Podcast appearances and mentions of Carolina A Miranda

When a few dozen women in pink suits strode into the House for the joint address to Congress last week, something felt a little, well, off. Partly, it seemed taken from a tired old playbook. Partly, it sent a garbled message. But mostly it pointed to the fact that many liberal women don't know what to do in this post-resistance era. Columnists Molly Roberts and Monica Hesse speak with contributor Carolina A. Miranda about the backlash to “girl boss” culture, how women on the MAGA right are finding their look and why the aesthetics of it all matter.Additional reading by our columnists:Monica Hesse: Democrats sent a scary message with those pink outfitsCarolina Miranda: Welcome to the era of Trump Trad Subscribe to The Washington Post here.

Carolina A. Miranda, a longtime L.A. Times staff culture writer who has recently returned to the wilds of freelance, speaks to Sky Goodden about looking at things from both sides now. In working on a book proposal about the year she spent in Chile following the fall of Pinochet's dictatorship, and in exploring new genres of writing for different publications, Miranda is changing the focus of her attention. After so many years of writing-as-response, she reflects on the value of sustained research into one subject. “I'd been wanting to explore new directions I could take my writing, and at the L.A. Times, there are certain limitations to the form.” Taking a more personal approach with her book, she's thinking about “how do artists survive an autocracy? Culture can teach us about the moment, but also point a way forward.”Momus: The Podcast is edited by Jacob Irish, with production assistance from Chris Andrews. Many thanks to this episode's sponsors, The Dorothea and Leo Rabkin Foundation and The Gund.

This week, Dana, Julia, and Stephen begin by reviewing the very buzzy horror comedy M3GAN. Then the panel dives into Slate's annual movie club. Finally, L.A. Times columnist Carolina A. Miranda joins to talk about her article on how TikTok is changing our culture.   In Slate Plus, the panel answers a listener's question about whether it is more fun to love or hate a piece of art when working as a critic.  Email us at culturefest@slate.com. Endorsements:  Dana: Eleonor Bindman is an incredible pianist, arranger, and transcriber. Her big thing is transcription of Bach for four-hand piano. I've seen her play a duet with another person and the four hands do things the two hands can't. Her newest release is J.S. Bach: Orchestral Suites (transcribed for piano duet by Eleonor Bindman), which is performed by Bindman and Susan Sobolewski. Also, go follow her on social media and just learn about Bach from her.  Julia: I think regular listeners know that I like to bake. I am endorsing a cookbook that was recommended to me by the L.A. Times newsletter. It's A Good Day to Bake: Simple Baking Recipes for Every Mood by Benjamina Ebuehi, who was a contestant on The Great British Bake Off. For my husband's birthday we made a olive oil flourless chocolate cake that you cover in a ganache frosting. Wow, it's a great recipe.  BONUS: Here's Julia's piece about her family's famous potato balls: https://www.latimes.com/food/story/2022-12-21/holiday-family-german-potato-balls Stephen: Zadie Smith has written a definitive essay about the movie that most stayed with me from last year: Tár. It is a masterpiece. My admiration for Zadie Smith as a critic is hitting a zenith and I thought it couldn't get any higher than it already was. Dear God, the woman is just deft and delightful and deep. Podcast production by Cameron Drews. Production assistance by Yesica Balderrama. Outro music: "Self Made Woman" by Katharine Appleton. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You'll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Dana, Julia, and Stephen begin by reviewing the very buzzy horror comedy M3GAN. Then the panel dives into Slate's annual movie club. Finally, L.A. Times columnist Carolina A. Miranda joins to talk about her article on how TikTok is changing our culture.   In Slate Plus, the panel answers a listener's question about whether it is more fun to love or hate a piece of art when working as a critic.  Email us at culturefest@slate.com. Endorsements:  Dana: Eleonor Bindman is an incredible pianist, arranger, and transcriber. Her big thing is transcription of Bach for four-hand piano. I've seen her play a duet with another person and the four hands do things the two hands can't. Her newest release is J.S. Bach: Orchestral Suites (transcribed for piano duet by Eleonor Bindman), which is performed by Bindman and Susan Sobolewski. Also, go follow her on social media and just learn about Bach from her.  Julia: I think regular listeners know that I like to bake. I am endorsing a cookbook that was recommended to me by the L.A. Times newsletter. It's A Good Day to Bake: Simple Baking Recipes for Every Mood by Benjamina Ebuehi, who was a contestant on The Great British Bake Off. For my husband's birthday we made a olive oil flourless chocolate cake that you cover in a ganache frosting. Wow, it's a great recipe.  BONUS: Here's Julia's piece about her family's famous potato balls: https://www.latimes.com/food/story/2022-12-21/holiday-family-german-potato-balls Stephen: Zadie Smith has written a definitive essay about the movie that most stayed with me from last year: Tár. It is a masterpiece. My admiration for Zadie Smith as a critic is hitting a zenith and I thought it couldn't get any higher than it already was. Dear God, the woman is just deft and delightful and deep. Podcast production by Cameron Drews. Production assistance by Yesica Balderrama. Outro music: "Self Made Woman" by Katharine Appleton. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You'll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

Carolina A. Miranda is a Los Angeles Times columnist focused on art and design, who also makes regular forays into other areas of culture, including performance, books and digital life. In her years at The Times, she has covered the ways in which communities are rethinking the nature of monuments, how architecture is shifting to accommodate a denser Los Angeles, the significance of political graphics in the post-Roe world and how narco-culture has permeated TV and the internet. She was a winner of the 2017 Rabkin Prize in Visual Arts Journalism and the 2021 Sigma Delta Chi Award presented by the Society of Professional Journalists.______Find Carolina at: @CMONSTAH

Latinos have long hidden in plain sight in U.S. society. Some do it to lessen the racism they might face from non-Latinos. But there's another type of whitewashing that's even more disturbing. It's when Latinos downplay their distinct identities among themselves or suppress the visibility of fellow Latinos.Today we talk about the phenomenon of Latino erasure, who does it, why it happens and how it persists. We'll focus on Culture Clash, the pioneering Chicano comedy troupe. This summer, two of its members “came out” as Salvadoran, not Mexican. Our guests:  L.A. Times arts columnist Carolina A. Miranda and Culture Clash members Ric Salinas and Herbert Siguenza. More reading:Watch “The Salvi Chronicles”For me, being Latino means living between two worldsOp-Ed: Why did so few Latinos identify themselves as white in the 2020 census?

For the end-of-year holidays we're re-running our fantastic conversation with Carolina A. Miranda of the L.A. Times, which originally ran as episode 110 back in 2015. In addition to a new tighter edit of that original episode, we also share two 'Words of the Year of Little Importance," and read a brief, art-world-relevant passage from "My Year of Rest and Relaxation" by Ottessa Moshfegh. In that original conversation, we talked about: her philosophy and approach as an arts journalist; the issues around race brought up in her piece on the Donelle Woodford/Joe Scanlon Whitney Biennial scandal; her posts that went viral, including breaking the story that Hello Kitty is not a cat; as well as stories on a velvet painting museum, and a pool in the middle of the desert. Carolina also makes her world debut reading of "Jeff Koons Cut-Up Poem," culled from the many flowery-worded articles about his retrospective.

This week, from deep in the San Fernando Valley, we’re joined by filmmaker Set Hernandez Rongkilyo. A passionate storyteller from a young age, Set’s early love of Anime and desire to be an animator transitioned into becoming a passionate storyteller, through documentary film and now other forms as well. Set discusses their resistance to approaching documentary subjects from a supposedly neutral perspective, as well as the tropes of tragedy porn and binary narratives of the undocumented immigrant experience, and highlights some key influences and inspirations for the way they’ve worked differently in their film COVER/AGE and continue to do so with work-in-progress Unseen. They also detail their work with the Undocumented Filmmakers Collective, striving to increase representation behind as well as in front of the camera, and in the audience, leaving us with the beautiful thought that storytelling is not just an act of imagination, but also an act of remembering.Here are some of the references from this episode, for those who want to dig a little deeper:“Nobody in the world, nobody in history, has ever gotten their freedom by appealing to the moral sense of the people who were oppressing them.” ― Assata Shakur, from Assata: An AutobiographyThe move to decolonize documentaryThe complicated story of Nanook of the NorthEpisode 70: with Sue DingFilm: JaddolandDisclosure – documentary by Sam FederThe North Star – Frederick Douglas newspaperBlack Panther NewspaperCOVER/AGE filmFavianna Rodriquez - Center for Cultural PowerSasha Costanza-Chock: Out of the Shadows, Into the StreetsBy Any Media Necessary - DREAMing CitizenshipJulio Selgado and Jesús Iñiguez: Dreamers Adrift - Undocumented and AwkwardTam Tran films:  Lost and Found; Seattle Underground RailroadUndocumedia Nancy MezaThe Undeportables sketch comedyMiko Revereza experimental documentaryAlan Pelaez Lopez spoken word/visual artistUndocumented Filmmakers CollectiveBoyhood, Richard Linklater’s film 12 years in the makingGetting Real – Int'l Doc Assn conferenceFirelight MediaNetflix series: Living UndocumentedRahi Hasan, UFC co-founderUFC Panel at Black Star Film FestivalDecolonizing Methodologies by Linda Tuhiwai SmithIndia’s Grassroots ComicsStacy Smith’s Annenberg Inclusion Initiative researchEpisode 25: Why do we need more critics of color? (with Jeff Yang & Mauricio Mota)Episode 26: Reimagining the ecology of cultural criticism (with Elizabeth Mendez Berry & Carolina A. Miranda)Episode 27: Critics of color: The added value of subtleties (with Eric Deggans)Share your thoughts via Twitter with Henry, Colin and the How Do You Like It So Far? account! You can also email us at howdoyoulikeitsofarpodcast@gmail.com!Music:“In Time” by Dylan Emmett and “Spaceship” by Lesion X.–––––––––––––––––––––––––––––In Time (Instrumental) by Dylan Emmet https://soundcloud.com/dylanemmetSpaceship by Lesion X https://soundcloud.com/lesionxbeatsCreative Commons — Attribution 3.0 Unported — CC BY 3.0Free Download / Stream: https://bit.ly/in-time-instrumentalFree Download / Stream: https://bit.ly/lesion-x-spaceshipMusic promoted by Audio Library https://youtu.be/AzYoVrMLa1Q––––––––––––––––––––––––––––––

This week on the Culture Gabfest, Stephen Metcalf, Dana Stevens, and Julia Turner discuss the Hulu adaption of Sally Rooney’s Normal People. Next, they talk about John Krasinski’s Some Good News. Finally, the panel dives into Dana’s comfort watch for this week: In a Lonely Place. On the Slate Plus segment this week, the panel is joined by Jody Rosen to talk about the music and legacy of Little Richard. Sign up for Slate Plus at Slate.com/cultureplus Podcast production by Cameron Drews. Production assistance by Rachael Allen. Endorsements: Dana: Spike Lee’s short film about New York City. Julia: The Donut Hole in La Puente, Calif., a trip inspired after reading “Drive-throughs and drive-ins were fading. Coronavirus made them a lifeline” by Carolina A. Miranda in the Los Angeles Times. Steve: Nick Lowe performing “(What’s So Funny ‘Bout) Peace, Love, and Understanding” as part of Rolling Stone’s “In My Room” series. Also, Nick Lowe’s “I Read A Lot.” Plus, check out Madison Cunningham’s “Dry As Sand.”

This week on the Culture Gabfest, Stephen Metcalf, Dana Stevens, and Julia Turner discuss the Hulu adaption of Sally Rooney’s Normal People. Next, they talk about John Krasinski’s Some Good News. Finally, the panel dives into Dana’s comfort watch for this week: In a Lonely Place. On the Slate Plus segment this week, the panel is joined by Jody Rosen to talk about the music and legacy of Little Richard. Sign up for Slate Plus at Slate.com/cultureplus Podcast production by Cameron Drews. Production assistance by Rachael Allen. Endorsements: Dana: Spike Lee’s short film about New York City. Julia: The Donut Hole in La Puente, Calif., a trip inspired after reading “Drive-throughs and drive-ins were fading. Coronavirus made them a lifeline” by Carolina A. Miranda in the Los Angeles Times. Steve: Nick Lowe performing “(What’s So Funny ‘Bout) Peace, Love, and Understanding” as part of Rolling Stone’s “In My Room” series. Also, Nick Lowe’s “I Read A Lot.” Plus, check out Madison Cunningham’s “Dry As Sand.” Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on the Culture Gabfest, Stephen Metcalf, Dana Stevens, and Julia Turner discuss the Hulu adaption of Sally Rooney’s Normal People. Next, they talk about John Krasinski’s Some Good News. Finally, the panel dives into Dana’s comfort watch for this week: In a Lonely Place. On the Slate Plus segment this week, the panel is joined by Jody Rosen to talk about the music and legacy of Little Richard. Sign up for Slate Plus at Slate.com/cultureplus Podcast production by Cameron Drews. Production assistance by Rachael Allen. Endorsements: Dana: Spike Lee’s short film about New York City. Julia: The Donut Hole in La Puente, Calif., a trip inspired after reading “Drive-throughs and drive-ins were fading. Coronavirus made them a lifeline” by Carolina A. Miranda in the Los Angeles Times. Steve: Nick Lowe performing “(What’s So Funny ‘Bout) Peace, Love, and Understanding” as part of Rolling Stone’s “In My Room” series. Also, Nick Lowe’s “I Read A Lot.” Plus, check out Madison Cunningham’s “Dry As Sand.” Learn more about your ad choices. Visit megaphone.fm/adchoices

Dar Williams, Lenelle Moise MFA ‘04 and Carolina A. Miranda ’93 speak about developing the drive and ambition to pursue what they love, the courage to deal with uncertainty and the resilience to move on after mistakes and failures.