Podcasts about Euterpe

durée : 01:28:41 - Relax ! du mardi 20 mai 2025 - par : Lionel Esparza - Therpsychore, Melpomène, Euterpe, et les autres... Les 9 muses ont d'autant plus inspiré les musiciens que parmi elles certaines ont la musique pour centre ou pour périphérie. Mais comment donc ont-elles été mises en sons au fil de l'histoire ?

durée : 01:28:41 - Relax ! du mardi 20 mai 2025 - par : Lionel Esparza - Therpsychore, Melpomène, Euterpe, et les autres... Les 9 muses ont d'autant plus inspiré les musiciens que parmi elles certaines ont la musique pour centre ou pour périphérie. Mais comment donc ont-elles été mises en sons au fil de l'histoire ?

Hoy os dejamos un nuevo programa de La Gran Travesía, en Radio Free Rock, donde podéis escuchar a Larkin Poe, Elles Bailey, Shawn James, Dead Sara, Halestorm, Electric Citizen, Beth Hart... y un grupo canadiense, Wayward Saints que en breve estarán en una extensa gira que no os podéis perder: el 13 de febrero en la sala Euterpe de San Juan de Alicante el 14 en Sala Because de Castellón el 15 en el Pub Zeta de Monzón el 16 de febrero en el escenario Rock nights de Santander el 18 en el Boogaloo Café de Cáceres el 19 en la sala Even de Sevilla el 20 en el Rock States de Jaén el 21 en Loui Louie Rock de Estepona el 22 de febrero en la sala recycle de Córdoba el 23 en porta Caeli Valladolid el 25 The Trooper Pub en Cangas do morrazo el 26 en el gran café de León el 27 en la cueva del jazz de Zamora el 28 en la casa de cultura de Villava y el 1 de marzo en el pub Dublín de Gandía. También recordaros que ya podéis comprar La gran travesía del rock, un libro interactivo que además contará con 15 programas de radio complementarios, a modo de ficción sonora... con muchas sorpresas y voces conocidas... https://www.ivoox.com/gran-travesia-del-rock-capitulos-del-libro_bk_list_10998115_1.html Jimi y Janis, dos periodistas musicales, vienen de 2027, un mundo distópico y delirante donde el reguetón tiene (casi) todo el poder... pero ellos dos, deciden alistarse al GLP para viajar en el tiempo, salvar el rock, rescatar sus archivos ocultos y combatir la dictadura troyana del FPR. ✨ El libro ya está en diversas webs https://npqeditores.com/producto/la-gran-travesia-del-rock/ ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además podéis acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Gezkurra, Tete García, Jose Angel Tremiño, Marco Landeta Vacas, Oscar García Muñoz, Raquel Parrondo, Javier Gonzar, Eva Arenas, Poncho C, Nacho, Javito, Alberto, Tei, Pilar Escudero, Utxi 73, Blas, Moy, Juan Antonio, Dani Pérez, Santi Oliva, Vicente DC,, Leticia, JBSabe, Huini Juarez, Flor, Melomanic, Noni, Arturo Soriano, Gemma Codina, Raquel Jiménez, Francisco Quintana, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, María Arán, Joaquín, Horns Up, Victor Bravo, Fonune, Eulogiko, Francisco González, Marcos Paris, Vlado 74, Daniel A, Redneckman, Elliott SF, Guillermo Gutierrez, Sementalex, Jesús Miguel, Miguel Angel Torres, Suibne, Javifer, Matías Ruiz Molina, Noyatan, Estefanía, Iván Menéndez, Niksisley y a los mecenas anónimos.

Anya Clingman as Calliope,Elizabeth Ellis as Hera,Tate A. Geborkoff (author, producer) as Ares,Adam Qutaishat as Hermes,Annie Passinisi as Euterpe,Shayne Patrick as Amphion of Thebes,Rachel Staelens (director, producer),Roy Freeman (musical director/composer),Joe Palermo (director of sound)

Once upon a time, Zeus spent nine consecutive nights with Mnemosyne, the Titan goddess of memory, giving birth to the nine Muses: Erato, Euterpe, Melpomene, Polyhymnia, Terpsichore, Thalia, Urania, Calliope, and Clio. These Muses inspired countless poets and artists, including Shakespeare and Milton, who invoked their divine influence in their works. The tradition of calling upon the Muses dates back to Homer's Iliad, where he likely invoked Calliope, the Muse of epic poetry. The Muses resided on Mount Olympus, delighting the gods with their songs and dances, often accompanied by Apollo's lyre. Their influence extended beyond art, touching on history, eloquence, and even foreseeing the future. Key quotes: "At the opening of his Henry V, Shakespeare refers to the 'Muse of fire,' and Milton beseeches the 'Heav'nly Muse' to sing at the beginning of his Paradise Lost. By invoking a muse at the opening of their works, Shakespeare and Milton carried on a centuries-old custom." "In the Iliad, Homer describes the Muses singing in response to each other's songs while Apollo plays his lyre, entertaining the gods during their feast." "In his Theogony, Hesiod describes a conversation with the Muses where they bestow upon him their divine voice, enabling him to exalt the gods and their progeny." "In his Metamorphoses, Antoninus Liberalis recounts the daughters of Pierus challenging the Muses in song, only to be transformed into birds as punishment for their audacity." "Valerius Flaccus acknowledges Clio's power in his Argonautica, writing, 'Clio, do you now reveal the reasons behind the heroes' horrific deeds? You, O Muse, have been granted the ability to see into the minds of the gods and understand the processes that lead to reality.'" Dive into the fascinating world of the Muses and discover the divine inspiration behind some of the greatest works of art and literature. Tune in now! For more historical insights, visit Martini Fisher's website and check out her book “Time Maps: Matriarchy and the Goddess Culture”.

Este domingo, 5 de mayo, participan en el ciclo de bandas los más jóvenes músicos de la agrupación musical de Cabezo de Torres, alrededor de 70 músicos, y comparten cartel con la banda infantil Euterpe de Santomera.

O Governo de São Paulo, por meio da Secretaria de Meio Ambiente, Infraestrutura e Logística (Semil) e da Fundação Florestal (FF), está utilizando equipamentos aéreos para semear sementes da palmeira-juçara (Euterpe edulis). A espécie é nativa da Mata Atlântica.

Olá, hoje é 23 de Janeiro de 2024, meu nome é Leandro Dias, Assessor de Agronegócios em Marabá PA e falaremos sobre o cenário do Açai. De acordo com a EMBRAPA, o açaí, fruto do açaizeiro, das espécies Euterpe, são de uma grande diversidade de palmeiras. Nos ecossistemas amazônicos, as palmeiras têm um importante papel, dada à sua interação com um grande número de animais vertebrados e invertebrados. Importante, também, para as populações locais, com aproveitamento da palmeira como alimento, bebida, construção, artefatos e remédios, tendo como partes utilizadas, frutos, palmito, tronco, semente e folhas. Hoje esse é o principal produto florestal não madeireiro do Brasil, consumido em todo o território nacional e exportado para vários países. A partir de estudos, descobriu-se que a concentração de antocianinas no açaí é elevada, além de fonte de Potássio, Cálcio e Magnésio. Apesar da extração de produtos não madeireiros, em princípio, ser uma prática menos impactante que o corte da madeira, por causa da extração de palmito, as populações que dependiam dessa atividade passaram a ser manejadas para o aumento da produtividade para atender ao mercado de frutos, o que levou à redução na extração de plantas. Conforme o IBGE, o estado do Pará, é o maior produtor e extrator de açaí do país, responsável por aproximadamente 94% da produção, seguido pelo Estado do Amazonas, com 05%. Do total de polpa de açaí produzida no Para, 60% ficam no Estado, 35% seguem para outras regiões do País, principalmente São Paulo, Rio de Janeiro e Minas Gerais. O mercado internacional compra 5% da produção, sendo os Estados Unidos o maior comprador, seguidos por Japão, Austrália e o mercado europeu. Dos alimentos processados que contêm açaí e lançados no mercado mundial nos últimos anos, 22% são sucos e 12% bebidas energéticas e esportiva, e os demais, estão diversificados em vários produtos. Os EUA, além de maior comprador internacional, também são responsáveis pelo lançamento do maior número de produtos com açaí como matéria-prima, com cerca de 30% do total, seguido por Brasil (19%) e Canadá (8%). Existem muitos desafios para o desenvolvimento e avanço do mercado, no que se refere à falta de infraestrutura para a produção e armazenamento, uma vez que o produto é perecível e os mercados emergentes para açaí, como o de cosméticos/nutracêuticos, exigem conservação adequada para manutenção dos teores de antocianinas. O Banco do Brasil conta com linha completa de financiamentos para que o produtor possa investir em implantação e manutenção de áreas cultivadas, investimentos em Irrigação, Armazenagem e Comercialização. Conte sempre com a assessoria especializada em agronegócios e com toda a equipe do Banco do Brasil. Fica a dica de crédito consciente e sustentável. Até a próxima.

De klassiska muserna har fallit. Ner i det mänskliga. Ner mot gatan och köket. Rebecka Kärde reflekterar över ett skifte som berättar om konstens förändrade roll i kulturen. Lyssna på alla avsnitt i Sveriges Radio Play. ESSÄ: Detta är en text där skribenten reflekterar över ett ämne eller ett verk. Åsikter som uttrycks är skribentens egna.Minnet är konstens moder. I alla fall om man ska tro den grekiske poeten Hesiodos. Enligt honom resulterade en nio dagar lång förbindelse mellan Zeus och minnets gudinna Mnemosyne i att den senare födde lika många döttrar. De fick namnen Kleio, Euterpe, Erato, Polyhymnia, Melpomene, Ourania, Therpsichore, Thaleia och Kalliope. Tillsammans kallas de för muserna. Från dessa nio systrar flödar den poetiska inspirationen, och den som vill dansa, dikta, sjunga eller ägna sig åt någon av de andra musiska konstarterna måste göra det med deras välsignelse.Hur får man kontakt med muserna? I Hesiodos fall kommer uppvaktningen oväntat. En dag, då han som vanligt vallar sina får på berget Helikon, dyker systrarna plötsligt upp från ingenstans. De börjar förolämpa den blivande poeten. Du lantliga fä, ropar de, i Ingvar Björkesons översättning – du som ”bara tänker på buken!” Sedan säger de att mycket av det de berättar i själva verket är lögn. Men när de så har lust, kan de också tala sanning. Hesiodos förses med en stav och en lagergren. Hans bröst fylls av en ”gudomlig röst för att sjunga om svunnen tid och kommande”. I ett slag är herden redo att dikta. Muserna har gjort honom till poet.Episoden återges i den episka lärodikten ”Theogonin”, som Hesiodos komponerade omkring år 700 före Kristus, och som därmed är den äldsta bevarade källan till myten om muserna. Frågan är vad som hänt med dem sedan dess. När man talar om systrarna idag är det ju oftast i en rätt så annorlunda bemärkelse. För det första uppträder de i singularis, som musan. För det andra är denna musa mänsklig. Kanske var hon gift med en berömd manlig 1900-talskonstnär, i vars bilder eller dikter hon återfinns, och som hon gav upp sitt eget konstnärskap för att vårda. Att vara någons musa – nej, det är för de flesta ingen lockande roll. Som den amerikanska poeten Louise Glück skriver i en dikt: ”Ingen vill vara musan. När allt kommer omkring, vill alla vara Orfeus”.Hur blev det så här? När förvandlades musan från generativ kraft till stum sköterska? Kanske kan man närma sig ett svar genom den franske konsthistorikern Georges Didi-Huberman. I boken ”Ninfa moderna” diskuterar han en besläktad figur, nymfen, och hur hon har gestaltats genom århundradena. Didi-Huberman utgår från det bildmaterial som i början av 1900-talet samlades ihop av den tyska kulturhistorikern Aby Warburg. Denne ägnade sina sista år i livet åt ett ofullbordat jätteprojekt som han (med hänvisning till musernas moder) kallade för Bilderatlas Mnemosyne. Warburg var intresserad av hur former och motiv från antiken lever kvar i senare tiders europeisk bildkonst. Atlasen, som består av ett sextiotal stora planscher med fastnålade fotografier och konstreproduktioner, är hans försök att i collageform kartlägga släktbanden. Till exempel kan en renässansmålning placeras bredvid en romersk skulptur. Det som förbinder konstverken är en gemensam detalj: ett plagg som faller snarlikt över en skuldra, en hand som gör en identisk gest. Det är som om antiken hemsöker moderniteten.Didi-Hubermans undersökning, som sträcker sig från antiken till den florentinska renässansen, bygger alltså på Warburgs atlas. Och när han betraktar nymferna upptäcker han något märkvärdigt. Nymfen har fallit. Ju längre bort från antiken vi kommer, desto tydligare närmar hon sig marken. Hon sjunker från gudinnans höjder längst upp i bilden till dess nedre kant. Där förblir hon liggande. Samma öde drabbar hennes kläder. De tidiga, grekiska nymferna är draperade i långa, mantelliknande klädesplagg. Men med tiden blir nymfen mer och mer avklädd. Axlarna blottas, under renässansen brösten. Tizian porträtterar henne som i princip naken. I hans målning ”Nymf och herde” ligger hon med ryggen och baken vänd mot betraktaren, med ett ynka tygstycke kring midjan. I en annan, ”Backanal på Andros”, återfinns hon med bakåtböjt huvud i bildens högra hörn. Brösten och könet är blottade, liksom strupen. Draperingen ligger slängd som en eftertanke över armen. Nymfen är redo att intas.Didi-Hubermans och Warburgs nymfer är nu inte identiska med vare sig muserna eller nymfen som vi känner henne från den grekiska mytologin. Snarare syftar de på en arketyp i form av en gudinnelik kvinnogestalt – ung, vacker, lekfull, med svallande hår och suggestiv blick. Ungefär så brukar också muserna avbildas. Och man skulle kunna hävda att något liknande hänt med dem. Muserna har sjunkit från Helikon, ner till jorden, till köket och gatan. Kanske börjar fallet redan efter Hesiodos. Hos många senare antika författare är muserna några man åberopar, snarare än uppsöks av. Samtidigt betvivlas deras existens. Den romerska poeten Horatius ber i ett av sina oden musan Kalliope att stiga ner till honom från himlen, men säger sig vara osäker på om rösten han sedan hör verkligen är hennes, eller om han drabbats av ett ”ljuvligt vansinne”. Propertius, en annan romersk diktare, talar ofta om sin musa, som om en av dem stod redo just för honom. Så skulle Hesiodos knappast formulera sig. Muserna är inte hans – det är ju han som är deras!Långt efter antiken fortsätter muserna dyka upp i konsten. Dante åkallar dem i ”Den gudomliga komedin”, till exempel i Skärselden, då han ber dem om hjälp med att besjunga ting ”som knappt tanken fattar”. Men när man säger ordet ”musa” i samband med Dante tänker de flesta på Beatrice. Hon uppträder som en guide genom paradiset i den sista delen av ”Den gudomliga komedin”, och var med viss sannolikhet en sublimering av Dantes ungdomskärlek med samma namn. Inspirationen härrör alltså från en levande, högst verklig person – som, till skillnad från de antika muserna, knappast delat med sig av den medvetet. Samma gäller Laura i den något yngre Petrarcas sonetter. Ännu senare, hos Baudelaire, har musan blivit prostituerad. I dikten ”La muse vénale” – ungefär ”den köpbara musan” – förtjänar diktens du sitt uppehälle genom att gå på gatan.Mycket kan sägas om kvinnosynen i de nämnda dikterna. Men det är knappast så enkelt som att musans nya skepnad motsvarar en parallell omvandling av könsordningen. Snarare speglar den konstens förändrade betydelse, från kollektiv praktik till uttryck för individualitet. Det säger ju sig självt att den diktare som själv är gudomlig inte kan vara underställd en skara bråkiga systrar.Fast vore det verkligen så illa? Finns det inte något frigörande i att tänka på dikten så som Hesiodos: som något som kommer utifrån, ovanifrån, snarare än från den rädda lilla själ man bär inom sig? Litteraturen är ju trots allt inte ens egen. Den föds ur de texter som föregått den. Dess moder är minnets gudinna – och minnet är något gemensamt.Rebecka Kärde, litteraturkritiker och grecistLitteraturGeorges Didi-Huberman: Ninfa moderna – essä över fallen drapering. Översättare: Jakob Svedberg. Bokförlaget Faethon, 2023.Hesiodos: Theogonin och Verk och dagar. Översättning: Ingvar Björkeson. Natur och kultur, 2003.

durée : 00:15:05 - avec Brigitte François-Sappey - par : Philippe Venturini - En janvier 2023, la revue Euterpe consacre un double numéro à Olivier Greif, co-dirigé par Brigitte François-Sappey. La musicologue, ayant très bien connu le compositeur, dresse un portrait complet de l'œuvre et de l'intime de cette grande figure de la seconde moitié du XXème siècle. - réalisé par : Laurent Lefrançois

This week the SOL Citizens we continue our system tour of Microtech and it's moons Caliope, Clio and Euterpe. Featuring: AbdiYohan, fastcart fc and JadeStarwatcher St, Jude PLAY LIVE Charity Fundraiser Help us reach out goal of $10,000! https://tiltify.com/@solcitizens/sol-citizens-play-live-charity-fundraiser Merchandise: Streamlabs Store: https://streamlabs.com/solcitizens/merch Design by Humans: https://www.designbyhumans.com/shop/SOLCitizens/ SOL CITIZENS are supporters and backers covering the development of Cloud Imperium Games upcoming games "STAR CITIZEN" and "SQUADRON 42". Patreon: patreon/solcitizens Twitch: twitch.tv/solcitizens Twitter: twitter.com/solcitizens

Latvijas Universitātes Botāniskajā dārzā 23. jūlijā plkst. 17 notiks franču opermūzikas koncerts "Lui et Elle ENCORE – franču operas zelta periods", kurā piedalīsies Anta Jankovska (soprāns), Irma Pavāre (mecosoprāns), Artjoms Safronovs (tenors), Nauris Indzeris (baritons), Edgars Ošleja (bass), Ilona Meija (flauta), Pēteris Eduards Kalniņš (klarnete), Liene Neija-Kalniņa un Konstantīns Paturskis (vijole), Ivars Bezprozvanovs (čells), Helēna Laukmane (klavieres). Koncertu vadīs Liene Jakovļeva. Šī koncerta rīkotāji - klasiskās mūzikas ģilde Euterpe - 2021. gada 1. augustā LU Botāniskā dārza flokšu pļavā īstenoja pirmo franču opermūzikas koncertu Lui & Elle. Nu tapis turpinājums ar jaunu programmu, kurai aranžijas veidojusi komponiste Marina Vidmonte. Par franču mūzikas un Botāniskā dārza saderību, Latvijā mazatskaņotiem darbiem, pianista būšanu diriģenta lomā un komponista ego nolikšanu malā, cita skaņraža darbam pieskaroties, - sarunā ar pianisti Helēnu Laukmani, komponisti Marinu Vidmonti un dziedātāju Antu Jankovsku, kura atzīst, ka "franču mūzika ir ļoti intīma un ļoti smalka, un ir jāmāk un jāprot tai pieiet no pareizās puses". Helēna Laukmane: Ļoti interesanti, ka ansamblī spēlē cilvēki, ar kuriem esmu pazīstami ļoti ilgi - kopš saviem tīņa gadiem, un tāpat arī tādi, ar kuriem iepazinos burtiski pirms pāris dienām. Bet sajūta ir, ka esam satikušies tie, kuri saprot viens otru muzikāli. Nav rīvēšanās un domstarpību par kopējo elpu. Izklausās pēc dvēseles projekta. Helēna Laukmane: Protams, tā noteikti ir. Speciāli šim koncertam ir darinājuši itāļu komponists Enriko Dzullino un Marina Vidmonte. Kādas aranžijas veidojāt? Marina Vidmonte: Tās ir franču operas. Visvairāk esmu strādājusi pie Žila Masnē operas „Taīda”, Žorža Bizē „Karmenas” un Šarla Guno „Fausta”. Tās ir pamatvērtības, kuras esmu atklājusi priekš sevis. Varu piekrist, ka šis ir dvēseles projekts. Šajās operās un ārijās, kuras darināju, mani saistīja tieši intimitāte, kodols. Tas liekas šaurs, bet spēj izaugt līdz grandiziotātei – tas ārkārtīgi pārsteidz. Tie milzīgie kontrasti, kas nāk no mazas sēkliņas un ar instrumentācijas palīdzību izaug līdz kaut kam tik varenam un dvēseli saviļņojošam. Priekš manis tas ir milzīgs atklājums. Sākumā likās, ka arī milzīgs izaicinājums, kad man lūdza pārlikt orķestra lielās partitūras uz tik mazu sastāvu. Izaicinājums ir tajā, ka lielajā partitūrā ir vairāk, nekā tu vari atļauties. Mans pirmais uzdevums bija saglabāt to autentiskumu, ko autors ir iecerējis, un tieši tādā veidā, kāds tas ir. Un nodot klausītājam tās emocijas, ko autors pirmsākumā ir ielicis. Preses relīzē teikts, ka tās būs franču operas zelta laikmeta ārijas. Tās būs cilvēkiem jau zināmās vai tomēr pārsteigsiet ar kādu noslēpumu? AJ: Tas ir periods, kurā savus ģeniālos darbus rakstīja Masnē, Guno, Bizē, Sensānss. Ir daži darbi, kuri bieži tiek atskaņoti un visiem ir zināmi, bet mums būs „gan, gan”. Mums vairāk patīk iepazīt jaunas lietas, un klausītājam vienmēr vajadzīgs dot kaut ko no tā, ko viņš jau zina, un kaut ko no jaunā. Būs arī dažas pērles, kuras tiešām jāzina, jāklausās un jāiepazīst, piemēram, „Taīda”, tāpat arī rets un nedzirdēts duets no Tomā „Minjonas” basam un mecosoprānam ļoti interesantā salikumā. Tāpat arī absolūti nedzirdēta ārija no Bizē operas „Džamile”, kuru neviens, manuprāt, nezina, bet tā ir ļoti skaista. Vēl arī Guno „Safo”. Būs no visa mazdrusciņ. HL: Un katrs instrumentālists būs arī kā solists – vijole, flauta, klarnete, čells. Katrs atskaņos arī kādu solo.

Welcome back to The Writing Apothecary and to a new lesson. Today we're looking at the history of the muse. And it was so much fun to go through and find what information I could about them. The Muses are inspirational goddess of literature, science and art. The 9 muses are:Calliope was the Muse who represented epic poetry. Her implement was the writing tablet.Clio was the Muse who had to do with history and she was always associated with holding a scroll.Euterpe was the Muse of lyrical poetry and music, and is always shown with an aulos (flute).Thalia represented both comedy and pastoral poetry and she was associated with the comic mask.Melpomene was the Muse of tragedy and her item was the tragic mask.Terpsichore was the Muse of dance and she was always associated with the lyre.Erato was always associated with love poetry. She had a type of lyre called the cithara.Polyhymnia represented sacred poetry and she was always depicted with a veil.Urania was the Muse of astronomy and she had a globe and compass.Who is your favourite muse?Tell me what did you take away from this week's lesson? I'd love to knowAlso, I would really appreciate it if you took the time to rate and review the podcast it helps people find our community and gets the podcast out into the world a little more.Want exclusive behind the scenes and early access to episodes join up to the mailing list over here.If you're looking for a cheerleader for your writing, then head on over to https://dreamingfullyawake.com/work-with-me/ and let's have a chat about how we can work together to get your writing on track.

Dotado de una sensibilidad para el arte como pocos, Alejandro Mercado explora las posibilidades de Erato y Euterpe en su más reciente disco y proyecto: Poesía Entre Notas, en donde la construcción literaria encuentra un entorno musical con las improvisaciones al piano de Alex. ************ Endowed with a sensitivity for art like few others, Alejandro Mercado explores the possibilities of Erato and Euterpe in his most recent album and project: Poesía Entre Notas, where literary construction finds a musical setting with Alex's piano improvisations.

Cántico tradicional de la Rosacruz en una nueva versión de 2022 elaborada por estudiantes de nuestra Orden congregados en el Círculo Euterpe, dedicado al estudio y práctica de la música. Proyecto de la Orden Rosacruz Iniciática Ad Rosam per Crucem (A la rosa por la cruz) y Ad Crucem per Rosam (a la cruz por la rosa)

Agh shiaghtin ghiare 'sy Ghaelg myr t'ee. Ayns 'Shiaght Laa' ta shin clashtyn bit beg mychione Queeyl Vooar Laksey veih'n Ghaaue, Juan y Kring, as mychione baatey va lhunnit ayns Rhumsaa 'sy vlein 1863 myr Euterpe, agh haink dy ve Star of India. Cha row 'Jamys Jeheiney' goll yn chiaghtin shoh, as cha row meer er-lheh 'sy Ghaelg ayns 'Goll as Gaccan', agh va meer elley jeh'n chyndaays 'sy Ghaelg jeh'n lioar Dracula liorish Bram Stoker ayns 'Claare ny Gael'. But a short week in the Manx Gaelic as it is. In 'Shiaght Laa' we hear a small piece about the Great Laxey Wheel from the Gaaue (Smith), John Kneen, and about a boat that was launched in Ramsey in the year 1863 as Euterpe, but which came to be Star of India. 'Jamys Jeheiney' was not on this week, and there was not a particular extract in the Manx Gaelic in 'Goll as Gaccan', but there was another episode from the translation into the Manx Gaelic of the book Dracula by Bram Stoker in 'Claare ny Gael'.

After two years of work, the first phase of repairs to the Great Laxey Wheel has been completed. A ceremony was held on Wednesday 12th October to re-start the Lady Isabella, as she was dubbed when the Wheel opened in 1854. We hear from: the Chairman of the Manx Museum and National Trust,Jonathan Hall; the Director of the Manx Museum, Connie Lovel; and Lady Philippa Lorimer, who unveiled a memorial plaque. Another engineering feat was the launch of an iron-hulled ship, the Euterpe, from Ramsey shipyard in 1863. Renamed Star of India, she is now the oldest, sea-going iron-hulled ship in the world. Heather Ruffino, the writer, producer and director of the Ramsey theatre group, Cloiederyn, tells us about her vision of telling the story of the Star of India in a musical, being presented Friday 14th and Saturday 15th October and Friday 21st and Saturday 22nd October.

A choir themed mix with a dash of ambient. Always loved a dark choir. Ever since I heard Daevid Allen's Euterpe gratitude piece, 2001 Space odyssey and snippets of the Orb. A personal indulgence this one but still classes as ambient in my humble.

El compositor d'aquesta setmana

El compositor d'aquesta setmana

El compositor d'aquesta setmana

El compositor d'aquesta setmana

El compositor d'aquesta setmana

Reunited once again, the Argo Crew crashes a party to finish what they started. --Content warnings can be found at the end of the show notes. The transcript can be found at https://khorapodcast.github.io/khorapod_transcripts/--Khôra Podcast is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. This episode was produced by A.L Emmet and directed by Ibrahim Steel and Celeste Lang. It starred Kit MacNeil as Medea, Mq Quinlan as Atalanta, Clary Cheung as Medusa, Lucas Robins as Apollo, and featured Celeste Lang as Athena, Anjali Pasupathy as The Guard and The Waiter, Tamsin Try as Euterpe, and Lauren Thompson as Helen. Touched by a God was written by A.L Emmet, Celeste Lang, Kat Hawthorne, and Rey Bailey. All of the original music was created by the Khôra team. Sound design for this episode was provided by Mq Quinlan and Kit MacNeil, and the poster art was drawn and designed by Lucas Robins and Clary Cheung. The Khôra cover art is drawn and designed by Jules Violet and Clary Cheung. Season one of Khôra Podcast was outlined by Sats Di Stefano, Clary Cheung, and A.L Emmet.--Find us online at khorapodcast.wordpress.com, and be sure to follow us on Tumblr, Twitter, or Instagram where we are always @KhoraPodcast. You can post about the show using #KhoraPodcast.If you'd like to tip the production team for our hard work, we can be found at paypal.me/khorapodcast and ko-fi.com/khorapodcast. --Content warnings: Explosion sfx, electrocution sfx

Clinical Tests Reveal that Black Cumin Seed (Nigella Sativa) May Treat Hypothyroidism Tabriz University, April 13, 2022 Consuming a few grams of powdered Nigella sativa (NS), more commonly known as black cumin seeds, may improve the autoimmune thyroid condition known as Hashimoto's thyroiditis, according to a study published in the journal BMC Complementary and Alternative Medicine. Hashimoto's thyroiditis is the most common form of thyroid gland inflammation. It is also the most common thyroid disorder in the U.S. In fact, the disease affects 14 million people in the country alone. Data also showed that the condition will affect about five percent of the U.S. population. Hashimoto's thyroiditis was 15 times more prevalent in women compared with men. Women aged between 30 to 60 years had the highest prevalence of the condition. The study also revealed that patients who took the black seed supplement exhibited marked reductions in serum concentrations of thyroid stimulating hormone and anti-thyroid peroxidase antibodies at eight weeks of intervention. In addition, patients in the intervention group showed a notable decline in serum vascular endothelial growth factor levels. Researchers also highlighted a significant increase in triiodothyronine concentration in patients who received powdered black seeds. However, the experts did not observe a similar effect in patients who took a placebo pill. (NEXT) Following a Mediterranean-style diet during pregnancy may reduce the risk of preeclampsia Johns Hopkins University, April 20, 2022 Following a Mediterranean-style diet during pregnancy was associated with a reduced risk of developing preeclampsia, and Black women appeared to have the greatest reduction of risk, according to new research published today in the Journal of the American Heart Association. Preeclampsia, a condition during pregnancy characterized by severe high blood pressure and liver or kidney damage, is a major cause of complications and death for the mother and her unborn child. Preeclampsia also increases a woman's risk of heart diseases, such as high blood pressure, heart attack, stroke or heart failure, by more than two times later in life. Women with preeclampsia have a higher risk of preterm delivery (giving birth before 37 weeks gestation) or low birth weight babies, and children born to mothers with preeclampsia are also at higher risk of developing high blood pressure and heart disease. Researchers created a Mediterranean-style diet score based on participants' responses to food frequency interviews and questionnaires, which were conducted within three days of giving birth. The analysis found: Women who had any form of diabetes before pregnancy and pre-pregnancy obesity were twice as likely to develop preeclampsia compared to women without those conditions. The risk of preeclampsia was more than 20% lower among the women who followed a Mediterranean-style diet during pregnancy. Black women who had the lowest Mediterranean-style diet scores had the highest risk (78%) for preeclampsia compared to all other non-Black women who more closely adhered to the Mediterranean-style diet. (NEXT) Individuals with type 2 diabetes should exercise after dinner University of Missouri, April 18, 2022 Exercise is a popular prescription for individuals suffering from the symptoms of Type 2 diabetes, but little research has explored whether these individuals receive more benefits from working out before or after dinner. Now, researchers at the University of Missouri have found that individuals with Type 2 diabetes can lower their risks of cardiovascular diseases more effectively by exercising after a meal. "This study shows that it is not just the intensity or duration of exercising that is important but also the timing of when it occurs," said Jill Kanaley, professor in the MU Department of Nutrition and Exercise Physiology. "Results from this study show that resistance exercise has its most powerful effect on reducing glucose and fat levels in one's blood when performed after dinner." Kanaley and her colleagues studied a group of obese individuals with Type 2 diabetes. On one occasion, participants performed resistance exercises before eating dinner. During another visit, participants exercised 45 minutes after eating dinner. Participants performed resistance exercises such as leg curls, seated calf raises and abdominal crunches. Compared to levels on a non-exercise day, Kanaley found that the participants who exercised before dinner were able to only reduce the sugar levels in their blood; however, participants who exercised after dinner were able to reduce both sugar and fat levels. Participants consumed a moderate carbohydrate dinner on the evenings of the study. (NEXT) Dietary supplementation with açaí pulps improves cognition attenuates inflammatory signaling in BV-2 microglial cells Tufts University, April 18, 2022 Objectives: The present study was carried out to determine if lyophilized açaí fruit pulp (genus, Euterpe), rich in polyphenols and other bioactive antioxidant and anti-inflammatory phytochemicals, is efficacious in reversing age-related cognitive deficits in aged rats. Methods: The diets of 19-month-old Fischer 344 rats were supplemented for 8 weeks with 2% Euterpe oleracea (EO), Euterpe precatoria (EP), or a control diet. Rats were tested in the Morris water maze and then blood serum from the rats was used to assess inflammatory responses of BV-2 microglial cells. Results: After 8 weeks of dietary supplementation with 2% EO or EP, rats demonstrated improved working memory in the Morris water maze, relative to controls; however, only the EO diet improved reference memory. BV-2 microglial cells treated with blood serum collected from EO-fed rats produced less nitric oxide (NO) than control-fed rats. Serum from both EO- and EP-fed rats reduced tumor necrosis factor-alpha (TNF-α). There is a relationship between performance in the water maze and the production of NO and TNF-α by serum-treated BV-2 cells, such that serum from rats with better performance was more protective against inflammatory signaling.   (SUPERFOOD) Peppers (capsicum): Native American folk medicine, which has so many features we can still learn from, gave a prominent place in its pharmacology to peppers of the capsicum family, which includes bell and chili peppers. Recent work suggests that the nutrient capsaicin, found in these peppers, is a natural analgesic and a neuro-inflammatory blocker that relieves aches and pains to joints and muscles. This is one reason why Native American medicine prescribed a topical application of pepper to painful areas of the body. Capsaicin is particularly deserving of mention in this book because recent, promising research in Canada has explored the uses of capsaicin in the treatment of Type I diabetes. Other work has noted it can benefit sufferers from prostate cancer and leukemia. Some scientists have noted that this much studied nutrient found in peppers helps with weight loss, stimulation of insulin-producing cells, and prevention of LDL cholesterol oxidation. Another benefit recently uncovered is that the nutrient protects from stomach ulcerations and induces apoptosis (cancer cell death) in lung cancer. Setting aside the value of capsaicin, peppers can also be prized because they are rich in the antioxidant vitamins A as well as in vitamins B1, B6, E, and K. They are also high in potassium, magnesium, and iron. Yellow peppers are rich in lutein and zeaxanthin, which protect from eye disease and blindness. Videos: 1. American Who Lived 8 Years in Ukraine Speaks Out on Russia War (Start @ 0:41) 4. Kim Iversen: Noam Chomsky BLASTED By Liberals For Anti-War Stance, EXPOSING The New Pro-War Left 5. How the U.S. Media Betrayed Afghanistan (16:47 long)    

Ciao a tutte e a tutti!Marzo sta per concludere la fine del primo tempo e il manto del tepore primaverile ci regala qua e la temperature che fanno battere meno i denti. Il vecchio inverno non manca certo di assestare qualche stoccata rigida al plesso del termometro, ma la natura ci insegna che questo colpo di coda cesserà a breve poi saranno voli di rondini e nuove al pascolo. Sono giornate che si muovono tra sussulti tragici e l'incedere delle ore è spesso faticoso e doloroso, e siamo obbligati a spremere con forza dal quotidiano qualche goccia di bellezza, per nostra fortuna, però, il nostro pianeta ci regala ad ogni alba piccoli momenti dorati ai quali ci aggrappiamo sperando che il delirio umano possa cessare il prima possibile. Spesso in questi giorni mi sono chiesto se fosse il caso di continuare nel lasciare qualcosa di leggero all'interno di queste ore pesantissime e non vi nascondo che sono stato sul punto di fare una pausa, ma qualcosa continuava a suggerirmi di procedere nonostante tutto, perché è proprio al bello che ci rivolgiamo. Ad essere spensierati oggi è un lusso stupendo, ma dobbiamo ricordarci che al mondo esiste qualcosa che deve essere celebrato perché è ciò che ci mantiene vivi, è ciò che ci salva nei piccoli e nei grandi problemi, è ciò che funge da balsamo per non farci sprofondare, è un'ancora che impedisce il dissolversi e salvifica ci permette di mettere un piede dopo l'altro in questo cammino.La musica lo sapete qui regna sovrana ed il mio accorato appello lo prendo in prestito da una persona a cui va tutta la mia stima e rispetto che ha ben sintetizzato in una frase un concetto che oggi diventa un mantra e preghiera: musica pensaci tu. 
Lasciamo allora che sia davvero la musica oggi e per sempre a salvarci, a portarci anche se per un poco, un po' di ristoro e di tepore come la primavera che bussa alle porte del tempo, facendo sì che Euterpe stenda la propria mano sopra di noi, cullandoci e proteggendoci.
Le onde, si muovono, respirano, e si creano portando con loro bellezze incredibili ed oggi abbiamo il piacere di ascoltare la nuova che è venuta a depositarsi dentro le nostre orecchie. In questo Ondedì abbiamo un grande ospite con noi, che ho avuto il piacere e l'onore di conoscere grazie al maestro Paolo di Myspiace e ad Antonia Salcuni di EcoDiscogramma e autrice de “Dal motore al piatto Storia d'una epistassi a trazione diretta”. La sua penna è una tra le più belle e autorevoli nel grande mondo della musica scritta e raccontata, Paolo Bardelli il nostro ospite, è uno scrittore, giornalista, recensore, autore dei due libri “1991 Il risveglio del rock: Brit pop, trip hop, crossover, grunge e altra musica eccitante” e “Piccola guida agli anni Dieci. 50 fatti, 50 album, 50 canzoni” editi da Arcana rispettivamente nel 2021 e 2019. Paolo, oltre a tutto questo è il caporedattore della rivista Kalporz, una piattaforma musicale e crossmediale che approfondisce i vari aspetti della musica, tracciandone recensioni, racconti, impressioni e novità. Kalporz su territorio nazionale e non, vanta una grande crescita da oltre 20 anni ed una impeccabile opera di approfondimenti grazie alla guida di Paolo e alla bravura di tutte le persone coinvolte nel mantenerla viva, pulsante e tra le più interessanti da leggere per ampliare il proprio bagaglio di conoscenze musicali. Il nostro ospite, come credo abbiate intuito, per passione e per professione è una persona che la musica non solo la divora, ma ne racconta le gesta e le evoluzioni, ascolta con incrollabile curiosità e si espande ad ascoltare tutto ciò che le sue orecchie possono raccogliere in giro, scrive di musica da quando credo gli sia spuntato il primo dentino e porta avanti la sua opera degna di grande rispetto e ammirazione, con una passione esagerata.
Per questa nostra chiacchierata Paolo ha raccolto la mia proposta di portare con se 10 brani, come tutti gli ospiti, compiendo un lavoro titanico nel farci intravedere la punta del suo personale iceberg di gusti e ascolti. Come sentirete le canzoni, spaziano in una precisa decade temporale, e grazie ai racconti del nostro ospite riusciremo a tratteggiare una piccola ma gigantesca parte di quelle vibrazioni che lo accompagno nel viaggio dentro alla musica.So che la vostra curiosità ormai è fuori giri, allora non dovete fare altro che trovare la vostra posizione comoda, rilassarvi e venire con noi alla scoperta del mondo sonoro di Paolo.Premete play, e come sempre, Buon ascolto!^_^
- INFO PUNTATA E PAOLO BARDELLI:IL DISCO DI PAOLO BARDELLI PER ONDE: https://open.spotify.com/playlist/2a1gC3QhKMb31ZZsjKZup1?si=d8e2f79b29e6438cKALPORZ:http://www.kalporz.com/https://www.facebook.com/kalporz/https://www.instagram.com/kalporz/https://twitter.com/kalporzhttps://t.me/kalporzhttps://www.youtube.com/user/KalporzTVLIBRO “1991 Il risveglio del rock: Brit pop, trip hop, crossover, grunge e altra musica eccitante”:
https://www.facebook.com/1991IlRisveglioDelRock/https://www.ibs.it/1991-risveglio-del-rock-brit-libro-paolo-bardelli/e/9788892770294https://www.amazon.it/risveglio-crossover-grunge-musica-eccitante/dp/8892770292https://www.libraccio.it/libro/9788892770294/paolo-bardelli/1991-risveglio-del-rock-brit-pop-trip-hop-crossover-grunge-e-altra-musica-eccitante.htmlLIBRO “Piccola guida agli anni Dieci. 50 fatti, 50 album, 50 canzoni”:
https://www.facebook.com/PiccolaGuidaAgliAnniDieci/https://www.ibs.it/piccola-guida-agli-anni-dieci-libro-paolo-bardelli/e/9788862316934https://www.amazon.it/Piccola-guida-agli-anni-dieci/dp/8862316933https://www.libraccio.it/libro/9788862316934/paolo-bardelli/piccola-guida-agli-anni-dieci-50-fatti-50-album-50-canzoni.html
MUSTEK (Band di PAOLO BARDELLI):https://mustek.bandcamp.com/BILL HICKS - REVELATIONS:https://www.youtube.com/watch?v=XwfZqDQKNBE&ab_channel=pierpinchio- INFO ONDE: MUSICA E DINTORNIMY LINKTREE:https://linktr.ee/onde_podcastPATREON:https://www.patreon.com/onde_podcastINSTAGRAM:https://www.instagram.com/onde_podcast/SPREAKER:https://www.spreaker.com/show/onde-musica-e-dintorniPAGINA UFFICIALE SU FACEBOOK:https://www.facebook.com/OndePodcastCONTATTI:onde.podcast@hotmail.comIL BRANO “ONDE” in testa e in coda all'episodio è stato creato, suonato e cantato da Camilla Battaglia.MUSICHE IN PUNTATA:Music Free Stock:https://www.free-stock-music.com/Lost Paradise by Purrple Cat | https://purrplecat.comMusic promoted by https://www.free-stock-music.comCreative Commons Attribution-ShareAlike 3.0 Unportedhttps://creativecommons.org/licenses/by-sa/3.0/deed.en_USplunderer by Barradeen | https://soundcloud.com/barradeenMusic promoted by https://www.free-stock-music.comCreative Commons Attribution-ShareAlike 3.0 Unportedhttps://creativecommons.org/licenses/by-sa/3.0/deed.en_USDay Ahead by Joe Crotty | https://soundcloud.com/joecrottyMusic promoted by https://www.free-stock-music.comCreative Commons Attribution 3.0 Unported Licensehttps://creativecommons.org/licenses/by/3.0/deed.en_USToo Cool For School by Audionautix | http://audionautix.comMusic promoted by https://www.free-stock-music.comAttribution-NoDerivs 3.0 Unported (CC BY-ND 3.0)https://creativecommons.org/licenses/by-nd/3.0/Vintage Memories by Schematist | http://www.schematistmusic.comMusic promoted by https://www.free-stock-music.comCreative Commons Attribution 3.0 Unported Licensehttps://creativecommons.org/licenses/by/3.0/deed.en_USChillShop by Deoxys Beats | https://soundcloud.com/deoxysbeats1Music promoted by https://www.free-stock-music.comCreative Commons Attribution-ShareAlike 3.0 Unportedhttps://creativecommons.org/licenses/by-sa/3.0/deed.en_USCoffee Break by Pyrosion | https://soundcloud.com/pyrosionMusic promoted by https://www.free-stock-music.comCreative Commons Attribution-ShareAlike 3.0 Unportedhttps://creativecommons.org/licenses/by-sa/3.0/deed.en_USFrolic by Purrple Cat | https://purrplecat.comMusic promoted by https://www.free-stock-music.comCreative Commons Attribution-ShareAlike 3.0 Unportedhttps://creativecommons.org/licenses/by-sa/3.0/deed.en_USGoing With The Flow by Purrple Cat | https://purrplecat.comMusic promoted by https://www.free-stock-music.comCreative Commons Attribution-ShareAlike 3.0 Unportedhttps://creativecommons.org/licenses/by-sa/3.0/deed.en_USFaithful Mission by Artificial.Music | https://soundcloud.com/artificial-musicMusic promoted by https://www.free-stock-music.comCreative Commons Attribution 3.0 Unported Licensehttps://creativecommons.org/licenses/by/3.0/deed.en_USSipping A Cold Drink by chillin_wolf | https://soundcloud.com/chillin_wolfMusic promoted by https://www.free-stock-music.comCreative Commons Attribution-ShareAlike 3.0 Unportedhttps://creativecommons.org/licenses/by-sa/3.0/deed.en_USDay Ahead by Joe Crotty | https://soundcloud.com/joecrottyMusic promoted by https://www.free-stock-music.comCreative Commons Attribution 3.0 Unported Licensehttps://creativecommons.org/licenses/by/3.0/deed.en_USMerry Bay by Ghostrifter Official | https://soundcloud.com/ghostrifter-officialMusic promoted by https://www.free-stock-music.comCreative Commons Attribution-ShareAlike 3.0 Unportedhttps://creativecommons.org/licenses/by-sa/3.0/deed.en_USa warm wind at 20p.m. by Barradeen | https://soundcloud.com/barradeenMusic promoted by https://www.free-stock-music.comCreative Commons Attribution-ShareAlike 3.0 Unportedhttps://creativecommons.org/licenses/by-sa/3.0/deed.en_USBefore I Forget by Artificial.Music | https://soundcloud.com/artificial-musicMusic promoted by https://www.free-stock-music.comCreative Commons Attribution 3.0 Unported Licensehttps://creativecommons.org/licenses/by/3.0/deed.en_US

「果樹ラジオ」を全て「再生リスト」にまとめさせていただきました．

Catherine Wilson joins Will Chernoff from Toronto to talk about her high-calibre performance initiative, Euterpe: Music is the Key. Thank you to 12TH ST Sound for sponsoring this episode. Learn more about the boutique recording studio in New Westminster at https://www.12thst.ca/?utm_source=podcast&utm_medium=episode-description&utm_campaign=rcp-038 (12thst.ca).

Today's guest is Pete Jacokes: Detroit area actor, improviser, and secret technoseer! Check out special guest Pete Jacokes in the new Planet Ant original comedy "White Out!" opening this Friday @ 8pm! For more info, visit: https://planetant.com A live adventure story written by AI and humans — and YOU! GPT Model used this episode: NovelAI's Euterpe V2 (Fairseq 13b) Join our Discord and submit your own story prompts that might be used in a future episode: https://discord.gg/7r7sgKZ ★ Support AIPDcast: https://anchor.fm/aipd/support ♦ Follow on Twitch: https://twitch.tv/aipd ♦ Subscribe on YouTube: https://youtube.com/aipd69 ♦ Join our Discord: https://discord.gg/7r7sgKZ ♦ Like us on Facebook: https://facebook.com/aipd69 Music ◇ J

A ‘La Plaça' arrencarem sempre amb un tema d'actualitat de la comarca i n'aprofundizarem més amb un protagonista. Avui, a la nostra entrevista d'actualitat marxem fins a Botarell per parlar de la reforma de la sala del Castell que es farà en dos àmbits d'actuació enla sala Euterpe i en la sala del bar i […] L'entrada Botarell treu a consulta el projecte del Castell ha aparegut primer a BXC Ràdio Ciutat de Reus - Ràdio Online.

Olá! Hoje é segunda-feira, 18 de outubro de 2021. Meu nome é Leobino Santos, sou assessor de Agronegócios do Banco do Brasil em Belém do Pará, e falaremos sobre o cenário do açaí. O açaizeiro (Euterpe oleracea) é uma espécie de palmeira originária e presente em florestas úmidas e várzeas do Bioma Amazônico. Os principais estados produtores são Acre, Amapá, Amazonas, Maranhão, Pará e Rondônia. Pará e Amazonas protagonizam a produção nacional, respondendo, respectivamente, por 94% e 5% do total produzido. No entanto, outros estados começam a cultivar o açaí, como Alagoas, Bahia, Espírito Santo e Tocantins. O Brasil é maior produtor de açaí e o maior exportador de polpa congelada. Segundo a Pesquisa Agrícola Municipal (PAM), divulgada em 2020, a produção agrícola nacional de açaí contabilizou quase 1,5 milhão de toneladas. De acordo com a Associação Brasileira dos Produtores e Exportadores de Frutas e Derivados (Abrafrutas), a conquista de novos mercados e o apelo de consumo saudável fizeram com que as exportações do estado do Pará, que é responsável por 94% do volume embarcado da fruta, crescessem quase 15.000% nos últimos 10 anos, passando de 41 toneladas em 2011 para quase 6 mil toneladas em 2020. Os principais consumidores internacionais são Estados Unidos, Japão, Austrália, Alemanha, Reino Unido e Porto Rico. No mercado interno, a maior parcela da produção é consumida diretamente nos estados produtores, fazendo parte da dieta diária das famílias. O restante é escoado, principalmente, para os estados do Sul e Sudeste. Com a valorização da fruta, o Brasil passou de exportador de palmito de açaí na década de 1980, para principal exportador da polpa congelada, atividade aderente aos princípios de sustentabilidade ambiental, social e econômica. Neste contexto, a crescente demanda interna e externa vem impulsionando o manejo sustentável e o cultivo comercial da espécie, fatores importantes para o desenvolvimento da cadeia produtiva. No entanto, nos últimos três meses, os preços pagos ao produtor no Pará apresentaram queda e atualmente giram ao redor de R$ 1,75/kg da fruta, de acordo com a Conab. O Banco do Brasil, além de custear a produção, conta com linha completa de investimentos para que o produtor possa aplicar em manejo de açaizais nativos, implantação de lavouras e sistemas de irrigação. Conte sempre com a assessoria especializada em agronegócios e com toda a equipe do Banco do Brasil. Fica a dica de crédito consciente e sustentável. Até a próxima!Banco do Brasil, pra tudo que o agro imaginar.

Ya está disponible el Programa #70 de En Tijuana Hay Rock Podcast: Playlist De Los Archivos: Sesion Radial 002: JarCore Radio Podcast, transmitido el 13 de Julio del 2006 Este es el podcast de la Sesion Radial 02 de JarCore Radio el 26 de Mayo en palladium hall, en esta ocasion les tenemos musica en vivo de Euterpe, ademas de musica de Malva, Anzuelo y algo especial. Escucha | Descarga | Comparte: anchor.fm/entijuanahayrockpodcast podpage.com/entijuanahayrockpodcast podpage.com/entijuanahayrockpodcast/follow/ Y en las principales plataformas donde escuchar podcasts: #Spotify #ApplePodcasts #TuneIn #GooglePodcasts #AmazonPodcasts #AmazonAlexa #iHeartRadio Apoya a En Tijuana Hay Rock comprando un café... ko-fi.com/entijuanahayrock

Ar franču romantiskās opermūzikas pēcpusdienu Lui et Elle / Viņš un viņa, kas LU Botāniskajā dārzā risināsies 1. augustā pulksten  17.00, savu darbību piesaka jaunizveidotā klasiskās mūzikas ģilde Euterpe. Sadarbībā ar Latvijas baleta un dejas ģildi rīkotajā koncertā skanēs Šarla Guno, Žorža Bizē, Žaka Ofenbaha, Žila Masnē, Kamila Sensānsa skaistākās un slavenākās daiļrades lappuses. Koncertā piedalīsies Anta Jankovska (soprāns), Irma Pavāre (mecosoprāns), Mihails Čuļpajevs (tenors), Nauris Indzeris (baritons), Ilona Meija (flauta), Arvīds Zvagulis (vijole), Ivars Bezprozvanovs (čells) un Helēna Kundrāta (klavieres), bet koncertu vadīs muzikoloģe un "Klasikas" ētera personība Liene Jakovļeva. Lai par šo koncertu un jaundibināto biedrību uzzinātu plašāk, Dāvis Eņģelis uz sarunu aicinājis divas no koncerta dalībniecēm - dziedātāju un biedrības Euterpe dibinātāju Antu Jankovsku un pianisti Helēnu Kundrātu. Dāvis Eņģelis: Anta, vai šis koncerts ir jūsu ideja? Anta Jankovska: Jā, pareizāk sakot – tā ir manas jaunizveidotās biedrības Euterpe ideja. Biedrība dibināta nu jau vairāk nekā pirms mēneša, un tajā esmu pulcējusi savus tuvākos domubiedrus. Tajā ir arī mana bijusī baletskolotāja Regīna Kaupuža – tieši viņai pateicoties, man arī radās doma par savu biedrību. Un šis ir mūsu pirmais koncerts. Un kādi ir biedrības mērķi, ideāli un vīzija par nākotni? Anta Jankovska: Vīzija par nākotni ir tāda, kāda šobrīd nākotnes vīzija kultūrā vispār var būt... Protams, drusku uztraucamies par rudeni, kad ir plānoti jauni projekti – koncertuzvedums "Spāņu vakari. Sarsuela", kurā pirmoreiz vienuviet izskanēs tieši sarsuelas žanrs, kas Latvijā nav tik daudz skanējis. Ir doma šo koncertu rīkot "Hanzas peronā", kas skaisti iet kopā ar spāņu sentimentu. Ir doma arī par vairākiem citiem projektiem, arī par kādu, ko atvest no Itālijas. Šobrīd mēs vienkārši skatāmies, kas un kā notiks. Ir grūti runāt par lieliem plāniem – tam šobrīd nav īpaši labvēlīga augsne. Jā, šī biedrība dzimusi laikā, kad ir grūti radīt ko jaunu, bet varbūt tieši šādos laikos arī ir jādzimst jaunām lietām... Saprotu, ka viens mērķis biedrībai ir ideju ģenerēšana, jaunu koncertu veidošana. Vai tā ir arī domubiedru un līdzīgi domājošu mākslinieku pulcēšana ap sevi? Anta Jankovska: Gan – gan. Viens no šādiem cilvēkiem ir šeit, studijā, tā ir mana ilggadējā pianiste un draudzene Helēna Kundrāta, ar kuru mums bijuši ļoti daudzi kopīgi projekti. Šajos laikos izkristalizējusies tendence, ka mūzika sāk kļūt ļoti elitāra lieta – klausītāju vidusslānis sāk saplacināties. Tāpēc mēs savukārt gribētu radīt koncertus un projektus, kas domāti visiem cilvēkiem, tādus, kurus apmeklēt var atļauties visi. Protams, piedāvājot augstvērtīgus produktus. Tad jūs arī kaut kādā ziņā, domājot par Botānisko dārzu un Hanzas peronu, meklējat citas vietas - ne tikai, piemēram, operskatuvi vai mazākas zāles, kur atskaņot šo repertuāru. Anta Jankovska: Jā, vieta ir ļoti būtiska – tā ļoti daudz var iedot un daudz var arī atņemt. Šajā gadījumā Botāniskais dārzs nāca komplektā ar kovidsituāciju, jo mēs šo koncertu sākotnēji nebijām plānojuši eksponēt brīvā dabā, taču savā ziņā tas ļoti, ļoti saskan ar mūziku, kuru mēs radīsim. Šī vieta, atmosfēra, manuprāt, lieliski tai piestāv, vai ne, Helēn? Helēna Kundrāta: Jā, protams! Jo atgādina pašas Francijas dārzus un parkus. Kaut kas no Monē – dīķi un ūdensrozes. Būs kolorīta atmosfēra. Slavenais franču dziedātājs Pjērs Gornaks savulaik rakstīja, ka, piemēram, vācu vokālā mūzika ir tāda dūmakā tīta, metafiziskos miglājos apslēpta, satīta, savukārt frančiem galvenais ir formas un vēstījuma skaidrība un precizitāte. Viņš to gan teicis par vokālo kamermūziku, bet pieļauju, ka to var mazliet vispārināt. Kā jūs raksturotu franču opermūzikas pamatīpašības? Helēna Kundrāta: Jā, noteikti, ir brīži, kad vēstījumu vajadzētu nodot pēc iespējas skaidrāk, un šajā gadījumā, ņemot vērā mūsu nelielo sastāvu, mēs imitēsim orķestri un gluži pilnā operas skanējuma nebūs, bet ļoti patīkami, ka mūsu kolēģi Ivars Bezprozvanovs, Arvīds Zvagulis un Ilona Meija mūsu atskaņotajai opermūzikai piešķirs pareizākas krāsas, jo tikai ar klavierēm, lai arī tas būs akustiskais instruments, tomēr to nevar nodrošināt. Bet, kas attiecas uz dziedātājiem – arī es dažreiz esmu diezgan piekasīga, jo arī man ir svarīgi, lai būtu ne tikai izvokalizēti nošu augstumi, bet arī teksts tiktu parādīts tā, kā tam jābūt. Anta Jankovska: Iespējams, ne visiem piestāv franču mūzika – tā ir ļoti īpatnēja, ļoti smalka. Uzskatu, ka arī pavadošajam sastāvam jābūt ļoti, ļoti labai izpratnei par to un arī gaumes izjūtai jābūt – franču mūzikā gaume ir ļoti būtiska lieta. Protams, mēs, dziedātāji, pastiprināti strādājam pie fonētikas, jo franču valoda ir viena no visgrūtākajām valodām. Tā, kā ir jādzied pareizi – to var teikt tikai par tiem, kas dzimuši Francijā. Turklāt runājamā valoda atšķiras no dziedamās valodas. Tas nav tik vienkārši. Un vēl. Šajā koncertā mums šķita ļoti svarīgi parādīt ne tikai slavenos un visur dzirdētos opusus, bet arī kaut ko jaunu un nezināmu – kaut ko, ko skatītāji varbūt atklās pirmo reizi. Jo vienmēr jau skatītājam vajag gan to, ko viņš zina, gan to, ko nezina. Ja ir tikai nezināmais – ir grūti, ja tikai zināmais – kļūst garlaicīgi. Vairāk un plašāk - ierakstā.  

Composers can't always hang around waiting for a visit by Euterpe, the ancient Greek Muse of music, to sow a seed of inspiration for their next composition. Commissioning agents have a long and much-appreciated record of standing in for when that vital role of providing a creative impetus is required and this episode spotlights a few of them. 

Le Muse greche, è risaputo, erano nove sorelle (Calliope, Euterpe, Polimnia…) dedite alle arti (poesia, flauto, pantomima…). Tra loro però ne mancava una, la Scrittura, presente invece in altre mitologie. È possibile rimediare a questa curiosa amnesia proprio oggi? Autobiografie, diari, memoriali, epistolari, social network sembrerebbero segnalarci l'emergere di una comunità dispersa sempre più ampia di “narratori per diletto” e di grafomani. Chi sono? Chi siamo, noi che amiamo scrivere nelle circostanze più diverse della vita? E anche noi, con Italo Calvino, ci chiederemo: “Che cosa vuol dirmi questo mito”? Riscopriremo quali siano i miti che più guidano e proteggono il desiderio, spesso istintivo, di scrivere di noi stessi. Daremo finalmente un nome alla enigmatica decima Musa, troppo a lungo dimenticata, in attesa di riscatto dopo tanto silenzio.

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Synopsis Deadlines are a fact of life for many of us—and composer are no exception. In 1875, Peter Tchaikovsky agreed to write 12, short solo pieces, one a month, for a St. Petersburg music magazine, beginning with their January 1876 issue. Tchaikovsky dashed the first piece off, but, fearing that he might forget his monthly deadline, took the wise precaution of instructing his servant to remind him: before each month’s deadline, Tchaikovsky’s dutiful servant would say: “Peter Ilytich, isn’t it about time to send something off to St. Petersburg?” Tchaikovksy would drop whatever he was working on and finish the next installment. So, it’s not too far-fetched to imagine Tchaikovsky on this date back in 1876 putting the finishing touches to this little piano piece for the May issue of the St. Petersburg magazine, a sketch he titled “Starlight Nights.” More recently, the contemporary American composer, Judith Lang Zaimont, also composed a set of 12 short piano pieces, one for each month, a suite she titled “Calendar Collection.” An accomplish pianist and composer, Zaimont taught for many years at the University of Minnesota in Minneapolis. This music–which we again offer ahead of schedule–is titled: “The May-fly.” Music Played in Today's Program Peter Tchaikovsky (1840 - 1893) May, fr The Seasons, Op. 37b Lang Lang, piano Sony 11758 Judith Lang Zaimont (b. 1945) The May Fly, fr Calendar Collection Nanette Kaplan Solomon, piano Leonarda 334 On This Day Births 1464 - English composer Robert Fayrfax, in Deeping Gate, Lincolnshire; 1857 - Italian opera composer Ruggiero Leoncavallo, in Naples; 1869 - German composer and conductor Hans Pfitzner (see May 5); 1872 - American composer and music educator Arthur Farwell, in St. Paul, Minn.; 1891 - Russian composer Sergei Prokofiev, in Sontsovka (Bakhmutsk region, Yekaterinoslav district), Ukraine (Julian date: April 11); Deaths 1691 - French composer, harpsichordist and organist Jean Henri d'Angelbert, age 62, in Paris; Premieres 1627 - Heinrich Schütz: opera "Dafne" (now lost), at Hartenfels Castle for the wedding of Princess Sophia of Saxony; This work is supposedly the first German opera; 1776 - Gluck: Alceste (2nd version), in Paris at the Académie Royale; 1881 - Gilbert Sullivan: operetta "Patience," at the Opera-Comique Theatre oinLondon; 1904 - Chadwick: "Euterpe" Overture, by the Boston Symphony; 1911 - Berg: String Quartet, Op.3, in Vienna, by the ad hoc quartet Brunner-Holzer-Buchbinder-Hasa Quartet; A later performance in Salzburg on August 2, 1923, by the Havemann Quartet at the First International Festival for Chamber Music , however, attracted wider attention and established Berg's worldwide reputation in musical circles; 1920 - Janácek: opera "The Excursions of Mr. Broucek," in Prague at the National Theater; 1922 - Varèse: "Offrandes" for voice and small orchestra, in New York City, with Carlos Salzedo conducting; 1948 - Jolivet: Concerto for Ondes Martenot and Orchestra, in Vienna; 1958 - Robert Kurka: opera "The Good Soldier Schweik" (posthumously) at the New York City Opera; 1979 - Rochberg: "The Slow Fires of Autumn," for flute and harp, at Tully Hall in New York, with flutist Carol Wincenc; 1981 - Ezra Laderman: String Quartet No. 6 ("The Audubon"), in New York City, by the Audubon Quartet; 1993 - Morten Lauridsen: "Les Chanson des Roses"(five French poems by Rilke) for mixed chorus and piano, by the Choral Cross-Ties ensemble of Portland, Ore., Bruce Brown conducting; 1994 - Broadway premiere of Sondheim: musical "Passion"; 1998 - James MacMillan: "Why is this night different?" for string quartet, at London's Wigmore Hall by the Maggini Quartet; Others 1738 - Handel is a founding subscriber to the "Fund for the Support of Decayed Musicians" (now the Royal Society of Musicians) at its first meeting at the Crown and Anchor Tavern in London; The fund was started after the widow and children of Handel's oboe soloist, John Kitch, were found impoverished on the streets of London; Other subscribers to the fund included the British composers Boyce, Arne, Green, and Pepusch (Gregorian date: May 4).

Synopsis Deadlines are a fact of life for many of us—and composer are no exception. In 1875, Peter Tchaikovsky agreed to write 12, short solo pieces, one a month, for a St. Petersburg music magazine, beginning with their January 1876 issue. Tchaikovsky dashed the first piece off, but, fearing that he might forget his monthly deadline, took the wise precaution of instructing his servant to remind him: before each month’s deadline, Tchaikovsky’s dutiful servant would say: “Peter Ilytich, isn’t it about time to send something off to St. Petersburg?” Tchaikovksy would drop whatever he was working on and finish the next installment. So, it’s not too far-fetched to imagine Tchaikovsky on this date back in 1876 putting the finishing touches to this little piano piece for the May issue of the St. Petersburg magazine, a sketch he titled “Starlight Nights.” More recently, the contemporary American composer, Judith Lang Zaimont, also composed a set of 12 short piano pieces, one for each month, a suite she titled “Calendar Collection.” An accomplish pianist and composer, Zaimont taught for many years at the University of Minnesota in Minneapolis. This music–which we again offer ahead of schedule–is titled: “The May-fly.” Music Played in Today's Program Peter Tchaikovsky (1840 - 1893) May, fr The Seasons, Op. 37b Lang Lang, piano Sony 11758 Judith Lang Zaimont (b. 1945) The May Fly, fr Calendar Collection Nanette Kaplan Solomon, piano Leonarda 334 On This Day Births 1464 - English composer Robert Fayrfax, in Deeping Gate, Lincolnshire; 1857 - Italian opera composer Ruggiero Leoncavallo, in Naples; 1869 - German composer and conductor Hans Pfitzner (see May 5); 1872 - American composer and music educator Arthur Farwell, in St. Paul, Minn.; 1891 - Russian composer Sergei Prokofiev, in Sontsovka (Bakhmutsk region, Yekaterinoslav district), Ukraine (Julian date: April 11); Deaths 1691 - French composer, harpsichordist and organist Jean Henri d'Angelbert, age 62, in Paris; Premieres 1627 - Heinrich Schütz: opera "Dafne" (now lost), at Hartenfels Castle for the wedding of Princess Sophia of Saxony; This work is supposedly the first German opera; 1776 - Gluck: Alceste (2nd version), in Paris at the Académie Royale; 1881 - Gilbert Sullivan: operetta "Patience," at the Opera-Comique Theatre oinLondon; 1904 - Chadwick: "Euterpe" Overture, by the Boston Symphony; 1911 - Berg: String Quartet, Op.3, in Vienna, by the ad hoc quartet Brunner-Holzer-Buchbinder-Hasa Quartet; A later performance in Salzburg on August 2, 1923, by the Havemann Quartet at the First International Festival for Chamber Music , however, attracted wider attention and established Berg's worldwide reputation in musical circles; 1920 - Janácek: opera "The Excursions of Mr. Broucek," in Prague at the National Theater; 1922 - Varèse: "Offrandes" for voice and small orchestra, in New York City, with Carlos Salzedo conducting; 1948 - Jolivet: Concerto for Ondes Martenot and Orchestra, in Vienna; 1958 - Robert Kurka: opera "The Good Soldier Schweik" (posthumously) at the New York City Opera; 1979 - Rochberg: "The Slow Fires of Autumn," for flute and harp, at Tully Hall in New York, with flutist Carol Wincenc; 1981 - Ezra Laderman: String Quartet No. 6 ("The Audubon"), in New York City, by the Audubon Quartet; 1993 - Morten Lauridsen: "Les Chanson des Roses"(five French poems by Rilke) for mixed chorus and piano, by the Choral Cross-Ties ensemble of Portland, Ore., Bruce Brown conducting; 1994 - Broadway premiere of Sondheim: musical "Passion"; 1998 - James MacMillan: "Why is this night different?" for string quartet, at London's Wigmore Hall by the Maggini Quartet; Others 1738 - Handel is a founding subscriber to the "Fund for the Support of Decayed Musicians" (now the Royal Society of Musicians) at its first meeting at the Crown and Anchor Tavern in London; The fund was started after the widow and children of Handel's oboe soloist, John Kitch, were found impoverished on the streets of London; Other subscribers to the fund included the British composers Boyce, Arne, Green, and Pepusch (Gregorian date: May 4).

Is your writing uninspired? Need Inspiration? Or motivation? Call on a Muse! There are nine muses. One is sure to help with writing. But don't get them confused. Summon the right muse for your writing problem. In this episode, I share 9 ways to summon the muse. Warning: Muse summoning results may vary. LOL The muses are: 1. Clio 2. Euterpe 3. Thalia 4. Melpomene 5. Terpsichore 6. Erato 7. Polymnia 8. Ourania/Urania 9. Calliope By the way, all nine muses are characters in my glam, chiclit, feel-good, urban fantasy novel, Goddesses Inc.

Ciao a tutte e a tutti.Le Onde sono tornate! Eccoci di nuovo ragazze, ragazzi e ragazz*, dopo una lunga settimana di vuoto finalmente le nostre amiche sonore tornano a trovarci più in forze che mai. Il loro moto non è mai cessato in verità, ma il mio si, e per motivi strettamente legati alla salute ho dovuto molto a malincuore prendermi del tempo e dedicarmi alla guarigione. Ovviamente sono stati giorni noiosi, in parte, ma per fortuna che Euterpe è inattaccabile, ed è potuta correre in mio aiuto più e più volte iniettando le giuste dosi di quiete. Quindi è cosi in un febbraio davvero discutibile che ritorniamo a muovere i nostri passi nel mondo sonoro delle Onde e quella che arriva a noi oggi è la settima che riapre il cammino dopo questa breve pausa. Allora riprendiamo e riprendiamo alla grande! Per questa puntata oggi siede con me un mio grande amico, che è stato ed ancora oggi il mio mentore e punto di riferimento sulla musica. Lui mi ha portato con se nelle jam session milanesi ed io ho lo guardavo ammirato salire sui palchi e muovere i primi passi in quelle fucine musicali meravigliose. Insieme siamo stati nello stesso gruppo per alcuni anni e nonostante le mie non eccelse qualità non mi ha sbattuto fuori, ma abbiamo condiviso in quegli anni ore e ore e ore di prove tra sorrisi, sudore e canzoni che sono rimaste talmente sotto pelle da essere ormai dei tatuaggi. Lui è il primo musicista professionista che abbia mai conosciuto e siamo anche stati compagni di accademia alla civica di Milano, però io nella parte Cinema lui invece in quella Jazz. E’ uno dei musicisti più dotati e di talento che io conosca, è un grande affamato di musica e non è mai sazio, i suoi ascolti, gli studi musicali e le esperienze professionali lo hanno portato in lungo e in largo nel vasto mondo sonoro e alcuni di questi anche geograficamente.Lui è l’uomo, il musicista professionista, l’insegnate di chitarra a cui mi rivolgo quando ho dei dubbi musicali che riguardano le strutture, i tempi, tonalità, misure, ecc… e ha sempre avuto la pazienza di spiegarmi un sacco di cose. Per farvi un esempio tra i mille, lui mi diede modo di capire in profondità la struttura del brano Giant Steps di Coltrane dipanando le mie domande sul circolo delle quinte. Che poi io non l’abbia capita resta un altro discorso. Insomma questo per darvi una pennellata veloce, ma per me resta il punto di riferimento sulla musica da 20 anni almeno. Il nome del nostro ospite è Simone Albanese e per la sua puntata ha messo insieme 11 brani meravigliosi, 11 brani che ci porteranno in tante stanze dai sapori musicali diversi e per ognuno di loro, come facciamo sempre, scenderemo in profondità a scandagliare le scelte, i motivi, le prospettive e questa volta analizzeremo anche un po’ le strutture che li compongono.Sarà una chiacchierata che vola tra ricordi e piccole spiegazioni d’architettura musicale, quella che c’è ad attendervi al di la del tasto play.
Siate curiose, curiosi e curios* e, venite con noi ad ascoltare altri orizzonti sonori, e come sempre,buon ascolto!^_^
 - INFO SIMONE ALBANESE, THE STRAIN E PUNTATA 

IL DISCO DI SIMONE ALBANESE PER ONDE:https://open.spotify.com/playlist/5hQ9gokwQ5w6V1Qe8ev5VZINSTAGRAM DI SIMONE ALBANESE:https://www.instagram.com/simone.albanese.lpi/SOUNDCLOUD DI SIMONE ALBANESE:https://soundcloud.com/simone-albanese-2LET’S PLAY IT (Metodo per Chitarra):https://www.youtube.com/channel/UCpMcRLuJhMZtcmVm3Sio9xAINSTAGRAM THE STRAIN:https://www.instagram.com/thestrainrsd/FACEBOOK THE STRAIN:https://www.facebook.com/TheStrainRSDTHE STRAIN:https://www.kleisma.com/formazioni/profilo/the-strain?fbclid=IwAR0dDXVulBHIaW82EcoKJw1pCmqzpEeRBBLb_RVB6zb5kolQGmETXasc6fQ- INFO ONDE: MUSICA E DINTORNIMY LINKTREE:https://linktr.ee/onde_podcastPATREON:https://www.patreon.com/onde_podcastINSTAGRAM:https://www.instagram.com/onde_podcast/SPREAKER:https://www.spreaker.com/show/onde-musica-e-dintorniPAGINA UFFICIALE SU FACEBOOK:https://www.facebook.com/OndePodcastCONTATTI:onde.podcast@hotmail.comIL BRANO “ONDE” in testa e in coda all’episodio è stato creato, suonato e cantato da Camilla Battaglia.MUSICHE IN PUNTATA:Music Free Stock:https://www.free-stock-music.com/Lost Paradise by Purrple Cat | https://purrplecat.comMusic promoted by https://www.free-stock-music.comCreative Commons Attribution-ShareAlike 3.0 Unportedhttps://creativecommons.org/licenses/by-sa/3.0/deed.en_USplunderer by Barradeen | https://soundcloud.com/barradeenMusic promoted by https://www.free-stock-music.comCreative Commons Attribution-ShareAlike 3.0 Unportedhttps://creativecommons.org/licenses/by-sa/3.0/deed.en_USDay Ahead by Joe Crotty | https://soundcloud.com/joecrottyMusic promoted by https://www.free-stock-music.comCreative Commons Attribution 3.0 Unported Licensehttps://creativecommons.org/licenses/by/3.0/deed.en_USToo Cool For School by Audionautix | http://audionautix.comMusic promoted by https://www.free-stock-music.comAttribution-NoDerivs 3.0 Unported (CC BY-ND 3.0)https://creativecommons.org/licenses/by-nd/3.0/Vintage Memories by Schematist | http://www.schematistmusic.comMusic promoted by https://www.free-stock-music.comCreative Commons Attribution 3.0 Unported Licensehttps://creativecommons.org/licenses/by/3.0/deed.en_USChillShop by Deoxys Beats | https://soundcloud.com/deoxysbeats1Music promoted by https://www.free-stock-music.comCreative Commons Attribution-ShareAlike 3.0 Unportedhttps://creativecommons.org/licenses/by-sa/3.0/deed.en_USCoffee Break by Pyrosion | https://soundcloud.com/pyrosionMusic promoted by https://www.free-stock-music.comCreative Commons Attribution-ShareAlike 3.0 Unportedhttps://creativecommons.org/licenses/by-sa/3.0/deed.en_USFrolic by Purrple Cat | https://purrplecat.comMusic promoted by https://www.free-stock-music.comCreative Commons Attribution-ShareAlike 3.0 Unportedhttps://creativecommons.org/licenses/by-sa/3.0/deed.en_USGoing With The Flow by Purrple Cat | https://purrplecat.comMusic promoted by https://www.free-stock-music.comCreative Commons Attribution-ShareAlike 3.0 Unportedhttps://creativecommons.org/licenses/by-sa/3.0/deed.en_USFaithful Mission by Artificial.Music | https://soundcloud.com/artificial-musicMusic promoted by https://www.free-stock-music.comCreative Commons Attribution 3.0 Unported Licensehttps://creativecommons.org/licenses/by/3.0/deed.en_USSipping A Cold Drink by chillin_wolf | https://soundcloud.com/chillin_wolfMusic promoted by https://www.free-stock-music.comCreative Commons Attribution-ShareAlike 3.0 Unportedhttps://creativecommons.org/licenses/by-sa/3.0/deed.en_USDay Ahead by Joe Crotty | https://soundcloud.com/joecrottyMusic promoted by https://www.free-stock-music.comCreative Commons Attribution 3.0 Unported Licensehttps://creativecommons.org/licenses/by/3.0/deed.en_USMerry Bay by Ghostrifter Official | https://soundcloud.com/ghostrifter-officialMusic promoted by https://www.free-stock-music.comCreative Commons Attribution-ShareAlike 3.0 Unportedhttps://creativecommons.org/licenses/by-sa/3.0/deed.en_USa warm wind at 20p.m. by Barradeen | https://soundcloud.com/barradeenMusic promoted by https://www.free-stock-music.comCreative Commons Attribution-ShareAlike 3.0 Unportedhttps://creativecommons.org/licenses/by-sa/3.0/deed.en_USBefore I Forget by Artificial.Music | https://soundcloud.com/artificial-musicMusic promoted by https://www.free-stock-music.comCreative Commons Attribution 3.0 Unported Licensehttps://creativecommons.org/licenses/by/3.0/deed.en_US

Uma Pesquisa da Embrapa Amapá mostrou que a bebida de açaí (Euterpe oleracea Mart.) não sofre alterações no cheiro, textura e sabor se os frutos passarem por choque térmico de 80°C a 90°C. O choque é uma etapa essencial para inativação do Trypanosoma cruzi, causador da doença de Chagas, que pode estar presente em barbeiros contaminados. O estudo científico ouviu os relatos de consumidores do açaí tradicional da Região Norte e desmistificou o temor de que o calor alteraria as propriedades do alimento. Esse preconceito é uma das principais causas da rejeição do produto por parte da população e de alguns batedores, cujos frutos foram submetidos a tratamento térmico. A pesquisadora da Embrapa, Valéria Saldanha explica que o choque térmico nos frutos, ou branqueamento como é popularmente conhecido, elimina vários micro-organismos causadores de doenças, entre eles, o protozoário da doença de Chagas. Valeria Saldanha disse que os testes duraram dois dias com voluntários, que consomem açaí pelo menos uma vez por semana, degustaram a bebida e, em seguida, preencheram uma ficha de avaliação com perguntas socioeconômicas, impressão geral do produto e a intenção de compra. Participaram do ensaio sensorial 272 consumidores, homens e mulheres, que costumam a consumir o açaí. A maioria dos entrevistados (95,5%) aprovou o produto tratado termicamente, justificando apreciar as qualidades do que consideram o bom açaí: grosso e com cor, aroma e sabor característicos. Eles também afirmaram que comprariam o produto usado no ensaio, açaí médio preparado em batedeiras após os frutos serem tratados termicamente.

durée : 00:03:55 - Ca vaut le détour en Gironde - par : christine alban

A tour of the sound halls from new and old friends of the podcast00.00 - Welcome and Invocation of Euterpe / 02.32 - Report from the Operator / 05.33 - "You Should've Been There Too" - Vira Tuis Spunyarn / 10.34 - Introduction to Music 1 /(All music listed can be found at "artist's name" .bandcamp.com unless otherwise noted)12.12 - "Mama, I'm Coking Again" - Condor Club / 16.21 - "Could You Lie Out of Lips Like That?" - Oyster Guard (coming soon) /20.41 - "Pneumatic Orgone House" - Moth Face - mothface1.bandcamp.com / 25.20 - "Upper Wind" - Holly Waxwing - noumenalloom.bandcamp.com / 27.10 - "Septillion Reptilians" - Sevish / 32.13 - "Porcelain Escalator" - Dorudon (releasing Sept 8 on Oakland label Caverns) / 37.58 - "hard house" - Dylan Burchett + Matt Robidoux - objectform.bandcamp.com /40.23 - "4 Twins" - Joel Nelson + Joel Switzer (unreleased) / 44.07 - "Static Temple" - The Bouquets - earthlibraries.bandcamp.com / 47.03 - "Key" - Tony Hernandez / 51.30 - "P R I N T E R" - Young Robot /

Habia una vez en la antigua grecia un grupo de Ninfas de las montañas que vivian en las montañas y las cavernas. Las Oreades como se llamaban estás Ninfas se encargaban de proteger los bosques y las zonas rocosas de las montañas de grecia. Un día nació una ninfa con una cualidad especial. Tenía una voz especialmente bella. La ninfa era hija de un mortal y una ninfa y por eso no sería inmortal como las demás Ninfas. Su nombre era Eco y su voz era tan bella que las musas griegas quedaron prendadas de su voz y decidieron ellas mismas encargarse de la educación de aquella ninfa. Cuenta la leyenda que entre Euterpe la musa de las música y las canciones y Polimnia, la musa de los cánticos y la poesía religiosa fueron moldeando la bella voz de la ninfa Eco y que la misma Euterpe, la musa de la música y las canciones le enseño a tocar los instrumentos musicales y especialmente la flauta. Eco creció así en un ambiente donde sus voz, sus artes y su belleza la hacían sobresalir sobre las otras ninfas. Un día el Dios Zeus bajo del monte olimpo a las tierras de las ninfas del bosque para seducirlas, pero su esposa Hera que sabía las pretensiones de su esposo lo siguió hasta las montañas. Allí se encontró con Eco y esta para cubrir al dios supremo comenzó a cantar de una manera tan bella que Hera se olvido de su marido y se quedó simplemente deleitándose de las tonadas de la ninfa Eco. Al final de la jornada Hera se enteró que su Zeus había estado con las ninfas y comprendió que Eco la había estado entretuviendo para que no persiguiera a Zeus mientras se divertia con las otras ninfas. Furiosa decidió castigar a la ninfa y le dijo ESA LENGUA TUYA, POR LA QUE HE SIDO ENGAÑADA, TENDRÁ SU PODER REDUCIDO Y DISFRUTARÁ DEL USO MÁS BREVE DEL HABLA. y le quito el control sobre su voz permitiéndole repetir unidamente la ultima palabra que oyera, así no podría verbalizar nada hasta que otro lo hiciera y no podría quedarse callada cuando otro hubiera hablado antes. La maldición la hacia repetir todo lo que oyera pero solamente la ultima palabra. Avergonzada de su maldición la ninfa se retiro a vivir al campo y un día se encontró con el ser más bello que hubiera visto. Narciso. Narciso había nacido con el don de la belleza y cuando Eco lo vio quedo profundamente enamorada de él. Pero al tratar de acercarse a el este pregunto. Quien eres… eres eres respondio eco.. Que haces aquí pregunto narciso y eco solo respondio Aquí aquí. Fastidiado y horrorizaso Narciso que estaba enamorado de su propia imagen rechazo a la ninfa Eco. Y esta huyo hacia las montañas donde se oculto en las cuevas donde no pudiera llegar la voz de ningún ser. Con el tiempo Eco se fue marchitando y murió. Allí la encontró el Dios pan y ordeno a sus acompañantes que sus huesos convertidos en piedras se repartieran por todos los acantilados y cañones del mundo. La diosa Gea se compadeció de la suerte de la ninfa Eco e hizo que cada uno de sus fragmentos conservara la voz. Voz que aun se oye en todos los acantilados y cañones repitiendo las palabra que escucha de los visitantes. La voz del Eco.

Scritto e messo in voce da Gaetano Marino […] Erano dunque entità divine che avevano sempre avuto alto onore da parte di tutti e un grande rispetto. Esse rappresentavano l’ideale supremo dell’Arte, intesa come verità del “Tutto” ovvero l’«eterna magnificenza del divino». Ecco perché ad esse soltanto spetta il nome… Continue reading

durée : 00:06:20 - Tendez l'Olympe ! les Muses Euterpe et Terpsichore - par : Christophe Dilys - Nous passons ce dernier "Tendez l'oreille / tendez l'Olympe" en compagnie des Muses. Michael Praetorius a publié en 1612 le recueil "Terpsichore" (d'après la Muse de la danse), un recueil de 300 danses de son époque. Que nous apprend-il sur les habitudes de l'époque ? Qu'en faisons-nous aujourd'hui?

In this episode we will look at a brief overview of the nine muses, the deities of inspiration in the Greek Mythology; Calliope, Clio, Euterpe, Erato, Melpomene, Polyhymnia, Terpsichore, Thalia and Urania - and their roles as openings for the Illiad, the Odyssey, the Theogony - and countless other major works from the Ancient World (and also later in the Renaissance). Hesiod describes: "And one day they taught Hesiod glorious song while he was shepherding his lambs under holy Helicon, and this word first the goddesses said to me -- the Muses of Olympus, daughters of Zeus who holds the aegis: `Shepherds of the wilderness, wretched things of shame, mere bellies, we know how to speak many false things as though they were true; but we know, when we will, to utter true things.'" Here pointing out how the inspiration came to him while he was "shepherding his lambs" under the mountain, and also pointing out how creativity might be wrong and false, but sometimes, when "the muses will", also telling the brilliant and true things. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Patti Murin is an accomplished stage and television actress. Known for her acclaimed Broadway performances, Murin currently stars as ‘Anna’ in the Broadway production of Disney’s "Frozen." With lyrics written by Kristen Anderson-Lopez, Frozen is the timeless tale of a fearless princess who sets off on a journey alongside a rugged iceman, his loyal pet reindeer, and a naive snowman to find her estranged sister. Murin made her Broadway debut in 2007’s "Xanadu," in which she played the roles of Euterpe, Siren, and Thetis. Based on the film of the same name, "Xanadu" centers on a Greek muse who is sent to Earth to inspire Californians during the 1980s. Four years later, Murin played the lead of ‘Lysistrata Jones’ in 2011’s "Lysistrata Jones," a modern day adaptation of Aristophanes’ "Lysistrata." Soon after, Patti starred as ‘Glinda’ in the national tour of Broadway’s renowned play "Wicked." In addition to her performances on Broadway, Patti Murin has also starred in a wide range of off-Broadway theatrical productions. Most recently, Murin starred as ‘Linda Mason’ in "The Muny’s Holiday Inn" and Susie in "Lady, Be Good." At The Muny, she has also starred as ‘Roxie Hart’ in "Chicago" and ‘Ariel’ in "The Little Mermaid." In New York, Murin starred as ‘Princess’ in The Public Theater’s production of "Love’s Labour’s Lost." She also played the role of ‘Amber’ in The Cape Playhouse’s production of "Hairspray" and ‘Sharpay Evans’ in The Atlanta Theater of the Stars’ production of "High School Musical." Other theater credits include "Fly By Night," Jane Austen’s "Emma," "Band Geeks," "Give It Up!," "White Noise," "Princesses," "Glimpses of the Moon," "Beauty and the Beast," "Annie Get Your Gun," and "Crazy for You." On the small screen, Murin has starred as recurring character ‘Dr. Nina Shore’ in NBC’s “Chicago Med,” a medical drama set in the ER department of Chicago’s Gaffney Medical Center. She has also starred as ‘Ana’ in USA’s “Royal Pains.” Additionally, Patti Murin played the recurring role of ‘Ellen’ on ABC’s “All My Children.” Murin has also sung the national anthem at numerous sporting events, including a New York Mets game, Philadelphia Soul Football, and an event at Syracuse University. Patti Murin currently resides in New York City. 

Joining us on Episode 21 is three-term governor, presidential candidate, and public transportation advocate Michael Dukakis. Images of Michael Dukakis provided by FayFoto Collection, Northeastern University Library Archives and Special Collections (L) and Brooks Canaday, Northeastern University (R) https://repository.library.northeastern.edu/files/neu:cj82sw77j/audio.mp3 Michael Dukakis was born in Brookline, Massachusetts on November 3, 1933. His parents, Panos and Euterpe […]

In Ancient Greece, two brothers stand at the center of a drama that will affect the very nature of life, art, and humanity…"The Divine Gift" is a radio play from our live show, **The Master's Hand**, recorded 12/10/17 at The Slipper Room in NYC.Featured in the cast: Eirik Davey-Gislason as Mendacius, Marcus & Urania Mary Murphy as Beatus, Bonnie & Terpsichore Ali Silva as Calliope & The Stranger Kacie Laforest as Erato & Apate David Linton as The Tour Guide, Clio & Odysseus Michael Pate as Euterpe, Heracles & The Messenger Alain Laforest as Thalia & Perseus James Rieser as Melpomene, Achilles & The FatherThe song, “Portrait of my Love” by Norman Newell and Cyril Omadel, was performed by Susan O’Dea accompanied by Nico Sleator.Original story and radioplay by Courtenay Gillean CholovichDirected by Holly Payne-Strange Musical score improvised by Steve Blanco Sound Effects Designer and Engineer: Greg Russ Technical Director at The Slipper Room: Johnny Goddard Production coordinator: Brontis Shane Orengo Theme music by Jason Graves Podcast production by Ali Silva & Daniel Graves Post-production audio by Ali Silva Produced by Gustavo Rodriguez, Ali Silva, Daniel Graves & Rebecca Graves for Fireside Mystery ProductionsCopyright 2018 Fireside Mystery Productions[](http://www.firesidemysterytheatre.com)[firesidemysterytheatre.com](https://www.firesidemysterytheatre.com)@firesidemysterySnag some swag from our [FMT merch store](https://www.firesidemysterytheatre.com/merch)!#horror #macabre #mystery #thriller #suspense #audiodrama #radiodrama #radiotheatre #radiotheater #weird #radio #creepy #eerie #strange #ancientgreece #greekgods #mythology #muses #divinemuses #tragedy #comedy #fratricide #rivalry #art #divinity #curses

Hard Verses Episode 7: Inscription on the vesture and thigh (Rev. 19:16).     Wanted to clarify from last week the 1 Peter 3:18-19 (He spoke to the spirits that were in prison was from Don Gary, not Jordan Gray. The Problem. Rev 19:16 “And he hath on his vesture and on his thigh a name written, KING OF KINGS, AND LORD OF LORDS.” Much of Revelation has difficulty in nailing down concrete situations and details because of the symbolic language used. This verse is no different. The book is coded up because otherwise it would not get delivered or cause problems for the messengers. The Solution. Rev 19:16 “And he hath on his vesture and on his thigh a name written, KING OF KINGS, AND LORD OF LORDS.” The main problem we are having is a lack of historical knowledge on this custom. For time sack, I will not get into the previous and post verses but will focus strictly on this. What is a vesture? What is up with the thigh? “Two images likewise of this man are seen in Ionia, on the way that leads from Ephesus to Phocaea, and from Sardis to Smyrna. The figure is five palms in height; in his right hand he holds a dart, in his left a bow, armed after the manner of the Egyptians and Ethiopians. On a line drawn across the breast, from one shoulder to the other, are these words, written in Egyptian hieroglyphics: Εγω τηνδε την χωρην ωμοισι τοισι εμοισι εκτησαμην· ‘I obtained this country by these my shoulders;’“ i.e., by my own power. Heroditus, Euterpe speaking of the actions of Sesostris. In the Etruria Regalis of Dempster, in the appendix at the end of vol. ii., there is a beautiful female figure of brass, about twelve inches high, the hair gracefully plaited, and the head adorned with a diadem. She has a tunic without sleeves, and over that a sort of pallium. On the outside of the right thigh, close to the tunic, and probably on it, in the original, is an inscription in Etruscan characters. As these kinds of inscriptions on the thigh, the garments, and different parts of the body, were in use among different nations, to express character, conduct, qualities, and conquests, we may rest assured that to them St. John alludes when he represents our sovereign Lord with an inscription upon his vesture and upon his thigh; and had we not found it a custom among other nations, we should have been at a loss to account for its introduction and meaning here. Adam Clark Some suggestions from Pulpit Commentary below. (1) The name, written at length, is written partly upon the vesture and partly upon the thigh itself, where the garment would (in an equestrian figure) fall away from the thigh (Alford). (2) The name is written on the vesture, even (kai) on that part of it which covers the thigh (De Wette, Dusterdieck, Hengstenberg). (3) On the thigh, as the place where the sword usually hangs. (4) A reference to the custom of engraving the name of the artist upon the thigh of a statue (Cic., "Verr.," 4:43; see Wetstein). KING OF KINGS, AND LORD OF LORDS. As in Rev_17:14 (but inverted), where, as here, it portrays the victorious career of Christ over the "kings of the earth." - end of Pulpit Commentary. Studies in the Book of Revelation by Robert R. Taylor, Jr. An excerpt about Rev. 19:16. “Verse 16- On the garment and thigh of the Warrior King was an inscribed name- KING OF KINGS AND LORD OF LORDS. In the Gospel Advocate Adult Quarterly for the Winter of 1978 we have this fine summary of Revelation 19:16: His Lordship and sovereignty are emphasized here. All are subjects to his power. Kings of the earth, however powerful, are beneath him; lords, however, great, must ultimately answer to him. It is said that in ancient times and in Oriental lands it was not uncommon for men of great power and prominence to have their names inscribed on their garments so that they might be quickly recognized. We must not assume that such was literally necessary for the Lord to do in order that he might properly be recognized; the statement is a figurative one and the reference symbolic; it simply suggests the supreme power and unquestioned sovereignty of the Lord when he triumphs over his enemies (p. 54).   What about this name? continued. the number seven finds a place in the scheme of the Apocalypse so often that the following fact is well worth noting: leaving out the "and," by which St. John tells us to add the two titles into one name, the combination "King of Kings, Lord of Lords," in Aramaic [font unavailable to render] adds up to 777.[1]   The lesson for us today. Do we recognize Jesus as Lord of lords and King of kings? Do we recognize His commandments as law or are they just suggestions? Love your enemy, Seek ye first, etc. just suggestions or commandments?   Call to action.   Through e-sword (free for download, free to use) I used the following modules: Adam Clarke Burton Coffman Pulpit Commentary   Website has been updated preacherbryan.com to have a forum and the podcast front and center. Just click on the episode, press play. Subscription Stitcher, Itunes, Google Play Get connected: Facebook- Bryan Cook Twitter- Preacherbryan Google +- Bryan Cook   [1] KING OF KINGS, LORD OF LORDS (APOC. 19:16) Patrick W. Skehan.

Hoy, en el día del músico, les hablaremos de dos deidades muy ligadas con este arte. Santa Cecilia y la musa Euterpe. Acompáñanos en este nuevo viaje y evoluciona tus sentidos con sonido.

På Pompeo Batonis 1700-talsmålning kan man se guden Apollon instruera de två musorna Euterpe och Urania, musikens och astronomins musor. Apollon, ljusets, konstens, musikens och visionernas gud, har blicken i fjärran, och den ena armen på sin harpa, den andra utsträckt snett uppåt, pekande ut i det okända. De två musorna ser avvaktande på den vackre guden. Euterpe har två flöjter beredda. Man ser att de väntar på instruktioner. Hur ska de bära sig åt? I landet som ännu bara är en vision?Bengt Gustafsson funderar över forskares och musikers olika sätt att utforska det okända.Musiken är obeveklig. Naturen är det också, liksom naturvetenskapen. Men också tillfälligheter eller till och med misstag kan leda till nya rön och upptäckter.I spellistan bl.a Steve Reich, Edda Magnason, Toru Takemitsu, Karin Rehnqvist, Bela Bartok och Björn Skifs

PROGRAMA 16 =============================== Portada PDF 16 - Artwork · Usuario de Freakdom.org: Cyrus Balzak · Facebook: www.facebook.com/achumare2 01:42 Enlaces de Userbarna/Userboudi · Juego analizado: Captain Commando (Arcade) · Enlace a la ROM: http://www.emuparadise.me/M.A.M.E._-_... · Música de fondo: https://www.youtube.com/watch?v=KF7Vl... · Otras referencias: - Twitter de Eban: https://twitter.com/eban_cu - Definición de la palabra Mundo: http://lema.rae.es/drae/?val=mundo - Euterpe bar: https://es-es.facebook.com/euterpesan... - Con cinco duros: https://www.youtube.com/user/con5duros - Pócima Roja: http://www.ivoox.com/podcast-pocima-r... · Usuario de Freakdom.org: Userbarna · Twitter de Userbarna: https://twitter.com/Userbarna · Usuario YouTube: https://www.youtube.com/user/userbarn... · Blog: http://userbarna.blogspot.com 14:42 Enlaces de Jaeger · Randal's Monday: http://store.steampowered.com/app/314... · This war of mine: http://store.steampowered.com/app/282... · Otras referencias: - http://www.kinguin.net/ - http://www.metacritic.com/ - http://www.meristation.com · Música de fondo: - https://www.youtube.com/watch?v=fgb-q... - https://www.youtube.com/watch?v=0q05p... - https://www.youtube.com/watch?v=QTfSw... - https://www.youtube.com/watch?v=bUheG... · Usuario en Freakdom.org: Jaeger_esp · Canal de Twitch: http://www.twitch.tv/jaegeresp · Canal de YouTube: http://www.youtube.com/user/Jaegeresp 27:09 Enlaces de Kassidy · Página Oficial Square: http://goodmorningcrono.com/ · http://www.square-enix.co.jp/smart/ch... · Google Play: https://play.google.com/store/apps/de... iTunes: https://itunes.apple.com/gb/app/chron... · Música usada: - http://chrono.ocremix.org/ - http://thechronosymphony.com/ - Banda sonora del juego y versión orquestrada para lanzamiento DS 37:47 · Audio inicial extraído del documental: - El Universo de Stephen Hawkings - Seeing is believing: https://www.youtube.com/watch?v=oPOaZ... 38:56 · Concurteo II: http://www.freakdom.org/index.php?top... 46:33 · Freakshit: http://www.freakdom.org/index.php?top... ------------------------------------ Presentado por Userbarna/Userboudi · Usuario de Freakdom.org: Userbarna · Twitter de Userbarna: https://twitter.com/Userboudi · Blog: http://userbarna.blogspot.com.es/ · Canal de Youtube: https://www.youtube.com/userbarna1981

En donde Nos, Sus Catódicas Majestades nos gozamos en hablar de música y series. A tal fin recibimos en audiencia a Jesús Hernández, reconocido artista marcial, ilusionista y músico de pro con versatilidad propia de una navaja suiza. En su faceta de letrado en las artes de Euterpe (musa de la música para los de la ESO y aspirantes a tronistas) hablaremos de la música incidental de las series. 0:00 Intro catódica 02:28 Yoda se presenta al casting de “LA VOZ” edición imperio galáctico y nos ¿canta? Mecano… 04:18 Entrevistamos al músico Jesús Hernández que nos analiza las bandas sonoras de las series que más nos gustan… Y las que no nos gustan también… 59:36 ¿RUDOLPH? Y THOMAS, donde Thomas tiene que dedicarse a la canción para intentar salir de la cárcel tras el asesinato de Reagan. ¿Lo conseguirá? 1:04:48 Despedida con un viejo conocido 1:08:30 Juego de Tronos versión catódica. Ya vendrán las demandas

Ernesto Nazareth, o compositor que faz 150 de existência no ano de 2013, nesse podcast Tiago Malta (@OTiagoM) e Daniel MM (@Danielviola) contarão a história desse grande compositor brasileiro, sua trajetória de vida, e sua inovação na música brasileira. Nesse Podcast: -Relembre como se dança o Maxixe - Saiba quem são foram os "Guerreiros" 18 do Forte - Tente Desvendar o Falecimento desse Fantástico Pianista - E por último (mas não menos importante), ouça muita música boa Desenho da capa: Daniel MM Arte Final: Felipe Manhães Edição de áudio: Tiago Malta Trilha Sonora Apanhei te Cavaquinho Brejeiro - Conjunto Época de Ouro Coração que sente Dança do Maxixe - Companhia do Pagode Dengoso Eulina - Alexandre Dias GaúchoImproviso (Estudo De Concerto) - Maria José Carrasqueira Marcha Heróica ao 18 do Forte - Alexandre Dias Mesquitinha Não caio noutra!!! - Giovanni Sagaz e Eduardo Tiriba Moore O canto do Pajé - Coral Melodia Odeon - Bernd Lhotzky O Futurista (versão Piano Grafitado) - DJ MixXxuruca Super-homem e o piano do Espírito Santo - Funk Progressivo Tenebroso - Daniel MM Vitória - Alexandre Dias Você bem Sabe Links de Referencia site 150 Ernesto Nazareth www.ernestonazareth150anos.com.br Os 18 do forte http://www.forte.jor.br/wp-content/uploads/2012/07/Os_18_do_Forte.jpg Villa-lobos e o Estado Novo de Vargas http://euterpedespedacada.blogspot.com.br/2012/06/relacao-de-villa-lobos-com-o-estano.html Momento mico, dei uma nota fora (NOVO) Estado Novo de Vargas CONTATOS Fan Page: http://www.facebook.com/pages/Euterpe-Despedaçada Blog: http://euterpedespedacada.blogspot.com.br/ PodOmatic: http://euterpedespedacada.podomatic.com Twitter: https://twitter.com/#!/EuterpeDespedac Email: euterpedespedacada@gmail.com Youtuner: http://youtuner.co/channel/euterpedespedacada.blogspot.com.br Dihitt: http://euterpedespedacada1.dihitt.com.br/

Nesse programa solo com Daniel MM (@Danielviola), será apresentado a tetralogia do Anel dos Nibelungos, um breve comentário citando filmes, músicas e livros criados sobre a tetralogia, o programa contara com uma narrativa e vozes dramatizadas. Desenho e arte da capa: Felipe Manhães (@akminarrah) Edição de audio: Tiago Malta (@OTiagoM) Narração e vozes: Daniel MM (@Danielviola) e Kell Bonassoli (@KellBonassoli) Agradecimentos: Bruno Gunter (@gunfree) Músicas usadas Das Rheingold - Richard Wagner,Metropolitan Opera Orquestra,Regência de James Levine Trilha Sonora da animação de Eli Edel (Versão Resumida da Ópera original) Tapajos Rive - Uakti Links de referência: Graphic novel do estudio Pendragon, image force de Alex Alice (2012) http://www.youtube.com/watch?feature=player_embedded&v=yDoJMwjs0I8#at=47 A maldição do Anel de Uli Edel (2004) http://www.youtube.com/watch?v=cqiV-_xpbGc Animação de ALan Platt (2000) http://sabertv.com.br/repositorio/filme/?name=o_anel http://www.youtube.com/watch?v=s-4aqCImcW4 Anel dos Nibelungos de Fritz Lang 1924 http://www.youtube.com/watch?v=jTXLvCPeAvU

Nesse podcast, O trio de fé, formado por Tiago Malta (@OTiagoM), Daniel MM (@Danielviola) e Alan Costa (@neilpeartnoy), irá contar a história do Rei do Baião, Luiz Gonzaga, sentem do lado da fogueira, e curtam o trio improvisando nos Baianos. Trilha Sonora Carmen Miranda - Caroom pa pa Euterpe Despedaçada Band - Hamlet (versão abianado) Gonzagão - O Mangangá Grupo caboclinhos do ceara mirim Keiko Jkuta - Paraíba Lirinha - Ai se Sesse Lua - O Adeus da Asa Branca Luís Gonzaga - Xeêm Lula - From United States of Piauí Raul Seixas - White Wings (Asa Branca) Links de Referencia Caboclinhos de Ceará Mirim: http://www.youtube.com/watch?v=gfM0PYxrNlM e http://www.youtube.com/watch?v=rZc6O3NyArU Vira e mexe: http://www.youtube.com/watch?v=SAv3hhwtQ84 Pedro Raymundo: http://www.youtube.com/watch?v=gqmepjXaSHQ Carmem Miranda: http://www.youtube.com/watch?v=YS10KFH-98w Raul seixas: http://www.youtube.com/watch?v=mbt8FZhnQgE CONTATOS Fan Page: http://www.facebook.com/pages/Euterpe-Despedaçada Blog: http://euterpedespedacada.blogspot.com.br/ PodOmatic: http://euterpedespedacada.podomatic.com Twitter: https://twitter.com/#!/EuterpeDespedac Email: euterpedespedacada@gmail.com Youtuner: http://youtuner.co/channel/euterpedespedacada.blogspot.com.br Dihitt: http://euterpedespedacada1.dihitt.com.br/

I figli prediletti della musa Euterpe

Artist Album/Date Track Christian Scott Yesterday You Said Tomorrow/2010 K.K.P.D. Mostly Other People Do the Killing This is Our Moosic/2008 Drainlick Chris Lightcaps Bigmouth Deluxe Platform Mickey Finn & Cuong Vu Gagarin! Serpente Rudresh Mahanthappa Dual Identity/2010 Foster Brothers George Russell's Living Time Orchestra Its About Time Its About Time Part 1 John Coltrane Quartet First Meditations (for Quartet)/1965 Joy Mostly Other People Do the Killing This is Our Moosic/2008 East Orwell Christian Scott Yesterday You Said Tomorrow/2010 The Roe Effect Rudresh Mahanthappa Dual Identity/2010 SMS Mickey Finn & Cuong Vu Gagarin! Again Again The Don Pullen Quintet The Sixth Sense/1985 The Sixth Sense Chris Lightcaps Bigmouth Deluxe Two-Face Andrew Hill One for One (Re-Issue)/1965 Euterpe Christian Scott Yesterday You Said Tomorrow Angola, LA & the 13th Amendment

Rod B. & Alvaro Garfunk bring you the premiere of "Miami Underground Movement." UMEK  tracklist1.    Kiki – Dancing Graffiti (Bpitch Control)2.    Lars  Sommerfeld – Don't Say Baby (Two Faces Rec.)3.    Marc O'Tool + Criss Source – Indigo (X.L.R.8.R)4.    Nicolas Stefan – 080Four (Karatemusik)5.    Lissan & Stills – Wings (Sic Rec.)6.    Pawas Gupta – Alicia (Flash)7.    Jeroen Verheij – Chica-Go (Rejected)8.    Radio Slave – Bell Clap Dance (Rekids)9.    Wollion Harada – Metropolitan Fulltime (BluFin)10.    Soren Matschiste – Last Train (Etui Rec.)11.    Velkro – BBQ (Lo Kik Rec.)12.    Davis and May – Take Off And Leave All Behind (Piemont Rec.)13.    Solaris Heights – No Trace (Popof RMX)14.    Harvey McKay – Powder From The Gods (Perc Trax)15.    CrisP – Monohybrid (Circle Digital)Uros Umek is internationally acclaimed deejay and music producer from Slovenia, seducing the masses with his own music blend for more than a decade. Always on the look for new sounds and determined to challenge every existing cliché in music industry, he managed to define his own vision of vanguard techno. Sure, this would not happen without the support of his loyal peers who've joined him on the production platforms such as Recycled Loops, Consumer Recreation and Astrodisco, with which they defined "Slovenian techno sound" and successfully it as an important driving force on the global club scene. He started his journey to the stardome as an excellent athlete, running between two baskets, but it was Euterpe the Muse of music and poetry that paved Umek's life-path. She got him totally unprepared, seduced him with no further notice, so he had no chance of getting out of her treads. He devoted his life, his heart, all of his passion and energy, to the sounds he discovered as a teenager. Pioneering the genre he became one of its most appreciated ambassadors with faithful worldwide audience simply known as The Father (of Slovenian techno). Sleeping on past achievements was never Umek's thing. So it's nosurprise he decided for complete renovation of his sound and live set performance though being steady member of Top 100 DJ lists for almost a decade. The year 2007 marks beginning of a new chapter in his music career. After spending enormous amount of time and artistic energy bringing his characteristic sound to the whole new level, he presented new international music therapy called 1605 – Sixteenofive. No doubt this was a very risky move. But it was the only way for him to stay on top of the game. And it seems he made the right decision at the crucial time: the response to his new vision of electronic dance music from his peers, critics, media and most importantly his fans is great and his production is supported by some top names in the industry. FALLING IN LOVE "As far as I remember, my first serious contact with music was trough pop artists such as Michael Jackson, Modern Talking, Falco and Yugoslavian singer Daniel, who rocked the Eurosong audience in the early 80's with the infamous hit single Djuli. (Laugh.) My mother is the one to blame. She bought me my first radio which I've listened to 'till exhaustion," apologizes Uros. He brought his music passion to the next level few years latter, discovering the record button on his first double cassette player/recorder. "That enabled me to start my own music collection. I've recorded songs from Slovenian disco chart program, which presented top commercial tunes on weekly basis. I also managed to get my hands on some rare pirate cassettes with dance and techno tunes, but even few years after Slovenia became independent I didn't really know where to look for that modern electronic sounds that I liked so much. I didn't know anyone who listened to that stuff. Until I discovered Cool Night, specialized broadcast on Ljubljana's alternative student radio station. The Monday evening slot was run by original pioneers of electronic dance culture in Slovenia, Primoz Pecovnik (now boss of indie label Matrix Music), Brane Zorman aka MC Brane of Beitthron and Aldo Ivancic of Borghesia. HE'LL BURN IN HELL If there's any symbolism in the beginning of his clubbing career, DJ Umek won't escape burning in Hell for at least few decades: "I've told my mother I'm going to church to attend festive midnight mass on the Christmas night, but I was determined to visit MC Brane's party at Ljubljana's underground club K4 for the first time that night. I was expected to be home at 1 am, but wasn't 'till 4 am, so the curfew was imminent," Umek remembers popping his club cherry. When the martial law eventually lifted and his mum decided to soften the regime, he found himself dealing with new challenge. He was allowed to go clubbing at the weekends but was expected to be home at 3 am. The trick was, as it usually is, that the first morning bus to his home neighborhood departed from the centre of the city fifteen minutes later. Solving problem wasn't easy, but being young and determined there was no problem for him running trough the half of the city twice a week: "Running few kilometers in the middle of the night after clubbing really wasn't as hard as it seems. I was training basketball at that time, so I was really fit." It's more than a decade since he traded career of basketball superstar for the nightlife debauchery. It would be interesting to see what he could have achieved as an athlete. Namely, he was selected for the junior national team just as he parted from the sports, and some of his former colleagues became key players in the top USA and European basketball leagues. HE GOT HOOKED The industrial designed K4 club in the basement of Student's Union HQ in the centre of Ljubljana is still considered to be Umek's resident club, although he's not an official resident deejay anymore. But since his most loyal fans are still gathering there, K4 remains the playground for testing new productions, concepts and sounds. "It's where everything started. This is the place where I've got in touch with first Slovenian electronic projects such as Anna Lies, Clox or Random Logic. Some of those guys were and still are important part of my life. It was Jure Havlicek who ultimately influenced my decision to get involved in professional music production. Gregor Zemljic is mastering all of my tracks. And I've founded my first band Mouse Trap with Uros and Vid, who have opened my eyes and ears to this culture." It was his friend's Uros home where Umek got in touch with UK based pirate radio stations such as Green Apple/Dance Nation. "We picked up this programs via satellite dish. They played hardcore, breakbeat and techno non stop at the weekend, and even though we were recording it, we never left the house so we would not miss anything!" His friend was also the one who introduced him the Screen Tracker. "It was the very basic 8-bit resolution production tool with four mono channels, but that's how everything started. After I've finally managed to save enough money to buy proper sampler, the outside World ceased to exist. I've became totally obsessed with that box. I've spent up to sixteen hours a day working on that machine." AND SO HE BEGAN Although he's established technician, master of three decks and FX performances, it wasn't easy for Umek to get acquainted with those needles and mixers in the first place. You have to bear in mind his home country was part of former eastern block and most of the small clubs could only afford cassette and CD players at that time. "I could only dream of having my own decks in the beginning of 90's. As a single parent my mother could not afford that kind of expense. But I was lucky I've met few guys that recognized the talent in me and gave me the opportunity to start." Umek was regular at club Palma matinees at that time. He spent most of the afternoons standing in the corner watching deejay mixing records, until one day resident DJ Alf offered him to finish his set. He seized the opportunity, somehow managed to get trough the night and they've agreed he can practice on that decks and mixer for an hour or so before the weekly matinee. "After I've conquered the technique and performed for a few times in Palma, I've got offered opening slot at Aldo's night in K4. It only paid as much to buy one CD, but it was a steady job and I really liked it." It was also the time when he decided to sell his collection of 200 CDs. "It's something I still regret, but it was the only way to earn money I needed to buy vinyl." In the early 90s buying techno records seemed almost a mission impossible for someone living and working in Slovenia. Closest shop with that kind of music was in Germany, almost 500 kilometers away from Ljubljana. "We heard there are some records shops in Munich. So we've booked the weekly shopping bus, drove to Munich, and found that shops on our own. It wasn't easy but we've successfully finished that adventure. I've only had enough money to buy eight records, but this is how my collection started." BUILDING THE SCENE Germany was also the place where Umek got in touch with the rave scene. "It was an amazing experience, when I attended my first Technomania party with 15.000 revelers on seven floors placed in a hangar on the outskirts of Munich. And when I've entered twice as bigger Mayday arena for the first time I knew I want to be in that deejay booth one day. Few years later I was. Although I've thought to myself what the heck am I doing at that commercial masquerade in the backstage, I've changed my mind when I've finally stepped into the deejay booth. I've seen all those kids waving hands and shouting to me as being their god, and I'm sure some of them thought just the same as I did years before them. So, I've just smiled and performed one of the best sets of my career that can still be found on the internet." Totally hooked on exploding ravemania, Umek and his peers started organizing bus transfers to rave parties in Germany. They were enyoing themselves and they were learning along the way. So it was just a matter of time when they decided to start putting up their own events. "The first one was total disaster," remembers Umek. "We've leased the local fireman's hall for the night but only managed to attract hundred of revelers. We were so broke, we couldn't even afford cleaning lady the morning after." But they could not be stopped by that debacle. They worked their way from event to event, got in charge of small club in the outskirts of Ljubljana and gradually became one of the leading promoters in the country. "I still remember the illegal rave party we've organized in the countryside outside Ljubljana. It attracted surprisingly big mass of people and one of the main national newspapers reported of the incident, since we were dispersed by the police. And there was the local politician, real smart guy that made us all laugh: he stated that the cows in the nearby village stopped lactating ( i.e. giving milk) because of the stress induced by loud techno music. … No, I'm not kidding. This really was in the papers and can still be found in the archives." THE BIG BREAK DJ Umek made his name in Slovenia by hosting some of the best club nights in the country. Clubbing scene in Zagreb, Croatia was much stronger in the beginning of 90s, but it was him and his peers that changed that in just a few years by turning their home turf into most prolific party scene in the whole region. It was also the time of experimenting for Umek. He was mostly known as techno deejay, but loved to play underground house, too, especially at the after parties. And since he had the biggest collection of house records in Slovenia, he quickly became involved in building the house scene as well. At some point he was so much into house, he played four gigs a week, but only twice a month techno set. "I felt really suffocated as an artist with all that house, because I couldn't focus on techno, my main genre. One night at Ambasada Gavioli I decided I won't play house anymore. I grabbed some Chicago house records, pitched them, played really banging set and gave farewell to the club. I've returned to K4 and focus on techno again." He returned to Ambasada Gavioli the next year, this time as a techno specialist. Since he was treated as the second resident, the favorite of club management always being his good friend Valentino Kanzyani, Umek had no competitive clause and could take bookings wherever and whenever he desired. Meeting top techno DJs from all over the world, establishing new friendships and gathering contacts he started performing at the best venues all over the World. Quickly he assembled crowds of faithful fans from Berlin to Tokyo, making impression as a great technician and programmer, but it was his special blend of music known as Slovenian Techno which has put him on the map as one of the tope names in the genre. RECYCLED LOOPS As the founding pillar of Slovenian electronic music scene Umek co-founded his first label in the mid 90s. Absense (and its sub-label Expire) was the first specialized techno label in the region, home to artists such as Umek, Anorak, Random Logic, Brother's Yard or Clox, quickly becoming popular with artists such as Laurent Garnier or Sven Väth because of its unique sound. But it were the Recycled Loops in Earresistible Musick labels that really established Slovenian electronic dance sound as one of the driving forces on the global scale. The first mentioned joint venture with Valentino Kanzyani was and still is reserved for underground techno releases, while the second serves as a platform for hard, electronic house experiments. "The idea for starting our own label wasn't originally ours. The plan was to launch Next Wave imprint as Ambasada Gavioli offspring. Everything was set up, we've recorded our first record, but then suddenly Valentino terminated his partnership with the club management, and since I was performing there solely as a favor to him, I left too. But we were determined to release our production and decided to start the label on our own. The first release was distributed by Prime and since it sold good they've supported the launch of our own label. The name was picked up as a statement and description for the sound we were promoting at the same time. Namely, that was the time when we recycled old techno loops." Umek is currently involved in running another two independent labels. He is one of four guys behind experimental Astrodisco project, which is Slovenia's unique answer to "minimal" explosion. The other one is the extension of his new 1605 – Sixteeenofive concept, which was launched in the early 2007 as international platform for promotion and development of new electronic sound structures and approaches to deejay performances. Guy Gerber, Extrawelt, Gregor Tresher, Billy Nasty, Mikkel Metal, Mike del Saar, Matthew Hoag, Alex Long and other artists are already involved. WANT TO RECREATE? Although not so known to international crowd Consumer Recreation project played major role in Umek's career and was really important for the progression of Slovenian electronic music scene, which is still developing nicely. The incentive which includes deejays Bizzi, Dojaja, Psiho & Plotz started as a promotion crew behind some major techno events in the country. It became even more important as the weekly radio show and label of the same name were lunched. "The basic idea behind this project was to promote the freshest stuff on the scene. At that time I was already household name in the global techno circuit, so I was sent a lot of promos which we played in our radio show and at the clubs. For example: our radio policy was to never play any record more than once, since we didn't even have enough time to play everything we wanted." When Consumer Recreation joined forces with Taotech and some other guys Explicit Music was born. It brought the organization part of Slovenian party scene on the whole new level. Big open air festival series such as Meet Me and Sindustry, indoor parties such as EUrora and the string of smaller club nights marked the beginning of new millennium in the whole region, not only in Slovenia. In 2005 Explicit Music was dissolved and Futuristing Music crew stepped into its place continuing the legacy. The productions of FM crew include major annual events such as DiscoNautica gathering, Umek's solo action in Ljubljana's central park Tivoli and The Day of Electronica festival. The Astrodisco project is original Slovenian answer to "minimal explosion". It's designed as a test-platform for creative multimedia boutique club nights wrapped into futuristic electronic sounds. It builds on the whole club experience, authentic music production, unique décor, exclusive VJ performances and unusual combinations of arts and crafts such as building real moving Astrobots. LOOK AHEAD The classic ambient of summer theatre designed by eminent architect Jozef Plecnik hosted Dan elektronike (The Day of Electronica) party, the launch pad for Umek's new project 1605 – Sixteeenofive in May 2007. New international sound development platform is designed to promote live performances of vanguard electronic artists. Gregor Tresher, Guy Gerber, Mikkel Metal, Extrawelt and leading Slovenian producers were hand picked to perform at this event. The launch of 1605 – Sixteenofive platform marks the beginning of a new chapter in DJ Umek's music career as he spent enormous amount of time and artistic energy bringing his characteristics sound to the whole new level. No doubt this was a very risky move. But it was the only way for him to stay on top of the game. And it seems he made the right decision at the right time: the response to his new vision of electronic dance music from his peers, critics, media and most importantly his fans is great and his production is supported by some top names in the industry. The third edition of annual Umek at Park Tivoli open air party which attracted more than 30.000 souls was also the right time and place to test the new equipment. On that occasion Umek put in motion his new digital setup. But this is just the beginning of his live performance refreshments that will be presented to the public once his long expected new artists album will finally be released.Special Thanks To  Umek and Mr Urban Jeram   www.umek.siUMEK BOOKING CONTACT:Tina / Kne'deep Berlin tina@knedeep.netKne'deep BerlinP.O. Box 41 12 0212122 BerlinPhone: +49 30 97 00 23 57Fax: +49 30 79 78 38 53www.knedeep.netMy URL: myspace.com/mummiamiundergroundmovement