Podcasts about fragments

【一起来读书吧 Bookclub】 我们最近会举办两个读书会活动！ 《台湾漫游录》线下读书会： 8月9日，我们会在纽约中文独立书店Accent Sisters举办《台湾漫游录》线下读书会。故事讲述了1938年日本统治台湾时期，一位年轻的日本女性小说家来到岛上，希望能一路吃穿台湾，在这个过程中她爱上了自己的女性翻译，但却苦于难以克服殖民者与被殖民者之间的鸿沟。这本书今年斩获了国际布克奖，是首部获得这部奖项的华语原著作品。 读书会链接：https://luma.com/yayseynm Apple in China 线上读书会： 7月24日，我们想和大家一起线上共读Patrick McGee 的热销作品 Apple in China。这本书细致讲述了苹果如何在中国建立起现代史上最复杂、最高效的制造与供应链体系之一，也讲述了中国如何成为世界上最有价值公司的关键支柱。作者 Patrick McGee 将在活动最后 30 分钟加入我们，回答大家的问题；问答部分使用英文。 读书会链接：https://luma.com/buwyzrkk We have two book club events coming up soon! "Taiwan Travelogue" In-Person Book Club: On August 9th, we'll be hosting an in-person book club for Taiwan Travelogue at Accent Sisters, a Chinese-language independent bookstore in New York. The story follows a young Japanese novelist who travels to Taiwan during the Japanese colonial period in 1938, hoping to eat and dress her way across the island. Along the way, she falls in love with her female translator, but struggles to overcome the gulf between colonizer and colonized. The book won this year's International Booker Prize, making it the first Chinese-language original work to receive the award. Book club link: https://luma.com/yayseynm On July 24th, we'll be reading Patrick McGee's bestselling book Apple in China together online. The book offers a detailed account of how Apple built one of the most complex and efficient manufacturing and supply chain systems in modern history in China. It also tells the story of how China became a crucial pillar of the world's most valuable company. Author Patrick McGee will join us for the final 30 minutes of the event to answer questions. The Q&A session will be conducted in English. Book club link: https://luma.com/buwyzrkk 【聊了什么The What】 这是一场线下录制内容！ 最近，小杨参加了Same Room纽约播客节，和友台新新人类的主播采薇、残言片语的主播Mercy和喜剧播客唠点扭腰磕的主播Rachel以匮乏时代的流行文化为主题，聊了一期2026流行文化小盘点。 本来有大纲来着，但是四个女的全部失控。录制过程十分快乐，希望你也能听得开心！ This is an in-person recorded episode! Xiao Yang recently attended the Same Room New York Podcast Festival and sat down with hosts from three sister podcasts — Cai Wei from "New New Humans," Mercy from "Fragments of Remaining Words" (残言片语), and Rachel from the comedy podcast "Nagging Points, Twisting Waists" (唠点扭腰磕) — for a conversation about pop culture in a 2026 vibecession. We did have an agenda but that went out of the window - but we had fun, and hope you do too. 【时间轴 The When】 00:00 - 开场：7月及8月线上线下读书会报名指南 01:21 - 播客节现场：四位女性主播的聚首 05:30 - 细聊郑智化轮椅风波：为什么我们难以讨论少数群体的权利 11:29 - TradWife 与利己主义：解析当代女性面对经济下行的心理补偿 18:22 - 文化口红指数：为什么网络上教人“拿结果”的博主大行其道 29:00 - 记者 vs 博主：主流媒体的娱乐化趋势与事实查证的消失 38:45 - 寻找真相的困境：在信息爆炸中感到匮乏的希望 41:25 - 迪拜巧克力走红背后：从视觉与听觉冲击到味觉的割裂 46:09 - 茉莉奶白商战纪实：中国速度与抽象美学在曼哈顿的结合 60:22 - 争议性讨论：关于网红“夏美”与性工作者的可见度困境 67:11 - 拒绝碎片化：如何通过“笨手机”和无聊感重获个人Voice重新注意力对抗无聊 00:00 – Intro: sign-up guide for July and August online/offline book club sessions 01:21 – At the podcast festival: four female hosts come together 05:30 – A close look at the Zheng Zhihua wheelchair controversy: why it's so hard to discuss minority rights 11:29 – Tradwives and self-interest: unpacking the psychological compensation contemporary women seek amid economic downturn 18:22 – The "cultural lipstick index": why influencers teaching people to "get results" are thriving online 29:00 – Journalists vs. influencers: mainstream media's drift toward entertainment and the disappearance of fact-checking 38:45 – The struggle to find truth: feeling a scarcity of hope amid an explosion of information 41:25 – Behind the Dubai chocolate craze: from visual and auditory impact to a disconnect in taste 46:09 – A true account of the Molly Tea (茉莉奶白) price war: Chinese speed and abstract aesthetics colliding in Manhattan 60:22 – A controversial discussion: influencer "Xia Mei" (夏美) and the visibility struggles of sex workers 67:11 – Rejecting fragmentation: reclaiming personal voice and attention through "dumbphones" and embracing boredom 【疲惫红书 CyberRed】 除了播客以外，疲惫娇娃的几个女的在小红书上开了官方账号，我们会不定期发布【疲惫在读】、【疲惫在看】、【疲惫旅行】、【疲惫Vlog】等等更加轻盈、好玩、实验性质的内容。如果你想知道除了播客以外我们在关注什么，快来小红书评论区和我们互动。 Apart from the podcast, we have set up an official account on Xiaohongshu. We will periodically post content such as “CyberPink Reading,” “CyberPink Watching,” “CyberPink Traveling,” “CyberPink Vlog,” and more. Those are lighter, more fun and more experimental stuff about our lives. Leave us some comments on Xiaohongshu! 【买咖啡 Please Support Us】 如果喜欢这期节目并愿意想要给我们买杯咖啡： 海外用户：https://www.patreon.com/cyberpinkfm 海内用户：https://afdian.com/a/cyberpinkfm 商务合作邮箱：cyberpinkfm@gmail.com 商务合作微信：CyberPink2022 If you like our show and want to support us, please consider the following: Those Abroad: https://www.patreon.com/cyberpinkfm Those in China: https://afdian.com/a/cyberpinkfm Business Inquiries Email: cyberpinkfm@gmail.com Business Inquiries WeChat: CyberPink2022

JOHN 6:11-13 | GOD'S GLORY IN THE FRAGMENTS ILLUSTRATION : I have been blessed with a father in law who is gifted in doing a lot of different things. Similarly to my dad, they both have the ability to figure things out and usually have an answer on how to fix whatever the issue is. When me father in…

Beyond is sponsored by The Malone Society: The permanent utility of original textsPart two of our an epic (yet dinky) series looking at some fragments found in The English Treasury of Wit and Language by John Cotgrave. This is a fairly chunky opening gambit, with the preface to the book, before our usual drive by at a short bit of text.You can find a version of the text at archive.org. It's found under the section "Of Atheism, Blasphemy, Impiety, Prophaxes etc." on page 18/19. The text is performed by Aliki Chapple, the host is Robert Crighton.Our patrons received this episode in January 2025 - well over a year early!The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.orgYou can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQThe Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.About our sponsors - the Malone Society. The Society was founded in 1906 at the initiative of A.W. Pollard, and for over a century they have published (almost) every year edited volumes of early printed and manuscript texts of both well-known and neglected plays. They also publish collections of documentary material relating to the performance and reception of early drama. Their best-known publications include W.W. Greg's edition of Sir Thomas More, a collaborative history play, and A.C. Dunstan's edition of the earliest surviving original play in English to have been written by a woman, Elizabeth Cary's The Tragedy of Mariam.Their membership is international and open to anyone interested in early drama. Members receive their annual volumes and are able to buy books from their backlist at low prices.In addition to their publications, they support scholarship of early drama through fellowships and research grants, an annual prize for graduate students, and performances and symposia.The Society is named after Edmond Malone, born in Dublin in 1741, a great editor, textual scholar and theatre historian, whose work continues to shape studies in early drama.

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TRACKLIST: 01. constsad, Lurt, ereysem - the way to you 02. Softdope, sleeping pill, cozy pillow - Fragments of Endless Night 03. darkuha — healing.from.within 04. ateki - denoy 05. Maltex - Homesick 06. 120days - beginning 07. Tiikk - In Fog 08. the morph - milky 09. BT - Laurel Canyon Night Drive (Lunar Mode) 10. snow tale - you remind me that time 11. mezh - abandoned 12. Headphone Activist, endofnowhere - meadow 13. inalery - residual warmth 14. Flwsh, dxstroyed - this place 15. Merely & Malibu - hymn for drifters 16. shøuldz, Ønedream — her eyes 17. SLYTON - Raindrops 18. Softdope, sleeping pill, carried away - Pulse of Distant Stars 19. Besfamilnyy - Grey Morning Platform 20. sløwness feat. lyrλmbient — left behind 21. suffershade - timewave 22. ereysem - maybe i won't come back 23. Headphone Activist, sevenlies - scrolling through the internet 24. ask eternity - polaroid 25. Ønedream, shøuldz & lyrλmbient - regrets 26. diedlonely-amp-ihatemyjob-erasure 27. pxlse. - distant voices 28. foreveralone - who am i 29. HXRI! ZON, no1irl — away from you 30. Unnholy — hope 31. lyrλmbient — spring is cold 32. Yawning Portal - Open Door, Heat, Song and Sweetness 33. m_u_r_k_ - outer space ▶ band.link/AmbientPlanet Если вам понравилась музыка, оставьте свой комментарий, а также можете поддержать проект по ссылке: pay.cloudtips.ru/p/a811f671 ______ Ambient Planet Broadcast, авторские сеты проекта Sirius X (диджея и музыканта M.Pravda). Сборник уникальной музыки и эксклюзивных треков в стиле Ambient и Chill Out. _________ Sirius X (aka M.Pravda) guides you through his selection of unique music in Ambient and Chill Out. "Ambient Planet Broadcast" sessions recorded regularly and represent the best tracks of the style. ______ #siriusx #ambient #chillout #chill #relax #meditation #drone #chillstep #mpravda #ambientplanet #backgroundmusic #workmusic #focusmusic #chillmusic #concentrationmusic #chillmix #relaxing #studymusic #musicforstudying #deepfocus #productivitymusic #calmmusic #pianomusic #deepfocusmusic #codingmusic #relaxingmusic __________ 01. constsad, Lurt, ereysem - the way to you 02. Softdope, sleeping pill, cozy pillow - Fragments of Endless Night 03. darkuha — healing.from.within 04. ateki - denoy 05. Maltex - Homesick 06. 120days - beginning 07. Tiikk - In Fog 08. the morph - milky 09. BT - Laurel Canyon Night Drive (Lunar Mode) 10. snow tale - you remind me that time 11. mezh - abandoned 12. Headphone Activist, endofnowhere - meadow 13. inalery - residual warmth 14. Flwsh, dxstroyed - this place 15. Merely & Malibu - hymn for drifters 16. shøuldz, Ønedream — her eyes 17. SLYTON - Raindrops 18. Softdope, sleeping pill, carried away - Pulse of Distant Stars 19. Besfamilnyy - Grey Morning Platform 20. sløwness feat. lyrλmbient — left behind 21. suffershade - timewave 22. ereysem - maybe i won't come back 23. Headphone Activist, sevenlies - scrolling through the internet 24. ask eternity - polaroid 25. Ønedream, shøuldz & lyrλmbient - regrets 26. diedlonely-amp-ihatemyjob-erasure 27. pxlse. - distant voices 28. foreveralone - who am i 29. HXRI! ZON, no1irl — away from you 30. Unnholy — hope 31. lyrλmbient — spring is cold 32. Yawning Portal - Open Door, Heat, Song and Sweetness 33. m_u_r_k_ - outer space

This week comes with new and unreleased vibes. Vibes drive the sound from afro to tech and back again, with a slew crisp engineering skills. The genre had become more of a label than an accomplishment, but the arrangements here clearly define a new generation at work. Not your father's progressive dance. New depths and layers have been on the move and making strides to light up dancefloors. Based on the sound and emotion right here; summer will be bangin'. Track List: 01. Kike - Sunglasses (Domingo Audio Remix) 00:00:00 02. Ivan Berkowitz, Messier - Fountain (Yves Eaux Remix) [ARRVL Records] 04:43:20 03. Skimer - Firebird [Earth Sound Recordings] 08:35:46 04. Jess Varela - Just Once (Gerardo Portilla Remix) [Future Avenue] 13:49:71 05. Agustin Portaro - Groove in the Void [Soundteller Records] 20:11:28 06. Tiefstone, Das Pharaoh - The Sequence (Extended Mix) [UV] 25:39:23 07. Lukka, Pedro Matias - Wanna Love (Extended Mix) [Where The Shadow Ends] 30:49:18 08. Gero Rinaldi - Within Your Control [South America Avenue] 35:27:58 09. Afetim, Bar Melodia - Stardust [Bar Melodia] 39:33:34 10. Dp-6 - Utopia 43:33:22 11. Sashy, Tabrissel - Intuition (Trifonov S Remix) [AH Digital] 48:25:59 12. Das Pharaoh, Tiefstone - Endless Summer (Extended Mix) [UV] 53:19:60 13. Sense IS - Green Zing [Keyfound] 58:03:31 14. Anatolian Sessions - Dem (Mass Digital Remix) [Harabe Lab] 62:14:59 15. Zy Khan, Sebas Ramos - Ignition (Hully Che Remix) [Future Avenue] 66:43:18 16. The Smiths - How Soon is Now (Carlos Gatto Remix) 70:50:21 17. Anatolian Sessions - Dem (MFK Extended Remix) [Harabe Lab] 76:12:14 18. The Funk Fabric, Doriaan - Analog Dreams (Matias Delongaro Remix) [For Senses Records] 80:51:21 19. Miráxy - Don't Wait [unreleased - available to license] 85:30:21 20. Streichl - The Eyes of Our Children (Simio Albino 'Treatment' Mix) [Massive Harmony Records] 90:43:05 21. MiekeJames, Hello Shadow - Dealers (Casnik & Sabrina Rivas Remix) [All Yours] 94:41:72 22. Afetim, Bar Melodia - Inner State [Bar Melodia] 99:13:60 23. Gino Vogt - Theorems [unreleased - available to license] 103:36:74 24. Diego Schiller - Eron [3rd Avenue] 107:05:64 25. Heaven INC. - Fragments of Dawn (Extended Mix) [Journey of the Soul] 112:31:05 #Kike #DomingoAudio #IvanBerkowitz #Messier #YvesEaux #Skimer #JessVarela #GerardoPortilla #AgustinPortaro #Lukka #PedroMatias #GeroRinaldi #Dp6 #Sashy #Tabrissel #TrifonovS #DasPharaoh #Tiefstone #SenseIS #MassDigital #ZyKhan #SebasRamos #HullyChe #TheSmiths #CarlosGatto #AnatolianSessions #MFK #TheFunkFabric #Doriaan #MatiasDelongaro #Miráxy #Streichl #SimioAlbino #MiekeJames #HelloShadow #Casnik #SabrinaRivas #Afetim #BarMelodia #GinoVogt #DiegoSchiller #HeavenINC

Frank Rodman, CEO and co-founder of Torchstone Global, joins Fred Burton to discuss what it takes to protect people, events, and organizations in an increasingly complex threat environment. Drawing on more than 30 years of experience across the Diplomatic Security Service, corporate security, executive protection, GSOC operations, and major global events, Frank shares lessons from the 1993 World Trade Center bombing investigation, the Tokyo subway sarin attack, Olympic Games, and Super Bowls. The conversation explores why private-sector security depends on influence, coordination, and clear communication, not just authority. Frank also explains how Connected Intelligence helps teams turn fragmented information into the context needed to make better security decisions before risk becomes crisis.    You'll learn: How protective intelligence helps teams connect weak signals before a crisis Why major event security requires coordination, red teaming, and thoughtful trade-offs How security leaders can build stronger teams by combining expertise, communication, and business acumen Subscribe to our monthly newsletter here. If you're enjoying this episode, please take a minute to rate and review the show.

Face aux larmes d'un proche ou d'un inconnu, la douleur et la profonde tristesse de l'autre nous laissent souvent démuni·es pour le consoler. On se transforme alors en robots maladroits : on tente un tapotage hésitant sur l'épaule, on cherche désespérément ses mots, ou on propose des solutions concrètes pour abréger notre propre malaise devant les sanglots. Cette paralysie n'est pas un manque d'empathie, mais une profonde impuissance face à la détresse d'autrui. Pourquoi le chagrin des autres nous fait-il si peur ? Comment apprendre à accueillir leurs larmes, sans chercher à tout prix à les réparer ?Dans cet épisode d'Émotions enregistré en public au Festival La Claque Podcast Party à Marseille, la journaliste Marie Misset se penche sur ce malaise universel lorsqu'il s'agit de consoler. Pour décrypter notre incapacité collective à traverser des émotions négatives, elle tend son micro à la philosophe Estelle Ferrarese, autrice de l'essai Une philosophie des sanglots et fait entendre les témoignages de Laurent* (le prénom a été modifié), Marc-Antoine, Adrien, Camille et de deux Manon. Ensemble, elles ouvrent une réflexion autour de l'hospitalité émotionnelle et de la consolation, pour nous aider à comprendre pourquoi l'écoute, le silence et la simple présence sont parfois les meilleurs beaux outils face à une souffrance qui déborde. Les références citées dans cet épisode : - La performance “The Artiste Is Present” de Marina Abramović- L'ouvrage “Fragments d'un discours amoureux” de Roland Barthes- Le film “La Vie d'Adèle” d'Abdellatif KechicheÉmotions est un podcast de Louie Media. Marie Misset écrit cet épisode. Théo Bourdin était à l'enregistrement live et Julien Kirsch a fait le mixage de cet épisode. Elsa Berthault est en charge de la production. Mélissa Bounoua est à la direction de production, Charlotte Pudlowski à la direction éditoriale. Publicités et Partenariats : creative@louiemedia.comSi vous aussi vous voulez nous raconter votre histoire dans Émotions, écrivez-nous en remplissant ce formulaire ou à l'adresse hello@louiemedia.com Pour avoir des news de Louie, des recos podcasts et culturelles, abonnez-vous à notre newsletter en cliquant ici. Vous souhaitez soutenir la création et la diffusion des projets de Louie Media ? Vous pouvez le faire via le Club Louie. Vous pouvez aussi vous abonner à Louie+ sur Apple Podcasts pour écouter les épisodes sans publicités et nos séries en avant-première. Chaque participation est précieuse. Nous vous proposons un soutien sans engagement, annulable à tout moment, soit en une seule fois, soit de manière régulière. Au nom de toute l'équipe de Louie : MERCI !Suivez Émotions sur Apple Podcasts, Spotify, Deezer.Suivez Louie Media sur Instagram, Facebook, et YouTube.Mots-clés : consoler - larmes - pleurer - consolation - histoires vraies - empathie - émotions - sanglots - chagrin - témoignages Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

What happens when your life falls apart and you're left with only fragments? In this episode of the AVAIL podcast, author and pastor Tullian Tchividjian opens up about his public crash and the deep, uncomfortable work of recovery that followed. Discussing his new multi-sensory book, Fragments of Freedom, Tullian explains how hitting rock bottom transformed his theological understanding of grace into a functional lifeline. This conversation is an invitation to stop pretending, take off the mask of behavior modification, and discover the radical freedom that comes from being brutally honest about our brokenness while standing securely on God's unconditional love.

Anchorage Historian David Reamer has spent years digging through archives, newspapers, and forgotten corners, recovering stories that might otherwise disappear. From his early days of sharing historical stories on social media to his long-running Histories of Alaska column in the Anchorage Daily News, he's documented everything from vanished neighborhoods and local legends to racial covenants, labor struggles, oddball characters, and the everyday moments that shaped Alaska's largest city. His work reminds us that history doesn't just live in textbooks or monuments. It survives in fragments — rumors, newspaper clippings, photographs, old advertisements, property records, fading memories, and oral histories. Through those fragments, he explores what Anchorage's past reveals about its present and what it means to preserve the memory of a city that has spent much of its life reinventing itself. Anchorage is difficult to define because it never stops changing. It was founded in 1915 as a railroad tent city—a place of laborers, opportunists, and people eager to get in on the ground floor. More than a century later, that spirit of reinvention remains. The challenge in seeing the full picture, David says, is that we rarely see the present clearly while we're living through it. Only with distance do the patterns emerge. So, he's skeptical of the neat narratives that often follow official histories because, for him, history is messy. And he embraces that messiness, challenging conventional wisdom and uncovering histories that are both profound and absurd.  Like Anchorage's brief obsession with raising chinchillas.

In this episode of Horror Joy, Brian and Jeff make an unplanned stop on their “haunted house tour” by traveling from U.S.-centered hauntings (slavery, Jim Crow, Reagan-era policies, conquest) to Japan, discussing Nobuhiko Obayashi's 1977 cult film Hausu and Junji Ito's Fragments of Horror story “Wooden Spirit.” They compare how both texts present “haunting houses” animated by spirits and brought out through women, linking them to gender roles, eroticism, and the fetishization of culture and material heritage. They analyze Hausu's deliberately camp, self-aware style, the named archetypes of its seven schoolgirl protagonists, its comedic-horrific deaths, and themes of girlhood's end, queerness, postwar trauma, and consumption. They read Wooden Spirit as eco-horror and cultural fetish, emphasizing wood's “eyes,” seduction, and men's uselessness, and close by finding joy in horror's weirdness, comedy, and formal experimentation.Breaking the Mirror: Hausu and Bad Love Objects by Erin NunodaHausu of the Rising Sun: Death of the Girl by Georgia Thomas-ParrBeyond the Panel: Cinematism and Affective Responses in Itō Junji's Tomie by Ivan Darío Jaramillo Chávez

Anchorage Historian David Reamer has spent years digging through archives, newspapers, and forgotten corners, recovering stories that might otherwise disappear. From his early days of sharing historical stories on social media to his long-running Histories of Alaska column in the Anchorage Daily News, he's documented everything from vanished neighborhoods and local legends to racial covenants, labor struggles, oddball characters, and the everyday moments that shaped Alaska's largest city. His work reminds us that history doesn't just live in textbooks or monuments. It survives in fragments — rumors, newspaper clippings, photographs, old advertisements, property records, fading memories, and oral histories. Through those fragments, he explores what Anchorage's past reveals about its present and what it means to preserve the memory of a city that has spent much of its life reinventing itself. Anchorage is difficult to define because it never stops changing. It was founded in 1915 as a railroad tent city—a place of laborers, opportunists, and people eager to get in on the ground floor. More than a century later, that spirit of reinvention remains. The challenge in seeing the full picture, David says, is that we rarely see the present clearly while we're living through it. Only with distance do the patterns emerge. So, he's skeptical of the neat narratives that often follow official histories because, for him, history is messy. And he embraces that messiness, challenging conventional wisdom and uncovering histories that are both profound and absurd.  Like Anchorage's brief obsession with raising chinchillas.

it's really unfortunate that both fate/prototype and white album 2 hit their nadirs at the same time. prototype is here to remind us that women make great moms at the exclusion of everything else. over in white album 2, we start the worst route and immediately understand why it has that reputation.next time, we'll be covering the first half-ish of fate/labyrinth. for yuri teatime we're doing the remainder of the mari route. you, dear reader, don't need to read either thing.featuring co-hosts Benn Ends (@bennends.itch.io) and fen (@fenic.moe).support the show and get access to bonus episodes: https://www.patreon.com/cryingruleslink to the fate/moon archive new and improved schedule: http://moonarchive.art/schedulesection timestamps:intro - 0:00yuri teatime - 1:18white album 2 - 7:10fate/prototype: fragments of sky silver - 3:00:28outro - 4:27:45list of non type-moon works referencedwhite album 2this episode carries content warnings for discussions of misogyny, sexual assault, and ageism.email us at cryingrulesactually@gmail.com with questions, comments, and compliments.cover art by Benn Ends, intro music by Benn Ends, remaining music from works covered.

For this episode of Art Workers I'm joined by actor and writer Rachel Lin. Find Rachel at her Website or her Instagram. Find me at carlbindman.com or my newsletter or my Instagram. Produced, hosted, and edited by Carl Bindman. Thanks to Louie Zong for the use of his song, “Fragments”.

For Father's Day... What does it really mean to be a good dad in today's world? A heartfelt conversation with the author of ''Fragments of a Decent Man'' (at 12:19) --- An urgent call for more foster care and adoptive families locally... Because Keeping Kids Safe should be everyone's priority (at 24:18) --- Like all athletes, soccer players can experience many serious injuries that can keep them off the pitch... But a new treatment for ACL injuries that are common to the sport can help get them back in the game naturally and less susceptible to future complications (at 44:09)

Fragments d'une passion pas simple et de secrets Avant de mourir, la mère de Mehdi lui confie une pochette rouge remplie de lettres d'amour. Elles racontent la passion clandestine entre elle, Françoise, et son père Lahoucine. Ils se sont rencontrés à l'hôpital, à Paris, en 1959. Lui est un travailleur immigré marocain, ouvrier chez Citroën, qui vient d'avoir un accident en mobylette. Elle est une Française catholique, mariée et mère de deux enfants, aide-soignante à l'hôpital. Entre eux débute une relation, d'abord pudique, puis franchement passionnelle, que Françoise raconte au fur et à mesure dans ses lettres à Lahoucine. Une « passion pas simple » entre une femme mariée et un travailleur immigré dans la France conservatrice des années 60, en pleine guerre d'Algérie. Issu de cette union, Mehdi a hérité du paquet de lettres que son père n'a pas brûlé, que sa mère a toujours conservé. Au début des années 2000, Françoise avait raconté son histoire au micro de son fils. C'est à partir de ces archives personnelles que Mehdi se confronte à cet amour métis et clandestin. Alors, peu à peu, cette enquête sur une rencontre amoureuse se déploie en saga familiale dont un fils, trois sœurs et une mère sont les protagonistes. Avec délicatesse et sans tabou, il donne une voix à ce parcours exceptionnel, à cette femme dressée contre la morale et toutes les violences. Ses enfants enfin réunis autour de son micro regardent ces violences en face, et dessine le portrait de cette « passion pas simple ». Avec : Christine Béjat, Michèle Lhuillerie, Philippe Artières, Myriam Ahoudig, Jalal El Hakmaoui. Mentions : - Archives INA de radio ; Actualités ; - Oreille externe : Silvain Gire. Bibliographie : - Archives Personnelles, Philippe Artières et Jean François Laé, Armand Colin, 2011 ; - Derrière le mythe métisse, Solène Brun, La Découverte, 2024. Pour aller plus loin : - Histoire du métissage, Nelly Schmidt, Editions de la Martinière, Paris, 2003 ; - La double absence, Abdelmalek Sayad, Le Seuil, 1999 ; - Elise ou la vraie vie, Claire Etcherelli, Les lettres nouvelles, 1967. Remerciements : Mes trois sœurs (Christine, Michèle, et Myriam) pour leur participation ; Juliette Guigon pour l'accompagnement lors des doutes et des questionnements ; Silvain Gire pour sa vision ; Ijjou Ahoudig pour son écoute, Annika Erichsen pour sa patience, Philippe Artières pour son regard sur ces lettres, et Jalal El Hakmaoui pour la révélation d'un secret de famille. Et bien sûr l'équipe formidable d'ARTE Radio. Ce podcast documentaire a obtenu une aide sélective aux auteurs de podcast en 2022 et a été soutenu par une résidence à l'Institut français de Casablanca, dans le cadre du festival Amwaj en juillet 2025. Entretien, montage et narration Mehdi Ahoudig Enregistrements février 2004-juillet 2025 Lectures Emmanuelle Lafon Réalisation Samuel Hirsch, Mehdi Ahoudig Musiques originales et mixage Samuel Hirsch Oreille externe Silvain Gire Illustration Mehdi Ahoudig (photo d'archives personnelles) Production ARTE Radio

There is an exciting summer season of new plays at the Great Barrington Public Theater, featuring intimate human stories with global implications. The summer starts with "Fragments" by Jim Petosa which focuses on the AIDS pandemic in the 1980s, followed by "iBoss" by Thomas Kee which explores the use of AI, and ends with "Yellow 2.0 Wallpaper 2020" by Jennifer Maisel based on Charlotte Perkins Gilman's 1892 short story "The Yellow Wallpaper." We chat with co-artistic directors Jim Frangione and Judy Braha about the season and working with new plays. www.greatbarringtonpublictheater.org

they're calling it an episode of the year. koharu has some good stuff for us to dig into but ultimately leaves us disappointed while protofragments has opinions about women that are... disappointing to say the least.next time, we'll be covering the remainder of protoframents volume 4. for yuri teatime, we're covering mari's route of cc through january 16th.featuring co-hosts Benn Ends (@bennends.itch.io) and fen (@fenic.moe).support the show and get access to bonus episodes: https://www.patreon.com/cryingruleslink to the fate/moon archive new and improved schedule: http://moonarchive.art/schedulesection timestamps:intro - 0:00yuri teatime - 1:01white album 2 - 8:41fate/prototype fragments of sky silver - 2:57:57outro - 4:05:21list of non type-moon works referencedwhite album 2this episode carries content warnings for discussions of happiness, heterosexual love, etc.email us at cryingrulesactually@gmail.com with questions, comments, and compliments.cover art by Benn Ends, intro music by Benn Ends, remaining music from works covered.

June 2026 New SouthAlain Johannes: Chilean-American multi-instrumentalist, songwriter, vocalist, and producer Alain Johannes has spent over four decades at the center of adventurous rock music. Born in Santiago in 1962, he began in the early Los Angeles punk scene alongside future Red Hot Chili Peppers members Hillel Slovak, Flea, and Jack Irons before co-founding the alternative rock band Eleven in 1990. He has collaborated with Queens of the Stone Age, Them Crooked Vultures, Chris Cornell, PJ Harvey, Arctic Monkeys, Mark Lanegan, and Dave Grohl's Sound City Players. A master of numerous instruments, his acclaimed solo albums include Spark (2010), Fragments and Wholes (2014), and Hum (2020).Website: www.alainjohannes.com Instagram: @alainjohannestourChristopher Macken: Christopher “SUG” Macken began his career in a small-town Georgia salon, developing a passion for transformation and style that led to a global career in fashion, beauty, and media. He rose to become a Global Creative Director for major international cosmetic brands and built a reputation as a celebrity stylist and television personality. Today he is the founder of SUG BRANDS, including SUG WEAR, SUG MEDIA, and SUG SKIN (launching Summer 2026). Based in Barcelona, Spain, Macken continues to inspire audiences with his blend of European sophistication and bold personal style.https://www.instagram.com/mansionsandmascara/ https://www.facebook.com/MisterMacken/ http://www.sugwear.com/Ariana Benson: Ariana Benson's debut poetry collection, Black Pastoral (University of Georgia Press, 2023), won the Cave Canem Poetry Prize, the Kate Tufts Discovery Award, and the Lenore Marshall Poetry Prize. A finalist for both the National Book Critics Circle Leonard Prize and the Library of Virginia Prize in Poetry, the collection explores ecology, Black history, love, and the American landscape. Benson has also received a 2025 National Endowment for the Arts Fellowship, a Ruth Lilly and Dorothy Sargent Rosenberg Fellowship, and the Furious Flower Poetry Prize.https://arianabenson.wordpress.com/about/ https://www.instagram.com/extraordin_arie/Michael Temple: Michael Temple is the founder of Climb Higher®, and a relationship and identity reconstruction coach specializing in heartbreak recovery, attachment wounds, and personal rebuilding. Through coaching, speaking, and social media, he helps people develop self-respect, emotional clarity, and healthier relationships. He is also an ordained pastor, law enforcement chaplain, host of The Inner Boardroom podcast, and creator of the upcoming Climb Higher Podcast launching in June 2026.https://Stan.store/michaeltothemaxAdditional Music Provided By: Alain Johannes: www.alainjohannes.com Documentary: www.youtube.com/watch?v=zc-_u2UmFF4&t=517sMuch Love to Our Advertisers: The Crown: www.thecrownbrasstown.com Red Phone Booth: www.redphonebooth.com Lucid House Publishing: www.lucidhousepublishing.com Benheart: www.benheart.it/?srsltid=AfmBOoprk-KdotEwiA3Wv--bxJbwn8qWKoEqOtF1Gh7nSPA8UwZh79eqSpecial Thanks: Alain Johannes for the original score featured in this show: www.alainjohannes.comHost Clifford Brooks' The Draw of Broken Eyes & Whirling Metaphysics, Athena Departs, and Old Gods are available wherever books are sold. Learn more at: www.cliffbrooks.com/how-to-order

"Originating from the ghosts of urban interactions, the field recording was completely taken apart. Fragments were stretched and reshaped into drones, others reduced to abstract one-shots that sit somewhere between percussion and texture."Everything was composed and arranged in Ableton Live 12 with Push 3, and built entirely on instinct. No plan, no concept, just chasing what sounded right until the piece came together. The result sits in dark, dubby territory, with an edge of spiky fuzz that reflects the source material more than any deliberate decision."Bremen bridge soundscape reimagined by Alistair Petersen.

The majority of non-fatal gunshot wound survivors walk away with a bullet still inside them. Most are discharged without a removal attempt, without a surveillance plan, and without a conversation about what comes next. This episode fills that gap.Dr. Patrick Georgoff is joined by BIG T co-host Dr. Teddy Puzio (UT Houston), gun violence survivor and trauma surgeon Dr. Madhu Subramanian (Duke), and Dr. Tyler Simpson (Duke ACS Fellow) for a practical, honest conversation about one of trauma's most overlooked topics.What we cover: Epidemiology: how common retained fragments really are, and why the downstream burden is underappreciated When to remove (and when not to): a framework for both index hospitalization and delayed removal Forensic evidence: how to handle bullets in the OR without destroying their evidentiary value — and who to call when you don't know Lead toxicity: the rare but real complication that can surface a decade later, which blood lead levels should prompt action, and when to call hematology or toxicology The psychology: retained bullets are independently associated with depression and reduced return to work — and that belongs in the risk-benefit conversation DOMINATE THE DAYBIG T Trauma Full Series: https://behindtheknife.org/podcast-series/big-t-traumaThis episode of Big T Trauma was sponsored by Teleflex, a global provider of medical devices. Learn more at teleflex.com and at the Teleflex Trauma and Emergency Medicine LinkedIn page. Please visit https://behindtheknife.org to access other high-yield surgical education podcasts, videos and more.  If you liked this episode, check out our recent episodes here: https://behindtheknife.org/listenBehind the Knife Premium: https://behindtheknife.org/premiumOral Board Review: https://behindtheknife.org/oral-boardOral Board Simulator: https://behindtheknife.org/oral-board/simulatorGeneral Surgery Oral Board Review Course: https://behindtheknife.org/premium/general-surgery-oral-board-reviewTrauma Surgery Video Atlas: https://behindtheknife.org/premium/trauma-surgery-video-atlasDominate Surgery: A High-Yield Guide to Your Surgery Clerkship: https://behindtheknife.org/premium/dominate-surgery-a-high-yield-guide-to-your-surgery-clerkshipDominate Surgery for APPs: A High-Yield Guide to Your Surgery Rotation: https://behindtheknife.org/premium/dominate-surgery-for-apps-a-high-yield-guide-to-your-surgery-rotationVascular Surgery Oral Board Review Course: https://behindtheknife.org/premium/vascular-surgery-oral-board-reviewColorectal Surgery Oral Board Review Course: https://behindtheknife.org/premium/colorectal-surgery-oral-board-reviewSurgical Oncology Oral Board Review Course: https://behindtheknife.org/premium/surgical-oncology-oral-board-reviewCardiothoracic Oral Board Review Course: https://behindtheknife.org/premium/cardiothoracic-surgery-oral-board-reviewDownload our App:Apple App Store: https://apps.apple.com/us/app/behind-the-knife/id1672420049Android/Google Play: https://play.google.com/store/apps/details?id=com.btk.app&hl=en_US

[Content notice: this episode contains discussions of self harm and suicidal ideation in artistic work]. For this episode of Art Workers I'm joined by writer-director Caden Rodems-Boyd and producer and intimacy coordinator Tris Arthur to talk about the movie we made, "Last Train Home" (working title), and some other stuff. Find Caden at his Vimeo or his Instagram. Find Tris at her website or her Instagram. Find me at carlbindman.com or my newsletter or my Instagram. Produced, engineered, recorded, hosted, and edited by Carl Bindman. Thanks to Louie Zong for the use of his song, “Fragments”.

Check out my Tronic Radio on your favorite streaming platforms here: https://ssyncc.com/tronic-podcast/ Check out Marcus Schmahl's new ''Fragments of Time EP'' out now on Tronic: https://ffm.to/tr567 01.Serpoosh – Poppy Trail [Future Romance] 02.Cendryma – Possible Interlude (Leo Guerrero Extended Mix) [Clubsonica] 03.Eichenbaum – When the World Heals [Meanwhile] 04.Alex O'Rion, Maze 28 – Glowing Tide [Mango Alley] 05.Beckers, D-Nox – You Get Me [Sprout Music] 06.Marcus Schmahl – Fragments of Time [Tronic Music] 07.Chicola, Guy Mantzur – Galactica [Last Night on Earth] 08.Ilias Katelanos, Plecta, Anonimat – Coaster (Durante Remix) [Warung Recordings] 09.Guy J – Alive Again (2024) [Cocoon Recordings] 10.Marcus Schmahl – Parallel Echo [Tronic Music] 11.Stephan Jolk – Praeludium [Hommage] 12.Christian Smith – Golden Point [Bedrock Records] This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

this time on fate/moon archive we enter the route of our second favorite closing chapter girl, koharu. as she and haruki build one of the least firm foundations for a relationship i've ever seen, the ogisou siblings suffer and koharu has her looking glass insects arc at school. also, some stuff happens in protofragments. idk, i don't think volume 3 is very good.next time, we'll be covering protofragments volume 4 prologue & acts 1-3. for yuri teatime we'll be finishing the koharu route of white album 2.featuring co-hosts Benn Ends (@bennends.itch.io) and fen (@fenic.moe).support the show and get access to bonus episodes: https://www.patreon.com/cryingruleslink to the fate/moon archive new and improved schedule: http://moonarchive.art/schedulesection timestamps:intro - 0:00yuri teatime - 0:49white album 2 - 15:04fate/prototype: fragments of sky silver - 2:18:25outro - 3:38:56list of non type-moon works referencedwhite album 2this episode carries content warnings for discussions of...email us at cryingrulesactually@gmail.com with questions, comments, and compliments.cover art by Benn Ends, intro music by Benn Ends, remaining music from works covered.

Misha Glenny and guests discuss how, after the abolition of slavery in the British Empire in 1833, sugar planters recruited workers from India to replace or compete with their formerly enslaved labourers. Over the next 90 years, more than a million people in India travelled under five year contracts of indenture across the empire from Guyana to Trinidad to Mauritius and Fiji and colonies in between. These indentured labourers were to share vivid accounts of deception and abuse, especially in the early decades. From the outset there were critics and opposition gained pace with Gandhi and others in South Africa arguing the system was close to slavery and calling for the Indian government to stop the practice, which was to happen in 1917 with the last shipments of people in the 1920s. Meanwhile, rather than return after their contracts, a section of indentured labourers stayed where they were for their own reasons, negotiating their new identities alongside formerly enslaved people and the planter culture in a new Indian diaspora.With Purba Hossain Lecturer in Modern History at the University of YorkNeha Hui Associate Professor in Economics at the University of ReadingAnd Clem Seecharan Emeritus Professor of History at London Metropolitan UniversityProduced by Simon TillotsonReading list:Gaiutra Bahadur, Coolie Woman: The Odyssey of Indenture (Hurst and Co., 2013)Marina Carter, Servants, Sirdars and Settlers: Indians in Mauritius, 1834-1874 (Oxford University Press, 1995)Marina Carter and Khal Torabully, Coolitude: An Anthology of the Indian Labour Diaspora (Anthem Press, 2002)Jonathan Connolly, Worthy of Freedom: Indenture and Free Labor in the Era of Emancipation (University of Chicago Press, 2024)Maria del Pilar Kaladeen and David Dabydeen (eds.), The Other Windrush: Legacies of Indenture in Britain's Caribbean Empire (Pluto Books, 2021)Neha Hui and Uma S. Kambhampati, ‘Between unfreedoms: The role of caste in decisions to repatriate among indentured workers' (The Economic History Review 75:2, 2022)Neha Hui and Uma Kambhampati, ‘The political economy of Indian indentured labor in the nineteenth century (Journal of the History of Economic Thought 47:2, 2025)Madhavi Kale, Fragments of Empire: Capital, Slavery, and Indian Indentured Labor Migration in the British Caribbean (University of Pennsylvania Press, 1998)Ashutosh Kumar, Coolies of the Empire: Indentured Indians in the Sugar Colonies, 1830–1920 (Cambridge University Press, 2017)Brij V. Lal, Girmitiyas: The Origins of the Fiji Indians (Fiji Institute of Applied Studies, 2004)Brij V. Lal, ‘Kunti's Cry: Indentured Women on Fiji Plantations' (Indian Economic & Social History Review 22:1, 1985)Andrea Major, ‘“Hill Coolies”: Indian Indentured Labour and the Colonial Imagination, 1836–38' (South Asian Studies 33:1, 2017)Basdeo Mangru, Indenture and Abolition: Sacrifice and Survival on the Guyanese Sugar Plantation (TSAR, 1993)Kalathmika Natarajan, Coolie Migrants, Indian Diplomacy: Caste, Class and Indenture Abroad, 1914-67 (Oxford University Press, 2026)Clem Seecharan, 'Tiger in the Stars': The Anatomy of Indian Achievement in British Guiana, 1919-29 (Macmillan, 1997)Clem Seecharan, Finding Myself: Essays on Race, Politics and Culture (Peepal Tree Press, 2015)S. Sen, ‘Indentured labour from India in the age of empire' (Social Scientist, 44:1/2, 2016)Hugh Tinker, A New System of Slavery: The Export of Indian Labour Overseas, 1830-1920 (Oxford University Press, 1974)In Our Time is a BBC Studios ProductionSpanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Misha Glenny and expert guests explore the characters, events and discoveries that have shaped our world.

In this episode, I explore Heraclitus through James Hillman's beautiful foreword to Heraclitus' Fragments, especially the idea that the psyche is not something fixed, stable, or easily explained, but something always in motion, always in tension, always touched by contradiction.Heraclitus gives us a way to think about psychotherapy beyond neat explanations and rigid identities. The self is not a finished object. It is a river. It is fire. It is the strange truth that “I am as I am not.”I also bring in Borges' short story “The Other” as a way of thinking about the divided self across time—the younger self, the older self, the wounded self, the becoming self—all meeting beside the river without ever fully resolving into one simple identity.This episode is about therapy as a place where contradiction can be held, where symptoms can be listened to as signs, where dreams and fragments matter, and where change is not just something we seek, but something we already are.

In this heartfelt and wide-ranging conversation, Jason talks with Tullian Tchividjian about his new book, Fragments of Freedom. They dive into radical grace, the beauty of an “unchained life,” and how true freedom in Christ dismantles religious performance, fear, and control. Filled with laughter, vulnerability, and passionate theology, the episode also celebrates music (especially Pink Floyd), recovery community, and the joy of simply enjoying the gift of life. It's a refreshing, no-BS discussion about what happens when grace is allowed to be as disruptive and measureless as it really is. For more on Tullian:https://liveunorthodox.com/shop/fragments-of-freedomJOIN our RGWT Subscriber-Based Community:https://promo.fourriversmedia.com/rethinking-god-with-tacos/JOIN A Family Story's Mailing Listhttps://dashing-field-76805.myflodesk.com/pie4be6wtoJOIN the Rethinking God with Tacos Facebook Group at: https://www.facebook.com/groups/godandtacosFollow Rethinking God with Tacos on Instagram at:https://www.instagram.com/rethinkinggodwithtacos/Follow Jason's personal Facebook page at:https://www.facebook.com/afamilystory.org/Follow Jason on Instagram at:https://www.instagram.com/jasonclarkis/Follow Jason on X at: https://x.com/jasonclarkis SEND A DONATION!!https://app.moonclerk.com/pay/36393kxxeh8

TRACKLIST   KTS Podcast 275 TRACKLIST   Permission to Exhale - Ciaran McAuley. Euphoric Recall - Bryan Kearney. Nostalgia - Ben Gold. Found Love In Me - Daniel Kandi/Temple One/Tara Louise. Beatrix - Steve Dekay. Ahimsa - Asteroid/Paul Denton. Fragments of Us - Andreas Tilnert. Last days of You - Robbie Seed. Adagio for Strings 2021 - Steve Allen. Catch - Davey Asprey. In & Out of Love - Armin Van Buuren/Sharon Den Adel (Mercurial Virus Remix) Heavens Shore - Mercurial Virus. Is it Beautiful? - Armin Van Buuren/Lucy Pullin/Ben Hensley. Invada - Binary Finary (S.H.O.K.K Extended mix) Spirit - Alan Morris. Silver Lining - That Girl/Claudio Adam. Exactly - John O Callaghan/Bryan Kearney (Ralphie B mix) Nostalgia- Billy Gillies Ardora - DIMEN3ION/Daxson. Electric Dreams - Talla 2XLC. System F - Cry (Lucas Deyong rework) 8K - Giuseppe Ottaviani Lost In Space - Armin Van Buuren/Jorn Van Deynhoven. Aniara- TALLA 2XLC Random Walk - Marc Dawn (Factor B's Back to the Future remix) Follow Me - Lange (Sneidjer remix)

This time, on Fate/moon archive! We begin with the back half of the White Album 2 Closing Chapter common route. Bad dates abound as we prepare to enter the route of Benn's dearest enemy, Koharu! In the main episode, we start on a new book of Prototype Fragments, and pray that the latest ally of justice isn't too annoying!Next time, we'll be covering the rest of Fate/Prototype Fragments volume 3. For Yuri Teatime we'll be doing White Album 2 Closing Chapter's Koharu route from December 26th up till the February 5th date marker. Make sure you're spending enough time at Goodies.Featuring co-hosts Benn Ends (@bennends.itch.io) and fen (@fenic.moe).Support the show and get access to bonus episodes: https://www.patreon.com/cryingrulesLink to the Fate/Moon Archive new and improved schedule: http://moonarchive.art/scheduleSECTION TIMESTAMPS:intro - 0:00yuri teatime - 0:51white album 2 - 10:58fate/prototype: fragments of sky silver - 2:13:36outro - 2:47:15LIST OF NON TYPE-MOON WORKS REFERENCEDMysterious Unnamed Visual Novel (Secret)WHITE ALBUM: Memories like Falling SnowWhite Album 2This episode carries content warnings for discussions of cheating, evil poison, racist anime depictions of brown girls, and seigi no mikata.Email us at cryingrulesactually@gmail.com with questions, comments, and compliments.Cover art by Benn Ends, Intro music by Benn Ends, remaining music from works covered.

Feeling drained doesn't always mean you're doing too much — sometimes it means parts of you are still scattered in the past.In this episode, we explore energy leaks, emotional fragmentation, and how reclaiming your presence restores clarity, grounding, and wholeness.This conversation offers gentle, embodied guidance for calling yourself back.#energyleaks #soulintegration #embodiedhealing #emotionalpresence #selfreclamation #innerwholeness #soulfulpathwayspodcast #malusoullightbearer

The Tenpenny Files – Charles Goyette examines how deep-state power structures shape U.S. foreign policy through media manipulation, shifting war narratives, and institutional deception. The conversation connects Iraq-era propaganda to current global instability, economic strain, and expanding centralized control while warning of the long-term consequences of unchecked military intervention and imperial overreach...

How to write about place is a question that cuts across the career of the South African Ivan Vladislavić. The questions of place and space are pressing ones in the context of South Africa, where the transition to democracy in 1994 included a redrawing of the national map, and the last three decades have seen the large-scale transformation of urban centers such as Johannesburg. What defines Johannesburg a literary city? asks the critic Jeanne-Marie Jackson. From this unfurls a series of reflections about the writer's relationship to place and the various ways in which narrative form can be bent to capture the experience of place—and in particular the experience of a place as it changes across time. The resulting work may feel fragmentary, Ivan allows, but that is a function of the nature of place rather than an imposition on the part of the writer. Finally, the conversation turns toward Ivan's choice to study Afrikaans literature in the 1970s. As a tradition often at odds with Afrikaner politics and urgently concerned with the world Ivan himself inhabited, reading the work of Afrikaans writers such as Ingrid Winterbach, Entienne Leroux, André Brink, and Breyten Breytenbach offered a vital counterpoint to Ivan's training in the English canon. Ivan closes by fondly remembering the teacher who introduced him to the writer's notebook, a habit that continues to be crucial to his practice today. Mentioned in this episode: The Folly Double Negative The Near North Zoë Wicomb, You Can't Get Lost in Cape Town Georges Pérec Gauteng John Miles, Ampie Coetzee, Ernst Lindenberg, and Taurus Publishers Marlene van Niekerk Nadine Gordimer The Goon Show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

How to write about place is a question that cuts across the career of the South African Ivan Vladislavić. The questions of place and space are pressing ones in the context of South Africa, where the transition to democracy in 1994 included a redrawing of the national map, and the last three decades have seen the large-scale transformation of urban centers such as Johannesburg. What defines Johannesburg a literary city? asks the critic Jeanne-Marie Jackson. From this unfurls a series of reflections about the writer's relationship to place and the various ways in which narrative form can be bent to capture the experience of place—and in particular the experience of a place as it changes across time. The resulting work may feel fragmentary, Ivan allows, but that is a function of the nature of place rather than an imposition on the part of the writer. Finally, the conversation turns toward Ivan's choice to study Afrikaans literature in the 1970s. As a tradition often at odds with Afrikaner politics and urgently concerned with the world Ivan himself inhabited, reading the work of Afrikaans writers such as Ingrid Winterbach, Entienne Leroux, André Brink, and Breyten Breytenbach offered a vital counterpoint to Ivan's training in the English canon. Ivan closes by fondly remembering the teacher who introduced him to the writer's notebook, a habit that continues to be crucial to his practice today. Mentioned in this episode: The Folly Double Negative The Near North Zoë Wicomb, You Can't Get Lost in Cape Town Georges Pérec Gauteng John Miles, Ampie Coetzee, Ernst Lindenberg, and Taurus Publishers Marlene van Niekerk Nadine Gordimer The Goon Show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

How to write about place is a question that cuts across the career of the South African Ivan Vladislavić. The questions of place and space are pressing ones in the context of South Africa, where the transition to democracy in 1994 included a redrawing of the national map, and the last three decades have seen the large-scale transformation of urban centers such as Johannesburg. What defines Johannesburg a literary city? asks the critic Jeanne-Marie Jackson. From this unfurls a series of reflections about the writer's relationship to place and the various ways in which narrative form can be bent to capture the experience of place—and in particular the experience of a place as it changes across time. The resulting work may feel fragmentary, Ivan allows, but that is a function of the nature of place rather than an imposition on the part of the writer. Finally, the conversation turns toward Ivan's choice to study Afrikaans literature in the 1970s. As a tradition often at odds with Afrikaner politics and urgently concerned with the world Ivan himself inhabited, reading the work of Afrikaans writers such as Ingrid Winterbach, Entienne Leroux, André Brink, and Breyten Breytenbach offered a vital counterpoint to Ivan's training in the English canon. Ivan closes by fondly remembering the teacher who introduced him to the writer's notebook, a habit that continues to be crucial to his practice today. Mentioned in this episode: The Folly Double Negative The Near North Zoë Wicomb, You Can't Get Lost in Cape Town Georges Pérec Gauteng John Miles, Ampie Coetzee, Ernst Lindenberg, and Taurus Publishers Marlene van Niekerk Nadine Gordimer The Goon Show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Cities and Memory:"Through the golden evening sunshine, this local market closing down for the evening was tinged with a certain feeling of sweet melancholy, as another day winds down. Using the chimes of the bells as a rhythmic centre, locked in time with a piano part, I created this piece to evoke the mood I felt while making the recording."And yet in the spacious ambience left between the dominant melodic parts of the track, it felt like there was something missing - like there was a story to be told about the scene and about Oldenburg, but I didn't have the words. Cristina Marras has been contributing her wonderful spoken word storytelling to Cities and Memory for a number of years, so I decided to approach her to see if the piece inspired her to tell that story - and her brilliant work really completes the piece." Cristina Marras:"The piece came from the feeling of passing through a foreign city and catching accidental glimpses of other people's lives: a woman at a bus stop, a window seen from a train. Fragments of worlds we enter without being invited, and leave without being noticed."Oldenburg market reimagined by Cities and Memory and Cristina Marras. 

"This is an eco-poetic/mythic piece, a kind of swan song. Named after a line in the film IO, where, in a toxic environment, in a post apocalyptic time, you can no longer see swans. I was particularly inspired by the quietness of this segment of the river, and the description for segment 15 by the person who recorded it, that it was as if they had come upon a secret and secluded place, hiding in a dense stretch of forest, where one man pushes off on a boat, barely rippling the tranquil waters. "You can hear mute swans taking off. I re-imagine this lone man as the Swan Knight, or Knight of the apocalypse. I wanted to convey this feeling, of a separate mystical and magical place, as both real and not real. A place of myth but also as place of illusions and deceptive tranquility. I wanted to sonically disrupt that magical flow, of time and the sound of a lone rower, with the reality of climate catastrophe, water and sound pollution. Especially contrasting the clean waters of Germany with the sewage filled water in UK. "Fragments can be heard of news commentators speaking about global water bankruptcy. You can hear sounds of me filling bottles of water from my large metal water filter, as it is now no longer advisable to drink tap water in the UK. I wanted to also disrupt the notion of isolation, or that this lone man was really only barely disrupting the surface, when in reality we are all connected, cross-culturally entangled, and everything we do has consequences, often catastrophic, for all humans and creatures of the planet globally, beyond this seemingly peaceful stretch of a river in Bavaria. "I researched Bavarian and European mythology about swans and rivers, as well as swan and river mythology in other cultures. I looked for fragments of old recordings of European/German swan music, swan songs and swan poems (for example - extracts from poems by Orlando Gibbons, Jules Renard, and extracts from a poem by Friedrich Leopold zu Stolberg-Stolberg used by Schubert for his piece Auf dem Wasser zu singen, , and Mein Lieber Schwan by Wagner, sung in 1930s in English by Walter Midgley ). I looked up scientific research about the river Lech, reservoirs and mute swans, local plant life, and infrasound. I was also very interested in the wider context of the area of segment 15 - the paper mill of Schongau, a Turkish cafe, and history of the executions of 'witches' and the creation of a memorial garden/ the role of gardens / plants, in healing trauma and the planet. Old photographs of the area and how the area had changed through time also influenced how I felt about this stretch of the river Lech. "A feeling of irreversible flow toward the end of everything, as we try to reverse the flow, we flow into silence. Through out the piece you can hear the flow of my voice reading extracts from my research and thoughts, the underlying constant sound of the lone man rowing, and sonic interludes and disruptions to unsettle us from our reverie." Section of the river Lech reimagined by  Salma Ahmad Caller. -------Flow is a creative exploration telling the story of a river through the power of sound. The project is a collaboration between the University of Padova and the University of Würzburg, with support from Cities and Memory. Explore the full project at https://citiesandmemory.com/flow.

"All posts from the Flow project's WhatsApp group were saved to a text document and numbered as 'segments'."These segments were then recited as speech and played in random order."Removed from their original sequence, the speech fragments illustrate how meaning is shaped by their place within a broader flow of communications."(Phrases such as 'user name' were used to respect the privacy of group members.)"Section of the river Lech reimagined by Max Greening. -------Flow is a creative exploration telling the story of a river through the power of sound. The project is a collaboration between the University of Padova and the University of Würzburg, with support from Cities and Memory. Explore the full project at https://citiesandmemory.com/flow.

Aurora's time in Shallowlan Cove takes an unexpected turn as she ventures deeper into a market full of secrets, swindlers, and strange magic. A chance encounter with a cunning old woman leads to the purchase of a gown with mystical power—and a promise to curse a warlord with endless hunger.But nothing stirs the past quite like a familiar face. When Aurora meets Kilson, a man who insists he knows her as “Snow,” painful fragments of memory begin to resurface. As reality and past selves clash, Aurora is faced with the question: Is she the woman he remembers—or someone else entirely?A Tale of Remembrance serves as an integral mini-series within the Sword Art Online: AOD campaign, unveiling the enigmatic backstory of a pivotal character. It stands as a compelling prelude to the events of season 4.Support Us:Please consider contributing to the production of the podcast.Patreon: https://patreon.com/missingrollplayerfoundAbout:The Gate Chronicles (aka TGC) is an actual play RPG run in the Pathfinder RPG system. It is the second series running concurrently with Sword Art Online: AOD.Contact Us:Email: info@missingrollplayerfound.comFollow Us:Website: https://missingrollplayerfound.com/Linktree: https://linktr.ee/rollfoundMusic Attribution: Dark Fantasy StudioLink: http://darkfantasystudio.com/Michael Ghelfi Link: https://www.youtube.com/user/MichaelGhelfiMonument Studios Link: https://www.monumentstudios.net/Other Music and Sounds by Syrinscape Link: https://syrinscape.com/?att_missing_roll_player_found Because Epic Games Need Epic Sounds 

Jay Barbanel was born in Costa Rica and spent his early years surrounded by instability and uncertainty. After being taken from his birth mother, he and his brother were placed in an orphanage and later adopted by a family in the United States. For a short time, it felt like a new beginning until, at just seven years old, Jay was separated from his brother. That loss stayed with him. Years later, at twenty-five, Jay reunited with his brother after nearly two decades apart. But the reunion brought long-buried questions to the surface about his past, his identity, and where he truly came from. Through therapy and for the first time opening his adoption files, Jay discovered his birth name, learned about his biological family, and uncovered a story he had never fully known. His journey eventually led him back to Costa Rica, where he began piecing together the life that had once been taken from him. In this episode, Jay shares his story of separation, reunion, and what it means to find yourself later in life. You can find out more and where to get his book Finding Tico over at: www.findingtico.com. You can also find Jay on Social Media at https://www.instagram.com/thatkidjay1

Alisa Weilerstein is more than just a virtuoso cellist; she is also a winner of the MacArthur Fellowship, the so-called “genius” award. There is a real genius in the way Alisa Weilerstein connects music in her solo concerts, combining core classical pieces and commissioning new works to expand the solo cello repertoire. Take, for example, her latest project called Fragments, which is a multimedia series that weaves 27 newly-commissioned pieces into all of the solo cello suites by J.S. Bach. She imagines anarc of listening, where one might hear Serbian-born, Quebec-based composer Ana Sokolović; American-born Joan Tower; cellist/composer Paul Wiancko; percussionist/composer Andy Akiho; American composer Jeffrey Mumford;J.S. Bach, and Argentinian Osvaldo Golijov all on the same bill and tied together. Alisa offers a sample of this exploration of sound and meaning, with a little bit of birdsong, in-studio.   Set list: 1. Joan Tower - For Alisa, and  J.S. Bach - Cello Suite No. 1 in G major, Prelude, BWV 1007   2. Osvaldo Golijov - The Last Moho Braccatus and J.S. Bach Cello Suite no. 5 in C minor, Courante, BWV 1011 

What's the best way to create a story bible? What about those little fragments you've written? How do you turn those into scenes or stories? Most importantly, however, how do you write yourself out a corner? The DRS Crew discusses.   DRS caffeinates with Larry's Coffee. If you want to purchase fair-trade, organically grown beans that brew into smooth, balanced, never-bitter coffee, visit LarrysCoffee.com/drs, receive a free gift with your purchase, and help support The Dead Robots' Society. Our links: Paul's store: https://payhip.com/paulecooley Paul's site:  https://shadowpublications.com Terry's site: https://www.terrymixon.com/ Veronica: http://www.voicesbyveronica.com/ DRS Discord: https://discord.gg/pgmQxaVbGP Enjoy the show? Consider becoming a Patreon or Buy Me A Coffee supporter and for as little as $1 a month, you can help keep the podcast free and receive exclusive content. More information at https://patreon.com/drspodcast  and https://buymeacoffee.com/drspodcast. #writing #fiction #podcast #chat #live #novel #story #narrative #publishing #author #writer #discussion #podcast #talkshow  

we continue our run of short episodes with volume 2 of protofragments which is... more of the same for better and worse. over in white album 2, haruki and setsuna are in hell, trapped in a dance neither of them has been able to stop for the past three years.next time, we'll be covering the first half of protofragments volume 3, acts 1-4. for yuri teatime we're covering white album 2 closing chapter from december 13th through the 25th.featuring co-hosts Benn Ends (@bennends.itch.io) and fen (@fenic.moe).support the show and get access to bonus episodes: https://www.patreon.com/cryingruleslink to the fate/moon archive new and improved schedule: http://moonarchive.art/schedulesection timestamps:intro - 0:00yuri teatime - 1:03white album 2 - 7:26fate/prototype: fragments of sky silver - 2:14:06outro - 2:45:54list of non type-moon works referencedwhite album 2this episode carries content warnings for discussions of ...nothing problematic?email us at cryingrulesactually@gmail.com with questions, comments, and compliments.cover art by Benn Ends, intro music by Benn Ends, remaining music from works covered.

durée : 00:30:10 - L'Entretien archéologique - par : Antoine Beauchamp - Dans l'abbaye Saint-Jean-des-Vignes à Soissons, un laboratoire unique au monde reconstitue patiemment le papier peint de l'Antiquité. Fragments de mortier, pigments minéraux, puzzles monumentaux : les peintures murales romaines livrent leurs secrets, pièce après pièce. - réalisation : Olivier Bétard, Emily Vallat - invités : Sabine Grotembril Archéologue, toïchographologue, directrice du Centre d'Étude des Peintures Murales de Soissons

Most spiritual work touches the surface. Sabrina Di Nitto goes somewhere else entirely.  After 8 years teaching Merkaba consciousness and light body activation across Europe, Sabrina realised something confronting — she was expanding outward while bypassing the deepest layers of her own soul. What she discovered in turning inward changed everything: the primordial wound that drives every relationship pattern, every feeling of emptiness, every sense that something is still missing — no matter how much work you've done.  This isn't just about understanding. It's about landing somewhere you've never been before.  In this conversation we explore: → Why expanding consciousness can become its own form of spiritual bypass → The primordial wound — what happened at the moment your soul came into existence, and how it's running your relationships right now → Cosmic trauma: what it is, why modern healing rarely touches it, and what does → The "sound of the soul" — how Sabrina reads and works with the core vibration of a person → Why your heart cannot produce light until you feel existentially safe → What embodiment actually looks like when the bypassing stops  After we finished recording, I booked a session with Sabrina. That'll tell you everything you need to know about what she brings.  ─────────────────────────────  Key Points Discussed:  (00:00) - Why Spiritual Escaping Creates Soul Fragments—And How to Bring Them Home (00:48) - Meet Sabrina (02:15) - Soul Sound Work (04:33) - Downloading Venus Light (08:21) - Merkaba Explained (09:21) - Loneliness and Embodiment (13:50) - Heaven on Earth (18:33) - Crumbling and Rebuilding (26:40) - Light Acceleration Effects (29:58) - Sensory Shifts and Bones (31:26) - Bone Marrow Clearing (32:42) - Sensory Gifts Awakening (38:38) - Everyday Empath Boundaries (40:15) - Soul Vibration Healing (41:50) - Veils and Inner Truth (46:40) - Primordial Wound Origins (48:49) - Split and Relationship Patterns (52:41) - Soul Purpose and Bliss (56:03) - Integration and Support (58:22) - Closing and Where to Find How to Contact Sabrina Di Nitto:enlightenmentcodes.com

A nice short episode this time around as we cover the first half of Prototype Fragment's 2nd volume and meet an.... actually kind of compelling character who will unfortunately be trapped in muppets baby form for the duration of our reading. Over in White Album 2 land, Haruki fucks up! Bad! Get used to that!Next time, we'll be covering Acts 5, 6, & the Special Act of Fate/Prototype: Fragments of Sky Silver Volume 2. For Yuri Teatime we'll be covering White Album 2's Closing Chapter right up until the screen says December 13. Don't play December 13.Featuring co-hosts Benn Ends (@bennends.itch.io) and fen (@fenic.moe).Support the show and get access to bonus episodes: https://www.patreon.com/cryingrulesLink to the Fate/Moon Archive new and improved schedule: http://moonarchive.art/scheduleSECTION TIMESTAMPS:intro - 0:00yuri teatime - 1:16white album 2 - 13:21fate/prototype: fragments of sky silver - 2:49:26outro - 3:22:59LIST OF NON TYPE-MOON WORKS REFERENCEDWhite Album 2This episode carries content warnings for discussions of... idk, soap opera-esque drama? Not much else really.Email us at cryingrulesactually@gmail.com with questions, comments, and compliments.Cover art by Benn Ends, Intro music by Benn Ends, remaining music from works covered.

In this powerful series premiere, we kick off a nine-week deep dive into the Book of Hebrews—a text that serves as "ground zero" for anyone standing at the crossroads between religious systems and the person of Jesus Christ. For those navigating the "covenant path" of the LDS Church, the pull of tradition, community, and structured "plan of salvation" charts can be overwhelming. However, the author of Hebrews dismantles the need for "precept upon precept" by presenting a theological sledgehammer: Jesus is not a step in your progression; He is the end of it. We explore how the first four verses of Hebrews redefine revelation, replace fragments with fullness, and introduce a Savior who didn't just come to help—He came to finish the work and sit down.Key Themes & Discussion PointsThe Gravity of "Better"The First-Century Crisis: Understanding the original audience—Jewish believers in AD 65 tempted to retreat from the "shame" of the cross back to the safety and tangibility of the Temple.The Modern Parallel: For those leaving the LDS faith, the "vacuum of tradition" is real. We discuss the temptation to keep Jesus "in your pocket" while still clinging to the shadows of the old system for comfort.Fragments vs. The FullnessThe Slow-Release Trailer: Historically, God spoke through prophets in "many times and many ways" (dreams, bushes, still small voices).The Final Word: Hebrews 1:1-2 declares that God has now spoken "in Son." If Jesus is the final period at the end of God's sentence, the need for "continuous revelation" or additional volumes of scripture is rendered obsolete. Why use a flashlight when the sun has risen?The Anatomy of a God: The Seven Attributes We contrast the "Elder Brother" Christology of Mormonism with the majestic, uncreated Christ of Hebrews 1:The Heir: He is the "Why" behind the universe, not one of many potential heirs to "worlds without end."The Creator: As the agent of creation (aionas), He stands outside of time and "progression."The Radiance: He is the light flowing from God, not a reflection of it.The Expression: The charaktēr (exact imprint) of God's essence. This challenges the "separate beings" doctrine.The Sustainer: He holds your very atoms together by His word, not by learned priesthood keys.The Savior: "After making purification..." — a finished action in the past tense.The Ruler: He sat down. In a system where the work is never done (no chairs in the Temple), Jesus signals total victory by taking His seat.Addressing the "Cheap Grace" ObjectionThe distinction between doing "works" to get to Jesus versus "works" as an act of worship because of Jesus.The mathematical reality: "Jesus + Anything = Nothing." Adding to the finished work of Christ is a subtraction of its power.Memorable Quotes"If you are a Mormon today and you are tired... it's because you are trying to stand up where Jesus has already sat down.""Jesus is not a 'great addition' to your life. He isn't a 'step' in a progression. Jesus is the End."Scripture ReferencesHebrews 1:1-4 (The Exordium)D&C 130:22 (Contrast regarding the nature of God)TakeawayIf Jesus is who Hebrews says He is, He isn't just "better" than your old life—He is everything. You don't need a middleman, a recommend, or a correlation committee. You need the Son. Stop trying to earn a place in a kingdom that already belongs to the Heir. Look at the Seated King, and finally... just breathe.--The Unveiling Mormonism podcast pulls back the curtain on Mormon history, culture and doctrine. Join us for new episodes every Monday. Find resources to talk about these episodes at pursueGOD.org/mormonism.Help others go "full circle" as a follower of Jesus through our 12-week Pursuit series.Click here to learn more about how to use these resources at home, with a small group, or in a one-on-one discipleship relationship.Got questions or want to leave a note? Email us at podcast@pursueGOD.org.Donate NowHebrews (Series) - pursueGOD.org

NOTE: For Ad-Free Episodes, 100+hrs of Bonus Content and More - Visit our Patreon at https://www.patreon.com/thewheelweavespodcastFind us on our Instagram, Twitter, YouTube & Website, and join the conversation on Discord!In this episode Dani and Brett discuss Chapter 25 of A Memory of Light!!!We would like to thank and welcome Ethan Loudon, and zackymacky to The Wheel Weaves Patreon Team!! Thank you so much for your generosity and support!!We would like to acknowledge and thank our Executive Producers Brandy and Aaron Kirkwood, Sean McGuire, Janes, LightBlindedFool, Big C, Deyvis Ferreira, Green Man, Bennett Williamson, Hannah Green, Noralia, Greysin Ishara, Helena Jacobsen, Matthew Mendoza, Sims, Cyndi, Manethraen, Andrew Scarponi, Mr. Boddy's Body, David, and HoneyBunchesOfJason!The Wheel Weaves is hosted and edited by Dani and Brett, produced by Dani and Brett with Passionsocks, Cody Fouts, Mozyme, Jamie Young, Jared Berg, Rikky Morrisette, Matt Truss, Antoine Benoit, MKM, Magen, Colby T, Gabby Young, Ricat, Chris G., Sarah Creech, Saverio Bartolini, Mag621, William Johnson, Courtney B, and Hammar's Lament; with music by Audionautix.Check out our partner - the Spoiler-Free Wiki - Spliki.com - Your main first time reader, Spoiler-Free WoT information source!Don't forget to leave us that 5 star review if you enjoy the show for a chance to win exclusive merchandise!Check out https://www.thewheelweavespodcast.com for everything The Wheel Weaves!Become a supporter of this podcast: https://www.spreaker.com/podcast/the-wheel-weaves-podcast-a-wheel-of-time-podcast--5482260/support.

Swabs were taken from areas where biological material might still exist, even if it was not visible. Fragments of fabric used for binding were collected and separated. Bullets recovered during autopsies were preserved and logged. Even debris from the burned room—pieces of flooring, charred material, residue—was stored when it could potentially contain trace evidence. For years, those items sat in storage. They were not forgotten, but they were not actively producing answers. The DNA testing available in the early 1990s required larger, cleaner samples than the yogurt shop scene could reliably provide. The fire had broken down much of the biological material, and what remained was often too degraded to generate a complete profile. Investigators could test, but the results were limited—partial readings, inconclusive comparisons, fragments that did not match anyone in available databases. That changed gradually. By the late 2000s and into the 2010s, forensic science had advanced in ways that directly addressed the kind of evidence preserved from the yogurt shop. Techniques for extracting DNA from degraded samples improved. Analysts were able to work with smaller quantities of biological material and reconstruct profiles from fragments that would previously have been unusable. The case file did not change, but the tools used to read it did. When investigators returned to the evidence, they approached it with a narrower focus. They were no longer looking for a full, clean profile that could immediately identify a suspect. They were looking for anything that could survive the conditions of the scene—anything that could be amplified, stabilized, and compared. From that process, a profile began to emerge...Sources: https://time.com/7321492/yogurt-shop-murders-suspect/https://people.com/austin-police-significant-breakthrough-murders-4-teen-girls-yogurt-shop-new-suspect-34-years-later-11820020?https://www.statesman.com/news/local/article/archives-no-dna-match-yogurt-shop-case-21069666.php?https://allthatsinteresting.com/austin-yogurt-shop-murdershttps://allthatsinteresting.com/robert-eugene-brashersBecome a supporter of this podcast: https://www.spreaker.com/podcast/kinda-murdery--5496890/support.

1164. This week, we look at the origin of the octothorpe — also known as the pound sign or hashtag — and why it has so many different names. Then, we look at sentence fragments and the secret of "Sir Fragalot" to help you avoid common writing mistakes. A video of the man who invented snurfing. Free writing course on LinkedIn Learning. (Happy National Grammar Day!) The octothorpe segment was written by Karen Lunde.