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Hosted by Joe Perry
Hosted by Joe Perry
9 episodes with Joe Perry
20 episodes with Joe Perry
6 episodes with Joe Perry
5 episodes with Joe Perry
2 episodes with Joe Perry
5 episodes with Joe Perry
4 episodes with Joe Perry
Buck Johnson is a Singer, Songwriter and Multi-Instrumentalist who tours with Ringo Starr's All-Starr Band, Aerosmith, The Joe Perry Project and The Hollywood Vampires (Johnny Depp, Alice Cooper, Joe Perry). He's also toured with the Doobie Brothers. As a songwriter he co-wrote Carlos Santana's hit song “Just Feel Better” and he had a bunch of country hits with the band Whiskey Falls.My featured song is my reimagined version of The Beatles' “I Wanna Be Your Man” which I renamed “I Wanna Be Your Girl” because my band, Project Grand Slam, had a female singer. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH BUCK:www.buckjohnson.com________________________ROBERT'S RECENT SINGLES:“DAY AT THE RACES” is Robert's newest single.It captures the thrills, chills and pageantry of horse racing's Triple Crown. Called “Fun, Upbeat, Exciting!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS___________________“MOON SHOT” reflects my Jazz Rock Fusion roots. The track features Special Guest Mark Lettieri, 5x Grammy winning guitarist who plays with Snarky Puppy and The Fearless Flyers. The track has been called “Firey, Passionate and Smokin!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS____________________“ROUGH RIDER” has got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com
S8E22 went out live from the TSORR Studio on Myoli Beach on 29 May 2025 at 19h00 on Rebel Rock Radio. Running order of artists featured: Joe Bonamassa, Skid Row, Rise Against, Airborne, Rival Sons, Sheryl Crow, The Doors, W.A.S.P., Ugly Kid Joe, The Black Keys, The Gaslight Anthem, Temple of a Dog, Alice in Chains, Kiss, Death Leopard, Deep Purple, Judas Priest, The Stranglers, The Beatles, Iron Maiden, Ozzy Osbourne, Sepultura, My Chemical Romance, Goodbye June. Joe Perry, David Bowie, Bruce Springsteen, Kiss, Guns N' Roses, Jelusik, Tom Petty and The Heartbreakers, Live, Metallica, Onslaught, Arch Enemy, Atticus Fitch.The Story of Rock and Roll. TSORR - Your one-stop shop for Rock
Did a KISS Moment & Melissa Etheridge Advice Change His Life?
Did a KISS Moment & Melissa Etheridge Advice Change His Life?
This week, the Dads cover some exciting news in the Dadaverse regarding Joe Perry and David Lee Roth, JHS releases another IKEA shocker, Paisely has a new signature, and PRS releases some upgraded amps. The Dads also take a listener question about Epiphone headstocks. Please support our sponsor, Coppersound Pedals www.coppersoundpedals.com and use code DADS10 to 10% off your order! Also - please consider supporting the Dads at patreon.com/guitardadspodcast We have some great exclusive content with special guests AND a special discount code for patreon supports only!
Buck Johnson is a seasoned singer-songwriter, multi-instrumentalist, and producer whose soulful ‘Cala-Bama' sound fuses his Alabama gospel roots with a West Coast rock edge. Best known as the keyboardist and backing vocalist for Aerosmith, Ringo Starr & His All Starr Band, The Hollywood Vampires, and The Joe Perry Project, which recently revamped and has an incredible lineup featuring Chris Robinson of The Black Crows, Robert DeLeo and Eric Kretz of Stone Temple Pilots, Brad Whitford, and Buck. “Aerosmith was already a fine tuned machine when Buck came into the fold but he made them better if that was possible. His vocals complements Steven's perfectly and Buck still being there is a true testament of what he brings to Aerosmith. I call him the “Swiss Army knife”! He plays keyboards and also guitar on some songs but his singing is his gift and it really shows on the Aerosmith, Vampires and Joe Perry live gigs. I think what puts him high above the rest as a well sought after musician is he is one of the finest humans you are going to meet”. -John Bionelli, AerosmithMusicThe Charms "So Pretty"The Dogmatics "I Love Rock N Roll"Produced and Hosted by Steev Riccardo
Steven Tyler & Joe Perry reunite for a special performance for charity, A statue of Motorhead's Lemmy Kilmiester will be unveiled in his hometown, and Jimmy Page has been hit with another lawsuit following the release of their latest documentary & more! PLUS ‘This Week in Rock & Roll History Trivia', Rock Birthdays, ‘The Best & Worst Rock Album Artwork of the Week' & so much more!Everything is up at www.rocknewsweekly.com Watch us LIVE, chat with us & more…Every Sunday around 2pm PST @ https://www.twitch.tv/rocknewsweeklyWatch all of our videos, interviews & subscribe at Youtube.com/@rocknewsweeklyFollow us online:Instagram.com/rocknewsweeklyFacebook.com/rocknewsweeklyTwitter.com/rocknewsweeklyAll of our links are up at www.rocknewsweekly.com every Monday, where you canCheck it out on 8 different platforms (including Amazon Audible & Apple/Google Podcasts) #Rock #News #RockNews #RockNewsWeekly #RockNewsWeeklyPodcast #Podcast #Podcasts #Metal #HeavyMetal #Alt #Alternative #ClassicRock #70s #80s #90s #Indie #Indie #Trivia #RockBirthdays #BestAndWorstAlbumCovers #AlbumCovers #BadAlbumCovers #StevenTyler #JoePerry #Aerosmith #JaniesFund #Motorhead #LemmyKilmiester #JimmyPage #RickHolmes #Taurus #DazedandConfused #LedZeppelin #ACL2025 #ACLFest
MUSICMatt Pinfield revealed the gift he received from the Osbournes while recovering from a stroke he suffered in January. Alice in Chains canceled their show Thursday night in Uncasville, Connecticut after drummer Sean Kinney suffered "a non-life-threatening medical emergency." Stone Temple Pilots guitarist Dean DeLeo has come up with a side project of his own while his bandmates Robert DeLeo and Eric Kretz tour with Joe Perry this summer. It's called One More Satellite and it's a collaboration with U.K. singer Pete Shoulder. Their self-titled debut will be out on July 18th. The first single and video is called "Paper Over the Cracks,"Usher apologized to Sabrina Carpenter's father for feeding her a cherry during his performance at the Met Gala. NEW MUSIC IN RECORD STORES AND STREAMING:Sleep Token's Even in Arcadia is one of the most anticipated rock albums of the year.Pierce the Veil's The Jaws of Life: Deluxe Edition adds their cover of Radiohead's "Karma Police" and more.Thom Yorke of Radiohead teamed up with Mark Pritchard for Tall Tales.TVOf all the things Elon Musk and DOGE have been cutting from the federal government, the one thing we can least afford to lose is Elmo. Which is why people were freaking out when they thought it had happened.Hoda Kotb could be back on television. According to Page Six, Kotb is on the list of people who could take over Kelly Clarkson's talk show time slot should she choose to step downAfter the Wrestle Zone podcast made claims that he had skin cancer, wrestling legend Ric Flair has denied the rumors MOVING ON INTO MOVIE NEWS: "Juliet & Romeo" (PG-13) Trailer: Australian actor Jamie Ward and Danish actress Clara Rugaard are Romeo and Juliet in this upbeat musical version of the Shakespeare's classic tragedy about the Montagues and the Capulets. Rupert Everett and Rebel Wilson play Juliet's parents and Jason Isaacs is Lord Montague. "Shadow Force" (R) Kerry Washington and Omar Sy leave a shady multinational special forces group after they have a son together. But when Mark Strong refuses to let them go and puts a bounty on their heads, they decide to fight back and go to war. "Fight or Flight" (R) Trailer: Josh Hartnett plays a mercenary sent by Katee Sackhoff to track down and protect a high value asset known only as Ghost aboard an international flight. But before he can figure out his target's identity, they find out the plane's full of assassins, and he has to John Wick his way through them all. Check out the trailer for "The Conjuring: Last Rites". Sydney Sweeney is being criticized for dragging her new puppy out in front of reporters after the Met Gala.Shia LaBeouf revealed he once lived in New York City's Central Park during a turbulent period around 2013.Brie Larson is releasing a cookbook with her best friend, a chef named Courtney McBroom. MISCNintendo Switch 2 sales forecast … The release of the Nintendo Switch 2 is still expected on June 5th – and company insiders are trying to figure out just how many gaming systems will ship in the first year. The predictions have been all over the place because of the economy and tariff issues, but they have settled on 15 million, which is almost 2 million less than they thought before things got bumpy. As a comparison, Nintendo has sold over 150 million Switch units to date – including 17.8 million in the first 13 months after that console was released.AND FINALLY Have you ever aspired to be like a mom you've seen on screen? People over at Ranker.com are voting for the most inspirational moms in movies. We cover the Top 15AND THAT IS YOUR CRAP ON CELEBRITIES!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
On this episode of Banking on KC, Joe Perry, President of the Lee's Summit Economic Development Council, joins host Kelly Scanlon to discuss the city's dynamic growth and the collaborative spirit fueling its future.Tune in to discover:How Lee's Summit's strategic investments are driving growth across the retail, healthcare, industrial and education sectors.Why public-private partnerships and collaboration among civic, business and community leaders are key to sustaining the city's momentum.How Lee's Summit is positioning itself as a talent hub and creating an environment that attracts both businesses and residents.Country Club Bank — Member FDIC
Dennis Dunaway was inducted into the Rock and Roll Hall of Fame in 2011 as a founding member of the band named Alice Cooper. Dennis and the group are in the Grammy Hall of Fame for co-writing “School's Out.” The original Alice Cooper group have sold millions of singles and albums and were on the cover of Forbes for having the largest grossing tour in 1973 over Led Zeppelin and the Rolling Stones. The original Alice Cooper group is in the Guinness Book of World Records for largest indoor audience of an estimated 120,000 to 148,000 in Sao Paulo, Brazil in 1974. The Billion Dollar Babies album reached number 1 in America and Britain, and the group are recognized as the innovators of theatrical rock shows, which included giant balloons, hangings, snakes and spidery eye makeup.Dennis currently records and tours with Blue Coupe featuring Joe and Albert Bouchard of Blue Öyster Cult fame and singers Tish and Snooky of Manic Panic.The original Alice Cooper group recorded 3 songs on Alice's Welcome 2 My Nightmare album, and re-recorded “School's Out” with Brian Johnson, Joe Perry and Johnny Depp for the Hollywood Vampires album. The Alice Cooper group reunited to record several songs on Alice's Paranormal album produced by Bob Ezrin, and the group did a five-city tour in the United Kingdom in November 2017, which included 14,000 people at Wembley. Dennis is constantly recording and playing shows with bands involving his musical friends. His fans inspire him to take new risks while remaining true to legendary roots.For more on Dennis....https://www.dennisdunaway.com
Joe Louis Walker, guitariste virtuose et chanteur de renom, figure importante du blues, est décédé au mois d'avril à l'âge de 75 ans des suites d'une maladie cardiaque. Le groupe emblématique The Cure s'apprête à sortir un nouvel album de remixes intitulé ‘'Mixes Of A Lost World' avec des artistes invités dont le chanteur de Deftones, Chino Moreno, qui vient de dévoiler sa version de "Warsong". Le groupe breton Matmatah dévoile une lyric video pour sa reprise avec brio du titre "Putain Putain" d'Arno, réalisée par Charlie Garnier, à voir sur Classic21.be. Steven Tyler et Joe Perry d'Aerosmith ont joué ensemble pour la première fois en deux ans lors d'une soirée privée au profit de l'organisation caritative de Tyler, Janie's Fund, à San Francisco mercredi 30 avril, à voir sur notre site. Retour sur scène aussi pour Guns N' Roses avec son nouveau batteur Isaac Carpenter, 45 ans, qui n'est pas un inconnu de la scène rock, vidéos sont en ligne sur classic21.be. Le dernier concert solo d'Ozzy Osbourne, et celui de Black Sabbath, prévus le 5 juillet à Birmingham, sont des défis de taille. La pression monte pour tous y compris pour Geezer Butler, bassiste de Black Sabbath, qui partage ses craintes à l'approche de la date Mots-Clés : famille, magazine, Rolling Stone, nouvelle, intronisé, Blues Hall of Fame, distinctions, carrière, Four Tet, Mogwai, Paul Oakenfold, originaux, perspective, œuvre, ode, unité européenne, défis, message avec brio, clin d'oeil, chœurs, animatrice, Fanny Gillard, complice, Toxic Twins, scène, blessure, larynx, cordes vocales, tournée d'adieu d'Aerosmith, concert live, tournée mondiale, Songdo Moonlight Festival Park, Icheon, Corée du Sud, Because What You Want and What You Get Are Two Completely Different Things, fans, cauchemars, palpitations, Sharon Osbourne, survivant, Soundgarden, line up. --- Classic 21 vous informe des dernières actualités du rock, en Belgique et partout ailleurs. Le Journal du Rock, en direct chaque jour à 7h30 et 18h30 sur votre radio rock'n'pop. Merci pour votre écoute Plus de contenus de Classic 21 sur www.rtbf.be/classic21 Ecoutez-nous en live ici: https://www.rtbf.be/radio/liveradio/classic21 ou sur l'app Radioplayer BelgiqueRetrouvez l'ensemble des contenus de la RTBF sur notre plateforme Auvio.be Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Découvrez nos autres podcasts : Le journal du Rock : https://audmns.com/VCRYfsPComic Street (BD) https://audmns.com/oIcpwibLa chronique économique : https://audmns.com/NXWNCrAHey Teacher : https://audmns.com/CIeSInQHistoires sombres du rock : https://audmns.com/ebcGgvkCollection 21 : https://audmns.com/AUdgDqHMystères et Rock'n Roll : https://audmns.com/pCrZihuLa mauvaise oreille de Freddy Tougaux : https://audmns.com/PlXQOEJRock&Sciences : https://audmns.com/lQLdKWRCook as You Are: https://audmns.com/MrmqALPNobody Knows : https://audmns.com/pnuJUlDPlein Ecran : https://audmns.com/gEmXiKzRadio Caroline : https://audmns.com/WccemSkAinsi que nos séries :Rock Icons : https://audmns.com/pcmKXZHRock'n Roll Heroes: https://audmns.com/bXtHJucFever (Erotique) : https://audmns.com/MEWEOLpEt découvrez nos animateurs dans cette série Close to You : https://audmns.com/QfFankxDistribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
Tune in to Today's Boondoggle for a no-holds-barred conversation with a legendary guitar tech. Get the inside scoop on touring with rock giants like Angus Young and Joe Perry, the surprising advice from Melissa Etheridge, and a life-altering moment involving KISS. We also explore his journey through Sunset Strip's Forgotten Child and the birth of Close Enemies with Tom Hamilton. This is the real backstage pass.Get a free Rumble Account so you can comment! https://rumble.com/register/classicmetalshow/Get commercial free versions of our episodes, advance releases and exclusive content by subscribing to Rumble Premium! https://rumble.com/premiumNOTE: Everything said here, and on every episode of all of our shows, are 100% the opinions of the hosts. Nothing is stated as fact. Do your own research to see if their opinions are true or not. #RockPodcast #GuitarTechLife #KISSStory #SobrietyPodcast #MusicInterview
The Snooker Club podcast brings you World Championship Daily: news, debate, and instant reaction to the drama of the Halo World Snooker Championship from the Crucible. On today's show Joe Perry is joined by Matt Selt to discuss an action packed day at The Crucible! Zhao Xintong beat Ronnie O'Sullivan 17-7 to qualify for the Final! Judd Trump and Mark Williams are level at 8 frames each in their bid to join Zhao in the Final! Email: snookerclub@wst.tv
The Snooker Club podcast brings you World Championship Daily: news, debate, and instant reaction to the drama of the Halo World Snooker Championship from the Crucible. On today's show Joe Perry is joined by Antoni Kowalski to discuss the action from the start of the semi-finals! The guys look forward to tomorrow's action at The Crucible as Ronnie O'Sullivan and Zhao Xintong are level at 4 frames each, whilst Judd Trump leads Mark Williams 5-3. Email: snookerclub@wst.tv
The Snooker Club podcast brings you World Championship Daily — your morning hit of news, debate, and Crucible drama from the Halo World Snooker Championship! Today, Joe Perry & Louis Hobbs take you through the beginning of the second round. Also they discuss Luca Brecel beating Ryan Day. Ben Woollaston and Mark Selby played throughout the night. They also look forward to tomorrow's action where Zhao Xintong and Mark Williams return to The Crucible stage. All that and more on this episode! Email: snookerclub@wst.tv
My long-time friend, Peter Scott Ruben, is the best guitar player I know, having personally watched him jam with some of the great rock and blues musicians of the seventies (Joe Perry in his pre-Aerosmith days and Kim Simmonds of The Savoy Brown Blues Band are two who immediately come to mind -- I read that Simmonds died two years ago in England and the band had to break up after an amazing fifty-five year run). Since then, Peter has fronted his own bands, and has also carried on his father's legacy as leader of the premier special events orchestra/band in Philadelphia, through which he met "the great one," Frank Sinatra, at a White House gig the orchestra was playing during the Reagan administration back in the 1980's. He also donned a wig a few years ago and played as Eric Clapton in a Cream tribute concert (and I seem to recall he even played a set as Jimmi Hendrix). In addition to his amazing playing, he knows way more about music than anyone in my social orbit so, now that he has embarked on an Act 3 career performing a Frank Sinatra and Bobby Darin one-man tribute show (having bought performing rights to the original Nelson Riddle and other Sinatra/Darin charts), I thought it would be fun to pick his brain here on Pizza Quest regarding why he thinks Sinatra is the greatest performer of all time as well as to see if together we could create a top ten list as well as a Mt. Rushmore top four list of the greatest of the greats. It was so much fun recording this episode -- as you will see and hear -- that I plan on inviting him back to do a similar retrospective on the greatest guitar players and also another on the best bands and performing groups of our time. Peter and I used to stay up all night during our college days talking about stuff like this, so I know he's game for it, as you will hear in this conversation in which we explore not only Sinatra's greatness but also dive deeply into the why and how of what made him the GOAT (and why Bobby Darin was the prince in waiting until he died way too young). So, as we like to say, it's more about the quest than it is about the pizza, and this time around we jump into Peter Ruben's quest for what distinguishes the good from the great when it comes to musical artists. The topic may have changed, but the game remains the same -- and the quest never ends....
Die zweite Runde der WM-Qualifikation ist beendet und es stehen sogar schon die ersten Judgement-Days-Matches fest. Joe Perry und Dominic Dale beenden ihre Karriere nach jeweils 33 Jahren auf der Main Tour. Inzwischen steht außerdem fest, dass einige Spieler, darunter David Grace und Alex Ursenbacher, in die Q-School müssen. Steven Hallworth gelang beinahe ein Sensations-Comeback, Ricky Walden gelang ein solches tatsächlich. Marco Fu spielte eine seltene 16-Reds-Clearance. Kathi und Chris sprechen über die ereignisreichen Tage in Sheffield und haben außerdem den Sven vom SC Breakers in Rüsselsheim im Interview. Du möchtest deinen Podcast auch kostenlos hosten und damit Geld verdienen? Dann schaue auf www.kostenlos-hosten.de und informiere dich. Dort erhältst du alle Informationen zu unseren kostenlosen Podcast-Hosting-Angeboten. kostenlos-hosten.de ist ein Produkt der Podcastbude.Gern unterstützen wir dich bei deiner Podcast-Produktion.
Drübergehalten – Der Ostfußballpodcast – meinsportpodcast.de
Die zweite Runde der WM-Qualifikation ist beendet und es stehen sogar schon die ersten Judgement-Days-Matches fest. Joe Perry und Dominic Dale beenden ihre Karriere nach jeweils 33 Jahren auf der Main Tour. Inzwischen steht außerdem fest, dass einige Spieler, darunter David Grace und Alex Ursenbacher, in die Q-School müssen. Steven Hallworth gelang beinahe ein Sensations-Comeback, Ricky Walden gelang ein solches tatsächlich. Marco Fu spielte eine seltene 16-Reds-Clearance. Kathi und Chris sprechen über die ereignisreichen Tage in Sheffield und haben außerdem den Sven vom SC Breakers in Rüsselsheim im Interview. Du möchtest deinen Podcast auch kostenlos hosten und damit Geld verdienen? Dann schaue auf www.kostenlos-hosten.de und informiere dich. Dort erhältst du alle Informationen zu unseren kostenlosen Podcast-Hosting-Angeboten. kostenlos-hosten.de ist ein Produkt der Podcastbude.Gern unterstützen wir dich bei deiner Podcast-Produktion.
What's it like teching for AC/DC, Aerosmith, and The Rolling Stones—then launching your own band?
On this explosive episode of Metal Mayhem ROC, we sit down with Trace Foster, longtime guitar tech for rock's biggest legends and now frontman of the high-powered band Close Enemies, alongside Aerosmith's Tom Hamilton. Trace shares insane tour stories, what it takes to make it behind the scenes, and the full story behind launching Close Enemies. From working side by side with Angus Young, Joe Perry, and Ronnie Wood to starting anew with original music and finding the perfect Frontman, this is an unfiltered, inspiring deep dive into rock history and reinvention.
It's possible that Aerosmith is the greatest American rock band of all time. And in our opinion, their best album was 1975's Toys In The Attic which is still their biggest selling original record with over 9 million sold in the US. As it turns 50 we decided to dive deep into what makes this album so great and why it endures to this day as a hard rock classic. Yes, it has singles that were popular in their day and are still staples on classic rock radio in Sweet Emotion and Walk This Way. But the title track is a killer way to start a rockin album and is an Aerosmith signature. You See Me Cryin' allows the Bad Boys from Boston to show their tender side (and incorporate strings), Round And Round shows a harder Aerosmith, and Big Ten Inch Record shows off the tongue-in-cheek lyrics that have made the band famous (though that one is a cover, it's classic Steven Tyler). The boys had been touring hard and were really firing on all cylinders. The previous year's Get Your Wings had been well received and had a killer cover of Train Kept A Rollin which was one of their live staples. But what made this album different from the previous two is that when they went to the Record Plant in New York City to record Toys, they didn't have any songs ready. They'd honed the songs from the previous albums live before heading into record them but this time they started from scratch with a few ideas they'd been noodling on. Joe Perry came up with the riff to Walk This Way on stage in Hawaii. Tom Hamilton had the Sweet Emotion bits for years before he worked with Steven Tyler to mold them into an all time classic. Brad Whitford got a co-write on Round And Round and Joe Perry really established himself as one of the killer guitar slingers of his generation. As it turns 50, we celebrate Aerosmith's greatest album - Toys In The Attic! Check out our new website: Ugly American Werewolf in London Website Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices
It's possible that Aerosmith is the greatest American rock band of all time. And in our opinion, their best album was 1975's Toys In The Attic which is still their biggest selling original record with over 9 million sold in the US. As it turns 50 we decided to dive deep into what makes this album so great and why it endures to this day as a hard rock classic. Yes, it has singles that were popular in their day and are still staples on classic rock radio in Sweet Emotion and Walk This Way. But the title track is a killer way to start a rockin album and is an Aerosmith signature. You See Me Cryin' allows the Bad Boys from Boston to show their tender side (and incorporate strings), Round And Round shows a harder Aerosmith, and Big Ten Inch Record shows off the tongue-in-cheek lyrics that have made the band famous (though that one is a cover, it's classic Steven Tyler). The boys had been touring hard and were really firing on all cylinders. The previous year's Get Your Wings had been well received and had a killer cover of Train Kept A Rollin which was one of their live staples. But what made this album different from the previous two is that when they went to the Record Plant in New York City to record Toys, they didn't have any songs ready. They'd honed the songs from the previous albums live before heading into record them but this time they started from scratch with a few ideas they'd been noodling on. Joe Perry came up with the riff to Walk This Way on stage in Hawaii. Tom Hamilton had the Sweet Emotion bits for years before he worked with Steven Tyler to mold them into an all time classic. Brad Whitford got a co-write on Round And Round and Joe Perry really established himself as one of the killer guitar slingers of his generation. As it turns 50, we celebrate Aerosmith's greatest album - Toys In The Attic! Check out our new website: Ugly American Werewolf in London Website Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices
MUSICBilly Corgan will mark the 30th anniversary of TheSmashing Pumpkins' Mellon Collie and the Infinite Sadness witha five-night run at the Lyric Opera of Chicago. It's billed as A Night of MellonCollie and Infinite Sadness and it will feature Corgan and a group of guest artists A cookbook commemoratinglate Pantera drummer Vinnie Paul's appetite for cooking and hosting hislegendary Sunday Funday dinners is out now. John 5 is sharing hisobsession with Kiss by opening up his personal collection of memorabilia. Glenn Danzig says fansshouldn't count on entire albums from Misfits or Danzig. With Aerosmith cancelingtheir Peace Out farewell tour this year due to Steven Tyler fracturinghis larynx, Joe Perry had a backup plan -- a tour with the HollywoodVampires, the super group with Alice Cooper, Duff McKagan andJohnny Depp. But Cooper says that fell through. TVThe wife of "GhostAdventures" star Aaron Goodwin got busted in a murder-for-hireplot ... and cops say she tried to pay a hitman to kill her husband. MOVING ON INTO MOVIENEWS: The Ben Affleck / Jennifer Garner plot thickens: A so-called "source"claims that Jennifer's boyfriend, John Miller, has given her anULTIMATUM. Another film adaptationof Stephen King‘s Cujo is in the works! Stan Lee's sad,final years were documented by his assistant, and turned into a documentary. Bryce Dallas Howard made a documentary about people and theirpets for Disney+, and it looks adorable "Pets" will premiere April 11on National Pet Day. AND FINALLYLuxury LEGO sets … There are some serious LEGO collectors outthere, looking for very specific sets – and they're willing to pay big bucksfor these sets.Here's a rundown of the most valuable LEGOsets believed to be outthere – and maybe in your closet? AND THAT IS YOUR CRAP ONCELEBRITIES! Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
MUSIC Billy Corgan will mark the 30th anniversary of The Smashing Pumpkins' Mellon Collie and the Infinite Sadness with a five-night run at the Lyric Opera of Chicago. It's billed as A Night of Mellon Collie and Infinite Sadness and it will feature Corgan and a group of guest artists A cookbook commemorating late Pantera drummer Vinnie Paul's appetite for cooking and hosting his legendary Sunday Funday dinners is out now. John 5 is sharing his obsession with Kiss by opening up his personal collection of memorabilia. Glenn Danzig says fans shouldn't count on entire albums from Misfits or Danzig. With Aerosmith canceling their Peace Out farewell tour this year due to Steven Tyler fracturing his larynx, Joe Perry had a backup plan -- a tour with the Hollywood Vampires, the super group with Alice Cooper, Duff McKagan and Johnny Depp. But Cooper says that fell through. TV The wife of "Ghost Adventures" star Aaron Goodwin got busted in a murder-for-hire plot ... and cops say she tried to pay a hitman to kill her husband. MOVING ON INTO MOVIE NEWS: The Ben Affleck / Jennifer Garner plot thickens: A so-called "source" claims that Jennifer's boyfriend, John Miller, has given her an ULTIMATUM. Another film adaptation of Stephen King‘s Cujo is in the works! Stan Lee's sad, final years were documented by his assistant, and turned into a documentary. Bryce Dallas Howard made a documentary about people and their pets for Disney+, and it looks adorable "Pets" will premiere April 11 on National Pet Day. AND FINALLY Luxury LEGO sets … There are some serious LEGO collectors out there, looking for very specific sets – and they're willing to pay big bucks for these sets. Here's a rundown of the most valuable LEGO sets believed to be out there – and maybe in your closet? AND THAT IS YOUR CRAP ON CELEBRITIES! Learn more about your ad choices. Visit podcastchoices.com/adchoices
Dave Hendon considers recent comments about retirement from Anthony Hamilton and Joe Perry and goes through the latest listener correspondence. Email us at snookerscenepodcast@mail.com. Learn more about your ad choices. Visit podcastchoices.com/adchoices
With over a decade in the entertainment industry, Amber has built an impressive career as a production coordinator and VIP coordinator, working alongside legendary artists like Alice Cooper and The Hollywood Vampires (Alice Cooper, Joe Perry, Johnny Depp). From coordinating world tours to ensuring seamless VIP experiences, Amber thrives in high-pressure environments, bringing creativity, adaptability, and a deep understanding of production logistics, her experience spans film, music, and live events, having worked with companies like Reel FX and Bedrock Manufacturing before stepping into the touring world.Passionate about giving back, Amber actively supports causes like the Maui Food Bank and MusiCares. She also spent two-months in Africa in a volunteer program, through the YMCA of New York. While there she was involved with teaching villagers about the importance of sustainable living, through recycling and cultivation of their main crops. Amber continues to push the boundaries of live production while preparing for the Alice Cooper 2025 World Tour.This episode is sponsored by Lightswitch
It's not often you run across people in the development world that have deep knowledge in both the smallest scales of projects and the biggest. The industry, like many, is very bifurcated. People who do small projects tend to keep doing small projects. People who work on really large projects tend to keep doing that for their careers.Joe Perry, who works as his day job as the Vice President of Development for PortKC, has had one solid foot in both worlds for his entire career. We talk about what it's like to exist in both realms, to prosper in both, and some key lessons learned. For anyone interested in house hacking or house flipping as a side gig, I'd highly recommend listening to Joe discuss what he's done over a few decades.Joe and I worked together on the New Longview project in Lee's Summit, Missouri, and you can hear more about that in my interview with developer David Gale.I really enjoy some of Joe's advice to others, especially to young people. Stay tuned for the whole thing, it's worth it.Find more content on The Messy City on Kevin's Substack page.Music notes: all songs by low standards, ca. 2010. Videos here. If you'd like a CD for low standards, message me and you can have one for only $5.Intro: “Why Be Friends”Outro: “Fairweather Friend” Get full access to The Messy City at kevinklinkenberg.substack.com/subscribe
***This show is brought to you by DistroKid. Go to http://distrokid.com/vip/the500 for 30% off your first year!*** Joe Perry said the purpose of Rocks "was to reidentify us as America's ultimate garage band, with blistering guitars, blistering vocals, balls-to-the-wall smash-your-eardrums production.” Fellow rocker Sebastian Bach makes his debut on The 500 to talk about the album that caused the next generation of guitar heroes to start playing in the 1970s. Follow Sebastian on Instagram: https://www.instagram.com/instafederman/ Follow Sebastian on X: https://x.com/sebastianbach Follow Sebastian on TikTok: https://www.tiktok.com/@sebastianbach Follow Sebastian on YouTube: www.youtube.com/@SebastianBachOfficial Follow More Sebastian Bach Info https://www.sebastianbach.com/ DistroKid Artist Of The Week: Ty Segall https://www.youtube.com/watch?v=52Kfwfm_pKI Follow Josh on Instagram: https://www.instagram.com/joshadammeyers/ Follow Josh on TikTok: https://www.tiktok.com/@joshadammeyers Follow Josh on Twitter: https://twitter.com/JoshAdamMeyers Follow Josh on Facebook: https://www.facebook.com/joshameyers Josh's Website: https://www.joshadammeyers.com/ Follow The 500 on Instagram: https://www.instagram.com/the500podcast/ Follow The 500 on Twitter: https://twitter.com/the500podcast Follow The 500 on Facebook: https://www.facebook.com/The500PodcastWithJAM/ Email the show: 500podcast@gmail.com Check the show's website: http://the500podcast.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Rockshow episode 207 AerosmithAerosmith is an iconic American rock band formed in Boston, Massachusetts, in 1970. Known as “The Bad Boys from Boston” and “America's Greatest Rock and Roll Band,” Aerosmith is celebrated for its energetic live performances, distinctive sound blending hard rock and blues, and decades-spanning influence on rock music.Band Members:Steven Tyler (vocals, keyboards, harmonica): The charismatic frontman, often referred to as the “Demon of Screamin',” known for his powerful voice and dynamic stage presence.Joe Perry (lead guitar, backing vocals): Tyler's long-time collaborator and a key figure in shaping the band's bluesy, riff-driven sound.Brad Whitford (rhythm guitar): Known for his technical skill and understated style, complementing Perry's leads.Tom Hamilton (bass): Co-writer of several hits, including “Sweet Emotion.”Joey Kramer (drums): His tight, groove-heavy drumming anchors the band's rhythm.Career Highlights:Breakthrough Albums: In the 1970s, albums like Toys in the Attic (1975) and Rocks (1976) established Aerosmith as major stars. Hits like “Dream On,” “Sweet Emotion,” and “Walk This Way” became rock anthems.1980s Resurgence: After struggles with drug addiction and internal conflicts, the band made a stunning comeback in the late 1980s with albums like Permanent Vacation (1987) and Pump (1989), featuring hits like “Dude (Looks Like a Lady)” and “Love in an Elevator.”1990s and Beyond: Aerosmith achieved new levels of mainstream success with Get a Grip (1993), spawning hits like “Cryin',” “Crazy,” and “Amazing.” Their 1998 single “I Don't Want to Miss a Thing” (from the Armageddon soundtrack) became a global smash.Legacy:Aerosmith is one of the best-selling music artists of all time, with over 150 million records sold worldwide. They were inducted into the Rock and Roll Hall of Fame in 2001. The band's influence extends to numerous rock, metal, and pop acts, and their collaboration with Run-D.M.C. on “Walk This Way” is often credited with bridging the gap between rock and hip-hop.The band has remained active into the 2020s, though members have faced health challenges. Aerosmith is celebrated for their resilience, adaptability, and enduring impact on music history.https://www.aerosmith.com/https://www.instagram.com/aerosmith?igsh=MTdyaWkwNzJrbG41MQ==https://www.facebook.com/share/19GTjFSkoy/?mibextid=wwXIfrhttps://youtube.com/@aerosmith?si=xRa6f61Wmmg_uYQYhttps://open.spotify.com/artist/7Ey4PD4MYsKc5I2dolUwbH?si=7wqbhS_GTp6ufk1HH2Q7Pwhttps://x.com/aerosmith?s=21&t=Mzw5de5zsR-SDDbhyzH0Lghttps://www.tiktok.com/@aerosmith#Aerosmith #StevenTyler #JoePerry#DreamOn #SweetEmotion#WalkThisWay #RockLegends#ClassicRock #ToysInTheAttic#GetAGrip #IWantToMissAThing#BadBoysFromBoston #rocknroll#MusicIcons #AerosmithForever
This week we have Rock and Roll Christmas music that DESERVES to be heard! We have brand new music from Symphony North, Bob Reynolds and Bryan Jay, Luminare, Corners Of Sanctuary, Anthony Kirzan and Paul Nelson, The New Bardots, and Metal Hall Of Fame, plus Christmas favorites from Cheap Trick, 220 Volt, Queensryche, Joe Perry, 7th Heaven, Tom Kiefer, Twisted Sister, Weird Al, Wee B Toys, Bruce and Bob Kulick with Ray Luzier, Chris Wise and Jeff Scott Soto, Sammy Hagar, Danger Danger, Mitch Perry Group, Cliff Johnson, Enuff Z'Nuff, Stryper, and Def Leppard! Merry Christmas!Songlist:Cheap Trick - Come On Christmas220 Volt - Heavy ChristmasSymphony North - The Bell RingerQueensryche - White ChristmasJoe Perry - Santa Clause Is Back In TownBob Reynolds and Bryan Jay - We Three Kings7th Heaven - Christmas In ChicagoTom Keifer - Blue ChristmasLuminare Christmas! - Carol Of The BellsTwisted Sister - Heavy Metal Christmas (The Twelve Days Of Christmas)Weird Al - Christmas At Ground ZeroCorners Of Sanctuary - Christmas Fairy TailWee B Toyz (Ft. Tyler Bates on guitar) - Linus And LucyBruce and Bob Kulick, Ray Luzier, Chris Wyse, Jeff Scott Soto - We Wish You A Merry (Metal) ChristmasSammy Hagar - Santa's Going South For ChristmasAnthony Krizan and Paul Nelson - All I Got For Christmas Was The Blues And A Broken HeartDanger Danger - Naughty Naughty XmasMitch Perry Group - A Very Merry ChristmasCliff Johnson - Christmas EverydayThe New Bardots - A Pocketful Of ChristmasEnuff Z'Nuff - Happy HolidayStryper - Winter WonderlandMetal Hall Of Fame - Carol Of The BellsDef Leppard - We All Need Christmas Symphony North - If You Haven't Got A Penny - God Rest Ye Merry Gentleman
Comment on fêtait Noël entre 1933 et 1945 en Allemagne ? Avec Benjamin Brillaud de @notabenemovies , merci Ben. Adhérez à cette chaîne pour obtenir des avantages : https://www.youtube.com/channel/UCN4TCCaX-gqBNkrUqXdgGRA/join Pour soutenir la chaîne, au choix: 1. Cliquez sur le bouton « Adhérer » sous la vidéo. 2. Patreon: https://www.patreon.com/hndl Musique issue du site : epidemicsound.com Images provenant de https://www.storyblocks.com Abonnez-vous à la chaine: https://www.youtube.com/c/LHistoirenousledira 00:00:00 - Introduction 00:00:25 - Noël et l'identité nationale en Allemagne 00:01:35 - L'arrivée des nazis et la transformation de Noël 00:02:20 - La nazification de Noël 00:10:26 - La résistance de l'Église et le retour des traditions 00:11:32 - Conclusion Les vidéos sont utilisées à des fins éducatives selon l'article 107 du Copyright Act de 1976 sur le Fair-Use. Sources et pour aller plus loin: Gerry Bowler, The World Encyclopedia of Christmas Joe Perry, Christmas in Germany. A Cultural History, Joe Perry, « Nazifying Christmas: Political Culture and Popular Celebration in the Third Reich », Central European History, Vol. 38, No. 4 (2005), pp. 572-605 https://www.jstor.org/stable/20141153 Jean-Christophe Piot, « Quand les nazis annexaient Noël », France Info, 23 décembre 2016 Esther Gajek, « Christmas under the Third Reich », Anthropology Today, Jul 1990, vol. 6, p. 3-9. Joe Perry, « How the Nazis co-opted Christmas », The Conversation, 22 décembre 2015. https://www.youtube.com/watch?v=2KuvyYbAy2k Autres références disponibles sur demande. #histoire #documentaire #noël #xmas #christmas #nazi #swastika #croixgammée
Just to be 100% TRANSparent, this is NOT an officially sanctioned “Chronicles” episode. However, it is the time of year for the TRANS-Siberian Orchestra (featuring the “Savatage Brothers”) and we felt compelled by the power of the holiday season to delve into the realm of HAIR METAL and reflect back on one of the least desirable (yet often most satisfying) subgenres of metal alongside memories of poon from the days of yore with the kinds of girls you would “meet once at a party and never talk to again”. Really, the entire objective of hair metal was to give actual metal heads an “in” to attaining money, drugs, and (especially) poon back in the day. Dust off your “gloves of shame” and get ready to “rip the band-aid off” and “power through it” because it's time to “hold hands”, discover some “stall appropriate noises” for the next time you've got to “deuce” and JOIN US as we get into the good, the bad, and the horrific of HAIR METAL. Visit www.metalnerdery.com/podcast for more on this episode Help Support Metal Nerdery https://www.patreon.com/metalnerderypodcast Leave us a Voicemail to be played on a future episode: 980-666-8182 Metal Nerdery Tees and Hoodies – metalnerdery.com/merch and kindly leave us a review and/or rating on the iTunes/Apple Podcasts - Spotify or your favorite Podcast app Listen on iTunes, Spotify, Podbean, or wherever you get your Podcasts. Follow us on the Socials: Facebook - Instagram - Twitter Email: metalnerdery@gmail.com Can't be LOUD Enough Playlist on Spotify Metal Nerdery Munchies on YouTube @metalnerderypodcast Show Notes: (00:01): “Yeah…yeah…yeah…”/ #audiolightning / ***WARNING: #listenerdiscretionisadvised ***/ “…like with girls who just turned 18…”/ ***WELCOME BACK TO THE METAL NERDERY PODCAST!!!*** / #thisepisodescideroftheepisode #StrongbowCider / “Preacher's collar…or Snake Bite?”/ #onmicburp #uhhhhkay / Thanksgiving summary / “Apparently, if you don't shower for long enough…all the mucus turns into an extra layer of skin…”/ #gamey / ***IF YOU WANNA SKIP THE NONSENSE, GO TO #THEDOCKET IN THE SHOW NOTES!!!*** / #RussellsReflectionsThanksgivingEdition / “Do y'all sit around and get shitfaced now?”/ “That sounds like when I went to the Beach Mountains awhile back…traversing a mountain…”/ “That is so hard to watch now…”/ #MacysParade / “There had to be a time in human history when that was entertaining…”/ #simulationtheory #blackandwhitehouses / #WizardOfOz / “Stop me if I did this the last time…”/ #Terrifier3 (NOTE: This is at least the 3rd time and at least the 3rd episode that Russell has mentioned Terrifier 3…) / #goreporn / “One of the first things to creep me out in horror…”/ “You can't kill people during the day and you can't listen to metal during the day…”/ “Are we ready?”/ ***PATREON SHOUT OUT*** / “You're not sounding good there, Mr. Trump…”/ “3.2 Trillion dollars in cuts, they said they're gonna make…”/ ***If you wanna hit us up with requests or correspondences on the #socialmedia you can do so at #Instagram #Facebook #YouTube #TikTok , or email us at metalnerdery@gmail.com or you can GIVE US A CALL AND LEAVE US A VOICEMAIL AT 980-666-8182!!!*** / “Can you imagine Elvis and Peter Steele doing a duet?” / #WREKage has events!? / #TransSiberianOrchestra #ChristmasMusic #SavatageBrothers (21:07): #TheDocket METAL NERDERY PODCAST PRESENTS: HAIR METAL!!! / “This is not an official, sanctioned #Chronicles episode…”/ “Why not shit on #hairmetal ???”/ “I think it brings back memories of poon from days of yore…”/ “She's the kinda girl you should meet once at a party, do anal, and never talk to her again…”/ “He was into babies?”/ “We're way off…”/ #Bulletboys SMOOTH UP IN YA (Bulletboys – 1988) / “Thank ye…”/ “I need a bonfire and a bottle of #BoonesFarm …”/ “I always thought it was Smooth Opinion…”/ “There's nothing worse than R.E.M.”/ “You have to be really careful when you say ‘I enjoy When The Children Cry…'”/ #WhiteLion WAIT (Pride - 1987) / “Dude, you've gotta rip the band-aid off…”/ #allthebuttons / “C'mon, crank it!”/ “You guys know way too much of this shit…”/ “That was the way to get poon back in the day…” (30:38): “How about a palette cleanser?” / #QuietRiot LOVE'S A BITCH (Metal Health – 1983) / “That IS dark…”/ “Dude, we're not asking you to play Lick It Up, in it's entirety, with no breaks…”/ #easybakeovens aka #airfryers / “Let's go back to bad…just play that fuckin' thing…”/ #Europe THE FINAL COUNTDOWN (The Final Countdown – 1986 ) / “You've gotta power through it…”/ “Why don't y'all listen to thrash, like cool people do?” / #Trixter ONE IN A MILLION (Trixter – 1990) / “They were at the end…”/ “How about the first Twisted Sister album?” / #TwistedSister SHOOT ‘EM DOWN (Under The Blade – 1982) / “Now that sounds like early 80's metal…”/ “I guarantee you the girls in those crowds were showing their tits…” (40:07): #Firehouse WHEN I LOOK INTO YOUR EYES (Hold Your Fire – 1992) / “Crank it man…”/ “Y'all wanna hold hands?” / “We should all touch cocks…”/ “I got the palette cleanser…”/ “Is Guns N' Roses hair metal?” / #GunsNRoses ROCKET QUEEN (Appetite For Destruction – 1987) / “They were sleazy…they weren't pretty…”/ “Alright, something really bad…”/ #DefLeppard POUR SOME SUGAR ON ME (Hysteria – 1987) / “I think he's wanting her to squirt on him…”/ “That one's the worst…”/ #BonJovi YOU GIVE LOVE A BAD NAME (Slippery When Wet – 1986) / “This is pre-Black Album Bob Rock…”/ “What's the most #hairmetal thing by bands we like?”/ #MotleyCrue KNOCK ‘EM DEAD KID (Shout At The Devil – 1983) / “Once Bitten, Twice Shy is my Final Countdown…”/ “I used to be in White Balls…” (54:44): “I'm not sure I know this…”/ “Chip is not a birth name…”/ #EnuffZnuff FLY HIGH MICHELLE (Enuff Z'nuff – 1989) / “We should be watching the videos for these…”/ “I'll bet you do…” / #markthetime / #Nelson AFTER THE RAIN (After The Rain – 1990) / “Imagine if they had pigtails…”/ “You'll see the sodomy?”/ “That's a different solo…”/ “Point of contention…this is what I hate about multiple edits…”/ #fulllength / “This has kinda been fun…a little bit…”/ #Whitesnake HERE I GO AGAIN (Whitesnake – 1987) #radiomix #dentistofficemix / “You can tell just like that?”/ NOTE: the key to telling the difference between the 2 versions is the chorus, neither of which we made it to. Go listen to them bolth and judge for yourself…/ “You can't #unlisten to something…”/ “Do you think Tommy Lee can play piano with his dick?”/ #chopsticks / #Cinderella DON'T KNOW WHAT YOU GOT (TILL IT'S GONE) - (Long Cold Winter – 1988) / “Would you play this to get laid?” (1:05:55): “I think Winger got shat on unnecessarily…”/ “Let's watch a little bit of the video…”/ #headset / #Winger HEADED FOR A HEARTBREAK (Winger – 1988) / “They're stompin' their feet to keep time…”/ #BeavisASMR / “Here comes the YEAH…check this out”/ “Do you think they charge by the hour or by the load?”/ “I feel like he's guessing to throw people off…”/ “Sorry, I got a little squeaky there…”/ #cringiest #Poison UNSKINNY BOP (Flesh And Blood – 1990) / “You know they still play it because they have to…”/ “That was the whole objective of #hairmetal: money, drugs, and poon…”/ #FasterPussycat BATHROOM WALL (Faster Pussycat – 1987) / “That's Guns N' Roses Lite…”/ #BritnyFox GIRLSCHOOL (Britny Fox – 1988) / “Is that Brian Johnson?”/ “It's like Paul Stanley with a throat infection…” (1:16:34): “We've gotta look up some bad ones…”/ #PrettyBoyFloyd I WANNA BE WITH YOU (Leather Boyz With Electric Toyz – 1989) / “At schuul?” / “I feel like every producer back then…needed drugs to get through it…”/ #RoughCutt BLACK WIDOW (Rough Cutt – 1985) / “Hey man let's go in the studio and use ALL of the reverb effects at the same time…”/ “That's actually kinda cool…”/ “Dropped a deuce…”/ #LMAO / “We've gotta finish with a few strong ones here…”/ “What are they then!?”/ The formula for hair metal / #Ratt BACK FOR MORE (Out Of The Cellar – 1984) / “It sounds heavier than your average hair metal…”/ “There's nobody else that sounds like Stephen Pearcy at all…” / “OMG I'm not a leftist douchetard, I love metal and I love my country…” (1:25:51): “Was it really hair metal though?” / “What are we closing this with?”/ “Aerosmith?”/ “Wait a minute, he's got Lita pulled up…”/ #LitaFord KISS ME DEADLY (Lita – 1988) #uhhuhhh / “This was on Footloose, for sure…”/ “This song is almost metal…Joe Perry had already left the band at this point…”/ #Aerosmith LIGHTNING STRIKES (Rock In A Hard Place – 1982) / “That sounds like Orion in the background…”/ “That's about as memorable as you get…”/ #KISS ALL HELL'S BREAKIN' LOOSE (Lick It Up – 1983) / “It's gotta be the video…”/ “Is this the #glovesofshame one?”/ “See that? That one's gotta be played…”/ #Autograph TURN UP THE RADIO (Sign In Please – 1984) / #lasernoises / “28 million views!? That's crazy…”/ “At least we played some KISS, that's what matters…”/ “He doesn't flaunt it…”/ “I'm ready to go trolling for poon now…”/ #PoonPatrol #untilthenext THANK YOU FOR JOINING US!!! #outroreel
Be sure to see Mindi Abair live in concert on Friday, December 20 at the Capitol Theatre in Clearwater, FL. You can learn more at RuthEckerdHall.com.“ She'll Move You” – Keb' Mo'“Forget You, Who's Your Sax Player? – Steven Tyler on American Idol“21st Century Sophistication, A Gritty, Raucous Spirit, And Exceptional Creative Imagination” – Allmusic.ComDuring her remarkable 24-year recording career, saxophonist/vocalist Mindi Abair has garnered 2 GRAMMY nominations, recorded with some of the biggest names in music, and built a substantial following among jazz and blues audiences with her soaring melodies and powerhouse style. In 2014, Mindi received her first GRAMMY nomination in the Best Pop Instrumental Album category for Summer Horns with Dave Koz, Richard Elliot and Gerald Albright, followed by a 2015 GRAMMY nomination for Best Contemporary Instrumental Album for her solo LP Wild Heart featuring the late Gregg Allman, Joe Perry, Trombone Shorty, Booker T. Jones, Keb' Mo', and Max Weinberg.You might know her as the featured saxophonist on American Idol, sitting in with Paul Shaffer on The Late Show with David Letterman and The Roots on The Tonight Show Starring Jimmy Fallon, or from moonlighting on tour with Duran Duran or Aerosmith. As a solo artist, she has consistently topped the Billboard Contemporary Jazz and Blues charts. In 2018, Mindi Abair and The Boneshakers won 8 Independent Blues Awards including Artist of the Year, and an Independent Music Award for Best Blues Song Fan Award for “Pretty Good For A Girl” featuring Joe Bonamassa. They won the 2019 LA Critics Award for Best Holiday Album for All I Got For Christmas Is The Blues. And in 2019, 2020 and 2021 Mindi was nominated by the Blues Music Awards as the Best Instrumentalist: Horn.As creator, designer and owner, Mindi launched www.wineandjazz.com in 2019 as a lifestyle concept that brings together the worlds of wine and music through members-only exclusive wines paired with personally curated music playlists, label art and branded wine and music worldwide adventures and festivals.Mindi wrote the book “How To Play Madison Square Garden – A Guide To Stage Performance” and served 10 years as an LA Chapter Governor, President and National Trustee for The Recording Academy.Mindi has toured and/or recorded with: Aerosmith, Joe Bonamassa, Smokey Robinson, Joe Perry, Trombone Shorty, Booker T. Jones, Gregg Allman, Kenny Wayne Shepherd, Fantastic Negrito, Waddy Wachtel, Bobby Rush, Keb' Mo', Teena Marie, Lee Ritenour, Adam Sandler, Duran Duran, Bill Champlin, Richard Elliott, Jimmy Webb, Max Weinberg, Dave Koz, Peter White, Gerald Albright, Mandy Moore, Lalah Hathaway and the Backstreet Boys.Today's audio was recorded over Zoom. Production assistance by Chandler Balkcom, Adam Darbyshire, and Arantza Romero. Host and editor: Warren Buchholz. Arts Axis Florida is a product of WUSF and is sponsored by Community Foundation Tampa Bay, the Gobioff Foundation with support from the Palladium by you. Thank you for your support. Learn more about Jazz on Arts Axis Florida by visiting our website at wusfjazz.org. Copyright 2024 WUSF.
The Silver Dimes - Doin' Time Richard van Bergen & Rootbag – Can't keep up - Walk on in – 2017Jeff Healey Band - Hoochie Coochie ManBuddy Guy, Steven Tyler, Joe Perry & Brad Whitford - Evil TwinBlind B & the Mercenaries - None of us are free - 2020 (Corona project)Snowy White - It's Always Love (That Breaks Your Heart) Michael Locke - Cost Of Lovin' Lucky Peterson Pickin' (Instrumental)Kris Lager Band – Hold on tight - Live At The Bourbon Theatre (2013)Los Lonely Boys – Bloodwater - Resurrection – 2024Gary Moore - The Hurt Inside
It is the end of World's Toughest Mudder coverage time ... for this year! Mike flew down to Florida to help with The OCR Report live stream and to do a whole bunch of podcast coverage. So much so, that we got 4 episodes out of it, so make sure that you subscribe and follow along to hear more about the best OCR event of the year! For this part four though, it focuses on the bar crawl on Monday where both the interviewer and interviewees may have been drinking a bit. You'll hear 15 more interviews to wrap up this year's coverage bringing the total number of interviews to over 80! Please share these episodes with your friends, I put a lot of time and effort into these episodes and it makes my heart happy when the numbers go up! Start – 6:29 – Intro 6:29 – 10:59 – Quick News 10:59 – 12:02 – Content Preface 12:02 - 1:36:57 - Bar Crawl Interviews (Joe Rucco and Andrew Robinson, James Golisano, Joe Perry and Cory Edwards, Abby Pires, Kevin VanderWoude, Josh Fiore, Preston, Christian Brown Johnson, Grant Polson, Tina Esson, Todd Esson, Melissa Dugan, James Del Verde, Deanna Brasz, and Jules Estes) 1:36:57 - End – Outro Next weekend will hopefully be an episode that I teased before WTM content with a road running guest who ran every street in Boston! ____ News Stories: Charlotte Curtis 6 Years Sober Amy Pajcic New Puppy Sarah Crowden Baby Announcement Ryan Kempson's Baby Triple Stroller Mile World Record World's Toughest Grand Canyon Rim Job Event 73 Year Old Runs Marathon Barefoot in Greek Soldier Atire Spartan Beast World Championship Podiums Taco Bike Secret Link Can Crush Secret Link Hippo Teeth Secret Link Chicken Breakfast Secret Link Bali Hangover Secret Link ____ Related Episodes: 45. World's Toughest Mudder, Las Vegas Rock N Roll Half Marathon, Mattapoisett 5k, and YMCA Turkey Trot 5 Miler! 46. World's Toughest Mudder Champion's Brunch with Will Hicks and Heather Bode, Kingston 5k Turkey Trot, and Newburyport Harborside Half Marathon! 97. World's Toughest Mudder! (Part 1: Community Dinner and Event) 98. World's Toughest Mudder! (Part 2: Champion's Brunch and Bar Crawl), and Taunton YMCA Turkey Trot! 150. World's Toughest Mudder Hot Lap Recap, Javier Escobar's Pit Planning Party, and Mike's Lap By Lap Experience! 151. World's Toughest Mudder Brunch Audio and Bar Crawl Interviews! 152. World's Toughest Mudder Pit Crew Debriefing, and Drunk Javier Escobar Interview! 201. World's Toughest Mudder Memories! 254. World's Toughest Mudder! (Part 1: Interviews with Volunteers, Pit Crew, Athletes, and Pit Audio) 255. World's Toughest Mudder! (Part 2: Brunch Interviews and Audio) 256. World's Toughest Mudder! (Part 3: Bar Crawl Interviews) 257. World's Toughest Mudder! (Part 4: Katie Knight and Mark Batres) 305. Preparing for a First World's Toughest Mudder with Anthony Kunkel and Michael Lopez! 307. World's Toughest Mudder with Tyler Veerman and New Champion DJ Fox! 308. World's Toughest Mudder with Mark Gaudet and First Woman to Hit 100 Miles Kris Rugloski! 356. World's Toughest Mudder 2023 with Chris Maltbie! 358. World's Toughest Mudder 2023 (Part 1: Community Dinner and Race Day Interviews)! 359. World's Toughest Mudder 2023! (Part 2: Brunch Interviews and Audio) 360. World's Toughest Mudder 2023! (Part 3: Bar Crawl Interviews and a Musical Performance) 410. World's Toughest Mudder 2024! (Part 1: Pit Check In and Community Dinner) 411. World's Toughest Mudder 2024! (Part 2: Race Day Interviews with Athletes, Volunteers, and Pit Crew) 412. World's Toughest Mudder 2024! (Part 3: Brunch Interviews and Audio) ____ The OCR Report Patreon Supporters: Jason Dupree, Kim DeVoss, Samantha Thompson, Matt Puntin, Brad Kiehl, Charlotte Engelman, Erin Grindstaff, Hank Stefano, Arlene Stefano, Laura Ritter, Steven Ritter, Sofia Harnedy, Kenny West, Cheryl Miller, Jessica Johnson, Scott "The Fayne" Knowles, Nick Ryker, Christopher Hoover, Kevin Gregory Jr., Evan Eirich, Ashley Reis, Brent George, Justin Manning, Wendell Lagosh, Logan Nagle, Angela Bowers, Asa Coddington, Thomas Petersen, Seth Rinderknecht, Bonnie Wilson, and Steve Bacon from The New England OCR Expo. Sponsored Athletes: Javier Escobar, Kelly Sullivan, Ryan Brizzolara, Joshua Reid, and Kevin Gregory! Support us on Patreon for exclusive content and access to our Facebook group Check out our Threadless Shop Use coupon code "adventure" for 15% off MudGear products Use coupon code "ocrreport20" for 20% off Caterpy products Like us on Facebook: Obstacle Running Adventures Follow our podcast on Instagram: @ObstacleRunningAdventures Write us an email: obstaclerunningadventures@gmail.com Subscribe on Youtube: Obstacle Running Adventures Intro music - "Streaker" by: Straight Up Outro music - "Iron Paw" by: Dubbest
Welcome to Classic Hawk! Your weekly replay of some of our favorite episodes from archives of 108.9 The Hawk. Today's Episode: Harper Lawson, Hawk Intern (with Ashley Nicole Black) Originally Aired on July 10, 2023 Social media influencer HARPER LAWSON (ASHLEY NICOLE BLACK) gets an internship at 108.9 The Hawk at her high school teacher's recommendation. Are the DJ's from The Whisp Turlington Show COOL enough for Harper? Sponsored by Farnsworth Chocolate Turd! Joe Perry's Let The Washer Do The Washing! 108.9 The Hawk Thin Lizzy PSA! Tiny Fork! Coderssons Coding Completely! And check out the latest 108.9 The Hawk Concert Calendar! Guest Starring: Ashley Nicole Black (Bad Monkey, A Black Lady Sketch Show, Full Frontal with Samantha Bee, Ted Lasso, Shrinking) as Harper Lawson! Love 108.9 The Hawk? Here's how to get more: Subscribe to the podcast! Get official merch: http://tee.pub/lic/goodrockshirts Early access & bonus shows: https://patreon.com/1089thehawk Follow us on social media: YouTube, Twitter, Instagram, TikTok, Bluesky, Threads Learn more: https://1089thehawk.com
Yeah, this pic is Steven Tyler but the modern Toxic Twins were in the middle of a glorious second run as one of the greatest bands in the world when Nestor Aparicio was the music critic for The Evening Sun in Baltimore. This is the story of how the train kept 'a rolling on the best comeback in the history of rock and roll. #AlmostFamousNes The post Joe Perry of Aerosmith talks about sex, drugs and rock and roll on Pump tour in July 1990 first appeared on Baltimore Positive WNST.
Welcome back to Smithsonian's Stories from Main Street! We're relaunching this series during an introspective time of year, with Halloween just around the corner. Come join us around the campfire for some spooky, eerie, enchanting stories from rural America. Our storyteller today is Joe Perry, a member of the Choctaw Nation in Poteau, Oklahoma. Joe was born in 1956 and remembers a childhood running in the woods and fields of his rural home. Joe takes us into a world of adventure and mystery where we encounter a number of unexplained incidents that will leave you wondering what really happened. Storytellers pull from their own experiences and traditions, and local folklore and legends to weave drama and thrilling moments into their stories. Joe Perry is a master of the art of the story. You'll be on the edge of your seat!
Face the Music: An Electric Light Orchestra Song-By-Song Podcast
After leaving for two albums Joe Perry returned to Aerosmith for 1985's Done with Mirrors, which also saw the band moving to Geffen Records. The band was clean and sober, but the album didn't click with the public. In order to change that Bruce Fairbairn, the producer behind Bon Jovi's Slippery When Wet, was brought in, as well as an army of writers to make Permanent Vacation in 1987. The pattern was repeated with Pump in 1989, which solidified the band's comeback, and on Get a Grip from 1991. The latter became the band's best selling album, but was filled with even busier production, more guests and more outside writers. For better or worse it solidified the direction Aerosmith would take for the rest of their career. Donate to the podcast through Patreon... https://www.patreon.com/ericwincentsen P.O. Box 1932 Superior, AZ 85173.
Welcome back to the 80s! Eddie Van Halen once said, “A guitar is a very personal extension of the person playing it. You have to be emotionally and spiritually connected to your instrument.” Episode 31 features some guitar heroes of the 80s such as Slash, Joe Perry, Billy Gibbons and many others that exemplify Eddie's statement through their memorable rhythms, riffs and solos. Our thanks….A shout out to those of you who have been with us since the beginning and welcome to our new listeners. As always, thanks to the people who helped us put this together: Alan (for all our artwork), DJ Phil B (for the technical stuff) and David Baerwald and David Ricketts, also known as David + David, for their amazing album which inspired the title of our podcast.Please tell all your friends about us and follow this page so you know when new podcasts are available. You can also follow us on Facebook, Instagram, X, Tribel, Hive, Mastadon, Threads, and Bluesky.Songs chosen by Dr. Dave & Benny Banzai. Track listing coming soon.Listen, enjoy, share, follow. And thanks for keeping 80s music alive!BB & DD
On this episode of the Upstate Golf Guys Podcast, we invite one of our new favorite podcast hosts Joe Perry aka Lil Snuff from "The Skinny with Joey Merlino" Podcast to the show. We recently noticed Joe caught the golf bug, so we invited him on the pod to chat a little about it... But first we asked Joe what got him into the podcast game and how he knows Philly legend Joey Merlino...Both of these guys are class acts, huge sports fans and enjoy a little gambling...We got the chance to chat about one of the guests they had on, Pete Rose just days before his passing. Talked a little food, and DONT EVER WEAR RIVAL COLORS IN PHILLY, or you might get peed on.... Love having the METS/PHILLIES rival with these awesome gentlemen from South Philly. It was truly a pleasure having Joe Perry on the Upstate Golf Guys Podcast for a session! It is safe to say the vibe was awesome, and Joe is now a friend of ours here at the Upstate Golf Guys! We Look forward to that round against You and Skinny one of these days!! We will have a match. Podcast vs Podcast!!! Learn more about your ad choices. Visit megaphone.fm/adchoices
Sup VoiceHeads!We do a quick case study on the great Van Halen to look at the stellar advantages of matching lead tones! Even the biggest David Lee Roth fans would admit Sammy Hagar had the superior vocal instrument- so why is the classic Van Halen era so much more iconic and beloved by fans?The easy answer is showmanship of course. DLR is the split-jumping motor mouth macdaddy who seduced an MTV generation, but there's something more relevant to the music itself.I believe it's because David Lee Roth succeeded in matching Eddie Van Halen's lead guitar tone with his voice. Almost all the great bands do this. Joe Perry matching Steven Tyler, Robert Plant matching Jimmy Page, James Brown matching the lead brass, Bon Scott and Brian Johnson matching Angus Young's SG, Raymond Zarick matching Jim Morrison, Steve Vai and Randy Rhodes matching Ozzy Osbourne...It's a delicate art with various hard vocal techniques that we can acquire and master both to imitate the greats, and to create great art of our own!If you've ever wondered what makes the difference between seeing a band with the original line-up, or with changes made to the line-up and whether or not the fans feel like they're getting what they came for, this podcast episode is just for you!www.allvoicemedia.comIf you're interested in training your voice directly with me, check out All Voice Media: Backstage. Reach out by email direct at ian@allvoicemedia.com
¡Bienvenidos a un episodio épico de Vinyl Radio! Soy George Paz, y hoy nos sumergimos en la historia de Aerosmith, una de las bandas más icónicas del rock que ha dejado su huella en la historia musical. Desde sus humildes comienzos en Boston en 1970 hasta su dominio absoluto en las listas de éxitos globales, This is Aerosmith, la leyenda del hard rock. ⚡️
EP 597 Discussing The Aerosmith retirement and a chat with Drew Cagle
This week on the pod we wrap up Gord's discography with the Bob Rock collaboration, Lustre Parfait.Transcript:[0:00] Long Slice Brewery presents a live event celebration of Gord Downie, July 19th, at the Rec Room in Toronto. Join the hosts of the podcast, Discovering Downie, as they record their finale with special guest, Patrick Downie. A silent auction with items from the hip and many others will take place, along with live entertainment from the almost hip. All proceeds will benefit the Gord Downie Fund for Brain Cancer Research. For more information and tickets, please visit discoveringdowney.com. Clutched clipboard and staring out past the end of her first day into tonight and all the way across oceans of August to September. It makes for a beautifully vacant gaze.[1:08] Music.[1:42] Hey, it's J.D. here and welcome to Discovering Downey, an 11-part project with a focus on the music and poetry of Mr. Gord Downey. The enigmatic frontman of the Tragically Hip, Gord gave to the world an extensive solo discography on top of the vocal acrobatics in the hip that awed us for years. Gord released five albums while he was alive and three more posthumously.[2:09] Now listen, you might think you're the biggest fan of the Tragically Hip out there. However, why is it that so few of us have experience with this solo catalog? Have you really listened to those solo records? My friends Craig, Justin, and Kirk, giant fans of the hip in their own right, fell into that camp. So I invited them to Discover Downey with me, JD, as their host. Every week, we get together and listen to one of Gord's records, working in chronological order. We discuss and dissect the album, the production, the lyrics, and we break it down song by fucking song. This week, we wrap up Gord's discography with an album attributed to both Bob Rock and Gord, Luster Parfait. Craig, how goes it this week? week things are okay a bit of a break tomorrow going off on a little family trip for a couple days meeting my parents and sisters uh you've never met your parents before this is big news dude yeah yeah i think they're gonna like you man congratulations and then yeah and then shortly after that head off to toronto for for an event with you guys whoop whoop yeah How are you doing, Kirk?[3:30] You know, guys, I'm doing pretty good. It was 107 out here in Boise, Idaho, where I'm on show site. As we mentioned, I was in Europe last week, so I'm not quite sure time zone, temperate zone, what zone I'm in. I just – somebody point me in the right direction and I go. So I'm doing good, though. We had such a great time. But more importantly, I'm just really excited about next week and just hanging with you, you lads and checking out all the stuff that we have planned and, and, you know, especially that the event. So I'm that energy will get me through whatever jet lag, whatever heat stroke, whatever heck I encounter over the next seven days. So, and what about that new item? The hip gave us today to go towards our silent auction. Someone's going to get some major bragging rights. Man, we can't say what it is, but-[4:27] We might be fighting internally for this. We'll be revealing what it is, I guess, Friday. And some other great prize stuff, too. JD, you just told me and Kirk about this ridiculous prize that we got. Craig's got it memorized. Yeah. Two tickets to the Toronto Raptors. $500 in arena gift cards. and two customized or personalized jerseys and a shoot around. Man. Are you ready for this? Come on. That's great. Jadon. Yeah. You're in, you're not in Kansas. Tornado Alley. Tornado Alley. But there's twisters about. Yeah, we just had a...[5:51] And then 20 minutes later, there's a video on Facebook of a frigging tornado a half a mile up the street. What the hell? So we're fine. Yeah, that is freaky. If you look out your window and you see somebody riding a bike in the air, you're in big trouble. With a dog in the basket. That's right. Cow. Yeah. Yeah. Yeah. Yeah, but dude, I'm, I'm good. Otherwise without the weather or with the weather, I'm good. And I'm psyched for next week, man. Ooh. Yeah. Let's go. Justin. I tasted the podcast. Pilsner officially tasted it now. I had four of them at home. I gave two of them to my father-in-law and I drank two of them and they were very crisp. Delicious. Yeah. So it's going to be a lot of fun. Yeah. Awesome.[6:47] When word broke that we'd be getting a third posthumous record from Gord, there was a hush and a wait and see approach. You see, Gord had partnered with Bob Rock back in the 2010s, shortly after Rock had produced probably two of the most divisive records in the Hips catalog. I enjoy both these records a lot, but your mileage may vary. In any case, it was an uneasy feeling for fans. What would this album be? As it turns out, it's a whole lot of everything. There are songs that are reminiscent of the hip, like North Shore. There are horns on the title track, which we got to sample about six months before Lester Parfait dropped. And it relieved us.[7:41] There's even something resembling rack time? Suffice to say, as we've gotten used to saying around these parts, this album is altogether, folks, unlike anything Gord has produced before. It's been said that Bob Rock has a tendency to overstuff the records he produces. It's as though he's just been given access to a 48-track board and he feels compelled to use every last fucking track. rack. On this record, however, his hand seems firmly on the rudder. The songs come across as overly polished, of course, but never too indulgent. If there's one complaint I have, it's that there's too many goddamn songs. On a record as varied as Luster Parfait, you're almost overstimulated by the end. You've been through so many different styles and sounds. If I had it my way, this would be a tight 10-song record, and with the right tracks removed, I dare say this is a collection of songs I would put head-to-head against virtually any other record in Gord's oeuvre.[8:59] Yeah, I think it's that good. There are highs and there are lows on this record, as there have been on each of the albums, but on Luster Parfait, the highs seem higher to me. Have we ever heard Gord sing like he does on The Moment is a Wild Place? Or something more? Have we ever heard a chorus as striking as Is There Nowhere? By the way, big hat tip to Shea Dorval for providing those gorgeous backing vocals. At the end of the day, has Bob Rock redeemed himself with this effort to the haters out there? I would offer a resounding yes. Yes, this is a record that should be listened to loud and on a good pair of headphones. There is so much going on, but it all seems to have a purpose. That's what I think of Lester Parfait.[9:52] Tell me what your experience with the record is, Kirk. Yeah. So the first real listen I had to this album, because I'd been pretty busy with travel and whatnot, we were on our family vacation in Madrid. And beautiful little up on the top of the hotel looking over the city and just enjoying the wonderful atmosphere. And, um, I was actually listening to that kind of rough cut of our, um, rough cut of our interview with, uh, Niles and Kevin. And he had referenced like that. He thought that, you know, the, the, the moment is a wild places is, was his favorite song. And I'm just like, I can't hold off anymore. I need to jump in. So that was my first experience was listening to it, um, on, on the roof in Spain. And since then, it's just been a pretty incredible journey. I spent a lot of time like listening to Bob Rock interviews and, you know, just really understanding where it's coming from. And as you mentioned, JD, like, you know, I understand the divisiveness and whatnot, but oh my gosh, I, I was already in love when I listened to it the first couple of times at this point, you know, I'm, I'm firm in my, my commitment to, to in Gord, we trust, you know, And to see that...[11:17] That friendship. I mean, he, he, he makes the statement. We were like two teenagers that were in the studio, just making music together. And, um, you know, to hear how the whole process went and I know we'll get into it and everybody, you know, obviously we'll provide their input. Um, I fell in love with it even more, you know, and, and the variety on this, this album i mean guys we got reggae we got we got west coast punk we got 70s glam we got 80s synth pop we've got you know it it just every even within certain songs you'll have a jump from one friggin genre to another and then you you know you start looking at all the studios they recorded in, the process that it took, the number of years, the people that are involved.[12:13] And especially after we've discussed with the last three albums, like it was just fun to, I felt like, I felt like I got a warm hug from Gord. I really did. Just like, I just was all that, that we went through. It was like, Hey, this is just when it's fun. And this is, this This is for you, music lovers. That's what I felt. That's what I felt. I love that. I haven't watched much with Bob Rock, but I did read that one of the reasons why it took until 2023 to rear its head was because it was too painful for him to, like, he was really emotional following the death of Gordani in 2017. Absolutely. Because they had gotten lungs. Yeah. They had become such close friends and, you know, they reference, you know.[13:09] Uh, Gord flew out to talk about world container and they'd figured that out in 15 minutes. And then they spent the rest, the rest of the conversation talking about being dads, being Canadians, being hockey lovers. And, and then that just continued. And I think those guys, you know, with the level that they were at, I think they kind of found it was a peer to peer relationship.[13:32] And I really felt like they found refuge in each other. And then I think they sought it out because it was a long relationship. I mean, was it 06 when World Container was being made or coming out? Up until the very end. And that's when they first met is when he came out, or at least per what I had listened to. You know, they flew out to Maui, to his studio in Maui, Gord did, and then, you know, like I said, Discuss World Container. And then they didn't really do much as it was described until after the second album, We Are The Same, that they did. And then that's when the, you know, that relationship in the music for Luster Parfait started. So yeah, I mean, I recommend everyone to check into this. And Bob rock doesn't seem like, you know, like you.[14:25] You just, he didn't, didn't do a lot of, I mean, of course he gets on the documentaries, he gets a lot of airtime and whatnot, but beyond that, you know, there's not a ton, I guess, but the stuff specific to this is well worth, you can just hear the genuineness all these years after, like last year was a lot of the interviews that were going on and he's still breaking up. Like you're still oh yeah um and he's just he's like you go bob rock and you like you think the guy's flying you know coming in on the learjet all the time and he's like most of these interviews he's like just got done feeding his horses craig what was your first experience like i was also traveling uh down to seattle for a ball game and i was on on the amtrak train taking my notes and i I actually wrote, I'm going to read this and don't get mad at me. But I said, hate to be negative on this last album, but there's a lot to pick apart.[15:25] Two days ago, we were supposed to record this episode, and we had to postpone. And that evening, at 10.30 at night, I texted you guys a photo. A package arrived, and the CD was dropped off by Amazon. So I got the CD, and I started looking at the lyrics. And then the next day, I popped it in the car. And it's been in there for a couple days now, and I've been listening to it quite a lot. And my opinion has totally changed. Changed it's like some of this and i think it's what you said jd it's it's a very long album and so some of my favorite songs come at the end and what i what i've been doing is hitting shuffle and that's when it really started to um pick up for me is when i started listening on shuffle before getting the cd that i liked hearing just random songs come on and then and i thought it it was a problem with the sequencing at first but then i realized it's probably more because when the album came out i did listen a couple times when it first came out but i think i only got through the first four songs and so now i'm getting to know and love these later songs and then when i got the cd it just all kind of started working for me and i'm like wow some of the things that i was going to be nitpicking on today's episode i think i've I've grown to appreciate Justin, my man. Yeah.[16:51] Talk to me about your relationship with this release and has it changed since your first listen? So I pre-ordered this last year and yeah, this, this CD was in heavy rotation for me until, um, until you asked us to be part of the podcast. So I've been cold Turkey since January or whenever it was and waiting for for this week to get back into it. Yeah. I love this album, and I wish that Gord had done a Broadway show.[17:27] Um, could you imagine after hearing how strong his vocal is? Um, and especially during this time period. And it's funny, Craig, that you mentioned that you did not like this album. And then today you changed your mind. I took a break from this cause I've been over listening and I went back to the grand bounce and I love that freaking album as of today. And everybody knows I did not love that album when we were doing the podcast. Yay![18:00] Yeah. I love this news. It grew on me big time today. And Justin, one of the interviews that I watched, they actually said that the lyrics were almost like a screenplay on Luster Parfait and that there is a movie inside this album. It's just no one has brought it forth. So I like that. Broadway play. Movie i think i saw some of the same interviews you did um the one with uh terry mulligan was i actually listened to it a few times um to pick that apart but um yeah it would be it would be fantastic if that film was to get made or some sort of video component to this um but you know this was at gourd's you got to remember this the vocals recorded a decade ago and this was at gourd's busiest period and i would say his strongest period um vocally um and seems that way but you know bob also said in the in the interviews that he intentionally um potted gourd's mic up so that it was more on the forefront you know with the hip gourd's voice was an instrument um with this album it is the show and that absolutely rings true and you know jd the the songs that you mentioned just...[19:24] Kick my ass every time i hear it and i've heard them i've heard them 50 times at this point you know without exaggerating um yeah it's it's a very cool album a very confusing album uh stylistically um and it's very long but i can palette that um and i had the same issues craig um with stopping and starting and you hear you've you know you've heard the first six songs on this album probably twice as many times as the final seven or eight um and it's just it takes a commitment to get through it um and every song is long in addition to them there being so many of them um you know there's several songs that are five or six minutes um yeah seven and a half right it's for the moment is a wild place and i'm really interested in in your guys's uh mvp, yeah tracks for this like more than any other album we've done yeah because i think it's going to be all over the place i i've got mine and i i think this was like the easiest choice i've had to make and this is the first time i don't i quite literally don't have an mvp i'm i'm pulling the trigger when we talk every other album first three listens i had it down i mean i'm usually the first one to chime up i i can't i i just haven't been able to pick one it's strange that that it's It's opposite.[20:48] Should we try and untangle this web that Justin just spoke of, this mystery of a record, and go track by track? We start with, Greyboy says.[20:59] Music.[24:42] I mean, from the first note, it's like, what the hell are we listening to? And in the best way, you know, I just had no idea that this is where we were going. You know, and I love World Container and I love We Are The Same. And we all know everything else that Bob Rock has done. And this is not any of those things. It's bizarrely different. Um, and who the hell is gray boy, right? Like I've spent a year now trying to figure that out. And I thought I'd read something that it was a DJ. Um, yeah, I read that too. I'm not sure if it's true or not, but there's a DJ out of San Diego, uh, named gray boy. Um, sort of like an acid jazz DJ I read and it could be him he's referencing, but I'm not sure if that's no idea. Yeah. Um, but yeah, it's just a, a total, it's a mind fuck right from the beginning. And, and I was really like, okay, I'm turning this up. Um, you know, I remember listening to it in my car, um, the first time that I, that I put it on. However, I wanted to ask, um, JD and Craig, if, if you guys had any of this, um, on air in Canada, did, were any of these songs played on terrestrial radio? Yeah.[26:05] I don't recall hearing it on the radio i don't listen to a lot of uh local radio i'm usually, you know serious yeah xm listener but um but no i didn't hear it i did see the video though and so this song is a song i heard right away when it came out because of the the video which uh if you've seen it it has um some of the guys from offspring dexter nude and yeah and And when I look at the track listing, they don't actually, they don't play on the track. So they were just kind of there for the video and having fun filming the video. And Bob Rock's got James Hetfield's ESP that he's playing in it. And so it's a pretty cool video.[26:49] Did you guys recognize the drummer? I did, yeah. So Abe- Abe Laborio Jr. That's Paul McCartney's drummer. Yeah, really quick connection. When I was in my original band back in the 90s, we had a drummer who filled in for us fairly often when we were down a drummer. And he was roommates at Berklee with Abe. Really? And I didn't meet Abe, But one time he was in town for either sting or McCartney and our singer slash, you know, front front man got to jam with Abe and he came back and told me that he has never felt anything like it being in the room with him. He said when the, when the kick drum hit one, it was unlike anything he's ever experienced as a musician. So it was just that tight. And you can hear that tightness in his playing. Yeah. I mean, you don't get picked up as Paul McCartney's drummer, unless you know what the F you're doing. 20 years.[28:17] Video and, and, And he even plays and he's like, he's a beast of a man, right? He's, he's, he's, he's a big guy, but he's just sweet. I've had opportunity. There's a show called ma'am national associate music merchants. If you're a musician, you should know about it. It's every year in Anaheim. So it's pretty close. So I've been going for years and years and he's there quite a bit. And so, you know, had few little interactions and he's just, yeah, he's a, he's a sweetheart just, and, and an incredible musician. Oh, wow. Incredible musician. Well, they did it weird, right? Because they released Lester Parfait, and then they released a three-song EP, or maybe that was the time they released Lester Parfait. And then they released a six-song EP. And it had The Moment is a Wild Place, Camaro, Lester Parfait, Grey Boy Says, I think. So they did that But I'm not sure about, I'm not sure whether Lester Parfait Was considered the lead single or not Hold on I have it open here So that's why I asked you guys If you'd heard it on the air because Again the station that I talk about all the time Here WBQX played Lester Parfait Over and over last year Wow And I think that I heard Grey Boy Says as well On the radio.[29:45] Damn So we were talking earlier about sequencing. I believe it was Craig that was talking about it. So we'll start with him here because when I first heard the next track, which is the Raven and the Red-Tailed Hawk, I remember thinking, what the fuck kind of sequencing is this? We go from, you know, this crazy rock song to like a kid's song. And then all of a sudden that chorus hits and you're just like, wow. I would love to be next to a fucking stack listening to that, feeling my pant legs whistle in the wind. Fucking right. That would be just fantastic. Craig, what do you think of The Raven and the Red-Tailed Hawk? I really love this song. I think there's a lot of things that really stuck out. The lyrics were great. The chorus, like you mentioned, is powerful. There's the nod to the east wind, I think, in the lyrics of the chorus.[30:47] And it's just a strongly written song. There's a very unique melody. And there's a really cool descending tremolo guitar that I thought was effective. And some nice piano. piano there's a really wild synth solo which was really cool followed by an acoustic guitar solo which you know to to the opposite of what i said last song i loved i thought bob rock killed that solo an acoustic guitar solo is very hard to pull yes agreed to make it sound you have to be spot on and not only does the tone of the guitar have to be good but you have to have the feel.[31:28] And because you hear every slide you hear every nuance you're every bend you hear every chord configuration if you're if you're throwing that in so i agree 100 craig yeah you have to be kyle gas and when you're playing a playing an acoustic soloing you don't have that sustain when you're bending a note so it's just a so someone who tries to play you know just take electric solo and played on acoustic it's not going to sound the same so i thought he did a great job of crafting a solo that worked um there was some really cool like compositional tricks with you know like you know leading tones passing tones and just lots of lots of things to love in this um and also one quick thing at the end the vocal jumps up an octave going into that last chorus just a great great trick yeah and yeah the lyrics i just you know pulled out the lyric booklet two days ago and really wild stuff what do you think justin yeah it's the same exactly the same it's a kid's song and then it's not right um and it's the the storytelling and the.[32:40] You know i can see that helmet the imagery that he tells the story um and one of these interviews um um, that Gord had done, um, which nobody knew it at the time, but it was during these sessions.[32:58] Um, he had mentioned that Bob had asked him to speak more clearly. Don't be so vague with your lyrics. Tell, tell a story that people can understand without having to pull out an encyclopedia and boy, you got it right in this one. Um, you know, this is, it's very cut and dried. Um, it's, it's nothing to figure out. I, I just love how, how clear and concise it is. And some days I just can't do it, you know? Um.[33:28] I think we've all had that. Fuck yeah. Kirk, what do you think? Well, being the elder of the group and someone who really grew up in the 80s, I heard this song. I was joking before when we first started talking on, you can't see me, folks, but I'm doing the 80s dance. When I heard that song the first time, I got that new wave post. I just felt like a kid again in high school. And when you'd hear those, we were in the heart of new wave. It was like true post-punk, like Sex Pistols, late 70s, early 80s, punk, post-punk, where it's now you're getting the precursors to, you know, what becomes Green Day and Blink-182 and everything. But there's, I mean, fuck, there's five keyboards parts on this song, five separate keyboard, you know, credits listed and you can hear it. Um, so, you know, I would say, I know I'd mentioned at the beginning, like I couldn't pick an MVP. This was one that just always stood out. I wouldn't again say MVP, but loved it. It made me feel good every time I listened to it. And then Kirk's going to roll into his second criticism of the entire, uh, series. And I believe it was, is it Tim? I was just going to say, who are you, Tim?[34:47] Like i don't necessarily have an issue with fade outs but i struggled with the fade out on this one i really did i i was like i don't come on just like end it it's a long fade out too it's a long very long fade out very long fade out so um so you know i uh i i again if you guys know i really don't care but odds it's it's all good matthew good he was also strippers union so you know yeah he did the drums on that he was also like the house drummer for the kids in the hall so oh yeah yeah so like how cool is that that you got you go from paul mccartney's drummer to you know brian adams matthew good all the stuff that that pat did so um yeah uh great song uh just uh really helping the love affair uh with the album and uh you know outside of the i could have done without the fade out um friggin loved.[35:56] It friggin loved it it's a 20 second fade out though like it's it's long it's much sort of it's much i'm usually okay with it but this was you know the one thing though the reason why i brought it up is because i kept having to look at my phone going did my phone die um because i'm like the song was the next song wasn't coming he's got late and i couldn't tell if it was going out or if it was the intro but it's yeah it's a 20 second long outro insane justin how about you buddy yeah i i knew somebody was going to mention the fade out. I didn't hate it because the song is kind of long and it's like, alright, it kind of feels appropriate.[36:38] But yeah, no, I just love the song and I don't know, how many times are you going to say the sonic sounds like nothing else you know and i i understand you know he really wasn't necessarily involved in much of the the writing of the parts, um but i don't know it's just so freaking cool yeah it is it's very cool, so luster parfait what do you think of that track that's the one song that my daughter has grabbed a hold of because of the hey hey hey um you know i don't i don't know what the song is about but i picture it as gourd's love letter to music um and you know performing live we gather in the dark um you know we can only connect um that's that may be the only way that some people connect that's how we all connected right is through music and specifically gourd's music um i just this this uh this song you can't help but feel good listening to um it's such a fun freaking song and there's horns and there's that little you know half step.[37:58] Kind of thing in the chorus and it's it's really really interesting and it's very fun and it's funny almost um just the the energy that that gourd has and that the entire i want to say band but you know the people playing in the song it just sounds like every i can picture every single person in there playing with a smile on their face you know and and just enjoying the shit out of this whole process it's a luster parfait baby would you dig into the yeah because it starts off with horns and you we haven't had horns per se um on i mean i guess is this what it sounded with davis manning like i i i'll put my cards out there and i haven't heard a lot of it so i don't really know what the hip sounded like with him, but like you've got a full on sack. So what's that, Justin? Not like this. Davis Manning did not sound like this.[39:02] Ah no he sounded like uh and i he sounded like an 80s you know bar band saxophonist that's because that's exactly what it was who can it be now i'm in at work right but the horns just hit you right up front um and uh the the sax solo like in the middle and then And, you know, a really cool, as we talked about, you know, it's got a hard ending, which is great. But in the end, that little vamp with the B3 and the piano, like Justin said, the music all around, you just, you can't listen to it and not smile and not feel like that was the energy when it was being recorded.[39:51] So the one note that I wrote here too that I think is really cool. Um and it kind of speaks to what you guys were saying is like a like a a letter to music but he described the bridge bob did uh as being essentially the sensational alex harvey band and if you don't know anything about the sensational alex harvey band just look it up just youtube it and i'll leave that there um you know i guess i'll call it like the canadian david Bowie during the Ziggy Stardust years is, is probably a good way to describe it. So, um, but how cool is that? That like throwing that right in, right in after you get these two rockers and now he's going glam and, um, yeah, this just brilliant, uh, brilliant, brilliant, uh, title track song.[40:47] I really liked the, speaking of the bridge, the sort of chromatics and the bridge. And then at the very end, it blends into the final chorus.[40:59] So, you know, luster parfait, hey, hey, which I thought was very cool. Um yeah and speaking of the lyrics at the at the start it says isn't it funny how little we can do how much we are like a scene from the deluge and i looked up a scene from the deluge because it was capitalized and i found a painting called scene from a deluge from 1806, and it's a pretty wild painting i'll just read the description really quickly the man perched on a rock hangs from a from a tree that is beginning to break he tries to pull up his wife and two children all while supporting on his back an old man who carries a purse in his hand the sky is streaked with lightning like justin right now and a cadaver floats in the agitated water it's a pretty i'll just hold my screen it's pretty wild um anyways uh pretty wild so i'm not sure what he's getting at but uh but yeah definitely what's the lyric yeah it's the it's the intro isn't it funny how little we can do how much we are like a scene from the deluge, which as you describe it, it was pretty, uh, pretty stark. Yeah. Like, yeah.[42:26] Yeah. Like he's hanging on to like his wife and two kids with one arm, like by her one arm. So I guess there's not too much he can do.[42:35] Other quick notes. I just want to mention the horns. So the horns, the saxophone is played by Tom Keenleyside, who is a local Vancouver-based saxophone flautist. And he has been all over. He has played with so many different artists. and actually the very first cassette i ever bought back in grade seven i think i just finished grade seven and i was in the kitchen i can still i remember exactly where i was and on the radio came, rag doll by aerosmith 1987 and i was drawn in by the horns because i i'm i started playing saxophone in grade six so i was drawn in by that and steve tyler's voice and that song grabbed me right away I took my money from my piggy bank and I bought a Walkman and a cassette tape you know the next day and that's really where my journey with rock music started and so Bob Rock was the engineer on that album Permanent Vacation and Tom Cunley side played the saxophone so I thought there's a cool kind of full circle for for me personally um you know seeing that he was the one And because as soon as I heard horns, I knew it was him. Listen, I don't know where you would put a showcase track on a record from a sequencing standpoint.[44:02] Music.[50:44] The vocals uh that are going on in this um you got and then going back to bob and all the guitars like you've got acoustic guitars you got two lead guitars you've got what sounds almost like what i know as like a slack hawaiian slack guitar it sounds like a pedal steel but there's nothing in the liner the the the pedal steel song is not this song um it's got that kind of a you know of acoustic and slide in the beginning and and then you've got this the chorus that just uh you know it's uh it it it's like a dump truck of love coming down with this massive gourd here i am and and you understand why many people call it their favorite and uh a song that is seven minutes in 26 seconds and sounds like it's maybe a couple minutes so when you know that a song that's that long can just like you get lost in and you don't even think that it's that long you know you know it's it's obviously very very well written craig what were your thoughts i thought the.[52:02] Yeah the chorus was was what made it and the moment is a wild place reminded me of you know like a theme throughout his work about living in the moment where whether it's the dance and its disappearance or never ending ending present and i'm sure there are many others i know we've discussed them on this podcast so that was really really a great tie-in um the hawaiian guitar i loved as well at the start and you know you have to think that it is bob rock playing that so it you know he lives in maui much of you know much of the year from what i've heard and And, you know, he's soaking up all that Island music and, and yeah, my only other real note was, um, like a couple of quick things. Sean Nelson is the drummer on this track and the last one who I had to look up and he's actually, um.[52:54] Not someone who's played on a ton of high profile albums or anything. He's a drum instructor out of, I believe, San Francisco, I read. And, you know, very cool that he had that opportunity to work on this album. And one last thing, the piano flourishes at the end, reminded me of Dr. P from the country of miracles, which was very cool. Nice callback. Wow. Yeah. That's a great. Yeah. Justin, how about you? The moment is a wild place. Well, you know, I keep referencing my love of Prague and this sounds like a pink board. I can see that.[53:38] I love that it's long. I love that it's got, they use all 88 keys. You know, from low to high, it's It's really just a beautiful song, and the lyrics remind me of Secret Path. Heal. I don't know. There's definitely some tie-ins in my brain to Channing and his story. I don't believe that. Wow. Because this was probably written before secret path was even in chords around the same time around the same time it was birthed.[54:24] Yeah. But you know, I just, yeah, I think this is one of the songs that Bob said that Gordon heard completed before he passed.[54:36] Oh, that's nice to hear. Yeah. Uh, and, but Jesus Christ, the range that this guy has, right? Like, uh, I don't know. It, it, I fall apart whenever I hear the song. It's it's in in the best of ways you hear this song and it's almost like has he not been trying all these years you know because he's like he's got this in his fucking back pocket holy shit you have this in your back pocket and you're 50 years old time gourd god the other thing that i think is is uh something i just want to comment on really quickly is somebody who deals with mental wellness and is uh working on his mental health i look at this song almost the same way i look at the darkest one in that it's got this sort of clever twist right it's like the wild are strong, and the strong are the darkest ones and you're the darkest one so it's like starts out as almost this great compliment but it turns into something else and in this song it's like hey everybody you got to be in the moment you got to be in the moment but sometimes the moment is a wild fucking place that you don't want to be in so i'm going to put a bow in this jd and you guys.[56:04] So yeah i had mentioned earlier i was you know on the rooftop in madrid and i'm listening to the I'm listening to the Kevin Drew Niles interview, and you'd put this song in, sorry, Inside Baseball.[56:23] This song comes on, and it turns midnight in Madrid, and frigging fireworks start going off everywhere around the city. And I don't know if it was the transition from June to July. I don't know if it was the Spain had just won their Euro cup game earlier in the day, or if it was just, you know.[56:52] Tuesday in Spain at midnight, we like to put off fireworks, but I'm, I'm, you know, up there. Like I said, I've had a few glasses. I'm feeling wonderful. I'm jet lagged. I'm listening to that brilliant, brilliant, brilliant interview. The song comes on and fireworks start shooting off quite literally in the middle of it. So the moment is a wild place. Yeah, sure fucking is. Boy. Well, let's move to track five and something more. Craig, how do you feel something more lives up to its role as a follow-up song for The Moment is a Wild Place? This is a tour de force song and a showcase piece. Is this the right sequencing order? I'm just curious what you think. Yeah, that's a good question. I'll need to think about that some more, but I do think the song was quite good. It reminded me, vocally reminded me of like earlier Gord.[57:58] And it's the first song on Lester Parfait that did sound like a previous version of Gord. The horns are great, which is what makes it sound so it doesn't just sound like a copy of something that he did earlier. There were some great dissonant guitar shots that were very cool and a little horn part. And of course, we have to shout out the drummer on this song because it is none other than Johnny Faye, who makes an appearance a number of times on this album. And you can tell. He just has such a great... He's playing on an album with Pat Stewart, with Abe, and he fits right in there because he's just such a musical player.[58:46] He has such a great tone to his drums always, and it was just a treat to hear him again. He's also listed as backing vocals. I think that's on a later track. I think track number 11, I think, for some reason. Oh, okay. All right. Right. But speaking of vocals, I have in my notes that Johnny Faye said this was Gord's best vocal ever recorded, hip or otherwise. I've never heard – I've been listening to him since 1989, and I've never heard anything like this. Right, right. There's a lot of strong, strong Gord vocals. And he's also got a very powerful voice. We know that because watching a special video of his later performances where he's more guttural and screaming but holding the microphone down at his belly button. And you can still hear just how powerful his voice is. That's really wild that Johnny Faye would say that. This is the first one that, at least for the album version.[59:58] This song is actually towards the end. So kind of wild. Or at least from a lyrical standpoint, it goes something more in the field, and then there goes the sun. So it's one of the last three songs on the album. you've got an error your album's on that skirt my album is a wild place i'm not i'm not even lying guys i'm not lying look at it right there it's third from the end odd odd that that you know as we talk about the sequencing that's the listed you know outside of the comment from johnny i just you know gothic synths driving drums bright horns really amazing solo um uh just I like it actually in the spot that we're talking about it from a sequencing standpoint, as opposed to towards the end. Because it is one of those that, I guess they're all in the MVP category opportunity, but this to me might have been in the upper quarter of MVP opportunities.[1:01:04] What do you think, Justin? um i spent a fair amount of time on the lyrics on this one and trying to there's a lot of stuff that's in quotes um and i tried to figure out what he was referencing by a lot of stuff and the only thing this is the silliest thing that i think could have come out of this was the cool hand of a girl all i found for that was a mexican restaurant in toronto jd have you been there it's It's called The Cool Hand of a Girl.[1:01:39] Hand of a Girl. That's the only thing that I found on the internet with those words in hand. No, I've not heard of that restaurant. No. And I did some research on the restaurant, and it's been open since before this was recorded. So was he talking about a Mexican restaurant? It's an MO, man.[1:01:59] Yeah um i i did love the uh the line i legalize criminality and criminalize dissent i love that because i american who is fucking terrified right now and um that's where i live is where criminality is legal and dissent is criminal uh quite fucking literally, um i don't know the um you know you guys had referenced that this is this is sort of old gourd and the thing that really stuck out for me because i felt the same way it was yeah he said fuck you in this song and this album to that point feels too clean to have those lyrics, to have him say that. And the way that he says it is really live-gored, you know, the ranting voice, almost. He drags the F out in that word.[1:03:09] I like this song. It's not my favorite. I don't know why it's not my favorite i don't know why it's not not my favorite but um yeah this song is is fine and it the the as far as the sequencing goes you know the moment is a wild place is such a deep valley um that this just gets us right back up in the air and and we're on to our next stop and And, um, I, I liked the energy of it, um, to follow, um, yeah, in a wild place. But, um, other than that, I don't know. I think it's got another showcase vocal, uh, toward the end, the latter third of the song when he goes up high. Yeah, for sure. I don't know if you guys, uh, like, I'm not going to try and sing it, but do you know the part I'm talking about where he goes up very high? Yeah. Again, that's not something we've heard from him before. Him going into a place like that.[1:04:15] I could see the classic Gord sweat in this song. He worked hard in this one. And you know what? Moving on to Camaro, I sort of get a sweaty kind of vibe from this one, too. What do you think about this one, Justin? My first thought was, is Gord a secret car guy? like that would be amazing for you oh, No, I mean, this, this is, uh, this is, you know, you're in high school and this is the first car you can afford. Um, this is not a nice Camaro, by the way, the, I had, this is a, this is a 72 that nobody wanted and I found it for 400 bucks in the classifieds and let's go, you know, um, uh, I don't know. It's got no floor on the passenger side but everything else is cool you can see the lines on the road through the friggin' drin you can Barney Rubble it, it's a piece of shit but it's my car, it's my wheels and I love it, I actually went back and listened to other Camaro related songs.[1:05:33] Kings of Leon and Dead Milkmen Bitchin' Camaro You know, just, just, I went back to that for some reason. I don't know. It was, it was cool to just kind of revisit that. Bitching Camaro. Did you see Justin on this particular song and this actually brings up a question for me. The song is Bob said was written because that's his wife's favorite car was a Camaro and then he gave it to Gord and Gord was like, I don't want to write about a Camaro. I'm going to write about a girl named Camaro. So the lyrics are about a girl named Camaro but the title Camaro came from bob's um and this is again this is just what bob mentioned about it um his wife's favorite car so apologies yeah and isn't that crazy isn't that totally crazy and and.[1:06:36] Yeah. You know, a great song. Um, I have, uh, I have like talking heads listed as kind of a vibe in, in, in a lot of them actually have a real, you know, kind of eccentric talking heads, kind of odd jazzed influence horns, um, as well. So, yeah, but anyway, love that. It's a girl named Camaro. Great. I love the line of the chorus, Camaro, the name means just what you think the car can do, go. Just the way he phrases it is just very odd. Until I read it, I didn't realize what he was trying to say at the end.[1:07:16] And yeah, just very cool phrasing. it reminded me of um i couldn't get the simpsons out of my head the canyonero canyonero, but that's just where my mind went but my also my dad had he's currently rebuilding a uh a 1980 camaro in silver so i'm uh i actually just texted him to see if he could text me a picture of it but he's uh he's a car guy and yeah he's working on one as we speak so So it did bring back a memory that I had repressed from high school where I got a ride with a buddy's sister's boyfriend who had a Trans Am, you know, like a Burt Reynolds Smokey and the Bandit vintage. And we went 140 miles an hour on the way home. That's the only time I was certain that I was going to die was in the backseat of that car. And it's a Trans Am, not a Camaro, but same thing. Yeah. Yeah. Night.[1:08:15] Music.[1:12:50] The North Shore is the first track on the record to me that sounds like vintage hip. It could be at home on Day for Night, a different production version of it could have been on Fully Completely, maybe even Hen House. It's of that sort of vintage. Am I totally crazy, or am I barking up the right tree, Kurt? Yeah i mean i have i have written uh alt rock style um kind of ballad so you know that's i think that hip would fall into that that uh realm but the song sounded big to me it got big you know it starts off with that kind of acoustic piano in intro and um and and the cool thing like most scored lyrics is like is he talking about the north shore of maui is he talking about the north shore of you know lake ontario everyone because like everyone kind of has a north shore, and um i i uh i i i just appreciate again the his ability to um.[1:14:05] Keep you guessing and keep us talking for many more episodes of podcasts to dissect Accord's lyrics. Yeah. And I recall seeing an interview with Bob Rock where he kind of mentioned the same thing. He talked about the North shore in Maui. There's a North shore in Vancouver where, you know, Bob Rock would, would know about the North shore that I actually spent the first four years of my life on the North shore in North Vancouver. And, um, I'm I'm thinking he's probably talking about the lake only because he mentions, I think it swallows, which there wouldn't be, I don't think in Maui on the North shore there. It's much too windy. There's little sparrows, I think, but I could be wrong.[1:14:46] But, but yeah, it's meant to be for wherever your North shore is. And it really is a great song. It could be, could have been a radio hit is that, that type of song I did. This is one of those songs that earlier on I had a critique about the chorus being too generic. So the chord structure is one we've heard a million times. But then the more I listened to it, I started thinking, well, there's a reason this chord structure has been used a million times. It's powerful. And when Gord is added to this mix, it does sound original. And it sounds great. I really love the harmonies at the end in the guitar. There's some sort of like Boston seventies via seventies, like guitar rock vibe on the, on the harmonies, which I dug or like, or like almost like a thin Lizzie or something. So yeah, solid song all around.[1:15:39] Justin, your thoughts. Yeah. I actually, um, view this as a followup to the last recluse. Um, like, yep. That's all that to me lyrically. Um, I also went back to Summer's Killing Us from In Between Evolution, because I really do love the lyrics about one more breeze and summer's complete. And then at the end, he goes back to summer lowers its flag now. And obviously the word is summer. And so that is my tie in. But, you know, the the uptempo of summer is killing us and summer exists at the fair. Right you know like this is yeah summer kicks ass and then this is the end of it like we're going back to school now and uh the leaves are falling off of the trees and you know it just um i also really loved the line we occurred to each other 48 hours a day how fucking amazing is that line um when you're in love holy hell that's that's all you think about and um.[1:16:52] Fingers and toes 40 things we share you know uh yeah or fireworks um yeah believing in the country of me and you that's what it was yeah yeah yeah i agree with the last recluse reference though and the way he sings it is actually very similar to we held hands between our bikes it's very and if you've seen the video for the last recluse as well they actually show that with you know these two kids with their yeah well um track number eight is this nowhere kirk this song like i even have i told you about my nights at the ihop i would go after work here over the last couple days and and it's the right next to the hotel and it's simple and so i wrote this on a little napkin holder and my note says it's the same phrasing as one from.[1:17:42] You too i'm sure you guys all that's right yes yeah so and then all of a sudden what's that justin reference to it too midway through the song oh yeah it it's not getting better like he's bull right he is ripping this song he's admitting yep that's a great pick up justin yeah good friend right and then you have one more coffee in the bill which is gonna come up later as one of the lyrics and the backing that the chorus just boom shade shade of all now is that someone that you guys were familiar with ahead of this because I didn't know anything about her until I did the research Justin yeah No, Craig has a story. So Che, Amy Dorval is someone I had to look up because I heard the vocals on this song and I was so blown away by the backing vocals that I had to look her up. And she's from here. She's from Vancouver.[1:18:49] And I think she may be based out of Toronto now. I'm not quite sure. She has a couple of dates coming up in Portland and Seattle, I believe, but nothing here. So I was hoping to go check her out. But yeah, it turns out she worked with Devin Townsend on a project called Casualties of Cool. And so I went onto YouTube and looked that up. And it's very, very cool. Kind of like ambient stuff with just beautiful vocals. And yeah, Devin Townsend is a local musician who, yeah, I remember playing back in 95, sharing a bill with him when he played in a band called Strapping Young Lad. And now he's like a, you know, worldwide world, you know, renowned, uh, musician. And, uh, yeah, we have a, yeah, we have a bit of a band connection with him too. That I won't get into on, on air, but yeah. I want to love you.[1:19:45] That's so cool and then just my last two things on this song um, bob wrote five songs on her solo album and i don't know that he helped with the production he may have been the producer on it but he he wrote five songs with her very in a similar style that um he did with gourd but this is the part that gutted me gourd didn't hear the vocal, It was added after he passed.[1:20:43] I mean you know there's so many haters out there you know he the guy produced the the biggest album of the 90s like the the biggest decade for music um you know i'm pretty sure sales wise yeah i'm pretty sure the 90s as far as like you know you know actual physical product i gotta say this about bob he gives two fucks yep and it's just good for good for him to work with two he just he's living in maui with his wife and his horses and spending time with his kids and you know try you know yeah oh yeah i got to deal with this bon jovi album or this you know offspring album whatever else and then i'm gonna go and wake up and pick one of my 700 guitars and he's got he's got like just he's got he's got music for days but he doesn't sing so i mean he does a little backup vocals or whatever else but i love that about because you know i'm kind of teetering on this i love the bob rock hip albums and of course i am loving this album and and i appreciate the other stuff that i mean metallica that you know that i think that especially if you're a musician like i think i know every main riff from the black album i can't play it all but i know all the riffs of you know sandman and and um and i loved watching that documentary you know almost swore out the VHS. So I'm telling you how old I am again.[1:22:08] Yeah. Another thing about that song, I love the part after the chorus. There's that melody, the da-na, da-na, just at first it kind of throws you, but it's a really great choice.[1:22:20] And I'm going to give a little critique here. This guitar solo kind of kills me. It, it, it's just so generic and kind of boring. And actually now that you bring up the videotape of the, the Metallica, I think it's called day in the life of, I used to have a video VHS copy of that too. And there's a, there's a time on that when he's giving Kirk Hammett such a hard time about the solo. I think it was the unforgiven maybe. And he's just like, no, do it again. Do it. Gotta do your homework. Gotta do your homework. You don't do your fucking homework. So I was picturing like Kirk Hammett being in there, like giving him a hard, like hard time. And, you know, he needed, he needed Bob rock and needed a Bob rock on this song. I think.[1:23:07] Well, again, I think it comes, it comes from the fact though, too, that we've been listening to, you know, these bands and, and these records that have such a feel to them, you know, a cohesive feel. Feel and this record doesn't have that same sort of cohesive feel it's it's all over the place right 14 songs 14 songs that's in in in all the things you read he he gave him 14 songs and he got 14 songs back there was no added there was no cut it was 14 14 straight across and and at no point did i see anything that said like okay this this track was written in 1985 this track was It was written in 2010. It just was part of his cadre of music that he's had lying around. And again, I'd really be interested to know if the titles are Bob's or Gord's. I'd be really interested to know. I guess ultimately it would have come down to Bob in the end. But I'm sure he would have respected it. I think Gord, in their discussions, they would have had. I'm sure. But you're right. I mean, they are co-producers.[1:24:23] Co-writers of the of the record yeah craig i'll put a bow on your statement this was sorry i'm i'm getting a little too flowery with the bob rock quotes and everything else but his statement was budget wise i was the only guitar player available, so there's your answer to the solo okay okay sorry bob i i really i should say i i'm a bob rock fan i love both of the hip albums he did and and like i already mentioned my permanent vacation story and also sonic temple was a big one for me when i was young and that was his yeah me and my buddy found that cassette tape on the side of the road by my dad's work someone had thrown it out the window or something and we found it no no case just the tape and took that home and And yeah, so I'm a big, big Bob rock fan. So sorry, Justin. Yeah. I mean, apart from the backing vocals, I don't love this song. Um, and I think it's kind of the reasons why you guys said it's just not something musically doesn't do it for me. Um, and that's no disrespect to anybody, but the, you know, the background vocals are just so freaking stellar that it's it props the song up probably higher than it should rank for me.[1:25:48] Um yeah and i really you know i didn't care for the youtube the youtube riff and and it just it's just strange right it pulls you out it almost pulls you out of the song because you're like thrust into another song but like i said i do i do appreciate that gourd references the u2 song yes and says it's not getting better that's very cool okay all right well then we know what we're doing at least yeah good on him for for recognizing that and i'm guessing it was just an accident then he he either he noticed it or someone else pointed it out and then yeah know, I'll just add a lyric in here and it's all good. I think it's better than one personally. The next song is To Catch the Truth. Kurt, we'll start with you. Yeah, man. So here we go. We got a ska song, a frigging ska song, in my opinion. No doubt, Mighty Mighty Boston's, whatever your flavor is. But.[1:26:51] I love ska. I love ska. My wife loves ska and we grew up in Orange County. I used to go see No Doubt, play at colleges and play at local bars and crap like that.[1:27:07] And Mighty Mighty Boston is probably the – not even probably, by far the loudest concert I've ever been to, leaps and bounds. But gorge's doing a ska tune um west coast punk was uh was mentioned in a couple of the reviews that i saw vancouver's scene dug in the slugs um it's just a fun great song you know the beauty of ska at least from my standpoint so um loved it absolutely loved the tune jay dog yeah i uh remember very fondly uh watching real big fish in a very small room and um river city rebels were a big ska band horn band here in burlington and i used to you know sneak into shows underage and and love it um it's a fun song it's just fun and um gourd packs a lot into this song um it's i don't really have any any critiques yay or nay other than man i remember being 15 16 years old and going to these shows and having a hell of a good time when i first heard this song the the amount of compression bothered me it's just like.[1:28:31] You know squished and also i found it strange i was thinking in the realm of like goldfinger or something like that and in what in one channel you've got the guitar the other side you've got the piano and i found the way the piano was so clean was a bit bothers bothersome at first, and i had a note i wish it was almost like rag timed up a bit like or you know a bit like maybe even a bit out of tune or just something to give it a little bit of personality that would be my one see this is the song that i felt was like the the mouth i did yeah i think it was the piano a melody but what i mean is is the actual sound yeah no but not the sound i i hear what you're saying craig it was too clean it needed to be like someone had a mic in the room of a saloon with some out of tune piano and then that would have been the that would have been the flavor that would have been the added that well because i like my note west coast punk like you don't tune up when you're playing punk songs you play what's on the friggin guitar that's exactly what So I hear that. I think that's a very fair, very fair criticism.[1:29:37] After listening to it on the CD last night, though, I found that it wouldn't have worked if it was done as a more sort of raw punk or like, if it wasn't compressed in that way, the vocals would not have popped in the same way. And so I think it was probably the right choice in hindsight. But like I said, if it could be just dirtied up a bit in some way, I think I would have enjoyed it a little bit more. I did like the beginning. It's kind of like a strange introduction. There's also those hard stops at the end. What's real? What's fake? There's not a dirty song on this record. You know, this record is not, it's not got, it is like that Camaro. Somebody's out polishing it with a shammy. It's pristine and clean. Let me howl.[1:30:29] Music.[1:36:30] This was one of my favorites. Really enjoyed this song. Really strong melodies. It's unlike any other song in style. And again, we keep coming back to this, but it does not sound like any other Gord song. Doesn't sound like any other song on this album. Very much like an 80s vibe musically. There's a, you know, because I've criticized some solos, I will say I did enjoy the clean guitar solo on this song. And then there's a sax solo that comes in over top of that and i like how that how the tempo goes into halftime and then it kicks back in at the end yeah solid song so i got i got big money from rush in the intro that's what it felt like to me okay so just think of that synth you know.[1:37:21] Big money when before it comes in so but you're right man that that breakdown with the guitar and the sax i just kept repeating that i freaking loved that like and you know you guys you know i i'm i like the dead and and one of the reasons why i think i like the tragically hit because they are jam band no matter what you say they are jam band and they're not going to go off into crazy solos well they did go off into crazy gourd vocal solos you could say right but you know rob's not ripping it for 25 minutes and and you know breaking out the wall and making sure you're you know timing your dose just right but um it it i i love that part to this is that um that that that breakdown. Cause you just, and again, and I'm also a big rush fan. So that intro, so yeah, yeah, this is one of those, like I said, I didn't have my MVP, but this was definitely like a strong, strong candidate. And then my final note on this, this was the last vocal recorded before he was diagnosed is some research that I did. So this was the last vocal was let me before, before he was diagnosed entirely for me.[1:38:41] Not necessarily the meaning, but just context. Wow. Been hitting the head with the shovel here. Who else needs to talk about Let Me Howl? I think it's just Justin, right? Who, me? Yeah. Yeah, the sax makes me feel like I'm driving a cab in Manhattan in 1986.[1:39:06] And it's raining out. you know uh it's so freaking cool and it's a long song and it does weird things i remember the first time that i heard it i thought that we were going to have a fade out on the on that half you know the the slower beat um or the half time whatever you want to call it and, and then out of nowhere this massive film and and we're back and we're faster than we were before, right like it there there's a sense of urgency at the end of the song like let me howl here like i'm i gotta get this out and um it's really really fun like again it's, you can slow dance to this song and you can boogie to this song and you can, i don't know it's it's really really fun and um it's up there for mvp for me it's not my mvp but it's top three or four. I also like how the chorus, let me howl. And on the word howl, he has this like glissando up, like a slow glissando up along with the harmony, which is what a wolf does. Like, um, he's not going clean from one note to another. He's got, he's, he's like slurring up to it. Okay. And like, like a wolf would do when they howl.[1:40:30] And also there's some very slight changes to the way he sings it, I believe, if I'm remembering, if this is the song I'm thinking of, where the chorus slightly changes like the notes he's singing different times or the harmony changes. Something changes a little bit that I thought was really cool. I didn't listen to it today, so.[1:40:52] Justin, hell breaks loose. What do you think? I immediately, before I knew it, I knew that this was Johnny Faye playing drums. Um yeah and uh it's it's a it's a really cool again and like i just referenced new york city um and it's in the first line of this song like and he paints the picture of walking into a bar and it's kirk watching a soccer game right uh fireworks on the roof elbow one of the very first dates with, with my, with my wife, we watched a world cup game in a, in a bar that was shoulder to shoulder and it was two teams I didn't give a shit about and everybody was cheering and everybody was drinking and it was, you know, and then one guy got pissed off, bigger screens, bigger feelings. Right. And it's, it's cool.
This week the gang gets together to discuss the rest of Inroduce Yerself.Transcript:Track 1:[0:00] Hey, it's Justin. You know and love us on the Discovering Downey podcast, right? So come hang out with us in person for the finale. Join us for Long Slice Brewing presents a celebration of Gord Downey at The Rec Room in downtown Toronto on Friday, July 19th. Craig is coming from Vancouver, Kirk is coming from LA, I'm driving from Vermont, and JD's like walking down the street or wherever he lives in Toronto. Tickets are available now on our website at discovererndowney.com, and when you get your tickets, that means you can come Come hang out with us and our very special guest, Patrick Downey, and you can bid on some incredibly cool silent auction items, all while jamming along with tragically hip cover band The Almost Hip, and most importantly, helping us raise money for the Gord Downey Fund for Brain Cancer Research. Crack open a long slice, put on some Gord tunes, take a journey with us on discovering Downey, and then crack open another long slice on July 19th and hang out with us in the six. I always wanted to sound cool and say that. For more information, follow us on all the socials and visit DiscoveringDowny.com. Christmas Day for Edgar. My dad always used to say just after the presents, well, it's as far away now as it will ever be. I'm thinking about that as the stewardess cracks the public address system. For those sitting in economy, there's no music for you today.Track 1:[1:21] Welcome, music lovers. Long Slice Brewery presents. Discovering Downey.Track 2:[1:31] Hey, it's JD here and welcome to Discovering Downey, an 11-part project with a focus on the music and poetry of Mr. Gord Downey. The late frontman of the Tragically Hip gave to the world an extensive solo discography on top of the hip's vocal local acrobats that wowed us for years. So far, he's released eight records in total, three of them posthumously. Now listen, you might be the biggest fan of the hip out there, but have you really listened to these solo records? Because I'm an inquisitive podcaster, I enlisted my friends, Craig, Justin, and Kirk, giant fans of the hip in their own right, to discover Downey with me, JD, as their host. Every week, we're going to get together and listen to one of Gord's records, working in chronological order. We discuss and dissect the album, the production, the lyrics, and we break it down song by song. This week we're going to be talking about the back half well plus two songs from the front half of introduce yourself justin my friend how are you doing on this gray fucking oh is it gray there toronto oh oh it's terrible all day maybe because i was wearing sunglasses wait a minute.Track 4:[2:55] It is it was the opposite of that here in in beautiful vermont today it's it was a beautiful day i I think it's going to be great for the rest of the week, though. So whatever you're getting today, we'll get tomorrow.Track 1:[3:05] Oh, that's weather with Justin. We'll be back with Craig and Traffic. Remember, news on the fives.Track 2:[3:12] Where in the world is Kirk from Fuckachino? How's it going, man?Track 5:[3:22] I am in Washington, D.C. Right now for work in a hotel room. so having some technical difficulties so my apologies but things are good and uh excited to continue the conversation greg.Track 2:[3:41] What say you things.Track 3:[3:44] Are going well a little uh a little tired after a night out uh watching the sadies last night so they played a small venue downtown and got to see the boys rock out and um yeah it was it was a pretty awesome show a big banner of Dallas in the background and yeah, some touching moments, but mostly they, they just rocked.Track 2:[4:03] I haven't been to a live show in a little while now.Track 4:[4:06] Super cool.Track 2:[4:12] All right, fellas, before we get into the music, I want to talk to you about an email that I got from an organization called Lake Fever Wilderness Company. Basically, the gist of this email is that the Lake Fever Wilderness Company has submitted all the paperwork required to City Hall to get At Riverdale Park East, here in Toronto, mere footsteps from my home, renamed Gord Downie Park. I saw an article on BlogTO, and then they also gave us a couple other links to stories. But I'm hoping that our little podcast here, that people who listen to it will hear this, and you know we can build some awareness around this somehow anything you want to say about this or comment about this are you jealous and ate in your town yes.Track 4:[5:17] That sounds like a great cause and um for what it's worth i love the song lake fever so.Track 2:[5:25] Right Right?Track 4:[5:26] Yeah. Yeah. Oh, that's a, that's whatever we can do to help, man. That sounds great.Track 5:[5:31] Sounds very cool.Track 3:[5:32] I'm jealous. We, who do we get? Brian Adams Avenue.Track 2:[5:39] Probably already have it. Don't you?Track 3:[5:41] I don't know. I don't know. Maybe in England.Track 2:[5:45] Really? There's not a. Right mind-blowing to me one of the top songs of all time in terms of played, everything i do i do for you right, yeah but this is not a brian adams podcast this is a podcast called discovering downy and let's pick it up where we left off last time that puts us on side two of the first record With the very candid, my first self.Track 5:[6:47] I mean, just explains it like I remember it. And yeah. could feel all of those crazy, stupid emotions and, uh, could just totally wrap my head around and embrace, you know, the message that he was writing, you know, a piano forward tune again. You know, I think we talked about that the last one, uh, I love the vocal and the background that starts coming in uh you know echoing essentially the line um and then the last line is just classic so yeah uh it's a it's a brilliant tune in my assessment.Track 3:[7:28] Yeah, what I liked about it is that it really instantly just takes you to a place in your own life, whether the story is one you connect with or not, it takes you back to, you know, when you were in your teens or whatever. And that's what I appreciated about this song. Another thing before the echoing vocal you're talking about there's i just noticed today for the first time very very faintly in the opposite channel is something that sounds like a, a meowing cat i think it's a person but it's almost this little it's so subtle it's almost like one of those hearing tests you get where there's a little beep and you're like did i hear that but i listened a second time and there's something that comes in about 30 seconds before for the more noticeable vocal on the other side so i.Track 4:[8:19] Did not on that view yeah i listened to it today too actually and.Track 3:[8:24] Um i.Track 4:[8:26] Mean this this girl sounds cool as hell you know like he says in the song six years older so it's definitely you know she's his girlfriend but he may not be her boyfriend from what i'm picking up on you know like and and i certainly related to the you.Track 3:[8:41] Told me off and could she be responsible for uh hooking gourd on reading because he wanted to be like her.Track 4:[8:50] Oh yeah yeah yeah yeah interesting thought yeah yeah yeah i don't know again like i did feel a little awkward listening to this song let's.Track 2:[9:02] Move to the next track on the record you're ashore.Track 3:[9:05] Well this is probably the song i have the least to say about it's maybe the least memorable for me I think probably it's the type of song that if it's about you it's probably a maybe a bit of an inside joke or I'm not really sure what the you know what it's about who it's about, I appreciated the gentleness in his voice. I was glad that it was the length that it was because it was not my favorite. What did you guys think?Track 5:[9:38] I loved it me too i uh i i uh i mean it's the shortest song on the album it's a minute 30 you know the lyrics are simple it's you know essentially you're sure you're sure repeated and a few little straight lines but the brilliant in the very beginning is you know he's strumming and then it's the let flow it down i believe is what he says and uh yeah it's um Um, I think especially amongst this body of work amongst this album, like, you know, there's a lot of, there's a lot of piano, there's a lot of synths, there's even some beats and things of that nature. And it was kind of nice to just get a little short acoustic ditty in my opinion. But, you know, I'm, I'm, I'm a sucker for that. That's, uh, just like, just like back in the eighties, right? Every metal band had its little ballad. so uh i i love the ballads so.Track 4:[10:38] Yeah i don't know who it's about but it's an earworm i find myself humming the tune uh quite often and there's only a few words in the song so it's not like, you know like you said craig the lyrics aren't nothing about it is really memorable but it is it does get into your brain and it's an easy little like you could just walk through the the park and just sing that all day. But yeah, I mean, it's a minute 30 and that's about right.Track 2:[11:07] Yeah, that's about right. It's interesting you say that you couldn't determine who that's about, because I, so far, have really sucked at that game, listening to the first record. So, as we go into the second record, Gord lobs a softball at me, and even I know that this next track, Love Over Money, is about the fucking Tragically Hip.Track 4:[11:37] Damn right it is.Track 2:[11:39] Yeah who wants to go first here kirk.Track 5:[11:42] Yeah i'll go first um yeah i i you know uh i would say jd i've had a similar you know a similar experience in in trying i have little parentheses in my notes of who i think the note might be or the song might be too and i you know i can't even get specifics i just write like brother you know question mark things of that nature so this one was obvious what i loved about it as well and and i think i might have mentioned it on on the last of the first the first album it's such a pop it's like a synth pop tune is what i have and this is gonna sound weird but for whatever reason when i hear the song i think of that snl skit where you've You've got like Jimmy Fallon and they're all playing like they're doing that little, you know, they do the little dance.Track 2:[12:36] Oh, right, right, right.Track 5:[12:37] You know, when I heard this song, I, by the second time, I just, I couldn't get that shit out of my brain. So, but just beautiful lyrics talking about the band. So direct and so loving and so to the point. To me, an absolute, brilliant Gord Downie song. I mean, you know, just wonderful, wonderful song.Track 3:[13:06] The moment he said the line, we played to no one, and then no one plus one, I knew it was about the hip. Because I remember in 1996, a band I played in, we went across Canada two times that year, self-booked tours. And we ended up in Thunder Bay on one of the tours.Track 3:[13:24] And we played in a tiny club called crocs and rolls which is sort of like a legendary club in in thunder bay a guy named frank lefredo was the booker there who was kind of like a legend, in uh in music across canada and anyway frank um the first night we we played and we didn't draw much of a crowd and he said you know don't worry guys the you know first time the tragedy hit played here they played to to no one and then they played a second night and they got a couple more and the next night and you know they played i think three nights in a row on an early tour, and so that made us feel a little better and he and he um he felt bad about the the draw so when we came back um he found us a gig at another venue um for the for the drive back so that's the the memory that that comes up for me um and also the other thing the queen's jubilee uh so the reference to the um to the playing to the the deafening the husband of the queen um that would be that that show which i looked up and uh and yeah they played poets and interesting enough in that version of poets he changes the lyrics he censors himself a little bit i noticed so for the queen he he He changed bare-breasted to bare-chested, and there was one other change I can't recall.Track 4:[14:44] Yeah, it was a great performance. I remember seeing that. I wish that I had looked it up just to bring the memory of it back, but that line stuck out to me. I remember seeing that performance.Track 3:[14:57] And he used the laminar flow line as well in that version of Poets.Track 4:[15:01] Oh, that I didn't remember.Track 2:[15:04] Wow.Track 3:[15:05] Which ended up in Coke Machine Glow on Every Irrelevance.Track 4:[15:11] Yeah. Obviously, the bond between those five guys is unbreakable, and this song is funny, too. I laughed at this song the first time that I heard it and heard the lyrics. We missed death and marriage and a birth. I did notice the words hotel worth, which is kind of a preview to an upcoming thing. There's a song that actually got a lot of airplay here locally a few years ago. But yeah, yep, it did. Yep, it was on the radio two or three times a day for a couple months here.Track 3:[15:47] The love over money line um made me also think about the way that they split their royalties and i'm not sure if if it was like a 20 all the way around that would be my guess but but often the the lyricist will take 50 and then the people who wrote the music take the other 50 so you know maybe it's not that simple but the fact that all five of them were as far as i know listed on all all the all the credits sort of um you know over their career that's something that drives so many bands apart is that fight over you know well i wrote this i wrote this and like even in the band i spoke about a while ago like we had some really crazy discussions around royalties and who should get what and you know in my mind i've always been a equal share guy i don't care if you're the drummer if you're you know you wrote your part that's just you know then again i've not not like i'm making a ton of a ton of money in music or anything but but um it was nice to to see them stick together so long and the same five guys like what other band can you think of that released that many albums with the same lineup it's got to be a very very.Track 2:[17:02] Very short list.Track 3:[17:03] Like there may be some three pieces i mean but a five piece band think of all the potential for conflict and for you know one guy leaving it like no one there's some sleuthing.Track 2:[17:17] Some sonic sleuthing for you listeners out there send us an email at discovering downy at gmail.com with bands that have a lineup up that was consistent with at least 15 records released? Are there any? Is there a database that you could just plug that into and get it from?Track 3:[17:40] No idea. I mean, Aerosmith would be close, but they had that lineup change in the mid-career.Track 2:[17:49] Right.Track 3:[17:51] For one album anyways.Track 2:[17:53] Joe Perry left, right? Joe Perry and Brad Whitford.Track 3:[17:55] Yeah.Track 2:[17:57] Yeah, yeah. Okay, so the next track is You, Me, and the Bees. Do I go two for two here when I say this is an ode to the Boston Bruins? Yeah. And its ability to connect with your family, particularly in this case to Gord's brother, Patrick.Track 3:[21:03] That sounds about right to me.Track 2:[21:04] Take us away.Track 3:[21:06] Took me right to my childhood as well. And a good friend of mine, so my friend Blair and I, we played a game called hall hockey. Hockey's in my parents basement with you know those fisher price um bowling sets we take take one of the pins and a ball and we would just hit the ball back and forth and if you hit the wall you score and we had this ongoing game every time he came over and we would you know do the play by play and we were both oilers fans so you weren't allowed to be the oilers you had to choose another team and i'll never forget the quebec nordique if you were the nordique and you you know you'd be Stastny and then you pass over to to you know Michelle Goulet and as soon as Michelle Goulet, got the puck you know you're getting a shot in the balls every single time I don't know what it was but and um yeah and then Blair became a little bigger than me and started winning every single game and then we yeah we aged out of that game but anyways that's where it took me yeah what What about you guys?Track 4:[22:06] Oh man, this was me and my old man playing pond hockey. Yeah, I loved the song and I loved I could tell right away that the percussion was a hockey stick scraping on the ground. I loved it. And you know, again, I laughed in this song several times and the line about the trading of George Thornton and you know, it's, I don't know, like Like, I'm so excited to get to meet Patrick Downey because it sounds like these guys just had fun the whole time. This song is that relationship. And, you know, and as a Habs fan, I freaking hate the Bruins, but I get it. You know, I totally get it. And, yeah, this is just a really cool song about your brother. You know, it's fun.Track 5:[22:57] Yeah, I loved the song. And I loved, I could tell right away that the percussion was a hockey stick scraping on the ground. I loved it. You know, again, I laughed in this song several times and the line about the trading of George Thornton. And, you know, it's, I don't know, like, I'm so excited to get to meet Patrick Downey because it sounds like these guys just had fun the whole time, you know, and the song is that.Track 4:[23:30] I, um, I really liked how Gord's voice was very staccato and this, um, he was really kind of a minimalist with, you know, he didn't drag any of the, any of the, the lines out the Bruins. You know, like just very on the beat and kind of not screwing around. Or maybe this is screwing around for him, I guess. But, you know, he turned the word Bruins into Bruins, just one syllable. And I don't know, it felt like a different approach lyrically or sonically, I guess.Track 3:[24:02] Yeah, that phrasing really matched the style of the song too. That sort of, like the percussion that Kirk was talking about. It just, yeah, had that staccato feel.Track 5:[24:11] The phrasing, thanks for bringing that up, Craig. I had just recently watched the Juno Award tribute, Dallas Green and Sarah Harmer and Kevin Hearn, I believe it was, and I believe it was the Junos. And gore you guys both talked mentioned like the way he phrases like the way he takes his lyrics and will you know enunciate them to fit into the line it is like no one else right and then when you watch this tribute and you see her singing introduce yourself and trying to you know keep the cadence that that that gourd has i guess that's a good way to describe it there's a uh, a unique cadence to it so i i was blown away by that if you guys haven't seen it you you must watch it and then when they go into bob cajun and the harmonies are just incredible but like goosebumps you know it's so incredible and then especially when she comes in with that harmony But to hear her do the phrasing was wonderful as well, because that has to be difficult.Track 2:[25:25] Yeah, it's what we love about him, right? His ability to twist and turn and put round pegs into square holes or square pegs into round holes probably is more difficult, in fact. Snowflake has a haunting piano line that works well with Gord's almost pastime. What do you think of Snowflakes.Track 5:[25:46] Kirk? Yeah, Melancholy was my note. Again, the piano is used heavily throughout this whole album, but on this song in particular. My guess at who it is to is just a girlfriend is all I wrote. Um but uh the the other note that i wrote was the the woman leaned in to say goodbye but i don't remember his name and uh just the um where is gourd going with that you know i i uh i i wondered i wrote that down as a note so um but just again uh fully emotional song.Track 3:[26:34] Yeah i wondered if that was almost like a reference to maybe his fading memory yeah the oh yeah i was a bit puzzled by that too craig yeah it was a very eerie song and i really loved it i love the um the jangling sounds gave it like a really eerie feeling like you're in a i don't know like a haunted ballroom of some ancient house like i just picture this as a movie when I'm listening to it the the, vocal delivery makes me wonder if it was one of the later tracks that he he did and i really love the chorus and the the reverb they put on like just like in a natural there is a ton of reverb, like way too much reverb but it works really well it's so powerful when they do it on this album not something i would normally like um yeah his voice is is gorgeous in the song um a lot of feeling to the piano playing as well by by kevin um yeah and again i had a note about phrasing when he says my name and when he says goodbye it's kind of rushed and it made me wonder if it was just a lack of time just you know doing it in one take and not worrying too much about yeah about how it came off um but again that's what we love about you too yeah yeah.Track 5:[27:58] You i mean craig you sing when you play takes a lot of energy um so that's that's one thing that i wondered throughout this this album in particular when like if you just say you're looking at it on your phone and you're listening and you bring up the lyrics and you're you're you're questioning some of the enunciations i guess of some of the words but it's that's gourd and that's uh you know Him making it work for that particular song. And sometimes different than what the lyrics are written as. I don't know if that's just typo type stuff or if that's on purpose. this.Track 4:[28:37] So I actually, I don't know, my, my thought on this was that maybe this was, um, something that he was remembering from his childhood and maybe, um, with a, an older sibling or, a relative or somebody, you know, that he knew well. And, um, the thing that stood out to me.Track 4:[29:00] More was the, his recollection of the lake and, um, of the house and describing everything about the scene and that this woman is somebody, an acquaintance of whoever he's walking down the road with, and they're going to see her. Um, cause there's the line, she told me to go explore the quiet rooms. Uh, it like, so this is all right, kid, go check out the house. We got stuff to talk about you know um and i actually um somehow connected this to the you know affluent woman in the video for it's a good life if you don't weaken um my my head kind of went to that music video and i don't don't know why or where that happened but um it just felt to me like it that type of house and that type of, of meeting. And, you know, and then at the end of that video, Gord leans down and whisper something into her ear and, and then, then they walk out. I don't, I don't really know why that's where I went, but, um, it's sort of a mishmash of two different things. Yeah.Track 4:[30:13] So like there's the song that we'll get to called the lake. When I first heard that, I thought that was about the lake, But now I think this song might be about the lake. I don't know.Track 5:[30:23] Just the fact that when he writes his lyrics, like, yeah, he, it's inspired by something, but it may even have a different meaning than what it was inspired by for him. And I don't think he really intends for the listening audience to do anything other than interpret it for their own selves or application. So, um, you know, I, you just, I never got the feeling like he'd be offended by that.Track 2:[30:49] Yeah, I can't agree with you more. Again, that's one of these great things about this performer that we all love. We can get behind that. The next song is called A Better End, and it makes me sad. Lonesome for Gord, I suppose. How does it make you feel, Justin?Track 4:[31:17] Yeah, the same. I mean, it sounds a lot like the Man Machine Poem album. There's some melancholy in a lot of those songs. And this album came together in a different context, but it's musically a lot similar to or very similar to a lot of the songs on there. And there are connections with the lyrics, the line, for treasure or worse. That's in, is that in Man? or machine, one of the others. You know, where God walks with persons, even the may be doomed, that line crushes me every time I hear it.Track 2:[32:00] Repeat it?Track 4:[32:02] Where God walks with persons, even the may be doomed. And, you know, there's an end to that sentence, right? There's a finality in that one. And I don't know. I don't know who it's about. The song is called A Better End, but he says bitter. Um you know and that only at the very end of the song does it say the better end um so maybe there's some letting go you know i i i don't know yeah.Track 5:[32:37] I i uh i have a description written as dark melancholy but then my final note was a plea and that to me as i think you had mentioned, Craig, you know, maybe it was to a family member. And I kind of felt like it was to all family members and all of his like close friends, like, this is the letter, like, this is it. And so I just wrote a plea, question mark. And the beat, I think we talked about this before, you know it's it had the clock feeling to me throughout um and then like you had mentioned justin uh you know you you the title's a better end the the lyric that he uses is stay to the bitter end but it stayed in the bitter end and uh uh just uh, He's put out so much energy at this point, you know, because it is when they've recorded this, you know, it's 20, 2017. They've done the they've done the. The tours, he's done the secret path stuff like he knows what's coming, he knows the bitter end and he gave everything he could. And this is like his like, hey, somebody give me some energy for, you know, here for a better end.Track 3:[34:04] Yeah, I wondered if this was a close family member maybe saying to stay with me until the bitter end. Really, yeah, this was an emotional song, but it's also the type of song that's going to keep bringing me back to this album. I love this song. i found that again another powerful chorus with that big reverb sound and the way he belts out songs like this and snowflake and uh in the choruses is a real strength of this album nancy and yeah just a very powerful um i i had a note i would be interested to hear a heavy version of the song like a full band version um yeah but yeah haunting piano it gave me um secret path vibes it felt very much like musically could have been on secret path he.Track 4:[35:02] He hits a lot of different spots um um in his range too he sings very deeply and then he sings very high um there's There's a lot of, you know, he's probably in three octaves or maybe four during the song. Probably three.Track 2:[35:22] Yeah. So when I hear this song, I think of it, I think of an LP, like an old LP, like a 72, you know, RPM record. And I picture it being played on my grandparents' couch-sized hi-fi. It just sounds, it sounds old. It sounds authentic.Track 5:[35:50] Authentic it sounds like a needle you know the indie rock on the vinyl right it.Track 2:[35:56] Sounds like which sorry.Track 5:[35:57] It sounds like the needle on the vinyl it's just yeah it's you you and then you got that the dining you know the the dining room or whatever recording that's going on in the background and then and then it just sounds like they have the actual, you know the the needle and the vinyl that that that that static sound going it's it's brilliant it's a little soft guitar it's it's a sweet song it really is it's a sweet song yeah.Track 3:[36:28] And the way he sings it too it's almost like a bit of a like a shaky vocal like a bit of a warble to his voice which maybe it was actually maybe they added an effect to make to give it that vinyl quality to it. But I think maybe it's just his, I think it's just his performance. And when I say shaky, I mean, in a deliberate way, I talked last week about how I can't think of any singer who has as many qualities to his voice as Gord and he does it better than anyone. Yeah. Yeah.Track 2:[37:09] But then it did go away. You know, sort of, right? Yeah.Track 3:[37:17] When he wanted it to, yeah. He just gained so much control over his voice. He had power from early on, but then he developed different subtleties. And when he gets into an album like Secret Path, and he's singing sort of in character, he can just go into all these different places depending on the emotion of the song. And another note about Nancy is, first of all, I'm guessing it's about a sister. I didn't actually look up the names of his sisters, but that's just my guess. I liked how it talked about the beginning, the middle, and the end. And Gord forever being the storyteller. He's always thinking in terms of story. Just a little nugget I picked up. And the conversation at the beginning too when they're just starting to hit record he's talking about his cuff link.Track 4:[38:16] It's a good one.Track 2:[38:17] It is. It's really good. And I think on first listen, it would have been bottom third for me. And now it's firmly somewhere in the middle third. Like, it has a crack top third for me. But, you know, it's moved up for sure.Track 4:[38:36] Yeah.Track 3:[38:37] I feel like this album gets better as it goes on. I actually prefer the second half.Track 5:[38:42] That's fair.Track 3:[38:43] Um i think at first i really enjoyed the first half more maybe because i was really preparing for that first half um for our pod but i i love the the second half yeah i.Track 4:[38:57] Actually very much agree with that i think for me it starts to really get good at you're ashore and like i said it's it's a kind of a forgettable song but the the tone sort of changes isn't that wild yeah well.Track 2:[39:11] We are at the last song of the first side the remarkably upbeat think my about us.Track 5:[41:21] This is brilliant. This song is brilliant for me from the first listen to the critical listens in the middle to listening again just recently before this. And just the way it made me feel, the swagger it had, the message it had, um that just incredible descending piano line um it it was uh it it it's up there for me it's really really really up there i love love this tune i.Track 3:[42:03] Agree this is a masterful song really it's just it comes at a place on the album.Track 3:[42:11] Where you really need something that's a little, kind of cute is the word i'll use and you've got that little piano melody that almost just sounds like a finger exercise you would do if you're learning how to play piano and some really cool sounds on the synth or maybe it's a theremin but i'm pretty sure it's a synth, and i also had a note that the the drums enter in an interesting way the bass and drums come in and just maybe a spot you're not quite ready for and yeah just just like a playful song that i really enjoy just super catchy i i wish the world could hear this music like i wish more people, would give this a chance because it should be words were i mean maybe this is my thesis for the end of this whole thing but gourd's work should be appreciated like like josh even said like they're both up they're both equal they're both amazing yeah.Track 4:[43:09] I had the word super catchy exactly the same in my in my notes and i really don't have a lot of other notes about this song but i i can't stop listening to it i know that um it's a yeah it's a it's a and you're right craig it came at the right time um in the sequencing um it was needed in this spot.Track 3:[43:31] It's a little heavy before that.Track 2:[43:32] Right?Track 3:[43:33] Yeah, and it's going to get heavy again. Yep, that's right. Really heavy.Track 2:[43:37] I learned a really valuable... I gained access to some valuable experience today, when I was preparing for this recording, because it's the first time that I've flipped the record over, and had to tackle the final five songs that we ever get to hear from Gord Downie, or so we thought at the time. You know, like, we didn't know there was going to be posthumous releases.Track 5:[44:17] Right.Track 2:[44:19] We knew he wrote this right before he passed, So either way, you know, it's fucking heavy. Craig, when you think of The Road, do you think of that as heavy?Track 5:[44:35] Yes.Track 3:[44:36] Wow, The Road, this song destroys me. Again, there's a bit of a theme on the album in a few songs about The Road, about missing out on life events. Yes. On, you know, the sacrifice. Of you know being a touring musician um you know a dream that i had when i was young and it didn't work out and you know i'm you know thankful for the life i have um and you know i'm sure gourd was as well but man like it had to be there had to be some really tough times being out away from your family all the time and missing things and um anyways this song is so good and the um the thing i want to say about this is when the drums come in there's no hi-hat it's just sort of kick and snare and that space really sets the the mood for this song um you know along with you know the piano of course um and there's one line i want to point out the machines are somewhat suitable now um you know is that is that the hospital machines is it is it a reference to man machine poem um i'm not sure but but this song like.Track 3:[46:06] Depresses me almost as much as the the book the road which destroyed me when i was um a young parent uh you know or not you know i wasn't young but my my son was young and if you you know um cormac mccarthy's the road it is absolutely devastating it is the a book that took me well i've never gotten over it really and the movie as well i watched the movie and it took me about six months to watch the movie i had to watch it like a little bit at a time when i was in the right headspace and it just it is if you haven't read it's maybe don't but it's incredible um but this this yeah if you name something the road it's probably going to destroy me well.Track 4:[46:51] So I had a bit of an awakening about three years ago when in May of 2021, my wife had something that she had to do at work late at night or 8 o'clock, 9 o'clock, whatever. And she couldn't be home to make dinner. And it was like a Tuesday or something. I don't know. And she messaged me during the day and said, you need to be home and make Evelyn dinner tonight. night. Evelyn's our daughter. And at the time she was, uh, almost four and I got home and I realized, holy shit, I've never made dinner for my daughter before. Um, I was working 80 hours a week and I was missing everything. And my wife had an Instagram account for our daughter. And that was the only way that I was keeping up. I lived in the same house, but I wasn't in the same family. You know what I mean? And yeah, the song brings all that back and made a big life change that very night. I sent a long message to my boss and said, we got to talk tomorrow, but I'm going to get it all out right now. Cause if I didn't say it now, I'm not going to say it. And I told him I'm done at the end of the year. I've I'll stick with you for my commitment through this year, but but I'd put 10 years into my job and missed everything in that 10 years. And, um.Track 4:[48:16] Give Gord another three decades on top of that. Um, I don't know who the song's about and I guess it doesn't matter, but, um, but obviously it matters, but, um, yeah, I, I really identified with the missing everything and even going back to the song about, um, uh, what is it? Love over money, um, about the band, you know, we missed funerals and births and all this stuff. And yeah, that's me. I've been there, man. I've, I still, to some degree, I'm there a little bit, but, um, yeah, I missed my daughter's first four years of her life.Track 5:[48:54] Everyone knows in this group here, I'm on the road all the time. I'm talking to you from a hotel room in, in Washington, DC. And, um, and so, I mean, Justin, I think this is actually a letter to the road and a letter to everyone that he's been on the road with, including his wife, his part, you know, his, his kids, his bandmates. It's, it's that, you know, that's that life you choose, you know, whether it's a traveling musician, whether it's a a traveling salesman, whether it's a, you know, a producer. Um, and, and, and it's, uh, it's tough, but when you're not on the road, if you are a road person, it's your, your, you know, jittery, you're nervous, but how do you, how do you give to your family and to yourself and to your job and to your art? And, uh, he wouldn't have been able to do that without the road. So but you know it's a blessing and a curse um i we mentioned this about another song here and this one i wrote was also a song that could have been on secret path was the note for me.Track 4:[50:17] Yeah yeah but musically yeah again.Track 5:[50:19] We there's not enough hours in the day right lads to uh just talk about the amazing insight and that we have it here you know to listen to to watch to read to just just beautiful.Track 4:[50:36] Well there's there's that point where you know you're you're young and and full of energy and you've got these huge goals and then you start to achieve them and then at the same time you have this other life going on behind the scenes that has always played second fiddle to that and then you realize at some point you're too deep into the pursuit to stop now but that this other life that was didn't even exist when you started uh has now taken the spot you know is number one on your on your pecking order and how the hell do you make that change without destroying everything that you've created you know yep.Track 5:[51:14] Oh you are the bird.Track 2:[51:18] Yeah it's uh it's a slow and lovely song right what do you think about it kirk to.Track 5:[51:28] Me this this was uh uh, uh, just a letter. It seemed like a letter to a sibling, right? You, you became the bird you, uh, and then it just, it made sense. And, uh, um, um.Track 5:[51:44] I, it, it starts getting heavy after a while, right? When you, when we break, I mean, we talked about it with the last week when we talked about the first one and how emotional it was and, you know, here we are, you know, however many songs in and you just, you stop. And like you said, you know, JD, it was like, these are the last five tunes and it's, it's, it's almost hard to embrace, um, and think about without just getting, you know, overwhelmed. I, I think it is, I think largely because of the love we have for, uh, you know, what, what, what Gord Downie has done solo and with the hip and, and in jazz as a human. So, um, but, uh, yeah, just, uh, you know, Another note was, again, I think I mentioned it earlier, just lyrics that are written different than what is being sung. And I didn't know if that was on purpose. I think I mentioned that. And I didn't know if it was something Gord was trying to do on purpose. Or it's probably nothing. It's probably just what was written and what was sung.Track 5:[53:04] You know, he probably had it written down as such and just like we do when you have a script in front of you, your brain has already chosen what the next word is going to be. So, anyway.Track 4:[53:15] I noticed that this shared a lot of similarities with Spoon from the first half where he talks about help being the only reason why we're here. You help others and the child in the song Spoon is, I guess, tasked with the same thing. I don't know if task is the right word, but this is a common thread throughout the album. And this lyrically shares a lot with that song.Track 3:[53:48] Yeah. I agree, Justin. That was my real only, my only real note on this song was that, that, you know, it's the only reason we're here. And that seems to be like, yeah, like if I had to break down this album into one message, that would be, I mean, other than like a goodbye and, uh, you know, uh, a lot, you know, a love letter to his close ones. Um, that is like the, yeah, the summation of this album. I also thought probably about A Child, the song, and also there's the line about he was the bird, he passed it down, you want to help people out. So, you know, he's referencing not only the person he's talking to, but someone, maybe another family member, a grandfather or someone who's passed down that quality that, he respects.Track 4:[54:35] There's one of my mentors. I kind of think of him as a father figure. His name is John Adams and he was a very bottom level race car driver around these parts. And, he and my father were about the same age and they were friends. And I started hanging out with John when I was 13 or 14 years old, trying to learn how to work on race cars. And there was one night he went off, he got pushed off the racetrack and he's, you know, this massive six foot six, 300 pound guy. And he comes barreling out of the car and climbs up to the top of the racetrack and gives a, gives the driver that, that wronged him the double bird. So he became the bird man that night. Um, that was his, that was his nickname. And so everybody calls him bird. And, you know, I thought, wouldn't that be silly if he passed his nickname down to me somehow, how you know because he doesn't all of his all of his kids are girls and i'm kind of like his sort of son um i don't think that's going to happen but i i know the song isn't made to laugh, but i laughed thinking about that that's.Track 2:[55:42] A nice memory though yeah.Track 4:[55:44] He's still with us he's still with us flipping people off all the time, yeah i.Track 5:[55:51] Love that the lake.Track 2:[58:56] Yeah, this one's a fucking tearjerker to me. So proceed with caution on this one. Justin?Track 4:[59:04] Yeah. I kind of mentioned it before that I thought that this song was about Lake Ontario, which has been such a constant theme throughout Gord's entire career with the hip and with the solo stuff. And there's so many references to the lake. Um but this song is not about the lake this song is is about his daughter willow i mean that's right at the end of the song uh i realized today you are lake ontario the love of my life you are willow and then he does this fantastic call and answer thing with his own you know backup vocals um saying willow over and over again and it's like wow this one this one is something um it's a it's a beautiful song um it's just gorgeous um and yes he does describe the lake or a lake um but all these same qualities could be about your child and man it's uh it's a crusher very.Track 5:[1:00:09] Astute observation mr justin that's uh i i think spot on um and as you mentioned you know it's obviously and and to compare the two is is that there's no disservice in that he loves them both dearly so um i loved how the keys on this made it feel like you were on the lake like you listen to the.Track 4:[1:00:37] Song and you feel like.Track 5:[1:00:39] You're floating in you know in a boat a canoe whatever on the lake and you hear the lake in that song. Um, absolutely amazing. Absolutely amazing.Track 4:[1:00:55] You know, I, I grew up on the water. Um, Lake Champlain is, they call it the sixth great lake. Um, and that's, I can see it out the window. Um, and my family had a camp on a little lake, uh, Hall's lake. And my wife grew up on a lake in Ohio, Guilford lake. And we go there They're three, four, five times a year. We're headed there next week. And she also came to Vermont working at a summer camp for, I think, seven summers on Lake Fairley, which is a gorgeous resort area. And so on first hearing this song, The Lake, and probably the first 10 times I heard it, I was like, man, I can see it. And then I picked up on the willow thing after, you know, 11th on my 11th listen, I guess. And I was like, Oh no, it's just something completely different. But if it is just about the lake, Oof, that's just as devastating and lovely.Track 3:[1:01:57] Yeah, I also grew up near a lake. Our house in Peachland, which my parents still live in, overlooks Okanagan Lake, which is a very large lake. And yeah, it just brings back memories. And it is maybe my favorite spot on earth. Right across the lake from where we live is a small island. There's no roads. There's no power. There's no development on the other side of the lake. And it's just a place that we would boat to when I was a kid and try to get over there every summer. And it's just, you know, this song takes me there. And also, you know, with the mention of his daughter at the end and, you know, the, you're the love of my life and it, yeah, it's just a beautiful song.Track 2:[1:02:46] It's gorgeous. Kirk?Track 5:[1:02:49] Again, we've said it already. you know these last five songs are they're crushers it's like it it was really hard to listen to them in succession like i really needed to stop you know this these last two far far away and blurred i you know my my my space that i left for what is supposed to be my guess of who it is who the song is to the letters to, is blank. And it is blank because to me it could be anyone. Maybe it was obvious to one of you guys, but I really felt like it was almost like a letter to everyone.Track 5:[1:03:34] We smile. All that we've been through, up and down for sure, onwards and upwards, up close, far away, and blurred. Um, the tempo changes in this song are amazing. It goes into a, a swing almost during the chorus. Um, and, uh, I, I, again, just the instrumentation and the, the combination of what, you know, uh, you know, obviously not just, um, Gordon, Kevin, but, you know, the others that contributed as well. So just add, I think, to each one of these letters, as it were, you know, as they started out. What'd you think about Far Away and Blurred, Craig?Track 3:[1:04:25] I really love this song. Another strong song on the second half of this album. And I almost wondered if maybe it could be another touring song, or maybe he's talking about traveling with his family. Great melody. And I agree with what you said, Kirk, when it changes tempo halfway through the song, and the drums come in with that slow beat, and the echo the the vocals are echoing and i i found that part very powerful and it's like, again i just can't, get over the the brilliance of his work it is like so emotional um and there's this like guitar pattern going on that's really really cool in the background as well and yeah and justin you yeah.Track 4:[1:05:20] I i guess i'm echoing what you guys have said um it's just a if i mean it's a little bit upbeat um for a hot minute there and again comes at a at a place where you need it um Um, yeah, it's, it's lovely. It's how it's a guy who's frigging dying, um, and telling everybody how much he loves them and that he always has, whether, whether you're in view or not. Right. Um, yeah, the.Track 5:[1:05:53] Passion in his voice in the vocal, um, is just so palpable. And so it just, I mean, wrenching, but almost in a, just again, another reminder of just how amazing, how amazing every part and ounce of the art that comes out of this guy is just incredible, incredible.Track 3:[1:06:23] Yeah, JD, did you have anything to add for this one?Track 2:[1:06:26] I don't know if I could get anything out right now if I tried. it's.Track 3:[1:06:30] A tough one I.Track 2:[1:06:32] Think you know his voice in the verses I've got written down that it's playful and painful at the same time, and you know it builds the chorus is obviously as powerful a gourd voice as we've heard in almost any song on this record, We'll get more of that in later records that we'll discuss in future episodes, but yeah, it's a great song, but it's the second-to-last song, and the North is a really powerful way to end. A callback to Secret Path and The Bridge. But overall, it's an interesting tracking decision. It can't be a coincidence. Right, Justin?Track 4:[1:11:07] No, of course it's not. It's a reminder. It's like he spent a good portion of that final show in Kingston reminding everybody to pay attention and to keep paying attention. And that's exactly what this song is. is it's it's uh yeah i did secret path but keep going forward keep talking about it keep moving keep changing um keep trying to figure this out um you know i don't know if we i don't think we've said this on air but when we first started talking about this album there i i mentioned to you guys in our in our group chat that i thought this was some of the songs on this album were like a stream of consciousness and i think i know that there's the video of of them recording this song and i know that it's not a stream of consciousness but i think when he was writing this song, what he wrote down is whatever came to his head first and i'm going to find a song to to put it to and i got to get this message out i don't care if it's rhymes or makes sense musically or what This has to be said again and again and again and again. And good on him, you know. Yeah.Track 3:[1:12:22] Yeah. So he makes the reference to, um, you know, a place West of, of James Bay, which would be Ottawa, Piscat, which of course the hip have, have the song about. And, um, I, I, I'm wondering if this song is either about or to Joseph Boyden, the author who, at the same time secret path was released, released a book called when Jack, um, I didn't mention him on the secret path episode only because there is some controversy you can look it up if you're interested but calling his um his roots into you know question um you know people questioning that he may not be in fact indigenous so you know that's definitely something you can kind of look into yourself but um joseph boyden is famous for a book called three day road and And just an interesting little thing that I came across about a week ago was a story related to this. So this story, Three Day Road, is about from just, I haven't read the book, but I've read a different story about a sniper in World War I named Francis Paganagabo. And he was nicknamed Peggy. And he has more kills than any sniper in North America.Track 3:[1:13:44] And his story is relatively unknown. And it's a really fascinating story. And anyways, I was reading a short story about that last week and then made this discovery about the connection to Joseph Boyden. Anyways, I highly encourage you to check out a story called Peggy. There's actually a podcast too by CBC called This Place. which is 150 years of Canadian history told by indigenous voices. And the episode on Peggy is incredible.Track 5:[1:14:19] The line Canada, we should have never called Canada. Um, I thought was pretty bold as well to put out there as you guys all had been mentioning, you know, obviously when he had addressed the crowd, you know, at several of the shows and, and several of his interviews. So I think that's, uh, bold, but expected. So I, I, uh, I think we all appreciate that. He would, would, go out there to this level.Track 3:[1:14:51] Yeah there's definitely a call back to that that statement in the last show that he made to the prime minister and i always um really admired that and, i always wondered what it would be like if an american artist did the same thing, you know like a high profile of bruce springsteen or someone went out and said something like that just the absolute division that would that would ensue um yeah yeah oh.Track 5:[1:15:18] Yeah I was going to say the dick and chicks are a good example.Track 3:[1:15:22] Of it.Track 4:[1:15:22] Happening.Track 5:[1:15:23] So but yeah.Track 4:[1:15:27] Or the opposite of that lady antebellum who's then sued the person that they stole their name from well fellas.Track 2:[1:15:36] It's time to ask the question will you be keeping this record in your rotation.Track 4:[1:15:44] I'm going to say not all the time And it's got nothing to do with the music. It's the subject. It's the heaviness of it. It's I don't want to, I don't want to be down. Um, there are some songs on this, on this record that are frigging awesome. They're all, they're all very good, but you know, there's some songs that certainly fit into the hip like catalog.Track 2:[1:16:07] Sure. And you can add them to your mixtape, right?Track 4:[1:16:10] Exactly. And that's probably how I'll consume them. Um, but this is going to be something that I listened to once every couple of years, maybe.Track 5:[1:16:19] Yeah, it's a commitment. I was just going to say it's a commitment. So I would answer very similarly to what Justin said. Even for this particular purpose of this podcast, it was heavy listening every time, every time you went through it. And so definitely some tunes I want to keep hearing regularly, but it's not something that I would. All i have on regular rotation like like i would would some of the others that that have definitely been fantastic in my opinion i.Track 3:[1:16:58] Agree with you guys i i definitely will come back to this album, um considering i gave it you know it took me six and a half years just to give it a first listen i'm definitely not going to wait that long um but i think i'll just have to be in the right frame of mind to put it on but i absolutely will i really do love it in fact coming up with an mvp track for this is definitely the hardest decision i've had to make i was hoping we were going to do one last week and one this week but so i'm it's going to be a last uh last second decision i was.Track 4:[1:17:31] Hoping jd would forget the question this time.Track 2:[1:17:33] I've got it written down so i don't forget my My memory is so piss poor.Track 3:[1:17:39] Right in on your hand.Track 2:[1:17:40] I call it a format sheet, but for real, it's cheating. Craig, we're going to stick with you. And we're going to go to MVP track.Track 3:[1:17:48] I want to know what they say first. So to clarify, is this my absolute favorite track or is this the track that I want to put onto a mixtape?Track 2:[1:18:00] It can be, that can be your interpretation. It can, it's the most valuable player. It's the, you know.Track 3:[1:18:07] So I had so many I mean my first instinct was a natural but I think I'm going to have to go with Snowflake it's.Track 2:[1:18:17] So good it.Track 3:[1:18:18] Is such a powerful song to me and I love the chorus I love the way again that big reverb sound and it's just a really gorgeous song and takes me you know visually takes me somewhere.Track 2:[1:18:36] We could definitely overuse the word gorgeous on this record because there's so much gorgeosity on it, you know?Track 4:[1:18:45] Nice.Track 5:[1:18:46] There is that.Track 2:[1:18:48] Right?Track 5:[1:18:49] There is that.Track 2:[1:18:50] Kirk.Track 5:[1:18:51] Yeah. MVP? Thinking about us, man.Track 3:[1:18:54] Good call.Track 5:[1:18:55] That tune, just thinking about us. It's thinking about us. That's all I need to say.Track 2:[1:19:01] You didn't have to hesitate at all. Wow.Track 5:[1:19:04] No.Track 2:[1:19:06] Justin, how are you going to react to the question? Craig was very concerned and didn't want to say anything. Kirk was very resolute and just put a flag in her. And Justin, where are you on this one? I'm giving you some time to think, so it's not really fair.Track 4:[1:19:25] Well, I don't need time to think. I just don't have an answer. I've been thinking about this since the first listen because I knew that this was coming. Um i will i i do have an answer um but i'll tell you the pics that i had wolf's home because it makes me think of my dad bedtime because of just the connection with my daughter and when this song or when this record came out um i love introduce yourself for the reasons that we talked about it's it's a great song about your buddy and and you know get me out of another jam please you know There was some interview that Gord did that he told Billy Ray. He goes, something happened with a guitar. And he goes, I will literally blow you if you fix this. I love Spoon, that song Spoon, because I really like the band. But I also like the story of going to the show with a kid. um but i'm gonna go with love over money because that's why we're all here in the first place yeah right good job justin yeah thank.Track 2:[1:20:37] You what bow you put in it love.Track 4:[1:20:39] It yeah yeah.Track 2:[1:20:42] And that brings us to the end of Introduce Yourself. Just a, you know, what a, I'm going to use the word again, what a gorgeous piece of work. And so memorable and so thoughtful. And, you know, this is the last stuff he recorded. It's really, really quite heavy. And we're sorry if we brought you down a little bit with these last two episodes, um but trust us we're celebrating this music we're not mourning we are celebrating and.Track 3:[1:21:23] Jd i want to thank you one more time for bringing me on board for this project because this is the album that i told you right from the start has been sitting on my shelf and i needed i wanted to listen to it. It's been staring at me for years and I just couldn't do it. And I think maybe just having, you know, you guys along with the ride makes it, you know, easier to do.Track 2:[1:21:50] Thank you very much. Thank you for doing it.Track 4:[1:21:53] Yeah. I a hundred percent. Thank you. I, I didn't know about any other records, um, um that gourd had done um but i knew about this one and i was choosing to not listen to it you know i i wanted nothing to do with it um and i gotta be honest with you i'm glad it's over i'm glad it's behind us um i listened to this this album in its entirety probably 25 to 30 times um it's.Track 2:[1:22:22] A lot yeah.Track 4:[1:22:23] It's a lot and the last week or so um leading up to recording this i stopped listening completely um i had to stop it was just killing me and i started listening to um some of the older hip stuff and i started listening to some sadie stuff and i listened to conquering sun quite a bit um but i had to get away from the heaviness and go back to being a fan, because this was a hard one.Track 2:[1:22:57] Completely agree well on behalf of uh craig and justin and kirk it's me jd and we're saying goodbye for another week we'll be back we've just got a couple episodes left fellas we've got away is mine and we've got luster parfait and then we've got the finale and i'm getting excited about yeah.Track 4:[1:23:21] Hell yeah oh yeah yeah and you know it's gonna.Track 2:[1:23:26] Be a good time.Track 4:[1:23:27] I got it you know we got to give a shout out to our our social media following you guys are really starting to step up and kick ass lately and it's really re-energized all of us a lot um we're our group chat has been on fire the last several days as we record this because we're just like did you see this one did you see the message there did you see the email oh my god you know it's yeah we're obsessing over the rankings and it's it's great it's fun it's a lot of fun well.Track 5:[1:23:52] So it was so crazy too to get some like some you know some of the official accounts of these people that we were talking about are.Track 4:[1:24:01] Right are.Track 5:[1:24:02] Sharing some of the you know the links and stuff to some of these episodes and and uh we're getting just some great amazing comments you know through the right you guys mentioned social media you know instagram facebook and uh just i don't think any of us had that on our bingo cards when we woke up in the morning, you know?Track 2:[1:24:22] I didn't.Track 4:[1:24:27] Right. And the Sadies messaged you back today, Craig. That's cool.Track 2:[1:24:33] Holy shit.Track 4:[1:24:34] And JD's putting in the legwork tenfold over what we're doing.Track 2:[1:24:38] Stop.Track 4:[1:24:39] He's listening. He's throwing everything together and doing interviews and making all this happen. I mean, I don't know if any of us are getting rich off this.Track 2:[1:24:48] Oh, not fucking me.Track 4:[1:24:50] You know, JD is certainly reaping the benefits of, I think a lot of people are appreciating what you're doing and I know we are.Track 5:[1:24:57] Yeah, absolutely.Track 2:[1:24:59] It's a group effort, guys. It's a group effort, man. All right, folks. Pick up your shit.Track 1:[1:25:07] Thanks for listening to Discovering Downey. To find out more about the show and its host, visit DiscoveringDowney.com. You can email us at discoveringdowney at gmail.com. And hey, we're social. 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The Roast of Tom Brady, Britney Spears' deadbeat boyfriend, Richard Simmons speaks, Drew Crime stories, and we talk to The Anna Nicole Smith Show's Bobby Trendy to comment on Dannielynn Birkhead. The Roast of Tom Brady was hilarious and a huge success. Bert Kreischer and Tom Segura made fools of themselves. Tony Hinchliffe killed it. Kim Kardashian was booed heavily. The View was critical of the roast. Why did Ben Affleck look different? Aaron Hernandez' widow is not too thrilled with the jokes about her murder husband. Doug Podell will be roasted May 30th. Britney Spears' drug-dealing boyfriend is also a DEADBEAT dad. We get the low-down from the woman raising his children. Nothing is ever Britney's fault. Anna Nicole Smith's child Dannielynn Birkhead is getting her annual attention for appearing at the Kentucky Derby. Richard Simmons actually breaks his silence by speaking. That one really fat guy with the modesty towel lost a lot of weight. 2024 is the year of the Conjoined Twin. This poor protestor can't participate in graduation. Aerosmith's Steven Tyler and Joe Perry weren't always civil. Drew Crime: 48 Hours covered the death of Amy Fanion. Dateline featured the murder of Susan Sills. 20/20 focused on the case of Tricia Todd. Tiger Woods' Sun Day Red has sold out. Kate Hudson is pretending to be a singer now. Amy Robach is desperate to get back on GMA. TJ Holmes is playing the victim. Columbia has cancelled graduation. The HIMS CEO is looking to hire college protestors. Wait… nevermind. South Dakota Governor Kristi Noem is still straining to do some explaining. Former Fulton County prosecutor Nathan Wade speaks out. We reach Bobby Trendy to comment on Anna Nicole Smith's spawn. WATP Karl will join us tomorrow. Visit Our Presenting Sponsor Hall Financial – Michigan's highest rated mortgage company If you'd like to help support the show… consider subscribing to our YouTube Page, Facebook, Instagram and Twitter (The Drew Lane Show, Marc Fellhauer, Trudi Daniels, Jim Bentley and BranDon).
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