Podcast appearances and mentions of Jane Austen

Theatre kids, rise up! Today we meet John Yates and the young people decide to put on a play. Edmund is NOT a fan of this idea. Julia finally gets her answers about Henry's feelings.Topics discussed include the pettiness of theatre kids, Edmund and Tom's power struggles, Jane Austen's involvement with theatre, Edmund's overall wussiness, the plot of Lovers' Vows, and Julia's comeback.The young people of Mansfield Park are making theatre, and so is our very own audio producer, Graham! Come see him in a brand-new work called The Marble in My Mouth on January 9th and 10th at 7:00 and 8:30 PM! Performances are at Stella Adler Center for the Arts in New York City. Get your tickets HERE! Patron Study Questions this week come from Judith, Diana L., Kaitlyn, and Avi.Topics discussed include the modern equivalence of Lovers' Vows, theatre kids flirting with each other, the characters' feelings about the play, and Fanny's reaction to the play at the end of the chapters.Becca's Study Questions: Topics discussed include how theatre is moving the story along and the scandal of Maria's participation in the play.Funniest Quote(s): “As he said this, each looked towards their mother. Lady Bertram, sunk back in one corner of the sofa, the picture of health, wealth, ease, and tranquility, was just falling into a gentle doze, while Fanny was getting through the few difficulties of her work for her.”“If I must give my opinion, I have always thought it the most insipid play in the English language - I do not wish to make objections, I shall be happy to be of any use, but I think we could not choose worse.”Questions moving forward: Who's watching this play? Will Julia participate? Will Fanny try to stop the play? Will Fanny try to stop it?Who wins the chapters? Julia!!!Glossary of Terms and Phrases: baize (n): a coarse, typically green woolen material resembling felt, used especially for covering pool, snooker, and billiard tables.by the ears: to cause to dispute or quarrelGlossary of People, Places, and Things: Austenland, Only Murders in the Building, Spring Awakening, Spring Awakening, Hair, Rent, Prince Faggot, The Vagina Monologues, ZanessaNext Episode: Mansfield Park Chapters 15-16Our show art was created by Torrence Browne, and our audio is produced by Graham Cook. For bios and transcripts, check out our website at podandprejudice.com. Pod and Prejudice is transcribed by speechdocs.com. To support the show, check out our Patreon! Check out our merch at https://podandprejudice.dashery.com.Instagram: @podandprejudiceTwitter: @podandprejudiceFacebook: Pod and PrejudiceYoutube: Pod and PrejudiceMerch store: https://podandprejudice.dashery.com/

 “A sonnet,” said the poet Dante Gabriel Rossetti, “is a moment's monument.” But who invented the sonnet? Who brought it to prominence? How has it changed over the years? And why does this form continue to be so compelling? In this episode of the History of Literature, we take a brief look at one of literature's most enduring forms, from its invention in a Sicilian court to the wordless sonnet and other innovative uses. Note: A version of this episode first ran in August 2018. It has been missing from our archives for many years. Join Jacke on a trip through literary England! Join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠John Shors Travel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ in May 2026! Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Learn more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. December update: Act soon - there are only two spots left! The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠gabrielruizbernal.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Help support the show at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/literature ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com/donate ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Nick Cohen and Dr Bharat Tandon, academic, novelist & Booker Prize judge, discuss Jane Austen's astonishing legacy before delving into a detailed analysis of her enduring popularity and literary significance. They explored themes of claustrophobia in Austen's works, particularly how her novels depict the constraints of patriarchal structures and economic relations for women, while also examining the misinterpretation of her writing by modern figures like Milo Yiannopoulos. The discussion concluded with an analysis of Austen's subtle political commentary in "Mansfield Park" and her innovative narrative style, emphasising the importance of returning to the original texts for a deeper understanding of her work.Bharat and Nick discuss the theme of claustrophobia in the works of early 19th-century women writers, particularly focusing on Jane Austen. They explore how Austen's novels, such as "Sense and Sensibility" and "Pride and Prejudice," depict the inescapable constraints of patriarchal structures and economic relations for women. Bharat highlighted the significance of the number 27 in Austen's fiction, representing the age at which women might lose economic security and be forced into undesirable marriages.Nick compares Austen's portrayal of a claustrophobic society to modern experiences of social media, where individuals are constantly under scrutiny. They also discussed Austen's innovative narrative style, which allows readers to connect with marginalised female characters while highlighting their societal constraints.Slavery in Austen's 'Mansfield ParkBharat and Nick discuss the portrayal of slavery in Jane Austen's "Mansfield Park," analyzing whether the novel is complicit with the social injustices of its time. Bharat argues that while the novel acknowledges the economic and ethical presence of slavery, it does not easily draw the conclusion that Austen is complicit with it. Instead, he suggests that the novel highlights the socio-economic guilt of the early 19th century without offering a solution, reflecting the characters' anxious avoidance of discussing slavery.Read all about it! Dr Bharat Tandon is a writer and lecturer at the University of East Anglia's School of Literature, Drama and Creative Writing.A graduate in English literature from Trinity College, Cambridge, Bharat then taught at Cambridge from 1995 to 2006, and at Oxford from 2006-11, before joining the UEA in 2012. His research and teaching interests take in British literature from 1700 to the present day, and American literature from 1900. His doctoral research was on Jane Austen, and he has worked in detail on other nineteenth-century novelists such as Charles Dickens, George Eliot, and Thomas Hardy, as well as on British Modernist writers such as Henry Green. In addition to his academic research and teaching, he been active since 1994 as a commentator on contemporary British and American fiction and culture, writing regularly for publications such as The Times Literary Supplement and The Daily Telegraph.Nick Cohen's @NickCohen4 latest Substack column Writing from London on politics and culture from the UK and beyond. Hosted on Acast. See acast.com/privacy for more information.

THE ARTISTIC AND ROMANTIC BOND BETWEEN BERTHE MORISOT AND ÉDOUARD MANETColleague Sebastian Smee. Berthe Morisot and her sister Edma were talented painters from a haute bourgeois family who successfully exhibited at the Salon, though society expected them to eventually prioritize marriage over art. In 1869, the unmarried Berthe met Édouard Manet at the Louvre, leading to a complex relationship that resembled a Jane Austen novel. Manet, struck by Berthe's dark, Spanish features, asked her to pose for his painting The Balcony. Although Manet was married to Suzanne—a Dutch pianist he had wed under complicated circumstances involving a hidden son—he and Berthe engaged in a mutual flirtation. Their families became close, attending weekly soirées together, but Manet's marriage remained an impediment to any romantic union with Berthe. Despite the social restrictions requiring chaperones, Manet's influence drove Berthe's artistic development, just as her presence influenced his work. NUMBER 2 1872

It was at Chawton House, a cottage in rural Hampshire, that Jane Austen experienced one of the most fruitful episodes of her writing career. In this third instalment of our four-part series charting the novelist's life and work, Dr Lizzie Rogers tells Lauren Good about this creative flourishing, and explores the popular works that Austen published during the period. ––––– GO BEYOND THE PODCAST Want to go further into the world of Jane Austen and her literary creations? HistoryExtra's Lauren Good rounds up some essential reading, listening and viewing from the HistoryExtra and BBC History Magazine archive to deepen your understanding of Austen's life, her work and the Regency era in which she wrote: https://bit.ly/49F9oUk Learn more about your ad choices. Visit podcastchoices.com/adchoices

Sense and Sensibility by Jane Austen chapter 24, narrated by Isaac BirchallSubscribe on YT or Join the Book Club on Patreon and support me as an independent creator :D⁠https://ko-fi.com/theessentialreads⁠⁠https://www.youtube.com/channel/UCfOFfvo05ElM96CmfsGsu3g/join⁠Summary:Elanor finally gets the opportunity to speak to Lucy again about Edward. Lucy is more than happy to talk about it and says that she felt like she had upset Elanor with her information. Lucy claims that as she is used to a small income, she could do without any money that Edward's mother could give him, but she knows that Edward could not. They need to wait until his mother passes away, and Lucy says that she could only wait for Edward, no other man. Lucy says that she has come up with a plan to have Elanor help her get married to Edward. She says that if Elanor were to ask her brother to let Edward go to the church in Norland, then everything would be sorted. Lucy laments that it would perhaps be better to call the whole thing off and asks Elanor's opinion of it. Elanor refuses to answer. Their conversation ends with an invitation to go to London which Elanor refuses as well.SEO stuff I don't want to do. Jane Austin's timeless classic Sense and Sensibility follows the story of two girls, Elinor and Marianne Dashwood, and their endeavors in love, marriage, and societal expectations. Love is not easy however, and Elinor finds her sense tested by her charming brother-in-law, while Marianne's sensibility brings her nothing but heartbreak.

On Woman's Hour Christmas Day programme, Nuala McGovern and Anita Rani discussed the rituals and traditions that we do at Christmas. Some passed down across the generations and some adapted through in-laws or friends. With a recent YouGov poll saying that 89% of Brits celebrate Christmas and most of the preparation and work that goes into this festive season is done by women, what role do women play in the making and maintaining of these rituals? Nuala and Anita find out about the importance of nostalgia and why we love to do the same thing year after year. Dr Audrey Tang, author and a chartered psychologist with the British Psychological Society, explains the importance of the rituals we do and why we do them.Woman's Hour celebrates the 250th anniversary of Jane Austen's birth. Her novels have been translated into almost every major language and there are societies of Austen lovers and scholars in every corner of the globe, from Australia to Argentina and Iran to Italy. To tell us why Austen still captivates readers in their parts of the world, Nuala McGovern was joined by Laaleen Sukhera, founder of the Jane Austen Society of Pakistan and the founding member of the Austen Society of Japan, and researcher at the University of Southampton, Dr. Hatsuyo Shimazaki.We've just had the shortest day of the year, and the most amount of darkness. But how do women live their lives in the dark today? You might have to work at night, or find it the best time to be productive. Or you might harness darkness as a time to think and meditate. Anita Rani speaks to two people who have considered the pros and cons of darkness in very different ways. Lucy Edwards is a Blind Broadcaster, Journalist, Author, Content Creator and Disability Activist. Arifa Akbar is theatre critic for the Guardian whose investigations into the dark formed her book, Wolf Moon.Presenter: Anita Rani Producer: Annette Wells

So many books are published each year; few stand the test of time. Today we devote our whole show to asking which works have shaped the way we behave and how we think. Picks include “Frankenstein” by Mary Shelley, “Pride and Prejudice” by Jane Austen, “A Suitable Boy” by Vikram Seth and “Lord of the Rings” by JRR Tolkien.Full list of books mentioned in the show:The BibleThe Koran“Pride and Prejudice” by Jane Austen “The Hunger Games” by Suzanne Collins“On the Origin of Species” by Charles Darwin“Il Saggiatore” by Galileo Galilei“Two New Sciences” by Galileo Galilei“Capital in the Twenty-First Century” by Thomas Piketty“Amusing Ourselves to Death” by Neil PostmanThe novels of Philip PullmanThe Harry Potter series by J.K. Rowling“The Satanic Verses” by Salman Rushdie“Frankenstein” by Mary Shelley“A Suitable Boy” by Vikram Seth “Lord of the Rings” by J.R.R. Tolkien “A Room of One's Own” by Virginia Woolf Hosted on Acast. See acast.com/privacy for more information.

So many books are published each year; few stand the test of time. Today we devote our whole show to asking which works have shaped the way we behave and how we think. Picks include “Frankenstein” by Mary Shelley, “Pride and Prejudice” by Jane Austen, “A Suitable Boy” by Vikram Seth and “Lord of the Rings” by JRR Tolkien.Full list of books mentioned in the show:The BibleThe Koran“Pride and Prejudice” by Jane Austen “The Hunger Games” by Suzanne Collins“On the Origin of Species” by Charles Darwin“Il Saggiatore” by Galileo Galilei“Two New Sciences” by Galileo Galilei“Capital in the Twenty-First Century” by Thomas Piketty“Amusing Ourselves to Death” by Neil PostmanThe novels of Philip PullmanThe Harry Potter series by J.K. Rowling“The Satanic Verses” by Salman Rushdie“Frankenstein” by Mary Shelley“A Suitable Boy” by Vikram Seth “Lord of the Rings” by J.R.R. Tolkien “A Room of One's Own” by Virginia Woolf Hosted on Acast. See acast.com/privacy for more information.

Marianne and Elinor Dashwood are left near penniless after the death of their father. When they move to Devonshire, a new world of romantic possibility beckons. Starring Tamsin Greig, Madeleine Mantock and Rose Basista.Sense and Sensibility is a tale of two sisters with wildly different hearts: one ruled by reason, the other by passion. But when love, loss, and scandal strike, Elinor and Marianne will learn that heartbreak is best faced together.Radio 4 celebrates 250 years of Jane Austen with fresh, funny, and female-focused adaptations of Pride and Prejudice and Sense and Sensibility. Expect heartbreak, hilarity, and the enduring power of sisterhood. Both dramas are narrated by Tamsin Greig as Austen herself.CASTJane Austen ..... Tamsin Greig Elinor ..... Madeleine Mantock Marianne ..... Rose Basista John Willoughby ..... Ben Hardy Edward Ferrars ..... Enyi Okoronkwo Colonel Brandon ..... Richard Goulding Mrs Dashwood ..... Jasmine Hyde Margaret Dashwood ….. Ava Talbot Mrs Jennings ..... Carolyn Pickles Sir John ..... Clive Hayward Lucy Steele ..... Bethan Rose Young John Dashwood ..... Django Bevan Fanny Dashwood ..... Sasha McCabeProduction co-ordinator ..... Kate Gray Casting Manager ..... Alex Curran Sound ..... Andy Garratt, Neva Missirian and Sam Dickinson Dramatist ..... Claudine Toutoungi Director ..... Anne IsgerA BBC Studios ProductionClaudine Toutoungi is a poet and playwright. Claudine's latest poetry collection is Emotional Support Horse (2024). Her other poetry collections are Smoothie (2017) and Two Tongues (2020), which won the Ledbury Prize for Second Collection. Her poetry has been translated into Spanish and her live poetry contributions to festivals include Tongue Fu, Poetry East and appearances on BBC Radio 4. Her plays for theatre include Bit Part and Slipping and her many audio dramas for BBC Radio 4 include Deliverers, The Inheritors and The Voice in my Ear.

Donald Macleod visits the home of Jane Austen with historian Amanda Vickery to discover some of the seasonal customs and Christmas music of late-Georgian Britain.Music featured: Thomas Clark: While Shepherds Watched William Matthews: How beauteous are their feet Anon: The Holly and the Ivy Viotti: Violin Concerto No 13 in A Major Handel: Messiah Cimarosa: L'Olimpiade: Sinfonia Thomas Wilson: Wellington's Triumph Thomas Straight: Trip to Vauxhall, Sailor Laddie Weber (orch Berlioz): Aufforderung zum Tanz Trad (arr. Townsend): Arise and Hail the Joyful Day Trad.: Awake, and join the cheerful choir Attrib. Wade (arr. Vincent Novello): O come, all ye faithful Arr. Thomas Butts: Hark! how all the welkin rings Attwood: O God, Who by the Leading of a Star Mendelssohn: The Evening Bell Jarman: There were shepherds abiding John Wainwright: Christians, awake, salute the happy morn Pleyel: Symphony No.12 in E flat Kalmar Wesley: Rondo on God Rest You Merry Gentlemen Trad: The First Nowell Anon: Remember The Poor John Hill: The people that walked in darkness Richard Charke: Harlequin Restor'd John Frederick Lampe: The Dragon of Wantley, Overture Presented by Donald Macleod Produced by Chris Taylor for BBC Audio Wales & West For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for A Georgian Christmas: https://www.bbc.co.uk/programmes/m0026800 And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Now that Elizabeth and Mr. Darcy are engaged, only one hurdle remains: telling her family. Jane is the first to learn the news, and she is incredulous - a wretched start, indeed. But eventually Jane comes around, and it's up to Darcy and Elizabeth to tell Mr. and Mrs. Bennet. Neither of them can believe it, either, but with Lizzy's reassurances, they each come to accept it in their own way. After months of back and forth, our story is finally approaching its conclusion, and as it does, let this week's Friday Favorites help you conclude your own day and week with a comforting story that takes you into a night of rest and relaxation. -----Welcome to the Jane Austen Bedtime Stories podcast! Each episode is a section of a classic Jane Austen novel, read in soothing tones and set to calming music to help you fall asleep.With everything that is going on in the world, we find comfort in the familiar. For so many of us, Jane Austen's works are like a warm hug. So snuggle up under the covers and let the comforting words of Jane Austen lull you into sleep.-----Show your appreciation for the pod! Support the podcast: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://bedtimestoriespodcast.net/support⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -----Follow us on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/janeaustenbedtimepod/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-----Music ["Reverie"] by Scott Buckley - released under CC-BY 4.0. – www.scottbuckley.com.au

In this much-delayed episode (recorded months ago, but stuck in editing limbo), we look at Chapter 21, and the original version of Chapter 22, which Jane Austen rewrote before publication to become the Chapters 22 and 23 we now have. This cancelled chapter is available in many modern editions of the book. We talk about Mrs Smith's infodump about Mr Elliot, her change in tone, her patronising attitude towards Nurse Rooke, how in the cancelled chapter Anne was more of an observer (compared to the much better final version where she has regained her voice), and the fact that the cancelled chapter is unpolished, and even if Jane Austen had retained that, it would still have been improved before publication.The character we discuss is Mr Elliot. In the historical section, Michael talks about the engagements, and for popular culture Harriet reflects on the various film adaptations of Persuasion, considering some of the characters, as well as how each adaptation deals with three key scenes (presenting the backstory, Louisa's fall, and the scene at the White Hart Inn).Things we mention:General discussion:Janet Todd and Antje Blank [Editors], The Cambridge Edition of the Works of Jane Austen: Persuasion (2006)Paul Wray, ‘Persuasion: Why the Revised Ending Works So Well', Persuasions Online (2017), Volume 38, No. 1, Winter 2017.Historical discussion:Rory Muir, Love and Marriage in the Age of Jane Austen (2024)Popular culture discussion:Podcast Into the AustenverseBBC, Persuasion (1971) – starring Ann Firbank and Bryan Marshall. Watch on YouTube: Part 1 and Part 2TVE, Novela: Persuasión (1972) – starring Maite Blasco and Juan DiegoWatch on YouTubeBBC Film, Persuasion (1995) – starring Amanda Root and Ciarán HindsWatch on YouTubeClerkenwell Films, Persuasion (2007) – starring Sally Hawkins and Rupert Penry-JonesWatch on YouTubeNetflix, Persuasion (2022) – starring Dakota Johnson and Cosmo JarvisLouisa's fall from the Cobb (this YouTube video shows the same scene from the 1971, 1995, 2007 and 2022 adaptations of Persuasion) For a list of music used, see this episode on our website.  

Große Klassiker und junge Literatur: der 250. Geburtstag von Jane Austen, mit "Vernunft und Gefühl". Und Victor Schefés Romandebüt über Jugend in der DDR - und eine Liebe über Mauern hinweg. Der Podcast "Buchgefühl" ist hier zurück am 9. Januar.

Though Jane Austen went largely unrecognized in her own lifetime—four of her six novels were published anonymously, and the other two only after her death—her name is now synonymous with the period romance. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz choose their personal favorites from her œuvre—“Emma,” “Persuasion,” and “Mansfield Park”—and attempt to get to the heart of her appeal. Then they look at how Austen herself has been characterized by readers and critics. We know relatively little about Austen as a person, but that hasn't stopped us from trying to understand her psyche. It's a difficult task in part because of the double-edged quality to her writing: Austen, although renowned for her love stories, is also a keen satirist of the Regency society in which these relationships play out. “I think irony is so key, but also sincerity,” Schwartz says. “These books are about total realism and total fantasy meeting in a way that is endlessly alluring.”This episode originally aired on June 12, 2025. Read, watch, and listen with the critics:“Pride and Prejudice,” by Jane Austen“Persuasion,” by Jane Austen“Emma,” by Jane Austen“Mansfield Park,” by Jane Austen“Sense and Sensibility,” by Jane Austen“Northanger Abbey,” by Jane Austen“Virginia Woolf on Jane Austen” (The New Republic)Emily Nussbaum on “Breaking Bad” and the “Bad Fan” (The New Yorker)“How to Misread Jane Austen,” by Louis Menand (The New Yorker)“Miss Austen” (2025—)“Pride and Prejudice” (2005)Scenes Through Time's “Mr. Darcy Yearning for 10 Minutes” SupercutNew episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts.Critics at Large is a weekly discussion from The New Yorker which explores the latest trends in books, television, film, and more. Join us every Thursday as we make unexpected connections between classic texts and pop culture. Learn about your ad choices: dovetail.prx.org/ad-choices

Stephen Mitchell has translated or adapted some of the world's most beautiful and spiritually rich texts, including The Gospel According to Jesus, The Book of Job, Gilgamesh, Tao Te Ching, Bhagavad Gita, The Iliad, The Odyssey, Beowulf, The Selected Poetry of Rainer Maria Rilke, Rilke's Letters to a Young Poet, and The Way of Forgiveness. In his latest book, The First Christmas: A Story of New Beginnings, he brings the Nativity story to life as never before. In this special episode, Jacke talks to Stephen about his translations, his search for spiritual truths, and his work imagining the story of the first Christmas from multiple points of view. PLUS Jacke continues his way up the charts of the Greatest Books of All Time with a look at #4 on the list, The Catcher in the Rye by J.D. Salinger. Note: A version of this episode first ran in December 2021. Join Jacke on a trip through literary England! Join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠John Shors Travel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ in May 2026! Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Learn more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. December update: Act soon - there are only two spots left! The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠gabrielruizbernal.com⁠⁠⁠⁠⁠⁠⁠⁠⁠. Help support the show at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/literature ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com/donate ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠⁠⁠⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

The “Slender Man” attacker's court hearing. Known for stabbing a childhood friend 19 times. Fleeing a court-mandated group home. What happened in court? Plus, original romcom writer Jane Austen's 250th birthday. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Heidi and Ellen welcome Capricorn- the sign of structure and discipline. Capricorn is a sign to be relied upon. Capricorn shows up, does what it says it's going to do, and stands up for the work done. It supports and holds the subtler realm because it knows how important the realm of intuition and feeling actually is. Capricorn season is one of right timing, purpose, and determination. Welcome to the season of getting it done.   They talk about Jane Austen's 250th birthday; and the birthdays of Diane Keaton and Pete Buttigieg. Heidi read the poem On Closing the Apartment of my Grandparents of Blessed Memory by Robyn Sarah. Chart Your Career Instagram: @chartyourcareerpodcast To connect with the hosts, visit: Ellen Fondiler, Career & Business Strategist: ellenfondiler.com, IG: @elfondiler Heidi Rose Robbins, Astrologer & Poet: heidirose.com, IG: @heidiroserobbins    

Sense and Sensibility by Jane Austen chapter 23, narrated by Isaac BirchallSubscribe on YT or Join the Book Club on Patreon and support me as an independent creator :D⁠https://ko-fi.com/theessentialreads⁠⁠https://www.youtube.com/channel/UCfOFfvo05ElM96CmfsGsu3g/join⁠Summary:Elanor thinks over every interaction that she had with Edward during his visit. She questions whether he had duped her, but no, she feels certain that Edward's affection towards her is real, and that his engagement to Lucy is not one of the heart. She feels too that Edward could never truly be happy with a marriage to Lucy, and that his engagement to her will have lessened his feelings for her. She weeps for him but feels as though she can hide her new knowledge from her mother and her sister. Elanor feels that she could get no encouragement from her family if she was to share this information and feels as though she would just make them all feel worse. Elanor determines that she must again speak with Lucy. She needs to know all of her feelings towards Edward and must learn more about her engagement. She feels that Lucy must be a jealous person and must also try to show interest in her relationship to Edward as a friend.These opportunities seem few and in between as the weather has been too bad for a walk, and as they met in a group, it would be unproper for the two of them to meet only by themselves. One day, Sir John came to beg the Dashwood girls to lunch with his wife, as he needed to go to the club. Elanor and Margaret readily accepted, and Marianne was forced by her mother to go. After lunch, they set up some card tables, and soon, Lucy is soon asked by Lady Middleton to continue working on a basket that she had been making for her daughter and Elanor under the guise of lending a hand to Lucy finally finds a chance to be alone and converse with her rival.SEO stuff I don't want to do. Jane Austin's timeless classic Sense and Sensibility follows the story of two girls, Elinor and Marianne Dashwood, and their endeavors in love, marriage, and societal expectations. Love is not easy however, and Elinor finds her sense tested by her charming brother-in-law, while Marianne's sensibility brings her nothing but heartbreak.

En este episodio especial de “Desde el Librero”, el podcast de Librerías Gandhi, celebramos los 250 años de Jane Austen, una de las autoras más influyentes de la literatura universal y una figura clave en la consolidación de la novela moderna.Desde la librería, Jorge Hernández conduce una conversación que explora la vida, la obra y la vigencia de Jane Austen. A lo largo del episodio, Magali T. Ortega (Nena Monstruo) y Gina Jaramillo dialogan sobre sus novelas, sus heroínas y el ingenio con el que Austen transformó la vida cotidiana en literatura. El programa también se detiene en la construcción del mito de la autora y en su visión moderna de la escritura, con la participación de Anita Mejía.El episodio dedica un espacio especial a “Jane Austen: la fashion icon de la Regencia”, presentado por Adriana Romero-Nieto, donde se analiza cómo la moda, la vestimenta y el estilo en la obra de Austen funcionan como un lenguaje social y cultural que revela clase, carácter e identidad, y por qué su mirada sigue influyendo en la cultura visual contemporánea.Más adelante, Gabriela Montero y Cintia García Soria presentan el trabajo de la Sociedad Jane Austen México, una iniciativa dedicada a promover la lectura, el estudio, las traducciones y la creación de comunidad en torno a la obra y la vida de Jane Austen.El recorrido se complementa con recomendaciones de lectura a cargo de Francisco Goñi, anécdotas y conexiones literarias compartidas por Rodrigo Morlesin, y una guía para acercarse a Jane Austen por primera vez o regresar a sus libros desde una nueva perspectiva.Encuentra “Orgullo y prejuicio”, “Sensatez y sentimientos” y otros libros de Jane Austen en librerías Gandhi y gandhi.com.mx.“Desde el librero”, el único talk show literario, donde las letras y las ideas son protagonistas.

S7 E11: Christmas Tea with Jane AustinUnwrapping the GiftsThere is something timeless about sharing tea at Christmas. It is a ritual of warmth and conversation. This year, I invite you to join me for A Christmas Tea with Jane Austen, a special Tea, Toast & Trivia episode that celebrates the enduring gifts Jane left to us: wit, companionship, and resilience.My own journey with Jane began in Bath, where her world comes alive in the graceful curves of the Crescent and the lively spirit of the Assembly Rooms. It found its quiet conclusion in Winchester Cathedral, where she rests beneath a simple stone that belies her extraordinary legacy. Between those two places, Bath's laughter and Winchester's peace, I began to understand how deeply Jane's voice continues to echo across time.In this Christmas reflection, I explore how Jane's humour sparkles like gold, how her characters offer companionship like frankincense, and how her courage shines through life's trials like myrrh. Together, these three gifts remind us that love, friendship, and laughter remain, as ever, the true riches of our lives.So brew a pot of tea, find a quiet corner, and join me for a Christmas tea with Jane Austen, a woman whose words continue to illuminate the human heart.From my family to yours — may your Christmas be bright, and your New Year gentle!RebeccaMusic by Epidemic SoundChristmas On My Mind (Instrumental Version) by About Ivy https://www.epidemicsound.com/mu...Angels We Have Heard on High (Instrumental Version) by Jordin Sparks https://www.epidemicsound.com/mu...Silent Night (Instrumental Version) by Jordin Sparks https://www.epidemicsound.com/mu...AcknowledgmentWith heartfelt thanks to the many wonderful participants of the Jane Austen Festival 2023 in Bath, England (https://janeausten.co.uk/pages/f...) , whose enthusiasm and creativity bring the Regency world to life each September. The photographs shared here were taken during my visit and are presented in celebration of Jane Austen's enduring legacy. This series is offered purely in appreciation of literature, history, and the community that continues to honour her spirit.

Merry Christmas! In between looking at houses to rent and packing up the Granger house in Oklahoma City, Nick and John put together this yuletide conversation about perhaps the most neglected of Rowling's influences, Dodie Smith's I Capture the Castle. John was a reluctant reader, but, while listening to the audio book, reading the Gutenberg.com file on his computer, and digging the codex out of his packed boxes of books, the author of Harry Potter's Bookshelf was totally won over to Nick's enthusiasm for Castle.In fact, John now argues that, even if Rowling didn't read it until she was writing Goblet of Fire as some have claimed, I Capture the Castle may be the best single book to understand what it is that Rowling-Galbraith attempts to do in her fiction. Just as Dodie Smith has her characters explain overtly and the story itself delivers covertly, When Rowling writes a story, like Smith it is inevitably one that is a marriage of Bronte and Austen, wonderfully accessible and engaging, but with important touches in the ‘Enigmatist' style of Joyce and Nabokov, full of puzzles and twists in the fashion of God's creative work (from the Estecean logos within every man [John 1:9] continuous with the Logos) rather than a portrait of creation per se. Can you say ‘non liturgical Sacred Art'?And if you accept, per Nick's cogent argument, that Rowling read Castle many times as a young wannabe writer? Then this book becomes a touchstone of both Lake and Shed readings of Rowling's work — and Smith one of the the most important influences on The Presence.Merry Christmas, again, to all our faithful readers and listeners! Thank you for your prayers and notes of support and encouragement to John and for making 2025 a benchmark year at Hogwarts Professor. And just you wait for the exciting surprises we have in hand for 2026!Hogwarts Professor is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.The Twelve Questions and ‘Links Down Below' Referred to in Nick and John's I Capture the Castle Conversation:Question 1. So, Nick, we spoke during our Aurora Leigh recording about your long term project to read all the books that Rowling has admitted to have read (link down below!), first question why? and secondly how is that going?Rowling's Admitted Literary InfluencesWhat I want is a single internet page reference, frankly, of ‘Rowling's Admitted Literary Influences' or ‘Confessed Favorites' or just ‘Books I have Read and Liked' for my thesis writing so I needn't do an information dump that will add fifty-plus citations to my Works Cited pages and do nothing for the argument I'm making.Here, then, is my best attempt at a collection, one in alphabetical order by last name of author cited, with a link to at least one source or interview in which Rowling is quoted as liking that writer. It is not meant as anything like a comprehensive gathering of Rowling's comments about any author; the Austen entry alone would be longer than the whole list should be if I went that route. Each author gets one, maybe two notes just to justify their entry on the list.‘A Rowling Reading of Aurora Leigh' Nick Jeffery Talking about ‘A Rowling Reading of Aurora Leigh' Question 2. ... which has led me to three works that she has read from the point of view of writers starting out, and growing in their craft. Which leads us to this series of three chats covering Aurora Leigh by Elizabeth Barrett Browning, I Capture the Castle by Dodie Smith and the Little Women series by Louisa May Alcott. I read Castle during the summer. Amid all the disruptions at Granger Towers, have you managed to read it yet? How did you find it?Capturing Dodie Smith's I Capture the Castle: Elizabeth Baird-Hardy (October 2011)Certain elements of the story will certainly resonate with those of us who have been to Hogwarts a fair few times: a castle with an odd combination of ancient and modern elements, but no electricity; eccentric family members who are all loved despite their individual oddities (including Topaz's resemblance to Fleur Delacour); travel by train; a character named Rose who may have been one of the reasons Rowling chose the name for Ron and Hermione's daughter; descriptions of food that make even somewhat questionable British cuisine sound tasty; and inanimate objects that have their own personalities (the old dress frame, which Rose and Cassandra call Miss Blossom, is voiced by Cassandra and sounds much like the talking mirror in Harry's room at the Leaky Caldron).But far more than some similar pieces, I Capture the Castle lends something less tangible to Rowling's writing. The novel has a tone that, like the Hogwarts adventures, seamlessly winds together the comic and the crushing in a way that is reflective of life, particularly life as we see it when we are younger. Cassandra's voice is, indeed, engaging, and readers will no doubt see how the narrative voice of Harry's story has some of the same features.A J. K. Rowling Reading of I Capture the Castle: Nick Jeffery (December 2025)Parallels abound for Potter fans. The Mortmain's eccentric household mirrors the Weasleys' chaotic warmth: loved despite quirks, from Topaz's nude communing with nature (evoking a less veiled Fleur Delacour) to Mortmain's intellectual withdrawal. Food descriptions—meagre yet tantalising—prefigure Hogwarts feasts, turning humble meals into sensory delights. Inanimate objects gain voice: the family dress-frame “Miss Blossom” offers advice, akin to the chatty mirrors or portraits in Rowling's world. Even names resonate—Rose Mortmain perhaps inspiring Ron and Hermione's daughter—and train journeys punctuate the plot.The Blocked Writer: James Mortmain, a father who spent his fame early and now reads detective novels in an irritable stupor, mirrors the “faded glory” or “lost genius” archetypes seen in Rowling's secondary characters, such as Xenophilius Lovegood and Jasper Chiswell.The Bohemian Stepmother: Topaz, who strides through the countryside in only wellington boots, shares the whimsical, slightly unhinged energy of a character like Luna Lovegood or Fleur Delacour.Material Yearning: The desperate desire of Cassandra's sister, Rose, to marry into wealth reflects the very real, non-magical pressures of class and poverty that Rowling weaves into Harry Potter, Casual Vacancy, Strike and The Ickabog.Leda Strike parallels: Leda Fox-Cotton the bohemian London photographer, adopts Stephen, the working-class orphan, and saves him from both unrequited love and the responsibility that comes with the Mortmain family.Question 3. [story of finishing the book last night by candle light in my electricity free castle] So, in short Nick, I thought it astonishing! I didn't read your piece until I'd finished reading Capture, of course, but I see there is some dispute about when Rowling first read it and its consequent influence on her as a writer. Can you bring us up to speed on the subject and where you land on this controversy?* She First Read It on her Prisoner of Azkaban Tour of United States?tom saysOctober 21, 2011 at 4:00 amIf I recall correctly, Rowling did not encounter this book until 1999 (between PoA & Goblet) when, on a book tour, a fan gave her a copy. This is pertinent to any speculation about how ‘Castle' might have influenced the Potter series.* Rowling Website: “Books I Read and Re-Read as a Child”Question 4. Which, when you consider the other books on that virtual bookshelf -- works by Colette, Austen, Shakespeare, Goudge, Nesbit, and Sewell's Black Beauty, something of a ‘Rowling's Favorite Books and Authors as a Young Reader' collection, I think we have to assume she is saying, “I read this book as a child or adolescent and loved it.” Taking that as our jumping off place, John, and having read my piece, do you wish you had read it before writing Harry Potter's Bookshelf?Harry Potter's Bookshelf: The Great Books behind the Hogwarts Adventures John Granger 2009Literary Allusion in Harry Potter Beatrice Groves 2017Question 5. So, yes, I certainly do think it belongs -- with Aurora Leigh and Little Women -- on the ‘Rowling Reader Essential Reading List.' The part I thought most interesting in your piece was, of course, the Shed elements I missed. Rowling famously said that she loved Jo Marsh in Little Women because, in addition to the shared name and the character being a wannabe writer, she was plain, a characteristic with which the young, plain Jane Rowling easily identified. What correspondences do you think Little Jo would have found between her life and Cassandra Mortmain's?* Nick Jeffery's Kanreki discussion of Rowling's House on Edge of Estate with Two Children, Bad Dad ‘Golden Thread' (Lethal White)Question 6. Have I missed any, John?* Rockefeller Chapel, University of ChicagoQuestion 7. Forgive me for thinking, Nick, that Cassandra's time in church taking in the silence there with all her senses may be the biggest take-away for the young Rowling; if the Church of England left their chapel doors open in the 70s as churches I grew up in did in the US, it's hard to imagine Jo the Reader not running next door to see what she felt there after reading that passage. (Chapter 13, conversation with vicar, pp 234-238). The correspondence with Beatrice Groves' favorite scene in the Strike novels was fairly plain, no? What other scenes and characters do you see in Rowling's work that echo those in Castle?* Chapter 13, I Capture the Castle: Cassandra's Conversation with the Vicar and time in the Chapel vis a vis Strike in the Chapel after Charlotte's Death* Beatrice Groves on Running Grave's Chapel Scene: ‘Strike's Church Going'Question 8. I'm guessing, John, you found some I have overlooked?Question 9. The Mortmain, Colly, and Cotton cryptonyms as well as Topaz and Cassandra, the embedded text complete with intratextuual references (Simon on psycho-analysis), the angelic servant-orphan living under the stairs (or Dobby's lair!) an orphan with a secret power he cannot see in himself, the great Transformation spell the children cast on their father, an experiment in psychomachia a la the Shrieking Shack or Chamber of Secrets, the hand-kiss we see at story's end from Smith, love delayed but expressed (Silkworm finish?), the haunting sense of the supernatural everywhere especially in the invocation that Rose makes to the gargoyle and Cassandra's Midsummer Night's Eve ritual with Simon, the parallels abound. Ghosts!* Please note that John gave “cotton” a different idiomatic meaning than it has; the correct meaning is at least as interesting given the Cotton family's remarkable fondness for all of the Mortmains!* Kanreki ‘Embedded Text' Golden Thread discussion 1: Crimes of Grindelwald* Kanreki ‘Embedded Text' Golden Thread discussion 2: Golden Thread Survey, Part II* Rose makes an elevated Faustian prayer to a Gargoyle Devil: Chapter IV, pp 43-46* Cassandra and Simon celebrate Midsummer Night's Eve: Chapter XII, pp 199-224Let's talk about the intersection of Lake and Shed, though, the shared space of Rowling's bibliography, works that shaped her core beliefs and act as springs in her Lake of inspiration and which give her many, even most of the tools of intentional artistry she deploys in the Shed. What did you make of the Bronte-Austen challenge that Rose makes explicitly in the story to her sister, the writer and avid reader?“How I wish I lived in a Jane Austen novel.” [said Rose]I said I'd rather be in a Charlotte Bronte.“Which would be nicest—Jane with a touch of Charlotte, or Charlotte with a touch of Jane?”This is the kind of discussion I like very much but I wanted to get on with my journal, so I just said: “Fifty percent each way would be perfect,” and started to write determinedly.Question 10. So, I'm deferring to both Elizabeth Barrett Browning and J. K Rowling. Elizabeth Barrett Browning valued intense emotion, social commentary, and a grand scope in literature, which led her to favour the passionate depth of the Brontës over the more restrained, ironical style of Jane Austen. Rowling about her two dogs: “Emma? She's a bundle of love and joy. Her sister, Bronte, is a bundle of opinions, stubbornness and hard boundaries.”Set in the 30s, written in the early 40s, but it seems astonishingly modern. Because her father is a writer, a literary novelist of the modern school, do you think there are other more contemporary novelists Dodie Smith was engaging than Austen and Bronte?Question 11. Mortmain is definitely Joyce, then, though Proust gets the call-out, and perhaps the most important possible take-away Rowling the attentive young reader would have made would have been Smith's embedded admiration for Joyce the “Enigmatist” she puts in Simon's mouth at story's end (Chapter XVI, pp 336-337) and her implicit criticism of literary novels and correction of that failing. Rowling's re-invention of the Schoolboy novel with its hidden alchemical, chiastic, soul-in-crisis-allegories and embedded Christian symbolism can all be seen as her brilliant interpretation of Simon's explanation of art to Cassandra and her dedication to writing a book like I Capture the Castle.* Reference to James Joyce by Simon Cotton, Chapter IX, p 139:* The Simon and Cassandra conversation about her father's novels, call it ‘The Writer as Enigmatist imitating God in His Work:' Chapter XVI, pp 331-334* On Imagination as Transpersonal Faculty and Non-Liturgical Sacred ArtSacred art differs from modern and postmodern conceptions of art most specifically, though, in what it is representing. Sacred art is not representing the natural world as the senses perceive it or abstractions of what the individual and subjective mind “sees,” but is an imitation of the Divine art of creation. The artist “therefore imitates nature not in its external forms but in its manner of operation as asserted so categorically by St. Thomas Aquinas [who] insists that the artist must not imitate nature but must be accomplished in ‘imitating nature in her manner of operation'” (Nasr 2007, 206, cf. “Art is the imitation of Nature in her manner of operation: Art is the principle of manufacture” (Summa Theologia Q. 117, a. I). Schuon described naturalist art which imitates God's creation in nature by faithful depiction of it, consequently, as “clearly luciferian.” “Man must imitate the creative act, not the thing created,” Aquinas' “manner of operation” rather than God's operation manifested in created things in order to produce ‘creations'which are not would-be duplications of those of God, but rather a reflection of them according to a real analogy, revealing the transcendental aspect of things; and this revelation is the only sufficient reason of art, apart from any practical uses such and such objects may serve. There is here a metaphysical inversion of relation [the inverse analogy connecting the principial and manifested orders in consequence of which the highest realities are manifested in their remotest reflections[1]]: for God, His creature is a reflection or an ‘exteriorized' aspect of Himself; for the artist, on the contrary, the work is a reflection of an inner reality of which he himself is only an outward aspect; God creates His own image, while man, so to speak, fashions his own essence, at least symbolically. On the principial plane, the inner manifests the outer, but on the manifested plane, the outer fashions the inner (Schuon 1953, 81, 96).The traditional artist, then, in imitation of God's “exteriorizing” His interior Logos in the manifested space-time plane, that is, nature, instead of depicting imitations of nature in his craft, submits to creating within the revealed forms of his craft, which forms qua intellections correspond to his inner essence or logos.[2] The work produced in imitation of God's “manner of operation” then resembles the symbolic or iconographic quality of everything existent in being a transparency whose allegorical and anagogical content within its traditional forms is relatively easy to access and a consequent support and edifying shock-reminder to man on his spiritual journey. The spiritual function of art is that “it exteriorizes truths and beauties in view of our interiorization… or simply, so that the human soul might, through given phenomena, make contact with the heavenly archetypes, and thereby with its own archetype” (Schuon 1995a, 45-46).Rowling in her novels, crafted with tools all taken from the chest of a traditional Sacred Artist, is writing non-liturgical Sacred Art. Films and all the story experiences derived of adaptations of imaginative literature to screened images, are by necessity Profane Art, which is to say per the meaning of “profane,” outside the temple or not edifying spiritually. Film making is the depiction of how human beings encounter the time-space world through the senses, not an imitation of how God creates and a depiction of the spiritual aspect of the world, a liminal point of entry to its spiritual dimension. Whence my describing it as a “neo-iconoclasm.”I want to close this off with our sharing our favorite scene or conversation in Castle with the hope that our Serious Reader audience will read Capture and share their favorites. You go first, Nick.* Cassandra and Rose Mortmain, country hicks in the Big City of London: Chapter VI, pp 76-77Question 12. And yours, John?* Cassandra Mortmain ‘Moat Swimming' with Neil Cotton, Chapter X, 170-174* Cassandra seeing her dead mother (think Harry before the Mirror of Erised at Christmas time?): Chapter XV, pp 306-308Hogwarts Professor is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit hogwartsprofessor.substack.com/subscribe

Narrator and actor Christine Lakin joins AudioFile's Michele Cobb to discuss one of this year's Best Romance Audiobooks, SAY YOU'LL REMEMBER ME by Abby Jimenez, read by Christine Lakin and Matt Lanter. Christine goes behind the scenes with Michele to reveal how she established the tone of certain characters and the unique challenges of being a romance narrator when they're often recording alone in a booth. Together they dive into new trends in current romance audiobooks and discuss how natural it felt for Christine to perform Abby Jimenez's words. Read AudioFile's review of the audiobook Published by Hachette Audio. AudioFile's 2025 Best Romance Audiobooks are: GREAT BIG BEAUTIFUL LIFE by Emily Henry, read by Julia Whelan MISDIRECTED by Lucy Parker, read by Nicola Coughlan, Gwilym Lee PIONEER SUMMER by  Elena Malisova and Kateryna Sylvanova, [Translated from Russian by Anne O. Fisher] Read by Edoardo Ballerini  PRIDE AND PREJUDICE by Jane Austen, [Adapt.] Lulu Raczka, read by Marisa Abela, Harris Dickinson, Glenn Close, Marianne Jean-Baptiste, Bill Nighy, Sophie Wilde, Will Poulter, Jessie Buckley, Toheeb Jimoh, Patricia Allison, Bertie Carvel, Leah Harvey, David Gyasi, Rosalind Eleazar SAY YOU'LL REMEMBER ME by Abby Jimenez, read by Christine Lakin, Matt Lanter THE WOLF KING by Lauren Palphreyman, read by Zara Hampton-Brown and Shane East Explore the full list of 2025 Best Audiobooks on our website Support for our podcast comes from Dreamscape, an award-winning audiobook publisher with a catalog that includes authors L.J. Shen, Freida McFadden, and Katee Robert. Discover your next great listen at dreamscapepublishing.com.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Comedian, actor and improviser Rachel Parris discusses why people can be so wrong about Jane Austen, the knotty complexities of female friendship and her love for crime fiction.  Rachel is officially a member of the British comedy elite – she has appeared on Live at the Apollo, Have I Got News For You, and Mock the Week, and was BAFTA-nominated for her satirical sketches on BBC's The Mash Report, which have garnered over 100 million views online. She's a regular on BBC Radio 4 where she can be heard on Just A Minute, I'm Sorry I Haven't A Clue and, formerly, The Now Show. Rachel hosts the comedy podcast How Was It For You?, with her husband, Marcus Brigstocke; and another podcast for the Children's Book Project called The Power of a Book, where guests share the children's stories that mean the most to them. On the stage, she is a co-founder of Austentatious – a Jane Austen themed improv comedy show in the West End.  Her debut novel, Introducing Mrs Collins, is a tale of love, loss, and second chances, for anyone who's wondered if there's more to the sensible character we met in Pride and Prejudice. Rachel's book choices are:  **Demon Copperhead by Barbara Kingsolver **Pride and Prejudice by Jane Austen **The Names by Florence Knapp **My Brilliant Friend by Elena Ferrante **The Lost by Claire McGowan Vick Hope, multi-award winning TV and BBC Radio 1 presenter, author and journalist, is the host of season eight of the Women's Prize's Bookshelfie Podcast. Every week, Vick will be joined by another inspirational woman to discuss the work of incredible female authors. The Women's Prize for Fiction is the biggest celebration of women's creativity in the world and has been running for over 30 years.  Don't want to miss the rest of season eight? Listen and subscribe now! You can buy all books mentioned from our dedicated shelf on Bookshop.org – every purchase supports the work of the Women's Prize Trust and independent bookshops.  This podcast is sponsored by Baileys and produced by Bird Lime Media.

Spirit's Anointing…For God's Glory? In this episode of Centering, hosts Yulee Lee and Daniel Lee explore the unlikely convergence of the biblical story of Samson, fermentation of kimchi, and iconic Jane Austen characters. The topic, Spirit's Anointing…For God's glory? highlights the dangers of conflating giftedness with divine favor, the importance of character over charisma, and the critical need for communal discernment and accountability structures, emphasizing that the anointing of the Spirit is made apparent through the evidence of the fruits of the Spirit. They draw on theological insights, personal anecdotes, and historical examples to emphasize the potential pitfalls of toxic ministry. The episode underscores the necessity for spiritual leaders to embody Christ-like humility and to engage in practices that promote healthy, sustainable, and God-centered leadership. 00:00 Introduction to Toxic Ministry 01:16 Recap of Previous Episode 01:54 The Dangers of Public Figures and Parasocial Relationships 04:36 The Misuse of Spiritual Anointing 07:44 The Importance of Communal Discernment 08:56 Character vs. Charisma in Leadership 14:37 The Role of Wisdom and Maturity 16:07 Distinguishing True Movements of God 18:06 White Christian Nationalism and NAR 20:34 The Importance of Accountability in Leadership 24:36 Avoiding Desperation in Ministry 26:37 The Dangers of Familiarity with Holy Things 29:53 Final Thoughts and Reflections The Violent Take It by Force by Matthew D. Taylor https://www.broadleafbooks.com/store/product/9781506497785/The-Violent-Take-It-by-Force About the New Apostolic Reformation https://www.npr.org/2011/10/03/140946482/apostolic-leader-weighs-religions-role-in-politics If you appreciate the work we do at the Asian American Center at Fuller Seminary, please consider supporting us! Your monetary support sustains our vital work and expands Asian American research, leadership development, and pastoral formation for the Church in the year ahead. Donate here: fuller.edu/giveaac

Join me (Anna Stone) and guest host Clare Yeo as we discuss Jane Austen's Emma and the 1996 film adaptation starring Gwyneth Paltrow. In this episode, we will share what it is about this story that sticks with us, cringe over which character we compare ourselves to, and elaborate on why the side characters really make the movie.Follow on Instagram @stonestoptens and @classicallyclareFollow Clare on TikTok @classicallyclareEmail stonestoptens@gmail.comKeywordsEmma, Jane Austen, film adaptation, friendship, character growth, classic literature, Gwyneth Paltrow, Claire, movie review, themes, Emma, Jane Austen, Miss Bates, Knightley, film adaptation, character analysis, performance, soundtrack, period drama, casting

It's that time of year when Leah, Melissa, and Kate put on their influencer hats and recommend the things that made their days a little brighter in 2025. This year, they're joined by two special guests: rockstar Strict Scrutiny intern Jordan Thomas to share some of his picks, and former Chair of the Federal Election Commission Ellen Weintraub to discuss two of democracy's favorite things—independent agencies and the regulation of money in politics. Favorite things: WANTLeah: Cozy Earth Bubble Cuddle Blanket, Jones Road Just Enough Tinted MoisturizerKate: Aventura electric scooter, Grüns Superfood Greens GummiesMelissa: True Botanicals, e.l.f. Camo Liquid BlushJordan: Tea Tree Leave-In Conditioner, Pink Oil Moisturizer,  NEEDLeah: Peloton stretching classes, Farmhounds dog treats; Badlands Ranch dog foodKate: custom bobbleheads & action figures, Lilly Allen's tour, Strict Scrutiny's upcoming West Coast tourMelissa: Caddis readers, Blackwing Matte pencils, As Ever RoséJordan: 2026 Evanescence and Korn tours, these headphones WEARLeah: Forme Power Bra, Argent, TheRealRealKate: Strict Scrutiny onesies, Cozy Earth Studio Wide Leg PantMelissa: Quince yak wool sweaters, Uniqlo White T-Shirt, Clearly Collective Collegiate Scarves, WaySoft Cashmere BeanieJordan: Crooked Con Merch, Mavi jeans READLeah: The Wedding People, Alison Espach; Julie Anne Long's Pennyroyal Green series; Lisa Kleypas' Wallflowers series; These Summer Storms, Sarah MacLean; Bury Our Bones in the Midnight Soil, V. E. Schwab; The God of the Woods, Liz Moore; Book of the MonthKate: The Power Broker, Robert Caro; Who Is Government? Michael Lewis; Character Limit: How Elon Musk Destroyed Twitter, Kate Conger & Ryan Mac; The Radical Fund, John Fabian Witt; Isola, Allegra Goodman; Heart the Lover, Lily King; Martyr! Kaveh Akbar; The History of Sound, Ben ShattuckMelissa: Matriarch, Tina Knowles; Black in Blues: How a Color Tells the Story of My People, Imani Perry; Jane Austen's Bookshelf, Rebecca Romney; Atmosphere, Taylor Jenkins Reid; The Book Club for Troublesome Women, Marie Bostwick; The Loneliness of Sonia and Sunny, Kiran DesaiJordan: Lawless, Leah Litman; The Sirens' Call, Chris Hayes; Bad Law, Elie Mystal; Charles Sumner: Conscience of a Nation, Zaakir Tameez; Just Shine! How to Be a Better You, Sonia SotomayorEllen: Deanna Raybourn's Veronica Speedwell Mysteries; Everyone in My Family Has Killed Someone, Benjamin Stevenson; The Black Wolf, Louise Penny; Shakespeare: The Man Who Pays the Rent, Judi Dench; This Is Happiness, Niall Williams; Elizabeth Strout; Amor Towles Get tickets for STRICT SCRUTINY LIVE – The Bad Decisions Tour 2025! 3/6/26 – San Francisco3/7/26 – Los AngelesLearn more: http://crooked.com/eventsOrder your copy of Leah's book, Lawless: How the Supreme Court Runs on Conservative Grievance, Fringe Theories, and Bad VibesFollow us on Instagram, Threads, and Bluesky Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Did you know that Elizabethan Londoners were good kissers? That medieval drinkers used beer to fight off the flames of a raging inferno? And that Jane Austen doesn't paint an entirely accurate picture of the early 19th century? These are just some of the facts served up in Ian Mortimer's new book, Mortimer's A to Zs of English History. Here, in conversation with Spencer Mizen, Ian takes us on an immersive tour of the nation in four periods: the 14th century, the Elizabethan age, the Restoration and the Regency. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this holiday-themed episode, a sentimental Jacke takes a look at Charles Dickens, A Christmas Carol (1843), and the creation of Ebeneezer Scrooge. A version of this episode first aired in December 2020. That episode has not been available in our archives for several years. Join Jacke on a trip through literary England! Join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠⁠⁠⁠⁠⁠⁠⁠⁠John Shors Travel⁠⁠⁠⁠⁠⁠⁠⁠⁠ in May 2026! Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Learn more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com⁠⁠⁠⁠⁠⁠⁠⁠⁠. December update: Act soon - there are only two spots left! The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠gabrielruizbernal.com⁠⁠⁠⁠⁠⁠⁠⁠. Help support the show at ⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/literature ⁠⁠⁠⁠⁠⁠⁠⁠⁠or ⁠⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com/donate ⁠⁠⁠⁠⁠⁠⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠⁠⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Willoughby and Marianne continue to get closer, making her even more delighted with Devonshire. Unfortunately, Elinor's experience has been far less delightful than her sister's. She finds all of her company dreadfully insipid, except for Colonel Brandon, who is proving to be a friend. If only Marianne could see his redeeming qualities as well! Alas, for now it is only a wish. As the Dashwood sisters continue to settle into their new reality, let their them continue to be your companions as you settle into a night of soft and restful sleep. -----Welcome to the Jane Austen Bedtime Stories podcast! Each episode is a section of a classic Jane Austen novel, read in soothing tones and set to calming music to help you fall asleep.With everything that is going on in the world, we find comfort in the familiar. For so many of us, Jane Austen's works are like a warm hug. So snuggle up under the covers and let the comforting words of Jane Austen lull you into sleep.-----Show your appreciation for the pod! Support the podcast: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://bedtimestoriespodcast.net/support⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -----Follow us on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/janeaustenbedtimepod/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-----Music ["Reverie"] by Scott Buckley - released under CC-BY 4.0. – www.scottbuckley.com.au

Megan Zinn w/Elinor Lipman on “Ladies in Waiting: Jane Austen's Unsung Characters.” by WHMP Radio

We might assume that Jane Austen led a quiet existence, writing dramatic plots instead of experiencing them herself – but that presumption is far from the truth. In this second episode of our four-part series on Austen's life and writing, Dr Lizzie Rogers and Lauren Good chart the author's tumultuous twenties, an eventful period of her life during which she faced everything from a fleeting romance to sudden loss. ––––– GO BEYOND THE PODCAST Want to go further into the world of Jane Austen and her literary creations? HistoryExtra's Lauren Good rounds up some essential reading, listening and viewing from the HistoryExtra and BBC History Magazine archive to deepen your understanding of Austen's life, her work and the Regency era in which she wrote: https://bit.ly/49F9oUk Learn more about your ad choices. Visit podcastchoices.com/adchoices

Jane Austen is one of the most enduring novelists of all time. But what do we know about the woman behind the stories? To celebrate Austen's 250th birthday, we're revisiting Eleanor Wachtel's conversation with Carol Shields about her 2001 biography, Jane Austen: A Life. Carol Shields herself was a writer and a lifelong Austen fan, and she talks about how Austen's stories about marriage, money and family offer insight into who the novelist really was. Check out the rest of the Writers & Company archive: https://digital.lib.sfu.ca/writers-company

Sense and Sensibility by Jane Austen chapter 22, narrated by Isaac BirchallSubscribe on YT or Join the Book Club on Patreon and support me as an independent creator :D⁠https://ko-fi.com/theessentialreads⁠⁠https://www.youtube.com/channel/UCfOFfvo05ElM96CmfsGsu3g/join⁠Summary:In spite of the efforts of the Steele girls, the Dashwoods are reluctant to become their friends. Elanor does find her agreeable enough for half an hour, but no more, as the girl is uneducated and illiterate. One day while walking back to the cottage, Lucy asks Elanor if she knows Edward's mother. Elanor finds the question strange, and after some little conversation, Lucy intimates that she knows Edward very well, but has never met his mother. Elanor is shocked by this revelation and Lucy goes on to reveal, because she apparently trusts Elanor, that she and Edward have been engaged for several years, and that she keeps a picture of him on her person, and that the ring embossed with a lock of hair contains the hair of Lucy. Elanor is shocked, and though she tries to remain polite, is very glad once Lucy leaves to go back to Barton Park.SEO stuff I don't want to do. Jane Austin's timeless classic Sense and Sensibility follows the story of two girls, Elinor and Marianne Dashwood, and their endeavors in love, marriage, and societal expectations. Love is not easy however, and Elinor finds her sense tested by her charming brother-in-law, while Marianne's sensibility brings her nothing but heartbreak.

Australians are holding a day of reflection to mark one week since the mass shooting at a Hanukkah celebration at Bondi Beach. Thousands gathered near the scene of the attack to honor the 15 lives lost. Some accuse the government of failing to act on threats against the Jewish community. And there are questions about how future attacks like this can be prevented.Also: The high cost of living is taking its toll on younger Canadians. Financial experts are seeing more young people than ever - and many face different debt obligations compared to previous generations.And: A breakthrough Canadian TV show is having a breakaway moment. Heated Rivalry tells the story of two gay hockey players in a secret love affair. It's already taken social media by storm and secured international distribution deals.Now, it's most recent episode is scoring big with viewers.Plus: Venezuelan oil, Jane Austen's 250th anniversary, The Italian pizzeria giving job opportunites to autistic people, and more.

As Hanukkah celebrations draw to a close under the shadow of the horrific anti-Semitic attack in Sydney, Bianna Golodryga speaks to Rabbi Gabi Kaltmann about navigating grief with faith, empathy and togetherness. And, the South Korean film racking up Golden Globe nominations, director Park Chan-wook talks about his new film "No Other Choice", tackling unemployment with horror and humor. Then, the singer-come-politician looking to unseat Ugandan President Yoweri Museveni after 40 years in power. CNN's Larry Madawo speaks to Bobi Wine about the violent opposition crackdown ahead of the country's general election. Plus, veteran broadcaster David Dimbleby speaks to Christiane about his new BBC docu-series "What's the Monarchy for?",  lifting the lid on the secretive inner workings of Britain's royal family. From Christiane's archives, how a family of refugees found sanctuary in 1970s America after fleeing Communist Poland's crackdown on democratic dissent. And finally, celebrating 250 years of the legendary British writer Jane Austen and her long-lasting cultural impact.   Air date: December 20, 2025   Guests:  Rabbi Gabi Kaltmann Park Chan-wook David Dimbleby Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week the Government set out its strategy to deal with violence against women and girls. This makes up nearly 20% of all recorded crime in England and Wales. Over the last year alone, one in every eight women was a victim of domestic abuse, sexual assault or stalking, according to Home Office figures. Educating boys on misogyny is a key aim of the strategy and figures show that nearly one in five boys aged 13 to 15 are said to hold a positive view of the self-proclaimed misogynist Andrew Tate, according to a YouGov poll. Alex Davies-Jones, the minister for Victims and Tackling Violence Against Women and Girls, joins Anita Rani to discuss the Government's strategy.Hollywood actor Kate Hudson's latest movie Song Sung Blue is based on the real life story of Wisconsin couple Mike and Claire Sardina. Kate plays Claire, who along with her husband Mike, played by Hugh Jackman, finds local fame in the 1990s as a Neil Diamond tribute act. Kate tells Anita about the appeal of the role and how she's now found empowerment and her voice.Woman's Hour celebrates the 250th anniversary of Jane Austen's birth. Nuala McGovern delves into the world that Jane was born into in 1775. She is joined by the author Gill Hornby, President of the UK Jane Austen Society, and by Dr Zoe McGee whose book Courting Disaster explores the issue of consent in Regency literature.According to a survey in the press this week, nearly half of younger women surveyed said they are confident in painting and decorating, compared with just 28% of young men. The stats are from the motoring and cycling firm Halfords who said its study revealed a reversal from previous generations. We hear from Vickie Lee, DIY YouTuber known online as The Carpenter's Daughter, alongside Caroline Henn, founder of bePractical DIY in Bristol, who runs courses aimed at making DIY accessible.We celebrate the phenomenon of female tribute acts to male bands. Gobby Holder, aka Danie Cox of Slady and Lolo Wood of The Fallen Women and Ye Nuns discuss.Presenter: Anita Rani Producer: Dianne McGregor

Radio 4 celebrates 250 years of Jane Austen with fresh, funny, and female-focused adaptations of Pride and Prejudice and Sense and Sensibility. Expect heartbreak, love, hilarity, and the enduring power of sisterhood.Pride and Prejudice the iconic love story between Miss Elizabeth Bennet and Mr Fitzwilliam Darcy, and a delightful portrayal of a family. It perfectly conjures up the period, and the pressure on women to find husbands. A tapestry of unforgettable characters and wonderfully funny.Dramatised by award winning writer Rachel JoyceJane Austen ..... Tamsin Greig Elizabeth ..... Isabella Laughland Darcy ..... Luke Thompson Mr Bennet ..... Miles Jupp Mrs Bennet ..... Rosie Cavaliero Jane ..... Lucy Doyle Bingley ..... Louis Landau Wickham ..... Toby Regbo Lady Catherine ..... Adjoa Andoh Lydia ..... Kitty O'Sullivan Kitty ..... Gaia Wise Mary ..... Imogen Front Mr Collins ..... Josh Bryant Jones Charlotte ..... Sasha McCabe Caroline Bingley ..... Catherine BaileyDirected by Tracey NealeDramatised by Rachel JoyceRachel Joyce is a best-selling author and award winning audio drama writer. Her audio work includes the entire Bronte canon for Radio 4. Her first novel, The Unlikely Pilgrimage of Harold Fry has been adapted for both film and stage. The sold out Chichester Festival Theatre Musical of Harold Fry's story opens at the Theatre Royal Haymarket on the 29th January. Rachel's latest novel, The Homemade God, was published in February this year.Produced and Directed by Tracey Neale Sound by Andrew Garratt and Sam Dickinson Production Co-Ordinator, Luke MacGregor Casting Manager, Alex Curran A BBC Studios Production.

Read more Regulators to consider appeal against Dominion Energy natural gas plant Spanberger, Virginia Democrats eye affordability bills — on a budget Holiday travel expected to break records again in 2025 Updated: Virginia ABC grants Roseshire gambling parlor limited liquor license Other links Metro needs more money. Will Virginia deliver? (WAMU) US government admits role in causing helicopter-plane collision that killed 67 (The Associated Press) Step into this Iowan's Jane Austen–inspired dream for her 250th birthday (Iowa Public Radio) Our award-winning work is made possible with your donations. Visit vpm.org/donate to support local journalism.

Francis Ford Coppola's masterpiece The Godfather routinely tops lists of the greatest films ever made - and when it doesn't, it's often because its sequel, The Godfather II, has replaced it. In this episode, Jacke talks to author Karen Spence about her new book, The Companion Guide to the Godfather Trilogy: Betrayal, Loyalty, and Family. PLUS Elyse Graham (Book and Dagger: How Scholars and Librarians Became the Unlikely Spies of World War II) stops by to discuss her choice for the last book she will ever read. Join Jacke on a trip through literary England! Join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠⁠⁠⁠⁠⁠⁠⁠⁠John Shors Travel⁠⁠⁠⁠⁠⁠⁠⁠⁠ in May 2026! Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Learn more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com⁠⁠⁠⁠⁠⁠⁠⁠⁠. Mid-December update: Act soon - there are only two spots left! The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠gabrielruizbernal.com⁠⁠⁠⁠⁠⁠⁠⁠. Help support the show at ⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/literature ⁠⁠⁠⁠⁠⁠⁠⁠⁠or ⁠⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com/donate ⁠⁠⁠⁠⁠⁠⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠⁠⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Our next installment in the Book Case Classics series comes from listeners like you.  Many of you asked for Austen…you wanted it?  You got it!  We sat down with two of the world's foremost Austen Scholars, Claudia L. Johnson, Murray Professor of English at Princeton and Devoney Looser, Regents Professor at Arizona State University (both of which have great Austen books on the market) to discuss the facts and fiction surround the great Jane Austen and her unique works.  Join us! Find books mentioned on The Book Case: https://www.goodmorningamerica.com/shop/story/book-case-podcast-reading-list-118433302 Books mentioned in this week's episode: Pride and Prejudice by Jane Austen Sense and Sensibility by Jane Austen Mansfield Park by Jane Austen Emma by Jane Austen Northanger Abbey by Jane Austen Persuasion by Jane Austen 30 Great Myths about Jane Austen by Claudia L. Johnson Jane Austen: Women, Politics and the Novel by Claudia L. Johnson Wild for Austen: A Rebellious, Subversive, and Untamed Jane by Devoney Looser Learn more about your ad choices. Visit podcastchoices.com/adchoices

NDP MP Jenny Kwan was supposed to be visiting both Israelis and Palestinians in the Occupied West Bank. But we'll reach her in Jordan -- after she and the rest of a Canadian delegation were blocked by Israel for what it describes as “security reasons”.Media mogul Jimmy Lai's daughter says she made the difficult decision to leave Hong Kong to advocate for her father's release -- and now that he's facing life in prison, she says that is more important than ever.Rob Reiner was a superstar director -- but to Kris Perry, he's the man who fought alongside her to overturn the ban on same-sex marriage in California. The late Donna Summer lit the fuse of the mid-'70s disco explosion -- and now, she's been honoured for writing some of the most enduring dancefloor-fillers of all time.We'll bring you another classic from our catalogue of holiday readings -- "The Gift of the Magi", a story of a couple unlucky in gift-giving...but lucky in love. On what would have been Jane Austen's 250th birthday, New York Times writers and "Pride and Prejudice" enthusiasts try to answer once and for all: who is the definitive onscreen Mr. Darcy?As It Happens, the Tuesday Edition. Radio that knows pride cometh before a ball.

It's been 30 years since Emma Thompson, Ang Lee, and producer Lindsay Doran came together to make one of the greatest Jane Austen adaptations of all time. BFF of the pod Erin Darke joins us to get into the incredible way this film came together, a deeply satisfying behind-the-scenes love story, and all of the details that make this movie practically perfect. Hugh Grant? Alan Rickman? Kate Winslet? Emma Thompson? A divine combination that holds up even decades later. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

1142. This week, we look at the history of the phrase "pride and prejudice," which was used frequently before Jane Austen's 1813 novel. Then, we look at whether Parson Brown from “Winter Wonderland” was a real person, and why his name is sometimes replaced with a “circus clown.” Links to Get One Month Free of the Grammar Girl Patreon (different links for different levels)Order of the Snail ($1/month level): https://www.patreon.com/grammargirl/redeem/687E4Order of the Aardvark ($5/month level): https://www.patreon.com/grammargirl/redeem/07205Keeper of the Commas ($10/month level): https://www.patreon.com/grammargirl/redeem/50A0BGuardian of the Grammary ($25/month level): https://www.patreon.com/grammargirl/redeem/949F7

December 16, 2025 marks a special day in the world of arts and culture; the 250th anniversary of the birth of Jane Austen. Here at MASTERPIECE, we are admirers of Jane Austen. Through interviews with historian and television presenter Lucy Worsley, Miss Austen novelist Gill Hornby, screenwriter Andrew Davies, and MASTERPIECE's Senior Series Producer, Erin Delaney, we're looking back at Austen's life, her legacy, and what her novels mean to us. Now join us in the drawing room as we gather round to celebrate our beloved Jane Austen in this special episode.

Australian Jews are now fearing for their safety after the Bondi beach shooting in Sydney, a survivor has told the BBC. One of the two men suspected of carrying out a mass shooting at Bondi Beach was originally from southern India but had "limited contact" with his family there, police sources have said. We'll look at what's emerging from the investigation and what the attack means for Australia's Jewish community.Also in the programme: The scourge of forced marriages in Kazakhstan; Donald Trump files his multi-billion dollar law-suit against the BBC; and 250 years after her birth, we'll look at why Jane Austen still means so much around the world.(Photo shows an Israeli flag among candles at Bondi Beach in Sydney, Australia on 16 December 2025. Credit: Hollie Adams/Reuters)

Jane Austen was born in the 16th of December, 1775, which means this month marks her 250th birthday. Jane lived a quiet, mostly happy life in the English countryside, surrounded by the balls, romantic intrigues and family dramas that fill her novels. Her writing was always her true passion. She glimpsed success, with 4 books becoming wildly popular in her lifetime. But she died tragically young, depriving the world of her talent. Her stories have been adapted and re imagined countless times. And in this, Jane's 250th year, she continues to be a mainstay in pop culture. But let's look past the endearing characters and timeless stories, and met the woman holding the quill. Let's get to know Jane Austen... Sense and Sensibility (1811) Pride and Prejudice (1813) Mansfield Park (1814) Emma (1816) Northanger Abbey (1818, posthumous) Persuasion (1818, posthumous) Lady Susan (1871, posthumous) Join me every Tuesday when I'm Spilling the Tea on History! Check out my Youtube Channel: https://www.youtube.com/c/lindsayholiday Follow me on Facebook: https://www.facebook.com/profile.php?id=100091781568503 Instagram: https://www.instagram.com/historyteatimelindsayholiday/ Tik Tok: https://www.tiktok.com/@historyteatime Please consider supporting me at https://www.patreon.com/LindsayHoliday and help me make more fascinating episodes! Intro Music: Baroque Coffee House by Doug Maxwell Music: Butterflies in love by Sir Cubworth #HistoryTeaTime #LindsayHoliday Please contact ⁠⁠advertising@airwavemedia.com⁠⁠ if you would like to advertise on this podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

How well can we know someone through the objects they encountered? In this episode, Jacke talks to Kathryn Sutherland, Senior Research fellow at St. Anne's College, Oxford, about her new book Jane Austen in 41 Objects, which examines the objects Jane Austen encountered during her life alongside newer memorabilia inspired by the life she lived. PLUS Jacke takes a look at Gabriel García Márquez's classic multigenerational magical realist novel 100 Years of Solitude, which lands at #5 on the list of the Greatest Books of All Time. Join Jacke on a trip through literary England! Join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠⁠⁠⁠⁠⁠⁠⁠John Shors Travel⁠⁠⁠⁠⁠⁠⁠⁠ in May 2026! Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Learn more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com⁠⁠⁠⁠⁠⁠⁠⁠. Mid-December update: Act soon - there are only two spots left! The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠gabrielruizbernal.com⁠⁠⁠⁠⁠⁠⁠. Help support the show at ⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/literature ⁠⁠⁠⁠⁠⁠⁠⁠or ⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com/donate ⁠⁠⁠⁠⁠⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

What inspired the daughter of a rural reverend to write about eligible bachelors and drunken misadventure? In this first episode of our four-part series on Jane Austen's life and work, Dr Lizzie Rogers and Lauren Good step back into the influential Regency novelist's formative years, and explore her earliest writings that show how she began to find her voice. ––––– GO BEYOND THE PODCAST Want to go further into the world of Jane Austen and her literary creations? HistoryExtra's Lauren Good rounds up some essential reading, listening and viewing from the HistoryExtra and BBC History Magazine archive to deepen your understanding of Austen's life, her work and the Regency era in which she wrote: https://bit.ly/49F9oUk Learn more about your ad choices. Visit podcastchoices.com/adchoices

Rund takes Ramtin on a tour of the enduring world of Jane Austen's Pride and Prejudice... and our two hosts make a bet.Guests:John Mullan, professor of English Literature at University College London and author of What Matters in Jane AustenDevoney Looser, professor of English at Arizona State University and author of Wild for Austen: A Rebellious, Subversive and Untamed JaneLizzie Dunford, director of Jane Austen's HouseTo access bonus episodes and listen to Throughline sponsor-free, subscribe to Throughline+ via Apple Podcasts or at plus.npr.org/throughline.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy