Podcast appearances and mentions of Wallace Collection

# 65  - about the exhibition Stanisław Wyspiański: Portraits at the National Portrait Gallery in London In conversations with Alison Smith - curator of the display, previously Chief Curator of the National Portrait Gallery, London and currently Director of Collections and Research at the Wallace Collection. Stanisław Wyspiański (1869-1907) was a Polish painter, designer, poet and originator of modern Polish Theater. He was also a key figure of the Młoda Polska (Young Poland) art movement that helped keep national identity alive during Poland's partitions. This podcast episode offers a glimpse into the unique pastel works of Wyspiański, featuring stories of his sitters—including members of the Cracovian intelligentsia—his family, and the artist himself, as well as his decade-long struggle with an illness that profoundly shaped his life and creative output. The one-room display, showing 16 of Wyspiański's pastel portraits at the National Portrait Gallery in London is free and open to all till the 13th of July 2025.  References: About the Exhibition: https://www.npg.org.uk/whatson/display/2025/stanislaw-wyspianski-portraits Exhibition Catalogue: https://npgshop.org.uk/collections/books/products/stanislaw-wyspianski-portraits-hardcover-catalogue ___ This episode was created for Contemporary LYNX and with support of the Polish Cultural Institute London. Podcast thumbnail: Józio Feldman by Stanisław Wyspiański, 1905. National Museum in Kraków. Photo: Bartosz Cygan/NMK Digitization Studio. ___ Recording & editing: Patrycja Rozwora Mix & master: Jonas Kröper Support or get in touch: https://linktr.ee/kitchenconversations

In this gripping podcast (filmed in September 2024), we journey through one of the most turbulent and inspiring periods of Sikh history — the rise of the Khalsa Panth, its survival during oppression, and its eventual establishment of Khalsa Raj. From the courageous battles of the 18th century to the visionary leadership of Maharaja Ranjit Singh Ji, we explore the unparalleled spirit that allowed the Khalsa to thrive against all odds. A big thankyou to Bhai Prabjot Singh for hosting this podcast and Bhai Mandhir Singh for sharing their gems of knowledge!

This week on the SheerLuxe Vodcast, Charlotte Collins is joined by Hodge and Federica Labanca. First they catch up on everything they're loving on TV right now – from the new season of The White Lotus to Apple TV's The Studio and Amazon Prime's Last One Laughing. They also share some other cultural recommendations, including Emily Austen's book, Smarter, Famous Last Words by Gillian McAllister and the new Grayson Perry exhibition at The Wallace Collection. The three then go on to discuss the recent BTS at NET-A-PORTER and a SheerLuxe April Fool's prank that involved Pip getting a tattoo… Finally, they dissect this week's hot topics and share their takes on the latest film releases, including the Beatles biopics, Anora, The Brutalist and Black Bag… Subscribe For More | http://bit.ly/2VmqduQ Get SheerLuxe Straight To Your Inbox, Daily | http://sheerluxe.com/signup Congratulations to Lauren Pluguez for winning the Our Place bundle. Please email podcast@sheerluxe.com with your details and colour choice so we can send it your way!COMPETITION | Fenty BeautyTo enter, please leave a comment below stating why you love the SL podcast! We will then pick a winner. Please read the T&Cs before entering.* Terms & Conditions: The entrant must be 18 or over to enter, and it is only valid to UK entrants. Only one entry per person. No alternative cash or otherwise to the stated prizes are available. SheerLuxe is not responsible for and will not offer any compensation, financial or otherwise, for any loss, damage or disappointment arising if the prize is not fulfilled by the providing company for any reason whatsoever. PANELCharlotte Collins | @charlotteleahcollins | https://www.instagram.com/charlotteleahcollins/ Federica Labanca | @federica.labanca | https://www.instagram.com/federica.labanca/ Hodge Templeman | @sarahjtempleman | https://www.instagram.com/sarahjtempleman/ AD | Dune London | https://www.dunelondon.com/ Hosted on Acast. See acast.com/privacy for more information.

The celebrated artist, Sir Grayson Perry, has a new exhibition of work, Delusions of Grandeur, made in direct response to the masterpieces at the Wallace Collection in London (until 26th October). He candidly admits he initially found the Collection's opulence difficult to work with, until he created an alter-ego artist, Shirley, who was inspired by the aesthetic.In recent years museums and art galleries have become a regular battleground in the culture wars. One of today's anti-woke warriors is the writer Lionel Shriver. Her latest satirical novel, Mania, imagines a world where intellectual meritocracy is heresy; the words 'stupid' and 'smart' are no longer acceptable, and novels like The Idiot and My Brilliant Friend are banned.In Shriver's imaginative world language and thought is heavily policed, speech is free only if it doesn't offend. The academic Fara Dabhoiwala has written about the emergence of this contested idea, in What Is Free Speech? He shows in the shifting story of the last three hundred years that freedom of speech is not an absolute from which different societies have drifted or dissented, but a much more mercurial, complicated matter.Producer: Katy Hickman

For our review programme Tom Sutcliffe is joined by critics Dorian Lynskey and Briony Hanson. They are looking at: New comedy series The Studio, set in Hollywood and starring Seth Rogan and Catherine O'Hara. Delusions of Grandeur, Grayson Perry's new exhibition where he selects items from the Wallace Collection, adds 40 new works and a new alter ego. And the film La Cocina, which gives an insight into the drama of a bustling New York Times Square restaurant kitchen where the largely illegal immigrant workers are serving up to 3000 covers a day. Plus an assessment of Netflix's most viewed limited series ever, Adolescence.Presenter: Tom Sutcliffe Producer: Claire Bartleet

Matthew Bannister onThe comedian and actor Tony Slattery. Sir Stephen Fry reflects on his friend's talent – and struggle with addiction and poor mental health. Dame Rosalind Savill, the respected director who brought new audiences to the Wallace Collection in London.Paddy Hill, one of six men wrongly convicted of carrying out pub bombings in Birmingham in 1974. Noreen Riols, who helped to train S.O.E. agents for undercover work during the Second World WarProducer: Ed PrendevilleArchive: Birmingham Six Case Reopens, BBC News, 1990; Release of the Birmingham Six, BBC News, 1991; Hard Talk, BBC, 2000; BBC Radio 4, 1974; Anti-IRA Marches, BBC News,1974; Whose Line Is It Anyway? Theme Tune composed by Philip Pope; Whose line is it Anyway?, Season6 Episode 6, A Hatrick Production, C4 Television Corporation; Whose line is it Anyway?, Season7 Episode 1, A Hatrick Production, C4 Television Corporation; The Cambridge Footlights Revue, 20/05/1982; STEPHEN FRY:THE SECRET LIFE OF THE MANIC DEPRESSIVE, 23/08/2007; What's the Matter with Tony Slattery, 05/06/2020!; Saturday Live, 31/08/2013; History: Secret Agent, 08/01/2001; Witness History, Secret Operations Executive. 05/09/2013; Masterclass Sèvres Porcelain, with Dame Rosalind Savill, Colnaghi Foundation, YouTube upload, 15/05/2020; The Wallace Collection, YouTube, upload, 01/10/2009; A Beautiful Thing: A Passion for Porcelain, BBC, 18/06/2013

Prepare for an explosive journey into the heart of medieval misconceptions in this fiery episode of History Rage. Host Paul Bavill is joined by the formidable Dr. Tobias Capwell, historian, author, jouster, and former curator of arms and armour at the Wallace Collection. Together, they dismantle the myths surrounding knights and their armour, revealing the truth behind the legends.The Truth About Armour:- Dr. Capwell debunks the pervasive myth that medieval armour was unbearably heavy, explaining its practical design and the rigorous training knights underwent to master its use.- Discover the reality of medieval knights' mobility and the misconceptions about their need for cranes to mount horses, which Dr. Capwell traces back to Victorian stage plays.Knights in Action:- Hear about Dr. Capwell's personal experiences in jousting and how modern armour compares to historical examples, shedding light on the physical demands and engineering marvels of medieval armour.- Learn about the rigorous training regimes of knights and how their bodies adapted to the demands of wearing and fighting in armour from a young age.Myth vs. Reality:- Explore the impact of popular culture on our understanding of medieval knights, from Victorian misconceptions to Hollywood's creative liberties, and how these have shaped modern perceptions.- Dr. Capwell discusses the importance of respecting historical source material and the dangers of modern interpretations that disregard the true context of medieval life. Join us as Dr. Tobias Capwell takes up the mantle to correct the record on medieval knights and their armour, offering a fascinating glimpse into the world of chivalry and combat. For more insights, visit Dr. Capwell's academia website and follow him on Instagram at @TobiasCapwell.Support the rage that fuels our historical deep dives at patreon.com/historyrage, and don't forget to leave us a review on Apple Podcasts, Podchaser, or Amazon. Stay informed, stay passionate, and let the rage for truth in history rage on! To catch up on all the rage from bygone times go to the website www.historyrage.comIf you want to get in touch with History Rage then email historyragepod@gmail.comFollow History Rage on Social MediaFacebook: https://www.facebook.com/HistoryRageTwitter: https://twitter.com/HistoryRageInstagram: https://www.instagram.com/historyrage/Bluesky: https://bsky.app/profile/historyrage.bsky.social Hosted on Acast. See acast.com/privacy for more information.

Marylebone is an ideal destination for a solo woman in midlife seeking sophistication and relaxation. The charming neighborhood offers boutique shops, cozy cafes, and independent bookstores, perfect for a leisurely exploration. You can unwind at a renowned wellness spa or enjoy fine dining at elegant restaurants. With cultural attractions like the Wallace Collection and nearby Regent's Park, Marylebone provides the perfect blend of culture, tranquility, and independence.//WHEN YOU'RE READY, HERE'S HOW I CAN HELP YOUJOIN THE VIP BOOK WAITLIST https://sharriharmel.com/Instagram: https://www.instagram.com/sharriharmel/Facebook Group: https://www.facebook.com/groups/273197629997812

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠★ Join the Ramblings of a Sikh YouTube Channel ★ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠★ Support this podcast on Patreon ★ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠★ Buy this podcast a coffee ★⁠⁠ Discover the legendary life of Maharaja Ranjit Singh, the iconic Sikh warrior and king, in this insightful video featuring co-curator Davinder Singh Toor.

Greg digs up a Belgian pop song from 1969 that became a popular sample amongst musicians for decades.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode of the Anglotopia podcast, historian and author Katherine Carter offers a fascinating look into her new book, Churchill’s Citadel, which examines Winston Churchill’s pivotal “wilderness years” of the 1930s. Katherine shares her lifelong passion for history and her journey to becoming Chartwell's curator, diving into how this beloved Kent home became Churchill's personal headquarters for intelligence gathering and diplomacy. She reveals the unique domestic life at Chartwell, with its lively gatherings, memorable overnight guests like T.E. Lawrence, and Churchill's meticulous attention to detail—even down to the design of the dining chairs. The discussion explores Churchill's resilience and isolation as he warned of the Nazi threat, Clementine Churchill’s critical role in managing their household and finances, and the support of staff who endured Churchill's famously rigorous schedule. Katherine also touches on the financial ups and downs that marked the Churchills' lives, their strategic return to Chartwell after WWII, and the special steps taken to protect the home during the war. Finally, she hints at an exciting upcoming art exhibition at the Wallace Collection that will showcase Churchill's work as a painter, bringing new depth to this extraordinary leader's life. We’re running a giveaway until the end of the month with two copies to give away. Links Churchill’s Citadel Contest Buy Churchill’s Citadel Chartwell National Trust Katherine Carter on Twitter Join the International Churchill Society Key Takeaways Katherine Carter’s passion for history began in her childhood in York. The 1930s were crucial for Churchill, as he was a lone voice against the tide of appeasement. Chartwell served as Churchill’s headquarters for diplomacy and intelligence gathering. The abdication crisis highlighted Churchill’s support for the monarchy. Notable visitors to Chartwell included influential figures like T.E. Lawrence and Heinrich Brüning. Churchill’s dinner parties were a blend of fine cuisine and political strategy. Clementine Churchill played a vital role in managing Chartwell and their household. Churchill’s financial struggles impacted his ability to maintain Chartwell. The upcoming exhibition at the Wallace Collection will focus on Churchill’s artistry. Katherine’s research revealed the human side of Churchill’s domestic life. Sound Bites On Churchill’s early inspiration: “The 1930s are just as, if not possibly even more important [than WWII] because it's so much harder fighting for a cause when you are a lone voice… Churchill really was going out on a limb declaring that war was inevitable and we should be preparing for it.” Chartwell as Churchill’s strategic hub: “Chartwell becomes like his own branch of the Foreign Office out in Kent… they chose the 1930s as the period to immortalize, recognizing that as its moment of greatest historic significance.” The significance of the visitor's book: “There's over 750 signatories from the 40 years the Churchills lived there… I wanted to interrogate everyone who came, whether they were a dine, wine, and dined guest or someone just quickly running in for the afternoon with a brown envelope of intelligence.” On Churchill's unique social diplomacy: “Dinner at Chartwell… you’d have fine cuisine, excellent champagne, and discussion until midnight. Churchill would either be gleaning insights from you or trying to persuade you to his way of thinking.” Chartwell’s intimate charm: “It's not a grand house. There are grander houses in England… but it's a microcosm of everything he required. It feels very intimate, like you’re walking around in Churchill’s head.” On Churchill’s resilience and purpose: “His courage to remain true to what he thought was right is truly inspirational… even with the political pressure and fear of war, Churchill held firm to his beliefs.” Chapters 00:00 Introduction to Katherine Carter and Churchill’s Citadel 03:07 Katherine’s Journey into History and Churchill 05:57 The Significance of the 1930s in Churchill’s Life 09:08 Chartwell: The Heart of Churchill’s Diplomacy 11:49 The Abdication Crisis and Chartwell’s Role 15:04 Notable Visitors and Their Impact on Churchill 17:46 Domestic Life at Chartwell: Balancing Diplomacy and Family 21:05 The Challenges of Writing and Researching Churchill’s Life 24:02 Clementine Churchill: The Backbone of Chartwell 26:58 Chartwell as Churchill’s Ideal Domain 30:08 The Financial Struggles of the Churchills 32:57 Churchill’s Connection to Chartwell During WWII 36:14 Lessons from Churchill’s Resilience 39:07 The Upcoming Churchill Art Exhibition 42:10 Fun Questions: Churchill’s Favorite Memories and Quotes

In this episode of the Anglotopia podcast, historian and author Katherine Carter offers a fascinating look into her new book, Churchill's Citadel, which examines Winston Churchill's pivotal “wilderness years” of the 1930s. Katherine shares her lifelong passion for history and her journey to becoming Chartwell's curator, diving into how this beloved Kent home became Churchill's personal headquarters for intelligence gathering and diplomacy. She reveals the unique domestic life at Chartwell, with its lively gatherings, memorable overnight guests like T.E. Lawrence, and Churchill's meticulous attention to detail—even down to the design of the dining chairs. The discussion explores Churchill's resilience and isolation as he warned of the Nazi threat, Clementine Churchill's critical role in managing their household and finances, and the support of staff who endured Churchill's famously rigorous schedule. Katherine also touches on the financial ups and downs that marked the Churchills' lives, their strategic return to Chartwell after WWII, and the special steps taken to protect the home during the war. Finally, she hints at an exciting upcoming art exhibition at the Wallace Collection that will showcase Churchill's work as a painter, bringing new depth to this extraordinary leader's life. We're running a giveaway until the end of the month with two copies to give away. Links Churchill's Citadel Contest Buy Churchill's Citadel Chartwell National Trust Katherine Carter on Twitter Join the International Churchill Society Key Takeaways Katherine Carter's passion for history began in her childhood in York. The 1930s were crucial for Churchill, as he was a lone voice against the tide of appeasement. Chartwell served as Churchill's headquarters for diplomacy and intelligence gathering. The abdication crisis highlighted Churchill's support for the monarchy. Notable visitors to Chartwell included influential figures like T.E. Lawrence and Heinrich Brüning. Churchill's dinner parties were a blend of fine cuisine and political strategy. Clementine Churchill played a vital role in managing Chartwell and their household. Churchill's financial struggles impacted his ability to maintain Chartwell. The upcoming exhibition at the Wallace Collection will focus on Churchill's artistry. Katherine's research revealed the human side of Churchill's domestic life. Sound Bites On Churchill's early inspiration: "The 1930s are just as, if not possibly even more important [than WWII] because it's so much harder fighting for a cause when you are a lone voice… Churchill really was going out on a limb declaring that war was inevitable and we should be preparing for it." Chartwell as Churchill's strategic hub: "Chartwell becomes like his own branch of the Foreign Office out in Kent… they chose the 1930s as the period to immortalize, recognizing that as its moment of greatest historic significance." The significance of the visitor's book: "There's over 750 signatories from the 40 years the Churchills lived there… I wanted to interrogate everyone who came, whether they were a dine, wine, and dined guest or someone just quickly running in for the afternoon with a brown envelope of intelligence." On Churchill's unique social diplomacy: "Dinner at Chartwell… you'd have fine cuisine, excellent champagne, and discussion until midnight. Churchill would either be gleaning insights from you or trying to persuade you to his way of thinking." Chartwell's intimate charm: "It's not a grand house. There are grander houses in England… but it's a microcosm of everything he required. It feels very intimate, like you're walking around in Churchill's head.” On Churchill's resilience and purpose: "His courage to remain true to what he thought was right is truly inspirational… even with the political pressure and fear of war, Churchill held firm to his beliefs." Chapters 00:00 Introduction to Katherine Carter and Churchill's Citadel 03:07 Katherine's Journey into History and Churchill 05:57 The Significance of the 1930s in Churchill's Life 09:08 Chartwell: The Heart of Churchill's Diplomacy 11:49 The Abdication Crisis and Chartwell's Role 15:04 Notable Visitors and Their Impact on Churchill 17:46 Domestic Life at Chartwell: Balancing Diplomacy and Family 21:05 The Challenges of Writing and Researching Churchill's Life 24:02 Clementine Churchill: The Backbone of Chartwell 26:58 Chartwell as Churchill's Ideal Domain 30:08 The Financial Struggles of the Churchills 32:57 Churchill's Connection to Chartwell During WWII 36:14 Lessons from Churchill's Resilience 39:07 The Upcoming Churchill Art Exhibition 42:10 Fun Questions: Churchill's Favorite Memories and Quotes

We've learned how freeing travel can be, so let's visit The Wallace Collection and Oxford Street in London together. It's the perfect blend of inspiration and rejuvenation for your next chapter in midlife. At The Wallace Collection, timeless art might spark a new passion, while Oxford Street's energy invites you to embrace change and self-care. At the end, we'll take a moment to enjoy a couple of beautiful paintings I found along the way.//WHEN YOU'RE READY, HERE'S HOW I CAN HELP YOUJOIN THE VIP BOOK WAITLIST https://sharriharmel.com/Instagram: https://www.instagram.com/sharriharmel/Facebook Group: https://www.facebook.com/groups/273197629997812

Join us for an insightful conversation with Davinder Toor, a renowned Sikh artefact collector and expert on Maharaja Ranjit Singh's incredible legacy. In this episode, we explore rare artefacts, untold stories, and the inspiring journey of preserving Sikh heritage.What To Expect

Now for a roundup of accessible arts events as RNIB Connect Radio's Toby Davey catches up with Jess Beal from VocalEyes, the national audio description charity providing access to the arts for blind and partially sighted people to share some of the accessible events that are featured in their regular email newsletter. Audio described shows and events included: Evening Audio Described Tour: Ranjit Singh - Friday 27 September, 5.30pm, the Wallace Collection, London Akram Khan's Giselle - Saturday 28 September, 2.30pm, touch tour 12.45pm, Sadler's Wells, London English Touring Opera: The Snowmaiden - Friday 4 October, 7.30pm, Hackney Empire, London. Saturday 26 October, 7.30pm, Buxton Opera House Dear Evan Hansen - Saturday 5 October, 2.15pm, touch tour 12.45pm, Curve Theatre, Leicester War Horse - Monday 14 October, 7.30pm, touch tour 6pm, Mayflower Theatre, Southampton. Thursday 31 October, 7.30pm, touch tour TBC, Marlowe Theatre, Canterbury. To find out more about these and other up-coming described arts events as well as details about how to sign up to the regular What's On email newsletter do visit the VocalEyes website - https://vocaleyes.co.uk (Image shows the VocalEyes logo. A speech bubble with 'VOCALEYES' written in bold black letters next to it)

More adventures in the arts and culture with Rifa and Chris. We watched the new doc Eno at the cinema, about the artist Brian Eno (obviously), which recuts itself and runs differently, every single time it's screened, making a review somewhat moot. Rifa went to an LGBTQI+ 'late' event at the Wallace Collection in London, while Chris went to Black Country, New Road's gaza benefit at Brighton Concorde. Thank you for listening to Season 7, we really appreciate it, just tipped over 10k listeners, which is fab.

Enlightenment publications on human anatomy changed the way artists understood their place in the world. Check out these examples of life-changing images brought to you by prints in books!   In s2e31 of Platemark's History of Prints series, Tru and Ann continue their discussion of the Enlightenment. This time they look at several publications that put forward new discoveries about human anatomy: William Hunter's The Anatomy of the Human Gravid Uterus, Bernhard Siegfried Albinus' Tabulae sceleti et musculorum corporis humani, and Jacques Fabien Gautier d'Agoty's Myologie complette en couleur et grandeur naturelle. They conclude with Denis Diderot's Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers, a 17-volume tome that attempted to define and codify all of human knowledge.   At the end of the episode, Ann and Tru wax philosophical about how incredible this blossoming of human knowledge is, and how talking about it makes each of them think about our place as humans on the planet. It gets a bit deep, but worthwhile. A. Hadamart. Exhibition of the Royal Academy of Painting and Sculpture in the Grande Galerie of the Louvre, 1699. Engraving. Gabriel de Saint-Aubin (French, 1724–1780). Vue du Louvre en l'année 1753, 1753. Etching. Plate: 5 13/16 x 7 1/8 in. (14.8 x 18.1 cm.); sheet: 6 ¼ x 7 5/8 in. (15.8 x 19.3 cm.). Metropolitan Museum of Art, New York. Pietro Antonio Martini (Italian, 1738–1797). View of the Salon of 1785, 1785. Etching. Plate: 10 7/8 x 19 1/8 in. (27.6 x 48.6 cm.); sheet: 14 1/4 x 20 3/4 in. (36.2 x 52.7 cm.). Metropolitan Museum of Art, New York. Pietro Antonio Martini (Italian, 1738–1797). View of the Salon of 1787, 1787. Etching. Plate: 12 11/16 x 19 5/16 in. (32.2 x 49.1 cm.); sheet: 14 x 19 3/4 in. (35.6 x 50.2 cm.). Metropolitan Museum of Art, New York. Pietro Antonio Martini (Italian, 1738–1797), after Johann Heinrich Ramberg (German, 1763–1840). The Exhibition of the Royal Academy 1787, 1787. Engraving. Plate: 36.1 x 49.9 cm. British Museum, London. Jacques-Louis David (French, 1748–1825). The Oath of the Horatii, 1784/85. Oil on canvas. 10.8 x 13.9 ft. Louvre Museum, Paris. Sir Joshua Reynolds (British, 1723–1792). Lady Sarah Bunbury Sacrificing to Graces, 1765. Oil on canvas. 242.6 × 151.5 cm. (95 1/2 × 59 3/4 in.). Art Institute of Chicago. Sir Joshua Reynolds (British, 1723–1792). Lord Heathfield of Gibraltar, 1787. Oil on canvas. 142 x 113.5 cm. National Gallery, London. Pietro Antonio Martini (Italian, 1738–1797). Salon de 1787: view of the Salon Carre at the Louvre during the painting exhibition in Paris, 1852. Engraving. From Frank Leslie's Popular Monthly. Jean-Antoine Houdon (French, 1741–1828). Voltaire Seated, 1781. Terra-cotta. 120 cm. tall. Musée Fabre, Montpellier. Jean Honoré Fragonard (French, 1732–1806). Les hasards heureux de l'escarpolette (The Swing), c. 1767–68. Oil on canvas. 81 x 64.2 cm. The Wallace Collection, London. Jean-Antoine Houdon (French, 1741–1828). Benjamin Franklin, 1778. Marble. 23 1/8 × 14 1/2 × 11 1/4 in. Metropolitan Museum of Art, New York. Rembrandt (Dutch, 1606–1669). The Anatomy Lesson of Dr. Nicolaes Tulp, 1632. Oil on canvas. 216.5 × 169 ½ cm. (85 1/4 × 66 5/8 in.). Mauritshuis, The Hague. William Hunter (British, 1718–1783). Title page from The Anatomy of the Human Gravid Uterus. Birmingham: John Baskerville, 1774. Jan van Rymsdyk (Dutch, c. 1730–1790). Plate VI from The Anatomy of the Human Gravid Uterus. London: S. Baker & G. Leigh, 1774. Engraving. Leonardo da Vinci (Italian, 1452–1519). Sketchbook page: the fetus in the womb, c. 1511. Black and red chalk, pen and brush and ink. The Royal Collection. Leonardo da Vinci (Italian, 1452–1519). Sketchbook page: the female genetalia and fetus in the womb, c. 1511. Black and red chalk, pen and brush and ink. The Royal Collection. Johann Zoffany (German, 1733–1810). William Hunter Lecturing, 1770–72. Oil on canvas. Royal College of Physicians, London. Roman copy of Greek marble. The Dying Gaul, late 3rd century BCE. Marble. Capitoline Museums, Rome. William Pink (British, 1809–1857), after Agostini Carlini (British, born Italy, c. 1718–1790). Smugglerius, c. 1834. Plaster. Royal Academy of Arts, London. Thomas Banks (British, 1735–1805). Anatomical Crucifixion (James Legg), 1801. Plaster cast. Royal Academy of Arts, London. Bernhard Siegfried Albinus (Dutch, born German, 1697–1770). Title page from Tabulae sceleti et musculorum corporis humani. London: H. Woodfall, 1749. Bernhard Siegfried Albinus (Dutch, born German, 1697–1770). Page from Tabulae sceleti et musculorum corporis humani. London: H. Woodfall, 1749. Bernhard Siegfried Albinus (Dutch, born German, 1697–1770). Page from Tabulae sceleti et musculorum corporis humani. London: H. Woodfall, 1749.  Bernhard Siegfried Albinus (Dutch, born German, 1697–1770). Page from Tabulae sceleti et musculorum corporis humani. London: H. Woodfall, 1749. Bernhard Siegfried Albinus (Dutch, born German, 1697–1770). Page from Tabulae sceleti et musculorum corporis humani. London: H. Woodfall, 1749. Jacques Fabien Gautier d'Agoty (French, 1716–1785). Plate from Myologie complette en couleur et grandeur naturelle. Paris: Gautier, Quillau, Lamesle, 1746.  Jacques Fabien Gautier d'Agoty (French, 1716–1785). Plate from Myologie complette en couleur et grandeur naturelle. Paris: Gautier, Quillau, Lamesle, 1746.  Leonardo da Vinci (Italian, 1452–1519). Sketchbook page, c. 1511. Black and red chalk, pen and brush and ink. The Royal Collection.  Jacques Fabien Gautier d'Agoty (French, 1716–1785). Plate from Anatomy of the head, in printed images, representing the natural appearance of the brain at different levels, the distribution of the vessels, the sensory organs and part of the nervous system; taken from dissected and prepared portions of the subjects, 1748. Wellcome Library Collection, London. Jacques Fabien Gautier d'Agoty (French, 1716–1785). Plate from Exposition anatomique des organes des sens. Paris: Demonville, 1775.  Jacques Fabien Gautier d'Agoty (French, 1716–1785). Plate from Exposition anatomique des organes des sens. Paris: Demonville, 1775.  Jacques Fabien Gautier D'Agoty (1717–1785). Plate from Anatomie générale des viscères. Paris: 1752. Jacques Fabien Gautier d'Agoty (French, 1716–1785). Plate from Anatomy of the head, in printed images, representing the natural appearance of the brain at different levels, the distribution of the vessels, the sensory organs and part of the nervous system; taken from dissected and prepared portions of the subjects, 1748. Wellcome Library Collection, London. Jacques Fabien Gautier D'Agoty (1717–1785). Plate from Anatomie des parties de la génération de l'homme et de la femme. Paris, 1773.' Pregnant Woman Jean-Antoine Houdon (French, 1741–1828). Denis Diderot (1713–1784), 1773. Marble. Height (bust): 15 3/4 in. (40 cm.); height (stand): 4 11/16 in. (11.9 cm.). Metropolitan Museum of Art, New York. Denis Diderot (French, 1713–1784) and Jean le Rond d'Alembert (French, 1717–1783). Title page and frontispiece from Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers. Paris: André le Breton, Michel-Antoine David, Laurent Durant, and Antoine-Claude Briasson, 1751–72. Denis Diderot (French, 1713–1784) and Jean le Rond d'Alembert (French, 1717–1783). Plate from Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers. Paris: André le Breton, Michel-Antoine David, Laurent Durant, and Antoine-Claude Briasson, 1751–72. Anatomy pages from the Encyclopedia Britannia, 1963. Flags pages from the Encyclopedia Britannia, 1963. Denis Diderot (French, 1713–1784) and Jean le Rond d'Alembert (French, 1717–1783). Plate from Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers. Paris: André le Breton, Michel-Antoine David, Laurent Durant, and Antoine-Claude Briasson, 1751–72. Denis Diderot (French, 1713–1784) and Jean le Rond d'Alembert (French, 1717–1783). Plate from Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers. Paris: André le Breton, Michel-Antoine David, Laurent Durant, and Antoine-Claude Briasson, 1751–72. Denis Diderot (French, 1713–1784) and Jean le Rond d'Alembert (French, 1717–1783). Plate from Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers. Paris: André le Breton, Michel-Antoine David, Laurent Durant, and Antoine-Claude Briasson, 1751–72. Denis Diderot (French, 1713–1784) and Jean le Rond d'Alembert (French, 1717–1783). Plate from Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers. Paris: André le Breton, Michel-Antoine David, Laurent Durant, and Antoine-Claude Briasson, 1751–72. Denis Diderot (French, 1713–1784) and Jean le Rond d'Alembert (French, 1717–1783). Plate from Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers. Paris: André le Breton, Michel-Antoine David, Laurent Durant, and Antoine-Claude Briasson, 1751–72. Denis Diderot (French, 1713–1784) and Jean le Rond d'Alembert (French, 1717–1783). Plate from Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers. Paris: André le Breton, Michel-Antoine David, Laurent Durant, and Antoine-Claude Briasson, 1751–72. Denis Diderot (French, 1713–1784) and Jean le Rond d'Alembert (French, 1717–1783). Plate from Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers. Paris: André le Breton, Michel-Antoine David, Laurent Durant, and Antoine-Claude Briasson, 1751–72. Denis Diderot (French, 1713–1784) and Jean le Rond d'Alembert (French, 1717–1783). Plate from Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers. Paris: André le Breton, Michel-Antoine David, Laurent Durant, and Antoine-Claude Briasson, 1751–72. Denis Diderot (French, 1713–1784) and Jean le Rond d'Alembert (French, 1717–1783). Plate from Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers. Paris: André le Breton, Michel-Antoine David, Laurent Durant, and Antoine-Claude Briasson, 1751–72. Denis Diderot (French, 1713–1784) and Jean le Rond d'Alembert (French, 1717–1783). Plate from Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers. Paris: André le Breton, Michel-Antoine David, Laurent Durant, and Antoine-Claude Briasson, 1751–72. Denis Diderot (French, 1713–1784) and Jean le Rond d'Alembert (French, 1717–1783). Plate from Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers. Paris: André le Breton, Michel-Antoine David, Laurent Durant, and Antoine-Claude Briasson, 1751–72. Denis Diderot (French, 1713–1784) and Jean le Rond d'Alembert (French, 1717–1783). Plate from Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers. Paris: André le Breton, Michel-Antoine David, Laurent Durant, and Antoine-Claude Briasson, 1751–72. Denis Diderot (French, 1713–1784) and Jean le Rond d'Alembert (French, 1717–1783). Plate from Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers. Paris: André le Breton, Michel-Antoine David, Laurent Durant, and Antoine-Claude Briasson, 1751–72. Francisco de Goya (Spanish, 1746–1828). Plate 43 from Los Caprichos: The sleep of reason produces monsters (El sueño de la razon produce monstruos), 1799. Etching and aquatint. Plate: 8 3/8 x 5 15/16 in. (21.2 x 15.1 cm.); sheet: 11 5/8 x 8 1/4 in. (29.5 x 21 cm.). Metropolitan Museum of Art, New York.

Captain Dan and Penny Lane bring you a show full of twists and surprises this week on Punks in Parkas!Hear tracks from the likes of Amy Winehouse, Wallace Collection, Irma Thomas and more!For more info and tracklisting, visit: https://thefaceradio.com/punks-in-parkasTune into new broadcasts of Punks In Parkas, Every Monday from Midday – 1 PM EST / 5 - 6 PM GMT//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

In this episode, guest Dr Xavier Bray, director of the Wallace Collection, describes the surprise hit exhibition in London in 2000: Seeing Salvation, Image of Christ, at the National Gallery. He shares his memories of being an assistant (and very junior) curator of the show and explains why images of Christ still resonate and matter. He talks about the impact of art on us and suggests what sort of exhibition the world perhaps needs at this troubled time. Further Reading:The Image of Christ: The Catalogue of the Exhibition "Seeing Salvation" (National Gallery of London) by Gabriele Finaldi (2000-11-10)Seeing Salvation by Neil MacGregor and Erika Langmuir (2000) Hosted on Acast. See acast.com/privacy for more information.

Hi Royal Community, Thank you for all your support during our break. We are missing you. In the meantime, we have heard from lots of you who have been asking about our archived episodes 11-71.... Well, whilst we take a break from weekly uploading, we have listened and decided to release those archived episodes that you have been asking for.  So, over the coming weeks, we will be re-releasing these episodes to keep you entertained. We hope you enjoy!   But....with re-released episodes comes caveats.... *Remember our opinions, beliefs and feelings may have changed on the subject since this originally aired.  **The information could have been updated, social handles and/or Royal titles changed, and our dearly beloved Queen Elizabeth II may possibly still have been alive when this was recorded so please note the time difference.  ***Episode 18 was recorded on the 7th July 2021 and first uploaded on the 9th July 2021.   As always please leave us a comment, email us or head to Instagram and get involved there.                                          ........................................... Podcast Retrospective Editing Mistake: At 27:48 when talking about The Princess Royal's engagement, please note that we made a mistake and Michelle mentions Ireland but this should be Northern Ireland. We are so sorry for this mistake. We have since educated ourselves for future/upcoming episodes.  In today's Royal Round-Up: We let you know abut our trip to London visiting The Wallace Collection, Lantana Elephants at Green Park and Kensington Palace for the Royal Style Exhibition featuring Diana, Princess of Wales wedding dress and visiting The Diana Statue for the first time at the Sunken Gardens. Queen Elizabeth II and The Princess Royal headed to the Edinburgh Climate Change institute where they arrived by hybrid Range Rover and we had two treebilees and one plaque attack! Queen Elizabeth II welcomed Chancellor of the federal republic of Germany, Dr. Angela Merkel at Windsor Castle. The Queen visits Coronation street to celebrate their 60th Anniversary The Royals heads to Wimbledon Catherine self-isolates for ten days Prince William celebrates the 73rd anniversary of the National Health Service with a garden party in Buckingham Palace and a service at St Paul's Cathedral. Queen Elizabeth II awarded the NHS with the George Cross for the collective service during the Covid Pandemic. Only three awards have been awarded for collective work including the Country of Malta and the Ulster Constabulary respectively  Prince William headed to the England v Denmark football match and rubbed shoulders with members of the Denmark Royal family. Lady Louise competed at the Windsor Horse Show Sophie, Countess of Wessex rode a tandem bike in aid of Vision Foundation Sophie and Princess Alexandra had a joint engagement visiting  the Guide Dogs for the Blind and Windmill City Farm We chat Princess Alexandra facts  And, in our Royal News: The Prince of Wales and the Duchess of Cornwall head to Wales for ‘Wales Week'. They visited: The budget supermarket in Iceland in Wrexham Wachartt Vaccine factory Tested the water at St Winifreds Well in Flintshire Charlies took the River simples Racer Car for a test drive Camilla visited the Hay Festival Llantrisant Guild Hall Heritage Centre built in 1346 Llanich vineyard for their 10th anniversary for a treebilee and plaque attack And, listed the Welsh College of Music and Drama Charles has his own Spotify playlist! And finally visited the Macmillan Cancer Support   The Princess Royal makes the Royal News. She visited: Aintrum Castle Gardens to award them the Queen's Award for Voluntary Service The Hillsborough Castle where a reception was held for volunteers and charitable organisations. Also, she saw the Northern Ireland centenary Rose. The Thames Tideway tunnel and turned the last bolt to complete the project Anne received the lifetime achievement award of the City of London Livery Club   

Avec les Beach Boys, les Beatles, le Wallace Collection, Mott The Hoople et Fifth Dimension. 1965, les Beach Boys sortent "Help Me Ronda" leur 9e album, une histoire d'amour un peu triste, en termes de répétition, les Beach Boys font fort. Impossible de ne pas parler du titre au final interminable mais tellement bon "Hey Jude" des Beatles en 1968, qui se conclut en lalala… Le groupe belge Wallace Collection termine son grand classique "Daydream" à la façon "Hey Jude". Final à la même sauce dans ce classique en 1972 de Mott The Hoople, dirigé par Ian Hunter, "All The Young Dudes", offert par David Bowie pour booster leur carrière. Même formule pour le groupe américain Fifth Dimension dans "Let The Sunshine" extrait de la B.O. de la comédie musicale "Hair". --- Du lundi au vendredi, Fanny Gillard et Laurent Rieppi vous dévoilent l'univers rock, au travers de thèmes comme ceux de l'éducation, des rockers en prison, les objets de la culture rock, les groupes familiaux et leurs déboires, et bien d'autres, chaque matin dans Coffee on the Rocks à 6h30 et rediffusion à 13h30 dans Lunch Around The Clock. Merci pour votre écoute Pour écouter Classic 21 à tout moment : www.rtbf.be/classic21 Retrouvez tous les contenus de la RTBF sur notre plateforme Auvio.be Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

The convicted art fraudster Inigo Philbrick is out of prison and possibly seeking a return to art dealing. How is that possible? Tim Schneider, The Art Newspaper's acting art market editor, tells us about Philbrick's story, why the art trade is a natural habitat for fraud, and why a criminal past need not lead to art-world banishment. In the wake of the first Art Basel Hong Kong art fair to take place after the newly instated Article 23 security law, our associate digital editor Alexander Morrison talks to our correspondent in China, Lisa Movius, about the law's impact on artists, museums and others in the art world now and in the future. And this episode's Work of the Week is a sword associated with Ranjit Singh, the Maharaja who is the subject of a major exhibition opening next week at the Wallace Collection in London. Davinder Toor, the co-curator of the show, tells us more.Ranjit Singh: Sikh, Warrior, King, Wallace Collection, London, 10 April-20 October Hosted on Acast. See acast.com/privacy for more information.

ロンドンの美術館The Wallace Collectionに行きました。めいっ子と行きました。めいは１６才です。美術館にピンクの部屋がありました。かわいかったです。 美術館にフランスの絵がありました。フランスの古い時計やティーカップもありました。ピンクの部屋に女の子の絵がありました。めいっ子はその絵を見たことがあると言いました。映画の「アナと雪の女王 Frozen」で見たと言いました。私はYouTubeを見ました。本当に同じ絵が出てきました。 私はディズニー映画には興味がないし、「アナ雪」も見た　　ことがありませんでした。めいっ子はアナ雪が大好きで映画の中の歌も覚えています。アナ雪の歌のシーンには世界の有名な絵をモデルにしたアニメーションがたくさん出てくることを、私は初めて知りました。ウォレス・コレクションにある女の子の絵「ぶらんこThe Swing」が出てくるのは「生まれて初めて」という歌のシーンの背景です。絵が見えるのはほんの一瞬です。子どもの記憶力はすごいですね。映画が見たくなりました。 I went to a museum in London, The Wallace Collection. I went with my niece. My niece is 16 years old. There was a pink room in the museum. It was cute. There were French paintings in the museum. There were old French clocks and tea cups. There was a picture of a girl in the pink room. My niece said she had seen that picture. She said she had seen it in the film 'Anna and the Snow Queen Frozen'. I looked on YouTube. It was really the same picture. I am not interested in Disney films and have never seen Frozen. My niece loves Frozen and remembers the songs from the film. I first learnt that many of the scenes in the Frozen song were modelled on famous paintings from around the world. The picture of the girl in the Wallace Collection, 'Blanko The Swing', appears in the background of the song scene 'For the First Time in My Life'. The picture is only visible for a brief moment. Children have an amazing memory. I now want to see the film.

I went to a museum in London, The Wallace Collection. I went with my niece. My niece is 16 years old. There was a pink room in the museum. It was cute. There were French paintings in the museum. There were old French clocks and tea cups. There was a picture of a girl in the pink room. My niece said she had seen that picture. She said she had seen it in the film 'Anna and the Snow Queen Frozen'. I looked on YouTube. It was really the same picture.

‘Daydream' van Wallace Collection, dat is één van die zeldzame Belgische wereldhits. De man op de toetsen begint een nieuw avontuur met Salix Alba, wat Latijns is voor knotwilg. Verkleed als maffia of ridders, met een saxofonist die er twee tegelijk bespeeld, geven ze evenveel show als ernst. Jan Delvaux laat je ‘Oh, mama' horen van de band horen die zich altijd enorm amuseert.

This painting is the last of six paintings that make up Titian's extraordinary “Poesie” series for King Philip II of Spain. Of all six, it is in the worst state of conservation and went through major compositional changes while it was being painted. Nevertheless, the “Perseus and Andromeda” is an important work of beauty, innovation, and visual interpretation of a classical literary source. 

Synopsis Today we offer a special “Gong Show” edition of the Composer's Datebook. On today's date in 1791, at the height of the French Revolution, the Panthéon in Paris was converted into a mausoleum for national heroes, and the first to be interred there, with great pomp and ceremony, was Honoré Gabriel Riqueti, Comte de Mirabeau, a tremendously popular personage of the day. For dramatic effect during the Count's funeral procession through the streets of Paris, French composer François Joseph Gossec added an unusual percussion instrument to his funereal wind band: an exotic instrument someone had brought to Paris from the Far East, and known as—you guessed it—the gong. It was reported that whenever the gong was struck during Mirabeau's funeral procession, cries of terror and fright were heard from the crowd that lined the Parisian streets as the cortège passed. Now terror and fright are bread and butter in the world of grand opera, and so the gong soon was adopted by 19th century composers like Spontini, Meyerbeer, and Wagner, and, in the 20th century, composers like Puccini, Stravinsky, Stockhausen, and George Crumb have also used gongs to—pardon the pun—striking effect! Music Played in Today's Program François-Joseph Gossec (1734 – 1829) Marche lugubre The Wallace Collection; John Wallace, cond. Nimbus 5175

Beware .... ((( Free & Easy ))) live Rock Show on O.T.R. dab+ Le Havre , Sunday the 2nd -March 2023 - ( Wyldcliff ) Patryck Albert present , Playlist : ... intro ....Beach Boys , Covids , Daniel Johnson & Jad Fair , Mark Three , MC5 , Tina and the Total Babies , David Mc Williams , OffHooks , Wallace Collection , Stupidity & Keith Streng , Thingz , MacRebennac , Dynamic Shakers , Paul Collins Beat , Chris Chuck , Holly Beth/Vincent , Dani , Norman Greenbaum , Nico , Lou Reed .....Outro .....

Soundtrack Of My LifeRORI, l'étoile montante de la pop belge est notre invitée dans ce nouvel épisode du Podcast Soundtrack Of My Life. Dans la foulée de son recommandable EP « Ma Saison En Enfer », RORI évoque les chansons et les artistes qui ont balisé son parcours. L'occasion de se replonger dans le groove de Chic, les guitares « very english » des Arctic Monkeys, l'univers sonore des animés japonais et d'exhumer le cultissime Daydream de Wallace Collection. Elle a bon goût RORI...

In the wait for season two, This is History Plus will be releasing interviews with some of Dan's favourite historians, talking all things Plantagenet.  In this episode, Dan is joined by Tobias Capwell to talk about what it was really like to be a knight. Tobias, a seasoned jouster himself, and Curator of Arms and Armour at the Wallace Collection, discusses how knights trained and why the concept of chivalry became important in the twelfth century.  There will be plenty more on This is History Plus, to get access go to apple podcasts and click ‘try free', or visit thisishistorypod.com.  And the next chapter of the Plantagenet saga will return on this feed in the New Year.  Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts  To bring your brand to life in this podcast, email podcastadsales@sonymusic.com  Presented by Dan Jones Producer - Elly Lazarides Series Producer - Georgia Mills Executive  Producer -  Dave Anderson Production Manager - Jen Mistri Engineer - Gulliver Lawrence-Tickell Learn more about your ad choices. Visit megaphone.fm/adchoices

This is an episode for arms and armour enthusiasts, Ricardians, and those interested in the magic of movie-making. Host Ploy Radford interviews Dr Toby Capwell from the Wallace Collection about their temporary exhibition linked to 'The Lost King' movie about Richard III. Learn about the art of creating armour for film, what would Richard III have actually worn to that fateful battle and what modern archaeology tells us about whether he was betrayed or not...

Basenjis may be able to help prevent clogging in your buffet lines, according to a study published in the journal Sedimentation and Contaminant Transport. Lilias, a noblewoman who lived during the Byzantine Empire, is the subject of a new exhibit at the Wallace Collection. And armadillos have become one of the most popular pets in recent years, but are they harming the environment? Richard Karp joins Lexman to talk about all these topics.

Explore one of the great collections of 18th furniture and decorative arts.

First opening at the Metropolitan Museum of Art in December 2021 and then moving to the Wallace Collection where it is now on view, Inspiring Walt Disney: The Animation of French Decorative Arts has proven to be a critical success and a crowd-pleasing exhibition in both New York and London. It is the result of the close collaboration between the two museums across several departments, and with the Walt Disney Animation Research Library, and above all between the two curators. In this panel, Wolf Burchard and Helen Jacobsen discuss the project and the many years of working together to bring the exhibition to life. They will be joined by British theatre designer Tom Piper, one of the designers behind the Wallace Collection's version of the show, who brings his own experience of collaborating with museums to the conversation. Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

Join Anne Rowe and Miles Leeson as they guide you around London's Wallace Collection, stopping off to discuss three key paintings that feature in Murdoch's novels: Hal's Laughing Cavalier, Titian's 'Perseus and Andromeda', and Rembrandt's 'Titus, the Artist's Son'. These feature in her first novel 'Under the Net' and her Booker Prize-winning 'The Sea, The Sea', respectively. You can view them here: https://www.wallacecollection.org/art/exhibitions-displays/past-exhibitions/frans-hals-the-male-portrait/ https://wallacelive.wallacecollection.org/eMP/eMuseumPlus?service=ExternalInterface&module=collection&objectId=65351&viewType=detailView https://www.wallacecollection.org/art/collection/collection-highlights/titus-artists-son/ Anne Rowe is Visiting Professor at the Iris Murdoch Research Centre at the University of Chichester. Her many books include the first work on Murdoch and Art 'The Visual Arts and the Novels of Iris Murdoch', as well as 'Iris Murdoch' in the Writers and their Work Series.

Today I'm so happy to be talking to Karly Allen about her work. We're talking about how mindfulness can help us to connect with and engage with art, how we can bring mindfulness practices to the experience of drawing.  Karly Allen is a UK-based gallery educator, drawing tutor and mindfulness teacher. She has worked for the National Gallery, London, over the past 20 years and has taught widely for UK art collections including the National Portrait Gallery, Wallace Collection and Royal Collection. In 2018, Karly co-foundedhttps://www.liminacollective.com/ ( Limina Collective) to bring mindfulness and reflection practices to museum and online spaces.   We explore how mindfulness and meditation practices, observation of the artwork and drawing interrelate with each other. And how drawing with mindfulness creates connections, opens us up to creativity and helps us to overcome any resistance we might have to drawing or the fear of the blank page. We talk extensively about the benefits and how it help us to tune into a mode of being being open, letting go of preconceptions and habitual patterns of looking.  Links Masterclass: Mona Lisa - Experiments in Drawing with Mindfulness Tuesday 19 July at 17.00 hrs CET This masterclass offers an experimental space to explore drawing and mindfulness, with Leonardo's iconic painting as our focus. Sign up here: https://buy.stripe.com/aEU00A3Th8pP1Wg5ks (https://buy.stripe.com/aEU00A3Th8pP1Wg5ks) https://buymeacoffee.com/clairebown (Support the Show) Find out more about Limina Collective and contact Karly via their website https://www.liminacollective.com (https://www.liminacollective.com) Join the https://liminacollective.us18.list-manage.com/subscribe?u=7703085289b8bfad27fbb899b&id=e09f01af3f (Limina Collective monthly newsletter ) Connect on Instagram: @limina_collective @karlykallen Limina Collective's exhibition audios for Manchester Art Gallery, 'Room to Breathe': https://manchesterartgallery.org/exhibitions-and-events/exhibition/room-to-breathe/ (https://manchesterartgallery.org/exhibitions-and-events/exhibition/room-to-breathe/) Limina Collective's series of films for the Royal Academy, 'A Slow Look': https://www.royalacademy.org.uk/articles/tag/slow-look (https://www.royalacademy.org.uk/articles/tag/slow-look) Limina Collective's film for The Wallace Collection, 'Taking Time to Look': https://www.youtube.com/watch?v=ZVp4h27aeos (https://www.youtube.com/watch?v=ZVp4h27aeos)

On this week's episode, Jonathan Miller says that whoever wins France's election on Sunday, the country is going to the dogs. (01:00) After, Cindy Yu says that China's online censors are struggling to suppress critics of the Shanghai lockdown. (07:47) And, to finish, Laura Freeman reviews a Walt Disney exhibition at the Wallace Collection. (12:06) Entries for this year's Innovator Awards, sponsored by Investec, are now open. To apply, go to: www.spectator.co.uk/innovator

"thanks to the restoration we're seeing things we couldn't see before"

"Fragonard is still misunderstood and under-appreciated as an artist"

"cigarettes, whiskey and wild, wild women"

"the elbow breaks out of the picture plane into our space"

"unforgettable and unmissable"

Join Arthur Bijl, Hutton McRoberts Assistant Curator of Ottoman, Middle Eastern and Asian Arms and Armour at The Wallace Collection for a fascinating conversation about the social history of arms and armour. Discover how what we think of as 'weapons' today were once also fashion statements, works of art, and status symbols in the pre-modern age. 

In our season 2 finale, Ace upsets us all with their tales of Edwin Rist and his burglary of the Wallace Collection in the Natural History Museum in Tring.

Catriona Seth, Marshal Foch Professor of French Literature at the University of Oxford, visits the Wallace Collection in London on the trail of objects that once belonged to Marie-Antoinette. With Dr Helen Jacobsen, Senior Curator and Curator of French 18th-century Decorative Arts, the Wallace Collection, London. Music | Excerpts from Orphee et Euridice (Paris Version) by Gluck, licensed courtesy of Naxos Music UK Ltd. Production ChromeRadio for TORCH / Faculty of Medieval and Modern Languages, University of Oxford, Producer - Catriona Oliphant.

Catriona Seth, Marshal Foch Professor of French Literature at the University of Oxford, visits the Wallace Collection in London on the trail of objects that once belonged to Marie-Antoinette. With Dr Helen Jacobsen, Senior Curator and Curator of French 18th-century Decorative Arts, the Wallace Collection, London. Music | Excerpts from Orphee et Euridice (Paris Version) by Gluck, licensed courtesy of Naxos Music UK Ltd. Production ChromeRadio for TORCH / Faculty of Medieval and Modern Languages, University of Oxford, Producer - Catriona Oliphant.

Episode 16 is our discussion with Jonathan Hodgetts, founder and owner of Wessex Tubas. This was our first international interview, and we can't thank him enough for taking the time to speak with us. We cover how and why he started Wessex, what their instrument designing process is like, and how they got into reproducing historical instruments such as the ophicleide and their brand new Over-the-Shoulder Eb Bass.Show notes for this episode are available at https://eabbpodcast.com/show-notes-2/. Music in this episode comes from Our Musical Past from the Library of Congress and The 8th GM Regiment Band. You can get in touch with us on social media, and by emailing us at eabb.podcast@gmail.com.If you like the show, the best way you can support us is by becoming a patron at https://www.patreon.com/eabbpodcast. We appreciate any support you feel compelled to give!Episode Structure:3:15 - Jonathan's musical background6:00 - British style brass bands8:39 - Orchestral and wind band playing12:42 - Founding of Wessex Tubas and initial instrument production18:09 - Expanding production, distribution, tweaking instrument designs20:35 - How Wessex got into producing historical instruments23:34 - Why Jonathan thinks historical instruments should be accessible to players25:06 - Timeline from design to product29:12 - Considerations before Wessex decides to design and produce an instrument33:46 - Wessex's OTS Eb Bass, how they decided to make it, the horn it was modeled after, and "quality of life" design improvements40:31 - Playing the new Wessex OTS Eb Bass41:53 - More on the OTS Eb Bass45:30 - Thoughts on reproducing historical instruments54:15 - Where you can find more information about Wessex, their OTS Eb Bass, and their other instruments56:19 - Show notes, social media, and our featured album for this episode: The Origin of the Species, The Wallace Collection

Indy is having trouble understanding a lot of what he and Mutt are finding around Orellana and his men, and guess what, so is returning guest Toby Capwell, curator of the Wallace Collection of medieval armor. Support us on Patreon: https://www.patreon.com/indianajonesminute Join us online at: http://www.indianajonesminute.com/ Facebook: https://www.facebook.com/groups/1011918448897040/ 

Episode 53: Danse Party https://soundcloud.com/user-989538417/episode-53-danse-party Thomas Foss joins Jay as they discuss Skull and Crown Stratagem, his Triumph of Death Renaissance Skeletons miniatures line and the upcoming Kickstarter! Triumph of Death 2 Kickstarter slated to begin September 10th! Follow Thomas on Kickstarter: https://www.kickstarter.com/profile/skullandcrown Skull and Crown Stratagem Blog - http://skullandcrown.blogspot.com/ Follow Thomas Foss on Twitter! @skullncrown Facebook: https://www.facebook.com/skullandcrown/ Valley of the Four Winds Miniatures: http://www.miniatures-workshop.com/lostminiswiki/index.php?title=Valley_of_the_Four_Winds Battlechat Ep 28 with Henry Hyde and Simon Tonkiss: https://www.patreon.com/posts/29214785 Mecha! Rules on BGG: https://boardgamegeek.com/boardgame/8131/mecha Pirates! Rules http://www.flagshipgames.com/html/pirates.html https://boardgamegeek.com/boardgame/17220/pirates-miniature-battles-high-seas Neverwinter: https://www.playneverwinter.com/ Bruegel's Triumph of Death: https://en.wikipedia.org/wiki/The_Triumph_of_Death Drew Day Williams on Facebook: https://www.facebook.com/satyrartstudio/ Holbein's Totentanz: http://www.dodedans.com/Eholbein.htm The Black Death from The Great Courses https://www.amazon.com/Black-Death-Worlds-Devastating-Plague/dp/B01FWOO2G6 TAG Zombie Landsknechts: https://theassaultgroup.co.uk/landsknecht-zombies-released/ Pro Patria/Warlord Landsknechts: https://store.warlordgames.com/collections/landsknecht Triumph of Death Kickstarter: https://www.kickstarter.com/projects/skullandcrown/renaissance-skeleton-army-28mm-miniatures-for-game Albrecht Durer Death Sketch https://www.akg-images.co.uk/archive/King-Death-on-Horseback-2UMDHUA7YRJ.html Triumph of Death Painting Guide: https://skullandcrown.blogspot.com/2017/06/painting-triumph-of-death-by-numbers.html Killer Rabbits Kickstarter: https://www.kickstarter.com/projects/skullandcrown/killer-rabbits-medieval-manuscript-art-made-into-m?ref=project_build Bad Squiddo War Peegs (Guinea Pigs): https://badsquiddogames.com/shop#!/War-Peegs-&-Chums/c/36518254/offset=0&sort=addedTimeDesc Knights and Magick rules: https://thegaminggang.com/game-news/knights-and-magick-classic-miniatures-rule-set-back-in-print-here-at-tgg/ Westfalia Miniatures: https://www.westfaliaminiatures.com/ Wallace Collection horse armor: https://www.wallacecollection.org/collection/equestrian-armour/ Danse Macabre Filmstrip: https://www.youtube.com/watch?v=Vd0w4L5i828 My Commands & Colors Fantasy Project: http://theveteranwargamer.blogspot.com/2019/01/commands-colors-fantasy-update.html Breaking Lances blogpost: http://skullandcrown.blogspot.com/2016/10/breaking-lances.html Maximilian 1934 rules: http://www.manapress.com.au/maximillian1934/ Recruits Convention: http://recruitsconvention.com/ Too Fat Lardies: https://toofatlardies.co.uk/ Wiley Games: https://wiley-games.myshopify.com/ Edited with Audacity. Music courtesy of freemusicarchive.com. Copyright Jay Arnold 2019. Published under Creative Commons attribution no derivatives license. Make your town beautiful; get a haircut.

After the knight painstakingly explains that Indy has defeated him in combat, Donovan and Elsa come barging into the room. Neil Brown takes a leap of faith and crosses the weekend bridge with us while Tom shockingly asks for more gags. Tobias Capwell joins us from the Wallace Collection in London to help us understand the knight's armour and to give us a startling revelation about the knight's sword. Support us on Patreon: https://www.patreon.com/indianajonesminute Join us online at: http://www.indianajonesminute.com/ Facebook: https://www.facebook.com/groups/1011918448897040/