Podcast appearances and mentions of Jacques Audiard

In der neuen Folge stellen wir uns die Frage, die wirklich zählt: Was lohnt sich heute Abend?Zwischen Polit-Thriller, Western-Spin-off und düsterem Netflix-Mystery tasten wir uns durch das aktuelle Streaming-Angebot und suchen den perfekten Film- oder Serienabend. Zur Auswahl stehen:– "Konklave" – Der packende Vatikan-Thriller mit Ralph Fiennes: Intrigen, Macht und Glaube auf engstem Raum.– "The Residence" – Die neue White-House-Crime-Serie von Netflix. Murder-Mystery trifft auf Politik – Top oder Flop?– "1923" – Das Yellowstone-Prequel mit Harrison Ford und Helen Mirren – Western-Drama mit Biss oder Staub?- "We Live in Time" - Das packende Romantik-Drama mit Florence Pugh und Andrew Garfield.– ...und mehr überraschende Empfehlungen!Außerdem:Wir besprechen "Emilia Perez", das kontroverse Musik-Drama von Jacques Audiard über Kartelle, Identität und Transformation. Ein Oscar-Kandidat, der polarisiert.Und: "Heads of State" – Action-Comedy mit Idris Elba und John Cena, die mehr liefert, als der Titel vermuten lässt? Der WOW-HOMEWORK-DOUBLEHEADER für diese Woche: "Juror #2" und "Konklave" (Wow) #NapalmAmMorgen

durée : 00:53:57 - Certains l'aiment Fip - À l'occasion de la sortie le 11 juin, du film "Différente" de Lola Doillon où elle incarne le personnage principal, on invite l'ex-chanteuse des Savages et actrice française qui a joué aussi pour Jacques Audiard, Catherine Corsini, Serge Bozon ou Justine Triet.

durée : 00:59:11 - Alexandre Desplat, entre l'Europe et Hollywood (2/3) : Ses années françaises - par : Thierry Jousse - Pour ce deuxième épisode de la série consacré à Alexandre Desplat, nous serons en France, là où la carrière du compositeur a commencé, au milieu des années 1990, notamment auprès de Jacques Audiard…

Il est désormais une figure incontournable du cinéma international, Jacques Audiard revenait en 2005 avec son film "De battre mon cœur s'est arrêté". Un film très attendu qui s'inscrivait dans la lignée de son œuvre exigeante et engagée.

¿Te cuesta motivarte para leer en español?Tómate un café conmigo mientras leemos un fragmento del reportaje principal del nº113 de la revista para estudiantes de español "Punto y Coma".Descubre el nuevo álbum del artista más escuchado en español del momento: Bad Bunny.

Do you know how much of A Real Pain it is to keep the years straight with us straddling three different global release windows? We do! We got Caught by the Tides and are a little late with this one but nevertheless, join our Conclave for the fifth (!) time as we huddle around the Ghostlight to talk about the films of the last year! We cover award-winning films (Anora, The Brutalist, No Other Land), notable blockbusters (Dune: Part Two, Wicked), blitz through some honorable Challengers to our top picks, and then Look Back on our personal top fives. You know podcast favorite Luca Guadagnino is going to feature in Wilson's favorite films… but how Queer will it be?? If you're A Different Man, you'll have different faves, so enter our Red Rooms and tell us your favorite 2024 films on our FREE patreon, discord server, and our socials @ www.deepcutpod.comLinks:Ben's 2024 ListEli's 2024 ListWilson's 2024 ListTimestamps:(00:00:00) Intro(00:03:21) 2024 in general(00:17:06) Obligatory mentions(00:17:28) Anora (dir. Sean Baker)(00:22:55) Conclave (dir. Edward Berger)(00:25:14) The Brutalist (dir. Brady Corbet)(00:33:53) Nickel Boys (dir. Ramell Ross)(00:36:53) Hit Man (dir. Richard Linklater)(00:39:45) All We Imagine as Light (dir. Payal Kapadia)(00:43:02) Flow (dir. Gints Zilbalodis) (00:46:14) Emilia Perez (dir. Jacques Audiard)(00:50:29) Sing Sing (dir. Greg Kwedar)(00:52:01) The Substance (dir. Coralie Fargeat)(00:55:26) Wicked (dir. Jon M. Chu)(00:59:09) Deep Cut Coverage of 2024(00:59:20) All Shall Be Well (dir. Ray Yeung)(01:00:19) The People's Joker (dir. Vera Drew)(01:02:37) Happyend (dir. Neo Sora)(01:05:13) Deep Cut Upkeeps of 2024(01:08:55) Honorable mentions(01:08:57) Megalopolis (dir. Francis Ford Coppola)(01:12:43) Trap (dir. M. Night Shyamalan)(01:14:13) An Unfinished Film (dir. Lou Ye)(01:14:26) The Monk and the Gun (dir. Pawo Choyning Dorji)(01:16:02) Hard Truths (dir. Mike Leigh)(01:17:41) Not Friends (dir. Atta Hemwadee)(01:19:08) Fly Me to the Moon (dir. Sasha Chuk)(01:20:38) Black Box Diaries (dir. Shiori Ito)(01:24:06) A Traveler's Needs / By the Stream (dir. Hong Sang-soo)(01:25:56) Look Back (dir. Kiyotaka Oshiyama)(01:27:34) The Room Next Door (dir. Pedro Almodovar)(01:30:10) Didi (dir. Sean Wang)(01:31:22) Last Summer (dir. Catherine Breillat)(01:32:33) Hundreds of Beavers (dir. Mike Cheslik)(01:33:43) The Diarrhea Brothers Save the Day (dir. Joel Haver)(01:35:09) Rap World (dir. Conner O'Malley)(01:37:11) Janet Planet (dir. Annie Baker)(01:38:43) Ben's #5(01:41:06) SKIP ELI'S BIT!!(01:42:19) Wilson's #5(01:46:33) Eli's #5(01:50:14) Ben's #4(01:52:54) Wilson's #4(02:00:50) Eli's #4(02:01:47) Ben's #3(02:03:16) Wilson's #3(02:08:22) Eli's #3(02:12:30) Ben and Wilson's #2(02:23:46) Eli's #2(02:27:19) Ben's #1(02:31:50) Wilson's #1(02:38:39) Eli and ???'s #1(02:43:34) Upcoming from Deep Cut(02:46:32) Outro

Este episodio está un poco diferente: es un chismesito de algo que pasó hace muy poco y que nos hizo enojar un poquito la verdad. Entonces agarrando de pretexto las t0nterías que dijo Jacques Audiard (director de Emilia Pérez) sobre México y sobre el idioma español en general, decidimos hacer este episodio en donde con argumentos demostramos por qué este señor es un ign0rante con aires de superioridad basados en nada. Entonces sí, hay historia, hay factos, y sobre todo... hay chisme y comenta.

De retour des Etats-Unis avec un Oscar dans leur valise, la chanteuse Camille et le compositeur Clément Ducol ont fait un crochet par le studio de Code source. Récompensés le 2 mars à Los Angeles pour « El Mal », l'une des chansons de la bande originale qu'ils ont composée pour « Emilia Pérez », le couple avait déjà remporté un César deux jours plus tôt, ainsi qu'un trophée aux Golden Globes à l'automne dernier.Après avoir travaillé d'arrache-pied pendant quatre ans sur ce pari fou du réalisateur Jacques Audiard, un drame musical abordant la transidentité sur fond de narco-criminalité au Mexique, Camille et Clément Ducol viennent de sortir l'album « Camille Sings Emilia » dans lequel ils revisitent huit titres du film au chant et au piano.Dans cet épisode long-format de Code source, Camille et Clément Ducol reviennent sur leurs parcours et l'aventure « Emilia Pérez » avec Jules Lavie et Emmanuel Marolle, chef du service culture du Parisien.Écoutez Code source sur toutes les plates-formes audio : Apple Podcast (iPhone, iPad), Amazon Music, Podcast Addict ou Castbox, Deezer, Spotify.Crédits. Direction de la rédaction : Pierre Chausse - Rédacteur en chef : Jules Lavie - Reporter : Barbara Gouy - Production : Thibault Lambert, Pénélope Gualchierotti et Clara Grouzis - Réalisation et mixage : Pierre Chaffanjon - Musiques : François Clos, Audio Network, Camille - Archives : ABC. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

durée : 00:09:23 - L'invité de 7h50 - par : Léa Salamé - Jacques Audiard, réalisateur du film "Emilia Pérez", était l'invité de Sonia Devillers ce mercredi, pour sa première interview depuis les cérémonies des César & Oscars 2025.

durée : 02:58:57 - Le 7/10 - Le réalisateur Jacques Audiard, la maire de Lille Martine Aubry, l'euro-députée Céline Imart, le directeur de campagne de foodwatch Camille Dorioz, l'illustrateur sonore Michel Gaubert et le comédien Bertrand de Roffignac sont les invités du 7/10 ce matin.

Des récompenses au festival de Cannes, aux Bafta Awards et aux Golden Globes, un succès critique et public, accompagné de 13 nominations aux Oscars. L'équipe d'« Emilia Pérez » était sur un petit nuage depuis la présentation du film à Cannes en mai dernier. Son réalisateur, Jacques Audiard, pouvait même prétendre à la plus haute récompense à Los Angeles. Mais ce dimanche 2 mars, « Emilia Pérez » a finalement remporté deux récompenses aux Oscars, dans les catégories meilleur second rôle féminin et meilleure chanson. Depuis plusieurs semaines, la campagne de promotion était devenue très éprouvante pour l'équipe du film, émaillée par de nombreuses polémiques. Accusé d'idéaliser la transidentité et le trafic de drogue, le dixième long-métrage de Jacques Audiard a ensuite été miné par d'anciens tweets racistes et islamophobes de l'actrice principale, Karla Sofia Gascon, qui ont ressurgi un mois avant la cérémonie des Oscars.Pour Code source, Renaud Baronian, journaliste au service culture du Parisien, raconte comment « Emilia Pérez » est passé de favori à indésirable.Écoutez Code source sur toutes les plates-formes audio : Apple Podcast (iPhone, iPad), Amazon Music, Podcast Addict ou Castbox, Deezer, Spotify.Crédits. Direction de la rédaction : Pierre Chausse - Rédacteur en chef : Jules Lavie - Reporter : Barbara Gouy - Production : Clara Garnier-Amouroux, Raphaël Pueyo, Pénélope Gualchierotti et Clémentine Spiler - Réalisation et mixage : Julien Montcouquiol - Musiques : François Clos, Audio Network - Archives : CNN, César, Festival de Cannes, Golden Globes, Oscar Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Malgré treize nominations, le film "Emilia Pérez" de Jacques Audiard n'a reçu que deux statuettes lors des Oscars 2025.

durée : 00:47:50 - Le Masque et la Plume - par : Rebecca Manzoni - Autour de Rebecca Manzoni, nos critiques et journalistes cinéma Ariane Allard, Jean-Marc Lalanne et Nicolas Schaller commentent le palmarès des films français et étrangers 2025 dans le cadre du prix des auditeurs et des auditrices du Masque & la Plume. - invités : Jacques Audiard, Mohammad RASOULOF - Jacques Audiard : Réalisateur français de cinéma, Mohammad Rasoulof : cinéaste iranien - réalisé par : Guillaume Girault

durée : 01:28:44 - "Emilia Pérez" aux Oscars - par : Laurent Valière - Avec 13 nominations pour la cérémonie qui se déroule ce soir à Los Angeles, Emilia Pérez est le film le plus nommé de la soirée. Jacques Audiard dévoile en exclusivité pour 42e rue la maquette sonore qui a présidé ensuite au tournage du film.

¿Quiénes fueron los ganadores en las principales categorías de la 97ª edición de los Premios de la Academia de cine, que se celebraron el domingo en Hollywood? "Anora", la tragicomedia sobre el explosivo romance entre una estríper y un joven heredero ruso en Nueva York, arrasó en la gala, coronándose como la mejor película del año y sumando cinco estatuillas en total. Mejor película: "Anora" Mejor director: Sean Baker, "Anora" Mejor actor: Adrien Brody, "El Brutalista" Mejor actriz: Mikey Madison, "Anora" Mejor actor de reparto: Kieran Culkin, "Un dolor real" Mejor actriz de reparto: Zoe Saldaña, "Emilia Pérez" Mejor película internacional: "Aún estoy aquí" (Brasil) Mejor película animada: "Flow" Mejor documental: "No Other Land" Mejor edición: Sean Baker, "Anora" Mejor vestuario: Paul Tazewell, "Wicked" Mejor diseño de producción: Nathan Crowley and Lee Sanders, "Wicked" Mejor maquillaje: Pierre-Olivier Persin, Stéphanie Guillon y Marilyne Scarselli, "La sustancia" Mejor canción original: Clement Ducol, Camille y Jacques Audiard, "El Mal" ("Emilia Pérez") En esta nueva columna de Videorama, conversamos En Perspectiva con Gastón González.

C dans l'air l'invité du 28 février 2025 avec Bruno Cras, journaliste spécialiste du cinéma, auteur du podcast Heurecinema.fr.Ce vendredi soir a lieu la 50e cérémonie des César, suivie des Oscars dimanche. De Catherine Deneuve, présidente de la cérémonie, à Pierre Niney et François Civil, qui s'affrontent pour le titre de meilleur acteur, le cinéma français a rendez-vous à l'Olympia. Deux grands succès populaires, "Le Comte de Monte-Cristo" et "L'Amour ouf", sont en lice, aux côtés de la comédie musicale "Emilia Perez" de Jacques Audiard, pour succéder à "Anatomie d'une chute", grand vainqueur de l'an dernier. Le plus grand succès de l'année, "Un p'tit truc en plus" d'Artus (10,8 millions d'entrées en France), devra se contenter au maximum d'un prix, celui du meilleur premier film. Quel destin pour l'autre long-métrage donné favori jusqu'à ces dernières semaines, "Emilia Perez" de Jacques Audiard ? Cette comédie musicale en espagnol sur la transition de genre d'un narcotrafiquant mexicain, à laquelle tout réussissait depuis sa présentation à Cannes, fait face à a polémique, en raison d'anciens messages de l'actrice principale, Karla Sofia Gascón, sur les réseaux sociaux. Elle y qualifie l'islam de "foyer d'infection pour l'humanité" et raille la diversité dans le divertissement ou encore le mouvement anti-raciste après la mort de George Floyd.Bruno Cras, journaliste spécialiste du cinéma, auteur du podcast Heurecinema.fr, décryptera avec nous l'année exceptionnelle du cinéma français et nous donnera son sentiment sur les cérémonies des César et des Oscars à venir. Des prix qui viennent couronner une année exceptionnelle pour le cinéma français. Avec 181,3 millions de places de cinéma vendues en France en 2024, le secteur se porte très bien, peu de temps après des années difficiles liées à la pandémie de Covid.

EMILIA PEREZ, Jacques Audiard's audacious trilingual crime musical, is our next stop on the Best Picture Showcase! The most critically divisive of the nominees tells the story of a Mexican drug kingpin (Karla Sofia Gascon) who enlists a junior lawyer (Zoe Saldana) to help her transition into living life as a woman via securing gender-affirming surgery, faking her death, moving her wife (Selena Gomez) and kids to Switzerland. It's...a lot.And it's weirdly not a spoiler to say this is only the first 40 or so minutes of the movie? This plan goes off without too many hitches. It's what follows when the kingpin, living now as the titular character, decides she can no longer live without her kids and needs them back in Mexico that leads to the film's culminating chaos.This is a movie of bold choices, wild lighting and camera operation, larger-than-life performances that play like a neon-soaked Mexican telenovela. It doesn't always work, sometimes to derisive hilarity, but sue me, it makes me smile.---Please rate, review & subscribe to The Movies wherever you listen to your podcasts!Follow The Movies on Instagram & Bluesky: linktr.ee/themovies_pod

Dans cette édition :Le passage du cyclone Garance à La Réunion a fait au moins 3 morts et de nombreux dégâts, nécessitant le déploiement de secours et la remise en état des réseaux.L'échange glacial entre les présidents Trump et Zelensky à la Maison Blanche illustre les tensions diplomatiques autour de la guerre en Ukraine, avec une réaction du président français Macron appelant au respect de l'Ukraine.Plusieurs changements réglementaires entrent en vigueur au 1er mars, comme le versement des aides sociales à la source, la baisse des indemnités maladie des fonctionnaires et le durcissement de la fiscalité environnementale.Le trafic de drogue est en forte hausse à Besançon, avec une recrudescence des règlements de comptes dans certains quartiers.La cérémonie des César a récompensé le film de Jacques Audiard, avec les prix du meilleur film, meilleure actrice et meilleur acteur.Le sauteur à la perche Armand Duplantis a battu son propre record du monde.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.

Dans cette édition :Échange tendu entre les présidents américain et ukrainien à la Maison Blanche, l'Europe condamnant l'attitude américaine envers l'Ukraine.Nouvelle vente d'équipements militaires américains à Israël et inquiétude pour la trêve entre Israël et le Hamas.Inquiétude pour la santé du pape François hospitalisé pour une pneumonie.Transfert d'un homme fiché S, frère d'un terroriste du Bataclan, dans une autre commune, une situation qui crée la psychose dans les villages.Bilan du passage du cyclone Garance à La Réunion, avec 4 morts et d'importants dégâts nécessitant plusieurs semaines de travaux.Retour sur la cérémonie des Césars, avec les grands gagnants Jacques Audiard, Asia Herzi et Karim Leklou.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.

Lucasfilm CEO Kathleen Kennedy has announced she will step down from her post at the end of 2025. How will this affect Star Wars? Also, Barbara Broccoli, heiress to the James Bond franchise, has sold the rights to Amazon. What could this mean for the 007 legacy? Kim Masters and Matt Belloni investigate.  Plus, NPR's Jeff Lunden speaks to songwriters Clément Ducol and Camille about creating the operatic world of Emilia Pérez. After director Jacques Audiard handed the married songwriting team a 20-page treatment, they undertook a months-long collaboration on the full script. They also speak about the multiple controversies surrounding the film — including the criticisms from GLAAD and Mexican citizens, and lead actress Karla Sofía Gascón's bigoted social media posts.

Lucasfilm CEO Kathleen Kennedy has announced she will step down from her post at the end of 2025. How will this affect Star Wars? Also, Barbara Broccoli, heiress to the James Bond franchise, has sold the rights to Amazon. What could this mean for the 007 legacy? Kim Masters and Matt Belloni investigate.    Plus, NPR’s Jeff Lunden speaks to songwriters Clément Ducol and Camille about creating the musical world of Emilia Pérez. After director Jacques Audiard handed the married songwriting team a 20-page treatment, they undertook a months-long collaboration on the full script. They also speak about the multiple controversies surrounding the film — including the criticisms from GLAAD and Mexican citizens, and lead actress Karla Sofía Gascón’s bigoted social media posts.  

The run up to this year's Oscars in Ireland has been quiet; for the first time in years there are no Irish contenders in the major categories.The movies named across several categories include Sean Baker's Anora, Jacques Audiard's Emilia Pérez, Brady Corbet's The Brutalist, Coralie Fargeat's The Substance as well as Conclave and Wicked.It's been a year when awards talk around movies and performances ebbed and flowed particularly since Cannes, as some gained momentum while others lost it.In one movie's case, Emilia Pérez, that can largely be explained by the self-inflicted controversy around Karla Sofía Gascón, the film's Oscar-nominated lead. For others, its more about timing and public reaction.Irish Times chief film correspondent Donald Clarke has a solid track record picking the winners and he tells In the News who he thinks will win in the main categories and why.And he predicts there is going to be one Irish winner on stage being handed the famous statuette.Presented by Bernice Harrison. Produced by John Casey. Hosted on Acast. See acast.com/privacy for more information.

Europe 1, partenaire de la diffusion de la 50ème cérémonie des César en clair et en direct sur Canal +, vous propose de retrouver en podcast la seconde et dernière partie de la cérémonie à l'Olympia dans son intégralité. Au programme, les différentes consécrations de la soirée.

Nesta edição do podcast cinematório café, nós analisamos os filmes "Emilia Pérez", de Jacques Audiard, e "Wicked", de John M. Chu, dois musicais que concorrem ao Oscar 2025. - Visite a página do podcast no site e confira material extra sobre o tema do episódio - Junte-se ao Cineclube Cinematório e tenha acesso a conteúdo exclusivo de cinema Escrito e dirigido Jacques Audiard ("Ferrugem e Osso"), "Emilia Pérez" se passa no México, nos dias atuais, quando a advogada Rita recebe uma oferta inesperada. Ela precisa ajudar um temido chefe de cartel a se aposentar de seus negócios e desaparecer para sempre, tornando-se a mulher que ele sempre sonhou ser. No Festival de Cannes, o filme ganhou o Prêmio do Júri e o Prêmio de Melhor Atriz, divido entre Karla Sofía Gascón, Zoe Saldaña e Selena Gomez. No Oscar 2025, o longa recebeu 13 indicações: Melhor Filme, Filme Internacional, Direção, Roteiro Adaptado, Atriz (Karla Sofía Gascón, primeira mulher trans indicada nesta categoria), Atriz Coadjuvante (Zoe Saldaña), Fotografia, Montagem, Som, Maquiagem e Penteado, Trilha Sonora Original e Canção Original (para "El Mal" e "Mi Camino"). "Wicked" é dirigido por John M. Chu ("Podres de Ricos") e baseado no famoso musical da Broadway, por sua vez adaptado do livro de Gregory Maguire. Situado no universo do clássico "O Mágico de Oz", o filme é estrelado por Cynthia Erivo como Elphaba, uma jovem incompreendida por causa de sua pele verde incomum, que ainda não descobriu seu verdadeiro poder; e Ariana Grande como Glinda, uma jovem popular e ambiciosa, nascida em berço de ouro, que só quer garantir seus privilégios e ainda não conhece a sua verdadeira alma. No Oscar 2025, "Wicked" recebeu 10 indicações: Melhor Filme, Atriz (Cynthia Erivo), Atriz Coadjuvante (Ariana Grande), Montagem, Direção de Arte, Figurino, Maquiagem e Penteado, Efeitos Visuais, Som e Trilha Sonora Original. Sentam-se à mesa conosco neste podcast para discutir "Emilia Pérez" e "Wicked": - Ana Lúcia Andrade, professora de Cinema da Escola de Belas Artes da UFMG, autora dos livros "O Filme Dentro do Filme: a Metalinguagem no Cinema" e "Entretenimento Inteligente: O Cinema de Billy Wilder"; - Renné França, professor, crítico, diretor do filme “Terra e Luz”, autor do curso Cinema de Ação e do livro “Cine Killer“; - Larissa Vasconcelos, jornalista, crítica e redatora do cinematório. O cinematório café é produzido e apresentado por Renato Silveira e Kel Gomes. A cada episódio, nós propomos um debate em torno de filmes recém-lançados e temas relacionados ao cinema, sempre em um clima de descontração e buscando refletir sobre imagens presentes no nosso dia a dia. Quer mandar um e-mail? Escreva seu recado e envie para contato@cinematorio.com.br.

Welcome to the Not Old Better Show, Smithsonian Associates Interview Series on radio and podcast. I'm Paul Vogelzang.   The Academy Awards are Hollywood's grandest night—the moment when months of speculation, surprise wins, and snubs all culminate in one golden evening. And this year, the road to Oscar glory has been anything but predictable.   Was Anora's big night at the Critics Choice, DGA, and PGA the ultimate confirmation that it's the Best Picture frontrunner, or is there still room for a shocking upset? Will Sean Baker walk away with Best Director, or could someone else—maybe The Brutalist's Brady Corbet or Emilia Pérez's Jacques Audiard—steal the moment? And what about Wicked, which just had a stunning, completely unexpected win for Jon M. Chu at the Critics Choice Awards? Could the musical blockbuster actually shake up the race?   From underdog stories to behind-the-scenes drama, tonight, we're unpacking all the Oscar buzz with film critic Smithsonian Associate Noah Gittell. Noah Gittell will be appearing at Smithsonian Associates coming up…please check out our show notes today for more details. He's been following every twist and turn of this year's awards season, sorting through the narratives, the rumors, and the history that tell us where the Oscars might be headed. Plus, he's got the trivia and insights that will make sure you're the most informed person at your Oscars party.   It's a night of predictions, controversy, and maybe even a little Hollywood gossip. So, sit back and enjoy—this is going to be a fun one. I'm your host, Paul Vogelzang, and this is The Not Old – Better Show, Smithsonian Associates Interview Series on radio and podcast. My thanks to  Smithsonian Associate Noah Gittell. Noah Gittell will be appearing at Smithsonian Associates coming up…please check out our show notes today for more details. My thanks to the Smithsonian team for all they do to help us here on the show. My thanks to Sam Heninger and Miranda Heninger for their help producing and directing me, and my thanks to you, our wonderful audience here on radio and podcast. Be well, be safe, and Let's Talk About Better,  Not Old Better Show, Smithsonian Associates Interview Series on radio and podcast.

Join Matthew McQueeny, Tim Castano, and Jayme Alfano Mulhern for their 11th annual Mix-Minus Podcast Oscars special! Dive deep into the 2025 Academy Awards as our hosts explore each of the major categories and nominees. This year's Best Picture lineup includes "Anora," "The Brutalist," "A Complete Unknown," "Conclave," "Dune: Part Two," "The Substance," "Wicked," "Emilia Pérez," "I'm Still Here," and "Nickel Boys." For Best Actor, the contenders are Ralph Fiennes in "Conclave," Sebastian Stan in "The Apprentice," Timothée Chalamet in "A Complete Unknown," Colman Domingo in "Sing Sing," and Adrien Brody in "The Brutalist." The Best Actress race features Fernanda Torres in "I'm Still Here," Demi Moore in "The Substance," Karla Sofía Gascón in "Emilia Pérez," Cynthia Erivo in "Wicked," and Mikey Madison in "Anora." Supporting roles are fiercely contested with Zoe Saldana, Felicity Jones, Monica Barbaro, Ariana Grande, and Isabella Rossellini up for Best Supporting Actress, and Guy Pearce, Yuriy Borisov, Edward Norton, Kieran Culkin, and Jeremy Strong nominated for Best Supporting Actor. In the directing field, Coralie Fargeat for "The Substance," James Mangold for "A Complete Unknown," Sean Baker for "Anora," Jacques Audiard for "Emilia Pérez," and Brady Corbet for "The Brutalist" have captured nominations. The screenplay categories heat up with Jacques Audiard, Greg Kwedar, Clint Bentley, James Mangold, Jay Cocks, Jesse Eisenberg, Coralie Fargeat, Tim Fehlbaum, Moritz Binder, Alex David, Sean Baker, and Brady Corbet battling it out for top honors.  

Episode #441 Dheepan. Just in time for awards season, we look back at everyone's favorite French director Jacques Audiard and his previous work about Tamil refugees in Paris. We also talk Severance, Johann Sacre Bleu, Treasure Island and Gate of Hell.  Join the cause at Patreon.com/Quality. Follow the us on Ton Bluesky at kislingconnection and cruzflores, on Instagram @kislingwhatsit, and on Tiktok @kislingkino. You can watch Cruz and show favorite Alexis Simpson on You Tube in "They Live Together." Thanks to our artists Julius Tanag (http://www.juliustanag.com) and Sef Joosten (http://spexdoodles.tumblr.com). The theme music is "Eine Kleine Sheissemusik" by Drew Alexander. Also, I've got a newsletter, so maybe go check that one out, too. Listen to DRACULA: A RADIO PLAY on Apple Podcasts, at dracularadio.podbean.com, and at the Long Beach Playhouse at https://lbplayhouse.org/show/dracula And, as always, Support your local unions! UAW, SAG-AFTRA, and WGA strong and please leave us a review on iTunes or whatever podcatcher you listened to us on!

The Oscars are almost here! On the thirty- seventh episode of ATFT, my friends Emm- winning photojournalist, writer/ director Samy El- Kamel, and director Craig Ienne Pedroza join this year's panel to discuss the Oscar nominated films and share our predicted winners! This episode is explicit.2024 was a mixed year for us… Cole and Craig believe 2024 was a great year for cinema while Samy and I don't quite share that opinion. This year's awards season has become plagued by various controversies and many believing this is not as competitive as last year's Oscar race. For the 2025 Academy Awards, Jacques Audiard's Emilia Pérez earned the most nominations(13) this year whileboth The Brutalist and Wicked tied for second, earning 10 nominations each.Other films that received many nominations are Conclave, Anora, and The Substance.So many categories are up in the air with no film expected to sweep, leaving audiences torn on who will win. Will it be Sean Baker or Brady Corbet who takes home the Director Oscar? How about who will win Best Actress: Demi Moore, Fernanda Torres or Mikey Madison? These are just two of the widely debated categories. We will soon learn the answer on Sunday, March 2!This is the first time each of the ATFT regulars are all together for an episode! This is Cole's eighteenth appearance on ATFT (seventh on this wide release), Samy's eleventh (fourth on the wide release), and Craig's  sixth appearance (fourth on the wide release). This is the third annual Oscars special! Cole and I recorded the 2022 Oscars special through the Relevnt app, which is currently in the vault. The first wide released Oscars special (give Episode 15 a listen) was last year's 2023 Oscars special with Cole, Craig, and past guest Lina Smith. Since the Oscars is the “Super Bowl for film fans”, this episode was aimed to be more of a Sports Center- format. This episode was recorded on February 6, 2025. Cole recently won an Emmy for his work with First Coast News on the news package “Waiting for Rebuild”! Watch the full news package here!: https://youtu.be/Pa1m0qm8h-Q. Samy's latest short film “Waveform” will be making the rounds at film festivals soon so stay tuned by following his production company on Instagram and Youtube @barefootpythonmedia! Craig recently directed the short film “Floating Daisies” which will also begin its film festival run soon. Stay updated on that project by following @floatingdaisiesfilm on Instagram and Craig on both Instagram and Youtube @iennefilm!In this episode,Cole, Samy, Craig and I go through each category and discuss our predicted winners. The categories are discussed in the order of which the categories were read at last year's Oscars. There are very few categories we unanimously agree on. Arguments are had, impressions are hilariously done, and the power of friendship lives on. All this and much more on the latest episode of All the Film Things!ATFT Announcement!: All the Film Things will be back on March 26! Stay updated by following @all.the.film.things on Instagram! Music Credit:CINEMA by Alex-Productions | https://onsound.eu/Music promoted by https://www.free-stock-music.comCreative Commons / Attribution 3.0 Unported License (CC BY 3.0)https://creativecommons.org/licenses/by/3.0/deed.en_US

durée : 00:04:33 - Le Zoom de France Inter - Une histoire en langue espagnole, sur un narcotrafiquant mexicain, et filmée en studio à Bry-sur-Marne par un Français. Bienvenue dans les coulisses du tournage hors-normes du film "Emilia Perez" de Jacques Audiard, nommé dans treize catégories aux Oscars.

This week, we watch a dumpster fire of a film that Netflix managed to buy its way to a nearly record setting number of Oscar nominations. This film is not just poorly made in every respect, it also exploits every topic it decides to shove into its fractured story. This is the opposite of the film we need these days. Emilia Perez (2024), directed Jacques Audiard.

This week on Peanuts and Popcorn, we break down two more 2025 Oscar nominees for Best Picture. We'll get things going with the controversial, Emilia Peréz, starring Karla Gascón and Zoe Saldaña; directed by JacquesAudiard, and A Complete Unknow, starring Timothée Chalamet and Edward Norton, directed by James Mangold.Next up our Oscar preview show with the reviews forThe Brutalist (2024)The Substance (2024)Conclave (2024)The Nickel Boys (2024)

No Cinemático 502, Carlos Merigo, Bia Fiorotto, Sylvia Nazareth e Ronald Villardo conversam sobre "Emilia Pérez", filme dirigido por Jacques Audiard, que concorre a 13 Oscar's em 2025.Pauta: 4:09Spoilers: 01:01:56---SIGA @CINEMATICOPODTwitterInstagramCRÉDITOSApresentação: Carlos MerigoPauta e Produção: Bia FiorottoEdição: Gabriel PimentelAtendimento e Comercialização: Camila Mazza e Telma ZennaroTorne-se membro do B9 e ganhe benefícios: Braincast secreto; grupo de assinantes no Telegram; e mais! / @canalb9 Hosted on Acast. See acast.com/privacy for more information.

It's a very exciting and disappointing week as we take a look at not only oscar nominations but also a film that has 13 nominations and deserves none of them in Emilia Perez.       00:00:00 - Introductions and Banter 0:09:00 - Box Office 0:13:30 - Movie Recommendation- Fury, Dir. David Ayer, 2014 0:21:40 - Love Hurts, Dir. Jonathan Eusebio  0:32:15 - Oscar Nominations 1:08:20 - Emilia Perez, Dir. Jacques Audiard, Netflix   Hosted, produced and mixed by Grayson Maxwell and Roger Stillion.  Also Hosted by Christopher Boughan. Visit the new Youtube channel, "Post Credits Podcast" to watch the video version.   Thank you for listening! Check us out on many podcast services: Apple Podcasts, Amazon Music, Google Podcasts, Spotify, Podbean. Check is out on YouTube for the full video each week: https://www.youtube.com/@Postcreditspodcast1

From a fun little Cannes oddity to an Oscar mega-nominee…and (ahem) beyond, EMILIA PÉREZ has had quite the journey. It's also made the journey into the eyeballs of our three hosts and their esteemed guest, writer (of essays, books, TV, and now a novel!) Emily St. James. Everyone lived to tell the tale, but not in song…but don't worry, we have musical content in the form of a movie quiz about movie musicals that sound unmakeable.What's GoodAlonso - weekly Christmas cookie trialsDrea - Bookshop.org now has e-books (Preorder Woodworking by Emily St. James!)Emily - Woodworking :: Sabrina CarpenterIfy - Being back!B.J. Colangelo's Slashfilm article (referenced by Ify)Staff PicksAlonso - I'm Still HereDrea - CompanionEmily - You Are Not MeIfy - Johanne SacrebleuPodcast Like It's the 2000s Follow us on BlueSky, Twitter, Facebook, or InstagramWithDrea ClarkAlonso DuraldeIfy NwadiweProduced by Marissa FlaxbartSr. Producer Laura Swisher

We have another of our Soundtracking Everyman Film Club shows for you today, which we thought we'd share as a bonus episode to mark the extraordinary recognition the musical drama Emilia Perez has received. Landing a whopping 13 Oscar nominations, Emilia Perez tells the story of a Mexican lawyer who is offered an unusual job of helping a notorious cartel boss retire and transition into living as a woman. Edith was lucky enough to be joined at Everyman Broadgate by writer / director Jacques Audiard, Zoe Saldana - who plays the lawyer, Rita - and Clement Ducol and Camille, who collaborated on the music. Since Jacques doesn't speak great English, we also had translator Sophie on stage, so thank you in advance for you patience as first he gives his answers and then she relays them to us.

Netflix's Emilia Perez is a hot mess of a movie. This musical crime drama, written and directed by French filmmaker Jacques Audiard, follows a de-greenified Zoë Saldaña working as a lawyer for a Mexican drug lord who transitions.Saldaña's character later goes on to support the former Mexican drug lord as she attempts to atone for her criminal past by founding a nonprofit to rescue the victims of the country's drug cartels, including her own.What could have been a powerful exploration of the struggles faced by trans people and all women in Latin America instead turns everyone into cartoons. Emilia Perez reduces the harsh realities of cartel violence and trans struggles into a gaudy spectacle, making one wonder if it was slapped together just to throw a wrench in Wicked's awards season dominance.Adding to the controversy, new reports have surfaced about the film's lead, transgender actress Karla Sofía Gascón, and her troubling history of racist and anti-Muslim remarks.Today we take a look at Emilia Peréz and other terrible, campy films the world would rather forget ever existed. Plus-- Paul Reubens, best known as Pee-Wee Herman, comes out of the coffin as gay in a new documentary about his not-so-private life.Woman pleads guilty to sendng fart vdeos to her boyfriends ex. Chappell Roan celebrates her Grammy win for best new artist by calling out record labels, demanding they give their employees a livable wage and healthcare. A mysterious nationwide network against Trump called the 50501 Movement plans protests in all of the nation's capitols on Feb 5. Happy 20 year anniversary to Feast of Fun, one of the first 50 podcasts in history, still going strong 3133 shows later. SAVE FEAST OF FUN, HELP US GET A NEW COMPUTER:• feastoffun.com/donate

Com 13 indicações ao principal prêmio do cinema mundial, o musical francês ambientado no México estreia oficialmente nesta quinta-feira (6) no Brasil. O longa, semanas atrás visto como queridinho de Hollywood, agora se vê em meio a uma onda de críticas. Karla Sofía Gascón, indicada ao prêmio de melhor atriz por sua atuação no musical, foi afastada da campanha do filme, segundo o site "The Hollywood Reporter". Nas últimas semanas, posts antigos da atriz e declarações sobre seus concorrentes – incluindo Fernanda Torres – colocaram Karla Sofía no centro de polêmicas. Ambientado em solo mexicano, mas com atores europeus e norte-americanos, o filme não foi bem-visto no México. Antes visto como um dos favoritos ao prêmio de Melhor Filme Internacional, o longa dirigido pelo francês Jacques Audiard viu seu domínio ruir aos poucos entre críticos e opinião pública. Para explicar as polêmicas do filme e da atriz, como isso afeta a campanha em busca de estatuetas e como ‘Ainda Estou Aqui' e Fernanda Torres podem ser beneficiados, Natuza Nery conversa com Marina Person. Cineasta, atriz e apresentadora, Marina detalha o que fez a imagem de ‘Emilia Pérez' ruir, analisa os defeitos e as qualidades do musical e como ventos favoráveis sopram em direção ao cinema brasileiro.

  Oscar-bait or revolutionary masterpiece? Can Isaac, Juzo, and Cameron survive the most infamous 2024 Academy Award-nominated movie? From the mind of Jacques Audiard comes a musical crime film, Emilia Pérez. The story follows Mexican cartel leader Emilia, portrayed by Karla Sofía Gascón, who seeks lawyer Rita's (Zoe Saldaña's) assistance to orchestrate her disappearance and transition into a woman. With notable performances by Selena Gomez and Adriana Paz, the film has sparked discussion and dissent in the film community. But fear not movie lovers, your favorite hosts have embraced the chaos for your listening pleasure! And if you don't enjoy it, well I think Cameron is going to be in big trouble.  Cinema Spectator is a movie podcast hosted by Isaac Ransom, Juzo Greenwood, and Cameron Tuttle. The show is executive produced by Darrin O'Neill and recorded & produced in the San Francisco Bay Area, CA. You can support the show at patreon.com/ecfsproductions. Follow us on YouTube, Facebook, Instagram, and Twitter under ECFS Productions (@ecfsproductions). Isaac and Cameron started recording podcasts with their first project, Everything Comes from Something (2018), and are now focusing on new weekly content for Cinema Spectator. Cameron Tuttle is a full-time professional cinematographer who majored at SFSU Film School to collaborate with corporate, private, and creative productions. Cameron is the expert. Isaac Ransom works full-time as an experienced creative, digital marketer, and product manager. Isaac is the student. And Juzo, he just knows everything about film. The podcast is a passion project between two longtime friends; we hope you can enjoy our project with the limited time we have! Thank you for your time, your generosity, and support.

Anne and Ryan discuss the year's most Oscar-nominated film, Jacques Audiard's musical EMILIA PÉREZ starring Zoe Saldaña, Karla Sofía Gascón and Selena Gomez. The film follows a Mexican cartel leader who recruits a lawyer to help her transition into a woman and restart her life as a philanthropist. Drawing both accolades as an inventive, relevant musical and criticism as a tone-deaf overreach into Mexican and trans representation, EMILIA PÉREZ is the most polarizing film of any recent awards season. Join our discussion of Audiard's divisive musical, taking diversions into Justin Baldoni, George Lucas, offensive Tweets, Josh O'Connor, The Reader, Born in East L.A., and much, much more! EMILIA PÉREZ is currently available to stream on Netflix.

Le scandale déclenché par d'anciens tweets de l'actrice Karla Sofia Gascon peut-il bousiller les chances du film de Jacques Audiard ? Ce scandale en rappelle-t-il un autre, en 1991 ? Quelle facette de Vincent Lindon révèle le documentaire « Lindon, cœur sanglant » ? Dans quelle nouvelle comédie Will Ferrell se retrouve-t-il face à Reese Whitherspoon ? Pourquoi le film « La leçon de piano » fit-il date au Festival de Cannes ? Les découvertes musicales : - Bad Bunny – DtMF - Luvcat - Dinner @ Brasserie Zedel - Lola Young - Close To Me - Depeche Mode – Enjoy the silence Merci pour votre écoute La semaine des 5 Heures, c'est également en direct tous les jours de la semaine de 19h à 20h00 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de La semaine des 5 Heures avec les choix musicaux de Rudy dans leur intégralité sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/1451 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

The 1001 by 1 crew gets ready for Oscar season by briefly discussing the polarizing film from Jacques Audiard on Netflix “Emilia Perez”. We break the few things that do work (notably Zoe Saldana), the many things that don't work (trust us, there are oodles), and what the film's Academy Award chances are. Afterwards, we each give three movies that when we finished made us the ask the question (for better or worse), “What the f**k did I just watch?” Chapters (AI Generated) 00:00 Introduction to Amelia Perez 03:02 Cast and Critical Reception 05:50 Themes and Character Analysis 09:00 Narrative Structure and Confusion 11:58 Cultural Representation and Sensitivity 14:58 Acting Performances and Critiques 18:02 Oscar Predictions and Industry Reactions 20:54 Comparative Analysis with Other Films 23:59 Final Thoughts and Recommendations 30:38 Unexpected Cinematic Journeys 32:05 Exploring the Wild Side of Film 34:21 Diving into Dark Themes 37:44 The Grindhouse Experience 40:08 Uninvited Guests and Psychological Thrills 42:35 The Art of the Mind-Bending Narrative 46:00 Bizarre Cinematic Experiences 49:16 Recent Discoveries in Film 52:08 Final Thoughts and Recommendations You can listen to us wherever you listen to podcasts! You can find us on Twitter: x.com/1001by1 You can find us on Instagram: https://www.instagram.com/1001by1/ You can find us on Bluesky: https://bsky.app/profile/1001by1.bsky.social You can find us on Letterboxd - https://letterboxd.com/1001by1/ You can find us on Facebook: facebook.com/1001by1 You can find us on TikTok: https://www.tiktok.com/@1001by1pod You can send us an email at 1001by1@gmail.com. Intro/Outro music is “Bouncy Gypsy Beats” by John Bartmann.

Dixième long-métrage du réalisateur français Jacques Audiard, « Emilia Pérez » a récolté 4 statuettes aux derniers Golden Globes, le dimanche 5 janvier à Los Angeles. L'éblouissant film porté par Karla Sofia Gascón, Zoé Saldaña et Selena Gomez a notamment remporté le prix du meilleur film musical et de la meilleure musique originale. Un palmarès prometteur à l'approche de la cérémonie des Oscars au mois de mars.Déjà récompensé du prix du jury au festival de Cannes en 2024, « Emilia Pérez » connaît depuis sa sortie cet été un succès critique et public, avec plus d'un million d'entrées en France. Pourtant, rien au départ ne laissait présager un tel engouement pour ce projet. Un drame musical en espagnol avec pour thème principal la transidentité, avec en toile de fond les cartels de drogue au Mexique.Code source raconte les coulisses du film et la campagne du film avec trois journalistes du service culture du Parisien : Catherine Balle, Renaud Baronian et Eric Bureau.Écoutez Code source sur toutes les plates-formes audio : Apple Podcast (iPhone, iPad), Amazon Music, Podcast Addict ou Castbox, Deezer, Spotify.Crédits. Direction de la rédaction : Pierre Chausse - Rédacteur en chef : Jules Lavie - Reporter : Barbara Gouy - Production : Thibault Lambert et Raphaël Pueyo - Réalisation et mixage : Pierre Chaffanjon - Musiques : François Clos, Audio Network - Archives : Golden Globes, Festival de Cannes. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Karla Sofía Gascón joins the show to talk about her experience starring in Jacques Audiard's bold, genre-defying film, Emilia Pérez. Gascón plays the title character – a menacing cartel leader who fakes her own death to live authentically as her true self.  Gascón shares her initial reaction to the script and the intense preparation that followed, describes the lengthy process that she and Audiard went through to find the right version of each character, and explains why playing Emilia was more challenging than playing Manitas. She also talks about working with her co-stars (Zoe Saldaña, Selena Gomez, and Adriana Paz), discusses the power of women on screen, and ruminates on what has been an incredible breakthrough moment in her career.  Listen to more from Netflix Podcasts.

Sean and Amanda are joined by ‘House of R' host Joanna Robinson to react to the 2025 Golden Globes, an up-and-down award show highlighted by strong performances from Brady Corbet's ‘The Brutalist' and Jacques Audiard's ‘Emilia Pérez.' They also discuss the movies they were surprised performed weaker on the evening, like ‘Anora,' ‘Conclave,' and ‘Wicked.' Finally, they evaluate the entertainment of the broadcast and host Nikki Glaser. Hosts: Sean Fennessey and Amanda Dobbins Guest: Joanna Robinson Senior Producer: Bobby Wagner Video Producer: Jack Sanders Learn more about your ad choices. Visit podcastchoices.com/adchoices

For New Years week, the auld acquaintance that won't be forgot on our show is… a grim French drama about broken bodies. In 2012, Jacques Audiard returned to Cannes with Rust and Bone starring Marion Cotillard and Matthias Schoenaerts as reluctant lovers healing through personal tragedies. The film left Cannes with no prizes but with a lot … Continue reading "323 – Rust and Bone"

Jamie is joined by her friend Maxelle Talena of the Dysphoria podcast to talk about writer/director Jacques Audiard's new film, Emilia Pérez. With elements of a cartel drama, a soap opera/telanovela, Mrs Doubtfire, Evita, a lib take on gender dysphoria, and what we imagine Hamilton is like, this Mexico-set musical is the cringiest thing dreamed up by a Frenchman in quite some time, and it just keeps winning awards. Where's the woke mob when you need it? Check out Maxelle's podcast, Dysphoria: [https://www.dysphoria.info/](https://www.dysphoria.info/) Check out Maxelle's art and writing: https://www.maxelletalena.com/ Go see Maxelle read poetry! New Year's Eve Pregame: 12/31/24 - 6PM 281 N.7th - Brooklyn - Mew's Gallery: Stars Revenge Maxelle Talena T.D.A. Josephine Newtwork $10 cover Free Beer & Wine! SIGN UP NOW at Patreon.com/partygirls to get the full version of this episode, all other bonus content, Discord access, and a shout out on the pod! Follow us on ALL the Socials: Instagram: @party.girls.pod YouTube: @partygirlspod TikTok: @party.girls.pod Leave us a nice review on Apple podcasts if you feel so inclined :)

On this week's show, Isaac Butler (Supreme Friend of the Show and author of The Method:‌ How the Twentieth Century Learned to Act) sits in for Dana. First, the panel is quite verbose about Say Nothing, a limited series that takes place over four generations and is set during The Troubles in Northern Ireland. By dramatizing the real-life events recounted in Patrick Radden Keefe's 2018 bestseller, the adapted limited series achieves something quite rare: enriching the original text and imbuing it with new meaning. Then, they unpack Emilia Pérez, an utterly captivating musical by writer-director Jacques Audiard that's about gender transition, drug cartels, and becoming yourself. Finally, the trio discusses Carson the Magnificent, a new biography of the mysterious late-night pioneer that Isaac recently reviewed for The New Yorker. In the exclusive Slate Plus segment, the panel answers a listener question from James: “Are there cultural works that you fully intend to see or experience, but are waiting for an optimal way to do it?” Email us at culturefest@slate.com.  Endorsements: Isaac: Blood Test by Charles Baxter.   Julia: Zoe Saldaña in Center Stage. Steve: Alice Neel's appearance on Johnny Carson's Tonight Show in 1984. Podcast production by Jared Downing. Production assistance by Kat Hong.  Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond's yield is a function of its market price, which can fluctuate; therefore, a bond's YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sean is joined by Ringer-Verse host Joanna Robinson and The Ankler's awards editor Katey Rich to discuss the state of the Best Picture race. Amid this conversation, they go through the 10 films they think are running hottest to be nominated for the top award at the Oscars and compare their list to the last time Sean did said exercise (1:00). Then, they zero in on one of those front-runners, Jacques Audiard's ‘Emilia Pérez,' a challenging swing of a film that's received mixed reviews from critics and Letterboxd users alike since hitting the Netflix service (1:10:00). Host: Sean Fennessey Guests: Joanna Robinson and Katey Rich Senior Producer: Bobby Wagner Video Producer: Jack Sanders Learn more about your ad choices. Visit podcastchoices.com/adchoices

In front of an audience at the SCAD Savannah Film Festival, the actress, now marking 25 years in the business, reflects on escaping from a painful childhood through acting, how she wound up the queen of the sci-fi blockbuster and why it meant so much to her to be given the chance to show that she could do other things in Jacques Audiard's highly-unconventional musical for which she and three costaras shared the 2024 Cannes Film Festival's best actress prize. Learn more about your ad choices. Visit megaphone.fm/adchoices