Podcasts about Trojan War

Ill Will Hunting Matt Damon has trouble finding a way home after winning the Trojan War with a duplicitous offering to Athena (Zendaya) in Christopher Nolan's epic re-telling of The Odyssey.  Is there something more than the giant cyclops, spellcasting witch, Charlize Theron's lotus flower diet, or the ghost of fallen soldier Elliot Page that prevents this Ithacan King from reclaiming his throne?  And how pissed will son Tom Holland be if mom Anne Hathaway reads Twilight instead of Homer, and marries Robert Pattinson? Find Out Now!

What happens when a poet who survived prison sits down with the world's oldest war story--and reads it in three sleepless, wandering days? In this second episode of the EconTalk Book Club on the Iliad, Dwayne Betts and EconTalk host Russ Roberts trade their impressions of the Iliad, discovering it's less about war than about fathers, friendship, and the stubborn dignity people find inside fates they can't escape. Betts connects Achilles's rage and grief to his own experience of incarceration and depression, while Roberts marvels at Homer's cinematic style and the strange tenderness between enemies. Together they unpack the shield of Achilles, the ransom of Hector's body, and how an ancient poem about war still cracks readers open today. It's a conversation about reading as communion--and how a 2,800-year-old story became, unexpectedly, a way of connecting to each other.

It's an EPIC New Movie Monday as we review one of Christopher Nolan's most Messed Up movies to date - The Odyssey! Griffey, Heath and Sam marvel at this massive, cinematic spectacle while licking their own battle wounds from Days of the Dead in Indianapolis. Sam is our Trojan Horse of knowledge as he schools us on the ways this epic update honors and belies Homer's original text, we celebrate the star-studded casting, navigate the many Messed Up moments we've never seen from Christopher Nolan before. Support the show on the Patreon: https://www.patreon.com/c/messedupmoviespod Logline: After the Trojan War, Odysseus faces a dangerous voyage back to Ithaca, meeting creatures like the Cyclops Polyphemus, Sirens, and Calypso along the way. Directed by: Christopher Nolan Starring: Matt Damon, Anne Hathaway, Tom Holland, Zendaya, Robert Pattinson, Charlize Theron, Himesh Patel, Mia Goth, John Leguizamo, Lupita Nyong'o, Logan Marshall-Green, Jon Bernthal, Elliot Page, Benny Safdie, Travis Scott

Send us your fan mail :)After the Trojan War, Odysseus faces a dangerous voyage back to Ithaca, meeting creatures like the Cyclops Polyphemus, Sirens, and Calypso along the way. In todays episode I dived into Christopher Nolan's The Odyssey. OUR SOCIALS:INSTAGRAMTWITTERLETTERBOXDCONTACT US: courtofcinema@gmail.comSPEAKPIPE

This week is a monumental one for the show! We are tackling the cinematic event of the year: Christopher Nolan's The Odyssey (2026). And, to make this episode even more special, we are joined by cast member Andrei Lenart!Directed by Christopher Nolan and shot entirely on IMAX 70mm film, The Odyssey isn't just a movie—it's a global experience. Starring Matt Damon as the war-weary Odysseus, the film charts his decade-long struggle to return to Ithaca after the Trojan War, weaving together his grueling sea voyage and the desperate situation back home with Penelope (Anne Hathaway) and Telemachus (Tom Holland). Fun Flix Fact: This production makes history as the very first feature film to be shot completely on IMAX film, pushing the boundaries of what large-format cameras can capture—from the desolate shores of the Scottish Moray Firth to the sun-drenched landscapes of Sicily and the sands of Western Sahara.Fun Flix Fact: The film's "Trojan Horse" sequence is a masterclass in production design, reimagined by Nolan as a towering, unsettling monument that draws inspiration from Ozymandias and Planet of the Apes, turning the ancient trick into a dark, visceral centerpiece of the film's opening act.We are thrilled to welcome Andrei Lenart to the show! Having worked on projects ranging from Kingsman: The Secret Service to Kill 'Em All 2, Andrei brings an incredible physical intensity to the screen. We'll be diving deep into what it's actually like to work on a high-stakes, multi-country Nolan set.And if that's not enough entertainment for you, we've even thrown in new trailers to watch and what you can catch on streaming. Hit that subscribe button right now so you never miss an episode of The Flixters! We're here every week to bring you the best reviews, the wildest facts, and the greatest cinema talk in the business. 00:00 Intro 01:43 Andre Lenart04:17 Who is the Goatman05:35 Avengers07:59 Arnie/Secret Level12:05 Starting Out14:21 Voice Acting15:14 Video Games18:16 Working with Jean Claude Van Damme24:24 Preparation29:07 Movie News35:06 New Trailers45:25 The Odyssey Review1:08:15 OutroThis episode is proudly sponsored by Zencastr. Create your podcast today! #madeonzencastr

The Odyssey is a story that's almost three thousand years old. With each iteration, a new generation of storytellers gets a chance to portray a complicated man trying to make his way to his wife Penelope after the Trojan War. Director Christopher Nolan talks with NPR's Scott Detrow about what his version offers contemporary audiences.See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Bob's Back! We caught up with Bob's opinions on Obsession and Mother Mary before diving into this week's new movies. Evil Dead Burn Directed by Sebastian Vaniceck Starring Souella Yacoub Evil Dead Burn is the upcoming standalone entry in the long-running horror franchise, promising an intense, visceral experience under director Sébastien Vaniček. While plot details remain secret, fans can expect Deadite chaos, brutal scares, and new characters led by Souheila Yacoub. With its focus on expanding the series' dark mythology and a reputation for delivering relentless horror, early buzz suggests it's one to watch for genre fans when it hits theaters July 24, 2026. The Invite Directed by Olivia Wilde Starring Seth Rogen, Olivia Wilde, Ed Norton and Penelope Cruz The Invite is a sharp, funny, and emotionally honest chamber comedy-drama about a married couple whose tense relationship takes an unexpected turn during an evening with their neighbors. Set almost entirely in one apartment, it blends biting humor with raw explorations of love, sex, and commitment. Critics praise Olivia Wilde's direction, stellar performances, and witty script, calling it both entertaining and surprisingly moving, making it well worth watching. The Odyssey Directed by Christopher Nolan Starring Matt Damon, Anne Hathaway, and Tom Holland The Odyssey (2026), Christopher Nolan's epic adaptation of Homer's classic, follows Greek hero Odysseus on a perilous journey home after the Trojan War, encountering gods, monsters, and treacherous seas while his family faces turmoil in Ithaca. Shot entirely in IMAX with a star-studded cast led by Matt Damon, it promises sweeping visuals, intense action, and Nolan's signature scale—making it one of 2026's most anticipated cinematic spectacles. Classic My Dinner with Andre Directed by Louis Malle Starring Andre Gregory and Wallace Shawn

“I want someone who has regrets. I want someone who's learned the hard way. I want someone who understands that life is made of those messy compromises.” — Joel Christensen on the Odysseus he hopes to see in Matt Damon Christopher Nolan's The Odyssey is out — the controversial movie of the year, much of the controversy raging before anyone had seen a frame. So, before either of us had seen the epic, I talked to the CUNY classicist Joel Christensen, author of the timely Why Odysseus? Survivor, Scoundrel, (Anti)hero. What, I asked Christensen, did he most dread about Hollywood's treatment of his beloved Odyssey? His answer: a hero too noble to be interesting. The Odysseus of the epic is a survivor, a scoundrel, an antihero — the master sergeant who does what needs to be done, from engineering the Trojan Horse to making sure Hector's infant son doesn't survive it. Christensen's worry about Matt Damon came down to one word: too likeable. What he wanted instead was a man with regrets — De Niro in Raging Bull rather than anybody noble. So did Christensen get the Odysseus he wanted? Below is his review, written after seeing the film when it came out. Postscript: Joel Christensen's Verdict on the Film Nolan's Odyssey is not Homer's Odyssey. This should be clear to anyone. Nolan faced an almost impossible task well: ancient audiences knew the story already. Modern audiences do not, so he created a ring structure with the beginning union of Penelope and Odysseus anticipating the reunion at the end, also introducing plot elements like the dog Argos and the pin by which Penelope will recognize Odysseus. The film is not Homer. Homer's power is poetry; the film's is image. Some of the images are striking: the scene when Circe turns his men into animals is the most arresting in the whole movie, showing everything that can be done with visceral imagery and a slight adaptation (Circe here is a survivor of sexual assault). The changes made to the plot such as omitting the Phaeacians, Nestor, Laertes, the bed and more are not as jarring as some of the general decisions. Calling “Zeus' Law” “do unto others…” makes an understandable translation to a Christian context, but it is somewhat nonsensical for Homer. Depicting a mutilated Helen is a strange decision that I am struggling with. What the movie gets right is making humans responsible for their own suffering. In a novel take on Odysseus as a traumatized warrior, the hero spends seven years with Calypso eating Lotus to forget the loss of his men. Damon, too likeable, regrets the trick of the Trojan Horse after witnessing the slaughter during the sack of Troy. We find out as well that the “sea people” from history, bringing an end to the “civilization” are actually the Greeks returning from the Trojan War and suffering for the transgressions they committed there. Is this ending an echo of Zeus' plan to end the race of heroes in the Trojan War? Is it an allegory for our civilizational collapse in the future thanks to technology, environmental catastrophe, and fascism? Any potential social critique dissipates with the movie's end. The traumatized veteran turns out to be merciful and kills only some of the suitors, showing many mercy. Then, guilty of violating “Zeus' Law”, Odysseus happily goes into exile with Penelope, leaving Telemachus to be king. There's no way to make Homer's Odyssey into a film and convey all its ambiguity and depth. That would be an unfair expectation. Nolan's film is a compelling spectacle and it makes me wonder more about how it reflects who we are as an audience. Do we need the hero to be ultimately good, even if he messed up? Are we so simple that we need to hear about Zeus' Law and the Sea People so repetitively? I fear that in this age where fiction and fact are so hard to disentangle, that we long for narratives that are just simpler. We don't get the Odyssey we want; we get the one we deserve. Five Takeaways •       A Complicated Man: The Translation Problem. Every word of Homer carries echoes no English can hold, and the fights over Nolan's dialogue replay the fights over translation. Emily Wilson detonated a controversy by rendering polytropos — poly, many; tropos, turn — as “a complicated man,” alluding at once to Odysseus's travels and the many forms of his character; Daniel Mendelsohn's “man of roundabout ways” does the work too, if you can stop thinking about rotaries. Even the objection to Tom Holland's Telemachus saying “dad” collapses on inspection: Telemachus uses the colloquial form in Homer. And the “authentic” dialect purists want was an artificial amalgam that no ancient Greek ever spoke. •       The Culture Wars Come for Homer. Nobody remembers a brouhaha over Wolfgang Petersen's Troy — a pretty bad movie, Christensen notes — but Nolan's Odyssey generates more controversy than a scholar can track daily. Lupita Nyong'o's Helen is attacked as inauthentic by one side and as cultural appropriation by the other; since 2015, classicists have watched the Western tradition weaponized by the alt-right while their own field argues about who owns it. Christensen's advice channels the epic itself: between Scylla and Charybdis, take Scylla. You'll lose six men. The alternative is losing the ship — and if the story doesn't persuade in three hours, nobody will remember the armor anyway. •       The Valence of Violence. Modern audiences are more accustomed to represented violence than any in history — you don't need Natural Born Killers when Twitter serves unverifiable clips from Gaza and Iran. The question Christensen brings to the film is what the violence is for. Uberto Pasolini's The Return gave Ralph Fiennes's Odysseus a steady, untroubled thump of arrows; the epic's own slaughter of the suitors, read closely, approaches Tarantino-adjacent parody. And the hardest tests are the atrocities the adaptations always cut: the mutilation of the goatherd Melanthius, and Telemachus hanging the enslaved women. Does the violence glorify the hero — or show what even the best of us are capable of? •       Keep Penelope Ambiguous. The great interpretive question of the Odyssey is when Penelope knows the beggar is her husband — the suitors, dead in the underworld, are convinced she was in on it all along. The epic grants her remarkable intelligence and agency, then reins it in: Agamemnon's ghost praises her by way of insulting all women, and she vanishes from the text. Christensen's advice to Nolan wouldn't be Margaret Atwood's Penelopiad, which centers the women's voices; it would be more screen time and total ambiguity — no access to her mind, a wife who matches her husband in wits and may even have outwitted him. Though based on Nolan's arc, he doubts we'll get a woman at the center. •       Survivor, Scoundrel, (Anti)hero. Christensen's worry about Matt Damon was simple: too likable. Odysseus is the master sergeant — the one who takes the hard orders, tricks Achilles into the war, engineers the Horse, and makes sure Hector's infant son doesn't survive to rebuild Troy. The ancient hero is neither good nor ...

Greek mythology retellings keep multiplying, and nobody can quite explain why. Christopher Nolan just dropped a $250 million adaptation of The Odyssey, a poem roughly 2,700 years old, and Meaghan and Shirin wanted to figure out what keeps pulling all of us (and Hollywood) back to these stories. This one stays high-level, and neither of us was a classics major, so we'll own that upfront. We walk through what The Odyssey actually is, why Odysseus is a much grayer hero than people remember, and why feminist retellings like Madeline Miller's Circe keep landing so hard. Then we get into Nolan's stacked cast: Matt Damon as Odysseus, Anne Hathaway as Penelope, Tom Holland as Telemachus, Zendaya as Athena, Robert Pattinson as the suitor Antinous, and Lupita Nyong'o doing double duty as Helen of Troy and Clytemnestra. Christopher Nolan's The Odyssey (2026): The Cast, Explained • Nolan's $250 million IMAX adaptation of The Odyssey hit theaters on July 17, 2026, his first film since Oppenheimer. • Confirmed casting: Matt Damon as Odysseus, Anne Hathaway as Penelope, Tom Holland as Telemachus, Zendaya as Athena, Robert Pattinson as the suitor Antinous. • Lupita Nyong'o pulls double duty as Helen of Troy and her sister Clytemnestra. Charlize Theron plays Calypso (some listings say Circe, so we're flagging it).   The Odyssey, For People Who Skipped Classics • The short version: Odysseus spends ten years getting home to Ithaca after the Trojan War, mostly because he pissed off Poseidon. • Penelope holds down the kingdom and fends off suitors while raising their son, Telemachus, not knowing if her husband is alive. • Gods, monsters, a cyclops, the enchantress Circe, the sirens. Odysseus survives on cunning over brute strength, then loses his whole crew anyway.   Why Greek Mythology Retellings Keep Winning • Older texts sort people into good and bad. Modern retellings hand the mic to the ones shoved to the margins. • Feminist retellings are the clearest example, like Madeline Miller's Circe, centering a character the original treats as a footnote. • Odysseus himself was never a clean hero, and that gray area is a big reason the story keeps holding up.   Odyssey Adaptations Hiding in Plain Sight • You've seen more of them than you think: O Brother, Where Art Thou?, Cold Mountain (Charles Frazier, 1997), and [LINK: Ulysses] by James Joyce. • It reaches into sci-fi too, from 2001: A Space Odyssey to the creatures and detours borrowed by Percy Jackson (Rick Riordan).   On Our Nightstand: New Releases and ARCs • Shirin is deep in Dungeon Crawler Carl by Matt Dinniman, now getting a Peacock series from Seth MacFarlane (Princess Donut on screen, finally). • Meaghan is reading an ARC of The Iron Hex, the debut romantasy from Canadian author Victoria S. Walsh, out August 4, 2026. Subscribe on your favorite platform!SpotifyApple PodcastAmazon MusiciHeart RadioPodchaserYoutubeDon't forget to follow us on socials too!InstagramThreadsTikTokBlueSkyFacebook Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This is our NEW RELEASE review podcast, ONE HOT TAKE.Christopher Nolan turns one of the oldest stories ever told into something tactile again. You don't just watch The Odyssey. You feel the weight of timber, salt and exhausted bodies.Synopsis:After the Trojan War, Odysseus faces a dangerous voyage back to Ithaca, meeting creatures like the Cyclops Polyphemus, Sirens, and Calypso along the way.Sean BurnsSean Burns is a film critic for WBUR's Arts & Culture and a contributing writer at North Shore Movies and Crooked Marquee. He was Philadelphia Weekly's lead film critic from 1999 through 2013, and worked as a contributing editor at The Improper Bostonian from 2006 until 2014. His reviews, interviews and essays have also appeared in Metro, The Village Voice, Rolling Stone, The Boston Herald, Nashville Scene, Time Out New York, Philadelphia City Paper and RogerEbert.com.A graduate of New York University's Tisch School of the Arts, Burns was a recurring guest on the late David Brudnoy's WBZ 1030 AM radio show, and in 2002 received an award for Excellence in Criticism from the Greater Philadelphia Society of Professional Journalists. Currently a member of the Online Film Critics Society and the Critics Choice Association, he's also “the most annoyingest person ever,” according to his niece.WEBSITE: splicedpersonality.comTWITTER: @SeanMBurnsDREW TAYLOR is a reporter for The Wrap. He has written for The New York Times, Vulture, Vanity Fair, The Playlist, and Collider. He also wrote The Art of Onward, which gives an inside look at the making of the 2020 Pixar film. The book is available to purchase here. He also co-hosts a weekly podcast about animation called Fine Tooning, which is available on all podcast platforms.Twitter: @drewtailoredInstagram: @drewtailoredPodcast: Light the FuseOne Heat Minute ProductionsWEBSITE: oneheatminute.comTWITTER: @OneBlakeMinute & @OHMPodsMERCH: https://www.teepublic.com/en-au/stores/one-heat-minute-productionsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Nights' Dan Slevin, is one of the best film reviewers in any medium, consistently convincing, insightful, unpretentious, perceptive, thoughtful and articulate. He joins us every Friday night, and here's what's caught his eye this week. Nights' resident screen critic Dan Slevin joins Susana Lei'ataua to reviewIN CINEMASThe Odyssey (directed by Christopher Nolan). Oppenheimer Oscar-winner Nolan turns to the classics for inspiration as Matt Damon plays the famous hero Odysseus, trying to find his way back to Ithaca and his wife Penelope (Anne Hathaway) and son Telemachus (Tom Holland), 20 years after leaving to fight the Trojan War.PAID STREAMING - Apple TVPropeller One-Way Night Coach (directed by John Travolta). 60-minute family film inspired by Travolta's own love of flying. In 1962, eight-year-old Jeff (Clark Shotwell) is going on his first plane journey - New York to Los Angeles on the cheapest flight there is, the overnight “milk run” on a TWA Lockheed Constellation. A love letter to the golden age of air travel, based on Travolta's 1996 children's book.FREE STREAMING - BeamafilmThe Day Shall Come (directed by Chris Morris, 2019). An ambitious FBI agent (Anna Kendrick) tries to use a naive preacher as a dupe to create a fake terrorist plot. Written by Jesse Armstrong (Succession) and directed by Chris Morris (Four Lions).Go to this episode on rnz.co.nz for more details

pWotD Episode 3363: Odyssey Welcome to popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 311,479 views on Friday, 17 July 2026 our article of the day is Odyssey.The Odyssey (; Ancient Greek: Ὀδύσσεια, romanized: Odýsseia [odýsseːa]) is one of two major epics of ancient Greek literature attributed to Homer. It is one of the oldest surviving works of literature and remains popular with modern audiences. Like the Iliad, the Odyssey is divided into 24 books. It follows the heroic king of Ithaca, Odysseus, also known by the Latin variant Ulysses, and his homecoming journey after the ten-year-long Trojan War. His journey from Troy to Ithaca lasts an additional ten years, during which time he encounters many perils and all of his crewmates are killed. In Odysseus's long absence, he is presumed dead, leaving his wife Penelope and son Telemachus to contend with a group of unruly suitors competing for Penelope's hand in marriage.The Odyssey was first composed in Homeric Greek around the 8th or 7th century BC; by the mid-6th century BC, it had become part of the Greek literary canon. In antiquity, Homer's authorship was taken as true, but contemporary scholarship predominantly assumes that the Iliad and the Odyssey were composed independently, as part of long oral traditions. Given widespread illiteracy, the poem was performed for an audience by an aoidos or rhapsode.Key themes in the epic include the ideas of nostos (νόστος; 'return', homecoming), wandering, xenia (ξενία; 'guest-friendship'), testing, and omens. Scholars discuss the narrative prominence of certain groups within the poem, such as women and slaves, who have larger roles than in other works of ancient literature. This focus is especially remarkable when contrasted with the Iliad, which centers upon the exploits of soldiers and kings during the Trojan War.The Odyssey is regarded as one of the most significant works of the Western canon. The first English translation of the Odyssey was in the 16th century. Adaptations and re-imaginings continue to be produced across a wide variety of media. In 2018, when BBC Culture polled experts around the world to find literature's most enduring narrative, the Odyssey topped the list.This recording reflects the Wikipedia text as of 16:13 UTC on Saturday, 18 July 2026.For the full current version of the article, see Odyssey on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Jasmine.

Christopher Nolan's The Odyssey has finally landed in cinemas around the world, and to mark the occasion, we've turned the latest episode of The Interviews into an Odyssey special, as Chris Hewitt talks to two of the key pairings from Nolan's epic adaptation of the Homer poem. First up, you'll hear from Himesh Patel and John Leguizamo, who play Eurylochus and Eumaeus, two characters who are close to Odysseus, the warrior whose journey home after The Trojan War is beset by the kind of bad luck that would have you begging for a bus replacement service. And then you'll hear from Odysseus himself, aka Matt Damon, and Tom Holland, who plays Odysseus' son, Telemachus, as they talk about their toughest days on set, the worst smells, and forging a father-son bond between two characters who are apart for much of the film. These aren't spoiler interviews, but references are made to certain scenes, so perhaps wait until you've seen The Odyssey before listening, just in case. But both pairings were on cracking form, and we hope you'll enjoy.

We discuss Christopher Nolan's newest film - 'The Odyssey' Written & Directed by Christopher Nolan and starring Matt Damon, Anne Hathaway, Tom Holland, Robert Pattinson, Zendaya, Himesh Patel, Lupota Nyong'o, John Lequizamo & MORE - After the Trojan War, Odysseus faces a dangerous voyage back to Ithaca, meeting creatures like the Cyclops Polyphemus, Sirens, and Calypso along the way. What do you think of the movie? Where does it rank against Nolan's other films? Are we dumb? Join the conversation... FacebookInstagramTwitterTikTokYouTubeRate/Review/Subscribe:Apple PodcastsSpotifyYouTubeSee omnystudio.com/listener for privacy information.

The epic fantasy action film written and directed by Christopher Nolan. An adaptation of Homer's ancient Greek epic the Odyssey, the film stars Matt Damon as Odysseus, the Greek king of Ithaca, and chronicles his long and perilous journey home after the Trojan War and his encounters with mythical beings as he attempts to reunite with his wife, Penelope, portrayed by Anne Hathaway. The ensemble cast includes Tom Holland, Robert Pattinson, Lupita Nyong'o, Samantha Morton, Zendaya, and Charlize Theron. Hosted on Ausha. See ausha.co/privacy-policy for more information.

Coming up on today's Movie Show, Andy and Val review  - The Odyssey - After the Trojan War, Odysseus faces a dangerous voyage back to Ithaca, meeting creatures like the Cyclops Polyphemus, Sirens, and Calypso along the way. They will also review -- Andy and Val will mention the Netflix movie, -- They will also review The Real Wolf of Wall Street(Paramount+), They Fight(Hulu), and Descendants: Wicked Wonderlan on Disney+.  In addition, they will look at streaming series like Quarterback S3(Netflix), Lucky(Apple TV+), Ride or Die(Prime Video), The Hawk(Netflix), and The Man Will Burn on HBO.   

The Odyssey Movie Review! Greg Alba shares his out of theater reaction to Christopher Nolan's new mythological epic. Greg breaks down the film's breathtaking practical filmmaking, nonlinear storytelling, Matt Damon's lead performance, and why this ambitious adaptation of Homer's classic left such a lasting impression. Grab your D-BOX tickets here: https://www.cinemark.com/movies/the-o... This massive nonlinear action-adventure follows Odysseus on his perilous journey home after the Trojan War, confronting gods, monsters, war, trauma, and the relentless passage of time while his wife Penelope and son Telemachus struggle to preserve their family and kingdom in Ithaca. In this spoiler-free movie review, Greg discusses Matt Damon's phenomenal lead performance, Christopher Nolan's breathtaking practical filmmaking and real-world locations, the film's surprisingly accessible story, its dense opening act, pulsating score, improved sound mixing, and why the mythology occasionally plays like religious horror on an epic scale. He also shares his thoughts on Tom Holland as Telemachus, Anne Hathaway as Penelope, Robert Pattinson's chilling performance as Antinous, Zendaya's presence as Athena, whether the star-studded ensemble ever becomes distracting, and how the film evolves from an intellectually engaging slow burn into an emotional, unforgettable cinematic experience. If you're a fan of Christopher Nolan movies, Greek mythology, The Odyssey by Homer, IMAX epics, practical filmmaking, historical fantasy, nonlinear storytelling, and powerful stories about family, identity, memory, and the meaning of home, this review is for you. Follow Greg Alba:  Instagram: https://www.instagram.com/thegregalba/ Twitter:  https://x.com/thegregalba Follow Greg Alba:  Instagram: https://www.instagram.com/thegregalba/ Twitter:  https://x.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

The Odyssey Christopher Nolan's 2026 film The Odyssey is a massive sci-fi-scale, mythic action epic adapting Homer's ancient Greek poem. It follows Odysseus's perilous 10-year journey to return to his family on Ithaca after the Trojan War, surviving sea monsters, angry gods, and the dangerous suitors attempting to usurp his throne. I, Object Grieving the loss of his father and unable to relate to the people in his life, 10-year-old Tom takes refuge in the everyday objects around him. They reveal their true identities and speak to Tom, helping him in his healing process. LISTEN ABOVE See omnystudio.com/listener for privacy information.

THE TIM JONES AND CHRIS ARPS SHOW Joey V’s Movies: “The Odyssey”, the most anticipated movie of the year. How many toasted ravs out of 5 will Joey V. give it? PLOT: The Odyssey is a mythic action epic that adapts Homer’s 3,000-year-old poem. Matt Damon plays Odysseus as he faces a dangerous voyage back home to Ithaca after the Trojan War, meeting creatures like the Cyclops and Sirens along the way. Brought to you by Harry J's Steakhouse in Moscow Millshttps://www.facebook.com/HarryJsSteakhouse/ Freddie's Market in Webster Groveshttps://freddiesmarket.com/ AAA Motor Speedway in Owensvillehttps://www.facebook.com/p/AAA-Motor-Speedway-61563329890127/ Best Buy Flooringhttps://www.bestbuyflooringstl.com/ https://newstalkstl.com/movies/ https://newstalkstl.com/ FOLLOW TIM - https://twitter.com/SpeakerTimJones FOLLOW CHRIS - https://twitter.com/chris_arps 24/7 LIVESTREAM - http://bit.ly/NEWSTALKSTLSTREAMS RUMBLE - https://rumble.com/NewsTalkSTL See omnystudio.com/listener for privacy information.

THE TIM JONES AND CHRIS ARPS SHOW Joey V’s Movies: “The Odyssey”, the most anticipated movie of the year. How many toasted ravs out of 5 will Joey V. give it? PLOT: The Odyssey is a mythic action epic that adapts Homer’s 3,000-year-old poem. Matt Damon plays Odysseus as he faces a dangerous voyage back home to Ithaca after the Trojan War, meeting creatures like the Cyclops and Sirens along the way. Brought to you by Harry J's Steakhouse in Moscow Millshttps://www.facebook.com/HarryJsSteakhouse/ Freddie's Market in Webster Groveshttps://freddiesmarket.com/ AAA Motor Speedway in Owensvillehttps://www.facebook.com/p/AAA-Motor-Speedway-61563329890127/ Best Buy Flooringhttps://www.bestbuyflooringstl.com/ https://newstalkstl.com/movies/ https://newstalkstl.com/ FOLLOW TIM - https://twitter.com/SpeakerTimJones FOLLOW CHRIS - https://twitter.com/chris_arps 24/7 LIVESTREAM - http://bit.ly/NEWSTALKSTLSTREAMS RUMBLE - https://rumble.com/NewsTalkSTL See omnystudio.com/listener for privacy information.

pWotD Episode 3362: The Odyssey (2026 film) Welcome to popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 614,398 views on Thursday, 16 July 2026 our article of the day is The Odyssey (2026 film).The Odyssey is a 2026 epic fantasy action film written and directed by Christopher Nolan. An adaptation of Homer's ancient Greek epic the Odyssey, the film stars Matt Damon as Odysseus, the Greek king of Ithaca, and chronicles his long and perilous journey home after the Trojan War and his encounters with mythical beings as he attempts to reunite with his wife, Penelope, portrayed by Anne Hathaway. The ensemble cast includes Tom Holland, Robert Pattinson, Lupita Nyong'o, Samantha Morton, Zendaya, and Charlize Theron. Nolan and his wife Emma Thomas produced the film through their production company, Syncopy.Nolan began writing The Odyssey in March 2024, secured the project with Universal Pictures by October, and the film was announced in December. Casting occurred from late 2024 through early 2025, and Damon was confirmed for the lead role in February 2025. Nolan studied several translations of the Odyssey. He depicted a realistic interpretation of Greek mythology, drawing inspiration from the epic historical films Andrei Rublev (1966) and Ran (1985), as well as the films of special effects artist Ray Harryhausen. Filming took place from February to August 2025 in Morocco, Greece, Italy, Scotland, Iceland, Western Sahara, and Malta, as well as at the Universal Studios Lot in Los Angeles. With an estimated budget of $250 million, the film is among the most expensive of Nolan's career, and the first to be shot entirely on IMAX's 70 mm film cameras. Leading up to the film's release, the costume and production designs, accents, dialogue, and casting choices sparked critical discussion and scrutiny regarding historical accuracy to the source material and the setting depicted.The Odyssey premiered on July 6, 2026, at the Odeon Luxe Leicester Square in London, ahead of a theatrical release by Universal Pictures on July 17 in the United States and the United Kingdom. It was made available in IMAX and multiple premium large formats. The film received critical acclaim, with praise for Nolan's direction.This recording reflects the Wikipedia text as of 07:13 UTC on Friday, 17 July 2026.For the full current version of the article, see The Odyssey (2026 film) on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Bluesky at @wikioftheday.com.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm generative Tiffany.

Divas its Odyssey day! I am so thrilled to bring this episode to you all as Christopher Nolan's film hits cinemas. We're covering as much as possible in summary form (there are 12,100 lines of this poem after all), from a tidbit on Homer to the end of the Trojan War and the King's return to Ithaca! As promised, the Hot History Substack is also now live! If you'd like to support us there, you'd be very welcome!Shout out to our incredible researcher Grace McCamish for helping to pull this together, and if you're wanting more Hot History you can follow along on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and of course, right here!Til next week, Ainslie x

Coming to a theater near you this weekend - The Odyssey Christopher Nolan's film capturing the story of the post-Trojan War trek back to Ithaca starring Zendaya, Matt Damon, Anne Hathaway and more star studded names in this film - Rusty Gatenby shares his thoughts !

Without a doubt, this week's, and perhaps this Summer's, biggest release isTHE ODYSSEY172 Minutes, Rated RWritten by Christopher Nolan, HomerDirected by Christopher NolanSynopsis:After the Trojan War, Odysseus faces a dangerous voyage back to Ithaca, meeting creatures like the Cyclops Polyphemus, Sirens, and Calypso along the way.Much speculation and controversy has been thrown this film's way, most without basis in knowledge, but some thrown out by people who know.So how is it, really?Listen and find out, because it matters in terms of cinematic and critical honesty.And we're nothing if not honest, so if that's what you're looking for, listen on.~~~~~You can read more reviews and opinions on our website: https://VSMoviePodcast.com.Please LIKE, SHARE, and FOLLOW us on:Facebook (@vsmoviepodcast) (https://facebook.com/vsmoviepodcast)X (@vsmoviepodcast) (https://x.com/vsmoviepodcast)Instagram (@visuallystunningmoviepodcast) (https://instagram.com/visuallystunningmoviepodcast)Threads (@visuallystunningmoviepodcast) (https://threads.net/@visuallystunningmoviepodcast)BlueSky (@vsmoviepodcast.bsky.social) (https://bsky.app/profile/vsmoviepodcast.bsky.social)YouTube (@visuallystunningmoviepodcast) (https://youtube.com/visuallystunningmoviepodcast)Don't forget to SUBSCRIBE to our audio wherever you listen to podcasts (https://shows.acast.com/vsmoviepodcast).And please, if you like what we do, consider helping us keep on entertaining you. Find out how on our Contact/Support page (https://VSMoviePodcast.com/Contact-VSMP/). Hosted on Acast. See acast.com/privacy for more information.

Coming to a theater near you this weekend - The Odyssey Christopher Nolan's film capturing the story of the post-Trojan War trek back to Ithaca starring Zendaya, Matt Damon, Anne Hathaway and more star studded names in this film - Rusty Gatenby shares his thoughts !

Dora (Milaje) The Explorer Marvel Animation resurrects Black Panther for the 2025 Disney+ anthology series Eyes of Wakanda. Join Arnie, Stuart, and Justin as they follow an elite squadron of “War Dogs” over the centuries and see the sacrifices made to recover stolen artifacts from a pillaged Ethiopian city, a snowy Chinese temple, and even the Trojan War. Are there times when the isolationist African nation of Wakanda might benefit from burying the hatchet and sharing its advanced tech with the outside world?  Listen Now to learn a history the colonizers never taught you!

British director Christopher Nolan discusses his biggest cinematic blockbuster yet: The Odyssey, which stars Matt Damon, Anne Hathaway, Tom Holland and more, in his retelling of Homer's epic poem about the warrior Odysseus's battles with ancient Greek monsters like the Cyclops, Circe and the Sirens on his quest to return to his family after the Trojan War.We talk with Tom Kiehl, CEO of the industry body UK Music, about the government's recent announcement of plans ‘to turn up the music business,' with new powers and investment. Is it something new or a rehash of old ideas? A new adaptation of Little House on the Prairie by Laura Ingalls Wilder has just been released on Netflix. Samira is joined by author Tracy Chevalier and Laura Ingalls Wilder's biographer Pamela Smith-Hill to discuss the series and the enduring appeal of the stories.Candice Carty-Williams' breakthrough 2019 novel Queenie became a bestseller, made the publishing industry sit up and was adapted into series for Channel 4. Now she is back with her trademark blend of comedy and politics with Queenie is Working on It, a sequel which explores topics of fertility, sex and body image for a young black woman in contemporary Britain. Presenter: Samira Ahmed Producer: Andrea Kidd

Director Christopher Nolan has cited Emily Wilson's translation of Homer's Odyssey as one of the inspirations behind his new film adaptation. Ahead of the movie, Wilson discusses the history of the ancient text, the process of translating it to English, and the potential challenges of adapting the epic tale for the big screen. Wilson will be speaking about her work on the evening of July 16 at 92NY with livestream tickets available. Image: Homer, The Odyssey. Ulysses (Odysseus) giving wine to Polyphemus, a cyclopes, son of Neptune (Poseidon) - God of the sea. Homer, blind Greek poet, c. 800 - 600 BCE, Trojan War, epic; illustration after Flaxman (Photo by Culture Club/Getty Images) Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Tansy's Hot Cup of History essay series continues with the real history behind some of Xena's greatest hits. This month, to prepare yourselves for Christopher Nolan's The Odyssey, we have a 3-episode extravaganza on everything you needed to know about the Trojan War but were afraid to ask… Sign up to my author newsletter for updates, follow me on Insta, Threads or Bluesky as @tansyrr, find me at tansyrr.com and on Facebook at TansyRRBooks, and if you like this podcast consider supporting me at Patreon where you can receive all kinds of cool rewards, early ebooks and exclusive stories for a small monthly pledge - plus early access to episodes.

Noah is still on his long journey home after the Trojan War (how do we feel about: The Noahmad as a title? We'll workshop it), so Louisa is home alone. After the requisite pizza party with a cardboard cutout of Michael Jordan, she sits down with herself to really get to the heart of what Louisa's whole deal is. Join our Patreon! Our theme is Street Food, by FASSounds, and is governed by the Simplified Pixabay License.

Beautiful women are always causing trouble in history, and perhaps none more so than Helen of Troy.She's the daughter of Zeus and a human mother, after all.With the new film Odyssey hitting the big screen, find out all about the formidable Helen of Troy who was supposedly the most beautiful woman in the world and caused the Trojan War.Joining Kate today is Ruby Blondell, Professor of Classics at University of Washington and author of two books on Helen of Troy.This episode was edited by Tim Arstall. The producer was Stuart Beckwith. The senior producer was Freddy Chick.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe.  You can take part in our listener survey here.All music from Epidemic Sounds.Voting is now open for the Listener's Choice Award at this year's Podcast Awards. Click here to place your vote! Thank you! https://www.britishpodcastawards.com/voting Hosted on Acast. See acast.com/privacy for more information.

We continue our epic and cinematic journey towards Christopher Nolan's The Odyssey by taking a look at a second inspiration behind his adaptation. This time it's Troy from 2004 from director Wolfgang Peterson. Loosely based on Homer's Iliad and the story of the Trojan War it pits (pun intended) Brad Pitt's Achilles against Eric Bana's Hector, Orlando Blooms Paris against Brendan Gleeson's Menelaus, a city of stupid people against a horse and a whole lot more. Thanks for watching our Caravan Of Garbage reviewSUBSCRIBE HERE ►► http://goo.gl/pQ39jNHelp support the show and get early episodes ► https://bigsandwich.co/Patreon ► https://patreon.com/mrsundaymoviesJames' Twitter ► http://twitter.com/mrsundaymoviesMaso's Twitter ► http://twitter.com/wikipediabrownPatreon ► https://patreon.com/mrsundaymoviesT-Shirts/Merch ► https://www.teepublic.com/stores/mr-sunday-moviesThe Weekly Planet iTunes ► https://itunes.apple.com/us/podcast/the-weekly-planet/id718158767?mt=2&ign-mpt=uo%3D4The Weekly Planet Direct Download ► https://play.acast.com/s/theweeklyplanetAmazon Affiliate Link ► https://amzn.to/2nc12P4 Hosted on Acast. See acast.com/privacy for more information.

@JeffreyTheGreek heads out to the West Coast for to talk to @MarcKulkin about the 2026 USC Trojans. Do Marc & play nice or do we get into another Trojan War??  Either way...this is a fun & informative Pod breaking down a PIVOTAL year for Lincoln Riley. Take a listen! Uno!  Dos!  TresAgaves!!!

Hello you! Let's kick off our deep dive into the works of Homer by looking at the most contentious conflict in history - The Trojan War! Was Is it real? Is it allegory? Is there evidence? And who TF is Helen? Fear not my divas for the daunting task of diagnosis, for we are going to unpack it all right now!Shout out to our incredible researcher Grace McCamish and producer Jamie Rose for their work pulling this together, and if you're wanting more Hot History you can follow along on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and of course, right here!Til next week, Ainslie x

The journey isn't over, it's only just reached the underworld.  Rejoin Dawn and guest Sam Cowan as they link arms to follow Odysseus all the way home.  Whether you're preparing for Christopher Nolan's upcoming blockbuster movie, revisiting an old favorite, or experiencing The Odyssey for the first time, this episode explores why Odysseus' long road home remains one of the most thrilling—and profoundly human—stories ever told. --

Prepare for the upcoming The Odyssey online course from Hillsdale College as Jeremiah and Juan discuss Homer's Iliad before introducing a lecture from Dr. Stephen Smith. Enroll in The Odyssey here: https://online.hillsdale.edu/courses/promo/odyssey Homer’s Iliad can be best understood by examining some of its major major themes: rage, desire, delusion, deception, disaster and double-dealing, death and outrage, responsibility and evasion, and ultimately, glory. The poem tells the story of the Trojan War, and of Achilles, the greatest warrior of the Greeks.See omnystudio.com/listener for privacy information.

Prepare for the upcoming The Odyssey online course from Hillsdale College as Jeremiah and Juan discuss Homer's Iliad before introducing a lecture from Dr. Stephen Smith. Enroll in The Odyssey here: https://online.hillsdale.edu/courses/promo/odyssey Homer’s Iliad can be best understood by examining some of its major major themes: rage, desire, delusion, deception, disaster and double-dealing, death and outrage, responsibility and evasion, and ultimately, glory. The poem tells the story of the Trojan War, and of Achilles, the greatest warrior of the Greeks.See omnystudio.com/listener for privacy information.

THE LEGEND THAT INSPIRED CHRISTOPHER NOLAN'S THE ODYSSEY! With anticipation building for Christopher Nolan's The Odyssey, Jackie Bonsignore & Paige Kimsey experience Troy: Director's Cut (2004) for the first time watching, revisiting Wolfgang Petersen's epic retelling of the Trojan War that brings Achilles, Hector, Paris, Helen, and the legendary siege of Troy to life. From the iconic Achilles vs. Hector duel and the Trojan Horse to heartbreaking sacrifices and massive battlefield spectacle, this Troy Director's Cut reaction celebrates one of cinema's greatest historical epics. Troy: Director's Cut Reaction (Full Length Watch Along):   / thereelrejects   The best businesses aren't built in boardrooms. They're built by people who just started. Free trial at shopify.com/rejects In this Troy: Director's Cut reaction, historical movie reaction, and review, Jackie & Paige experience Wolfgang Petersen's (The Perfect Storm, Air Force One) sweeping adaptation inspired by Homer's Iliad. The film stars Brad Pitt as Achilles (Fight Club, Once Upon a Time in Hollywood), Eric Bana as Hector (Munich, Hulk), Orlando Bloom as Paris (The Lord of the Rings, Pirates of the Caribbean), Diane Kruger as Helen (Inglourious Basterds, National Treasure), Sean Bean as Odysseus (The Lord of the Rings, Game of Thrones), Brian Cox as Agamemnon (Succession, Braveheart), Peter O'Toole as King Priam (Lawrence of Arabia, The Lion in Winter), Brendan Gleeson as Menelaus (The Banshees of Inisherin, Harry Potter), and Rose Byrne as Briseis (Bridesmaids, X-Men: First Class). Featuring unforgettable moments like the opening duel with Boagrius, the storming of Troy's beaches, the breathtaking Achilles vs. Hector battle, the emotional meeting between Achilles and King Priam, Paris' fateful choices, and the legendary Trojan Horse finale, Troy: Director's Cut expands on the theatrical release with additional character moments and extended battle sequences. As excitement continues to build for Christopher Nolan's The Odyssey, Jackie & Paige revisit the mythic world that introduced audiences to many of Greek mythology's greatest heroes and helped pave the way for Odysseus' legendary journey home. Follow Jackie Bonsignore: https://www.instagram.com/jackiebonsignore/ Follow Paige Kimsey https://www.instagram.com/paige.popcorn?igsh=NTc4MTIwNjQ2YQ%3D%3DIntense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Ego, pride, wrath, fear, gods, superheroes, mortals, and lots of killing. Welcome to Homer's Iliad, which reads at times like a script for a Tarantino film or the latest installment of the Avengers franchise. In the first episode of the EconTalk Book Club on the Iliad, Ido Hevroni of Shalem College speaks with EconTalk's Russ Roberts about the surprising relevance of a 2800-year-old epic poem. Hevroni also provides useful background for first-time readers and what it's like to read the Iliad with combat veterans.

Dan narrates his own epic retelling of the Odyssey - following Odysseus' route around the Mediterranean. He tells the story of the many trials and tribulations the Greek hero faces on his 10-year journey home to his kingdom of Ithaca. From the Trojan War in Turkey to Cyclops' cave, to the clutches of Circe on her island near Sicily (we think), Dan travels to some of the real-world locations that could have inspired Homer and tries to make sense of what happens on the voyage.Written by Dan Snow, produced by Mariana Des Forges and edited by Dougal PatmoreYou can watch Dan's adventures in Greece in his Odyssey documentary on the History Hit TV platform. Sign up at https://www.historyhit.com/subscribe.We need your help! Let us know what you want from Dan Snow's History Hit by filling in our anonymous survey here: https://forms.gle/PvgayWLkWGjYT4St6Dan Snow's History Hit is now available on YouTube! Check it out at: https://www.youtube.com/@DSHHPodcastYou can also email the podcast directly at ds.hh@historyhit.com. Hosted on Acast. See acast.com/privacy for more information.

The story of Achilles, Odysseus and the siege of Troy has captivated audiences for millennia, but behind the legends lies a deeper mystery. Was this epic war a myth, a memory of a real Bronze Age conflict, or something in between?Today Tristan Hughes is joined by Eric Cline to explore the reality behind Homer's greatest tale. From the legendary heroes of The Iliad to the ruins of Troy, discover what archaeology and ancient texts reveal about the Trojan War, and whether the story of Helen, Paris and the fall of Troy truly has a historical foundation.MORETroyListen on AppleListen on Spotify The Bronze Age CollapseListen on AppleListen on Spotify We're going on *TOUR* to Australia and New Zealand! - grab your tickets here.The Ancients is now on YouTube! Watch here: @TheAncientsPodcastPresented by Tristan Hughes. Audio editor is Aidan Lonergan. The producer is Joseph Knight. The senior producer is Anne-Marie Luff.All music courtesy of Epidemic SoundsThe Ancients is a History Hit podcast.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe.  Hosted on Acast. See acast.com/privacy for more information.

Tansy's Hot Cup of History essay series continues with the real history behind some of Xena's greatest hits. This month, to prepare yourselves for Christopher Nolan's The Odyssey, we have a 3-episode extravaganza on everything you needed to know about the Trojan War but were afraid to ask… Sign up to my author newsletter for updates, follow me on Insta, Threads or Bluesky as @tansyrr, find me at tansyrr.com and on Facebook at TansyRRBooks, and if you like this podcast consider supporting me at Patreon where you can receive all kinds of cool rewards, early ebooks and exclusive stories for a small monthly pledge - plus early access to episodes.

Welcome to Forgotten Odysseys, the game where surviving the Trojan War is apparently the easy part. Adam Bradford, also known as BadEye Adam, has created a MÖRK BORG-compatible Greek fantasy nightmare where the gods hate you, the sea hates you, the dice hate you, and sometimes your own party decides that prophecy is just a polite suggestion to commit murder. In this episode, the crew sets sail for home, immediately gets distracted by pork, insults a goddess, and proves that if Odysseus had access to a live Twitch chat, he probably would have died even faster. https://www.kickstarter.com/projects/badeye/forgotten-odysseys Show Notes This week on the RPGBOT.Podcast, we dive into Forgotten Odysseys, the creation of Adam Bradford, also known as BadEye Adam, and currently funding on Kickstarter. Adam joins the show to talk about building a brutal, mythic Greek journey home from the Trojan War using the bones of MÖRK BORG, then Josh Simons of Broken Door Entertainment takes the helm for a live play demo that immediately proves why sailors should fear gods, storms, wild animals, and shirtless leadership. Adam walks through the inspirations behind the game, from The Odyssey and Bronze Age Greek culture to Blood of Zeus, 300, Xena, and the gloriously doomed charm of MÖRK BORG hacks. The result is a sword-and-sandals survival game where the goal is simple: get home. The problem is Eris, goddess of strife and chaos, who believes you cheated death at Troy and would very much like to correct that oversight. The episode also explores the game's seafaring tests, deadly mishaps, journey map, mythic art direction, character classes, boons, curses, legendary items, and armor system. Then the actual play begins, and the party creates Dome, Demos, and Dephobos, three heroes whose collective survival strategy includes playing "Yankee Doodle Dandy" on a lyre, hunting boars in a storm, yelling at divine fog, and ultimately fulfilling a betrayal prophecy with alarming efficiency. If you like Greek mythology, doomed sailors, lethal rules-light games, gorgeous art-heavy books, and tabletop sessions where a boar fight becomes the emotional centerpiece of the evening, this one is for you. Key Takeaways Forgotten Odysseys is Adam Bradford's mythic Greek, MÖRK BORG-compatible game about soldiers trying to survive the journey home after the Trojan War. The game is currently on Kickstarter and is published in partnership with Broken Door Entertainment. Adam wrote, illustrated, laid out, and designed the game, giving it a strong personal visual identity inspired by Greek myth, comics, public domain art, and brutal sword-and-sandals drama. The central premise is not "become a hero." It is "get home before the gods, monsters, sea, dice, or your friends kill you." Eris replaces Poseidon as the primary divine antagonist, hunting the characters because they survived when fate said they should have died. The game keeps the deadly, strange, art-heavy spirit of MÖRK BORG while adding Greek myth flavor, seafaring rules, Bronze Age gear, legendary items, boons, curses, and a journey map. Seafaring tests let everyone contribute to survival, whether they are rowing, navigating, inspiring the crew, helming the ship, or playing music to keep the oars in rhythm. Character creation leans into randomness, misery, and personality, which is how the table ends up with Dome, Demos, and Dephobos, three names that sound like they were cursed before the dice even hit the table. The live play shows off the system's fast combat, player-facing rolls, armor tiers, and high stakes, mostly through the sacred Greek tradition of nearly dying to pigs. Demos learns that boars are dangerous, Dephobos learns that prophecy is inconvenient, and Dome learns that leadership is easier when nobody questions why someone was stabbed and thrown into shallow water. The episode is a strong showcase for the game's tone: mythic, deadly, beautiful, ridiculous, and always one bad roll away from becoming a cautionary tale. Welcome to the RPGBOT Podcast. If you love Dungeons & Dragons, Pathfinder, and tabletop RPGs, this is the podcast for you. Support the show for free: Rate and review us on Apple Podcasts, Spotify, or any podcast app. It helps new listeners find the best RPG podcast for D&D and Pathfinder players. Level up your experience: Join us on Patreon to unlock ad-free access to RPGBOT.net and the RPGBOT Podcast, chat with us and the community on the RPGBOT Discord, and jump into live-streamed RPG podcast recordings. Support while you shop: Use our Amazon affiliate link at https://amzn.to/3NwElxQ and help us keep building tools and guides for the RPG community. Meet the Hosts Tyler Kamstra – Master of mechanics, seeing the Pathfinder action economy like Neo in the Matrix. Randall James – Lore buff and technologist, always ready to debate which Lord of the Rings edition reigns supreme. Ash Ely – Resident cynic, chaos agent, and AI's worst nightmare, bringing pure table-flipping RPG podcast energy. Join the RPGBOT team where fantasy roleplaying meets real strategy, sarcasm, and community chaos. How to Find Us: In-depth articles, guides, handbooks, reviews, news on Tabletop Role Playing at RPGBOT.net Tyler Kamstra BlueSky: @rpgbot.net TikTok: @RPGBOTDOTNET Ash Ely Professional Game Master on StartPlaying.Games BlueSky: @GravenAshes YouTube: @ashravenmedia Randall James BlueSky: @GrimoireRPG Amateurjack.com Read Melancon: A Grimoire Tale (affiliate link) Producer Dan @Lzr_illuminati

Welcome to Forgotten Odysseys, the game where surviving the Trojan War is apparently the easy part. Adam Bradford, also known as BadEye Adam, has created a MÖRK BORG-compatible Greek fantasy nightmare where the gods hate you, the sea hates you, the dice hate you, and sometimes your own party decides that prophecy is just a polite suggestion to commit murder. In this episode, the crew sets sail for home, immediately gets distracted by pork, insults a goddess, and proves that if Odysseus had access to a live Twitch chat, he probably would have died even faster. https://www.kickstarter.com/projects/badeye/forgotten-odysseys Show Notes This week on the RPGBOT.Podcast, we dive into Forgotten Odysseys, the creation of Adam Bradford, also known as BadEye Adam, and currently funding on Kickstarter. Adam joins the show to talk about building a brutal, mythic Greek journey home from the Trojan War using the bones of MÖRK BORG, then Josh Simons of Broken Door Entertainment takes the helm for a live play demo that immediately proves why sailors should fear gods, storms, wild animals, and shirtless leadership. Adam walks through the inspirations behind the game, from The Odyssey and Bronze Age Greek culture to Blood of Zeus, 300, Xena, and the gloriously doomed charm of MÖRK BORG hacks. The result is a sword-and-sandals survival game where the goal is simple: get home. The problem is Eris, goddess of strife and chaos, who believes you cheated death at Troy and would very much like to correct that oversight. The episode also explores the game's seafaring tests, deadly mishaps, journey map, mythic art direction, character classes, boons, curses, legendary items, and armor system. Then the actual play begins, and the party creates Dome, Demos, and Dephobos, three heroes whose collective survival strategy includes playing "Yankee Doodle Dandy" on a lyre, hunting boars in a storm, yelling at divine fog, and ultimately fulfilling a betrayal prophecy with alarming efficiency. If you like Greek mythology, doomed sailors, lethal rules-light games, gorgeous art-heavy books, and tabletop sessions where a boar fight becomes the emotional centerpiece of the evening, this one is for you. Key Takeaways Forgotten Odysseys is Adam Bradford's mythic Greek, MÖRK BORG-compatible game about soldiers trying to survive the journey home after the Trojan War. The game is currently on Kickstarter and is published in partnership with Broken Door Entertainment. Adam wrote, illustrated, laid out, and designed the game, giving it a strong personal visual identity inspired by Greek myth, comics, public domain art, and brutal sword-and-sandals drama. The central premise is not "become a hero." It is "get home before the gods, monsters, sea, dice, or your friends kill you." Eris replaces Poseidon as the primary divine antagonist, hunting the characters because they survived when fate said they should have died. The game keeps the deadly, strange, art-heavy spirit of MÖRK BORG while adding Greek myth flavor, seafaring rules, Bronze Age gear, legendary items, boons, curses, and a journey map. Seafaring tests let everyone contribute to survival, whether they are rowing, navigating, inspiring the crew, helming the ship, or playing music to keep the oars in rhythm. Character creation leans into randomness, misery, and personality, which is how the table ends up with Dome, Demos, and Dephobos, three names that sound like they were cursed before the dice even hit the table. The live play shows off the system's fast combat, player-facing rolls, armor tiers, and high stakes, mostly through the sacred Greek tradition of nearly dying to pigs. Demos learns that boars are dangerous, Dephobos learns that prophecy is inconvenient, and Dome learns that leadership is easier when nobody questions why someone was stabbed and thrown into shallow water. The episode is a strong showcase for the game's tone: mythic, deadly, beautiful, ridiculous, and always one bad roll away from becoming a cautionary tale. Welcome to the RPGBOT Podcast. If you love Dungeons & Dragons, Pathfinder, and tabletop RPGs, this is the podcast for you. Support the show for free: Rate and review us on Apple Podcasts, Spotify, or any podcast app. It helps new listeners find the best RPG podcast for D&D and Pathfinder players. Level up your experience: Join us on Patreon to unlock ad-free access to RPGBOT.net and the RPGBOT Podcast, chat with us and the community on the RPGBOT Discord, and jump into live-streamed RPG podcast recordings. Support while you shop: Use our Amazon affiliate link at https://amzn.to/3NwElxQ and help us keep building tools and guides for the RPG community. Meet the Hosts Tyler Kamstra – Master of mechanics, seeing the Pathfinder action economy like Neo in the Matrix. Randall James – Lore buff and technologist, always ready to debate which Lord of the Rings edition reigns supreme. Ash Ely – Resident cynic, chaos agent, and AI's worst nightmare, bringing pure table-flipping RPG podcast energy. Join the RPGBOT team where fantasy roleplaying meets real strategy, sarcasm, and community chaos. How to Find Us: In-depth articles, guides, handbooks, reviews, news on Tabletop Role Playing at RPGBOT.net Tyler Kamstra BlueSky: @rpgbot.net TikTok: @RPGBOTDOTNET Ash Ely Professional Game Master on StartPlaying.Games BlueSky: @GravenAshes YouTube: @ashravenmedia Randall James BlueSky: @GrimoireRPG Amateurjack.com Read Melancon: A Grimoire Tale (affiliate link) Producer Dan @Lzr_illuminati

As Christopher Nolan brings The Odyssey to the big screen, Dawn is taking listeners back to the source. Join Dawn and guest Sam Cowan as they get down and dirty with Homer, unpacking the gods, mortals, monsters, and misadventures that made The Odyssey one of the most enduring stories ever told. By the end, you'll be walking into your local cineplex HILF'd and loaded. --

In this Mere Mortals book review, I talk through The Odyssey by Homer the famous follow-up companion to The Iliad, and one of the great adventure stories of the Western canon.Compared with The Iliad, I found The Odyssey much more readable, more story-driven, and honestly more enjoyable. This is the great soldier-returning-home story: Odysseus trying to make his way back to Ithaca after the Trojan War, while Telemachus searches for answers, Penelope holds off the suitors, and the gods keep interfering with everyone's lives.0:00 Intro — The Odyssey after The Iliad0:54 The basic structure of The Odyssey1:18 Odysseus, Ulysses and the journey home2:03 Telemachus, Penelope and the suitors2:43 Where Odysseus has been3:09 Cyclops, monsters and the famous adventures3:46 Returning to Ithaca4:04 The original soldier-coming-home story4:25 Why The Odyssey reads better than The Iliad5:02 The book that kept me reading at night6:00 Why this story has lasted7:10 Iliad vs Odyssey: rage vs cunning8:19 Major themes: home, temptation, storytelling and justice10:03 The parts I skimmed10:43 Should you read The Iliad first?11:37 Final thoughts on The Odyssey12:26 Final recommendationConnect with Mere Mortals:Website: https://www.meremortalspodcast.com/Discord: https://discord.gg/jjfq9eGReUTwitter/X: https://twitter.com/meremortalspodsInstagram: https://www.instagram.com/meremortalspodcasts/TikTok: https://www.tiktok.com/@meremortalspodcastSubstack: https://substack.com/@meremortalsnotes Connect with Mere Mortals:Website: https://www.meremortalspodcasts.com/Discord: https://discord.gg/Xs9DjsurFqTwitter/X: https://twitter.com/meremortalspodsInstagram: https://www.instagram.com/meremortalspodcasts/TikTok: https://www.tiktok.com/@meremortalspodcastsValue 4 Value Support:Website: https://www.meremortalspodcasts.com/supportPaypal: https://www.paypal.com/paypalme/meremortalspodcast

Tansy's Hot Cup of History essay series continues with the real history behind some of Xena's greatest hits. This month, to prepare yourselves for Christopher Nolan's The Odyssey, we have a 3-episode extravaganza on everything you needed to know about the Trojan War but were afraid to ask… Sign up to my author newsletter for updates, follow me on Insta, Threads or Bluesky as @tansyrr, find me at tansyrr.com and on Facebook at TansyRRBooks, and if you like this podcast consider supporting me at Patreon where you can receive all kinds of cool rewards, early ebooks and exclusive stories for a small monthly pledge - plus early access to episodes.

Welcome to Day 2891 of Wisdom-Trek, and thank you for joining me. This is Guthrie Chamberlain, Your Guide to Wisdom – Theology Thursday – When Myth Remembers: The Case for the Supernatural in History. Wisdom-Trek Podcast Script - Day 2891 Welcome to Wisdom-Trek with Gramps!   I am Guthrie Chamberlain, and we are on Day 2891 of our Trek.   The Purpose of Wisdom-Trek is to create a legacy of wisdom, to seek out discernment and insights, and to boldly grow where few have chosen to grow before. Our current series of Theology Thursday lessons is written by theologian and teacher John Daniels. I have found that his lessons are short, easy to understand, doctrinally sound, and applicable to all who desire to learn more of God's Word. John's lessons can be found on his website   theologyinfive.com.   Today's lesson is titled:  When Myth Remembers: The Case for the Supernatural in History. Modern thinking often treats myths as primitive fiction, old stories made up to explain what ancient people didn't understand. This is a shallow and deeply flawed view. A myth, in its original form, was never just a tale. It was a framework for understanding reality. Myths carried the collective memory, theology, morality, and worldview of a people group. They encoded truth, not always literal in every detail, but meaningful, historical, and often rooted in real events, places, and supernatural encounters. To dismiss myths because they involve divine beings or miracles is to miss their purpose. Ancient people did not separate the sacred from the secular. Their myths reflected how they understood the world and how they encountered powers beyond it. The first segment is: Historical Memory Preserved in Myth Some myths are poetic versions of real events. The story of the Trojan War, once thought to be legend, gained new weight when archaeological discoveries confirmed the existence of a city that fits Homer's description of Troy. Likewise, while the legends of King Arthur are wrapped in fantasy, they are likely based on a real post-Roman warlord who resisted Saxon invaders. Even in Scripture, the events that modern critics label “mythic” often show clear signs of historical anchoring. The global flood, the destruction of Sodom, the Tower of Babel, and the conquest of Canaan are presented not as metaphors but as real acts of God in human history. These accounts, though cosmic in scope, are rooted in geography, time, and national memory. The second segment is: Myth as Cultural Lens Myths also reveal what mattered most to a people. Norse mythology, shaped by harsh winters and unrelenting violence, emphasizes cold, fate, and struggle. Mesopotamian myths center on divine kingship and cycles of fertility, reflecting the importance of rivers, temples, and crops. These stories do not just preserve events; they preserve the lens through which cultures viewed divine activity. In the Bible, this same pattern holds. Its creation narrative, flood story, and judgments are not recycled myths but deliberate responses to the surrounding pagan world. Scripture confronts and corrects the worldview embedded in other myths. It does not borrow their gods. It defeats them. The third segment is: The Modern Turn Against the Supernatural The rejection of mythic material as a source of truth is not ancient. It is modern. It was not the biblical writers or the early Church who dismissed the supernatural. That rejection began in earnest during the eighteenth and nineteenth centuries, when Western intellectual culture began shifting under the influence of the Enlightenment. The Enlightenment exalted reason, skepticism, and empirical science. Thinkers like David Hume and Immanuel Kant argued that miracles violated the laws of nature and were therefore unreliable as historical events. Supernatural claims were relegated to the realm of fiction or psychological projection. This created a new definition of truth, one that excluded divine intervention, spiritual beings, and cosmic conflict. In the nineteenth century, these assumptions were applied to the Bible through the historical-critical method. Scholars such as Julius Wellhausen dissected Scripture not as divine revelation but as a collection of evolving mythologies shaped by human communities. The creation narrative, the flood, the Tower of Babel, and the miracles of Jesus were no longer treated as actual events but as religious poetry or borrowed legends. In this model, myth was not something to be trusted. It was something to be deconstructed. Even movements that sought to preserve the value of myth, such as Romanticism, did so by redefining it. Myths were not allowed to speak about divine realities. Instead, they were reduced to metaphors for the human condition. Their theological and historical weight was stripped away in favor of psychological interpretation. The fourth segment is: Augustine's Overcorrection: From Mysticism to Minimalism But the groundwork for this modern rejection of mythic material was laid even earlier. Augustine of Hippo, one of the most influential theologians in Christian history, had once been deeply involved in Manichaeism, a mystical cult that emphasized a cosmic struggle between light and darkness. After leaving the cult and converting to Christianity, Augustine understandably sought to distance himself from the elaborate supernatural systems he had once embraced. However, in doing so, he overcorrected. He rejected many established supernatural interpretations of Scripture, favoring more allegorical and philosophical approaches. Influenced by Neoplatonism, Augustine prioritized abstract spiritual realities over tangible supernatural beings. He reinterpreted Genesis 6, for example, not as a rebellion of divine beings, but as a moral tale about the intermarriage of the godly and ungodly. Though Augustine never denied God's power or the reality of miracles, his discomfort with mythic material and his desire for theological respectability led him to downplay or spiritualize the cosmic conflict found in much of the Bible. His influence steered much of Western theology away from the ancient worldview that accepted divine councils, rebellious spirits, and supernatural intervention as real components of history. This theological shift made it easier for Enlightenment thinkers to later dismiss myth outright. The supernatural had already been contained and abstracted. In many ways, the modern rejection of myth did not begin with science. It began with Augustine's reaction against his own past. The fifth segment is: The Myth That Was True and the Myths That Remembered Not all myths are lies. Many are distorted memories of real events, echoes of a spiritual history that the nations once knew but later twisted. The flood, the divine rebellion, the rise of giants, the war among the gods, these appear in cultures across the globe not because they were invented out of thin air, but because they preserve fragments of true events. The nations remembered the rebellion of the sons of God, but they passed it down in corrupted form. They remembered divine judgments, but attached them to false deities. Their stories are not false because they are myth. They are flawed because they lost the context of Yahweh's supremacy. In the twentieth century, this idea was captured powerfully in a conversation between J.R.R. Tolkien and C.S. Lewis. At the time, Lewis still considered myths to be beautiful lies, moving, meaningful, but ultimately untrue. Tolkien challenged that view. He explained that myths resonate because they point to something real. Humanity tells stories of gods and sacrifice and resurrection because it dimly remembers. Made in the image of a Creator who speaks through story, we carry within us a longing for the true version of the story all nations once knew. Tolkien told Lewis, “The story of Christ is a myth working on us in the same way as the others, but with this tremendous difference: it really happened.” The point was not that the other myths were worthless, but that they were shadows. The gospel is the fulfillment of what all the others pointed toward. It is not myth in the modern sense of fiction, but myth in the ancient sense of divine reality revealed in story. Where the nations preserved pieces of divine truth wrapped in confusion, Scripture restores the original pattern. Where paganism elevates rebel gods and obscures justice, the Bible reorients the mythic structure around Yahweh, the Most High. It does not erase the mythic imagination. It redeems it. The sixth segment  is: Yahweh Is Not Bound by the System He Created A major reason people reject mythic material is the presence of supernatural events. Miracles, divine appearances, and acts of judgment are written off as fabrications because they do not conform to natural law. But that objection is built on a misunderstanding of who Yahweh is. If we believe that Yahweh is...

Nanny Piggins continues with the story of the Trojan War, explaining the importance of childish behaviour in the progress of the military campaign.Support the show at https://www.buymeacoffee.com/storiesraspratt If you enjoyed the podcast please like, review and/or subscribe!Support the showFor merchandise use this link... https://www.cafepress.com.au/shop/rasprattTo buy one of my books use this link... https://amzn.to/3sE3Ki2To buy me a coffee use this link... https://buymeacoffee.com/storiesrasprattTo book a ticket to a live show use this link... https://raspratt.com/live-shows/

How does Ramesses II stack up to his predecessors? Why did ancient writers connect him with the Trojan War? In this episode we explore tales of Ramesses, told in antiquity, and consider his legacy in the modern world. Music: Keith Zizza and Luke Chaos. Bibliography Brand, P. (2010a). Reuse and Restoration. In W. Wendrich (Ed.), UCLA Encyclopedia of Egyptology. https://escholarship.org/uc/item/2vp6065d Brand, P. (2010b). Usurpation of Monuments. In W. Wendrich (Ed.), UCLA Encyclopedia of Egyptology. https://escholarship.org/uc/item/5gj996k5 Brand, P. J. (2023). Ramesses II: Egypt's Ultimate Pharaoh. Breasted, J. H. (1912). A History of Egypt. Bunsen, C. C. J. von. (1848). Egypt's place in universal history: An historical investigation in five books (C. H. Cottrell, Trans.; Vols. 1–5). https://hdl.handle.net/2027/mdp.39015050932519 Cooney, K. M. (2022). The New Kingdom of Egypt Under the Ramesside Dynasty. In D. T. Potts, N. Moeller, & K. Radner (Eds.), The Oxford History of the Ancient Near East, Volume III: From the Hyksos to the Late Second Millennium BC (pp. 251--366). https://doi.org/10.1093/oso/9780190687601.003.0027 Davies, B. G. (1997). Egyptian Historical Inscriptions of the Nineteenth Dynasty. Edwards, A. B. (1899). A Thousand Miles up the Nile (2nd edn). https://archive.org/details/thousandmilesupn0000edwa_e0y7/page/n9/mode/2up Kelly, B. (2010). Tacitus, Germanicus and the Kings of Egypt (tac. Ann. 2.59–61). The Classical Quarterly, 60(1), 221–237. https://www.jstor.org/stable/40984750 Kitchen, K. A. (1982). Pharaoh Triumphant: The Life and Times of Ramesses II, King of Egypt. Lietzelman, H. (2014). Pharaonism: Decolonizing Historical Identity. Prized Writing 2014-2015, 46–51. Neville, J. W. (1977). Herodotus on the Trojan War. Greece & Rome, 24(1), 3–12. https://www.jstor.org/stable/642683 Said, S. (2012). 2 Herodotus and the ‘Myth' of the Trojan War. In E. Baragwanath & M. de Bakker (Eds.), Myth, Truth, and Narrative in Herodotus (pp. 87--106). https://doi.org/10.1093/acprof:oso/9780199693979.003.0003 Sourouzian, H. (1988). Standing Royal Colossi of the Middle Kingdom Reused by Ramesses II. Mitteilungen Des Deutschen Archäologischen Instituts, Abteilung Kairo, 44, 229--254. Sourouzian, H. (2019a). Catalogue de la statuaire royale de la XIXe dynastie [Database]. https://www.ifao.egnet.net/bases/publications/bietud177/ Sourouzian, H. (2019b). Catalogue de la statuaire royale de la XIXe dynastie. https://www.ifao.egnet.net/publications/catalogue/9782724707571/ Tyldesley, J. (2001). Ramesses: Egypt's Greatest Pharaoh. Wilkinson, T. (2023). Ramesses the Great: Egypt's King of Kings. Learn more about your ad choices. Visit megaphone.fm/adchoices