Podcasts about London Jazz Festival

Welcome to the latest episode of Harmonious World, in which I interview musicians about how their music helps make the world more harmonious.With apologies for the background noise (including the sound-checking of Roberto's piano while we chatted a few feet away) this is the live chat I had with Cuban jazz pianist Roberto Fonseca. It was a real pleasure to chat with hijm and then to hear him play as part of London Jazz Festival.Get in touch to let me know what you think!Thank you for listening to Harmonious World. Please rate, review and share: click on the link and subscribe to support the show.Don't forget the Quincy Jones quote that sums up why I do this: "Imagine what a harmonious world it would be if every single person, both young and old, shared a little of what he is good at doing."Support the showRead my reviews of albums, gigs and books as well as a little personal stuff on my blogFollow me on instagram.com/hilseabrookFollow me on facebook.com/HilarySeabrookFreelanceWriterFollow me on twitter.com/hilaryrwriter

A finance deal reached at the COP29 summit in Azerbaijan to help less-developed countries tackle climate change has been bitterly criticised for failing to meet the scale of the challenge. We talk to those who support it and those who say it is a “slap in the face”.Also in the programme: UK parliament prepares to vote on a bill giving ill adults in England and Wales the right to choose to end their life; and London Jazz Festival hosts a special acknowledgement of 30 years of post-apartheid democracy in South Africa.(Credit: Activists protest to urge world leaders to commit to a strong climate finance deal during COP29, in Baku Photo: Reuters.)

The cats look forward their annual pilgrimage to the London Jazz Festival with special guests and two LJF 2024 headliners, bassist Jaspar Hoiby and South African pianist Nduduzo Makhathini.

Author Kate Kruimink joins Georgina Godwin to talk about her award-winning novella ‘Astraea' and China Moses discusses her music ahead of the London Jazz Festival launch party. Plus: Charles Hecker on British diplomats accused of spying in Russia, soaring coffee prices in Italy and the 2024 Ig Nobel Prize.

Cello playing is at the center of Matthew Barley's career, while his musical world has virtually no geographical, social or stylistic boundaries. His passions include improvisation, education, multi-genre music-making, electronics, and pioneering community programs.Matthew is a world-renowned cellist who has performed in over 50 countries.Matthew's new music group, Between The Notes undertook over 60 creative community projects with young people and orchestra players around the world.Matthew has given premieres by Pascal Dusapin, Dai Fujikura, Detlev Glanert, Thomas Larcher, James MacMillan, Roxana Panufnik, and recently a concerto by Misha Mullov-Abbado with a cello part that is more than half improvised, at the London Jazz Festival for the BBC.His current project, Light Stories, is a new program for cello, electronics and visuals from Yeast Culture with much of the music written by him. He is also launching a new charity to run workshops using creative music and theatre to help university students with their mental health.

Prospettive musicali dà risalto a una serie di espressioni musicali che trovano generalmente poco spazio nelle programmazioni radiofoniche mainstream. Non pensando al genere come concetto limitativo, Prospettive musicali vuole suggerire percorsi di ascolto eterogenei. Prospettive musicali potrà accostare musiche medioevali e avanguardie elettroniche, free jazz e musiche per ambiente, danze etniche e partiture contemporanee, improvvisazione e composizione, avant rock e canzone, silenzio e rumore, invitando il proprio pubblico a condividere esperienze di ascolto coraggiose e «di confine». Alessandro Achilli collabora con Radio Popolare dal 17 marzo 1991 con i cicli Sciabadà (1991), Est (1992), Le vacanze di monsieur Hulot (1991, con Giovanni Venosta, e 1992), L'Orchestra (1996), Concerti da Babele (2001, 2002, 2003), Township Beat, musiche dal Sudafrica (2010) e corrispondenze dai festival Mimi (Provenza), Ring Ring (Belgrado), London Jazz Festival; ha inoltre curato la regia e l'adattamento di un ciclo condotto da Robert Wyatt, interviste in diretta a Shelley Hirsch, Arto Lindsay, Peter Blegvad e Robert Wyatt, e puntate monografiche di Cantaloop, In genere, Zona disco, Replicanti, Yuppi do, Il giardino degli dei, 5 giri, Jazz Anthology, Happy Together e Notturnover estate. Clicca qui per notizie sulle sue attività con Musica Jazz, Musiche, Radio3 Rai e come fotografo non professionista e traduttore. Fabio Barbieri collabora con Radio Popolare dal 1997. È stato ideatore e conduttore di Tropici e meridiani e ha realizzato collegamenti e interviste per Notturnover,Candid, Sidecar, Zoe, Alaska e per il gr in network. Ha collaborato con la redazione musicale del quotidiano Il Manifesto. Suoi articoli e recensioni sono apparsi su Rockerilla, Lost Trails e nel volume Bassa fedeltà (Bollati Boringhieri). Nella stagione 2003-2004 ha curato per Patchanka una serie di corrispondenze settimanali da Londra, intitolata London Calling. Da quell'esperienza è nato un blog: http://www.fabiocalling.blogspot.co.uk/ Gigi Longo collabora con Radio Popolare dal 1987. Ha condotto Jazz Anthology, Music Mag, Onda su onda e Cibo per psiconauti. In veste di inviato, ha recensito decine di concerti jazz, rock e world music per Notturnover. Ha realizzato trasmissioni speciali su Charles Mingus, Gil Evans, Duke Ellington e Miles Davis. È stato collaboratore dell'Associazione Jazz Capolinea, del mensile Il Buscadero e dela rivista Alp Grandi Montagne.

Sven Klang's Kvintet2-5-1- field trip notesWe went to the Barbican during the London Jazz Festival  in November 2023 and watched a screening of this film. There was an introductory talk and the Black and white movie was projected on a good sized screen.  In brief the plot is a function band lead by Sven Klang is joined by a really good Sax Player and his addition causes big changes in the band. It is about the human interactions within the group and both of us were very impressed with the way the playing is captured really well. " Sven Klang's Combo (Swedish: Sven Klangs kvintett) is a 1976 Swedish musical drama film directed by Stellan Olsson. The film was based on a 1974 play by Musikteatergruppen Oktober, and was shot in Ängelholm and Höganäs. At the 13th Guldbagge Awards it won the Special Achievement award. In 2012 it was voted one of the 25 best Swedish films of all time"from wikipediaThis is our website This is our InstagramThis is our Facebook group

Prospettive musicali dà risalto a una serie di espressioni musicali che trovano generalmente poco spazio nelle programmazioni radiofoniche mainstream. Non pensando al genere come concetto limitativo, Prospettive musicali vuole suggerire percorsi di ascolto eterogenei. Prospettive musicali potrà accostare musiche medioevali e avanguardie elettroniche, free jazz e musiche per ambiente, danze etniche e partiture contemporanee, improvvisazione e composizione, avant rock e canzone, silenzio e rumore, invitando il proprio pubblico a condividere esperienze di ascolto coraggiose e «di confine». Alessandro Achilli collabora con Radio Popolare dal 17 marzo 1991 con i cicli Sciabadà (1991), Est (1992), Le vacanze di monsieur Hulot (1991, con Giovanni Venosta, e 1992), L'Orchestra (1996), Concerti da Babele (2001, 2002, 2003), Township Beat, musiche dal Sudafrica (2010) e corrispondenze dai festival Mimi (Provenza), Ring Ring (Belgrado), London Jazz Festival; ha inoltre curato la regia e l'adattamento di un ciclo condotto da Robert Wyatt, interviste in diretta a Shelley Hirsch, Arto Lindsay, Peter Blegvad e Robert Wyatt, e puntate monografiche di Cantaloop, In genere, Zona disco, Replicanti, Yuppi do, Il giardino degli dei, 5 giri, Jazz Anthology, Happy Together e Notturnover estate. Clicca qui per notizie sulle sue attività con Musica Jazz, Musiche, Radio3 Rai e come fotografo non professionista e traduttore. Fabio Barbieri collabora con Radio Popolare dal 1997. È stato ideatore e conduttore di Tropici e meridiani e ha realizzato collegamenti e interviste per Notturnover,Candid, Sidecar, Zoe, Alaska e per il gr in network. Ha collaborato con la redazione musicale del quotidiano Il Manifesto. Suoi articoli e recensioni sono apparsi su Rockerilla, Lost Trails e nel volume Bassa fedeltà (Bollati Boringhieri). Nella stagione 2003-2004 ha curato per Patchanka una serie di corrispondenze settimanali da Londra, intitolata London Calling. Da quell'esperienza è nato un blog: http://www.fabiocalling.blogspot.co.uk/ Gigi Longo collabora con Radio Popolare dal 1987. Ha condotto Jazz Anthology, Music Mag, Onda su onda e Cibo per psiconauti. In veste di inviato, ha recensito decine di concerti jazz, rock e world music per Notturnover. Ha realizzato trasmissioni speciali su Charles Mingus, Gil Evans, Duke Ellington e Miles Davis. È stato collaboratore dell'Associazione Jazz Capolinea, del mensile Il Buscadero e dela rivista Alp Grandi Montagne.

Prospettive musicali dà risalto a una serie di espressioni musicali che trovano generalmente poco spazio nelle programmazioni radiofoniche mainstream. Non pensando al genere come concetto limitativo, Prospettive musicali vuole suggerire percorsi di ascolto eterogenei. Prospettive musicali potrà accostare musiche medioevali e avanguardie elettroniche, free jazz e musiche per ambiente, danze etniche e partiture contemporanee, improvvisazione e composizione, avant rock e canzone, silenzio e rumore, invitando il proprio pubblico a condividere esperienze di ascolto coraggiose e «di confine». Alessandro Achilli collabora con Radio Popolare dal 17 marzo 1991 con i cicli Sciabadà (1991), Est (1992), Le vacanze di monsieur Hulot (1991, con Giovanni Venosta, e 1992), L'Orchestra (1996), Concerti da Babele (2001, 2002, 2003), Township Beat, musiche dal Sudafrica (2010) e corrispondenze dai festival Mimi (Provenza), Ring Ring (Belgrado), London Jazz Festival; ha inoltre curato la regia e l'adattamento di un ciclo condotto da Robert Wyatt, interviste in diretta a Shelley Hirsch, Arto Lindsay, Peter Blegvad e Robert Wyatt, e puntate monografiche di Cantaloop, In genere, Zona disco, Replicanti, Yuppi do, Il giardino degli dei, 5 giri, Jazz Anthology, Happy Together e Notturnover estate. Clicca qui per notizie sulle sue attività con Musica Jazz, Musiche, Radio3 Rai e come fotografo non professionista e traduttore. Fabio Barbieri collabora con Radio Popolare dal 1997. È stato ideatore e conduttore di Tropici e meridiani e ha realizzato collegamenti e interviste per Notturnover,Candid, Sidecar, Zoe, Alaska e per il gr in network. Ha collaborato con la redazione musicale del quotidiano Il Manifesto. Suoi articoli e recensioni sono apparsi su Rockerilla, Lost Trails e nel volume Bassa fedeltà (Bollati Boringhieri). Nella stagione 2003-2004 ha curato per Patchanka una serie di corrispondenze settimanali da Londra, intitolata London Calling. Da quell'esperienza è nato un blog: http://www.fabiocalling.blogspot.co.uk/ Gigi Longo collabora con Radio Popolare dal 1987. Ha condotto Jazz Anthology, Music Mag, Onda su onda e Cibo per psiconauti. In veste di inviato, ha recensito decine di concerti jazz, rock e world music per Notturnover. Ha realizzato trasmissioni speciali su Charles Mingus, Gil Evans, Duke Ellington e Miles Davis. È stato collaboratore dell'Associazione Jazz Capolinea, del mensile Il Buscadero e dela rivista Alp Grandi Montagne.

Prospettive musicali dà risalto a una serie di espressioni musicali che trovano generalmente poco spazio nelle programmazioni radiofoniche mainstream. Non pensando al genere come concetto limitativo, Prospettive musicali vuole suggerire percorsi di ascolto eterogenei. Prospettive musicali potrà accostare musiche medioevali e avanguardie elettroniche, free jazz e musiche per ambiente, danze etniche e partiture contemporanee, improvvisazione e composizione, avant rock e canzone, silenzio e rumore, invitando il proprio pubblico a condividere esperienze di ascolto coraggiose e «di confine». Alessandro Achilli collabora con Radio Popolare dal 17 marzo 1991 con i cicli Sciabadà (1991), Est (1992), Le vacanze di monsieur Hulot (1991, con Giovanni Venosta, e 1992), L'Orchestra (1996), Concerti da Babele (2001, 2002, 2003), Township Beat, musiche dal Sudafrica (2010) e corrispondenze dai festival Mimi (Provenza), Ring Ring (Belgrado), London Jazz Festival; ha inoltre curato la regia e l'adattamento di un ciclo condotto da Robert Wyatt, interviste in diretta a Shelley Hirsch, Arto Lindsay, Peter Blegvad e Robert Wyatt, e puntate monografiche di Cantaloop, In genere, Zona disco, Replicanti, Yuppi do, Il giardino degli dei, 5 giri, Jazz Anthology, Happy Together e Notturnover estate. Clicca qui per notizie sulle sue attività con Musica Jazz, Musiche, Radio3 Rai e come fotografo non professionista e traduttore. Fabio Barbieri collabora con Radio Popolare dal 1997. È stato ideatore e conduttore di Tropici e meridiani e ha realizzato collegamenti e interviste per Notturnover,Candid, Sidecar, Zoe, Alaska e per il gr in network. Ha collaborato con la redazione musicale del quotidiano Il Manifesto. Suoi articoli e recensioni sono apparsi su Rockerilla, Lost Trails e nel volume Bassa fedeltà (Bollati Boringhieri). Nella stagione 2003-2004 ha curato per Patchanka una serie di corrispondenze settimanali da Londra, intitolata London Calling. Da quell'esperienza è nato un blog: http://www.fabiocalling.blogspot.co.uk/ Gigi Longo collabora con Radio Popolare dal 1987. Ha condotto Jazz Anthology, Music Mag, Onda su onda e Cibo per psiconauti. In veste di inviato, ha recensito decine di concerti jazz, rock e world music per Notturnover. Ha realizzato trasmissioni speciali su Charles Mingus, Gil Evans, Duke Ellington e Miles Davis. È stato collaboratore dell'Associazione Jazz Capolinea, del mensile Il Buscadero e dela rivista Alp Grandi Montagne.

Prospettive musicali dà risalto a una serie di espressioni musicali che trovano generalmente poco spazio nelle programmazioni radiofoniche mainstream. Non pensando al genere come concetto limitativo, Prospettive musicali vuole suggerire percorsi di ascolto eterogenei. Prospettive musicali potrà accostare musiche medioevali e avanguardie elettroniche, free jazz e musiche per ambiente, danze etniche e partiture contemporanee, improvvisazione e composizione, avant rock e canzone, silenzio e rumore, invitando il proprio pubblico a condividere esperienze di ascolto coraggiose e «di confine». Alessandro Achilli collabora con Radio Popolare dal 17 marzo 1991 con i cicli Sciabadà (1991), Est (1992), Le vacanze di monsieur Hulot (1991, con Giovanni Venosta, e 1992), L'Orchestra (1996), Concerti da Babele (2001, 2002, 2003), Township Beat, musiche dal Sudafrica (2010) e corrispondenze dai festival Mimi (Provenza), Ring Ring (Belgrado), London Jazz Festival; ha inoltre curato la regia e l'adattamento di un ciclo condotto da Robert Wyatt, interviste in diretta a Shelley Hirsch, Arto Lindsay, Peter Blegvad e Robert Wyatt, e puntate monografiche di Cantaloop, In genere, Zona disco, Replicanti, Yuppi do, Il giardino degli dei, 5 giri, Jazz Anthology, Happy Together e Notturnover estate. Clicca qui per notizie sulle sue attività con Musica Jazz, Musiche, Radio3 Rai e come fotografo non professionista e traduttore. Fabio Barbieri collabora con Radio Popolare dal 1997. È stato ideatore e conduttore di Tropici e meridiani e ha realizzato collegamenti e interviste per Notturnover,Candid, Sidecar, Zoe, Alaska e per il gr in network. Ha collaborato con la redazione musicale del quotidiano Il Manifesto. Suoi articoli e recensioni sono apparsi su Rockerilla, Lost Trails e nel volume Bassa fedeltà (Bollati Boringhieri). Nella stagione 2003-2004 ha curato per Patchanka una serie di corrispondenze settimanali da Londra, intitolata London Calling. Da quell'esperienza è nato un blog: http://www.fabiocalling.blogspot.co.uk/ Gigi Longo collabora con Radio Popolare dal 1987. Ha condotto Jazz Anthology, Music Mag, Onda su onda e Cibo per psiconauti. In veste di inviato, ha recensito decine di concerti jazz, rock e world music per Notturnover. Ha realizzato trasmissioni speciali su Charles Mingus, Gil Evans, Duke Ellington e Miles Davis. È stato collaboratore dell'Associazione Jazz Capolinea, del mensile Il Buscadero e dela rivista Alp Grandi Montagne.

Jess Gillam meets jazz singer Cécile McLorin Salvant to swap some of their favourite music. Cécile is a 3 time Grammy Award-winning jazz singer and her music shows off her passion for storytelling and finding the connections between vaudeville, blues, jazz, baroque and folkloric music. She spoke to Jess ahead of her show at London Jazz Festival 2023 and picked some of her favourite voices from Maria Callas singing Puccini to flamenco star Camarón de la Isla and an air de cour by Gabriel Bataille.Jess brought along a string quartet by Caroline Shaw, a Hollywood inflected Concerto by Korngold and the most beautiful of songs by Aretha FranklinPLAYLIST:GABRIEL BATAILLE: Sortés soupirs témoins de mon mártire [Les Musiciens de Saint-Julien, Annie Dufresne (soprano)] CAROLINE SHAW: Plan & Elevation – v. The Beech Tree [Attacca Quartet] WANDA JACKSON: Funnel of Love KORNGOLD: Violin Concerto, op.35 – 1st mvt [James Ehnes (violin), Vancouver Symphony Orchestra, Bramwell Tovey (cond)] ARETHA FRANKLIN: Ain't No Way PUCCINI: La bohème, Act 4 “Sono andati” [Maria Callas (soprano), Giuseppe di Stefano (tenor), La Scala Milan Chorus & Orchestra, Antonino Votto (cond)] POULENC: Stabat Mater – i. Stabat Mater dolorosa [Cappella Amsterdam, Estonian Philharmonic Chamber Choir, Estonian National SO, Daniel Reuss (cond)] CAMARON DE LA ISLA: Yo vivo enamorao (Tangos) [Camaron De La Isla (singer), Paco De Lucía (guitar)]

It's London Jazz Festival 2023! The cats look forward to some of the best sounds in town including Mette Henriette, Gareth Lockrane, Binker Golding and The Headhunters!

The Human Fertilisation and Embryology Authority (HFEA) has launched a ratings system to let patients see which IVF add-ons are backed-up by evidence. Emma Barnett is joined by Professor Tim Child, chair of the HFEA's Scientific and Clinical Advances Advisory Committee, and Jessica Hepburn, who spent over £70,000 on unsuccessful fertility procedures. In October 2019, Coleen Rooney was concerned by articles appearing in newspapers that could only have come from stories on her private Instagram account. She laid a trap for the account she suspected of the leak, and then told the world ‘It was…Rebekah Vardy's account'. Rebekah Vardy, who continues to deny she was the source of those stories, sued Coleen for libel. In a radio exclusive, Coleen speaks to Emma about her side of the story, told in a new documentary: The Real Wagatha Story. Jazz/soul singer Mica Millar is performing as part of the London Jazz Festival in November. She joins Anita Rani to talk about her new album, Heaven Knows, which she wrote while recovering from a spinal injury during lockdown. Britain's long-awaited Online Safety Bill is days away from becoming law. Emma talks to legal expert Joshua Rozenburg about what will be in the act. She's also joined by Baroness Kidron, who has been very involved in getting the act through the Houses of Parliament, and Rashik Parmar, CEO of BCS, the chartered institute of IT, about the future of online safety. Are we becoming afraid of our phones? A recent survey suggest half of 12 to 26-year-olds don't answer the phone to their parents and a third of them feel awkward speaking on the phone generally. Emma speaks to Helen Thorn, a writer, podcaster and comedian and to 17-year-old Iona Cooke Mcintosh. Presenter: Anita Rani Producer: Lottie Garton

As his new recordings with the Vienna Philharmonic Orchestra of the complete symphonies of Anton Bruckner - all eleven of them - hit the record stores, Tom Service speaks to the German conductor Christian Thielemann. He tells Tom about what had, for him, been a burning desire to embark on the journey to record all of the composer's symphonies, as well as the consolations of working with one of the world's greatest orchestras. Thielemann shares his vision, too, for audiences in the German capital following the recent news he'll succeed Daniel Barenboim as the General Music Director of the Berlin State Opera. With preparations well underway for this year's London Jazz Festival, Tom catches-up with the ‘Queen of African Music' - Angélique Kidjo. She describes her first encounter with Beethoven among the vinyl records of classical music her father had collected before the disruption of Benin's dictatorships, and speaks about her escape to Paris in the 1980s, as well as the joyous spirit of defiance and power of music in the conflicts she's witnessed in Sudan and Uganda. And as ensembles around the country gear up for the finals of this year's National Brass Band Championships, Music Matters eavesdrops on the preparatory rehearsals of last year's winner's, Foden's Brass Band. With contributions from principal cornet, Mark Wilkinson, principal trombone and Chairman, John Barber, flugel horn player, Melanie Whyle, and conductor, Russell Gray, Tom also speaks to the composer of this year's test piece, Edward Gregson, about his ‘Of Men and Mountains', which will be performed by twenty bands at this year's championships.

A new report out today from the CQC - the Care Quality Commission - says that almost two thirds of maternity units provide dangerously substandard care that puts women and babies at risk. It has rated 65% of maternity services in England as either "inadequate" or "requires improvement", an increase from 54% last year. And yesterday saw the first debate in Parliament about birth trauma and the injuries suffered by some women in labour. The Conservative MP Theo Clarke has campaigned for better support for mothers following her own traumatic experience after giving birth to her daughter in August 2022. She gave her powerful testimony to Parliament in an effort to get birth trauma added to the women's health strategy and improve perinatal care for women. First we hear from Chief Executive of the CQC, Ian Trenholm, and then consultant obstetrician Dr Daghni Rajasingham. After Ruhama Wolle took on the bridesmaid mantle three times in the space of 18 months, she decided to never say yes to the role, ever again. She penned an open letter resigning from all future bridesmaid requests, addressed to all her family and friends in Glamour Magazine US, where she works as Special Projects Editor. She joins Anita Rani to talk about why she's opted out of the type of friendship being a bridesmaid requires. A prize-winning poet and currently Associate Professor of Creative Writing at Arizona State University, Safiya Sinclair, has now written a stunning memoir, How to Say Babylon. It looks at her childhood and teenage years growing up in an ultra-strict Rastifari family in Jamaica, and how literature and poetry changed the trajectory of her life. The soul/jazz singer Mica Millar has amassed almost five million streams on Spotify, and her debut album has been championed by the likes of Trevor Nelson and Jamie Cullum. This summer she's had sold out shows, festival appearances at Love Supreme and the Cheltenham Jazz Festival, plus opening slots for Gregory Porter and Lionel Ritchie. Mica is to perform at the Union Chapel as part of London Jazz Festival's opening weekend in November. She discusses recording her new album, Heaven Knows, during lockdown, while recovering from an accident. Presenter: Anita Rani Producer: Kirsty Starkey

The voice behind the Mercedes EQS advert, Louise Golbey is a an established Soul singer /songwriter on the London music scene and beyond. A BBC Introducing Alumni (Glastonbury, Maida Vale) and regular performer at legendary venues Ronnie Scotts, The 606, Pizza Express and The Jazz Cafe, she has played alongside Paloma Faith, Jessie J, Sam Smith, Lianne Lahavas & Ed Sheeran (who is also in one of her early music videos). She has performed at Glastonbury, The Isle of Wight, Cross The Tracks, The London Jazz Festival, BluesFest and Cheltenham Jazz Festival. Louise is one of the most in-demand openers on the live music circuit, supporting George Benson at Kenwood House, En Vogue and Roberta Flack at The Indigo2, a sold out UK tour with The Stylistics, and Roy Ayers, Evelyn Champagne King, Omar, Heatwave and Eric Benet at The Jazz Cafe. Louise also performed at The o2 arena for the Electric Soul Festival in 2019 (hosted by Trevor Nelson) alongside Kool and The Gang, Brand New Heavies and Level 42.  With a lot of support from BBC 1 Xtra, 6 Music, Jazz FM, Mi Soul, Radio 2 and radio stations across Europe over the years.  Louise has released several EP's and singles, her first album ‘Novel' features a track with Omar and Mo Pleasure, as well as production by Mercury Music Prize nominee producer Drew ‘Beats' Horley (Ty, Estelle, De La Soul, Roots Manuva) and Aamir Yaqub (Rihanna) She has written tracks with Example, The Newham Generals and Dan Dare (who was behind the Joel Corry /MKEK hit Head n Heart in 2020) and is currently working with Grammy winning songwriter Rob Davis (‘Can't Get You Out of My Head'). Louise has written for TV series, film and adverts and also hosts The Songwriter's Podcast in association with The Ivors Academy and PRS for Music M Magazine. Louise recently released her second studio album ‘Renaissance' which has been very well received and showcases Louise's strongest and most personal recordings to date. #Music #MyMusic #LouiseGolbey #Jazz #StoryTelling #Podcast #Top20

Prospettive musicali dà risalto a una serie di espressioni musicali che trovano generalmente poco spazio nelle programmazioni radiofoniche mainstream. Non pensando al genere come concetto limitativo, Prospettive musicali vuole suggerire percorsi di ascolto eterogenei. Prospettive musicali potrà accostare musiche medioevali e avanguardie elettroniche, free jazz e musiche per ambiente, danze etniche e partiture contemporanee, improvvisazione e composizione, avant rock e canzone, silenzio e rumore, invitando il proprio pubblico a condividere esperienze di ascolto coraggiose e «di confine». Alessandro Achilli collabora con Radio Popolare dal 17 marzo 1991 con i cicli Sciabadà (1991), Est (1992), Le vacanze di monsieur Hulot (1991, con Giovanni Venosta, e 1992), L'Orchestra (1996), Concerti da Babele (2001, 2002, 2003), Township Beat, musiche dal Sudafrica (2010) e corrispondenze dai festival Mimi (Provenza), Ring Ring (Belgrado), London Jazz Festival; ha inoltre curato la regia e l'adattamento di un ciclo condotto da Robert Wyatt, interviste in diretta a Shelley Hirsch, Arto Lindsay, Peter Blegvad e Robert Wyatt, e puntate monografiche di Cantaloop, In genere, Zona disco, Replicanti, Yuppi do, Il giardino degli dei, 5 giri, Jazz Anthology, Happy Together e Notturnover estate. Clicca qui per notizie sulle sue attività con Musica Jazz, Musiche, Radio3 Rai e come fotografo non professionista e traduttore. Fabio Barbieri collabora con Radio Popolare dal 1997. È stato ideatore e conduttore di Tropici e meridiani e ha realizzato collegamenti e interviste per Notturnover,Candid, Sidecar, Zoe, Alaska e per il gr in network. Ha collaborato con la redazione musicale del quotidiano Il Manifesto. Suoi articoli e recensioni sono apparsi su Rockerilla, Lost Trails e nel volume Bassa fedeltà (Bollati Boringhieri). Nella stagione 2003-2004 ha curato per Patchanka una serie di corrispondenze settimanali da Londra, intitolata London Calling. Da quell'esperienza è nato un blog: http://www.fabiocalling.blogspot.co.uk/ Gigi Longo collabora con Radio Popolare dal 1987. Ha condotto Jazz Anthology, Music Mag, Onda su onda e Cibo per psiconauti. In veste di inviato, ha recensito decine di concerti jazz, rock e world music per Notturnover. Ha realizzato trasmissioni speciali su Charles Mingus, Gil Evans, Duke Ellington e Miles Davis. È stato collaboratore dell'Associazione Jazz Capolinea, del mensile Il Buscadero e dela rivista Alp Grandi Montagne.

Courtney's playing refreshingly cool new jazzy vibes for you to work, rest and play to! Jam-packed full of new releases and plenty of fun, including many of the artists introducing their own tracks!  This week: Rachel Therrien's Latin Jazz, 100 yrs of Wes Montgomery & Soweto Kinch goes full Symphony.1 Mimi Fox - Mr White's Blues (One for Wes) ORIGIN. As a celebration of the 100th anniversary of Wes Montgomery's birth, guitarist Mimi Fox chose to dive deep into the iconic Hammond B3 trio sound.2 Greg Spero - Jam 6.1 (The Chicago Experiment) ROPEADOPE. Following the global success of The Chicago Experiment, the long awaited fourth in The Experiment Series, Greg Spero brings us 8 unreleased tracks from the original sessions. 3 Rosa Passos - Samba Sem Voce (Storyville). Brazilian bossa nova queen Rosa Passos' highly anticipated album Samba Sem Você recorded at at Copenhagen Jazzhouse on July 7th, 20014 Vusi Mahlasela, Norman Zulu & Jive Connection 'Roots' (Face To Face) STRUT South African singer-songwriter Vusi Mahlasela, from Pretoria, was an important voice during the anti-apartheid struggle, singing for freedom but also for reconciliation and a positive future. 5 Soweto Kinch - Curated Chaos (White Juju) London Symphony Orchestra. Recorded live at the Barbican during last year's London Jazz Festival, White Juju is award-winning British saxophonist and rapper Soweto Kinch's powerful new work for jazz quartet and symphony orchestra, written in response to lockdown, BLM, British history and the culture wars6 Michael Feinberg - Blues Variant (Blues Variant) Criss Cross. Bassist Michael Feinberg Releases his Criss Cross Jazz Debut, Blues Variant. Featuring Noah Preminger, Nasheet Waits, Leo Genovese and Dave Liebman.7 Rachel Therrien - Mojo (Mi Hogar) Outside In. An impressive showcase of the Canadian-born bandleader's range, Mi Hogar marks the first outing of Therrien's newly assembled Latin Jazz Project, an ambitious document of her work with expert musicians of the genre from New York City, Canada, Cuba, Puerto Rico and Venezuela. 8 Nadia Washington - Nabi (Hope Resurgence) Self-Release. Powerhouse vocalist Nadia Washington makes her debut statement with Hope Resurgence,9 Joe Locke - Love for Sale (Makram) Circle 9. Glistening with spirit, ingenuity, musicianship and inquisitiveness, Locke returns to his celebrated quartet on Makram. This lineup includes pianist Jim Ridl, bassist Lorin Cohen and drummer Samvel Sarkisyan.

British jazz-saxophonist and hip-hop artist Soweto Kinch talks about his latest album White JuJu, (a live recording taken from its premier at the London Jazz Festival at the Barbican Hall) – inspired by the Black Lives Matter protests and his observations of British culture and society.

Prospettive musicali dà risalto a una serie di espressioni musicali che trovano generalmente poco spazio nelle programmazioni radiofoniche mainstream. Non pensando al genere come concetto limitativo, Prospettive musicali vuole suggerire percorsi di ascolto eterogenei. Prospettive musicali potrà accostare musiche medioevali e avanguardie elettroniche, free jazz e musiche per ambiente, danze etniche e partiture contemporanee, improvvisazione e composizione, avant rock e canzone, silenzio e rumore, invitando il proprio pubblico a condividere esperienze di ascolto coraggiose e «di confine». Alessandro Achilli collabora con Radio Popolare dal 17 marzo 1991 con i cicli Sciabadà (1991), Est (1992), Le vacanze di monsieur Hulot (1991, con Giovanni Venosta, e 1992), L'Orchestra (1996), Concerti da Babele (2001, 2002, 2003), Township Beat, musiche dal Sudafrica (2010) e corrispondenze dai festival Mimi (Provenza), Ring Ring (Belgrado), London Jazz Festival; ha inoltre curato la regia e l'adattamento di un ciclo condotto da Robert Wyatt, interviste in diretta a Shelley Hirsch, Arto Lindsay, Peter Blegvad e Robert Wyatt, e puntate monografiche di Cantaloop, In genere, Zona disco, Replicanti, Yuppi do, Il giardino degli dei, 5 giri, Jazz Anthology, Happy Together e Notturnover estate. Clicca qui per notizie sulle sue attività con Musica Jazz, Musiche, Radio3 Rai e come fotografo non professionista e traduttore. Fabio Barbieri collabora con Radio Popolare dal 1997. È stato ideatore e conduttore di Tropici e meridiani e ha realizzato collegamenti e interviste per Notturnover,Candid, Sidecar, Zoe, Alaska e per il gr in network. Ha collaborato con la redazione musicale del quotidiano Il Manifesto. Suoi articoli e recensioni sono apparsi su Rockerilla, Lost Trails e nel volume Bassa fedeltà (Bollati Boringhieri). Nella stagione 2003-2004 ha curato per Patchanka una serie di corrispondenze settimanali da Londra, intitolata London Calling. Da quell'esperienza è nato un blog: http://www.fabiocalling.blogspot.co.uk/ Gigi Longo collabora con Radio Popolare dal 1987. Ha condotto Jazz Anthology, Music Mag, Onda su onda e Cibo per psiconauti. In veste di inviato, ha recensito decine di concerti jazz, rock e world music per Notturnover. Ha realizzato trasmissioni speciali su Charles Mingus, Gil Evans, Duke Ellington e Miles Davis. È stato collaboratore dell'Associazione Jazz Capolinea, del mensile Il Buscadero e dela rivista Alp Grandi Montagne.

We examine the triumphant resurgence of jazz, which seems to be front and centre in a bold new live scene across the world, and whose sounds have been incorporated into everything from hip-hop, pop, rock, classical to electronica. Robert Bound is joined by music writer Ammar Kalia, London Jazz Festival director Pelin Opcin and trumpeter, Yazz Ahmed. 

Prospettive musicali dà risalto a una serie di espressioni musicali che trovano generalmente poco spazio nelle programmazioni radiofoniche mainstream. Non pensando al genere come concetto limitativo, Prospettive musicali vuole suggerire percorsi di ascolto eterogenei. Prospettive musicali potrà accostare musiche medioevali e avanguardie elettroniche, free jazz e musiche per ambiente, danze etniche e partiture contemporanee, improvvisazione e composizione, avant rock e canzone, silenzio e rumore, invitando il proprio pubblico a condividere esperienze di ascolto coraggiose e «di confine». Alessandro Achilli collabora con Radio Popolare dal 17 marzo 1991 con i cicli Sciabadà (1991), Est (1992), Le vacanze di monsieur Hulot (1991, con Giovanni Venosta, e 1992), L'Orchestra (1996), Concerti da Babele (2001, 2002, 2003), Township Beat, musiche dal Sudafrica (2010) e corrispondenze dai festival Mimi (Provenza), Ring Ring (Belgrado), London Jazz Festival; ha inoltre curato la regia e l'adattamento di un ciclo condotto da Robert Wyatt, interviste in diretta a Shelley Hirsch, Arto Lindsay, Peter Blegvad e Robert Wyatt, e puntate monografiche di Cantaloop, In genere, Zona disco, Replicanti, Yuppi do, Il giardino degli dei, 5 giri, Jazz Anthology, Happy Together e Notturnover estate. Clicca qui per notizie sulle sue attività con Musica Jazz, Musiche, Radio3 Rai e come fotografo non professionista e traduttore. Fabio Barbieri collabora con Radio Popolare dal 1997. È stato ideatore e conduttore di Tropici e meridiani e ha realizzato collegamenti e interviste per Notturnover,Candid, Sidecar, Zoe, Alaska e per il gr in network. Ha collaborato con la redazione musicale del quotidiano Il Manifesto. Suoi articoli e recensioni sono apparsi su Rockerilla, Lost Trails e nel volume Bassa fedeltà (Bollati Boringhieri). Nella stagione 2003-2004 ha curato per Patchanka una serie di corrispondenze settimanali da Londra, intitolata London Calling. Da quell'esperienza è nato un blog: http://www.fabiocalling.blogspot.co.uk/ Gigi Longo collabora con Radio Popolare dal 1987. Ha condotto Jazz Anthology, Music Mag, Onda su onda e Cibo per psiconauti. In veste di inviato, ha recensito decine di concerti jazz, rock e world music per Notturnover. Ha realizzato trasmissioni speciali su Charles Mingus, Gil Evans, Duke Ellington e Miles Davis. È stato collaboratore dell'Associazione Jazz Capolinea, del mensile Il Buscadero e dela rivista Alp Grandi Montagne.

On the eve of the launch of her new album, ‘Seraph', featuring works for trumpet and string orchestra by James Macmillan, Grieg, and Satie, Tom Service speaks to Norwegian trumpeter Tine Thing Helseth about her diagnosis with cancer last year, her relationship with music during gruelling treatment, and the conscious decision she made after her recovery to commit again to a career in music. As Arts Council England reveals its 2023-26 national portfolio of funded organisations, Music Matters speaks to ACE's Director of Music, Claire Mera Nelson, about the body's investment decisions. We hear from a cross section of organisations who've seen changes to their public funding, as well as first-time recipients, with contributions from Chief Executive of the Paraorchestra, Jonathan Harper; Artistic and Executive Director of MishMash productions, Liz Muge; and Chief Executive and Artistic Director of the Britten Sinfonia, Meurig Bowen. And as the EFG London Jazz Festival celebrates its 30th anniversary, Tom's joined by jazz author and presenter, Alyn Shipton, former Director of Serious (the creative company who administer the festival) Claire Whitaker; and the British-Bahraini jazz trumpeter, flugelhornist and composer, Yazz Ahmed, who discuss how the British jazz scene has evolved since the early 90s. Producer: Marie-Claire Doris

From James Brown to Stockhausen, the influences which fed into Miles Davis's 1972 album On The Corner are explored by Matthew Sweet and guests, 50 years after its release. Bill Laswell, Chelsea Carmichael, Kevin LeGendre and Paul Tingen join Matthew to celebrate an album that was dismissed by some jazz critics as evidence of Davis 'selling out' when it came out, but that has gone on to be appreciated as an important and influential milestone. Producer: Torquil MacLeod Bill Laswell's many recordings and productions include Panthalassa: The Music of Miles Davis 1969-1974. Chelsea Carmichael is a saxophonist and composer. Her most recent album is The River Doesn't Like Strangers. Paul Tingen is the author of Miles Beyond: The Electric Explorations of Miles Davis, 1967-1991. Kevin Le Gendre is one of the presenters of BBC Radio 3's J to Z broadcast Saturdays at 5pm You can hear Matthew and Kevin exploring the politics, history and music which fed into Marvin Gaye's What's Going On in a previous episode of Free Thinking https://www.bbc.co.uk/programmes/m0011l7t Radio 3 will be broadcasting a range of programmes from the London Jazz Festival between Nov 11th and 20th https://www.bbc.co.uk/programmes/m0011l7t

Prospettive musicali dà risalto a una serie di espressioni musicali che trovano generalmente poco spazio nelle programmazioni radiofoniche mainstream. Non pensando al genere come concetto limitativo, Prospettive musicali vuole suggerire percorsi di ascolto eterogenei. Prospettive musicali potrà accostare musiche medioevali e avanguardie elettroniche, free jazz e musiche per ambiente, danze etniche e partiture contemporanee, improvvisazione e composizione, avant rock e canzone, silenzio e rumore, invitando il proprio pubblico a condividere esperienze di ascolto coraggiose e «di confine». Alessandro Achilli collabora con Radio Popolare dal 17 marzo 1991 con i cicli Sciabadà (1991), Est (1992), Le vacanze di monsieur Hulot (1991, con Giovanni Venosta, e 1992), L'Orchestra (1996), Concerti da Babele (2001, 2002, 2003), Township Beat, musiche dal Sudafrica (2010) e corrispondenze dai festival Mimi (Provenza), Ring Ring (Belgrado), London Jazz Festival; ha inoltre curato la regia e l'adattamento di un ciclo condotto da Robert Wyatt, interviste in diretta a Shelley Hirsch, Arto Lindsay, Peter Blegvad e Robert Wyatt, e puntate monografiche di Cantaloop, In genere, Zona disco, Replicanti, Yuppi do, Il giardino degli dei, 5 giri, Jazz Anthology, Happy Together e Notturnover estate. Clicca qui per notizie sulle sue attività con Musica Jazz, Musiche, Radio3 Rai e come fotografo non professionista e traduttore. Fabio Barbieri collabora con Radio Popolare dal 1997. È stato ideatore e conduttore di Tropici e meridiani e ha realizzato collegamenti e interviste per Notturnover,Candid, Sidecar, Zoe, Alaska e per il gr in network. Ha collaborato con la redazione musicale del quotidiano Il Manifesto. Suoi articoli e recensioni sono apparsi su Rockerilla, Lost Trails e nel volume Bassa fedeltà (Bollati Boringhieri). Nella stagione 2003-2004 ha curato per Patchanka una serie di corrispondenze settimanali da Londra, intitolata London Calling. Da quell'esperienza è nato un blog: http://www.fabiocalling.blogspot.co.uk/ Gigi Longo collabora con Radio Popolare dal 1987. Ha condotto Jazz Anthology, Music Mag, Onda su onda e Cibo per psiconauti. In veste di inviato, ha recensito decine di concerti jazz, rock e world music per Notturnover. Ha realizzato trasmissioni speciali su Charles Mingus, Gil Evans, Duke Ellington e Miles Davis. È stato collaboratore dell'Associazione Jazz Capolinea, del mensile Il Buscadero e dela rivista Alp Grandi Montagne.

Prospettive musicali dà risalto a una serie di espressioni musicali che trovano generalmente poco spazio nelle programmazioni radiofoniche mainstream. Non pensando al genere come concetto limitativo, Prospettive musicali vuole suggerire percorsi di ascolto eterogenei. Prospettive musicali potrà accostare musiche medioevali e avanguardie elettroniche, free jazz e musiche per ambiente, danze etniche e partiture contemporanee, improvvisazione e composizione, avant rock e canzone, silenzio e rumore, invitando il proprio pubblico a condividere esperienze di ascolto coraggiose e «di confine». Alessandro Achilli collabora con Radio Popolare dal 17 marzo 1991 con i cicli Sciabadà (1991), Est (1992), Le vacanze di monsieur Hulot (1991, con Giovanni Venosta, e 1992), L'Orchestra (1996), Concerti da Babele (2001, 2002, 2003), Township Beat, musiche dal Sudafrica (2010) e corrispondenze dai festival Mimi (Provenza), Ring Ring (Belgrado), London Jazz Festival; ha inoltre curato la regia e l'adattamento di un ciclo condotto da Robert Wyatt, interviste in diretta a Shelley Hirsch, Arto Lindsay, Peter Blegvad e Robert Wyatt, e puntate monografiche di Cantaloop, In genere, Zona disco, Replicanti, Yuppi do, Il giardino degli dei, 5 giri, Jazz Anthology, Happy Together e Notturnover estate. Clicca qui per notizie sulle sue attività con Musica Jazz, Musiche, Radio3 Rai e come fotografo non professionista e traduttore. Fabio Barbieri collabora con Radio Popolare dal 1997. È stato ideatore e conduttore di Tropici e meridiani e ha realizzato collegamenti e interviste per Notturnover,Candid, Sidecar, Zoe, Alaska e per il gr in network. Ha collaborato con la redazione musicale del quotidiano Il Manifesto. Suoi articoli e recensioni sono apparsi su Rockerilla, Lost Trails e nel volume Bassa fedeltà (Bollati Boringhieri). Nella stagione 2003-2004 ha curato per Patchanka una serie di corrispondenze settimanali da Londra, intitolata London Calling. Da quell'esperienza è nato un blog: http://www.fabiocalling.blogspot.co.uk/ Gigi Longo collabora con Radio Popolare dal 1987. Ha condotto Jazz Anthology, Music Mag, Onda su onda e Cibo per psiconauti. In veste di inviato, ha recensito decine di concerti jazz, rock e world music per Notturnover. Ha realizzato trasmissioni speciali su Charles Mingus, Gil Evans, Duke Ellington e Miles Davis. È stato collaboratore dell'Associazione Jazz Capolinea, del mensile Il Buscadero e dela rivista Alp Grandi Montagne.

Prospettive musicali dà risalto a una serie di espressioni musicali che trovano generalmente poco spazio nelle programmazioni radiofoniche mainstream. Non pensando al genere come concetto limitativo, Prospettive musicali vuole suggerire percorsi di ascolto eterogenei. Prospettive musicali potrà accostare musiche medioevali e avanguardie elettroniche, free jazz e musiche per ambiente, danze etniche e partiture contemporanee, improvvisazione e composizione, avant rock e canzone, silenzio e rumore, invitando il proprio pubblico a condividere esperienze di ascolto coraggiose e «di confine». Alessandro Achilli collabora con Radio Popolare dal 17 marzo 1991 con i cicli Sciabadà (1991), Est (1992), Le vacanze di monsieur Hulot (1991, con Giovanni Venosta, e 1992), L'Orchestra (1996), Concerti da Babele (2001, 2002, 2003), Township Beat, musiche dal Sudafrica (2010) e corrispondenze dai festival Mimi (Provenza), Ring Ring (Belgrado), London Jazz Festival; ha inoltre curato la regia e l'adattamento di un ciclo condotto da Robert Wyatt, interviste in diretta a Shelley Hirsch, Arto Lindsay, Peter Blegvad e Robert Wyatt, e puntate monografiche di Cantaloop, In genere, Zona disco, Replicanti, Yuppi do, Il giardino degli dei, 5 giri, Jazz Anthology, Happy Together e Notturnover estate. Clicca qui per notizie sulle sue attività con Musica Jazz, Musiche, Radio3 Rai e come fotografo non professionista e traduttore. Fabio Barbieri collabora con Radio Popolare dal 1997. È stato ideatore e conduttore di Tropici e meridiani e ha realizzato collegamenti e interviste per Notturnover,Candid, Sidecar, Zoe, Alaska e per il gr in network. Ha collaborato con la redazione musicale del quotidiano Il Manifesto. Suoi articoli e recensioni sono apparsi su Rockerilla, Lost Trails e nel volume Bassa fedeltà (Bollati Boringhieri). Nella stagione 2003-2004 ha curato per Patchanka una serie di corrispondenze settimanali da Londra, intitolata London Calling. Da quell'esperienza è nato un blog: http://www.fabiocalling.blogspot.co.uk/ Gigi Longo collabora con Radio Popolare dal 1987. Ha condotto Jazz Anthology, Music Mag, Onda su onda e Cibo per psiconauti. In veste di inviato, ha recensito decine di concerti jazz, rock e world music per Notturnover. Ha realizzato trasmissioni speciali su Charles Mingus, Gil Evans, Duke Ellington e Miles Davis. È stato collaboratore dell'Associazione Jazz Capolinea, del mensile Il Buscadero e dela rivista Alp Grandi Montagne.

Peter has directed the Nu Civilisation Orchestra since it's inception in 2009. The NCO has performed at the Queen Elizabeth Hall, Ronnie Scott's, The Royal Northern College of Music. Peter made his BBC Proms conducting debut in 2019 performing  Duke Ellington's 'Sacred Concert'. He has worked with the BBC Concert Orchestra directing his arrangement of Billy Strayhorn's 'Chelsea Bridge' at London Jazz Festival 2019. HorseFrog ProductionsA podcast where two friends explore their favorite books, shows, and movies.Listen on: Apple Podcasts Spotify I Read Comic BooksA podcast for comic book fans. New episodes on Wednesdays. Comics are good, and so are youListen on: Apple Podcasts Spotify WikiListenThe daily podcast about everything, and anything.Listen on: Apple Podcasts SpotifySupport the show

Joel Prime joins me from London to discuss his musical journey which began after he received his first set of drums for Christmas when he was three years old. He initially taught himself the basics, then began lessons with John Zac when he was 6, and by age 11, Joel was playing regular gigs. Joel's drumming prowess was immediately evident, and by being taught by many of Adelaide's elite drum educators, attending Marryatville High School, which offers a fabulous SIMC program, combined with a solid regime of practice, he soon developed his sparkling technique. Joel's acquired skill through hard work and persistence became his entrée card to a world of musical diversity. In his teens Joel was part of the Marryatville High School Stage Band, the group travelled for performances in London, New York, Los Angeles, Melbourne, and Sydney. These gigs paved the way for Joel to share the stage with such performers as Bob Mintzer, James Morrison, Bobby Shew, John Hoffman, Rhonda Burchmore, Jon Gordon, Tony Kofi, Alina Bzhezhinska, Ray Vega, Paul Bollenback, George Garzone and Pharoah Sanders. He was inspired to begin percussion after seeing his teacher Steve Todd performing together with his son Ben, in the popular Adelaide band 'Goose'. Joel took a break from studying music in the last 2 years of high school, and for a while was contemplating becoming a pilot, thankfully his love of music returned and he successfully auditioned for the The Elder Conservatorium of Music, at the University of Adelaide, where he was taught by another previous BAND IT ABOUT guest Laurie Kennedy. In 2005, he was awarded most outstanding percussionist at Generations in Jazz by James Morrison. In 2008, he received a prestigious performance award from Downbeat magazine (USA) as a member of the 2008 Adelaide University Big Band 1. Later that year, Joel received the Helpmann Academy Award for Jazz Drums, for graduating at the top of his class at the Elder Conservatorium in 2006 and 2007, then received the 2010 Helpmann Academy Award for most outstanding Honours graduate. Joel has led percussion workshops and performed at WOMADelaide, Glastonbury Festival, London Jazz Festival, Adelaide Festival of Arts, Adelaide Fringe Festival, and The Adelaide Cabaret Festival. Joel's burgeoning skill set continues to be recognized by the drumming elite. Joel is currently endorsed by Pearl Drums, Zildjian Cymbals, Vic Firth drumsticks and Remo drumheads. In 2011 he won the award for Australia's Best Up and Coming Drummer (Open age category) at Australia's Ultimate Drummers Weekend. It was Joel's parents who initially floated the idea of him going overseas to expand his music career, and as he already had a British passport, moving to London was the obvious choice. Joel didn't know anyone in London, so it took a while for him to begin to get work, but once his talents were seen at the open jam nights that he was regularly attending, he began to receive job offers. Joel is a member of the critically acclaimed 'Alina Bzhezhinska Quartet', who have appeared at the Jazz Legend Festival in Birmingham and many other venues around the UK including top London jazz clubs The Crypt and The Vortex. They appeared at the London Jazz Festival 2017 in a triple bill performance along with Coltrane' s specialist Denys Baptist and the legendary saxophonist Pharoah Sanders. Joel's versatility across congas, drum kit and all manner of Afro Cuban and Brazilian percussion now sees him performing with a vast array of ensembles across many musical styles. Joel also performs with 'Mr Little's Noisy Band' and 'London Street Band.' Music: "Band It About" theme song written & recorded by Catherine Lambert & Michael Bryant. Outro "Los Caballos" written by Alina Bzhezhinska, performed by the Alina Bzhezhinska Quartet. Band It About links https://linktr.ee/banditaboutpodcastseries Thanks for listening! --- Send in a voice message: https://anchor.fm/dianne-spillane/message

Vietnam, ecological worries and poverty and suffering inspired the lyrics in Marvin Gaye's 1971 album What's Going On. Written as a song cycle from the point of view of a war Vet returning home, it was inspired in part by the letters he was receiving from his brother from Vietnam and from his own questions following the 1965 Watts riots. The Nu Civilization Orchestra is performing their version of the album at the London Jazz Festival tomorrow. Matthew Sweet is joined by jazz journalist Kevin Le Gendre, musician Gary Crosby, Dr Althea Legal-Miller - Senior Lecturer in American History & Culture at Canterbury Christ Church university and poet Roy McFarlane The Nu Civilization Orchestra, founded by Gary Crosby, perform their version of the album at the London Jazz Festival at the Queen Elizabeth Hall, Southbank Centre 18th November @7.30pm, with subsequent dates in Birmingham, Liverpool & Canterbury. You can hear a host of programmes featuring performers from the London Jazz Festival on BBC Radio 3 including a special Jazz Through the Night. Free Thinking has a playlist of discussions devoted to influential artworks, books, films, music and plays called Landmarks of Culture with everything from the plays of Lorraine Hansberry to the film Jaws. https://www.bbc.co.uk/programmes/p01jwn44

UK Jazz artist/producer/journalist Fiona Ross chats about her new album, women in jazz, and the London Jazz Fest! All on Episode 19, Season 3. Fiona Ross is one of those people that I keep coming back to. Fiona is very inspirational and very much a role model of what is truly the meaning of success as a creative artist. I spoke with her from her London home the night after her 5th new album launch gig. I could see from all the build-up to the event, and the buzz all over social media that this new (5th) album titled: "Red Flags and High Heels" was a resounding success even after just 24 hours!  Fiona explained her motivation for this 5th album concept, and how it was clearly a progressive linear timeline as is weaved throughout all her albums to date. We also talked about her founding "Women In Jazz Media" It's simply birth to continued exponential growth, now with 16 team members and a UK parliamentary award for Jazz Media Excellence, and the promoting of equal rights for women in the UK jazz industry.  I highly recommend you check out the consummate musicianship of Fiona and the other musicians on this wonderful album. The production is super professional quality for an album that is totally self-funded. Look out for more coming with Fiona and me as I head over to the London Jazz Festival - reporting live for Music Matters Podcast and playing my bass guitar as a guest at one of Fiona's London Jazz Festival gigs. Website: Fiona Ross Fiona Ross - YouTube Channel Recent press article on "Red Flags and High Heels"  Fiona Ross - Social Media Channels & Music Outlets https://www.instagram.com/fifi_ross/ https://twitter.com/fifross https://www.facebook.com/fionarossmusic https://open.spotify.com/artist/59lPcyDIZJxmRqatvAjct8?play=true https://fionarossjazz.bandcamp.com/ Website: Women In Jazz Media LinkTree - Women In Jazz Media Music Matters with Darrell Craig Harris to keep up to date with all our news, information, and podcast episodes.   Sponsored by our friends at Switcher Studio in cooperation with Shure Shure UK VOYR   Special shoutout to Jamie Hilboldt for his kindness!   Please check out our Music Matters podcast on @spotifypodcasts and our New Music Matters Podcast Website  Please, support, LIKE, and help us grow - check out our Social Media pages:     

The cats celebrate the London Jazz Festival - which starts this weekend!

Line-upNérija - For youJuanita Euka - Alma SecaRosie Frater-Taylor - HeyMiles Mindlin - Cyclic Episode Allexa Nava -  Good Job PhilipXVNGO - Peter panPlumm - Pour in the BlueRaquel Martins - RealPyjaen - Stay homeVels Trio - Celestial GreensPlanck Walker - Prehistoric birdLevitation Orchestra - Many in Body, one in Mind 

For the London Jazz Festival, we receive Louise Paley from Women in Jazz, to discuss the project: how we can help young female jazz artists launch their career, develop a network, and create a strong following.  We then talk to French Singer Marion Rampal about her work in jazz, blues, and chanson. She will be singing with Archie Shepp at the Barbican for the LJF).  Women in Jazz: The organisation Women In Jazz aims to elevate female performers by hosting events and workshops. They have a network of 6,000 artists  from singer-songwriters to producers, instrumentalists and composers. French Singer and Songwiriter Marion Rampal entwines memory and invention, words and melodies, folkloric music, and classical occidental roots. Songs  La Belle et les Trois Capitaines (on Main Blue) Prison (on Le Secret)  Auf dem Wasser zu zinger (on Le Secret)  

For the London Jazz Festival, we receive Louise Paley from Women in Jazz, to discuss the project: how we can help young female jazz artists launch their career, develop a network, and create a strong following.  We then talk to French Singer Marion Rampal about her work in jazz, blues, and chanson. She will be singing with Archie Shepp at the Barbican for the LJF.   The organisation Women In Jazz aims to elevate female performers by hosting events and workshops. They have a network of 6,000 artists  from singer-songwriters to producers, instrumentalists and composers. French Singer and Songwriter Marion Rampal entwines memory and invention, words and melodies, folkloric music, and classical occidental roots.        Songs used  La Belle et les Trois Capitaines (on Main Blue) Prison  (on Le Secret) Auf dem Wasser zu zinger  (on Le Secret)  

Tara & Rob speak to soul singing/ pianist and composer Natalie Duncan. She has been compared to legendary and multifaceted global artists such as Stevie Wonder and Aretha Franklin. Her career has spanned many years performing her own music, including featuring in London Jazz Festival's Jazz Voice Opener, Later with Jools Holland and vocalist for Drum and Bass legend, Goldie.Support the show (https://www.buymeacoffee.com/thejazzpodcast)

In honor of Mark Rothko’s Latvian heritage, Latvian jazz ensemble the Māris Briežkalns Quintet commissioned ten Latvian composers to each create an original jazz composition, arranged and performed by the Quintet. Each composition is created to illustrate the moods and atmosphere evoked by an iconic Rothko painting selected by the composer. This program is underwritten by Peter Ragauss. Performers include Māris Briežkalns – drums, band leader; Viktors Ritovs – piano, keys; Raimonds Macats – harmonica, cello, keys; Kristaps Lubovs – saxophone; and Andris Grunte - double bass Māris Briežkalns Quintet (MBQ) is one of the leading acoustic mainstream bands on the Latvian jazz scene, stretching special accents on pop, jazz, and Latin jazz. MBQ has performed on several international stages, including MIDEM, Pori Jazz, London Jazz Festival, Ottawa Jazz, Jazz at Castle in Prague, Venice Jazz Festival, Blue Note Jazz Club in New York, and Tokyo Jazz Fest. MBQ’s project Latvian Evergreens has two volumes, showcasing Latvian classical and pop music in versatile jazz arrangements. Māris Briežkalns Quintet released five albums: Felix Jazz, Latvian Evergreens Vol 1, Jazz At Castle, Latvian Evergreens Vol 2, and Rothko In Jazz. Māris Briežkalns, the leader of the quintet, is a drummer and producer. Among other things, he is the Head of Latvian Radio Recording Studios Department, was the Artistic Director of Latvian Radio Big Band for several years and has participated in the recording of over 70 music albums, has hosted workshops in Norway, Germany, Great Britain. He runs the Contemporary Music Centre and produces the "Rigas Ritmi Festival” and the International Jazz Artists Competition “Riga Jazz Stage”. Māris Briežkalns has been nominated for and received many awards, including the highest Latvian state honor, The Order of the Three Stars.

Greetings My Lovely Drumsters, Drumroll please....today I am sharing an interview we had with Tom McNeill of Patreon.  This is part of the Tampa Jam continued series.  Tom McNeill, Creator Partnerships Associate at Patreon, a membership platform that makes it easy for artists to get paid is here to tell you some of the amazing benefits you can easily obtain to help you find your niche, grow your audience, and get start funding your venture online. Tom will share tips on how you can grow your audience and tell you all of the benefits of starting your own Patreon membership site so that you can get financial support for your creative endeavors. Tom is a problem solver, strategic thinker and arts advocate with a decade of experience working with cultural, digital and creative organizations. Before joining Patreon in 2019, Tom’s career was shaped by work with artists, orchestras, festivals, venues, promoters, media organizations, record labels, music agencies and other creatively-minded entities. Tom began  his arts career in the 3-person team of the Cambridge Literary Festival before moving on to manage communications and digital strategy for the Academy of Ancient Music followed by the London Jazz Festival. Management agency HarrisonParrott then invited him to join their team in order to expand the agency’s ‘beyond-classical’ offering where he developed and represented projects for artists such as Jess Gillam, Stewart Copeland and Quincy Jones.  So grab your favorite beverage, earbuds and join us and take a listen to Tom's pearl's of wisdom on how to grow your tribe. You can also catch the video version at YouTube on The Tampa Jam VLOG site at: Tom's Interview Video Rock On & Rock Out! Dawn-Marie      

Elizabeth Bernholz conceived the moniker Gazelle Twin in 2009 under which she has released the critically acclaimed albums; Pastoral (2018), Kingdom Come (2017), Unflesh (2014) and her debut, The Entire City (2011). Adopting a radical and conceptual approach to composition, fusing classical and early traditions with experimental, electronic production, Bernholz always strives for “challenging outcomes”. Her work is often presented through extraordinary live performances, which feature changing personas and voice as a central element. Aside from her own projects, Bernholz regularly collaborates with creators in Theatre, TV, Film and Gaming. 2020 and beyond will see the release of two feature films (USA and UK) which will feature her music, new works exploring live theatre and virtual performance, and an ongoing collaboration with the London-based NYX electronic drone choir following it's performance at London Jazz Festival, QEH in November 2019. Bernholz's experiments in composition and production were recognised by the University of Sussex (of which she is an alumna), and in 2020 the ‘Gazelle Twin scholarship for Women in Music Technology' was setup to address the under-representation of women in music technology.   The new album 'Deep England' by Gazelle Twin & NYX Electronic Drone Choir is out 19.03.2021 on NYX Collective Records. Pre-order here   gazelletwin.com Bandcamp Instagram Facebook Twitter

On Todays Episode: Filomena Croce, an Italian singer and songwriter in The Netherlands, traveling around the world with a Master of Music graduate, Conservatorium teacher and business owner. She has performed at Tomorrowland Belgium, the London Jazz Festival and worked with the multiple Grammy Award winning orchestra Metropole Orkest. Her EP "Love will come back" will be released in early 2021. To learn more about Filomena: Youtube / Facebook / Instagram Videos mentioned in episode: Eurovision Song / VOISZ Vocal Projects And don't forget to visit www.theenlightenedmusician.com for more episodes. Also while you're there make sure to subscribe to us on your platform of your choice, so you never miss an episode! --- Send in a voice message: https://anchor.fm/theenlightenedmusician/message Support this podcast: https://anchor.fm/theenlightenedmusician/support

Ciao a tutte e a tutti.Febbraio ci ha fatto salire in casa e ci ha fatto accomodare, ma è tutto indaffarato a fare mille cose. Ci sta preparando un the, deve pensare al tempo metereologico, ha messo a stendere i fiori prima di farli schiudere, nel frattempo deve fare una video call con Gennaio e Marzo per la gestione delle consegne, insomma i mesi nella loro gioventù sono sempre carichi di entusiasmo ma un po’ confusi. Noi allora ci prendiamo il compito di farlo rallentare e di farlo respirare, invitandolo a godersi la nuova Onda che è pronta per esprimere tutta la sua bellezza.Cercando un po’ di ristoro in una bolla sospesa dal quotidiano istituzionale davvero discutibile, lasciamo che sia il bello, le buone vibrazioni a tessere la coperta con la quale ci avvolgiamo oggi, compito che sarà svolto da questa sesta puntata.
L’episodio, oggi, sarà, come tutti gli altri che lo hanno preceduto foriero di musiche e racconti. La voce narrante che siede con me oggi, è quella della grande ospite Francesca Remigi. 
Francesca figlia d’arte, è una delle espressioni più grandi ed interessanti del panorama jazz moderno: batterista, compositrice, polistrumentista, vincitrice del premio Nuova Generazione Jazz 2021 ha suonato su i più importanti palchi di questa enorme corrente musicale tra cui il London Jazz Festival 2020, the North Sea Jazz Festival, Brussels Jazz Weekend 2019 e Una Striscia di Terra Feconda Jazz Festival. Ha vinto diverse residenze (Umbria Jazz, Siena Jazz e La Casa del Jazz a Roma solo per citarne alcune) e borse di studio che l’hanno portata in giro in varie nazioni dove ha potuto ampliare i suoi studi con musicisti di altissimo livello e iniziando delle collaborazioni artistiche molto importanti, tra cui l’ultima al Berklee Global Jazz Institute.Francesca ha all’attivo il suo primo LP di jazz progressive con un sestetto di musicisti internazionali dal nome Archipélagos con i quali ha dato alla luce la sua creatura meravigliosa “Il Labirinto dei topi", in cui lei suona la batteria e di cui ne ha curato la scrittura, composizione e direzione, un album che è un capolavoro d’arte sonora.
Come sapete Onde podcast va a curiosare sotto alle metaforiche cuffie delle ospiti e degli ospiti per sbirciare e ascoltare quelli che sono i loro ascolti privati. Francesca per la sua puntata ha quindi raccolto una dozzina di brani che vi lasceranno a bocca aperta, sono brani di incredibile bellezza e freschezza, brani a cui lei è legata a doppio filo e poi vedrete come, dove verremo portati tutti ad ascoltare delle musiche magnifiche, probabilmente ai più, come il sottoscritto, fino ad ora sconosciute. Ma visto che ciò che accomuna tutti quelli che sono qui su Onde: Musica e Dintorni, è la curiosità, lasciamoci trasportare in un mondo estremamente variopinto, pieno di suoni, di contaminazioni e musiche pazzesche dalla voce di Francesca Remigi, e dai suoi brani che ci faranno immergere nel vasto oceano del Jazz, e non solo…Immergetevi con noi, leggere e leggeri, lasciando i suoni al di la del pelo d’acqua sonora e come sempre, 
buon ascolto!
^_^
 - INFO FRANCESCA REMIGI TU E PUNTATA 

IL DISCO DI FRANCESCA REMIGI PER ONDE:https://open.spotify.com/playlist/59HAZ6Na12FJe9cUdjP4NBFRANCESCA REMIGI SITO:https://remigifrancesca.com/

IL LABIRINTO DEI TOPI:
https://open.spotify.com/album/63koW6whDiODtHE9MjT6Um?si=ANKAuFMeRbeR20l4xx-aPwhttps://music.amazon.in/albums/B08T71CMXM?marketplaceId=A21TJRUUN4KGV&musicTerritory=INhttps://music.apple.com/it/album/il-labirinto-dei-topi/1543471823?l=enLINKTREE DI FRANCESCA REMIGI:https://linktr.ee/fraremigi_drums?fbclid=IwAR2GhjDvHpyABD_Sc1yzERlD1DaewOwR1i4t4xKlUWHBZ92uKkYFN5NCBL0INSTAGRAM DI FRANCESCA REMIGI:https://www.instagram.com/fraremigi_drums/?hl=itFACEBOOK DI FRANCESCA REMIGI:https://www.facebook.com/profile.php?id=100000008475971JAZZ ESPRESSO SU IL LABIRINTO DEI TOPI:https://www.jazzespresso.com/it/francesca-remigi-archipelagos-il-labirinto-dei-topi-2021-jazzespresso/ALL ABOUT JAZZ SU FRANCESCA REMIGI:https://musicians.allaboutjazz.com/francescaremigiYOUTUBE DI FRANCESCA REMIGI:https://www.youtube.com/channel/UCjZhYiuTCxwwZtonTfxebYgSOUNDCLOUD DI FRANCESCA REMIGI:https://soundcloud.com/francesca-remigi- INFO ONDE: MUSICA E DINTORNIMY LINKTREE:https://linktr.ee/onde_podcastPATREON:https://www.patreon.com/onde_podcastINSTAGRAM:https://www.instagram.com/onde_podcast/SPREAKER:
https://www.spreaker.com/show/onde-musica-e-dintorniPAGINA UFFICIALE SU FACEBOOK:https://www.facebook.com/OndePodcastCONTATTI:onde.podcast@hotmail.comIL BRANO “ONDE” in testa e in coda all’episodio è stato creato, suonato e cantato da Camilla Battaglia.MUSICHE IN PUNTATA:Music Free Stock:https://www.free-stock-music.com/Lost Paradise by Purrple Cat | https://purrplecat.comMusic promoted by https://www.free-stock-music.comCreative Commons Attribution-ShareAlike 3.0 Unportedhttps://creativecommons.org/licenses/by-sa/3.0/deed.en_USplunderer by Barradeen | https://soundcloud.com/barradeenMusic promoted by https://www.free-stock-music.comCreative Commons Attribution-ShareAlike 3.0 Unportedhttps://creativecommons.org/licenses/by-sa/3.0/deed.en_USDay Ahead by Joe Crotty | https://soundcloud.com/joecrottyMusic promoted by https://www.free-stock-music.comCreative Commons Attribution 3.0 Unported Licensehttps://creativecommons.org/licenses/by/3.0/deed.en_USToo Cool For School by Audionautix | http://audionautix.comMusic promoted by https://www.free-stock-music.comAttribution-NoDerivs 3.0 Unported (CC BY-ND 3.0)https://creativecommons.org/licenses/by-nd/3.0/Vintage Memories by Schematist | http://www.schematistmusic.comMusic promoted by https://www.free-stock-music.comCreative Commons Attribution 3.0 Unported Licensehttps://creativecommons.org/licenses/by/3.0/deed.en_USChillShop by Deoxys Beats | https://soundcloud.com/deoxysbeats1Music promoted by https://www.free-stock-music.comCreative Commons Attribution-ShareAlike 3.0 Unportedhttps://creativecommons.org/licenses/by-sa/3.0/deed.en_USCoffee Break by Pyrosion | https://soundcloud.com/pyrosionMusic promoted by https://www.free-stock-music.comCreative Commons Attribution-ShareAlike 3.0 Unportedhttps://creativecommons.org/licenses/by-sa/3.0/deed.en_USFrolic by Purrple Cat | https://purrplecat.comMusic promoted by https://www.free-stock-music.comCreative Commons Attribution-ShareAlike 3.0 Unportedhttps://creativecommons.org/licenses/by-sa/3.0/deed.en_USGoing With The Flow by Purrple Cat | https://purrplecat.comMusic promoted by https://www.free-stock-music.comCreative Commons Attribution-ShareAlike 3.0 Unportedhttps://creativecommons.org/licenses/by-sa/3.0/deed.en_USFaithful Mission by Artificial.Music | https://soundcloud.com/artificial-musicMusic promoted by https://www.free-stock-music.comCreative Commons Attribution 3.0 Unported Licensehttps://creativecommons.org/licenses/by/3.0/deed.en_USSipping A Cold Drink by chillin_wolf | https://soundcloud.com/chillin_wolfMusic promoted by https://www.free-stock-music.comCreative Commons Attribution-ShareAlike 3.0 Unportedhttps://creativecommons.org/licenses/by-sa/3.0/deed.en_USDay Ahead by Joe Crotty | https://soundcloud.com/joecrottyMusic promoted by https://www.free-stock-music.comCreative Commons Attribution 3.0 Unported Licensehttps://creativecommons.org/licenses/by/3.0/deed.en_USMerry Bay by Ghostrifter Official | https://soundcloud.com/ghostrifter-officialMusic promoted by https://www.free-stock-music.comCreative Commons Attribution-ShareAlike 3.0 Unportedhttps://creativecommons.org/licenses/by-sa/3.0/deed.en_USa warm wind at 20p.m. by Barradeen | https://soundcloud.com/barradeenMusic promoted by https://www.free-stock-music.comCreative Commons Attribution-ShareAlike 3.0 Unportedhttps://creativecommons.org/licenses/by-sa/3.0/deed.en_USBefore I Forget by Artificial.Music | https://soundcloud.com/artificial-musicMusic promoted by https://www.free-stock-music.comCreative Commons Attribution 3.0 Unported Licensehttps://creativecommons.org/licenses/by/3.0/deed.en_US

Prospettive musicali dà risalto a una serie di espressioni musicali che trovano generalmente poco spazio nelle programmazioni radiofoniche mainstream. Non pensando al genere come concetto limitativo, Prospettive musicali vuole suggerire percorsi di ascolto eterogenei. Prospettive musicali potrà accostare musiche medioevali e avanguardie elettroniche, free jazz e musiche per ambiente, danze etniche e partiture contemporanee, improvvisazione e composizione, avant rock e canzone, silenzio e rumore, invitando il proprio pubblico a condividere esperienze di ascolto coraggiose e «di confine». Alessandro Achilli collabora con Radio Popolare dal 17 marzo 1991 con i cicli Sciabadà (1991), Est (1992), Le vacanze di monsieur Hulot (1991, con Giovanni Venosta, e 1992), L'Orchestra (1996), Concerti da Babele (2001, 2002, 2003), Township Beat, musiche dal Sudafrica (2010) e corrispondenze dai festival Mimi (Provenza), Ring Ring (Belgrado), London Jazz Festival; ha inoltre curato la regia e l'adattamento di un ciclo condotto da Robert Wyatt, interviste in diretta a Shelley Hirsch, Arto Lindsay, Peter Blegvad e Robert Wyatt, e puntate monografiche di Cantaloop, In genere, Zona disco, Replicanti, Yuppi do, Il giardino degli dei, 5 giri, Jazz Anthology, Happy Together e Notturnover estate. Clicca qui per notizie sulle sue attività con Musica Jazz, Musiche, Radio3 Rai e come fotografo non professionista e traduttore. Fabio Barbieri collabora con Radio Popolare dal 1997. È stato ideatore e conduttore di Tropici e meridiani e ha realizzato collegamenti e interviste per Notturnover,Candid, Sidecar, Zoe, Alaska e per il gr in network. Ha collaborato con la redazione musicale del quotidiano Il Manifesto. Suoi articoli e recensioni sono apparsi su Rockerilla, Lost Trails e nel volume Bassa fedeltà (Bollati Boringhieri). Nella stagione 2003-2004 ha curato per Patchanka una serie di corrispondenze settimanali da Londra, intitolata London Calling. Da quell'esperienza è nato un blog: http://www.fabiocalling.blogspot.co.uk/ Gigi Longo collabora con Radio Popolare dal 1987. Ha condotto Jazz Anthology, Music Mag, Onda su onda e Cibo per psiconauti. In veste di inviato, ha recensito decine di concerti jazz, rock e world music per Notturnover. Ha realizzato trasmissioni speciali su Charles Mingus, Gil Evans, Duke Ellington e Miles Davis. È stato collaboratore dell'Associazione Jazz Capolinea, del mensile Il Buscadero e dela rivista Alp Grandi Montagne.

When we think of music coming out of England in the 1960s, it's often in relation to the Mersey Beat, psychedelia, prog rock, or The Bonzo Dog Doo Dah Band. England was also going through a folk music revival in a different way to the American one in the early sixties thanks to a number of artists who saw fit to combine the traditional songs of generations gone with a contemporary approach.Welcome to episode 134 of Love That Album podcast.I am joined once again, by blues guitarist and vocalist, Shane Pacey, to discuss the third album from English band Pentangle, Basket of Light, released in 1969. There were other great bands like Steeleye Span and Fairport Convention that were finding ways of mixing folk with rock. Pentangle had a jazz rhythm section, a guitarist in the blues tradition, a guitarist trained classically, and a singer who leaned in both a blues and folk direction. Recipe for chaos? Nope, because these were all seasoned musicians who knew how to blend their skills into a common vision.Shane and I talk about our earliest memories of the band, the individual members' other projects, and a whole mess of other related topics, while hopefully convincing you that Basket of Light is one of the great albums deserving of your attention.BUT WAIT...there's more.I spoke with British jazz flautist, Rowland Sutherland who'd been invited by the London Jazz Festival in 2019 to assemble a band and play Basket Of Light live in its entirety as a tribute to the album's 50th anniversary. We discussed Rowland's background, his other projects, and how he came to arrange these beloved Pentangle tunesOnce again, I am grateful to have Shane bring his knowledge and conversation to the show....LTA is all the better for his participation. Having Rowland talk about a project so near to his heart was an absolute treat. My gratitude to him as well for his time and insight.You can find Rowland's music and links to his recordings at http://www.rowlandsutherland.com/Please explore the music of Shane at both https://bondicigars.com/ and https://shanepaceytrio.com.au/Download this episode of LTA from Spotify, Stitcher or iTunes (search for “Love That Album podcast”). Love That Album is proudly part of the Pantheon Podcast network. Go to http://pantheonpodcasts.com/ to check out all their great shows.You can send me feedback at rrrkitchen@yahoo.com.au (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum.If you'd consider writing an iTunes review we'd be immensely grateful. However, it'd be even better if you told a friend about the podcast and Pantheon – at a (socially distanced) barbecue, over coffee (on Skype), on social media….whatever way you choose, consider me grateful.

When we think of music coming out of England in the 1960s, it's often in relation to the Mersey Beat, psychedelia, prog rock, or The Bonzo Dog Doo Dah Band. England was also going through a folk music revival in a different way to the American one in the early sixties thanks to a number of artists who saw fit to combine the traditional songs of generations gone with a contemporary approach.Welcome to episode 134 of Love That Album podcast.I am joined once again, by blues guitarist and vocalist, Shane Pacey, to discuss the third album from English band Pentangle, Basket of Light, released in 1969. There were other great bands like Steeleye Span and Fairport Convention that were finding ways of mixing folk with rock. Pentangle had a jazz rhythm section, a guitarist in the blues tradition, a guitarist trained classically, and a singer who leaned in both a blues and folk direction. Recipe for chaos? Nope, because these were all seasoned musicians who knew how to blend their skills into a common vision.Shane and I talk about our earliest memories of the band, the individual members' other projects, and a whole mess of other related topics, while hopefully convincing you that Basket of Light is one of the great albums deserving of your attention.BUT WAIT...there's more.I spoke with British jazz flautist, Rowland Sutherland who'd been invited by the London Jazz Festival in 2019 to assemble a band and play Basket Of Light live in its entirety as a tribute to the album's 50th anniversary. We discussed Rowland's background, his other projects, and how he came to arrange these beloved Pentangle tunesOnce again, I am grateful to have Shane bring his knowledge and conversation to the show....LTA is all the better for his participation. Having Rowland talk about a project so near to his heart was an absolute treat. My gratitude to him as well for his time and insight.You can find Rowland's music and links to his recordings at http://www.rowlandsutherland.com/Please explore the music of Shane at both https://bondicigars.com/ and https://shanepaceytrio.com.au/Download this episode of LTA from Spotify, Stitcher or iTunes (search for “Love That Album podcast”). Love That Album is proudly part of the Pantheon Podcast network. Go to http://pantheonpodcasts.com/ to check out all their great shows.You can send me feedback at rrrkitchen@yahoo.com.au (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum.If you'd consider writing an iTunes review we'd be immensely grateful. However, it'd be even better if you told a friend about the podcast and Pantheon – at a (socially distanced) barbecue, over coffee (on Skype), on social media….whatever way you choose, consider me grateful.

Art Spiegelman's Pulitzer prize-winning Maus - a father-son memoir about the Holocaust drawn with cats and mice - is one of the classics of graphic novels. He's now collaborating with the Jazz composer Phillip Johnston on a show that puts music alongside the images. Naomi Alderman talks to them and to the performance artist Marina Abramovic who's written a memoir. Plus Sarah Churchwell watches a film version of Philip Roth's American Pastoral which won the Pulitzer Prize in 1998. Ewan McGregor directs and stars as a man whose life starts to fall apart as his daughter commits an act of political terrorism.Wordless! Art Spiegelman + Phillip Johnston is at the Barbican in London on 11 November 2016 / 19:30 It's part of the London Jazz Festival. You can find more events on BBC Radio 3 and on the BBC Music Jazz pop-up station which will run from 10am on Thursday 10th November until 10am on Monday 14th November on digital radio, online and the iPlayer Radio appMarina Abramovic's memoir is called Walk Through Walls. American Pastoral is out in cinemas across the UKProducer: Zahid Warley.

Last week the London Jazz Festival began it's 22nd year with a host of concerts including one by jazz piano legend Abdullah Ibrahim, who peformed with his septet Ekaya as well as a brand new trio. Ahead of this concert, Abdullah joined Suzy Klein on the line to talk about his early days as a pianist, the music that influenced him most, and his thoughts on still performing at 80.

Singer and pianist Jamie Cullum discusses the making of his new album 'Interlude' and his London Jazz Festival highlights

Ayanna is an English folk and soul singer, songwriter and cellist who has been nominated for a 2012 MOBO Award. A performer of extraordinary versatility, her live shows are intimate journeys that chronicle her experience as a woman in the 21st century. In 2011 Ayanna released ‘Truthfully' – an EP produced by 4hero's Marc Mac and 2013 will see the release of a full album of original work produced by Adem. She has worked with a plethora of UK and international artists including Kronos Quartet, Dutch trumpeter Diederik Rijpstra, Chinese folk artist Xiao Juen, Australian Indigenous musical force Black Arm Band, UK saxophonists Courtney Pine and Jason Yarde, guitarist Nitin Sawhney and singer-songwriters Gwyneth Herbert, Nick Mulvey and Boo Hewerdine. In 2011 she performed in Jazz Voice, the London Jazz Festival's opening night gala, alongside Michelle Dockerty, Gregory Porter, Ian Shaw, Lucinda Belle, Shingai Shoniwa and the London Jazz Festival Orchestra conducted by Guy Barker. She has also played opposite sensational Cuban pianist Roberto Fonseca, Jack DeJohnette and Sibongile Khumalo's project Intercontinental and the legendary South African trumpeter and activist Hugh Masekela.  A recipient of many awards and prizes, Ayanna is the first non-American to win the legendary Amateur Night at the Apollo Theater in Harlem and is one of only a handful of people to win with an original composition. This year, she received a Musicians Benevolent Fund Special Commendation Award, is a PRSF Women Make Music Award and is also a featured composer on the London Symphony Orchestra's Soundhub scheme 2012-13.