Podcasts about Xanadu

If you've ever roller-skated, then this movie is for you! Michaela Watkins (Hacks) joins Paul, June, and Jason to talk all about the Olivia Newton-John & Gene Kelly musical Xanadu. LIVE from Largo in LA, they cover everything from the opening dance montage where the muses come out of a mural portal, the animation sequence that was basically the sex scene, and Gene Kelly's memory boner. Plus, we discover why Zeus has a British accent during audience Q&A! (Originally Released 01/30/2022) • Go to hdtgm.com for tour dates, merch, FAQs, and more• Have a Last Looks correction or omission? Call 619-PAULASK to leave us a voicemail!• Submit your Last Looks theme song to us here• Join the HDTGM conversation on Discord: discord.gg/hdtgm• Buy merch at howdidthisgetmade.dashery.com/• Order Paul's book about his childhood: Joyful Recollections of Trauma• Shop our new hat collection at podswag.com• Paul's Discord: discord.gg/paulscheer• Paul's YouTube page: youtube.com/paulscheer• Follow Paul on Letterboxd: letterboxd.com/paulscheer• Subscribe to Enter The Dark Web w/ Paul & Rob Huebel: youtube.com/@enterthedarkweb• Listen to Unspooled with Paul & Amy Nicholson: unspooledpodcast.com• Listen to The Deep Dive with June & Jessica St. Clair: thedeepdiveacademy.com/podcast• Instagram: @hdtgm, @paulscheer, & @junediane• Twitter: @hdtgm, @paulscheer, & msjunediane • Jason is not on social media• Episode transcripts available at how-did-this-get-made.simplecast.com/episodesGet access to all the podcasts you love, music channels and radio shows with the SiriusXM App! Get 3 months free using the link: siriusxm.com/hdtgm

Celebrating 5 years! Feel free to listen (unless you played Sonny in this movie)

This week, I am joined by Jake Fogelnest, who at the age of 14 hosted MTV's Squirt TV, and later collaborated with Will Ferrell, Sarah Silverman & Billy Eichner.  We take a look at the Bee Gees/Peter Frampton mess-a-thon theatrical feature SGT. PEPPER'S LONELY HEARTS CLUB BAND.We also discuss how Jake turned his childhood cable access show (shot in his bedroom!) into a full-fledged MTV show, getting his hair cut on TV by Kim Gordon, the day Cypress Hill showed up to his bedroom, the difficulties of the MTV show getting cancelled and his struggle with addiction, how the Beatles were less protective of their legacy than we thought, the military aspects of Sgt. Pepper's, how we never noticed the military aspects of Sgt. Pepper's, the legacy of Robert Stigwood's powerhouse career, Grease, Robin Gibb's grandiose delusion that this film's music was going to replace the legacy of The Beatles' original, how this was Steve Martin's film debut, how it felt watching the film as kids, the movie Car Wash, the PG-13 version of Saturday Night Fever, the cult musical film The Apple, the fight scene between Peter Frampton & Steven Tyler of Aerosmith, the incredible Alice Cooper cult leader scene, Sandy Farina as Strawberry Fields, speculating if anyone ever cried watching the film, Xanadu, Billy Preston saving the day, our alternate endings of Sgt. Pepper's, who are all the artists that appeared in the film's big finale, finding peace of mind from just hanging out in a video store and more!So let's run from that wicked Mean Mr. Mustard and his two latex-clad gimb-bots on this week's episode of Revolutions Per Movie! JAKE FOGELNEST: @jakefogelnest www.patreon.com/jakefogelnestREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

Groove Xanadu released their eponymous debut album, showcasing the group's signature sound live on Turning Points. In this episode of Turning Points, Patricia Killeen welcomed singer-songwriter Michael D. Amitin and vocalist Cerenia Capouix to the studio. In the winter of 2023–2024, Michael, an American expat in Paris, began exploring new musical ideas with fresh collaborators. Serendipity played its part, bringing together a talented lineup: keyboardist Paul Sany, guitarist Guillaume Perrin, bassist Emmanuel Sunnee, and drummer Baptist Castets. Their country-blues foundation soon evolved into a rich, multicultural blend of jazz, funk, and soul. A magical, distinctive vocal harmony melded between Michael and Cerenia, and Cerenia's shining, "angel like"; vocals soon took the lead on several tracks. With good vibes and creative chemistry, Groove Xanadu recorded their debut at QDS Studio with engineer Michael Buyens, and then overdubs ensued at Submarine Studios with Isaackito. The result: Groove Xanadu, the eponymous first album by the newly formed group. The album premiered on Turning Points, with Michael and Cerenia performing two tracks live ‘Her Mother Drank Black Coffee', and ‘Food for the Angels' to the pure delight of Patricia and Aliosha in the studio. The group is now gearing up for the album release party at the Sunset Club on September 30 with more events on the horizon. You can find Groove Xanadu on: Facebook (https://www.facebook.com/people/Groove-Xanadu/61573031236354/) Instagram (https://www.instagram.com/groovexanadu?igsh=d3ltZnVwdzExNDMx ) Bandcamp (https://groovexanadu.bandcamp.com/album/groove-xanadu)

Kyle, Joe, and Rick review the musical fantasy film Xanadu. Directed by Robert Greenwald. Written by Richard Christian Danus and Marc Reid Rubel. With music by Barry De Vorzon and Electric Light Orchestra. The film stars Olivia Newton-John, Michael Beck, and Gene Kelly. We ranked 10 songs off the soundtrack and picked our favorite lines, characters, performers, and scenes. Enjoy!

Before we start the show today…Have you donated to the Me Little Me Virtual Food Pantry? This amazing organization works to get low-income folks (many of whom are in eating disorder recovery) fed — and with the food of their choosing. Meaning yes, ultra processed foods that bring comfort and convenience, and yes to beloved cultural foods…and yes to trusting folks in need to know what they need.We're trying to raise $12,000 and add 50 recurring donors to their rosters by June 1 AND WE ARE SO CLOSE TO OUR GOAL. But we need your help to crush it! Thank you!You're listening to Burnt Toast! Today, my conversation is with the iconic Sarai Walker. Sarai is the author of The Cherry Robbers and Dietland, which came out in May 2015—and is celebrating its 10th anniversary this month.Dietland is one of those books that means so much to me, it's hard to put into words. I consider it a foundational text of the body liberation movement of the past decade. It was adapted as a television series starring Joy Nash for AMC in 2018. It's just one of those books—that inducted so many of us into conversations about fatness, feminism, radical social action. Sarai has also lectured on feminism and body image internationally. Her articles and essays have appeared in The New York Times, The Washington Post, The Guardian and elsewhere, and she worked as a writer and editor on an updated version of Our Bodies, Ourselves.I asked Sarai to join me today to reflect on what 10 years of Dietland has meant to her. We also talk a lot about the very mixed experience of being a public fat person, as well as being a woman, and a writer, in midlife. You will love this conversation.And! If you order Dietland and Fat Talk together from Split Rock Books, you can take 20% off the combo with the code FATLAND. If you've already bought fat talk from Split Rock, you can still take 10% off Dietland or any book we talk about on the podcast, using the code FATTALK. Today's episode is free but if you value this conversation, please consider supporting our work with a paid subscription. Burnt Toast is 100% reader- and listener-supported. We literally can't do this without you.Episode 195 TranscriptVirginiaThis is really a big thrill for me. Dietland came out in 2015, we're here to celebrate its 10th anniversary. I read it pretty soon after it came out, and I remember reading about Plum and Calliope House and the Jennifer vigilantes who were killing all the evil men, and just thinking, how is she in my brain? How is she writing my whole heart in this story? So to start us off with what is probably an impossible question: How does that feel, to have contributed something that is so important to the canon? And by canon, I mean the fat feminist literary canon.SaraiIt's funny, as an author, I don't know if I feel it the way you're describing it. Man, I hope that that's the case! I guess it's for other people to decide what a book's legacy is, whether it's important or not. What I can say—you know, the book turns 10 this month, and it has really meant a lot to me over the years that people have just connected with it in such a positive way.People related to Plum's story, they really felt that I put into words something that only they had felt, which was one of the things that I really had to work hard on in the book, because I had all these feelings about my own experience with my own body. And I was like, how do I put that into words? So that was the struggle of writing the book and being able to do that. I was so happy when people really felt that the book could speak for them in certain ways, that it gave them a voice.I still hear from people! I heard from somebody just yesterday who said the book changed their life. We live in an age where so many things just seem disposable, and people forget about things and move on really quickly. Dietland, whatever its legacy may be, it has had a long life.VirginiaWe should say, for folks who don't know publishing: For a book to still be in print 10 years later is incredible. The vast majority of books have a year, two years, and then they're done. It is a huge accomplishment, and a huge contribution.SaraiIt means a lot to me. It's getting a new French publication and a new translation over there. So, you know, my girl keeps on going. And it's funny, because I think one of the things that people enjoyed about the book was the anger and the rage in it, and the revenge fantasy narrative about Jennifer.At the same time, some people were like, oh, well, things aren't that bad. You're exaggerating. Fast forward from 2015 to 2025, and things are worse than I could have ever imagined back then.VirginiaYou downplayed it a little bit.SaraiExactly. So I feel in this weird way, kind of vindicated? That's not a great feeling. But it's just so weird that the 10th anniversary is coming at a time when there's this huge backlash against feminism, against fat. Even something as watered down as body positivity is under attack, you know? It just tells you how bad things are. So in that sense, it's sort of bittersweet to have the anniversary at this time, because things are really just heartbreaking and scary right now.VirginiaBut also: We need the book more than ever. We need the Dietland story more than ever, because things are so scary right now. It gives us a way of articulating that. It gives us a place to put those feelings.SaraiI hope that new readers find the book now in this new climate that we're in and people who read it before might revisit it. I've actually thought of writing some new Jennifer stories. I feel like they would have to be so, so violent and so filled with rage, I don't know if they would be healthy for me, but I've thought about unleashing Jennifer on MAGA.VirginiaI personally am very here for this and yery, very supportive of this idea. I think there would be an audience. I would really love to see Jennifer take on MAGA and MAHA and RFK Jr. in particular.SaraiIf I end up in prison, though, I don't know.VirginiaI'm hearing that concern, as we're saying it out loud. Fictionalized versions of these things, perhaps.SaraiNames changed.VirginiaI mean, you're busy, you're doing lots of things, but it would be a public service.Many more folks discovered Dietland after it became a TV show, which aired in 2018. It was created by Marti Noxon of Buffy the Vampire Slayer fame. And it starred the incredible Joy Nash. And we only got 10 magic episodes. It's a really great season, but we only got the one season. I would love to hear how you felt about the show? I've always wondered what that feels like, to have a novel go into on the screen. It's got to be such a strange experience.SaraiIt is strange and surreal. Looking back now, it's hard to believe that it happened. I think so many writers do get their book optioned, but to actually have it not just optioned, but then go into production and become a television series is pretty rare. So I feel lucky that I had that.The show premiered three years after the book was published, which is so fast, but that was kind of the golden age of TV, I think.It was a great experience. Marti really welcomed me in. I went out to the writer's room, and I worked as a consultant. I got to visit the set in New York. And basically the the 10 episodes that we got were the whole book. So, I'm really sad that it didn't go on, that we didn't get at least a season two, preferably five seasons would have been great. But AMC just kind of bailed out on it. There was a lot of drama there going on behind the scenes that had nothing to do with the show that contributed to that.When the show was canceled, one of the cast members posted something on social media saying, “I'm so tired of shows about women that try and do interesting and groundbreaking things just being canceled and not given a chance to grow.” It's very hard to build an audience in one ten episode season. So I just felt like the show wasn't given that chance. And so that makes it a little bit bittersweet. But I treasure the ten episodes that we did get. It's an incredible privilege that we got that.Amd the show was pretty faithful to the book, actually, I thought. When I got there to the writer's room, they were already at work and they were using it as their Bible and I was this kind of like goddess of this world. It was really weird.VirginiaThat's amazing.SaraiAll these people working on something that came from my head. It was surreal.VirginiaAnd Joy as Plum—she's amazing and really embodies the character.SaraiShe is so great. I just love Joy. When I was living out in LA we used to go out to lunch, and she's so fun and just so sweet. And, yeah, I really loved working with her, and having her play Plum.VirginiaSo you mentioned feeling like a goddess in the writers room. But putting this out there did launch you as a Public Facing Fat Person, which I put in capital letters. It's an experience that that I've had, a little bit as well. And it is a real mixed bag. It's just really a weird experience to be professionally fat, especially because, in your case, your subsequent work has had nothing to do with fatness. And yet, I'm sure this is still something that comes up.SaraiYeah, I mean, you know what it's like to be publicly fat. Everyone reacts to it differently. I'm a novelist, so I'm very introverted. The book was published in 2015 and then the paperback in 2016 and the British edition, which was a whole wild ride with the media over there.VirginiaOh god, I am sorry. I know and I'm sorry.SaraiYeah. It made our media look okay!VirginiaNo, it's terrible. The British media is so awful in general, and it's so specifically fatphobic. Anytime I've done anything with the British media, it's been a deeply scarring experience.SaraiIt was awful. I had a big newspaper over there wanted me to write this big article for them, and they're like, “You have to put your weight in the article.”VirginiaI mean, what?SaraiAnd then another website, this feminist website, was like “We want pictures of you to use as stock photos for other articles on body positivity.”VirginiaI'm sorry, can you not find other fat people??SaraiI'm the only one that exists. I don't know if you know that, but I'm the only one.And so, I had years of this. I was on NPR, talking about being fat. I was on MSNBC. I was on other radio shows. I mean, that's the game, right? And at that time, “obesity epidemic” rhetoric was a really big thing. So my book had this hook, which isn't common for novels, but I got all these interviews and so I had to go along with it, and go out there.On the one hand, it's really radical to be like, “Yeah, I'm fat,” and to speak about it in a neutral or positive way. It's radical. It's a taboo. And there aren't a lot of taboos left. But it also just was hard to constantly have my body mentioned all the time. I remember Julianna Margulies, who was on the TV show, did an interview on a podcast talking about me and said something like, “Oh, Sarai's a big girl.” Which is fine. I mean, that's the thing, that's what I wrote about. And that's what it was like, actors, radio hosts, journalists, all referring to me as big or fat. And I'm not blaming them at all, but it was just the effect it had on me over time, was like, I started to kind of feel like a fat lady in like a circus or something. But I was reduced to the it was always about my bodyVirginiaAnd you're like, “I'm actually a writer. I have this whole incredible ability to invent a world. Not many people can do that. Could we maybe talk about that?” Just a thought.SaraiIt was really hard for me. I thought I would love being in the spotlight, and it was harder than I thought it would be.VirginiaI appreciate you saying that. I think it is really hard. I've had a smaller experience with it, and that was enough. I don't want more than I've had. I have a friend who says, “You don't really know how you feel about a book until three years after the book came out. You need that time to survive.” The whole experience of launching a book—especially if a book does well—is like you're basically disassociating a lot of the time to get through all the interviews and the press and the backlash and the trolls and whatever it creates. And then your nervous system needs time to slowly absorb what you just experienced. For me, one piece of it is like, okay, that was enough. I don't need more scrutiny on my body or my life. We don't owe the world that. And there's a weird expectation that because you made a thing or wrote a thing that people are connecting with, you somehow owe them more of yourself.SaraiAnd it's like you're saying, if you kind of step back, it's like, am I disappointing people? And I don't want to do that.VirginiaBut I'm still a person with a life and my own needs.SaraiI've always been fat. When I was a kid and growing up as a young adult, I was deeply ashamed of being fat. And I had the kind of the experience of Plum in Dietland, where I eventually experienced liberation about my body. But that trauma doesn't go away. So having everybody talk about me being fat all the time, it kind of triggers off things that you thought you had dealt with, or were at peace with. Then all of a sudden, it's like picking in a scab all the time.Even in the writers room for Dietland, I was the only fat woman in there. So that was my role. I'm the fat person. I have to tell you what it's like to be fat. And it was just always focusing on that. And that's what happens when you put out a book about that subject. I'm not really complaining about it. It was just harder than I thought it would be and it took a toll on me.VirginiaIt's a weird experience, and it's weird that it's a necessary part of getting this conversation into the mainstream.When Fat Talk came out, Aubrey Gordon texted me and was like, “I'm checking in to see how you're doing, because the book's doing well” Because, obviously, she's had lots of experience as a public fat person. And she was like, “Thanks for taking your turn in the trenches.” And that is kind of how it feels. In order to keep this conversation going around fat liberation and body liberation, we do need to keep putting this work out there. Somebody has to go to the front of the line and take all the hits for a while. And you did it at a time when not many people were getting a big stage to do that. And without a network of other people who had done it, maybe. So thank you.SaraiOh, well, you're welcome. And thank you for everything you do. Because I remember after your New York Times interview, I DMed you. I was like, “Are you okay?” Because I know what it's like to write something and the New York Times people go nuts when it's about fat. I'm like, are you all right? Because we have to look out for each other, you know?VirginiaI really appreciated it when you did that. It wasn't the most fun experience in my life. When we were talking about doing this episode, you were also saying how, as a writer you have gone on to write things that don't have anything to do with fatness. It's not like being a journalist on a beat. So I'm sure that's also challenging, that you're like, this can't always be the most interesting thing about me. That's not fair.SaraiYeah. I mean, my second novel, The Cherry Robbers—VirginiaWhich I loved!SaraiOh, thank you. That was historical. The novel took place mostly in the 1950s. I wanted something totally different. I didn't want to be in the contemporary culture. When the book came out, it got a glowing review in The New York Times, and great reviews, but people just weren't interested in talking to me anymore.I mean, part of that's is the publishing world thing, where your debut is like a debutante ball, and everybody wants to talk to you. And then once it's your second or third book, it's like, oh, yeah, we moved on from you. Sorry, I sound really jaded right now! But without that kind of a newsy hook, people just weren't interested really in talking to me anymore about the book. I think you could be tempted to say, “Okay, well, I'm going to write another book about fatness so I can get back in the media attention.” But no. As you say, other people have stepped up in their writing about it, and they're doing the work on it now. I had my time, I had my voice. I'm not saying I'll never write about being fat again. I'm sure I'll write an essay or who knows what, but I am just doing other things now. I've tried to carve out my space as a writer who is fat and who writes about all different kinds of things.VirginiaNo one needs a thin writer to keep writing about thinness. No one needs a male writer to keep writing about the experience of being a man. It's only when you have some kind of marginalization that people then expect that to be everything you write and think about. As opposed to saying, this is a person who writes and thinks about lots of different things. And happens to be this identity, and cares a lot about that identity and has thoughts about it. But every piece of work doesn't need to be defined by that.SaraiYeah. I mean, I live as a fat person. That's my reality. I'm not running away from it. It is who I am. It's inextricably linked to who I am. But I as a as a writer, as a person, I get bored easily. I want new challenges. I want to write new types of stories.In my next novel, the narrator is fat. But I only mention it once in the novel, so it's sort of like playing around with, yeah, this character is fat, but that's not really that relevant to the story that I'm telling. It's there, and it kind of comes up in other ways, but it's not the whole story. So kind of an evolution, I guess, too, of how I'm writing about fat, at least in fiction.VirginiaThat's where we need to get with representation—where every story about a fat character should not be just about their experience of fatness. That's so reductive. We need more characters that happen to be fat, that are doing other things. SaraiYeah, I think that that's the ultimate goal. I don't think we're there yet in any kind of medium. But, yeah, that would be the dream.VirginiaWe're working towards it.You were also saying that you feel like just a very different kind of writer now than when you wrote Dietland, which is a book with so much anger and fire in it. It's a gauntlet thrown. You described yourself as feeling “less fiery and more muted now,” but I also wonder if this is just being older and wiser and maybe a little more jaded— but also clearer about which mountains you're willing to die on now.SaraiI wrote Dietland in my 30s. But it was published when I was 42 because it took forever to find an agent. Then when we sold it, it took forever to come out. Publishing is quite slow. But that was the novel of my 30s. And I look back now at this anniversary, and I was so fired up. I was so passionate. I was bold and fierce and brave.Some of the things I wrote, I don't know if I would write now, if I'd be brave enough. So I look at that person who wrote Dietland, and I'm not exactly that person anymore. And it's something that's been bothering me for a while.And recently, I listened to an interview with Zadie Smith on the NPR Wildcard podcast. She and I are about the same age, 50-ish, going through all the hormonal changes of this time of life. And she was talking about her earlier books and how she thinks about herself when she was younger versus how she is now. She was talking about how now, at midlife, she feels kind of quieter inside. Her big personality has sort of retracted a little bit. And when I heard her say that, I just was blown away, because that's what I've been experiencing too. And I haven't really heard a lot of other people talking about it, and I hadn't really put it into words or myself. I think because it was upsetting to feel a bit more low key, a bit more apathetic.I'm not really an apathetic person. I've never thought of myself that way. But I kind of feel that way now, so it's a weird time in my life. And I've had women who are older say it gets better. Like, just wait, ride this out, and you're going to come out on the other side of this older and wiser and happier. But right now, I'm just kind of in this weird space where I just feel different. I'm a different person in some ways. I have the same values, but I'm a different kind of a writer, different kind of a person. I'm settling. That's where I am right now. I'm kind of in the thick of it. VirginiaI think we don't often hear this nuance from people after they do something that has the kind of impact and success that Dietland has. We often think, well that person just continues to soar and it's all the next peak and the next peak. And that's not every experience. Probably that's not most people's experiences after having a big success. It's okay that there are valleys and different paths and different twists and turns to it.My other thought is: How could you not be feeling that way right now, given what the world is? Given what it means to be a woman right now? And everything that we're up against. I think there's a some universal—maybe it's apathy, maybe it's… I don't know what it is, exactly. But this feels deeply relatable to me on a lot of levels.SaraiI think going through midlife and perimenopause, at a time when the whole world seems to be a disaster makes it a lot worse. Everybody is coming off the pandemic and Roe v Wade being overturned, and now Trump in office again. Our baseline is just really bad, you know? It's just kind of everything piled on at once.But it is true, I talked to some other women I know my age, who who've written novels in the past and have success and then can't get published anymore once they get into their 50s. You expect you're going to go on forever like you do at the beginning. And you have to deal with the publishing industry. It's a corporate industry. And there are lots of things at play that have nothing to do with whether books are good or not, or whether readers want certain books, or whatever.You start out having these expectations about how your career will go, and then you don't realize that it's, it's always a struggle. Unless you're some massive superstar writer who could have their grocery list published. But for the rest of us, it's a struggle that just kind of peaks and valleys, and that has been a kind of wake up call ten years into being a novelist, for sure.VirginiaThe industry is so complicated. I think the ageism is very real in our industry. I mean, and everywhere. I just turned 44 so I'm kind of getting into this zone that you're talking about. Perimenopause is definitely with me. It has begun. And I think a lot there is an invisibility that's starting to kick in, compared to what I experienced as a woman in my 20s or 30s being out in the world. I can, sort of slip by unnoticed a little more sometimes. And sometimes I really like that, and sometimes it makes me angry. Kind of depends on the day. And I don't even just mean male attention. I just mean the way people interact with you. I'm starting to notice some of those shifts.SaraiI think that's one of the things that's so strange about this time of life. There are a lot more adults who are younger than you all of a sudden. So all of a sudden, you've got 20 or 30 years worth of adults that are younger than you that start to see you as not important anymore.VirginiaMy kids like to remind me that Taylor Swift is 35. as if that's an entire different generation from me. That's not that much younger, guys! Okay, anyway.SaraiI mean, yeah, 35, she's getting up there. But it's kind of like you don't matter as much anymore, in a way. Like that's what society wants you to believe. That you're kind of fading. I think that's one of the things that you kind of have to push back against.And, you know, I'm Gen X. VirginiaI'm elder millennial, but I'm one year off of Gen X or something.SaraiI do think Gen X, despite all of our problems and flaws, are writing more about menopause and perimenopause and aging. And your generation will pick up that mantle and do even more with it. So I feel like, we're trying to change things at least and make it so that we're not fading away. I'm in my 50s now. I'm not going anywhere. And I'm still going to write. You're not going to silence me. It's kind of like just insisting that we're still here, we still have a voice. But, yeah, it's hard.VirginiaIt's hard, and when you're feeling that kind of personal, muted thing you were talking about and then it's getting reinforced by the cultural perceptions of being a midlife woman. Then it's like, am I going to summon up all the energy I need to push back against that? Or am I going to take some of that as, like, it's a little bit liberating. I don't have to be the young, shiny superstar reaching for the brass ring right now. It's kind of a mixed thing, I think.SaraiWith Dietland, I was idealistic and passionate and fiery. And I'm different now, but I'm not putting as much pressure on myself either. I'm not saying everything I write, I have to change the world. That's what I wanted before. And now I'm older, and I realize you're not really going to change the world. You might change a few people, and that's great. But one novel is not going to change the world. And I don't need to aim for that anymore. I want to write different things. I want to not put that kind of pressure on myself. So yeah, there's a kind of liberating part to it as well. I think when I'm not so taking myself as seriously and putting so much pressure on myself, I kind of loosened up a little bit. So that's kind of the flip side of the more negative stuff I was talking about a minute ago.VirginiaI appreciate how honest you're being about the struggle, because I just think it is deeply relatable. And then to this end of what you're working on now, we want to hear all about the next book. You have an announcement for us?SaraiYes, so last year, I sold my third novel. But we didn't want to announce it till I had all the edits done and we had the manuscript ready to go. So summer 2026, my third novel is going to be published. It's called Furious Violet, and it's a suspense novel, which is something I always wanted to do. Like a detective story.It's different from what I've written, but I do think there's a little bit of the spirit of Dietland in it, just in the voice, maybe. I guess, because The Cherry Robbers was in the 50s mostly, whereas I'm back and writing about contemporary culture.So I'm really excited about it. I've always wanted to write a book like this, and it's the most fun I've ever had writing a novel.VirginiaI love that.SaraiMy main character, is 49 almost 50, going through perimenopause. I got to write about that experience in a sort of darkly comedic way, which is a medium that I really like, like that dark comedy that Dietland had. She's a true crime writer. She's writing a book about a serial killer, but she's also the daughter of this very famous poet who is deceased, but like a giant of American poetry. This woman who has this cult following, and sort of is always a shadow over my my character's life.So she has that, but she's a true crime writer, and she kind of embraces her mediocrity. She's not a genius like her mom. She's just a true crime writer. And when the book begins, somebody starts stalking her and telling her, “You're my mother.” And she doesn't understand what's going on, because she doesn't have kids. And so it's this mystery about what does this mean, who is this person, and what do they mean? And it's all entangling all of that and all of the other aspects of her life, and how they all intersect. VirginiaI can't wait to read it. I'm riveted just hearing you talk about it.SaraiI had so much fun working on it. It was a wild ride. So thank you. I'm excited.VirginiaI hope you'll come back next summer when it comes out and talk to us about it some more. And I just have to say, I am filled with so much admiration for how you've evolved as a writer and how you like are going in. This book feels so different from Cherry Robbers feels so different from Dietland.SaraiThank you. I don't like to get bored. I want to do new things.SaraiI think publishing kind of wants to put you in a box, and I don't want to be in that box. I wanted to do something different.VirginiaIt's awesome. I can't wait to read it. I'm so excited.SaraiOh, thanks, thank you.ButterVirginiaSarai, do you have any Butter for us right now?SaraiI just came off months and months of edits, and when I'm doing that, I can't read. I can't read other people's stuff. So I don't have any book recommendations. But I'm really excited to start reading again. But I was listening to a lot of music. I often listen to music while I'm writing, but it can't have lyrics, has to be instrumental.I discovered this Canadian classical violinist named Angèle Dubeau. She plays the work of a lot of contemporary composers. And I don't know a lot about classical music. I'm not plugged into the contemporary classical music scene. But through her, I've discovered all these different composers. And she has one piece in particular called Experience. So if you're on Spotify or Apple Music or wherever, I would recommend looking this up. This piece I just absolutely love it. It's so beautiful, and I listen to it so many times. As I was editing, and then I keep listening to her work, and I don't know it just meant a lot to me during this time. So yeah, it was really exciting to discover that.VirginiaThat's incredible. It's so fun to discover an artist and realize there's more and more of their work, and you can go down the rabbit hole of everything they've done. I find that so satisfying.SaraiShe's introduced me to so many different composers, and I really love it.VirginiaThat's so cool. I'll do a music rec as well, although it's not nearly as sophisticated as that. But my seven year old and I are currently on a big kick with the Hamilton soundtrack. Obviously Hamilton, the musical, had its moment a minute ago. Like, it's been around for a while. But it stands the test of time, and it's very fun to listen to with kids. I end up having to answer a lot of strange questions, because for a seven year old, it's just a lot of things that she doesn't know, that she needs translated. So we have some very funny conversations. It's still a banger of a show and really great and fun to listen to a kid. It's our little bedtime ritual. Before we read, she's a kid who needs to really get her energy out. And we have a swing that she likes to swing on, and we play the Hamilton soundtrack and do three or four songs, and it's just like a fun end of day ritual that I'm really enjoying right now.SaraiI love that. I'm still listening to the Xanadu soundtrack or something for my childhood.VirginiaThese things, they're classics for a reason.Obviously, we want everyone to go pick up a 10th anniversary copy of Dietland!Get it if you haven't read it, or if you read it and loved it, but you've lost your original copy, you probably need another one. It's a great gift for someone else, some friend, mom, sister, whoever. Tell folks anything else about where we can find you, how we can support your work.SaraiSo I have a website, and, you know, I'm on Instagram, I'm on Blue Sky, and I do have a Facebook page I don't update very much. I do have a TikTok account that I don't really know what to do with, but I've done a few videos. So I'm out there, pretty easy to find. My next novel coming out next summer, but that's got a ways to go on that.VirginiaWell, we will keep people posted about that for sure. Thank you so much for being here. I really appreciate it.SaraiThanks. It was so much fun. So thank you, Virginia.The Burnt Toast Podcast is produced and hosted by Virginia Sole-Smith (follow me on Instagram) and Corinne Fay, who runs @SellTradePlus, and Big Undies.The Burnt Toast logo is by Deanna Lowe.Our theme music is by Farideh.Tommy Harron is our audio engineer.Thanks for listening and for supporting anti-diet, body liberation journalism! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit virginiasolesmith.substack.com/subscribe

This is the way Wikipedia describes Machine Dazzle: "(born 1972) is the stage name of Matthew Flower, an American costume designer, set designer, performance artist and drag queen known for his excessive and fantastical camp, surrealist, queer and maximalist approach."This description doesn't do this creative person justice because his talent, skills and accomplishments are too vast and varied to describe. Pulitzer prize winning theater critic Hilton Als puts it this way in the New Yorker, "...a true theatrical genius, who, under his professional name, Machine Dazzle, has created some of the most inventive costumes and sets I have ever seen. " In this Dr. Lisa session we delve into Machine's immersive process as well as what it was like for him, growing up in a series of small towns as a queer person, how creative problem solving is part of his DNA plus why he doesn't go to therapy. Machine Dazzle was born Matthew Flower, in 1972 in Upper Darby Township, Pennsylvania. The middle child of three sons, Matthew was mostly raised by his mother Deborah, while his father James was away working as an engineer on oil tankers. The family moved to Houston, Texas and then eventually to Idaho Falls, where Matthew felt alienated amongst the predominantly Mormon community. “I was always the tallest and the gayest” Machine Dazzle told Hilton Als when speaking about this period of his life for a piece in The New Yorker. Machine cites seeing the 1980 Olivia Newton-John film Xanadu at the age of 8 as a defining moment that helped shape his view of himself. At the age of 19, he came out as gay to his conservative parents.[2] Machine Dazzle attended and graduated from the University of Colorado, Boulder, earning a degree in art. In 1994 he moved to New York City and joined the Dazzle Dancers. Machine Dazzle spent this time working a myriad of day jobs, including a position as a jewelry designer and at the non-profit cultural center Exit Art, to support his growing fascination with designing extravagant costumes to wear at night in New York City's clubs such as CBGB and Jackie 60. The origin of the name Machine Dazzle came from dancing in costume at one such club as a Dazzle Dancer. A friend referred to him as a dancing machine, which quickly morphed into Machine Dazzle. As Machine's costumes began to catch the attention of other club kids and eventually he began taking commissions from drag queens and dancers. Julie Atlas Muz asked Machine to design a full show in 2004. In 2008, Machine Dazzle designed the sets and costumes for Lustre, a Midwinter Trans-Fest, starring Justin Vivian Bond. In 2009, he designed Taylor Mac's five hour long The Lily's Revenge. Mac and Machine Dazzle would go on to collaborate extensively throughout their careers.[3]

A deep dive into Denver Fringe featuring an interview with Ann Sabbah, plus our weekly Top 10 Colorado HeadlinersIn this episode of the OnStage Colorado Podcast, hosts Alex Miller and Toni Tresca go big on Denver Fringe Festival — coming up June 4-6. We take a look at 20 of the dozens of shows coming up and chat with Denver Fringe founder and director Ann Sabbah along with performers Soleil Kohl, True Smith and Megan Dille.Later in the episode, we run down our Top 10 Colorado Headliners — upcoming shows around the state that might be of interest. Chapter BreakdownOpening & Recent Theater Experiences (00:00 - 12:00)• Welcome and catch-up after previous week's hiatus• Discussion of John Moore's guest appearance on previous episode• Alex's experience at The Narrators at Buntport Theater - monthly storytelling event celebrating its 15th anniversary• Toni's coverage of The Narrators for Westword • TV/Film discussion: Mission Impossible Final Reckoning and Netflix's The Four SeasonsRecent Productions & Reviews (12:00 - 19:00)• Toni's review of Exhibit at Curious Theatre - one-woman show by Regina Taylor• Discussion of Hundreds of Beavers film screening at Sie Film Center with actress Olivia Graves in attendance• Preview of Oracle immersive art installation at Union HallTheatre News & Industry Updates (19:00 - 26:00)• Bobby G Awards coverage (Denver Center's high school theatre competition)• Sundance Film Festival's $34 million incentive package to move to Boulder• OpenStage Theater's cancellation of Agnes of God production mid-run• Discussion of funding challenges for local arts organizationsDenver Fringe Festival Main Coverage (26:00 - 39:00)• Overview of the sixth annual Denver Fringe Festival (June 4-8)• Festival statistics: 200+ performances, 75 shows, 20 venues• Ticket pricing and artist revenue sharing (70% to performers)• Toni's curated show selections across three days• Alex's anticipated picks including family-friendly and experimental worksFeatured Show Highlights Include:• Nuptial Nightmare (horror comedy)• Mouse City Podcast (mice starting a podcast)• Arkham Ass-Sylum (Batman villain burlesque)• Rocky Mountain Puppet Slam• Dichotomize Me (immersive absurdist play)• Various experimental, comedy, and performance art piecesColorado Theatre Headliners (40:00 - 53:00)Top 10 Upcoming Shows:• On Your Feet, Town Hall Arts Center, Littleton, May 23-June 22• Xanadu, Creede Repertory Theatre, Creede, May 24-Sept. 7• Forbidden Broadway: Merrily We Stole a Song, DCPA, Denver, May 28-June 29• Torch Song, Vintage Theatre, Aurora, May 30-June 29• [title of show], Little Theatre of the Rockies, Greeley, June 5-15• Aladdin and the Wonderful Lamp, Miners Alley, Golden, through June 28• A Tuna Christmas, Bailey Theatre Company, Glen Isle Resort in Bailey through June 8• Something Rotten!, Thingamajig Theatre Company at Pagosa Springs Center for the Arts, through Aug. 30• Another Medea, Bas Bleu, Fort Collins, Through June 15• Ripcord, Firehouse Theatre Company at John Hand Theatre, Denver, through June 29

As we kick off ten weeks of 80s-themed episodes, we're returning to a goofy little game we invented a couple of years ago. The idea is to pluck characters from randomly selected movies from the year 1980, insert them into other movies, and discuss the ramifications. Potential movies include Flash Gordon, Caddyshack, Popeye, Xanadu, The Empire Strikes Back, and many more. So grab a hideously overpriced tub of popcorn and get comfortable. In all likelihood, this is gonna get weird. The Flopcast website! The ESO Network! The Flopcast on Facebook! The Flopcast on Instagram! The Flopcast on Bluesky! The Flopcast on Mastadon! Please rate and review The Flopcast on Apple Podcasts! Email: info@flopcast.net Our music is by The Sponge Awareness Foundation! This week's promo: Earth Station Who!  

 Evénements Boston- Conférence Bio-IT World- Visite du MIT Nanolab a- Meetup de la communauté quantique locale- Visite de la startup QuEra- Visite d'Atlantic Quantum, une startup de qubits supraconducteurs fluxonium cofondée par Will Oliver du MIT Lincoln Lab.- Business of Quantum Summit organisé par la Sloan Management School du MIT Paris - Devoxx  - Afterwork Lab Quantique chez OVHcloud Montpellier - Lancement de la Maison du Quantique Occitanie  QCI Days à Athènes- conférence européenne sur les communications quantiques, durant trois jours.  Evénements à venir·       Lab Quantique benchmarking des ordinateurs quantiques à Station F - 6 mai·       Panel à Nice organisé le 6 mai par France Deeptech, avec Sébastien Tanzilli, Sabine Mehr, Valerian Giesz et Olivier Ezratty.·       Q-Expo à Amsterdam le 14 et 15 mai (lien) avec keynote d'Alain Aspect le 15 mai·       International Conference on Quantum Computing 2025 (ICoQC2025) à l'Institut Poincaré la semaine du 12 mai (inscriptions).·       Scaling of spin qubits workshop le 16 mai à l'ENS Paris (inscriptions).·       Inauguration de la Maison du Quantique de Grenoble le 19 mai.·       Quantum Matter à Grenoble la semaine du 19 mai (lien).·       Forum Teratec au Parc Floral le 21 mai (lien) ou avec mes collègues du groupe de travail de l'Académie des Technologie, je vais présenter une synthèse du rapport de l'Académie sur le calcul FTQC.·       International Conference on Quantum Energy à Padoue où j'interviens la première semaine de juin (lien).·       France Quantum le 10 juin (lien).·       Séminaire TQCI Benchmark chez Eviden les 24 et 25 juin.·       Lancement de la Quantum Datacenter Alliance à Londres le 26 juin, où je serais.·       Congrès de la SFP à Troyes la première semaine de juillet. Avec trois prix Nobel. Aspect, Anne l'Huillier (lien).·       Emerging optimization methods: from metaheuristics to quantum approaches 22th EU/ME meeting x Quantum School on, Fraunhofer-Platz 1, 67663 Kaiserslautern, Germany 10th - 12th September 2025. Actualités Pasqal La startup annonçait un record avec le contrôle du positionnement de 506 atomes.  Alice & BobUne estimation de ressources pour le calcul quantique distribué réalisé par les équipes d'Alice&Bob avec Nicolas Sangouard de l'IPhT : Network Requirements for Distributed Quantum Computation by Hugo Jacinto, Élie Gouzien, and Nicolas Sangouard, arXiv, April 2025 (26 pages). Qperfectbenchmarking d'émulateurs à base de réseaux de tenseurs qui place MIMIC en bonne position : Comparative Benchmarking of Utility-Scale Quantum Emulatorsby Anna Leonteva, Guido Masella, Maxime Outteryck, Asier Piñeiro Orioli, and Shannon Whitlock, arXiv, April 2025 (28 pages).  Chipiron lève 14M€Chipiron - High quality 1 mT MRI by Zineb Belkacemi, Dimitri Labat et al, March 2025 (35 pages). Quandela Quandela nommait Alberto Peruzzo comme VP NextGen Quantum Computers (Vice-Président en charge des ordinateurs quantiques de nouvelle génération). Il était chez Qubit Pharmaceuticals depuis 2023. Il est le premier auteur d'un papier important sur l'algorithme VQE : A Variational Eigenvalue Solver on a Photonic Quantum Processor by Alberto Peruzzo, Jarrod McClean, Peter Shadbolt, Man-Hong Yung, Xiao-Qi Zhou, Peter J. Love, Alán Aspuru-Guzik & Jeremy L. O'Brien, Nature Communications, 2014 (7 pages). Quobly et C12 en podcastMaud Vinet était invitée dans le podcast de Yuval Boger ainsi que dans France Culture. Et dans le podcast Silicon Carne, en compagnie de Pierre Desjardins et toi Olivier, animé par Carlos Diaz (lien).  Sélection DARPALe 3 avril 2025, la DARPA annonçait son choix d'entreprises pour la première phase de son programme Quantum Benchmark Initiative. 18 acteurs du calcul quantique ont été retenus ·       Alice&Bob fait partie des sélectionnés. ·       Côté USA : IBM, Atom Computing, IonQ, Quantinuum, Rigetti, HPE/Qolab.·       Ailleurs : Oxford Ionics, Diraq, Nord Quantique, Photonic Inc, Quantum Motion, SQC et Xanadu. Fujitsu et Riken supportent 256 qubits supraconducteurs Fujitsu annonçait un record au Japon avec la création d'un QPU avec 256 qubits supraconducteurs. I Kipu QuantumLa startup Berlinoise présentait plusieurs preprints affirmant avoir généré un avantage quantique calculatoire en NISQ sur des problèmes d'optimisation, sur IBM Heron r2 avec 156 qubits.  https://kipu-quantum.com/knowledg...

The "Sensational 60's Show" is coming to the Crewe Lyceum on Sunday May 25th at 3PM. The music of Dave Dee, Dozy, Beaky, Mick & Tich, The Tremoloes and The Fortunes will feature. The Cat's Dave Foulkes and Kev Watson spoke to Beaky about the show and the hits in the 60's that Dave Dee, Dozy, Beaky, Mick & Tich had. Beaky shared some great stories about the origins of his famous songs such as The Legend of Xanadu.

Dennis is joined via Zoom by Hillary Carlip the designer and co-author of the most fabulous pop-up book you'll ever see Willis Wonderland: The Legendary House of Atomic Kitsch, which is a book dedicated to the home, kitsch collection and all-round fabulousness of Hillary's friend, the late great songwriter and visual artist Allie Willis. (Allie is also the subject of a documentary that was featured on this podcast last year; The World According to Allie Willis. It's now streaming on Hulu.) Hillary talks about how the pop-up book project came to her, finding illustrator Neal McCullough in Ireland and "paper engineer" Mike Malkovas in Paris and collaborating on this incredibly elaborate book all over Zoom. She also talks about creative endeavors from her past including the memoir Queen of the Oddballs, the photo book Ala Cart, which was inspired by the abandoned shopping lists Hillary's been collecting for years, juggling in the movie Xanadu and winning The Gong Show and host Chuck Barris's mad adoration. Other topics include: her long marriage to TV writer and producer Maxine Lapiduss, watching Olivia Newton-John fall for Matt Lattanzi on Xanadu, managing the ups and downs of a creative career while staying true to herself and the many times during the book's creation when she felt the spirit Allie guiding the way.  www.williswonderlandpopupbook.com www.hillarycarlip.com  

Is Xanadu still a Xanadon't?

Hour 1 -Hey Now! It's the Thursday big show and Jacob & Tommy are fully radioactive. In this segment the talk the Royals being swept out of the Bronx and their 6th inning problems.

Broadway, television, and movie star, Patti Murin, stops by The Mouse and Me to share some incredible stories about what it was like originating the role of Princess Anna in Frozen on Broadway. Patti also talks about her Festival of the Arts performances at EPCOT, and so much more!Not many actresses get to say that they played a Disney Princess one time in their career. Well…Patti is extra extra extra extra special. That's 4 “extra's” because she's played four Disney Princesses!Patti made her Broadway debut in the musical Xanadu, where she played the leading role of Clio / Kira. In her next Broadway appearance, she originated the title role in Lysistrata Jones and was nominated for a Fred and Adele Astaire Award for Outstanding Female Dancer in a Broadway Show. For her performance in Frozen, she was nominated for a Drama League Award for Distinguished Performance and an Outer Circle Critics Award for Outstanding Actress in a Musical.Patti was incredibly popular when she played Glinda in the first national tour of Wicked. She was also in Lady Be Good at New York City Center Encores, she played Belle in the American Tour of Beauty and the Beast, and Ariel in The Little Mermaid, Paulette in Legally Blonde, and Audrey in Little Shop of Horrors, all at The Muny in St. Louis, which is America's oldest and largest outdoor musical theatre!Patti is also known in the television world for playing Dr. Nina Shore on NBC's Chicago Med, Ava on Royal Pains, and starred in the Hallmark Channel movies Holiday For Heroes and Love on Iceland.Scott and Patti became fast friends and we know you're just going to just love hearing her stories!Email: TheMouseAndMePodcast@gmail.comSupport: www.patreon.com/themouseandmeFB and Instagram: “The Mouse and Me”Music by Kevin MacLeod from https://incompetech.filmmusic.io

April fool of you, the real title is Hack the Net 257 - Ludwig, Lollygagging, and Length

Today we are getting our 80s energy on with one of the original bad movies and cult classics XANADU Follow Manda on twitter https://twitter.com/amxndareviews Follow Manda on youtube https://www.youtube.com/channel/UCj_Er2_Wrzivd4jUkr0sn7g Order a #animationjunkie shirt and more from our merch store! https://www.teepublic.com/stores/hallmarkies?ref_id=8581 Please support my content on patreon at https://www.patreon.com/hallmarkies Listen to Hallmarkies Podcast at https://podcasts.apple.com/us/podcast/hallmarkies-podcast/id1296728288 Follow Rachel's Reviews on Itunes https://itunes.apple.com/us/podcast/rachels-reviews/id1278536301?mt=2 Follow my blog at https://rachelsreviews.net Follow me on twitter https://twitter.com/rachel_reviews Follow me on facebook https://www.facebook.com/smilingldsgirlreviews/ Find the patreon at https://www.patreon.com/hallmarkies Follow Halmarkies Podccast https://podcasts.apple.com/us/podcast/hallmarkies-podcast/id1296728288 Learn more about your ad choices. Visit megaphone.fm/adchoices

Send lawyers, puns and money because the you know what does hit you know who. Follow the bouncing ball of this week's episode. Act 1: A spirited, sensible and sharp discussion on the sports events of the week. Act 2: A sincere acknowledgement of those who have passed in the last seven days on the Deathalyser. Intermission: BYO snacks, drinks and mind altering substances Act 3: A deep dive into the music of ELO. What could possible go wrong? Enter stage right Stephen J Peak !!! When we reach Xanadu, it is not 'an idyllic, exotic, or luxurious place,' as you will hear in graphic detail. Does contain strong language, complete stupidity and proof that the law-yer is an ass. Kevin Hillier, Mark Fine, Stephen J Peak Follow us on Facebook...https://bit.ly/2OOe7ag Post-production by Steve Visscher | Southern Skies Media for Howdy Partners Media | www.howdypartnersmedia.com.au/podcasts © 2025See omnystudio.com/listener for privacy information.

03-28-25 - More DBacks Proclamations From John After Opening Day - Have Radio Stations Resorted To AI Voices For Man On Street Interviews - Xanadu Coffee Shop Owner Busted And Yelp Reviewers Flood w/One StarsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

03-28-25 - Reactions And Emails On Second Grade Strip Club DJ And Xanadu Coffee Story - Street To Be Renamed For Local Legends Wallace And Ladmo But We Question Who Remembers ThemSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

03-28-25 - More DBacks Proclamations From John After Opening Day - Have Radio Stations Resorted To AI Voices For Man On Street Interviews - Xanadu Coffee Shop Owner Busted And Yelp Reviewers Flood w/One StarsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

03-28-25 - Reactions And Emails On Second Grade Strip Club DJ And Xanadu Coffee Story - Street To Be Renamed For Local Legends Wallace And Ladmo But We Question Who Remembers ThemSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

[This episode originally ran on July 18, 2016. It is presented here without commercial interruption.] In 1797, the poet Samuel Taylor Coleridge took two grains of opium and fell into a stupor. When he awoke, he had in his head the remnants of a marvelous dream, a vivid train of images of the Chinese emperor Kubla Khan and his summer palace, Xanadu. The vision transformed itself into lines of poetry, but as he started writing, he was interrupted by a Person from Porlock, who arrived at Coleridge's cottage on business and stayed for an hour. when Coleridge returned to his work, the vision had been lost, and the fragmentary nature of the poem Kubla Khan has haunted its admirers ever since. The resentment has centered around the bumbling Person from Porlock, whose visit remains shrouded in mystery. The scholar Jonathan Livingston Lowes put it bluntly: “If there is any man in the history of literature who should be hanged, drawn, and quartered,” he wrote, “it is the man on business from Porlock.” Who was this Person from Porlock, and why was he knocking on the door of Coleridge's cottage? How did Coleridge handle the interruption, and what did it mean for him and his art? And finally, what might we take from this vivid legend today? Music Credits: “Handel – Entrance to the Queen of Sheba” by Advent Chamber Orchestra (From the Free Music Archive / CC by SA). “Piano Between” by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 Learn more about your ad choices. Visit megaphone.fm/adchoices

It's time for a new podcast in a place where nobody dares to go and they call it ‘Xanadu'. This episode we discuss the 1980 cult classic starring the divine Olivia Newton John and Gene Kelly in his last film role. The surreal film sees a Greek muse encourage a struggling artist to crate a roller disco! Tune in to see the neon lights shining for you and enjoy the ride!

Art historian and design historian Tony Best knows visual culture and as president of Sunset & Madison LLC, a research-based communications firm, his work is rooted in creative services management, archival practices, and mass media studies. Tony suggested a couple of movies to discuss, but ultimately landed on Purple Rain. Prince is The Kid, a young musician facing challenges at home who strives to be the best artist, the best possible musician that he can, no matter the distractions. If you grew up in the 80s, then you know the music, featuring Prince and the Revolution, The Time and Apollonia 6. On March 5th, theaters around the country will re-release Purple Rain for one night only, an exclusive Dolby Cinema Engagement with visuals and audio that improve upon the 40th anniversary edition from May 2024.-Tony Best holds degrees in Moving Image Archive Studies and Art History from UCLA. His portfolio includes projects for the UCLA Film & Television Archive, Academy of Motion Picture Arts and Sciences, CalArts, Mass Appeal/Showtime, and Amaru Records.https://www.linkedin.com/in/tonyjbest/-Purple Rain (1984)https://www.imdb.com/title/tt0087957/ https://www.fandango.com/search?q=Purple+Rain&mode=all https://variety.com/2025/film/news/purple-rain-theater-rerelease-dolby-vision-8k-presentation-1236312227/ https://www.history.com/this-day-in-history/year/1984/page/2 https://www.instagram.com/vaughnterryofficial/ https://en.wikipedia.org/wiki/Parental_Advisory https://deadline.com/2023/05/jim-brown-dead-nfl-dirty-dozen-actor-civil-rights-1235373574/ https://www.npr.org/2024/07/26/g-s1-13857/purple-rain-prince-movie-40-anniversary https://www.grammy.com/news/prince-purple-rain-album-anniversary-film-legacy-influence https://www.nytimes.com/2024/09/08/magazine/prince-netflix-ezra-edelman-documentary.html https://www.usatoday.com/story/opinion/2016/04/25/prince-purple-rain-darling-nikki-censorship-lyrics-tipper-gore-column/83466774/ -Other movies discussed, alphabetical listBeat Street (1984)Breakin' (1984)Breakin' 2: Electric Boogaloo (1984)Fame (1980)Krush Groove (1985)Missionary (2024) https://www.youtube.com/watch?v=Ho5iOnGcWas Saturday Night Fever (1977)Staying Alive (1983)Urban Cowboy (1980)Xanadu (1980)

Max, James, Ryan, roller-skate their way through the Gene Kelly and Olivia Newton John starring Xanadu. Does Gene Kelly deliver in his final film role, and was this Disco/Rollerskating/Greek Mythology Musical  bad enough for the Golden Raspberrys to be formed because of it? There's only one way to find out.Look directly into the camera at 1:35:41 for the post movie wrap up on all things Xanadu, Pastry beer, and musings on what modern equivalent of a "Music aint what it used to be" movie would look like. Like what we're doing? Want to choose future episodes? Want to fund our next Roller-skating outing? Check out our Patreon: https://www.patreon.com/goodbrewsbadviewsOpening theme: Tha Silent Partner – Prohibition Brew and Pork Chops

Connor and Dylan are joined by Tony & Grammy Award nominee Max von Essen (Chicago, An American in Paris). The boys are BACK, baby and boy, oh, boy, you're in for a great chat. Max joins the twins before an evening performance of Chicago. He dishes on what it's like singing and acting DOWN as Billy Flynn, how things are going at the Ambassador Theatre in the shows 28th year, and what it's like to star alongside reality TV stars Ariana Madix and Erika Jayne. Max's resume is just full of incredible credits and we get into some highlights: little piano man Max on Long Island obsessing over Gershwin and the arts, tiny jean shorts Max on the road with Xanadu, and meant-to-be moment Max as he starred on Broadway in An American in Paris. We honor the late Gavin Creel's friendship and impact, including stories about inspiring activism and spreading enthusiasm. Max also tells his coming out story and what it means to be in this community here in New York City. Oh, and that Carnegie Hall solo concert? You're going to tear up. S'wonderful, isn't it?Follow Max on InstagramFollow DRAMA. on Twitter & Instagram & TiktokFollow Connor MacDowell on Twitter & InstagramFollow Dylan MacDowell on Twitter & InstagramSubscribe to our show on iHeartRadio Broadway!Support the podcast by subscribing to DRAMA+, which also includes bonus episodes, Instagram Close Friends content, and more!

In this episode, we chat with Spencer Cole, CDO and CFO of Xanadu Mines, a copper exploration company with projects in the South Gobi and Western Mongolia. They aim to develop porphyry and intrusion-related deposits and are committed to Mongolia and its potential as one of the last great copper frontiers. Spencer has qualification in Mech and Material Eng (BS), Business & Finance (MBA), Finance (CPA) and has worked in various industries including mining, aerospace, Oil & Gas across the Americas, Australia, and SE Asia. He’s been with Xanadu for coming up to 5 years now and gives us an overview of the company, their flagship project Kharmagtai and will educate us more on the Lassonde Curve and how that has an impact on the company plus much more. KEY TAKEAWAYS Xanadu Mines is an ASX and TSX-listed exploration company focused on copper and gold in Mongolia, with its flagship project, Kharmagtai, currently at the Pre-Feasibility Study (PFS) stage. The company has transitioned from coal exploration to copper and gold since 2013-2014. The Lassonde curve illustrates the typical life cycle of a junior mining company, showing how market capitalisation fluctuates through different stages of project development. Xanadu's journey reflects this curve, having experienced peaks and troughs as it moved from exploration to commercialisation. Hermagti faces challenges such as funding, permitting, and the need to identify high-grade zones to minimise negative cash flow. However, opportunities exist in the form of potential sequential heap leaching of weathered deposits and the possibility of expanding the resource through further drilling. Zijin Mining, a top global copper and gold miner, has partnered with Xanadu to advance the Kharmagtai project. This partnership is seen as beneficial due to Zijin's experience in advanced metallurgy and their aggressive growth model, which aligns with Xanadu's goals. Over the next 6 to 12 months, Xanadu aims to complete a bankable feasibility study for Kharmagtai and navigate the Mongolian permitting process. The company is also exploring funding options and planning further exploration activities for its other projects, Sant. Tolgoi and Red Mountain. BEST MOMENTS "Xanadu is an ASX and TSX, so dual listed exploration company... focused on copper and gold in Mongolia." "The Lassonde curve illustrates the typical life cycle of a junior mining company, showing its market capitalisation over the different stages of development." "Kharmagtai is a big, low-grade copper-gold porphyry. Its economics work on scale, low strip ratio, and byproduct credits." "Zijin is a top five copper miner... they have a very aggressive growth model and are really experienced at building value through advanced metallurgy." VALUABLE RESOURCES Mail: rob@mining-international.org LinkedIn: https://www.linkedin.com/in/rob-tyson-3a26a68/ X: https://twitter.com/MiningRobTyson YouTube: https://www.youtube.com/c/DigDeepTheMiningPodcast Web: http://www.mining-international.org This episode is sponsored by Hawcroft, leaders in property risk management since 1992. They offer: Insurance risk surveys recognised as an industry standard Construction risk reviews Asset criticality assessments and more Working across over 600 sites globally, Hawcroft supports mining, processing, smelting, power, refining, ports, and rail operations. For bespoke property risk management services, visit www.hawcroft.com GUEST SOCIALS Website: www.xanadumines.com X/Twitter: @XanaduMines_ASX Linkedin: au.linkedin.com/company/Xanadu-mines-limited Email: spencer.cole@xanadumines.com ABOUT THE HOST Rob Tyson is the Founder and Director of Mining International Ltd, a leading global recruitment and headhunting consultancy based in the UK specialising in all areas of mining across the globe from first-world to third-world countries from Africa, Europe, the Middle East, Asia, and Australia. We source, headhunt, and discover new and top talent through a targeted approach and search methodology and have a proven track record in sourcing and positioning exceptional candidates into our clients' organisations in any mining discipline or level. Mining International provides a transparent, informative, and trusted consultancy service to our candidates and clients to help them develop their careers and business goals and objectives in this ever-changing marketplace. CONTACT METHOD rob@mining-international.org https://www.linkedin.com/in/rob-tyson-3a26a68/ Podcast Description Rob Tyson is an established recruiter in the mining and quarrying sector and decided to produce the “Dig Deep” The Mining Podcast to provide valuable and informative content around the mining industry. He has a passion and desire to promote the industry and the podcast aims to offer the mining community an insight into people’s experiences and careers covering any mining discipline, giving the listeners helpful advice and guidance on industry topics.

Western Australia's Margaret River is renowned as one of the world's foremost fine wine hotspots. But it only got started in 1967, so how has it built that reputation so fast? What makes this place unique? Why is it called, 'wine utopia' as well as, 'the best hangover cure known to man'?!Join us as we go behind the scenes with a star-studded list of Margaret River wine royalty, from Cape Mentelle to Cloudburst via Vasse Felix, Cullen, Moss Wood, Xanadu, Voyager, McHenry Hohnen and Larry Cherubino. We talk elegant Cabernet and savoury Chardonnay (plus the odd bit of Savagnin), also touching on things as diverse as Alfred Hitchcock, space invaders, Formula One, Tall Poppy syndrome, kangaroos, transparency, margaritas, radiometrics, raucous birds and short shorts. We even take a moment to appreciate a bit of opera...This is a sponsored episode in conjunction with Western Australian government and industry - the second in a two-parter mini series (check out our episode on the Great Southern to get the first instalment).Thanks for tuning in. We love to hear from you so please do get in touch! Send us a voice message via Speakpipe. Or you can find contact info, together with all details from this episode including full wine recommendations, on our website: Show notes for Wine Blast S6 E11 - Margaret River Finds its VoiceInstagram: @susieandpeter

Nous voici dans le 66ième épisode de Quantum, le podcast francophone de l'actualité quantique. Nous reprenons le cours des événements depuis notre épisode spécial de mi-décembre sur Google Willow. https://www.oezratty.net/wordpress/2024/actualite-quantique-de-decembre-2024-special-google-willow/Dans cet épisode, nous revenons sur divers événements comme la Q2B de Santa Clara, le quantique au CES de Las Vegas, le workshop de la Quantum Energy Initiative à Grenoble, la conférence QT4HEP du CERN. Côté acteurs, nous avons des news sur Alice&Bob, Quobly, Welinq, Qubit Pharmaceuticals, le CNRS, Xanadu, Google, QuEra, Quantum Brilliance, IBM, et puis quelques distractions du côté du bullshit quantique qui est vraiment mis à toutes les sauces de manière très créative en ce moment.ÉvénementsQ2B Santa ClaraDébut décembre 2024 avait lieu la conférence Q2B à Santa Clara. La première avait eu lieu en 2017. https://www.youtube.com/playlist?list=PLh7C25oO7PW1zNHHzI3-ekwTBWHAhpu4FMunich Quantum Software ForumLes vidéos et les présentations de la conférence Munich Quantum Software Forum. À noter la très bonne présentation didactique d'Austin Fowler de Google, l'un des créateurs du surface code.https://www.cda.cit.tum.de/research/quantum/2024_mqsf_summary/CES de Las VegasUn journaliste a évoqué la notion de « Quantique 2.0 » CES 2025 : au-delà de la vitrine d'innovations technologiques, que retenir ?par Stéphane Gervais Ducouret dans Alliancy, Janvier 2025.L'événement a surtout été marqué par les annonces de Nividia. Ils présentaient le « GB200 NVL72 cluster et  aussi une station de travail dotée d'un GPU GB10 Grace Blackwell. Nvidia évoquait aussi deux nouveaux termes : la notion de « Physical AI » (pour piloter les robots) et « d'Agentic AI » (pour intégrer des réseaux d'agents).CES 2025: AI Advancing at ‘Incredible Pace,' NVIDIA CEO Says by Brian Caulfield, Nvidia, January 2025.Au passage, Nvidia annonçait que sa prochaine conférence développeur en mars comprendrait une journée quantique le 20 mars. Elle accueillera notamment Alice & Bob et Pasqal, en plus d'autres acteurs du quantique (Atom Computing, D-Wave, Infleqtion, IonQ, PsiQuantum, Quantinuum, Quantum Circuits, QuEra, Rigetti et SEEQC). QEI Workshop GrenobleLa seconde édition du workshop de la Quantum Energy Initiative avait lieu à Grenoble des 6 au 10 janvier. Il rassemblait des interventions d'horizons divers : sur la thermodynamique quantique, le domaine favori de ses cofondateurs chercheurs, ainsi que sur le calcul quantique.Olivier y faisait son retour avec une intervention sur les enjeux économiques, scientifiques et technologiques du calcul quantique : Quantum computing roadmaps and their energetics aspects.https://www.oezratty.net/Files/Conferences/Olivier%20Ezratty%20QEI%20Workshop%20Jan2025.pdfLes premières vidéos du workshop qui rassemblait une centaine de personnes sont sur YouTubehttps://www.youtube.com/playlist?list=PLjqlGitBPAYAo_1A1hS1B3kNEkUhlJcnCConférence QT4HEP au CERNDu 20 au 23 janvier, j'ai participé à la conférence QT4HEP du CERN. Elle rassemblait des physiciens de la physique des particules à hautes énergies intéressés par les technologies quantiques, surtout le calcul quantique et les capteurs quantiques, et des spécialistes de ce dernier domaine. https://indico.cern.ch/event/1433194/timetable/?view=standard_numberedsVoir le post détaillé : CERN QT4HEP, LHC, Atlas, CMS and antimatter factory.https://www.oezratty.net/wordpress/2025/cern-qt4hep-lhc-atlas-cms-and-antimatter-factory/Quelques événements à venir :Unesco event : les 4 et 5 février ont lieu deux journées de lancement de l'année internationale des sciences et technologies quantiques au siège de l'Unesco à Paris. Nous y serons.Q-Expo 2025, la conférence et l'exposition organisée par QuiC revient à Amsterdam les 14 et 15 mai. https://qexpo.org/Quantum Software WorkshopLa Commission Européenne organisait un séminaire en ligne d'une matinée le 31 janvier sur les enjeux du logiciel quantique. C'est intéressant d'avoir un événement focalisé sur les logiciels quantiques, un enjeu de plus en plus important au gré de la maturation des ordinateurs quantiques qui commencent à rentrer dans le champ de la correction d'erreurs.https://qt.eu/events/quantum-software-workshopLe workshop était introduit par Oscar Diez, Policy Officer à la DG Connect. FranceRoadmap et levée de fonds d'Alice&BobAlice&Bob a annoncé une version plus détaillée de sa roadmap début décembre 2024. https://alice-bob.com/roadmap/Le 28 janvier, Alice&Bob annonçait aussi sa nouvelle levée de fonds de 103M€. Roadmap QuoblyQuobly faisait de même, lors d'une présentation par Maud Vinet (CEO) lors de la Q2B à Santa Clara, concomitamment avec l'annonce du partenariat avec STmicroelectronics que nous avons déjà relaté en décembre dernier. https://www.youtube.com/watch?v=3joAdGig-0Q&list=PLh7C25oO7PW1zNHHzI3-ekwTBWHAhpu4F&index=50

Whilst conducting my meticulous research for Gail….I was taken back to 1980 - my year of transition that was painful, perplexing, exciting, scary – a tussle between my heavily Top of The Pops Top 40 oriented collection, my classical cello playing and a new, emerging, Through The Looking Glass world of punk, post-punk and hardcore. Not easy bedfellows for 12 year old me, I can tell you.One of the songs in that struggle was Xanadu by Olivia Newton-John and Electric Light Orchestra. I think that the new punk crowd that I was gravitating towards would have sent me much further than Coventry had they known that this record was in my collection, such were the no cross-genre rules.  So what does this rather tedious story have with today's episode? Well, it's as tenuous as you'll have come to expect. After growing up adoring her music, Gail  holds the accolade of and standing on stage with Olivia Newton-John and a huge orchestra playing Xanadu in front of thousands of genuine fans. This connection, however tenuous, feels in some way serendipitous, and actually rather glorious in a way that only music can be. This is just one part of an incredible, pioneering – and I don't use that word loosely - life journey that's led to three solo albums and a whole raft of collaborations with people like Lenny Kravitz, Gwen Stefani, Tears For Fears, Gang of Four, Boy George, The The and, of course…. David Bowie. Gail Ann Dorsey - a wonderful songwriter, composer, bass player with a voice to die for and wonderful human.https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- swirl logo and art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

Drake made her Broadway debut in the 1975 Leslie Lee's play The First Breeze of Summer and the following year appeared in Great Performances production. She later was regular cast member on the two short-lived sitcoms: Snip (1976) and Sanford Arms (1977). During her career, Drake appeared in more than 70 films and television series. She made her big screen debut in 1975 appearing in films Report to the Commissioner and Friday Foster, and in 1977 had supporting role opposite Richard Pryor in the comedy film Which Way Is Up?. In 1979 she co-starred in the miniseries Backstairs at the White House and the made-for-television movie The Cracker Factory. She made guest-starring appearances on television series such as Good Times, Welcome Back, Kotter, The Love Boat, The Jeffersons, Highway to Heaven, Thirtysomething, L.A. Law, The Jamie Foxx Show, The Steve Harvey Show, The Parent 'Hood and The Bernie Mac Show. Drake appeared in films such as The Last Married Couple in America (1980), Xanadu (1980), Oh, God! Book II (1980), First Monday in October (1981), Jo Jo Dancer, Your Life Is Calling (1986), Alien Nation (1988), House Party (1990), Across the Tracks (1991), Boomerang (1992), Jason's Lyric (1994), Space Jam (1996), How to Be a Player (1997), Anywhere But Here (1999), Leprechaun in the Hood (2000), Friday After Next (2002), Wild Hogs (2007) and Influence (2020). Drake appeared in the 1980 made-for-television drama Scared Straight! Another Story, the 1987 thriller Billionaire Boys Club, and the 1989 miniseries The Women of Brewster Place. She was regular cast member in the 1990 short-lived sitcom New Attitude. From 1989 to 1993 she had recurring role on A Different World playing Velma Gaines and later had recurring roles on Martin and Another Bad Creation. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, our "4 Questions Journalist Spotlight" shines on Michelle Havich, editor of American City & County.American City & County has been the voice of state and local government since 1909. The site serves city, county and state officials who are charged with developing and implementing government policy, programs and projects. It provides readers with news, government trends, policy alternatives and operational solutions.Coolest Thing About Her: She wishes she'd gone to culinary school, collects Le Creuset cookwareLast Book She's Read: The Wedding People by Alison EspachFavorite Local Restaurants: Novo Cocina and NFA BurgerGuilty Pleasure:  "Xanadu" the movie!Local Getaway: Brook Run Park in DunwoodyFavorite Non Work Hobby: CookingMitch's day job is providing public relations services, media training, and crisis communications, but he also operates Leff's Atlanta Media, an online database with contact info for thousands of Atlanta-based journalists, and Mitch's Media Match, a service that connects Atlanta journalists with local experts.

A place that humans have yearned for since they first learned to yearn. A heaven of sorts. A paradise. Utopia. Xanadu. The Garden of Eden. Shambhala.

Dennis is joined via Zoom by two of his friends from the Xana-crew; Eric Seppala and Ruston Harker who have something unique in common. They both created passion projects during the pandemic involving Barbies and Instagram, which continue to today. Ruston's account is @dolldecree and it features short animated vignettes involving Barbie and her friends, saying pithy things and looking fabulous. Eric's account is @olivianewtonjohnisadoll and it's exactly what it sounds like. Using Barbie dolls, Eric has painstakingly recreated looks from Olivia's career; from her breakout days in the 1970's to Xanadu to the Physical era to her more recent memoir launch. Both men talk about what inspired them to start the accounts, their different creative processes--Ruston uses AI, Eric is totally old school--their most popular posts, and what having this side project has brought to their lives. Other topics include: the shame attached to wanting to play with Barbies as a boy, the Christmas gifts they'll remember forever, the joy of connecting with other Xana-fans, and constantly wondering if you're crazy for putting so much time, money and passion into these doll projects. The episode ends with a special musical moment; a bangin' cover of Kelly Clarkson's "Under the Mistletoe" performed by Dennis's past guests Matt Zarley and Kathy Deitch. Happy Holidays, everyone!

Morgen ist Weihnachten! Doch heute reisen Joachim und Nils erstmal ins 13. Jahrhundert, eine Zeit, in der die Welt für viele Menschen nicht größer war als das eigene Dorf. Marco Polo hat diese Grenzen gesprengt. Der Händler und Abenteurer hat auf seinen Reisen fast 24.000 Kilometer zurückgelegt, vom Mittelmeer bis nach China – eine unvorstellbare Leistung in einer Ära ohne Züge, Flugzeuge oder Google Maps. Aber wie viel von dem, was Marco Polo erzählt hat, war wirklich wahr? Und was hat er uns vielleicht verschwiegen?Quellen:Marco Polo: From Venice to Xanadu" von Laurence Bergreen+++ Alle Infos und Streaming-Link zu unseren Werbepartnern findest du hier: LINK +++++ NEU: Wir sind jetzt auch auf Instagram! Hier gehts direkt zum Profil: @wasbishergeschah.podcast ++Unsere allgemeinen Datenschutzrichtlinien finden Sie unter https://art19.com/privacy. Die Datenschutzrichtlinien für Kalifornien sind unter https://art19.com/privacy#do-not-sell-my-info abrufbar.

For 8 years, you've led where we've followed, and we've loved every minute—well, almost every minute! Before we kick off our final discussion of a Gilmore Girls pop culture reference, we take a look back at our favorite references and guests, as well as a few that surprised us and few we're happy we won't ever need to revisit. Then we dig into His Girl Friday, the classic screwball romantic comedy that served as an inspiration for our favorite series. How many versions of the story have been made? How did its dialogue inspire Amy Sherman-Palladino? And most importantly...can Kyla finally name all of the Beatles? More pop culture we ref: Broadcast News; Valley of the Dolls; Funny Girl; Grey Gardens; Gilligan's Island; That Girl; Xanadu; Swept Away; A Star Is Born; How to Lose a Guy in 10 Days; Bringing Up Baby; The Marvelous Mrs. Maisel; Electra Woman and Dyna Girl; Pippi Longstocking; Gaslight

This week Sean takes us back to Xanadu in 1941 to watch the (arguably) greatest movie ever made - Citizen Kane. Or is just another old black and white movie? Or is it just a great reason to hear Edwin's old-timey news voice? Either way, it's time to head home for the holidays to find your Rosebud. So buy a struggling newspaper, top off your collection of statues, and fire Mr. Carter while we dive into THE classic movie. Learn more about your ad choices. Visit megaphone.fm/adchoices

Smash Ultimate esports personalities, EE, Light and Cosmos, discuss the end of Xanadu and Light's big 2025 Smash announcement. If you're 21+, head over to https://viiahemp.com/ and use code LightsOut for 15% off. #ad Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode we talk about Xanadu's unfortunate closing, and our great memories with the events.

Get those skates on, we're rolling away to Xanadu (1980) with Brendan from City of Supers! From Gene Kelly on roller skates to Olivia Newton-John on roller skates, this movie has it all! Provided by "all" you mean roller skates. Where to find City of Supers:Twitter: @cityofsuperspodInstagram: @cityofsupersAvailable on all fine podcasting platformsContact the Podmoviestruckpod@gmail.comwww.moviestruck.transistor.fmPatreon: https://www.patreon.com/moviestruckDiscord: https://discord.gg/cT2vm3KdeSBlueSky: @moviestruck.bsky.socialTheme by Prod. DomSoundcloudThank you to our $10 Patrons!Adam Bagnall, UwU, Fish_Hemsworth, Zas, Madidid, Ethan, Jim8333, Jacob Hunt, Azraq Shinji, Case Aiken, Ebony Voigt, AnOptimist, Lairde Ray, the Norwegian one, Travis Poe, William Warren, Stag Hart (Deer Deer), Rusty_Fork, Mura Purcell, insomnite, Link Brenton, Nathan Dunlap, DaddySwan. ★ Support this podcast on Patreon ★

Buckle up for a deep dive into Cheyenne's journey from humble beginnings in Washington State to becoming a Broadway star, TV favorite, and proud father. From his breakout role in All Shook Up to his stints on 30 Rock and American Horror Story, Cheyenne reflects on the unexpected twists that shaped his career, like a chance encounter with Tina Fey that landed him a role on 30 Rock. He shares candidly about the challenges of growing up in a religious, conservative environment and coming to terms with his identity, along with his battles with sobriety. Throughout the conversation, Cheyenne reveals his love for storytelling, opening up about tough career choices, including the emotional trade-offs between stage and screen work. With humor and heart, he talks about the joys and demands of being a father to twins, balancing an eight-show week, and why his children still don't quite understand his fame. Wrapping up, he shares advice for aspiring performers: follow your dreams only if it's the first and last thing on your mind every day. Cheyenne Jackson is a multi-talented performer known for his roles across Broadway, film, and TV. His Broadway highlights include All Shook Up, Xanadu, and Into the Woods, while TV fans know him from Glee, 30 Rock, and American Horror Story. Offstage, Cheyenne is a passionate advocate for LGBTQ+ rights and a devoted father. He is currently starring in La Cage aux Folles at Pasadena Playhouse. Social Media Accounts: Instagram: @MrCheyenneJackson Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

In today's episode, welcome back to Break Point two special guests to talk about the future of pro-coding on ServiceNow - Xanadu and beyond! Topics 00:00 Welcome & Introductions 02:39 Defining the Many Acronyms (e.g. SDK, IDE) 08:19 Biggest Changes Between Washington and Xanadu for the SDK 16:41 The IDE's Improvements and Clarity on the Many "Studios" 21:05 Best Practices in Development Moving Forward 29:34 Where's the Roadmap Heading? 39:06 Where Can People Get Their Hands on It? 40:26 Conclusion & Outro Links Xanadu Content Calendar ServiceNow IDE and Fluent (SDK v2) Creator Toolbox ServiceNow IDE, SDK, and Fluent Articles ServiceNow IDE, SDK, and Fluent Forum  ServiceNow IDE Store Link  Building Applications in Source Code  ServiceNow Fluent API Reference  Office Hours Check out the other ServiceNow podcasts See omnystudio.com/listener for privacy information.

In this episode Alex talks with Cory Strassburger about all of their adventures across the country at the different conventions for the last few weeks and previewing upcoming events overseas.They talk about Cory's huge scope of experience in the entertainment industry and about his wildly popular YouTube series.https://www.linkedin.com/in/corystrassburgerCory's Playlist of Shoutouts (incoming)Senza Peso VR: https://www.meta.com/experiences/pcvr/senza-peso/1184398028297648/SenzaPeso Short Film https://vimeo.com/97252663Xanadu: https://www.youtube.com/@xanaduBluAlex recaps Meta Connect, Unreal Fest, SVVR, and Halcy-Con https://www.youtube.com/watch?v=9q7GIQVh2NcUnreal Day: https://unrealday.com/VESBerlin: https://www.vesglobal.org/event/project-arena-redefining-virtual-production-workflow-berlin/AWEEU: https://awexr.com/eu-2024Unreal Engine Training with Alex: https://www.alexcoulombepresents.com/Part 2 of Apple Vision Pro: https://ko-fi.com/s/ab9d9649f6crazy UE 12k pathtracer content using home vicon system: https://x.com/xenrax1/status/1843454027759313156UE mad scientist making some wacky lofi UE content https://vimeo.com/1016509863/e284d4227d?share=copy&fbclid=IwY2xjawFuUh5leHRuA2FlbQIxMAABHRm6r7qNIbNVA2X4H21hjccZUNsiixCS-J5XsE8dcrL7IAEPeN7tuOmx6w_aem_uUQgYa82J6J0xRCsCyuCjginsane amounts of awesome content for digital spy ninjas: https://www.youtube.com/watch?v=vifTeNgDEF4

Welcome back, Lookers! This week's Bite-Sized episode of Look Behind The Look is all about the cult classic, Xanadu. You loved Martin Samuel's interview so much that we decided to dive deeper into the film and share some delightful tidbits and behind-the-scenes stories. I also talk to the star of 2007's "Xanadu on Broadway" about her unforgettable time as Kyra. We discuss Kenny Ortega's choreography, take a look at the makeup and Bobbie Mannix's costumes, and I share my interview with Kerry Butler, star of 2007's Xanadu on Broadway about her experience and meeting Olivia Newton John on Opening Night. Don't miss these fun stories and insights into the making of Xanadu. Whether you're a longtime fan or new to the magic, this episode will make you want to rewatch the film and maybe even dust off your roller skates. This episode edited and written by Kelli Reilly 00:00:00 Welcome! 00:02:05 The Choreography of Xanadu with Kenny Ortega 00:06:25 Costume designer Bobbie Manix created over 260 costumes for Xanadu 00:09:05 Xanadu on Broadway with Kerry Butler Get full access to Look Behind The Look's Substack from Tiffany Bartok at lookbehindthelook.substack.com/subscribeLink Love :WATCH Xanadu on PrimeOWN Xanadu (for all my fellow physical media obsessives)Xanadu on VinylStream the Xanadu SoundtrackStream Xanadu on BroadwayOlivia Newton-John's Autobiography Don't Stop Believin'There are tons of fun Xanadu items in my Etsy Curation:Look Behind The Look's Etsy Collectio…but with Halloween coming, my favorite Xanadu find is starting with these barrettes because they are the MOST important feature of any Kira costume… aside from the skates of course.Share all your Xanadu stories and love with me below! See you soon… Get full access to Look Behind The Look's Substack from Tiffany Bartok at lookbehindthelook.substack.com/subscribe

This week, it's time to dig into one of RJ's all time favorites: MADAME XANADU by Matt Wagner & Amy Reeder! This mystical montage of mysterium and machinations brings us on a journey through time, with the Phantom Stranger standing at Madame Xanadu's opposition! The hands of fate are constantly trying to shape destiny with the help of the Stranger, while Xanadu is constantly struggling with the burden of foresight and how to truly do the greatest amount of good. It's high fantasy and high strangeness of the highest order!   Support Tales From The Short Box by joining our Patreon! patreon.com/BraveNewWorldsComics  

Tech outperformed on the session as stocks try to claw back last week's losses. Vital Knowledge's Adam Crisafulli and Truist Co-CIO Keith Lerner break down the market action while T. Rowe Price's Tony Wang on the tech trade and top under-the-radar picks. ServiceNow stock hit an all-time high after introducing its newest AI offering: Xanadu. CEO Bill McDermott talks adoption of the company's products in the new AI age. Piper Sandler analyst Scott Siefers on what happened today to drag down the financial sector stocks. 

Get out your leg warmers and roller skates because we are heading to the XANADU!!! Special guest Shelby Zimmerman joins us this week and we are hoping she can help explain what in the name of Zeus this movie is about.

A decade of So Wizard! This week we celebrate TEN YEARS of podcasting with no weeks off by bringing original co host Tom back to the show for the first time in 8 years to review Xanadu! Find your muse when you listen on Apple Podcasts, Spotify, or right on our website! Check out our merch store! You can now support us on Patreon and get an extra episode of the podcast every month! Check out our You Tube channel!  Follow us on Tik Tok!  Follow us on Twitter! Like us on Facebook! Follow us on Instagram

  The Show Notes   Laughing Is The Best Strategy Intro Eye Color Surgery Ask George       - Definitive Albums? from Chris      - The Long Division (Bacharach / Costello) Interesting Fauna      - Cuvier's Beaked Whales Maynard Interview Religious Moron of the Week      - Rich Penkoski Tell Me Something Good      - Taquito is rescued Musikfest! Three chances to catch Geo Show Close .........................   Mentioned in the Show   Maynard Interview George Hrab is a dancin' fool. - Planet Maynard George Hrab returns to the podcast with a new album Terpsichore. Maynard asks did he name it after Olivia Newton John's character in Xanadu? Birthday From Memory Geologic Podcast Episode 769 .........................   Musikfest Appearances   George — solo LYRIKPLATZ SATURDAY, AUGUST 3 4:00 pm – 4:45 pm  George — solo acoustic LAGERPLATZ SUNDAY, AUGUST 4 6:00 pm The George HraBand LIEDERPLATZ MONDAY, AUGUST 5 9:00 pm – 11:00 pm .........................   Terpsichore is Here   https://georgehrab.hearnow.com https://georgehrab.bandcamp.com ................................... SUBSCRIBE! You can sign up at the Geologic Podcast page and become a Geologist or a Geographer. As always, thank you so much for your support! You make the ship go. ................................... Sign up for the mailing list: Write to Geo! Check out Geo's wiki page, thanks to Tim Farley. Have a comment on the show, a Religious Moron tip, or a question for Ask George? Drop George a line and write to Geo's Mom, too!