Podcast appearances and mentions of Wallace Collection

In this monthly episode of the Anglotopia Podcast, Jonathan Thomas returns with his August edition of What's On in London — and this one comes with a personal twist, because Jonathan will be in London himself later in the month. August is London's most contradictory month: the busiest tourist season of the year, a million-plus visitors, packed attractions and carnival streets — and yet simultaneously the month when Londoners themselves flee to Cornwall and France, leaving whole districts strangely quiet. Jonathan covers it all: the Notting Hill Carnival (August 30–31, its 60th anniversary this year, Europe's largest street festival, free entry); the major royal and historic building openings including Buckingham Palace State Rooms, Houses of Parliament summer tours, and the freshly restored Banqueting House reopening August 1st; London's brand new museum, Trent Park House of Secrets — just opened July 21st, telling the extraordinary wartime spy story that was kept under the Official Secrets Act for over 50 years; new West End openings including Jane Eyre the Musical and Kimberly Akimbo; the blockbuster exhibitions still running and closing this month; live music at Victoria Park and Wembley; family-friendly highlights; the VAT tourist discount reducing admission prices across major attractions this summer; and Jonathan's own personal list of what he's booked and planning to see — including the Ceremony of the Keys at the Tower of London, Buckingham Palace's East Wing tour, the Wallace Collection's Churchill as Painter exhibition, and Trent Park. Links The Big One — Notting Hill Carnival (August 29-31, 60th Anniversary) Notting Hill Carnival — Official Website Notting Hill Carnival 2026 Schedule & Info (Sat Aug 29 Steel Band Competition; Sun Aug 30 Children's Day; Mon Aug 31 Main Parade) Royal & Historic Building Openings Buckingham Palace State Rooms — Book Tickets (Open July 9 – September 27, 2026; daily 9:30–19:30 through August 31) Buckingham Palace East Wing Highlights Tour — Book Separately Houses of Parliament Summer Tours — Book Tickets (Reduced prices throughout summer recess; Westminster Hall, House of Commons, House of Lords) Banqueting House — Tickets & Info (Fully reopened August 1 after major restoration; open Thu–Mon 10:00–16:00; Adults £10, under 16s free) London's Newest Museum Trent Park House of Secrets — Book Tickets (Open since July 21; Tue–Sun 10:00–17:00; Adults £14/~$20; Oakwood tube station, Piccadilly Line) Ceremony of the Keys Ceremony of the Keys — Tower of London — Book Tickets (Next ticket release: August 3, 2026 at 13:00; suggested price £30, pay from £10; sells out immediately — set a reminder) Festivals & Outdoor Events Greenwich + Docklands International Festival — Free (August 21 – September 6, 2026; outdoor theatre, circus and dance across Greenwich, Woolwich and Docklands) Greenwich Fair — Free (August 22–23, Greenwich Park — no ticket required) 120 Years of the Piccadilly Line with Tim Dunn — London Transport Museum (August 22) All Points East — Victoria Park, East London (Two weekends; headliners include Lorde, Tyler the Creator, Twenty One Pilots) BBC Proms at the Royal Albert Hall (Running all month, ends September 12; day tickets available on the door) New West End Theater Openings Jane Eyre the Musical — UK Premiere (from August 28, Southwark Playhouse) Kimberly Akimbo (from August 28, Hampstead Theatre) The Mischievous Team — New spy farce (from August 1) West End Tickets via Londontopia TKTS Half-Price Tickets, Leicester Square Exhibitions — Running & Closing in August Frida Kahlo — Tate Modern (runs to 2027) (Plenty of time — but book ahead) Winston Churchill the Painter — Wallace Collection (until November 29) Richard Dadd — Royal Academy (running) Anish Kapoor — Hayward Gallery (until October) Schiaparelli: Fashion Becomes Art — V&A (until November) Marilyn Monroe — National Portrait Gallery (closing September) (Last chance — closing soon) Jurassic Oceans: Monsters of the Deep — Natural History Museum (Great for families) Star Trek at 60 Trail — Science Museum (closing September) (Free) Young Artist Summer Show — Royal Academy (until August 30, Free) Exhibitions Closing in August — See These Now Holy Pop at Somerset House — closes August 9 Patrick Caulfield — Royal Academy — closes August 16 Titanic Exhibition — Olympia — closes August 16 Fairy Tales — British Library — closes August 23 Zurbarán — National Gallery — closes August 23 Hervien Anderson — Tate Britain — closes August 23 David Hockney: A Year in Normandy — Royal Academy — closes August 23 Tracey Emin: A Second Life — Tate Modern — closes August 31 Family Activities Paddington Bear Summer Special — Immersive Experience The Big Dig: Archaeology Adventure (until August 21) Boleyn is Back — Tudor Living History, Tower of London (until August 14) Live Music All Points East — Victoria Park The Weeknd — Wembley Stadium (August 14–19) Practical Resources Met Office App — London Weather Forecast Londontopia London Events Calendar TfL Elizabeth Line — Air-Conditioned Travel Across London Anglotopia Wallace Collection Churchill Episode — Listen Now (Our earlier episode with Dr. Lucy Davis) Friends of Anglotopia Club Takeaways August 2026 is the 60th anniversary of the Notting Hill Carnival — Europe's largest street festival, free to attend, taking over Notting Hill and Ladbroke Grove on August 30–31. The Saturday Steel Band Competition (August 29) requires a ticket; Sunday Children's Day and Monday main parade are free. Arrive early, follow your nose to the food stalls, and keep your wits about you in the crowds. Trent Park House of Secrets — London's brand new museum, opened July 21st — tells the extraordinary story of the WWII intelligence operation where 59 captured German generals were housed in apparent luxury, never knowing the entire house was bugged. Often called "the other Bletchley Park." Tickets are £14 (~$20), open Tuesday–Sunday, and it's on the Piccadilly Line at Oakwood station. Jonathan is going. Buckingham Palace State Rooms are open daily through August 31, 9:30am to 7:30pm — the longest opening hours of the season. Jonathan has booked both the State Rooms tour and the newly opened East Wing tour. If you haven't booked yet, check for remaining availability immediately; the best slots are gone but cancellations do appear. Banqueting House on Whitehall — Inigo Jones's 1622 masterpiece with its Rubens ceiling, the building outside which Charles I was executed — reopens fully on August 1st after a major restoration. Adults £10, under 16s free, open Thursday–Monday. New lift for step-free access. One of London's most underrated experiences. The Ceremony of the Keys at the Tower of London — the world's oldest unbroken military ceremony, performed every night for at least 700 years — releases the next month's tickets on the first working day of each month. The next release is August 3rd at 1pm. Jonathan got a ticket; it requires an early wake-up and sells out within hours of release. The UK government has instituted a 15% VAT discount on tourist attraction admissions this summer — which means lower prices at major London attractions. If you booked in advance, you may be entitled to a partial refund for the difference; check with each venue. Lower prices also means slightly larger crowds. The Greenwich + Docklands International Festival runs August 21 to September 6 — 17 days of completely free outdoor theatre, circus and dance across Greenwich Park, Woolwich, and the Docklands. The two-day Greenwich Fair on August 22–23 in Greenwich Park is the unmissable centerpiece. No ticket required — just show up. Several major exhibitions close on or around August 23rd — a critical date. Zurbarán at the National Gallery, Fairy Tales at the British Library, David Hockney at the Royal Academy, Hervien Anderson at Tate Britain, and Patrick Caulfield at the Royal Academy all close that day. If you're arriving after August 23rd, these are gone. The BBC Proms at the Royal Albert Hall run all month and into September — the world's largest classical music festival, with day-of standing tickets potentially available on the door. Jonathan hasn't managed to go yet and still wants to. It's worth trying even if you can't book ahead. August in London is genuinely two cities at once: over a million tourists fill the attractions and the carnival streets, while large swaths of residential London go quiet as locals escape. The wise visitor uses this: the tourist attractions are busy, but the parks, the residential neighborhoods, and the early mornings are surprisingly peaceful. Soundbites "August is London's most contradictory month. Every guidebook tells you it's peak season — and every guidebook is right. And yet at exactly the same time, London kind of empties out. Locals flee to Cornwall, to France, to anywhere that isn't a stuffy office in a heat wave. Whole districts can go completely quiet." — Jonathan on August's strange duality. "The Notting Hill Carnival is that one weekend where London's multicultural and diverse character — which can feel oddly invisible at other times of the year — is front and center. It's loud. It's joyful. And it's entirely free." — Jonathan on why the carnival matters. "They captured high-level German officers and put them all in one place. What the prisoners didn't know was that the entire house was wired with microphones. And hidden in a concealed basement, around a hundred secret listeners — many of them German-speaking Jewish refugees who had fled the Nazis — were recording and transcribing every careless word." — Jonathan on Trent Park House of Secrets. "I have wanted to go inside Buckingham Palace for twenty years. I'm finally doing it this year. I've got my tickets booked. I'm going to do the State Room tour, I'm going to see the freshly rehung picture gallery, and I've booked the East Wing tour. That is going to take a whole Saturday. I cannot wait." — Jonathan on his long-awaited Buckingham Palace visit. "The Ceremony of the Keys is considered the world's longest military ceremony. They say it's been running for a thousand years — I'm skeptical, but at least as long as there's been a Tower of London. I woke up early and managed to snag a ticket before they sold out. Because they do sell out immediately." — Jonathan on booking the Ceremony of the Keys. "Banqueting House. Inigo Jones's masterpiece on Whitehall, with its Rubens ceiling. The one surviving fragment of the old Palace of Whitehall — the very spot where Charles I was executed in 1649. It reopens for the summer on August 1st. That is a lot of history in one place." — Jonathan on Banqueting House reopening. "The government has instituted a fifteen percent discount off the twenty percent VAT for tourists visiting tourist attractions this summer. So this month you will see lower prices at all of London's major tourist attractions. And if you booked in advance, you should be getting a refund." — Jonathan on the summer VAT tourist discount. "I love Star Trek. I have seen every episode of Star Trek dozens of times. You can't see over there, but I'm building the LEGO Enterprise D model right now. And I'm going to go see this exhibition because it's the 60th anniversary and the producers don't seem to want to celebrate it much — but everybody else is." — Jonathan on his plan to visit the Star Trek at 60 Trail at the Science Museum. "Several things close on August 23rd. I'm arriving after August 23rd. So I'm going to miss the David Hockney, the Zurbarán, the Tracey Emin. It's a bit annoying. But it is what it is." — Jonathan on the painful August 23rd exhibition closing cliff. "If you see a slightly sun-birthed Anglophile wandering the food stalls at one of the festivals going on later in August — do say hello. It might just be me." — Jonathan's closing invitation. Chapters 00:23 Introduction & Personal Note — Jonathan is heading to London this August 01:14 Weather Warning — England's driest summer in years, three heat waves, and what to expect 02:35 Episode Overview — Carnival, openings, exhibitions, practical tips 03:16 The Strange Duality of August — A million tourists arrive as Londoners flee 04:05 NOTTING HILL CARNIVAL — Europe's largest free street festival, 60th anniversary, August 29–31 05:28 Carnival Practical Tips — Go early, follow the food, wear comfortable shoes, stay safe 06:37 Festivals & Outdoor Highlights — Greenwich + Docklands International Festival (free, Aug 21–Sep 6) 07:07 Greenwich Fair — Free outdoor theatre in Greenwich Park, August 22–23 07:17 120 Years of the Piccadilly Line — Tim Dunn at the London Transport Museum, August 22 07:50 Edinburgh Fringe Previews & Al Fresco Dining — London venues hosting previews; Soho streets 08:22 ROYAL & HISTORIC BUILDING OPENINGS 08:25 Buckingham Palace State Rooms — Open daily; freshly rehung picture gallery; Jonathan's booked visit 09:31 Buckingham Palace East Wing — Newly opened tour; Jonathan's full Saturday plan 10:07 Houses of Parliament Summer Tours — Westminster Hall, Commons, Lords; reduced prices 10:36 Banqueting House — Fully reopens August 1st after major restoration; Rubens ceiling; £10 adults 11:03 TRENT PARK HOUSE OF SECRETS — London's brand new museum, opened July 21st 11:22 The Story of Trent Park — Philip Sassoon, 59 German generals, hidden microphones 13:03 The Secret Listeners — Jewish refugees transcribing Nazi generals in a concealed basement 14:16 Visiting Trent Park — Hours, tickets £14, Oakwood station, Piccadilly Line 15:43 NEW WEST END THEATER OPENINGS 15:53 The Mischievous Team — New spy farce from August 1st 16:04 Jane Eyre the Musical — UK premiere, Southwark Playhouse, August 28 16:19 Kimberly Akimbo — Tony-winning musical, Hampstead Theatre, August 28 16:32 BLOCKBUSTER EXHIBITIONS STILL RUNNING 16:47 Frida Kahlo at Tate Modern — Runs to 2027; Jonathan plans to go 17:03 Marilyn Monroe — National Portrait Gallery; closing September — last chance 17:13 Anish Kapoor — Hayward Gallery; Schiaparelli — V&A; Richard Dadd — Royal Academy 17:58 Winston Churchill the Painter — Wallace Collection; Jonathan booked since March 18:44 Royal Academy Summer Exhibition — Closes August 23rd; last chance 18:52 Jurassic Oceans — Natural History Museum; Jonathan has never been 19:03 Star Trek at 60 Trail — Science Museum; free; LEGO Enterprise D confession 19:30 EXHIBITIONS CLOSING IN AUGUST — CRITICAL DATES 19:37 August 9 & 16 — Holy Pop (Somerset House), Patrick Caulfield & Titanic (RA & Olympia) 19:54 August 23rd Mass Closings — Fairy Tales, Zurbarán, Hervien Anderson, David Hockney 20:16 August 31 — Tracey Emin: A Second Life (Tate Modern) 20:29 LIVE MUSIC 20:31 All Points East — Victoria Park; Lorde, Tyler the Creator, Twenty One Pilots 20:44 BBC Proms — All month to September 12; day standing tickets on the door 21:11 The Artist at Wembley — August 14–19; Luke Combs this weekend only 21:28 FAMILY ACTIVITIES — School holidays mean packed attractions 21:48 Paddington Bear Summer Special — Immersive experience for younger children 21:56 The Big Dig — Hands-on archaeology through August 21st 22:08 Boleyn is Back — Tudor living history at the Tower, through August 14th 22:16 Young Artist Summer Show — Royal Academy; free; closes August 30th 22:30 JONATHAN'S PERSONAL AUGUST ITINERARY 22:40 Ceremony of the Keys — Booked; how Jonathan got a ticket; arrive at 9:30pm 23:54 What Else Jonathan Is Doing — National Gallery, Wallace Collection, Royal Academy, Natural History Museum 24:49 Star Trek + Natural History Museum Double Bill Plan 25:05 Notting Hill Carnival — In London for it but sitting it out without his wife 25:32 PRACTICAL SECTION — CROWDS, WEATHER & SHOULD YOU GO? 25:37 August Weather Reality — Warm and dry; long days; twilight till after 9pm; pack layers 26:35 Peak Season & School Holidays — Why it's busy even when Londoners leave 26:39 Weather Detail — Pack layers; rain is rare but intense; humidity by the Thames 28:13 THE VAT TOURIST DISCOUNT — 15% off admissions; possible refunds for advance bookers 29:27 Should You Visit in August? — Jonathan's honest verdict 29:52 Top Tip — Don't travel over bank holiday weekend (Jonathan breaks his own rule) 30:51 Wrap-Up — Londontopia events calendar, Friends of Anglotopia, and see you in London Video Version

In this episode of the Anglotopia Podcast, Jonathan Thomas sits down with Jonathan W. Jordan — New York Times bestselling military historian, Wall Street Journal book critic, and now federal judge — to discuss his richly researched new book Ike and Winston: World War, Cold War, and an Extraordinary Friendship. Spanning a quarter century from their first meeting on Christmas Eve 1941 — when Eisenhower was a little-known brigadier, and Churchill was the most famous man in the world — to Churchill's death in January 1965, Jordan traces one of the most consequential personal relationships of the 20th century. Their friendship forged through the pressure cooker of war helped launch D-Day, navigate the terrifying logic of nuclear weapons, and manage the fraught transition from British imperial power to American superpower. Jordan and Jonathan cover the early dynamic between the aristocrat and the Kansan, the strategic clashes over Anvil and Berlin, Churchill's habit of misrepresenting what Eisenhower had told him when he really wanted his way, the moral weight of decisions that killed tens of thousands, their shared love of painting, the goat on parade in Bermuda, and what these two remarkable men can still teach us about friendship, leadership, and bridging difference. Links Ike and Winston by Jonathan W. Jordan Brothers, Rivals, Victors by Jonathan W. Jordan American Warlords by Jonathan W. Jordan Churchill Papers at Hillsdale College Eisenhower Presidential Library Winston Churchill the Painter at the Wallace Collection, London (open until November 29, 2026) Pressure (2024 film on the D-Day weather decision) Friends of Anglotopia Club Takeaways Churchill and Eisenhower first met on Christmas Eve 1941, three weeks after Pearl Harbor — but Churchill promptly forgot the encounter. In his memoirs, he incorrectly stated he first met Ike in June 1942. Churchill had also famously forgotten meeting a young assistant secretary of the Navy named Franklin Roosevelt years earlier. Jonathan Jordan argues that Churchill's friendship with Eisenhower was ultimately more pivotal to world history than his famous friendship with FDR. Without Churchill's patronage, there is no Supreme Commander of D-Day, no NATO commander, and quite possibly no President Eisenhower. Eisenhower had never heard a shot fired in anger when he was appointed Supreme Allied Commander of the Mediterranean theater in 1943 — and every officer in the room, including Foreign Minister Anthony Eden, had more combat experience than he did. But Patton's observation captures what made Ike perfect for the job: no officer above the rank of colonel should know too much about tactics, or they'll interfere with the people who do. Churchill and Eisenhower lunched together at least weekly during the run-up to D-Day, and met several other times during the week — sometimes for overnight visits at Chequers. Many of their interactions were not grand strategy but practical problem-solving: American drivers going too fast on English roads, landlords overcharging American officers for flats. The biggest strategic clashes were over Anvil (the Allied landing in southern France, which Churchill wanted canceled to preserve British strength in Italy) and Berlin (which Churchill wanted to capture to deny it to the Soviets, and which Eisenhower refused to spend lives on because he knew the political leaders would give it back after the war anyway). In both cases, Churchill was overruled. During the Anvil dispute, Churchill went so far as to misrepresent to Roosevelt and to Montgomery what Eisenhower had told him — attributing to Ike support for a plan Ike had never endorsed — in order to start a ball rolling toward canceling the invasion. The British Chiefs of Staff had to go back to their American counterparts and acknowledge that the Prime Minister had misrepresented the situation. The two men were fundamentally different in their inner lives: Eisenhower was the pragmatist — the card-playing bridge player who assessed odds and would spend lives when the mathematics demanded it — while Churchill was the romantic, the novelist and painter who felt the human cost viscerally and argued passionately against bombing French railways that might kill 40,000 civilians. Both men were painters — a shared passion that became a genuine bond. After the Suez Crisis ruptured Anglo-American relations in 1956, Eisenhower leveraged America's love of Churchill by personally promoting the world tour of Churchill's paintings across US galleries and writing the foreword for the program. The painting Ike was proudest of was his own portrait of Churchill, copied from another work. The rupture of their later years was over Churchill's desperate desire for a summit with the Soviet Union after the hydrogen bomb — and Eisenhower's refusal to engage. Churchill, who had coined the phrase "meeting at the summit," believed great men could move history in direct conversation; Eisenhower, the organization man, believed the Soviet machine would behave the same regardless of who sat across the table. Despite every disagreement, the bond never broke at a personal level. When Churchill's greatest political enemy Clement Attlee served as one of his pallbearers in 1965, it was with Churchill's prior approval — a final demonstration of the principle both men lived by: never let differences over politics or policy destroy a personal friendship. Soundbites "Without Winston Churchill's backing, there is no Eisenhower. There's Eisenhower the brigadier who works in the Pentagon and is respected as a planner. But there's no Supreme Commander of D-Day, there's no NATO commander, there's no President Eisenhower. He is not a household name without Winston Churchill." — Jonathan Jordan on Churchill's role in making Eisenhower. "Being a litigator is not all that different from being a historian. You sift through old documents, you interview witnesses — which is basically a deposition — and you package it in a way that's hopefully accessible and if possible engaging and entertaining for a lay audience, whether that's twelve jurors or thousands of history buffs." — Jonathan Jordan on why law and history are the same skill. "Churchill liked to expound on strategy, but most of what they worked on together were practical problems — shipping backlogs in the English ports, Americans' drivers having a habit of driving too fast on those small English roads, British landlords overcharging American officers for flats. Sometimes Ike and Winston had to interact like they were city councilmen." — Jonathan Jordan on the day-to-day reality of their wartime relationship. "Churchill would do whatever it took. He would use humor, he would argue, he would threaten to resign, he would cry. He would misrepresent what Eisenhower had told him. When he really dug his heels in, anything was on the table." — Jonathan Jordan on Churchill's tactics when he wanted his own way on strategy. "Churchill had to think about whether bombing French railways — which he was told might kill as many as forty thousand French civilians — was too brutal a cost just to slow down Hitler's reinforcements coming to the Normandy beaches. Churchill was a creative writer, a painter, a bricklayer. He loved animals, he had a very soft spot for children. He didn't look at things in the purely military lens that Ike did." — Jonathan Jordan on the chapter titled "Are We Beasts." "In explanation of the goat's refusal to accept the cigarette you offered him this morning, I think I ought to point out that he was aware that smoking on parade is strictly forbidden. Eisenhower wrote back: The goat's soldierly deportment puts me to shame. You would suppose that after some forty years in the army I would not have embarrassed him so sadly." — Jonathan Jordan reading the Bermuda goat exchange between Churchill and Eisenhower. "We are now as far from the age of the atomic bomb as the atomic bomb was from the bow and arrow. Churchill had a vivid imagination — as a painter, a historian, a novelist. He could see big trends into the future. And demons seemed to whisper to him that mankind could incinerate itself with these new thermonuclear weapons." — Jonathan Jordan on how the hydrogen bomb transformed Churchill. "Eisenhower was 50% kindly grandfather and 50% cold-blooded calculator. His own son John thought about it and said: we'll make that 75% cold-blooded calculator. He would never let his personal indebtedness affect how he conducted foreign policy. If he had to step on a friend, whether that was Patton or the remnants of the British Empire in the Suez Crisis, he did it." — Jonathan Jordan on Eisenhower's inner character. "Churchill subscribed to the great man theory of history — great men make history, and he had done it himself in talks with Stalin in Moscow, Tehran, Yalta, Potsdam. Eisenhower was an organization man. He felt the machine did what the machine did. It's like a car engine — you replace the carburetor, it'll still run as a car. It won't turn into an airplane." — Jonathan Jordan on the fundamental philosophical difference between the two men. "Don't let differences over politics or policy get in the way of what could be a good personal friendship. Neither of those two men held grudges if they could avoid it. When Churchill died, Clement Attlee — who had inflicted the very worst political humiliation of Churchill's life — was one of his pallbearers, and Churchill had approved that." — Jonathan Jordan on the lasting lesson of the Ike and Winston friendship. Chapters 00:21 Introduction — Jonathan Thomas introduces the book and Jonathan W. Jordan 01:53 Two Jonathans, Two Americans, One Half-American Subject — The pleasures of the setup 02:46 How a Federal Judge Became a Military Historian — Litigation, jury trials, and the same skills 03:39 Growing Up on Air Force Bases — Aberdeen Proving Grounds, tanks, and the collision of politics and military history 04:29 Why This Book Now — The natural progression from Brothers, Rivals, Victors and American Warlords 05:44 The Sources — 23 volumes of Churchill Papers, 21 volumes of Eisenhower Papers, memoirs, transcripts, and the lawyer's eye for credibility 07:23 Meet the Protagonists — Aristocrat from Blenheim Palace vs. modest middle American from Kansas 10:10 Churchill and FDR vs. Churchill and Ike — Why the Ike friendship was ultimately more pivotal 11:27 The Age Gap and the Fame Gap — How Ike worked with the famous and powerful without being overawed 13:07 The World They Were Walking Into — Hitler from Moscow to the Pyrenees, Japan swallowing Southeast Asia, and no blueprint for any of it 14:21 Eisenhower's Military Background — Never heard a shot fired in anger, missed WWI, the Philippines, and Patton's observation about generals and tactics 17:48 First Impressions and Early Friction — American distrust of Churchill's Mediterranean strategy and a warming that took time 19:37 The Command Relationship — Weekly lunches, overnight visits at Chequers, and city-councilman problem-solving 21:57 Managing Churchill — The Kay Summersby method: never call an idea stupid, commission a thorough study, show your working 23:43 The Biggest Strategic Clashes — Anvil, Berlin, and Churchill's misrepresentation of Eisenhower's position 28:38 Are We Beasts? — The moral weight of forty thousand dead Frenchmen and what it did to each of them 30:34 The Pressure Digression — Jonathan recommends the D-Day weather film; Jonathan Jordan hasn't seen it yet 32:18 What the War Built — The unbreakable bond of June 1945, forged in shared sacrifice 33:42 After the War — Churchill voted out before final victory, Ike's ascent from Chief of Staff to NATO to the presidency 35:43 The Role Reversal — The most powerful man in the world faces the leader of a Britain still on rationing 38:41 Waterloo Sunset — Both men presiding over the handover from British imperial power to American superpower 40:53 The Nuclear Age — The Soviet atomic bomb, the American hydrogen bomb, and a Churchill transformed into the great peace advocate 44:16 The Nearest Point of Rupture — The Soviet summit dispute, the great man theory vs. the organization man, and Churchill's declining opinion of Ike 46:59 Small Human Moments — John Eisenhower welcomed in London, a villa at Lake Como, the Bermuda goat, and the repartee that never died 50:20 Two Painters — How Churchill introduced Eisenhower to painting, the traveling exhibition after Suez, and the portrait Ike was proudest of 52:24 The Wallace Collection Churchill Exhibition — Jonathan's August visit and Jonathan Jordan's hope to get there 54:14 What the Friendship Teaches Us — Policy differences vs. personal friendship, Attlee as pallbearer, and the dying art of bridging difference 55:41 Who Were They Really? — 75% cold-blooded calculator vs. the romantic who felt history in his bones 57:50 Wrap-Up — Ike and Winston details, Jordan's other books, and an invitation to share which wartime friendship listeners want explored next Video Version

Did you know that in addition to saving the free world, Churchill was also an accomplished painter? In this episode of the Anglotopia Podcast, Jonathan Thomas sits down with Dr. Lucy Davis — curator of paintings at the Wallace Collection in London and co-curator of Winston Churchill the Painter, the first major retrospective of Churchill's art in over 60 years and the first substantial UK exhibition devoted to his paintings since his death in 1965. The exhibition brings together nearly 60 works, roughly half from private collections rarely accessible to the public, and traces the full arc of Churchill's artistic life: from the tentative canvases he made during the darkest moment of his World War I career, through the luminous Mediterranean harbors and Moroccan cityscapes of his mature period, to the bold late works of a man who found in painting one of the greatest solaces of his life. Lucy walks Jonathan through the story of how Churchill came to paint, the three major artists who shaped his style — John Lavery, Walter Sickert, and William Nicholson — the single painting he made during World War II, the extraordinary Hallmark Cards world tour, and why the Wallace Collection is the perfect home for this once-in-a-lifetime show. The exhibition runs until November 29, 2026. Book your tickets now. Lucy is very grateful to her colleagues at Hallmark Cards, Inc. for their research into the World Tour of Churchill's paintings, which she has referenced in this podcast. Links The Exhibition Winston Churchill the Painter — Wallace Collection (open until November 29, 2026 — book tickets in advance) The Wallace Collection, London Wallace Collection E-Newsletter (Over 60% of subscribers are US-based — talks and courses available remotely) Wallace Collection Events & Remote Courses The Wallace Collection at War — companion display (open until end of October) Gallery of Some of Churchill's Paintings in the Exhibition Books Painting as a Pastime by Winston Churchill — New Edition with intro by Paul Rafferty Winston Churchill the Painter — Exhibition Catalog, edited by Dr. Lucy Davis (Philip Wilson Publishers) Churchill's Citadel by Katherine Carter — Chartwell and the Wilderness Years Churchill Sites Chartwell, Kent — National Trust Blenheim Palace, Oxfordshire Churchill Archives Centre, Cambridge America's National Churchill Museum, Fulton MO Also Mentioned Darkest Hour (2017) — Gary Oldman as Churchill Friends of Anglotopia Club Takeaways Winston Churchill the Painter at the Wallace Collection is the first major retrospective of Churchill's art in over 60 years — nearly 60 works, roughly half from private collections that are rarely if ever accessible to the public. This is a genuinely once-in-a-lifetime opportunity. Churchill took up painting in 1915 at the lowest point of his life, following the catastrophic failure of the Dardanelles campaign. His wife Clementine later said she thought he would die of grief — and it was painting that gave him back his spark. Churchill was never formally trained, but worked closely with at least three leading professional artists: John Lavery (portraiture and plein air painting), Walter Sickert (modernist techniques and working from photographs), and William Nicholson (still life, tonal restraint, and simplified composition). Churchill's single painting during World War II was a view of Marrakesh, painted the day after he took President Roosevelt to see the sunset over the Atlas Mountains following the Casablanca Conference. He gave it to Roosevelt as a gift — it is in the exhibition, facing the painting he later gave to President Eisenhower. The Wallace Collection's connection to Churchill runs deeper than the exhibition: Odette Pol Roger was born Odette Wallace as great-granddaughter of Sir Richard Wallace, became Churchill's close friend, and reserved an entire vintage of Pol Roger champagne for him. A quarter-bottle believed to be one of the last he drank before his death in 1965 is on display in the exhibition. Churchill's paintings were the subject of a record-breaking world tour of North America, Australia, and New Zealand in 1958, masterminded by President Eisenhower and Joyce C. Hall, founder of Hallmark Cards. Churchill initially refused — until Eisenhower wrote him a personal letter about the wave of goodwill it would create. Churchill submitted paintings to competitions under the pseudonym "David Winter" and was given the title of Honorary Academician Extraordinary by the Royal Academy — only the second person ever to receive this honor, after Edward VII. The goldfish pool at Chartwell — Lucy's personal favorite painting in the exhibition — contains a detail invisible in photography: the ripple created by the fish on the surface, painted in a subtle mauve-grey. Lucy says it perfectly summarizes Churchill's playful, witty personality. Picasso, upon seeing Churchill's painting La Dragonnière, said (paraphrasing) that Churchill would have been a good professional painter if he hadn't had something else to do. The painting is in the exhibition. The new edition of Churchill's own book Painting as a Pastime — with an introduction by Paul Rafferty — has just been published and is the perfect companion to the exhibition. It explains in Churchill's own words why he took up painting and why everyone else should too. Soundbites "Clementine was looking on and she was so relieved to see him engaged in something. He talked about all this unwanted leisure — going from a really high-pressured executive job to suddenly watching the whole tragedy unfold. To see that spark lit up again." — Lucy on Clementine's reaction when Churchill first picked up a paintbrush. "He said painting was a complete distraction. He said: I know nothing which without exhausting the body more entirely absorbs the mind." — Lucy quoting Churchill on why painting worked when nothing else could. "He's painting the headquarters of the battalion as it was progressively being shelled and devastated. One of his young soldiers said he was unusually quiet and withdrawn and asked what was wrong — and he said: I've been really struggling to paint the craters." — Lucy on Churchill painting in the trenches at Plug Street. "He said it should be a joy ride in a paint box. Nobody should feel afraid or daunted by it. We don't have to aspire to masterpieces." — Lucy on Churchill's message to anyone who wants to paint. "A traveling exhibition of your paintings in the United States would not only attract a great deal of attention, but I am certain it would serve in a very definite way to strengthen the friendship between our two countries." — Lucy quoting Eisenhower's letter persuading Churchill to allow the world tour. "He submitted a painting in 1925 to an amateur painting competition and won first prize — although one of the judges wanted to disqualify it because he thought it must be by a professional painter." — Lucy on Churchill exhibiting anonymously under the pseudonym David Winter. "Picasso said — and I'm paraphrasing — that he would have been a good professional painter if he didn't have something else to do." — Lucy on Picasso's verdict on Churchill's painting La Dragonnière. "There's a particular detail that doesn't come out in photography — the ripple created by the fish on the surface that he's painted in this sort of mauve-grey color. It's just such a lovely finishing touch and really summarizes that playful, witty side of his personality." — Lucy on her favorite painting in the exhibition, the goldfish pool at Chartwell. "He made the gardener row back and forth across the moat to create ripples so he could try a different effect in the water." — Lucy on Churchill's obsessive dedication to capturing reflections accurately. "I think he would like to see us leaving the exhibition with smiles on our faces and with an urge to pick up a paintbrush." — Lucy on what Churchill himself would have wanted visitors to take away. Chapters 00:22 Introduction — Jonathan sets up the exhibition and introduces Dr. Lucy Davis 01:59 Lucy's Background — 15 years at the Wallace Collection, the Courtauld, the National Gallery, and Washington DC 03:09 What Is the Wallace Collection? — A world-class art collection in an intimate Marylebone townhouse 04:47 The Wallace Collection's Churchill Connection — The Artists Aid Russia exhibition, Clementine's charity, and the Pol Roger link 06:29 Churchill's Favorite Champagne — And the quarter-bottle of Pol Roger in the exhibition 07:14 How Churchill Came to Paint — Gallipoli, the darkest moment, Ho Farm in Sussex, and Hazel Lavery's advice 09:49 Did He Take to It Naturally? — Total ambition, total audacity, and the self-portrait painted at 40 13:00 Painting in the Trenches at Plug Street — Easels in the First World War and the crater problem solved 14:50 What Painting Gave Churchill That Nothing Else Could — Complete absorption, relief from anxiety, and seeing the world properly for the first time 17:12 Churchill's Message to Everyone — A joy ride in a paint box, and why no one should feel daunted 19:13 500 Canvases Alongside Everything Else — Chancellor, Prime Minister, Nobel laureate: where did he find the time? 21:12 The One WWII Painting — The Casablanca Conference, Roosevelt, the Atlas Mountains, and a gift that symbolized the Special Relationship 23:02 The Marrakesh Painting and the Gift to Eisenhower — Two paintings face to face in the exhibition 23:47 The Hallmark Cards World Tour — Joyce C. Hall, Eisenhower's persuasive letter, and a record-breaking global exhibition 25:49 How Did Brad Pitt End Up Owning the Marrakesh Painting? — Neither host quite knows 26:34 Churchill's Artistic Mentors — John Lavery, Walter Sickert, William Nicholson, and what each one taught him 32:20 Churchill's Influences — Monet, Cézanne, the Impressionists, and the tessellated pavement of dabs and lozenges 32:33 Walking Through the Exhibition — Six galleries from First Attempts to the Royal Academy 34:00 Gallery 1: First Attempts — Lavery, the self-portrait, and the Plug Street paintings 35:00 Gallery 2: Life and Hope — Chartwell in all seasons, Blenheim, and the wilderness years paintings 36:00 Gallery 3: Still Lifes — Nicholson's influence, the Magnolia painting, and thank-you gifts to friends 37:00 Gallery 4: Light, Atmosphere & Reflections — The Riviera, Morocco, La Dragonnière, and making the gardener row 38:19 Morocco — Six visits, the Red City, the Atlas Mountains, and the Eureka Valley picnics 39:30 Gallery 5 & 6: Recognition — The Royal Academy submission under a pseudonym, Honorary Academician Extraordinary 40:06 Chartwell as Inspiration — 50 years, built for the view, goldfish pools, and the changing seasons 41:45 How a Major Exhibition Comes Together — Loan negotiations, private collections, and 20 years in the making 43:34 The Exhibition Catalog — Six essays, new archival research, and what makes it more than a picture book 47:11 The Contributors — Andrew Roberts on soft power, Catherine Carter on Chartwell, Paul Rafferty on the Riviera, Alan Packwood on Churchill as a visual person 48:36 The Churchill Family's Involvement — Support from the very beginning and throughout 49:16 Why Americans Should Get on a Plane — A revelation, a personality revealed, and a zest for life 50:22 Rapid Fire Churchill Round — Favorite book, film, quote, and painting 53:44 Wrap-Up — Exhibition details, tickets, catalog, and Jonathan's August visit Video Version

Palencia y San José de Costa Rica son los dos destinos de este episodio de El Placer de Viajar, que también se va de crucero y da noticias del sector. En este nuevo episodio de El Placer de Viajar, el podcast de viajes de esRadio y Libertad Digital, sus presentadores Carmelo Jordá y Kelu Robles nos guían por fascinantes destinos y nos descubren las últimas novedades del sector. El episodio comienza explorando el concepto de los cruceros premium de la mano de Eva Sanchidrián, experta de Mundomar Cruceros, quien explica que el valor de estos viajes radica en la excelente relación entre tripulación y pasajeros, así como en la amplitud de espacio disponible a bordo de barcos como los destinados a estos cruceros de nivel un tanto más elevado. Sanchidrián desmitifica las tarifas de las navieras premium, señalando que al ser en su mayoría compañías americanas, su temporada alta no coincide con el mes de agosto europeo, lo que permite encontrar precios muy competitivos en verano. Además, resalta la espectacular oferta gastronómica sin suplementos de compañías como Virgin Voyages y el estilo clásico de Cunard, que evoca la época dorada de la navegación. Pero lo más importante es que los oyentes de El Placer de Viajar y de esRadio pueden aprovecharse de un descuento si contratan su crucero a través de esta página.Palencia, una desconocida a descubrir La primera parada del viaje nos lleva a Palencia, una capital de provincia española a menudo olvidada pero sumamente agradecida. Kelu Robles desmiente el mito de que sea poco visitada, aclarando que, aunque se registran menos pernoctaciones por su cercanía a Madrid —a apenas una hora en AVE—, es un destino ideal para una escapada de fin de semana. Entre los monumentos palentinos más destacados figura el Cristo del Otero, una imponente escultura de 21 metros de altura diseñada por Victorio Macho que se alza como el Cristo más alto de España. Kelu también recomienda la visita a la Catedral de Palencia, apodada "la bella desconocida", que es el tercer templo catedralicio más grande del país y destaca por su evolución arquitectónica desde la cripta visigoda hasta el gótico tardío. El auge económico de finales del siglo XIX dejó en Palencia una magnífica ruta modernista de la que se conservan construcciones de gran belleza. Los visitantes pueden recorrer la Calle Mayor porticada, contemplar el Casino de Palencia o maravillarse ante la fachada de estilo veneciano del Colegio de Villandrando, ejemplos de una arquitectura señorial única. Para los amantes de la naturaleza, Palencia ofrece el Parque de la Huerta Guadián y el Monte el Viejo, un paraje natural que alberga una singular reserva de ciervos muy accesibles para el público. La gastronomía local también tiene un protagonismo especial con la menestra palentina, las patatas a la importancia y las tapas de mejillones de La Mejillonera.San José, la parada que no se hace en Costa Rica En la segunda parte del programa, Carmelo Jordá nos traslada a San José, la capital de Costa Rica. Jordá define el país como un oasis verde, seguro y con una naturaleza exuberante. Aunque San José no encaja en el prototipo de ciudad colonial perfecta, destaca por ser una urbe muy fotogénica, llena de vida y de gente sumamente hospitalaria con los españoles. El recorrido por San José incluye el Parque de la Sabana, el Teatro Nacional —que ofrece visitas teatralizadas— y el bullicioso Mercado Central. En este último espacio se pueden degustar los platos típicos en las populares "sodas" (restaurantes tradicionales), como el gallo pinto o el casado, acompañados por el extraordinario café costarricense. Un aspecto sorprendente de San José es su destacada arquitectura brutalista, representada en edificios como la Asamblea Legislativa o la iglesia de Nuestra Señora de Fátima de Alberto Linner. Jordá subraya cómo la solidez del hormigón visto y los juegos de luces de las vidrieras generan espacios de un gran valor artístico. Por último, Santi Molina presenta las noticias turísticas, comenzando con el Costa Verde Express, un tren de lujo que recorre el norte de España entre Bilbao y Santiago de Compostela. También destaca la reapertura tras una reforma integral del hotel Hyatt Zilara en Cancún y el liderazgo histórico de España en banderas azules, sumando 677 playas galardonadas con la Comunidad Valenciana a la cabeza. En cuanto a las conexiones aéreas, el aeropuerto de Almería sumará 25 nuevas rutas internacionales y Wizz Air abrirá enlaces con Milán y Nápoles. En el ámbito cultural, Molina recomienda la exposición de pinturas de Winston Churchill en la Wallace Collection de Londres y la gran retrospectiva de Mark Rothko en el Palazzo Strozzi de Florencia. Escríbenos, explícanos qué te gusta más y si hay algo que no te gusta tanto de El Placer de Viajar, dinos de qué destinos quieres que hablemos y si quieres que tratemos algún tema y, por supuesto, pregúntanos lo que quieras en el correo del programa: elplacerdeviajar@libertaddigital.com.

The paintings of Winston Churchill are being exhibited at the Wallace Collection in London. Xavier Bray, Director of the Wallace Collection, and Katharine Carter, curator at Chartwell, Churchill's country house in Kent, discuss what we learn about Churchill from his art.Creator and star Phil Dunning talks about series two of Smoggie Queens, which follows a close-knit group of friends; it's a celebration of queer culture and a love letter to Middlesbrough and its community.As questions are being asked about the use of AI in one of the regional winning entries of a prestigious short story prize for unpublished fiction, writer and journalist Hari Kunzru talks about the impact of AI on writing.And Tom visited the RHS Chelsea Flower to see the Tate Britain show garden, which offers a taster of the forthcoming Clore Garden.Presenter: Tom Sutcliffe Producer: Claire Bartleet

In this episode Malika Browne talks to curator and art historian Dr Alison Smith, head of collections at the Wallace Collection, about the Wallace's biggest exhibition ever, in 1942. It was organised by Clementine Churchill and the wife of the Russian Ambassador to London, Agnia Maisky. It was one of several “solidarity exhibitions” that took place in Britain during WW2. A must-listen for anyone interested in art, WW2, the Churchills, Russia - and fans of the Wallace Collection! Further Reading:The Maisky Diaries by Ivan MaiskyThe extraordinary wartime diaries of Ivan Maisky, Soviet ambassador to London during WW2 Hosted on Acast. See acast.com/privacy for more information.

This month's podcast episode takes us through Uzbekistan along the route that The Barakat Trust took on our trip to the country in November 2025. We begin in Tashkent before moving to Samarkand and finishing in Bukhara, exploring a number of architectural sites, crafts and traditions along the way. In our discussion we ask how the richness of Uzbekistan's cultural heritage came to be considered on the periphery of the Persianate world.Our guest is Fuchsia Hart is The Sarikhani Curator for the Iranian Collection at the Victoria and Albert Museum in London. She has written for the publications like The Guardian and the Oxford Review of Books, and spoke or lectured at institutions like The Wallace Collection, SOAS, and the Royal Asiatic Society. In 2025, Fuchsia completed her DPhil in Asian and Middle Eastern Studies at the University of Oxford with a thesis exploring Fath ‘Ali Shah Qajar's patronage of the major shrines of Iran and Iraq.This episode is part of our series Peripheries which seeks to push our understanding of the cultural heritage of the Islamic world away from the traditional centres that we associate with it. With a fantastic range of guests we will examine places and topics often considered peripheral to the Islamic world and understand why they are in fact of central importance to the region's cultural heritage, from Armenia to England, from Ethiopia to West Africa.

PIONEER OF BAROQUE SCULPTURE. Jennifer Montagu LVO CBE is a highly regarded British art historian whose emphasis is in the study of Italian Baroque sculpture. A daughter of Ewen Montagu, a British lawyer, writer and Naval intelligence officer, and granddaughter of painter Solomon J. Solomon RA, she studied under Sir Ernst Gombrich at the Warburg Institute, London where she received her PhD degree. Montagu lectured in History of Art at Reading University 1958–64, then was assistant Curator 1964–71, and Curator 1971–91, of the Photographic Collection at the Warburg Institute.  She was Slade Professor of Fine Art and fellow of Jesus College, Cambridge 1980–81, Andrew W. Mellon Lecturer at the National Gallery of Art, Washington in 1991, and Invited Professor at the College de France, Paris in 1994. She was a trustee of the Wallace Collection 1989–2001 and of the British Museum 1994–2001. In 1990 Montagu delivered the annual A. W. Mellon Lectures in the Fine Arts at the National Gallery of Art. She is an honorary fellow of her alma mater, Lady Margaret Hall, Oxford, and of the Warburg Institute. She has been honoured in France as a Chevalier of the Légion d'Honneur and a Commander of the Ordre des Arts et des Lettres, and in Italy as an Officer of the Order of Merit of the Italian Republic. Her books are Bronzes 1963, Alessandro Algardi 1985, Roman Baroque Sculpture – The Industry of Art 1989, The Expression of the Passions 1994, and Gold, Silver and Bronze: Metal Sculpture of the Roman Baroque 1996. Her latest book, on the sculptor Giovanni Battista Maini, was published in 2025. "I was brought up being rather anti-Baroque; and then I got interested in Le Brun and the 17th century." "The basic problem, of course, is who painted it and why and when, but there are all sorts of other more interesting questions you can ask about it." "Sometimes there's a connection, something about the painting which grabs you. The hairs on the back of your neck rise up, as they say, and there isn't any particular explanation." https://www.alainelkanninterviews.com/jennifer-montagu

Un son en guise d'autoportrait. Dans le cadre de La Semaine de la Musique Belge, Baloji a choisi ce hit de Wallace Collection. Merci pour votre écoute Dans quel Monde on vit, c'est également en direct tous les samedi de 10h à 11h sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de Dans quel Monde on vit sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/8524 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

A real treat for you in this episode, as Phil goes on a field trip to London to meet with Xavier Bray, Director of the Wallace Collection, and discuss one of Caravaggio's most controversial works, the focus of their current exhibition, running until 12th April 2026. More than a podcast — it's a remembrance.Dive into the vibration that connects us all: Love. Listen on: Apple Podcasts SpotifySupport the show

durée : 00:04:15 - Daydream : tube pop et Lac des cygnes - Aujourd'hui, une archéologie sonore de la chanson Daydream des Wallace Collection ! Une chanson de 1969 qui utilise deux thèmes bien connus du compositeur russe. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Gustav Klimt's Portrait of Elisabeth Lederer (1914-16) sold for the second highest price ever realised at auction at Sotheby's in New York on Tuesday. It was the most notable of several big sales in the sold-out (or “white-glove”) auction of 24 works from the collection of the late billionaire Leonard Lauder, and has prompted some commentators to declare that the art market has turned a corner following a prolonged downturn. Ben Luke speaks to The Art Newspaper's senior art market editor in the Americas, Carlie Porterfield, about this week's auctions, and asks if they do mark a turning point in the art market's fortunes. Cop 30, the United Nations Climate Change Conference, is taking place in Belém, Brazil, and ends on Friday. To coincide with the conference, the Gallery Climate Coalition is publishing a Stocktake Report, in which it gives hard data on the efforts of its members to reduce their carbon emissions. The Art Newspaper's contemporary art correspondent in London, Louisa Buck, who is a co-founder of the coalition, tells Ben more. And this episode's Work of the Week is Victorious Cupid (1601-02) by Caravaggio, a landmark work by the artist, made at the height of his fame in Rome. The painting is making a rare journey from its home at the Gemäldegalerie in Berlin to the Wallace Collection in London, where it is at the centre of an exhibition opening next week. Ben talks to the collection's director, Xavier Bray, about the painting.Caravaggio's Cupid, Wallace Collection, London, 26 November-12 April 2026 Hosted on Acast. See acast.com/privacy for more information.

In this episode of the Anglotopia podcast, Jonathan Thomas takes listeners on a journey through significant locations in Britain associated with Sir Winston Churchill. The discussion begins with key sites in London, including the Houses of Parliament, Downing Street, and the Cabinet War Rooms, highlighting their importance in Churchill's life and career. The conversation then shifts to notable places outside of London, such as Blenheim Palace and Chartwell, which were pivotal in shaping Churchill's identity. The episode concludes with a look at international connections to Churchill's legacy, including museums and archives in the United States. Links Houses of Parliament Tours - Palace of Westminster official tour booking page Churchill War Rooms - Imperial War Museums official site 10 Downing Street - UK Government page (note: not open to the public) Chartwell National Trust Blenheim Palace Official Website Harrow School Royal MIlitary Academy Sandhurst Churchill Archives Cambridge National Churchill Museum Fulton, Missouri International Churchill Society Wallace Collection Churchill Paintings Exhibition (2026) Tim Riley Churchill Podcast Churchill Archive Podcast Takeaways Churchill's connection to London was profound and influential. The Houses of Parliament served as a key location for Churchill's political career. Chartwell was not just a home but a source of inspiration for Churchill. Blenheim Palace is significant as Churchill's birthplace and family heritage site. The Cabinet War Rooms provide insight into Churchill's leadership during WWII. Churchill's speeches were often first delivered in the House of Commons. The Churchill Archives at Cambridge is a valuable resource for research. Churchill's legacy extends beyond the UK, with significant sites in the US. The Wallace Collection will host a major exhibition of Churchill's paintings in 2026. Visiting Churchill-related sites offers a deeper understanding of his impact on history. Sound Bites "If he had a single place of work that was most important to him, it would be the Houses of Parliament and the Palace of Westminster." "He genuinely had a great love and affection for the Houses of Parliament. He thought they were beautiful. He thought they were the heart of the empire. He thought that it was an immense privilege to work there." "Many people don't know that when you hear recordings of Churchill's speeches, most of those were actually recorded after the war." "He famously said that a day away from Chartwell is a day wasted." "To him, the manor house represented the England that he loved the most." "Chartwell is not a grand house. It's not like Blenheim Palace. Blenheim Palace is a palace. Chartwell is a family home." "He produced much of his literary output that he would eventually win the Nobel Prize for literature for." "I should do a whole podcast on Young Churchill because some of the stuff that he did is wild." "We're going to guide you through the places, why they're important to Churchill, and then give you some visiting tips in case you would like to visit." "It's where he wrote, it's where he painted, it's where he had his family life and raised his children in the later years." Chapters 00:00 Exploring Churchill's Britain 20:01 Churchill's Legacy Beyond London 32:52 anglotopia-podcast-outro.mp4 Video Version

Slip off Oxford Street and into another world – chandeliers, Rembrandts, and the best cakes in Marylebone. Housed in a stately mansion on Manchester Square, the Wallace Collection is London's most beautiful secret: an 18th-century treasure chest of art, armour, and elegance. A museum that still feels like a home – and, thanks to Rick Mather's sunlit café, the sweetest spot in the city for tea.

Wędrówka śladem arcydzieł z dawnej kolekcji Stanisława Augusta Poniatowskiego zaprowadziła nas do Londynu, gdzie mamy do sprawdzenia dwa tropy związane z tym zbiorem. W pierwszej kolejności odwiedzamy Wallace Collection, gdzie przyglądamy się Koncertowi u sułtana Carla van Loo. Był to niegdyś jeden z ulubionych obrazów króla. Świadczy o tym chociażby to, że znalazł się on wśród niespełna 40 dzieł, które po abdykacji Stanisław August zdecydował się zabrać ze sobą do Petersburga. Dlaczego król tak wysoko cenił to dzieło? W odcinku wspólnie poszukamy odpowiedzi na to pytanie. Przyjrzymy się też modzie na Turcję, jaka ogarnęła Europę w końcu XVII wieku. Będziecie zaskoczeni tym, jak bardzo trend ten wpłynął na naszą codzienność.---------------Zrealizowano w ramach stypendium Ministra Kultury i Dziedzictwa Narodowego-------Transkrypcję i reprodukcje omawianych obrazów znajdziesz na stronie podcastu: https://przedobrazem.pl/wallace-collection-w-londynie-carle-van-loo-koncert-u-sultanaMuzyka wykorzystana w odcinku pochodzi ze strony Epidemic Sounds oraz Free Music Archive-------IG: https://www.instagram.com/przed_obrazemFB: https://www.facebook.com/podcast.przedobrazem

# 65  - about the exhibition Stanisław Wyspiański: Portraits at the National Portrait Gallery in London In conversations with Alison Smith - curator of the display, previously Chief Curator of the National Portrait Gallery, London and currently Director of Collections and Research at the Wallace Collection. Stanisław Wyspiański (1869-1907) was a Polish painter, designer, poet and originator of modern Polish Theater. He was also a key figure of the Młoda Polska (Young Poland) art movement that helped keep national identity alive during Poland's partitions. This podcast episode offers a glimpse into the unique pastel works of Wyspiański, featuring stories of his sitters—including members of the Cracovian intelligentsia—his family, and the artist himself, as well as his decade-long struggle with an illness that profoundly shaped his life and creative output. The one-room display, showing 16 of Wyspiański's pastel portraits at the National Portrait Gallery in London is free and open to all till the 13th of July 2025.  References: About the Exhibition: https://www.npg.org.uk/whatson/display/2025/stanislaw-wyspianski-portraits Exhibition Catalogue: https://npgshop.org.uk/collections/books/products/stanislaw-wyspianski-portraits-hardcover-catalogue ___ This episode was created for Contemporary LYNX and with support of the Polish Cultural Institute London. Podcast thumbnail: Józio Feldman by Stanisław Wyspiański, 1905. National Museum in Kraków. Photo: Bartosz Cygan/NMK Digitization Studio. ___ Recording & editing: Patrycja Rozwora Mix & master: Jonas Kröper Support or get in touch: https://linktr.ee/kitchenconversations

In this gripping podcast (filmed in September 2024), we journey through one of the most turbulent and inspiring periods of Sikh history — the rise of the Khalsa Panth, its survival during oppression, and its eventual establishment of Khalsa Raj. From the courageous battles of the 18th century to the visionary leadership of Maharaja Ranjit Singh Ji, we explore the unparalleled spirit that allowed the Khalsa to thrive against all odds. A big thankyou to Bhai Prabjot Singh for hosting this podcast and Bhai Mandhir Singh for sharing their gems of knowledge!

This week on the SheerLuxe Vodcast, Charlotte Collins is joined by Hodge and Federica Labanca. First they catch up on everything they're loving on TV right now – from the new season of The White Lotus to Apple TV's The Studio and Amazon Prime's Last One Laughing. They also share some other cultural recommendations, including Emily Austen's book, Smarter, Famous Last Words by Gillian McAllister and the new Grayson Perry exhibition at The Wallace Collection. The three then go on to discuss the recent BTS at NET-A-PORTER and a SheerLuxe April Fool's prank that involved Pip getting a tattoo… Finally, they dissect this week's hot topics and share their takes on the latest film releases, including the Beatles biopics, Anora, The Brutalist and Black Bag… Subscribe For More | http://bit.ly/2VmqduQ Get SheerLuxe Straight To Your Inbox, Daily | http://sheerluxe.com/signup Congratulations to Lauren Pluguez for winning the Our Place bundle. Please email podcast@sheerluxe.com with your details and colour choice so we can send it your way!COMPETITION | Fenty BeautyTo enter, please leave a comment below stating why you love the SL podcast! We will then pick a winner. Please read the T&Cs before entering.* Terms & Conditions: The entrant must be 18 or over to enter, and it is only valid to UK entrants. Only one entry per person. No alternative cash or otherwise to the stated prizes are available. SheerLuxe is not responsible for and will not offer any compensation, financial or otherwise, for any loss, damage or disappointment arising if the prize is not fulfilled by the providing company for any reason whatsoever. PANELCharlotte Collins | @charlotteleahcollins | https://www.instagram.com/charlotteleahcollins/ Federica Labanca | @federica.labanca | https://www.instagram.com/federica.labanca/ Hodge Templeman | @sarahjtempleman | https://www.instagram.com/sarahjtempleman/ AD | Dune London | https://www.dunelondon.com/ Hosted on Acast. See acast.com/privacy for more information.

This week on the SheerLuxe Vodcast, Charlotte Collins is joined by Hodge and Federica Labanca. First they catch up on everything they're loving on TV right now – from the new season of The White Lotus to Apple TV's The Studio and Amazon Prime's Last One Laughing. They also share some other cultural recommendations, including Emily Austen's book, Smarter, Famous Last Words by Gillian McAllister and the new Grayson Perry exhibition at The Wallace Collection. The three then go on to discuss the recent BTS at NET-A-PORTER and a SheerLuxe April Fool's prank that involved Pip getting a tattoo… Finally, they dissect this week's hot topics and share their takes on the latest film releases, including the Beatles biopics, Anora, The Brutalist and Black Bag… Subscribe For More | http://bit.ly/2VmqduQ Get SheerLuxe Straight To Your Inbox, Daily | http://sheerluxe.com/signup Congratulations to Lauren Pluguez for winning the Our Place bundle. Please email podcast@sheerluxe.com with your details and colour choice so we can send it your way!COMPETITION | Fenty BeautyTo enter, please leave a comment below stating why you love the SL podcast! We will then pick a winner. Please read the T&Cs before entering.* Terms & Conditions: The entrant must be 18 or over to enter, and it is only valid to UK entrants. Only one entry per person. No alternative cash or otherwise to the stated prizes are available. SheerLuxe is not responsible for and will not offer any compensation, financial or otherwise, for any loss, damage or disappointment arising if the prize is not fulfilled by the providing company for any reason whatsoever. PANELCharlotte Collins | @charlotteleahcollins | https://www.instagram.com/charlotteleahcollins/ Federica Labanca | @federica.labanca | https://www.instagram.com/federica.labanca/ Hodge Templeman | @sarahjtempleman | https://www.instagram.com/sarahjtempleman/ AD | Dune London | https://www.dunelondon.com/ Hosted on Acast. See acast.com/privacy for more information.

The celebrated artist, Sir Grayson Perry, has a new exhibition of work, Delusions of Grandeur, made in direct response to the masterpieces at the Wallace Collection in London (until 26th October). He candidly admits he initially found the Collection's opulence difficult to work with, until he created an alter-ego artist, Shirley, who was inspired by the aesthetic.In recent years museums and art galleries have become a regular battleground in the culture wars. One of today's anti-woke warriors is the writer Lionel Shriver. Her latest satirical novel, Mania, imagines a world where intellectual meritocracy is heresy; the words 'stupid' and 'smart' are no longer acceptable, and novels like The Idiot and My Brilliant Friend are banned.In Shriver's imaginative world language and thought is heavily policed, speech is free only if it doesn't offend. The academic Fara Dabhoiwala has written about the emergence of this contested idea, in What Is Free Speech? He shows in the shifting story of the last three hundred years that freedom of speech is not an absolute from which different societies have drifted or dissented, but a much more mercurial, complicated matter.Producer: Katy Hickman

For our review programme Tom Sutcliffe is joined by critics Dorian Lynskey and Briony Hanson. They are looking at: New comedy series The Studio, set in Hollywood and starring Seth Rogan and Catherine O'Hara. Delusions of Grandeur, Grayson Perry's new exhibition where he selects items from the Wallace Collection, adds 40 new works and a new alter ego. And the film La Cocina, which gives an insight into the drama of a bustling New York Times Square restaurant kitchen where the largely illegal immigrant workers are serving up to 3000 covers a day. Plus an assessment of Netflix's most viewed limited series ever, Adolescence.Presenter: Tom Sutcliffe Producer: Claire Bartleet

Matthew Bannister onThe comedian and actor Tony Slattery. Sir Stephen Fry reflects on his friend's talent – and struggle with addiction and poor mental health. Dame Rosalind Savill, the respected director who brought new audiences to the Wallace Collection in London.Paddy Hill, one of six men wrongly convicted of carrying out pub bombings in Birmingham in 1974. Noreen Riols, who helped to train S.O.E. agents for undercover work during the Second World WarProducer: Ed PrendevilleArchive: Birmingham Six Case Reopens, BBC News, 1990; Release of the Birmingham Six, BBC News, 1991; Hard Talk, BBC, 2000; BBC Radio 4, 1974; Anti-IRA Marches, BBC News,1974; Whose Line Is It Anyway? Theme Tune composed by Philip Pope; Whose line is it Anyway?, Season6 Episode 6, A Hatrick Production, C4 Television Corporation; Whose line is it Anyway?, Season7 Episode 1, A Hatrick Production, C4 Television Corporation; The Cambridge Footlights Revue, 20/05/1982; STEPHEN FRY:THE SECRET LIFE OF THE MANIC DEPRESSIVE, 23/08/2007; What's the Matter with Tony Slattery, 05/06/2020!; Saturday Live, 31/08/2013; History: Secret Agent, 08/01/2001; Witness History, Secret Operations Executive. 05/09/2013; Masterclass Sèvres Porcelain, with Dame Rosalind Savill, Colnaghi Foundation, YouTube upload, 15/05/2020; The Wallace Collection, YouTube, upload, 01/10/2009; A Beautiful Thing: A Passion for Porcelain, BBC, 18/06/2013

Prepare for an explosive journey into the heart of medieval misconceptions in this fiery episode of History Rage. Host Paul Bavill is joined by the formidable Dr. Tobias Capwell, historian, author, jouster, and former curator of arms and armour at the Wallace Collection. Together, they dismantle the myths surrounding knights and their armour, revealing the truth behind the legends.The Truth About Armour:- Dr. Capwell debunks the pervasive myth that medieval armour was unbearably heavy, explaining its practical design and the rigorous training knights underwent to master its use.- Discover the reality of medieval knights' mobility and the misconceptions about their need for cranes to mount horses, which Dr. Capwell traces back to Victorian stage plays.Knights in Action:- Hear about Dr. Capwell's personal experiences in jousting and how modern armour compares to historical examples, shedding light on the physical demands and engineering marvels of medieval armour.- Learn about the rigorous training regimes of knights and how their bodies adapted to the demands of wearing and fighting in armour from a young age.Myth vs. Reality:- Explore the impact of popular culture on our understanding of medieval knights, from Victorian misconceptions to Hollywood's creative liberties, and how these have shaped modern perceptions.- Dr. Capwell discusses the importance of respecting historical source material and the dangers of modern interpretations that disregard the true context of medieval life. Join us as Dr. Tobias Capwell takes up the mantle to correct the record on medieval knights and their armour, offering a fascinating glimpse into the world of chivalry and combat. For more insights, visit Dr. Capwell's academia website and follow him on Instagram at @TobiasCapwell.Support the rage that fuels our historical deep dives at patreon.com/historyrage, and don't forget to leave us a review on Apple Podcasts, Podchaser, or Amazon. Stay informed, stay passionate, and let the rage for truth in history rage on! To catch up on all the rage from bygone times go to the website www.historyrage.comIf you want to get in touch with History Rage then email historyragepod@gmail.comFollow History Rage on Social MediaFacebook: https://www.facebook.com/HistoryRageTwitter: https://twitter.com/HistoryRageInstagram: https://www.instagram.com/historyrage/Bluesky: https://bsky.app/profile/historyrage.bsky.social Hosted on Acast. See acast.com/privacy for more information.

Marylebone is an ideal destination for a solo woman in midlife seeking sophistication and relaxation. The charming neighborhood offers boutique shops, cozy cafes, and independent bookstores, perfect for a leisurely exploration. You can unwind at a renowned wellness spa or enjoy fine dining at elegant restaurants. With cultural attractions like the Wallace Collection and nearby Regent's Park, Marylebone provides the perfect blend of culture, tranquility, and independence.//WHEN YOU'RE READY, HERE'S HOW I CAN HELP YOUJOIN THE VIP BOOK WAITLIST https://sharriharmel.com/Instagram: https://www.instagram.com/sharriharmel/Facebook Group: https://www.facebook.com/groups/273197629997812

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠★ Join the Ramblings of a Sikh YouTube Channel ★ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠★ Support this podcast on Patreon ★ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠★ Buy this podcast a coffee ★⁠⁠ Discover the legendary life of Maharaja Ranjit Singh, the iconic Sikh warrior and king, in this insightful video featuring co-curator Davinder Singh Toor.

Greg digs up a Belgian pop song from 1969 that became a popular sample amongst musicians for decades.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode of the Anglotopia podcast, historian and author Katherine Carter offers a fascinating look into her new book, Churchill's Citadel, which examines Winston Churchill's pivotal “wilderness years” of the 1930s. Katherine shares her lifelong passion for history and her journey to becoming Chartwell's curator, diving into how this beloved Kent home became Churchill's personal headquarters for intelligence gathering and diplomacy. She reveals the unique domestic life at Chartwell, with its lively gatherings, memorable overnight guests like T.E. Lawrence, and Churchill's meticulous attention to detail—even down to the design of the dining chairs. The discussion explores Churchill's resilience and isolation as he warned of the Nazi threat, Clementine Churchill's critical role in managing their household and finances, and the support of staff who endured Churchill's famously rigorous schedule. Katherine also touches on the financial ups and downs that marked the Churchills' lives, their strategic return to Chartwell after WWII, and the special steps taken to protect the home during the war. Finally, she hints at an exciting upcoming art exhibition at the Wallace Collection that will showcase Churchill's work as a painter, bringing new depth to this extraordinary leader's life. We're running a giveaway until the end of the month with two copies to give away. Links Churchill's Citadel Contest Buy Churchill's Citadel Chartwell National Trust Katherine Carter on Twitter Join the International Churchill Society Key Takeaways Katherine Carter's passion for history began in her childhood in York. The 1930s were crucial for Churchill, as he was a lone voice against the tide of appeasement. Chartwell served as Churchill's headquarters for diplomacy and intelligence gathering. The abdication crisis highlighted Churchill's support for the monarchy. Notable visitors to Chartwell included influential figures like T.E. Lawrence and Heinrich Brüning. Churchill's dinner parties were a blend of fine cuisine and political strategy. Clementine Churchill played a vital role in managing Chartwell and their household. Churchill's financial struggles impacted his ability to maintain Chartwell. The upcoming exhibition at the Wallace Collection will focus on Churchill's artistry. Katherine's research revealed the human side of Churchill's domestic life. Sound Bites On Churchill's early inspiration: "The 1930s are just as, if not possibly even more important [than WWII] because it's so much harder fighting for a cause when you are a lone voice… Churchill really was going out on a limb declaring that war was inevitable and we should be preparing for it." Chartwell as Churchill's strategic hub: "Chartwell becomes like his own branch of the Foreign Office out in Kent… they chose the 1930s as the period to immortalize, recognizing that as its moment of greatest historic significance." The significance of the visitor's book: "There's over 750 signatories from the 40 years the Churchills lived there… I wanted to interrogate everyone who came, whether they were a dine, wine, and dined guest or someone just quickly running in for the afternoon with a brown envelope of intelligence." On Churchill's unique social diplomacy: "Dinner at Chartwell… you'd have fine cuisine, excellent champagne, and discussion until midnight. Churchill would either be gleaning insights from you or trying to persuade you to his way of thinking." Chartwell's intimate charm: "It's not a grand house. There are grander houses in England… but it's a microcosm of everything he required. It feels very intimate, like you're walking around in Churchill's head.” On Churchill's resilience and purpose: "His courage to remain true to what he thought was right is truly inspirational… even with the political pressure and fear of war, Churchill held firm to his beliefs." Chapters 00:00 Introduction to Katherine Carter and Churchill's Citadel 03:07 Katherine's Journey into History and Churchill 05:57 The Significance of the 1930s in Churchill's Life 09:08 Chartwell: The Heart of Churchill's Diplomacy 11:49 The Abdication Crisis and Chartwell's Role 15:04 Notable Visitors and Their Impact on Churchill 17:46 Domestic Life at Chartwell: Balancing Diplomacy and Family 21:05 The Challenges of Writing and Researching Churchill's Life 24:02 Clementine Churchill: The Backbone of Chartwell 26:58 Chartwell as Churchill's Ideal Domain 30:08 The Financial Struggles of the Churchills 32:57 Churchill's Connection to Chartwell During WWII 36:14 Lessons from Churchill's Resilience 39:07 The Upcoming Churchill Art Exhibition 42:10 Fun Questions: Churchill's Favorite Memories and Quotes

In this episode of the Anglotopia podcast, historian and author Katherine Carter offers a fascinating look into her new book, Churchill’s Citadel, which examines Winston Churchill’s pivotal “wilderness years” of the 1930s. Katherine shares her lifelong passion for history and her journey to becoming Chartwell's curator, diving into how this beloved Kent home became Churchill's personal headquarters for intelligence gathering and diplomacy. She reveals the unique domestic life at Chartwell, with its lively gatherings, memorable overnight guests like T.E. Lawrence, and Churchill's meticulous attention to detail—even down to the design of the dining chairs. The discussion explores Churchill's resilience and isolation as he warned of the Nazi threat, Clementine Churchill’s critical role in managing their household and finances, and the support of staff who endured Churchill's famously rigorous schedule. Katherine also touches on the financial ups and downs that marked the Churchills' lives, their strategic return to Chartwell after WWII, and the special steps taken to protect the home during the war. Finally, she hints at an exciting upcoming art exhibition at the Wallace Collection that will showcase Churchill's work as a painter, bringing new depth to this extraordinary leader's life. We’re running a giveaway until the end of the month with two copies to give away. Links Churchill’s Citadel Contest Buy Churchill’s Citadel Chartwell National Trust Katherine Carter on Twitter Join the International Churchill Society Key Takeaways Katherine Carter’s passion for history began in her childhood in York. The 1930s were crucial for Churchill, as he was a lone voice against the tide of appeasement. Chartwell served as Churchill’s headquarters for diplomacy and intelligence gathering. The abdication crisis highlighted Churchill’s support for the monarchy. Notable visitors to Chartwell included influential figures like T.E. Lawrence and Heinrich Brüning. Churchill’s dinner parties were a blend of fine cuisine and political strategy. Clementine Churchill played a vital role in managing Chartwell and their household. Churchill’s financial struggles impacted his ability to maintain Chartwell. The upcoming exhibition at the Wallace Collection will focus on Churchill’s artistry. Katherine’s research revealed the human side of Churchill’s domestic life. Sound Bites On Churchill’s early inspiration: “The 1930s are just as, if not possibly even more important [than WWII] because it's so much harder fighting for a cause when you are a lone voice… Churchill really was going out on a limb declaring that war was inevitable and we should be preparing for it.” Chartwell as Churchill’s strategic hub: “Chartwell becomes like his own branch of the Foreign Office out in Kent… they chose the 1930s as the period to immortalize, recognizing that as its moment of greatest historic significance.” The significance of the visitor's book: “There's over 750 signatories from the 40 years the Churchills lived there… I wanted to interrogate everyone who came, whether they were a dine, wine, and dined guest or someone just quickly running in for the afternoon with a brown envelope of intelligence.” On Churchill's unique social diplomacy: “Dinner at Chartwell… you’d have fine cuisine, excellent champagne, and discussion until midnight. Churchill would either be gleaning insights from you or trying to persuade you to his way of thinking.” Chartwell’s intimate charm: “It's not a grand house. There are grander houses in England… but it's a microcosm of everything he required. It feels very intimate, like you’re walking around in Churchill’s head.” On Churchill’s resilience and purpose: “His courage to remain true to what he thought was right is truly inspirational… even with the political pressure and fear of war, Churchill held firm to his beliefs.” Chapters 00:00 Introduction to Katherine Carter and Churchill’s Citadel 03:07 Katherine’s Journey into History and Churchill 05:57 The Significance of the 1930s in Churchill’s Life 09:08 Chartwell: The Heart of Churchill’s Diplomacy 11:49 The Abdication Crisis and Chartwell’s Role 15:04 Notable Visitors and Their Impact on Churchill 17:46 Domestic Life at Chartwell: Balancing Diplomacy and Family 21:05 The Challenges of Writing and Researching Churchill’s Life 24:02 Clementine Churchill: The Backbone of Chartwell 26:58 Chartwell as Churchill’s Ideal Domain 30:08 The Financial Struggles of the Churchills 32:57 Churchill’s Connection to Chartwell During WWII 36:14 Lessons from Churchill’s Resilience 39:07 The Upcoming Churchill Art Exhibition 42:10 Fun Questions: Churchill’s Favorite Memories and Quotes

We've learned how freeing travel can be, so let's visit The Wallace Collection and Oxford Street in London together. It's the perfect blend of inspiration and rejuvenation for your next chapter in midlife. At The Wallace Collection, timeless art might spark a new passion, while Oxford Street's energy invites you to embrace change and self-care. At the end, we'll take a moment to enjoy a couple of beautiful paintings I found along the way.//WHEN YOU'RE READY, HERE'S HOW I CAN HELP YOUJOIN THE VIP BOOK WAITLIST https://sharriharmel.com/Instagram: https://www.instagram.com/sharriharmel/Facebook Group: https://www.facebook.com/groups/273197629997812

Join us for an insightful conversation with Davinder Toor, a renowned Sikh artefact collector and expert on Maharaja Ranjit Singh's incredible legacy. In this episode, we explore rare artefacts, untold stories, and the inspiring journey of preserving Sikh heritage.What To Expect

Enlightenment publications on human anatomy changed the way artists understood their place in the world. Check out these examples of life-changing images brought to you by prints in books!   In s2e31 of Platemark's History of Prints series, Tru and Ann continue their discussion of the Enlightenment. This time they look at several publications that put forward new discoveries about human anatomy: William Hunter's The Anatomy of the Human Gravid Uterus, Bernhard Siegfried Albinus' Tabulae sceleti et musculorum corporis humani, and Jacques Fabien Gautier d'Agoty's Myologie complette en couleur et grandeur naturelle. They conclude with Denis Diderot's Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers, a 17-volume tome that attempted to define and codify all of human knowledge.   At the end of the episode, Ann and Tru wax philosophical about how incredible this blossoming of human knowledge is, and how talking about it makes each of them think about our place as humans on the planet. It gets a bit deep, but worthwhile. A. Hadamart. Exhibition of the Royal Academy of Painting and Sculpture in the Grande Galerie of the Louvre, 1699. Engraving. Gabriel de Saint-Aubin (French, 1724–1780). Vue du Louvre en l'année 1753, 1753. Etching. Plate: 5 13/16 x 7 1/8 in. (14.8 x 18.1 cm.); sheet: 6 ¼ x 7 5/8 in. (15.8 x 19.3 cm.). Metropolitan Museum of Art, New York. Pietro Antonio Martini (Italian, 1738–1797). View of the Salon of 1785, 1785. Etching. Plate: 10 7/8 x 19 1/8 in. (27.6 x 48.6 cm.); sheet: 14 1/4 x 20 3/4 in. (36.2 x 52.7 cm.). Metropolitan Museum of Art, New York. Pietro Antonio Martini (Italian, 1738–1797). View of the Salon of 1787, 1787. Etching. Plate: 12 11/16 x 19 5/16 in. (32.2 x 49.1 cm.); sheet: 14 x 19 3/4 in. (35.6 x 50.2 cm.). Metropolitan Museum of Art, New York. Pietro Antonio Martini (Italian, 1738–1797), after Johann Heinrich Ramberg (German, 1763–1840). The Exhibition of the Royal Academy 1787, 1787. Engraving. Plate: 36.1 x 49.9 cm. British Museum, London. Jacques-Louis David (French, 1748–1825). The Oath of the Horatii, 1784/85. Oil on canvas. 10.8 x 13.9 ft. Louvre Museum, Paris. Sir Joshua Reynolds (British, 1723–1792). Lady Sarah Bunbury Sacrificing to Graces, 1765. Oil on canvas. 242.6 × 151.5 cm. (95 1/2 × 59 3/4 in.). Art Institute of Chicago. Sir Joshua Reynolds (British, 1723–1792). Lord Heathfield of Gibraltar, 1787. Oil on canvas. 142 x 113.5 cm. National Gallery, London. Pietro Antonio Martini (Italian, 1738–1797). Salon de 1787: view of the Salon Carre at the Louvre during the painting exhibition in Paris, 1852. Engraving. From Frank Leslie's Popular Monthly. Jean-Antoine Houdon (French, 1741–1828). Voltaire Seated, 1781. Terra-cotta. 120 cm. tall. Musée Fabre, Montpellier. Jean Honoré Fragonard (French, 1732–1806). Les hasards heureux de l'escarpolette (The Swing), c. 1767–68. Oil on canvas. 81 x 64.2 cm. The Wallace Collection, London. Jean-Antoine Houdon (French, 1741–1828). Benjamin Franklin, 1778. Marble. 23 1/8 × 14 1/2 × 11 1/4 in. Metropolitan Museum of Art, New York. Rembrandt (Dutch, 1606–1669). The Anatomy Lesson of Dr. Nicolaes Tulp, 1632. Oil on canvas. 216.5 × 169 ½ cm. (85 1/4 × 66 5/8 in.). Mauritshuis, The Hague. William Hunter (British, 1718–1783). Title page from The Anatomy of the Human Gravid Uterus. Birmingham: John Baskerville, 1774. Jan van Rymsdyk (Dutch, c. 1730–1790). Plate VI from The Anatomy of the Human Gravid Uterus. London: S. Baker & G. Leigh, 1774. Engraving. Leonardo da Vinci (Italian, 1452–1519). Sketchbook page: the fetus in the womb, c. 1511. Black and red chalk, pen and brush and ink. The Royal Collection. Leonardo da Vinci (Italian, 1452–1519). Sketchbook page: the female genetalia and fetus in the womb, c. 1511. Black and red chalk, pen and brush and ink. The Royal Collection. Johann Zoffany (German, 1733–1810). William Hunter Lecturing, 1770–72. Oil on canvas. Royal College of Physicians, London. Roman copy of Greek marble. The Dying Gaul, late 3rd century BCE. Marble. Capitoline Museums, Rome. William Pink (British, 1809–1857), after Agostini Carlini (British, born Italy, c. 1718–1790). Smugglerius, c. 1834. Plaster. Royal Academy of Arts, London. Thomas Banks (British, 1735–1805). Anatomical Crucifixion (James Legg), 1801. Plaster cast. Royal Academy of Arts, London. Bernhard Siegfried Albinus (Dutch, born German, 1697–1770). Title page from Tabulae sceleti et musculorum corporis humani. London: H. Woodfall, 1749. Bernhard Siegfried Albinus (Dutch, born German, 1697–1770). Page from Tabulae sceleti et musculorum corporis humani. London: H. Woodfall, 1749. Bernhard Siegfried Albinus (Dutch, born German, 1697–1770). Page from Tabulae sceleti et musculorum corporis humani. London: H. Woodfall, 1749.  Bernhard Siegfried Albinus (Dutch, born German, 1697–1770). Page from Tabulae sceleti et musculorum corporis humani. London: H. Woodfall, 1749. Bernhard Siegfried Albinus (Dutch, born German, 1697–1770). Page from Tabulae sceleti et musculorum corporis humani. London: H. Woodfall, 1749. Jacques Fabien Gautier d'Agoty (French, 1716–1785). Plate from Myologie complette en couleur et grandeur naturelle. Paris: Gautier, Quillau, Lamesle, 1746.  Jacques Fabien Gautier d'Agoty (French, 1716–1785). Plate from Myologie complette en couleur et grandeur naturelle. Paris: Gautier, Quillau, Lamesle, 1746.  Leonardo da Vinci (Italian, 1452–1519). Sketchbook page, c. 1511. Black and red chalk, pen and brush and ink. The Royal Collection.  Jacques Fabien Gautier d'Agoty (French, 1716–1785). Plate from Anatomy of the head, in printed images, representing the natural appearance of the brain at different levels, the distribution of the vessels, the sensory organs and part of the nervous system; taken from dissected and prepared portions of the subjects, 1748. Wellcome Library Collection, London. Jacques Fabien Gautier d'Agoty (French, 1716–1785). Plate from Exposition anatomique des organes des sens. Paris: Demonville, 1775.  Jacques Fabien Gautier d'Agoty (French, 1716–1785). Plate from Exposition anatomique des organes des sens. Paris: Demonville, 1775.  Jacques Fabien Gautier D'Agoty (1717–1785). Plate from Anatomie générale des viscères. Paris: 1752. Jacques Fabien Gautier d'Agoty (French, 1716–1785). Plate from Anatomy of the head, in printed images, representing the natural appearance of the brain at different levels, the distribution of the vessels, the sensory organs and part of the nervous system; taken from dissected and prepared portions of the subjects, 1748. Wellcome Library Collection, London. Jacques Fabien Gautier D'Agoty (1717–1785). Plate from Anatomie des parties de la génération de l'homme et de la femme. Paris, 1773.' Pregnant Woman Jean-Antoine Houdon (French, 1741–1828). Denis Diderot (1713–1784), 1773. Marble. Height (bust): 15 3/4 in. (40 cm.); height (stand): 4 11/16 in. (11.9 cm.). Metropolitan Museum of Art, New York. Denis Diderot (French, 1713–1784) and Jean le Rond d'Alembert (French, 1717–1783). Title page and frontispiece from Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers. Paris: André le Breton, Michel-Antoine David, Laurent Durant, and Antoine-Claude Briasson, 1751–72. Denis Diderot (French, 1713–1784) and Jean le Rond d'Alembert (French, 1717–1783). Plate from Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers. Paris: André le Breton, Michel-Antoine David, Laurent Durant, and Antoine-Claude Briasson, 1751–72. Anatomy pages from the Encyclopedia Britannia, 1963. Flags pages from the Encyclopedia Britannia, 1963. Denis Diderot (French, 1713–1784) and Jean le Rond d'Alembert (French, 1717–1783). Plate from Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers. Paris: André le Breton, Michel-Antoine David, Laurent Durant, and Antoine-Claude Briasson, 1751–72. Denis Diderot (French, 1713–1784) and Jean le Rond d'Alembert (French, 1717–1783). Plate from Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers. Paris: André le Breton, Michel-Antoine David, Laurent Durant, and Antoine-Claude Briasson, 1751–72. Denis Diderot (French, 1713–1784) and Jean le Rond d'Alembert (French, 1717–1783). Plate from Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers. Paris: André le Breton, Michel-Antoine David, Laurent Durant, and Antoine-Claude Briasson, 1751–72. Denis Diderot (French, 1713–1784) and Jean le Rond d'Alembert (French, 1717–1783). Plate from Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers. Paris: André le Breton, Michel-Antoine David, Laurent Durant, and Antoine-Claude Briasson, 1751–72. Denis Diderot (French, 1713–1784) and Jean le Rond d'Alembert (French, 1717–1783). Plate from Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers. Paris: André le Breton, Michel-Antoine David, Laurent Durant, and Antoine-Claude Briasson, 1751–72. Denis Diderot (French, 1713–1784) and Jean le Rond d'Alembert (French, 1717–1783). Plate from Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers. Paris: André le Breton, Michel-Antoine David, Laurent Durant, and Antoine-Claude Briasson, 1751–72. Denis Diderot (French, 1713–1784) and Jean le Rond d'Alembert (French, 1717–1783). Plate from Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers. Paris: André le Breton, Michel-Antoine David, Laurent Durant, and Antoine-Claude Briasson, 1751–72. Denis Diderot (French, 1713–1784) and Jean le Rond d'Alembert (French, 1717–1783). Plate from Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers. Paris: André le Breton, Michel-Antoine David, Laurent Durant, and Antoine-Claude Briasson, 1751–72. Denis Diderot (French, 1713–1784) and Jean le Rond d'Alembert (French, 1717–1783). Plate from Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers. Paris: André le Breton, Michel-Antoine David, Laurent Durant, and Antoine-Claude Briasson, 1751–72. Denis Diderot (French, 1713–1784) and Jean le Rond d'Alembert (French, 1717–1783). Plate from Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers. Paris: André le Breton, Michel-Antoine David, Laurent Durant, and Antoine-Claude Briasson, 1751–72. Denis Diderot (French, 1713–1784) and Jean le Rond d'Alembert (French, 1717–1783). Plate from Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers. Paris: André le Breton, Michel-Antoine David, Laurent Durant, and Antoine-Claude Briasson, 1751–72. Denis Diderot (French, 1713–1784) and Jean le Rond d'Alembert (French, 1717–1783). Plate from Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers. Paris: André le Breton, Michel-Antoine David, Laurent Durant, and Antoine-Claude Briasson, 1751–72. Denis Diderot (French, 1713–1784) and Jean le Rond d'Alembert (French, 1717–1783). Plate from Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers. Paris: André le Breton, Michel-Antoine David, Laurent Durant, and Antoine-Claude Briasson, 1751–72. Francisco de Goya (Spanish, 1746–1828). Plate 43 from Los Caprichos: The sleep of reason produces monsters (El sueño de la razon produce monstruos), 1799. Etching and aquatint. Plate: 8 3/8 x 5 15/16 in. (21.2 x 15.1 cm.); sheet: 11 5/8 x 8 1/4 in. (29.5 x 21 cm.). Metropolitan Museum of Art, New York.

Captain Dan and Penny Lane bring you a show full of twists and surprises this week on Punks in Parkas!Hear tracks from the likes of Amy Winehouse, Wallace Collection, Irma Thomas and more!For more info and tracklisting, visit: https://thefaceradio.com/punks-in-parkasTune into new broadcasts of Punks In Parkas, Every Monday from Midday – 1 PM EST / 5 - 6 PM GMT//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

In this episode, guest Dr Xavier Bray, director of the Wallace Collection, describes the surprise hit exhibition in London in 2000: Seeing Salvation, Image of Christ, at the National Gallery. He shares his memories of being an assistant (and very junior) curator of the show and explains why images of Christ still resonate and matter. He talks about the impact of art on us and suggests what sort of exhibition the world perhaps needs at this troubled time. Further Reading:The Image of Christ: The Catalogue of the Exhibition "Seeing Salvation" (National Gallery of London) by Gabriele Finaldi (2000-11-10)Seeing Salvation by Neil MacGregor and Erika Langmuir (2000) Hosted on Acast. See acast.com/privacy for more information.

Hi Royal Community, Thank you for all your support during our break. We are missing you. In the meantime, we have heard from lots of you who have been asking about our archived episodes 11-71.... Well, whilst we take a break from weekly uploading, we have listened and decided to release those archived episodes that you have been asking for.  So, over the coming weeks, we will be re-releasing these episodes to keep you entertained. We hope you enjoy!   But....with re-released episodes comes caveats.... *Remember our opinions, beliefs and feelings may have changed on the subject since this originally aired.  **The information could have been updated, social handles and/or Royal titles changed, and our dearly beloved Queen Elizabeth II may possibly still have been alive when this was recorded so please note the time difference.  ***Episode 18 was recorded on the 7th July 2021 and first uploaded on the 9th July 2021.   As always please leave us a comment, email us or head to Instagram and get involved there.                                          ........................................... Podcast Retrospective Editing Mistake: At 27:48 when talking about The Princess Royal's engagement, please note that we made a mistake and Michelle mentions Ireland but this should be Northern Ireland. We are so sorry for this mistake. We have since educated ourselves for future/upcoming episodes.  In today's Royal Round-Up: We let you know abut our trip to London visiting The Wallace Collection, Lantana Elephants at Green Park and Kensington Palace for the Royal Style Exhibition featuring Diana, Princess of Wales wedding dress and visiting The Diana Statue for the first time at the Sunken Gardens. Queen Elizabeth II and The Princess Royal headed to the Edinburgh Climate Change institute where they arrived by hybrid Range Rover and we had two treebilees and one plaque attack! Queen Elizabeth II welcomed Chancellor of the federal republic of Germany, Dr. Angela Merkel at Windsor Castle. The Queen visits Coronation street to celebrate their 60th Anniversary The Royals heads to Wimbledon Catherine self-isolates for ten days Prince William celebrates the 73rd anniversary of the National Health Service with a garden party in Buckingham Palace and a service at St Paul's Cathedral. Queen Elizabeth II awarded the NHS with the George Cross for the collective service during the Covid Pandemic. Only three awards have been awarded for collective work including the Country of Malta and the Ulster Constabulary respectively  Prince William headed to the England v Denmark football match and rubbed shoulders with members of the Denmark Royal family. Lady Louise competed at the Windsor Horse Show Sophie, Countess of Wessex rode a tandem bike in aid of Vision Foundation Sophie and Princess Alexandra had a joint engagement visiting  the Guide Dogs for the Blind and Windmill City Farm We chat Princess Alexandra facts  And, in our Royal News: The Prince of Wales and the Duchess of Cornwall head to Wales for ‘Wales Week'. They visited: The budget supermarket in Iceland in Wrexham Wachartt Vaccine factory Tested the water at St Winifreds Well in Flintshire Charlies took the River simples Racer Car for a test drive Camilla visited the Hay Festival Llantrisant Guild Hall Heritage Centre built in 1346 Llanich vineyard for their 10th anniversary for a treebilee and plaque attack And, listed the Welsh College of Music and Drama Charles has his own Spotify playlist! And finally visited the Macmillan Cancer Support   The Princess Royal makes the Royal News. She visited: Aintrum Castle Gardens to award them the Queen's Award for Voluntary Service The Hillsborough Castle where a reception was held for volunteers and charitable organisations. Also, she saw the Northern Ireland centenary Rose. The Thames Tideway tunnel and turned the last bolt to complete the project Anne received the lifetime achievement award of the City of London Livery Club   

The convicted art fraudster Inigo Philbrick is out of prison and possibly seeking a return to art dealing. How is that possible? Tim Schneider, The Art Newspaper's acting art market editor, tells us about Philbrick's story, why the art trade is a natural habitat for fraud, and why a criminal past need not lead to art-world banishment. In the wake of the first Art Basel Hong Kong art fair to take place after the newly instated Article 23 security law, our associate digital editor Alexander Morrison talks to our correspondent in China, Lisa Movius, about the law's impact on artists, museums and others in the art world now and in the future. And this episode's Work of the Week is a sword associated with Ranjit Singh, the Maharaja who is the subject of a major exhibition opening next week at the Wallace Collection in London. Davinder Toor, the co-curator of the show, tells us more.Ranjit Singh: Sikh, Warrior, King, Wallace Collection, London, 10 April-20 October Hosted on Acast. See acast.com/privacy for more information.

This painting is the last of six paintings that make up Titian's extraordinary “Poesie” series for King Philip II of Spain. Of all six, it is in the worst state of conservation and went through major compositional changes while it was being painted. Nevertheless, the “Perseus and Andromeda” is an important work of beauty, innovation, and visual interpretation of a classical literary source. 

Synopsis Today we offer a special “Gong Show” edition of the Composer's Datebook. On today's date in 1791, at the height of the French Revolution, the Panthéon in Paris was converted into a mausoleum for national heroes, and the first to be interred there, with great pomp and ceremony, was Honoré Gabriel Riqueti, Comte de Mirabeau, a tremendously popular personage of the day. For dramatic effect during the Count's funeral procession through the streets of Paris, French composer François Joseph Gossec added an unusual percussion instrument to his funereal wind band: an exotic instrument someone had brought to Paris from the Far East, and known as—you guessed it—the gong. It was reported that whenever the gong was struck during Mirabeau's funeral procession, cries of terror and fright were heard from the crowd that lined the Parisian streets as the cortège passed. Now terror and fright are bread and butter in the world of grand opera, and so the gong soon was adopted by 19th century composers like Spontini, Meyerbeer, and Wagner, and, in the 20th century, composers like Puccini, Stravinsky, Stockhausen, and George Crumb have also used gongs to—pardon the pun—striking effect! Music Played in Today's Program François-Joseph Gossec (1734 – 1829) Marche lugubre The Wallace Collection; John Wallace, cond. Nimbus 5175

In the wait for season two, This is History Plus will be releasing interviews with some of Dan's favourite historians, talking all things Plantagenet.  In this episode, Dan is joined by Tobias Capwell to talk about what it was really like to be a knight. Tobias, a seasoned jouster himself, and Curator of Arms and Armour at the Wallace Collection, discusses how knights trained and why the concept of chivalry became important in the twelfth century.  There will be plenty more on This is History Plus, to get access go to apple podcasts and click ‘try free', or visit thisishistorypod.com.  And the next chapter of the Plantagenet saga will return on this feed in the New Year.  Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts  To bring your brand to life in this podcast, email podcastadsales@sonymusic.com  Presented by Dan Jones Producer - Elly Lazarides Series Producer - Georgia Mills Executive  Producer -  Dave Anderson Production Manager - Jen Mistri Engineer - Gulliver Lawrence-Tickell Learn more about your ad choices. Visit megaphone.fm/adchoices

This is an episode for arms and armour enthusiasts, Ricardians, and those interested in the magic of movie-making. Host Ploy Radford interviews Dr Toby Capwell from the Wallace Collection about their temporary exhibition linked to 'The Lost King' movie about Richard III. Learn about the art of creating armour for film, what would Richard III have actually worn to that fateful battle and what modern archaeology tells us about whether he was betrayed or not...

Explore one of the great collections of 18th furniture and decorative arts.

Join Anne Rowe and Miles Leeson as they guide you around London's Wallace Collection, stopping off to discuss three key paintings that feature in Murdoch's novels: Hal's Laughing Cavalier, Titian's 'Perseus and Andromeda', and Rembrandt's 'Titus, the Artist's Son'. These feature in her first novel 'Under the Net' and her Booker Prize-winning 'The Sea, The Sea', respectively. You can view them here: https://www.wallacecollection.org/art/exhibitions-displays/past-exhibitions/frans-hals-the-male-portrait/ https://wallacelive.wallacecollection.org/eMP/eMuseumPlus?service=ExternalInterface&module=collection&objectId=65351&viewType=detailView https://www.wallacecollection.org/art/collection/collection-highlights/titus-artists-son/ Anne Rowe is Visiting Professor at the Iris Murdoch Research Centre at the University of Chichester. Her many books include the first work on Murdoch and Art 'The Visual Arts and the Novels of Iris Murdoch', as well as 'Iris Murdoch' in the Writers and their Work Series.

Today I'm so happy to be talking to Karly Allen about her work. We're talking about how mindfulness can help us to connect with and engage with art, how we can bring mindfulness practices to the experience of drawing.  Karly Allen is a UK-based gallery educator, drawing tutor and mindfulness teacher. She has worked for the National Gallery, London, over the past 20 years and has taught widely for UK art collections including the National Portrait Gallery, Wallace Collection and Royal Collection. In 2018, Karly co-foundedhttps://www.liminacollective.com/ ( Limina Collective) to bring mindfulness and reflection practices to museum and online spaces.   We explore how mindfulness and meditation practices, observation of the artwork and drawing interrelate with each other. And how drawing with mindfulness creates connections, opens us up to creativity and helps us to overcome any resistance we might have to drawing or the fear of the blank page. We talk extensively about the benefits and how it help us to tune into a mode of being being open, letting go of preconceptions and habitual patterns of looking.  Links Masterclass: Mona Lisa - Experiments in Drawing with Mindfulness Tuesday 19 July at 17.00 hrs CET This masterclass offers an experimental space to explore drawing and mindfulness, with Leonardo's iconic painting as our focus. Sign up here: https://buy.stripe.com/aEU00A3Th8pP1Wg5ks (https://buy.stripe.com/aEU00A3Th8pP1Wg5ks) https://buymeacoffee.com/clairebown (Support the Show) Find out more about Limina Collective and contact Karly via their website https://www.liminacollective.com (https://www.liminacollective.com) Join the https://liminacollective.us18.list-manage.com/subscribe?u=7703085289b8bfad27fbb899b&id=e09f01af3f (Limina Collective monthly newsletter ) Connect on Instagram: @limina_collective @karlykallen Limina Collective's exhibition audios for Manchester Art Gallery, 'Room to Breathe': https://manchesterartgallery.org/exhibitions-and-events/exhibition/room-to-breathe/ (https://manchesterartgallery.org/exhibitions-and-events/exhibition/room-to-breathe/) Limina Collective's series of films for the Royal Academy, 'A Slow Look': https://www.royalacademy.org.uk/articles/tag/slow-look (https://www.royalacademy.org.uk/articles/tag/slow-look) Limina Collective's film for The Wallace Collection, 'Taking Time to Look': https://www.youtube.com/watch?v=ZVp4h27aeos (https://www.youtube.com/watch?v=ZVp4h27aeos)

On this week's episode, Jonathan Miller says that whoever wins France's election on Sunday, the country is going to the dogs. (01:00) After, Cindy Yu says that China's online censors are struggling to suppress critics of the Shanghai lockdown. (07:47) And, to finish, Laura Freeman reviews a Walt Disney exhibition at the Wallace Collection. (12:06) Entries for this year's Innovator Awards, sponsored by Investec, are now open. To apply, go to: www.spectator.co.uk/innovator

"thanks to the restoration we're seeing things we couldn't see before"

"Fragonard is still misunderstood and under-appreciated as an artist"

"the elbow breaks out of the picture plane into our space"

"cigarettes, whiskey and wild, wild women"

"unforgettable and unmissable"

Episode 16 is our discussion with Jonathan Hodgetts, founder and owner of Wessex Tubas. This was our first international interview, and we can't thank him enough for taking the time to speak with us. We cover how and why he started Wessex, what their instrument designing process is like, and how they got into reproducing historical instruments such as the ophicleide and their brand new Over-the-Shoulder Eb Bass.Show notes for this episode are available at https://eabbpodcast.com/show-notes-2/. Music in this episode comes from Our Musical Past from the Library of Congress and The 8th GM Regiment Band. You can get in touch with us on social media, and by emailing us at eabb.podcast@gmail.com.If you like the show, the best way you can support us is by becoming a patron at https://www.patreon.com/eabbpodcast. We appreciate any support you feel compelled to give!Episode Structure:3:15 - Jonathan's musical background6:00 - British style brass bands8:39 - Orchestral and wind band playing12:42 - Founding of Wessex Tubas and initial instrument production18:09 - Expanding production, distribution, tweaking instrument designs20:35 - How Wessex got into producing historical instruments23:34 - Why Jonathan thinks historical instruments should be accessible to players25:06 - Timeline from design to product29:12 - Considerations before Wessex decides to design and produce an instrument33:46 - Wessex's OTS Eb Bass, how they decided to make it, the horn it was modeled after, and "quality of life" design improvements40:31 - Playing the new Wessex OTS Eb Bass41:53 - More on the OTS Eb Bass45:30 - Thoughts on reproducing historical instruments54:15 - Where you can find more information about Wessex, their OTS Eb Bass, and their other instruments56:19 - Show notes, social media, and our featured album for this episode: The Origin of the Species, The Wallace Collection

Indy is having trouble understanding a lot of what he and Mutt are finding around Orellana and his men, and guess what, so is returning guest Toby Capwell, curator of the Wallace Collection of medieval armor. Support us on Patreon: https://www.patreon.com/indianajonesminute Join us online at: http://www.indianajonesminute.com/ Facebook: https://www.facebook.com/groups/1011918448897040/