Podcast appearances and mentions of Sam Peckinpah

Scarecrow in a Garden of Cucumbers (1972) / Pat Garrett & Billy the Kid (1973) This week we're feeling restored as we move to NYC with Holly Woodlawn's lost and found star vehicle and say goodbye to the old West(ern) with Sam Peckinpah's contested cuts

Today, Matt and Todd take aim at a film that needs no introduction... but we're giving it one anyway.The Wild Bunch (1969) is a brutal, operatic action-western from the legendary Sam Peckinpah, featuring a powerhouse cast led by William Holden, Ernest Borgnine, Jaime Sánchez, Warren Oates, Ben Johnson, and Robert Ryan.The Old West is dying, and Pike Bishop (Holden), a hardened outlaw, rallies his gang for one last big score: robbing a railway gold shipment. When the plan goes south, they're relentlessly pursued by former comrade-turned-bounty hunter Deke Thornton (Ryan). What follows is a violent, visceral masterpiece that grapples with fading codes of honor among men with a bent understanding of it.If you've never seen this film, it earns our highest and easiest recommendation. Whether you're a long-time fan of “horse operas” or just discovering the grit and grandeur of classic Westerns, The Wild Bunch is essential viewing. We think it would appeal to any action fan of all ages.Matt reviews and ranks more movies including newer ones at ⁠Letterboxd⁠You can find out what he's following on Bluesky @MovieMattSirois.bsky.socialCheck out favorites of what we follow, at: ⁠⁠⁠Once Upon a Geek⁠⁠⁠⁠ and  ⁠⁠⁠⁠The Fade Out Podcast⁠⁠ As Marcus he reviews all sorts of films but unlike here, they often they range from bad, worse, or terrible at the ⁠⁠⁠⁠MovieAsylum of the Weird, Bad and Wonderful⁠.

This week I'm recommending four crime films from the 1970s and early 80s. Each one centers on a planned job, bank heists, robberies, break-ins, and none of them go smoothly. The tone across these films is lean, serious, and focused on the people involved more than the action. There's a lot of attention to detail, and they hold up well.Charley Varrick (1973) Directed by Don Siegel. Walter Matthau plays a bank robber who ends up in the crosshairs of something bigger than expected. Matthau had just done more comedic work at the time, so this role stood out. Joe Don Baker plays a contract killer hired to clean things up. Lalo Schifrin did the score, which is sharp and suits the pace. It was based on the novel The Looters by John Reese.The Anderson Tapes (1971)Directed by Sidney Lumet. Sean Connery is a thief planning to rob an entire apartment building. The film stands out for how it handles surveillance. Almost every major character is being watched by police, by private groups, by government agencies. This was Christopher Walken's first film. The music is by Quincy Jones, and it's more experimental than you'd expect.Thief (1981) Michael Mann's first feature film. James Caan plays a professional safecracker who wants to get out after one last job. Mann used real tools and brought in actual former thieves to advise on the technical side. The film has a cold, exact feel. The soundtrack is by Tangerine Dream. It's shot in Chicago and uses the city well without overdoing it.The Getaway (1972) Directed by Sam Peckinpah. Steve McQueen and Ali MacGraw star as a couple on the run after a robbery. The script was written by Walter Hill and based on a novel by Jim Thompson. The film was a big success when it came out and mixes action with slower moments of tension. McQueen did many of his own stunts. It's one of the more polished crime films of its time.Thanks for reading Video Store Podcast! Subscribe for free to receive new posts and support my work. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.videostorepodcast.com

Erik Childress and Peter Sobczynski guide you through another week of physical media. This week you can include masterworks from Paul Schrader, Terry Gilliam and Jonathan Demme on your shelves. There are also underrated works from George Romero and Mel Brooks as well as career work from Nicolas Cage and Elisabeth Shue. They talk about the oddness that ranges from Linda Blair on skates to Dennis Quaid as an infamous singer plus the one Sam Peckinpah film you may want to watch alone first.2:52 - Criterion (Mishima: A Life In Four Chapters 4K, Brazil 4K)22:27 - Cinematographe (Swimming to Cambodia)29:49 - Sandpiper (Roller Boogie, Great Balls of Fire, Malice, Life Stinks, Leaving Las Vegas)1:15:47 - Shout Factory (Monkey Shines 4K, Bring Me the Head of Alfredo Garcia 4K)1:40:54 - New Theatrical Titles & TV on Blu-ray (The Ballad of Wallis Island, Opus, Freaky Tales, When Evil Lurks, Doctor Who - Jon Pertwee: The Complete Season One)1:43:21 - New Blu-ray AnnouncementsCLICK ON THE FILMS TO RENT OR PURCHASE AND HELP OUT THE MOVIE MADNESS PODCAST This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit erikthemovieman.substack.com

Cette semaine, Alexandre Fontaine Rousseau et Bruno Dequen poursuivent leur exploration des sorties estivales en s'attardant à THUNDERBOLTS*, le dernier Marvel... et le moins pire depuis longtemps. En deuxième partie d'émission, Éric Falardeau rejoint Alexandre pour évoquer l'oeuvre de Sam Peckinpah, dont la Cinémathèque québécoise souligne actuellement le centenaire à l'aide d'un cycle de projections. Le balado 100% cinéma de la revue de cinéma 24 images

Saddle up! This episode, we mosey into The Deadly Companions (1961)—Sam Peckinpah's first stab at directing, with Maureen O'Hara and Brian Keith along for the ride. Awkward romance, grumpy gunslingers, and questionable choices await! Promo: Bottom of the Stream (https://bottomofthestream.podbean.com/) Please click, follow, rate and review! https://linktr.ee/TSPandOE_Podcasts (The song "Memory Subtract" by seven7hwave used under […]

This is the last one, I swear!  No more TV adaptations of 80s movies ever again!  But let's end it with a bang as I chitchat about 1980's Fame, and as I wax poetic 1983's Blue Thunder, or as I contemplate 1988's Working Girl, all before I finally offer my in-depth thoughts on 1980's Stir Crazy.  Who else would do that for you?  And, as an added bonus, I'll offer up some opinions on Sam Peckinpah's Bring Me the Head of Alfredo Garcia, Dana Carvey's slasher film origins, and Patrick Swayze teaching Rob Lowe to fight.  It's a doozy.

Oooh! We got a grimy one for ya today. We dive right into the dirt with famed auteur Sam Peckinpah's minor (but still fascinating) work: Bring Me the Head of Alfredo Garcia. Warren Oates leads a quirky cast populated by Mexican sex workers and suspiciously corporate hitmen in this tale of sexual jealousy, work, and morality and we just have a ball talking about it! Topics include: the hosts views on violent cinema, the strange life of “the world's most interesting man” and Peckinpah's friendship with Pauline Kael.

This week, thanks to a Ko-Fi donation from one our listeners, we're talking about Sam Peckinpah's 1978 film CONVOY! Starring Kris Kristofferson, Ali MacGraw, Burt Young, Ernest Borgnine, and more, it was one of Peckinpah's last films and his biggest box office hit - but does it hold up?

Pat Garrett & Billy the Kid directed by Sam Peckinpah and starring James Coburn, Kris Kristofferson and Bob Dylan. Episode Roundup: The Cowpunchers make some connections between this and The Assassination of Jesse James by the Coward Robert Ford. Amy wants to know who left their gun in the outhouse. Stu curses Bob Dylan for making him feel feelings. Mel uncovers the secrets of the "coot suit". Unexpectedly, this movie seems to have it out for birds.

     This week- two films about getting, in several common definition senses, a head, also using multiple definitions.     When a teen in Biarritz, France decide to take advantage of his mother having to live in another country for work and begins hosting sex parties for the whole school to attend. Soon relationships are broken and videos from the parties begin making their way online threaten the make the activity known to all. The first feature from Eva Husson, Bang Gang (A Modern Love Story).     When the teen daughter of a powerful Mexican crime lord becomes pregnant, a bounty is put on the unborn child's father. Two months later, a Mexico City bar and bar managing pianist  Bennie finds himself on the road with his girlfriend, Elita, on a small errand that will give them both the chance to completely change their futures. Sam Peckinpah's uncompromising and violent black comedy, Bring Me the Head of Alfredo Garcia.      All that and Tyler asks a simple question. Join us, won't you?  Episode 407- Getting a Head

  Our adventures through the old west continue, with our look at Sam Peckinpah's 1973 classic Pat Garrett and Billy the Kid, starring James Coburn (from Waterhole #3). Plus, just about every other actor to ever ride a horse! (Katy Jurado, Chill Wills, Jason Robards, Slim Pickens, Jack Elam, Elisha Cook Jr, Bruce Dern, Harry Dean Stanton, Bob Dylan, and more) Also! We chat about our other favorite western movies. So #DonloydNow and enjoy this bite-sized Junk Food Supper. We got all this plus Parker's adventures in professional wrestling (in videogame form), sweat-filled hat-brims, dusty old bottles of sarsparilla, spike-filled cactus groves, tuneful ditties, sneezes, blank stares, gleeks and so much more!! Direct Donloyd Here Got a movie suggestion for the show, or better yet an opinion on next week's movies? Drop us a line at JFDPodcast@gmail.com. Or leave us a voicemail: 347-746-JUNK (5865). Add it to your telephone now! JOIN THE CONVERSATION! Also, if you like the show, please take a minute and subscribe and/or comment on us on iTunes, Stitcher, Blubrry or Podfeed.net. Check us out on Facebook and Twitter! We'd love to see some of your love on Patreon - it's super easy and fun to sign up for the extra bonus content. We'll unload shotguns at random mirrors for your love and support. With picks like these, you GOTTA #DonloydNow and listen in!

Luis Herrero habla de cine con Inocencio Arias, José Luis Garci, Luis Alberto de Cuenca y Eduardo Torres-Dulce.

Hablar del Cielo es para la mayoría, una forma de escapismo o mera especulación. En la Biblia, el cielo es la atmósfera, donde están las aves y las nubes, o el firmamento de planetas y estrellas, pero también al lugar al que se refiere Jesús en el capítulo 14 de la Buena Noticia según Juan: allí donde Dios está. Nuestra sintonía de "Ruta 66" está, esta vez. a cargo de una cantante y bailarina afroamericana ya fallecida, Othella Dallas (1925-2020), que fue del sur de Estados Unidos a Basilea en Suiza, donde murió y fundó una escuela de danza. Robert Smith escribió en el sur de Francia para su grupo, The Cure, la canción "Tal y como en el Cielo" (Just Like Heaven) en 1987. Habla de un viaje a la costa con la que será luego su esposa. Expresa como estar en el Cielo es unirte a la persona que amas. El argentino Kevin Johansen nació en Alaska cuando su padre huía del Vietnam con una mujer argentina. Tras su separación, Kevin vive con su madre entre Buenos Aires y Montevideo, hasta casarse con una bailarina argentina e irse a vivir a Nueva York. Allí el escocés David Byrne hizo en 1979 para su grupo Talking Heads, la canción que Johansen canta en castellano en 2022, "El Cielo". Ese mismo título tiene la canción que grabó en 1984, el grupo inglés The Psychedelic Furs (Heaven). Hay pocas películas que se atrevan a imaginar la vida después de la muerte. Una de las más curiosas es la del cómico judío Albert Brooks, que llamamos en España, "El Cielo... próximamente" y en Hispanoamérica; "Visa al Paraíso", pero su verdadero título es "Defendiendo tu vida". La hizo en 1991 con él como un publicista de Los Ángeles que muere en un accidente de coche, el día de su cumpleaños y va a la Ciudad del Juicio, donde encuentra a Meryl Streep. Escuchamos varias escenas de la versión doblada al castellano con los comentarios de José de Segovia sobre la banda sonora original de Michael Gore. La canción "Llamando a las Puertas del Cielo" (Knockin´On Heaven´s Door) es una de las más populares del actual Premio Nobel de Literatura, Bob Dylan. La escribió para el western de Sam Peckinpah, Pat Garrett y Billy The Kid en 1973. La han cantado muchos después, pero pocas versiones están tan logradas como la que hizo el propio Dylan hace medio siglo en el teatro de la plaza de la universidad de Harvard en la Rolling Thunder Revue con el violín de Scarlet Rivera y la guitarra de T-Bone Burnett. El auténtico góspel, la música de la iglesia afroamericana, aparece de forma renovada en las canciones del pastor de Los Ängeles, Deitrick Haddon, que en su visión del Cielo (Well Done 2011), recuerda a la música de Prince con la claridad del Evangelio.

Sam Peckinpah embodies the essence of what the Kill or Be Killed project is all about like no other filmmaker.  Bleak, nihilistic and brutal, Bring Me the Head of Alfredo Garcia is a relentless journey through the dark landscapes of Mexico following the grisly journey of a desperate man expertly portrayed by Warren Oates. From top to bottom excellent performances are logged in by Oates, Isela Vega, Robert Weber and Kris Kristofferson.   Intro: “All the Dark Things” – Mike Hill Outro: “Adelita” – Jerry Fielding 

Ian Cooper has written widely on a host of subjects, but today we're focusing on two of his books which are nevertheless interrelated: Charles Manson and the Family, and Sam Peckinpah's Bring Me the Head of Alfredo Garcia. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jimmy Coburn grew up as the son of Hollywood royalty, James Coburn. He has been working professionally in Production Sound for over twenty years, first as a boom operator and then a Production Sound Mixer, long after making his acting debut as a child in Sam Peckinpah's classic, Pat Garrett and Billy the Kid. He also has the normal 90210 stories about hanging out with, y'know, Bruce Lee and Steve McQueen, among other celebrities, when he was a kid. Jimmy still lives in Los Angeles with his wife and daughter and we are thrilled to bring him into the 90who10 universe.Support this podcast at — https://redcircle.com/90who10/donations

GGACP continues the celebration of Women's History Month with this ENCORE of the first part of a two-part interview with Emmy-winning actress Sally Struthers. In this episode, Sally joins Gilbert and Frank for a laugh-filled conversation about the aloofness of Rudy Vallee, the eccentricities of Sam Peckinpah, the versatility of Bill Dana, the unexplainable existence of “The Phynx” and the recent 50th anniversary of “All in the Family.” Also, Jack Nicholson shops at Tiffany's, Steve McQueen romances Ali MacGraw, Rod Steiger gives Sally the heebie-jeebies and Bob Hope visits the “Planet of the Shapes.” PLUS: Jack Benny! Ned Glass! “Five Easy Pieces”! “The Tim Conway Comedy Hour”! The many faces of Sammy Davis Jr! And Sally remembers friends and co-stars Carroll O'Connor and Jean Stapleton! Learn more about your ad choices. Visit megaphone.fm/adchoices

Video episode and more on patreon.com/agitator Live commentary on the first couple minutes of Tokyo Mafia 2: Wrath of the Yakuza. Brad Pitt as Alfredo Garcia. Sam Peckinpah's memorial service. Stefon King. Q-tip tampons and building a brand. Fuck, Marry, Kill. The physical logistics of Russian Roulette. Traditional publishing vs the entrepreneurial spirit. Keep up with the Agitator boys and friends: brokenriverbooks.com jdavidosborne.com kelbylosack.com The story "Podunk News" by Gadfly as read in the episode: https://www.hobartpulp.com/web_features/podunk-news  Our latest Rare Candy appearance as referenced: https://open.spotify.com/episode/1pgp0IDsf51x1nalnGRQaG?si=ZckBlbpeQ3ap5J3EAJjN9Q NOVEL MARKETING: Indie Publishing vs Traditional Publishing: https://open.spotify.com/episode/5L4CE0CktetNB3hWwJHZo2?si=eInOXofoQ0aOqJ9YdVZTxA The only good MOVIES podcast: https://www.patreon.com/c/lowres/posts This episode's theme song: https://www.youtube.com/watch?v=z2bkhRBHE2Q

En esta edición de Maduritos Interesantes, junto a José Luis Garci, Ángeles González Sinde y Andrés Aberasturi, nos despedimos de dos grandes del cine español, Juan Mariné y Tony Ysbert, y celebramos el centenario del nacimiento de Sam Peckinpah y el 125 aniversario de Luis Buñuel. Además, exploramos el documental La conquista de la democracia y recordamos la lucha social que permitió la transición en España.Escuchar audio

El episodio de esta semana tiene un claro protagonista, el director Sam Peckinpah. Este 21 de febrero se ha celebrado el centenario de esterealizador de filmografía no muy larga pero que ha influido decisivamente en muchos cineastas, desde Martin Scorsese a Quentin Tarantino, pasando por John Woo. Además, Jack Bourbon ha elegido analizar esta semana en su sección dedicada al cine del Oeste la que muchos consideran la mejor película de Peckinpah: “Grupo salvaje” un film extremadamente violento y profundamente poético. Del lado nacional tenemos al compositor cinematográfico Arturo Cardelús con el que ha charlado esta semana Elio Castro y también un o de los grandes clásicos del cine español de los años 50: “Marcelino, pan y vino” de cuyo estreno se cumplen 70 años.

Support our Patreon: www.patreon.com/thepinksmoke Sam Peckinpah and David Lynch, two of the most recognized directors of their day, were each in their mid-30's when they embarked on their third feature film: an epic studio movie to be shot in Mexico (headquartered at Estudio Churubusco). In both cases, the resulting film was a commercial disappointment and a critical disaster. What went wrong? Who's fault was it? Do these maligned movies deserve reappraisal?In tribute to the legendary Sam Peckinpah's 100th birthday and the recent passing of the great David Lynch, the Pink Smoke has recruited artist David Lambert and filmmaker Martin Kessler to revisit these two films. Lambert takes us through the history of Peckinpah's 1965 debacle Major Dundee, including how star Charlton Heston almost murdered his hellfire director, while Kessler walks us through the production of 1984's infamously derided adaptation of Dune.  Exclusive "Major Dune-dee" art by David Lambert. Hey! Look! It's our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com The Pink Smoke on X: x.com/thepinksmoke John Cribbs on X: x.com/thelastmachine David Lambert on X: x.com/DavidLambertArt Martin Kessler on X: x.com/MovieKessler

durée : 01:30:02 - Les Nuits de France Culture - par : Philippe Garbit - Dans "La horde sauvage", Sam Peckinpah actualise et repense les codes du western. Ce film d'action est marqué par sa personnalité, et ses choix de prise de vue et de montage qui intellectualisent la violence, en résonance avec l'époque troublée de sa sortie en 1969. Ciné-club revient sur ce film. - réalisation : Virginie Mourthé - invités : Gérard Camy Professeur et historien du cinéma; Philippe Rouyer Critique et historien de cinéma à la revue Positif; François Causse Co-directeur de la filmothèque du Quartier Latin; Denis Mellier

Cinematic Karma - Stanley Kubrick's                     A Clockwork Orange  WatchThis fan and BuyMeACoffee contributor, Alan Lamberg, suggests this week's title, Stanley Kubrick's 1971 controversial (masterpiece - ?), A Clockwork Orange. In the late 60s and early 70s the cinematic landscape was changing and evolving into a very different creature. Arthur Penn's Bonnie & Clyde and Sam Peckinpah's The Wild Bunch would usher in a new era of cinematic violence. Stanley Kubrick would soon pick up the baton and create one of the most polarizing and controversial films ever made. From the novella by Anthony Burgess, Kubrick would create a dystopian England that would change the attitudes and expectations of film audiences. With a powerful and compelling performance by Malcolm McDowell, A Clockwork Orange has riveted audiences since its premiere in 1971. Fifty plus years later we have to ask ourselves if the film continues to offend and frighten as it did those many years ago. Mr. Chavez & I definitely have our opinions and are thrilled to lay it out for you the listener. Sit down, download, and enjoy a spirited discussion on the film, its role in cinematic history, and Kubrick's continuing power as a filmmaker. It's a fun time. As always, we can be reached at gondoramos@yahoo.com - Many Thanks.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

Esta semana vuelve nuestra sección favorita, 'Un amigo, un libro', para hablar con Andrea Rizzi de su nuevo libro 'La era de la revancha' (Anagrama). Y rendimos homenaje a dos figuras muy dispares. En el 50 aniversario de su muerte recuperamos a un escritor muy cultureta, Ivo Andric, y su novela 'Un puente sobre el Drina'. Y en el centenario del nacimiento de Sam Peckinpah repasamos algunos de los clásicos del western más violento. Con Rubén Amón, Guillermo Altares, Sergio del Molino, Isabel Vázquez y Rosa Belmonte. 

Esta semana vuelve nuestra sección favorita, 'Un amigo, un libro', para hablar con Andrea Rizzi de su nuevo libro 'La era de la revancha' (Anagrama). Y rendimos homenaje a dos figuras muy dispares. En el 50 aniversario de su muerte recuperamos a un escritor muy cultureta, Ivo Andric, y su novela 'Un puente sobre el Drina'. Y en el centenario del nacimiento de Sam Peckinpah repasamos algunos de los clásicos del western más violento. Con Rubén Amón, Guillermo Altares, Sergio del Molino, Isabel Vázquez y Rosa Belmonte. 

Au casting cette année encore de notre marathon radiophonique annuel, notre intérimaire Jules Topok, et deux immigrés clandestins en provenance directe de la célèbre émission En attendant Goldman, DocErwan Cadoret et Thomas Kiki Gombaud.Dans cette deuxième émission, on cause de cinéma des restes du monde.On en parle trop peu mais vous pouvez nous filer un peu de caillasse ici, ça nous permettra (entre autres choses) de boire des bières de meilleure qualité.Bon courage pour l'écoute des bonus !A vos agendas !Le Film du Dimanche Soir au Cinéma Arvor: Pat Garrett et Billy the Kid de Sam Peckinpah ( grosse hâte )A mettre dans vos oreillesDurant nos quelques semaines d'absence, la moitié poilue a fait cocu DEUX FOIS la moitié imberbe en allant causer de John Cazale chez Seconds Couteaux et business chez En Attendant Godard lors de deux émissions.

Au casting cette année encore de notre marathon radiophonique annuel, notre intérimaire Jules Topok, et deux immigrés clandestins en provenance directe de la célèbre émission En attendant Goldman, DocErwan Cadoret et Thomas Kiki Gombaud.Dans cette deuxième émission, on cause de cinéma des restes du monde.On en parle trop peu mais vous pouvez nous filer un peu de caillasse ici, ça nous permettra (entre autres choses) de boire des bières de meilleure qualité.Bon courage pour l'écoute des bonus !A vos agendas !Le Film du Dimanche Soir au Cinéma Arvor: Pat Garrett et Billy the Kid de Sam Peckinpah ( grosse hâte )A mettre dans vos oreillesDurant nos quelques semaines d'absence, la moitié poilue a fait cocu DEUX FOIS la moitié imberbe en allant causer de John Cazale chez Seconds Couteaux et business chez En Attendant Godard lors de deux émissions.

Au casting cette année encore de notre marathon radiophonique annuel, notre intérimaire Jules Topok, et deux immigrés clandestins en provenance directe de la célèbre émission En attendant Goldman, DocErwan Cadoret et Thomas Kiki Gombaud.Dans cette deuxième émission, on cause de cinéma des états-unis d'Amérique.On en parle trop peu mais vous pouvez nous filer un peu de caillasse ici, ça nous permettra (entre autres choses) de boire des bières de meilleure qualité.La suite (encore 2h30 de blabla) aux prochains épisodes...A vos agendas !Le Film du Dimanche Soir au Cinéma Arvor: Pat Garrett et Billy the Kid de Sam Peckinpah ( grosse hâte )A mettre dans vos oreillesDurant nos quelques semaines d'absence, la moitié poilue a fait cocu DEUX FOIS la moitié imberbe en allant causer de John Cazale chez Seconds Couteaux et business chez En Attendant Godard lors de deux émissions.

Au casting cette année encore de notre marathon radiophonique annuel, notre intérimaire Jules Topok, et deux immigrés clandestins en provenance directe de la célèbre émission En attendant Goldman, DocErwan Cadoret et Thomas Kiki Gombaud.Dans cette deuxième émission, on cause de cinéma des états-unis d'Amérique.On en parle trop peu mais vous pouvez nous filer un peu de caillasse ici, ça nous permettra (entre autres choses) de boire des bières de meilleure qualité.La suite (encore 2h30 de blabla) aux prochains épisodes...A vos agendas !Le Film du Dimanche Soir au Cinéma Arvor: Pat Garrett et Billy the Kid de Sam Peckinpah ( grosse hâte )A mettre dans vos oreillesDurant nos quelques semaines d'absence, la moitié poilue a fait cocu DEUX FOIS la moitié imberbe en allant causer de John Cazale chez Seconds Couteaux et business chez En Attendant Godard lors de deux émissions.

Au casting cette année encore de notre marathon radiophonique annuel, notre intérimaire Jules Topok, et deux immigrés clandestins en provenance directe de la célèbre émission En attendant Goldman, DocErwan Cadoret et Thomas Kiki Gombaud.Dans cette première émission, on cause de cinéma français.On en parle trop peu mais vous pouvez nous filer un peu de caillasse ici, ça nous permettra (entre autres choses) de boire des bières de meilleure qualité.La suite (encore 3h30 de blabla) aux prochains épisodes...A vos agendas !Le Film du Dimanche Soir au Cinéma Arvor: Pat Garrett et Billy the Kid de Sam Peckinpah ( grosse hâte )A mettre dans vos oreillesDurant nos quelques semaines d'absence, la moitié poilue a fait cocu DEUX FOIS la moitié imberbe en allant causer de John Cazale chez Seconds Couteaux et business chez En Attendant Godard lors de deux émissions.

Au casting cette année encore de notre marathon radiophonique annuel, notre intérimaire Jules Topok, et deux immigrés clandestins en provenance directe de la célèbre émission En attendant Goldman, DocErwan Cadoret et Thomas Kiki  Gombaud.Dans cette première émission, on cause de cinéma français.On en parle trop peu mais vous pouvez nous filer un peu de caillasse ici, ça nous permettra (entre autres choses) de boire des bières de meilleure qualité.La suite (encore 3h30 de blabla) aux prochains épisodes...A vos agendas !Le Film du Dimanche Soir au Cinéma Arvor: Pat Garrett et Billy the Kid de Sam Peckinpah ( grosse hâte )A mettre dans vos oreillesDurant nos quelques semaines d'absence, la moitié poilue a fait cocu DEUX FOIS la moitié imberbe en allant causer de John Cazale chez Seconds Couteaux et business chez En Attendant Godard lors de deux émissions.

For our last episode 2024, we are still in our Western movie season with Sam Peckinpah's influential western THE WILD BUNCH.  Please send any and all feedback to anotherlookpod@gmail.com, and follow us on Instagram @anotherlookpod.  Our top movies of 2024 episode will come out sometime before the end of January!

Discussing DIRTY HARRY (1971年) by Don Siegel and Sam Peckinpah's STRAW DOGS (1971年) + vigilantism + morality + social course correction and justice. Follow Mrs. Dillard's on X: twitter.com/dillardseternal And available only for Patrons, the critical continuation show SIRENS where we discuss the phantoms of Oregon, canned soda, European aimlessness and what kind of drink Henry Callaghan might enjoy: patreon.com/imsopopular

This week, CoinOps can finally shut up about the epic 1969 Sam Peckinpah western: The Wild Bunch. Yee, and I cannot stress this enough, haw.Send a wire:https://www.neondystopia.com/https://www.patreon.com/neondystopia/https://cyberpunklibrarian.com/discord.gg/M6fGZERb7Zhttps://rss.com/podcasts/l0wl1f3podcast/

Hosts Josh and Jamie and special guests Evan Laffer and Ian Grant (of the Jokermen podcast) discuss depressed 70s revisionist westerns about friendship being corroded by American capitalism that are serenaded by legendary 1960s folk singer-songwriters: Robert Altman's MCCABE AND MRS. MILLER (1971) featuring songs by Leonard Cohen and Sam Peckinpah's PAT GARRETT AND BILLY THE KID with a soundtrack by Bob Dylan. Next week's episode is a patron-exclusive bonus episode on NOSFERATU (1922) + NOSFERATU (1979), you can get access to that episode (and all past + future bonus episodes) by subscribing to our $5 tier on Patreon: www.patreon.com/sleazoidspodcast Intro // 00:00-15:11 MCCABE AND MRS. MILLER // 15:11-1:40:07 PAT GARRETT AND BILLY THE KID // 1:40:07-2:45:06 Outro // 2:45:06-2:48:36 MERCH: www.teepublic.com/stores/sleazoids?ref_id=17667 WEBSITE: www.sleazoidspodcast.com/ Pod Twitter: twitter.com/sleazoidspod Pod Letterboxd: letterboxd.com/SLEAZOIDS/ Josh's Twitter: twitter.com/thejoshl Josh's Letterboxd: letterboxd.com/thejoshl Jamie's Twitter: twitter.com/jamiemilleracas Jamie's Letterboxd: letterboxd.com/jamiemiller

Book Vs. Movie: ConvoyThe CW McCall Novelty Song Vs. the Sam Peckinpah (!) FilmIn the mid-1970s, a unique country song about truckers, CB radios, and the open road captured the imagination of America. It was called "Convoy," and it not only topped the charts but also inspired a Hollywood movie, solidifying its place in pop culture history. Initially a novelty tune, it evolved into a cultural phenomenon. The song was written and performed by C.W. McCall, the alter ego of ad man Bill Fries, in collaboration with musician Chip Davis, who later founded Mannheim Steamroller. "Convoy" rode the wave of the CB radio craze that swept through the U.S. during the 1970s. The song's immense success attracted Hollywood's attention, and soon, the story of "Rubber Duck" made its way to the big screen. The movie, directed by Sam Peckinpah, known for his gritty and violent Westerns such as The Wild Bunch and Pat Garrett & Billy the Kid, added a dramatic twist to the whimsical narrative. So, between the song and the film, which did the Margos prefer? Listen to find out! In this ep, the Margos discuss:How the song was created as an advertisementThe career of Sam Peckinpah The Movie Cast: Kris Kristofferson (Rubber Duck,) Ali McGraw (Melissa,) Ernest Borgnine (“Cottonmouth,”) Burt Young (Love Machine,) Madge Sinclair (Widow Woman,) Franklyn Ajaye (Spider Mike,) Seymour Cassell (Governor Haskins,) Cassie Yates (Violet,) Billy Hughes (“Pack Rat,”) Jorge Russek (Tiny Alvarez,) and Patrice Martinez as Maria. Clips used:“Convoy Truckers Escape Speedtrap”“Old Home Bread Commercial 1973”CW McCall on Hee Haw in 1976Convoy (1978 trailer)“Rubber Duck meets Melissa”“Rubber Duck sneaks into NM.”“Bridge scene Convoy.”Music by CW McCall & Chip DavisFollow us on the socials!Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupInstagram: Book Versus Movie bookversusmoviepodcast@gmail.com Margo D's Blog Margo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok Margo D's YouTube: Margo P's Instagram Margo P's Blog  Margo P's YouTube ChannelOur logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine 

Book Vs. Movie: ConvoyThe CW McCall Novelty Song Vs. the Sam Peckinpah (!) FilmIn the mid-1970s, a unique country song about truckers, CB radios, and the open road captured the imagination of America. It was called "Convoy," and it not only topped the charts but also inspired a Hollywood movie, solidifying its place in pop culture history. Initially a novelty tune, it evolved into a cultural phenomenon. The song was written and performed by C.W. McCall, the alter ego of ad man Bill Fries, in collaboration with musician Chip Davis, who later founded Mannheim Steamroller. "Convoy" rode the wave of the CB radio craze that swept through the U.S. during the 1970s. The song's immense success attracted Hollywood's attention, and soon, the story of "Rubber Duck" made its way to the big screen. The movie, directed by Sam Peckinpah, known for his gritty and violent Westerns such as The Wild Bunch and Pat Garrett & Billy the Kid, added a dramatic twist to the whimsical narrative. So, between the song and the film, which did the Margos prefer? Listen to find out! In this ep, the Margos discuss:How the song was created as an advertisementThe career of Sam Peckinpah The Movie Cast: Kris Kristofferson (Rubber Duck,) Ali McGraw (Melissa,) Ernest Borgnine (“Cottonmouth,”) Burt Young (Love Machine,) Madge Sinclair (Widow Woman,) Franklyn Ajaye (Spider Mike,) Seymour Cassell (Governor Haskins,) Cassie Yates (Violet,) Billy Hughes (“Pack Rat,”) Jorge Russek (Tiny Alvarez,) and Patrice Martinez as Maria. Clips used:“Convoy Truckers Escape Speedtrap”“Old Home Bread Commercial 1973”CW McCall on Hee Haw in 1976Convoy (1978 trailer)“Rubber Duck meets Melissa”“Rubber Duck sneaks into NM.”“Bridge scene Convoy.”Music by CW McCall & Chip DavisFollow us on the socials!Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupInstagram: Book Versus Movie bookversusmoviepodcast@gmail.com Margo D's Blog Margo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok Margo D's YouTube: Margo P's Instagram Margo P's Blog  Margo P's YouTube ChannelOur logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine 

EPISODE 61 - “FAVORITE CLASSIC FILMS OF THE 1960s” - 11/11/2024 The decade of the 1960s was an exciting time in filmmaking. The stodgy studio contract system was starting to give way to a new crop of independent cinematic auteurs, often associated with the "New Hollywood" era, include: Stanley Kubrick, Robert Altman, Sam Peckinpah, Arthur Penn, John Cassavetes, Francis Ford Coppola, Martin Scorsese, and Peter Bogdanovich. These films were edgier and pushed the creative boundaries and social themes to reflect the changing times. In this episode, Steve and Nan discuss some of their favorite films of the decade and why they had such an impact!  SHOW NOTES:  Sources: Some Like It Cool (2002), by Michael Freehand; Mike Nichols: A Life (2021), by Mark Harris; Jean Simmons: Her Life and Career (2022), by Michelangelo Capua; “Veronica Cartwright talks about ‘The Birds',” February 8, 2008, YouTube; “Here's to You, Mr. Nichols: The Making of ‘The Graduate',” February 25, 2008, by Sam Kashner, Vanity Fair; “Tippi Hedren On Alfred Hitchcock's ‘The Birds',” April 29, 2009, The American FIlm Institute; “The Revenge of Alfred Hitchcock's Muse,” October 5, 2012, New York Magazine; “Tippi Hedren: Hitchcock Ruined My Career,” December 7, 2012, Huffington Post; “Throwback Thursday: Shirley MacLaine Recalls Filming Lesbian Drama ‘Children's Hour' in 1961,” June 4, 2015, Hollywood Reporter;  “The Underappreciated Genius of ‘Planet of the Apes',” May 18, 2024, by Janelle Bouie, New York Times; “The Children's Hour,” October 16, 2024, Episode 257, Feminist Frequency Podcast; TCM.com; IMDBPro.com; IBDB.com; Wikipedia.com; Movies Mentioned:  The Graduate (1967), starring Dustin Hoffman, Anne Bancroft, Katharine Ross, William Daniels, Elizabeth Wilson, Murray Hamilton, Buck Henry, Marion Lorne, Alice Ghostly, Brian Avery, William Brooke, and Norman Fell; The Birds (1963), Starring Tippi Hedren, Rod Taylor, Jessica Tandy, Suzanne Pleshette, and Veronica Cartwright, Ethel Griffies, Charles McGraw, Richard Deacon, and Elizabeth Wilson; Days of Wine and Roses (1962), starring Jack Lemmon, Lee Remick, Charles Bickford, Jack Klugman, Alan Hewitt, Maxine Stuart, Debbie Megowan, and Jack Albertson; Planet of the Apes (1968), starring Charlton Heston, Kim Hunter, Roddy McDowell, Maurice Evans, Linda Harrison, James Whitmore, and James Daly; The Happy Ending (1969), starring Jean Simmons, John Forsyth, Shirley Jones, Lloyd Bridges, Teresa Wright, Bobby Darin, Kathy Fields, Dick Shawn, Nanette Fabray, and Tina Louise; The Children's Hour (1961), starring Audrey Hepburn, Shirley MacLaine, James Garner, Miriam Hopkins, Faye Bainter, Karen Balkin, Veronica Cartwright, and Hope Summers; In The Heat Of the Night (1967), starring Rod Steiger, Sidney Poitier, Lee Grant, Warren Oats, Beah Richards, William Schallert, and Larry Gates; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome back to another glorious episode of the GGtMC!!! This week Sammy and Will discuss Pat Garrett and Billy the Kid (1973) directed by Sam Peckinpah!!! Emails to midnitecinema@gmail.com Adios!!!

On this episode of Drive-In Double Feature Podcast, Nathan and Ryan dive into the 1978 action-packed road classic, Convoy! Directed by Sam Peckinpah and inspired by C.W. McCall's hit country song, this cult film rolls out a story of truckers fighting against corrupt law enforcement in a wild convoy across the Southwest. They discuss the cultural impact of the CB radio craze, the rebellious spirit of '70s cinema, and Peckinpah's unique take on the trucker lifestyle. Join us as we explore why Convoy became a quintessential American road movie, its memorable action sequences, and its enduring legacy among fans of both trucking and B-movie action.

On this trailblazing episode, reporter and historian Robert Nott drops by to discuss Sam Peckinpah's Ride the High Country. Robert is the author of several acclaimed books on Western film history, including The Films of Randolph Scott, Last of the Cowboy Heroes, The Films of Budd Boetticher, and Goin' Crazy with Sam Peckinpah and All Our Friends. His latest book is titled Ride the High Country, and it's the first book to focus exclusively on Peckinpah's poignant 1962 classic. Robert Nott's book, Ride the High Country, is published by the University of New Mexico Press, and is part of the Reel West series, edited by Andrew Patrick Nelson.

Poet and actor Kris Kristofferson may be gone, but he's still with us in spirit Dear Listener. Gareth and Jett talk about his work in the sublime Sam Peckinpah oater Pat Garrett and Billy the Kid, as well as touching on his performance in the American classic Heaven's Gate. They also give a nod to the always welcome, OTG actor, John Amos, who recently passed as well. Subscribe on Patreon Apple - The Film Talk Spotify - The Film Talk Facebook.com/TheFilmTalk To contact Jett and Gareth go to: info@thefilmtalk.com Or leave a voicemail message at: Speakpipe.com/TheFilmTalk To see on Threads what Jett is getting up to: Threads.net/@jett_loe

The ninth episode of our season on the awesome movie year of 1969 features Jason's personal pick, Sam Peckinpah's The Wild Bunch. Directed and co-written by Sam Peckinpah and starring William Holden, Ernest Borgnine, Robert Ryan, Edmond O'Brien and Jaime Sánchez, The Wild Bunch was nominated for two Oscars.The contemporary reviews quoted in this episode come from Vincent Canby in The New York Times (https://www.nytimes.com/1969/06/26/archives/violence-and-beauty-mesh-in-wild-bunch.html), Pauline Kael in The New Yorker, and Judith Crist in New York Magazine.Please like, share, rate and comment on the show and this episode, and tune in for the next 1969 installment, featuring a Venice Film Festival award winner, Federico Fellini's Fellini Satyricon.

Arise and come in, child. Enter for yet another episode of the Scary Stuff Podcast. After going on our first podcast road trip, we're reviewing a movie that kicks off with a road trip gone awry: THE BROTHERHOOD OF SATAN (1971)! Directed by Bernard McEveety and starring Sam Peckinpah regulars L.Q. Jones (who also was a producer, uncredited writer and wrote the movie's prose novelization) and Strother Martin, we had a fabulous time discussing this surreal 70's plunge into the era of Satanic Panic. As of this episode's release the movie is currently available on Tubi (and has a very nice blu-ray release from Arrow Video) and we absolutely encourage checking the movie out ahead of our review. We really hope everyone enjoys this one. If you'd like to follow us on social media, you can visit our Linktree page (linked below) but we've also listed some of our social media handles: Linktree: linktr.ee/scarystuff Official site: scarystuffpodcast.com Twitter: @scarystuffpod Instagram: @scarystuffpodcast Letterboxd: @scarystuffpod Incredibly Niche Merch: teepublic.com/user/scary-stuff-podcast You can find a list of all the previous movies we've reviewed and their corresponding episodes (via the "Read Notes" option) here: https://letterboxd.com/scarystuffpod/list/all-reviews-scary-stuff-podcast/ And as always, thanks so much for listening!

Welcome to Hit Rewind! In this episode, Michael and Kersey take a trip back to 1968 to explore how cinema began pushing boundaries. The year saw the emergence of the R and X ratings, reflecting a shift towards more mature themes. First on the list is Valley of the Dolls, a melodrama about three women navigating the dark side of Hollywood. Despite its reputation for being trashy, it's a fascinating look at the industry's underbelly, with standout performances, especially from Patty Duke. The conversation then shifts to Beyond the Valley of the Dolls, a wild, bizarre follow-up that blends comedy, musical acts, and surrealism. Directed by Russ Meyer and co-written by Roger Ebert, this film is a cult classic that defies conventional storytelling. Next up is Midnight Cowboy, a groundbreaking film that delves into the gritty life of a wannabe male prostitute in New York City. With stellar performances by Jon Voight and Dustin Hoffman, this movie is a masterpiece that stands the test of time. Finally, they discuss The Wild Bunch, a film that redefined action and Western genres with its raw, unfiltered portrayal of violence and camaraderie. Directed by Sam Peckinpah, it's a gritty tale of outlaws facing the end of their era. Join us as we explore these iconic films and their impact on the world of cinema. Enjoy the journey through the transformative year of 1968!

The eighth episode of our season on the awesome movie year of 1969 features our animation pick, Peanuts adaptation A Boy Named Charlie Brown. Directed by Bill Melendez from a screenplay by Peanuts creator Charles M. Schulz and starring the voices of Peter Robbins, Pamelyn Ferdin, Glenn Gilger and Andy Pforsich, A Boy Named Charlie Brown was the first theatrical feature film based on the Peanuts characters.The contemporary reviews quoted in this episode come from Vincent Canby in The New York Times (https://www.nytimes.com/1969/12/05/archives/screen-good-old-charlie-brown-finds-a-home.html), Time magazine, and Molly Haskell in The Village Voice.Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosenAll of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comPlease like, share, rate and comment on the show and this episode, and tune in for the next 1969 installment, featuring Jason's personal pick, Sam Peckinpah's The Wild Bunch.

The guys kick off another round of retro reviews with one of Joe's favorites, Bring Me the Head of Alfredo Garcia, a 1970s neo-western from Sam Peckinpah. The discussion evolves into an exploration of Peckinpah's entire oeuvre. Michael also talks about an older beloved western, Joe checks out an unseen Paul Schrader movie, and Jared recommends a recent indie film.

Legendary filmmaker Alex Cox (Repo Man, Straight To Hell, Walker, Tombstone Rashomon etc) has a new film in the works, a film you can help make a reality by participating via Kickstarter. Click the link, snatch up the fabulous rewards available and thank Alex for decades of wonderful films.Alex & I discuss his collaborations with Joe Strummer, REPO MAN, studio politics, STRAIGHT TO HELL, Sam Peckinpah, Chateau Marmont, William Friedkin's SORCERER, miserable encounters with Hunter S. Thompson and much much more. Alex's KICKSTARTER Subscribe to the Craig & Friends YooToob channel Get your Craig & Friends T-Shirts Join The Craig & Friends Patreon Clip from BREAKFAST WITH HUNTER courtesy of Wayne Ewing

Agents Scott and Cam rip around San Francisco with James Caan in a souped-up taxicab while decoding the 1975 Sam Peckinpah action drama The Killer Elite. Directed by Sam Peckinpah. Starring James Caan, Robert Duvall, Arthur Hill, Bo Hopkins, Mako, Burt Young, Gig Young, Tom Clancy and Tiana Alexandra-Silliphant. Become a SpyHards Patron and gain access to top secret "Agents in the Field" bonus episodes, movie commentaries and more! Purchase the latest exclusive SpyHards merch at Redbubble. Social media: @spyhards View the NOC List and the Disavowed List at Letterboxd.com/spyhards Podcast artwork by Hannah Hughes.