‘The Brutalist' and Jacques Audiard's ‘Emilia Pérez.' They also discuss the movies they were surprised performed weaker on the evening, like ‘Anora,' ‘Conclave,' and ‘Wicked.' Finally, they evaluate the entertainment of the broadcast and host Nikki Glaser. Hosts: Sean Fennessey and Amanda Dobbins Guest: Joanna Robinson Senior Producer: Bobby Wagner Video Producer: Jack Sanders Learn more about your ad choices. Visit podcastchoices.com/adchoices

For New Years week, the auld acquaintance that won't be forgot on our show is… a grim French drama about broken bodies. In 2012, Jacques Audiard returned to Cannes with Rust and Bone starring Marion Cotillard and Matthias Schoenaerts as reluctant lovers healing through personal tragedies. The film left Cannes with no prizes but with a lot … Continue reading "323 – Rust and Bone"

On this week's show, Isaac Butler (Supreme Friend of the Show and author of The Method:‌ How the Twentieth Century Learned to Act) sits in for Dana. First, the panel is quite verbose about Say Nothing, a limited series that takes place over four generations and is set during The Troubles in Northern Ireland. By dramatizing the real-life events recounted in Patrick Radden Keefe's 2018 bestseller, the adapted limited series achieves something quite rare: enriching the original text and imbuing it with new meaning. Then, they unpack Emilia Pérez, an utterly captivating musical by writer-director Jacques Audiard that's about gender transition, drug cartels, and becoming yourself. Finally, the trio discusses Carson the Magnificent, a new biography of the mysterious late-night pioneer that Isaac recently reviewed for The New Yorker. In the exclusive Slate Plus segment, the panel answers a listener question from James: “Are there cultural works that you fully intend to see or experience, but are waiting for an optimal way to do it?” Email us at culturefest@slate.com.  Endorsements: Isaac: Blood Test by Charles Baxter.   Julia: Zoe Saldaña in Center Stage. Steve: Alice Neel's appearance on Johnny Carson's Tonight Show in 1984. Podcast production by Jared Downing. Production assistance by Kat Hong.  Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond's yield is a function of its market price, which can fluctuate; therefore, a bond's YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sean is joined by Ringer-Verse host Joanna Robinson and The Ankler's awards editor Katey Rich to discuss the state of the Best Picture race. Amid this conversation, they go through the 10 films they think are running hottest to be nominated for the top award at the Oscars and compare their list to the last time Sean did said exercise (1:00). Then, they zero in on one of those front-runners, Jacques Audiard's ‘Emilia Pérez,' a challenging swing of a film that's received mixed reviews from critics and Letterboxd users alike since hitting the Netflix service (1:10:00). Host: Sean Fennessey Guests: Joanna Robinson and Katey Rich Senior Producer: Bobby Wagner Video Producer: Jack Sanders Learn more about your ad choices. Visit podcastchoices.com/adchoices