Podcasts about Palme

In dieser Episode begrüßt Volker Pietzsch die vielfach erfahrene Unternehmerin, Coachin und frühere TV-Börsenexpertin Dorette Segschneider im Sonntagstalk. Ein Gespräch voller Tiefgang, Offenheit und Inspiration! Dorette spricht über ihren außergewöhnlichen Lebensweg – von der journalistischen Pionierin an der Börse, über eine erschütternde Panikattacke in einer Livesendung bis hin zu ihrer heutigen Berufung: Sie begleitet Persönlichkeiten aus Wirtschaft, Sport und Politik durch Transformationsprozesse – mit Klarheit, Empathie und einem messerscharfen Blick für das Wesentliche. Im Mittelpunkt steht ihr neues Buch „Mission Mensch – Warum manche zum Mars fliegen und andere auf die Palme gehen“, in dem sie echte Veränderung nicht als Konzept, sondern als gelebte Erfahrung sichtbar macht. Gemeinsam mit Volker taucht sie ein in Themen wie: Persönlichkeitsentwicklung als Führungskompetenz Die Kraft des Anfangs Warum Ehrlichkeit manchmal unbequem, aber immer notwendig ist Was Unternehmen von Athletinnen wie Andrea Petkovic lernen können Und warum kleine Schritte oft der Schlüssel zu großen Erfolgen sind Mit bewegenden Einblicken aus dem Ahrtal, persönlicher Lebensphilosophie und einem feinen Gespür für Transformation zeigt Dorette: Alles beginnt bei dir selbst. Und manchmal reicht ein einziger Schritt, um Großes in Bewegung zu setzen. https://www.dorettesegschneider.de/ https://volkerpietzsch.de/ https://www.antenne-mainz.de/uber-uns/sendungen/im-talk-mit-volker-pietzsch-KF1153927 weitere Podcasts: https://volkersradiopodcast.podigee.io/

Après Grave et Titane qui lui avait valu la Palme dʹOr à Cannes en 2021, la réalisatrice française Julia Ducournau revient avec Alpha, un drame qui nous entraine dans les années 80, auprès dʹune adolescente qui vit avec sa mère et avec le frère de celle-ci, toxicomane atteint dʹune maladie quʹon nʹappelle pas encore Sida. Dans les rôles principaux, Tahar Rahim et Golshifteh Farahni. Lʹactrice iranienne était au festival de Locarno où elle a reçu un Léopard dʹhonneur. Et où Rafael Wolf lʹa rencontré.

Quatre ans après sa Palme d'or au Festival de Cannes obtenue avec son film Titane, la réalisatrice française Julia Ducournau est de retour sur les écrans avec Alpha. Elle délaisse quelque peu son genre de prédilection « le body horror » pour mettre en scène une histoire de famille sur le deuil dans un monde apocalyptique post pandémie avec Golshifteh Farahani, Tahar Rahim et Mélissa Boros.

Quatre ans après sa Palme d'or au Festival de Cannes obtenue avec son film Titane, la réalisatrice française Julia Ducournau est de retour sur les écrans avec Alpha. Elle délaisse quelque peu son genre de prédilection « le body horror » pour mettre en scène une histoire de famille sur le deuil dans un monde apocalyptique post pandémie avec Golshifteh Farahani, Tahar Rahim et Mélissa Boros.

durée : 00:10:22 - France Culture va plus loin (l'Invité(e) des Matins d'été) - par : Julie Gacon, Sarah Masson - Après "Titane", qui lui avait valu la Palme d'or à Cannes, Julia Ducournau revient avec un nouveau film incarné par Tahar Rahim et Golshifteh Farahani. Film post-apocalyptique, gore, pandémique, "Alpha" donne à voir une esthétique clinique, prolongeant son tropisme pour l'exploration des corps. - réalisation : Sam Baquiast, Vivian Lecuivre - invités : Julia Ducournau Réalisatrice française de cinéma

We're a mere 11 days before the 52nd Telluride Film Festival kicks off on Labor Day weekend and we have a packed show. On episode 303 AwardsWatch Editor-In-chief Erik Anderson is joined by Executive Editor Ryan McQuade, Associate Editor Sophia Ciminello, contributors Mark Johnson and Jorge Tenreiro and Christina Birro of Pop Culture Confidential to break down what we think will be at Telluride this season, who might be getting Silver Medallions and much more. On this episode the crew looks at how Toronto and New York film festival designations give us the clues we need to see what will, or might, be showing up at Telluride including coveted world premieres, Chloé Zhao's Hamnet starring Jessie Buckley and Paul Mescal, and Edward Berger's Ballad of a Small Player with Colin Farrell and Tilda Swinton among them. Telluride is also full of Cannes winner carryovers and we expect to see Jafar Panahi's Palme d'Or winner It Was Just an Accident, Joachim Trier's Sentimental Value (Grand Prize winner) and Kleber Mendonça Filho's double winner The Secret Agent (Best Director, Best Actor Wagner Moura) -- all NEON films -- in the lineup. There's also a certain amount of sleuthing involved in the guessing game and is there a chance that A24 debuts Mother Mary here? We'll have to wait and see... You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more. This podcast runs 1h4m. We will be back in next week to talk about Spike Lee's newest film Highest 2 Lowest and talk about our Top 5 Spike Lee joints. Till then, let's get into it.

"You Talkin to me?", "Cʹest à moi que tu parles?", lancée par Robert de Niro face à son miroir est certainement une des phrases les plus connues du cinéma. Le comédien interprète Travis Bickle dans le film Taxi Driver de Martin Scorcese, la Palme dʹor 1976. A lʹécran, on trouve aussi Jodie Foster, toute jeune alors, Harvey Keitel, et Cybill Shepherd. Taxi Driver cʹest lʹhistoire de Travis Bickle, un jeune homme du Middle West, démobilisé des Marines, qui fait le taxi à New-York. Cʹest un déséquilibré, solitaire, insomniaque, qui voit la déchéance morale partout et qui décide de nettoyer la ville en lʹensanglantant. Taxi Driver, cʹest le récit dʹun psychotique mystique créé par le scénariste Paul Schrader, inspiré dʹun fait réel, une tentative dʹassassinat politique, nous y reviendrons. Cʹest un film dʹerrances, un film où des violences se croisent, où des tirs sʹéchangent, où lʹamour nʹa pas sa place. Cʹest un film qui montre les séquelles psychologiques de la guerre du Vietnam, les traumatismes des jeunes gens revenus au pays, fracassés. Ça ne sʹétait jamais vu avant. Le film choque à sa sortie, mais imprime les mémoires. Et surtout, fait entrer pleinement Martin Scorcese dans le Nouvel Hollywood, ce vivier dʹartistes exaltés, prêts à montrer de quoi ils sont capables, ceux qui veulent en découdre avec le système. Lʹhistoire de Taxi Driver sʹécrit avec sur la banquette dʹun taxi jaune new-yorkais et offre à tous ces jeunes talents, acteurs et actrices compris, un terrain dʹexploration fabuleux qui va devenir légendaire. REFERENCES La tentative dʹassassinat contre George Bremer https://www.youtube.com/watch?v=Yk0yNR7uUag " Taxi Driver, un film de Martin Scorcese ", LʹAvant-Scène Cinéma, Numéro 529, Février 2004 Taxi Driver présenté par Jean-Baptiste Thoret en 2013 https://www.youtube.com/watch?v=VMfUAjaSVE4&t=363s Paul SCHRADER, Taxi Driver, Faber & Faber, 1990 CIEUTAT Michel, Martin Scorcese, Rivages, 1987 La scène culte : You talkin to me de Robert de Niro. http://www.youtube.com/watch?v=4e9CkhBb18E DUBOIS, Régis, Martin Scorcese, Lʹinfiltré, Nouveau Monde éditions, 2019

Un film belge, Palme dʹor à Cannes en 1999, qui se résume en un prénom ? Ne cherchez plus, cʹest Rosetta. Rosetta, lʹhistoire dʹune jeune femme qui a la rage de vivre, de survivre. Rosetta, qui veut tellement sʹintégrer, qui ne supporte pas la marge, quʹelle fonce dans le tas, lutte jusquʹà lʹobsession. Rosetta qui fait entrer son interprète, Emilie Dequenne et les frères Luc et Jean-Pierre Dardenne dans la cour des grands. Car ce film, sorti au crépuscule du 20e siècle, raconte lʹhistoire dʹune survivance, dʹune guerre pour trouver sa place. A Cannes, le film fait polémique. On ne comprend pas pourquoi le jury présidé par David Cronenberg a récompensé cette œuvre sombre et une actrice en devenir, une amatrice. Mais derrière le film dans lequel beaucoup ne voient quʹun énième film de réalisme social, se cache un vrai travail de réalisation. La plongée dans lʹunivers de Rosetta, au plus près de la comédienne, est un véritable tour de force. Le film explore une histoire non pas à partir dʹune intrigue mais à partir dʹun personne que lʹon prend à un moment et que lʹon lâche à un autre. Et cʹest tout. Et cʹest déjà beaucoup. Laurent Marchi, du Planète Cinéma, écrit : " Rosetta est le résultat d'un extrême travail qui ne laisse pas la place à l'improvisation. Le paradoxe et la beauté du travail tenant justement dans cette impression de vérité alors même que tout est préparé, pensé, écrit et répété. " Ne tardons plus. Plongée entre caravane, une usine, une baraque à gaufre, un étang, sur les pas de Rosetta, survivante magnifique, que nous nʹallons pas lâcher dʹune semelle. REFERENCES Luc et Jean-Pierre Dardenne, Rosetta : scénario, Les cahiers du cinéma, 1999, 137 p., avant-propos Fresque INA, le Festival de Cannes, Palme dʹOr 1999 https://fresques.ina.fr/festival-de-cannes-fr/fiche-media/Cannes00302/palmares-du-festival-1999.html Emilie Dequenne définit son personnage https://fresques.ina.fr/europe-des-cultures-fr/fiche-media/Europe00270/les-freres-dardenne.html

Neon couldn't burn any brighter than it is now. The film production and distribution company acquired the rights to six consecutive Palme d'Or winners at the Cannes Film Festival: Parasite (2019), Titane (2021), Triangle of Sadness (2022), Anatomy of a Fall (2023), Anora (2024), and It Was Just an Accident (2025). Parasite was the first foreign language film to win Best Picture at the Academy Awards in 2020. Longlegs became the highest-grossing independent film in 2024. Director Sean Baker won 4 Oscars for his film Anora tying with the one and only Walt Disney for most Oscar wins in a single night. All of this from a studio that's only been around for 8 years. Film industry veteran Tom Quinn cofounded Neon in 2017 and has marked a distinct lane for himself in a crowded and, let's be honest, less-than-innovative industry. In this episode of Creative Control, Quinn traces his journey from actor to executive and explains how he's positioned Neon to be the "anti-algorithm" in a streaming world. He also gives his perspective on what's holding the wider film industry back and what Neon needs now to make their success sustainable.  For more of the latest business and innovation news, go to https://www.fastcompany.com/news To listen to the latest episodes of Creative Control on Fast Company:https://www.fastcompany.com/podcasts/creative-control

Send us a textEine ganze Folge Sommer-Rants. Lisa ist zum zweiten Mal zu Gast in Rantsville und es haben sich über die Monate eine Menge Ärgernisse aufgestaut, die sich jetzt entladen. Wir sprechen auch diesmal hauptsächlich über die Verfehlungen, Rücksichtslosigkeiten und Unhöflichkeit ihrer Mitmenschen (s. S1E03 Lisa hasst die anderen) und ärgern uns buchstäblich stundenlang darüber, wie egozentrisch unsere Spezies ist. Auch ein Novum: Lisa darf die Knöpfe drücken und Rantsville Musiken abspielen. Vorsicht: alkoholfreie Folge!Du willst mit-ranten? Schreib uns: Schick deine eigenen pet peeves (kleine Dinge, die dich riesig nerven), Fragen, Meinungen und Kommentare an Helmut unter 0699-1-237 50 83Begriffsdefinitionen RANT Engl. für: Schimpfkanonade · Schimpftirade · Wutgeheul · WutredeGoogle: „Die Person, die sich das Geschimpfe anhört, wird nicht beachtet, und oft ist der Vorgang für den Zuhörer nicht einvernehmlich. Es wird extrem toxisch, da die Person, die emotional ablädt, oft nicht in der Lage ist, eine konstruktive Bemerkung oder einen Ratschlag zu geben. Der ganze Prozess lässt keinen Raum für eine Lösung.“Etymologie: Rant kommt aus dem Niederländischen ranten, „Unsinn reden“.Der erste dokumentierte Gebrauch von rant stammt aus dem Ende des sechzehnten Jahrhunderts, aus Shakespeares Die lustigen Weiber von Windsor.VILLE Urban dictionary: „Populäres Suffix, das häufig als Verstärker an ein beliebiges Wort angehängt wird, etwa: ‚hoe ville‘: eine Stadt voller Schlampen“PET PEEVE „Das Lieblingsärgernis“; ein kleines Ärgernis, das einen immer wieder aufs neue auf die Palme bringt.Danke fürs Zuhören und fürs Teilen!Cover Art: Cat AsenguaMusik: Helmut Stekl und Michael „Mitch“ Dörfler, www.tripbox.com#rant #ranting #rantsville #complaining #petpeeves #jammern #beschweren #negativ

A few years ago Oscar and Palme d'Or-winning Kiwi filmmaker Dame Jane Campion announced a pop-up film school called 'A Wave in the Ocean'. The project was supported by Netflix and ran as a 12-month intensive mentorship programme for creatives with significant film experience. Well now the course is reaping results - one of the short films that emerged from it has now been selected to compete at the Venice International Film Festival. 'Lion Rock' was co-directed by Prisca Bouchet, she spoke to Jesse.

Eddington is the fourth feature film written and directed by Ari Aster. It’s a neo-Western comedy set in the fictional and titular New Mexico town during May, 2020. Eddington was nominated for the Palme d’Or at this year’s Cannes Film Festival, and it’s one of three Pedro Pascal movies that are currently in the top 20 at the domestic box office. And: Sunday Best is a new Netflix documentary directed by, and in memory of, the late journalist, musician, and filmmaker Sacha Jenkins. It’s about the cultural importance of The Ed Sullivan Show and Sullivan’s “legacy of equality.” GUESTS: RS Benedict: A writer and bureaucrat whose fiction and non-fiction has been published in the New Haven Review, Fangoria, Current Affairs, and a bunch of other places Shawn Murray: A stand-up comedian, writer, and the host of the Fantasy Filmballpodcast Bill Yousman: Professor of media studies at Sacred Heart University The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode! Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. Join the conversation on Facebook and Twitter. Colin McEnroe and Dylan Reyes contributed to this show.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

This week on Horror Hour with the Hanna's, we dive into the bold, bizarre, and unapologetically visceral world of Titane (2021), the Palme d'Or–winning shocker from director Julia Ducournau. Part body horror, part family drama, and part gender-blurring fever dream, Titane follows a woman with a titanium plate in her skull, a history of violence, and a concerning attraction to cars. We explore how Titane challenges expectations at every turn—flipping between brutal violence, tender intimacy, and surreal metaphors for grief, identity, and transformation. Is it a transhumanist masterpiece? A grotesque provocation? Or both? We also dissect Agathe Rousselle's fearless performance and Vincent Lindon's haunting vulnerability in one of the most emotionally complex horror films of the decade. Strap in, steel yourself, and prepare to question everything you think a horror movie can be—this one doesn't ask for your comfort, only your full attention.   Follow Us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: @horrorhourwiththehannas   Music by Aries Beats - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/watch?v=DPpnxLYrzVA⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠    

David Cronenberg is one of those great directors that started with B-Movie horror only to become a highly regarded, award winning director. Now at 82, his latest film, THE SHROUDS, was nominated for the Palme d'Or at Cannes. After playing one other festival, it was released at theaters in April 2025. Now it is available on VOD and streaming for all to see.From IMDB: “Karsh, an innovative businessman and grieving widower, builds a device to connect with the dead inside a burial shroud.”THE SHROUDS was written and directed by David Cronenberg and has a fabulous international cast including lead Vincent Cassell, Diane Kruger, and Guy Pierce. Receiving good reviews in what critics are calling his most intimate and biographical film, your co-hosts take a look at Cronenberg's latest.

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!Welcome back to Bad Dads Film Review! This week we're taking a tumble — both literally and metaphorically — as we break down our Top 5 Falls in Movies and TV, followed by a closer look at the slow-burning, Palme d'Or-winning courtroom drama Anatomy of a Fall. No kids' section this time around — just a lot of bodies hitting the floor (sometimes figuratively).

durée : 00:05:28 - C'est une chanson - par : Frédéric Pommier - Tout cet été, nous réécoutons les entretiens de Frédéric Pommier. Aujourd'hui, c'est avec le cinéaste Claude Lelouch. Il évoque la genèse de la chanson de son film "Un homme et une femme" (Palme d'or 1966), interprétée par Pierre Barouh et Nicole Croisille. (Rediffusion de l'émission du 27/05/2021) Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Anne Thompson joined Ryan Lattanzio in person at the IndieWire New York studio to discuss new releases from 'Superman' to the Palme d'Or winner 'It Was Just an Accident.' Then they debate the New York Times best 100 movies of the century list, and reveal their own Top 10s. Learn more about your ad choices. Visit megaphone.fm/adchoices

To celebrate five years of What Are You Watching, Alex and Nick discuss the most influential director of Alex's life, Steven Soderbergh. Thirty-five movies, (at least) five career phases, a Palme d'Or, an Oscar, and an unparalleled work ethic all make Soderbergh an icon of modern cinema. Let's go!Follow @WAYW_Podcast on Twitter and Instagram and Letterboxd.Send mailbag questions to whatareyouwatchingpodcast@gmail.com

Film critic Perrine Quennesson tells us why Palme d'Or-winning director Julia Ducournau's latest feature "Alpha" divided critics when it screened at Cannes. She explains how leading actor Tahar Rahim transformed himself for the role and salutes the French filmmaker's imaginative use of imagery in her daring films.

Following past discussions on confronting modern life through the eyes of children, this week's episode focuses on Michael Haneke's Palme d'Or-winning film, The White Ribbon, to contemplate the sinister art of making false claims to innocence.We also briefly discuss:The Innocents (1961) d. Jack ClaytonRemains of the Day (1993) d. James IvoryThe Zone of Interest (2023) d. Jonathan GlazerThe Conference (2022) d. Matti GeschonneckContact UsEmail: contact@jimmybernasconi.comInstagram: https://www.instagram.com/filmsfortoday/

// Ich liebe Kokosnüsse, und zwar sowohl das Kokosnusswasser (mega erfrischend und gesund) als auch das Fruchtfleisch (egal ob noch weich oder schon reifer und härter). Nun bin ich ja gerade in Costa Rica und habe das Glück, dass hier easy heranzukommen ist an Kokosnüsse – im Supermarkt oder an Straßenständen. Aber die Dinger wachsen hier ja sogar auf den Bäumen! Deshalb wollte ich mir unbedingt selbst eine Kokosnuss von der Palme holen und sie stilgerecht mit der Machete aufschneiden. Ich musste mir also nicht nur die richtige Klettertechnik aneignen, sondern mir auch erstmal ein vernünftiges Werkzeug besorgen. Ob und wie das alles geklappt hat, erfährst du in dieser Folge, inklusive kleinem Macheten-Einmaleins für Bushcraft und Co in Deutschland ... // Mehr zum FREI RAUS Podcast, unter anderem auch die Möglichkeit, dich zum wöchentlich erscheinenden Newsletter anzumelden, findest du unter https://www.christofoerster.com/freiraus // Die Musik-Playlist „FREI RAUS Wanderlust” ist auf Spotify abrufbar. // Coverphoto by Blackforest Collective

En 2013, elle avait été la révélation du festival de Cannes. Aux côtés de l'actrice Léa Seydoux et du réalisateur Abdellatif Kechiche, Adèle Exarchopoulos, 19 ans, avait même reçu des mains du président du jury, Steven Spielberg, la Palme d'or pour « La Vie d'Adèle ». Une consécration pour la jeune parisienne qui n'ambitionnait pas au départ de devenir actrice. 12 ans après, elle est devenue l'une des actrices les plus en vue du cinéma français. Après avoir multiplié les rôles marquants dans des films dramatiques, elle a su se réinventer en se frottant à la comédie. Cet été, elle revient en salle pour le nouveau film de Quentin Dupieux, « L'accident de piano », où elle incarne Magalie, une influenceuse déconnectée de la réalité.Pour Code source, Catherine Balle, Renaud Baronian et Pauline Conradsson, journalistes au service culture du Parisien, reviennent sur son parcours.Écoutez Code source sur toutes les plates-formes audio : Apple Podcast (iPhone, iPad), Amazon Music, Podcast Addict ou Castbox, Deezer, Spotify.Crédits. Direction de la rédaction : Pierre Chausse - Rédacteur en chef : Jules Lavie - Reporter : Barbara Gouy - Production : Thibault Lambert, Clara Garnier-Amouroux et Raphaël Pueyo - Réalisation et mixage : Pierre Chaffanjon - Musiques : François Clos, Audio Network - Archives : TF1, Allociné. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!Welcome back to Bad Dads Film Review! This week we're embracing all things angular, round, and abstract with our Top 5 Shapes in Movies & TV, diving into Ruben Östlund's Triangle of Sadness, and finishing up with a charming kids' pick: Shape Island. It's geometry, but make it cinematic.

This Pride Month edition of Sitting in the Dark shines a lavender light on the long-standing but often invisible relationship between horror cinema and queer identity. Host Kynan Dias traces horror's appeal to outsiders—particularly LGBTQ+ viewers—who find coded representation in monsters, victims, and the margins of genre storytelling.The episode dives deep into three genre-defining films.The Bride of Frankenstein (1935)James Whale's campy sequel is reevaluated as a foundational queer text. The panel explores how Whale, an out gay director, infused the film with coded themes of same-sex companionship, rejection, and theatricality. From Dr. Pretorius's foppish villainy to the Bride's brief, iconic scream, the film is bursting with subtext—much of it retroactively interpreted through the lens of queer longing and societal othering. The group also riffs on Whale's tonal whiplash, Elsa Lanchester's cultural impact, and why “We belong dead” might be the most tragic queer line in horror history.A Nightmare on Elm Street 2: Freddy's Revenge (1985)Often derided as a messy sequel, this film is now embraced by many as a camp classic of queer horror. The conversation covers the now-notorious creative denials around its subtext, the dynamic between actor Mark Patton and the filmmakers, and the striking presence of a “final boy” whose journey blurs lines between possession, repression, and queer awakening. The film's overt homoeroticism—locker rooms, leather bars, and sweaty dance sequences—is discussed not just for laughs, but as meaningful queer coding in the Reagan-era horror landscape. The panel also reckons with Freddy as a metaphor for internalized shame, and what it means when a horror film can't quite let its subtext become text.Titane (2021)Winner of the Palme d'Or and easily the most divisive film of the trio, Titane pushes the panel into complex conversations about gender fluidity, body horror, and the relationship between performance and identity. Is this a trans allegory? A critique of binaries? Or just a deeply weird tale of trauma and transformation? The hosts wrestle with the film's ambiguity, discussing its uncompromising visuals, unexpectedly tender surrogate father-son relationship, and what it means to build a chosen family amidst radical bodily change. Some saw it as alienating; others, transcendent. All agreed: this one will be analyzed for decades.This episode doesn't wrap everything up with a rainbow bow—and that's the point. Horror isn't tidy, and queerness rarely comes with clean lines or clear labels. But if you've ever felt like the monster, the final someone, or the person who's just a little too into the firetruck, this conversation might feel like coming home. Or at least like sitting in the dark with people who see what you see.Film SundriesThe List on LetterboxdWatch the movies discussed:The Bride of Frankenstien: Apple • Amazon • LetterboxdA Nightmare on Elm Street 2: Freddy's Revenge: Apple • Amazon • LetterboxdTitane: Apple • Amazon • Letterboxd (00:00) - Welcome to Sitting in the Dark (07:05) - Coded Queer Horror (10:03) - Dealing with the Morality Police (16:21) - Bride of Frankenstein (35:14) - A Nightmare on Elm Street Part 2: Freddy's Revenge (53:55) - Titane (01:21:46) - Coming Attractions: The Drac Pack Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel's family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastJoin the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdPeteKyleTommyKynanWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

00:00 Intro 00:58 Episode Overview – CineEurope Recap, Cannes Highlights, F1 & Megan 2.0 Forecasts  02:25 Elio Pixar's Lowest Opening Ever ($20.8M)  03:57 28 Years Later $30M Opening, Franchise Setup  06:25 F1 Movie Real Racing Footage, PLF Showcase  12:05 F1 Forecast $45–55M Opening; Megan 2.0 Tracking Low  13:42 Kate Hudson Named Pioneer of the Year  14:57 CineEurope 2025 Recap Begins  16:40 Local Films Rising in Europe Due to Hollywood Gaps  20:10 Windows Debate Global 45-Day Minimum Pushed  22:45 Streamer Risk Amazon MGM & SVOD Threat  29:30 Naked Gun (Paramount) International Reception  31:55 Cannes 2025 Recap Begins No Breakout Hit  33:40 Palme d'Or: It Was Just an Accident Acquired by Neon  35:20 Die, My Love Jennifer Lawrence Film Sells for $24M  36:15 Sentimental Value Most Acclaimed Film at Cannes  37:05 Linklater's Nouvelle Vague to Netflix Industry Critique  42:10 Splitsville Surprise Hit Comedy from Cannes  45:00 Christie VDR Tech Enhancing Contrast & Reducing Energy  54:15 VDR Rollout Coming Late 2025  

Mike is joined by Robert Bellissimo and Philip Marinello to explore O Pagador de Promessas (1962), the landmark Brazilian drama from director Anselmo Duarte. Also known internationally as The Given Word, the film adapts Dias Gomes's acclaimed stage play into a sharp critique of institutional power.The story centers on Zé do Burro, a simple farmer who treks over 20 miles into Salvador while bearing a heavy cross—honoring a vow to Saint Barbara after his donkey, Nicholas, falls ill. What begins as a devout act of gratitude becomes a battleground of bureaucracy, media exploitation, and religious gatekeeping. Winner of the Palme d'Or at Cannes, Duarte's film remains a bold and timely meditation on class, faith, and the politics of devotion.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

It's been more than 25 years since the Swedish hardcore punk band Refused released their seminal album, “The Shape of Punk to Come.” Their most famous song from that album, “New Noise,” has been called a political anthem and a protest song. It's been used in the Palme d'Or'-winning film “Triangle of Sadness” as well as in the hit show “The Bear.” Last year, frontman Dennis Lyxzén of Refused joined Tom Power to tell us how “New Noise” became a global hit after the band had already called it quits.

Mike is joined by Robert Bellissimo and Philip Marinello to explore O Pagador de Promessas (1962), the landmark Brazilian drama from director Anselmo Duarte. Also known internationally as The Given Word, the film adapts Dias Gomes's acclaimed stage play into a sharp critique of institutional power.The story centers on Zé do Burro, a simple farmer who treks over 20 miles into Salvador while bearing a heavy cross—honoring a vow to Saint Barbara after his donkey, Nicholas, falls ill. What begins as a devout act of gratitude becomes a battleground of bureaucracy, media exploitation, and religious gatekeeping. Winner of the Palme d'Or at Cannes, Duarte's film remains a bold and timely meditation on class, faith, and the politics of devotion.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

Anis erzählt von einem traumatischen Erlebnis in der Deutschen Botschaft – zumindest für den kleinen Haudegen Issa. Die beiden reflektieren ihre spontanen Urlaubspläne und diskutieren über ihren Filmgeschmack. Dann schalten sie in den Therapiemodus: Wie in jeder guten Ehe gibt es auch bei den Ferchichis die kleinen Dinge, die einen auf die Palme bringen. Was sind die Trigger für jeden von ihnen und wie gehen sie damit um? Sie sprechen über die größten Fehler, die sie in ihrem Leben gemacht haben, aber nicht bereuen, über Eifersucht und Zickereien. Achtung: Es wird philosophisch!+++Alle Rabattcodes und Infos zu unseren Werbepartnern findet ihr hier: https://linktr.ee/bushido_podcast+++Unsere allgemeinen Datenschutzrichtlinien finden Sie unter https://datenschutz.ad-alliance.de/podcast.html+++Wir verarbeiten im Zusammenhang mit dem Angebot unserer Podcasts Daten. Wenn Sie der automatischen Übermittlung der Daten widersprechen wollen, klicken Sie hier: https://datenschutz.ad-alliance.de/podcast.html Unsere allgemeinen Datenschutzrichtlinien finden Sie unter https://art19.com/privacy. Die Datenschutzrichtlinien für Kalifornien sind unter https://art19.com/privacy#do-not-sell-my-info abrufbar.

It's a wrap!In the final episode of this year's Cannes Film Festival, Eliana and Patrick are once again joined by Öykü Sofuoğlu. Together, they discuss: Jafar Panahi's Palme d'Or-winning It Was Just an Accident | یک تصادف سادهJoachim Trier's Grand Jury Prize-winner Sentimental Value | AffeksjonsverdiNadav Lapid's Yes or Yes! | כןKelly Reichardt's The Mastermind (which, alas, did not win any award)Kristen Stewart's The Chronology of WaterSimón Mesa Soto's A Poet | Un PoetaDiego Céspedes | Mysterious Gaze of the Flamingo | La Misteriosa Mirada del Flamencoand in passing : Alice Douard's Love Letters | Les preuves d'amours, Anna Cazenave Cambet's Love me Tender, Harris Dickinson's Urchin + Scarlett Johansson's Eleanor the GreatFor more of Öykü's work, check out her reviews on Sentimental Value, Christian Petzold's Mirrors No. 3, or Hafsia Herzi's The Little Sister for InReview Online.For those interested in more thoughts on one of our festival favorites, Pauline Loquès', Nino, read Patrick's review or listen to one of our previous episodes.----------------------------------------------------------------------------------------------Credits:Image: It Was Just an Acccident Film PosterFrame by Kumiko Shimuzu - Free to use under the Unsplash LicenseSound:Intro: EFF Open Audio License for Le Carnaval des Animaux (Saint-Saëns, Camille - Aquarium) by Neal O'Doan (Piano) Nancy O'Doan (Piano), and Seattle Youth Orchestra Pandora Records/Al Goldstein Archive.Extro: La Bouche - Be My Lover

Ayisha, Chris & Ofili are here to give their review of the Cannes film festival and talk us through the most anticipated films from the festival. We talk about WHY we love the Cannes film festival and the general workings of the festival (08:55), discuss Jafar Panahi and his Palme d'Or winning movie 'It Was Just an Accident' (16:13), Joachim Trier's newest film - 'Sentimental Value' (26:35), and predictions on how the festival & the general state of the world could affect awards voting (01:01:02).You can support us here.Please subscribe to our Newsletter.Hosts: AyishaGuests: Chris & OfiliProduction by: Ebuka

Hang onto your slipcases because Blake Howard & Isaac Feldberg will discuss the canonisation of Sean Baker with the special CRITERION COLLECTION releases of ANORA and PRINCE OF THE CITY.AnoraContemporary cinema's foremost chronicler of American dreamers and schemers hustling on the margins of capitalist promise, Sean Baker, reaches new heights of mastery with this audacious anti–Cinderella story—a whirlwind neorealist screwball comedy with an aching heart. In an electric, star-is-born performance, Mikey Madison soars as Anora, an enterprising, ferociously foulmouthed Brooklyn erotic dancer and sex worker whose Prince Not-So-Charming comes along in the form of a Russian oligarch's wild-child son (Mark Eydelshteyn). This is the beginning of a fractured fairy tale—also featuring standout performances from Karren Karagulian, Yura Borisov, and Vache Tovmasyan—that turns the cruel realities of class inside out. Winner of the Palme d'Or at the 2024 Cannes Film Festival, Anora confirms Baker as one of our preeminent auteurs.DIRECTOR-APPROVED 4K UHD + BLU-RAY SPECIAL EDITION FEATURESNew 4K digital master, supervised by director Sean Baker and producer Alex Coco, with 5.1 surround DTS-HD Master Audio soundtrackOne 4K UHD disc of the film presented in HDR and two Blu-rays with the film and special featuresTwo audio commentaries: one featuring Baker, Coco, producer Samantha Quan, and cinematographer Drew Daniels, and the other featuring Baker and actors Yura Borisov, Mark Eydelshteyn, Karren Karagulian, Mikey Madison, and Vache TovmasyanNew making-of documentaryNew interviews with Baker and MadisonCannes Film Festival press conferenceQ&A with Madison and actor-stripper Lindsey NormingtonDeleted scenesAudition footageTrailersEnglish subtitles for the deaf and hard of hearing and English descriptive audioPLUS: Essays by film critic Dennis Lim and author Kier-La JanisseNew cover by Bianca Parkes and GrandSon, with photography by Max AbadianPrince of BroadwayA raw, disarmingly moving slice of neorealism, this early-career triumph from DIY auteur Sean Baker plunges into the world of West African immigrant Lucky (Prince Adu) and his Armenian Lebanese boss Levon (Karren Karagulian), two unlikely friends who peddle knockoff designer goods in Manhattan's wholesale district. When a long-forgotten ex forces him to take care of a young son he didn't even know he had, Lucky must figure out how to become a father without losing his edge in the counterfeit-merch game. Capturing the chaos of urban life through expressive handheld camera work, remarkably naturalistic performances, and flashes of manic humor, Prince of Broadway is one of Baker's most vivid explorations of the illusory nature of the American dream.DIRECTOR-APPROVED BLU-RAY SPECIAL EDITION FEATURESNew 4K digital restoration, supervised and approved by director Sean Baker and restoration supervisor Alex Coco, with 5.1 surround DTS-HD Master Audio soundtrackTwo audio commentaries: one featuring Baker and the other featuring producer and cowriter Darren Dean, associate producer and actor Victoria Tate, and actor Karren KaragulianNew introduction by BakerArchival interviews with Baker and actor Prince AduTwo documentaries on the making of the filmRestoration demonstration featuring Baker and CocoTrailersEnglish subtitles for the deaf and hard of hearingPLUS: An essay by film critic Robert DanielsNew cover by Drusilla Adeline/Sister Hyde, with additional photography by Ivory WoodsIsaac FeldbergIsaac Feldberg is an entertainment journalist currently based in Chicago, who's been writing professionally for nine years and hopes to stay at it for a few more. On a typical evening, he sits down to surf the Criterion Channel and ends up, inevitably, on Shudder. You can find him on Twitter at @isaacfeldberg.Support: JOIN THE ONE HEAT MINUTE PATREON FOR AS LITTLE AS $1 A MONTHFollow the hosts:Blake Howard - Twitter & One Heat Minute Website Alexei Toliopoulos - Twitter & The Last Video StoreSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Avec le soutien d'UniversCiné, la plateforme de streaming éclectique et 100 % française. Retrouvez des nouveautés à la demande, des classiques et des exclusivités dans l'abonnement UniversCiné, ainsi que la sélection de films de CAPTURE MAG. Rendez-vous sur UniversCiné : https://bit.ly/CmXUcCAPTURE MAG - LE PODCAST : ÉPISODE 42, deuxième partie sur DAVID LYNCH : Notre vaillante équipe composée de Rafik Djoumi, Julien Dupuy, Érich Vogel et Stéphane Moïssakis se réunissent pour continuer d'explorer la carrière de David Lynch, de 1987 à 1993. Cette fois, prudence est de mise, ils ont conscience d'entrée de jeu qu'ils ne vont traiter que trois pans de la carrière du cinéaste, mais pas des moindres : BLUE VELVET, la Palme d'Or SAILOR ET LULA et le phénomène télévisuel TWIN PEAKS, et le film TWIN PEAKS - LES 7 DERNIERS JOURS DE LAURA PALMER. Et rien que ça, ça les occupe pendant trois bonnes heures !Retrouvez toutes nos émissions sur http://www.capturemag.frPour nous soutenir, il y a deux adresses :PATREON : https://www.patreon.com/capturemagTIPEEE : https://www.tipeee.com/capture-magLISEZ CAPTURE MAG !Toutes nos revues sont disponibles dans les librairies, les magasins de produits culturels et sites marchands.Akileos : https://bit.ly/AkilsCMCapture Mag est sur LETTERBOXD : https://letterboxd.com/CaptureMag/00:00 BLUE VELVET56:52 SAILOR & LULA1:33:50 TWIN PEAKSEn MP3 sur Acast : https://bit.ly/3v6ee7sSur SPOTIFY : https://spoti.fi/3PJYnF3Sur DEEZER : https://bit.ly/2wtDauUSur APPLE podcasts : https://apple.co/2UW3AyO#twinpeaks #redroom #nicolascage Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Quel parcours du chanteur de U2 révèle la captation de son spectacle dans un théâtre new-yorkais ? Le roman « Clamser à Tataouine », gros succès de librairie, révèle-t-elle un talent d'écrivain chez l'acteur Raphaël Quenard ? Talent en pleine ascension dans l'univers du stand-up, qui est Marie Leonardi ? Le film « Anora » débarque sur les plateformes ; méritait-il la Palme d'Or en 2024 ? Les découvertes musicales : King Princess – Fantastic Patrick Watson - Peter and the Wolf Bono, U2 - Sunday Bloody Sunday (Stories Of Surrender Version) Venus VNR – Rêves Merci pour votre écoute La semaine des 5 Heures, c'est également en direct tous les jours de la semaine de 19h à 20h00 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de La semaine des 5 Heures avec les choix musicaux de Rudy dans leur intégralité sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/1451 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Text us your movie thoughts!Reel Week | 163:On this week's episode, we detail the major awards from this year's Festival de Cannes, including Palme d'Or winner Jafar Panahi for "It Was Just an Accident"Stay tuned for our Marquee topic of the show episode next week where we begin our 2025 Movie Homework.Next episode: Tron (1982) | 2025 Movie HomeworkSocials:Cristian on Twitter: @_isoCristianCristian on Letterboxd: isoCristianHugo on twitter: @Hugo_PinaiHugo on Letterboxd: Hugo_P7Jackson on Letterboxd: @jacksonwwellsHelpful Links Large Popcorn linktree Large Popcorn on Twitter: @ LargePopcornPod Dial-in to the show via SpeakPipe! Keep up with all the films we watch on every show at my letterboxd profile Check out our merch on bonfire!

Ian, Sujewa, and Jeff welcome back actor/filmmaker Raphael Sbarge for a look at two huge recent showbiz events: the release of A24's hit comedy, Friendship (starring Raphael, Paul Rudd, and Tim Robinson), and the recently wrapped Cannes Film Festival!First up, Raphael talks about how he got involved with Andrew DeYoung's insightful, disturbing, and laugh-out-loud debut film--and what it was like making the movie. The guys also talk about the history of A24 as a genre powerhouse, and the potential turning point Friendship represents.Next, our esteemed guest gives viewers an inside look at what it's like to attend the Cannes Film Festival for the first (and hopefully not last) time. From the rigorous, whirlwind schedule to red carpets and multi-million-dollar accessories to the secret coin of the cocktail party realm--this gossip-free-yet-delicious inside scoop will put you right in the thick of the glamorous hustle and bustle!Plus: Sujewa talks about the launch of his 53 Spaceships GoFundMe (back it via the link below!) and we get a sneak peek at two of Raphael's upcoming projects--a short film called Loving Day, and the Palme d'Or-nominated History of Sound, directed by Oliver Hermanus and co-starring Paul Mescal and Josh O'Connor!Subscribe, like, and comment on Kicking the Seat here on YouTube, and check us out at:kickseat.comXBlueSkyInstagramFacebookShow LinksWatch the Friendship (2025) trailer.Watch Earth's Mightiest Critics' live roundtable review of Friendship: Catch up with last month's episode, which featured a review of Woody Allen's Stardust Memories and some initial thoughts on Cannes!Subscribe to Raphael's smash hit podcast Inside the Arthouse with Greg Laemmle!As mentioned in the show, Raphael will next appear in the HBO Max series, Task! Watch the trailer here!Support Sujewa's new film project, 53 Spaceships, the latest adventure of Cosmic Disco Detective Rene!Check out Sujewa's latest podcast venture, This Arthouse Life! Watch Sujewa's latest film, Cosmic Disco Detective Rene for free on YouTube! Rent The Secret Society for Slow Romance (the predecessor to Cosmic Disco Detective Rene).Follow Sujewa on X.Check out all the episodes in our “IndieSeen” Playlist!

For episode 241, I'm joined once again by my co-host Myles Hughes, with producer Steve Prusakowski behind the scenes preparing for Emmys and a new season of TV Topics, so look out for that soon. This is a Cannes results episode, as the 2025 Cannes Film Festival is now in the books. We look at all of the prizes from the fest, from the Palme d'Or on down, while speculating on which movies could be potential Oscar contenders down the line. Myles has seen Friendship (reviewed by yours truly here) and Mission: Impossible - The Final Reckoning (reviewed here), so we discuss those in fully detail than when I had seen them initially (we also ranked the Mission: Impossible franchise, following my list here). Plus, I chime in on Bring Her Back (review here), which I charitably did not care for. We recorded fairly late, so we kept it on the shorter side. Still, it's a quality episode...As always my friends and faithful listeners/readers, I do hope you all enjoy the latest episode of the Awards Radar Podcast, our 241st one to date (here's to many more). Of course, feel free to revisit the previous installments by clicking the Podcast tab (here) on the top of the page. Plus, listen to us on Apple Podcasts (iTunes), Spotify, and other platforms. More to come each and every single week, so from the bottom of my heart, thank you for listening! 

Check out our review of ‘Mission Impossible: The Final Reckoning'. We'll also discuss the finale of ‘The Last of Us' Season 2. Beforehand, we'll discuss the week's top entertainment news, including our reactions to trailers for ‘Caught Stealing' and ‘Kpop Demon Hunters'; the winner of the Palme d'Or; ‘Elden Ring' is getting a movie adaptation; and more! Enjoy!TIMECODES… Intro (0:00)The Toms: Entertainment News (2:51)*SPOILERS* ‘The Last of Us' Season 2 Finale (23:25)RETROSPECTIVE – ‘Mission Impossible: Ghost Protocol' (52:51)RETROSPECTIVE – ‘Mission Impossible: Rogue Nation' (1:04:50)RETROSPECTIVE – ‘Mission Impossible: Fallout' (1:17:50)RETROSPECTIVE – ‘Mission Impossible: Dead Reckoning' (1:39:09)Non-Spoiler Review of ‘Mission Impossible: The Final Reckoning' (1:56:55)*SPOILERS* ‘Mission Impossible: The Final Reckoning' (2:12:04)What Are Ya Doin'? (2:29:58)SOCIAL MEDIA LINKS...Email: tomppodcast@gmail.comYouTube: https://www.youtube.com/channel/UCU2jjOm3gwTu2TVDzH_CJlwFacebook: https://www.facebook.com/That-One-Movie-Podcast-535231563653560/Twitter: https://twitter.com/TOMPPodcastPatreon: https://www.patreon.com/tomppodcastINTRO MUSIC... "Constellation" by Brian Hanegan

Back from Cannes, David and Richard chat with Rebecca about the biggest winners of the festival, including Palme d'Or winner 'It Was Just an Accident'. They also examine what this might mean for the coming Oscar season, including if Jennifer Lawrence still has a chance after being snubbed for the best actress prize. Plus, they highlight a few new TV shows worth checking out as Emmy eligibility ends.To join Little Gold Men's Book Club, please vote on our summer reading list here. Learn about your ad choices: dovetail.prx.org/ad-choices

Ep. 324: Justin Chang on Cannes 2025: Sirat, Woman and Child, The Little Sister, Jeunes Mères, My Father's Shadow, Palme Pensées Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. I'm back at the Cannes Film Festival to talk about the highlights with another all-star cast of guests. This episode I sat down with the delightful Justin Chang of The New Yorker right near the end of the festival, when even a power outage in Cannes could not stop the show from going on! We discussed Sirat (directed by Oliver Laxe), My Father's Shadow (Akinola Davies Jr.), The Little Sister (Hafsia Herzi), Woman and Child (Saeed Roustaee), and Jeunes Mères (Young Mothers, from Jean-Pierre and Luc Dardenne). Plus: Justin logs his thoughts on what film might win the Palme d'Or. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

For Episode 443, Dan Bayer and I are back from the south of France to give you Part 2 of our 2025 Cannes Film Festival recap, including our reactions to the award winners. Tune in as we touch on many of the movies which premiered in the second week of the festival including the Palme d'Or winner "It Was Just An Accident," "Sentimental Value," "Resurrection," "Alpha," "Pillion," "Highest 2 Lowest," "Splitsville," "Eleanor The Great," "A Private Life," "The History Of Sound," "The Mastermind," "Honey Don't!" and more! For this week's poll, as the festival ends, we ask, "Which Film From The 2025 Cannes Film Festival Are You Most Looking Forward To Seeing?" We also reveal the winner of last week's poll for the release of "Mission: Impossible - The Final Reckoning," asking, "Which Is Your Favorite "Mission: Impossible" Film?" give our reactions to the trailer for Darren Aronofsky's "Caught Stealing," answer your fan-submitted questions and more! Thank you all for following us on this incredible journey by listening, supporting, and subscribing. We hope you enjoy this episode, and we'll see you next week. Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 00:07:07 - Le Masque et la Plume - Le réalisateur iranien Jafar Panahi remporte la Palme d'or du 78e Festival de Cannes, après 14 ans d'interdiction de sortie du territoire. "Un simple accident" suit l'histoire d'ancien détenus iraniens, qui ont capturé un de leurs bourreaux. Qu'en ont pensé les critiques du Masque ?

【聊了什么The What】 疲惫娇娃来戛纳电影节了！本期节目发自南法，娃们五天集中看了快二十部电影，本期节目和大家分享我们看片（工作）的心路历程，我们心中的金棕榈影片，以及当今世界电影创作的一些思考。本节目录制于5月22日，此刻我们还有三部电影没看，包括毕赣的《狂野时代》。更多戛纳趣闻，新闻发布会内容，以及最后一天观影的影评，请关注我们的小红书！ Your favorite CyberPink gals reporting live from the Cannes film festival! We watched almost 20 movies in the span of 5 days, the range was truly from highest to lowest. In this episode we unpack all the movies by category, highlight our Palme d'Or picks, and muse on the current state of the world and the stories that films are telling. This episode was recorded on May 22nd, so it does not include our reviews for the final day of films. Please head over to our Xiaohongshu for these additional reviews and extra behind the scenes content! 【时间轴 The When】 00:00 我们在戛纳的感受和吐槽 06:05 “戛纳影评人口碑解禁” 《风林火山》翻了个大的 09:15 我们此次看过的18部电影大致分成四类 10:33 第一类：”法西斯主义不行“；巴西电影《密探》影评 13:50 反抗极权的老登埃及电影《共和之鹰》影评 16:37 我们心中的金棕榈选手伊朗电影《普通事故》影评，极有力量的作品 27:00 第二类：”女性生命体验“；意大利电影《外面》影评 31:57 斯嘉丽·约翰逊演而优则导的第一部作品”Elenor the Great” 影评 35:47 日本女导演早川千惠关于家庭、死亡的电影《雷诺阿》影评 37:44 西班牙女导演卡拉·西蒙关于寻亲的半自传电影《朝圣》“Romeria”影评 43:12 求求导演再剪一个版本出来—《花漾少女杀人事件》影评 48:44 讲述波兰保姆故事的以色列电影《妈妈》和感官电影《阿尔法》 50:09 第三类：“成瘾物质“；让我们意外非常喜欢的法国电影《陨石》影评 53:47 一句话影评《时光留声》谢谢太太找两个帅哥把BL文拍成电影 54:10 一句话影评哥伦比亚电影《诗人》，意外喜欢的细糠 55:06 第四类：一些风格化电影和商业片《天国与地狱》，《幸福之路》，《腓尼基阴谋》 56:05 关于极化公共讨论的美国电影《艾丁顿》影评 58:05 金棕榈二号种子关于家庭、艺术、原谅的挪威电影《情感价值》，细糠！推荐！ 00:00 first impressions and rants about Cannes film festival 06:05 “Cannes reviews embargo lifted” — Juno Mak's Sons of the Neon Night crashed and burned 09:15 The 18 films we watched can be roughly grouped into four categories 10:33 Category 1: “Fascism is bad” — Review of Brazilian film The Secret Agent 13:50 a movie about resisting authoritarianism, but too much of an old man “know-it-all” POV — Review of Egyptian film Eagles of the Republic 16:37 Our personal Palme d'Or pick — Iranian film by director Jafar Panahi, A Simple Accident, a powerful work 27:00 Category 2: “Women's life experiences” — Review of Italian film Fuori 31:57 Scarlett Johansson's directorial debut Elenor the Great 35:47 Japanese director Chihiro Hayakawa's film on family and death Renoir 37:44 Semi-autobiographical Spanish film about searching for family — Romería by Carla Simón 43:12 Begging this director to release a new cut — Review of Girl on Edge 48:44 Israeli film Mama about a Polish nanny, and the sensory experience of Alpha 50:09 Category 3: “Addictive substances” (substance abuse) — Surprise favorite: French film Meteor 53:47 One-sentence review: History of Sound — Thanks to the director for casting two hot guys to make a BL film 54:10 One-sentence review: Colombian film Un Poeta — unexpectedly liked this subtle gem 55:06 Category 4: the “other” category, including highly stylized and commercial films — Highest to Lowest, Lucky Lu, Phoenician Scheme 56:05 Review of American film Eddington, about the polarization of public discourse 58:05 our Palme d'Or runner up — Norwegian film Sentimental Value, on family, art, and forgiveness. A gem! Highly recommended! 【疲惫红书 CyberRed】 除了播客以外，疲惫娇娃的几个女的在小红书上开了官方账号，我们会不定期发布【疲惫在读】、【疲惫在看】、【疲惫旅行】、【疲惫Vlog】等等更加轻盈、好玩、实验性质的内容。如果你想知道除了播客以外我们在关注什么，快来小红书评论区和我们互动。 Apart from the podcast, we have set up an official account on Xiaohongshu. We will periodically post content such as “CyberPink Reading,” “CyberPink Watching,” “CyberPink Traveling,” “CyberPink Vlog,” and more. Those are lighter, more fun and more experimental stuff about our lives. Leave us some comments on Xiaohongshu! 【买咖啡 Please Support Us】 如果喜欢这期节目并愿意想要给我们买杯咖啡： 海外用户：https://www.patreon.com/cyberpinkfm 海内用户：https://afdian.com/a/cyberpinkfm 商务合作邮箱：cyberpinkfm@gmail.com 商务合作微信：CyberPink2022 If you like our show and want to support us, please consider the following: Those Abroad: https://www.patreon.com/cyberpinkfm Those in China: https://afdian.com/a/cyberpinkfm Business Inquiries Email: cyberpinkfm@gmail.com Business Inquiries WeChat: CyberPink2022

It's the final day of our Cannes daily episodes, and we're wrapping things up by looking at the biggest sales of the festival (so far). Then, Richard and David make their Palme d'Or predictions, and they also share with Rebecca which films and actors have the best chance for Oscar season runs later this year.To join Little Gold Men's Book Club, please vote on our summer reading list here. Learn about your ad choices: dovetail.prx.org/ad-choices

For episode 240, I'm joined once again by my co-host Myles Hughes, with producer Steve Prusakowski behind the scenes preparing for Emmys and a new season of TV Topics, so look out for that soon. This is a Cannes centric episode, as the 2025 Cannes Film Festival is currently going on. We look at the contenders this year for the Palme d'Or, including Wes Anderson's The Phoenician Scheme, which I've recently scene. Myles and I also name our favorite Palme winners, as well as go back to previous Cannes to name what would have been our picks for the prize. There's also questions from you the listener, as well as Myles getting into the Final Destination franchise, having seen Final Destination: Bloodlines. There's lots here, making for a good episode, if I do say so myself...As always my friends and faithful listeners/readers, I do hope you all enjoy the latest episode of the Awards Radar Podcast, our 240th one to date (here's to many more). Of course, feel free to revisit the previous installments by clicking the Podcast tab (here) on the top of the page. Plus, listen to us on Apple Podcasts (iTunes), Spotify, and other platforms. More to come each and every single week, so from the bottom of my heart, thank you for listening!

David and Richard catch Rebecca up on the premiere of 'Highest 2 Lowest', which included a surprise Palme d'Or honor for the film's star Denzel Washington -- along with some red carpet drama. Then they discuss the tepid reactions for 'Titane' filmmaker Julia Ducournau's new film 'Alpha'.To join Little Gold Men's Book Club, please vote on our summer reading list here. Learn about your ad choices: dovetail.prx.org/ad-choices

durée : 00:03:53 - Le Regard culturel - par : Lucile Commeaux - Petite réflexion sur deux films qui mettent en scène très différemment l'émancipation compliquée de deux jeunes femmes : "The Chronology of water" de Kirsten Stewart, sélectionné à Un Certain regard, et "La petite dernière" d'Hafsia Herzi, en lice pour la Palme d'or.

The Cannes Film Festival has officially begun! David, Richard, and Rebecca answer some listener questions, explaining the festival's strange ticketing system and analyzing how past jury presidents have made this Palme d'Or picks. Plus, Richard and Rebecca share some of their favorite past Cannes memories.To join Little Gold Men's Book Club, please vote on our summer reading list here. Learn about your ad choices: dovetail.prx.org/ad-choices

David, Richard, and Rebecca discuss the jam-packed Cannes lineup, and even predict which film they think might win the Palme d'Or. They also weigh in on the announcement that the Oscars will include a stunt design category. Finally, they're joined by Vanity Fair's executive digital director Mike Hogan to talk about his fascinating 'Twin Peaks' article, and his deep dive into the show's legacy.Read more on VF.comAs Twin Peaks Turns 35, the Mystery Is Still the Message for a World of FansCannes 2025: Joaquin Phoenix, Josh O'Connor, Scarlett Johansson, and More Lead Impressive Lineup Learn about your ad choices: dovetail.prx.org/ad-choices

With the whispers and rumors that Terrence Malick's Jesus film The Way of the Wind maybe possibly perhaps who knows could finally premiere this year after filming in 2019, we thought it was time to discuss his work. One year after The Tree of Life earned Oscar nominations and the Palme d'Or, Malick had perhaps … Continue reading "337 – To the Wonder"