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If you've ever wondered what actually happens at a balloon convention—or whether it's worth the investment—this episode is for you. I recorded this recap live from the Sempertex International Balloon Convention while the event was still in full swing. I share what the experience was like, how it compares to other conventions, and why I left feeling more energized than ever. I talk about: The new Sempertex color launch and matching decor Why I loved the preset class schedules What made the instructor lineup so unique Vendor highlights (including latex dog toys!) The MBP (Master Balloon Professional) certification process, now available in the U.S. How it felt to be truly welcomed by the Sempertex team Whether you're brand new to balloon decor or a seasoned pro, this episode will help you decide if attending this convention is right for you. In the UGlu Hotline, hear what one listener wishes she had purchased earlier to relieve some of the work at installations. Unlock three free bonus episodes! RESOURCES MENTIONED: Presenting sponsor: 17hats (get 50% off your 1st year) Other sponsors & resources: Havin' A Party Wholesale (save 5% on orders $200+ with code PODCAST) Courtney Lynette Creative Co. UGlu by Pro Tapes (save 5% on orders $200+ at Havin' A Party with code PODCAST) DM @thebrightballoon on Instagram to ask a question or leave advice for the UGlu Hotline! Balloon Boss Mastermind & Summit - - - - On the Bright Side (Apple) On the Bright Side (Patreon) 50 Ideas for Email Marketing | Join the Bright Balloon email list @thebrightballoon The Bright Balloon on YouTube
Is the plan to clean up crime in Memphis working? Who's going to win the New York gubernatorial race? Mark Meckler answers those questions, plus queries that you sent him. Welcome to The BattleCry with the President of Convention of States Action. Ask Mark Anything
As the Christopher Reeve era comes to an end, does Superman IV: The Quest for Peace end with a bang or a whimper? PhantasticGeek.com's Pete and Matt jump into the sun to debate.Thanks as always to everyone who supports the podcast by visiting Patreon.com/PhantasticGeek.Share your feedback by emailing PhantasticGeek@gmail.com, commenting at PhantasticGeek.com, or tweeting @PhantasticGeek.MP3
Lesson Guide: "The book of Joshua contains some disturbing scenes. Serious questions are raised by the concept of a divine or holy war portraying a group of people with a God-given mandate to destroy another group." Context: United Nations: Convention on the Prevention and Punishment of the Crime of GenocideArticle II: In the present Convention, genocide means any of the following acts committed with intent to destroy, in whole or in part, a national, ethnical, racial or religious group, as such: Killing members of the group; Causing serious bodily or mental harm to members of the group; Deliberately inflicting on the group conditions of life calculated to ...
Ce 25 octobre, le monde célèbre la Journée internationale des artistes, coïncidant avec la naissance de Pablo Picasso. L'occasion de mettre en lumière le rôle des créateurs et de rapprocher les artistes du public, rappelle National Day Calendar. À Maurice, Top FM a donné la parole à Joëlle Coret, présidente de l'Union des Artistes. Elle rappelle que les artistes attendent toujours la reconnaissance officielle de leur statut, tout en saluant l'introduction de la Convention nationale sur les Arts et la Culture, qu'elle espère voir prochainement concrétisée. Pour sa part, le chanteur Demaiko Raboude insiste sur la nécessité de mieux valoriser les artistes, de reconnaître leur contribution et de mettre en place un « One Stop Shop » pour faciliter l'organisation de concerts et d'événements culturels.
Theme Park Guys: We check back in with the Theme Park Guys that may have a major announcement. Theme Park Tragedies: We have someone living the dream and passing away on the Haunted Mansion in Disneyland followed by a suicide at Disney World Resort. What is up with theme parks? Corey's Twitter: Whether it be someone being mean or someone being nice, it is most likely us. The saga continues. Also we check in on Andy on Dancing With The Stars, he's still out there! THE BEAR!, FUCK YOU, WATCH THIS!, YE!, KANYE!, MONSTER!, RICK ROSS!, JAY-Z!, NICKI MINAJ!, GHOST IN MY CORNER!, PICK ME TRUMP!, HEAVEN!, SHY!, DWTS!, EMMA!, ANDY!, MAGIC OF A THEME PARK!, THEME PARK GUYS!, BIG NEWS!, SNAPBACK!, HUNTER!, NICK!, BEST FRIENDS!, MORTAL ENEMIES!, SUPERCHATS!, EMPATH!, MLK!, N-PATH!, MIKE COSIGNED!, SWEET SUMMER CHILD!, ANNOYED!, PASSIVE AGGRESSIVE!, EPISODE!, RAMBLING!, EPIC UNIVERSE!, THAT TRACKS!, TIM TRACKER!, LEAVING THE SHOW!, LOST TWO CO HOSTS!, FAMILY ANNIHILIATION!, HAUNTED MANSION!, DIED!, PASSED AWAY!, DEATH AT DISNEY!, MACABRE!, TRUE CRIME!, HITCHHIKING GHOSTS!, BIG T!, GHOUL IN THE CASKET!, LET ME OUTTA HERE!, TMZ!, STRETCHER!, CONTEMPORARY RESORT!, CINDERELLA SUITE!, FIREWORKS!, SUICIDE!, DREW STRUZAN!, MOVIE POSTER!, ART!, COREY'S TWITTER!, WEREWOLVES!, MONSTER TRUCKS!, JAMES AND THOSE!, WOLFMAN!, GRANDSON!, PICTURE!, DJ EDOC!, REMIX!, CHARACTERS!, JAMIE KENNEDY'S PODCAST!, BABAWAWA!, SNL!, CONVENTION!, BRAT!, DOMESTIC VIOLENCE!, PERIOD!, PMSING!, BEING A BRAT!, ANDY RICHTER!, DEDICATION NIGHT!, DAUGHTER!, COREY'S FAMILY!, ROBERT IRWIN!, KERRI GREEN!, GOONIES! You can find the videos from this episode at our Discord RIGHT HERE!
In this episode, Amy Fraenkel, Executive Secretary of the UN Convention on Migratory Species (CMS), discusses the Convention's first State of the World's Migratory Species report, the urgent threats facing migratory animals, and the need for international cooperation and ecological connectivity to protect them. The conversation covers key findings from the report, main threats such as habitat loss and over-exploitation, successful cross-border conservation efforts, and practical ways governments, communities, scientists and industry can work together to safeguard migratory species. Resources: Ask a Librarian! Convention on the Conservation of Migratory Species of Wild Animals State of the World's Migratory Species Report: https://www.cms.int/publication/state-worlds-migratory-species Central Asian Mammals Initiative: https://cami.cms.int/about-cami Where to listen to this episode Apple podcasts: https://podcasts.apple.com/us/podcast/the-next-page/id1469021154 Spotify: https://open.spotify.com/show/10fp8ROoVdve0el88KyFLy YouTube: https://youtu.be/4AK9WjzyQRs Content Guest: Amy Fraenkel, Executive Secretary, UN Convention on Migratory Species Host, production and editing: Amy Smith, UN Library & Archives Geneva Recorded online & produced at the United Nations Library & Archives Geneva
Ha preso il via ieri alla Stazione Marittima di Napoli, con un confronto interno alla categoria, la Convention dei consulenti del lavoro, una tre giorni destinata a celebrare i 60 anni del Consiglio nazionale, con un focus significativo sul futuro degli studi professionali nell'era dell'intelligenza artificiale, e che si chiuderà domani con l'intervento del ministro del Lavoro, Marina Calderone. In questa puntata di Due di denari ci colleghiamo con Rosario De Luca, Presidente del Consiglio Nazionale dell'Ordine dei Consulenti del Lavoro.Nella prima parte della trasmissione, come ogni venerdì, torna a riunirsi la Squadra Antitruffa Serpente Corallo.
GB2RS News Sunday, the 26th of October 2025 The news headlines: Get involved with YOTA Month and book your GB25YOTA operating slot today Photos from the VHF and HF contest trophies presentation are now on the RSGB website RSGB gives an update on the QSL Bureau Youngsters on the Air Month takes place in December, and the RSGB would love you to take part in this annual event. Special callsign GB25YOTA will be active throughout the month. Whether you are an individual, club, school, university or social group, this is a fantastic opportunity to host the callsign and get young radio amateurs active on the amateur bands. The Society would love to see Scouts, Girlguiding and Cadet groups taking part too. The RGSB has changed the procedure for booking operating slots this year, so it is easier to see availability. Visit rsgb.org/yota-month and click on the schedule to view which time slots are available. These aren't fixed and can be adjusted to suit your timings. You'll then need to email RSGB YOTA Month Coordinator Jamie, M0SDV via yota.month@rsgb.org.uk to register as a GB25YOTA host and book your slot. Jamie can also help with any questions about taking part for the first time. The Society is aiming for the callsign to be hosted every day during December to enable more youngsters to have a taste of amateur radio. Be part of this great goal and book your operating slot today. The main VHF and HF contest trophy presentations were held at the RSGB 2025 Convention on Sunday, the 12th of October. A list of the winners and photos from the presentation can now be seen on the RSGB website via rsgb.org/trophies and selecting ‘Awards photos galleries' from the menu on the right-hand side. During the presentation, the prestigious ROTAB Trophy was awarded to John Warburton, G4IRN, for outstanding and consistent DX work. The RSGB would like to congratulate John and all the winners who received a trophy. Following the well-deserved retirement of QSL Bureau Manager Richard Constantine, G3UGF, the RSGB Board is making arrangements to ensure the continued smooth operation of the QSL Bureau service. Members should continue to send outgoing QSL cards to PO Box 5, Halifax, as usual. Similarly, incoming cards will continue to be distributed by your existing sub-manager, and stamped, addressed envelopes should still be sent directly to them. The Board is currently finalising new management arrangements for the Bureau and will provide a further update once these are in place. The Board wishes to record its sincere thanks to Richard for his many years of dedicated service to the Society and to the amateur radio community. Following Ofcom's recent implementation of Phases 2 and 3 of the amateur radio licence review, it has updated its main guidance document. Please ensure you use the October 2025 edition so that you are using the latest information. Ofcom has also clarified that if you hold a Special Contest Callsign NoV and you change your individual or club callsign, the SCC NoV is still valid. This is because your Full Amateur Radio Licence reference number has not changed. If you do hold an SCC NoV and you have changed your individual or club callsign, please send an email to scc@rsgb.org.uk stating your old callsign, your new callsign and your SCC, so the RSGB Contest Support Committee Chair can update the issued SCC list. And now for details of rallies and events Today, the 26th, the Galashiels Radio and Computer Rally is taking place at The Volunteer Hall, St John's Street, Galashiels, TD1 3JX. The doors open at 11 am and admission costs £3. Disabled access is available from 10.45 am. For more information, visit galaradioclub.co.uk The Thirteenth Scottish Microwave Round Table GMRT will take place at the Museum of Communication in Burntisland, Fife, Scotland, on Saturday, the 1st of November, from 10.30 am to 5 pm. An interesting programme of speakers has been arranged, and microwave test facilities will be provided. There will be an opportunity to buy components and microwave-related items. An optional dinner will be held in the evening at a local hotel. Further information and online registration are available at gmroundtable.org.uk. The event has a maximum capacity of 50 people, and there are only limited places left, so book now to avoid disappointment. Now the Special Event news Celebrating the 40th anniversary of the Dutch Marine Radio Amateur Club, special callsign PA40MARAC is active until the 31st of December. A QSO with this station earns ten points towards the Marine Amateur Radio Club Award. For more details, visit the PI4MRC page at QRZ.com Tarragonès Radio Club, EA3RCY, will be on the air throughout November using the special callsign AO25TWHS. The station is active to celebrate the 25th anniversary of the UNESCO World Heritage designation of ancient Tarraco. Operators will be using a variety of bands and modes. All radio amateurs and shortwave listeners are invited to take part and earn a commemorative award certificate. For more information, visit tinyurl.com/AO25TWHS Now the DX news Harald, DF2WO, is active as XT2AW from Burkina Faso until tomorrow, the 27th. He usually operates CW, FT4, FT8 and SSB on various bands. He also works via the QO-100 satellite. QSL via OQRS and Logbook of the World. Mike, VE2XB, is active as VY0ZOO from Coral Harbour on Southampton Island, NA-007, until the 18th of December. Listen for activity on the 80 to 10m bands using CW and SSB. QSL via VE2XB. Now the contest news The CQ World Wide DX SSB Contest started at 0000 UTC yesterday, the 25th, and ends at 2359 UTC today, the 26th of October. Using SSB on the 160 to 10m bands, where contests are permitted, the exchange is signal report and CQ Zone. The UK is in Zone 14. Tomorrow, the 27th, the RSGB FT4 Series Contest runs from 2000 to 2200 UTC. Using FT4 on the 80 to 10m bands, where contests are permitted, the exchange is your report. On Tuesday the 28th, the RSGB SHF UK Activity Contest runs from 1830 to 2130 UTC. Using all modes on 2.3 to 10GHz frequencies, the exchange is signal report, serial number and locator. On Wednesday the 29th, the United Kingdom and Ireland Contest Club 80m Contest runs from 2000 to 2100 UTC. Using CW on the 80m band, the exchange is your six-character locator. The United Kingdom and Ireland Contest Club DX SSB Contest starts at 1200 UTC on Saturday, the 1st of November and ends at 1200 UTC on Sunday, the 2nd of November. Using SSB on the 80 to 10m bands, where contests are permitted, the exchange is signal report and serial number. UK and EI stations also send their district code. For full details, including the team competition and area codes, visit ukeicc.com or rsgbcc.org. Scores from RSGB members operating within the UK and Crown Dependencies will be included in the HF Championship. The 144MHz CW Marconi Contest starts at 1400 UTC on Saturday, the 1st and ends at 1400 UTC on Sunday, the 2nd of November. Using CW on the 2m band, the exchange is signal report, serial number and locator. The Worked All Britain DX Contest also starts at 1200 UTC on Saturday, the 1st and ends at 1200 UTC on Sunday, the 2nd of November. Using SSB on the 80 to 10m bands, where contests are permitted, the exchange is signal report, serial number and Worked All Britain square. Entries need to be with the contest manager by the 12th of November. Visit the Worked All Britain website to read more about the rules for the contest Now the radio propagation report, compiled by G0KYA, G3YLA and G4BAO on Thursday the 23rd of October. It looks like Earth dodged a bullet last week when a large coronal mass ejection, or CME, erupted on the far side of the Sun on Tuesday, the 21st of October. Had that CME been Earth-directed, we could have endured a strong, or possibly an extreme, geomagnetic storm with dazzling displays of aurora. The source of the eruption was possibly sunspot region 4246, which is now past the Sun's west limb. The ACE spacecraft detected high levels of protons streaming past Earth, but they remained below the minor S1 radiation storm threshold. In other news, we have had a quiet geomagnetic week, which has allowed the ionosphere to shine. The solar flux index has been modest, ranging from 130 to 150, but propagation has been aided by improved geomagnetic conditions. During the past week, the 10m band was humming with activity. Lots of stations were preparing for the CQ World Wide SSB Contest, which ends today, the 26th. 8P5A in Barbados has been romping in during the afternoon, as has HZ0YL in Saudi Arabia. Other DX worked last week, according to the CDXC Slack chat group, includes VK9DX on Norfolk Island on 12m SSB; 6O3T in Somalia on 40m CW; and PJ6Y on Saba and St Eustatius using SSB on the 12m band. This last station is a young radio amateurs' DXpedition by the Pacific Island DX Group. Next week, NOAA predicts that the solar flux index will stay in the 140 to 150 range with the Kp index starting the week low but then rising. We may expect a Kp index of 5, or even 6, around the 28th to the 31st of October. Look for auroral conditions and lower maximum usable frequencies during this period. Meanwhile, make the most of the long-range propagation on the higher bands while the Kp index is low. And now the VHF and up propagation news from G3YLA and G4BAO The period of weather up to the end of the week ending the 2nd of November looks distinctly unsettled, with the weather pattern driven by an Atlantic jet stream pointing straight at the British Isles. This will mean that further periods of stormy weather are possible with strong winds and heavy rain. This is not a time to expect much tropo for VHF or UHF, but it is a good period for the GHz bands to explore rain scatter propagation. The foF2 and foEs graphs at propquest.co.uk have been experiencing some data supply issues recently. It's worth noting that strong jet streams and fast-moving weather systems, as we have now, can bring a chance of out-of-season Sporadic-E. A good example on the evening of Sunday, the 19th of October, can be found if you check the archive tab. This four-hour active period was possibly associated with a slowly advancing jet stream as seen on the Sporadic-E blog tab for that date. Meteor scatter operators had the Orionids, which peaked on the 22nd, to play with last week. The broad zone of activity may continue to provide weakening interest through the coming week. The Kp index has been relatively subdued recently, but the message is once again to continue to monitor for the chance openings by noting when the Kp index reaches 5 or more, or if you start to hear LF CW signals take on a fluttery note. For EME operators, the Moon's declination is at a minimum today, the 26th, so Moon window lengths and peak elevation are both low. Apogee was early on Friday the 24th, so path losses are falling again. 144MHz sky noise rises over the weekend, reaching some 3300K today, the 26th, before falling steadily to low levels the following Friday. And that's all from the propagation team this week.
The SHPE National Convention 2025 is almost here! In this episode of Success Innovation, we dive into everything you need to know to make the most of your SHPE experience. From polishing your resume and mastering your elevator pitch to planning your networking strategy and preparing for competitions; we've got you covered. Whether you're attending for the first time or returning to level up your impact, tune in for actionable tips, insider advice, and motivation to help you shine at SHPE 2025!#successinnovation #shpe #SHPEfamilia #leadership #determination #empower #interview #preparation #persistence #shpeconvention2025
After five years of turmoil, France needed a government. But how? With the Republic increasingly controlled by “rogues and scoundrels,” the battle was on for the Revolution's future. Assailed from all sides, the Committee of Public Safety emerged triumphant. This episode traces Robespierre's parliamentary victory of 25 September 1793, Saint-Just's decree of “Revolutionary Government” on 10 October 1793, and the Convention's decision to remain “until the peace.” From foreign plots and factional struggles to the subordination of ministers and generals, discover how dissent became treason as the Revolution laid the foundations for both survival and dictatorship. Early Access Become a True Revolutionary and listen now to Episode 101: The Foreign Plot! The Grey History Community Help keep Grey History on the air! Every revolution needs its supporters, and we need you! With an ad-free feed, a community discord, a reading club, and tonnes of exclusive bonus content, you're missing out! Do your part for as little as half a cup of coffee per episode! It's the best value on the internet, with the best people too! Join Now And Support the Show Make a one-off donation Contact Me Send your questions, praise, and scorn here Newsletter Sign Up for Free Bonus Episode Follow on Social Media: Facebook Instagram X Advertising Please contact sales@advertisecast.com if you would like to advertise on Grey History: The French Revolution and Napoleon. All members of the Grey History Community have an ad-free version of the show. Support the show here. About Grey History: The French Revolution and Napoleon is a podcast dedicated to exploring the complexities of our history. By examining both the experiences of contemporaries and the conclusions of historians, Grey History seeks to unpack the ambiguities and nuances of the past. Understanding the French Revolution and the age of Napoleon Bonaparte is critical to understanding the history of the world, so join us on a journey through a series of events that would be almost unbelievable if it weren't for the fact that it's true! If you're looking for a binge-worthy history podcast on the Revolution and Napoleon, you're in the right place! Learn more about your ad choices. Visit megaphone.fm/adchoices
The State Director for Convention of States California joins the program to share how she integrates history lessons about America and western civilization into her role in order to effectively deepen the bonds with volunteers. Mary Hebert is a history teacher and homeschool mom, who utilizes free resources from Patriot Academy and Wallbuilders. Volunteer with COS Patriot Academy COS University
This week on Talk World Radio we're talking about military bases and the law with Martha Schmidt who is a co-chair of the Human Rights Framework Project and member of the Anti-Militarism Working Group of the National Lawyers Guild (NLG). Martha Schmidt holds law degrees from the University of Washington and the University of Wisconsin. She wrote a thesis was on the illegality of nuclear weapons in the oceans. Before “retirement”, she practiced labor rights, equal employment and juvenile law in Washington and Illinois. She chaired the World Peace Through Law Section of the Washington State Bar Association several times and led a successful effort for a Bar resolution supporting US ratification of the Convention on the Rights of the Child. She also co-chaired NLG subcommittees on Peace and Disarmament, the Hawaiian Kingdom (illegally occupied by the US), and the Task Force on the Americas. She is also part of the Task Force of the People's Academy of International Law, which was created by the International Association of Democratic Lawyers, which is the NLG's affiliate organization. They have been providing free courses on various topics of international peace and humanitarian and human rights law. She also serves as a board member of the Center for World Indigenous Studies.
The USEA Annual Meeting & Convention is just around the corner and this year, it's all about access, transparency, and celebration. Nicole Brown is joined by CEO Rob Burk and outgoing President Lou Leslie for a full preview of what's in store in New Orleans from December 11–14. From the first-ever “open door” format that welcomes members into nearly every meeting, to keynote speaker Natalie Hummel's work on mindset and performance, this year's convention promises to be as forward-thinking as it is fun. Expect good company, big ideas, and plenty of inspiration as the USEA community comes together to reflect, connect, and look ahead.
I met Andrea in the End Times, even though we didn't know it, then; he made several delicious cocktails with Old Duff Genever for me, in New Zealand, in mid-March 2020, before the world closed down. Andrea is a remarkably cool guy who came from Italy to, first, Australia, and then NZ, to perfect his craft, knowing that first he had to perfect his language skills. He then worked months - even after winning national and international cocktail contests! - washing glasses, before being promoted to bartender. He's a great guy. This is a great listen. Andrea on IG: https://www.instagram.com/captainspaghetti92/?hl=enStaffies Card Game: https://www.instagram.com/staffiescardgame/?hl=enNew Zealand Bar Convention: https://www.instagram.com/nzbarcon/?hl=enAgnes Vermouth: https://www.instagram.com/agnesevermouth/?hl=en Get in touch with Duff!Podcast business enquiries: consulting@liquidsolutions.org (PR friends: we're only interested in having your client on if they can talk for a couple of hours about OTHER things besides their prepared speaking points or their new thing, whatever that is. They need to be able to hang. Oh, plus we don't edit, and we won't supply prepared or sample questions, or listener or “reach” stats, either, and no, you can't sit in on the interview or Zoom.) Retain Philip's consulting firm, Liquid Solutions, specialised in on-trade engagement & education, liquor brand creation and repositioning: philip@liquidsolutions.orgPhilip on Instagram: https://www.instagram.com/philipsduff/ Philip on Facebook: Philip Duff Philip on X/Twitter: Philip Duff (@philipduff) / Twitter Philip on LinkedIn: linkedin.com Old Duff Genever on Instagram: Old Duff Genever (@oldduffgenever) • Instagram photos and videos Old Duff Genever on Facebook: facebook.com Old Duff Genever on X/Twitter: ...
Our DC Film Fest once again turns back the clock, and we kick off a Harvest of Horrors by swooping down to 1983's Superman III. Is a battle in a junkyard a highlight, or a metaphor? PhantasticGeek.com's Pete and Matt fly up, up, and away.Thanks as always to everyone who supports the podcast by visiting Patreon.com/PhantasticGeek.Share your feedback by emailing PhantasticGeek@gmail.com, commenting at PhantasticGeek.com, or tweeting @PhantasticGeek.MP3
It's a Previews episode of things to come: conventions, comics and news! Prestige Sponsor Nasser Rodriguez joins us to talk up the Comic Arts - San Antonio convention happening in November. As well as convention talk in general, Nasser recounts his own geekdom, and helps us pour through the comic coming attractions for December. We also wrap up our New York Comic Con trip, talk LEGO, compare the current states of DC and Marvel, react to Comic News out of NYCC and so much more! (1:45:58)
How do you make “right person, right seat” a repeatable system—not a hope? Fact Water Co's Danielle Scimeca (President) and returning guest Conor Parrish (Chief Growth Officer) share how the Culture Index became a decisive tool for coaching, hiring, and a company-wide restructure. If you lead field service, customer service, or operations in industrial water, this conversation offers practical patterns you can apply the next time a role feels misaligned or a 1:1 stall on surface-level updates. From intuition to instrumentation Trace opens with the origin story and quickly moves to why Danielle and Conor adopted the Culture Index. Conor outlines the survey's core traits (A, B, C, D), EU (energy units), logic, and ingenuity—and how those readings map to daily work. The team now enters 1:1s with data, not guesswork, and uses pattern shifts (e.g., crossing the bell-curve center line) as objective prompts to discuss burnout risk, disengagement, or role fit. Coaching that respects how people actually work Quarterly surveys provide a shared language for conflict and pace. Danielle and Conor show how “high-D vs. low-D” disagreements de-escalate when both sides name the pattern and adjust the level of detail or speed. The same framework helps leaders spot “quiet quitting” signals (e.g., EU changes) early, address them with empathy, and—when necessary—make seat changes with clarity. Hiring with a C-Job—and holding the line For open roles, they build a “C-job” (ideal pattern) and filter applicants by percentage match before reading résumés. That slows the front end but saves cycles by preventing mis-fit first interviews, reduces turnover, and improves team performance. The hardest lesson? When they ignored the pattern and hired outside the profile, they regretted it. Restructure at scale—faster, with fewer re-hires Armed with data, Fact Water accelerated a difficult restructure (significant field and customer-service turnover) and refilled seats against the right patterns. Outcomes included better alignment, happier team members, and fewer escalations. The same insights even improved communication at home—proof the temperament model applies beyond work. Tools don't lead—leaders do. The Culture Index gave Danielle and Conor the transparency and conviction to act sooner and coach smarter. Listen to the full conversation above. Stay engaged, keep learning, and continue scaling up your knowledge! Timestamps 02:24 - Trace Blackmore shares Industrial Water Week recap & #IWW25 highlights 13:37 - Water You Know with James McDonald 14:53 - Upcoming Events for Water Treatment Professionals 21:22 – Interview starts: Danielle Scimeca & Conor Parrish of Fact Water Co 24:46 – Why Culture Index 26:16 - Culture Index Overview 36:11 – Coaching Use: Data-Drive 1:1s and pattern shifts 44:36 – Hiring Use: C-Job Profiles 47:49 – Slower Hiring vs. Lower Turnover: lessons learned 53:46 – Real Example: High- D vs. Low-D communication conflict Quotes Conor Parrish: "High level culture index is a tool that we use. It starts with the culture index survey." Danielle Scimeca: “The program forces you to make tough decisions… you deserve to be in a job that you find fulfilling.” Conor Parrish: “HR isn't doing first interviews with 30 people—they're doing first interviews with three to five.” Conor Parrish: “There's so much more to it the more you go… I'm learning something new every day” Danielle Scimeca: “If you're not ready to make changes, it might not be the right time to do it.” Connect with Conor Parrish Email: cparrish@factwaterco.com Website: https://www.factwaterco.com/ LinkedIn: https://www.linkedin.com/in/conor-parrish-cwt-15208251/ Connect with Danielle Scimeca Email: dscimeca@fctwater.com Website: https://www.factwaterco.com/ LinkedIn: https://www.linkedin.com/in/danielle-scimeca-esq-519604279/ Guest Resources Mentioned Randi Fargen (Executive Advisor) Culture Index Program Scaling UP! H2O Resources Mentioned AWT (Association of Water Technologies) AWT 2025 Convention and Exposition AWT 2025 Business Owners Meeting AWT 2025 Golf Tournament 008 The One with Conor Parrish 186 The One where Conor Parrish Interviews Me, Part 1 187 The One where Conor Parrish Interviews Me, Part 2 Scaling UP! H2O Academy video courses Submit a Show Idea The Rising Tide Mastermind The Hang (November 20, 2025 - 6 PM Eastern Time) Water You Know with James McDonald Question: What do we call the liquid formed after steam does its work and has cooled below its dew point? 2025 Events for Water Professionals Check out our Scaling UP! H2O Events Calendar where we've listed every event Water Treaters should be aware of by clicking HERE.
Welcome to a special episode of the Malibu Guru Podcast from the PMOPA 2025 Convention! This episode features three unique conversations that highlight service, community, and connection within the PA-46 world. Stan Finch shares the mission of Families to Freedom, Michael Rahn offers a first-time attendee's perspective at the PMOPA Convention, and Rob Finfrock discusses the impact of the PMOPA Magazine.Save the date—November 7, 2025—for our Fall M-Class! Registration is officially open, so head to our website and secure your spot today.
Fiona & Marlene Talk Indy with Gordon MacIntyre-Kemp – Reigniting the Movement! In this must-listen episode, Fiona and Marlene sit down with Gordon MacIntyre-Kemp, founder of Believe in Scotland—the nation's largest pro-independence campaign group. Fresh from signing a historic Memorandum of Understanding with John Swinney and the SNP, Gordon shares what this means for the future of the Yes movement and how it could be the first step toward unity across Scotland's pro-independence parties and organisations. With exciting plans underway for a Scottish Independence Congress, could we be witnessing the spark that reignites the passion and momentum of 2014?
Show #2518 Show Notes: James 2:13 https://www.biblegateway.com/passage/?search=James%202%3A13&version=KJV Amos 5:24 https://www.biblegateway.com/passage/?search=amos%205%3A24&version=KJV Psalm 7:11 https://www.biblegateway.com/passage/?search=psalm%207%3A11&version=KJV John Birch Society: https://jbs.org/ Convention of States: https://conventionofstates.com/ National Constitution Center: https://constitutioncenter.org/about First Amendment: https://www.law.cornell.edu/constitution/first_amendment John Solomon: https://www.facebook.com/photo/?fbid=1378060830346289&set=a.413423093476739
Phantastic Geek visits New York Comic Con to talk Game of Thrones to Hasbro to Star Trek to Alien and more!Thanks as always to everyone who supports the podcast by visiting Patreon.com/PhantasticGeek.Share your feedback by emailing PhantasticGeek@gmail.com, commenting at PhantasticGeek.com, or tweeting @PhantasticGeek.MP3
We're beaming up to break down everything Trek fans were treated to this weekend! From the first look at Strange New Worlds Season 4 to the second official trailer drop for Star Trek: Starfleet Academy, there's a lot to talk about, and we've got thoughts.Join us as we dig into all the big reveals, panel highlights, surprise moments, and yes, even Stephen Colbert's turn as the Digital Dean of Students. We'll talk character theories, story teases, and what these new clips mean for the future of Trek.So grab your badge and your favorite synthale! Our NYCC 2025 Star Trek wrap-up livestream goes warp speed through all the news, hype, and fan reactions from one of the biggest Trek weekends of the year!Send us a textSupport the show
Hello, True Drews!I just got back from the Nancy Drew Sleuths 25th anniversary convention in Lancaster, Pennsylvania earlier this month and it was so fun! I share my experiences there, from hanging out with friends and making new ones, to solving puzzles, being in a skit AS Nancy Drew! *AHHHH!*, exploring Amish country, getting to meet some of the Nancy Drew cover artists and so much more! It was an experience I will truly never forget! I hope you all will enjoy the episode!
No other state was ever torn from another as was West Virginia. With the Civil War looming on the horizon, The Richmond Convention gave Virginia the opportunity to secede from the United States and The Wheeling Convention restored the rights of the state's western citizens to remain with the U.S. by seceding from Virginia. YouTube: https://www.youtube.com/watch?v=lvQCHyQMRq4
COS President Mark Meckler sits down with Dr. Thomas Lindsay, a Policy Director at the powerhouse Texas Public Policy Foundation and long-time supporter of Convention of States. An engaging luminary and passionate advocate for liberty, Lindsay and TPPF were influential in pushing the Texas legislature to join the COS movement. https://conventionofstates.com/askmark
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Audio, eng_t_norav_2025-10-11_congress_event_israel-haolami_n1. Event_part :: Congress. World Kabbalah Convention "In One Prayer"
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Beyond Blame: Navigating the Digital World with Our KidsAISA CyberCon Melbourne | October 15-17, 2025There's something fundamentally broken in how we approach online safety for young people. We're quick to point fingers—at tech companies, at schools, at kids themselves—but Jacqueline Jayne (JJ) wants to change that conversation entirely.Speaking with her from Florence while she prepared for her session at AISA CyberCon Melbourne this week, it became clear that JJ understands what many in the cybersecurity world miss: this isn't a technical problem that needs a technical solution. It's a human problem that requires us to look in the mirror."The online world reflects what we've built for them," JJ told me, referring to our generation. "Now we need to step up and help fix it."Her session, "Beyond Blame: Keeping Our Kids Safe Online," tackles something most cybersecurity professionals avoid—the uncomfortable truth that being an IT expert doesn't automatically make you equipped to protect the young people in your life. Last year's presentation at Cyber Con drew a full house, with nearly every hand raised when she asked who came because of a kid in their world.That's the fascinating contradiction JJ exposes: rooms full of cybersecurity professionals who secure networks and defend against sophisticated attacks, yet find themselves lost when their own children navigate TikTok, Roblox, or encrypted messaging apps.The timing couldn't be more relevant. With Australia implementing a social media ban for anyone under 16 starting December 10, 2025, and similar restrictions appearing globally, parents and carers face unprecedented challenges. But as JJ points out, banning isn't understanding, and restriction isn't education.One revelation from our conversation particularly struck me—the hidden language of emojis. What seems innocent to adults carries entirely different meanings across demographics, from teenage subcultures to, disturbingly, predatory networks online. An explosion emoji doesn't just mean "boom" anymore. Context matters, and most adults are speaking a different digital dialect than their kids.JJ, who successfully guided her now 19-year-old son through the gaming and social media years, isn't offering simple solutions because there aren't any. What she provides instead are conversation starters, resources tailored to different age groups, and even AI prompts that parents can customize for their specific situations.The session reflects a broader shift happening at events like Cyber Con. It's no longer just IT professionals in the room. HR representatives, risk managers, educators, and parents are showing up because they've realized that digital safety doesn't respect departmental boundaries or professional expertise."We were analog brains in a digital world," JJ said, capturing our generational position perfectly. But today's kids? They're born into this interconnectedness, and COVID accelerated everything to a point where taking it away isn't an option.The real question isn't who to blame. It's what role each of us plays in creating a safer digital environment. And that's a conversation worth having—whether you're at the Convention and Exhibition Center in Melbourne this week or joining virtually from anywhere else.AISA CyberCon Melbourne runs October 15-17, 2025 Virtual coverage provided by ITSPmagazine___________GUEST:Jacqueline (JJ) Jayne, Reducing human error in cyber and teaching 1 million people online safety. On Linkedin: https://www.linkedin.com/in/jacquelinejayne/HOSTS:Sean Martin, Co-Founder, ITSPmagazine and Studio C60 | Website: https://www.seanmartin.comMarco Ciappelli, Co-Founder, ITSPmagazine and Studio C60 | Website: https://www.marcociappelli.comCatch all of our event coverage: https://www.itspmagazine.com/technology-and-cybersecurity-conference-coverageWant to share an Event Briefing as part of our event coverage? Learn More
In Episode 226, Dave continues the riffing format but manages to throw in some defined segment breaks. This week he discusses the Letitia James indictment, the Palisades fire culprit, Qatari facilities at an Idaho Air Force Base, stats the left doesn't want to talk about, Article V Convention of States progress, the Insurrection Act, and the Trumpster cracking jokes at the expense of the Canadian Prime Minister. Article Links: NY AG Letitia James indicted on federal bank fraud, false claims charges by Josh Christenson from The New York Post Palisades Fire arson suspect is anti-Trump climate activist by Roberto Wakerell-Cruz from The Post Millennial Pentagon agrees to host Qatari F-15 fighter jets and pilots at Idaho air base by Bonny Chu from Fox News Karoline Leavitt Calls Out Liberal Media for Ignoring Deportation Poll Backing Trump Policies by Randy DeSoto from The Western Journal An in-depth look at the recent Gem State polling and what it means for Convention of States by Jakob Fay from Convention of States Trump says he'd consider invoking Insurrection Act as courts, governors seek to block his crime crackdown by Morgan Phillips from Fox News Laughter Erupts as Trump Interrupts Canadian Prime Minister with 'Merger of Canada and the United States' Crack by Randy DeSoto from The Western Journal Support Dave by visiting his new website at Two Rivers Outfitter for all of your preparedness needs and you can also visit his Etsy shop at DesignsbyDandTStore for fun clothing and merchandise options. Two Rivers Outfitter merchandise is available on both the Two Rivers Outfitter and the davidjkershner.com websites. Available for Purchase - Fiction: When Rome Stumbles | Hannibal is at the Gates | By the Dawn's Early Light | Colder Weather | A Time for Reckoning (paperback versions) | Fiction Series (paperback) | Fiction Series (audio) Available for Purchase - Non-Fiction: Preparing to Prepare (electronic/paperback) | Home Remedies (electronic/paperback) | Just a Small Gathering (paperback) | Just a Small Gathering (electronic)
Audio, eng_t_norav_2025-10-11_congress_lesson_israel-haolami_n6_p1. Lesson_part :: Congress. World Kabbalah Convention "In One Prayer" :: Daily_lesson 6
Audio, eng_t_rav_2025-10-11_congress_lesson_israel-haolami_n5_p1. Lesson_part :: Daily_lesson 5 :: Congress. World Kabbalah Convention "In One Prayer"
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It's the end of the road, sort of, for Peacemaker and friends... but is it the end of the road, sort of, for "Peacemaker?" PhantasticGeek.com's Pete and Matt try every door.Thanks as always to everyone who supports the podcast by visiting Patreon.com/PhantasticGeek.Share your feedback by emailing PhantasticGeek@gmail.com, commenting at PhantasticGeek.com, or tweeting @PhantasticGeek.MP3
EP166 Interview With Mark & Simon From Elinchrom UK I sit down with Mark Cheatham and Simon Burfoot from Elinchrom UK to talk about the two words that matter most when you work with light: accuracy and consistency. We dig into flash vs. continuous, shaping light (not just adding it), why reliable gear shortens your workflow, and Elinchrom's new LED 100 C—including evenly filling big softboxes and that handy internal battery. We also wander into AI: threats, tools, and why authenticity still carries the highest value. Links: Elinchrom UK store/info: https://elinchrom.co.uk/ LED 100 C product page: https://elinchrom.co.uk/elinchrom-led-100-c Rotalux Deep Octa / strips: https://elinchrom.co.uk/elinchrom-rotalux-deep-octabox-100cm-softbox/ My workshop dates: https://masteringportraitphotography.com/workshops-and-mentoring/ Transcript: Paul: as quite a lot of, you know, I've had a love affair with Elinchrom Lighting for the past 20 something years. In fact, I'm sitting with one of the original secondhand lights I bought from the Flash Center 21 years ago in London. And on top of that, you couldn't ask for a nicer set of guys in the UK to deal with. So I'm sitting here about to talk to Simon and Mark from Elinchrom uk. I'm Paul and this is the Mastering Portrait Photography podcast. Paul: So before we get any further, tell me a little bit about who you are, each of you and the team from Elinchrom UK Mark: After you, Simon. Simon: Thank you very much, mark. Mark: That's fine. Simon: I'm, Simon Burfoot. I have, been in the industry now for longer than I care to think. 35 years almost to the, to the day. Always been in the industry even before I left school because my father was a photographer and a lighting tutor, working for various manufacturers I was always into photography, and when he started the whole lighting journey. I got on it with him, and was learning from a very young age. Did my first wedding at 16 years old. Had a Saturday job which turned into a full-time job in a retail camera shop. By the time I was 18, I was managing my own camera shop, in a little town in the Cotswolds called Cirencester. My dad always told me that to be a photographic rep in the industry, you needed to see it from all angles, to get the experience. So I ended up, working in retail, moving over to a framing company. Finishing off in a prolab, hand printing, wedding photographers pictures, processing E6 and C41, hand correcting big prints for framing for, for customers, which was really interesting and I really enjoyed it. And then ended up working for a company called Leeds Photo Visual, I was a Southwest sales guy for them. Then I moved to KJP before it became, what we know now as Wex, and got all of the customers back that I'd stolen for them for Leeds. And then really sort of started my career progressing through, and then started to work with Elinchrom, on the lighting side. Used Elinchrom way before I started working with them. I like you a bit of a love affair. I'd used lots of different lights and, just loved the quality of the light that the Elinchrom system produced. And that's down to a number of factors that I could bore you with, but it's the quality of the gear, the consistency in terms of color, and exposure. Shooting film was very important to have that consistency because we didn't have Photoshop to help us out afterwards. It was a learning journey, but I, I hit my goal after being a wedding photographer and a portrait photographer in my spare time, working towards getting out on the road, meeting people and being involved in the industry, which I love. And I think it's something that I'm scared of leaving 'cause I dunno anything else. It's a wonderful industry. It has its quirks, its, downfalls at points, but actually it's a really good group of people and everyone kind of, gets on and we all love working with each other. So we're friends rather than colleagues. Paul: I hesitate to ask, given the length of that answer, to cut Simon: You did ask. Mark: I know. Paul: a short story Mark: was wondering if I was gonna get a go. Paul: I was waiting to get to end into the podcast and I was about to sign off. Mark: So, hi Mark Cheatham, sales director for Elinchrom uk this is where it gets a little bit scary because me and Simon have probably known each other for 10 years, yet our journeys in the industry are remarkably similar. I went to college, did photography, left college, went to work at commercial photographers and hand printers. I was a hand printer, mainly black and white, anything from six by four to eight foot by four foot panels, which are horrible when you're deving in a dish. But we did it. Paul: To the generation now, deving in a dish doesn't mean anything. Simon: No, it doesn't. Mark: And, and when you're doing a eight foot by four foot print and you've got it, you're wearing most of the chemistry. You went home stinking every night. I was working in retail. As a Saturday lad and then got promoted from the Saturday lad to the manager and went to run a camera shop in a little town in the Lake District called Kendall. I stayed there for nine years. I left there, went on the road working for a brand called Olympus, where I did 10 years, I moved to Pentax, which became Rico Pentax. I did 10 years there. I've been in the industry all my life. Like Simon, I love the industry. I did go out the industry for 18 months where I went into the wonderful world of high end commercial vr, selling to blue light military, that sort of thing. And then came back. One of the, original members of Elinchrom uk. I don't do as much photography as Simon I take photos every day, probably too many looking at my Apple storage. I do shoot and I like shooting now and again, but I'm not a constant shooter like you guys i'm not a professional shooter, but when you spent 30 odd years in the industry, and part of that, I basically run the, the medium format business for Pentax. So 645D, 645Z. Yeah, it was a great time. I love the industry and, everything about it. So, yeah, that's it Paul: Obviously both of you at some point put your heads together and decided Elinchrom UK was the future. What triggered that and why do you think gimme your sales pitch for Elinchrom for a moment and then we can discuss the various merits. Simon: The sales pitch for Elinchrom is fairly straightforward. It's a nice, affordable system that does exactly what most photographers would like. We sell a lot of our modifiers, so soft boxes and things like that to other users, of Prophoto, Broncolor. Anybody else? Because actually the quality of the light that comes out the front of our diffusion material and our specular surfaces on the soft boxes is, is a lot, lot more superior than, than most. A lot more superior. A lot more Mark: A lot more superior. Paul: more superior. Simon: I'm trying to Paul: Superior. Simon: It's superior. And I think Paul, you'll agree, Paul: it's a lot more, Simon: You've used different manufacturers over the years and, I think the quality of light speaks for itself. As a photographer I want consistency. Beautiful light and the effects that the Elinchrom system gives me, I've tried other soft boxes. If you want a big contrasty, not so kind light, then use a cheaper soft box. If I've got a big tattoo guy full of piercings you're gonna put some contrasty light to create some ambience. Maybe the system for that isn't good enough, but for your standard portrait photographer in a studio, I don't think you can beat the light. Mark: I think the two key words for Elinchrom products are accuracy and consistency. And that's what, as a portrait photographer, you should be striving for, you don't want your equipment to lengthen your workflow or make your job harder in post-production. If you're using Elinchrom lights with Elinchrom soft boxes or Elinchrom modifiers, you know that you're gonna get accuracy and consistency. Which generally makes your job easier. Paul: I think there's a bit that neither of you, I don't think you've quite covered, and it's the bit of the puzzle that makes you want to use whatever is the tool of your trade. I mean, I worked with musicians, I grew up around orchestras. Watching people who utterly adore the instrument that's in their hand. It makes 'em wanna play it. If you own the instrument that you love to play, whether it's a drum kit a trumpet a violin or a piano, you will play it and get the very best out of your talent with it. It's just a joy to pick it up and use it for all the little tiny things I think it's the bit you've missed in your descriptions of it is the utter passion that people that use it have for it. Mark: I think one of the things I learned from my time in retail, which was obviously going back, a long way, even before digital cameras One of the things I learned from retail, I was in retail long before digital cameras, retail was a busier time. People would come and genuinely ask for advice. So yes, someone would come in and what's the best camera for this? Or what's the best camera for that? Honestly there is still no answer to that. All the kit was good then all the kit is good now. You might get four or five different SLRs out. And the one they'd pick at the end was the one that they felt most comfortable with and had the best connection with. When you are using something every day, every other day, however it might be, it becomes part of you. I'm a F1 fan, if you love the world of F1, you know that an F1 car, the driver doesn't sit in an F1 car, they become part of the F1 car. When you are using the same equipment day in, day out, you don't have to think about what button to press, what dial to to turn. You do it. And that, I think that's the difference between using something you genuinely love and get on with and using something because that's what you've got. And maybe that's a difference you genuinely love and get on with Elinchrom lights. So yes, they're given amazing output and I know there's, little things that you'd love to see improved on them, but that's not the light output. Paul: But the thing is, I mean, I've never, I've never heard the F1 analogy, but it's not a bad one. When you talk about these drivers and their cars and you are right, they're sort of symbiotic, so let's talk a little bit about why we use flash. So from the photographers listening who are just setting out, and that's an awful lot of our audience. I think broadly speaking, there are two roads or three roads, if you include available light if you're a portrait photographer. So there's available light. There's continuous light, and then there's strobes flash or whatever you wanna call it. Of course, there's, hybrid modeling and all sorts of things, but those are broadly the three ways that you're gonna light your scene or your subject. Why flash? What is it about that instantaneous pulse of light from a xenon tube that so appealing to photographers? Simon: I think there's a few reasons. The available light is lovely if you can control it, and by that I mean knowing how to use your camera, and control the ambient light. My experience of using available light, if you do it wrong, it can be quite flat and uninteresting. If you've got a bright, hot, sunny day, it can be harder to control than if it's a nice overcast day. But then the overcast day will provide you with some nice soft, flat lighting. Continuous light is obviously got its uses and there's a lot of people out there using it because what they see is what they get. The way I look at continuous light is you are adding to the ambient light, adding more daylight to the daylight you've already got, which isn't a problem, but you need to control that light onto the subject to make the subject look more interesting. So a no shadow, a chin shadow to show that that subject is three dimensional. There are very big limitations with LED because generally it's very unshapable. By that I mean the light is a very linear light. Light travels in straight lines anyway, but with a flash, we can shape the light, and that's why there's different shapes and sizes of modifiers, but it's very difficult to shape correctly -an LED array, the flash for me, gives me creativity. So with my flash, I get a sharper image to start with. I can put the shadows and the light exactly where I want and use the edge of a massive soft box, rather than the center if I'm using a flash gun or a constant light. It allows me to choose how much or how little contrast I put through that light, to create different dynamics in the image. It allows me to be more creative. I can kill the ambient light with flash rather than adding to it. I can change how much ambient I bring into my flash exposure. I've got a lot more control, and I'm not talking about TTL, I'm talking about full manual control of using the modifier, the flash, and me telling the camera what I want it to do, rather than the camera telling me what it thinks is right. Which generally 99% of the time is wrong. It's given me a beautiful, average exposure, but if I wanted to kill the sun behind the subject, well it's not gonna do that. It's gonna give me an average of everything. Whereas Flash will just give me that extra opportunity to be a lot more creative and have a lot more control over my picture. I've got quite a big saying in my workshops. I think a decent flash image is an image where it looks like flash wasn't used. As a flash photographer, Paul, I expect you probably agree with me, anyone can take a flash image. The control of light is important because anybody can light an image, but to light the subject within the image and control the environmental constraints, is the key to it and the most technical part of it. Mark: You've got to take your camera off P for professional to do that. You've got to turn it off p for professional and get it in manual mode. And that gives you the control Paul: Well, you say that, We have to at some point. Address the fact that AI is not just coming, it's sitting here in our studios all the time, and we are only a heartbeat away from P for professional, meaning AI analyzed and creating magic. I don't doubt for a minute. I mean, right now you're right, but not Mark: Well, at some point it will be integrated into the camera Paul: Of course it will. Mark: If you use an iPhone or any other phone, you know, we are using AI as phone photographers, your snapshots. You take your kids, your dogs, whatever they are highly modified images. Paul: Yeah. But in a lot of the modern cameras, there's AI behind the scenes, for instance, on the focusing Mark: Yeah. Paul: While we've, we are on that, we were on that thread. Let's put us back on that thread for a second. What's coming down the line with, all lighting and camera craft with ai. What are you guys seeing that maybe we're not Simon: in terms of flash technology or light technology? Paul: Alright. I mean, so I mean there's, I guess there's two angles, isn't there? What are the lights gonna do that use ai? What are the controllers gonna do, that uses ai, but more importantly, how will it hold its own in a world where I can hit a button and say, I want rebrand lighting on that face. I can do that today. Mark: Yeah. Simon: I'm not sure the lighting industry is anywhere near producing anything that is gonna give what a piece of software can give, because there's a lot more factors involved. There's what size light it is, what position that light is in, how high that light is, how low that light is. And I think the software we've all heard and played with Evoto we were talking about earlier, I was very skeptical and dubious about it to start with as everybody would be. I'm a Photoshop Lightroom user, have been for, many years. And I did some editing, in EEvoto with my five free credits to start with, three edits in, I bought some credits because I thought, actually this is very, very good. I'll never use it for lighting i'd like to think I can get that right myself. However, if somebody gives you a, a very flat image of a family outside and say, well, could you make this better for me? Well, guess what? I can do whatever you like to it. Is it gonna attack the photographer that's trying to earn a living? I think there's always a need for people to take real photographs and family photographs. I think as photographers, we need to embrace it as an aid to speed up our workflow. I don't think it will fully take over the art of photography because it's a different thing. It's not your work. It's a computer generated AI piece of work in my head. Therefore, who's responsible for that image? Who owns the copyright to that image? We deal with photographers all the time who literally point a camera, take a picture and spend three hours editing it and tell everyone that, look at this. The software's really good and it's made you look good. I think AI is capable of doing that to an extent. In five years time, we'll look back at Evoto today and what it's producing and we'll think cracky. That was awful. It's like when you watch a high definition movie from the late 1990s, you look at it and it was amazing at the time, but you look at it now and you think, crikey, look at the quality of it. I dunno if we're that far ahead where we won't get to that point. The quality is there. I mean, how much better can you go than 4K, eight K minus, all that kind of stuff. I'm unsure, but I don't think the AI side of it. Is applicable to flash at this moment in time? I don't know. Mark: I think you're right. To look at the whole, photography in general. If you are a social photographer, family photographer, whatever it might be, you are genuinely capturing that moment in time that can't be replaced. If you are a product photographer, that's a different matter. I think there's more of a threat. I think I might be right in saying. I was looking, I think I saw it on, LinkedIn. There is a fashion brand in the UK at the moment that their entire catalog of clothing has been shot without models. When you look at it on the website, there's models in it. They shoot the clothing on mannequins and then everything else is AI generated they've been developing their own AI platform now for a number of years. Does the person care Who's buying a dress for 30 quid? Probably not, but if you are photographing somebody's wedding, graduation, some, you know, a genuine moment in someone's life, I think it'd be really wrong to use any sort of AI other than a little bit of post-production, which we know is now quite standard for many people in the industry. Paul: Yeah, the curiosity for me is I suspect as an industry, Guess just released a full AI model advert in, Vogue. Declared as AI generated an ai agency created it. Everything about it is ai. There's no real photography involved except in the learning side of it. And that's a logical extension of the fact we've been Photoshopping to such a degree that the end product no longer related to the input. And we've been doing that 25 years. I started on Photoshop version one, whatever that was, 30 years More than 33. So we've kind of worked our way into a corner where the only way out of it is to continue. There's no backtracking now. Mark: Yeah. Paul: I think the damage to the industry though, or the worry for the industry, I think you're both right. I think if you can feel it, touch it, be there, there will always be that importance. In fact, the provenance of authenticity. Is the high value ticket item now, Simon: Mm-hmm. Paul: because you, everything else is synthetic, you can trust nothing. We are literally probably months away from 90% of social media being generated by ai. AI is both the consumer and the generator of almost everything online Mark: Absolutely. Paul: Goodness knows where we go. You certainly can't trust anything you read. You can't trust anything you see, so authenticity, face-to-face will become, I think a high value item. Yeah. Mark: Yeah. Paul: I think one problem for us as an industry in terms of what the damage might be is that all those people that photograph nameless products or create books, you know, use photography and then compositing for, let's say a novel that's gone, stock libraries that's gone because they're faceless. Simon: Mm-hmm. Paul: there doesn't have to be authentic. A designer can type in half a dozen keywords. Into an AI engine and get what he needs. If he doesn't get what he needs, he does it again. All of those photographers who currently own Kit are gonna look around with what do we do now? And so for those of us who specialize in weddings and portraits and family events, our market stands every chance of being diluted, which has the knock on effect of all of us having to keep an eye on AI to stay ahead of all competitors, which has the next knock on effect, that we're all gonna lean into ai, which begs the question, what happens after Because that's what happened in the Photoshop world. You know, I'm kind of, I mean, genuinely cur, and this will be a running theme on the podcast forever, is kind of prodding it and taking barometer readings as to where are we going? Mark: Yeah. I mean, who's more at threat at the moment from this technology? Is it the photographer or is it the retouch? You know, we do forget that there are retouchers That is their, they're not photographers. Paul: I don't forget. They email me 3, 4, 5 times a day. Mark: a Simon: day, Mark: You know, a highly skilled retouch isn't cheap. They've honed their craft for many years using whatever software product they prefer to use. I think they're the ones at risk now more so than the photographer. And I think we sort of lose sight of that. Looking at it from a photographer's point of view, there is a whole industry behind photography that actually is being affected more so than you guys at the moment. Simon: Mm-hmm. Paul: Yeah, I think there's truth in that, but. It's not really important. Of course, it's really important to all of those people, but this is the digital revolution that we went through as film photographers, and probably what the Daguerreotype generators went through when Fox Tolbert invented the first transfer. Negative. You know, they are, there are always these epochs in our industry and it wipes out entire skillset. You know, I mean, when we went to digital before then, like you, I could dev in a tank. Yeah. You know, and really liked it. I like I see, I suspect I just like the solitude, Mark: the dark, Paul: red light in the dark Mark: yeah. Paul: Nobody will come in. Not now. Go away. Yeah. All that kind of stuff. But of course those skills have gone, has as, have access to the equipment. I think we're there again, this feels like to me a huge transition in the industry and for those who want to keep up, AI is the keeping up whether you like it or not. Mark: Yeah. And if you don't like it, we've seen it, we're in the middle of a massive resurgence in film photography, which is great for the industry, great for the retail industry, great for the film manufacturers, chemical manufacturers, everything. You know, simon, myself, you, you, we, we, our earliest photography, whether we were shooting with flash, natural light, we were film shooters and that planes back. And what digital did, from a camera point of view, is make it easier and more accessible for less skilled people. But it's true. You know, if you shot with a digital camera now that's got a dynamic range of 15 stops, you actually don't even need to have your exposure, that accurate Go and shoot with a slide film that's got dynamic range of less than one stop and see how good you are. It has made it easier. The technology, it will always make it. Easier, but it opens up new doors, it opens up new avenues to skilled people as well as unskilled people. If you want, I'm using the word unskilled again, I'm not being, a blanket phrase, but it's true. You can pick up a digital camera now and get results that same person shooting with a slide film 20 years ago would not get add software to that post-production, everything else. It's an industry that we've seen so many changes in over the 30 odd years that we've been in it, Simon: been Mark: continue Simon: at times. It exciting Mark: The dawn of digital photography to the masses. was amazing. I was working for Olympus at the time when digital really took off and for Olympus it was amazing. They made some amazing products. We did quite well out of it and people started enjoying photography that maybe hadn't enjoyed photography before. You know, people might laugh at, you know, you, you, you're at a wedding, you're shooting a really nice wedding pool and there's always a couple of guests there which have got equipment as good as yours. Better, better than yours. Yeah. Got Simon: jobs and they can afford it. Mark: They've got proper jobs. Their pitches aren't going to be as good as yours. They're the ones laughing at everyone shooting on their phone because they've spent six grand on their new. Camera. But if shooting on a phone gets people into photography and then next year they buy a camera and two years later they upgrade their camera and it gets them into the hobby of photography? That's great for everyone. Hobbyists are as essential, as professional photographers to the industry. In fact, to keep the manufacturers going, probably more so Simon: the hobbyists are a massive part. Even if they go out and spend six or seven or 8,000 pounds on a camera because they think it's gonna make them a better photographer. Who knows in two years time with the AI side, maybe it will. That old saying, Hey Mr, that's a nice camera. I bet it takes great pictures, may become true. We have people on the lighting courses, the workshops we run, the people I train and they're asking me, okay, what sessions are we gonna use? And I'm saying, okay, well we're gonna be a hundred ISO at 125th, F 5.6. Okay, well if I point my camera at the subject, it's telling me, yeah, but you need to put it onto manual. And you see the color drain out their faces. You've got a 6,000 pound camera and you've never taken it off 'P'. Mark: True story. Simon: And we see this all the time. It's like the whole TTL strobe manual flash system. The camera's telling you what it wants to show you, but that maybe is not what you want. There are people out there that will spend a fortune on equipment but actually you could take just as good a picture with a much smaller, cheaper device with an nice bit of glass on the front if you know what you're doing. And that goes back to what Mark was saying about shooting film and slide film and digital today. Paul: I, mean, you know, I don't want this to be an echo chamber, and so what I am really interested in though, is the way that AI will change what flash photography does. I'm curious as to where we are headed in that, specific vertical. How is AI going to help and influence our ability to create great lip photography using flash? Mark: I think, Paul: I love the fact the two guys side and looked at each other. Mark: I, Simon: it's a difficult question to answer. Mark: physical light, Simon: is a difficult question to answer because if you're Mark: talking about the physical delivery of light. Simon: Not gonna change. Mark: Now, The only thing I can even compare it to, if you think about how the light is delivered, is what's the nearest thing? What's gotta change? Modern headlamps on cars, going back to cars again, you know, a modern car are using these LED arrays and they will switch on and switch off different LEDs depending on the conditions in front of them. Anti dazzle, all this sort of stuff. You know, the modern expensive headlamp is an amazing technical piece of kit. It's not just one ball, but it's hundreds in some cases of little arrays. Will that come into flash? I don't know. Will you just be able to put a soft box in front of someone and it will shape the light in the future using a massive array. Right? I dunno it, Simon: there's been many companies tested these arrays, in terms of LED Flash, And I think to be honest, that's probably the nearest it's gonna get to an AI point of view is this LED Flash. Now there's an argument to say, what is flash if I walk into a living room and flick the light on, on off really quickly, is that a flash? Mark: No, that's a folock in Paul: me Mark: turn, big lights off. Paul: Yeah. Mark: So Simon: it, you, you might be able to get these arrays to flush on and off. But LED technology, in terms of how it works, it's quite slow. It's a diode, it takes a while for it to get to its correct brightness and it takes a while for it to turn off. To try and get an LED. To work as a flash. It, it's not an explosion in a gas field tube. It's a a, a lighter emitting diode that is, is coming on and turning off again. Will AI help that? Due to the nature of its design, I don't think it can. Mark: Me and s aren't invented an AI flash anytime soon by the looks of, we're Simon: it's very secret. Mark: We're just putting everyone off Paul, Simon: It's alright. Mark: just so they don't think Simon: Yeah, Mark: Oh, it's gonna be too much hard work and we'll sort it. Paul: It's definitely coming. I don't doubt for a minute that this is all coming because there's no one not looking at anything Simon: that makes perfect sense. Paul: Right now there's an explosion of invention because everybody's trying to find an angle on everything. Simon: Mm-hmm. Paul: The guys I feel the most for are the guys who spent millions, , on these big LED film backdrop walls. Simon: Yep. Mark: So you can Paul: a car onto a flight sim, rack, and then film the whole lot in front of an LED wall. Well, it was great. And there was a market for people filming those backdrops, and now of course that's all AI generated in the LED, but that's only today's technology. Tomorrow's is, you don't need the LED wall. That's here today. VEO3 and Flow already, I mean, I had to play with one the other day for one of our lighting diagrams and it animated the whole thing. Absolute genius. Simon: Mm-hmm. Paul: I still generated the original diagram. Mark: Yeah, Paul: Yeah, that's useful. There's some skill in there still for now, but, you gotta face the music that anything that isn't, I can touch it and prod it. AI's gonna do it. Mark: Absolutely. If you've ever seen the series Mandalorian go and watch the making of the Mandalorian and they are using those big LED walls, that is their backdrop. Yeah. And it's amazing how fast they shift from, you know, they can, they don't need to build a set. Yeah. They shift from scene to scene. Paul: Well, aI is now building the scenes. But tomorrow they won't need the LED wall. 'cause AI will put it in behind the actors. Mark: Yeah. Say after Paul: that you won't need the actors because they're being forced to sign away the rights so that AI can be used. And even those that are standing their ground and saying no, well, the actors saying Yes. Are the ones being hired. You know, in the end, AI is gonna touch all of it. And so I mean, it's things like, imagine walking into a studio. Let's ignore the LED thing for a minute, by the way, that's a temporary argument, Simon: I know you're talking about. Paul: about today's, Simon: You're about the. Mark: days Paul: LEDs, Simon: we're in, We're in very, very interesting times and. I'm excited for the future. I'm excited for the new generation of photographers that are coming in to see how they work with what happens. We've gone from fully analog to me selling IMACON drum scanners that were digitizing negatives and all the five four sheet almost a shoot of properties for an estate agent were all digitized on an hassle blood scanner. And then the digital camera comes out and you start using it. It was a Kodak camera, I think the first SLRI used, Paul: Yeah. Simon: and you get the results back and you think, oh my God, it looks like it's come out of a practica MTL five B. Mark: But Simon: then suddenly the technology just changes and changes and changes and suddenly it's running away with itself and where we are today. I mean, I, I didn't like digital to start with. It was too. It was too digital. It was too sharp. It didn't have the feel of film, but do you know what? We get used to it and the files that my digital mirrorless camera provide now and my Fuji GFX medium format are absolutely stunning. But the first thing I do is turn the sharpness down because they are generally over sharp. For a lovely, beautifully lit portrait or whatever that anybody takes, it just needs knocking back a bit. We were speaking about this earlier, I did some comparison edits from what I'd done manually in Photoshop to the Evoto. Do you know what the pre-selected edits are? Great. If you not the slider back from 10 to about six, you're there or thereabouts? More is not always good. Mark: I think when it comes to imagery in our daily lives, the one thing that drives what we expect to see is TV and most people's TVs, everything's turned up to a hundred. The color, the contrast, that was a bit of a shock originally from the film to digital, crossover. Everything went from being relatively natural to way over the top Just getting back to AI and how it's gonna affect people like you and people that we work with day to day. I don't think we should be worried about that. We should be worried about the images we see on the news, not what we're seeing, hanging on people's walls and how they're gonna be affected by ai. That generally does affect everyone's daily life. Paul: Yeah, Mark: Yeah. But what Paul: people now ask me, for instance, I've photographed a couple head shots yesterday, and the one person had not ironed her blouse. And her first question was, can we sort that out in post? So this is the knock on effect people are becoming aware of what's possible. What's that? Nothing. Know, and the, the smooth clothing button in Evoto will get me quite a long way down that road and saves somebody picking up an eye and randomly, it's not me, it's now actually more work for me 'cause I shouldn't have to do it. But, you know, this is my point about the knock on effect. Our worlds are different. So I didn't really intend this to be just a great sort of circular conversation about AI cars and, future technology. It was more, I dunno, we ended up down there anyway. Simon: We went down a rabbit hole. Mark: A Paul: rabbit hole. Yeah Mark: was quite an interesting one. Simon: And I'm sorry if you've wasted your entire journey to work and we Paul: Yeah. Simon: Alright. It wasn't intended to be like that. Paul: I think it's a debate that we need to be having and there needs to be more discussion about it. Certainly for anybody that has a voice in the industry and people are listening to it because right now it might be a toddler of a technology, but it's growing faster than people realize. There is now a point in the written word online where AI is generating more than real people are generating, and AI is learning that. So AI is reading its own output. That's now beginning to happen in imagery and film and music. Simon: Well, even in Google results, you type in anything to a Google search bar. When it comes back to the results, the first section at the top is the AI generated version. And you know what, it's generally Paul: Yep. Simon: good and Paul: turn off all the rest of it now. So it's only ai. Simon: Not quite brave enough for that yet. No, not me. Mark: In terms Paul: of SEO for instance, you now need to tune it for large language models. You need to be giving. Google the LLM information you want it to learn so that you become part of that section on a website. And it, you know, this is where we are and it's happening at such a speed, every day I am learning something new about something else that's arriving. And I think TV and film is probably slightly ahead of the photography industry Mark: Yeah. Paul: The pressures on the costs are so big, Simon: Yes. Paul: Whereas the cost differential, I'm predicting our costs will actually go up, not down. Whereas in TV and film, the cost will come down dramatically. Mark: Absolutely. Simon: They are a horrifically high level anyway. That's Paul: I'm not disputing that, but I watched a demo of some new stuff online recently and they had a talking head and they literally typed in relight that with a kiss light here, hairlight there, Rembrandt variation on the front. And they did it off a flat picture and they can move the lights around as if you are moving lights. Yes. And that's there today. So that's coming our way too. And I still think the people who understand how to see light will have an advantage because you'll know when you've typed these words in that you've got it about right. It doesn't change the fact that it's going to be increasingly synthetic. The moment in the middle of it is real. We may well be asked to relight things, re clothe things that's already happening. Simon: Yeah. Paul: We get, can you just fill in my hairline? That's a fairly common one. Just removing a mole. Or removing two inches round a waist. This, we've been doing that forever. Simon: Mm-hmm. Paul: And so now it'll be done with keyword generation rather than, photoshop necessarily. Simon: I think you'll always have the people that embrace this, we can't ignore it as you rightly say. It's not going away. It's gonna get bigger, it's gonna feature more in our lives. I think there's gonna be three sets of people. It's gonna be the people like us generally on a daily basis. We're photographers or we're artists. We enjoy what we do. I enjoy correctly lighting somebody with the correct modifier properties to match light quality to get the best look and feel and the ambience of that image. And I enjoy the process of putting that together and then seeing the end result afterwards. I suppose that makes me an artist in, in, in loose terms. I think, you know, as, as, as a photographer, we are artists. You've then got another generation that are finding shortcuts. They're doing some of the job with their camera. They're making their image from an AI point of view. Does that make up an artist? I suppose it still does because they're creating their own art, but they have no interest 'cause they have no enjoyment in making that picture as good as it can be before you even hit the shutter. And then I think you've got other people, and us to an extent where you do what you need to do, you enjoy the process, you look at the images, and then you just finely tune it with a bit of AI or Photoshop retouching so I think there are different sets of people that will use AI to their advantage or completely ignore it. Mark: Yeah. I think you're right. And I think it comes down, I'm going to use another analogy here, you, you know, let's say you enjoy cooking. If you enjoy cooking, you're creating something. What's the alternative? You get a microwave meal. Well, Paul Simon: and Sarah do. Mark: No. Paul: Sarah does. Simon: We can't afford waitress. Mark: You might spend months creating your perfect risotto. You've got it right. You love it. Everyone else loves it. You share it around all your friends. Brilliant. Or you go to Waitrose, you buy one, put it three minutes in the microwave and it's done. That's yer AI I Imagery, isn't it? It's a microwave meal. Paul: There's a lot of microwave meals out there. And not that many people cook their own stuff and certainly not as many as used to. And there's a lesson. Simon: Is, Mark: but also, Simon: things have become easier Mark: there Simon: you go. Mark: I think what we also forget in the photographic industry and take the industry as a whole, and this is something I've experienced in the, in the working for manufacturers in that photography itself is, is a, is a huge hobby. There's lots of hobbyist photographers, but there's actually more people that do photography as part of another hobby, birdwatching, aviation, all that sort of thing. Anything, you know, the photography isn't the hobby, it's the birds that are the hobby, but they take photographs of, it's the planes that are the hobby, but they take photographs. They're the ones that actually keep the industry going and then they expand into other industries. They come on one of our workshops. You know, that's something that we're still and Simon still Absolutely. And yourself, educating photographers to do it right, to practice using the gear the right way, but the theory of it and getting it right. If anything that brings more people into wanting to learn to cook better, Paul: you Mark: have more chefs rather than people using microwave meals. Education's just so important. And when it comes to lighting, I wasn't competent in using flash. I'm still not, but having sat through Simon's course and other people's courses now for hundreds of times, I can light a scene sometimes, people are still gonna be hungry for education. I think some wills, some won't. If you wanna go and get that microwave risotto go and microwave u risotto. But there's always gonna be people that wanna learn how to do it properly, wanna learn from scratch, wanna learn the art of it. Creators and in a creative industry, we've got to embrace those people and bring more people into it and ensure there's more people on that journey of learning and upskilling and trying to do it properly. Um, and yes, if they use whatever technology at whatever stage in their journey, if they're getting enjoyment from it, what's it matter? Paul: Excellent. Mark: What a fine Paul: concluding statement. If they got enjoyment outta it. Yeah. Whatever. Excellent. Thank you, Mark, for your summing up. Simon: In conclusion, Paul: did that just come out your nose? What on earth. Mark: What Paul: what you can't see, dear Listener is the fact that Mark just spat his water everywhere, laughing at Si. It's been an interesting podcast. Anyway, I'm gonna drag this back onto topic for fear of it dissolving into three blokes having a pint. Mark: I think we should go for one. Simon: I think, Paul: I think we should know as well. Having said that with this conversation, maybe not. I was gonna ask you a little bit about, 'cause we've talked about strobes and the beauty of strobes, but of course Elinchrom still is more than that, and you've just launched a new LED light, so I know you like Strobe Simon. Now talk about the continuous light that also Elinchrom is producing. Simon: We have launched the Elinchrom LED 100 C. Those familiar with our Elinchrom One and Three OCF camera Flash system. It's basically a smaller unit, but still uses the OCF adapter. Elinchrom have put a lot of time into this. They've been looking at LED technology for many years, and I've been to the factory in Switzerland and seen different LED arrays being tested. The problem we had with LEDs is every single LED was different and put out a different color temperature. We're now manufacturing LEDs in batches, where they can all be matched. They all come from the same serial number batch. And the different colors of LED as well, 15 years ago, blue LEDs weren't even possible. You couldn't make a blue LED every other color, but not blue for some unknown reason. They've got the colors right now, they've got full RGB spectrum, which is perfectly accurate a 95 or 97 CRI index light. It's a true hundred watts, of light as well. From tosin through to past daylight and fully controllable like the CRO flash system in very accurate nth degrees. The LED array in the front of the, the LEDA hundred is one of the first shapeable, fully shapeable, LED arrays that I've come across and I've looked at lots. By shapeable, I mean you put it into a soft box, of any size and it's not gonna give you a hotspot in the middle, or it's not gonna light the first 12 inches of the middle of the soft box and leave the rest dark. I remember when we got the first LD and Mark got it before me And he said, I've put it onto a 70 centimeter soft box. And he said, I've taken a picture to the front. Look at this. And it was perfectly even from edge to edge. When I got it, I stuck it onto a 1 3 5 centimeter soft box and did the same and was absolutely blown away by how even it was from edge to edge. When I got my light meter out, if you remember what one of those is, uh, it, uh, it gave me a third of a stop different from the center to the outside edge. Now for an LED, that's brilliant. I mean, that's decent for a flash, but for an LED it's generally unheard of. So you can make the LED as big as you like. It's got all the special effects that some of the cheaper Chinese ones have got because people use that kind of thing. Apparently I have no idea what for. But it sits on its own in a market where there are very cheap and cheerful LEDs, that kind of do a job. And very expensive high-end LEDs that do a completely different job for the photographer that's gone hybrid and does a bit of shooting, but does a bit of video work. So, going into a solicitor's or an accountant's office where they want head shots, but also want a bit of talking head video for the MD or the CEO explaining about his company on the website. It's perfect. You can up the ISO and use the modeling lamp in generally the threes, the fives, the ones that we've got, the LEDs are brilliant. But actually the LED 100 will give you all your modifier that you've taken with you, you can use those. It's very small and light, with its own built-in battery and it will give you a very nice low iso. Talking head interview with a lovely big light source. And I've proved the point of how well it works and how nice it is at the price point it sits in. But it is our first journey into it. There will be others come in and there'll be an app control for it. And I think from an LED point of view, you're gonna say, I would say this, but actually it's one of the nicer ones I've used. And when you get yours, you can tell people exactly the same. Paul: Trust me, I will. Simon: Yes. Mark: I think Paul: very excited about it. Mark: I think the beauty of it as well is it's got an inbuilt battery. It'll give you up to 45 minutes on a full charge. You can plug it in and run it off the mains directly through the USB socket as well. But it means it's a truly portable light source. 45 minutes at a hundred watt and it's rated at a hundred watt actual light output. It's seems far in excess of that. When you actually, Simon: we had a photographer the other day who used it and he's used to using sort of 3, 2 50, 300 watt LEDs and he said put them side by side at full power. They were virtually comparable. Paul: That is certainly true, or in my case by lots. Simon: I seem to be surrounded Paul: by Elinchrom kit, Which is all good. So for anybody who's interested in buying one of these things, where'd you get them? How much are they? Simon: The LED itself, the singlehead unit is 499 inc VAT. If you want one with a charger, which sounds ridiculous, but there's always people who say, well, I don't want the charger. You can have one with a charger for 50 quid extra. So 549. The twin kit is just less than a thousand quid with chargers. And it comes in a very nice portable carry bag to, to carry them around in. Um, and, uh, yeah, available from all good photographic retailers, and, Ellen crom.co uk. Paul: Very good. So just to remind you beautiful people listening to this podcast, we only ever feature people and products, at least like this one where I've said, put a sales pitch in because I use it. It's only ever been about what we use here at the studio. I hate the idea of just being a renta-voice. You it. Mark: bought it. Paul: Yeah. That's true. You guys sold it to me. Mark: Yeah, Simon: if I gave you anything you'd tell everyone it was great. So if you buy it, no, I've bought Paul: Yeah. And then became an ambassador for you. As with everything here, I put my money where my mouth is, we will use it. We do use it. I'm really interested in the little LED light because I could have done with that the other night. It would've been perfect for a very particular need. So yes, I can highly recommend Elinchrom Fives and Threes if you're on a different system. The Rotalux, system of modifier is the best on the planet. Quick to set up, quick to take down. More importantly, the light that comes off them is just beautiful, whether it's a Godox, whether it's on a ProPhoto, which it was for me, or whether if you've really got your common sense about you on the front of an Elinchrom. And on that happy note and back to where we started, which is about lighting, I'm gonna say thanks to the guys. They came to the studio to fix a problem but it's always lovely to have them as guests here. Thank you, mark. Thank you Simon. Most importantly, you Elinchrom for creating Kit is just an absolute joy to use. If you've enjoyed the podcast, please head over to all your other episodes. Please subscribe and whatever is your podcast, play of choice, whether it's iTunes, Spotify, YouTube, or a other. After you head, if you head across to masteringportraitphotography.com the spiritual home of this, particular, podcast, I will put in the show notes all the little bits of detail and where to get these things. I'll get some links off the guys as to where to look for the kit. Thank you both. I dunno when I'll be seeing you again. I suspect it will be the Convention in January if I know the way these things go. Simon: We're not gonna get invited back, are we? Mark: Probably not. Enough. Paul: And I'm gonna get a mop and clean up that water. You've just sprayed all over the floor. What is going on? Simon: wish we'd video. That was a funny sun Mark: I just didn't expect it and never usually that sort of funny and quick, Simon: It's the funniest thing I've ever seen. Paul: On that happy note, whatever else is going on in your lives, be kind to yourself. Take care.
On this week's Keepin It Real, Cam's on his way home from a conference. He began making notes a few days ago about what his years and years of attending conferences has taught him. A bingo card might be fun, he says. ----- I speak at few dozen conferences each year. My audiences are the same – thinning brown haired, slightly overweight, middle aged white guys dominate each room. These are my people. I've learned how they like my content delivered and I do it for them each time. If I do it well, it may get me invited back. After twenty plus years, I've seen hundreds of events, and I've identified some meeting and convention themes that have become entirely predictable and that resonate with my people. First – Classic rock music. It will be played as people file in on day one, during every break, and after the final keynote. It will be vanilla classic rock. Nothing too loud, nothing too rebellious. You will certainly hear “Right Now” by Van Halen at least once and see the thinning haired men mouthing “Right Now” along with Sammy Hagar, thinking they're invisible. Maybe a flash of air guitar on their thigh. You'll also hear “Can't Stop the Feeling,” “Uptown Funk,” and “Happy.” “I Got A Feeling” by the Black Eyed Peas will close out day one. Count on it. Second – At least one keynoter will deliver a lesson reminding us that children are born full of curiosity only to have adults and formal schooling beat it out of them. “Why do we do this to children?” they'll always ask. “Why can't we grow kid's curiosity instead of take it away?” My people will nod. This content shows up at least once in every conference, guaranteed. Third – Multiple speakers will give examples of how Apple Computer does things differently. Of how Apple sees the world differently. On how Apple's competitors didn't see the iPhone coming but the evidence was everywhere. Lots and lots of references to Apple and Apple products. The speaker will extrapolate some sort of grand lesson from Apple. Count on it. Fourth – 80% of presentations will use the word “disruption.” It's become the meeting and convention word of the century. Someone will tell of Blockbuster being disrupted by Netflix with PowerPoint slides showing the Blockbuster logo. Of Kodak being disrupted by digital cameras, with a slide showing Kodak film next to an iPhone. Count on this, too. Last – there will at least one mention of Warren Buffett and his investing philosophy and how his philosophy applies to much more than investing. None of my people would dare contradict a Buffett pearl of wisdom. Speakers know quoting Buffett will get lots of thinning brown-haired heads nodding. It's unimpeachable content. I've daydreamed of making a Meeting and Convention Bingo cards with squares filled with song titles, predictable Apple stories, predictable disruption stories, and the center square being “How is everyone today? I didn't hear you! HOW IS EVERYONE TODAY?” I'd pass them out at one of my conferences. They'd get some laughs. And I'd never ever ever ever be invited back. I'm Cam Marston, just trying to keep it real.
Audio, eng_t_rav_2025-10-10_congress_lesson_israel-haolami_n3_p1. Lesson_part :: Daily_lesson 3 :: Congress. World Kabbalah Convention "In One Prayer"
Audio, eng_t_norav_2025-10-10_congress_lesson_israel-haolami_n4_p0. Lesson_part :: Daily_lesson 4 :: Congress. World Kabbalah Convention "In One Prayer"
Audio, eng_t_norav_2025-10-10_congress_lesson_israel-haolami_n4_p1. Lesson_part :: Congress. World Kabbalah Convention "In One Prayer" :: Daily_lesson 4
David Giordano joins us to discuss the Convention of the States. As he says, it is not about the Constitution not working, its the problem of a Constitution not being enforced. Our Founding Fathers gave us all we needed in the Constitution; it is the supreme law of the land. The pressure to have a Convention of the States is rooted in a lack of understanding of the Constitution and a desire by enemies of the state to use the Convention of the States to permanently dismantle what our Founding Fathers created. We must protect and defend the Constitution. #BardsFM #ConventionOfStates #OneNationUnderGod Bards Nation Health Store: www.bardsnationhealth.com BardsFM CAP, Celebrating 50 Million Downloads: https://ambitiousfaith.net Morning Intro Music Provided by Brian Kahanek: www.briankahanek.com MYPillow promo code: BARDS Go to https://www.mypillow.com/bards and use the promo code BARDS or... Call 1-800-975-2939. White Oak Pastures Grassfed Meats, Get $20 off any order $150 or more. Promo Code BARDS: www.whiteoakpastures.com/BARDS Windblown Media 20% Discount with promo code BARDS: windblownmedia.com Founders Bible 20% discount code: BARDS >>> TheFoundersBible.com Mission Darkness Faraday Bags and RF Shielding. Promo code BARDS: Click here EMPShield protect your vehicles and home. Promo code BARDS: Click here EMF Solutions to keep your home safe: https://www.emfsol.com/?aff=bards Treadlite Broadforks...best garden tool EVER. Promo code BARDS: TreadliteBroadforks.com No Knot Today Natural Skin Products: NoKnotToday.com Health, Nutrition and Detox Consulting: HealthIsLocal.com Destination Real Food Book on Amazon: click here Images In Bloom Soaps and Things: ImagesInBloom.com Angeline Design: AngelineDesign.com DONATE: Click here Mailing Address: Xpedition Cafe, LLC Attn. Scott Kesterson 591 E Central Ave, #740 Sutherlin, OR 97479
Guest: Samantha O'NeilHosted by: Courtney Ortiz DECAdance Competition provides a totally unique competition and “un”convention experience, with genre-specific adjudicators, live music at their “un”convention, and complimentary meals for studio owners! On this week's episode of Making the Impact, Courtney sits down with DECAdance Competition owner Samantha Tirone O'Neil to learn more about this incredible company in our first IDA-affiliated Competition Spotlight! Products and services mentioned in this episode include:Omara Floors - sprung floors for dancersRelative Motion - structured, measurable training designed for both dancers and teachersLearn more about the Andrea Michaels Scholarship Help support our podcast! Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Season 4 - 7. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!This episode is sponsored by:DECAdance Competition - IDA Affiliated CompetitionView their 2026 tour dates and register now!http://www.decdancecompetition.comFollow your Hosts & Guests!Courtney Ortiz - @courtney.ortizSamantha O'Neil - @decadancecompJoin our NEW Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow us on social media at @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website at www.impactdanceadjudicators.comSupport the show
Beth and Derek have started exploring Arizona's horror convention scene, and share their thoughts on Mad Monster Party, The Gathering of the Ghouls, and The Day the Rez Stood Still. They even talk about They even talk about going to the Spook O Rama screenings at the Pollack Cinemas. David Heath calls in his thoughts on the HP Lovecraft Film Festival, and Ricardo Delgado calls in about Godzillafest. Plus, Derek talks briefly with director Justin Armao about Bloodsucka Jones and the Suckaverse. All this, and Mark Matzke's Beta Capsule Review (Ultraman Taro)! Voicemail: (360) 524-2484 Email: Deth Designs - Monster Kid Radio on Patreon - Monster Kid Radio on Twitch! - Monster Kid Radio on YouTube - Follow Mark Matzke Small Town Monsters - Monsters and Ministry: A Pastor Talks Cryptids - Classic Horror Film Board - Executive Producer - "" () provided courtesy of Bride of Monster Kid Radio is a Production. All original content of Bride of Monster Kid Radio is licensed under a . You can learn more about Team Deth, our other projects like Deth Merchant, Mail Order Zombie, Deth Writer, and more at . Please rate and review Monster Kid Radio wherever you download your favorite podcasts. Next time on Bride of Monster Kid Radio:
Sometimes the answers are right in front of your face... though PhantasticGeek.com's Pete and Matt not only look into Peacemaker 207... they wonder how things will end up in the finale.Thanks as always to everyone who supports the podcast by visiting Patreon.com/PhantasticGeek.Share your feedback by emailing PhantasticGeek@gmail.com, commenting at PhantasticGeek.com, or tweeting @PhantasticGeek.MP3
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