Podcast appearances and mentions of Jane Austen

Brandon Sanderson and Dan Wells take a trip through the Pride and prejudice Adaptations. Pride & Prejudice & Zombies, Bride and Prejudice, and the 2005 Pride and Prejudice with Keira Knightley.https://www.reddit.com/r/Sanderson/Can be listened to almost everywhere podcasts can be found.Produced by Adam HorneSound engineering and editing by Daniel Thompson

Episode 55: Persuasion by Jane Austen [transcript] Persuasion on Project Gutenberg See you in September! Facebook: Backlog Books Podcast Contact: backlogbookspod@gmail.com Music from josephmcdade.com

In which Darcy keeps blowing it.

Fidiro Kahvesi bu hafta, gündemlere bomba gibi düşen Netflix'in yeni Jane Austen uyarlaması Persuasion (İkna) filmi ile karşınızda. Müdavimlerimiz bu bölümde, alçakgönüllü ve yumuşak huylu Anne Elliott'ın, genç biz kızken reddettiği fakir ama gururlu Frederick Wentworth ile yollarının yeniden kesişmesini konu alan hikaye üzerinden imkansız aşkın çilesine ve evlilik kurumunun ekonomik temellerine dair konuşuyor. Netflix yapım şirketinin bizi  derinden etkileyen bu aşk hikayesini ekranlara uyarlarken yaptığı başrol tercihlerini, kullandığı modern  kültürel unsurları ve 'inclusive casting'  uygulamasını da değerlendirdiğimiz bu bölüm, romantik ve tarihsel kurgu meraklılarına derin ve samimi bir sohbet vaadediyor. Sizler de aramıza buyrun ve dinledikten sonra yorumlarınız bizimle paylaşmayı unutmayın!Support the show

If you've been listening to this show or reading the AoM website for awhile, then you likely know what my favorite book of all time is: Lonesome Dove by Larry McMurtry.It's therefore my real pleasure to be able to talk all about that novel today with Steven Frye, professor of American literature and author of Understanding Larry McMurtry. We last had Steve on the show to talk about The Road by Cormac McCarthy. In this episode, we unpack Lonesome Dove, beginning with some background on McMurtry, and the style and themes he explores in his work. From there we turn to Lonesome Dove, and its surprising influences, from Jane Austen to Cervantes. Steve and I explore the characters of Augustus McCrae and Woodrow Call, how they can represent the archetypes of the Epicurean and the Stoic, and what we can learn from their friendship. We also talk about the complexities of other characters in the novel, and end our conversation with why Lonesome Dove, despite not having a stereotypically happy ending, is such a life-affirming book.A spoiler alert here: We are going to reveal plenty of plot points in this discussion, so be aware of that if you haven't yet read Lonesome Dove.After the show is over, check out the show notes at aom.is/lonesomedoveResources Related to the PodcastBooks by Steven Frye, including his novel Dogwood CrossingSteve's last appearance on the show: Episode #760 — Cormac McCarthy, The Road, and Carrying the FireLonesome Dove by Larry McMurtryLonesomeDove, the television miniseriesAoM Article: Why Every Man Should Read Jane AustenAoM Article: The Tragic, Liberating Message About Manliness Hidden in American Tall TalesSunday Fireside: Get on Your Horse and KickAoM Article: Gut Check — Are You a Contemptible Person?AoM Article: Books So Good I've Read Them 2X (Or More!)Connect With Steven FryeSteve's WebsiteListen to the Podcast! (And don't forget to leave us a review!)

It's really happening - Lydia is going to marry Wickham. And in reflecting on their upcoming marriage, Lizzy realizes that perhaps she was too hasty in rejecting Mr. Darcy. Meanwhile, Mrs. Bennet has finally returned downstairs, and with a little coaxing from Lizzy and Jane, Mr. Bennet will even let Lydia and Wickham visit Longbourn before Wickham relocates to the North. The Bennets all need a good night's rest to prepare themselves for that visit, and this week's story will help you fall into deep and restful sleep as well. ----- Welcome to the Jane Austen Bedtime Stories podcast! Each episode is a section of a classic Jane Austen novel, read in soothing tones and set to calming music to help you fall asleep. With everything that is going on in the world, we find comfort in the familiar. For so many of us, Jane Austen's works are like a warm hug. So snuggle up under the covers and let the comforting words of Jane Austen lull you into sleep. ----- Music ["Reverie"] by Scott Buckley – www.scottbuckley.com.au --- Support this podcast: https://anchor.fm/jabedtimepod/support

Jane Austen's classic novel about the clash of duty and longing in a society that denies women the latter and cruelly enforces the former gets the much needed makeover it deserves in this remake where Anne Elliot is (finally) Deadpool. Special thanks to Baby Bee Carys for the theme music! Subscribe to our Patreon at Patreon.com/BSCCPodcast and support the show at Bit.ly/RattlesnakeJake! Advertise on The Baby-Sitters Club Club via Gumball.fm --- Support this podcast: https://anchor.fm/jack-shepherd8/support

Charity Wakefield's passion for the natural world shone through when we caught up at her local green space. I met the actor, environmentalist and Woodland Trust ambassador at Peckham Rye Park to talk about trees, wildlife and acting. Charity explains how nature has made her happy since the tree-climbing, den-building days of her childhood. She is concerned that people have lost their connection with the environment, but is hopeful for the future and encourages us to recognise that we can all make a difference. She believes in ‘people power'. We also talk eco-friendly fashion, filming comedy-drama The Great and climbing a tree to learn her lines in Lewisham! Don't forget to rate us and subscribe! Learn more about the Woodland Trust at woodlandtrust.org.uk Transcript You are listening to Woodland Walks, a podcast for the Woodland Trust, presented by Adam Shaw. We protect and plant trees for people to enjoy, to fight climate change and to help wildlife thrive. Adam: Charity Wakefield is an actor, environmentalist and Woodland Trust ambassador. She starred in BBC One's production of Rapunzel, Constance in The Three Musketeers at the Bristol Old Vic, and Elaine in the Graduate at the New Vic. She had a lead role as Marianne Dashwood in Jane Austen's Sense and Sensibility and has been in Doctor Who, the Halcyon, Bounty Hunters, amongst other productions. And she's now starring in the TV series, The Great about Catherine the Great. Well, I met her at her local park to talk about acting and the importance of the natural world. Charity: So now we are at Peckham Ride Park, which has been my local park for most of my time in London. I now have a baby so there's lots of kinds of mother and baby groups around the area. I have lots of friends here still. Adam: Are you a country girl or did you grow up in the city, or? Charity: Erm, I, I never thought of myself as a country girl. I did grow up though in and around East Sussex. I used to live in a couple of different places down there. We moved a bit as a kid. Adam: Sorry, why don't you, you grew up in the country, why did you not think of yourself as a… Charity: I don't know Adam: You know you thought of yourself as you felt your inner urban woman early on? Charity: I just don't think I grew up with any sense of identity if I'm honest, because I also live a little bit in Spain when I was very small. And like I said we moved around quite a lot. So actually I'm an actress and I trained at drama school and going to drama school at the time of going to university for most people if you do that, that was the first time I really had this interest to work out where I was from, or you know you kind of try to identify yourself by telling each other, and also drama school, in particular, you're looking at different kind of life experiences and personality traits, because it's material for you, right? So, you start kind of realising ‘oh I that this background or that background'. Yeah, for me, being from the countryside just meant desperate driving as soon as I can. I could drive about a week after my birthday because I had secret driving lessons with friends and my dad and stuff. Yeah, I guess I have always loved the countryside and I sort of you know had friends you know the family were farmers and we used to go and make camps in the woods. Adam: Well, that's good, and talking of woods we seem to be, what's down there? That's a very wooded area, shall we go, you lead on, but shall we go down there? Or Charity: This is the Common, this is Peckham Ride Common, and erm I think it was, has been around for at least a couple of hundred years and it's a really big open space with some really huge trees in the middle. They're probably like, lots of them are London planes and oak trees, and I think this section we're about to walk into was actually sort of closed off at the beginning I think it was a big common and this was owned by an estate. A sort of family estate and then opened a bit later which is why as you can see it is much more formal Adam: I was going to say, so we are leaving a sort of really a very large green area with the Shard poking its head above the trees, so your urban environment, but walking into this much more formal sculptured… Charity: And actually you can walk the whole perimeter of this, and this is quite close to the road here but the other side is as you can see really big open and free, so it must have been quite weird at sort of the end of the 1800s, I suppose that kind of bridge between a really rich family that owned this huge part of the park in the middle, so this is yeah, now we are under these beautiful red-leaved trees, you probably know what that tree is? [Laugh] Adam: No, no, no, no, let's not embarrass each other by [Laugh] Charity: [Laugh] Okay no tree testing Adam: No tree testing [Laugh] Charity: Okay Adam: Well, this is, this is beautiful, so let's… there's a lovely, lovely bench with a dedication actually, some flowers connected to that. So why don't we have a sit down here and just have a chat? So, first of all, you mentioned you went to drama school, what drama school was it? Charity: I went to the Oxford School of Drama, which was the smallest, most obscure place I could have probably have found [Laugh] but it probably was the best place for me actually. It's funny, sometimes what's for you won't pass you as they say, erm a tiny drama school in the middle of the north of Oxfordshire. Acting is really hard and part of it is the marathon of it and the difficulties of getting jobs and everybody says this but failing continually and feeling like you haven't actually achieved things perfectly. In the theatre that means doing a show and there being some moments during the night where you think ‘uh that didn't work out right' and you have to be that kind of person that is interested in those kinds of faults and failures and wants to try different things and fix things and part of gaining that resilience is what I think drama school is all about. Adam: I mean apart from, I do want to talk to you more about your acting, but apart from that you do have what I see as quite a close connection to nature, reading a lot of your social media and learning about your activities, so tell me a bit about that, what is it? What is that connection and why do you feel it? Charity: I think growing up, albeit in a kind of little village or a town, but kind of in the countryside it was quite… it was a bit freer back then, I think it was different days, the early 80s. being allowed to sort of wander off, with friends and go into kind of woodlands and stuff. I think, I just feel very happy when I am in nature and I am interested in the differences, everything is growing and changing all the time. And it was interesting I went to LA once, and I thought this is so strange to me because the seasons aren't so apparent. Particularly when you live in the countryside your so kind of affected by those changes and erm I really love animals and I love knowing the circle of life, like where those animals came from, how they're are fed, what they do naturally, and then getting older you start to understand a bit more about the history and human history and how we have you know got to where we are today the kind of beginnings of farming and how society functions and unfortunately we are at a point now where we've outgrown ourselves, and how do we kind of pair that back? How do we get back? Adam: When you say we've outgrown ourselves what do you mean? Charity: I think humans have outgrown ourselves in a sense I think Adam: In what sense? Charity: In the sense that we've lost track I think of the essence of how you, I think yeah, we've lost track of how life is interconnected with nature. Because we're pushing technology further and further and some people are saying the answer is to eventually get into space rockets and go and start a new community on Mars and to me that's mad because I feel like we have everything that we need on this planet. And we just need to reconnect everything. Adam: Why do you think that disconnection has happened then Charity: Yeah well, I think it's a big question. Because I think it happens on so many levels. I think that there is a disconnect with people who are very very fortunate and have a hell of a lot of money, and in some ways don't notice the effect that their companies or their personal lives might be having on the environment because they are so loaded that they get given their food people and they probably never see plastic packaging to know that it exists because they are just delivered things Adam: Right Charity: and they don't really realise the impact that they're having, they're living kind of you know the high life Adam: Sure, do you think we're all living that sort of life? Charity: No, I don't Adam: Or it's just the 1%, or the quarter of the 1%? Charity: No, I don't, I think there are lots of people that are the absolute opposite. They haven't got the time, the money and the education to be able to do anything about it even if they did notice that there is an issue. Adam: And yet it is curious that isn't it, because and yet David Attenborough the national hero, his television programmes are all watched, and you know Charity: But they're not watched by everybody. Adam: They're not watched by everybody but there seems… I mean I get the feeling that you know there's this weird thing where everybody's talking about the environment and very concerned about it, even if perhaps if we're not changing our lifestyle, but my, my sort of view is that people do get it even if they're not changing their behaviour. You, you feel differently, I think. Charity: I think that there's, I think there's lots of people on those both extremes that don't get it at all and I also see lots and lots of people living on the poverty line, particularly where I live in the Borough of Lewisham, who are, and I know some people are working crazy hours and don't have time to think about it. About any kind of impact, and certainly don't have time to do complicated recycling or and they don't have the budget to be able to shop in a kind of, what we would probably on our middle-class wage perceive as a kind of eco conscious way. And because what's difficult is even if you do do that it's very hard to sort of balance what is the best consumer choice to make. As we all know, so we're in a difficult way, but what I do believe is that I believe in people power, and I as you say David Attenborough has made a huge impact and it is much more in the mainstream, hugely so in the mainstream in the last couple of year, and I do think its down to kind of lockdown and people staying at home and having the chance to stop and think and reconnect with their immediate environment but whether that's in a high-rise flat looking out listening to the lack of airplanes, being able to hear nature more, or somebody that's got, you know, fifty acres and has decided to buy a diamond Jubilee woodland for the Woodland Trust, you know, that there, I think we are kind of you united as we are the people who had a chance to stop and listen and look and then it's about people that are in positions of power and money to give us a direction to go in. to give us a positive idea Adam: So, apart from being intellectually being engaged with this, you're worried about it, you're clearly worried about it, you do a lot of things. Charity: mmm Adam: actually, so tell me about the lots of things you do Charity: err well I really love… I've always…So, fashion is a part of my job in the sense that I have to wear lots of different clothes, and um for my work Adam: well then you were recently in The Great Charity: That's right so I do a TV show, period TV show, and so I Adam: So, there's lots of costumes Charity: there's lots of costumes, I don't really have control over where those costumes are made and bought, but sometimes I do so, for example, if I'm producing a film or if I'm in a low-budget theatre production, I might provide my own clothes for that theatre production, and if producing then I am certainly in charge of deciding where we can get clothes, so for example, we go to charity shops and second-hand places because there is so much stuff in the world already. And I try to do that in my personal life. Adam: But do you have a label, a fashion label? Charity: No, nothing like that no Adam: But you, but you talk a lot about conscientious fashion on social media Charity: Yeh, I do because erm, …. Erm I am looking for the word, influencers! And stuff like that because I get approached for things like that and so I'm very conscious that If I am going to be in front of any kind of camera people are going to make a judgment or think that might be a good idea to wear, so I try to conscious about what I'm wearing if in the public in any way. And really that's just an extension of my real life, I've always shopped in charity shops, when I was growing up that was because we didn't have any money, so my clothes were given to me by other families, or when I first started to work, which was around fourteen, I worked in a strawberry farm – that was my first job! And my second job was in another strawberry farm, picking strawberries and my third job was the same strawberry farm but in the grocery shop. Adam: Okay, you got promoted! Charity: Promoted Adam: Promoted out of the fields! Charity: Absolutely, literally up the hill Adam: and Charity: I've become extremely aware of how difficult it is to manage woodland, and I didn't even know that as a concept, I just thought that big areas or parkland or woodland or farmland, I had not concept really of how that was looked after, and that's one thing that I think is I don't know, its both inspired me and made me realise what a huge challenge it is to be able to reforest large areas and the other fact of everything being so slow – trees reaching their maturity at such a slow rate – and that being a very difficult kind of challenge to sort of ask people to become involved with because I think when you're asking people to you know kind of sympathise with a charity or donate money to a charity in some ways its more difficult to say this is an extremely slow process but we need your help urgently… so it has been interesting to learn about that side of things. And I've also been deeply shocked and saddened about how many of our ancient woodlands and hedgerows and trees that are still being cut down in this country, partly for huge roadways but partly for new buildings and farmland and that does feel quite urgent to me. But yeah I've learnt a lot. I think one of my favourite things has been seeing the tree listening which I put on my Instagram if anyone wants to have a look Adam: So, tell me about tree listening. Charity: so, there's a way to hear the water being filtered up and down trees and it's the most beautiful sound and to me, it's a sound that I could go to sleep to. I keep thinking, I must try and find if there's a recording online that I can grab and put on my phone to listen to at night-time. And it gives you that sense of the tree being alive in the here and now. Trees grow so slowly it's sometimes quite difficult to think if the as, as kind of, living in the same time zone as us. So, hearing that, that's a very present sound really, I don't know, it makes you… it makes you want to hug the tree even more [laugh] Adam: Are you a bit of a tree hugger? Charity: Yeah, yeah, I am! Adam: Do people spot you in Peckham? Strange woman hugging trees? Charity: I do sometimes do that, the weird thing is, this was, I was in a different park in Lewisham, and I'd actually climbed the tree because I just felt like it and I also had some lines to learn. And it was quite an empty park and I thought well this is fine, and I was in a tree learning my lines and a lady came and she saw my bags on the floor and she was so freaked out she just looked up and saw me in this tree, and I have to say it was a weird sight. I have to really say Adam: [Laugh] Charity: This is so weird, I'm an actress and I don't know what I'm doing, sorry Yeah, I just, yeah, I love…I think it was also, when I was growing up, a bit of a place to kind of go and hide, you know if you're kind of stressed out or worried as a kid, and rather than run away, go and climb a tree and be up really high – it completely changes your perspective. Adam: Has having a child changed your perspective at all? Charity: I think it just strengthened my love of nature because it's the first thing that you teach kids about. All of the books that people give you are all about spotting different animals and trees, and the sunshine and the bees, everything he loves is related to outdoors, I mean that's, it's his first summer, he's fifteen months old and erm I've moved to a new house recently and been trying to work the garden a bit because it was very very overgrown. So, it's been my great pleasure to be outside and doing lots of digging and his first proper words has been digging, dig, dig, because he heard me say digging and he just started saying dig, dig, dig. [Laugh] Adam: Fantastic Charity: He said that before mummy or daddy. Adam: So, are you optimistic, I mean all those things you talked about erm are you optimistic that the world for your child will actually, things will get better during his early life? Or not? Charity: I feel burdened with the worry of it, and I try to not think about it, because the world is huge and there's only so much, I can do. I do feel optimistic in the human endeavour and human invention and ingenuity. But I am sad that it's going to get to a point of huge environmental catastrophe before real change is made by our governing bodies. But then if you look back at the pictures just pre-industrial revolution of these thousands and thousands of huge billowing chimney pots in London and you know, they're not there now, and the world is a lot greener than it was then, at least in cities. So, I kind of, yeah, I have hope otherwise you know… what's the point? Adam: I mean it's interesting isn't it, there's… I often think about how to shape the narrative here because I think often the narrative of ecology and the environment is one of ‘there's an impending disaster' you know ‘it's all terrible' and I'm not saying that's not true, but I think it's hard for people to engage with because it's like ‘well what, what can I do about that?' and I think it was, hopefully, I got this right, I think it was Barrack Obama who wrote a book on it called the Audacity of Hope and you talked about hope and it is this sort of weird thing, actually to be hopeful is an extraordinary thing, it is audacious to be hopeful and that might be, might be a better message actually, that there is this big challenge and actually the audacity of hope in what can, can we do, individually? Individuals can make a difference. You know yes joining the Trust and what have you, and doing other things, and planting a single tree Charity: I think you also have to look after yourself as a human in the world. Try to give yourself time and love and energy. Then you'll be in a really good spot to be able to help other things and other people and the environment. It's very difficult like I say if you're on the breadline and you're exhausted to actually have the headspace and the energy to do stuff. And you know, and so those people that are unable to do that we need to, I do believe, socially we need to enable people to be able to care for the environment. If you're in a position where you do have enough money, and you do have enough time, and you still feel worried, then there's tons you can do on a day-to-day level. And I actually think that action is much more infectious than talking. I know we're talking here today, but the best thing that I have probably ever done is about two or three years ago I just wrote on Twitter I'm giving up plastic for the month of January, this was before it was kind of fashionable to that and rather than saying everyone should do this, everyone should do that, I just said ‘this is what I'm doing'. I didn't even talk about it. I just said ‘I'm gonna do this' and so many of my friend's a couple of months later said ‘oo you said that and actually, I tried it as well', they didn't even talk to me about it they just kind of tried it. They started, whenever they came over, they said ‘we I didn't bring, I didn't buy any plastic because I knew you weren't interested' I thought wow! You just actually have to put a stick in the mud sometimes and say this is what I'm doing, and try to have the energy to stick to it, and of course, we have… we can't be perfect… the world is set up in a certain way at the moment as consumers, as everything is wrapped in plastic, it's very difficult to get around without, you know in lots of places, without a car because public transport has a lot to be desired and it's expensive, but if you can try to support things that are doing the right thing, that will slowly, slowly build, and if you can have joy in that, that builds as well. Adam: It is interesting to me, we tend to do what our friends do, or people we know do, so, and that's why a single person can make a difference isn't it because, a friend will copy you. And suddenly what you do isn't a single thing, it's a big thing. That's, that's amazing. So, look we're in this park which is very nice. I'm not sure I've met one leaf yet; we're meant to be walking around and I lazily dragged you to this chair! But, have you, I mean there's lots of Woodland Trust places outside of London, they are quite close but also quite far. Have you been to many? Are there any that stick in your mind? Charity: I've been to Hainault, and I've been to Langley Vale. What I would love to do is go to Scotland, I know there's lots of work happening there at the moment and I'd really like to visit, it's really interesting to see the difference between a very very ancient woodland and something that's quite newly developed, and I know that there are some places that the Woodland Trust are trying to connect two different forests, and I think, is it the pine martin (?) that they are trying to get to, sort of, repopulate? And it's very difficult to do that because they like travelling and so you have to have a long distance in between, you know, one dense forest and another dense forest for them to actually want to stick around. So, I would kinda like to see that in action. Adam: Well, the Langley Vale Forest, I have just been to, and it features in our previous podcast. All the commemoration of the First World War. Which I think was one of the most interesting and sort of, I don't know, shocking, I don't know, because there's a lot of… it commemorates really terrible events, but in a sort of, living memory, which I thought was really forceful. And that's I think one of the more interesting podcasts so if you listen to this one, but also that one, I also thought that one was great. So, it's amazing to sort of talk to you about this, but as you were saying, you are an exceptionally busy actor as well, so you're doing… is The Great still in production? Charity: It is, we're filming season three at the moment. Adam: Wow, so how many programmes in a season? Charity: so, there's ten episodes in each season, and the first two have come out via Hulu, and, in America and STARZPLAY, the first season was out on Channel 4 a couple of years ago and the second season is coming out this summer, on Channel 4, and we're filming season three. So, um, it's a lot of fun, it's very silly and it was lovely to be doing something, I was so lucky to be working during the last lockdown, albeit with really rigorous Covid protocols in place, we managed to get it done. Adam: Well fantastic, I will watch out for the next season! And all of your stuff on social media and everything. It's been a real pleasure talking to you Charity, thank you very much! Charity: Thanks. Well thanks to Charity for taking me on a tour of her local small, wooded area in South London, and do remember if you want to find a wood near you, well the Woodland Trust has a website to help. Just go to woodlandtrust.org.uk/findawood. Until next time happy wandering. Thank you for listening to the Woodland Trust Woodland Walks. Join us next month when Adam will be taking another walk in the company of Woodland Trust staff, partners, and volunteers and don't forget to subscribe to the series on iTunes, or wherever you're listening to us, and do give us a review and a rating. And why not send us a recording of your favourite woodland walk to be included in a future podcast? Keep it to a maximum of five minutes and please tell us what makes your woodland walks special. Or send an email with details of your favourite walk and what makes it special to you. Send any audio files to podcast@woodlandtrust.org.uk and we look forward to hearing from you.

David and Eric look back over the first series (episodes 1-10) of Professing Literature and David answers some listener questions. We got a great response from listeners and some great questions about episodes 1-10.David also gives a few clues as to what's coming in the next series of episodes (Eric presses him on when there will be more Macbeth!).As always, if you have any questions, comments, or otherwise, send us an email at ProfessingLiterature@protonmail.com.----------Theme Music: "Nobility" by Wicked CinemaOpening Passage Music: "An Afternoon at the Versailles" by Cercles Nouvelles

Bestselling fantasy authors Lindsey Pogue and Lindsey Sparks discuss Austenland by Shannon Hale and the 2013 movie adaptation of the same name.WARNING: This episode contains ALL the spoilers about Austenland.LINK TO AUSTENLAND MAKEOVER SCENEhttps://www.youtube.com/watch?v=szoivPXfpxMBOOK RECS!A Kingdom of Ruin by K.F. BreenePriest by (Sierra Simone)Song of Achilles by (Madeline Miller)The Hacienda by The Housemaid by (something McFadyen)MOVIE RECS!The Lost CityFAVORITE JANE AUSTEN ADAPTATIONSPride and Prejudice (2005)Pride and Prejudice (1995)AustenlandSanditonThe Jane Austen Book ClubLost in AustenEmma (1996)Emma (2009)CluelessPersuasionNorthanger Abby (2008)OTHER THINGS TO WATCH WITH A JANE AUSTEN FEELNorth and SouthJane Eyre (2007)Kate & LeopoldCURRENT FREEBIES (at the time of episode airing):The Darkest Winter by Lindsey PogueAfter The Ending by Lindsey Sparks & Lindsey Pogue--Join the No Shelf Control Podcast Facebook Group:www.facebook.com/groups/noshelfcontrolpodcastSupport us on Patreon:https://www.patreon.com/noshelfcontrolLindsey Pogue's website:https://www.lindseypogue.com/Lindsey Sparks' website:https://www.authorlindseysparks.com/Support the show

Pride and Prejudice by Jane Austen. Volume 2 Chapter 5. Commentary. Lizzy is starting to understand! imolcorner@gmail.com @InMyOwnLC --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/imolc/support

‘Te ha llegado una carta... Novelas epistolares'. Especial de Patricia del Río sobre esta forma de expresión escrita que revelaba los sentimientos más profundos de quien la escribía hacia otra persona, y que trascendieron en el tiempo. Cartas cuidadosamente redactadas, de belleza poética; cartas que ya no se escriben; cartas que inspiraron a muchos autores y autoras en la creación de sus novelas, y que hoy rescatamos en Letras en el tiempo. En el libro de la semana, conversamos con Susana Baca de ‘Yo vengo a ofrecer mi corazón. Memorias' (Pengüin, 2022). Un libro que recorre la vida y obra de la cantautora, investigadora y difusora de la música afroperuana en sus primeros 50 años de vida, contado en primera persona. El periodista Diego Pajares nos traslada al mundo del cine para invitarnos a ver las películas ‘Cartas desde Iwo Jima', de Clint Eastwood; ‘Cartas de una desconocida', de Max Ophüls; mientras que el crítico literario y gerente de ‘Escena libre', Julio Zavala recomienda tres lecturas sobre la temática epistolar: ‘Lady Susan', de Jane Austen; ‘Tenemos que hablar, Kevin', de Lionel Shriver; y ‘Cartas del fin del mundo', de José Manuel Fajardo. Las canciones que complementan el especial son: ‘Paperback Writter', de Mandy Jones; ‘Boots of spanish leather', de Nanci Griffith; ‘Famous blue raincoat', de Leonard Cohen; ‘Return to sender', de Elvis Presley; ‘Yo vengo a ofrecer mi corazón', con Susana Baca y las Voces de Latinoamérica; ‘PS I Love you', de Billie Holliday; ‘Love letters in the sand', de Pat Boone; ‘Carta de amor', de Juan Luis Guerra. Conducción: Patricia del Río ||| Producción: Amelia Villanueva ||| Edición de audio: Dallan Vásquez ||| Episodio 29 – Tercera temporada.

In this episode, we read Chapters 31 to 34 of Mansfield Park. We talk about Fanny's initial failure to realise she has received a true proposal, the amount of pressure placed on her to accept, the picture everyone has of little, modest Fanny, and the difference between Sir Thomas and Fanny's views of marriage. We discuss Henry Crawford, then Ellen talks about ordination, and Harriet looks at how adaptations and modernisations treat these chapters, particularly the scene between Fanny and Sir Thomas. Things we mention: General and character discussion:Barbara Pym, Excellent Women (1952)The Daily Knightley (2021) [podcast]Historical discussion:Irene Collins, Jane Austen and the Clergy (2002)The 1559 Book of Common PrayerGeorgina Battiscombe, John Keble: A Study in Limitations (1963)Popular culture discussion:Adaptations:BBC, Mansfield Park (1983) – starring Sylvestra Le Touzel and Nicholas Farrell (6 episodes)Miramax, Mansfield Park (1999) – starring Frances O'Connor and Jonny Lee MillerITV, Mansfield Park (2007) – starring Billie Piper and Blake RitsonModernisations:YouTube, Foot in the Door Theatre, From Mansfield With Love (2014-2015)Comment on previous episodeThe Thing About Austen [podcast]Creative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Christoph Willibald Gluck, Orfeo ed Euridice. File from IMSLP.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.

Weekend is taking a break. So this week, the team are picking out their favourite pieces from the last few months just in case you missed them. This week, reporter Kari Paul asks why so many people are going ‘goblin mode' (1m46s), Hadley Freeman shares some defining moments from the Wagatha Christie trial (9m51s), and Charlotte Higgins asks why Brits are still obsessed with the Regency period (43m40s)

Today Rachel and Bree are joined by Bree's podcast cohost Aaron Taylor to talk about the classic novel PERSUASION by Jane Austen To purchase Persuasion by Jane Austen please use our affiliate link https://amzn.to/3Qhmr1k For Rachel's review of the new Netflix Persuasion https://rachelsreviews.net/2022/07/09/review-persuasion-or-how-to-not-persuade-this-austenite/ For our episode ranking all 4 Persuasion films https://youtu.be/-YRIpoavJ-Q Check out Rachel Magee and her new book THE BEACH ESCAPE using our affiliate link https://amzn.to/3vm0eqM and go to https://www.rachelmageebooks.com/ Please listen to our sponsor Jen Johans and Watch with Jen at https://filmintuition.com/ and https://rss.com/podcasts/watchwithjen/ Follow Jen on twitter https://twitter.com/FilmIntuition Follow Aaron on twitter https://twitter.com/AaronsRRoom Check out Aaron's youtube channel https://www.youtube.com/channel/UCT2OtOBwEATHu_Ku1mWHCrw To follow Rachel on goodreads https://www.goodreads.com/user/show/260625-rachel-wagner To follow Bree on goodreads https://www.goodreads.com/user/show/26896300-bree-hill Our podcast art is done by Jessica Miller. Check out all of her work at https://twitter.com/jmillerartistry Check out the merch store https://www.teepublic.com/stores/hallmarkies?utm_campaign=Hallmarkies&utm_medium=8581&utm_source=affiliate Please support the podcast on patreon at https://www.patreon.com/hallmarkies Follow Bree on instagram at https://www.instagram.com/bree.unabashedly/ Check out The Categorically Romance Podcast https://podcasts.apple.com/us/podcast/the-categorically-romance-podcast/id1558382869 Follow us on ITunes https://itunes.apple.com/us/podcast/hallmarkies-podcast/id1296728288?mt=2 https://twitter.com/HallmarkiesPod on twitter @HallmarkiesPodcast on Instagram Check out our website HallmarkiesPodcast.com Follow Rachel's blog at http://rachelsreviews.net Follow Rachel on twitter twitter.com/rachel_reviews Follow Rachel's Reviews on youtube https://www.youtube.com/c/rachelsreviews Follow Rachel on facebook www.facebook.com/smilingldsgirlreviews Learn more about your ad choices. Visit megaphone.fm/adchoices

There is even more to talk about regarding the ball but this time featuring the Lucases.

This week's episode of Random Lines joins Bartholomew County Public Library employee Stefanie as she reads Jane Austen's Mansfield Park. She then talks of why she enjoys this book, and encourages you to give it a shot.

William Gallagher is a versatile writer. He has written Doctor Who radio dramas, novels, and hundreds of articles about technology, as well as books about writing. He also creates many YouTube videos about writing and technology. Show notes: William Gallagher (http://williamgallagher.com) 58keys (https://www.youtube.com/c/WilliamGallagher/videos), William Gallagher's YouTube channel Three-Biscuit Guide to Scrivener (https://www.youtube.com/watch?v=2d55-sbWMh4) (one-hour video looking at Scrivener's features) Jane Austen, Lady Susan (https://www.penguin.co.uk/books/292252/lady-susan/9780241582527) Learn more about Scrivener (https://www.literatureandlatte.com/scrivener/overview), and check out the ebook Take Control of Scrivener (https://www.literatureandlatte.com/store). If you like the podcast, please follow it in Apple Podcasts (https://podcasts.apple.com/us/podcast/write-now-with-scrivener/id1568550068) or your favorite podcast app. Leave a rating or review, and tell your friends. And check out past episodes of Write Now with Scrivener (https://podcast.scrivenerapp.com).

Why did Anne of Green Gables invite her minister over for cold tongue? What was up with Ma's Spider Pan in Little House on the Prairie? And why were the heroines obsessed with currants, blancmange and calf's foot jelly? A snappy sketch of everything the bookish stars have to teach us about how to nourish and flourish here and now.-----------------Shownotes:If your bookish/foodie heart goes thump at the thought of deconstructing the picnic in Emma, the semi-murderous ingredients in Anne of Green Gables' “liniment cake,” and the swoony sentences Maya Angelou used to describe barbeque sauce, do we have a podcast for you!In this episode, we unpeel the show that promises to feed both your inner book geek and epicure, with segments such as: Time Travel (historical dishing), Heroine Spotlight, Cook Like a Heroine (recipes), Heroine Takeaways, Bookseller's Daughter and Friend Recommend (book reviews), Heroine Challenges and Maud's Mailroom. Do drop us a line at hello@jennyewilliams.com and tell us what excites you about learning to eat like a heroine!  

Today on The Literary Life Podcast we bring you another fun episode in our “In Search of the Austen Adaptation” series. Hosts Angelina Stanford, Cindy Rollins and Thomas Banks are joined by resident film aficionado, Atlee Northmore to discuss film adaptations on Sense and Sensibility. The conversation opens by revisiting the question of what makes a good adaptation of a book when translating it for the screen. They talk about the challenges of showing modern audiences the characters and situations as Jane Austen meant them to be understood. Atlee gives a brief overview of the lesser known film adaptations, as well as a more in depth discussion of the 1995 and 2008 versions. You can access the PDF he created with links to watch here. You are not too late to join in this year's Back to School Online Conference! Go to MorningTimeforMoms.com to register and get in on the great talks, always live or later! Commonplace Quotes: Sound principles that are old may easily be laid on the shelf and forgotten, unless in each successive generation a few industrious people can be found who will take the trouble to draw them forth from the storehouse. Thomas Ruper, as quoted by Karen Glass His senile fury was not exhausted by endless repetition. Eric Linklater ‘Remember, no one is made up of one fault, everyone is much greater than all his faults,' and then she would add with a smile: ‘I find it much easier to put up with people's faults than with their virtues!' Charlotte Mason, as quoted by Essex Cholmondeley The great abstract nouns of the classical English moralists are unblushingly and uncompromisingly used: good sense, courage, contentment, fortitude, some duty neglected, some failing indulged, impropriety, indelicacy, generous candor, blameable distrust, just humiliation, vanity, folly, ignorance, reason. These are the concepts by which Jane Austen grasps the world. In her we still breathe the air of the Rambler and Idler. All is hard, clear, definable; by some modern standards, even naïvely so. The hardness is, of course, for oneself, not for one's neighbours. It reveals to Marianne her want ‘of kindness' and shows Emma that her behaviour has been ‘unfeeling'. Contrasted with the world of modern fiction, Jane Austen's is at once less soft and less cruel. C. S. Lewis Selection from With a Guitar, To Jane by Percy Shelley Ariel to Miranda:-- Take This slave of music, for the sake Of him who is the slave of thee; And teach it all the harmony In which thou canst, and only thou, Make the delighted spirit glow, Till joy denies itself again And, too intense, is turned to pain. For by permission and command Of thine own Prince Ferdinand, Poor Ariel sends this silent token Of more than ever can be spoken; Your guardian spirit, Ariel, who From life to life must still pursue Your happiness,-- for thus alone Can Ariel ever find his own. From Prospero's enchanted cell, As the mighty verses tell, To the throne of Naples he Lit you o'er the trackless sea, Flitting on, your prow before, Like a living meteor. When you die, the silent Moon In her interlunar swoon Is not sadder in her cell Than deserted Ariel. Book List: In Vital Harmony by Karen Glass The Story of Charlotte Mason by Essex Cholmondeley Robert the Bruce by Eric Linklater C. S. Lewis' Selected Literary Essays edited by Walter Hooper Support The Literary Life: Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support! Connect with Us: You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at https://www.facebook.com/ANGStanford/ Find Cindy at morningtimeformoms.com, on Instagram @cindyordoamoris and on Facebook at https://www.facebook.com/cindyrollins.net/. Check out Cindy's own Patreon page also! Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let's get the book talk going! http://bit.ly/literarylifeFB

O filme Persuasão (Netflix) é a quarta adaptação desse livro para a telona - ou nesse caso telinha da sua casa mesmo. Lançado em 2002, desde o trailer só se falava nisso pelos fãs do livro e uma das coisas que mais se destacavam era a quebra de quarta parede pela protagonista. Mas, será que funcionou? Esse filme tá mais para ame-o ou odeie-o e muitas pessoas já o consideram o pior filme de adaptação do ano (mas calma gente, tem muita coisa ainda pra competir). Há quem diga, inclusive, que o filme será um ótimo concorrente ao Framboesa do ano. Veremos. Enquanto isso, o filme Persuasão (Netflix) continua gerando amores e dissabores e é quase unanimidade que leitores odiaram o filme. Para entender o porquê, Amanda se reúne novamente com Thiago e Aline Bergamo para uma conversa sobre isso. Eles também fazem indicações de outras obras de Jane Austen que já foram adaptadas e discutem se ainda há necessidade de novas adaptações de clássico para o audiovisual. Se quiser saber as opiniões sobre o livro, volte uma casinha e ouça o episódio da semana passada. Bom episódio! Assista ao trailer do filme Persuasão (Netflix) https://youtu.be/x7HKCo1OrrE   Mais um beijo pra gente! Quer receber um beijo nosso no próximo quadro "Momento do beijo"? É só nos deixar um salve em qualquer rede social ou um comentário no post. Estamos loucas para te beijar! ;) Ficha técnica Apresentação: Amanda Barreiro, Thiago Augusto e Aline Bergamo. Pauta: Amanda Barreiro Produção: Domenica Mendes Assistente e Edição: Leonardo Tremeschin Agradecimentos Especiais Esse episódio foi produzido graças a Airechu, Aline Bergamo, Amauri Silva Lima Filho, Caio Amaro, Carolina Soares Mendes, Carolina Vidal, Cláudia Rodrigues, Clecius Alexandre Duran, Daiane Silva Souza, Dayse Cristhina, Fernanda Cortez, Igor Bajo, Lucas Roberto Arrais Domingos, Lu Bento, Luciano Terra das Neves Neto, Luiz Henrique Soares, Marina Barbosa Kondratovich, Marina Jardim, Melisa de Sá, Nilda, Priscilla Rubia, Ricardo Brunoro, Rodrigo Leite. Segue a gente, a gente é legal!  

Late summer in the cottage garden, poetry recommendations, my Jane Austen picnic, & new exciting shop updates!

This week, Maggie and Nicole do their very best to persuade you to (not) watch 2022's Persuasion, directed by Carrie Cracknell and staring Dakota Johnson. What went wrong with this Regency Era film by Netflix and based on the beloved novel by Jane Austen? Tune in and find out!  Introduction  Main Show - Persuasion (2022) About Persuasion (2022) Initial Reactions  The History of Persuasion and Its Adaptations  Bath and the Pump Room Unmarried Women in the Regency Era  Costumes Conclusion  Follow Us On Social Media: Twitter: @HGATMPodcast  Instagram: @HGATMPodcast  Facebook: Facebook.com/HGATMPodcast   The Hosts: @nicoleackman16 / @maggieofthetown  Etsy Shop: https://www.etsy.com/shop/PetticoatsandPoppies See More from Maggie Lovitt

No episódio da semana falamos com o editor, diretor criativo e consultor para o mercado editorial, Daniel Lameira. Ele é um dos fundadores da Antofágica – editora que traz os livros clássicos para os novos tempos – e está à frente da direção editorial da Aleph. Dani também já passou pela Intrínseca, Novo Século, LeYa, Fnac e Livraria da Vila e em 2015 foi o primeiro vencedor do Prêmio Jovens Talentos. Neste mesmo ano, Lameira criou o curso Vida do Livro, direcionado para quem quer entender o mercado editorial, e que desde então já formou mais de mil alunos. https://vidadolivro.com.br Nesse bate-papo, ele fala sobre a nova edição do curso, que volta renovado, passando por todas as etapas da produção de um livro. Discursa sobre o estado atual do mercado editorial, da sua visão sobre os erros, acertos, das chances perdidas e sobre suas crenças para o futuro do setor. Além disso, ele fala ainda sobre o trabalho que tem feito na Antofágica e conta como foi ser presidente da categoria Literatura, na primeira edição da CCXP Awards. Este é o episódio número 228 do Podcast do PublishNews do dia 1 de agosto de 2022, gravado no dia 28 de agosto. Eu sou Fabio Uehara e esse episódio conta a participação de Thales de Menezes, Karina Lourenço e Talita Fachinni e a edição de Fabio Uehara. E não se esqueça de assinar a nossa newsletter, nos seguir nas redes sociais: Instagram, YouTube, Facebook e Twitter. Todos os dias com novos conteúdos para vocês. E agora: Daniel Lameira Este podcast é um oferecimento da MVB Brasil, empresa que traz soluções em tecnologia para o mercado do livro. Além da Metabooks, reconhecida plataforma de metadados, a MVB oferece para o mercado brasileiro o único serviço de EDI exclusivo para o negócio do livro. Com a Pubnet, o seu processo de pedidos ganha mais eficiência. https://brasil.mvb-online.com/home Já ouviu falar em POD, impressão sob demanda? Nossos parceiros da UmLivro são referência dessa tecnologia no Brasil, que permite vender primeiro e imprimir depois; reduzindo custos com estoque, armazenamento e distribuição. Com o POD da UmLivro, você disponibiliza 100% do seu catálogo sem perder nenhuma venda. http://umlivro.com.br Lightyear Sonho manifesto - Sidarta Ribeiro - https://www.companhiadasletras.com.br/livro/9786559212132/sonho-manifesto As guerras do livro - John B Thompson - http://editoraunesp.com.br/catalogo/9786557110546,as-guerras-do-livro Turma da Mônica a série - https://globoplay.globo.com/turma-da-monica-a-serie/t/GMkPKKQ8yn/ Persuasão - Jane Austen https://www.companhiadasletras.com.br/livro/9788537808115/persuasao-edicao-comentada Série Netflix - https://www.netflix.com/title/81410649 Mangá-Documentário: Virgem Depois dos 30Atsuhiko Nakamura & Bargain Sakuraichi - https://pipocaenanquim.com.br/produto/manga-documentario-virgem-depois-dos-30/ Repensando o nosso mundo- Maja Göpel - Record - https://www.record.com.br/produto/repensando-o-nosso-mundo/ --- Send in a voice message: https://anchor.fm/podcast-do-publishnews/message

In today's episode I read a selection from Jane Austen's novel "Emma". Emma Woodhouse is attending a Christmas Eve party and she has big plans to play matchmaker for her friend Harriet Smith and the eligable bachelor Mr. Elton. But you know what they say about the best laid plans... I also share a story about one of my Christmases gone wrong! So settle in for another cozy story as we bring Christmas in July 2022 to a conclusion! Timestamps 00:00 Introduction and story intro 06:00 Emma Chapter 13 22:37 Emma Chapter 14 - selections  26:22 Emma Chapter 15  45:00 Thoughts on Emma and my Christmas eve at the hospital Ways to support the show: Rate and review: https://podcasts.apple.com/us/podcast/a-cozy-christmas-podcast/id1523423375  Buy me a coffee? www.ko-fi.com/cozychristmas  Ornaments, Mugs, and Notebooks: https://www.etsy.com/shop/CozyChristmasPodcast  Logo shirt designs: http://tee.pub/lic/edygC_h4D1c    Contact Me: facebook: https://www.facebook.com/cozychristmaspodcast  instagram: https://www.instagram.com/cozychristmaspodcast/  twitter: https://twitter.com/CozyXmasPod  youtube: https://www.youtube.com/channel/UCCikiozEbu0h9pKeI1Ei5TQ email: cozychristmaspodcast@gmail.com 

Pride and Prejudice by Jane Austen. Volume 2 Chapter 4. Commentary. Lizzy is STILL a hypocrite!!! imolcorner@gmail.com @InMyOwnLC --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/imolc/support

This week, Morgan and Gavia discuss "Persuasion" — no, not the recent Netflix adaptation, but ITV's 2007 version, starring Sally Hawkins as Anne Elliot and Rupert Penry-Jones as her estranged lover Wentworth. Topics include the film's relationship to Jane Austen's novel, its interpretation of Regency-era dress and hair, Sally Hawkins' tremendous performance, and more.

Were you delighted or outraged by the recent Netflix adaptation of Persuasion? Well then, this is the podcast for you to vent your views! Julia Golding and Kate Macfarlane take a look at the 18th century tradition of adaptations that Jane Austen herself would have known and in fact uses in her own writing. They then go on the discuss what was right (and wrong) about the 2022 Persuasion, comparing it to previous attempts in 2007 and 1995. Find out which one they think got it right. Do you agree? They then go on to discuss whether Sanditon is an adaptation, or indeed, anything to do with Jane Austen! Adaptations are at their most interesting when they have something new to say so they close by comparing Darcys. Stay tuned for Austen news.We love to hear from our listeners so if you have something you'd like to discuss, please get in touch at www.goldinggateway.com

Tonight, we shall read the next part of “Pride and Prejudice”, written by Jane Austen. If you'd like to listen to this series in order, please go to snoozecast.com/series. In the last episode, Darcy waits to find Elizabeth on a walk and gives her a letter of explanation. He answers Elizabeth's charges of misconduct toward both Jane and Wickham. He knew that Bingley was in love with Jane, but he detected no affection on her part and, given that, thought it unwise for Bingley to become attached to Elizabeth's family, with its improprieties and lack of wealth. In London, he joined with Caroline in convincing Bingley to give up the attachment. Darcy also confesses, with regret, to keeping Bingley from finding out that Jane was in London, too. We will pick up in the letter where Darcy starts addressing Mr. Wickham to Elizabeth. — read by V —

There's a new, popular, romantic, old-timey British movie on Netflix, so Kevin and Jon figured it was a good time to hop on the Bridgerton Bros feed for an in-between-seasons episode. We're doing the modernized (VERY modernized) Persuasion, a story by Jane Austen. Dakota Johnson stars and breaks the fourth wall, and Jon develops a crush on one of the worst sisters in history in this Cinderella-meets-Fleabag-meets-Bridgerton-meets-Instagram Influencer update on an old classic. We've missed you, Bridgerbuddies! Join us over on Patreon for bonus episodes and zoom hangs: Patreon.com/KevinandJon

‘Fanti' podcast hosts Tre'vell Anderson and Jarrett Hill join us to unpack the week. Then, Vulture's Carrie Wittmer walks us through a timeline of Jane Austen film adaptations. Plus, Gloria Liu tells us about her piece for Outside Magazine, “One Woman's Wholesome Mission to Get Naked Outside.”

PERSUASION (2022) Dakota Johnson might not be our favorite actress, but that doesn't mean we weren't looking forward to Netflix's Jane Austen adaptation, PERSUASION (2022). Branching off from the success the streaming platform has had with Bridgerton, another period piece turned modern, we thought that PERSUASION (2022) might be a hit! Did it miss the mark? Tune in to hear all of our thoughts! *THIS EPISODE CONTAINS SPOILERS* PERSUASION (2022) is available for streaming on Netflix! Let's be friends! Follow us at thecinemachicks on Instagram! --- Support this podcast: https://anchor.fm/cinema-chicks/support

Hernan Diaz is an author, essayist, and finalist for the Pulitzer Prize in fiction and the PEN/Faulkner Award. His newest novel, "Trust," has just this week been chosen as a finalist for the Booker Prize - one of the most prestigious of literary prizes. The head of the Booker judging panel said many of this year's finalists involve “the elusive nature of truth”. That certainly would pertain to “Trust”. The book is intricately plotted, marvelously written, and insightful about the world of finance and the singular relationship Americans have with money. Diaz also talks about his writing process, writing a character with an "obnoxious" point of view, and the thrills and perils of releasing a book out into a world. Our conversation took place just before the Booker nominees were announced, but reading 'Trust" and listening to Diaz will leave you with no doubt that this novel deserves the high honor according it by the Booker judging committee. Our independent book store this week is Market Street Books in Mashpee, Massachusetts, a favorite vacation destination. Books mentioned in the podcast this week: Trust by Hernan Diaz In The Distance by Hernan Diaz A Backward Glance by Edith Wharton Portrait of a Lady by Henry James I am a Bunny by Richard Scarry Horse by Geraldine Brooks Lincoln Highway by Amor Towles Cloud Cuckoo Land by Anthony Doerr Where the Crawdads Sing by Delia Owens The Old Man in the Sea by Ernest Hemingway Emma by Jane Austen

O livro Persuasão é o livro mais maduro e melancólico de Jane Austen e ganhou uma adaptação para um filme da Netflix lançado algumas semanas atrás. Antes de comentar sobre a adaptação é hora de falar sobre o livro. Lançado após a morte da autora, o livro Persuasão conta a história de Anne Elliot e Frederick Wentworth. Sete anos atrás, Anne dispensou Frederick pois ele não ocupava uma posição social à altura do que era considerado o ideal para ela, ele era pobre. Separados, eles seguem vidas separadas, mas o tempo passa e diante da promessa de um casamento para salvar as terras de sua família com uma pessoa pela qual não se atrai, Anne acaba esbarrando com Frederick, agora com uma nova vida e advinha: rico. A partir daí, a protagonista descobre que foi persuadida a não se casar com Frederick e passa a questionar vários aspectos de sua história, vida e família. Saiba mais sobre esse livro com Amanda Barreiro, Thiago Augusto e Aline Bergamo. Bom episódio! Assista ao trailer do filme Persuasão (Netflix) https://youtu.be/x7HKCo1OrrE   Mais um beijo pra gente! Quer receber um beijo nosso no próximo quadro "Momento do beijo"? É só nos deixar um salve em qualquer rede social ou um comentário no post. Estamos loucas para te beijar! ;) Ficha técnica Apresentação: Amanda Barreiro, Thiago Augusto e Aline Bergamo. Pauta: Amanda Barreiro Produção: Domenica Mendes Assistente e Edição: Leonardo Tremeschin Agradecimentos Especiais Esse episódio foi produzido graças a Airechu, Aline Bergamo, Amauri Silva Lima Filho, Caio Amaro, Carolina Soares Mendes, Carolina Vidal, Cláudia Rodrigues, Clecius Alexandre Duran, Daiane Silva Souza, Dayse Cristhina, Fernanda Cortez, Igor Bajo, Lucas Roberto Arrais Domingos, Lu Bento, Luciano Terra das Neves Neto, Luiz Henrique Soares, Marina Barbosa Kondratovich, Marina Jardim, Melisa de Sá, Nilda, Priscilla Rubia, Ricardo Brunoro, Rodrigo Leite. Segue a gente, a gente é legal!  

Nesse programa conversamos sobre Persuasão (Persuasion, 2022), filme adaptado do livro de mesmo nome de Jane Austen, dirigido por Carrie Cracknell e protagonizado por Dakota Johnson, que estreou na Netflix. Abordamos a nossa relação com a obra original da autora e suas versões cinematográficas, a atuação dos protagonistas e as expectativas comuns em relação a adaptações literárias. Também mencionamos o filme O Acontecimento (L'Événement, 2021), de Audrey Diwan, que estreou nos cinemas. O programa é apresentado por Isabel Wittmann e Rosana Íris. Feedback: contato@feitoporelas.com.br Mais informações: https://feitoporelas.com.br/feito-por-elas-170-persuasao Feedback: contato@feitoporelas.com.br Pesquisa, pauta e roteiro: Isabel Wittmann e Rosana Íris Produção: Isabel Wittmann Edição: Domenica Mendes Arte da capa: Isabel Wittmann Vinheta: Felipe Ayres Locução da vinheta: Deborah Garcia (deh.gbf@gmail.com) Música de encerramento: Bad Ideas - Silent Film Dark de Kevin MacLeod está licenciada sob uma licença Creative Commons Attribution (https://creativecommons.org/licenses/by/4.0/) Origem: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100489 Artista: http://incompetech.com/ Agradecimento: Carolina Ronconi, Leticia Santinon, Lorena Luz, Isadora Oliveira Prata, Tiago Maia e Pedro dal Bó Assine nosso financiamento coletivo: https://orelo.cc/feitoporelas/apoios Links patrocinados (Como associado da Amazon, recebemos por compras qualificadas): [LIVRO] Persuasão, de Jane Austen https://amzn.to/3PJzYio [LIVRO] Lady Susan, de Jane Austen https://amzn.to/3PT9kmI [LIVRO] Mansfifeld Park, de Jane Austen https://amzn.to/3OAz5XR [LIVRO] Emma, de Jane Austen https://amzn.to/3PYg2YI [LIVRO] Razão e Sensibilidade, de Jane Austen https://amzn.to/3zaoJbt [LIVRO] A Abadia de Northanger, de Jane Austen https://amzn.to/3cJisvH [LIVRO] Orgulho e Preconceito, de Jane Austen https://amzn.to/3cIHKKK [LIVRO] O Morro dos Ventos Uivantes, de Emily Brontë https://amzn.to/3viTZnE [LIVRO] Orlando, de Virginia Woolf https://amzn.to/3b6E9Wn [LIVRO] Pachinko, de Min Jin Lee https://amzn.to/3JacIY1 [LIVRO] O Diário de Bridget Jones, de Helen Fielding https://amzn.to/3Bi9gbY [LIVRO] Mulherzinhas, de Louisa May Alcott https://amzn.to/3BoDfz8 Mencionados: [FILME] Persuasão (Persuasion, 2022), dir. Carrie Cracknell [FILME] O Acontecimento (L'Événement, 2021), dir. Audrey Diwan [FILME] Orlando, a Mulher Imortal (Orlando, 1992), dir. Sally Potter [FILME] Adoráveis Mulheres (Little Women, 1994), dir. Gillian Armstrong [FILME] As Patricinhas de Beverly Hills (Clueless, 1995), dir. Amy Heckerling [FILME] Romeu + Julieta (Romeo + Juliet, 1996), dir. Baz Luhrmann [FILME] Palácio das Ilusões (Mansfield Park, 1999), dir. Patricia Rozema [FILME] 10 Coisas Que Eu Odeio em Você (10 Things I Hate About You, 1999), dir. Gil Junger [FILME] Alta Fidelidade (High Fidelity, 2000), dir. Stephen Frears [FILME] O Diário de Bridget Jones (Bridget Jones' Diary, 2001), dir. Sharon Maguire [FILME] Noiva e Preconceito (Bride & Prejudice, 2004), dir. Gurinder Chadha [FILME] Orgulho e Preconceito (Pride and Prejudice, 2005), dir. Joe Wright [FILME] O Clube de Leitura Jane Austen (The Jane Austen Book Club, 2007), dir. Robin Swicord [FILME] O Morro dos Ventos Uivantes (Wuthering Heights, 2011), dir. Andrea Arnold [FILME] O Grande Gatsby (The Great Gatsby, 2013), dir. Baz Luhrmann [FILME] Austenland (2013) dir. Jerusha Hessda [FILME] Um Mergulho no Passado (A Bigger Splash, 2015), dir. Luca Guadagnino [FILME] Lady Macbeth (2016), dir. William Oldroyd [FILME] Amor & Amizade (Love & Friendship, 2016), de Whilt Stillman [FILME] Adoráveis Mulheres (Little Women, 2019), dir. Greta Gerwig [FILME] Emma. (2020), dir. Autumn de Wilde [SERIADO] Orgulho e Preconceito (Pride and Prejudice, 1995), dir. Simon Langton [SERIADO] Bridgerton (2020- ),criado por Chris Van Dusen [SERIADO] Pachinko (2022-), dir. Justin Chon e Kogonada Completo no site

We return to the works of Jane Austen this episode with her novel Persuasion, published in 1817, and the Netflix film adaptation which was directed by Carrie Cracknell. The novel is a reflection on loneliness, grief, and the rekindled passion, while the film takes a more... modern approach to the story; full of fourth-wall breaking and awkward humor. How does this adaptation hold up to the classic? Why does Anne have a rabbit? Did Mr. Elliot kill his wife? Listen and find out!

This week, we start off with a chat about Kylie Jenner's 17-minute climate criminal flight. We see who else is complicit in emitting tonnes of Co2 into the atmosphere, and ask if we're using celebrities as scapegoats for our helplessness. Next, Emma Chamberlain and Addison Rae seem to have taken a different direction when it comes to new photoshoots styled by Australian artist Gadir Rajab. This causes us to ask if a high fashion editorial is the new brand makeover. Supermodel Emily Ratajkowshi is reportedly filing for divorce from her film producer husband Sebastian Bear-McClard. This TikTok video by @victoria.alario framed these celeb cheating scandals in a new light. We reference this Mammamia piece by Jessie Stephens. The Internet loves to put labels on aesthetics but what happens when it becomes problematic? Over social media, there's been a rise of “naarmcore”. We share three TikToks, one from user @punisher.mp3, one from Clothing The Gaps' Sianna Catullo, and another from Tariq Junaid Ismat AKA @literallykatebush. Tariq has spoken out as an Indigenous person on why “Naarmcore” isn't an aesthetic, especially a white one. Tariq also shared their thoughts with us in a little interview, so we thank them for their time. In this section we reference a piece in Fashion Journal titled The problem with ‘Naarmcore', TikTok's latest fashion aesthetic by writer Hazel Lee.You can listen to our previous interview with Sianna here and don't forget to go beyond Instagram and Pay the Rent. For recommendations, Jas has thoughts on Netflix's adaptation of Jane Austen's Persuasion and references this Cosmoplitan piece by Leah Marilla Thomas. Maggie is loving the novel, The Seven Husbands of Evelyn Hugo by Taylor Jenkins-Reid. Thanks for listening everyone. xo See acast.com/privacy for privacy and opt-out information.

Chapter 49 of Pride and Prejudice The Bennets finally receive word from Mr. Gardiner - Lydia and Mr. Wickham are to be married! What a relief. Yes, Mr. Gardiner probably paid Wickham off, and Mr. Bennet has no idea how to repay him, but they'll worry about that later. It's such great news that Mrs. Bennet is ready to leave her room, tell the world her joy, and of course order wedding clothes. In all of the excitement, Lizzy retreats to her room for a moment of quiet - the kind of quiet respite you will feel upon letting this week's episode help you fall into deep and restful sleep. ----- Welcome to the Jane Austen Bedtime Stories podcast! Each episode is a section of a classic Jane Austen novel, read in soothing tones and set to calming music to help you fall asleep. With everything that is going on in the world, we find comfort in the familiar. For so many of us, Jane Austen's works are like a warm hug. So snuggle up under the covers and let the comforting words of Jane Austen lull you into sleep. ----- Music ["Reverie"] by Scott Buckley – www.scottbuckley.com.au --- Support this podcast: https://anchor.fm/jabedtimepod/support

Tonight's sleep story is a special 2 hour episode of Persuasion by Jane Austen. This was her final completed novel published in 1817 after her death. If you like this episode, please remember to follow on Apple Podcasts or your favourite podcast app. I am excited to announce the launch of Just Sleep Premium. The premium podcast for listeners that want more sleepy content or just want to support the show. As a Just Sleep Premium member you will receive:Ad-free and Intro-free episodesThe entire audiobook of the Wizard of OzA collection of short fairy tales including Rapunzel and the Frog PrinceAn additional 2 episodes every monthThe chance to vote on the next story that you hearThe chance to win readings just for youThe entire back catalogue of the podcast, ad and intro-free (coming soon!)All for $4.99 per month or $49 for a year. Because it is my birthday month, the yearly subscription is only $39 until the end of July.Join Just Sleep Premium here: https://justsleeppodcast.com/supportThanks for your support!Sweet Dreams...Intro Music by the Psychedelic Squirrel See acast.com/privacy for privacy and opt-out information.

In which David and Sean make Heidi endure the slings and arrows of the new adaptation of her favorite Jane Austen novel—all for your entertainment. Along the way they discuss the way the filmmakers seem not to have read the book but also have a good eye for wardrobe (but again, even there, seem unfamiliar with when the book and ostensibly the movie itself, takes place). It’s a whole thing. Anyway, feel free to hit play on the movie at the same time we do, or to watch and then listen to our reactions later, or to just ignore the whole thing altogether and go on with your life happier in the knowledge that, well, you’re less broken inside than people who watched it. This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit closereads.substack.com/subscribe

We can't move for members of the Howard family on the Empire Podcast these days. Why, only the other week we had Bryce Dallas Howard, and now her dad, the great director Ron, is our special guest this episode, as he tells Chris Hewitt all about his latest movie, Thirteen Lives, the story of the near-impossible Thai cave diving rescue that captivated the world in 2018. Ron and Chris also talk about how proud Ron is of Bryce's new career as a director, and her Apollo 13 homage in an episode of The Mandalorian. Then, in the podbooth, Chris is joined by Ben Travis and the returning James Dyer and Helen O'Hara for a heat-addled episode filled with much talk of Predator, the greatest movies with one-word titles, shameless plugging for sundry live shows, discussion of the week's movie news (including the trailers for Michael Flatley's Blackbird and Rob Zombie's The Munsters), and reviews of Where The Crawdads Sing, Persuasion, Don't Make Me Go, and The Princess. Oh, and it's a truth universally acknowledged that Chris will incur the wrath of Jane Austen fans. Enjoy. Next stop: Clint Howard! TIMESTAMPS! (Timings are approx.) Intro/Listener Q: 0:00.00 - 25:01.00 Movie News: 25:02.00 - 58:15.00 Ron Howard: 58:16.00 - 01:14:02.00 Reviews: 01:14:03.00 - end

Best selling author and podcaster Haley Stewart (@HaleyCarrots) joins Marcia and Shannon to fan girl about the divine Jane Austen.We also learn all about Haley's new book Jane Austen's Genius Guide to Life: On Love, Friendship, and Becoming the Person God Created You to Be (Ave Maria Press, 2022). Almost as good as boiled potatoes.

In this declassified Patreon episode, you must allow Helen, Sasha, Lydia, and Maddy to tell you how ardently they admire and love the works of Jane Austen.We chat about the trials and tribulations of how we got into the books in the first place, our favourite characters and relationships, and the various merits of the many film and TV adaptations of Austen's work.Top quote: "They feel small, but that's fine, because it is also a delighting in the smallness of real life and existing, and the skill that it takes to navigate those things."TranscriptsPDF: https://bit.ly/3IVek8fWord: https://bit.ly/3B8mmZyContent warnings:mild innuendooccasional beepingDiscussion of: sexism, age gaps, pandemic and lockdownMentions: compulsory heterosexuality, slavery, warThank you to all our Patrons for your continued support. If you'd like to join them, visit www.patreon.com/rustyquill.Directed by Helen GouldFeaturing: Helen Gould, Sasha Sienna, Lydia Nicholas, and Maddy SearleEditing by Marisa Ewing and Jeffrey Nils-GardnerProduced by April Sumner & Lowri Ann DaviesExecutive Producer: Alexander J Newall & April SumnerMusic by Sam JonesArt by Anika KhanCheck out our merchandise available at https://www.redbubble.com/people/RustyQuill/shop and https://www.teepublic.com/stores/rusty-quillJoin our community:WEBSITE: rustyquill.comFACEBOOK: facebook.com/therustyquillTWITTER: @therustyquillYOUTUBE: youtube.com/rustyquillREDDIT: reddit.com/r/RustyQuillEMAIL: mail@rustyquill.comEnthusigasm is a podcast distributed by Rusty Quill Ltd. and licensed under a Creative Commons Attribution Non-Commercial Share alike 4.0 See acast.com/privacy for privacy and opt-out information.

The novel Persuasion is the story of a woman who gives up a great love, then finds him again. Written by Jane Austen, it's now the subject of a Netflix adaptation starring Dakota Johnson. The film tries to be of its own time and contemporary, with Austen characters talking about self-care and being "single and thriving."

Elizabeth and her best sister, Jane, reflect on that ball we just talked about. And it got Isabeau and Morgan thinking - is Bingley even that cool?

Join us as we pine after an old flame, pine a little towards a new flame, and do our best ‘Jim' looks to the camera, all while discussing the brand new Netflix attempt at an Austen adaptation, ‘Persuasion'. Persuasion is 2022 American drama film directed by Carrie Cracknell from a screenplay by Ron Bass and Alice Victoria Winslow, based on the novel of the same name by Jane Austen. It stars Dakota Johnson, Cosmo Jarvis, Nikki Amuka-Bird, Mia McKenna-Bruce, Richard E. Grant, and Henry Golding. We Watched A Thing is supported by Dendy Cinemas Canberra. The best Australian cinema chain showing everything from blockbusters to arthouse and indie films. Find them at https://www.dendy.com.au/ If you like this podcast, or hate it and us and want to tell us so - You can reach us at wewatchedathing@gmail.com Or, Twitter - @WeWatchedAThing Facebook - @WeWatchedAThing Instagram - @WeWatchedAThing and on iTunes and Youtube If you really like us and think we're worth at least a dollar, why not check out our patreon at http://patreon.com/wewatchedathing. Every little bit helps, and you can get access to bonus episodes, early releases, and even tell us what movies to watch.

PERSUASION MOVIE REVIEW For an author who only ever wrote six novels, Jane Austen's work has seen a LOT of adaptations. Some have been award winning films, like the 2005 Pride & Prejudice or 1995 Oscar winning Sense & Sensibility, while others have been modern reimaginings, like Clueless or Bridget Jones' Diary. Time and again,… Read More »Screener Squad: Persuasion

William Bibbiani and Witney Seibold review the new MCU event film THOR: LOVE AND THUNDER, the Netflix animated fantasy-adventure THE SEA BEAST, the animated comedy BEAVIS AND BUTTHEAD DO THE UNIVERSE, the feel-good fashion film MRS. HARRIS GOES TO PARIS, the Jane Austen adaptation PERSUASION, the volcanic documentary-romance FIRE OF LOVE, the latest Claire Denis film BOTH SIDES OF THE BLADE and the Costa Rican drama CLARA SOLA! Thor: Love and Thunder - 5:55  The Sea Beast - 44:57  Beavis and Butthead Do the Universe - 57:47  Mrs. Harris Goes to Paris - 1:13:00  Persuasion - 1:21:24  Fire of Love - 1:33:15  Both Sides of the Blade - 1:39:06  Clara Sola - 1:49:15  Review Round-Up - 1:54:47  Subscribe on Patreon at www.patreon.com/criticallyacclaimednetwork for exclusive content and exciting rewards, like bonus episodes, commentary tracks and much, much more! And visit our TeePublic page to buy shirts, mugs and other exciting merchandise!  Email us at letters@criticallyacclaimed.net, so we can read your correspondence and answer YOUR questions in future episodes! And if you want soap, be sure to check out M. Lopes da Silva's Etsy store: SaltCatSoap! Follow us on Twitter at @CriticAcclaim, join the official Fan Club on Facebook, follow Bibbs at @WilliamBibbiani and follow Witney at @WitneySeibold, and head on over to www.criticallyacclaimed.net for all their podcasts, reviews and more!       v.      Support the show: https://www.patreon.com//criticallyacclaimednetwork See omnystudio.com/listener for privacy information.

On Culture Friday, public opinion of abortion, intimidating a Supreme Court justice, and a viral Senate committee argument; Collin Garbarino reviews Netflix's take on the Jane Austen novel Persuasion; and singer-songwriter Rosie Thomas explains why she thinks parents need lullabies of their own. Plus: suprized by a self-portrait, and the Friday morning news.Support The World and Everything in It today at wng.org/donate.Additional support comes from Covenant College, a distinctly Christian, liberal arts college on beautiful Lookout Mountain, Georgia. Explore more at covenant.edu. From Ridge Haven, the camp and retreat center of the PCA in NC and Iowa. With extensive lodging, dining, and recreational offerings, Ridge Haven serves retreat groups of all sizes and ages, year-round. To book your next retreat visit ridgehaven.org And from Ambassadors Impact Network, a nationwide group of angel investors committed to funding entrepreneurs whose Christian convictions have hindered secular financing sources. More at ambassadorsimpact.com.

John and Craig revisit their analysis of the iconic 1995 comedy Clueless. A contemporary adaptation of Jane Austen's Emma set in Beverly Hills, Clueless follows protagonist Cher as she tries to do ‘good' through make-over montages and match-making attempts. We discuss how the movie sets up the characters in the first ten minutes, why Cher's voiceover works so well, and how Clueless ushered in a new era of teen movies. In our bonus segment for premium members, John and Craig share their own experiences learning to drive and how they're preparing to teach their teenage daughters driving. Links: Clueless Clueless Script 8D sound example Creme Mains hand creme O'Keefe's Working Hands cream Sign up for Scriptnotes Premium here. John August on Twitter Craig Mazin on Twitter John on Instagram Outro by Ryan Dunn (send us yours!) Scriptnotes is produced by Megana Rao and edited by Matthew Chilelli. Email us at ask@johnaugust.com You can download the episode here. UPDATE 4-11-20 The transcript can be found here.