Podcast appearances and mentions of Sally Rooney

In 2021, famed Irish author Sally Rooney declined to publish her book in Israel because there was no BDS-compliant publisher. At the time, she said she would be “pleased and proud” to have her books translated into Hebrew, as long as it was done in a way that respected the principles of the boycott. Last week, Rooney announced that she was publishing a Hebrew translation of her latest book, Intermezzo, with November Books and +972 Magazine. The publishers had been vetted by PACBI, the Palestinian Campaign for the Academic and Cultural Boycott of Israel, and deemed BDS compliant. This means November Books does not operate in Israeli settlements, receives no state funding, and explicitly recognizes the Palestinian right of return. In The Guardian, Rooney said she “kept in touch with PACBI along the way to try to ensure that I was upholding both the letter and the spirit of the institutional boycott.”Immediately, there was backlash. Some Palestinian writers, including Mohammed El Kurd and Susan Abulhawa, questioned the decision to use this “loophole” in BDS guidelines to bring the book to Israeli audiences. Why now? And why this? Even if it adheres to the letter of the boycott, does it capture the spirit, as Rooney says? On this episode of On the Nose, Arielle Angel speaks with Ahmed Moor, a writer and fellow at the Foundation for Middle East Peace; Maya Rosen, assistant editor at Jewish Currents; and Muhammad Shehada, a writer from Gaza and a visiting fellow at the European Council on Foreign Relations, about this tempest in a teapot surrounding the Hebrew translation of Intermezzo. They discuss whether this action hit its strategic marks, and what the response says about the Palestine movement's relationship to both the Israeli left and the prospect of changing Israeli society.Thanks to Jesse Brenneman for editing and to Nathan Salsburg for the use of his song “VIII (All That Were Calculated Have Passed).”Media Mentioned and Further ReadingBDS Guidelines“On +972 Magazine, Sally Rooney, and the centering of Israelis in an anti-colonial movement,” Susan Abulhawa, MondoweissThe Ethnic Cleansing of Palestine by Ilan Pappé“Yuval Noah Harari on Donald Trump's Core Delusion,” The Ezra Klein ShowPerfect Victims by Mohammed El Kurd“We're publishing Sally Rooney in Hebrew, in line with BDS. Here's how and why,” Haggai Matar, +972 MagazineSalma Shawa discussing Hebrew on Instagram“In the Middle of Our Palestinian Neighborhood, My Daughter Started Yelling in Hebrew,” Sari Bashi, HaaretzPACBI's Position on No Other Land“Did Zionism Go Wrong or Was It Always Wrong?,” Peter Beinart with Omer Bartov and Gideon Levy on the Beinart Notebook on SubstackTranscript forthcoming.

ESSENTIEL, les rendez-vous du jeudi – Un monde de livres Émission présentée par Josyane Savigneau qui reçoit Olivia Elkaim pour plusieurs de ses livres et Christine Jordis pour son livre « Passion anglaise - Lire, voyager, rêver » aux éditions Bouquins. À propos du livre : « Passion anglaise - Lire, voyager, rêver » paru aux éditions Bouquins Un voyage érudit et sensible au cœur de la Grande-Bretagne d'hier et d'aujourd'hui, de sa littérature, de ses paysages. Passion anglaise donne à lire deux des ouvrages les plus reconnus de Christine Jordis consacrés à une littérature qui ne cesse de nous fasciner. Les voici réunis autour d'une même célébration de la langue et des écrivains d'outre-Manche dans une édition totalement révisée et mise à jour. Ce n'est pas seulement à la découverte d'une fabuleuse histoire littéraire que nous invite cette critique hors pair : se devine également la relation intime, presque organique, qui la lie à une culture devenue pour elle, depuis l'enfance, une seconde patrie. Gens de la Tamise et d'autres rivages dessine un panorama sensible et complet du roman britannique des XXe et XXIe siècles, Commonwealth inclus. De Joyce et Conrad aux talents contemporains, tels Ian McEwan, Zadie Smith, Arundhati Roy ou Sally Rooney, l'autrice explore les lignes de force, les singularités et les variations d'une production littéraire en mouvement constant. À la lumière de ce que la France lit, traduit, retient – et de ce qu'elle oublie – sont révélés quelques écarts de perception entre les deux rives de la Manche. Avec Promenades anglaises, l'angliciste se fait voyageuse. Des falaises de Douvres aux landes du Yorkshire, des cités ouvrières du Nord aux campagnes du Devon, Christine Jordis semble croiser Emily Brontë, Jane Austen ou Virginia Woolf, surprend en haut d'un arbre le sourire du chat du Cheshire, rencontre à Glastonbury des excentriques de tout poil, participe devant les pierres de Stonehenge à la " nuit du champ des haricots "... Mais ces paysages ne sont jamais figés dans la carte postale : ils disent aussi l'évolution d'un pays, ses métissages, ses fractures, ses silences. Hommage vibrant aux écrivains aimés, ce volume appelle à se replonger dans les classiques comme à découvrir des voix nouvelles. Une invitation enchantée à la lecture comme art de vivre.

- LA PALABRA MÁGICA (Plaza y Janés) de Isabel Allende- HISTORIA DEL ARTE MUY RÁPIDA (Ediciones B) de Carla Serrano- INTERMEZZO (Random House) de Sally Rooney, traducción del inglés español Inga PellisaInscríbete en las sesiones de ESCRIBIR Y LEER EN MODO AVIÓN

SERIES 7: Better With Age. It takes courage to reinvent yourself professionally, yet it becomes a necessity for many people over 50. Bestselling author Kathy Lette and publishing exec Jane Curry share their hilarious experiences of pushing through career blocks and tiresome ageing stereotypes. Brought to you by Australian Seniors, in partnership with RSPCA. Join Jean Kittson for the seventh season of DARE: The Time of Your Life (formerly Life’s Booming), called Better With Age. Australians are actually living longer, healthier lives, and reshaping what older looks like. So in this series, we are chatting with over 50s who are rewriting the ageing rule book, from career pivots to second acts. This episode celebrates the Reinvention Generation, and explores how we can continue to push through career blocks and debunk tiresome stereotypes as we age. Is it because that's just how we're wired? Or is it to prove that our best work is still ahead? Kathy Lette is an internationally bestselling author of more than 20 books, which have been translated into 20 languages. Her latest bestselling book, The Sisterhood Rules, takes readers on a rollercoaster ride that proves that from pain comes healing, from honesty comes forgiveness, and that nothing is more important than your sisters. Jane Curry is a highly experienced publishing executive, and managing director of Simon and Schuster, Australia and New Zealand. Jane is also the founder of Ventura Press, which she established to champion older female (and male) authors. Watch DARE: The Time of Your Life on YouTube Listen to DARE: The Time of Your Life on Apple Podcasts Listen to DARE: The Time of Your Life on Spotify For more information visit seniors.com.au/podcast Produced by Medium Rare Content Agency -- TRANSCRIPT Jean Kittson: Welcome to a new season of DARE: The Time of Your Life, formerly Life’s Booming, brought to you by Australian Seniors, in partnership with RSPCA. Hello I'm Jean Kittson, and this season is called Better With Age. We're flipping the script and showing how ageing is NOT a dirty word, rather it’s your time to live your life to its fullest. Australians are actually living longer, healthier lives, and reshaping what older looks like. So in this series, we are chatting with over 50s who are rewriting the ageing rule book, from career pivots to second acts. This episode celebrates the Reinvention Generation, and explores how we can continue to push through career blocks and debunk tiresome stereotypes as we age. Is it because that's just how we're wired? Or is it to prove that our best work is still ahead? To help us answer such questions is Jane Curry, a highly experienced publishing executive and newly-appointed managing director of Simon and Schuster, Australia and New Zealand. Jane is also the founder of Ventura Press, a company she started as a way of championing older female authors, many of whom only turned to writing later in life. And joining Jane is the fabulous author and beloved friend Kathy Lette. Her career has pushed boundaries from the get go, when she left school at 16 to write her debut novel, Puberty Blues. It had parents wringing their hands while teens lapped it up. And it was later turned into a movie and a TV series. She's gone on to pen more than 20 bestselling books, including her latest, the Sisterhood Rules, which has topped bestseller lists worldwide, and it's funny, fabulous and always empowering. Jane, Kathy, it's wonderful to have you both in the studio to speak about yourselves and your work. Kathy Lette: …and about you and your amazing work and your incredible life. Jean Kittson: Oh, do go on! Kathy Lette: My comic goddess right here before us, Jean. Jean's broken so many boundaries with her comedy. Jean Kittson: Oh Kathy, you’re amazing, and she's a long, long time beloved friend. And as you, in your words, you are my human wonder bra… Kathy Lette: …uplifting and supportive. I'd also say we are each other's big pair of knickers. We've got our asses covered. Jean Kittson: Mm-hmm. That's right. I can always, I mean, Kathy's the best friend you could possibly have. And don’t we all need… Kathy Lette: …Ditto. Jane Curry: …Don’t we all need female friendships, they keep us all going. Jean Kittson: You, Kathy. Kathy Lette: Yes. Jean Kittson: On a more serious note about, you have covered, you have written about all aspects of life from puberty to marriage, childbirth, menopause. Often based on your own experiences, you've inspired and entertained and soothed millions of readers, including your latest book, the Sisterhood Rules, which I absolutely love and should be a manual for any woman breaking up or any older woman wanting a bit of spice in her life, really. Kathy Lette: Haha, great, ha ha. Jean Kittson: But, um, when your previous publishers said to you. That nobody wants to read about middle-aged women. And they dropped you after 19 books in 17 languages. Kathy Lette: Yes. Jean Kittson: Bestsellers. Kathy Lette: Mm-hmm. Jean Kittson: And you went on to write the Revenge Club, another bestseller. I mean, how did you do that? Kathy Lette: I went to see my agent and said, I wanna write a book about four middle-aged women who take revenge on the men who've sidelined them and ruined their careers. And he was like, yeah, I dunno. Yeah, middle-aged women just aren't that sexy. And then I went to see my publisher at the time and my publisher was like, Hmm, middle-aged women. We know they exist, but nobody wants to go there. Jane Curry: Oh my goodness. Kathy Lette: And I looked at books written about women my age, like Anita Brooklyn novels, for example. And there was about sad, depressed, lonely women who wilt away and die in their flats and get eaten by their cats. Now I don't know any women like that. All my women friends are like Jean. They're swinging off a chandelier with a cocktail between their teeth. But when they, when they first said that to me, then my publisher dropped me. I thought, gosh, maybe I have passed my amuse-by date. And just for a moment, I did, I did have a real crisis of confidence. But then of course I'm an Aussie girl and we, Aussie girls are made of stern stuff Jane Curry: Dig deep. Kathy Lette: So I thought, nah, he's wrong. They're both wrong. So I got a new, I got a gay agent and I got a new publisher, Bloomsbury, and the book went to number-one on the bestseller list, which was the best revenge. It's called the Revenge Club – success! So yeah, it was so exciting. And also, I love writing about women this age because our hinterland is huge. You know, we've had the marriages, the divorces, the breakups, the promotions, the back stabs. We've raised the kids. We've looked after our aged parents as Jean did so, so devotedly. We've got so much to talk about and so much to share, and so much wisdom. Just at the time, society hands us the old invisibility cloak and puts us out to career pasture. It's not just me imagining that we, women my age, are given the cloak of invisibility. A few years ago, MI5 said they wanted to hire middle-aged women as spies because nobody sees us. Jean Kittson: Oh. Kathy Lette: Soak that up. And I remember the governor of the board of the Bank of England. He said, not long ago, that the economy was going through a menopausal phase. Sluggish. Jean Kittson: Oh. Kathy Lette: And I was like, tell that to Oprah Winfrey and Nicole Kidman, and Cate Blanchett… Jane Curry: Michelle Obama… Kathy Lette: …all the other people. Michelle Obama, all these other menopausal and postmenopausal women. So the sexism is sewn into our psyche. We really have to fight hard against that. And thanks to Jean and others of our generation. We've taken the stigma out of menopause. But the next big feminist hurdle for us is sexist ageism, because we get treated in a different way to men our age and, and we really have to rail against it. Because we're now prime, we're in the peak of our productivity. Jane Curry: But also we've all had to witness when the BAFTAs was on, every time we see these women who are completely transformed because they're not allowed to age in public. Kathy Lette: Mm. Jane Curry: So that's the standard. Yes. I mean, we are fortunate in where we're in the book business, so it's brain first in our business and always has been. Kathy Lette: Better to be witty than pretty. Jane Curry: Yeah, yeah – witty than pretty. And I remember a friend of mine who is actually a cosmetic surgeon, he said to me that it, you know, it's the women who are, have always been beautiful, that have had that sense of power when they walk into a room and they turn heads because of their beauty, they're the ones that find it harder to age. Kathy Lette: Well, it's a diminishing asset. Jane Curry: Yes. So whereas, you know, when you're in the book business as I've been, and Kathy, the entertainment book, um, you know, women of letters, we do have that our brain is our superpower. Kathy Lette: Yeah, yeah. Jane Curry: And then what we look like comes after that. Yes. Jean Kittson: It's hard to fight it though, isn't it? Kathy Lette: It is hard to fight it, Jean Kittson: …especially when you are performing and… Jane Curry: Oh yes. Well, in this new job I've just got, I got tapped on the shoulder to run Simon Schuster. So the first thing I found was all the, the settings on Zoom and teams. Because I’m reporting to the UK and I'm having meetings in the US all the time and sometimes I first thing in the morning, like 7.30 in the morning. So I'm like, where's the filter. Jean Kittson: Where’s the sparkle wand! Jane Curry: You know, we used to laugh when I worked at Macmillan. You know, we used, you know, there's fabulous filters that Jackie Collins had on all their photographs. Kathy Lette: Oh my gosh, yes. In fact, I've had lunch with Jackie Collins a few times with Joan Collins. Joan and Jackie, I mean, the double whammy. Jean Kittson: Yes. Jane Curry: Talk about sisterhood. Kathy Lette: Sensational broads. But, um, Joan Collins will move everybody around the table till she's got the right lighting. And isn't she clever? You know that when you do, when you're filming, they have that big silver thing that reflects the [light], why can't we have a dress made out of that? Jean Kittson: Well, why can't we! Kathy Lette: Or shoes? Jean Kittson: Because we don't care, Kathy. We don't care. Kathy Lette: We don't care. Jane Curry: Often we’re rushing from one thing to the next. Kathy Lette: Don't care. We don't care. But Jean, see, Jean and I don't do, don’t do any of that Botoxing stuff. Jane Curry: No. Nor do I. Kathy Lette: I think men should just read between my lines, the books, the babies, the hours of fun-loving flirtation. But it does get hard to resist it whenever all the other women… Jane Curry: …I think that's the thing when… Kathy Lette: …look much younger Jane Curry: that, right, what they call in the, you know, in data they call it benchmarking. So like any set of data figures in my world, you know, you benchmark against what was the bestseller. And so it's sort of benchmarking when you're talking about sales and all of that. But it's benchmarking with what we look like. So you sort of benchmark against, we, I think we're very critical of ourselves, because you look at another woman who's the same age and they've had the facelift and they've had everything done. And then look, I momentarily worry about it. And then honestly, you, I look at my to-do list and I think, no. Jean Kittson: Yeah, and I've got two daughters, so I don't want to be that role model. I've always said it's not what you look like, it's what you feel like, you know? Kathy Lette: Yes. Keep the lights low. Greatest beauty aid known to woman for all time. You know, what's happened in Hollywood, the pediatric, um, technicians there. The doctors noticed that the babies were not hitting their developmental milestones. And they were saying, is it because they're, they're having too much, um, carcinogens in their smoked salmon? I'm thinking, no, it's Botox. Because babies look at your face, like when you go, I love your little baby. The baby goes and you go, ah… If you've had Botox and you're going, ‘I love you’, and the baby's going, ‘uh’, you’re going, ‘uh’. They're not learning anything. Jean Kittson: Absolutely. Jean Kittson: You should write a research paper on that. They should do it. Kathy Lette: This is hysterical, isn't it? I know. Jean Kittson: I was told not to go, I mean. Not to go grey because I wouldn't, in the gig economy, I wouldn't get work. Apparently the research shows that if you, that men don't like actually working with women with grey hair. Kathy Lette: …Because it reminds them of their mothers, is it? Jean Kittson: …Maybe they feel that they… Kathy Lette: …it's ageing them… Jean Kittson: Have to defer or - No, not defer… Kathy Lette: …but they can have grey hair. Jean Kittson: They can have grey hair. So there are some interesting facts their. Kathy Lette: I was gonna say, part of the problem is that we never see women who look like us. 85% of people on British and Australian television over 50 are men. So the women just get immediately sidelined and put out to career pasture when they get one grey hair and one wrinkle. We should be saying, we wanna see ourselves reflected. Don't, don't disappear us. Jean Kittson: You know, Jane, you would see, um, this in the industry. You've seen this before. What happened to Kathy? Have you? Jane Curry: Oh, yes, because a lot of decisions are made on data. You know, they'll say, oh, and particularly I think people got very frightened when social media arrived. They got very frightened that they had to chase people with massive Instagram following. Oh, yes. And then there was this sort of Sally Rooney phenomena where everybody wanted a ‘Normal People’. And that was that emerging, you know, Kathy Lette: Irish writers… Jane Curry: …Irish and, and all that sort of coming of age story that, and we are, we are just, we move as a pack, the publishing industry. So once there's one Normal People, you can guarantee the next year there'll be 10 Normal People. And that's a book for people that haven't read it, that was published by Sally Rooney. It was a debut novel and you know, it was one of the zeitgeist novels. Kathy Lette: She became a publishing phenomenon. Jean Kittson: In terms of ageism in comedy, it's just a general feeling that I think women, first of all, women in comedy has been really hard from the start and you really have to push and it's a much more sort of natural environment for men because they're confident and some, some comedians can go on and and not even have thought about what they're going to say, they're just so confident. Kathy Lette: Yeah. Jean Kittson: When I was starting out in comedy, I would be starting out with other, the few women that were around in the 80s and we'd be in pubs and we'd go on stage and everyone would be drinking and eating their pizza, and no one would listen and the women would come off and going, oh my God, I'm just not funny. I haven't got good material. I stink. I can't do this. The men would go out there and they would get exactly the same reaction. People are just drinking and they'd come back and they'd go, that audience wouldn't know a joke if it was up them. They're just so freaking hopeless, and they'd just blame the audience and women would blame themselves, and I don't know where that comes from, but I think it can become more pronounced as you get older and there's slowly, more and more diminishing things that happen to you Like walking into a butcher and the butcher saying, hello, young lady, and you think I'm too, I'm too young to be called a young lady. You know, I not old enough. That's something that they would say to your grandmother, Hello, young lady, and expect you to like that. Expect it to be a compli–– Jane Curry: …A pat on the head. Jean Kittson: …Yeah, a pat. It's so patronising. Kathy Lette: Yeah. There's also this, it's an inbuilt prejudice against women that were not funny, and I, I was at a dinner party in London once and, and the hostess made a really good joke and the husband and men didn't pay any attention. The husband just went, oh, you know, embarrassing women can't tell jokes. And I was like, that's because we marry them. It made everybody laugh at him and that did take away his power. So just lean into that, that verbal ability that women have, you know, we’re more verbally dexterous. So use it like, develop what I call the black belt and tongue-fu! Quiplash, you know! Jean Kittson: Yeah, that's fantastic. Don't censor. Good comeback. Kathy Lette: Yes. Yeah. Good comeback. Jean Kittson: I know, I think we are getting stronger and we shouldn't, we shouldn't, um, suppress our strength as we probably have to keep peace, you know, with the family. That's right. With our work to balance everything. Yeah. You suppress a lot of who you are. Jane Curry: My eldest always says to me. Mum, you're overthinking. And that's the best mental health advice or whatever we do. We do overthink, Kathy Lette: But I think women should just or never go… You're underdressed if you go out at night without a couple of good one-liners tucked up your trouser leg. Jane Curry: That's really good advice. Kathy Lette: Because if, if you whack it back… Jane Curry: yes, Kathy Lette: …and make other people laugh at them, you completely take away their power. Jean Kittson: Well, you've got so many good one-liners, so you're like a one-liner factory. Jane Curry: I've got, I've gotta lift my game. Jean Kittson: Ah, yeah, exactly. So do I. So when your publishers said that ridiculous thing that nobody wants to read about middle aged women… Kathy Lette: …mm-hmm… Jean Kittson: Did you ever doubt yourself and think that I might have to reinvent myself in any way? Kathy Lette: I did. I, just for a moment, I lost confidence and I thought maybe I have passed my amuse-by-date. But then I looked around at my own female friends and I thought, they're so wonderful. They're all, you know, swinging off a chandelier with a toyboy between their teeth. I wanna write about these women. But I think as a writer, I'm always reinventing because I cannibalise my own life. My mother's a teacher and I think I've got a bit of her teacher gene that I always write the book I wish I'd had when I was going through something. So from, to the girls in Puberty Blues, you know, to teach them that they were more than a life support system to, to a pair of breasts, you know, to girls dating and, and then to motherhood and, and marriage and divorce and menopause, and raising an autistic child, raising a teenager, you know, now this post-menopausal second act. So I'm always reinventing because I'm, I'm changing. You know, women are used to change. We've got so much change going on in our lives. So, yeah, I think it comes naturally to women. So if you are reinventing yourself post menopause, you know, it's just, it's almost like situation normal. We're always constantly changing. And even divorce, I don't see divorce as a failure. I just see it as a change. Jean Kittson: Yes. Kathy Lette: You know, life is long from honeymoon to tomb to be like 80 years so, just if you need to reinvent, you know it's okay, and it comes more naturally to women. So don't be afraid of change. Change is good. But I would say women this age, this is a coming of age time. Jane Curry: Yes. Kathy Lette: Because we're the first generation who are economically independent. We've got the, the rock of fuel of HRT, we've got the chutzpah and the the courage to say what we are thinking. We are reinventing ourselves, having a sensational second act. Because I always say this time of your life, for women, is the best because post menopause, you know, you've, you've got no, you don't have to worry about period cramps or pregnancy scares. You've got all that tampon money to spend, you know… Jean Kittson: …and kids are grown up. You've got all that crystallised experience, as they call it. Kathy Lette: Yeah. I wanna know what you think of this, Jane. Because I accidentally invented – I hate the term – chick lit… Jane Curry: …I know what you're going to say… Kathy Lette: …I accidentally invented it in the 70s with Puberty Blues.. Jane Curry: Yes. Yes. Chook-lit. Kathy Lette: And then, then when I wrote Mad Cows and Fetal Attraction, I sort of invented Mummy-Lit. Jane Curry: Mm-hmm. Kathy Lette: And then when I wrote Nip and Tuck, that was nip-lit. And I'm like, I need a new genre for women our age. And I, and I thought, well, post 50, you get that fabulous, ‘Oh, feck it I'm 50’ gene, where you no longer care what people think about you. So I was thinking. What about, I-don't-give-a-s***-lit? Mm-hmm. Jane Curry: That's brilliant. Jean Kittson: Oh, good. You got the tick from a publisher! Kathy Lette: Wouldn't that be a good. And imagine we’re at Booker Prize and they go, ‘And now in the genre of I-don't-give-a -s***-lit. Yeah. Jane Curry: You know, in Hollywood, all the entertainment [industry] is catching. If you think of the Thursday murder club, that was Richard Osmond, of course, he's an older man, so he can get away with it. But you know, the adaptation with Helen Mirren and you know, those amazing actors. So Kathy Lette: Yes Jane Curry: So there is starting to be balanced… Kathy Lette: But that's even older. That's, that's when they're in the retirement home. I'm talking about this moment. Yeah, just postmenopausal, where we're the publishers are saying it's not sexy, it's not attractive. It's right when you're older, for some reason there's a jump to the Judi Dench. Jane Curry: It’s called the silver dollar then. Kathy Lette: Yeah. Jean Kittson: Oh yes. The silver dollar. Kathy Lette: Well, what about the postmenopausal dollar? Yes. You know who thinks reading books? It's women our age. Jane Curry: Well, actually, I always say to any publisher, go to a writer's festival. It's all women, of a certain age. Our age Jean Kittson: Over 50. Jane Curry: Over 50. Yeah, filling the audience. Jean Kittson: Yes, Kathy Lette: I'm on book tour right now for the sisterhood rules and I'm going around the country. It's been to Perth. I've been doing them in Sydney and Melbourne, and I'm about to go up, up to Queensland and I meet, I get to meet the readers, which is so fabulous. It's my favorite thing. Wonderful. And they're, they're women of a certain age. They bring me up little, little kind of anecdotal, doggy bags, a little story they've saved up for me about who their husband had an affair with or how they got revenge or whatever it is. And they're so funny and they sometimes they cry as well. Yeah. They'll have a cry and they'll tell me something very personal that's happened to them. And we have a hug and they're all so interesting. I wanna go out on a girl's night out with all of them all the time. Jane Curry: Yes, we be… Kathy Lette: …and yet they're written off. Jane Curry: Yeah, I was thinking a lot about it getting ready this morning and yeah, as, as you get older, you look back at how society's structured and it is so sort of primally structured around power and money and… Kathy Lette: …which has predominantly been male… Jane Curry: …which is predominantly male. So I've, so then I thought, so you've got, as a woman, you've got two ways of doing that. You can either become, marry into that and become the trophy wife and be terrified that they're going to leave you. So there's that way of attaching yourself to money or there's the other way of doing it, which is the way I did it, was to make it yourself. Kathy Lette: Yes, exactly. So always a better option. Jane Curry: So that was my option. So that's why I've sort of admired those other women from afar because I've never been part of their world. Even at university, I was never part of that world. I, we as, women, have to decide very early on, I think it's innate, I don’t know whether you make an actual decision, how you're gonna fit around that, those two binaries, power and money. But as women. It's not naturally given to us. So we have to decide. Even in the corporate world, that means we've got to constantly keep up with that. Kathy Lette: …Appearances. Jane Curry: …Appearances or… Kathy Lette: …Trophy mustn't be tarnished. Jean Kittson: Well, that's right. That's right. It's a big role to fill for the whole of your life. Trying to live up to that. Yeah. Sorry. There was a billboard saying, um, many years ago, which was a brilliant billboard saying, which I had a picture of a young woman, don't marry a millionaire. Become a millionaire. Kathy Lette: But when I, when I give talks in schools to girls, which I do often, I always say to them, choose your partner carefully. Because if you wanna be an alpha, alpha female in having a big career, if you choose an alpha man, guess who's gonna be the one who has to pull back when the child's sick or whatever. But if you choose a beta male, someone who'll adore you, not bore you and do all your chores for you, who wants to put you on a pedestal and will probably polish it while you're up there. You know, you've gotta have a much bigger and better and more satisfying career. So just, I've, I've been married to two Alphas whom I adore, but I've, I've now gotta beta boyfriend and beta’s, beta’s better. You know, like my fa— The women who are very successful in British television, for example, Sandy Toksvig, Sue Perkins, Claire Balding, are all gay. What do they have wives? Yeah, wives, and I've kind of got a male wife now and it, and it's fabulous. I highly recommend it. Jean Kittson: That's a really good, Jane Curry: That's funny because Kathy's just in from Perth. I'm just in from Brisbane. My overnight bike from Brisbane is just on the floor of my bedroom, just and so yeah, that's, we don't have wives. Kathy Lette: No, that's what need Jane Curry: We need, we need the backup. Jean Kittson: Yes. So what would you say to people or at who are already over 50 and who are confronting this ageism? I mean, how do, how do they manage it? What should, because the confidence… I'll tell you a quick story. A friend of mine's a teacher and she retired. She was a brilliant teacher, still is. She was doing some casual work and she, uh, went to the person organising the casual work at the, at the secondary college. She'd been working. At for 20 years and said, I'm really liking the casual work. You know, any casual work you can throw my way, that'd be good because I'm finding it hard to live on the pension. And he said, ‘Ah, I don't know. There's a lot of younger casual teachers around and they've got more longevity and productivity than you have.’ You don't need productivity and longevity to be a good teacher. Kathy Lette: No. Jean Kittson: For a developing mind. Kathy Lette: She needs to teach him that lesson. I hope she got up on the table and tap danced. Jean Kittson: You used to say, Kathy, in television, it doesn't matter what you, um, uh, what age you are, as long as it, you don't look at, that's what the producers used to say. Kathy Lette: Oh, yes. They're saying you've passed your use by date. Well, guess what? Tesco, a big supermarket chain in Britain, just took use-by dates off the food, because they said, make up your own mind. And I think the same should be done for women. Jean Kittson: Exactly. Kathy Lette: Take our use-by date off, judge us on our performance and our enthusiasm and our flexibility and our knowledge and our… Jean Kittson: Exactly. Kathy Lette: …sense of humor. And we're, we're individuals. You know,. what you have to do to survive the second act is go a lot of girls' nights out, a lot of laughter and, and sisterly camaraderie and um, strength in numbers, you know, and just boost each other up, give each other work. Like really put the, put your hand down and, and pull women up behind you. Jane Curry: Yeah. Kathy Lette: But in this, in the Sisterhood Rules, I've put lots of rules in the beginning about sisterly solidarity, like love and loyalty and sticking to each other like a nylon dress in a heat wave. And it also encouraging women to think big, like don't tell men you want their seats on the bus. You want their seats on the board. Like, think big. We're too, we don't have big enough ambitions for ourselves. Husbands come and go, but um, the sisterhood lasts forever. That's the most important rule I will share with you. Jean Kittson: I agree totally. It's really important to have people you can ring up when you're feeling really down and just have a chat with them and then they lift you up and that's so important. And I, I wonder if you'd want to talk about when you gave up publishing — I mean, when you left your job and opened your own publishing company, did you have a mentor then or, well, who was supporting you? Jane Curry: Amazing timing to ask me that. because I'm just about to go to the London book Fair and I got my first job in publishing in London and my boss, who must be now in her eighties, is still an absolute mover and shaker. Kathy Lette: What's her name? Jane Curry: Kit Van Tulleken. She's the mother of the Van Tulleken twins. Kathy Lette: Great name. Jane Curry: The Van Tulleken twins. Who are those… They're doctors that sell millions of copies of their books. Twins, identical twins. Jean Kittson: Oh, you've written about twins. Kathy Lette: Yeah. Jane Curry: Yeah. So they, she had the corner office when I was literally sitting in a corridor at about age 22 or 23, and there she was in the corner office and her two boys would come in after school. And I just looked up and thought she was my absolute role model. Kathy Lette: Oh, great. Jane Curry: And I'm seeing her in the London book fair. Kathy Lette: Nice. Jane Curry: And then I think it's important for other women who are, you know, working. I have a coach, I have a business coach, so I see her once a month and she sorts my head out – not a psychologist, but business wise. So where we have our natural weaknesses and we, you know, she'll always say you've – she's the ones that send, sends me those texts when I'm saying, I've got this difficult discussion, or I, you know, or different, you know, different emotions that you're taking to meetings just to take the emotion out of it and rely on the business. So I think that's important for people as who are working, because we are older, so we do have the capacity to sort of resource ourselves. So rather than have a cleaner, I'd rather have a business coach. Jean Kittson: Yeah. Oh, absolutely. That's such a good… Kathy Lette: …To clean out your, your, your brain. Yes. We do a lot of mentoring in England to younger women through the Women of the World Festival. We mentor young girls at school. We go in the wheel, we go, you know, the, you know the millennial wheel? Jane Curry: Oh yes. Kathy Lette: And we're in different pods and we go around in a pod with a group of girls, and then the next time we get off and get in another pod. So it's, we make it fun, but it's also very helpful for them And it's good for me. I learn a lot from them as well. Jane Curry: Yeah. One of the things I've learned going back into corporate after about 10 years of running my own business is, you know, the young women that we employ, you know how they're much more in their power than I ever was at that age. Jean Kittson: Oh, definitely. Jane Curry: When I was getting divorced, my lawyer turned around and said, are you okay? And I said, yes. I think looking at the kangaroo and the emu on the coat of arms thinking, how on earth did I end up here? Um, but then I said afterwards, I said, how do you do that every day? And he said, take the emotion. There's no emotion in it for me, Jane. I take the emotion out of it. And I've always remembered that advice. So take the emotion out of things. Even the most difficult business transaction, you know, when you've, particularly in publishing, you're dealing with creative people, you know, but take the emotion out of it. Look at the bare bones of the business transaction. Put the emotion in at the beginning and the end. But when it comes to actually achieving an outcome that is to the satisfaction of both parties, take the emotion out of it. So, channeling my divorce lawyer! Kathy Lette: When I got divorced, I remember saying – I knew they charged by the hour – so I used to go in and say, no adjectives, no adverbs, no anecdotes. Just get straight to the facts! But getting back to the mental thing, I just like to say that I, I do wanna encourage all women to always help other women. And when I published, when I wrote Puberty Blues as a teenager, that was rejected by about 10 publishers. Then I saw Anne Summers had written a piece in the paper about, um, gang rapes in Queensland or something. I thought she'll get this surfy brutality that goes on, and I sent her some of the manuscript and she sent it to a small feminist publishing group called McPhee Gribble in Melbourne. And the rest is history. So that was an absolute perfect example of the sisterhood supporting each other. Jean Kittson: And getting it, understanding each other. Kathy Lette: Understanding each other. That's right. Jean Kittson: And what they're going through and the importance of talking about it. Kathy Lette: We just need more women in power. Why can't, why can't women just run the world just for a year? We say to the men, go play golf. Do whatever you like. Just go for a year, just let us take over. We can't do a worse job than you've done and see what we could achieve. Jane Curry: Well, fortunately COVID has given us flexible work conditions. We couldn't get it beforehand, but most of my staff now, we've got nearly a hundred people and it's fantastic. So we've got lots of young mothers on the payroll. Jean Kittson: Oh that's great Jane Curry: And they work, you know, it's great. I've re and I think it took COVID to allow the bosses… Kathy Lette: Yes. Jane Curry: …the patriarchy, to see that working from home is, it can work. Kathy Lette: Because that's another big sexist trope. You know, that society expects women to raise children as though we don't work as well. Jane Curry: That's why I started my own business. Yes. Because when I told my boss I was expecting. The very first thing he said to me was, well, you can't work part-time. That's what he said to me. And I was the managing director at the time, and I actually miscarried that baby. So it gave me a little window to get out from under. So that's when I went to Macmillan because Ross Gibb, who's just retired from publishing, he said over lunch at Machiavelli's – because publishing still has a few lunches – I told him the story and he said, Jane, you can work part-time for me. He's lovely any day. Kathy Lette: He lovely. He was my publisher for a while. Jane Curry: So that's why I went to Macmillan. Because people say, why did you go from being a managing director to being a publisher? And I did that because Ross said, you can work for me any day. He saw the value of female talent. Kathy Lette: Yeah. Yes. Jane Curry: So I had a fantastic year, few years. What about seven years at Macmillan whilst I had my two boys. I'm like, Kathy Lette: See, revenge, revenge! Fabulous. I think the reason women are drawn, I've them… Jean Kittson: …outlive them! Kathy Lette: I think the reason women are drawn to revenge is it's sweet, but totally non fattening – fabulous. Jane Curry: It is, it is. So Ross Gibbs – we do have our allies. Kathy Lette: We do, we do. And it's been important to say that… Jane Curry: …yes… Kathy Lette: …that of course there are great men who do support us and want the best for us. But we need more, we need more men, at the barricades. I've been saying the same feminist things – Jean and I have been saying the same thing through our comedy since we were teenagers, and we still don’t have equal pay. So we need men to get on the barricades with us and say, enough, you know, we, we need equality, we need it now. And I often say, some men challenge me when I'm on tour and they'll say, you know, you feminists are asking for too much. And I'm like, are we, are we really asking for too much equal pay? We'd like men to help us more around the house, which is in their interest. Is it scientifically proven? No woman ever shot a husband while he's vacuuming. We'd like them to do the odd sensitive thing with snow peas in the kitchen, because the weight to a woman's heart through her stomach. Not aiming too high. Jane Curry: Because I've got boys who are now in their 20s, so I've looked at it through that, you know, men's mental health, they don't want to always be the strong and the tough ones. Kathy Lette: No. Feminism works for men as well. Jane Curry: Yes. That's the thing. Exactly. They're allowed to have emotions… Kathy Lette: …and not have the pressure to be the breadwinner and all of that. Jane Curry: Yeah. So I see it, you know, having raised boys as a feminist, you know, to make sure that we can have open discussions. And, yeah, I'd like to think that they're well on the way to being good allies. But yeah, it is a brutal world out there. So I just think we do have to look out for each other and I'm really thrilled to be working with young women, again. Jean Kittson: To sum up this fantastic conversation, which could go on for hours, um, how would you, uh, what is the main message you like to say to people over 50 who are confronted by ageism or sexism, and how do they find it in them, the courage to stop that voice going, maybe I am too old. Kathy Lette: Well, I would say carpe diem, like there's no tomorrow. You know, tempus is fugiting – if not now, when, and you know. One of my mottoes is adventure before dementia. Not that I'm making light of that terrible disease, but you never know what's around the corner. So there's no time to waste. Be… have as much fun and frivolity. Be as outrageous as you can possibly be because you know, this is your last big hurrah. You know… Jean Kittson: Be assertive now! Kathy Lette: Yes, don't have any qualms. Just, you know, tap dance on that tabletop. Jane Curry: When I've had moments of self-doubt, I get moving. Not necessarily tap dancing, but get active, lift weights, go to the gym, run, walk the dog – dark clouds, gather. That's what I'd say if I was in that frame of mind and wondering how the world was going to greet me, I'd take the world on and get active, get those endorphins flowing. Because then you feel so much better. Kathy Lette: And also lean into the sisterly comradery. Jane Curry: Yes. Kathy Lette: Go out with your girlfriend as often. Which Jean and I do. Jean Kittson: Yes. Find beautiful women like yourselves and ring them up or have a glass of champagne. Kathy Lette: Yes. The human wonder bras uplifting, supportive, and make each other look bigger and better. Which is what Jean has done for us today. Thank you. Jean Kittson: Oh no, you two have, you've both been fantastic been great fun. Thank you so much. What a great conversation. Kathy Lette: Thank you Jean. Jean Kittson: Thanks. Kathy Lette: Sisterhood rules. ALL: Sisterhood Rules! Jean Kittson: Thank you to Kathy Lette and Jane Curry. You've been listening to DARE: The Time of Your Life, brought to you by Australian seniors. Please leave a review and share this show with someone you know. Visit seniors.com au/podcast for more episodes. I’m Jean Kittson. Thank you. See omnystudio.com/listener for privacy information.

Sarah and Brynne discuss Lily King's latest novel, Heart the Lover, a moving exploration of love, friendship and how our choices are everything.Also mentioned: Writers & Lovers, Euphoria, and the story collection Five Tuesdays in Winter by Lily King and Normal People by Sally Rooney.Read Lily King's essay here: https://www.vogue.com/article/boyfriend-best-friend-love-storyFind instructions to play Heart the Lover here: https://lilykingbooks.com/htl-card-gameCheck out books, TV shows and movies at countycat.mcfls.org, wplc.overdrive.com, hoopladigital.com and kanopy.com/en/westallis. For more about WAPL, visit westallislibrary.org.Music: Tim Moor via Pixabay

In dieser Folge Smoking Area schmeißt Pati wieder mit selbstverschuldeten Not‘s der Woche um sich. Was es mit ihrem Hass auf Sally Rooney auf sich hat, welcher Film sie heimlich im Kino kichern lassen hat und warum unnötige Wortwitze so wichtig für Literatur sind - all das findet ihr mit nur einem Klick auf diese Folge Smoking Area Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/PodcastSmokingArea Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio

Thank you for tuning in to Episode 318 of the Down Cellar Studio Podcast. Full show notes with photos can be found on my website. This week's segments included:   Off the Needles, Hook or Bobbins On the Needles, Hook or Bobbins From the Armchair Crafty Adventures KAL News Events On a Happy Note Quote of the Week   Off the Needles, Hook or Bobbins   Northern Lights Socks Yarn: Patons Kroy in the Northern Lights Colorway Pattern: OMG Heel Socks by Megan Williams ($5 knitting pattern available on Ravelry) Needles: US 1.5 (2.5 mm) Ravelry Project Page Started November 2024, but I don't think I've ever mentioned them on the podcast. About the yarn- thin stripes of cream broken up 3 shades of teal/light blue, 2 grays and 1 deep purple.   October 2025 Sock Club Socks Yarn: agirlandherwool Sock Yarn in the October 2025 Colorway Pattern: OMG Heel Socks by Megan Williams ($5 knitting pattern available on Ravelry) Needles: US 1.5 (2.5 mm) Ravelry Project Page Mystery self-striping sock yarn club- stripes of peach, orange, yellow and green.   On the Needles, Hook or Bobbins   Log Cabin Blanket Pattern: Log Cabin Square by Julie Harrison. Free crochet pattern available on Ravelry. Video tutorial available on the Little Woollie Makes YouTube Channel Yarn: Legacy Fiber Artz Minis (mostly from Advent calendars 2023 & 2024) Hook: I (5.5 mm) Ravelry Project Page Inspired by Rachel (treehousefiberarts on Instagram) and Sue & Chelsea (Legacy Fiber Artz on Instagram). Check out the Floss Toss Ravelry Group for details on their Scrappy Blanket CAL. Ends December 21st (but you don't have to finish. 2 prize drawings will be done). My color placement is inspired by this project/pattern available on Ravelry. Inspired to pick it back up after see Sue (from Legacy Fiber Artz)'s version on their podcast episode. She bordered with cream before seaming. I love it. You can see a peek in this Instagram post. Progress- 23 squares   Inclinations Cowl Inclinations Cowl by Andrea Mowry ($7.00 Knitting Pattern available on Ravelry & her website. Needles: US 2 (2.75 mm) Yarn: 2 skeins of handspun Color A: Fiber Addict Designs 100% Merino in the Wild Plum Colorway- Ravelry link. Color B: Candombe, I think the fiber is from Malabrigo- Ravelry link. My Ravelry Project Page Progress: Nearly done with the increase section!   Midnight Orchid Socks Pattern: OMG Heel Socks by Megan Williams ($5 knitting pattern available on Ravelry) Needles: US 1.5 (2.5 mm) Yarn: Patons Kroy Stripes in the Midnight Orchid colorway Ravelry Project Page About the yarn: skinny stripes of cream with contrast colors- greens, ochre and mauvy purples. Progress: Cast on both socks on two separate needles.   Pollen Party Socks Yarn: Hypnotic Yarn Plush Sock in the Pollen Party colorway + 20g mini (I think it's Legacy Fiber Artz mini) Pattern: OMG Heel Socks by Megan Williams ($5 knitting pattern available on Ravelry) Needles: US 1.5 (2.5 mm) Ravelry Project Page Progress: I am nearly done with sock 1   Pucker Brush Farm BFL Sweater Spin Fiber: 16 oz of multi colored BFL roving from Pucker Brush Farm (purchased at Rhinebeck 2025), 4 oz Merino in a mustard color & 20 ounces of Grey Shetland from Forever in Fiber on Etsy Ravelry Project Page I am planning to knit a Traveler sweater inspired by Emily Curtis' handmade version- click here for her Ravelry Project Page. I was thrilled to see a recent post on Emily's Instagram that she made a YouTube video about this spin/knit. I started spinning the Shetland and its so dreamy. I'm still working on the first 4 oz bump.   From the Armchair   Books So Old, So Young by Grant Ginder. Amazon Affiliate Link. Intermezzo by Sally Rooney. Amazon Affiliate Link. There's a great review of Intermezzo by Alexandra Harris (with some potential spoilers) on the Guardian's website. Bring the House Down by Charlotte Runcie. Amazon Affiliate Link.   Musical: The Outsiders   Note: Some links are listed as Amazon Affiliate Links. If you click those, please know that I am an Amazon Associate and I earn money from qualifying purchases.   Crafty Adventures Making a flower arrangement to put under the headstone/bench at the cemetery for Mom.   KAL News Splash Pad Party will start Friday May 22nd and run through July 31st. Sponsor call has gone out to email subscribers. Will share on social soon. Click here to learn more about sponsor options for Splash Pad '26.   Events Fiber Witch Festival- April 24-26th in Salem, MA Connecticut Sheep & Wool- April 25 in North Haven, CT NH Sheep and Wool - May 9 & 10 in Deerfield NH Coggeshall Farm Fiber Festival- May 16 in Bristol, RI Webs Tent Sale- May 15-17 in Northampton, MA Massachusetts Sheep & Wool- May 23 & 24 in Cummington, MA   On a Happy Note Connecting with our nephew Oisin over a re-watch of West Wing. Seeing Rent- but especially how much Riley enjoys it. The show fell on Eme's 22nd birthday so that was fun too! Riley turned 18! So proud of that kid! Katie's Randomness (Pigskin sponsor) was having a winter sale. I splurged on two winter bags- one Gilmore Girls themed and the other Christmas chickens! I checked out a new to our area secondhand shop- Uptown Cheapskate. Despite cooler temps and rain, we had a lovely Easter dinner at my Dad's. A text from my SIL after Easter dinner saying that Zach (who turns 4 in May) went to bed Easter night asking if my dad was coming to his birthday party. I inadvertently made a ridiculously large batch of Superhero muffins because I added too much salt. Turns out I can make 94 muffins in about 3 hours. Not too shabby! Good thing they freeze well. Warming temps and quieter weekends after a stressful work week. My Monday morning workout turned into a country music jam! Such a fun way to start the week.   Quote of the Week Feeling gratitude and not expressing it is like wrapping a present and not giving it. -William Arthur Ward ------ Thank you for tuning in!   Contact Information: Check out the Down Cellar Studio Patreon! Ravelry: BostonJen & Down Cellar Studio Podcast Ravelry Group Instagram: BostonJen1 YouTube: Down Cellar Studio Facebook: https://www.facebook.com/downcellarstudio Sign up for my email newsletter to get the latest on everything happening in the Down Cellar Studio Check out my Down Cellar Studio YouTube Channel Knit Picks Affiliate Link Bookshop Affiliate Link Yarnable Subscription Box Affiliate Link FearLESS Living Fund to benefit the Blind Center of Nevada Music -"Soft Orange Glow" by Josh Woodward. Free download: http://joshwoodward.com/ Note: Some links are listed as Amazon Affiliate Links. If you click those, please know that I am an Amazon Associate and I earn money from qualifying purchases.  

Join our community at hotliterati.com!In this episode, Hailey "hailo" Denise Colborn discusses Jennette McCurdy's debut novel, "Half His Age," with nods to "Normal People" by Sally Rooney, and "Acts of Desparation" by Megan Nolan. #books #bookclub #halfhisage #bookreview

Neste magazine cultural falamos sobre Sally Rooney, mas também falamos sobre a morte do António Lobo Antunes, o fim de José Saramago como leitura obrigatória, Mário de Carvalho, a linkedinização da sociedade, "Powerbroker" de Robert A. Caro, James Joyce e outras coisas.Bilhetes para Viseu: https://www.ticketline.pt/evento/livros-da-pica-ao-vivo-101085Poderão subscrever o nosso patreon para apoiar o projecto e conteúdo extra: https://www.patreon.com/jcdireitaInstagram: https://www.instagram.com/livrosdapica/twitter: https://twitter.com/livrosdapicaimagem: https://www.instagram.com/tiagom__/Genérico da autoria de Saint Mike: https://www.instagram.com/prod.saintmike

Welcome to the Spring 2026 Book Preview with Catherine of Gilmore Guide to Books!   Today, Catherine and Sarah share 12 of their most anticipated books releasing in April and May.   This post contains affiliate links through which I make a small commission when you make a purchase (at no cost to you!). CLICK HERE for the full episode Show Notes on the blog. Announcements A preview of changes to this year's Summer Reading Guide — now a team effort, with more info to come in a separate episode coming in early May. One of the many benefits to supporting the podcast through either our Patreon Community or our Substack Community (both for just $7/mo) is that you get access to several bonus podcast episode series, including Book Preview Extras! In these episodes, Catherine and Sarah share 4 bonus books (2 each) we are excited about that we did not share in the big show preview episode. Get more details about all the goodies available and sign up here for Patreon and here for Substack! Highlights A lightning round of some big releases coming this spring that are not featured in our personal preview picks. Catherine's theme is spring, but Sarah's theme is summer. Looking for balance, Catherine chose books that are lighter and brighter, but not silly. Spring picks carry 4 debuts — 3 from Catherine and 1 from Sarah. Sarah's books cover 2 books about the world of comedy and 3 family dramas. Sarah has already read one of her picks — 4.5 stars! Plus, their #1 picks for spring. Big Spring Releases The Midnight Train (The Midnight World, 2) by Matt Haig (May 26) | Amazon | Bookshop.org  [3:04] The Shippers by Katherine Center (May 19) | Amazon | Bookshop.org  [3:06] London Falling by Patrick Radden Keefe (April 7) | Amazon | Bookshop.org [3:09] Last Night in Brooklyn by Xochitl Gonzalez (April 21) | Amazon | Bookshop.org [3:16] With a Vengeance by Riley Sager (June 10) | Amazon | Bookshop.org  [3:22] Enormous Wings by Laurie Frankel (May 5) | Amazon | Bookshop.org  [3:26] Seek the Traitor's Son (The Burning Empire, 1) by Veronica Roth (May 12) | Amazon | Bookshop.org  [3:29] Other Books Mentioned State of Wonder by Ann Patchett (2011) [3:59]  Spring 2026 Book Preview [4:38] April Sarah's Picks The Midnight Show by Lee Kelly and Jennifer Thorne (April 7) | Amazon | Bookshop.org  [7:11]  Into the Blue by Emma Brodie (April 7) | Amazon | Bookshop.org  [15:49]  Leave Your Mess At Home by Tolani Akinola (April 14) | Amazon | Bookshop.org [22:50]  Catherine's Picks American Fantasy by Emma Straub (April 7) | Amazon | Bookshop.org [11:50] Yesteryear by Caro Claire Burke (April 7) | Amazon | Bookshop.org  [19:10]  Like This But Funnier by Hallie Cantor (April 7) | Amazon | Bookshop.org [25:19]  Other Books Mentioned Daisy Jones and the Six by Taylor Jenkins Reid (2019) [8:26]  Romantic Comedy by Curtis Sittenfeld (2023) [8:55] Diavola by Jennifer Thorne (2024) [11:08]  All the World Can Hold by Jung Yun (2026) [14:39]  Songs in Ursa Major by Emma Brodie (2021) [17:22]  Me Before You by Jojo Moyes (2012) [17:38]  Normal People by Sally Rooney (2018) [18:37]  The Favorites by Layne Fargo (2025) [18:40]  The Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid (2017) [18:46]  The House of My Mother by Shari Franke (2025) [22:03]  August Lane by Regina Black (2025) [22:56]  Seven Days in June by Tia Williams (2021) [23:06]  Blue Sisters by Coco Mellors (2024) [25:07]  Ask Again, Yes by Mary Beth Keane (2019) [25:09]  The Most Fun We Ever Had by Claire Lombardo (2019) [25:10]  May Sarah's Picks The Mediator (Max Ringo, 1) by Robert Bailey (May 12) | Amazon | Bookshop.org [27:36] The Burning Side by Sarah Damoff (May 19) | Amazon | Bookshop.org [32:46] Returns and Exchanges by Kayla Rae Whitaker (May 19) | Amazon | Bookshop.org  [37:30]  Catherine's Picks The Liar's Playbook by Leslie Bradford-Scott (May 5) | Amazon | Bookshop.org [29:31] The Last Mandarin by Louise Penny and Mellissa Fung (May 12) | Amazon | Bookshop.org  [35:11] The Tapestry of Fate (Amina al-Sirafi, 2) by Shannon Chakraborty (May 12) | Amazon | Bookshop.org  [40:10]  Other Books Mentioned The Boomerang by Robert Bailey (2025) [27:52]  Nowhere Girl by Cheryl Diamond (2021) [31:20]  Family of Spies by Christine Kuehn (2025) [31:22]  The Bright Years by Sarah Damoff (2025) [32:57]  State of Terror by Hillary Rodham Clinton and Louise Penny (2021) [36:07]  The Animators by Kayla Rae Whitaker (2016) [38:02]  Demon Copperhead by Barbara Kingsolver (2022) [39:01]  The Adventures of Amina al-Sirafi (Amina al-Sirafi, 1) by Shannon Chakraborty (2023) [40:38]   

U 77. epizodi Njuz POPkasta, gošća je književnica Lana Bastašić. Dok Nenad i Jelisaveta pokušavaju da izgovore njeno ime kako dolikuje, Lana nam objašnjava kako je to biti pisac čiju je knjigu Carrie Bradshaw (da, ona iz „Seks i grada“) okačila na svoj Instagram story, a da niko u lancu – od agenta do izdavača – nema pojma kako se to zapravo desilo. Razgovaramo o tome zašto su „teške“ teme postale omiljena literatura novih generacija, kako izgleda proces rada sa urednicima (kad se ne svađaju oko izbačenih pasusa) i zašto nam je toliko teško da danas pročitamo deset stranica knjige bez provere notifikacija. Analiziramo i dokumentarni film Luisa Terua, u kojem on sa svojom prepoznatljivom radoznalošću istražuje digitalne zajednice koje kreiraju influenseri. Lana nam otkriva i ekskluzivu o novom romanu koji piše na našem jeziku, nakon što je prethodni „proterala“ kroz anglosaksonsku marketinšku mašineriju. Uz neizbežnu muzičko-filmsku „svaštaru“, saznajte zašto su serije o „nesavršenim ljudima“ postale teme za ozbiljne razgovore, dok naša redakcija brani albansku književnost i makedonski rejv kao vrhunske domete kulture. Spremite Njuz šolje i pretplatite se na kanal! PRIJATELJI EPIZODE: - Generali osiguranje: Putujete po Srbiji ili van nje? Naši prijatelji iz Generali osiguranja vas podsećaju da vizuelizacija pada na ulici nije najzabavniji hobi.

Reading takes us into another world, something away from our everyday worries.-And in today's episode, my guest, Rafaela, on her return brings you not just one book, but three!-Yes, you didn't read that wrong at all, Rafaela decided to bring you a bumper crop of books from a philosophical look at women by feminist Simone de Beauvoir via Swedish criminal novels by Stieg Larsson all the way to an intrinsic look at love in a novel by acclaimed author Sally Rooney.-In this episode, Rafaela tells us why she chose three completely different genres of books and what you can pick up from these books.-SPOILER ALERT: there's a bit of controversy in this episode. So, sit back and tune in to find out more about Rafaela's taste in literature!

EPISODE 687 - Carter Vance - A story of living, loving and growing up on Canada's Parliament HillIn this engaging episode, author Carter Vance shares his writing journey with host Dave, connecting as fellow Canadians. Originally from the small town of Cobourg, Ontario—famous for its literal Big Apple roadside sculpture and summer beach—Carter credits a high school teacher's encouragement for launching his creative path. She connected him with local cafe owners for poetry readings, sparking his early involvement in plays, school magazines, and submissions to prestigious outlets like Arc Poetry Magazine, which offered a mentorship that honed his skills in audience focus, form, and resilience against rejections.Reflecting on advice he'd give his younger self, Carter emphasizes demystifying publishing, treating writing like a disciplined job—as Stephen King advocates with daily hours—and clarifying one's unique "why" amid abundant content. Creative writing, for him, captures intangible life moments and fosters empathy by letting readers inhabit others' minds, unlike film or music. His diverse career, including policy work in Canada, the UK, Indonesia, and Parliament (as a House leader staffer from 2015-2019 and Senate role), humanized politicians as flawed individuals, revealing unexpected alliances, young staffers' influence, and information's power in decision-making.Carter's debut novel, Smaller Animals (released November), draws from these experiences, following young Canadian political staffers' relationships and growth amid power dynamics—"smaller animals" behind the spotlight. Comparable to Arthur Phillips' Prague, Hemingway's The Sun Also Rises, or Sally Rooney's works, it appeals to politics enthusiasts and character-driven readers alike, requiring no deep parliamentary knowledge. He discusses staff autonomy, grunt work evolving to info control, and hopes readers connect personally while gaining insights into unseen influencers.Amid recent Canadian tragedies, Carter finds hope in political maturity, rising public engagement, and openness to change. Upcoming: a short story in Plentitude magazine, more writing, and ideas like a Berlin Wall saga. Key Takeaway: Writing thrives on encouragement, discipline, and authentic voice—craft stories that build empathy and unique perspectives, turning personal experiences into shared connections.https://cartervance.ca/Support the show___https://livingthenextchapter.com/podcast produced by: https://truemediasolutions.ca/Coffee Refills are always appreciated, refill Dave's cup here, and thanks!https://buymeacoffee.com/truemediaca

A language returnedMollie Guidera returns to the Irish Stew for a second conversation. Since her first appearance in November 2023, she has published The Gaeilge Guide and grown Irish with Molly into the fastest-growing Gaeilge community in the world — more than 10,000 students across 75 countries. But what Mollie is really doing is harder to quantify: dismantling the barriers that sit between Irish people and their own language.The problem was never the languageFourteen years of compulsory classes, taught through the very language you were trying to learn, left a generation feeling guilty for failing at something that was never properly taught. Mollie's argument is simple: the language is logical, patterned, and far more learnable than people believe. The problem was always the delivery.Hidden in plain sightWe spend time on Hiberno English — the way Irish survives in everyday speech. "Is the dinner not ready yet?" Nobody in America says that. Say it in Irish and it makes perfect grammatical sense. From Wilde to Joyce to Sally Rooney, the Irish literary tradition is Hiberno English in action — a colonized people turning the language of their oppressor into a thing of beauty.The key holderThe episode carries the presence of Manchán Magan, who passed away last year. Mollie recalls asking Manchán for advice on a documentary about her offshore students — Hong Kong, Moscow, Alaska — and his reply coming back immediately: go for it. His wife's words at the Irish Book Awards said it best: Manchán opened the door and showed us all the way through. We just have to walk.The language is yoursFluency is a myth. What matters is showing up consistently, with curiosity, and without shame. The language is yours. It always was.Episode Quote"People have this negative reaction to Irish — and yet this regret for not learning it. There's a very complicated relationship. But I don't think the language itself is complicated."— Mollie GuideraLinksMollie GuideraWebsite: Irish With MollieBook: The Gaeilge GuidePodcast: Irish with MollieInstagramTikTokIrish Language ResourcesTEG: Irish Language CertificationAn Siopa Leabhar - Irish Language Book StoreAll Irish Stew Irish Language Episodes - Ten episodes. All in one place.Irish Language EpisodesIrish Stew LinksWebsiteFacebookInstagramLinkedInBlueskyMastodonMedia Partner: IrishCentralEpisode Details: Season 8, Episode 11; Total Episode Count: 152

A forty-year slow-motion disaster in higher education is reaching its climax – and Labour is left holding the bag. If young people decide a degree isn't worth the massive debt, where does that leave British cities that depend on free-spending undergraduate populations – and universities that are hooked on no-longer-welcome foreign students? Can academia expect much sympathy from graduate generations whose aspirations are held back by crushing loan repayments? And can Labour do anything about it?  In a fascinating conversation Oxford Brookes history professor and education commentator Glen O'Hara walks Ros Taylor and Hannah Fearn through the unfolding mess. Abstract: “The only way to wake up Westminster and Whitehall is to have a crisis.”   • Buy Glen O'Hara's book New Labour, New Britain through our affiliate bookshop and you'll help fund the podcast by earning us a small commission for every sale. Bookshop.org's fees help support independent bookshops too.  ESCAPE ROUTES  • Hannah recommends Intermezzo by Sally Rooney.  • Glen recommends Kingdom Come by JG Ballard.   • Ros has been watching David Baddiel's Cat Man on C4.   Support us on Patreon. Advertisers! Want to reach smart, engaged, influential people with money to spend? (Yes, they do exist). Some 3.5 MILLION people download and watch our podcasts every month – and they love our shows. Why not get YOUR brand in front of our influential listeners with podcast advertising? Contact ads@podmasters.co.uk to find out more Presented by Ros Taylor with Hannah Fearn. Audio Production by Chris Jones and Robin Leeburn. Art direction: James Parrett. Theme tune by Cornershop. Managing Editor: Jacob Jarvis. Group Editor: Andrew Harrison. OH GOD, WHAT NOW? is a Podmasters production.  www.podmasters.co.uk   Learn more about your ad choices. Visit podcastchoices.com/adchoices

In 2019, Sally Rooney was promoting Normal People, the novel that would become her breakout hit. The book inspired a popular Hulu adaptation and positioned the author as one of the leading literary voices of her generation. In today's episode, we revisit an interview between Rooney and NPR's Rachel Martin, in which they reflect on the shifting nature of the novel's central relationship.To listen to Book of the Day sponsor-free and support NPR's book coverage, sign up for Book of the Day+ at plus.npr.org/bookofthedayLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Electricity Canada's Executive Leadership Team, VPs Julia Muggeridge, Channa Perera and Michael Powell join host Francis Bradley for a review of the 2026 State of the Canadian Electricity Industry report on the eve of its release. The report highlights the urgency to build energy infrastructure, emphasizing the need for predictable and timely approvals, and addressing regulatory challenges. They discuss key themes, including the importance of customer satisfaction, Indigenous engagement, and workforce training. They chat about calls for a Canadian electricity supply chain roadmap and investment tax credits to support growth. They also address the need for enhanced east-west grid interconnections to improve reliability and resilience against extreme weather and cyber threats. They close the conversation with three book recommendations.2026 State of the Canadian Electricity Industry reportIntertie StudyElectricity Canada The Electricity Canada Team Julia Muggeridge on LinkedIn Channa Perera on LinkedIn Michael Powell on LinkedInBook recommendations:Everything Is Tuberculosis: The History and Persistence of Our Deadliest Infection, by John GreenIndigenous Relations: Insights, Tips & Suggestions to Make Reconciliation a Reality, by Bob Joseph, Cynthia F. JosephIntermezzo, by Sally Rooney

On Christmas, director Josh Safdie released his new film, Marty Supreme, starring Timothée Chalamet as a young table-tennis player bent on global recognition. Like Safdie's previous film—Uncut Gems, co-directed with his brother Benny Safdie—Marty Supreme focuses on an American Jewish antihero and unfolds in a deeply Jewish milieu. But while Uncut Gems takes place in present-day New York, Marty Supreme transports us back to the Lower East Side of 1952, examining American Jewish ambition in the immediate aftermath of the Holocaust and amid assimilation into whiteness. This mid-century setting is complicated by various anachronistic elements, including a soundtrack rooted in the '80s and, perhaps most notably, Chalamet's conspicuous lack of a period-accurate accent. On this episode of On the Nose, Jewish Currents editor-in-chief Arielle Angel, senior editor Nathan Goldman, contributing editor David Klion, and contributing writer Mitch Abidor discuss what, if anything, the film has to say about American Jewishness then and now.Thanks to Jesse Brenneman for producing and to Nathan Salsburg for the use of his song “VIII (All That Were Calculated Have Passed).”Media Mentioned and Further ReadingUncut Gems, dir. Josh and Benny Safdie“An Unserious Man,” Jewish Currents“Marty Supreme's Megawatt Personality,” Richard Brody, The New YorkerWhat Makes Sammy Run? by Budd SchulbergErik Baker's Letterboxd reviewMarie Antoinette, dir. Sofia CoppolaAnti-Semite and Jew by Jean-Paul Sartre“Marty Supreme Is the Moment, With Josh Safdie!,” The Big PictureTough Jews by Rich CohenMari Cohen on Sally Rooney's Beautiful World, Where Are You, Jewish Currents Shabbat Reading List“Demon Doubt,” Vivian Gornick, interview by Rebecca Tuhus-Dubrow, Boston Review“Is This Anything?,” Mitchell Abidor, Jewish Currents

V dalším díle speciálu Buchty čtou o knížkách, které všichni známe, ale málokdo je skutečně četl, se Ivana Veselková, Zuzana Fuksová a středoškolský pedagog Stanislav Zajíček zabývali knihou Rozhovory s přáteli irské spisovatelky světového věhlasu Sally Rooney.Všechny díly podcastu Buchty můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

There are very few critics that are able to effortlessly move between writing about novels, movies, TV shows, non-fiction, politics, culture, life, ethics and more. But today's political climate and attention economy that seems to demand more and more from those who aim to catalogue the winds that drive our culture, requires just that: an ability to place different forms of media, fictional and not, in conversation with each other, to develop cohesive criticism of the present moment. Becca Rothfeld is one of those critics. As the non-fiction book critic at the Washington Post, she has taken on everything from works of philosophy to political memoirs to postmodern novels to as recently as last week, The West Wing. Becca's criticism brings a steady hand to analyzing often chaotic and multifarious narratives, and is grounded in her Philosophy background. Reading her, it's immediately obvious that no piece of culture is off limits, and she's willing to mine even the most banal texts to find some sort of value -- and that value for her comes in the form of a deeply nuanced critique of how we live.Becca's 2024 essay collection, All Things Are Too Small, published by Macmillan, is a celebration of excess. Her subjects range from Marie Kondo, to Sally Rooney, to David Cronenberg, to love. Through this diverse cast of characters, her thesis is clear, and as you'll soon hear in the interview, the collection somehow brings together disparate ideas to create a sort of manifesto of liberal artmaking that often encourages you to introspect about not only your cultural consumption but also your habits, ethics, and politics… the hallmark of an effective essay collection. Becca and I sat down to primarily talk about and read from her book, and we touch on several of my favorite essays from the collection, as well as her writing on other platforms. We also speak about one of our shared obsessions, the novelist Norman Rush, as well as the writer whom everyone seems to have read these days, Sally Rooney. But there comes a point towards the end of the conversation where we turn to the present moment; and like all of my favorite episodes of cultural mixtapes, Becca starts to essentially perform criticism on the present moment, dissecting the ways in which political movements in the United States are influencing artmaking in various genres; and our conversation, albeit slightly dated, elucidated some prescient truths that are becoming more and more obvious as we continue to explore what this unique political and cultural moment has in store.

Big news, friends. Jessie Stephens and Amelia Lester are bringing a whole new vibe to parenting podcasts... introducing: Parenting Out Loud. If you're deep in the trenches, Parenting Out Loud will help make your world feel just that little bit bigger with the week's hot topics explored, examined and digested. Because if parents are thinking about it, we're talking about it. This summer we've curated your Help I Have A Teenager playlist with a healthy dose of culture-savvy conversation parents actually want - Parenting Out Loud. On this week's episode, grandparents get a long overdue performance review, we unpack the article that stopped us in our tracks, take a deep dive into Mormon Wives (and mothers), and investigate the playroom that got Amelia all riled up. Plus, recommendations: A fool-proof recipe, a genius toy to get kids off screens and a book that shines a light on sibling relationships. Support independent women's media Want more Parenting Out Loud? Click here. Recommendations Jessie wants you to bake these oat bars and recommends the toy, Tonies. Amelia wants you to read Intermezzo by Sally Rooney. GET IN TOUCH: Share your feedback! Send us a voice message or email us at podcast@mamamia.com.au Join our Facebook group Mamamia Family to talk about the show. Follow us on Instagram @mamamia_family Mamamia acknowledges the Traditional Owners of the Land we have recorded this podcast on, the Gadigal people of the Eora Nation. We pay our respects to their Elders past and present, and extend that respect to all Aboriginal and Torres Strait Islander cultures. Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

I ugens Radio Information sætter vi os om et fiktivt julebord og taler om ytringsfrihedens vilkår i Europa, om Informations nu Cavling-nominerede F-35-serie og om August Strindbergs notoriske kvindehad – ikke mindst til maleren Sofie Holten --- Hvad har den tidligere britiske fodboldspiller Joey Barton til fælles med den folkekære irske forfatter Sally Rooney? Svar: De er begge ramt af de stadigt mere snævre rammer for ytringsfrihed i Storbritannien.  Barton modtog for nylig en dom på seks måneders betinget fængsel, 200 timers samfundstjeneste og i alt cirka 200.000 pund for sine antifeministiske og anstødelige kommentarer på nettet om en kvindelig fodboldkommentator. Og Sally Rooney risikerer at blive anholdt, hvis hun lander i Storbritannien, fordi hun vil donere penge til Palestine Action, der arrangerer demonstrationer, laver blokader og opfordrer til civil ulydighed.  Også i Tyskland bliver tusindvis af mennesker retsforfulgt på grund af ytringer på internettet. Og i Danmark har vi de seneste år haft en række sager om såkaldt »billigelse af terror«. Så har den amerikanske vicepræsident, J.D. Vance, ret, når han siger, at Europa har et problem med ytringsfriheden? Mathias Sindberg udlægger sagen. Den 9. januar bliver Danmarks fineste journalistpris, Cavling-prisen, uddelt, og Information er igen i år blandt de nominerede. Sammen med journalister fra DanWatch har Sebastian Gjerding og Lasse Skou Andersen afdækket, hvordan dansk militært udstyr er endt i Israel og blevet brugt til at bombe i Gaza – på trods af de vedvarende anklager om Israels krigsforbrydelser og forbrydelser mod menneskeheden. De to kigger forbi og fortæller om deres nu prisnominerede projekt. Vi får også besøg af Lone Nikolajsen og Peter Nielsen, som begge bidrager til årets julekalender, Bordplanen. Her fortæller skiftende journalister om en kendt person – levende eller død – som de gerne ville sidde ved siden af til et middagsselskab. Nu er der imidlertid sket det, at Lone har inviteret en notorisk kvindehader, August Strindberg, til bords, som har et personligt mellemværende med Peters borddame, Sofie Holten – så nu er der lagt op til skandale ved årets fiktive julebord. Hør, hvad det alt sammen går ud på – og få rigelige mængder sladder fra den fælles kulturhistorie.

Does the Judgment of the Court of Appeal in the Palestinian Family case of IA & others v. Home Secretary - https://www.judiciary.uk/wp-content/uploads/2025/11/IA.MediaSummary.Final_.pdf - indicate that the Judges are submitting to the political pressure to weaken the protection that Article 8 of the European Convention of Human Rights provides for the concept of “family life”?    In asserting that the Home Secretary's policy is a matter for her and for the UK Government; that this was a question of respect for the UK's law and democratic process; and that the courts must attach considerable weight to the Home Secretary's immigration policies at a general level, was the Court of Appeal sending a message to immigration and asylum judges that they must adopt a fundamentally different approach when conducting the proportionality balance under Article 8 (2) of the ECHR?   Ken Macdonald KC and Tim Owen KC debate the political implications of the Court of Appeal's ruling and question whether it will do anything to persuade Jenrick, Farage and their followers that the ECHR is not the cause of the UK's problem of illegal migration.   Ken and Tim then move on to discuss the continuing campaign by a small number of Peers to secure the assisted, filibustered death of Kim Leadbeater's Assisted Dying Bill.  Is the - apparently co-ordinated - plan to table some 587 amendments to the Bill as approved by the House of Commons a democratic outrage?  Or does the fact that it's a Private Members' Bill, to which the Salisbury Convention does not apply, mean that “Kill The Bill” is a legitimate expression of democratic scrutiny of flawed legislation?    Finally, the duo respond to audience questions, including the thorny issue of whether Irish novelist Sally Rooney's publishers should withhold her royalties for fear of committing a terrorist financing offence in the wake of her public announcement that she intends to use future royalties from her work to donate to Palestine Action.  --    Covering the critical intersections of politics and law in the UK with expert commentary on high-profile legal cases, political controversies, prisons and sentencing, human rights law, current political events and the shifting landscape of justice and democracy. With in-depth discussions and influential guests, Double Jeopardy is the podcast that uncovers the forces shaping Britain's legal and political future.    What happens when politics and law collide? How do politics shape the law - and when does the law push back? What happens when judicial independence is tested, human rights come under attack, or freedom of expression is challenged? And who really holds power in Britain's legal and political system?  Get answers to questions like these weekly on Wednesdays.   Double Jeopardy is presented by Ken Macdonald KC, former Director of Public Prosecutions, and Tim Owen KC, as they break down the legal and political issues in Britain. From high-profile legal cases to the evolving state of British democracy, Double Jeopardy offers expert legal commentary on the most pressing topics in UK law, politics, and human rights.    Ken Macdonald KC served as Director of Public Prosecutions from 2003-2008, shaping modern prosecutorial policy and advocating for the rule of law. He is a former Warden of Wadham College, Oxford, a crossbench member of the House of Lords, and a leading writer, commentator and broadcaster on politics and the rule of law.  Tim Owen KC has been involved in many of the most significant public, criminal and human rights law cases over the past four decades.  Both bring unparalleled experience from the frontline of Britain's legal and political landscape.    If you like The Rest Is Politics, Talking Politics, Law Pod UK and Today in Focus, you'll love Double Jeopardy. 

Welcome to some bonus content with Lee Cole, and we're talking about how he used an old book he found at his grandparents to help build the world and characters in his novels.  Plus, you're going to hear some extra bits about writing heroes and villains.  Fulfillment, Lee Cole's second novel, follows two half brothers whose clashing ambitions—Emmett's longing to be a screenwriter and his brother's academic ideals about “rural despair”—go beyond a simple difference in worldview. Something deeper threatens to pull them apart. Lee is a graduate of the Iowa Writers' Workshop, is also the author of Groundskeeping. Both his novels were published by Faber in the U.K. The New York Times has described his work as “Anne Tyler by way of Sally Rooney.” Originally from Kentucky, Lee joins me today from Philadelphia.   Buy Lee Cole's book here https://uk.bookshop.org/shop/ripplingpagespod Support the Rippling Pages on a new Patreon https://patreon.com/RipplingPagesPod?utm_medi Interested in hosting your own podcast? Follow this link and find out how: https://www.podbean.com/ripplingpages 

This week Sara and Cariad are joined for a very special episode all about audiobooks by the queen of audio narration - BAFTA nominated and Olivier award winning actress, Juliet Stevenson. In this episode they discuss Elizabeth Gaskell, kids books, bully directors, José Saramago, acting and Geordie accents.The Speakies British Audio Awards take place on the 24th November at the Royal Opera House.We've partnered with the Best Audiobook: Fiction category. There are some brilliant audiobooks nominated in that category including Intermezzo by Sally Rooney, read by Éanna Hardwicke. Why not go back and listen to our episode on Intermezzo where we talked to the brilliant Aisling Bea. Juliet is also nominated for the Best Audiobook: Non-Fiction category for her brilliant narration of Persian Pictures by Gertrude Bell.Thank you for reading with us. We like reading with you!Follow Sara & Cariad's Weirdos Book Club on Instagram @saraandcariadsweirdosbookclub and Twitter @weirdosbookclubTickets for Sara's tour show I Am A Strange Gloop are available to buy from sarapascoe.co.ukCariad's children's book Lydia Marmalade and the Christmas Wish is out in paperback here now. Recorded and edited by Naomi Parnell for Plosive.Artwork by Welcome Studio. Hosted on Acast. See acast.com/privacy for more information.

Dans cet épisode, nous discutons des personnes qui nous inspirent : autrices, youtubeuses, scientifiques, militantes, entrepreneurs… mais aussi des proches. Quelle est la différence entre admirer quelqu'un et être vraiment inspiré par lui ? Et qu'est-ce que ça change concrètement dans notre vie : oser dire non, changer de voie, reprendre des études, faire ce qu'on aime vraiment ? Interactive Transcript and Vocab Helper Support Easy French and get interactive transcripts, live vocabulary and bonus content for all our episodes: easyfrench.fm/membership Show Notes Autrices : Sally Rooney (https://www.babelio.com/auteur/Sally-Rooney/475546) Chimamanda Ngozi Adichie (https://www.chimamanda.com/) Judith Duportail – newsletter Rebelles (https://rebelles.substack.com/) YouTube : Michelle Phan (https://www.youtube.com/michellephan) Cari & Janusz – Easy German (https://www.youtube.com/@EasyGerman) Podcasts : Qui est Miss Paddle ? – Judith Duportail Les ex de François – Judith Duportail C'est pas toi, c'est moi – Leslye Granaud Autres personnalités : Albert Moukheiber (neurosciences, vulgarisation) Rokhaya Diallo (journaliste, autrice, militante antiraciste) Ben Mazué (chanteur, ex-médecin) Esther Taillifet (youtubeuse, autrice, future psychologue) Émissions & projets : Émission “Qui veut être mon associé ?” (M6) Pimpant Agrikolis Transcript Intro Judith: [0:17] Bonjour les amis, bienvenue dans un nouvel épisode du podcast Easy French. Et bonjour Hélène. Hélène: [0:23] Salut Judith et salut les amis. Judith: [0:27] Comment tu vas ? Hélène: [0:28] Ça va bien, je suis contente parce que j'ai trouvé une baby-sitter pour mon fils qui parle français. Judith: [0:37] Elle parle français en Hollande, une perle rare. Hélène: [0:40] C'est sa langue maternelle, donc encore mieux. Judith: [0:43] C'est bien parce que vous suivez les aventures de deux mamans à deux stades différents et toutes les galères auxquelles on est confrontées. Hélène: [0:50] Bien sûr, les galères, les bons moments, comme quand on a trouvé quelqu'un pour avoir un peu de relais. Ça, c'est super. Judith: [0:58] Bon alors, aujourd'hui, Hélène, je voulais parler avec toi de toutes les personnes qui nous inspirent ou que nous admirons. Hélène: [1:06] Super programme. Moi, j'en ai beaucoup. Judith: [1:09] Et avant ça, je voulais qu'on écoute ensemble un message vocal d'une auditrice du podcast Easy French. Tu vas voir, ça va te faire plaisir. Support Easy French and get interactive transcripts, live vocabulary and bonus content for all our episodes: easyfrench.fm/membership

Welcome to the latest episode of the Rippling Pages. I'm having a coffee with Lee Cole, the American writer from Kentucky. And we're talking about balancing the feelings and ethics of writing about home. Now living a humdrum life in Kentucky, Emmett spends his days packing boxes in a warehouse. But what happens when he begins to dream of another life—and when those dreams start to fracture his family relationships? These questions lie at the heart of Fulfilment, Lee Cole's second novel. The book follows two half brothers whose clashing ambitions—Emmett's longing to be a screenwriter and his brother's academic ideals about “rural despair”—go beyond a simple difference in worldview. Something deeper threatens to pull them apart. Lee is a graduate of the Iowa Writers' Workshop, is also the author of Groundskeeping. Both his novels were published by Faber in the U.K. The New York Times has described his work as “Anne Tyler by way of Sally Rooney.” Originally from Kentucky, Lee joins me today from Philadelphia. Remember, if you buy from Rippling Pages Bookshop all books are all sourced from indie bookshops! https://uk.bookshop.org/shop/ripplingpagespod   Support the Rippling Pages on a new Patreon https://patreon.com/RipplingPagesPod?utm_medi   Interested in hosting your own podcast? Follow this link and find out how: https://www.podbean.com/ripplingpages   1.35 - Ann Tyler and Sally Rooney 5.05 - why Kentucky  7.25 - people who leave and stay in small towns  9.30 - why does Emmett wish he had what Joel has? 11.10 - southern fried rendition of Marx 12.10 - warehouses  16.12 - the difficulty of warehouse jobs  18.30 - Kentucky's beauty  19.45 - backgrounds and worldviews  21.45 - guilt about writing about home or  22.30 - rippling pages bookshop 23.35 - Alice's role 26.15 - Alice's dream of owning a farm  28.50 - knowing what our desires are  32.50 - writing about writers impulses Books Wendell Berry Annie Dillard Sigmund Freud Aldo Leopold Karl Marx Sally Rooney  Anne Tyler John Updike   

A matcha in hand… a tote bag slung over the shoulder… black nail polish neatly applied… a carefully styled mullet… and a copy of Sally Rooney peeking from his back pocket. That's the look of the so-called performative man. In the past few weeks, this character has turned into a full-blown meme, with videos racking up millions of views. On the surface, he checks all the boxes of a deconstructed man. But in reality, he often represents a slickly packaged version of masculinity 2.0. What does that mean, exactly?
 So how can you spot the difference between performance and sincerity?
 So how do you actually become an ally without overdoing it? In under 3 minutes, we answer your questions! To listen to the latest episodes, click here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠How is micro-feminism helping women combat workplace sexism? Do men really have a better sense of direction than women? Why has purple become the colour of feminism? A Bababam Originals podcast written and realised by Amber Minogue. Learn more about your ad choices. Visit megaphone.fm/adchoices

Fri, 31 Oct 2025 11:00:00 GMT http://relay.fm/paperplaces/19 http://relay.fm/paperplaces/19 Kerry Provenzano Kerry is joined by Silvia Saunders, who won the Comedy Women in Print prize for her debut novel, Homesick. They discuss writing days, finding your voice and the importance of perseverance. Kerry is joined by Silvia Saunders, who won the Comedy Women in Print prize for her debut novel, Homesick. They discuss writing days, finding your voice and the importance of perseverance. clean 3525 Kerry is joined by Silvia Saunders, who won the Comedy Women in Print prize for her debut novel, Homesick. They discuss writing days, finding your voice and the importance of perseverance. Guest Starring: Silvia Saunders Links and Show Notes: Support Paper Places with a Relay Membership Submit Feedback Novel November | A 30-Day Writing ChallengeThis is run by ProWritingAid, who have been a sponsor in the past, but are not sponsoring this episode. The Vegetarian by Han Kang 'Homesick' by Silvia SaundersBuy Silvia's book! 'Even if You Beat Me' | An Essay by Sally Rooney

Fri, 31 Oct 2025 11:00:00 GMT http://relay.fm/paperplaces/19 http://relay.fm/paperplaces/19 Writing Humour, with Silvia Saunders 19 Kerry Provenzano Kerry is joined by Silvia Saunders, who won the Comedy Women in Print prize for her debut novel, Homesick. They discuss writing days, finding your voice and the importance of perseverance. Kerry is joined by Silvia Saunders, who won the Comedy Women in Print prize for her debut novel, Homesick. They discuss writing days, finding your voice and the importance of perseverance. clean 3525 Kerry is joined by Silvia Saunders, who won the Comedy Women in Print prize for her debut novel, Homesick. They discuss writing days, finding your voice and the importance of perseverance. Guest Starring: Silvia Saunders Links and Show Notes: Support Paper Places with a Relay Membership Submit Feedback Novel November | A 30-Day Writing ChallengeThis is run by ProWritingAid, who have been a sponsor in the past, but are not sponsoring this episode. The Vegetarian by Han Kang 'Homesick' by Silvia SaundersBuy Silvia's book! 'Even if You Beat Me' | An Essay by Sally Rooney

When does comedy become more than a laugh? Ben Mangrum of MIT joins RtB to discuss his new book, The Comedy of Computation: Or, How I Learned to Stop Worrying and Love Obsolescence (Stanford UP, 2025), which in some ways is organized around “the intriguing idea that human knowledge work is our definitive feature and yet the machines we are ourselves made are going to replace us at it.” Comedy has provided a toolbox (Charles Tilly calls them "collective repertoires") for responding to the looming obsolescence of knowledge workers.John's interest in Menippean satire within science fiction leads him to ask about about the sliding meanings of comedy and its pachinko machine capacity; he loves the way Ben uses the word and concept of doubling,; Ben explains how the computer may either queer (in an antisocial way) or get assimilated into romantic heteronormative pairings. John asks about Donna Haraway's 1985 A Cyborg Manifesto and teh way it denaturalizes gender roles and the way new technological affordances (from the Acheulean axe that Malafouris discusses to the Apple watch) redefine human roles. Ben delves into the minstrelsy pre-history of the photo-robots going as far back as the late 19th century. They unpack the distinctively American Leo Marxian optimism of The Machine in the Garden (1964) that spreads back as far as the proto-robots like The Steam Man of the Prairies(1868) and good old Tik-Tok in the Wizard of Oz novels. John asks about double-edged nature of Ben's claim that comic “genericity provides forms for making a computationally mediated social world seem more habitable, even as it also provides Is for criticizing and objecting to that world." First you get description says Ben--and then sometimes critique. John asks about the iterability of the new: how much of what seems new actually New New (in the sense of that great 1999 Michael Lewis book, The New New Thing)? Mentioned in the episode: The Desk Set a play William Marchand and a movie starring Katherine Hepburn. How might a computer be incorporated into the sociability of a couple? Her (Spike Jonze,, 2013) computer meets human makes the rom-com into a coupling machine. WarGames (1983( ends with Matthew Broderick and Ally Sheedy (not Ione Skye—silly John!) paired. But also with Broderick and the formerly deadly computer settling down to “how about a nice game of chess”? Black Mirror as the 2020's version of the same dark satire as the 1950's Twilight Zone. John asks about Stanislaw Lem's Cyberiad, and the comic coupling of Kirk and Spock and the death-as-computer comedy of Douglas Adam's Hitchhiker's Guide to the Galaxy (1979). Leo Marx, The Machine in the Garden (1964). Dave Eggers: the joke structure as critique in The Circle and The Every. John Saybrook wrote in the New Yorker about an eye-opening conversation with Bill Gates in 1994. Istvan Csicsery-Ronay's Seven Beauties of Science Fiction on the “fictionalization of everyday life" Recallable Books: Elif Batuman The Idiot (2017) Richard Powers, Plowing the Dark (2000) Sally Rooney, Conversations with Friends (2017) Listen and Read here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

When does comedy become more than a laugh? Ben Mangrum of MIT joins RtB to discuss his new book, The Comedy of Computation: Or, How I Learned to Stop Worrying and Love Obsolescence (Stanford UP, 2025), which in some ways is organized around “the intriguing idea that human knowledge work is our definitive feature and yet the machines we are ourselves made are going to replace us at it.” Comedy has provided a toolbox (Charles Tilly calls them "collective repertoires") for responding to the looming obsolescence of knowledge workers.John's interest in Menippean satire within science fiction leads him to ask about about the sliding meanings of comedy and its pachinko machine capacity; he loves the way Ben uses the word and concept of doubling,; Ben explains how the computer may either queer (in an antisocial way) or get assimilated into romantic heteronormative pairings. John asks about Donna Haraway's 1985 A Cyborg Manifesto and teh way it denaturalizes gender roles and the way new technological affordances (from the Acheulean axe that Malafouris discusses to the Apple watch) redefine human roles. Ben delves into the minstrelsy pre-history of the photo-robots going as far back as the late 19th century. They unpack the distinctively American Leo Marxian optimism of The Machine in the Garden (1964) that spreads back as far as the proto-robots like The Steam Man of the Prairies(1868) and good old Tik-Tok in the Wizard of Oz novels. John asks about double-edged nature of Ben's claim that comic “genericity provides forms for making a computationally mediated social world seem more habitable, even as it also provides Is for criticizing and objecting to that world." First you get description says Ben--and then sometimes critique. John asks about the iterability of the new: how much of what seems new actually New New (in the sense of that great 1999 Michael Lewis book, The New New Thing)? Mentioned in the episode: The Desk Set a play William Marchand and a movie starring Katherine Hepburn. How might a computer be incorporated into the sociability of a couple? Her (Spike Jonze,, 2013) computer meets human makes the rom-com into a coupling machine. WarGames (1983( ends with Matthew Broderick and Ally Sheedy (not Ione Skye—silly John!) paired. But also with Broderick and the formerly deadly computer settling down to “how about a nice game of chess”? Black Mirror as the 2020's version of the same dark satire as the 1950's Twilight Zone. John asks about Stanislaw Lem's Cyberiad, and the comic coupling of Kirk and Spock and the death-as-computer comedy of Douglas Adam's Hitchhiker's Guide to the Galaxy (1979). Leo Marx, The Machine in the Garden (1964). Dave Eggers: the joke structure as critique in The Circle and The Every. John Saybrook wrote in the New Yorker about an eye-opening conversation with Bill Gates in 1994. Istvan Csicsery-Ronay's Seven Beauties of Science Fiction on the “fictionalization of everyday life" Recallable Books: Elif Batuman The Idiot (2017) Richard Powers, Plowing the Dark (2000) Sally Rooney, Conversations with Friends (2017) Listen and Read here. Learn more about your ad choices. Visit megaphone.fm/adchoices

When does comedy become more than a laugh? Ben Mangrum of MIT joins RtB to discuss his new book, The Comedy of Computation: Or, How I Learned to Stop Worrying and Love Obsolescence (Stanford UP, 2025), which in some ways is organized around “the intriguing idea that human knowledge work is our definitive feature and yet the machines we are ourselves made are going to replace us at it.” Comedy has provided a toolbox (Charles Tilly calls them "collective repertoires") for responding to the looming obsolescence of knowledge workers.John's interest in Menippean satire within science fiction leads him to ask about about the sliding meanings of comedy and its pachinko machine capacity; he loves the way Ben uses the word and concept of doubling,; Ben explains how the computer may either queer (in an antisocial way) or get assimilated into romantic heteronormative pairings. John asks about Donna Haraway's 1985 A Cyborg Manifesto and teh way it denaturalizes gender roles and the way new technological affordances (from the Acheulean axe that Malafouris discusses to the Apple watch) redefine human roles. Ben delves into the minstrelsy pre-history of the photo-robots going as far back as the late 19th century. They unpack the distinctively American Leo Marxian optimism of The Machine in the Garden (1964) that spreads back as far as the proto-robots like The Steam Man of the Prairies(1868) and good old Tik-Tok in the Wizard of Oz novels. John asks about double-edged nature of Ben's claim that comic “genericity provides forms for making a computationally mediated social world seem more habitable, even as it also provides Is for criticizing and objecting to that world." First you get description says Ben--and then sometimes critique. John asks about the iterability of the new: how much of what seems new actually New New (in the sense of that great 1999 Michael Lewis book, The New New Thing)? Mentioned in the episode: The Desk Set a play William Marchand and a movie starring Katherine Hepburn. How might a computer be incorporated into the sociability of a couple? Her (Spike Jonze,, 2013) computer meets human makes the rom-com into a coupling machine. WarGames (1983( ends with Matthew Broderick and Ally Sheedy (not Ione Skye—silly John!) paired. But also with Broderick and the formerly deadly computer settling down to “how about a nice game of chess”? Black Mirror as the 2020's version of the same dark satire as the 1950's Twilight Zone. John asks about Stanislaw Lem's Cyberiad, and the comic coupling of Kirk and Spock and the death-as-computer comedy of Douglas Adam's Hitchhiker's Guide to the Galaxy (1979). Leo Marx, The Machine in the Garden (1964). Dave Eggers: the joke structure as critique in The Circle and The Every. John Saybrook wrote in the New Yorker about an eye-opening conversation with Bill Gates in 1994. Istvan Csicsery-Ronay's Seven Beauties of Science Fiction on the “fictionalization of everyday life" Recallable Books: Elif Batuman The Idiot (2017) Richard Powers, Plowing the Dark (2000) Sally Rooney, Conversations with Friends (2017) Listen and Read here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

When does comedy become more than a laugh? Ben Mangrum of MIT joins RtB to discuss his new book, The Comedy of Computation: Or, How I Learned to Stop Worrying and Love Obsolescence (Stanford UP, 2025), which in some ways is organized around “the intriguing idea that human knowledge work is our definitive feature and yet the machines we are ourselves made are going to replace us at it.” Comedy has provided a toolbox (Charles Tilly calls them "collective repertoires") for responding to the looming obsolescence of knowledge workers.John's interest in Menippean satire within science fiction leads him to ask about about the sliding meanings of comedy and its pachinko machine capacity; he loves the way Ben uses the word and concept of doubling,; Ben explains how the computer may either queer (in an antisocial way) or get assimilated into romantic heteronormative pairings. John asks about Donna Haraway's 1985 A Cyborg Manifesto and teh way it denaturalizes gender roles and the way new technological affordances (from the Acheulean axe that Malafouris discusses to the Apple watch) redefine human roles. Ben delves into the minstrelsy pre-history of the photo-robots going as far back as the late 19th century. They unpack the distinctively American Leo Marxian optimism of The Machine in the Garden (1964) that spreads back as far as the proto-robots like The Steam Man of the Prairies(1868) and good old Tik-Tok in the Wizard of Oz novels. John asks about double-edged nature of Ben's claim that comic “genericity provides forms for making a computationally mediated social world seem more habitable, even as it also provides Is for criticizing and objecting to that world." First you get description says Ben--and then sometimes critique. John asks about the iterability of the new: how much of what seems new actually New New (in the sense of that great 1999 Michael Lewis book, The New New Thing)? Mentioned in the episode: The Desk Set a play William Marchand and a movie starring Katherine Hepburn. How might a computer be incorporated into the sociability of a couple? Her (Spike Jonze,, 2013) computer meets human makes the rom-com into a coupling machine. WarGames (1983( ends with Matthew Broderick and Ally Sheedy (not Ione Skye—silly John!) paired. But also with Broderick and the formerly deadly computer settling down to “how about a nice game of chess”? Black Mirror as the 2020's version of the same dark satire as the 1950's Twilight Zone. John asks about Stanislaw Lem's Cyberiad, and the comic coupling of Kirk and Spock and the death-as-computer comedy of Douglas Adam's Hitchhiker's Guide to the Galaxy (1979). Leo Marx, The Machine in the Garden (1964). Dave Eggers: the joke structure as critique in The Circle and The Every. John Saybrook wrote in the New Yorker about an eye-opening conversation with Bill Gates in 1994. Istvan Csicsery-Ronay's Seven Beauties of Science Fiction on the “fictionalization of everyday life" Recallable Books: Elif Batuman The Idiot (2017) Richard Powers, Plowing the Dark (2000) Sally Rooney, Conversations with Friends (2017) Listen and Read here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science

When does comedy become more than a laugh? Ben Mangrum of MIT joins RtB to discuss his new book, The Comedy of Computation: Or, How I Learned to Stop Worrying and Love Obsolescence (Stanford UP, 2025), which in some ways is organized around “the intriguing idea that human knowledge work is our definitive feature and yet the machines we are ourselves made are going to replace us at it.” Comedy has provided a toolbox (Charles Tilly calls them "collective repertoires") for responding to the looming obsolescence of knowledge workers.John's interest in Menippean satire within science fiction leads him to ask about about the sliding meanings of comedy and its pachinko machine capacity; he loves the way Ben uses the word and concept of doubling,; Ben explains how the computer may either queer (in an antisocial way) or get assimilated into romantic heteronormative pairings. John asks about Donna Haraway's 1985 A Cyborg Manifesto and teh way it denaturalizes gender roles and the way new technological affordances (from the Acheulean axe that Malafouris discusses to the Apple watch) redefine human roles. Ben delves into the minstrelsy pre-history of the photo-robots going as far back as the late 19th century. They unpack the distinctively American Leo Marxian optimism of The Machine in the Garden (1964) that spreads back as far as the proto-robots like The Steam Man of the Prairies(1868) and good old Tik-Tok in the Wizard of Oz novels. John asks about double-edged nature of Ben's claim that comic “genericity provides forms for making a computationally mediated social world seem more habitable, even as it also provides Is for criticizing and objecting to that world." First you get description says Ben--and then sometimes critique. John asks about the iterability of the new: how much of what seems new actually New New (in the sense of that great 1999 Michael Lewis book, The New New Thing)? Mentioned in the episode: The Desk Set a play William Marchand and a movie starring Katherine Hepburn. How might a computer be incorporated into the sociability of a couple? Her (Spike Jonze,, 2013) computer meets human makes the rom-com into a coupling machine. WarGames (1983( ends with Matthew Broderick and Ally Sheedy (not Ione Skye—silly John!) paired. But also with Broderick and the formerly deadly computer settling down to “how about a nice game of chess”? Black Mirror as the 2020's version of the same dark satire as the 1950's Twilight Zone. John asks about Stanislaw Lem's Cyberiad, and the comic coupling of Kirk and Spock and the death-as-computer comedy of Douglas Adam's Hitchhiker's Guide to the Galaxy (1979). Leo Marx, The Machine in the Garden (1964). Dave Eggers: the joke structure as critique in The Circle and The Every. John Saybrook wrote in the New Yorker about an eye-opening conversation with Bill Gates in 1994. Istvan Csicsery-Ronay's Seven Beauties of Science Fiction on the “fictionalization of everyday life" Recallable Books: Elif Batuman The Idiot (2017) Richard Powers, Plowing the Dark (2000) Sally Rooney, Conversations with Friends (2017) Listen and Read here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/systems-and-cybernetics

In this week's episode, we take a look at six marketing lessons writers can learn from TikTok. I also answer questions about my new book BLADE OF FLAMES. This coupon code will get you 50% off the audiobook of Shield of Storms, Book #1 in the Shield War series, (as excellently narrated by Brad Wills) at my Payhip store: FALLSHIELD50 The coupon code is valid through October 6, 2025. So if you need a new audiobook this fall, we've got you covered! TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 270 of The Pulp Writer Show. My name is Jonathan Moeller. Today is September 26th, 2025, and today we are looking at six trends from TikTok that help with marketing books (even if you're not on TikTok). We'll also answer some questions about my new book, Blade of Flames. Before we get to our main topics, we will do Coupon of the Week and a progress update on my current writing projects. So let's start off with Coupon of the Week. This week's coupon code will get you 50% off the audiobook of Shield of Storms, Book One in the Shield War series (as excellently narrated by Brad Wills), at my Payhip store and that is FALLSHIELD50. And as always, the coupon code and the links to my store will be available in the show notes. This coupon code is valid through October 6, 2025. So if you need a new audiobook to listen to this fall, we have got you covered. Now here is where I'm at with my current writing projects. As I mentioned last week, Blade of Flames is now out and you get it at Amazon, Barnes & Noble, Kobo, Google Play, Apple Books, Smashwords, and My Payhip store. Now that it is out and published, my new main project is I'm finally returning to the Nadia series. I am 50,000 words into Cloak of Worlds, which I believe puts me on chapter 10 of 28, though I'll probably split up some of the longer chapters in editing to make them punchier. So hopefully that will be out in October, probably towards the end of October (if all goes well). My secondary project is now Blade of Shadows, which will be the sequel to Blade of Flames and the second book in my Blades of Ruin epic fantasy series. And as of this recording, I'm about 4,000 words into it and I'm hoping that'll be out towards the end of November, maybe right before or right after Thanksgiving, depending on how the next couple of weeks go. In audiobook news, Shield of Power is now finally out at all audiobook stores: Audible, Amazon, Apple, Google Play, Kobo, Chirp, Spotify, and all the others. You can listen to that on a platform of your choosing. Recording is almost done on Ghost in the Siege and I should have some audiobook files to proof for that soon. So that is where I'm at with my current writing, audiobook, and publishing projects. Now, Blade of Flames is the first book in a new epic fantasy series with the first new protagonist I've had since I wrote Rivah in Half-Elven Thief back in 2023. So as you might expect, it has generated more than the usual amount of reader questions. So for convenience, I will answer them all right here on the show. Question #1: Is Blade of Flame set in the world of Andomhaim/Owyllain (from Frostborn Sevenfold Sword, Dragontiarna, Dragonskull, and The Shield War)? Yes, it is set in Owyllain, specifically in the Year of Our Lord 1588, so 88 years after the end of The Shield War. Question #2: Is Ridmark the main character? No, the main character is named Talembur. I've written 43 books with Ridmark as either the protagonist or one of the protagonists, and across those books, Ridmark has gone from an angry young man to a grandfather, so it was time to do something different. The poor man deserves a break after 43 books. Question #3: Is Talembur secretly Ridmark in disguise? No. Question #4: Is Talembur secretly…(various character theories)? No, Talembur's a new character. Question #5: Do you need to read any other books before starting Blade of Flames? No. That was one of my intentions in writing it. You can read Blade of Flames without having bred any of the other Andomhaim books, since all the major characters in Blade of Flames are new and we're in a part of Owyllain we've never visited before. Question #6: Are there any recurring characters in Blade of Flames? Exactly one and that character only has, like three lines. Well, two (technically, depending on how you look at it). Question #7: Will other recurring characters return in future Blades of Ruin books? Yes, but we shall have to read and find out after I write them. Question #8: The opening is very similar to Frostborn: The Gray Knight, isn't it? Yes, for reasons that will become clear. Without any spoilers, let's say that this similarity is a significant plot point. Question #9: Is there a dog in this book? Yes. People like dogs, so there is a dog in the book. Question #10: Does the dog die? He does not. Question #11: Seriously, truly, does the dog die? I promise the dog does not die. Question #12: How many Blades of Ruin books will there be? I'm planning for 12, though that might change if I have a good idea that requires an extra book or if I think I can consolidate it down. Question #13: Will there be Blades of Ruin audiobooks? That is the plan, if all goes well. Brad Wills has signed up to narrate the series. Question #14: Are you still going to write Rivah books? Yes. After I publish Cloak of Worlds, which as I mentioned will hopefully be sometime in October, I will start writing the next Rivah book, Elven-Assassin. Question #15: Are you still going to write Caina books? Eventually. I need some time to think about where they're going to go next. I have done this before. There is a two year gap between Ghost in the Sun (the end of the Ghost Night series) and Ghost and the Serpent because I wanted to think about what to do next. At this point in my life, I don't want to have any more than three unfinished series at any one time, so we'll see what I want to do next when either Blades of Ruin, Cloak Mage, or Half-Elven Thief are completed. Question #16: Seriously, Talembur is secretly Ridmark, isn't he? In 1884, retired Civil War General William T. Sherman was approached about running for president. He point blank refused, famously stating, “I will not accept if nominated. I will not serve if elected. Though this usually gets paraphrased to “If nominated, I will not run. If elected, I will not serve.” He really meant it and refused to get involved in politics for the remaining years of his life. I'm not sure if writers of fiction have the equivalent of a Sherman statement, but if there is, this is it. Talembur is a new character and not secretly a character who has appeared before in the Andomhaim/Owyllain books and I cannot be blunter about it than that. So hopefully that will answer any questions you may have had about the Blades of Ruin series and Blade of Flames in particular. 00:05:50 Main Topic: 6 Things BookTok Trends Can Teach You About Marketing Books Now on to our main topic this week, which is six things BookTok trends can teach you about marketing books (even if you don't use TikTok). One thing is clear though, is that books are thriving on the TikTok social media video platform. Readers (very often in the romance, young adult, and fantasy genres) are excited to show off their trips to bookstore and their “hauls” of the latest books in videos. BookTok influencers are even paid to promote new releases in videos in the same way Beauty Gurus have been paid to promote mascara. Some traditional examples of bestselling BookTok books are the Fourth Wing series by Rebecca Yaros, A Court of Thorns and Roses by Sarah J. Maas, It Ends With Us by Colleen Hoover, and the works of Emily Henry. Anecdotes are not the same as data of course, but the last couple of times I've been to a Barnes & Noble, I've been surprised by how young most of the customers there are. Obviously that might be attributed to my own advancing age, where I'm very often the oldest person when I go someplace. But nonetheless, I do think this is a real thing where BookTok and TikTok in particular are drawing more young people into reading because they see it's a trendy thing on TikTok, so they get into it. The BookTok effect can make even an otherwise obscure book the latest bestseller, even one that isn't a new release. Many authors have found success marketing their books on the platform and have seen an increase in their sales from BookTok. Using TikTok as an author is hardly a requirement, though. In fact, I haven't used it in my marketing because I would rather focus on something like my newsletter that I have control over and that isn't vulnerable to bans. TikTok has been threatened with a US ban several times, but it hasn't ultimately been banned (at this time of this recording), and it doesn't look like that's going to happen since in the past few days, it looks like the US government has managed to finalize the sale of the company to an American investor. Now, as I just mentioned, using TikTok as an author is hardly requirement though, but nonetheless, there are lessons to be learned from the success of BookTok when marketing your books. We'll talk about six of those lessons today. #1: Have your highlight-worthy quotes and pitch ready. TikTok is full of action-packed book trailers or short, dramatic reenactments of scenes from books. The most popular of these book-based clips are very short, sometimes even just a single quote or sentence. Some writers write page-length book blurbs, wanting to fit in every detail about their books. In the words of many Internet posters, “too long; didn't read.” You need to be able to explain your book in less than three sentences, to clearly explain the main character and the stakes they face. Having a few snappy or interesting quotes from the book itself as a teaser can also be useful aid in marketing. BookTok is a place to learn that art, as many successful authors and BookTok creators have perfected the short summary and attention-getting clips. #2: Finding Your Readalikes Libraries and bookstores have long championed “readalikes” in their displays, which are books with similar settings, topics, or themes. For example, fans of suspense writer JD Robb might enjoy books by Patricia Briggs, Karin Slaughter, or Louise Penny. You can find authors that might be similar to you by using the “also read” section of your book's Amazon page. You can also think about themes that may connect your books to others such as “cozy mystery set in Wisconsin”, or “friends to lovers romance set in a theme park”. These themes can be broken down into something called tropes. #3: Acknowledging Tropes Acknowledging tropes (such as plot or character types that frequently appear) used to be a sign of creative weakness, which I honestly always thought was misguided because we're all obviously inspired by previous writers, and so there's nothing wrong with acknowledging that inspiration. Now in the BookTok era, it's how many readers search for books, especially in the romance genres, they try to find “enemies to lovers” or “fake dating” titles. If you can break down two or three tropes that match your series, that will give you an advantage in marketing. There are sites and books with lists of tropes if you're not familiar with the ones for your genres. #4 Finding Your Market Segment (You're not for everyone.) My podcast transcriptionist once encountered a new author who insisted they wanted to market their book to all readers and wanted to advertise in every single category Amazon offered since they believed everyone needed to read their gritty memoir about surviving abuse and alcoholism. Whether or not someone believes that everyone needs to read their book, that's a pretty quick way to overspend on advertising while receiving extremely poor results. The key to understanding online advertising is that the basic principle is the narrower you can target your audience, the more effective your ads are likely to be. Advertising that memoir so broadly that it's in the same category as say, children picture books or German language cookbooks is a quick way to disappoint (or even annoy) potential readers. It's okay that your book isn't a match for every category or type of reader. In fact, it's expected. There's a reason that the TikTok algorithm quickly pinpoints what viewers are most interested in and brings them similar content, because it's the quickest and easiest way to engage the user. People watching video game themed videos on endless loop probably aren't going to become suddenly interested in the videos about the benefits of living without electricity, for example. It's more profitable to keep showing variations of what they've already seen, with a little bit of new content mixed in. That's true in book advertising, too. The most effective way to find the readers who are most excited to read your book is to segment your advertising by your subgenres, authors whose books are most similar to yours, and keywords that match your tropes or important features in your book. With enough time and data, you will even be able to segment by a geographic location based on what countries your book sells in the most. The more that you can get specific when creating ads, the more likely you are to limit your spending and find the group of readers who wants to find you the most. And the more you work at marketing, the more you'll realize that the answer is definitely not “everyone.” #5: Don't give up on your backlist. One of the most surprising parts of TikTok is how often something that's decades old suddenly becomes popular for seemingly no reason at all. For example, 1962 Song “Pretty Little Baby” by Connie Francis was one of the top trending songs of this spring after became ubiquitous in TikTok videos. Books have seen the same phenomenon occur on TikTok. Classics by Jane Austen or Stephen King frequently end up in popular recommendation videos, while slightly older bestsellers by Sally Rooney or Susanna Clarke can get surprising second rounds of attention, too. The rules of retiring or even abandoning your backlist books may not apply in a social media-based attention cycle where people are constantly discovering books. You can try to rotate your ads to periodically give your older books attention, or if you see a sudden spike in sales on an older title, check through your sales data and social media to understand if there is a specific reason why that's happening and maybe give it some extra advertising funds during that window of opportunity. I've been an indie author for 14 years now, which means I've built up quite the backlist and I've noticed that very often the backlist will outsell new books. For example, this month (so far as of this recording), Blade of Flames is my new book for the month, and that has been 10% of my revenue for September 2025 so far, which is obviously a significant amount, but 90% of it comes from things I've previously written and I've noticed in previous years as well that for total yearly revenue, the revenue from new books tends to be around 22 to 25% (with the rest of it coming from my accumulated backlist). #6: (To Use Some Internet Vernacular) Don't Give Readers “the Ick” by Being “Cringe” Social media requires at least the appearance of ease and authenticity. People talk about something overly manufactured or awkward as being “cringe” or giving them “the ick.” How does that apply to marketing your books? Simply put, don't try to be what you're not. If you're absolutely terrible at being in front of the camera, don't force yourself to make videos. If you're skilled at explaining the historical or cultural influences behind your books, maybe a newsletter or a Substack would be a better use of your marketing time and effort. You shouldn't have to try every possible form of marketing and you probably shouldn't in order to succeed as an author. Just because someone else in your genre is making good money from TikTok or Instagram doesn't mean that it's what's right for you or that it would work if you tried it. Likewise, be aware of the spaces you're entering and the dynamics of a group when you're entering an online space. Writers who show up in a writing forum, hashtag, or subreddit meant for other writers in order to promote their book aren't in the right spot. In fact, that's why many of those places have a rule against self-promotion. Their time would be better spent in an online space related to their sub-genre where there are readers who are specifically looking for what they have to offer. Begging or using some sort of pity-based story in your social marketing is not a good plan. Approach your marketing from a place of confidence about your book because desperation is not attractive to potential readers who are surrounded with options. At best, it only leads to short-term results, whereas finding the readers interested in your book will be a better use of your time in the long run. Be confident. Very few people are able to finish a book (much less must publish one), and there's at least a few people out there who will enjoy your book without being guilted into doing so. I suppose the best rule of thumb overall for social media is don't beg, don't be needy, and perhaps most importantly of all, be as authentic as possible. By that I mean, I don't mean oversharing details about your personal life or personal opinions and beliefs and so forth, but just simply being authentic and not putting on airs or pretending to be something you're not. So much of what we see on the internet now is fake. Since I published Blade of Flames last week, I've gotten dozens of emails allegedly from “readers” who are interested in helping promote the book, but are actually generated by ChatGPT as a front for various scam services. So the best way to combat that kind of AI generated slop, I think, might just being as authentic as you can without resorting to lies or other fakery. In conclusion, BookTok has changed many of the old rules about book marketing and brought a new, more diverse, and younger group of readers into the market. Even if you don't plan on using the platform yourself for marketing (and I still don't), there's still many lessons you can learn from BookTok and how it has shifted how readers find books and share recommendations. So I hope that has given you some food for thought about how to approach future marketing efforts. So thanks for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes at https://thepulpwritershow.com. If you enjoyed the podcast, please leave a review on your podcasting platform of choice. Stay safe and stay healthy and see you all next week.

Palestinian political commentator Kieran Andrieu speaks to Ahmed Alnaouq directly from an aid ship bound for Gaza as part of the Global Sumud Flotilla.   He calls on Gary Lineker and Sally Rooney to join the next aid flotilla heading for Gaza.   Kieran Andrieu is a Palestinian political commentator and contributor to Novara Media, Ahmed Alnaouq is a Palestinian journalist from Gaza.   Support Palestine Deep Dive from as little as £1 per month: https://www.palestinedeepdive.com/support

ChessDojo's GM Jesse Kraai is always one of my favorite people to talk chess with, yet somehow it had been five years since his last visit to the pod. Jesse returned at a great time, having been both studying and competing actively, and recently achieving his goal of qualifying for the 2026 U.S. Senior Closed Championship. His recent over-the-board activity provided a springboard for us to discuss a wide range of topics, including: How he has learned to confront his fears in tough, “meat-grinder” weekend tournaments Why he believes weight training—and even certain health supplements—are important for older players, and may be the next frontier for professionals as well How the ChessDojo curriculum and philosophy have evolved in recent years I am also a big fan of Jesse's book reviews on the ChessDojo YouTube channel, so I couldn't let him go without sharing a few recommendations. We even closed the conversation by discussing Intermezzo, a recent novel by award-winning Irish writer Sally Rooney. I always admire Jesse's dedication to improvement, and it's a pleasure to hear his thoughtful perspectives on chess and beyond. Approximate timestamps of topics discussed are below. 0:02- Does Jesse ever find it hard to stay motivated to keep studying and reading chess books?  0:03- Reflections on Jesse's recent tournaments 0:05- What are the keys to GM Alex Fishbein's recent success?  0:09- What does Jesse do to work on his own chess? Mentioned: Jesse's review of the book TurboCharge Your Tactics https://www.youtube.com/watch?v=FLBMmqk8an0 Also Mentioned:  Perfect Your Chess https://www.amazon.com/Perfect-Your-Chess-Ukrainian-Authors/dp/1915328063/ref=sr_1_1?crid=1KXGHHH199SMQ&dib=eyJ2IjoiMSJ9.XJTzNVQ4N6jtqAJlUh5KzvNBpaX4Cs6DkIe2E-15eIhEw6YsZYPA5HdNzRFsEzgzHHBYkJjSSdBddTS1PPcTP6iRXtOUrqULwf5Sc2JQUMHafGmhNIGcuYGQ8MyXxIkQhoxaHmbKuO0u94ls6vl8vhiehM-UnVvrZ17ce4FPjsd3ho3b08KJh-vPw89-SF0ccgo36HEXf7zwi__wKMmX8iO1_7DXOTHH5Pk9OgLrBUA.kPo0CC2fg8nMzpfrIKoCIvkTyNUwFvqAT7-k0iXzEmI&dib_tag=se&keywords=perfect+your+chess&qid=1756510333&sprefix=Perfect+Your+Chess%2Caps%2C267&sr=8-1 12:00- ChessDojo and Jesse's fitness regimen Jesse's IG post here: https://www.instagram.com/p/DMqT1jOuxcK/ Check out Dr. Nick Vasquez's blog here: https://nickvasquezmd.substack.com/p/clearing-the-fog 17:00- Are elite chess players likely taking cognitive supplements or other drugs to help their performances?  20:00- What have been the biggest lessons from co-founding the ChessDojo? 25:00- What has Jesse learned from reading the works of IM Willy Hendriks? 28:00- Patreon mailbag question: What non-chess books influenced Jesse's philosophy of chess improvement? Mentioned: Mindset by Carol Dweck Deep Work by Cal Newport  30:00- Patreon mailbag question: Are books as effective as modern digital tools for chess improvement?  32:00- Does Jesse have set hours for studying chess? 36:00- The strengths and weaknesses of Jesse's competitors in next year's US Senior Closed Championship.  Mentioned: GM Larry Christiansen, GM Gregory Kaidanov, FM Doug Eckert  38:00- New developments in the dojo 42:00- Jesse's rest of 2026 tournaments  44:00- We share our thoughts on the chess-adjacent novel Intermezzo by popular author Sally Rooney https://www.amazon.com/Intermezzo-Novel-Sally-Rooney/dp/0374602638 54:00- Parting book recs Mentioned: Polgar Chess Logical Chess Move by Move  58:00- Thanks to Jesse, for rejoining me! You can find him at the ChessDojo. (use code "ben" at checkout to save 10% https://www.chessdojo.club/signup Learn more about your ad choices. Visit podcastchoices.com/adchoices

Anna and Geoff discuss Sally Rooney pledging royalties to Palestine Action and the Library of South Australia being second on the list of the world's most beautiful libraries.   Our book of the week is FLESH, the new novel by David Szalay which has been long-listed for the 2025 Booker Prize. It tells the story of Istvan, a Hungarian British man, in an episodic structure using key points in his life, moving from a poor upbringing in Hungary to the riches of  London, charting his rise and fall. We both read this quickly and found much to discuss.   Coming up: ENDLING by Maria Reva. Follow us! Email: Booksonthegopodcast@gmail.com Instagram: @abailliekaras  Substack: Books On The Go Credits Artwork: Sascha Wilkosz      

It's been a dramatic week for Irish artists, activism and the UK's terrorism law. Sally Rooney — one of Ireland's most prominent literary voices — has made headlines for her vocal support of Palestine Action, a group recently designated a terrorist organisation by the UK government. The Normal People author has pledged to donate earnings from her books and BBC adaptations to the group — a move that could place her at risk of arrest under UK anti-terror legislation. Her stance came in the same week that Kneecap rapper Liam Óg Ó hAnnaidh appeared in a London court on terrorism charges, accused of displaying a flag in support of Hezbollah. Meanwhile, back home, another protest is gathering momentum — this time in the world of sport. A letter signed by around 800 GAA players — including stars from football, hurling and camogie — was delivered to Croke Park, calling on the association to cut ties with Allianz, one of its biggest sponsors. The call comes after a UN special rapporteur's report named Allianz, through its asset-management arm Pimco, as a significant buyer of Israeli government bonds. On today's Indo Daily, Tessa Fleming is joined by TRT World presenter Enda Brady and Conor McKeon, sports journalist with the Irish Independent, to look at the high-profile costs and consequences of speaking out on Israel and Palestine.See omnystudio.com/listener for privacy information.

Robert Jenrick's hanging out with the far-right at the migrant hotel protests, the Express claims “tens of millions” of Britons want a full-blown revolution, and Alison Pearson is hoping for a military coup. Why are the former law-and-order right so desperate for political violence to erupt? Plus, will Sally Rooney's reign of terror ever end? As calls mount for her to be banned (somehow) or prosecuted (somehow) for backing Palestine Action, we ask if the proscription of the Gaza protest group could get any more absurd. And in the Extra Bit: Do the right-wing anti-academia mob have a point? Is university just not worth it for some people?  ESCAPE ROUTES  • Marie recommends Out of Sheer Rage by Geoff Dyer.  • Jonn recommends the Hamad Butt retrospective Apprehensions at the Whitechapel Gallery. • Dorian recommends people watching. Just go out for a walk. It's summer.  When you buy books through our affiliate bookshop you help fund the podcast by earning us a small commission for every sale. Bookshop.org's fees help support independent bookshops too. • Get our exclusive NordVPN deal here. It's risk-free with Nord's 30-day money back guarantee!  • Advertisers! Want to reach smart, engaged, influential people with money to spend? (Yes, they do exist). Some 3.5 MILLION people download and watch our podcasts every month – and they love our shows. Why not get YOUR brand in front of our influential listeners with podcast advertising? Contact ads@podmasters.co.uk to find out more • Back us on Patreon for ad-free listening, bonus materials and more.  Presented by Dorian Lynskey with Marie le Conte and Jonn Elledge. Audio production by Simon Williams and Robin Leeburn. Theme music by Cornershop. Art direction: James Parrett. Produced by Chris Jones. Managing Editor: Jacob Jarvis. Group Editor: Andrew Harrison. OH GOD, WHAT NOW? is a Podmasters production. www.podmasters.co.uk Learn more about your ad choices. Visit podcastchoices.com/adchoices

In the early 20th century, in a remote village in Hungary, a group of women, driven to despair by their violent, abusive husbands, decided to take matters into their own hands. Their solution to their difficult life circumstances was arsenic, a deadly poison easily extracted from fly paper or arsenic-rich “flystones". The women began slipping this deadly substance into their husband's porridge, stews and drinks and according to some estimates, up to 300 people in the Nagyrév region were murdered in the space of two decades. In this episode, Hope Reese, author of The Women Are Not Fine, joins Róisín Ingle to explain why this deadly sisterhood of women were driven to kill, how the murders spiralled out of control and how they were eventually caught and punished for their crimes.But first podcast producer Aideen Finnegan is here to discuss some of the biggest stories of the week including the crowning of the 2025 Rose of Tralee, Sally Rooney's support for Palestine Action and why Rhashidat Adeleke is out of this year's World Athletics Championships. Hosted on Acast. See acast.com/privacy for more information.

Ukrainian President Volodymyr Zelenskyy and his European allies have met with Donald Trump for a charm offensive. Plus: Massive anti-war protests rock Israel, the ONS declares average rents in England to be unaffordable, and author Sally Rooney has been reported to the police over her support for Palestine Action. With Aaron Bastani and Tadhg Hickey.

Morse code transcription: vvv vvv Trump posted a photo of me sitting by my tent then a bulldozer arrived Pembrokeshires Thorne Island fortress turned into 3m party space Huge crowds gather in Israel calling for hostage deal and end to Gaza war Putin agreed to robust security guarantees for Ukraine, says US envoy Girl, 11, dies at Cornish beauty spot after incident in water What handing Donbas to Putin would mean for Ukraine Met Police investigating Strictly Come Dancing drug use claims Boy, 2, dies after car hits pedestrians in Whitstable Actor Terence Stamp, who starred as Superman villain General Zod, dies aged 87 Sally Rooney says she will support Palestine Action despite ban

In Episode 202, Susie (@NovelVisits) and Sarah explore some of their new favorite Micro Genres. Since starting the Micro Genres series, they've loved taking the opportunity each year to examine and define their tastes in these sub-sub-genres. This year, they have curated a list of 10 all-new Micro Genres, along with notable books for each category. With over 80 books mentioned, this is another year of niching down for some great book recommendations! This post contains affiliate links through which I make a small commission when you make a purchase (at no cost to you!). CLICK HERE for the full episode Show Notes on the blog. Books Told From the Perspective of the Person Left Behind (Sarah) [2:26] Sarah The Wanderers by Meg Howrey (2017) | Amazon | Bookshop.org  [3:39] Atmosphere by Taylor Jenkins Reid (2025) | Amazon | Bookshop.org  [3:52] Happiness Falls by Angie Kim (2023) | Amazon | Bookshop.org [4:29] Miracle Creek by Angie Kim (2019) | Amazon | Bookshop.org [4:31] Shred Sisters by Betsy Lerner (2024) | Amazon | Bookshop.org [4:42] Penitence by Kristin Koval (2025) | Amazon | Bookshop.org [4:52] Z by Therese Ann Fowler (2013) | Amazon | Bookshop.org  [5:11] The Paris Wife by Paula McLain (2011) | Amazon | Bookshop.org  [5:19] An American Wife by Curtis Sittenfeld (2008) | Amazon | Bookshop.org  [5:26] The Swans of Fifth Avenue by Melanie Benjamin (2016) | Amazon | Bookshop.org  [5:35] The Wives by Simone Gorrindo (2024) | Amazon | Bookshop.org  [5:59] A Mother's Reckoning by Sue Klebold (2016) | Amazon | Bookshop.org  [6:41] Susie Station Eleven by Emily St. John Mandel (2014) | Amazon | Bookshop.org  [7:07] Good Morning, Midnight by Lily Brooks-Dalton (2016) | Amazon | Bookshop.org [7:35] The Light Pirate by Lily Brooks-Dalton (2022) | Amazon | Bookshop.org  [7:37] Circe by Madeline Miller (2018) | Amazon | Bookshop.org  [7:52] We Begin at the End (Susie) [8:22] Sarah Beyond the Point by Claire Gibson (2019) | Amazon | Bookshop.org [12:46] Penitence by Kristin Koval (2025) | Amazon | Bookshop.org [13:16] I'm That Girl by Jordan Chiles (2025) | Amazon | Bookshop.org  [14:20]  Susie The Three Lives of Cate Kay by Kate Fagan (2025) | Amazon | Bookshop.org[10:20] What Happened to Nina? by Dervla McTiernan (2024) | Amazon | Bookshop.org[10:49]  Victim by Andrew Boryga (2024) | Amazon | Bookshop.org  [11:48] How We Named the Stars by Andrés N. Ordorica (2025) | Amazon | Bookshop.org  [12:21]  Broken Country by Clare Leslie Hall (2025) | Amazon | Bookshop.org  [12:28]  Other Books Mentioned We Begin at the End by Chris Whitaker (2021) [8:33]  A Marriage at Sea by Sophie Elmhirst (2025)  [13:54]  Big Business Women (Sarah) [14:34] Sarah Anna Bright is Hiding Something by Susie Orman Schnall (2024) | Amazon | Bookshop.org [15:29] The Boys' Club by Erica Katz (2020) | Amazon | Bookshop.org  [15:46]  Women Are the Fiercest Creatures by Andrea Dunlop (2023) | Amazon | Bookshop.org  [15:51]  Dead Money by Jakob Kerr (2025) | Amazon | Bookshop.org  [15:55]  Susie The Whisper Network by Chandler Baker (2019) | Amazon | Bookshop.org[16:30] The Female Persuasion by Meg Wolitzer (2018) | Amazon | Bookshop.org [16:55]  Other Books Mentioned Bad Blood by John Carreyrou (2018) [15:34]  Books By Irish Authors Telling Distinctly Irish Stories (Susie) [17:35] Sarah Say Nothing by Patrick Radden Keefe (2018) | Amazon | Bookshop.org  [22:30]  Northern Spy by Flynn Berry (2021) | Amazon | Bookshop.org  [22:43]  The Rachel Incident by Caroline O'Donoghue (2023) | Amazon | Bookshop.org [22:52]  56 Days by Catherine Ryan Howard (2021) | Amazon | Bookshop.org  [23:39]  Susie Nesting by Roisín O'Donnell (2025) | Amazon | Bookshop.org  [19:39] The Coast Road by Alan Murrin (2024) | Amazon | Bookshop.org [20:07] The Heart's Invisible Furies by John Boyne (2017) | Amazon | Bookshop.org[20:54]  Juno Loves Legs by Karl Geary (2023) | Amazon | Bookshop.org  [20:59] Home Stretch by Graham Norton (2020) | Amazon | Bookshop.org  [21:02]  Small Things Like These by Claire Keegan (2021) | Amazon | Bookshop.org [21:50]   Trespasses by Louise Kennedy (2022) | Amazon | Bookshop.org  [22:07]  Other Books Mentioned Angela's Ashes by Frank McCourt (1996) [19:20]  Normal People by Sally Rooney (2018) [23:16]  Strange Sally Diamond by Liz Nugent (2023) [24:07]  Unraveling Oliver by Liz Nugent (2013) [24:09]  The Collective “We” Narration (Sarah) [24:33] Sarah The Virgin Suicides by Jeffrey Eugenides (1993) | Amazon | Bookshop.org[25:59]  We Wish You Luck by Caroline Zancan (2020) | Amazon | Bookshop.org [26:16]  The Mothers by Britt Bennett (2016)| Amazon | Bookshop.org  [27:31]  Unlikely Animals by Annie Hartnett (2022) | Amazon | Bookshop.org  [27:56]  Susie The Buddha in the Attic by Julie Otsuka (2011) | Amazon | Bookshop.org [28:38] The Swimmers by Julie Otsuka (2023) | Amazon | Bookshop.org  [28:58]   Other Books Mentioned The Age of Miracles by Karen Thompson Walker (2012) [25:09]  The Strange Case of Jane O. by Karen Thompson Walker (2025) [25:11]  The Vanishing Half by Brit Bennett (2020) [27:39]  Torn Between Two Lovers: The Women's Edition (Susie) [29:40] Sarah Gone with the Wind by Margaret Mitchell (1936) | Amazon | Bookshop.org [33:05]  Bridget Jones's Diary by Helen Fielding (1996) | Amazon | Bookshop.org  [33:14]  Twilight by Stephenie Meyer (2005) | Amazon | Bookshop.org  [33:35] Susie Broken Country by Clare Leslie Hall (2025) | Amazon | Bookshop.org [31:18]  The Paper Palace by Miranda Cowley Heller (2021) | Amazon | Bookshop.org  [31:38]  One True Loves by Taylor Jenkins Reid (2016) | Amazon | Bookshop.org [32:18]  An American Marriage by Tayari Jones (2018) | Amazon | Bookshop.org  [32:44]  Fiction Modeled on Real-Life Serial Killers or Crimes (Sarah) [33:50] Sarah The Death of Us by Abigail Dean (2025) | Amazon | Bookshop.org [34:33]  Bright Young Women by Jessica Knoll (2023) | Amazon | Bookshop.org [34:39]  Heartwood by Amity Gaige (2025)| Amazon | Bookshop.org  [34:42]   We Burn Daylight by Bret Anthony Johnston (2024) | Amazon | Bookshop.org [34:52]  The Girls by Emma Cline (2016) | Amazon | Bookshop.org  [35:00] Only Love Can Break Your Heart by Ed Tarkington (2016) | Amazon | Bookshop.org [35:05] When the Stars Go Dark by Paula McLain (2021) | Amazon | Bookshop.org [35:29]  Monday, Monday by Elizabeth Crook (2014) | Amazon | Bookshop.org  [35:39]  Susie Wolf at the Table by Adam Rapp (2024) | Amazon | Bookshop.org  [36:05]  Books with Characters Struggling with Mental Health (Susie) [36:57] Sarah Sociopath by Patric Gagne, PhD (2024) | Amazon | Bookshop.org  [41:24]  Sorrow and Bliss by Meg Mason (2020) | Amazon | Bookshop.org  [41:58]  Bitter Sweet by Hattie Williams (2025) | Amazon | Bookshop.org  [42:13]  Fire Exit by Morgan Talty (2024) | Amazon | Bookshop.org  [42:23]  When I Ran Away by Ilona Bannister (2021) | Amazon | Bookshop.org  [42:28] The Curious Incident of the Dog in the Night-Time by Mark Haddon (2003) | Amazon | Bookshop.org  [42:36]   Susie Shred Sisters by Betsy Lerner (2024) | Amazon | Bookshop.org [37:56]  More or Less Maddy by Lisa Genova (2025) | Amazon | Bookshop.org [39:06]  Interesting Facts About Space by Emily Austin (2024) | Amazon | Bookshop.org [39:43]  My Lovely Wife in the Psych Ward by Mark Lukach (2017) | Amazon | Bookshop.org [40:13]  I'm Thinking of Ending Things by Iain Reid (2016) | Amazon | Bookshop.org [40:58] Other Books Mentioned Soldier Sailor by Claire Kilroy (2023) [42:33]  Dude Thrillers (Sarah) [42:45] Sarah Dead Money by Jakob Kerr (2025) | Amazon | Bookshop.org [43:34]  The Boomerang by Robert Bailey (2025) | Amazon | Bookshop.org  [43:40]  Departure 37 by Scott Carson (2025) | Amazon | Bookshop.org  [43:55]  The Wealth of Shadows by Graham Moore (2024) | Amazon | Bookshop.org [44:10]  Red Widow by Alma Katsu (2021) | Amazon | Bookshop.org  [44:27] Red London by Alma Katsu (2023) | Amazon | Bookshop.org  [44:28]   Susie The Holdout by Graham Moore (2020) | Amazon | Bookshop.org  [44:57]  The River by Peter Heller (2019) | Amazon | Bookshop.org  [45:24]  Burn by Peter Heller (2024) | Amazon | Bookshop.org  [45:25]  The Martian by Andy Weir (2011) | Amazon | Bookshop.org  [45:36]  Other Books Mentioned Project Hail Mary by Andy Weir (2021) [45:41]  All the Sinners Bleed by S. A. Cosby (2023) [45:33]  Blacktop Wasteland by S. A. Cosby (2020) [46:06]  Razorblade Tears by S. A. Cosby (2021) [46:13]  Standalone Fantasy Set on Earth (Susie) [46:36] Susie The Invisible Life of Addie LaRue by V. E. Schwab (2020) | Amazon | Bookshop.org [48:36] Bury Our Bones in the Midnight Soil by V. E. Schwab (2025) | Amazon | Bookshop.org [48:39] The Familiar by Leigh Bardugo (2024) | Amazon | Bookshop.org [49:07] Ninth House by Leigh Bardugo (2019) | Amazon | Bookshop.org [49:08] Weyward by Emilia Hart (2023) | Amazon | Bookshop.org  [49:28]  The Library at Mount Char by Scott Hawkins (2015) | Amazon | Bookshop.org [49:32]  Circe by Madeline Miller (2018) | Amazon | Bookshop.org  [49:50]  The Song of Achilles by Madeline Miller (2011) | Amazon | Bookshop.org [49:51]  Other Books Mentioned A Court of Thorns and Roses by Sarah J. Maas (2015) [47:03]  Black Chalk by Christopher J. Yates (2013) [50:30] 

In Episode 201, author Lidija Hilje talks with Sarah about her debut novel, Slanting Towards the Sea. Spanning two decades and one transformative summer in Croatia, Slanting Towards the Sea is a love story that also delves into the profound journey of coming of age in a nation younger than you are. Lidija shares lots of details about how this book came to be and the inspiration for the story and its lush Croatian setting, which becomes a character of its own. They also discuss how the Croatian War of Independence influenced both her own childhood and the novel's narrative. Plus, Lidija shares some of her top book recommendations! This post contains affiliate links through which I make a small commission when you make a purchase (at no cost to you!). CLICK HERE for the full episode Show Notes on the blog. Highlights A brief, spoiler-free overview of Slanting Towards the Sea.  Hilje's inspiration for Slanting Towards the Sea. How Croatia became its own character in the novel. The ways Slanting Towards the Sea developed and was impacted by Lidija's never-to-be-published first novel. The impact of the Croatian War of Independence (1991–1995) on Lidija's childhood and the events of the book. How Lidija shaped the ending of the novel over time. What inspired making “people pleasing” such a strong element of Ivona's character. The complete, upending change that forever shelved her first attempt at a novel. Lidija's Book Recommendations [35:58] Two OLD Books She Loves Gioavanni's Room by James Baldwin (1956) | Amazon | Bookshop.org [36:12] Euphoria by Lily King (2014) | Amazon | Bookshop.org  [39:10] Other Books Mentioned: Writers & Lovers by Lily King (2020) [41:10]   Two NEW Books She Loves Audition by Katie Kitamura (2025) | Amazon | Bookshop.org [41:33] The Anthropologists by Ayşegül Savaş (2024) | Amazon | Bookshop.org [44:55] Other Books Mentioned: Intimacies by Katie Kitamura (2021) [41:44]  Trust by Hernán Díaz (2023) [43:41]  Second Place by Rachel Cusk (2021) [43:43]  One Book She DIDN'T Love Beautiful World, Where Are You by Sally Rooney (2021) | Amazon | Bookshop.org [46:34] One NEW RELEASE She's Excited About This Kind of Trouble by Tochi Eze (August 5, 2025) | Amazon | Bookshop.org[48:52] Last 5-Star Book Lidija Read We Were the Universe by Kimberly King Parsons (2024) | Amazon | Bookshop.org [50:35] Books From the Discussion You Could Make This Place Beautiful by Maggie Smith (2023) [22:03]

Welcome to the 200th episode of Sarah's Bookshelves Live with a very special celebration with both co-hosts: Susie (@NovelVisits) and Catherine of Gilmore Guide to Books. Today, they are answering listener-submitted questions all about their reading journeys, their podcast journeys, and some about their pre-podcast blogging days! This post contains affiliate links through which I make a small commission when you make a purchase (at no cost to you!). CLICK HERE for the full episode Show Notes on the blog. Highlights Their early reading lives. The most surprising things about their reading history. Susie's secret endeavor! How much they talk about books in their day-to-day lives. What their friends outside of the book world think about what they do. Would Susie or Catherine ever want to do an author interview? How their feelings about the podcast have changed over the years. Topic Highlights Key Moments in Their Reading Lives [1:59] A few of the questions answered: Have you always been a reader, and do you have a distinct memory of when you truly fell in love with reading? [2:11]  Was there a time in your life when you were not reading very much? [6:34]  What parts of your reading tastes have changed dramatically over the course of your reading life and what parts have stayed consistent? [10:56]  Currently, what is your reading “why”? What's the primary reasoon you read? [29:35] Their Professional Reading Journeys [34:17] A few of the questions answered: Why did you start your blogs? [34:26]  Is there anything you miss from the time when you only blogged? Anything you don't miss? [40:35]  What is your relationship like off mic? [44:49]  How has social media changed your reading life? [53:04] Anything you wish you had known about podcasting before you got involved? [1:03:13]  Books Mentioned Dick and Jane Reading Collection  [2:41] Ant and Bee and the ABC  (1950) [4:31]  The Secret of the Old Clock by Carolyn Keene (1930) [4:59] Kristy's Great Idea (The Baby-Sitters Club, 1) by Ann M. Martin (1986) [5:02]  Goodnight Moon by Margaret Wise Brown (1947) [5:29]  The Interestings by Meg Wolitzer (2013) [9:47]  Double Love (Sweet Valley High, 1) by Francine Pascal (1983)  [16:09]  Great Expectations by Charles Dickens (1861)  [16:49]  Tell Me Lies by Carola Lovering (2018)  [17:42]  Normal People by Sally Rooney (2019)  [17:43]  Bitter Sweet by Hattie Williams (2025)  [17:44]  Madame Bovary by Gustave Flaubert (1857) [18:46]  Middlemarch by George Eliot (1872) [18:54]  Out of Africa by Isak Dinesen (1937) [19:17] 

In Ep. 194, Catherine (@GilmoreGuide) and Sarah head back to the year 2017 in the book world with this second annual special retrospective episode!  They share big bookish highlights for that year, including book news, award winners, and what was going on in the world outside of reading. They also talk about how their own 2017 reading shook out, including their favorite 2017 releases.  Plus, a quick run-down of listener-submitted favorites!  This episode is overflowing with great backlist titles to add to your TBR!   This post contains affiliate links through which I make a small commission when you make a purchase (at no cost to you!). CLICK HERE for the full episode Show Notes on the blog. Highlights The big news that was going on outside the book world. The book stories and trends that dominated 2017. How similar 2017 and 2025 are. The 2017 books that have had staying power.⁠ Was this as dismal a year in books as Sarah remembers? Sarah's and Catherine's personal 2017 reading stats.⁠ Listener-submitted favorites from 2017.⁠ Bookish Time Capsule (2017) [2:12] The World Beyond Books No books mentioned in this segment. The Book Industry Wonder by R. J. Palacio (2012) | Amazon | Bookshop.org  [9:59] Milk and Honey by Rupi Kaur (2015) | Amazon | Bookshop.org [10:04] A Gentleman in Moscow by Amor Towles (2016) | Amazon | Bookshop.org[10:40] The Underground Railroad by Colson Whitehead (2016) | Amazon | Bookshop.org [10:44] Uncommon Type by Tom Hanks (2017) | Amazon | Bookshop.org  [12:08] My Absolute Darling by Gabriel Tallent (2017) | Amazon | Bookshop.org  [12:18] The Hate U Give by Angie Thomas (2017) | Amazon | Bookshop.org  [13:03] If We Were Villains by M. L. Rio (2017) | Amazon | Bookshop.org  [13:13] We Were the Lucky Ones by Georgia Hunter (2017) | Amazon | Bookshop.org [13:23] Sweetbitter by Stephanie Danler (2016) | Amazon | Bookshop.org  [13:46] Homegoing by Yaa Gyasi (2016) | Amazon | Bookshop.org  [13:48] The Nest by Cynthia D'Aprix Sweeney (2016) | Amazon | Bookshop.org  [13:50] Broken Country by Clare Leslie Hall (2025) | Amazon | Bookshop.org  [14:57] Martyr! by Kaveh Akbar (2024) | Amazon | Bookshop.org  [15:03] James by Percival Everett (2024) | Amazon | Bookshop.org  [15:04] Bookish Headlines and Trends Becoming by Michelle Obama (2018) | Amazon | Bookshop.org  [20:41] A Promised Land by Barack Obama (2020) | Amazon | Bookshop.org  [20:43] The Audacity of Hope by Barack Obama (2006) | Amazon | Bookshop.org [20:48] My Brilliant Friend by Elena Ferrante (2011) | Amazon | Bookshop.org  [23:04] The Road to Dalton by Shannon Bowring (2023) | Amazon | Bookshop.org [23:31] Big Books and Award Winners of 2017 A Man Called Ove by Fredrik Backman (2012) | Amazon | Bookshop.org  [26:01] Beartown by Fredrik Backman (2017) | Amazon | Bookshop.org  [26:06] The Handmaid's Tale by Margaret Atwood (1985) | Amazon | Bookshop.org [26:21] Hillbilly Elegy by J. D. Vance (2016) | Amazon | Bookshop.org  [26:27] The Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid (2017) | Amazon | Bookshop.org  [26:48] Lessons in Chemistry by Bonnie Garmus (2022) | Amazon | Bookshop.org [28:09] The Hate U Give by Angie Thomas (2017) | Amazon | Bookshop.org  [28:39] Little Fires Everywhere by Celeste Ng (2017) | Amazon | Bookshop.org  [29:23] Everything I Never Told You by Celeste Ng (2014) | Amazon | Bookshop.org [29:40] Eleanor Oliphant is Completely Fine by Gail Honeyman (2017) | Amazon | Bookshop.org  [31:31] Olive Kitteridge by Elizabeth Strout (2008) | Amazon | Bookshop.org  [32:09] Pachinko by Min Jin Lee (2017) | Amazon | Bookshop.org  [32:51] Conversations with Friends by Sally Rooney (2017) | Amazon | Bookshop.org [33:16] Normal People by Sally Rooney (2018) | Amazon | Bookshop.org  [33:41] Sing, Unburied, Sing by Jesmyn Ward (2017) | Amazon | Bookshop.org  [34:32] Salvage the Bones by Jesmyn Ward (2011) | Amazon | Bookshop.org  [34:38] Lincoln in the Bardo by George Saunders (2017) | Amazon | Bookshop.org [35:09] The Sellout by Paul Beatty (2015) | Amazon | Bookshop.org  [35:52] What Happened by Hillary Rodham Clinton (2017) | Amazon | Bookshop.org [36:56] Killers of the Flower Moon by David Grann (2017) | Amazon | Bookshop.org [37:21] The Underground Railroad by Colson Whitehead (2016) | Amazon | Bookshop.org [37:45] Before the Fall by Noah Hawley (2016) | Amazon | Bookshop.org  [38:04] The Stone Sky (The Broken Earth, 3) by N. K. Jemisin (2017) | Amazon | Bookshop.org [38:30]  Our Top Books of 2017 The Heart's Invisible Furies by John Boyne (2017) | Amazon | Bookshop.org [40:46] Beartown by Fredrik Backman (2017) | Amazon | Bookshop.org  [41:20] Dead Letters by Caite Dolan-Leach (2017) | Amazon | Bookshop.org  [41:22] Emma in the Night by Wendy Walker (2017) | Amazon | Bookshop.org  [42:02] If We Were Villains by M. L. Rio (2017) | Amazon | Bookshop.org  [42:16] Quicksand by Malin Persson Giolitio (2017) | Amazon | Bookshop.org  [42:23] The Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid (2017) | Amazon | Bookshop.org  [42:36] This Is How It Always Is by Laurie Frankel (2017) | Amazon | Bookshop.org [42:38] Trophy Son by Douglas Brunt (2017) | Amazon | Bookshop.org  [42:48] White Fur by Jardine Libaire (2017) | Amazon | Bookshop.org  [43:05] Final Girls by Riley Sager (2017) | Amazon | Bookshop.org  [46:38] Sing, Unburied, Sing by Jesmyn Ward (2017) | Amazon | Bookshop.org  [46:44] Eleanor Oliphant is Completely Fine by Gail Honeyman (2017) | Amazon | Bookshop.org [46:46] Young Jane Young by Gabrielle Zevin (2017) | Amazon | Bookshop.org  [46:49] The Rules of Magic by Alice Hoffman (2017) | Amazon | Bookshop.org  [47:10] Practical Magic by Alice Hoffman (1995) | Amazon | Bookshop.org  [47:15] Goodbye, Vitamin by Rachel Khong (2017) | Amazon | Bookshop.org  [47:19] The Heirs by Susan Rieger (2017) | Amazon | Bookshop.org  [47:34] The Takedown by Corrie Wang (2017) | Amazon | Bookshop.org  [47:53] Feast of Sorrow by Crystal King (2017) | Amazon | Bookshop.org  [48:01] Girl in Snow by Danya Kukafka (2017) | Amazon | Bookshop.org  [48:09] Everything I Never Told You by Celeste Ng (2014) | Amazon | Bookshop.org   [48:17] Lincoln in the Bardo by George Saunders (2017) | Amazon | Bookshop.org [48:28] The Hate U Give by Angie Thomas (2017) | Amazon | Bookshop.org  [48:33] Listeners' Top Books of 2017 Pachinko by Min Jin Lee (2017) | Amazon | Bookshop.org  [49:33] Eleanor Oliphant is Completely Fine by Gail Honeyman (2017) | Amazon | Bookshop.org [49:51] The Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid (2017) | Amazon | Bookshop.org [50:03] The Heart's Invisible Furies by John Boyne (2017) | Amazon | Bookshop.org[50:07] Beartown by Fredrik Backman (2017) | Amazon | Bookshop.org  [50:13] Little Fires Everywhere by Celeste Ng (2017) | Amazon | Bookshop.org [50:15] The Hate U Give by Angie Thomas (2017) | Amazon | Bookshop.org  [50:18] The Alice Network by Kate Quinn (2017) | Amazon | Bookshop.org  [50:24] This Is How It Always Is by Laurie Frankel (2017) | Amazon | Bookshop.org [50:25] Goodbye, Vitamin by Rachel Khong (2017) | Amazon | Bookshop.org [50:27]

Andrea Long Chu was once one of Brittany's favorite Sex and the City bloggers, and she's now a Pulitzer-winning critic. Andrea lends her critical eye to everything from the TV show Yellowstone to the work of Sally Rooney to pro-Palestinian protests and free speech. And she does it with wit, style, and fearlessness. Brittany chats with Andrea about her new book, Authority - a collection of some of Andrea's best work, along with two new essays. They discuss why art is a "fossil record" of desire, what kind of authority critics have, and why we might need to rethink what criticism should do for us.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

The star novelist discusses her public persona, the discourse around her work and why reinvention isn't her goal.