Podcasts about fragments

June 2026 New SouthAlain Johannes: Chilean-American multi-instrumentalist, songwriter, vocalist, and producer Alain Johannes has spent over four decades at the center of adventurous rock music. Born in Santiago in 1962, he began in the early Los Angeles punk scene alongside future Red Hot Chili Peppers members Hillel Slovak, Flea, and Jack Irons before co-founding the alternative rock band Eleven in 1990. He has collaborated with Queens of the Stone Age, Them Crooked Vultures, Chris Cornell, PJ Harvey, Arctic Monkeys, Mark Lanegan, and Dave Grohl's Sound City Players. A master of numerous instruments, his acclaimed solo albums include Spark (2010), Fragments and Wholes (2014), and Hum (2020).Website: www.alainjohannes.com Instagram: @alainjohannestourChristopher Macken: Christopher “SUG” Macken began his career in a small-town Georgia salon, developing a passion for transformation and style that led to a global career in fashion, beauty, and media. He rose to become a Global Creative Director for major international cosmetic brands and built a reputation as a celebrity stylist and television personality. Today he is the founder of SUG BRANDS, including SUG WEAR, SUG MEDIA, and SUG SKIN (launching Summer 2026). Based in Barcelona, Spain, Macken continues to inspire audiences with his blend of European sophistication and bold personal style.https://www.instagram.com/mansionsandmascara/ https://www.facebook.com/MisterMacken/ http://www.sugwear.com/Ariana Benson: Ariana Benson's debut poetry collection, Black Pastoral (University of Georgia Press, 2023), won the Cave Canem Poetry Prize, the Kate Tufts Discovery Award, and the Lenore Marshall Poetry Prize. A finalist for both the National Book Critics Circle Leonard Prize and the Library of Virginia Prize in Poetry, the collection explores ecology, Black history, love, and the American landscape. Benson has also received a 2025 National Endowment for the Arts Fellowship, a Ruth Lilly and Dorothy Sargent Rosenberg Fellowship, and the Furious Flower Poetry Prize.https://arianabenson.wordpress.com/about/ https://www.instagram.com/extraordin_arie/Michael Temple: Michael Temple is the founder of Climb Higher®, and a relationship and identity reconstruction coach specializing in heartbreak recovery, attachment wounds, and personal rebuilding. Through coaching, speaking, and social media, he helps people develop self-respect, emotional clarity, and healthier relationships. He is also an ordained pastor, law enforcement chaplain, host of The Inner Boardroom podcast, and creator of the upcoming Climb Higher Podcast launching in June 2026.https://Stan.store/michaeltothemaxAdditional Music Provided By: Alain Johannes: www.alainjohannes.com Documentary: www.youtube.com/watch?v=zc-_u2UmFF4&t=517sMuch Love to Our Advertisers: The Crown: www.thecrownbrasstown.com Red Phone Booth: www.redphonebooth.com Lucid House Publishing: www.lucidhousepublishing.com Benheart: www.benheart.it/?srsltid=AfmBOoprk-KdotEwiA3Wv--bxJbwn8qWKoEqOtF1Gh7nSPA8UwZh79eqSpecial Thanks: Alain Johannes for the original score featured in this show: www.alainjohannes.comHost Clifford Brooks' The Draw of Broken Eyes & Whirling Metaphysics, Athena Departs, and Old Gods are available wherever books are sold. Learn more at: www.cliffbrooks.com/how-to-order

"Originating from the ghosts of urban interactions, the field recording was completely taken apart. Fragments were stretched and reshaped into drones, others reduced to abstract one-shots that sit somewhere between percussion and texture."Everything was composed and arranged in Ableton Live 12 with Push 3, and built entirely on instinct. No plan, no concept, just chasing what sounded right until the piece came together. The result sits in dark, dubby territory, with an edge of spiky fuzz that reflects the source material more than any deliberate decision."Bremen bridge soundscape reimagined by Alistair Petersen.

The majority of non-fatal gunshot wound survivors walk away with a bullet still inside them. Most are discharged without a removal attempt, without a surveillance plan, and without a conversation about what comes next. This episode fills that gap.Dr. Patrick Georgoff is joined by BIG T co-host Dr. Teddy Puzio (UT Houston), gun violence survivor and trauma surgeon Dr. Madhu Subramanian (Duke), and Dr. Tyler Simpson (Duke ACS Fellow) for a practical, honest conversation about one of trauma's most overlooked topics.What we cover: Epidemiology: how common retained fragments really are, and why the downstream burden is underappreciated When to remove (and when not to): a framework for both index hospitalization and delayed removal Forensic evidence: how to handle bullets in the OR without destroying their evidentiary value — and who to call when you don't know Lead toxicity: the rare but real complication that can surface a decade later, which blood lead levels should prompt action, and when to call hematology or toxicology The psychology: retained bullets are independently associated with depression and reduced return to work — and that belongs in the risk-benefit conversation DOMINATE THE DAYBIG T Trauma Full Series: https://behindtheknife.org/podcast-series/big-t-traumaThis episode of Big T Trauma was sponsored by Teleflex, a global provider of medical devices. Learn more at teleflex.com and at the Teleflex Trauma and Emergency Medicine LinkedIn page. Please visit https://behindtheknife.org to access other high-yield surgical education podcasts, videos and more.  If you liked this episode, check out our recent episodes here: https://behindtheknife.org/listenBehind the Knife Premium: https://behindtheknife.org/premiumOral Board Review: https://behindtheknife.org/oral-boardOral Board Simulator: https://behindtheknife.org/oral-board/simulatorGeneral Surgery Oral Board Review Course: https://behindtheknife.org/premium/general-surgery-oral-board-reviewTrauma Surgery Video Atlas: https://behindtheknife.org/premium/trauma-surgery-video-atlasDominate Surgery: A High-Yield Guide to Your Surgery Clerkship: https://behindtheknife.org/premium/dominate-surgery-a-high-yield-guide-to-your-surgery-clerkshipDominate Surgery for APPs: A High-Yield Guide to Your Surgery Rotation: https://behindtheknife.org/premium/dominate-surgery-for-apps-a-high-yield-guide-to-your-surgery-rotationVascular Surgery Oral Board Review Course: https://behindtheknife.org/premium/vascular-surgery-oral-board-reviewColorectal Surgery Oral Board Review Course: https://behindtheknife.org/premium/colorectal-surgery-oral-board-reviewSurgical Oncology Oral Board Review Course: https://behindtheknife.org/premium/surgical-oncology-oral-board-reviewCardiothoracic Oral Board Review Course: https://behindtheknife.org/premium/cardiothoracic-surgery-oral-board-reviewDownload our App:Apple App Store: https://apps.apple.com/us/app/behind-the-knife/id1672420049Android/Google Play: https://play.google.com/store/apps/details?id=com.btk.app&hl=en_US

Check out my Tronic Radio on your favorite streaming platforms here: https://ssyncc.com/tronic-podcast/ Check out Marcus Schmahl's new ''Fragments of Time EP'' out now on Tronic: https://ffm.to/tr567 01.Serpoosh – Poppy Trail [Future Romance] 02.Cendryma – Possible Interlude (Leo Guerrero Extended Mix) [Clubsonica] 03.Eichenbaum – When the World Heals [Meanwhile] 04.Alex O'Rion, Maze 28 – Glowing Tide [Mango Alley] 05.Beckers, D-Nox – You Get Me [Sprout Music] 06.Marcus Schmahl – Fragments of Time [Tronic Music] 07.Chicola, Guy Mantzur – Galactica [Last Night on Earth] 08.Ilias Katelanos, Plecta, Anonimat – Coaster (Durante Remix) [Warung Recordings] 09.Guy J – Alive Again (2024) [Cocoon Recordings] 10.Marcus Schmahl – Parallel Echo [Tronic Music] 11.Stephan Jolk – Praeludium [Hommage] 12.Christian Smith – Golden Point [Bedrock Records] This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

Misha Glenny and guests discuss how, after the abolition of slavery in the British Empire in 1833, sugar planters recruited workers from India to replace or compete with their formerly enslaved labourers. Over the next 90 years, more than a million people in India travelled under five year contracts of indenture across the empire from Guyana to Trinidad to Mauritius and Fiji and colonies in between. These indentured labourers were to share vivid accounts of deception and abuse, especially in the early decades. From the outset there were critics and opposition gained pace with Gandhi and others in South Africa arguing the system was close to slavery and calling for the Indian government to stop the practice, which was to happen in 1917 with the last shipments of people in the 1920s. Meanwhile, rather than return after their contracts, a section of indentured labourers stayed where they were for their own reasons, negotiating their new identities alongside formerly enslaved people and the planter culture in a new Indian diaspora.With Purba Hossain Lecturer in Modern History at the University of YorkNeha Hui Associate Professor in Economics at the University of ReadingAnd Clem Seecharan Emeritus Professor of History at London Metropolitan UniversityProduced by Simon TillotsonReading list:Gaiutra Bahadur, Coolie Woman: The Odyssey of Indenture (Hurst and Co., 2013)Marina Carter, Servants, Sirdars and Settlers: Indians in Mauritius, 1834-1874 (Oxford University Press, 1995)Marina Carter and Khal Torabully, Coolitude: An Anthology of the Indian Labour Diaspora (Anthem Press, 2002)Jonathan Connolly, Worthy of Freedom: Indenture and Free Labor in the Era of Emancipation (University of Chicago Press, 2024)Maria del Pilar Kaladeen and David Dabydeen (eds.), The Other Windrush: Legacies of Indenture in Britain's Caribbean Empire (Pluto Books, 2021)Neha Hui and Uma S. Kambhampati, ‘Between unfreedoms: The role of caste in decisions to repatriate among indentured workers' (The Economic History Review 75:2, 2022)Neha Hui and Uma Kambhampati, ‘The political economy of Indian indentured labor in the nineteenth century (Journal of the History of Economic Thought 47:2, 2025)Madhavi Kale, Fragments of Empire: Capital, Slavery, and Indian Indentured Labor Migration in the British Caribbean (University of Pennsylvania Press, 1998)Ashutosh Kumar, Coolies of the Empire: Indentured Indians in the Sugar Colonies, 1830–1920 (Cambridge University Press, 2017)Brij V. Lal, Girmitiyas: The Origins of the Fiji Indians (Fiji Institute of Applied Studies, 2004)Brij V. Lal, ‘Kunti's Cry: Indentured Women on Fiji Plantations' (Indian Economic & Social History Review 22:1, 1985)Andrea Major, ‘“Hill Coolies”: Indian Indentured Labour and the Colonial Imagination, 1836–38' (South Asian Studies 33:1, 2017)Basdeo Mangru, Indenture and Abolition: Sacrifice and Survival on the Guyanese Sugar Plantation (TSAR, 1993)Kalathmika Natarajan, Coolie Migrants, Indian Diplomacy: Caste, Class and Indenture Abroad, 1914-67 (Oxford University Press, 2026)Clem Seecharan, 'Tiger in the Stars': The Anatomy of Indian Achievement in British Guiana, 1919-29 (Macmillan, 1997)Clem Seecharan, Finding Myself: Essays on Race, Politics and Culture (Peepal Tree Press, 2015)S. Sen, ‘Indentured labour from India in the age of empire' (Social Scientist, 44:1/2, 2016)Hugh Tinker, A New System of Slavery: The Export of Indian Labour Overseas, 1830-1920 (Oxford University Press, 1974)In Our Time is a BBC Studios ProductionSpanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Misha Glenny and expert guests explore the characters, events and discoveries that have shaped our world.

In this episode, I explore Heraclitus through James Hillman's beautiful foreword to Heraclitus' Fragments, especially the idea that the psyche is not something fixed, stable, or easily explained, but something always in motion, always in tension, always touched by contradiction.Heraclitus gives us a way to think about psychotherapy beyond neat explanations and rigid identities. The self is not a finished object. It is a river. It is fire. It is the strange truth that “I am as I am not.”I also bring in Borges' short story “The Other” as a way of thinking about the divided self across time—the younger self, the older self, the wounded self, the becoming self—all meeting beside the river without ever fully resolving into one simple identity.This episode is about therapy as a place where contradiction can be held, where symptoms can be listened to as signs, where dreams and fragments matter, and where change is not just something we seek, but something we already are.

In this heartfelt and wide-ranging conversation, Jason talks with Tullian Tchividjian about his new book, Fragments of Freedom. They dive into radical grace, the beauty of an “unchained life,” and how true freedom in Christ dismantles religious performance, fear, and control. Filled with laughter, vulnerability, and passionate theology, the episode also celebrates music (especially Pink Floyd), recovery community, and the joy of simply enjoying the gift of life. It's a refreshing, no-BS discussion about what happens when grace is allowed to be as disruptive and measureless as it really is. For more on Tullian:https://liveunorthodox.com/shop/fragments-of-freedomJOIN our RGWT Subscriber-Based Community:https://promo.fourriversmedia.com/rethinking-god-with-tacos/JOIN A Family Story's Mailing Listhttps://dashing-field-76805.myflodesk.com/pie4be6wtoJOIN the Rethinking God with Tacos Facebook Group at: https://www.facebook.com/groups/godandtacosFollow Rethinking God with Tacos on Instagram at:https://www.instagram.com/rethinkinggodwithtacos/Follow Jason's personal Facebook page at:https://www.facebook.com/afamilystory.org/Follow Jason on Instagram at:https://www.instagram.com/jasonclarkis/Follow Jason on X at: https://x.com/jasonclarkis SEND A DONATION!!https://app.moonclerk.com/pay/36393kxxeh8

Ënnert dem Titel "Chroniques d'un monde avant. Fragments classés" (Hydre Editions) liwwert den Enrico Lunghi eng Sammlung vu kuerzen Erzielungen, déi e ganz pessimistesche Bléck an d'Zukunft geheien. E klenge Fonken Hoffnung léisst hien trotz allem fir d'Mënschheet bestoen.

PFB Radio #257 Tracklist: 1. Sobhan - Distant Past 2. Kon Faber - As the River Flows 3. Boss Axis - Origami 4. AIKON - Your Call ft. Roman Scott (Hernan Cattaneo & Mercurio Remix) 5. Ellroy - Amaretto 6. Gai Barone, Cary Crank - You Are Becoming (Michael A Remix) 7. Mauro Masi - Valhala 8. Ilias Katelanos, Plecta - Nymfes ft. Alexandra Savvidi 9. Y-Traxx - Mystery Land (Roy Rosenfeld Remix) 10. Malov - Inner Voice

TRACKLIST   KTS Podcast 275 TRACKLIST   Permission to Exhale - Ciaran McAuley. Euphoric Recall - Bryan Kearney. Nostalgia - Ben Gold. Found Love In Me - Daniel Kandi/Temple One/Tara Louise. Beatrix - Steve Dekay. Ahimsa - Asteroid/Paul Denton. Fragments of Us - Andreas Tilnert. Last days of You - Robbie Seed. Adagio for Strings 2021 - Steve Allen. Catch - Davey Asprey. In & Out of Love - Armin Van Buuren/Sharon Den Adel (Mercurial Virus Remix) Heavens Shore - Mercurial Virus. Is it Beautiful? - Armin Van Buuren/Lucy Pullin/Ben Hensley. Invada - Binary Finary (S.H.O.K.K Extended mix) Spirit - Alan Morris. Silver Lining - That Girl/Claudio Adam. Exactly - John O Callaghan/Bryan Kearney (Ralphie B mix) Nostalgia- Billy Gillies Ardora - DIMEN3ION/Daxson. Electric Dreams - Talla 2XLC. System F - Cry (Lucas Deyong rework) 8K - Giuseppe Ottaviani Lost In Space - Armin Van Buuren/Jorn Van Deynhoven. Aniara- TALLA 2XLC Random Walk - Marc Dawn (Factor B's Back to the Future remix) Follow Me - Lange (Sneidjer remix)

Chullin 14 : Marc Chipkin : 2026-05-14 Shechitah on shabbat is valid, but is prohibited to eat on shabbat. Different types of muktze on shabbat. Fragments of vessels on shabbat.

This time, on Fate/moon archive! We begin with the back half of the White Album 2 Closing Chapter common route. Bad dates abound as we prepare to enter the route of Benn's dearest enemy, Koharu! In the main episode, we start on a new book of Prototype Fragments, and pray that the latest ally of justice isn't too annoying!Next time, we'll be covering the rest of Fate/Prototype Fragments volume 3. For Yuri Teatime we'll be doing White Album 2 Closing Chapter's Koharu route from December 26th up till the February 5th date marker. Make sure you're spending enough time at Goodies.Featuring co-hosts Benn Ends (@bennends.itch.io) and fen (@fenic.moe).Support the show and get access to bonus episodes: https://www.patreon.com/cryingrulesLink to the Fate/Moon Archive new and improved schedule: http://moonarchive.art/scheduleSECTION TIMESTAMPS:intro - 0:00yuri teatime - 0:51white album 2 - 10:58fate/prototype: fragments of sky silver - 2:13:36outro - 2:47:15LIST OF NON TYPE-MOON WORKS REFERENCEDMysterious Unnamed Visual Novel (Secret)WHITE ALBUM: Memories like Falling SnowWhite Album 2This episode carries content warnings for discussions of cheating, evil poison, racist anime depictions of brown girls, and seigi no mikata.Email us at cryingrulesactually@gmail.com with questions, comments, and compliments.Cover art by Benn Ends, Intro music by Benn Ends, remaining music from works covered.

Feeling drained doesn't always mean you're doing too much — sometimes it means parts of you are still scattered in the past.In this episode, we explore energy leaks, emotional fragmentation, and how reclaiming your presence restores clarity, grounding, and wholeness.This conversation offers gentle, embodied guidance for calling yourself back.#energyleaks #soulintegration #embodiedhealing #emotionalpresence #selfreclamation #innerwholeness #soulfulpathwayspodcast #malusoullightbearer

The Tenpenny Files – Charles Goyette examines how deep-state power structures shape U.S. foreign policy through media manipulation, shifting war narratives, and institutional deception. The conversation connects Iraq-era propaganda to current global instability, economic strain, and expanding centralized control while warning of the long-term consequences of unchecked military intervention and imperial overreach...

How to write about place is a question that cuts across the career of the South African Ivan Vladislavić. The questions of place and space are pressing ones in the context of South Africa, where the transition to democracy in 1994 included a redrawing of the national map, and the last three decades have seen the large-scale transformation of urban centers such as Johannesburg. What defines Johannesburg a literary city? asks the critic Jeanne-Marie Jackson. From this unfurls a series of reflections about the writer's relationship to place and the various ways in which narrative form can be bent to capture the experience of place—and in particular the experience of a place as it changes across time. The resulting work may feel fragmentary, Ivan allows, but that is a function of the nature of place rather than an imposition on the part of the writer. Finally, the conversation turns toward Ivan's choice to study Afrikaans literature in the 1970s. As a tradition often at odds with Afrikaner politics and urgently concerned with the world Ivan himself inhabited, reading the work of Afrikaans writers such as Ingrid Winterbach, Entienne Leroux, André Brink, and Breyten Breytenbach offered a vital counterpoint to Ivan's training in the English canon. Ivan closes by fondly remembering the teacher who introduced him to the writer's notebook, a habit that continues to be crucial to his practice today. Mentioned in this episode: The Folly Double Negative The Near North Zoë Wicomb, You Can't Get Lost in Cape Town Georges Pérec Gauteng John Miles, Ampie Coetzee, Ernst Lindenberg, and Taurus Publishers Marlene van Niekerk Nadine Gordimer The Goon Show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

How to write about place is a question that cuts across the career of the South African Ivan Vladislavić. The questions of place and space are pressing ones in the context of South Africa, where the transition to democracy in 1994 included a redrawing of the national map, and the last three decades have seen the large-scale transformation of urban centers such as Johannesburg. What defines Johannesburg a literary city? asks the critic Jeanne-Marie Jackson. From this unfurls a series of reflections about the writer's relationship to place and the various ways in which narrative form can be bent to capture the experience of place—and in particular the experience of a place as it changes across time. The resulting work may feel fragmentary, Ivan allows, but that is a function of the nature of place rather than an imposition on the part of the writer. Finally, the conversation turns toward Ivan's choice to study Afrikaans literature in the 1970s. As a tradition often at odds with Afrikaner politics and urgently concerned with the world Ivan himself inhabited, reading the work of Afrikaans writers such as Ingrid Winterbach, Entienne Leroux, André Brink, and Breyten Breytenbach offered a vital counterpoint to Ivan's training in the English canon. Ivan closes by fondly remembering the teacher who introduced him to the writer's notebook, a habit that continues to be crucial to his practice today. Mentioned in this episode: The Folly Double Negative The Near North Zoë Wicomb, You Can't Get Lost in Cape Town Georges Pérec Gauteng John Miles, Ampie Coetzee, Ernst Lindenberg, and Taurus Publishers Marlene van Niekerk Nadine Gordimer The Goon Show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

How to write about place is a question that cuts across the career of the South African Ivan Vladislavić. The questions of place and space are pressing ones in the context of South Africa, where the transition to democracy in 1994 included a redrawing of the national map, and the last three decades have seen the large-scale transformation of urban centers such as Johannesburg. What defines Johannesburg a literary city? asks the critic Jeanne-Marie Jackson. From this unfurls a series of reflections about the writer's relationship to place and the various ways in which narrative form can be bent to capture the experience of place—and in particular the experience of a place as it changes across time. The resulting work may feel fragmentary, Ivan allows, but that is a function of the nature of place rather than an imposition on the part of the writer. Finally, the conversation turns toward Ivan's choice to study Afrikaans literature in the 1970s. As a tradition often at odds with Afrikaner politics and urgently concerned with the world Ivan himself inhabited, reading the work of Afrikaans writers such as Ingrid Winterbach, Entienne Leroux, André Brink, and Breyten Breytenbach offered a vital counterpoint to Ivan's training in the English canon. Ivan closes by fondly remembering the teacher who introduced him to the writer's notebook, a habit that continues to be crucial to his practice today. Mentioned in this episode: The Folly Double Negative The Near North Zoë Wicomb, You Can't Get Lost in Cape Town Georges Pérec Gauteng John Miles, Ampie Coetzee, Ernst Lindenberg, and Taurus Publishers Marlene van Niekerk Nadine Gordimer The Goon Show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

"All posts from the Flow project's WhatsApp group were saved to a text document and numbered as 'segments'."These segments were then recited as speech and played in random order."Removed from their original sequence, the speech fragments illustrate how meaning is shaped by their place within a broader flow of communications."(Phrases such as 'user name' were used to respect the privacy of group members.)"Section of the river Lech reimagined by Max Greening. -------Flow is a creative exploration telling the story of a river through the power of sound. The project is a collaboration between the University of Padova and the University of Würzburg, with support from Cities and Memory. Explore the full project at https://citiesandmemory.com/flow.

"This is an eco-poetic/mythic piece, a kind of swan song. Named after a line in the film IO, where, in a toxic environment, in a post apocalyptic time, you can no longer see swans. I was particularly inspired by the quietness of this segment of the river, and the description for segment 15 by the person who recorded it, that it was as if they had come upon a secret and secluded place, hiding in a dense stretch of forest, where one man pushes off on a boat, barely rippling the tranquil waters. "You can hear mute swans taking off. I re-imagine this lone man as the Swan Knight, or Knight of the apocalypse. I wanted to convey this feeling, of a separate mystical and magical place, as both real and not real. A place of myth but also as place of illusions and deceptive tranquility. I wanted to sonically disrupt that magical flow, of time and the sound of a lone rower, with the reality of climate catastrophe, water and sound pollution. Especially contrasting the clean waters of Germany with the sewage filled water in UK. "Fragments can be heard of news commentators speaking about global water bankruptcy. You can hear sounds of me filling bottles of water from my large metal water filter, as it is now no longer advisable to drink tap water in the UK. I wanted to also disrupt the notion of isolation, or that this lone man was really only barely disrupting the surface, when in reality we are all connected, cross-culturally entangled, and everything we do has consequences, often catastrophic, for all humans and creatures of the planet globally, beyond this seemingly peaceful stretch of a river in Bavaria. "I researched Bavarian and European mythology about swans and rivers, as well as swan and river mythology in other cultures. I looked for fragments of old recordings of European/German swan music, swan songs and swan poems (for example - extracts from poems by Orlando Gibbons, Jules Renard, and extracts from a poem by Friedrich Leopold zu Stolberg-Stolberg used by Schubert for his piece Auf dem Wasser zu singen, , and Mein Lieber Schwan by Wagner, sung in 1930s in English by Walter Midgley ). I looked up scientific research about the river Lech, reservoirs and mute swans, local plant life, and infrasound. I was also very interested in the wider context of the area of segment 15 - the paper mill of Schongau, a Turkish cafe, and history of the executions of 'witches' and the creation of a memorial garden/ the role of gardens / plants, in healing trauma and the planet. Old photographs of the area and how the area had changed through time also influenced how I felt about this stretch of the river Lech. "A feeling of irreversible flow toward the end of everything, as we try to reverse the flow, we flow into silence. Through out the piece you can hear the flow of my voice reading extracts from my research and thoughts, the underlying constant sound of the lone man rowing, and sonic interludes and disruptions to unsettle us from our reverie." Section of the river Lech reimagined by  Salma Ahmad Caller. -------Flow is a creative exploration telling the story of a river through the power of sound. The project is a collaboration between the University of Padova and the University of Würzburg, with support from Cities and Memory. Explore the full project at https://citiesandmemory.com/flow.

Cities and Memory:"Through the golden evening sunshine, this local market closing down for the evening was tinged with a certain feeling of sweet melancholy, as another day winds down. Using the chimes of the bells as a rhythmic centre, locked in time with a piano part, I created this piece to evoke the mood I felt while making the recording."And yet in the spacious ambience left between the dominant melodic parts of the track, it felt like there was something missing - like there was a story to be told about the scene and about Oldenburg, but I didn't have the words. Cristina Marras has been contributing her wonderful spoken word storytelling to Cities and Memory for a number of years, so I decided to approach her to see if the piece inspired her to tell that story - and her brilliant work really completes the piece." Cristina Marras:"The piece came from the feeling of passing through a foreign city and catching accidental glimpses of other people's lives: a woman at a bus stop, a window seen from a train. Fragments of worlds we enter without being invited, and leave without being noticed."Oldenburg market reimagined by Cities and Memory and Cristina Marras. 

Aurora's time in Shallowlan Cove takes an unexpected turn as she ventures deeper into a market full of secrets, swindlers, and strange magic. A chance encounter with a cunning old woman leads to the purchase of a gown with mystical power—and a promise to curse a warlord with endless hunger.But nothing stirs the past quite like a familiar face. When Aurora meets Kilson, a man who insists he knows her as “Snow,” painful fragments of memory begin to resurface. As reality and past selves clash, Aurora is faced with the question: Is she the woman he remembers—or someone else entirely?A Tale of Remembrance serves as an integral mini-series within the Sword Art Online: AOD campaign, unveiling the enigmatic backstory of a pivotal character. It stands as a compelling prelude to the events of season 4.Support Us:Please consider contributing to the production of the podcast.Patreon: https://patreon.com/missingrollplayerfoundAbout:The Gate Chronicles (aka TGC) is an actual play RPG run in the Pathfinder RPG system. It is the second series running concurrently with Sword Art Online: AOD.Contact Us:Email: info@missingrollplayerfound.comFollow Us:Website: https://missingrollplayerfound.com/Linktree: https://linktr.ee/rollfoundMusic Attribution: Dark Fantasy StudioLink: http://darkfantasystudio.com/Michael Ghelfi Link: https://www.youtube.com/user/MichaelGhelfiMonument Studios Link: https://www.monumentstudios.net/Other Music and Sounds by Syrinscape Link: https://syrinscape.com/?att_missing_roll_player_found Because Epic Games Need Epic Sounds 

Jay Barbanel was born in Costa Rica and spent his early years surrounded by instability and uncertainty. After being taken from his birth mother, he and his brother were placed in an orphanage and later adopted by a family in the United States. For a short time, it felt like a new beginning until, at just seven years old, Jay was separated from his brother. That loss stayed with him. Years later, at twenty-five, Jay reunited with his brother after nearly two decades apart. But the reunion brought long-buried questions to the surface about his past, his identity, and where he truly came from. Through therapy and for the first time opening his adoption files, Jay discovered his birth name, learned about his biological family, and uncovered a story he had never fully known. His journey eventually led him back to Costa Rica, where he began piecing together the life that had once been taken from him. In this episode, Jay shares his story of separation, reunion, and what it means to find yourself later in life. You can find out more and where to get his book Finding Tico over at: www.findingtico.com. You can also find Jay on Social Media at https://www.instagram.com/thatkidjay1

Alisa Weilerstein is more than just a virtuoso cellist; she is also a winner of the MacArthur Fellowship, the so-called “genius” award. There is a real genius in the way Alisa Weilerstein connects music in her solo concerts, combining core classical pieces and commissioning new works to expand the solo cello repertoire. Take, for example, her latest project called Fragments, which is a multimedia series that weaves 27 newly-commissioned pieces into all of the solo cello suites by J.S. Bach. She imagines anarc of listening, where one might hear Serbian-born, Quebec-based composer Ana Sokolović; American-born Joan Tower; cellist/composer Paul Wiancko; percussionist/composer Andy Akiho; American composer Jeffrey Mumford;J.S. Bach, and Argentinian Osvaldo Golijov all on the same bill and tied together. Alisa offers a sample of this exploration of sound and meaning, with a little bit of birdsong, in-studio.   Set list: 1. Joan Tower - For Alisa, and  J.S. Bach - Cello Suite No. 1 in G major, Prelude, BWV 1007   2. Osvaldo Golijov - The Last Moho Braccatus and J.S. Bach Cello Suite no. 5 in C minor, Courante, BWV 1011 

What's the best way to create a story bible? What about those little fragments you've written? How do you turn those into scenes or stories? Most importantly, however, how do you write yourself out a corner? The DRS Crew discusses.   DRS caffeinates with Larry's Coffee. If you want to purchase fair-trade, organically grown beans that brew into smooth, balanced, never-bitter coffee, visit LarrysCoffee.com/drs, receive a free gift with your purchase, and help support The Dead Robots' Society. Our links: Paul's store: https://payhip.com/paulecooley Paul's site:  https://shadowpublications.com Terry's site: https://www.terrymixon.com/ Veronica: http://www.voicesbyveronica.com/ DRS Discord: https://discord.gg/pgmQxaVbGP Enjoy the show? Consider becoming a Patreon or Buy Me A Coffee supporter and for as little as $1 a month, you can help keep the podcast free and receive exclusive content. More information at https://patreon.com/drspodcast  and https://buymeacoffee.com/drspodcast. #writing #fiction #podcast #chat #live #novel #story #narrative #publishing #author #writer #discussion #podcast #talkshow  

we continue our run of short episodes with volume 2 of protofragments which is... more of the same for better and worse. over in white album 2, haruki and setsuna are in hell, trapped in a dance neither of them has been able to stop for the past three years.next time, we'll be covering the first half of protofragments volume 3, acts 1-4. for yuri teatime we're covering white album 2 closing chapter from december 13th through the 25th.featuring co-hosts Benn Ends (@bennends.itch.io) and fen (@fenic.moe).support the show and get access to bonus episodes: https://www.patreon.com/cryingruleslink to the fate/moon archive new and improved schedule: http://moonarchive.art/schedulesection timestamps:intro - 0:00yuri teatime - 1:03white album 2 - 7:26fate/prototype: fragments of sky silver - 2:14:06outro - 2:45:54list of non type-moon works referencedwhite album 2this episode carries content warnings for discussions of ...nothing problematic?email us at cryingrulesactually@gmail.com with questions, comments, and compliments.cover art by Benn Ends, intro music by Benn Ends, remaining music from works covered.

durée : 00:30:10 - L'Entretien archéologique - par : Antoine Beauchamp - Dans l'abbaye Saint-Jean-des-Vignes à Soissons, un laboratoire unique au monde reconstitue patiemment le papier peint de l'Antiquité. Fragments de mortier, pigments minéraux, puzzles monumentaux : les peintures murales romaines livrent leurs secrets, pièce après pièce. - réalisation : Olivier Bétard, Emily Vallat - invités : Sabine Grotembril Archéologue, toïchographologue, directrice du Centre d'Étude des Peintures Murales de Soissons

Beyond is sponsored by The Malone Society: The permanent utility of original textsIt's the first of an epic (yet dinky) 18 part series looking at some fragments found in The English Treasury of Wit and Language by John Cotgrave. This is a fairly chunky opening gambit, with the preface to the book, before our usual drive by at a short bit of text.You can find a version of the text at archive.org. It's found under the section "Of Atheism, Blasphemy, Impiety, Prophaxes etc." on page 18/19. The text is performed by Aliki Chapple, the host is Robert Crighton.Our patrons received this episode in January 2025 - well over a year early!The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.orgYou can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQThe Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.About our sponsors - the Malone Society. The Society was founded in 1906 at the initiative of A.W. Pollard, and for over a century they have published (almost) every year edited volumes of early printed and manuscript texts of both well-known and neglected plays. They also publish collections of documentary material relating to the performance and reception of early drama. Their best-known publications include W.W. Greg's edition of Sir Thomas More, a collaborative history play, and A.C. Dunstan's edition of the earliest surviving original play in English to have been written by a woman, Elizabeth Cary's The Tragedy of Mariam.Their membership is international and open to anyone interested in early drama. Members receive their annual volumes and are able to buy books from their backlist at low prices.In addition to their publications, they support scholarship of early drama through fellowships and research grants, an annual prize for graduate students, and performances and symposia.The Society is named after Edmond Malone, born in Dublin in 1741, a great editor, textual scholar and theatre historian, whose work continues to shape studies in early drama.

Most spiritual work touches the surface. Sabrina Di Nitto goes somewhere else entirely.  After 8 years teaching Merkaba consciousness and light body activation across Europe, Sabrina realised something confronting — she was expanding outward while bypassing the deepest layers of her own soul. What she discovered in turning inward changed everything: the primordial wound that drives every relationship pattern, every feeling of emptiness, every sense that something is still missing — no matter how much work you've done.  This isn't just about understanding. It's about landing somewhere you've never been before.  In this conversation we explore: → Why expanding consciousness can become its own form of spiritual bypass → The primordial wound — what happened at the moment your soul came into existence, and how it's running your relationships right now → Cosmic trauma: what it is, why modern healing rarely touches it, and what does → The "sound of the soul" — how Sabrina reads and works with the core vibration of a person → Why your heart cannot produce light until you feel existentially safe → What embodiment actually looks like when the bypassing stops  After we finished recording, I booked a session with Sabrina. That'll tell you everything you need to know about what she brings.  ─────────────────────────────  Key Points Discussed:  (00:00) - Why Spiritual Escaping Creates Soul Fragments—And How to Bring Them Home (00:48) - Meet Sabrina (02:15) - Soul Sound Work (04:33) - Downloading Venus Light (08:21) - Merkaba Explained (09:21) - Loneliness and Embodiment (13:50) - Heaven on Earth (18:33) - Crumbling and Rebuilding (26:40) - Light Acceleration Effects (29:58) - Sensory Shifts and Bones (31:26) - Bone Marrow Clearing (32:42) - Sensory Gifts Awakening (38:38) - Everyday Empath Boundaries (40:15) - Soul Vibration Healing (41:50) - Veils and Inner Truth (46:40) - Primordial Wound Origins (48:49) - Split and Relationship Patterns (52:41) - Soul Purpose and Bliss (56:03) - Integration and Support (58:22) - Closing and Where to Find How to Contact Sabrina Di Nitto:enlightenmentcodes.com

פודקאסט "תרבות יום א'" עם גילי איזיקוביץ וניב הדס: נדמה לנו שסיפורי השואה כבר סופרו מכל זווית אפשרית, אבל אז מגיע סיפור משוגע שמזכיר כמה מעט אנחנו באמת יודעים על מה שקרה שם. האורח שלנו היום הוא העיתונאי והיוצר שי פוגלמן, שבא לדבר על "המהפנט מבוכנוולד" - סדרה דוקומנטרית חדשה שלו שמקורה בסרט זוכה הפרסים שלו, "הסתגלות לאפלה". זהו סיפורו הקיצוני ויוצא הדופן של היהודי היחיד אי פעם שהורשע כפושע מלחמה נאצי - ד"ר אדווין קצן־אלנבוגן. דיברנו על התחקיר שהוביל לסיפור, על הגיבור הנורא והחביב שעומד במרכזו ועל האופן בו בני אדם מתרגלים לבצע מעשים נוראיים. בנוסף, המלצת הצפייה של שי: ערוץ היוטיוב Escape to rural France. עוד לפני כן דיברנו על הפסקול של יום השואה ועל השירים שהפכו לחלק בלתי נפרד מהזיכרון שלנו, כמו "את תלכי בשדה", "חלון לים התיכון" ו-"פונאר" בביצוע אקפלה של חוה אלברשטיין. לאחר מכן, עברנו לסדרה "האישה המיניאטורית" בכיכובם של מתיו מקפיידן ואליזבת בנקס, שמוגדרת כדרמה רומנטית אבל היא יותר קומדיית מדע בדיוני. על בסיס סיפור קצר של מנואל גונזלס, הסדרה מספרת על זוג במשבר עמוק שבו האישה מתכווצת בטעות לגובה של 15 סנטימטר בגלל פטנט שהשתבש. דיברנו על רעיון ההתגמדות שתמיד הסעיר את הדמיון של יוצרים, מנילס הולגרסון ועד "מותק הילדים התכווצו", ואיך הכיווץ הופך כאן לדימוי חריף על שיתוק יצירתי. בסיבוב המהיר: העונה החדשה של "החברים והשכנים שלך" (אפל TV), הסדרה הברזילאית המבעיתה "מצב חירום רדיואקטיבי" (נטפליקס) והאלבום החדש של בילי פולר - "Fragments".See omnystudio.com/listener for privacy information.

A nice short episode this time around as we cover the first half of Prototype Fragment's 2nd volume and meet an.... actually kind of compelling character who will unfortunately be trapped in muppets baby form for the duration of our reading. Over in White Album 2 land, Haruki fucks up! Bad! Get used to that!Next time, we'll be covering Acts 5, 6, & the Special Act of Fate/Prototype: Fragments of Sky Silver Volume 2. For Yuri Teatime we'll be covering White Album 2's Closing Chapter right up until the screen says December 13. Don't play December 13.Featuring co-hosts Benn Ends (@bennends.itch.io) and fen (@fenic.moe).Support the show and get access to bonus episodes: https://www.patreon.com/cryingrulesLink to the Fate/Moon Archive new and improved schedule: http://moonarchive.art/scheduleSECTION TIMESTAMPS:intro - 0:00yuri teatime - 1:16white album 2 - 13:21fate/prototype: fragments of sky silver - 2:49:26outro - 3:22:59LIST OF NON TYPE-MOON WORKS REFERENCEDWhite Album 2This episode carries content warnings for discussions of... idk, soap opera-esque drama? Not much else really.Email us at cryingrulesactually@gmail.com with questions, comments, and compliments.Cover art by Benn Ends, Intro music by Benn Ends, remaining music from works covered.

In this powerful series premiere, we kick off a nine-week deep dive into the Book of Hebrews—a text that serves as "ground zero" for anyone standing at the crossroads between religious systems and the person of Jesus Christ. For those navigating the "covenant path" of the LDS Church, the pull of tradition, community, and structured "plan of salvation" charts can be overwhelming. However, the author of Hebrews dismantles the need for "precept upon precept" by presenting a theological sledgehammer: Jesus is not a step in your progression; He is the end of it. We explore how the first four verses of Hebrews redefine revelation, replace fragments with fullness, and introduce a Savior who didn't just come to help—He came to finish the work and sit down.Key Themes & Discussion PointsThe Gravity of "Better"The First-Century Crisis: Understanding the original audience—Jewish believers in AD 65 tempted to retreat from the "shame" of the cross back to the safety and tangibility of the Temple.The Modern Parallel: For those leaving the LDS faith, the "vacuum of tradition" is real. We discuss the temptation to keep Jesus "in your pocket" while still clinging to the shadows of the old system for comfort.Fragments vs. The FullnessThe Slow-Release Trailer: Historically, God spoke through prophets in "many times and many ways" (dreams, bushes, still small voices).The Final Word: Hebrews 1:1-2 declares that God has now spoken "in Son." If Jesus is the final period at the end of God's sentence, the need for "continuous revelation" or additional volumes of scripture is rendered obsolete. Why use a flashlight when the sun has risen?The Anatomy of a God: The Seven Attributes We contrast the "Elder Brother" Christology of Mormonism with the majestic, uncreated Christ of Hebrews 1:The Heir: He is the "Why" behind the universe, not one of many potential heirs to "worlds without end."The Creator: As the agent of creation (aionas), He stands outside of time and "progression."The Radiance: He is the light flowing from God, not a reflection of it.The Expression: The charaktēr (exact imprint) of God's essence. This challenges the "separate beings" doctrine.The Sustainer: He holds your very atoms together by His word, not by learned priesthood keys.The Savior: "After making purification..." — a finished action in the past tense.The Ruler: He sat down. In a system where the work is never done (no chairs in the Temple), Jesus signals total victory by taking His seat.Addressing the "Cheap Grace" ObjectionThe distinction between doing "works" to get to Jesus versus "works" as an act of worship because of Jesus.The mathematical reality: "Jesus + Anything = Nothing." Adding to the finished work of Christ is a subtraction of its power.Memorable Quotes"If you are a Mormon today and you are tired... it's because you are trying to stand up where Jesus has already sat down.""Jesus is not a 'great addition' to your life. He isn't a 'step' in a progression. Jesus is the End."Scripture ReferencesHebrews 1:1-4 (The Exordium)D&C 130:22 (Contrast regarding the nature of God)TakeawayIf Jesus is who Hebrews says He is, He isn't just "better" than your old life—He is everything. You don't need a middleman, a recommend, or a correlation committee. You need the Son. Stop trying to earn a place in a kingdom that already belongs to the Heir. Look at the Seated King, and finally... just breathe.--The Unveiling Mormonism podcast pulls back the curtain on Mormon history, culture and doctrine. Join us for new episodes every Monday. Find resources to talk about these episodes at pursueGOD.org/mormonism.Help others go "full circle" as a follower of Jesus through our 12-week Pursuit series.Click here to learn more about how to use these resources at home, with a small group, or in a one-on-one discipleship relationship.Got questions or want to leave a note? Email us at podcast@pursueGOD.org.Donate NowHebrews (Series) - pursueGOD.org

In Part 2 of Spirit Realm Shenanigans on Nephilim Death Squad, Seth Kicklighter returns for an unhinged deep dive exposing the demonic fabrications behind DMT lockouts (aka Hyper Slap). Users get permanently banned from the DMT realm by machine elves, jesters, and bug men after dozens or hundreds of trips — with entities claiming you're "coming too much without purpose." Seth ties this directly to his vision control theory: all astral realms, remote viewing, past-life memories, and psychic abilities are elaborate lucid dreams fabricated by discarnate demons and Nephilim spirits.Seth then delivers a full defamation-style takedown of Dan Duvall's booming Christian deliverance ministry (10,000+ hours claimed, training hundreds to thousands). He proves it's a rebranded version of New Age Spirit Releasement Therapy (SRT) from William J. Baldwin, Shakuntala Modi, and Carl Wickland's "Thirty Years Among the Dead."Topics include: soul fragments, etheric alien attachments/tech implants, group entity releases, fake light beings/angels with red eyes, pre-Adamic war memories (Dan as a general), bone marrow renunciation prayers that sound straight out of Billy Carson, and why "healings" are temporary or lead to worse issues.They break down real testimonies (Zoltan Bathory begging to return after 4 months), the comedian's viral DMT ban skit, and how demons cater fake lore to Christians vs. New Agers while coordinating the Great Deception. Plus: why reincarnation memories, SSP, and astral travel don't overlap across sources — it's all vision impression.Seth's 412-page book "Spirit Realm Shenanigans: An Unhinged Rant Exposing the Psychic Fabrications of Discarnate Dweebs and Nephilim Nitwits" is a partial comedy/dark case study masterpiece with 34 hours of free silly-voiced audiobook on YouTube.Timestamps & full breakdown in the episode — watch to the end for the reincarnation teaser (Pt 3 coming).If you're into DMT entities, Dan Duvall deliverance, demonic deception, or spirit realm truth-seeking, this is essential.Support Nephilim Death Squad: patreon.com/NephilimDeathSquad Buy Seth's book + merch: links below  GUEST LINKS:• X / Twitter: https://x.com/SethKicklighter• YouTube (free 34-hour audiobook): https://www.youtube.com/@sethlehem_• Buy "Spirit Realm Shenanigans" on Amazon: https://www.amazon.com/Spirit-Realm-Shenanigans-Fabrications-Discarnate/dp/B0G4JBWLBT• Cheaper signed Payhip copy via Linktree: https://linktr.ee/sethlehem  0:00 – Intro, Patreon, Merch & Guest Welcome4:45 – Seth Kicklighter Returns + Book & 34-Hour Audiobook Plug9:20 – DMT Lockout / Hyper Slap Phenomenon Explained15:10 – Viral Comedian DMT Ban Clip + Zoltan Bathory Testimony23:40 – Vision Control Theory Recap & Demonic ROI on Entities31:15 – Why We're Defaming Dan Duvall Today (1000-Foot Overview)39:50 – Spirit Releasement Therapy (SRT) Origins – Carl Wickland “Thirty Years Among the Dead”52:30 – William J. Baldwin & Shakuntala Modi SRT Manuals Breakdown1:04:20 – Demon Conversion Process, 3 Lies, Mighty Rescue Spirits & Fake Angels (Red Eyes 60-Second Test)1:19:45 – Soul Fragments, Etheric Alien Attachments & Tech Implants1:33:10 – Dan Duvall's Trance Sessions & Full Prayers Read Aloud (Galactic Federation Renunciations)1:47:50 – Dan Duvall's Pre-Adamic War Memories as a General (Audiobook Clip Played)2:02:30 – Victims of Dan Duvall & Bride Ministries Facebook Group (200+ Members)2:12:15 – Temporary “Healings,” Reincarnation Teaser & Great Deception Warning2:25:40 – Final Plugs, Socials, Red River D & Zero Ruck Shoutout  Become a supporter of this podcast: https://www.spreaker.com/podcast/nephilim-death-squad--6389018/support.☠️ Nephilim Death Squad — New episodes 5x/week.Join our Patreon for early access, bonus shows & the private Telegram hive.Subscribe on YouTube & Rumble, follow @NephilimDSquad on X/Instagram, grab merch at toplobsta.com. Questions/bookings: chroniclesnds@gmail.com — Stay dangerous.

NOTE: For Ad-Free Episodes, 100+hrs of Bonus Content and More - Visit our Patreon at https://www.patreon.com/thewheelweavespodcastFind us on our Instagram, Twitter, YouTube & Website, and join the conversation on Discord!In this episode Dani and Brett discuss Chapter 25 of A Memory of Light!!!We would like to thank and welcome Ethan Loudon, and zackymacky to The Wheel Weaves Patreon Team!! Thank you so much for your generosity and support!!We would like to acknowledge and thank our Executive Producers Brandy and Aaron Kirkwood, Sean McGuire, Janes, LightBlindedFool, Big C, Deyvis Ferreira, Green Man, Bennett Williamson, Hannah Green, Noralia, Greysin Ishara, Helena Jacobsen, Matthew Mendoza, Sims, Cyndi, Manethraen, Andrew Scarponi, Mr. Boddy's Body, David, and HoneyBunchesOfJason!The Wheel Weaves is hosted and edited by Dani and Brett, produced by Dani and Brett with Passionsocks, Cody Fouts, Mozyme, Jamie Young, Jared Berg, Rikky Morrisette, Matt Truss, Antoine Benoit, MKM, Magen, Colby T, Gabby Young, Ricat, Chris G., Sarah Creech, Saverio Bartolini, Mag621, William Johnson, Courtney B, and Hammar's Lament; with music by Audionautix.Check out our partner - the Spoiler-Free Wiki - Spliki.com - Your main first time reader, Spoiler-Free WoT information source!Don't forget to leave us that 5 star review if you enjoy the show for a chance to win exclusive merchandise!Check out https://www.thewheelweavespodcast.com for everything The Wheel Weaves!Become a supporter of this podcast: https://www.spreaker.com/podcast/the-wheel-weaves-podcast-a-wheel-of-time-podcast--5482260/support.

Rochelle Voyles (b. 1989, Toledo, Ohio) is a Brooklyn based multi-disciplinary artist whose works explore the cyclical nature of humanity's patterns and the underlying impulses that drive behavior. Mining historical textile diagrams and found images, Voyles arranges fragments of different moments meticulously in collage on-wood cut sculpture. She dislocates, interrupts, and re-purposes found images in order to decontextualize her experience of reality and decipher our collective relationship to photographs. She received her BFA in Fine Arts/Printmaking from Pratt Institute in 2012. She is an upcoming resident of the Wassaic Project, and was a resident at The Peter Bullough Foundation, the Byrdcliffe Arts Colony and the ChaNorth Residency. She has shown at galleries in New York such as Below Grand, 81 Leonard Gallery, Trestle Gallery, Peninsula Art Space, Field of Play Gallery, and Collarworks. Voyles has been published in blogs and online such as Collé, Shoutout LA, Paradice Palase, and The Jealous Curator. Her recent solo show “Unreliable Narrators” at 81 Leonard has been featured as a March 2026 editors select in Impulse Magazine, and as an editorial feature on Art Rabbit. Additionally, the show received favorable reviews in Art Spiel and White Hot Magazine. Neptune in Pisces, 2026Mixed media; collage, paper, and wood, 20 x 23 in. The Bowline at Dusk, 2025 Mixed media; collage, paper, and wood 32 x 31 in. Returned in Fragments, 2026 Mixed media; collage, paper, wood 8 x 7 in.

this week: proto fragments continues to baffle but we get to the end of volume one at least. and white album 2 continues to be great as haruki gets himself mired even deeper in relationship drama as the band puts on a show.next time, we'll be covering volume 2 acts 1-4 of fate/proto fragments. and for teatime we're doing the remainder of introductory chapter plus a replay (for some scenes only unlocked on your second time through).featuring co-hosts Benn Ends (@bennends.itch.io) and fen (@fenic.moe).support the show and get access to bonus episodes: https://www.patreon.com/cryingruleslink to the fate/moon archive new and improved schedule: http://moonarchive.art/schedulesection timestamps:intro - 0:00yuri teatime - 0:49white album 2? - 19:05white album 2 - 47:33fate/prototype fragments of sky silver - 1:55:23outro - 2:54:19list of non type-moon works referencedgoddess of victory: nikkewhite album 2this episode carries content warnings for discussions of ...nothing this week.email us at cryingrulesactually@gmail.com with questions, comments, and compliments.cover art by Benn Ends, intro music by Benn Ends, remaining music from works covered.

Swabs were taken from areas where biological material might still exist, even if it was not visible. Fragments of fabric used for binding were collected and separated. Bullets recovered during autopsies were preserved and logged. Even debris from the burned room—pieces of flooring, charred material, residue—was stored when it could potentially contain trace evidence. For years, those items sat in storage. They were not forgotten, but they were not actively producing answers. The DNA testing available in the early 1990s required larger, cleaner samples than the yogurt shop scene could reliably provide. The fire had broken down much of the biological material, and what remained was often too degraded to generate a complete profile. Investigators could test, but the results were limited—partial readings, inconclusive comparisons, fragments that did not match anyone in available databases. That changed gradually. By the late 2000s and into the 2010s, forensic science had advanced in ways that directly addressed the kind of evidence preserved from the yogurt shop. Techniques for extracting DNA from degraded samples improved. Analysts were able to work with smaller quantities of biological material and reconstruct profiles from fragments that would previously have been unusable. The case file did not change, but the tools used to read it did. When investigators returned to the evidence, they approached it with a narrower focus. They were no longer looking for a full, clean profile that could immediately identify a suspect. They were looking for anything that could survive the conditions of the scene—anything that could be amplified, stabilized, and compared. From that process, a profile began to emerge...Sources: https://time.com/7321492/yogurt-shop-murders-suspect/https://people.com/austin-police-significant-breakthrough-murders-4-teen-girls-yogurt-shop-new-suspect-34-years-later-11820020?https://www.statesman.com/news/local/article/archives-no-dna-match-yogurt-shop-case-21069666.php?https://allthatsinteresting.com/austin-yogurt-shop-murdershttps://allthatsinteresting.com/robert-eugene-brashersBecome a supporter of this podcast: https://www.spreaker.com/podcast/kinda-murdery--5496890/support.

Is Love Badness?An experiment in form: a work of sound composed through field recordings, voice messages, and an essay written from lived experience.Fragments of speech, ambient noise, and lived memory move together here. Composed from lived experience, the piece turns toward harm, desire, rage, and repair as forces felt in the body. Voices, weather, static, and thought sit beside each other as components of intra-action—where no sound stands alone and each is felt in the body of the listener through its relation to others.Therefore, this experiment challenges the listener to stay attentive within a post-essay structure, attuning themselves to new possibilities in listening and relation. This episode asks for patience with overlap and the willingness to stay in discomfort without avoiding it. Best heard with time, through speakers or headphones, without rushing to a conclusion____Collected sounds from this episode come from;Field recordings of woodland sounds and by highway fields during my Volcano Road Trip after my father's funeral last springVoice Messages from friends Karlota, Nancy, and ClayPsalms sung by Rabbi Shefa GoldAn explanation of Karen Barad's theories of intra-action and agential realism from the Leverhulme Institute I | Session II | Close Reading Karen Barad | Feb 2014Invocation of PGM VII.862--918, "the Lunar Spell of Klaudianos and the ritual of heaven and the north star" Noise and Beats produced, reduced, and abstracted by V Essay from end of episode can be read in full on the Autobiography of a Halfling blog

Billy Fuller is a song writer, bass player and founding member of the band Beak>. Billy's debut solo album Fragments is a sonic journey that spans time as it collects fragments of Billy creating alone in his home studio over the last few years. The songs not only inspire the visual, but they hypnotize, pulse and guide the listener through a hazy, atmospheric, and groovy motorik landscape. Fragments is available April 3rd via Invada Records, with two singles out now. Billy tells us how this record came to fruition, and he shares his process for compiling the songs, which were selected from a pool of 60+ pieces. He tells us why Fragments is a great example of Billy enjoying himself, we learn what his main goals in songwriting are, and he shares his approach to tracking songs. Joe and Billy discuss the making of the video for the single Three Blind Mice, Billy tells us why he celebrates owning the sole responsibility for the success of Fragments and Joe hedges on his usual critique of Billy's artistic output. Our newest sponsor Kingston Union is YOUR store for the legendary Winos.This episode supported by our friends at Izotope. This episode is produced with Ozone 12, the newest from Izotope. Head over to izotope.com now for savings on all their production software. Go check out Ozone 12 and RX 11 and master with the best and solve the unsolvable. Use code FRET10 at checkout.Ep supported by Distrokid . Distrokid now offers Bandzoogle where you can build your bands website and store in minutes. Tour stories listeners get 30% off at distrokid.com/vip/tourstories. GET YOUR MUSIC OUT THERE! ITS EASY WITH DistrokidEpisode sponsored by Schecter Guitars. Schecter Guitar Research is one of the world's premier guitar companies, offering electric guitars and basses, acoustic guitars, and USA Custom Shop instruments to musicians around the world.Its continually evolving and expanding line of guitars and basses appeals to a broad spectrum of players and diverse musical styles. They offer high-quality instruments with professional components at an affordable price. Go Schecter for all your guitar needsRuinous MediaOur newest sponsor Kingston Union is YOUR store for the legendary Winos.Mentioned in this episode:Schecter GuitarsIzotopeDistrokid

The bi-weekly radio show from KOROLOVA - Escape on a journey into the next dimension, with spellbinding sounds, euphoric chords, and blissful beats. 01. Mario Gremito - Starlight [Almar]02. DENEEM - In Your Mind [Sounds Of Meow]03. Layla Benitez, Jono Stephenson, Henri Bergmann - Parallax [MAHOOL]04. Luzhik, Bryce Kenneth - Come Back [Axiom]05. The Fragments of Time - Let You Know [Chrom]06. NevadaSYSTEM x Two Immortals - Covenant [Vasa]07. Nora En Pure - Tibet [Enormous Tunes]08. CamelPhat & Rafael Cerato feat. Amarha - Don't Stop [When Stars Align]09. Double Disco - Loco [Area Verde]10. Argy & Massano - WAIT [Simulate]11. Y Do I - Eyes [Captive Soul]12. Mind Against, HUMAN404, Anakim - Late At Night [CORE]13. JOA - Green Light [Tomorrowland Music]14. Remusic - Tappin' [Area Verde]15. Korolova & Be No Rain - Distorted Love [Captive Soul]16. ARTBAT, Giuseppe Ottaviani, Conor Ross - Break The Loop [UPPERGROUND]

You're in the studio. One verse just isn't quite landing. What do you do? Grab a pen and paper, and dip into these strategies.Evocative writing and internal vs. external perspectives can unlock a world of difference and a new level of speed. Doesn't matter the genre or the story. Just dial up or down.For 30% off your first year with DistroKid to share your music with the world click ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠DistroKid.com/vip/lovemusicmore⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

today, we start two new eras of the pod. on the one hand, for yuri teatime we're starting the acclaimed visual novel white albumn 2. on the other hand we read half of the first volume of fate/proto fragments. the disparity in quality is the fate/moon archive promise.next time, we'll be covering the remainder of volume one of fate prototype (act 6, special acts, and the afterword). for white album 2 we're covering until the scene where the first kiss happens.featuring co-hosts Benn Ends (@bennends.itch.io) and fen (@fenic.moe).support the show and get access to bonus episodes: https://www.patreon.com/cryingruleslink to the fate/moon archive new and improved schedule: http://moonarchive.art/schedulesection timestamps:intro - 0:00yuri teatime - 1:58white album 2 - 25:18fate/prototype - 2:44:16outro - 4:06:42list of non type-moon works referencedwhite album 2this episode carries content warnings for discussions of comphet?email us at cryingrulesactually@gmail.com with questions, comments, and compliments.cover art by Benn Ends, intro music by Benn Ends, remaining music from works covered.

Alexey Sonar Socials: Spotify: bit.ly/alexeysonar Soundcloud: soundcloud.com/alexeysonar Instagram: instagram.com/alexeysonar Telegram: t.me/skytopresidency 01. Ryn Kalos - Threads (Stelios Vassiloudis Reinterpretation) [Pro B Tech Music] 02. AxeLara - Black Lights [AH Digital] 03. Heaven INC. - Fragments of Dawn (Extended Mix) [Journey of the Soul] 04. Ilias Katelanos - Places To (Extended Mix) [SkyTop] 05. Leaman - Milky Way [Kitchen Recordings] 06. Lavie Au Soleil - Ame (Extended Mix) [Songuara Tales] 07. Ruben Karapetyan - Pantheon (Emi Galvan Remix) [UV] 08. Doppel - Crucible (Vakabular Remix Extended) [Stone Seed] 09. Duel (HU) - Zen Sunday (Limetra Remix) [Stellar Fountain] 10. Ranta, Ash(M) - Soil Symphony (Extended Mix) [Journey of the Soul] 11. The Funk Fabric, Doriaan - Analog Dreams (St.Ego Remix) [For Senses Records]

Why did Moses smash the tablets and why were the broken pieces placed in the Holy of Holies alongside the whole ones? In this heart-open class, Rabbi Yisroel Bernath explores one of the most powerful and surprising teachings in Torah: that brokenness is not the opposite of holiness, it can be its doorway. Drawing on the story of the Golden Calf, the teachings of the Talmud, Midrash, and the Lubavitcher Rebbe, this class reveals how Judaism embraces both the “whole tablets” and the “broken tablets” of our lives. Together we explore how pain, setbacks, doubt, and struggle can become catalysts for deeper connection, compassion, and spiritual growth. The message is both radical and comforting: the fragments of our lives may contain the deepest light.Key TakeawaysHoliness is not limited to moments of perfection; it can emerge from our struggles and broken experiences.The broken tablets in the Ark teach that failure and fracture still belong in the sacred space of our lives.Sometimes our deepest connection to G-d happens not when we feel strong, but when we feel vulnerable and searching.Brokenness can soften our hearts and deepen our compassion for others.The Torah teaches that new wisdom and deeper growth often emerge after moments of spiritual collapse.Our lives contain both “whole tablets” and “broken tablets” and both are part of the sacred journey.#Judaism #Kabbalah #Jewish #BrokenTablets #Moses #GoldenCalf #JewishWisdom #spiritualgrowth #JewishInspiration #FaithInStruggle #TorahInsights #chassidus #personalgrowth #healing #resilience #MeaningInSuffering #RabbiBernath #JewishNDG #TorahClass Available now:Paperback: https://www.amazon.com/Forgiveness-Experiment-What-Would-Your/dp/1069217638Kindle: https://www.amazon.com/dp/B0FR2QNJL6Audiobook: https://bit.ly/4tPFZhVSupport the showGot your own question for Rabbi Bernath? He can be reached at rabbi@jewishndg.com or http://www.theloverabbi.comSingle? You can make a profile on www.JMontreal.com and Rabbi Bernath will help you find that special someone.Donate and support Rabbi Bernath's work http://www.jewishndg.com/donateFollow Rabbi Bernath's YouTube Channel https://www.youtube.com/user/ybernathAccess Rabbi Bernath's Articles on Relationships https://medium.com/@loverabbi

New music from VIGGO DYSTE, ESTELLA BOERSMA, ALEJANDRO MERENCO, SHACKLETON, HODGE + more on this ABSTRACT SCIENCE podcast, hosted by BILL BEARDEN aka WHOA-B + CHRIS WIDMAN. BILL begins with a mix of techno + house. WIDMAN follows on a technoid axis, but diverging into broken beat + bass music mutations. [aired 05 February 2026 on WLUW-Chicago 88.7FM] >BILL BEARDEN aka WHOA-B Viggo Dyst “Wet Stuff” (Shall Not Fade, 2025) Skee Mask “Nights & Music” (Ilian Tape, 2026) FJAAK “Soulfriction” (SPANDAU20, 2025) DJ Babatr “Let’s Do It (te-te)” (Hakuna Kulala, 2025) Estella Boersma “The Core” (EB-REX, 2025) Peverelist “Pulse IX” (Fadi Mohem Remix, Livity Sound, 2025) Leibniz “Corridor” (Peach Discs, 2025) Pugilist “Monument” (Ruff Kutz, 2025) Gockel “Otorongo” (Patent, 2026) Altinbas “Nebula” (Observer Station, 2025) Pearson Sound “Which Way Is Up” (Hessle Audio, 2024) K-Lone “Shelter” (Tempa, 2025) >CHRIS WIDMAN The Black Dog “They Came For My Head” (Loud Ambient, Dust Science, 2025) MoMa Ready “CLEAR” (BODY 25, 2025) Robert Hood “Full Armor” (M-Plant, M-Plant 2014) Mikkel Metal “Rebuild (Luke Hess Remix)” (Rebuild, Echochord, 2026) Alejandro Marenco “Serpiente” (Cold Front Volume 2, Lake Effect Records, 2026) Shackleton “The Dream in Fragments” (Euphoria Bound, Woe to the Septic Heart, 2026) Hodge “Sway” (Tempa Allstars Vol. 9, 2026) SPEEDY J “Freeqwarp 2025” (Transparent, Stoor, 2026) Sister Zo “Fighting for Scraps” (Superclásico, Vol. 2, Clásico, 2025) Kiefer Ian “Clear The Floor” (2025) Kassian, sept7 “Hollow (sept7 Remix)” (Faux Poly: Remixed 004 Jace Inman “In A Viper Pit” (All Energy, NFC Records, 2025) Kangding Ray “En La Noche” (Sirāt – Original Motion Picture Soundtrack, Invada, 2025) The Bug vs Ghost Dubs “Burial Skank (Mass, Brixton)” (Implosion, Pressure, 2025) The post absci radio 1407 – whoa-b + chris widman appeared first on abstract science >> future music chicago.

1164. This week, we look at the origin of the octothorpe — also known as the pound sign or hashtag — and why it has so many different names. Then, we look at sentence fragments and the secret of "Sir Fragalot" to help you avoid common writing mistakes. A video of the man who invented snurfing. Free writing course on LinkedIn Learning. (Happy National Grammar Day!) The octothorpe segment was written by Karen Lunde.

We talk a little bit about Star wars and other stuff before Dragon Quest. This game really while being fantastic shows how jrpgs are different for other people. The Reimagined version really fixed all the issues for the most part with quality of life improvments but it didnt stop the repetitivness of going back and forth like a lot of jrpgs do. I will say the job system really makes me enjoy the grind where normally I wouldnt. Personally I call it good balance but its fair to say its not for everyone when it comes to the original or the 3DS remake. JOIN THE DISCORD WITH THE LINK BELOW!!!!! https://discord.gg/Yp6tTwaawt

This is a Grave Talks CLASSIC EPISODE! PART TWOLong before “ghost hunting” had a name, Bruce Halliday was already paying attention.Growing up in a Brooklyn apartment building, Bruce experienced something that stayed with him—a deceased family friend who seemed to linger in the halls, present in a way that felt unmistakably real. It wasn't dramatic or theatrical. It was quiet, personal, and impossible to forget.That early encounter didn't fade with time. Instead, it planted a question that followed him into adulthood: if the dead remain close, how might they communicate? While others dismissed the idea, Bruce kept listening—especially to the sounds buried inside static and radio interference.Years of curiosity and experimentation eventually led to the development of what became known as the ghost box—a device that transformed random frequencies into something far more unsettling. Voices. Responses. Fragments that seemed aware.What began as a childhood encounter became a pursuit that helped reshape paranormal investigation—and how we listen to the unseen.#TheGraveTalks #GhostBox #ParanormalHistory #TrueGhostStories #AfterlifeCommunication #EVP #ParanormalResearch #HauntedBrooklyn #ClassicEpisode #LifeBeyondDeath Love real ghost stories? Want even more?Become a supporter and unlock exclusive extras, ad-free episodes, and advanced access:

This is a Grave Talks CLASSIC EPISODE!Long before “ghost hunting” had a name, Bruce Halliday was already paying attention.Growing up in a Brooklyn apartment building, Bruce experienced something that stayed with him—a deceased family friend who seemed to linger in the halls, present in a way that felt unmistakably real. It wasn't dramatic or theatrical. It was quiet, personal, and impossible to forget.That early encounter didn't fade with time. Instead, it planted a question that followed him into adulthood: if the dead remain close, how might they communicate? While others dismissed the idea, Bruce kept listening—especially to the sounds buried inside static and radio interference.Years of curiosity and experimentation eventually led to the development of what became known as the ghost box—a device that transformed random frequencies into something far more unsettling. Voices. Responses. Fragments that seemed aware.What began as a childhood encounter became a pursuit that helped reshape paranormal investigation—and how we listen to the unseen.#TheGraveTalks #GhostBox #ParanormalHistory #TrueGhostStories #AfterlifeCommunication #EVP #ParanormalResearch #HauntedBrooklyn #ClassicEpisode #LifeBeyondDeath Love real ghost stories? Want even more?Become a supporter and unlock exclusive extras, ad-free episodes, and advanced access: