Podcasts about Palme

The Rasmus était l'invité du Double Expresso RTL2 ce vendredi 26 septembre. Le groupe finlandais est venu présenter son nouveau single Love Is A Bitch, sorti le 11 juillet, extrait de leur tout nouvel album WEIRDO disponible depuis le 12 septembre. En pleine préparation de leur tournée européenne, ils ont annoncé un concert à Paris le 28 novembre prochain à La Cigale. En live dans le studio de RTL2, The Rasmus a interprété Love Is A Bitch ainsi que leur tube incontournable In The Shadow, pour le plus grand plaisir des fans de rock. L'info du matin - Ce matin, Grégory Ascher et Justine Salmon ont tenté de trancher une grande question grâce à la science : faut-il se doucher le matin ou le soir ? Le winner du jour - En Australie, une école vend les dessins des enfants à leurs propres parents pour financer le salaire des profs. - Un alpiniste polonais entre dans l'histoire : il devient le premier à descendre l'Everest à ski... sans oxygène. Le flashback du jour - Mai 1996 : sortie du premier album d'Ophélie Winter "No Soucy", avec le tube "Dieu m'a donné la foi". Même mois, sortie du film franco-belge "Le huitième jour- avec Daniel Auteuil et Pascal Duquenne, Palme d'interprétation masculine à Cannes. Les savoirs inutiles - Un crayon à papier peut tracer en moyenne 55 kilomètres de traits avant d'être trop petit pour être utilisé. L'équivalent d'un Paris - Meaux en graphite ! La chanson du jour - Imagine Dragons "Take Me to the Beach" Le jeu surprise (Qui suis-je ?) - Sandrine de Martres-de-Veyre (vers Clermont-Ferrand) gagne un séjour de 2 jours / 1 nuit au Parc Astérix pour 4 personnes. La banque RTL2 - Céline de Dreux repart avec une brosse à dents « MY VARIATION ». - Elisa de Sonzay (vers Tours) remporte 450 €. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Send us a textWieder eine Monsterfolge. Zum Ausgleich zu den feministischen Rants der letzten Folge, geht es hier erstmal ausführlich um Sport. Es folgen deepe, persönliche Rants sowie kurze, seichte Mini-Rants. Alte Menschen werden gehatet und ältere, die keine TikTok Trends mögen, koreanische Kuscheltiere, Glasuntersetzer, St. Pölten, das Bundesheer, Touristenfallen, Grashüpfer, Irland u.v.m. Ach ja, und Schrams Freundin ist aus Schladming. Und er war in Costa Rica. Anhören – you'll get it!Du willst mit-ranten? Schreib uns: Schick deine eigenen pet peeves (kleine Dinge, die dich riesig nerven), Fragen, Meinungen und Kommentare an Helmut unter 0699-1-237 50 83Begriffsdefinitionen RANT Engl. für: Schimpfkanonade · Schimpftirade · Wutgeheul · WutredeGoogle: „Die Person, die sich das Geschimpfe anhört, wird nicht beachtet, und oft ist der Vorgang für den Zuhörer nicht einvernehmlich. Es wird extrem toxisch, da die Person, die emotional ablädt, oft nicht in der Lage ist, eine konstruktive Bemerkung oder einen Ratschlag zu geben. Der ganze Prozess lässt keinen Raum für eine Lösung.“Etymologie: Rant kommt aus dem Niederländischen ranten, „Unsinn reden“.Der erste dokumentierte Gebrauch von rant stammt aus dem Ende des sechzehnten Jahrhunderts, aus Shakespeares Die lustigen Weiber von Windsor.VILLE Urban dictionary: „Populäres Suffix, das häufig als Verstärker an ein beliebiges Wort angehängt wird, etwa: ‚hoe ville‘: eine Stadt voller Schlampen“PET PEEVE „Das Lieblingsärgernis“; ein kleines Ärgernis, das einen immer wieder aufs neue auf die Palme bringt.Danke fürs Zuhören und fürs Teilen!Cover Art: Cat AsenguaMusik: Helmut Stekl und Michael „Mitch“ Dörfler, www.tripbox.com#rant #ranting #rantsville #complaining #petpeeves #jammern #beschweren #negativ

This key figure in the Iranian New Wave, one of only four filmmakers ever awarded the top prize at each of the three biggest European film festivals, reflects on his cinematic critiques of Iranian society, continuing to work even after being jailed by the regime and then banned from making films under the threat of being sent back to jail, and how his own experience with a prison interrogator partially inspired his latest film, which won Cannes' Palme d'Or in May and was just chosen as France's entry for the best international feature Oscar race. Learn more about your ad choices. Visit megaphone.fm/adchoices

Et c'est parti pour une 3ème saison du podcast ! Avec une rentrée riche de sorties cannoises puisque l'on y cause d'ALPHA de Julia Ducournau, repartie bredouille du festival quatre ans après sa palme d'or pour Titane, du très sensoriel SIRAT d'Oliver Laxe, reparti avec le Prix du Jury, ainsi que de SENTIMENTAL VALUE de Joachim Trier, que beaucoup voyaient repartir avec la Palme d'Or (il s'en est fallu de peu, puisqu'il a finalement été auréolé du Grand Prix). Nous revenons également sur l'étonnant CAUGHT STEALING de Darren Aronofsky avec au casting un incroyable matou star, qui a conquis notre coeur (et oui, prends ça Butler). Bonne écoute ! Ju, Clo & EléTimecode : 02'20'' : ALPHA20'28'' : SIRAT40'23'' : CAUGHT STEALING53'43'' : SENTIMENTAL VALUEHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Déborah François est une comédienne belge qui débute à 15 ans dans un film des frères Dardenne récompensé par une Palme d'or. Aussi à l'aise dans des drames que dans des comédies, elle est à l'affiche de « Les tourmentés », qui sort mercredi au cinéma.

Send us a textAlso eines kann ich euch schon mal verraten, Männer kommen nicht gut weg bei den beiden Gästinnen dieser Folge. In einer neuen Marathonsession sprechen wir über Feminismus, Reverse Sexism, vollgestopfte Hosentaschen (bei Männern), jemandem einen Gefallen tun und sich dann selbst darum kümmern müssen, nervige Verkäufer:innen, Aufstehen, Sexismus beim Gehalt u.v.m. – und das alles während wir eine Flasche Tequila ex-en. Und dann noch Rum, der nach Banane schmeckt. Und am Schluss kommt noch Luis vorbei. Und so. Rant on, babes!#rantsville #podcast #petpeeves #rantDu willst mit-ranten? Schreib uns: Schick deine eigenen pet peeves (kleine Dinge, die dich riesig nerven), Fragen, Meinungen und Kommentare an Helmut unter 0699-1-237 50 83Begriffsdefinitionen RANT Engl. für: Schimpfkanonade · Schimpftirade · Wutgeheul · WutredeGoogle: „Die Person, die sich das Geschimpfe anhört, wird nicht beachtet, und oft ist der Vorgang für den Zuhörer nicht einvernehmlich. Es wird extrem toxisch, da die Person, die emotional ablädt, oft nicht in der Lage ist, eine konstruktive Bemerkung oder einen Ratschlag zu geben. Der ganze Prozess lässt keinen Raum für eine Lösung.“Etymologie: Rant kommt aus dem Niederländischen ranten, „Unsinn reden“.Der erste dokumentierte Gebrauch von rant stammt aus dem Ende des sechzehnten Jahrhunderts, aus Shakespeares Die lustigen Weiber von Windsor.VILLE Urban dictionary: „Populäres Suffix, das häufig als Verstärker an ein beliebiges Wort angehängt wird, etwa: ‚hoe ville‘: eine Stadt voller Schlampen“PET PEEVE „Das Lieblingsärgernis“; ein kleines Ärgernis, das einen immer wieder aufs neue auf die Palme bringt.Danke fürs Zuhören und fürs Teilen!Cover Art: Cat AsenguaMusik: Helmut Stekl und Michael „Mitch“ Dörfler, www.tripbox.com#rant #ranting #rantsville #complaining #petpeeves #jammern #beschweren #negativ

Plus Terminators Are Already HereLike this? Get AIDAILY, delivered to your inbox 3x a week. Subscribe to our newsletter at https://aidailyus.substack.comHollywood's First AI Film Wins CannesNews From The Future: Synthetic Dreams, a fully AI-generated movie powered by GPT-6, just snagged the Palme d'Or at Cannes. From script to editing, no human hand touched the reel. Whether this scenario feels thrilling or terrifying, it's a glimpse at where cinema might be headed.Meet the AI “Darwin Awards” for Tech's Biggest BlundersA new initiative‘s launching the AI Darwin Awards to spotlight the worst AI f*ckups—bad ideas, risky rollouts, systems that ignored red flags and made headlines for all the wrong reasons. Early nominees include McDonald's (weak chatbot security) and OpenAI (GPT-5 mishandling harmful prompts).Robot War Machines Are Already a RealityAutonomous war tech like AI-drones, sentry robots, and swarms are no longer sci-fi—they're deployed in Ukraine and being developed by Israel, the U.S., South Korea, etc. Humans still call the shots... for now. But experts warn we're sliding toward letting AI “just take the mission.”Albania Installs AI “Minister” to Tackle CorruptionAlbania's Prime Minister Edi Rama has appointed a virtual, AI-powered cabinet member named Diella to run public procurement and fight corruption. Diella, now a minister in all but flesh, promises transparency in tenders—but there's little detail yet on how human oversight will actually work.AI Is Already Rewriting How We TalkSam Altman says we're starting to “talk like AI” — and new studies back him up. By analyzing Reddit posts, researchers found people adopting words like “delve,” “showcase,” and “underscores” after ChatGPT got big. Even how people speak is shifting when chatbots use realistic voices that humans then mimic.How Much Should AI Remember About Us?Bloomberg's Tech In Depth unpacks how chatbots and AI assistants are beefing up their memory—holding onto more past conversations, user habits, and detail than before. It raises the big question: when memory boosts personalization, when does it turn creepy, invasive, or too powerful?When the U.S. and China Build AI in Other People's BackyardsWestern and Chinese AI giants are increasingly relying on technology, data, and markets in other countries to expand influence. Countries in Africa, Latin America, and Asia are becoming leverage points—hosting data centers, providing user bases, and creating dependencies that tilt global power as AI ecosystems scramble for influence. How AI Actually Builds VideosTech Review digs into the magic behind video-generation: AI stitches together frames by predicting what comes next, learning from massive video datasets. Between keyframes, diffusion models, and motion vectors, it turns stills into moving scenes—though artifacts, weird transitions, and heavy compute remain roadblocks.

Världsvana, snygga och kunniga är alla epitet som aldrig har använts för att beskriva duon bakom den här podcasten. Joakim berättar om en händelse med en kroppsöppning som gläntades och Magnus har sladdat ihop en tävling med amerikanskt tema. Detta och mer i veckans avsnitt. Smaklig spis och en finfin helg! Vill du stödja poddens […] Inlägget … och så sköt jag Palme också! dök först upp på Till den det berör.

Från 2019. I det här avsnittet fortsätter vi att titta på Ivan von Birchan, mannen som erbjöds två miljoner dollar för att skjuta Olof Palme. Nu berättar han själv om sin bakgrund, om erbjudandet och om sin syn på Palme i två avsnitt av podden Palmemordet. Ivan är en frispråkig person, och de åsikter som han kommer med i programmet är hans egna och behöver inte spegla poddens. Av och med Tobias Henricsson/PRS Media. Sponsra Palmemordet på Patreon: https://www.patreon.com/palmemordet Det här är en podd av Dan Hörning. Dan Hörning på instagram: https://www.instagram.com/dan_horning/ Hosted on Acast. See acast.com/privacy for more information.

På 60-talet var skillnaden i livslängd mellan de män som tjänade mest och de som tjänade minst 3,5 år. Nu är den 11 år. Pengarna spelar roll men är långt ifrån hela förklaringen. Lyssna på alla avsnitt i Sveriges Radio Play. Skillnaderna i livslängd mellan hög- och låginkomsttagare ökar. Trenden är stark, visar en studie av bland andra nationalekonomerna Johannes Hagen och Mårten Palme. Utvecklingen går tvärs emot Sveriges folkhälsopolitiska mål, och skillnaderna i livslängd handlar mest om dödsorsaker som hade kunnat förebyggas. Höginkomsttagare som grupp tjänar många levnadsår på att leva mycket hälsosammare än låginkomsttagare.Medverkande: Johannes Hagen, docent nationalekonomi Internationella handelshögskolan Jönköping, Mårten Palme, professor nationalekonomi Stockholms universitet, Pelle Pelters, docent i pedagogik Stockholms universitet.Reporter: Ylva Carlqvist Warnborgvet@sr.seProducent: Lars Broströmlars.brostrom@sr.se

No der Palme d'Or fir hire Film "Titane" war d'Julia Ducournau zeréck zu Cannes mat "Alpha" - ee poetesche Film iwwer ee Virus, deen d'Leit lues a lues verstengert. Zu Cannes ass de Film eidel ausgaangen, an d'franséisch Kritik huet de Film gréisstendeels verrass. Zu onrecht, fannen d'Vesna Andonovic, d'Kerstin Thalau an de Jeff Schinker an hirer Kritik.

No der Palme d'Or fir dem Jafar Panahi seng Lëtzebuerger Koproduktioun "Un simple accident" ass 2025 ee seelent Glécksjoer fir de Lëtzebuerger Kino: Zu Venedeg geet de Gëllene Léif un deen neie Film vum Jim Jarmusch - an am Starcast vu "Mother Father Sister Brother" spillt ënner anerem d'Vicky Krieps mat. De Marc Trappendreher analyséiert de Palmarès - an erkläert, wisou de Präis fir den Jarmusch engersäits kohärent ass - an anerersäits nawell iwwerrascht.

Daniel, Shahbaz, and Anthony review Jafar Panahi's IT WAS JUST AN ACCIDENT at TIFF 50 starring Vahid Mobasseri, Ebrahim Azizi, Madjid Panahi, Maryam Afshari, Hadis Pakbaten, and Mohamad Ali Elyasmehr. Like many of Jafar Panahi's films, Palme d'Or winner It Was Just An Accident begins in a car. On the way home, a driver hits a dog, killing it and wrecking his engine. Seeking help, he stumbles into a warehouse where a worker believes he's found the torturer who once ruined his life. Unsure if Eghbal is truly guilty, Vahid rallies other survivors to confront him, forcing the group to face a grave ethical dilemma. Watch and listen to The Movie Podcast now on all podcast platforms, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheMoviePodcast.ca⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Contact: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠hello@themoviepodcast.ca⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠FOLLOW US⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Daniel on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Shahbaz on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Anthony on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ The Movie Podcast on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Rotten Tomatoes Learn more about your ad choices. Visit megaphone.fm/adchoices

In dieser Episode begrüßt Volker Pietzsch die vielfach erfahrene Unternehmerin, Coachin und frühere TV-Börsenexpertin Dorette Segschneider im Sonntagstalk. Ein Gespräch voller Tiefgang, Offenheit und Inspiration! Dorette spricht über ihren außergewöhnlichen Lebensweg – von der journalistischen Pionierin an der Börse, über eine erschütternde Panikattacke in einer Livesendung bis hin zu ihrer heutigen Berufung: Sie begleitet Persönlichkeiten aus Wirtschaft, Sport und Politik durch Transformationsprozesse – mit Klarheit, Empathie und einem messerscharfen Blick für das Wesentliche. Im Mittelpunkt steht ihr neues Buch „Mission Mensch – Warum manche zum Mars fliegen und andere auf die Palme gehen“, in dem sie echte Veränderung nicht als Konzept, sondern als gelebte Erfahrung sichtbar macht. Gemeinsam mit Volker taucht sie ein in Themen wie: Persönlichkeitsentwicklung als Führungskompetenz Die Kraft des Anfangs Warum Ehrlichkeit manchmal unbequem, aber immer notwendig ist Was Unternehmen von Athletinnen wie Andrea Petkovic lernen können Und warum kleine Schritte oft der Schlüssel zu großen Erfolgen sind Mit bewegenden Einblicken aus dem Ahrtal, persönlicher Lebensphilosophie und einem feinen Gespür für Transformation zeigt Dorette: Alles beginnt bei dir selbst. Und manchmal reicht ein einziger Schritt, um Großes in Bewegung zu setzen. https://www.dorettesegschneider.de/ https://volkerpietzsch.de/ https://www.antenne-mainz.de/uber-uns/sendungen/im-talk-mit-volker-pietzsch-KF1153927 weitere Podcasts: https://volkersradiopodcast.podigee.io/

Après Grave et Titane qui lui avait valu la Palme dʹOr à Cannes en 2021, la réalisatrice française Julia Ducournau revient avec Alpha, un drame qui nous entraine dans les années 80, auprès dʹune adolescente qui vit avec sa mère et avec le frère de celle-ci, toxicomane atteint dʹune maladie quʹon nʹappelle pas encore Sida. Dans les rôles principaux, Tahar Rahim et Golshifteh Farahni. Lʹactrice iranienne était au festival de Locarno où elle a reçu un Léopard dʹhonneur. Et où Rafael Wolf lʹa rencontré.

Quatre ans après sa Palme d'or au Festival de Cannes obtenue avec son film Titane, la réalisatrice française Julia Ducournau est de retour sur les écrans avec Alpha. Elle délaisse quelque peu son genre de prédilection « le body horror » pour mettre en scène une histoire de famille sur le deuil dans un monde apocalyptique post pandémie avec Golshifteh Farahani, Tahar Rahim et Mélissa Boros.

durée : 00:10:22 - France Culture va plus loin (l'Invité(e) des Matins d'été) - par : Julie Gacon, Sarah Masson - Après "Titane", qui lui avait valu la Palme d'or à Cannes, Julia Ducournau revient avec un nouveau film incarné par Tahar Rahim et Golshifteh Farahani. Film post-apocalyptique, gore, pandémique, "Alpha" donne à voir une esthétique clinique, prolongeant son tropisme pour l'exploration des corps. - réalisation : Sam Baquiast, Vivian Lecuivre - invités : Julia Ducournau Réalisatrice française de cinéma

We're a mere 11 days before the 52nd Telluride Film Festival kicks off on Labor Day weekend and we have a packed show. On episode 303 AwardsWatch Editor-In-chief Erik Anderson is joined by Executive Editor Ryan McQuade, Associate Editor Sophia Ciminello, contributors Mark Johnson and Jorge Tenreiro and Christina Birro of Pop Culture Confidential to break down what we think will be at Telluride this season, who might be getting Silver Medallions and much more. On this episode the crew looks at how Toronto and New York film festival designations give us the clues we need to see what will, or might, be showing up at Telluride including coveted world premieres, Chloé Zhao's Hamnet starring Jessie Buckley and Paul Mescal, and Edward Berger's Ballad of a Small Player with Colin Farrell and Tilda Swinton among them. Telluride is also full of Cannes winner carryovers and we expect to see Jafar Panahi's Palme d'Or winner It Was Just an Accident, Joachim Trier's Sentimental Value (Grand Prize winner) and Kleber Mendonça Filho's double winner The Secret Agent (Best Director, Best Actor Wagner Moura) -- all NEON films -- in the lineup. There's also a certain amount of sleuthing involved in the guessing game and is there a chance that A24 debuts Mother Mary here? We'll have to wait and see... You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more. This podcast runs 1h4m. We will be back in next week to talk about Spike Lee's newest film Highest 2 Lowest and talk about our Top 5 Spike Lee joints. Till then, let's get into it.

"You Talkin to me?", "Cʹest à moi que tu parles?", lancée par Robert de Niro face à son miroir est certainement une des phrases les plus connues du cinéma. Le comédien interprète Travis Bickle dans le film Taxi Driver de Martin Scorcese, la Palme dʹor 1976. A lʹécran, on trouve aussi Jodie Foster, toute jeune alors, Harvey Keitel, et Cybill Shepherd. Taxi Driver cʹest lʹhistoire de Travis Bickle, un jeune homme du Middle West, démobilisé des Marines, qui fait le taxi à New-York. Cʹest un déséquilibré, solitaire, insomniaque, qui voit la déchéance morale partout et qui décide de nettoyer la ville en lʹensanglantant. Taxi Driver, cʹest le récit dʹun psychotique mystique créé par le scénariste Paul Schrader, inspiré dʹun fait réel, une tentative dʹassassinat politique, nous y reviendrons. Cʹest un film dʹerrances, un film où des violences se croisent, où des tirs sʹéchangent, où lʹamour nʹa pas sa place. Cʹest un film qui montre les séquelles psychologiques de la guerre du Vietnam, les traumatismes des jeunes gens revenus au pays, fracassés. Ça ne sʹétait jamais vu avant. Le film choque à sa sortie, mais imprime les mémoires. Et surtout, fait entrer pleinement Martin Scorcese dans le Nouvel Hollywood, ce vivier dʹartistes exaltés, prêts à montrer de quoi ils sont capables, ceux qui veulent en découdre avec le système. Lʹhistoire de Taxi Driver sʹécrit avec sur la banquette dʹun taxi jaune new-yorkais et offre à tous ces jeunes talents, acteurs et actrices compris, un terrain dʹexploration fabuleux qui va devenir légendaire. REFERENCES La tentative dʹassassinat contre George Bremer https://www.youtube.com/watch?v=Yk0yNR7uUag " Taxi Driver, un film de Martin Scorcese ", LʹAvant-Scène Cinéma, Numéro 529, Février 2004 Taxi Driver présenté par Jean-Baptiste Thoret en 2013 https://www.youtube.com/watch?v=VMfUAjaSVE4&t=363s Paul SCHRADER, Taxi Driver, Faber & Faber, 1990 CIEUTAT Michel, Martin Scorcese, Rivages, 1987 La scène culte : You talkin to me de Robert de Niro. http://www.youtube.com/watch?v=4e9CkhBb18E DUBOIS, Régis, Martin Scorcese, Lʹinfiltré, Nouveau Monde éditions, 2019

Un film belge, Palme dʹor à Cannes en 1999, qui se résume en un prénom ? Ne cherchez plus, cʹest Rosetta. Rosetta, lʹhistoire dʹune jeune femme qui a la rage de vivre, de survivre. Rosetta, qui veut tellement sʹintégrer, qui ne supporte pas la marge, quʹelle fonce dans le tas, lutte jusquʹà lʹobsession. Rosetta qui fait entrer son interprète, Emilie Dequenne et les frères Luc et Jean-Pierre Dardenne dans la cour des grands. Car ce film, sorti au crépuscule du 20e siècle, raconte lʹhistoire dʹune survivance, dʹune guerre pour trouver sa place. A Cannes, le film fait polémique. On ne comprend pas pourquoi le jury présidé par David Cronenberg a récompensé cette œuvre sombre et une actrice en devenir, une amatrice. Mais derrière le film dans lequel beaucoup ne voient quʹun énième film de réalisme social, se cache un vrai travail de réalisation. La plongée dans lʹunivers de Rosetta, au plus près de la comédienne, est un véritable tour de force. Le film explore une histoire non pas à partir dʹune intrigue mais à partir dʹun personne que lʹon prend à un moment et que lʹon lâche à un autre. Et cʹest tout. Et cʹest déjà beaucoup. Laurent Marchi, du Planète Cinéma, écrit : " Rosetta est le résultat d'un extrême travail qui ne laisse pas la place à l'improvisation. Le paradoxe et la beauté du travail tenant justement dans cette impression de vérité alors même que tout est préparé, pensé, écrit et répété. " Ne tardons plus. Plongée entre caravane, une usine, une baraque à gaufre, un étang, sur les pas de Rosetta, survivante magnifique, que nous nʹallons pas lâcher dʹune semelle. REFERENCES Luc et Jean-Pierre Dardenne, Rosetta : scénario, Les cahiers du cinéma, 1999, 137 p., avant-propos Fresque INA, le Festival de Cannes, Palme dʹOr 1999 https://fresques.ina.fr/festival-de-cannes-fr/fiche-media/Cannes00302/palmares-du-festival-1999.html Emilie Dequenne définit son personnage https://fresques.ina.fr/europe-des-cultures-fr/fiche-media/Europe00270/les-freres-dardenne.html

Neon couldn't burn any brighter than it is now. The film production and distribution company acquired the rights to six consecutive Palme d'Or winners at the Cannes Film Festival: Parasite (2019), Titane (2021), Triangle of Sadness (2022), Anatomy of a Fall (2023), Anora (2024), and It Was Just an Accident (2025). Parasite was the first foreign language film to win Best Picture at the Academy Awards in 2020. Longlegs became the highest-grossing independent film in 2024. Director Sean Baker won 4 Oscars for his film Anora tying with the one and only Walt Disney for most Oscar wins in a single night. All of this from a studio that's only been around for 8 years. Film industry veteran Tom Quinn cofounded Neon in 2017 and has marked a distinct lane for himself in a crowded and, let's be honest, less-than-innovative industry. In this episode of Creative Control, Quinn traces his journey from actor to executive and explains how he's positioned Neon to be the "anti-algorithm" in a streaming world. He also gives his perspective on what's holding the wider film industry back and what Neon needs now to make their success sustainable.  For more of the latest business and innovation news, go to https://www.fastcompany.com/news To listen to the latest episodes of Creative Control on Fast Company:https://www.fastcompany.com/podcasts/creative-control

A few years ago Oscar and Palme d'Or-winning Kiwi filmmaker Dame Jane Campion announced a pop-up film school called 'A Wave in the Ocean'. The project was supported by Netflix and ran as a 12-month intensive mentorship programme for creatives with significant film experience. Well now the course is reaping results - one of the short films that emerged from it has now been selected to compete at the Venice International Film Festival. 'Lion Rock' was co-directed by Prisca Bouchet, she spoke to Jesse.

Eddington is the fourth feature film written and directed by Ari Aster. It’s a neo-Western comedy set in the fictional and titular New Mexico town during May, 2020. Eddington was nominated for the Palme d’Or at this year’s Cannes Film Festival, and it’s one of three Pedro Pascal movies that are currently in the top 20 at the domestic box office. And: Sunday Best is a new Netflix documentary directed by, and in memory of, the late journalist, musician, and filmmaker Sacha Jenkins. It’s about the cultural importance of The Ed Sullivan Show and Sullivan’s “legacy of equality.” GUESTS: RS Benedict: A writer and bureaucrat whose fiction and non-fiction has been published in the New Haven Review, Fangoria, Current Affairs, and a bunch of other places Shawn Murray: A stand-up comedian, writer, and the host of the Fantasy Filmballpodcast Bill Yousman: Professor of media studies at Sacred Heart University The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode! Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. Join the conversation on Facebook and Twitter. Colin McEnroe and Dylan Reyes contributed to this show.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

This week on Horror Hour with the Hanna's, we dive into the bold, bizarre, and unapologetically visceral world of Titane (2021), the Palme d'Or–winning shocker from director Julia Ducournau. Part body horror, part family drama, and part gender-blurring fever dream, Titane follows a woman with a titanium plate in her skull, a history of violence, and a concerning attraction to cars. We explore how Titane challenges expectations at every turn—flipping between brutal violence, tender intimacy, and surreal metaphors for grief, identity, and transformation. Is it a transhumanist masterpiece? A grotesque provocation? Or both? We also dissect Agathe Rousselle's fearless performance and Vincent Lindon's haunting vulnerability in one of the most emotionally complex horror films of the decade. Strap in, steel yourself, and prepare to question everything you think a horror movie can be—this one doesn't ask for your comfort, only your full attention.   Follow Us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: @horrorhourwiththehannas   Music by Aries Beats - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/watch?v=DPpnxLYrzVA⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠    

David Cronenberg is one of those great directors that started with B-Movie horror only to become a highly regarded, award winning director. Now at 82, his latest film, THE SHROUDS, was nominated for the Palme d'Or at Cannes. After playing one other festival, it was released at theaters in April 2025. Now it is available on VOD and streaming for all to see.From IMDB: “Karsh, an innovative businessman and grieving widower, builds a device to connect with the dead inside a burial shroud.”THE SHROUDS was written and directed by David Cronenberg and has a fabulous international cast including lead Vincent Cassell, Diane Kruger, and Guy Pierce. Receiving good reviews in what critics are calling his most intimate and biographical film, your co-hosts take a look at Cronenberg's latest.

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!Welcome back to Bad Dads Film Review! This week we're taking a tumble — both literally and metaphorically — as we break down our Top 5 Falls in Movies and TV, followed by a closer look at the slow-burning, Palme d'Or-winning courtroom drama Anatomy of a Fall. No kids' section this time around — just a lot of bodies hitting the floor (sometimes figuratively).

durée : 00:05:28 - C'est une chanson - par : Frédéric Pommier - Tout cet été, nous réécoutons les entretiens de Frédéric Pommier. Aujourd'hui, c'est avec le cinéaste Claude Lelouch. Il évoque la genèse de la chanson de son film "Un homme et une femme" (Palme d'or 1966), interprétée par Pierre Barouh et Nicole Croisille. (Rediffusion de l'émission du 27/05/2021) Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Anne Thompson joined Ryan Lattanzio in person at the IndieWire New York studio to discuss new releases from 'Superman' to the Palme d'Or winner 'It Was Just an Accident.' Then they debate the New York Times best 100 movies of the century list, and reveal their own Top 10s. Learn more about your ad choices. Visit megaphone.fm/adchoices

To celebrate five years of What Are You Watching, Alex and Nick discuss the most influential director of Alex's life, Steven Soderbergh. Thirty-five movies, (at least) five career phases, a Palme d'Or, an Oscar, and an unparalleled work ethic all make Soderbergh an icon of modern cinema. Let's go!Follow @WAYW_Podcast on Twitter and Instagram and Letterboxd.Send mailbag questions to whatareyouwatchingpodcast@gmail.com

Film critic Perrine Quennesson tells us why Palme d'Or-winning director Julia Ducournau's latest feature "Alpha" divided critics when it screened at Cannes. She explains how leading actor Tahar Rahim transformed himself for the role and salutes the French filmmaker's imaginative use of imagery in her daring films.

// Ich liebe Kokosnüsse, und zwar sowohl das Kokosnusswasser (mega erfrischend und gesund) als auch das Fruchtfleisch (egal ob noch weich oder schon reifer und härter). Nun bin ich ja gerade in Costa Rica und habe das Glück, dass hier easy heranzukommen ist an Kokosnüsse – im Supermarkt oder an Straßenständen. Aber die Dinger wachsen hier ja sogar auf den Bäumen! Deshalb wollte ich mir unbedingt selbst eine Kokosnuss von der Palme holen und sie stilgerecht mit der Machete aufschneiden. Ich musste mir also nicht nur die richtige Klettertechnik aneignen, sondern mir auch erstmal ein vernünftiges Werkzeug besorgen. Ob und wie das alles geklappt hat, erfährst du in dieser Folge, inklusive kleinem Macheten-Einmaleins für Bushcraft und Co in Deutschland ... // Mehr zum FREI RAUS Podcast, unter anderem auch die Möglichkeit, dich zum wöchentlich erscheinenden Newsletter anzumelden, findest du unter https://www.christofoerster.com/freiraus // Die Musik-Playlist „FREI RAUS Wanderlust” ist auf Spotify abrufbar. // Coverphoto by Blackforest Collective

En 2013, elle avait été la révélation du festival de Cannes. Aux côtés de l'actrice Léa Seydoux et du réalisateur Abdellatif Kechiche, Adèle Exarchopoulos, 19 ans, avait même reçu des mains du président du jury, Steven Spielberg, la Palme d'or pour « La Vie d'Adèle ». Une consécration pour la jeune parisienne qui n'ambitionnait pas au départ de devenir actrice. 12 ans après, elle est devenue l'une des actrices les plus en vue du cinéma français. Après avoir multiplié les rôles marquants dans des films dramatiques, elle a su se réinventer en se frottant à la comédie. Cet été, elle revient en salle pour le nouveau film de Quentin Dupieux, « L'accident de piano », où elle incarne Magalie, une influenceuse déconnectée de la réalité.Pour Code source, Catherine Balle, Renaud Baronian et Pauline Conradsson, journalistes au service culture du Parisien, reviennent sur son parcours.Écoutez Code source sur toutes les plates-formes audio : Apple Podcast (iPhone, iPad), Amazon Music, Podcast Addict ou Castbox, Deezer, Spotify.Crédits. Direction de la rédaction : Pierre Chausse - Rédacteur en chef : Jules Lavie - Reporter : Barbara Gouy - Production : Thibault Lambert, Clara Garnier-Amouroux et Raphaël Pueyo - Réalisation et mixage : Pierre Chaffanjon - Musiques : François Clos, Audio Network - Archives : TF1, Allociné. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!Welcome back to Bad Dads Film Review! This week we're embracing all things angular, round, and abstract with our Top 5 Shapes in Movies & TV, diving into Ruben Östlund's Triangle of Sadness, and finishing up with a charming kids' pick: Shape Island. It's geometry, but make it cinematic.

This Pride Month edition of Sitting in the Dark shines a lavender light on the long-standing but often invisible relationship between horror cinema and queer identity. Host Kynan Dias traces horror's appeal to outsiders—particularly LGBTQ+ viewers—who find coded representation in monsters, victims, and the margins of genre storytelling.The episode dives deep into three genre-defining films.The Bride of Frankenstein (1935)James Whale's campy sequel is reevaluated as a foundational queer text. The panel explores how Whale, an out gay director, infused the film with coded themes of same-sex companionship, rejection, and theatricality. From Dr. Pretorius's foppish villainy to the Bride's brief, iconic scream, the film is bursting with subtext—much of it retroactively interpreted through the lens of queer longing and societal othering. The group also riffs on Whale's tonal whiplash, Elsa Lanchester's cultural impact, and why “We belong dead” might be the most tragic queer line in horror history.A Nightmare on Elm Street 2: Freddy's Revenge (1985)Often derided as a messy sequel, this film is now embraced by many as a camp classic of queer horror. The conversation covers the now-notorious creative denials around its subtext, the dynamic between actor Mark Patton and the filmmakers, and the striking presence of a “final boy” whose journey blurs lines between possession, repression, and queer awakening. The film's overt homoeroticism—locker rooms, leather bars, and sweaty dance sequences—is discussed not just for laughs, but as meaningful queer coding in the Reagan-era horror landscape. The panel also reckons with Freddy as a metaphor for internalized shame, and what it means when a horror film can't quite let its subtext become text.Titane (2021)Winner of the Palme d'Or and easily the most divisive film of the trio, Titane pushes the panel into complex conversations about gender fluidity, body horror, and the relationship between performance and identity. Is this a trans allegory? A critique of binaries? Or just a deeply weird tale of trauma and transformation? The hosts wrestle with the film's ambiguity, discussing its uncompromising visuals, unexpectedly tender surrogate father-son relationship, and what it means to build a chosen family amidst radical bodily change. Some saw it as alienating; others, transcendent. All agreed: this one will be analyzed for decades.This episode doesn't wrap everything up with a rainbow bow—and that's the point. Horror isn't tidy, and queerness rarely comes with clean lines or clear labels. But if you've ever felt like the monster, the final someone, or the person who's just a little too into the firetruck, this conversation might feel like coming home. Or at least like sitting in the dark with people who see what you see.Film SundriesThe List on LetterboxdWatch the movies discussed:The Bride of Frankenstien: Apple • Amazon • LetterboxdA Nightmare on Elm Street 2: Freddy's Revenge: Apple • Amazon • LetterboxdTitane: Apple • Amazon • Letterboxd (00:00) - Welcome to Sitting in the Dark (07:05) - Coded Queer Horror (10:03) - Dealing with the Morality Police (16:21) - Bride of Frankenstein (35:14) - A Nightmare on Elm Street Part 2: Freddy's Revenge (53:55) - Titane (01:21:46) - Coming Attractions: The Drac Pack Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel's family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastJoin the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdPeteKyleTommyKynanWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

00:00 Intro 00:58 Episode Overview – CineEurope Recap, Cannes Highlights, F1 & Megan 2.0 Forecasts  02:25 Elio Pixar's Lowest Opening Ever ($20.8M)  03:57 28 Years Later $30M Opening, Franchise Setup  06:25 F1 Movie Real Racing Footage, PLF Showcase  12:05 F1 Forecast $45–55M Opening; Megan 2.0 Tracking Low  13:42 Kate Hudson Named Pioneer of the Year  14:57 CineEurope 2025 Recap Begins  16:40 Local Films Rising in Europe Due to Hollywood Gaps  20:10 Windows Debate Global 45-Day Minimum Pushed  22:45 Streamer Risk Amazon MGM & SVOD Threat  29:30 Naked Gun (Paramount) International Reception  31:55 Cannes 2025 Recap Begins No Breakout Hit  33:40 Palme d'Or: It Was Just an Accident Acquired by Neon  35:20 Die, My Love Jennifer Lawrence Film Sells for $24M  36:15 Sentimental Value Most Acclaimed Film at Cannes  37:05 Linklater's Nouvelle Vague to Netflix Industry Critique  42:10 Splitsville Surprise Hit Comedy from Cannes  45:00 Christie VDR Tech Enhancing Contrast & Reducing Energy  54:15 VDR Rollout Coming Late 2025  

Mike is joined by Robert Bellissimo and Philip Marinello to explore O Pagador de Promessas (1962), the landmark Brazilian drama from director Anselmo Duarte. Also known internationally as The Given Word, the film adapts Dias Gomes's acclaimed stage play into a sharp critique of institutional power.The story centers on Zé do Burro, a simple farmer who treks over 20 miles into Salvador while bearing a heavy cross—honoring a vow to Saint Barbara after his donkey, Nicholas, falls ill. What begins as a devout act of gratitude becomes a battleground of bureaucracy, media exploitation, and religious gatekeeping. Winner of the Palme d'Or at Cannes, Duarte's film remains a bold and timely meditation on class, faith, and the politics of devotion.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

It's been more than 25 years since the Swedish hardcore punk band Refused released their seminal album, “The Shape of Punk to Come.” Their most famous song from that album, “New Noise,” has been called a political anthem and a protest song. It's been used in the Palme d'Or'-winning film “Triangle of Sadness” as well as in the hit show “The Bear.” Last year, frontman Dennis Lyxzén of Refused joined Tom Power to tell us how “New Noise” became a global hit after the band had already called it quits.

Mike is joined by Robert Bellissimo and Philip Marinello to explore O Pagador de Promessas (1962), the landmark Brazilian drama from director Anselmo Duarte. Also known internationally as The Given Word, the film adapts Dias Gomes's acclaimed stage play into a sharp critique of institutional power.The story centers on Zé do Burro, a simple farmer who treks over 20 miles into Salvador while bearing a heavy cross—honoring a vow to Saint Barbara after his donkey, Nicholas, falls ill. What begins as a devout act of gratitude becomes a battleground of bureaucracy, media exploitation, and religious gatekeeping. Winner of the Palme d'Or at Cannes, Duarte's film remains a bold and timely meditation on class, faith, and the politics of devotion.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

Anis erzählt von einem traumatischen Erlebnis in der Deutschen Botschaft – zumindest für den kleinen Haudegen Issa. Die beiden reflektieren ihre spontanen Urlaubspläne und diskutieren über ihren Filmgeschmack. Dann schalten sie in den Therapiemodus: Wie in jeder guten Ehe gibt es auch bei den Ferchichis die kleinen Dinge, die einen auf die Palme bringen. Was sind die Trigger für jeden von ihnen und wie gehen sie damit um? Sie sprechen über die größten Fehler, die sie in ihrem Leben gemacht haben, aber nicht bereuen, über Eifersucht und Zickereien. Achtung: Es wird philosophisch!+++Alle Rabattcodes und Infos zu unseren Werbepartnern findet ihr hier: https://linktr.ee/bushido_podcast+++Unsere allgemeinen Datenschutzrichtlinien finden Sie unter https://datenschutz.ad-alliance.de/podcast.html+++Wir verarbeiten im Zusammenhang mit dem Angebot unserer Podcasts Daten. Wenn Sie der automatischen Übermittlung der Daten widersprechen wollen, klicken Sie hier: https://datenschutz.ad-alliance.de/podcast.html Unsere allgemeinen Datenschutzrichtlinien finden Sie unter https://art19.com/privacy. Die Datenschutzrichtlinien für Kalifornien sind unter https://art19.com/privacy#do-not-sell-my-info abrufbar.

Hang onto your slipcases because Blake Howard & Isaac Feldberg will discuss the canonisation of Sean Baker with the special CRITERION COLLECTION releases of ANORA and PRINCE OF THE CITY.AnoraContemporary cinema's foremost chronicler of American dreamers and schemers hustling on the margins of capitalist promise, Sean Baker, reaches new heights of mastery with this audacious anti–Cinderella story—a whirlwind neorealist screwball comedy with an aching heart. In an electric, star-is-born performance, Mikey Madison soars as Anora, an enterprising, ferociously foulmouthed Brooklyn erotic dancer and sex worker whose Prince Not-So-Charming comes along in the form of a Russian oligarch's wild-child son (Mark Eydelshteyn). This is the beginning of a fractured fairy tale—also featuring standout performances from Karren Karagulian, Yura Borisov, and Vache Tovmasyan—that turns the cruel realities of class inside out. Winner of the Palme d'Or at the 2024 Cannes Film Festival, Anora confirms Baker as one of our preeminent auteurs.DIRECTOR-APPROVED 4K UHD + BLU-RAY SPECIAL EDITION FEATURESNew 4K digital master, supervised by director Sean Baker and producer Alex Coco, with 5.1 surround DTS-HD Master Audio soundtrackOne 4K UHD disc of the film presented in HDR and two Blu-rays with the film and special featuresTwo audio commentaries: one featuring Baker, Coco, producer Samantha Quan, and cinematographer Drew Daniels, and the other featuring Baker and actors Yura Borisov, Mark Eydelshteyn, Karren Karagulian, Mikey Madison, and Vache TovmasyanNew making-of documentaryNew interviews with Baker and MadisonCannes Film Festival press conferenceQ&A with Madison and actor-stripper Lindsey NormingtonDeleted scenesAudition footageTrailersEnglish subtitles for the deaf and hard of hearing and English descriptive audioPLUS: Essays by film critic Dennis Lim and author Kier-La JanisseNew cover by Bianca Parkes and GrandSon, with photography by Max AbadianPrince of BroadwayA raw, disarmingly moving slice of neorealism, this early-career triumph from DIY auteur Sean Baker plunges into the world of West African immigrant Lucky (Prince Adu) and his Armenian Lebanese boss Levon (Karren Karagulian), two unlikely friends who peddle knockoff designer goods in Manhattan's wholesale district. When a long-forgotten ex forces him to take care of a young son he didn't even know he had, Lucky must figure out how to become a father without losing his edge in the counterfeit-merch game. Capturing the chaos of urban life through expressive handheld camera work, remarkably naturalistic performances, and flashes of manic humor, Prince of Broadway is one of Baker's most vivid explorations of the illusory nature of the American dream.DIRECTOR-APPROVED BLU-RAY SPECIAL EDITION FEATURESNew 4K digital restoration, supervised and approved by director Sean Baker and restoration supervisor Alex Coco, with 5.1 surround DTS-HD Master Audio soundtrackTwo audio commentaries: one featuring Baker and the other featuring producer and cowriter Darren Dean, associate producer and actor Victoria Tate, and actor Karren KaragulianNew introduction by BakerArchival interviews with Baker and actor Prince AduTwo documentaries on the making of the filmRestoration demonstration featuring Baker and CocoTrailersEnglish subtitles for the deaf and hard of hearingPLUS: An essay by film critic Robert DanielsNew cover by Drusilla Adeline/Sister Hyde, with additional photography by Ivory WoodsIsaac FeldbergIsaac Feldberg is an entertainment journalist currently based in Chicago, who's been writing professionally for nine years and hopes to stay at it for a few more. On a typical evening, he sits down to surf the Criterion Channel and ends up, inevitably, on Shudder. You can find him on Twitter at @isaacfeldberg.Support: JOIN THE ONE HEAT MINUTE PATREON FOR AS LITTLE AS $1 A MONTHFollow the hosts:Blake Howard - Twitter & One Heat Minute Website Alexei Toliopoulos - Twitter & The Last Video StoreSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Text us your movie thoughts!Reel Week | 163:On this week's episode, we detail the major awards from this year's Festival de Cannes, including Palme d'Or winner Jafar Panahi for "It Was Just an Accident"Stay tuned for our Marquee topic of the show episode next week where we begin our 2025 Movie Homework.Next episode: Tron (1982) | 2025 Movie HomeworkSocials:Cristian on Twitter: @_isoCristianCristian on Letterboxd: isoCristianHugo on twitter: @Hugo_PinaiHugo on Letterboxd: Hugo_P7Jackson on Letterboxd: @jacksonwwellsHelpful Links Large Popcorn linktree Large Popcorn on Twitter: @ LargePopcornPod Dial-in to the show via SpeakPipe! Keep up with all the films we watch on every show at my letterboxd profile Check out our merch on bonfire!

Check out our review of ‘Mission Impossible: The Final Reckoning'. We'll also discuss the finale of ‘The Last of Us' Season 2. Beforehand, we'll discuss the week's top entertainment news, including our reactions to trailers for ‘Caught Stealing' and ‘Kpop Demon Hunters'; the winner of the Palme d'Or; ‘Elden Ring' is getting a movie adaptation; and more! Enjoy!TIMECODES… Intro (0:00)The Toms: Entertainment News (2:51)*SPOILERS* ‘The Last of Us' Season 2 Finale (23:25)RETROSPECTIVE – ‘Mission Impossible: Ghost Protocol' (52:51)RETROSPECTIVE – ‘Mission Impossible: Rogue Nation' (1:04:50)RETROSPECTIVE – ‘Mission Impossible: Fallout' (1:17:50)RETROSPECTIVE – ‘Mission Impossible: Dead Reckoning' (1:39:09)Non-Spoiler Review of ‘Mission Impossible: The Final Reckoning' (1:56:55)*SPOILERS* ‘Mission Impossible: The Final Reckoning' (2:12:04)What Are Ya Doin'? (2:29:58)SOCIAL MEDIA LINKS...Email: tomppodcast@gmail.comYouTube: https://www.youtube.com/channel/UCU2jjOm3gwTu2TVDzH_CJlwFacebook: https://www.facebook.com/That-One-Movie-Podcast-535231563653560/Twitter: https://twitter.com/TOMPPodcastPatreon: https://www.patreon.com/tomppodcastINTRO MUSIC... "Constellation" by Brian Hanegan

Back from Cannes, David and Richard chat with Rebecca about the biggest winners of the festival, including Palme d'Or winner 'It Was Just an Accident'. They also examine what this might mean for the coming Oscar season, including if Jennifer Lawrence still has a chance after being snubbed for the best actress prize. Plus, they highlight a few new TV shows worth checking out as Emmy eligibility ends.To join Little Gold Men's Book Club, please vote on our summer reading list here. Learn about your ad choices: dovetail.prx.org/ad-choices

Ep. 324: Justin Chang on Cannes 2025: Sirat, Woman and Child, The Little Sister, Jeunes Mères, My Father's Shadow, Palme Pensées Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. I'm back at the Cannes Film Festival to talk about the highlights with another all-star cast of guests. This episode I sat down with the delightful Justin Chang of The New Yorker right near the end of the festival, when even a power outage in Cannes could not stop the show from going on! We discussed Sirat (directed by Oliver Laxe), My Father's Shadow (Akinola Davies Jr.), The Little Sister (Hafsia Herzi), Woman and Child (Saeed Roustaee), and Jeunes Mères (Young Mothers, from Jean-Pierre and Luc Dardenne). Plus: Justin logs his thoughts on what film might win the Palme d'Or. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

For Episode 443, Dan Bayer and I are back from the south of France to give you Part 2 of our 2025 Cannes Film Festival recap, including our reactions to the award winners. Tune in as we touch on many of the movies which premiered in the second week of the festival including the Palme d'Or winner "It Was Just An Accident," "Sentimental Value," "Resurrection," "Alpha," "Pillion," "Highest 2 Lowest," "Splitsville," "Eleanor The Great," "A Private Life," "The History Of Sound," "The Mastermind," "Honey Don't!" and more! For this week's poll, as the festival ends, we ask, "Which Film From The 2025 Cannes Film Festival Are You Most Looking Forward To Seeing?" We also reveal the winner of last week's poll for the release of "Mission: Impossible - The Final Reckoning," asking, "Which Is Your Favorite "Mission: Impossible" Film?" give our reactions to the trailer for Darren Aronofsky's "Caught Stealing," answer your fan-submitted questions and more! Thank you all for following us on this incredible journey by listening, supporting, and subscribing. We hope you enjoy this episode, and we'll see you next week. Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 00:07:07 - Le Masque et la Plume - Le réalisateur iranien Jafar Panahi remporte la Palme d'or du 78e Festival de Cannes, après 14 ans d'interdiction de sortie du territoire. "Un simple accident" suit l'histoire d'ancien détenus iraniens, qui ont capturé un de leurs bourreaux. Qu'en ont pensé les critiques du Masque ?

It's the final day of our Cannes daily episodes, and we're wrapping things up by looking at the biggest sales of the festival (so far). Then, Richard and David make their Palme d'Or predictions, and they also share with Rebecca which films and actors have the best chance for Oscar season runs later this year.To join Little Gold Men's Book Club, please vote on our summer reading list here. Learn about your ad choices: dovetail.prx.org/ad-choices

David and Richard catch Rebecca up on the premiere of 'Highest 2 Lowest', which included a surprise Palme d'Or honor for the film's star Denzel Washington -- along with some red carpet drama. Then they discuss the tepid reactions for 'Titane' filmmaker Julia Ducournau's new film 'Alpha'.To join Little Gold Men's Book Club, please vote on our summer reading list here. Learn about your ad choices: dovetail.prx.org/ad-choices

The Cannes Film Festival has officially begun! David, Richard, and Rebecca answer some listener questions, explaining the festival's strange ticketing system and analyzing how past jury presidents have made this Palme d'Or picks. Plus, Richard and Rebecca share some of their favorite past Cannes memories.To join Little Gold Men's Book Club, please vote on our summer reading list here. Learn about your ad choices: dovetail.prx.org/ad-choices