Podcasts about aristophanes lysistrata

Melvyn Bragg and guests discuss Aristophanes' comedy in which the women of Athens and Sparta, led by Lysistrata, secure peace in the long-running war between them by staging a sex strike. To the men in the audience in 411BC, the idea that peace in the Peloponnesian War could be won so easily was ridiculous and the thought that their wives could have so much power over them was even more so. However Aristophanes' comedy also has the women seizing the treasure in the Acropolis that was meant to fund more fighting in an emergency, a fund the Athenians had recently had to draw on. They were in a perilous position and, much as they might laugh at Aristophanes' jokes, they knew there were real concerns about the actual cost of the war in terms of wealth and manpower. WithPaul Cartledge AG Leventis Senior Research Fellow of Clare College, University of Cambridge Sarah Miles Associate Professor in the Department of Classics and Ancient History at Durham UniversityAndJames Robson Professor of Classical Studies at the Open UniversityProducer: Simon TillotsonReading list:Aristophanes (ed. Jeffrey Henderson), Lysistrata (Oxford University Press, 1987)Aristophanes (ed. Jeffrey Henderson), Three Plays by Aristophanes: Staging Women (Routledge, 2010)Aristophanes (ed. Jeffrey Henderson), Birds; Lysistrata; Women at the Thesmophoria (Loeb Classical Library series, Harvard University Press, 2014) Aristophanes (ed. Alan H. Sommerstein), Lysistrata and Other Plays: The Acharnians; The Clouds; Lysistrata (Penguin, 2002)Aristophanes (ed. Alan H. Sommerstein), Lysistrata (Aris & Phillips, 1998)Paul Cartledge, Aristophanes and his Theatre of the Absurd (Bristol Classical Press, 1999)Kenneth Dover, Aristophanic Comedy (University of California Press, 1972)Germaine Greer, Lysistrata: The Sex Strike: After Aristophanes (Aurora Metro Press, 2000)Tony Harrison, The Common Chorus: A Version of Aristophanes' Lysistrata (Faber & Faber, 1992)Douglas M. MacDowell, Aristophanes and Athens: An Introduction to the Plays (Oxford University Press, 1995)S. Douglas Olson (ed.), Ancient Comedy and Reception: Essays in Honor of Jeffrey Henderson (De Gruyter, 2013), especially 'She (Don't) Gotta Have It: African-American reception of Lysistrata' by Kevin WetmoreJames Robson, Aristophanes: Lysistrata, Bloomsbury ancient comedy companions (Bloomsbury, 2023)James Robson, Aristophanes: An Introduction (Duckworth, 2009)Ralph M. Rosen and Helene P. Foley (eds.), Aristophanes and Politics. New Studies (Brill, 2020) Donald Sells, Parody, Politics and the Populace in Greek Old Comedy (Bloomsbury, 2018)David Stuttard (ed.), Looking at Lysistrata: Eight Essays and a New Version of Aristophanes' Provocative Comedy (Bristol Classical Press, 2010)

Melvyn Bragg and guests discuss Aristophanes' comedy in which the women of Athens and Sparta, led by Lysistrata, secure peace in the long-running war between them by staging a sex strike. To the men in the audience in 411BC, the idea that peace in the Peloponnesian War could be won so easily was ridiculous and the thought that their wives could have so much power over them was even more so. However Aristophanes' comedy also has the women seizing the treasure in the Acropolis that was meant to fund more fighting in an emergency, a fund the Athenians had recently had to draw on. They were in a perilous position and, much as they might laugh at Aristophanes' jokes, they knew there were real concerns about the actual cost of the war in terms of wealth and manpower. WithPaul Cartledge AG Leventis Senior Research Fellow of Clare College, University of Cambridge Sarah Miles Associate Professor in the Department of Classics and Ancient History at Durham UniversityAndJames Robson Professor of Classical Studies at the Open UniversityProducer: Simon TillotsonReading list:Aristophanes (ed. Jeffrey Henderson), Lysistrata (Oxford University Press, 1987)Aristophanes (ed. Jeffrey Henderson), Three Plays by Aristophanes: Staging Women (Routledge, 2010)Aristophanes (ed. Jeffrey Henderson), Birds; Lysistrata; Women at the Thesmophoria (Loeb Classical Library series, Harvard University Press, 2014) Aristophanes (ed. Alan H. Sommerstein), Lysistrata and Other Plays: The Acharnians; The Clouds; Lysistrata (Penguin, 2002)Aristophanes (ed. Alan H. Sommerstein), Lysistrata (Aris & Phillips, 1998)Paul Cartledge, Aristophanes and his Theatre of the Absurd (Bristol Classical Press, 1999)Kenneth Dover, Aristophanic Comedy (University of California Press, 1972)Germaine Greer, Lysistrata: The Sex Strike: After Aristophanes (Aurora Metro Press, 2000)Tony Harrison, The Common Chorus: A Version of Aristophanes' Lysistrata (Faber & Faber, 1992)Douglas M. MacDowell, Aristophanes and Athens: An Introduction to the Plays (Oxford University Press, 1995)S. Douglas Olson (ed.), Ancient Comedy and Reception: Essays in Honor of Jeffrey Henderson (De Gruyter, 2013), especially 'She (Don't) Gotta Have It: African-American reception of Lysistrata' by Kevin WetmoreJames Robson, Aristophanes: Lysistrata, Bloomsbury ancient comedy companions (Bloomsbury, 2023)James Robson, Aristophanes: An Introduction (Duckworth, 2009)Ralph M. Rosen and Helene P. Foley (eds.), Aristophanes and Politics. New Studies (Brill, 2020) Donald Sells, Parody, Politics and the Populace in Greek Old Comedy (Bloomsbury, 2018)David Stuttard (ed.), Looking at Lysistrata: Eight Essays and a New Version of Aristophanes' Provocative Comedy (Bristol Classical Press, 2010)

Episode 18 Perhaps the best known of the comedies by Aristophanes Lysistrata imagines a world where women take control in an attempt to force and end the Peloponnesian war. It is sex comedy with a message as the Athenian golden age nears the end. This podcast uses the following third-party services for analysis: Chartable - https://chartable.com/privacy

Patti Murin is an accomplished stage and television actress. Known for her acclaimed Broadway performances, Murin currently stars as ‘Anna’ in the Broadway production of Disney’s "Frozen." With lyrics written by Kristen Anderson-Lopez, Frozen is the timeless tale of a fearless princess who sets off on a journey alongside a rugged iceman, his loyal pet reindeer, and a naive snowman to find her estranged sister. Murin made her Broadway debut in 2007’s "Xanadu," in which she played the roles of Euterpe, Siren, and Thetis. Based on the film of the same name, "Xanadu" centers on a Greek muse who is sent to Earth to inspire Californians during the 1980s. Four years later, Murin played the lead of ‘Lysistrata Jones’ in 2011’s "Lysistrata Jones," a modern day adaptation of Aristophanes’ "Lysistrata." Soon after, Patti starred as ‘Glinda’ in the national tour of Broadway’s renowned play "Wicked." In addition to her performances on Broadway, Patti Murin has also starred in a wide range of off-Broadway theatrical productions. Most recently, Murin starred as ‘Linda Mason’ in "The Muny’s Holiday Inn" and Susie in "Lady, Be Good." At The Muny, she has also starred as ‘Roxie Hart’ in "Chicago" and ‘Ariel’ in "The Little Mermaid." In New York, Murin starred as ‘Princess’ in The Public Theater’s production of "Love’s Labour’s Lost." She also played the role of ‘Amber’ in The Cape Playhouse’s production of "Hairspray" and ‘Sharpay Evans’ in The Atlanta Theater of the Stars’ production of "High School Musical." Other theater credits include "Fly By Night," Jane Austen’s "Emma," "Band Geeks," "Give It Up!," "White Noise," "Princesses," "Glimpses of the Moon," "Beauty and the Beast," "Annie Get Your Gun," and "Crazy for You." On the small screen, Murin has starred as recurring character ‘Dr. Nina Shore’ in NBC’s “Chicago Med,” a medical drama set in the ER department of Chicago’s Gaffney Medical Center. She has also starred as ‘Ana’ in USA’s “Royal Pains.” Additionally, Patti Murin played the recurring role of ‘Ellen’ on ABC’s “All My Children.” Murin has also sung the national anthem at numerous sporting events, including a New York Mets game, Philadelphia Soul Football, and an event at Syracuse University. Patti Murin currently resides in New York City. 

Aristophanes’ Lysistrata, with all of its nudity, sex, and explicit language, was nonetheless his most powerful salvo against the Peloponnesian War. Episode 36 Quiz: http://literatureandhistory.com/index.php/episode-36-quiz Episode 36 Transcription: http://literatureandhistory.com/index.php/episode-036-war-and-peace-and-sex Episode 36 Song: "Lysistrata in Three Minutes" https://www.youtube.com/watch?v=TaJxAK0HAxU Bonus Content: http://literatureandhistory.com/index.php/bonus-content Patreon: https://www.patreon.com/literatureandhistory

Staged not long after the disastrous defeat of the Athenians at Syracuse during the Peloponnesian War, the seriousness of Aristophanes’ Lysistrata would not have been lost on its audience, despite it being a comedy laden with sexual humour. In this lecture Dr Heather Sebo looks at the very real messages about the futility of war, the parlous state of Athens and the position of women in Athenian society in Aristophanes’ comedy of a sex strike orchestrated by women to bring their men to their knees… Copyright 2013 Gillian Shepherd / La Trobe University, all rights reserved. Contact for permissions.

Staged not long after the disastrous defeat of the Athenians at Syracuse during the Peloponnesian War, the seriousness of Aristophanes’ Lysistrata would not have been lost on its audience, despite it being a comedy laden with sexual humour. In this lecture Dr Heather Sebo looks at the very real messages about the futility of war, the parlous state of Athens and the position of women in Athenian society in Aristophanes’ comedy of a sex strike orchestrated by women to bring their men to their knees… Copyright 2013 Gillian Shepherd / La Trobe University, all rights reserved. Contact for permissions.