Podcast appearances and mentions of Wallace Collection

Did you know that in addition to saving the free world, Churchill was also an accomplished painter? In this episode of the Anglotopia Podcast, Jonathan Thomas sits down with Dr. Lucy Davis — curator of paintings at the Wallace Collection in London and co-curator of Winston Churchill the Painter, the first major retrospective of Churchill's art in over 60 years and the first substantial UK exhibition devoted to his paintings since his death in 1965. The exhibition brings together nearly 60 works, roughly half from private collections rarely accessible to the public, and traces the full arc of Churchill's artistic life: from the tentative canvases he made during the darkest moment of his World War I career, through the luminous Mediterranean harbors and Moroccan cityscapes of his mature period, to the bold late works of a man who found in painting one of the greatest solaces of his life. Lucy walks Jonathan through the story of how Churchill came to paint, the three major artists who shaped his style — John Lavery, Walter Sickert, and William Nicholson — the single painting he made during World War II, the extraordinary Hallmark Cards world tour, and why the Wallace Collection is the perfect home for this once-in-a-lifetime show. The exhibition runs until November 29, 2026. Book your tickets now. Lucy is very grateful to her colleagues at Hallmark Cards, Inc. for their research into the World Tour of Churchill's paintings, which she has referenced in this podcast. Links The Exhibition Winston Churchill the Painter — Wallace Collection (open until November 29, 2026 — book tickets in advance) The Wallace Collection, London Wallace Collection E-Newsletter (Over 60% of subscribers are US-based — talks and courses available remotely) Wallace Collection Events & Remote Courses The Wallace Collection at War — companion display (open until end of October) Gallery of Some of Churchill's Paintings in the Exhibition Books Painting as a Pastime by Winston Churchill — New Edition with intro by Paul Rafferty Winston Churchill the Painter — Exhibition Catalog, edited by Dr. Lucy Davis (Philip Wilson Publishers) Churchill's Citadel by Katherine Carter — Chartwell and the Wilderness Years Churchill Sites Chartwell, Kent — National Trust Blenheim Palace, Oxfordshire Churchill Archives Centre, Cambridge America's National Churchill Museum, Fulton MO Also Mentioned Darkest Hour (2017) — Gary Oldman as Churchill Friends of Anglotopia Club Takeaways Winston Churchill the Painter at the Wallace Collection is the first major retrospective of Churchill's art in over 60 years — nearly 60 works, roughly half from private collections that are rarely if ever accessible to the public. This is a genuinely once-in-a-lifetime opportunity. Churchill took up painting in 1915 at the lowest point of his life, following the catastrophic failure of the Dardanelles campaign. His wife Clementine later said she thought he would die of grief — and it was painting that gave him back his spark. Churchill was never formally trained, but worked closely with at least three leading professional artists: John Lavery (portraiture and plein air painting), Walter Sickert (modernist techniques and working from photographs), and William Nicholson (still life, tonal restraint, and simplified composition). Churchill's single painting during World War II was a view of Marrakesh, painted the day after he took President Roosevelt to see the sunset over the Atlas Mountains following the Casablanca Conference. He gave it to Roosevelt as a gift — it is in the exhibition, facing the painting he later gave to President Eisenhower. The Wallace Collection's connection to Churchill runs deeper than the exhibition: Odette Pol Roger was born Odette Wallace as great-granddaughter of Sir Richard Wallace, became Churchill's close friend, and reserved an entire vintage of Pol Roger champagne for him. A quarter-bottle believed to be one of the last he drank before his death in 1965 is on display in the exhibition. Churchill's paintings were the subject of a record-breaking world tour of North America, Australia, and New Zealand in 1958, masterminded by President Eisenhower and Joyce C. Hall, founder of Hallmark Cards. Churchill initially refused — until Eisenhower wrote him a personal letter about the wave of goodwill it would create. Churchill submitted paintings to competitions under the pseudonym "David Winter" and was given the title of Honorary Academician Extraordinary by the Royal Academy — only the second person ever to receive this honor, after Edward VII. The goldfish pool at Chartwell — Lucy's personal favorite painting in the exhibition — contains a detail invisible in photography: the ripple created by the fish on the surface, painted in a subtle mauve-grey. Lucy says it perfectly summarizes Churchill's playful, witty personality. Picasso, upon seeing Churchill's painting La Dragonnière, said (paraphrasing) that Churchill would have been a good professional painter if he hadn't had something else to do. The painting is in the exhibition. The new edition of Churchill's own book Painting as a Pastime — with an introduction by Paul Rafferty — has just been published and is the perfect companion to the exhibition. It explains in Churchill's own words why he took up painting and why everyone else should too. Soundbites "Clementine was looking on and she was so relieved to see him engaged in something. He talked about all this unwanted leisure — going from a really high-pressured executive job to suddenly watching the whole tragedy unfold. To see that spark lit up again." — Lucy on Clementine's reaction when Churchill first picked up a paintbrush. "He said painting was a complete distraction. He said: I know nothing which without exhausting the body more entirely absorbs the mind." — Lucy quoting Churchill on why painting worked when nothing else could. "He's painting the headquarters of the battalion as it was progressively being shelled and devastated. One of his young soldiers said he was unusually quiet and withdrawn and asked what was wrong — and he said: I've been really struggling to paint the craters." — Lucy on Churchill painting in the trenches at Plug Street. "He said it should be a joy ride in a paint box. Nobody should feel afraid or daunted by it. We don't have to aspire to masterpieces." — Lucy on Churchill's message to anyone who wants to paint. "A traveling exhibition of your paintings in the United States would not only attract a great deal of attention, but I am certain it would serve in a very definite way to strengthen the friendship between our two countries." — Lucy quoting Eisenhower's letter persuading Churchill to allow the world tour. "He submitted a painting in 1925 to an amateur painting competition and won first prize — although one of the judges wanted to disqualify it because he thought it must be by a professional painter." — Lucy on Churchill exhibiting anonymously under the pseudonym David Winter. "Picasso said — and I'm paraphrasing — that he would have been a good professional painter if he didn't have something else to do." — Lucy on Picasso's verdict on Churchill's painting La Dragonnière. "There's a particular detail that doesn't come out in photography — the ripple created by the fish on the surface that he's painted in this sort of mauve-grey color. It's just such a lovely finishing touch and really summarizes that playful, witty side of his personality." — Lucy on her favorite painting in the exhibition, the goldfish pool at Chartwell. "He made the gardener row back and forth across the moat to create ripples so he could try a different effect in the water." — Lucy on Churchill's obsessive dedication to capturing reflections accurately. "I think he would like to see us leaving the exhibition with smiles on our faces and with an urge to pick up a paintbrush." — Lucy on what Churchill himself would have wanted visitors to take away. Chapters 00:22 Introduction — Jonathan sets up the exhibition and introduces Dr. Lucy Davis 01:59 Lucy's Background — 15 years at the Wallace Collection, the Courtauld, the National Gallery, and Washington DC 03:09 What Is the Wallace Collection? — A world-class art collection in an intimate Marylebone townhouse 04:47 The Wallace Collection's Churchill Connection — The Artists Aid Russia exhibition, Clementine's charity, and the Pol Roger link 06:29 Churchill's Favorite Champagne — And the quarter-bottle of Pol Roger in the exhibition 07:14 How Churchill Came to Paint — Gallipoli, the darkest moment, Ho Farm in Sussex, and Hazel Lavery's advice 09:49 Did He Take to It Naturally? — Total ambition, total audacity, and the self-portrait painted at 40 13:00 Painting in the Trenches at Plug Street — Easels in the First World War and the crater problem solved 14:50 What Painting Gave Churchill That Nothing Else Could — Complete absorption, relief from anxiety, and seeing the world properly for the first time 17:12 Churchill's Message to Everyone — A joy ride in a paint box, and why no one should feel daunted 19:13 500 Canvases Alongside Everything Else — Chancellor, Prime Minister, Nobel laureate: where did he find the time? 21:12 The One WWII Painting — The Casablanca Conference, Roosevelt, the Atlas Mountains, and a gift that symbolized the Special Relationship 23:02 The Marrakesh Painting and the Gift to Eisenhower — Two paintings face to face in the exhibition 23:47 The Hallmark Cards World Tour — Joyce C. Hall, Eisenhower's persuasive letter, and a record-breaking global exhibition 25:49 How Did Brad Pitt End Up Owning the Marrakesh Painting? — Neither host quite knows 26:34 Churchill's Artistic Mentors — John Lavery, Walter Sickert, William Nicholson, and what each one taught him 32:20 Churchill's Influences — Monet, Cézanne, the Impressionists, and the tessellated pavement of dabs and lozenges 32:33 Walking Through the Exhibition — Six galleries from First Attempts to the Royal Academy 34:00 Gallery 1: First Attempts — Lavery, the self-portrait, and the Plug Street paintings 35:00 Gallery 2: Life and Hope — Chartwell in all seasons, Blenheim, and the wilderness years paintings 36:00 Gallery 3: Still Lifes — Nicholson's influence, the Magnolia painting, and thank-you gifts to friends 37:00 Gallery 4: Light, Atmosphere & Reflections — The Riviera, Morocco, La Dragonnière, and making the gardener row 38:19 Morocco — Six visits, the Red City, the Atlas Mountains, and the Eureka Valley picnics 39:30 Gallery 5 & 6: Recognition — The Royal Academy submission under a pseudonym, Honorary Academician Extraordinary 40:06 Chartwell as Inspiration — 50 years, built for the view, goldfish pools, and the changing seasons 41:45 How a Major Exhibition Comes Together — Loan negotiations, private collections, and 20 years in the making 43:34 The Exhibition Catalog — Six essays, new archival research, and what makes it more than a picture book 47:11 The Contributors — Andrew Roberts on soft power, Catherine Carter on Chartwell, Paul Rafferty on the Riviera, Alan Packwood on Churchill as a visual person 48:36 The Churchill Family's Involvement — Support from the very beginning and throughout 49:16 Why Americans Should Get on a Plane — A revelation, a personality revealed, and a zest for life 50:22 Rapid Fire Churchill Round — Favorite book, film, quote, and painting 53:44 Wrap-Up — Exhibition details, tickets, catalog, and Jonathan's August visit Video Version

Palencia y San José de Costa Rica son los dos destinos de este episodio de El Placer de Viajar, que también se va de crucero y da noticias del sector. En este nuevo episodio de El Placer de Viajar, el podcast de viajes de esRadio y Libertad Digital, sus presentadores Carmelo Jordá y Kelu Robles nos guían por fascinantes destinos y nos descubren las últimas novedades del sector. El episodio comienza explorando el concepto de los cruceros premium de la mano de Eva Sanchidrián, experta de Mundomar Cruceros, quien explica que el valor de estos viajes radica en la excelente relación entre tripulación y pasajeros, así como en la amplitud de espacio disponible a bordo de barcos como los destinados a estos cruceros de nivel un tanto más elevado. Sanchidrián desmitifica las tarifas de las navieras premium, señalando que al ser en su mayoría compañías americanas, su temporada alta no coincide con el mes de agosto europeo, lo que permite encontrar precios muy competitivos en verano. Además, resalta la espectacular oferta gastronómica sin suplementos de compañías como Virgin Voyages y el estilo clásico de Cunard, que evoca la época dorada de la navegación. Pero lo más importante es que los oyentes de El Placer de Viajar y de esRadio pueden aprovecharse de un descuento si contratan su crucero a través de esta página.Palencia, una desconocida a descubrir La primera parada del viaje nos lleva a Palencia, una capital de provincia española a menudo olvidada pero sumamente agradecida. Kelu Robles desmiente el mito de que sea poco visitada, aclarando que, aunque se registran menos pernoctaciones por su cercanía a Madrid —a apenas una hora en AVE—, es un destino ideal para una escapada de fin de semana. Entre los monumentos palentinos más destacados figura el Cristo del Otero, una imponente escultura de 21 metros de altura diseñada por Victorio Macho que se alza como el Cristo más alto de España. Kelu también recomienda la visita a la Catedral de Palencia, apodada "la bella desconocida", que es el tercer templo catedralicio más grande del país y destaca por su evolución arquitectónica desde la cripta visigoda hasta el gótico tardío. El auge económico de finales del siglo XIX dejó en Palencia una magnífica ruta modernista de la que se conservan construcciones de gran belleza. Los visitantes pueden recorrer la Calle Mayor porticada, contemplar el Casino de Palencia o maravillarse ante la fachada de estilo veneciano del Colegio de Villandrando, ejemplos de una arquitectura señorial única. Para los amantes de la naturaleza, Palencia ofrece el Parque de la Huerta Guadián y el Monte el Viejo, un paraje natural que alberga una singular reserva de ciervos muy accesibles para el público. La gastronomía local también tiene un protagonismo especial con la menestra palentina, las patatas a la importancia y las tapas de mejillones de La Mejillonera.San José, la parada que no se hace en Costa Rica En la segunda parte del programa, Carmelo Jordá nos traslada a San José, la capital de Costa Rica. Jordá define el país como un oasis verde, seguro y con una naturaleza exuberante. Aunque San José no encaja en el prototipo de ciudad colonial perfecta, destaca por ser una urbe muy fotogénica, llena de vida y de gente sumamente hospitalaria con los españoles. El recorrido por San José incluye el Parque de la Sabana, el Teatro Nacional —que ofrece visitas teatralizadas— y el bullicioso Mercado Central. En este último espacio se pueden degustar los platos típicos en las populares "sodas" (restaurantes tradicionales), como el gallo pinto o el casado, acompañados por el extraordinario café costarricense. Un aspecto sorprendente de San José es su destacada arquitectura brutalista, representada en edificios como la Asamblea Legislativa o la iglesia de Nuestra Señora de Fátima de Alberto Linner. Jordá subraya cómo la solidez del hormigón visto y los juegos de luces de las vidrieras generan espacios de un gran valor artístico. Por último, Santi Molina presenta las noticias turísticas, comenzando con el Costa Verde Express, un tren de lujo que recorre el norte de España entre Bilbao y Santiago de Compostela. También destaca la reapertura tras una reforma integral del hotel Hyatt Zilara en Cancún y el liderazgo histórico de España en banderas azules, sumando 677 playas galardonadas con la Comunidad Valenciana a la cabeza. En cuanto a las conexiones aéreas, el aeropuerto de Almería sumará 25 nuevas rutas internacionales y Wizz Air abrirá enlaces con Milán y Nápoles. En el ámbito cultural, Molina recomienda la exposición de pinturas de Winston Churchill en la Wallace Collection de Londres y la gran retrospectiva de Mark Rothko en el Palazzo Strozzi de Florencia. Escríbenos, explícanos qué te gusta más y si hay algo que no te gusta tanto de El Placer de Viajar, dinos de qué destinos quieres que hablemos y si quieres que tratemos algún tema y, por supuesto, pregúntanos lo que quieras en el correo del programa: elplacerdeviajar@libertaddigital.com.

The paintings of Winston Churchill are being exhibited at the Wallace Collection in London. Xavier Bray, Director of the Wallace Collection, and Katharine Carter, curator at Chartwell, Churchill's country house in Kent, discuss what we learn about Churchill from his art.Creator and star Phil Dunning talks about series two of Smoggie Queens, which follows a close-knit group of friends; it's a celebration of queer culture and a love letter to Middlesbrough and its community.As questions are being asked about the use of AI in one of the regional winning entries of a prestigious short story prize for unpublished fiction, writer and journalist Hari Kunzru talks about the impact of AI on writing.And Tom visited the RHS Chelsea Flower to see the Tate Britain show garden, which offers a taster of the forthcoming Clore Garden.Presenter: Tom Sutcliffe Producer: Claire Bartleet

In this episode Malika Browne talks to curator and art historian Dr Alison Smith, head of collections at the Wallace Collection, about the Wallace's biggest exhibition ever, in 1942. It was organised by Clementine Churchill and the wife of the Russian Ambassador to London, Agnia Maisky. It was one of several “solidarity exhibitions” that took place in Britain during WW2. A must-listen for anyone interested in art, WW2, the Churchills, Russia - and fans of the Wallace Collection! Further Reading:The Maisky Diaries by Ivan MaiskyThe extraordinary wartime diaries of Ivan Maisky, Soviet ambassador to London during WW2 Hosted on Acast. See acast.com/privacy for more information.

This month's podcast episode takes us through Uzbekistan along the route that The Barakat Trust took on our trip to the country in November 2025. We begin in Tashkent before moving to Samarkand and finishing in Bukhara, exploring a number of architectural sites, crafts and traditions along the way. In our discussion we ask how the richness of Uzbekistan's cultural heritage came to be considered on the periphery of the Persianate world.Our guest is Fuchsia Hart is The Sarikhani Curator for the Iranian Collection at the Victoria and Albert Museum in London. She has written for the publications like The Guardian and the Oxford Review of Books, and spoke or lectured at institutions like The Wallace Collection, SOAS, and the Royal Asiatic Society. In 2025, Fuchsia completed her DPhil in Asian and Middle Eastern Studies at the University of Oxford with a thesis exploring Fath ‘Ali Shah Qajar's patronage of the major shrines of Iran and Iraq.This episode is part of our series Peripheries which seeks to push our understanding of the cultural heritage of the Islamic world away from the traditional centres that we associate with it. With a fantastic range of guests we will examine places and topics often considered peripheral to the Islamic world and understand why they are in fact of central importance to the region's cultural heritage, from Armenia to England, from Ethiopia to West Africa.

PIONEER OF BAROQUE SCULPTURE. Jennifer Montagu LVO CBE is a highly regarded British art historian whose emphasis is in the study of Italian Baroque sculpture. A daughter of Ewen Montagu, a British lawyer, writer and Naval intelligence officer, and granddaughter of painter Solomon J. Solomon RA, she studied under Sir Ernst Gombrich at the Warburg Institute, London where she received her PhD degree. Montagu lectured in History of Art at Reading University 1958–64, then was assistant Curator 1964–71, and Curator 1971–91, of the Photographic Collection at the Warburg Institute.  She was Slade Professor of Fine Art and fellow of Jesus College, Cambridge 1980–81, Andrew W. Mellon Lecturer at the National Gallery of Art, Washington in 1991, and Invited Professor at the College de France, Paris in 1994. She was a trustee of the Wallace Collection 1989–2001 and of the British Museum 1994–2001. In 1990 Montagu delivered the annual A. W. Mellon Lectures in the Fine Arts at the National Gallery of Art. She is an honorary fellow of her alma mater, Lady Margaret Hall, Oxford, and of the Warburg Institute. She has been honoured in France as a Chevalier of the Légion d'Honneur and a Commander of the Ordre des Arts et des Lettres, and in Italy as an Officer of the Order of Merit of the Italian Republic. Her books are Bronzes 1963, Alessandro Algardi 1985, Roman Baroque Sculpture – The Industry of Art 1989, The Expression of the Passions 1994, and Gold, Silver and Bronze: Metal Sculpture of the Roman Baroque 1996. Her latest book, on the sculptor Giovanni Battista Maini, was published in 2025. "I was brought up being rather anti-Baroque; and then I got interested in Le Brun and the 17th century." "The basic problem, of course, is who painted it and why and when, but there are all sorts of other more interesting questions you can ask about it." "Sometimes there's a connection, something about the painting which grabs you. The hairs on the back of your neck rise up, as they say, and there isn't any particular explanation." https://www.alainelkanninterviews.com/jennifer-montagu

Un son en guise d'autoportrait. Dans le cadre de La Semaine de la Musique Belge, Baloji a choisi ce hit de Wallace Collection. Merci pour votre écoute Dans quel Monde on vit, c'est également en direct tous les samedi de 10h à 11h sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de Dans quel Monde on vit sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/8524 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

A real treat for you in this episode, as Phil goes on a field trip to London to meet with Xavier Bray, Director of the Wallace Collection, and discuss one of Caravaggio's most controversial works, the focus of their current exhibition, running until 12th April 2026. More than a podcast — it's a remembrance.Dive into the vibration that connects us all: Love. Listen on: Apple Podcasts SpotifySupport the show

durée : 00:04:15 - Daydream : tube pop et Lac des cygnes - Aujourd'hui, une archéologie sonore de la chanson Daydream des Wallace Collection ! Une chanson de 1969 qui utilise deux thèmes bien connus du compositeur russe. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Gustav Klimt's Portrait of Elisabeth Lederer (1914-16) sold for the second highest price ever realised at auction at Sotheby's in New York on Tuesday. It was the most notable of several big sales in the sold-out (or “white-glove”) auction of 24 works from the collection of the late billionaire Leonard Lauder, and has prompted some commentators to declare that the art market has turned a corner following a prolonged downturn. Ben Luke speaks to The Art Newspaper's senior art market editor in the Americas, Carlie Porterfield, about this week's auctions, and asks if they do mark a turning point in the art market's fortunes. Cop 30, the United Nations Climate Change Conference, is taking place in Belém, Brazil, and ends on Friday. To coincide with the conference, the Gallery Climate Coalition is publishing a Stocktake Report, in which it gives hard data on the efforts of its members to reduce their carbon emissions. The Art Newspaper's contemporary art correspondent in London, Louisa Buck, who is a co-founder of the coalition, tells Ben more. And this episode's Work of the Week is Victorious Cupid (1601-02) by Caravaggio, a landmark work by the artist, made at the height of his fame in Rome. The painting is making a rare journey from its home at the Gemäldegalerie in Berlin to the Wallace Collection in London, where it is at the centre of an exhibition opening next week. Ben talks to the collection's director, Xavier Bray, about the painting.Caravaggio's Cupid, Wallace Collection, London, 26 November-12 April 2026 Hosted on Acast. See acast.com/privacy for more information.

In this episode of the Anglotopia podcast, Jonathan Thomas takes listeners on a journey through significant locations in Britain associated with Sir Winston Churchill. The discussion begins with key sites in London, including the Houses of Parliament, Downing Street, and the Cabinet War Rooms, highlighting their importance in Churchill's life and career. The conversation then shifts to notable places outside of London, such as Blenheim Palace and Chartwell, which were pivotal in shaping Churchill's identity. The episode concludes with a look at international connections to Churchill's legacy, including museums and archives in the United States. Links Houses of Parliament Tours - Palace of Westminster official tour booking page Churchill War Rooms - Imperial War Museums official site 10 Downing Street - UK Government page (note: not open to the public) Chartwell National Trust Blenheim Palace Official Website Harrow School Royal MIlitary Academy Sandhurst Churchill Archives Cambridge National Churchill Museum Fulton, Missouri International Churchill Society Wallace Collection Churchill Paintings Exhibition (2026) Tim Riley Churchill Podcast Churchill Archive Podcast Takeaways Churchill's connection to London was profound and influential. The Houses of Parliament served as a key location for Churchill's political career. Chartwell was not just a home but a source of inspiration for Churchill. Blenheim Palace is significant as Churchill's birthplace and family heritage site. The Cabinet War Rooms provide insight into Churchill's leadership during WWII. Churchill's speeches were often first delivered in the House of Commons. The Churchill Archives at Cambridge is a valuable resource for research. Churchill's legacy extends beyond the UK, with significant sites in the US. The Wallace Collection will host a major exhibition of Churchill's paintings in 2026. Visiting Churchill-related sites offers a deeper understanding of his impact on history. Sound Bites "If he had a single place of work that was most important to him, it would be the Houses of Parliament and the Palace of Westminster." "He genuinely had a great love and affection for the Houses of Parliament. He thought they were beautiful. He thought they were the heart of the empire. He thought that it was an immense privilege to work there." "Many people don't know that when you hear recordings of Churchill's speeches, most of those were actually recorded after the war." "He famously said that a day away from Chartwell is a day wasted." "To him, the manor house represented the England that he loved the most." "Chartwell is not a grand house. It's not like Blenheim Palace. Blenheim Palace is a palace. Chartwell is a family home." "He produced much of his literary output that he would eventually win the Nobel Prize for literature for." "I should do a whole podcast on Young Churchill because some of the stuff that he did is wild." "We're going to guide you through the places, why they're important to Churchill, and then give you some visiting tips in case you would like to visit." "It's where he wrote, it's where he painted, it's where he had his family life and raised his children in the later years." Chapters 00:00 Exploring Churchill's Britain 20:01 Churchill's Legacy Beyond London 32:52 anglotopia-podcast-outro.mp4 Video Version

Slip off Oxford Street and into another world – chandeliers, Rembrandts, and the best cakes in Marylebone. Housed in a stately mansion on Manchester Square, the Wallace Collection is London's most beautiful secret: an 18th-century treasure chest of art, armour, and elegance. A museum that still feels like a home – and, thanks to Rick Mather's sunlit café, the sweetest spot in the city for tea.

Wędrówka śladem arcydzieł z dawnej kolekcji Stanisława Augusta Poniatowskiego zaprowadziła nas do Londynu, gdzie mamy do sprawdzenia dwa tropy związane z tym zbiorem. W pierwszej kolejności odwiedzamy Wallace Collection, gdzie przyglądamy się Koncertowi u sułtana Carla van Loo. Był to niegdyś jeden z ulubionych obrazów króla. Świadczy o tym chociażby to, że znalazł się on wśród niespełna 40 dzieł, które po abdykacji Stanisław August zdecydował się zabrać ze sobą do Petersburga. Dlaczego król tak wysoko cenił to dzieło? W odcinku wspólnie poszukamy odpowiedzi na to pytanie. Przyjrzymy się też modzie na Turcję, jaka ogarnęła Europę w końcu XVII wieku. Będziecie zaskoczeni tym, jak bardzo trend ten wpłynął na naszą codzienność.---------------Zrealizowano w ramach stypendium Ministra Kultury i Dziedzictwa Narodowego-------Transkrypcję i reprodukcje omawianych obrazów znajdziesz na stronie podcastu: https://przedobrazem.pl/wallace-collection-w-londynie-carle-van-loo-koncert-u-sultanaMuzyka wykorzystana w odcinku pochodzi ze strony Epidemic Sounds oraz Free Music Archive-------IG: https://www.instagram.com/przed_obrazemFB: https://www.facebook.com/podcast.przedobrazem

# 65  - about the exhibition Stanisław Wyspiański: Portraits at the National Portrait Gallery in London In conversations with Alison Smith - curator of the display, previously Chief Curator of the National Portrait Gallery, London and currently Director of Collections and Research at the Wallace Collection. Stanisław Wyspiański (1869-1907) was a Polish painter, designer, poet and originator of modern Polish Theater. He was also a key figure of the Młoda Polska (Young Poland) art movement that helped keep national identity alive during Poland's partitions. This podcast episode offers a glimpse into the unique pastel works of Wyspiański, featuring stories of his sitters—including members of the Cracovian intelligentsia—his family, and the artist himself, as well as his decade-long struggle with an illness that profoundly shaped his life and creative output. The one-room display, showing 16 of Wyspiański's pastel portraits at the National Portrait Gallery in London is free and open to all till the 13th of July 2025.  References: About the Exhibition: https://www.npg.org.uk/whatson/display/2025/stanislaw-wyspianski-portraits Exhibition Catalogue: https://npgshop.org.uk/collections/books/products/stanislaw-wyspianski-portraits-hardcover-catalogue ___ This episode was created for Contemporary LYNX and with support of the Polish Cultural Institute London. Podcast thumbnail: Józio Feldman by Stanisław Wyspiański, 1905. National Museum in Kraków. Photo: Bartosz Cygan/NMK Digitization Studio. ___ Recording & editing: Patrycja Rozwora Mix & master: Jonas Kröper Support or get in touch: https://linktr.ee/kitchenconversations

In this gripping podcast (filmed in September 2024), we journey through one of the most turbulent and inspiring periods of Sikh history — the rise of the Khalsa Panth, its survival during oppression, and its eventual establishment of Khalsa Raj. From the courageous battles of the 18th century to the visionary leadership of Maharaja Ranjit Singh Ji, we explore the unparalleled spirit that allowed the Khalsa to thrive against all odds. A big thankyou to Bhai Prabjot Singh for hosting this podcast and Bhai Mandhir Singh for sharing their gems of knowledge!

This week on the SheerLuxe Vodcast, Charlotte Collins is joined by Hodge and Federica Labanca. First they catch up on everything they're loving on TV right now – from the new season of The White Lotus to Apple TV's The Studio and Amazon Prime's Last One Laughing. They also share some other cultural recommendations, including Emily Austen's book, Smarter, Famous Last Words by Gillian McAllister and the new Grayson Perry exhibition at The Wallace Collection. The three then go on to discuss the recent BTS at NET-A-PORTER and a SheerLuxe April Fool's prank that involved Pip getting a tattoo… Finally, they dissect this week's hot topics and share their takes on the latest film releases, including the Beatles biopics, Anora, The Brutalist and Black Bag… Subscribe For More | http://bit.ly/2VmqduQ Get SheerLuxe Straight To Your Inbox, Daily | http://sheerluxe.com/signup Congratulations to Lauren Pluguez for winning the Our Place bundle. Please email podcast@sheerluxe.com with your details and colour choice so we can send it your way!COMPETITION | Fenty BeautyTo enter, please leave a comment below stating why you love the SL podcast! We will then pick a winner. Please read the T&Cs before entering.* Terms & Conditions: The entrant must be 18 or over to enter, and it is only valid to UK entrants. Only one entry per person. No alternative cash or otherwise to the stated prizes are available. SheerLuxe is not responsible for and will not offer any compensation, financial or otherwise, for any loss, damage or disappointment arising if the prize is not fulfilled by the providing company for any reason whatsoever. PANELCharlotte Collins | @charlotteleahcollins | https://www.instagram.com/charlotteleahcollins/ Federica Labanca | @federica.labanca | https://www.instagram.com/federica.labanca/ Hodge Templeman | @sarahjtempleman | https://www.instagram.com/sarahjtempleman/ AD | Dune London | https://www.dunelondon.com/ Hosted on Acast. See acast.com/privacy for more information.

This week on the SheerLuxe Vodcast, Charlotte Collins is joined by Hodge and Federica Labanca. First they catch up on everything they're loving on TV right now – from the new season of The White Lotus to Apple TV's The Studio and Amazon Prime's Last One Laughing. They also share some other cultural recommendations, including Emily Austen's book, Smarter, Famous Last Words by Gillian McAllister and the new Grayson Perry exhibition at The Wallace Collection. The three then go on to discuss the recent BTS at NET-A-PORTER and a SheerLuxe April Fool's prank that involved Pip getting a tattoo… Finally, they dissect this week's hot topics and share their takes on the latest film releases, including the Beatles biopics, Anora, The Brutalist and Black Bag… Subscribe For More | http://bit.ly/2VmqduQ Get SheerLuxe Straight To Your Inbox, Daily | http://sheerluxe.com/signup Congratulations to Lauren Pluguez for winning the Our Place bundle. Please email podcast@sheerluxe.com with your details and colour choice so we can send it your way!COMPETITION | Fenty BeautyTo enter, please leave a comment below stating why you love the SL podcast! We will then pick a winner. Please read the T&Cs before entering.* Terms & Conditions: The entrant must be 18 or over to enter, and it is only valid to UK entrants. Only one entry per person. No alternative cash or otherwise to the stated prizes are available. SheerLuxe is not responsible for and will not offer any compensation, financial or otherwise, for any loss, damage or disappointment arising if the prize is not fulfilled by the providing company for any reason whatsoever. PANELCharlotte Collins | @charlotteleahcollins | https://www.instagram.com/charlotteleahcollins/ Federica Labanca | @federica.labanca | https://www.instagram.com/federica.labanca/ Hodge Templeman | @sarahjtempleman | https://www.instagram.com/sarahjtempleman/ AD | Dune London | https://www.dunelondon.com/ Hosted on Acast. See acast.com/privacy for more information.

The celebrated artist, Sir Grayson Perry, has a new exhibition of work, Delusions of Grandeur, made in direct response to the masterpieces at the Wallace Collection in London (until 26th October). He candidly admits he initially found the Collection's opulence difficult to work with, until he created an alter-ego artist, Shirley, who was inspired by the aesthetic.In recent years museums and art galleries have become a regular battleground in the culture wars. One of today's anti-woke warriors is the writer Lionel Shriver. Her latest satirical novel, Mania, imagines a world where intellectual meritocracy is heresy; the words 'stupid' and 'smart' are no longer acceptable, and novels like The Idiot and My Brilliant Friend are banned.In Shriver's imaginative world language and thought is heavily policed, speech is free only if it doesn't offend. The academic Fara Dabhoiwala has written about the emergence of this contested idea, in What Is Free Speech? He shows in the shifting story of the last three hundred years that freedom of speech is not an absolute from which different societies have drifted or dissented, but a much more mercurial, complicated matter.Producer: Katy Hickman

For our review programme Tom Sutcliffe is joined by critics Dorian Lynskey and Briony Hanson. They are looking at: New comedy series The Studio, set in Hollywood and starring Seth Rogan and Catherine O'Hara. Delusions of Grandeur, Grayson Perry's new exhibition where he selects items from the Wallace Collection, adds 40 new works and a new alter ego. And the film La Cocina, which gives an insight into the drama of a bustling New York Times Square restaurant kitchen where the largely illegal immigrant workers are serving up to 3000 covers a day. Plus an assessment of Netflix's most viewed limited series ever, Adolescence.Presenter: Tom Sutcliffe Producer: Claire Bartleet

Matthew Bannister onThe comedian and actor Tony Slattery. Sir Stephen Fry reflects on his friend's talent – and struggle with addiction and poor mental health. Dame Rosalind Savill, the respected director who brought new audiences to the Wallace Collection in London.Paddy Hill, one of six men wrongly convicted of carrying out pub bombings in Birmingham in 1974. Noreen Riols, who helped to train S.O.E. agents for undercover work during the Second World WarProducer: Ed PrendevilleArchive: Birmingham Six Case Reopens, BBC News, 1990; Release of the Birmingham Six, BBC News, 1991; Hard Talk, BBC, 2000; BBC Radio 4, 1974; Anti-IRA Marches, BBC News,1974; Whose Line Is It Anyway? Theme Tune composed by Philip Pope; Whose line is it Anyway?, Season6 Episode 6, A Hatrick Production, C4 Television Corporation; Whose line is it Anyway?, Season7 Episode 1, A Hatrick Production, C4 Television Corporation; The Cambridge Footlights Revue, 20/05/1982; STEPHEN FRY:THE SECRET LIFE OF THE MANIC DEPRESSIVE, 23/08/2007; What's the Matter with Tony Slattery, 05/06/2020!; Saturday Live, 31/08/2013; History: Secret Agent, 08/01/2001; Witness History, Secret Operations Executive. 05/09/2013; Masterclass Sèvres Porcelain, with Dame Rosalind Savill, Colnaghi Foundation, YouTube upload, 15/05/2020; The Wallace Collection, YouTube, upload, 01/10/2009; A Beautiful Thing: A Passion for Porcelain, BBC, 18/06/2013

Prepare for an explosive journey into the heart of medieval misconceptions in this fiery episode of History Rage. Host Paul Bavill is joined by the formidable Dr. Tobias Capwell, historian, author, jouster, and former curator of arms and armour at the Wallace Collection. Together, they dismantle the myths surrounding knights and their armour, revealing the truth behind the legends.The Truth About Armour:- Dr. Capwell debunks the pervasive myth that medieval armour was unbearably heavy, explaining its practical design and the rigorous training knights underwent to master its use.- Discover the reality of medieval knights' mobility and the misconceptions about their need for cranes to mount horses, which Dr. Capwell traces back to Victorian stage plays.Knights in Action:- Hear about Dr. Capwell's personal experiences in jousting and how modern armour compares to historical examples, shedding light on the physical demands and engineering marvels of medieval armour.- Learn about the rigorous training regimes of knights and how their bodies adapted to the demands of wearing and fighting in armour from a young age.Myth vs. Reality:- Explore the impact of popular culture on our understanding of medieval knights, from Victorian misconceptions to Hollywood's creative liberties, and how these have shaped modern perceptions.- Dr. Capwell discusses the importance of respecting historical source material and the dangers of modern interpretations that disregard the true context of medieval life. Join us as Dr. Tobias Capwell takes up the mantle to correct the record on medieval knights and their armour, offering a fascinating glimpse into the world of chivalry and combat. For more insights, visit Dr. Capwell's academia website and follow him on Instagram at @TobiasCapwell.Support the rage that fuels our historical deep dives at patreon.com/historyrage, and don't forget to leave us a review on Apple Podcasts, Podchaser, or Amazon. Stay informed, stay passionate, and let the rage for truth in history rage on! To catch up on all the rage from bygone times go to the website www.historyrage.comIf you want to get in touch with History Rage then email historyragepod@gmail.comFollow History Rage on Social MediaFacebook: https://www.facebook.com/HistoryRageTwitter: https://twitter.com/HistoryRageInstagram: https://www.instagram.com/historyrage/Bluesky: https://bsky.app/profile/historyrage.bsky.social Hosted on Acast. See acast.com/privacy for more information.

Marylebone is an ideal destination for a solo woman in midlife seeking sophistication and relaxation. The charming neighborhood offers boutique shops, cozy cafes, and independent bookstores, perfect for a leisurely exploration. You can unwind at a renowned wellness spa or enjoy fine dining at elegant restaurants. With cultural attractions like the Wallace Collection and nearby Regent's Park, Marylebone provides the perfect blend of culture, tranquility, and independence.//WHEN YOU'RE READY, HERE'S HOW I CAN HELP YOUJOIN THE VIP BOOK WAITLIST https://sharriharmel.com/Instagram: https://www.instagram.com/sharriharmel/Facebook Group: https://www.facebook.com/groups/273197629997812

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠★ Join the Ramblings of a Sikh YouTube Channel ★ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠★ Support this podcast on Patreon ★ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠★ Buy this podcast a coffee ★⁠⁠ Discover the legendary life of Maharaja Ranjit Singh, the iconic Sikh warrior and king, in this insightful video featuring co-curator Davinder Singh Toor.

Greg digs up a Belgian pop song from 1969 that became a popular sample amongst musicians for decades.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode of the Anglotopia podcast, historian and author Katherine Carter offers a fascinating look into her new book, Churchill’s Citadel, which examines Winston Churchill’s pivotal “wilderness years” of the 1930s. Katherine shares her lifelong passion for history and her journey to becoming Chartwell's curator, diving into how this beloved Kent home became Churchill's personal headquarters for intelligence gathering and diplomacy. She reveals the unique domestic life at Chartwell, with its lively gatherings, memorable overnight guests like T.E. Lawrence, and Churchill's meticulous attention to detail—even down to the design of the dining chairs. The discussion explores Churchill's resilience and isolation as he warned of the Nazi threat, Clementine Churchill’s critical role in managing their household and finances, and the support of staff who endured Churchill's famously rigorous schedule. Katherine also touches on the financial ups and downs that marked the Churchills' lives, their strategic return to Chartwell after WWII, and the special steps taken to protect the home during the war. Finally, she hints at an exciting upcoming art exhibition at the Wallace Collection that will showcase Churchill's work as a painter, bringing new depth to this extraordinary leader's life. We’re running a giveaway until the end of the month with two copies to give away. Links Churchill’s Citadel Contest Buy Churchill’s Citadel Chartwell National Trust Katherine Carter on Twitter Join the International Churchill Society Key Takeaways Katherine Carter’s passion for history began in her childhood in York. The 1930s were crucial for Churchill, as he was a lone voice against the tide of appeasement. Chartwell served as Churchill’s headquarters for diplomacy and intelligence gathering. The abdication crisis highlighted Churchill’s support for the monarchy. Notable visitors to Chartwell included influential figures like T.E. Lawrence and Heinrich Brüning. Churchill’s dinner parties were a blend of fine cuisine and political strategy. Clementine Churchill played a vital role in managing Chartwell and their household. Churchill’s financial struggles impacted his ability to maintain Chartwell. The upcoming exhibition at the Wallace Collection will focus on Churchill’s artistry. Katherine’s research revealed the human side of Churchill’s domestic life. Sound Bites On Churchill’s early inspiration: “The 1930s are just as, if not possibly even more important [than WWII] because it's so much harder fighting for a cause when you are a lone voice… Churchill really was going out on a limb declaring that war was inevitable and we should be preparing for it.” Chartwell as Churchill’s strategic hub: “Chartwell becomes like his own branch of the Foreign Office out in Kent… they chose the 1930s as the period to immortalize, recognizing that as its moment of greatest historic significance.” The significance of the visitor's book: “There's over 750 signatories from the 40 years the Churchills lived there… I wanted to interrogate everyone who came, whether they were a dine, wine, and dined guest or someone just quickly running in for the afternoon with a brown envelope of intelligence.” On Churchill's unique social diplomacy: “Dinner at Chartwell… you’d have fine cuisine, excellent champagne, and discussion until midnight. Churchill would either be gleaning insights from you or trying to persuade you to his way of thinking.” Chartwell’s intimate charm: “It's not a grand house. There are grander houses in England… but it's a microcosm of everything he required. It feels very intimate, like you’re walking around in Churchill’s head.” On Churchill’s resilience and purpose: “His courage to remain true to what he thought was right is truly inspirational… even with the political pressure and fear of war, Churchill held firm to his beliefs.” Chapters 00:00 Introduction to Katherine Carter and Churchill’s Citadel 03:07 Katherine’s Journey into History and Churchill 05:57 The Significance of the 1930s in Churchill’s Life 09:08 Chartwell: The Heart of Churchill’s Diplomacy 11:49 The Abdication Crisis and Chartwell’s Role 15:04 Notable Visitors and Their Impact on Churchill 17:46 Domestic Life at Chartwell: Balancing Diplomacy and Family 21:05 The Challenges of Writing and Researching Churchill’s Life 24:02 Clementine Churchill: The Backbone of Chartwell 26:58 Chartwell as Churchill’s Ideal Domain 30:08 The Financial Struggles of the Churchills 32:57 Churchill’s Connection to Chartwell During WWII 36:14 Lessons from Churchill’s Resilience 39:07 The Upcoming Churchill Art Exhibition 42:10 Fun Questions: Churchill’s Favorite Memories and Quotes

In this episode of the Anglotopia podcast, historian and author Katherine Carter offers a fascinating look into her new book, Churchill's Citadel, which examines Winston Churchill's pivotal “wilderness years” of the 1930s. Katherine shares her lifelong passion for history and her journey to becoming Chartwell's curator, diving into how this beloved Kent home became Churchill's personal headquarters for intelligence gathering and diplomacy. She reveals the unique domestic life at Chartwell, with its lively gatherings, memorable overnight guests like T.E. Lawrence, and Churchill's meticulous attention to detail—even down to the design of the dining chairs. The discussion explores Churchill's resilience and isolation as he warned of the Nazi threat, Clementine Churchill's critical role in managing their household and finances, and the support of staff who endured Churchill's famously rigorous schedule. Katherine also touches on the financial ups and downs that marked the Churchills' lives, their strategic return to Chartwell after WWII, and the special steps taken to protect the home during the war. Finally, she hints at an exciting upcoming art exhibition at the Wallace Collection that will showcase Churchill's work as a painter, bringing new depth to this extraordinary leader's life. We're running a giveaway until the end of the month with two copies to give away. Links Churchill's Citadel Contest Buy Churchill's Citadel Chartwell National Trust Katherine Carter on Twitter Join the International Churchill Society Key Takeaways Katherine Carter's passion for history began in her childhood in York. The 1930s were crucial for Churchill, as he was a lone voice against the tide of appeasement. Chartwell served as Churchill's headquarters for diplomacy and intelligence gathering. The abdication crisis highlighted Churchill's support for the monarchy. Notable visitors to Chartwell included influential figures like T.E. Lawrence and Heinrich Brüning. Churchill's dinner parties were a blend of fine cuisine and political strategy. Clementine Churchill played a vital role in managing Chartwell and their household. Churchill's financial struggles impacted his ability to maintain Chartwell. The upcoming exhibition at the Wallace Collection will focus on Churchill's artistry. Katherine's research revealed the human side of Churchill's domestic life. Sound Bites On Churchill's early inspiration: "The 1930s are just as, if not possibly even more important [than WWII] because it's so much harder fighting for a cause when you are a lone voice… Churchill really was going out on a limb declaring that war was inevitable and we should be preparing for it." Chartwell as Churchill's strategic hub: "Chartwell becomes like his own branch of the Foreign Office out in Kent… they chose the 1930s as the period to immortalize, recognizing that as its moment of greatest historic significance." The significance of the visitor's book: "There's over 750 signatories from the 40 years the Churchills lived there… I wanted to interrogate everyone who came, whether they were a dine, wine, and dined guest or someone just quickly running in for the afternoon with a brown envelope of intelligence." On Churchill's unique social diplomacy: "Dinner at Chartwell… you'd have fine cuisine, excellent champagne, and discussion until midnight. Churchill would either be gleaning insights from you or trying to persuade you to his way of thinking." Chartwell's intimate charm: "It's not a grand house. There are grander houses in England… but it's a microcosm of everything he required. It feels very intimate, like you're walking around in Churchill's head.” On Churchill's resilience and purpose: "His courage to remain true to what he thought was right is truly inspirational… even with the political pressure and fear of war, Churchill held firm to his beliefs." Chapters 00:00 Introduction to Katherine Carter and Churchill's Citadel 03:07 Katherine's Journey into History and Churchill 05:57 The Significance of the 1930s in Churchill's Life 09:08 Chartwell: The Heart of Churchill's Diplomacy 11:49 The Abdication Crisis and Chartwell's Role 15:04 Notable Visitors and Their Impact on Churchill 17:46 Domestic Life at Chartwell: Balancing Diplomacy and Family 21:05 The Challenges of Writing and Researching Churchill's Life 24:02 Clementine Churchill: The Backbone of Chartwell 26:58 Chartwell as Churchill's Ideal Domain 30:08 The Financial Struggles of the Churchills 32:57 Churchill's Connection to Chartwell During WWII 36:14 Lessons from Churchill's Resilience 39:07 The Upcoming Churchill Art Exhibition 42:10 Fun Questions: Churchill's Favorite Memories and Quotes

We've learned how freeing travel can be, so let's visit The Wallace Collection and Oxford Street in London together. It's the perfect blend of inspiration and rejuvenation for your next chapter in midlife. At The Wallace Collection, timeless art might spark a new passion, while Oxford Street's energy invites you to embrace change and self-care. At the end, we'll take a moment to enjoy a couple of beautiful paintings I found along the way.//WHEN YOU'RE READY, HERE'S HOW I CAN HELP YOUJOIN THE VIP BOOK WAITLIST https://sharriharmel.com/Instagram: https://www.instagram.com/sharriharmel/Facebook Group: https://www.facebook.com/groups/273197629997812

Join us for an insightful conversation with Davinder Toor, a renowned Sikh artefact collector and expert on Maharaja Ranjit Singh's incredible legacy. In this episode, we explore rare artefacts, untold stories, and the inspiring journey of preserving Sikh heritage.What To Expect

Now for a roundup of accessible arts events as RNIB Connect Radio's Toby Davey catches up with Jess Beal from VocalEyes, the national audio description charity providing access to the arts for blind and partially sighted people to share some of the accessible events that are featured in their regular email newsletter. Audio described shows and events included: Evening Audio Described Tour: Ranjit Singh - Friday 27 September, 5.30pm, the Wallace Collection, London Akram Khan's Giselle - Saturday 28 September, 2.30pm, touch tour 12.45pm, Sadler's Wells, London English Touring Opera: The Snowmaiden - Friday 4 October, 7.30pm, Hackney Empire, London. Saturday 26 October, 7.30pm, Buxton Opera House Dear Evan Hansen - Saturday 5 October, 2.15pm, touch tour 12.45pm, Curve Theatre, Leicester War Horse - Monday 14 October, 7.30pm, touch tour 6pm, Mayflower Theatre, Southampton. Thursday 31 October, 7.30pm, touch tour TBC, Marlowe Theatre, Canterbury. To find out more about these and other up-coming described arts events as well as details about how to sign up to the regular What's On email newsletter do visit the VocalEyes website - https://vocaleyes.co.uk (Image shows the VocalEyes logo. A speech bubble with 'VOCALEYES' written in bold black letters next to it)

Enlightenment publications on human anatomy changed the way artists understood their place in the world. Check out these examples of life-changing images brought to you by prints in books!   In s2e31 of Platemark's History of Prints series, Tru and Ann continue their discussion of the Enlightenment. This time they look at several publications that put forward new discoveries about human anatomy: William Hunter's The Anatomy of the Human Gravid Uterus, Bernhard Siegfried Albinus' Tabulae sceleti et musculorum corporis humani, and Jacques Fabien Gautier d'Agoty's Myologie complette en couleur et grandeur naturelle. They conclude with Denis Diderot's Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers, a 17-volume tome that attempted to define and codify all of human knowledge.   At the end of the episode, Ann and Tru wax philosophical about how incredible this blossoming of human knowledge is, and how talking about it makes each of them think about our place as humans on the planet. It gets a bit deep, but worthwhile. A. Hadamart. Exhibition of the Royal Academy of Painting and Sculpture in the Grande Galerie of the Louvre, 1699. Engraving. Gabriel de Saint-Aubin (French, 1724–1780). Vue du Louvre en l'année 1753, 1753. Etching. Plate: 5 13/16 x 7 1/8 in. (14.8 x 18.1 cm.); sheet: 6 ¼ x 7 5/8 in. (15.8 x 19.3 cm.). Metropolitan Museum of Art, New York. Pietro Antonio Martini (Italian, 1738–1797). View of the Salon of 1785, 1785. Etching. Plate: 10 7/8 x 19 1/8 in. (27.6 x 48.6 cm.); sheet: 14 1/4 x 20 3/4 in. (36.2 x 52.7 cm.). Metropolitan Museum of Art, New York. Pietro Antonio Martini (Italian, 1738–1797). View of the Salon of 1787, 1787. Etching. Plate: 12 11/16 x 19 5/16 in. (32.2 x 49.1 cm.); sheet: 14 x 19 3/4 in. (35.6 x 50.2 cm.). Metropolitan Museum of Art, New York. Pietro Antonio Martini (Italian, 1738–1797), after Johann Heinrich Ramberg (German, 1763–1840). The Exhibition of the Royal Academy 1787, 1787. Engraving. Plate: 36.1 x 49.9 cm. British Museum, London. Jacques-Louis David (French, 1748–1825). The Oath of the Horatii, 1784/85. Oil on canvas. 10.8 x 13.9 ft. Louvre Museum, Paris. Sir Joshua Reynolds (British, 1723–1792). Lady Sarah Bunbury Sacrificing to Graces, 1765. Oil on canvas. 242.6 × 151.5 cm. (95 1/2 × 59 3/4 in.). Art Institute of Chicago. Sir Joshua Reynolds (British, 1723–1792). Lord Heathfield of Gibraltar, 1787. Oil on canvas. 142 x 113.5 cm. National Gallery, London. Pietro Antonio Martini (Italian, 1738–1797). Salon de 1787: view of the Salon Carre at the Louvre during the painting exhibition in Paris, 1852. Engraving. From Frank Leslie's Popular Monthly. Jean-Antoine Houdon (French, 1741–1828). Voltaire Seated, 1781. Terra-cotta. 120 cm. tall. Musée Fabre, Montpellier. Jean Honoré Fragonard (French, 1732–1806). Les hasards heureux de l'escarpolette (The Swing), c. 1767–68. Oil on canvas. 81 x 64.2 cm. The Wallace Collection, London. Jean-Antoine Houdon (French, 1741–1828). Benjamin Franklin, 1778. Marble. 23 1/8 × 14 1/2 × 11 1/4 in. Metropolitan Museum of Art, New York. Rembrandt (Dutch, 1606–1669). The Anatomy Lesson of Dr. Nicolaes Tulp, 1632. Oil on canvas. 216.5 × 169 ½ cm. (85 1/4 × 66 5/8 in.). Mauritshuis, The Hague. William Hunter (British, 1718–1783). Title page from The Anatomy of the Human Gravid Uterus. Birmingham: John Baskerville, 1774. Jan van Rymsdyk (Dutch, c. 1730–1790). Plate VI from The Anatomy of the Human Gravid Uterus. London: S. Baker & G. Leigh, 1774. Engraving. Leonardo da Vinci (Italian, 1452–1519). Sketchbook page: the fetus in the womb, c. 1511. Black and red chalk, pen and brush and ink. The Royal Collection. Leonardo da Vinci (Italian, 1452–1519). Sketchbook page: the female genetalia and fetus in the womb, c. 1511. Black and red chalk, pen and brush and ink. The Royal Collection. Johann Zoffany (German, 1733–1810). William Hunter Lecturing, 1770–72. Oil on canvas. Royal College of Physicians, London. Roman copy of Greek marble. The Dying Gaul, late 3rd century BCE. Marble. Capitoline Museums, Rome. William Pink (British, 1809–1857), after Agostini Carlini (British, born Italy, c. 1718–1790). Smugglerius, c. 1834. Plaster. Royal Academy of Arts, London. Thomas Banks (British, 1735–1805). Anatomical Crucifixion (James Legg), 1801. Plaster cast. Royal Academy of Arts, London. Bernhard Siegfried Albinus (Dutch, born German, 1697–1770). Title page from Tabulae sceleti et musculorum corporis humani. London: H. Woodfall, 1749. Bernhard Siegfried Albinus (Dutch, born German, 1697–1770). Page from Tabulae sceleti et musculorum corporis humani. London: H. Woodfall, 1749. Bernhard Siegfried Albinus (Dutch, born German, 1697–1770). Page from Tabulae sceleti et musculorum corporis humani. London: H. Woodfall, 1749.  Bernhard Siegfried Albinus (Dutch, born German, 1697–1770). Page from Tabulae sceleti et musculorum corporis humani. London: H. Woodfall, 1749. Bernhard Siegfried Albinus (Dutch, born German, 1697–1770). Page from Tabulae sceleti et musculorum corporis humani. London: H. Woodfall, 1749. Jacques Fabien Gautier d'Agoty (French, 1716–1785). Plate from Myologie complette en couleur et grandeur naturelle. Paris: Gautier, Quillau, Lamesle, 1746.  Jacques Fabien Gautier d'Agoty (French, 1716–1785). Plate from Myologie complette en couleur et grandeur naturelle. Paris: Gautier, Quillau, Lamesle, 1746.  Leonardo da Vinci (Italian, 1452–1519). Sketchbook page, c. 1511. Black and red chalk, pen and brush and ink. The Royal Collection.  Jacques Fabien Gautier d'Agoty (French, 1716–1785). Plate from Anatomy of the head, in printed images, representing the natural appearance of the brain at different levels, the distribution of the vessels, the sensory organs and part of the nervous system; taken from dissected and prepared portions of the subjects, 1748. Wellcome Library Collection, London. Jacques Fabien Gautier d'Agoty (French, 1716–1785). Plate from Exposition anatomique des organes des sens. Paris: Demonville, 1775.  Jacques Fabien Gautier d'Agoty (French, 1716–1785). Plate from Exposition anatomique des organes des sens. Paris: Demonville, 1775.  Jacques Fabien Gautier D'Agoty (1717–1785). Plate from Anatomie générale des viscères. Paris: 1752. Jacques Fabien Gautier d'Agoty (French, 1716–1785). Plate from Anatomy of the head, in printed images, representing the natural appearance of the brain at different levels, the distribution of the vessels, the sensory organs and part of the nervous system; taken from dissected and prepared portions of the subjects, 1748. Wellcome Library Collection, London. Jacques Fabien Gautier D'Agoty (1717–1785). Plate from Anatomie des parties de la génération de l'homme et de la femme. Paris, 1773.' Pregnant Woman Jean-Antoine Houdon (French, 1741–1828). Denis Diderot (1713–1784), 1773. Marble. Height (bust): 15 3/4 in. (40 cm.); height (stand): 4 11/16 in. (11.9 cm.). Metropolitan Museum of Art, New York. Denis Diderot (French, 1713–1784) and Jean le Rond d'Alembert (French, 1717–1783). Title page and frontispiece from Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers. Paris: André le Breton, Michel-Antoine David, Laurent Durant, and Antoine-Claude Briasson, 1751–72. Denis Diderot (French, 1713–1784) and Jean le Rond d'Alembert (French, 1717–1783). Plate from Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers. Paris: André le Breton, Michel-Antoine David, Laurent Durant, and Antoine-Claude Briasson, 1751–72. Anatomy pages from the Encyclopedia Britannia, 1963. Flags pages from the Encyclopedia Britannia, 1963. Denis Diderot (French, 1713–1784) and Jean le Rond d'Alembert (French, 1717–1783). Plate from Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers. Paris: André le Breton, Michel-Antoine David, Laurent Durant, and Antoine-Claude Briasson, 1751–72. Denis Diderot (French, 1713–1784) and Jean le Rond d'Alembert (French, 1717–1783). Plate from Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers. Paris: André le Breton, Michel-Antoine David, Laurent Durant, and Antoine-Claude Briasson, 1751–72. Denis Diderot (French, 1713–1784) and Jean le Rond d'Alembert (French, 1717–1783). Plate from Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers. Paris: André le Breton, Michel-Antoine David, Laurent Durant, and Antoine-Claude Briasson, 1751–72. Denis Diderot (French, 1713–1784) and Jean le Rond d'Alembert (French, 1717–1783). Plate from Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers. Paris: André le Breton, Michel-Antoine David, Laurent Durant, and Antoine-Claude Briasson, 1751–72. Denis Diderot (French, 1713–1784) and Jean le Rond d'Alembert (French, 1717–1783). Plate from Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers. Paris: André le Breton, Michel-Antoine David, Laurent Durant, and Antoine-Claude Briasson, 1751–72. Denis Diderot (French, 1713–1784) and Jean le Rond d'Alembert (French, 1717–1783). Plate from Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers. Paris: André le Breton, Michel-Antoine David, Laurent Durant, and Antoine-Claude Briasson, 1751–72. Denis Diderot (French, 1713–1784) and Jean le Rond d'Alembert (French, 1717–1783). Plate from Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers. Paris: André le Breton, Michel-Antoine David, Laurent Durant, and Antoine-Claude Briasson, 1751–72. Denis Diderot (French, 1713–1784) and Jean le Rond d'Alembert (French, 1717–1783). Plate from Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers. Paris: André le Breton, Michel-Antoine David, Laurent Durant, and Antoine-Claude Briasson, 1751–72. Denis Diderot (French, 1713–1784) and Jean le Rond d'Alembert (French, 1717–1783). Plate from Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers. Paris: André le Breton, Michel-Antoine David, Laurent Durant, and Antoine-Claude Briasson, 1751–72. Denis Diderot (French, 1713–1784) and Jean le Rond d'Alembert (French, 1717–1783). Plate from Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers. Paris: André le Breton, Michel-Antoine David, Laurent Durant, and Antoine-Claude Briasson, 1751–72. Denis Diderot (French, 1713–1784) and Jean le Rond d'Alembert (French, 1717–1783). Plate from Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers. Paris: André le Breton, Michel-Antoine David, Laurent Durant, and Antoine-Claude Briasson, 1751–72. Denis Diderot (French, 1713–1784) and Jean le Rond d'Alembert (French, 1717–1783). Plate from Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers. Paris: André le Breton, Michel-Antoine David, Laurent Durant, and Antoine-Claude Briasson, 1751–72. Denis Diderot (French, 1713–1784) and Jean le Rond d'Alembert (French, 1717–1783). Plate from Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers. Paris: André le Breton, Michel-Antoine David, Laurent Durant, and Antoine-Claude Briasson, 1751–72. Francisco de Goya (Spanish, 1746–1828). Plate 43 from Los Caprichos: The sleep of reason produces monsters (El sueño de la razon produce monstruos), 1799. Etching and aquatint. Plate: 8 3/8 x 5 15/16 in. (21.2 x 15.1 cm.); sheet: 11 5/8 x 8 1/4 in. (29.5 x 21 cm.). Metropolitan Museum of Art, New York.

Captain Dan and Penny Lane bring you a show full of twists and surprises this week on Punks in Parkas!Hear tracks from the likes of Amy Winehouse, Wallace Collection, Irma Thomas and more!For more info and tracklisting, visit: https://thefaceradio.com/punks-in-parkasTune into new broadcasts of Punks In Parkas, Every Monday from Midday – 1 PM EST / 5 - 6 PM GMT//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

In this episode, guest Dr Xavier Bray, director of the Wallace Collection, describes the surprise hit exhibition in London in 2000: Seeing Salvation, Image of Christ, at the National Gallery. He shares his memories of being an assistant (and very junior) curator of the show and explains why images of Christ still resonate and matter. He talks about the impact of art on us and suggests what sort of exhibition the world perhaps needs at this troubled time. Further Reading:The Image of Christ: The Catalogue of the Exhibition "Seeing Salvation" (National Gallery of London) by Gabriele Finaldi (2000-11-10)Seeing Salvation by Neil MacGregor and Erika Langmuir (2000) Hosted on Acast. See acast.com/privacy for more information.

Hi Royal Community, Thank you for all your support during our break. We are missing you. In the meantime, we have heard from lots of you who have been asking about our archived episodes 11-71.... Well, whilst we take a break from weekly uploading, we have listened and decided to release those archived episodes that you have been asking for.  So, over the coming weeks, we will be re-releasing these episodes to keep you entertained. We hope you enjoy!   But....with re-released episodes comes caveats.... *Remember our opinions, beliefs and feelings may have changed on the subject since this originally aired.  **The information could have been updated, social handles and/or Royal titles changed, and our dearly beloved Queen Elizabeth II may possibly still have been alive when this was recorded so please note the time difference.  ***Episode 18 was recorded on the 7th July 2021 and first uploaded on the 9th July 2021.   As always please leave us a comment, email us or head to Instagram and get involved there.                                          ........................................... Podcast Retrospective Editing Mistake: At 27:48 when talking about The Princess Royal's engagement, please note that we made a mistake and Michelle mentions Ireland but this should be Northern Ireland. We are so sorry for this mistake. We have since educated ourselves for future/upcoming episodes.  In today's Royal Round-Up: We let you know abut our trip to London visiting The Wallace Collection, Lantana Elephants at Green Park and Kensington Palace for the Royal Style Exhibition featuring Diana, Princess of Wales wedding dress and visiting The Diana Statue for the first time at the Sunken Gardens. Queen Elizabeth II and The Princess Royal headed to the Edinburgh Climate Change institute where they arrived by hybrid Range Rover and we had two treebilees and one plaque attack! Queen Elizabeth II welcomed Chancellor of the federal republic of Germany, Dr. Angela Merkel at Windsor Castle. The Queen visits Coronation street to celebrate their 60th Anniversary The Royals heads to Wimbledon Catherine self-isolates for ten days Prince William celebrates the 73rd anniversary of the National Health Service with a garden party in Buckingham Palace and a service at St Paul's Cathedral. Queen Elizabeth II awarded the NHS with the George Cross for the collective service during the Covid Pandemic. Only three awards have been awarded for collective work including the Country of Malta and the Ulster Constabulary respectively  Prince William headed to the England v Denmark football match and rubbed shoulders with members of the Denmark Royal family. Lady Louise competed at the Windsor Horse Show Sophie, Countess of Wessex rode a tandem bike in aid of Vision Foundation Sophie and Princess Alexandra had a joint engagement visiting  the Guide Dogs for the Blind and Windmill City Farm We chat Princess Alexandra facts  And, in our Royal News: The Prince of Wales and the Duchess of Cornwall head to Wales for ‘Wales Week'. They visited: The budget supermarket in Iceland in Wrexham Wachartt Vaccine factory Tested the water at St Winifreds Well in Flintshire Charlies took the River simples Racer Car for a test drive Camilla visited the Hay Festival Llantrisant Guild Hall Heritage Centre built in 1346 Llanich vineyard for their 10th anniversary for a treebilee and plaque attack And, listed the Welsh College of Music and Drama Charles has his own Spotify playlist! And finally visited the Macmillan Cancer Support   The Princess Royal makes the Royal News. She visited: Aintrum Castle Gardens to award them the Queen's Award for Voluntary Service The Hillsborough Castle where a reception was held for volunteers and charitable organisations. Also, she saw the Northern Ireland centenary Rose. The Thames Tideway tunnel and turned the last bolt to complete the project Anne received the lifetime achievement award of the City of London Livery Club   

The convicted art fraudster Inigo Philbrick is out of prison and possibly seeking a return to art dealing. How is that possible? Tim Schneider, The Art Newspaper's acting art market editor, tells us about Philbrick's story, why the art trade is a natural habitat for fraud, and why a criminal past need not lead to art-world banishment. In the wake of the first Art Basel Hong Kong art fair to take place after the newly instated Article 23 security law, our associate digital editor Alexander Morrison talks to our correspondent in China, Lisa Movius, about the law's impact on artists, museums and others in the art world now and in the future. And this episode's Work of the Week is a sword associated with Ranjit Singh, the Maharaja who is the subject of a major exhibition opening next week at the Wallace Collection in London. Davinder Toor, the co-curator of the show, tells us more.Ranjit Singh: Sikh, Warrior, King, Wallace Collection, London, 10 April-20 October Hosted on Acast. See acast.com/privacy for more information.

This painting is the last of six paintings that make up Titian's extraordinary “Poesie” series for King Philip II of Spain. Of all six, it is in the worst state of conservation and went through major compositional changes while it was being painted. Nevertheless, the “Perseus and Andromeda” is an important work of beauty, innovation, and visual interpretation of a classical literary source. 

Synopsis Today we offer a special “Gong Show” edition of the Composer's Datebook. On today's date in 1791, at the height of the French Revolution, the Panthéon in Paris was converted into a mausoleum for national heroes, and the first to be interred there, with great pomp and ceremony, was Honoré Gabriel Riqueti, Comte de Mirabeau, a tremendously popular personage of the day. For dramatic effect during the Count's funeral procession through the streets of Paris, French composer François Joseph Gossec added an unusual percussion instrument to his funereal wind band: an exotic instrument someone had brought to Paris from the Far East, and known as—you guessed it—the gong. It was reported that whenever the gong was struck during Mirabeau's funeral procession, cries of terror and fright were heard from the crowd that lined the Parisian streets as the cortège passed. Now terror and fright are bread and butter in the world of grand opera, and so the gong soon was adopted by 19th century composers like Spontini, Meyerbeer, and Wagner, and, in the 20th century, composers like Puccini, Stravinsky, Stockhausen, and George Crumb have also used gongs to—pardon the pun—striking effect! Music Played in Today's Program François-Joseph Gossec (1734 – 1829) Marche lugubre The Wallace Collection; John Wallace, cond. Nimbus 5175

In the wait for season two, This is History Plus will be releasing interviews with some of Dan's favourite historians, talking all things Plantagenet.  In this episode, Dan is joined by Tobias Capwell to talk about what it was really like to be a knight. Tobias, a seasoned jouster himself, and Curator of Arms and Armour at the Wallace Collection, discusses how knights trained and why the concept of chivalry became important in the twelfth century.  There will be plenty more on This is History Plus, to get access go to apple podcasts and click ‘try free', or visit thisishistorypod.com.  And the next chapter of the Plantagenet saga will return on this feed in the New Year.  Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts  To bring your brand to life in this podcast, email podcastadsales@sonymusic.com  Presented by Dan Jones Producer - Elly Lazarides Series Producer - Georgia Mills Executive  Producer -  Dave Anderson Production Manager - Jen Mistri Engineer - Gulliver Lawrence-Tickell Learn more about your ad choices. Visit megaphone.fm/adchoices

This is an episode for arms and armour enthusiasts, Ricardians, and those interested in the magic of movie-making. Host Ploy Radford interviews Dr Toby Capwell from the Wallace Collection about their temporary exhibition linked to 'The Lost King' movie about Richard III. Learn about the art of creating armour for film, what would Richard III have actually worn to that fateful battle and what modern archaeology tells us about whether he was betrayed or not...

Explore one of the great collections of 18th furniture and decorative arts.

First opening at the Metropolitan Museum of Art in December 2021 and then moving to the Wallace Collection where it is now on view, Inspiring Walt Disney: The Animation of French Decorative Arts has proven to be a critical success and a crowd-pleasing exhibition in both New York and London. It is the result of the close collaboration between the two museums across several departments, and with the Walt Disney Animation Research Library, and above all between the two curators. In this panel, Wolf Burchard and Helen Jacobsen discuss the project and the many years of working together to bring the exhibition to life. They will be joined by British theatre designer Tom Piper, one of the designers behind the Wallace Collection's version of the show, who brings his own experience of collaborating with museums to the conversation. Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

Join Anne Rowe and Miles Leeson as they guide you around London's Wallace Collection, stopping off to discuss three key paintings that feature in Murdoch's novels: Hal's Laughing Cavalier, Titian's 'Perseus and Andromeda', and Rembrandt's 'Titus, the Artist's Son'. These feature in her first novel 'Under the Net' and her Booker Prize-winning 'The Sea, The Sea', respectively. You can view them here: https://www.wallacecollection.org/art/exhibitions-displays/past-exhibitions/frans-hals-the-male-portrait/ https://wallacelive.wallacecollection.org/eMP/eMuseumPlus?service=ExternalInterface&module=collection&objectId=65351&viewType=detailView https://www.wallacecollection.org/art/collection/collection-highlights/titus-artists-son/ Anne Rowe is Visiting Professor at the Iris Murdoch Research Centre at the University of Chichester. Her many books include the first work on Murdoch and Art 'The Visual Arts and the Novels of Iris Murdoch', as well as 'Iris Murdoch' in the Writers and their Work Series.

Today I'm so happy to be talking to Karly Allen about her work. We're talking about how mindfulness can help us to connect with and engage with art, how we can bring mindfulness practices to the experience of drawing.  Karly Allen is a UK-based gallery educator, drawing tutor and mindfulness teacher. She has worked for the National Gallery, London, over the past 20 years and has taught widely for UK art collections including the National Portrait Gallery, Wallace Collection and Royal Collection. In 2018, Karly co-foundedhttps://www.liminacollective.com/ ( Limina Collective) to bring mindfulness and reflection practices to museum and online spaces.   We explore how mindfulness and meditation practices, observation of the artwork and drawing interrelate with each other. And how drawing with mindfulness creates connections, opens us up to creativity and helps us to overcome any resistance we might have to drawing or the fear of the blank page. We talk extensively about the benefits and how it help us to tune into a mode of being being open, letting go of preconceptions and habitual patterns of looking.  Links Masterclass: Mona Lisa - Experiments in Drawing with Mindfulness Tuesday 19 July at 17.00 hrs CET This masterclass offers an experimental space to explore drawing and mindfulness, with Leonardo's iconic painting as our focus. Sign up here: https://buy.stripe.com/aEU00A3Th8pP1Wg5ks (https://buy.stripe.com/aEU00A3Th8pP1Wg5ks) https://buymeacoffee.com/clairebown (Support the Show) Find out more about Limina Collective and contact Karly via their website https://www.liminacollective.com (https://www.liminacollective.com) Join the https://liminacollective.us18.list-manage.com/subscribe?u=7703085289b8bfad27fbb899b&id=e09f01af3f (Limina Collective monthly newsletter ) Connect on Instagram: @limina_collective @karlykallen Limina Collective's exhibition audios for Manchester Art Gallery, 'Room to Breathe': https://manchesterartgallery.org/exhibitions-and-events/exhibition/room-to-breathe/ (https://manchesterartgallery.org/exhibitions-and-events/exhibition/room-to-breathe/) Limina Collective's series of films for the Royal Academy, 'A Slow Look': https://www.royalacademy.org.uk/articles/tag/slow-look (https://www.royalacademy.org.uk/articles/tag/slow-look) Limina Collective's film for The Wallace Collection, 'Taking Time to Look': https://www.youtube.com/watch?v=ZVp4h27aeos (https://www.youtube.com/watch?v=ZVp4h27aeos)

On this week's episode, Jonathan Miller says that whoever wins France's election on Sunday, the country is going to the dogs. (01:00) After, Cindy Yu says that China's online censors are struggling to suppress critics of the Shanghai lockdown. (07:47) And, to finish, Laura Freeman reviews a Walt Disney exhibition at the Wallace Collection. (12:06) Entries for this year's Innovator Awards, sponsored by Investec, are now open. To apply, go to: www.spectator.co.uk/innovator

"thanks to the restoration we're seeing things we couldn't see before"

"Fragonard is still misunderstood and under-appreciated as an artist"

"the elbow breaks out of the picture plane into our space"

"cigarettes, whiskey and wild, wild women"

"unforgettable and unmissable"

Episode 16 is our discussion with Jonathan Hodgetts, founder and owner of Wessex Tubas. This was our first international interview, and we can't thank him enough for taking the time to speak with us. We cover how and why he started Wessex, what their instrument designing process is like, and how they got into reproducing historical instruments such as the ophicleide and their brand new Over-the-Shoulder Eb Bass.Show notes for this episode are available at https://eabbpodcast.com/show-notes-2/. Music in this episode comes from Our Musical Past from the Library of Congress and The 8th GM Regiment Band. You can get in touch with us on social media, and by emailing us at eabb.podcast@gmail.com.If you like the show, the best way you can support us is by becoming a patron at https://www.patreon.com/eabbpodcast. We appreciate any support you feel compelled to give!Episode Structure:3:15 - Jonathan's musical background6:00 - British style brass bands8:39 - Orchestral and wind band playing12:42 - Founding of Wessex Tubas and initial instrument production18:09 - Expanding production, distribution, tweaking instrument designs20:35 - How Wessex got into producing historical instruments23:34 - Why Jonathan thinks historical instruments should be accessible to players25:06 - Timeline from design to product29:12 - Considerations before Wessex decides to design and produce an instrument33:46 - Wessex's OTS Eb Bass, how they decided to make it, the horn it was modeled after, and "quality of life" design improvements40:31 - Playing the new Wessex OTS Eb Bass41:53 - More on the OTS Eb Bass45:30 - Thoughts on reproducing historical instruments54:15 - Where you can find more information about Wessex, their OTS Eb Bass, and their other instruments56:19 - Show notes, social media, and our featured album for this episode: The Origin of the Species, The Wallace Collection

Indy is having trouble understanding a lot of what he and Mutt are finding around Orellana and his men, and guess what, so is returning guest Toby Capwell, curator of the Wallace Collection of medieval armor. Support us on Patreon: https://www.patreon.com/indianajonesminute Join us online at: http://www.indianajonesminute.com/ Facebook: https://www.facebook.com/groups/1011918448897040/