Podcasts about Palme

Otaliga böcker har skrivits om mordet på Olof Palme. Ungdomsböckerna om händelsen är desto färre. Nu har författaren Åsa Asptjärn skrivit ungdomsromanen Februari 86. Och hoppas på att nå även äldre läsare. Reporter: Lina Kalmteg. Lyssna på alla avsnitt i Sveriges Radios app.

Det har gått 40 år sedan som Sveriges statsminister Olof Palme mördades mitt i Stockholm på vägen hem från ett biobesök. Veckans Nyhetssvepet Special uppmärksamma 40 årsdagen av Palmemordet med ett specialavsnitt, där vi bjuder på minneskalvakad av Olof Palme. Men också intervju med Arne Forsén – Umeåbördig och frilansande musikern och Musiklärare – som åkte tunnelbanan med makarna Palme – timmarna innan mordet. Ni får också höra Ingrid Marklund – före detta journalist och Umeåbon som intervjuade Olof Palme när han besökte nedläggningshotade Boardfabriken i Pilgrimstad 1986, vilket var hans sista resa som statsminister - tre dagar före mordet. Producent: Carl-Christian Frunck

W najnowszym odcinku serii Powojnie opowiadam o jednej z największych kryminalnych zagadek XX wieku. 28 lutego 1986 roku Olof Palme wybrał się z żoną do kina w centrum Sztokholmu. Na miejscu czekali na nich syn z partnerką. Premier Szwecji nie korzystał z ochrony. Chciał żyć jak zwykły obywatel.Seans zakończył się tuż po godzinie 23. Obie pary rozeszły się w różnych kierunkach. Palme z żoną ruszyli w stronę stacji metra. Nie dotarli jednak na miejsce. Na jednej z głównych ulic miasta ktoś oddał dwa strzały w plecy premiera i zniknął w ciemności. Sprawca przez lata pozostawał nieuchwytny. Mimo kolejnych hipotez i wskazywanych podejrzanych, do dziś wokół tej zbrodni krążą pytania.

Mårten Palme intervjuas av Jörgen Huitfeldt. Fyra decennier har nu gått sedan Sveriges statsminister Olof Palme sköts ihjäl utomhus mitt i centrala Stockholm. Ett helt land chockades och förändrades vilket förstås i ännu högre grad gällde för den närmaste familjen. Mårten Palme var den av sönerna som tillbringade det som blev Olof Palmes sista kväll i livet tillsammans med honom. Idag är Mårten själv äldre än vad hans far var vid mordet. Hur definierande har detta trauma blivit i hans liv? Och har han lärt sig att leva med insikten om att svaren på vem som utförde mordet och varför det skedde aldrig kommer?

Imorgon är det 40 år sedan Olof Palme mördades. Det har hänt mycket sedan dess och vi reflekterar. Vi pratar också om en spännande, kommande, körning med ÖSI-data samt skotarinformation från Finland. Sedan har Norra skog förmedlat sitt resultat för 2025...

Reagierst du noch oder agierst du schon? Der Unterschied scheint subtil, ist er aber nicht. Ein Kommentar im Meeting. Ein Widerstand im Team. Und plötzlich bist du „auf der Palme“.

Nineteen Seventy-Six. America's bicentennial was a great year for cinema, with films like A Star is Born, King Kong, All the President's Men, Carrie, and The Omen heating up the box office, and instant classics Rocky and Network earning the most accolades. After a six-decade career in the director's chair, Alfred Hitchcock released his last film, Family Plot, around the same time that an up-and-coming young director by the name of Martin Scorsese released his breakout hit, the fifth film of his budding career. Centered on a disillusioned New York cabbie played by Robert De Niro, this rain-and-neon-soaked meditation on summer in the city proved to be a defining outing by both actor and director. With a cast including Cybill Shephard, Albert Brooks, Peter Boyle, Harvey Keitel, and a very young Jodie Foster, the film racked up awards, including the Palme d'Or at Cannes and four nominations at the Academy Awards, including Best Picture, Best Actor for De Niro, and Best Supporting Actress for Foster. Despite controversies over its content, the film was hailed as a hit. Now, fifty years later, we're catching a ride with Taxi Driver and talking to you about it!   For more geeky podcasts visit GonnaGeek.com    You can find us on iTunes under ''Legends Podcast''. Please subscribe and give us a positive review. You can also follow us on Twitter @LegendsPodcast or even better, send us an e-mail: LegendsPodcastS@gmail.com    You can write to Rum Daddy directly: rumdaddylegends@gmail.com    You can find all our contact information here on the Network page of GonnaGeek.com Our complete archive is always available at www.legendspodcast.com, www.legendspodcast.libsyn.com    Show Music:Danger Storm by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 https://creativecommons.org/licenses/by/4.0/

Det svenska pensionssystemet har en inbyggd broms som slår till när ekonomin viker. Men vad händer när systemet i stället visar rekordstort överskott – och vem ska få ta del av kakan? År 2024 uppgick överskottet i pensionssystemet till cirka 1 900 miljarder kronor, motsvarande 17 procent. Regeringen och en enig Pensionsgrupp har nu meddelat att de vill införa en "gas" i systemet: när tillgångarna överstiger skulderna med 15 procent ska överskottet delas ut till pensionärer och pensionssparare. Förslaget väcker grundläggande frågor om ansvar, risker och rättvisa mellan generationer. Hur robust är överskottet i ljuset av demografiska förändringar? Och hur påverkar en eventuell gas den intergenerationella rättvisan? Välkommen till ett seminarium på SNS där vi diskuterar hur gasen är tänkt att fungera, vilka möjligheter och risker den innebär – och hur pensionssystemets stabilitet bäst värnas över tid. Medverkande Martina Johansson (C), arbetsmarknadspolitisk talesperson och representant i pensionsgruppen Filip Lindskog, professor i försäkringsmatematik vid Stockholms universitet Anna Pettersson Westerberg, generaldirektör, Pensionsmyndigheten Mårten Palme, professor i nationalekonomi vid Stockholms universitet Seminariet modereras av Annika Creutzer, ekonomijournalist och privatekonomisk expert.

Send a textZum zweiten Mal in Rantsville, hat Luca viele neue Themen mitgebracht: Wenn Sportler Englisch reden und immer zwischendurch “you know” sagen; Die Tristesse in Fastfood Restaurants; Einen fast leeren Müllsack entsorgen müssen, nur weil der Inhalt schon stinkt; Und vieles mehr. Hör's dir halt an. Dann weißt du's. Viel Spass in Rantsville!#rantsville #podcast #petpeeves #rantDu willst mit-ranten? Schreib uns: Schick deine eigenen pet peeves (kleine Dinge, die dich riesig nerven), Fragen, Meinungen und Kommentare an Helmut unter 0699-1-237 50 83Begriffsdefinitionen RANT Engl. für: Schimpfkanonade · Schimpftirade · Wutgeheul · WutredeGoogle: „Die Person, die sich das Geschimpfe anhört, wird nicht beachtet, und oft ist der Vorgang für den Zuhörer nicht einvernehmlich. Es wird extrem toxisch, da die Person, die emotional ablädt, oft nicht in der Lage ist, eine konstruktive Bemerkung oder einen Ratschlag zu geben. Der ganze Prozess lässt keinen Raum für eine Lösung.“Etymologie: Rant kommt aus dem Niederländischen ranten, „Unsinn reden“.Der erste dokumentierte Gebrauch von rant stammt aus dem Ende des sechzehnten Jahrhunderts, aus Shakespeares Die lustigen Weiber von Windsor.VILLE Urban dictionary: „Populäres Suffix, das häufig als Verstärker an ein beliebiges Wort angehängt wird, etwa: ‚hoe ville‘: eine Stadt voller Schlampen“PET PEEVE „Das Lieblingsärgernis“; ein kleines Ärgernis, das einen immer wieder aufs neue auf die Palme bringt.Danke fürs Zuhören und fürs Teilen!Cover Art: Cat AsenguaMusik: Helmut Stekl und Michael „Mitch“ Dörfler, www.tripbox.com#rant #ranting #rantsville #complaining #petpeeves #jammern #beschweren #negativ

Was tun mit der Schwiegermutter? Sie meint es doch nur gut und trotzdem bringt sie dich auf die Palme. In dieser Folge geht es um einen der häufigsten Alltags-Stressfaktoren: die Schwiegermutter (oder andere gutgemeinte Reingrätscher im eigenen Leben). Was tun, wenn dir ungefragt Tipps gegeben werden? Wie reagierst du, wenn dich solche Kommentare innerlich aus dem Gleichgewicht bringen? Statt in alten Mustern zu verharren, geht es darum, deine Wahrnehmung zu schärfen, Alternativen zu erkennen und klare, liebevolle Kommunikation zu entwickeln. Erfahre, wie du dich aus der Autopilot-Falle befreist, deinem inneren Frieden Priorität gibst und wie du es schaffst, auch in heiklen Familiensituationen gelassen zu bleiben. Mit einem Augenzwinkern, klaren Beispielen und einer starken Einladung, dich selbst zum Gamechanger deines Lebens zu machen. Du möchtest rausfinden, wie du das in deiner individuellen Situation nutzen kannst? Lade dir eines der bekannten Hörbücher herunter, bevor du zum nächsten NLP Gamechangerday in Winterthur kommst und erfahre alles was du brauchst, um noch mehr Glück, Erfolg und Freiheit in dein Leben zu lassen. Weitere Infos auf: www.brain-vitamins.ch/angebot

Der HSV bringt Bayern auf die Palme, der BVB hat mal wieder Dusel und um einige Kellerkandidaten muss man sich Sorgen machen. Julia Roxana Ertel und Maximilian Aichinger analysieren den Spieltag.

Programmakaren Pierre Näsman förklarar för Ann Sandin-Lindgren vad som gör att han bestiger berg, dyker, är med i hemvärnet, filmar, skapar YouTubekanaler, studerar Korvlinjen, intresserar sig för lokala och globala äventyr och ständigt kastar sig in i nya utmaningar. Redan som liten var han otroligt nyfiken och ville testa allt som var spännande. Om hur han satte upp mål då en av hans döttrar fick cancer som 4-åring och han då bestämde sig för att bestiga Mount Everest. Numera har han drömjobbet som vaktmästare/IT-ansvarig på Krusboda skola och intresserar sig för hälsa och vardagsmotion. Han berättar också varför han gjort så många program på Tyresöradion om Palme-mordet.

This week we cover Jafar Panahi's Palme d'Or winning film, "It was Just an Accident." We cover the clandestine process of making this film in the repressive Iranian regime. After covering the background, we get into the film itself, and describe everything we loved about this masterpiece. Finally, we end the episode with a pair of double bills for your viewing pleasure.Thank you so much for listening! Support us at Patreon at https://www.patreon.com/DoubleBillChill Created by Spike Alkire & Jake KelleyTheme Song by Breck McGoughFollow us on Instagram: @DoubleBillChillLetterboxd: FartsDomino44

Cendrillon, mais autrement. À l'âge de 83 ans, Pauline Viardot signa un opéra‑comique où l'héroïne échappe au merveilleux pour s'inscrire dans une réalité plus humaine et sociale, loin du conte de Charles Perrault. Créée en 1904, cette œuvre renaît aujourd'hui dans une nouvelle production de la Co[opéra]tive, un collectif de scènes françaises qui va à la rencontre du public en dehors des grandes institutions lyriques. Revisitée par le metteur en scène David Lescot, cet « opéra de salon » miniature d'une durée de 1h10 est actuellement en tournée à travers la France pour plus de 70 représentations. À lire aussi«Anora» de Sean Baker: un Cendrillon moderne et déjanté, Palme d'or 2024   À lire aussiMariame Clément, metteuse en scène pour «Cendrillon» de Massenet à l'Opéra de Paris

Nights' resident screen critic, Dan Slevin, is back for the first edition of Short-Cuts for 2026! Tonight he's taking a look at It Was Just an Accident (Panahi, 2025), last year's Palme d'Or winner and two-time Oscar nominee; The Mastermind (Reichardt, 2025), a 1970s art heist gone wrong starring Josh O'Connor; and Ponies (Fogel/Iserson, 2026), a lighthearted Cold War thriller with Emilia Clarke and Haley Lu Richardson.

Was tun, wenn Teammitglieder, Kolleg:innen oder Vorgesetzte dich emotional triggern – ständig kritisieren, Termine sprengen oder dich „auf die Palme bringen“? In dieser Solo-Folge stellt Julia Peters das provokante, aber wirkmächtige „Arschengel“-Konzept von Robert Betz vor: ein Reframing, das schwierige Menschen als Botschafter für ungelöste Themen in uns selbst begreift. Doch Vorsicht: Nicht jeder Konflikt ist ein „Geschenk“ – manchmal stecken toxische Strukturen, Machtmissbrauch oder systemische Probleme dahinter. Julia zeigt, wie du das Prinzip konstruktiv nutzt, ohne dich zu überfordern: „Nicht jeder Konflikt oder jede schwierige Person ist ein „Geschenk“ – manchmal ist es schlicht Alltagsrassismus oder ein Systemproblem, das Veränderung braucht.“ (Julia Peters) Wichtigste Impulse für die Führungspraxis – kurz & knackig: Wofür das Arschengel-Konzept gut ist: - Der „Arschengel“ ist ein Reframing: „Schwierige“ Menschen können als Spiegel für eigene Unsicherheiten, Ängste oder ungelöste Konflikte gesehen werden. Beispiel: Ein kritischer Mitarbeiter könnte deine Angst vor Fehlern spiegeln – eine Chance, Fehlertoleranz zu üben. - Führung beginnt mit Selbstführung: Nur was du in dir löst, kannst du nach außen tragen. - Neugier statt Widerstand: Trigger als Hinweis auf unerfüllte Bedürfnisse oder Entwicklungsfelder nutzen; Übung macht souverän: Rollenspiele im Coaching oder Teamentwicklung, um konstruktive Reaktionen zu trainieren. - Psychologische Sicherheit gelingt leichter mit weniger Impulsivität = mehr Raum für offene Kommunikation. WICHTIG: Grenzen des Konzepts – wann es nicht reicht: - Toxizität erkennen: Mobbing, Diskriminierung oder Machtmissbrauch sind keine Lernchancen, sondern erfordern Intervention (HR, Betriebsrat, Mediation). Das gilt auch im Umgang mit marginalisierten Gruppen. - Systemische Probleme: Überlastung oder unklare Rollen lassen sich nicht durch Selbstreflexion allein lösen. - Sprache: Der Begriff „Arschengel“ und das Konzept des Triggers als „Geschenk“ versucht, mit esoterisch nahen Bildern und vereinfachten Konzepten ein vermeintliches Allheilmittel zu plazieren – die Wahrheit ist komplexer. „Es gibt einen Bereich, da bist du als Führungskraft relevant persönlich verantwortlich – und dann gibt es einen anderen Bereich, da muss ein System verändert werden. Und es ist wichtig, das zu kombinieren.“ (Julia Peters) Call-to-Action für Hörer:innen: Experiment: „Wo war dein letzter ‚Arschengel‘-Moment? War es ein Geschenk, ein Systemproblem – oder beides?“ Feedback: Schreib Julia, wie du den Ansatz für dich nutzt (kontakt@juliapeters.info). Teilen: Kennst du Führungskräfte, die sich weiterentwickeln wollen? Teile die Folge mit dem Hashtag #NextLevelLeadership! Shownotes: Das erwähnte Video von Robert Betz bei YouTube: https://youtu.be/r-4iD1twa40?si=Sagz_2yg0PJU3-V3 Buch-Tipp: „Psychological Safety“ von Amy Edmondson ✍️ Trage dich hier für meinen Newsletter ein: https://juliapeters.info/newsletter

Cendrillon, mais autrement. À l'âge de 83 ans, Pauline Viardot signa un opéra‑comique où l'héroïne échappe au merveilleux pour s'inscrire dans une réalité plus humaine et sociale, loin du conte de Charles Perrault. Créée en 1904, cette œuvre renaît aujourd'hui dans une nouvelle production de la Co[opéra]tive, un collectif de scènes françaises qui va à la rencontre du public en dehors des grandes institutions lyriques. Revisitée par le metteur en scène David Lescot, cet « opéra de salon » miniature d'une durée de 1h10 est actuellement en tournée à travers la France pour plus de 70 représentations. À lire aussi«Anora» de Sean Baker: un Cendrillon moderne et déjanté, Palme d'or 2024   À lire aussiMariame Clément, metteuse en scène pour «Cendrillon» de Massenet à l'Opéra de Paris

In this star‑studded episode, Ethan Hawke talks Blue Moon, Richard Linklater's acclaimed biographical drama that premiered at Berlin and earned a Silver Bear for Andrew Scott, plus Golden Globe and Oscar nominations for Hawke himself. Chris Pratt and Mercy director Timur Bekmambetov unpack their high‑stakes sci‑fi thriller, where Pratt is in the lead as a detective battling an unforgiving AI justice system. Iranian auteur Jafar Panahi discusses It Was Just an Accident, which took home the Palme d'Or at Cannes and is now an Oscar contender...a politically charged thriller born from his own lived resistance, and Adelaide born Hollywood actor Teresa Palmer in the studio and in conversation about her life, career, and latest role in the Australian film Addition, a charming, numbers‑driven rom-com based on Toni Jordan's bestseller.Presenter, Jason Di RossoProducer, Sarah CorbettSound engineer, Carey DellArts editor, Rhiannon Brown

In this star‑studded episode, Ethan Hawke talks Blue Moon, Richard Linklater's acclaimed biographical drama that premiered at Berlin and earned a Silver Bear for Andrew Scott, plus Golden Globe and Oscar nominations for Hawke himself. Chris Pratt and Mercy director Timur Bekmambetov unpack their high‑stakes sci‑fi thriller, where Pratt is in the lead as a detective battling an unforgiving AI justice system. Iranian auteur Jafar Panahi discusses It Was Just an Accident, which took home the Palme d'Or at Cannes and is now an Oscar contender...a politically charged thriller born from his own lived resistance, and Adelaide born Hollywood actor Teresa Palmer in the studio and in conversation about her life, career, and latest role in the Australian film Addition, a charming, numbers‑driven rom-com based on Toni Jordan's bestseller.Presenter, Jason Di RossoProducer, Sarah CorbettSound engineer, Carey DellArts editor, Rhiannon Brown

Last year, Iranian director Jafar Panahi won the Palme d'Or at Cannes for his extraordinary film It Was Just an Accident, which he shot secretly in Tehran under great risk of serious harm. Jafar has been in prison twice on charges of “anti-government propaganda” and for protesting the imprisonment of other filmmakers. At the Toronto International Film Festival back in September, he joined Tom Power to tell us how It Was Just an Accident was shaped by his two experiences in Tehran's Evin Prison.

For our first International Feature of 2026, we dive into Anatomy of a Fall, the 2023 French courtroom drama, directed by Justine Triet. It became a major awards-season standout, winning the Palme d'Or at Cannes and sparking wide conversation for its unconventional approach to truth, perspective, and performance. Rather than leaning on flashy courtroom theatrics, the film builds tension through ambiguity, character study, and meticulous visual choices.In this episode, we break down what made Anatomy of a Fall resonate so strongly with audiences and critics alike, including what worked for us and why the film continues to linger long after the credits roll.The across-the-board performances, from the lead actors all the way down to the dogHow the film's open-ended storytelling challenges the audience to sit with uncertaintyDirect, intentional cinematography choices that quietly shape how we interpret eventsA courtroom drama focused on truth and perception, without over-the-top legal theatricsWhy restraint and realism make the emotional beats hit harderWhether you loved the ambiguity or found it frustrating, this was a film that gave us plenty to unpack.Letterbox'd Synopsis: A woman is suspected of her husband's murder, and their blind son faces a moral dilemma as the sole witness.

Sonny Bunch joins to discuss “It Was Just an Accident” a film from dissident Iranian director Jafar Panahi. It raises profound questions about guilt, judgment, and revenge. Also, amazing that it was made at all.Get 15% off OneSkin with the code MONACHAREN at https://www.oneskin.co/MONACHAREN#oneskinpod #adFilms & References Mentioned:It Was Just an Accident (dir. Jafar Panahi)The film discussed throughout the episode — a clandestinely made Iranian dissident film that won the Palme d'Or at Cannes.https://www.imdb.com/title/tt30841958/The Seed of the Sacred Fig (dir. Mohammad Rasoulof)Recommended by Sonny as further viewing; set during post–Mahsa Amini unrest in Iran.https://www.imdb.com/title/tt29362290/The Lives of Others (dir. Florian Henckel von Donnersmarck)Cited as a thematic comparison for life under a surveillance state.https://www.imdb.com/title/tt0405094/A Hero (dir. Asghar Farhadi)Mentioned as another standout contemporary Iranian film about truth, lies, and social pressure.https://www.imdb.com/title/tt11777738/

Travelling avant sur le Guépard, il Gattopardo de Luchino Visconti sorti en 1963. Le film est adapté du livre du même nom, le succès littéraire et posthume de Giuseppe Tomasi di Lampedusa sorti en librairie en 1958. De ce chef-dʹœuvre littéraire, Visconti tire une fresque romanesque, une tragédie des grandes familles, immobiles, confrontées à la révolution. Cʹest un film sur lʹécoulement du temps et lʹéboulement des repères. En voyant ce quʹen fait Visconti, tout en magnificence, le public ne peut quʹéprouver de lʹempathie pour le prince, pour le guépard, le surnom du prince Salina joué par Burt Lancaster confronté à la révolution de Garibaldi. Il sʹenthousiasme et la critique aussi. Le Guépard remporte la Palme dʹOr au festival de Cannes en 1963. Mais les réalisateurs italiens attaquent Luchino Visconti. Ils renient le cinéaste, le conspuent. Ils préfèrent le voir dans la case néo-réaliste. Ils reprochent au film son académisme, des anachronismes, trop dʹesthétisme. Visconti nʹen a cure et porte son film malgré les accusations de ses pairs. Il a fait au mieux pour faire un beau film, ignorant parfois les réalités historiques et autobiographiques. Le Guépard est souvent réduit à sa beauté. Ne nous leurrons pas, cʹest un bijou du cinéma. Burt Lancaster y est rayonnant. Claudia Cardinale lumineuse. Alain Delon très jeune premier. Il ne nous reste plus quʹà entrer dans lʹhistoire, en nous dépêchant, car la révolution italienne est déjà en marche. REFERENCES Laurence Schifano, Le Guépard de Luchino Visconti, étude critique, Synopsis, Nathan Editions, Paris, 1991 Florence Colombani, Proust-Visconti, histoire dʹune affinité élective, Editions Philippe Rey, Paris 2006 Laurence Schifano, Visconti, les feux de la passion, Champs Contre-Champs, Flammarion, 1989 Un hommage à Claudia Cardinale https://www.rts.ch/info/culture/cinema/2025/article/deces-de-claudia-cardinale-l-icone-du-cinema-italien-s-eteint-a-87-ans-29007302.html Les archives de la RTS, Visconti à Cannes https://www.facebook.com/RTSArchives/videos/une-palme-cannoise/930022617048414/?locale=ms_MY

No primeiro podcast do PublishNews de 2026, trazemos um pouco da cerimônia da segunda edição do ranking “Melhores Empresas Para Trabalhar – Mercado Editorial”, iniciativa pioneira do PublishNews e do Great Place To Work com dois painéis falando sobre importantes assuntos na gestão de pessoas. Na primeira, Patricia Pugas e André Palme, a diretora-executiva de gestão de pessoas do Grupo Magalu e o head da Estante Virtual e em seguida Vanessa Reis, diretora de diversidade e inclusão do GPTW. Patrícia e André falam da construção e da importância da cultura organizacional do Magalu e os desafios enfrentados na gestão de pessoas. E em seguida Vanessa fala sobre a diversidade e inclusão, destacadas como fundamentais para o sucesso, assim como a necessidade de uma liderança que se conecte genuinamente com os colaboradores.Este é um episódio 403 do Podcast do PublishNews do dia 6 de janeiro de 2026 e gravado no dia 16 de dezembro na Biblioteca Parque Villa-Lobos. Não se esqueça de assinar a nossa newsletter, nos seguir nas redes sociais: Instagram, Linkedin, Facebook e TikTok.  Todos os dias com novos conteúdos para você. E também nos siga no YouTube ou no tSpotify, onde você pode comentar, dar sugestões até 5 estrelas. E agora Patricia Pugas e André PalmeEste podcast é um oferecimento da MVB América Latina! Onde a inovação e tecnologia impulsionam o mercado do livro. Com a Pubnet, você ganha eficiência, agilidade e segurança em cada pedido.E quando o assunto é metadados… metadados é com Metabooks! Porque, no fim das contas, o propósito da MVB é um só: levar os livros até os leitores! https://pt.mvb-online.com/Já ouviu falar em POD, impressão sob demanda? Nossos parceiros da UmLivro são referência dessa tecnologia no Brasil, que permite vender primeiro e imprimir depois; reduzindo custos com estoque, armazenamento e distribuição. Com o POD da UmLivro, você disponibiliza 100% do seu catálogo sem perder nenhuma venda. http://umlivro.com.bre também com o apoio da CBLA Câmara Brasileira do Livro representa editores, livreiros, distribuidores e demais profissionais do setor e atua para promover o acesso ao livro e a democratização da leitura no Brasil. É a Agência Brasileira do ISBN e possui uma plataforma digital que oferece serviços como: ISBN, Código de Barras, Ficha Catalográfica, Registro de Direito Autoral e Carta de Exclusividade. https://cbl.org.br

We are fortunate to have the legendary Iranian filmmaker Jafar Panahi on the podcast to discuss Palme d'Or winning film. Panahi explains how he shot the movie in secret, and how his personal experience with torture lead him to make a film confronting the nature of revenge. To hear the conversation with Jafar Panahi's full answers in Persian, skip to 22:32. Listen to the Screen Talk Podcast. Every Friday IndieWire editors Anne Thompson & Ryan Lattanzio break down insider news from Hollywood and debate the latest films and series. https://podcasts.apple.com/us/podcast/indiewire-screen-talk/id893977298 Learn more about your ad choices. Visit megaphone.fm/adchoices

A round-up of the main headlines in Sweden on December 18th 2025. You can hear more reports on our homepage www.radiosweden.se, or in the app Sveriges Radio. Produced and Presented by Dave Russell

Quel est le point commun entre un shampooing, un gâteau et une poudre de lait pour bébé ? Et bien, tous ces produits contiennent de l'huile de palme et comme nous allons vous l'expliquer dans un instant, c'est catastrophique pour l'environnement. Pourtant historiquement, le palmier à huile est un arbre élégant originaire du golfe de Guinée. (Rediffusion du 31/01/2025) Des preuves archéologiques démontrent d'ailleurs que ses fruits et leur huile faisaient déjà partie de l'alimentation des Africains de l'Ouest, il y a 5 000 ans. Et à l'exception des plantations « royales » de palmiers à huile, établies au XVIIIè siècle pour la production de vin de palme dans le royaume du Dahomey, tous les palmiers à huile d'Afrique de l'Ouest poussaient dans des bosquets sauvages ou semi-sauvages. Aujourd'hui encore, l'huile de palme est un ingrédient très consommé en Afrique de l'Ouest, mais elle est massivement importée de Malaisie et d'Indonésie, les deux géants du secteur. Très critiquée par les ONG pour son impact sur la déforestation, la culture de l'huile de palme industrielle s'impose petit à petit en Afrique. Nous vous emmènerons dans le sud du Cameroun où les populations de Campo se mobilisent contre l'entreprise Camvert. Car, comme nous l'expliquera dans un autre reportage, un agriculteur au Bénin « la terre n'est pas élastique » et la concurrence pour les ressources est féroce. Diffusion du reportage de Raphaël Krafft sur l'huile de palme au Cameroun. Éclairage d'Audrey Morice de FoodWatch, organisation à but non lucratif qui se bat pour une alimentation sans risques, saine et abordable pour tous et toutes.  Musiques diffusées Jeanine N'taho - Café - cacao Malakey - L'incompris Jupiter & Okwess - Les bons comptes.

No podcast do PublishNews desta semana, falamos sobre duas novas livrarias na Avenida Paulista, um dos principais pontos de livros da cidade de São Paulo. Conversamos com André Palme, Diretor responsável pela operação da Estante Virtual e com Samuel Seibel, proprietário da Livraria da Vila. André fala sobre a inauguração da Estante Virtual na Galeria Magalu, celebrando seus 20 anos de história. discute a evolução da plataforma, que agora inclui uma livraria física, e a importância dos livros usados no mercado. Já Samuel, proprietário da Livraria da Vila, fala sobre a nova loja na Avenida Paulista, discutindo a importância do espaço físico, os 40 anos, o design da loja e da marca e a democratização do acesso à literatura. Este é um episódio 401 do Podcast do PublishNews do dia 16 de dezembro de 2025 e gravado no dia 15. Eu sou Fabio Uehara e este episódio teve a participação de Beatriz Sardinha. Não se esqueça de assinar a nossa newsletter, nos seguir nas redes sociais: Instagram, Linkedin, Facebook e TikTok. Todos os dias com novos conteúdos para você. E também nos siga no YouTube ou no Spotify, onde você pode comentar, dar sugestões até 5 estrelas. E agora André Palme e depois Samuel SeibelEste podcast é um oferecimento da MVB América Latina! Onde a inovação e tecnologia impulsionam o mercado do livro. Com a Pubnet, você ganha eficiência, agilidade e segurança em cada pedido.E quando o assunto é metadados… metadados é com Metabooks! Porque, no fim das contas, o propósito da MVB é um só: levar os livros até os leitores! https://pt.mvb-online.com/Já ouviu falar em POD, impressão sob demanda? Nossos parceiros da UmLivro são referência dessa tecnologia no Brasil, que permite vender primeiro e imprimir depois; reduzindo custos com estoque, armazenamento e distribuição. Com o POD da UmLivro, você disponibiliza 100% do seu catálogo sem perder nenhuma venda. http://umlivro.com.bre também com o apoio da CBLA Câmara Brasileira do Livro representa editores, livreiros, distribuidores e demais profissionais do setor e atua para promover o acesso ao livro e a democratização da leitura no Brasil. É a Agência Brasileira do ISBN e possui uma plataforma digital que oferece serviços como: ISBN, Código de Barras, Ficha Catalográfica, Registro de Direito Autoral e Carta de Exclusividade.https://cbl.org.br

One of Iran's most celebrated filmmakers, Jafar Panahi, has spent the last quarter of a century in conflict with the Iranian government, which objects to his films' criticisms of their actions and the wider social conditions in the country, and has both arrested him several times and banned him from making films for twenty years - which hasn't stopped him. His latest, It Was Just an Accident, won the 2025 Palme d'Or, and tells the story of former political prisoners who capture a man they suspect was their torturer. It's a brilliant thriller which, despite the gravity and darkness of its subject matter, is energetic and entertaining. It effortlessly raises both moral and practical questions - What's the right thing to do with their captive? Have they become the torturers? If they let him live, won't he just come after them again? - without entering morality play territory, neither pretending to have the answers nor admonishing its characters for their choices and emotional responses. It's a vivid expression of the lasting effect the actions of the Iranian regime have had on its people, for whom merely the suggestion that they might be able to exact revenge on their torturer causes instant emotional outbursts. We discuss all this and more, including the depiction of a lawless culture in which you're constantly expected to give bribes to get by; the filmmaking, in which no filming permits were provided and Panahi had to once again violate his filmmaking ban; the question of how ambiguous the end might be and what that means; and a comparison with American cinema in Trump's America and the question of what might be happening under ICE, the immigration enforcement agency that's expanded into a neo-paramilitary force over the last year. It Was Just an Accident is a magnificent film. See it. Recorded on 10th December 2025.

Wir nehmen euch mit auf unsere winterliche Achterbahnfahrt – von Insta-Gewinnspielen, die eigentlich nur Werbung sind, über das allgegenwärtige Bingo der Füllwörter bis hin zum ganz realen Kampf mit Motivation, Training und Weihnachtsfeiern. Zwischen Lachflashs, ehrlichen Ausrutschern und Alltagsbeobachtungen gehen wir der Frage nach, was uns im Alltag wirklich auf die Palme bringt und wie wir uns trotzdem immer wieder motivieren, aufs Rad zu steigen – oder eben doch lieber auf der Rolle zu bleiben. Mit der gewohnten Portion Selbstironie diskutieren wir, warum strukturierte Trainingspläne im Winter Gold wert sind, wie man den Feiertagsmarathon überlebt und weshalb kleine Rituale – von der Feuerzangenbowle bis zum Weihnachtsraklett – einfach dazugehören. Freut euch auf ehrliche Einblicke, persönliche Geschichten und jede Menge Anregungen, wie ihr mit Humor, Training und einer Prise Gelassenheit durch die dunkle Jahreszeit kommt. Schöne Weihnachten und gute Fahrt ins neue Jahr! Hier geht's zum Trainingsplan https://shop.pmp-coaching.de/shop/wattasia-winterpokal/ wattasia.de Hier geht's nach Malle: https://radsport-mallorca.de/de/radsport-highlights/wattasia-camp

In der heiligen Schrift der Muslime wurde Jesus nicht im Stall geboren, sondern unter einer Palme, er ist nicht Gottes Sohn, sondern ein Gesandter. Was heißt das für ihre Art, Weihnachten zu feiern?

Tom and guests Arifa Akbar and Nick Hilton consider Paddington The Musical. It's the latest step for a beloved British institution... How does he work on stage? Is the bear believable? Are the songs memorable?Iranian director Jafar Panahi's latest film has won the Palme d'Or. It Was Just An Accident, straddles a difficult gap between political commentary and a lightly comic look at revenge. He had to make this film in secret and has just been sentenced - in absentia - to a prison sentence by the Iranian authorities for "propaganda activities" against the country.In The War Between the Land and the Sea, the latest offshoot of the Whoniverse, Russell Tovey plays a humble admin assistant who is promoted to humanity's Ambassador when the Sea Devils return and decide that humans need to be taught respect for their watery world. Presenter: Tom Sutcliffe

Evan is back! We're happy to have him. First up is Megan's solo turn on HAMNET (2:19), director Chloé Zhao's adaptation of Maggie O'Farrell's novel (with a screenplay by Zhao and O'Farrell), a historical drama about Anne Hathaway and William Shakespeare's marriage following the tragic death of their 11-year-old son. Then Evan, Megan, and Dave talk about Paul Thomas Anderson's ONE BATTLE AFTER ANOTHER (15:16), but Dave is called away mid-conversation by a child in need (one of his, not some rando who wandered in from the hinterlands). Evan and Megan pick up the conversation and then discuss writer-director Jafar Panahi's latest, the nakedly anti-authoritarian thriller IT WAS JUST AN ACCIDENT (42:09), which won the Palme d'Or at Cannes and is France's submission for Best International Feature Film at the 2026 Academy Awards. Over on Patreon, we talk about our poll winner, the 2013 summer movie THE WAY WAY BACK.

7 ans après la sortie de Mektoub My Love Canto Uno, la 2ème partie sort enfin au cinéma. Ce film d'Abdellatif Kechiche, réalisateur multi-récompensé et lauréat d'une Palme d'or pour La vie d'Adèle, a subi de multiples remontages et était au coeur de diverses polémiques. Il aura fallu donc être patient pour découvrir la suite des aventures d'Amin, ses amours, ses amis…Ce nouveau volet nous invite à faire connaissance avec de nouveaux personnages, et nous emmener vers un ton assez différent du premier Mektoub My Love, avec plus de rebondissements, de suspense et de tensions. Nous nous sommes entretenus avec les acteurs Shaïn Boumedine et Salim Kechiouche.Crédits :Journaliste : Brigitte Baronnet Montage : Constance Mathews Hébergé par Audion. Visitez https://www.audion.fm/fr/privacy-policy pour plus d'informations.

Pelle Neroth Taylor is a Swedish-British journalist, filmmaker, and political writer based in Sweden, renowned for his investigative work on geopolitics, propaganda, political assassinations, and the rise of European populism. Educated at Westminster School and Bristol University, he began his career in the early 1990s reporting for The Economist from the post-communist Baltic States, later editing and contributing to outlets like The Guardian, The Independent on Sunday, The Times, Financial Times, Sunday Times, New Scientist, and The Lancet. As founder of Two Raven Films, he has produced documentaries such as Sweden, Dying to Be Multicultural, a critical examination of Sweden's immigration policies that has garnered over 2 million views on platforms like Amazon Prime and Blckbx TV, and Cancel Nation, addressing censorship and cancel culture. Kari Poutiainen is a Swedish physicist and one of Sweden's most persistent independent investigators of the 1986 assassination of Prime Minister Olof Palme. Together with his brother Pertti, he wrote the influential 1995 book Inuti labyrinten (“Inside the Labyrinth”), a meticulous critique of the official police investigation that became a bestseller and a classic reference work in the Palme case. For over three decades Poutiainen has continued his research, publishing additional books and appearing in documentaries and interviews. In recent years he has strongly advocated the theory that the murder was carried out by or with the involvement of Sweden's secret Cold War “Stay Behind” network, motivated by Palme's independent foreign policy and his contacts with Mikhail Gorbachev. Tickets to Cornerstone Forum 26': https://www.showpass.com/cornerstone26/Tickets to the Mashspiel:https://www.showpass.com/mashspiel/Silver Gold Bull Links:Website: https://silvergoldbull.ca/Email: SNP@silvergoldbull.comText Grahame: (587) 441-9100Bow Valley Credit UnionBitcoin: www.bowvalleycu.com/en/personal/investing-wealth/bitcoin-gatewayEmail: welcome@BowValleycu.com Use the code “SNP” on all ordersProphet River Links:Website: store.prophetriver.com/Email: SNP@prophetriver.comGet your voice heard: Text Shaun 587-217-8500

Bröstkaos hos SD, Musk sköt Palme och blågul islam.Köp Inaktuellts egna merch på inaktuellt.seFölj poddens Instagram: @inaktuelltpoddMejla in dina frågor till: inaktuellt@podplay.seLyssna på Inaktuellt Live VARJE måndag och torsdag från kl 09:30 på Podplay.se eller i Podplay-appen för att lyssna och ställa frågor direkt till Jonas, Hasse Brontén, Linnéa Bali och producenten Dawwa.

We have lots of new movies to review, along with a couple of shows. We start off with Edgar Wright's new adaptation of 'The Running Man' starring Glen Powell, and move into 'Jay Kelly' (Noah Baumbach, George Clooney, Adam Sandler), 'Rental Family' (Brendan Fraser), and 'The Testament of Ann Lee' (Amanda Seyfried). Plus, thoughts on 'Train Dreams', the Palme d'Or winner 'It Was Just an Accident', 'Sorry, Baby', and 'Sentimental Value'. Finally, we wrap with a breakdown of Netflix's 'Monster: The Ed Gein Story'. Intro - 0:00Warner Bros Sale, HBO's Jimmy Olsen show - 1:58The Running Man - 6:37Jay Kelly - 19:07Rental Family - 23:49The Testament of Ann Lee - 28:38Die My Love - 41:30Train Dreams - 45:48It Was Just An Accident - 54:20Sorry, Baby - 56:58Sentimental Value - 59:25Black Mirror Eulogy - 1:04:10Monster the Ed Gein Story - 1:07:08

durée : 00:55:00 - Affaires sensibles - par : Christophe Barreyre, Fabrice Drouelle - Aujourd'hui dans Affaires sensibles, l'histoire d'un film documentaire choc au succès planétaire : Fahrenheit 9/11 de Michael Moore. - réalisé par : Flora BERNARD Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Some exciting news—The Take is now on Patreon: www.patreon.com/kermodeandmayo. Become a Vanguardista or an Ultra Vanguardista to get video episodes of Take Two every week, plus member‑only chat rooms, polls and submissions to influence the show, behind‑the‑scenes photos and videos, the monthly Redactor's Roundup newsletter, and access to a new fortnightly LIVE show—a raucous, unfiltered lunchtime special with the Good Doctors, new features, and live chat so you can heckle, vote, and have your questions read out in real time. The fabulous Edgar Wright joins us on this week's Take to talk ‘The Running Man'—his new adaptation of the Stephen King dystopia. You might remember the Arnie version from 1987, but Wright's is a refreshed take starring very angry action man Glen Powell. He plays Ben Richards, an out-of-work dad living in the slums of a sci-fi totalitarian state, who enters a deathmatch gameshow in the hope of winning the cash he needs to save his sick child. Edgar and Simon talk action classics, staying on Arnie's good side, and why Stephen King called the film ‘Die Hard for our time'. Mark reviews it too—plus two more big movies out this week: a blockbuster and an exciting indie. In the arthouse corner, the Palme d'Or-winning ‘Titane' director Julia Ducournau's latest, ‘Alpha'. In her usual out-there style, it follows a troubled teenage girl who returns home with a mysterious tattoo, amidst a terrifying bloodborne epidemic. And from Hollywood, ‘Now You See Me: Now You Don't', the latest entry in the slick magician‑heist franchise... which has left Mark wishing it would do a disappearing act. Ladies and gentlemen, be marveled as a Kermodean rant is conjured before your eyes! Plus more exquisite dad jokes and guaranteed groans in The Laughter Lift, and we'll hear plenty from you lovely lot as always—including some prizewinning pedantry. Keep it coming! AND Don't miss our upcoming LIVE Christmas Extravaganza at London's Prince Edward Theatre on 7th December—with special guests Nia DaCosta, Gurinder Chadha, and more! Tickets here: fane.co.uk/kermode-mayo Timecodes (for Vanguardistas listening ad-free) Alpha Review: 13:11 BO10: 21:42 Edgar Wright Interview: 38:14 The Running Man Review: 53:04 Laughter Lift: 1:03:12 Now You See Me: Now You Don't Review: 1:04:40 You can contact the show by emailing correspondence@kermodeandmayo.com or you can find us on social media, @KermodeandMayo Please take our survey and help shape the future of our show: https://www.kermodeandmayo.com/survey EXCLUSIVE NordVPN Deal ➼ https://nordvpn.com/take Try it risk-free now with a 30-day money-back guarantee! A Sony Music Entertainment production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us @sonypodcasts To advertise on this show contact: podcastadsales@sonymusic.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Enjoy this feed drop from earlier this year when host Philip Marinello joined Mike White and Robert Bellissimo on The Projection Booth to talk about the underseen Palme d'Or winning 1962 film O Pagador de Promessas. Follow Us:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Philip's Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BlueSky⁠⁠⁠⁠⁠⁠Share Your Questions/Suggestions/Feedback With Us:Email: thesubstancepod@gmail.comDM on InstagramSupport Us: Support the show with an individual donation on CashApp to $TheSubstancePod or become a monthly Patreon supporter at patreon.com/TheSubstancePod

THIS IS A PREVIEW PODCAST. NOT THE FULL REVIEW. Please check out the full podcast review on our Patreon Page by subscribing over at - https://www.patreon.com/NextBestPicture For this week's second podcast review, Josh Parham, Megan Lachinski, Dan Bayer, and Giovanni Lago join me to review and discuss the latest film from master Iranian filmmaker Jafar Panahi, "It Was Just An Accident," starring Vahid Mobasseri, Mariam Afshari, Ebrahim Azizi, Hadis Pakbaten, Majid Panahi, Mohamad Ali Elyasmehr, Delnaz Najafi, Afssaneh Najmabadi, and Georges Hashemzadeh. The film had its world premiere at the 2025 Cannes Film Festival, where it won the coveted Palme d'Or and received rave reviews for its writing, direction, and performances. It has been selected as the French entry for Best International Feature Film at the 98th Academy Awards. What did we think of this thrilling drama (with a touch of comedy) from Panahi? Please tune in as we discuss Panahi's screenplay and direction, the performances from the ensemble, the haunting, memorable ending, its awards season chances, and more in our SPOILER-FILLED review. Thank you for listening, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

"Die My Love" is the latest film from acclaimed filmmaker Lynne Ramsay, written by Ramsay, Enda Walsh, and Alice Birch, based on the 2012 novel "Die, My Love" by Ariana Harwicz. It follows Grace (Jennifer Lawrence), a young mother who develops postpartum depression and, alongside her partner Jackson (Robert Pattinson), enters psychosis. The film had its world premiere at the main competition of the 2025 Cannes Film Festival, where it was nominated for the Palme d'Or and received positive reviews for Lawrence's performance and Lynne's filmmaking. Ramsay and Lawrence were both kind enough to spend a few minutes speaking with us about their work and experiences making the film, which you can listen to below. Please be sure to check out the film, which will be released in theaters on November 7th by MUBI. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

It's Lobster's birthday, and what better way to acknowledge the toll aging takes on our bodies than to watch a movie about what goes wrong when we try to cheat the clock. From writer-director Coralie Fargeat comes the tale of Elizabeth Sparkle, a former sex symbol and acclaimed actress turned daytime tv aerobics instructor. When a mysterious treatment offers to restore her youthful appearance, the realization that beauty is only skin deep is only the first of many horrors that await. Starring Demi Moore and Margaret Qualley in dual roles, this 2024 release burst onto the scene at Cannes, where it was nominated for the Palme d'Or and Fargeat won Best Screenplay. After a wide release, which saw the film bring in $80 million through word-of-mouth social media marketing, it earned five Oscar noms, including Best Picture, Best Director, and Best Actress for Moore, taking home the statue for Best Makeup & Hairstyling. But appearance isn't everything, so let's take a long hard look in the mirror and decide if we like what we see. Is The Substance all style, and no substance? Or is it the stuff that dreams are made of? And for Legends of Halloween, that means it's also the stuff of nightmares!   For more geeky podcasts visit GonnaGeek.com    You can find us on iTunes under ''Legends Podcast''. Please subscribe and give us a positive review. You can also follow us on Twitter @LegendsPodcast or even better, send us an e-mail: LegendsPodcastS@gmail.com    You can write to Rum Daddy directly: rumdaddylegends@gmail.com    You can find all our contact information here on the Network page of GonnaGeek.com Our complete archive is always available at www.legendspodcast.com, www.legendspodcast.libsyn.com    Show Music:Danger Storm by Kevin MacLeod (incompetech.com).. Licensed under Creative Commons: By Attribution 4.0 https://creativecommons.org/licenses/by/4.0/

When Oscar-winning filmmaker Guillermo del Toro was a kid growing up in Guadalajara, Mexico, he would draw monsters all day. His deeply Catholic grandmother even had him exorcised because of it. But when del Toro saw the 1931 film Frankenstein, his life changed. "I realized I understood my faith or my dogmas better through Frankenstein than through Sunday mass." His new adaptation of Mary Shelley's classic book drops on Netflix Nov. 7. He spoke with Terry Gross about getting over his fear of death, the design of Frankenstein's creature, and his opinion on generative AI. Also, Justin Chang reviews the Palme d'Or-winning film It Was Just An Accident. Follow Fresh Air on instagram @nprfreshair, and subscribe to our weekly newsletter for gems from the Fresh Air archive, staff recommendations, and a peek behind the scenes. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

On this episode, JD and Brendan discuss the Palme d'Or winning film from Jafar Panahi IT WAS JUST AN ACCIDENT!   Visit https://insessionfilm.com for merch and more!   Thanks for listening and be sure to subscribe! Become an ISF VIP today to get exclusive bonus content!   Follow us on X/Twitter! @InSessionFilm | @RealJDDuran | @BrendanJCassidy

This year, Iranian director Jafar Panahi won the Palme d'Or at Cannes for his extraordinary new film, “It Was Just an Accident,” which he shot secretly in Tehran under great risk of serious harm. Jafar has been in prison twice on charges of “anti-government propaganda” as well as for protesting the imprisonment of other filmmakers. At this year's Toronto International Film Festival, he joined Tom Power to tell us how “It Was Just an Accident” was shaped by his two experiences in Tehran's Evin Prison.Fill out our listener survey here. We appreciate your input!

"It Was Just An Accident" is a thriller film written and directed by legendary Iranian filmmaker Jafar Panahi. The film is a co-production between Iran, Luxembourg, and France, the latter selecting it as the country's official submission for Best International Feature Film at the 98th Academy Awards. The film explores political repression in Iran and morality as a group of former political prisoners kidnap their torturer and decide what to do with him. Panahi, who is critical of the Iranian government and has been imprisoned several times, made the film without official filming permission from the Iranian authorities. The film had its world premiere at the main competition of the 78th Cannes Film Festival, where it received universal acclaim and won the prestigious Palme d'Or. Panahi and editor Amir Etminan were kind enough to spend some time speaking with us about their work and experience making the film, which you can listen to below. Please be sure to check out the film, which is now playing in theaters from NEON. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

This year's NYFF may have concluded but Nick and Sophia are back to chat about many of the other films that made up this year's incredible slate! From documentaries such as Cover-Up, another riveting portrait made by Laura Poitras and Mark Obenhaus, to international dramas, like Jafar Panahi's Palme d'Or winning It Was Just an Accident or Oliver Laxe's divisive and hellish rave, Sirāt, there's always a vast array of filmmaking styles on display. Listen for more titles, what they think will show up during this year's Oscar race, and what secret screening turned out to be Chalam-azing! Follow us on Twitter, Instagram, Bluesky, and TikTok @oscarwildpodFollow Nick @sauerkraut27 Follow Sophia @sophia_cimMusic: “The Greatest Adventure” by Jonathan AdamichMore content including updated predictions and merch @ oscarwild.squarespace.com

This key figure in the Iranian New Wave, one of only four filmmakers ever awarded the top prize at each of the three biggest European film festivals, reflects on his cinematic critiques of Iranian society, continuing to work even after being jailed by the regime and then banned from making films under the threat of being sent back to jail, and how his own experience with a prison interrogator partially inspired his latest film, which won Cannes' Palme d'Or in May and was just chosen as France's entry for the best international feature Oscar race. Learn more about your ad choices. Visit megaphone.fm/adchoices