Podcasts about santa monica

Zibby Owens has so many cool jobs that all started from her love of connecting people to books. She's an author, podcaster, publisher, indie bookstore owner, CEO, and mother of four. She was a stay at home mom for 11 years before starting the podcast “Moms Don't Have Time to Read Books” in 2018. Since then, she's gone on to create a book-filled empire, including becoming a(n): Publisher at Zibby Books - 12 books a year in fiction and memoirAuthor of the novel Blank, that comes out March 1, 2024, and several other books, including a memoir and a children's bookOwner of Zibby's Book Shop in Santa Monica, CACEO of Zibby Media Contact Info:Zibby Owens - GuestZibby's Instagram accountZibby's websiteJulie Berman - Hostwww.womenwithcooljobs.com@womencooljobs (Instagram)Julie Berman's LinkedIn Profile ------------------------------------------------------------------------------------------ Wishing you had your own cool job?? Not sure what you want to be when you grow up? In a time of transition or reinvention? Are you so busy that you've put yourself on the backburner for awhile? Get Sparked! Understand yourself better and learn what feels exciting and fulfilling for you. Not sure where to start? Julie can help you figure out what lights you up and fulfills you, so you can do a cool job, too! Schedule HERE to do a free, quick debrief to see how you can add more of what sparks you to life and work. Julie Berman is a Sparkologist in addition to being the Podcast Host & Producer of "Women with Cool Jobs".

Learn about the life and rise to popularity of P-22, who became known as "The Hollywood Cougar" in the mountains of Santa Monica, California. 

Happy Thanksgiving from the Heersema family! On this special occasion I am joined by my brother Sam and father Dave. The Rio Hondo Prep football team had their final practice this morning in preparation for the CIF Finals tomorrow and we could all not be more excited. My dad, brother, and I reminisce about some RHP football memories and why the program will always be special to us. It's time to eat! Enjoy the family, fellowship, and of course football. We will see most of you tomorrow night in Santa Monica for the biggest Championship Game in school history. Go Rio! --- Send in a voice message: https://podcasters.spotify.com/pod/show/a-charge-to-keep/message

BEST OF HMS PODCASTS - THURSDAY - November 23, 2023 Learn more about your ad choices. Visit megaphone.fm/adchoices

Thyroid eye disease, also known as Graves' ophthalmopathy or Graves' orbitopathy, is an autoimmune condition that primarily affects the tissues and muscles around the eyes. It is most commonly associated with an overactive thyroid gland (hyperthyroidism), particularly in individuals with Graves' disease, an autoimmune disorder that affects the thyroid.Alexander M. Solomon, MD, is a neuro-ophthalmologist and strabismus surgeon at Pacific Neuroscience Institute in Santa Monica and Torrance, CA. Dr. Solomon's personal philosophy is that each patient is an individual and that diagnosis and optimal management of any disease is best carried out in conjunction with patient and family education, and understanding.

In the latest edition of the TWM podcast, Episode 109 unfolds a captivating conversation with the intriguing and unconventional Matt Meltzer, a distinguished travel journalist. Matt delves into his early travel recollections, sharing how one of his adventures as a teenager fueled his decision to enlist in the military. Alongside anecdotes of the unique characters he has encountered on his journeys, Matt's passion for exploring less-traveled destinations makes his genuine travel narratives both enthralling and enlightening for us all. Renowned for his zeal in discovering off-the-beaten-path locales, Matt's tales, coupled with his authentic connection with people, offer valuable insights and entertainment. Injecting a dose of playfulness into his escapades, Matt is famously known for traveling with a Muppet companion, doubling as his twin, and has even spearheaded a campaign for a tourism board with Matty the Muppet. Give muppet a follow on Instagram @mattymeltzer  The interestingly hilarious story of Matt's love for Buffalo and the Buffalo Bills is worth listening to the episode just for this tale alone.  This episode was recorded in front live audience, as part of the Andeana Hats pop-up event at the Water Gardens in Santa Monica, CA. As always, we would greatly appreciate your support in liking and sharing this episode on social media, tagging @Travelwithmeaning. Feel free to leave us a positive review on your preferred podcast platform. See you on the open road!

Romance of the Ranchos "Rancho San Vincente and Santa Monica" 11/19/1941 The Halls of Ivy "The Glee Club Serenades the Halls" 11/15/1950 I Was a Communist for the FBI "Red Rover, Red Rover" 11/19/1952 Screen Directors Playhouse "The Uninvited" 11/18/1949 Escape "Casting the Runes" 11/19/1947 Dark Fantasy "The Man Who Came Back" 11/14/1941 --- Support this podcast: https://podcasters.spotify.com/pod/show/norman-gilliland/support

I speak with theoretical physicist, futurist, and best-selling author, MICHIO KAKU, about his latest book, QUANTUM SUPREMACY: How the Quantum Computer Revolution Will Change Everything,eventually illuminating the deepest mysteries of science and solving some of our biggest problems, including global warming, world hunger, and incurable disease. What is quantum computing? Where do we stand? What are the obstacles? What is the promise? What are the warnings? Learn more at mkaku.org. This episode was recorded as a LiveTalksLA event May 5th, 2023 in Santa Monica. 

What you'll learn in this episode:   Which essential jewelry books you should have in your library Why books are so much more reliable than internet research when it comes to gemstones and jewelry Why the Renaissance opened up a new world of adornment An overview of the periods of jewelry and how they overlapped and influenced one another How cultural turning points, like World War II and the South African diamond rush, influenced what materials were used during different time periods   About Jo Ellen Cole Jo Ellen Cole is the owner of Cole Appraisal Services and the director of fine jewelry at Abell Auctions. She earned her Graduate Gemologist Diploma at the Gemological Institute of America in Santa Monica and successfully passed the prestigious Gemological Association of Great Britain's FGA examinations.   Additional resources: LinkedIn Gemological and Jewelry Books for a Professional Library:   GEMOLOGICAL IDENTIFICATION BOOKS Gemstones: Their Sources, Descriptions and Identification, Webster, Robert Gem Testing, Anderson, Basil Handbook of Gemstone Identification, Liddicoat Jr., Richard T. Gem and Ornamental Materials of Organic Origin, Pedersen, Maggie Campbell Gemstones of the World, Schumann, Walter Photoatlas of Inclusions in Gemstones, Vols. 1, 2 and 3, Gubelin, Edward and Koivula, John Color Encyclopedia of Gemstones, Arem, Joel The Spectroscope and Gemmology, Anderson, Basil and Payne, James, edited by Mitchell, R. Keith   GENERAL REFERENCE Gemology, An Annotated Bibliography, Sinkankas, John The Complete Handbook for Gemstone Weight Estimation, Carmona, Charles Dictionary of Gems and Gemology, Shipley, Robert The Jewelers Manual, Liddicoat Jr., Richard T. and Copeland, Lawrence L. Gemstone and Mineral Data Book, Sinkankas, John     DIAMONDS Diamonds, Bruton, Eric Diamond Cutting: Complete Guide to Cutting Diamonds, Watermeyer, Basil Famous Diamonds, Balfour, Ian Hardness 10, Vleeschdrager, Eddy Diamond Handbook, Newman, Renee Laboratory Grown Diamonds, Simic, Dusan and Deljanin, Branko Fluorescence as a Tool for Diamond Origin Identification – A Guide, Chapman, John, Deljanin, Branko and Spyromilios, George PEARLS Book of the Pearl, Kunz, George F. and Stevenson, Charles Hugh Pearls, Strack, Elizabeth Beyond Price, Donkin, R.A.   JADE Jade, A Gemmologist's Guide, Hughes, Richard Jade For You, Ng, John Y. and Root, Edmund   COLORED STONES Ruby and Sapphire, Hughes, Richard Emerald and Other Beryls, Sinkankas, John Opal Identification and Value, Downing, Paul   JEWELRY HISTORY Brilliant Effects, Pointon, Marcia Understanding Jewelry, Bennett, David, and Mascetti, Daniella Jewelry in America, Fales, Margha Gandy Victorian Jewellery, Flowers, Margaret Transcript: In appraiser Jo Ellen Cole's opinion, the best thing a jewelry lover can have is a well-stocked library. Information on gems and jewelry abounds online today, but much of that information is incorrect. For that reason, Jo Ellen—a Graduate Gemologist who also passed Gem-A's FGA examination—turns to books when she has a question about a specific piece, hallmark or stone. She joined the Jewelry Journey Podcast to share which books she recommends for every jewelry interest; how jewelry trends shifted over the years due to cultural forces; and how to quickly identify the characteristics of different jewelry periods. Read the episode transcript here.  

Make Next Year Your Best Year! Start small, but start smart. Join our 3 week Tiny Habits group program and get 2024 off to a great start! Learn More     |     Register Here _________________________ How much critical thinking are you bringing to your retirement planning?  And not just with your investments, but on how you'll invest your time in retirement. Critical thinking can help you avoid distractions, make smart choices and chart your own course in your retirement life. Dennis Torres shares his lessons from a varied career and from six years in retirement. He joins us from Malibu, California. _________________________ Bio Dennis Torres is a skilled, talented mediator, arbitrator and negotiator who is committed to serving the best interests of all parties. He has successfully settled and negotiated thousands of disputes and contracts throughout his professional career. More than 30 years of business experience enables Torres to quickly identify the key issues of any dispute, separate the conflict from the personalities and pragmatically work toward resolution. Additionally, he brings a high degree of integrity and creativity to the process, often being praised for his “out of the box” solutions. A daily meditator since the mid 1970s, it is easy for Torres to remain centered, focused and neutral while being firmly committed to resolution. His style utilizes a full range of facilitative, evaluative, distributive and transformational methods as best suited for the individuals and the uniqueness of each challenge. While varying the process to fit the parties and the dispute, typically he will first caucus with counsel for both sides, followed by a joint session with all parties, then individual caucuses with each disputant and their attorney. His success rate is among the highest in the industry and his solutions among the most satisfying. Torres received his formal training in dispute resolution from Pepperdine University's School of Law, Straus Institute for Dispute Resolution, which is rated number one in the country.  He has both a Master's Degree in Dispute Resolution and a Professional Graduate Certificate in Dispute Resolution. Additionally, he is a graduate of The Fashion Institute of Technology, New York where he earned a degree in industrial engineering.  He also studied law at LaSalle University before being assigned duty with the United States Air Force in Vietnam. In 2006, he completed the PON at Harvard Law School. In addition to his private practice, Torres served as an adjunct professor of negotiation and dispute resolution for Pepperdine University and as a mediator for the Center for Conflict Resolution (CCR), the California Academy of Mediation Professionals (CAMP), the Arbitration, Mediation & Conciliation Center (AMCC), the State of California Superior Court in Ventura County and Los Angeles County, and the Courts of Malibu, Santa Monica and Van Nuys, and as both a mediator and arbitrator for the National Association of Securities Dealers (NASD). He had been professionally associated with Pepperdine University util his retirement. __________________________ For More on Dennis Torres Website __________________________ Retire Smarter: Follow on Apple Podcasts or Subscribe: Google Podcasts | Spotify | iHeartRadio  | TuneIn | RSS __________________________ Podcast Episodes You May Like The Power of Saying No - Vanessa Patrick, PhD Life After Work – Brian Feutz Purpose Driven Retirement – Jet Vertz Independence Day – Steve Lopez __________________________ Retiring?  Check out our recommended Best Books on Retirement with short summaries. It's not a just a list - and not just typical titles... ___________________________ Wise Quotes On Critical Thinking & Retirement "Critical thinking is important in all aspects of life, but what it means is to start thinking why we believe what we do.

A 2022 study from the University of Essex and the University of Reading found that tone shifts significantly impact classroom health and student behavior. In this session, we discuss how to cultivate a warm, confident, firm tone that can minimize student misbehavior and create a conducive climate for learning. Follow Twitter: @YoukiTerada @parrishlearning @AnnettePonnock @Jonharper70bd @bamradionetwork Youki Terada is the Research Editor at Edutopia, a division of the George Lucas Educational Foundation. He leads the research beat, covering a broad range of topics from the science of learning to effective classroom management and assessment strategies. Prior to Edutopia, Youki was an educational technology, STEM, and informal science learning researcher at UC Berkeley and the Lawrence Hall of Science. Annette Ponnock, PhD is a Postdoctoral Research Associate at the Yale Center Emotional Intelligence. Dr. Ponnock's research focuses on teacher motivation and well-being, with an emphasis on urban schools. She received her PhD in Educational Psychology from Temple University and her MA in Psychology from the University of Santa Monica. Nina Parrish has 20 years of experience in the field of education, where she has worked as a special education teacher, education center director, speaker, and educational consultant. Nina is the co-founder and chief academic officer of Parrish Learning Zone in Virginia and the author of The Independent Learner: Metacognitive Exercises to Help K-12 Students Focus, Self-Regulate, and Persevere. Nina holds a Bachelor's Degree in psychology from the University of Mary Washington, a teaching certification in special education from North Carolina A &T, and a Master's Degree in education for school counseling from Virginia Commonwealth University. Dr. James L. Floman is an Associate Research Scientist at the Yale Center for Emotional Intelligence. He received his Ph.D. at the University of British Columbia, where he studied the effects of mindfulness and compassion meditation on teacher emotion regulation and prosocial behavior with Dr. Kimberly Schonert-Reichl. Dr. Floman has three core research streams: 1) The assessment of dynamic social-affective processes (i.e., developing and validating EI and well-being measurement tools); 2) EI, mindfulness, and well-being training (i.e., developing, optimizing, and scaling EI and well-being-enhancement interventions for real-world applications); and 3) Affective neuroscience (studying mental training-induced changes in ‘emotional brain' function and structure).

A 2022 study from the University of Essex and the University of Reading found that tone shifts significantly impact classroom health and student behavior. In this session, we discuss how to cultivate a warm, confident, firm tone that can minimize student misbehavior and create a conducive climate for learning. Follow Twitter: @YoukiTerada @parrishlearning @AnnettePonnock @Jonharper70bd @bamradionetwork Youki Terada is the Research Editor at Edutopia, a division of the George Lucas Educational Foundation. He leads the research beat, covering a broad range of topics from the science of learning to effective classroom management and assessment strategies. Prior to Edutopia, Youki was an educational technology, STEM, and informal science learning researcher at UC Berkeley and the Lawrence Hall of Science. Annette Ponnock, PhD is a Postdoctoral Research Associate at the Yale Center Emotional Intelligence. Dr. Ponnock's research focuses on teacher motivation and well-being, with an emphasis on urban schools. She received her PhD in Educational Psychology from Temple University and her MA in Psychology from the University of Santa Monica. Nina Parrish has 20 years of experience in the field of education, where she has worked as a special education teacher, education center director, speaker, and educational consultant. Nina is the co-founder and chief academic officer of Parrish Learning Zone in Virginia and the author of The Independent Learner: Metacognitive Exercises to Help K-12 Students Focus, Self-Regulate, and Persevere. Nina holds a Bachelor's Degree in psychology from the University of Mary Washington, a teaching certification in special education from North Carolina A &T, and a Master's Degree in education for school counseling from Virginia Commonwealth University. Dr. James L. Floman is an Associate Research Scientist at the Yale Center for Emotional Intelligence. He received his Ph.D. at the University of British Columbia, where he studied the effects of mindfulness and compassion meditation on teacher emotion regulation and prosocial behavior with Dr. Kimberly Schonert-Reichl. Dr. Floman has three core research streams: 1) The assessment of dynamic social-affective processes (i.e., developing and validating EI and well-being measurement tools); 2) EI, mindfulness, and well-being training (i.e., developing, optimizing, and scaling EI and well-being-enhancement interventions for real-world applications); and 3) Affective neuroscience (studying mental training-induced changes in ‘emotional brain' function and structure).

What you'll learn in this episode:   Which essential jewelry books you should have in your library Why books are so much more reliable than internet research when it comes to gemstones and jewelry Why the Renaissance opened up a new world of adornment An overview of the periods of jewelry and how they overlapped and influenced one another How cultural turning points, like World War II and the South African diamond rush, influenced what materials were used during different time periods   About Jo Ellen Cole Jo Ellen Cole is the owner of Cole Appraisal Services and the director of fine jewelry at Abell Auctions. She earned her Graduate Gemologist Diploma at the Gemological Institute of America in Santa Monica and successfully passed the prestigious Gemological Association of Great Britain's FGA examinations.   Additional resources: LinkedIn Gemological and Jewelry Books for a Professional Library:   GEMOLOGICAL IDENTIFICATION BOOKS Gemstones: Their Sources, Descriptions and Identification, Webster, Robert Gem Testing, Anderson, Basil Handbook of Gemstone Identification, Liddicoat Jr., Richard T. Gem and Ornamental Materials of Organic Origin, Pedersen, Maggie Campbell Gemstones of the World, Schumann, Walter Photoatlas of Inclusions in Gemstones, Vols. 1, 2 and 3, Gubelin, Edward and Koivula, John Color Encyclopedia of Gemstones, Arem, Joel The Spectroscope and Gemmology, Anderson, Basil and Payne, James, edited by Mitchell, R. Keith   GENERAL REFERENCE Gemology, An Annotated Bibliography, Sinkankas, John The Complete Handbook for Gemstone Weight Estimation, Carmona, Charles Dictionary of Gems and Gemology, Shipley, Robert The Jewelers Manual, Liddicoat Jr., Richard T. and Copeland, Lawrence L. Gemstone and Mineral Data Book, Sinkankas, John     DIAMONDS Diamonds, Bruton, Eric Diamond Cutting: Complete Guide to Cutting Diamonds, Watermeyer, Basil Famous Diamonds, Balfour, Ian Hardness 10, Vleeschdrager, Eddy Diamond Handbook, Newman, Renee Laboratory Grown Diamonds, Simic, Dusan and Deljanin, Branko Fluorescence as a Tool for Diamond Origin Identification – A Guide, Chapman, John, Deljanin, Branko and Spyromilios, George PEARLS Book of the Pearl, Kunz, George F. and Stevenson, Charles Hugh Pearls, Strack, Elizabeth Beyond Price, Donkin, R.A.   JADE Jade, A Gemmologist's Guide, Hughes, Richard Jade For You, Ng, John Y. and Root, Edmund   COLORED STONES Ruby and Sapphire, Hughes, Richard Emerald and Other Beryls, Sinkankas, John Opal Identification and Value, Downing, Paul   JEWELRY HISTORY Brilliant Effects, Pointon, Marcia Understanding Jewelry, Bennett, David, and Mascetti, Daniella Jewelry in America, Fales, Margha Gandy Victorian Jewellery, Flowers, Margaret Transcript: In appraiser Jo Ellen Cole's opinion, the best thing a jewelry lover can have is a well-stocked library. Information on gems and jewelry abounds online today, but much of that information is incorrect. For that reason, Jo Ellen—a Graduate Gemologist who also passed Gem-A's FGA examination—turns to books when she has a question about a specific piece, hallmark or stone. She joined the Jewelry Journey Podcast to share which books she recommends for every jewelry interest; how jewelry trends shifted over the years due to cultural forces; and how to quickly identify the characteristics of different jewelry periods. Read the episode transcript here.   Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. This is the first part of a two-part episode. Please make sure you subscribe so you can hear part two as soon as it's released later this week.   I met Jo Ellen about six or seven years ago when I was studying for the GG, or the Graduate Gemology degree. In order to pass it, I needed to identify about 18 stones and get them all right, and I only had three chances to do that. This was daunting to me because I'm not a science person; I'm not a math person or anything. I wasn't working with the stones. I wasn't working in a jewelry store, so I really didn't have the opportunity to handle the stones. I called another appraiser, Charlie Carmona, whom we've had on this podcast, and asked him for a recommendation for a tutor. I thought it was a pretty weird recommendation that I was asking for, but he immediately recommended Jo Ellen, and I never looked back. She's been a great tutor. It was a few years ago, but she helped me a lot.   She knows a lot about jewelry, and not just jewelry, but I find her extremely knowledgeable about vintage and antique pieces. I have talked to and been to enough appraisers to know that this is its own specialty. She's also been helpful when it comes to directing me to researchers for whatever I need. She pointed me in the right direction. Today, she's going to share with us the books that she thinks will help us with our jewelry journey. Jo Ellen, welcome to the program.   Jo Ellen: Thank you so much for having me. I'm happy to be here.   Sharon: I'm so glad that you deigned to be on. Now, tell us, with a GG, which is part of the GIA, you can do a lot of things. So, why did you go into appraisal as opposed to other things?   Jo Ellen: Well, I found that I was lacking in salesmanship abilities, to say the least. I'm just not a salesperson, but I love to categorize; I love to research. Appraising seemed to fit that bill very well. Plus, when I realized that I was not good at sales, I met Charles Carmona, whom you mentioned before, at American Society of Appraisers—no, it was the AGA. I can't remember what that stands for, but it was a meeting. I met him, and a couple of years later, he asked me to work with him and I jumped on it. It was a wonderful experience. He's still my mentor. He's so knowledgeable and knows so much about appraising. I always feel comfortable talking to him about any problem I might encounter. He's been very instrumental.   Sharon: And a big name in the L.A. market, I would say.   Jo Ellen: He's really gone worldwide. He has three laboratories in China and Thailand as well.   Sharon: I didn't realize that.   Jo Ellen: Yeah, he's really opened up his market. He also leads a lot of traveling groups and things. He's very well-known.   Sharon: I knew he was well-known in Los Angeles, but I didn't know he was that well-known around the world.   Jo Ellen: Having factories in Africa, he's been around doing a lot of different things.   Sharon: I've stopped purchasing books when it comes to novels or something like that. I just listen to them. Why should I purchase a book as opposed to listening online when it comes to jewelry? Why should I purchase a jewelry book?   Jo Ellen: What I've noticed is that when I go online to research prices of jewelry, which I do often, I find that a lot of the information I find is not correct. I think part of the reason for that is because it's so easy to list something online. It gets your name out there, so people do that. However, they don't always double check their information. There's a lot of misinformation out there.   Whereas in a book, it takes a lot longer to set it up, edit it, make sure everything's proper. I've been able to count on the information coming from books a lot better than I have been from online sources. However, I must say there is certainly a good reason to look online as well. Some of the information is very good. It's just that, personally, I feel more comfortable with a book form. Then, you can revisit that if you need to. It's easier to find.   Sharon: Do you have to know if it's right or wrong before you look at a book?   Jo Ellen: You have to figure that out on your own. But generally, if you have a good background in terms of knowledge of gems and gemology and antique jewelry from reading through books, a lot of times, you'll find that information is incorrect when you go online.   Sharon: I know instances where I've found incorrect information about pearls or something like that. I wouldn't say I'm any kind of expert, but I know it's incorrect.   Jo Ellen: Yeah.   Sharon: Can you tell us quickly what you do every day? What does an appraiser do every day?   Jo Ellen: If I'm not reviewing a book for a gemological publication like The Gemologist or Gems & Gemology, which doesn't do book reviews anymore—but a lot of times, I'm asked by people in the industry to review new books. So, I do that a lot, which involves going over the book line by line and figuring out what I think is proper and what isn't, or what is clear and what is not. I do that a lot.   I also work at a local auctioneer two days a week, at Abell Auctions, as their fine jewelry director. I'm constantly cataloguing things and looking for prices on things, always encountering something unusual there. You get things from all over the world, and people like to use that venue as a way to sell their items. If I'm not doing that, I'm actually going to people's localities to appraise their jewelry for them, either for insurance purposes or for estate purposes if somebody has passed or wants to set up a trust. I do that a lot, but a lot of my days are spent doing what I love, which is reading.   Sharon: You sound pretty conscientious to look at a book that closely when you're writing a book review.   Jo Ellen: For me, it's really important to get it right. Generally, most books, even if I don't particularly like them, I can at least validate that their information is correct. I did have one book about a year-and-a-half ago that was just so egregious in its information I had to give it a bad review, which I've never done before. I called up the editor the week before it was due and said, “Why are you even covering this book? It's so awful.” He asked why, and I started pointing out little things. He was like, “Oh,” but he published the review anyhow. I didn't feel great about it because I don't like to slam people for things, but it was just so awful I had to point it out.   Sharon: So, we should do our own reading, both online and with books.   Jo Ellen: Absolutely.   Sharon: Let's talk about a book or books and talk about the history. If you want to learn about the history of jewelry through the ages, what would you look at?   Jo Ellen: There are a couple of really good books. When you write a book, it seems like the best formula is always to start at the beginning and take them through the ages. That's what they do with jewelry history. Usually, they'll start with prehistoric jewelry and how jewelry first came to be—it's one of the oldest things that humans have done that marks them as humans—and then it goes through medieval times and Renaissance, and then to Georgian and Victorian and Arts and Crafts or the Aesthetic Period, and then through Art Nouveau and Art Deco and Retro and on up to modern jewelry for today. That's usually how a book on jewelry history is set up. There are couple of really good ones out there that encapsulate what you need to know in terms of jewelry history.   Sharon: Before you tell us that, I wanted to tell our listeners that we will have all this information on the website. Yes, take notes, but you don't have to write everything down; it'll be on our website.   Jo Ellen: Yeah, I created a list of things that you can look for. One of the main books I recommend for overall jewelry history is a book called “Understanding Jewelry.” It's by David Bennett and Daniela Mascetti, who were both cataloguers at Sotheby's for many years and very knowledgeable in their field. It really helps to set up all those different ages of jewelry and gives wonderful examples and photographs. It's a picture book as well as an informative book, but all the information they offer has always been spot-on. I've learned so much from that book. It's one that I would definitely recommend.   Sharon: I've probably seen it in every jewelry office that has books. I see that book.   Jo Ellen: It's a great book. It really is. Another good one that's much simpler and has more pictures is a book called “Warman's Jewelry.”   Sharon: Warman's?   Jo Ellen: Yeah, W-A-R-M-A-N. The second edition was actually written by a good friend of mine, Christie Romero, who has since passed on. She used to be on the Antiques Roadshow. You'd see her on Antiques Roadshow a lot, a very knowledgeable woman. She had started her journey by traveling down to Mexico and learning all about Mexican silver and then just expanded from there. She used to give classes on jewelry at Valley College in Los Angeles. She just knew how to present things in such a way that it was very easy to assimilate that information.   It has tons and tons of pictures. It also has a jewelry timeline. It's very thorough for being such an easily read book. There are even some prices in there, I think. It's now an older book, and I think there have been other editions that have been written since hers, but I always liked hers because I'm familiar with it. So, that's another good one that I would offer.   Sharon: What about a book if we want to be more specific, like Georgian or Victorian jewelry? It's funny that when you say prehistoric, you could take many of the prehistoric pieces and wear them today and nobody would know the difference. But it seems to jump then to Renaissance.   Jo Ellen: Because it has to do with the Dark Ages. A lot of it is about human history and civilization. During the Dark Ages, people were in such terrible shape as a civilization, they didn't have time to decorate themselves, so they usually used items from the past. There wasn't a lot of information coming out between, let's say, the 5th and 13th centuries. Then things started rolling again once society got more stabilized.   Sharon: Is there a particular book we should look at if we want to pick up where society picked up? Let's say Georgian.   Jo Ellen: There's a really good book on jewels of the Renaissance by Yvonne Hackenbroch. It's quite a tome. It's big, and it goes through the history of civilization as well as jewelry. It talks about the light occurring in the beginning of the Renaissance, when people started realizing there's more to life than just eating and sleeping and staying alive. You can decorate yourself. You can show your social status by what you wear, some of it being jewelry. That's a very good book for the Renaissance period.   There's also another Renaissance book called “Renaissance Jewels and Jeweled Objects: From the Melvin Gutman Collection” by Parker Lesley. It shows wonderful examples of Renaissance-oriented jewelry. There's one called the Hope Pearl Jewel. It's this big, baroque pearl that's decorated as the body of a man. It's very well known. It demonstrates jewels like that.   Sharon: From there, does it continue to Georgian and Victorian?   Jo Ellen: Yeah, there's a really good book, “Georgian Jewelry 1714-1830,” by Ginny Redington and Tom Dawes with Olivia Collings. It's great because I had never seen a book specifically on Georgian jewelry. It's not glamorous jewelry because the techniques weren't there. It's just that people wanted to adorn themselves to help their social status. It's very collectable today. People collect Georgian jewelry all the time. It goes through the period before Queen Victoria took the throne and clarifies a lot of things. And, again, the information is spot-on. I've never had a problem with these books. When I go to confirm that information, I've never had a problem with it.   Sharon: I don't collect Georgian jewelry, but I do know it's very hard to find.   Jo Ellen: Yeah, it is, but it shows up at different auctions, sometimes in the most unusual places. Even at Abell Auctions you'll see it. People just hold onto these things. A lot of Georgian jewelry isn't available anymore because people would melt down those items to make new items in a newer fashion, such as a Victorian fashion. They would take the stones out, melt down the metals and then either recast them or remake them in some way into a newer-looking form. That's why you don't see a lot of Georgian jewelry anymore.   Sharon: How about Victorian jewelry? There seems to be a lot of it.   Jo Ellen: There's a lot of Victorian jewelry. Even though people also did it then, where they would melt things down and make a new piece out of older pieces, there is a lot of Victorian jewelry because Queen Victoria, whom that period is named after, wore a lot of jewelry. She was a big jewelry person. She loved jewelry and she used it for sentimental reasons to give imagery, to bestow favor on people. So, there's a lot of it around because people would want to copy her. Everybody started doing that. You'll have mourning jewelry from Victorian times.   A lot of historical things happened during her reign, such as the finding of diamonds in South Africa, which changed the diamond market forever. Before then, there were diamonds from Brazil, primarily, or India, but they're very hard to come by and very, very expensive. Once they opened up the diamond fields in South Africa, you started getting a lot more diamond jewelry.   Sharon: By mourning, you mean if somebody dies?   Jo Ellen: Yeah. A lot of times, when someone would die, they would leave a certain amount of money in their will to make mourning rings or pendants for their friends and family to remember them by. So, you have this memento mori-type jewelry which has its own collecting base. People collect their little pendants, which are like little baskets with a little enamel skeleton inside, little rings that say the man or woman's name written around the inside of the band, all sorts of things like that. It's kind of sweet because, when you think about it, jewelry is one of the few art forms that's worn close to the body. It makes it more sentimental.   Sharon: And the diamonds from South Africa, were they different than the other diamonds, besides being less expensive?   Jo Ellen: The thing with Brazilian diamonds in particular is that they had what they call a lot of knots in them, where their crystals grow into crystals. You would have these harder-to-polish areas. With African diamonds, it's such a pure form that they're easier to polish. They didn't take as much time to polish, and they didn't break on the wheel the way that some of the Brazilian diamonds would break.   Sharon: They used those diamonds in Victorian jewelry?   Jo Ellen: They did.   Sharon: What books should we look at if we want to learn about Victorian jewelry?   Jo Ellen: There is a wonderful book—in fact, I used to know an antique dealer that used to give out these books to his clients because they were wonderfully organized. There's a book called “Victorian Jewelry” by Margaret Flower, and it goes through the different phases of Victorian jewelry. There's an early, a mid and a late phase. What she does is describe exactly what you can see during each of the phases, what types of jewelry. It's very interesting, and it gives you an overall picture of how things came to be during that time period. It's really nicely done.   There's a much larger book I'm still reading because it's so big. It's called “Jewelry in the Age of Queen Victoria” by Charlotte Gere and Judy Rudoe. That also has a lot of very specific information on different types of jewelry, the makers during that time. What's interesting is you'll see the same authors over and over again because these people really use it. It's their way to express themselves as a lifestyle, almost. They're wonderful authors, and they do their research and know what they're talking about. So, those are two Victorian jewelry books I would highly recommend. I think they're wonderfully done.   Then, if you want to go into French jewelry, there's another book called “French Jewelry of the Nineteenth Century” by Henri Vever. It's an enormously fat book. I'm still reading that one as well, but again, it's jewelry makers. It's huge. It gives makers' information and techniques, and it's beautifully done. That's a good book to have as well.   Sharon: First of all, it strikes me that you seem to look at the pictures a lot more. You read. Most people don't read any of the book. They look at the pictures. That's different.   Jo Ellen: They have pictures with jewelry; that's sure to entice you to continue looking.   Sharon: Then what do you go into? Edwardian and Art Nouveau?   Jo Ellen: Before that, there's actually a period called the Aesthetic Period, which is also covered in the “Jewelry in the Age of Queen Victoria” book. It was in the late 1870s through the 1900s. There were certain makers that specialized in it, like Child & Child of London. They would make these beautiful pieces that harkened back to classical times but using new techniques and materials. That was a specific period. It was a very small period, but all the jewelry that was done during that time is beautifully done. There's a book by Geoffrey Munn called “Castellani and Giuliano,” and it talks about that specific time period. For example, Castellani was known for taking antique or ancient jewelry and refiguring it for that time period around the 1900s.   Sharon: He was a goldsmith?   Jo Ellen: He was a goldsmith. It was actually two brothers who were goldsmiths. One of the brothers was very politically active and lost an arm when they were demonstrating or something. He got put in jail, but the other brother kept on, and then their children took over after them. In Giuliano's case, which was another manufacturer in Rome, he was known for his enamels. You will see jewelry specifically with black and white enamel accenting other colored enamels. The work is beautifully done, and it's very detailed.   Sharon: We may be going back a few years. What was Berlin iron, and when was that popular?   Jo Ellen: Berlin ironwork, I believe, was like 1840 through 1860. It was a result of people giving up their precious metals for the Prussian Wars that were happening at that time. They would make this Berlin ironwork, which is very delicate and lacey, but it was made out of iron because they didn't want to use precious metals for that; they wanted to use it for warfare. So, they would use ironwork as a substitute for precious metals. There are some beautifully intricate bracelets and necklaces. It looks like lace. It's really beautiful.   Sharon: Is it wearable?   Jo Ellen: It is wearable. It's kind of a Gothic look, so it's a heavier look. I don't know if you'd want to wear it every day because, again, it's kind of—I hate to say gloomy, but it is kind of a sober look because it's black and the tracery is so fine. But it's certainly wearable.   Sharon: After the Aesthetic Period, we have Edwardian and Art Deco. What do we have?   Jo Ellen: What we start with is Arts and Crafts, which is actually my favorite period. I have a lot of books on it, but there are a couple that were really good in terms of pushing forward the information I knew. One is a book called “Jewelry and Metalwork in the Arts and Crafts Tradition” by Elyse Zorn Karlin, who's a very active member of the jewelry industry. She gives lectures. It's this wonderful book on Arts and Crafts jewelry and metalwork and leads you through the making of it with the guilds.   They tried to restart jewelry guilds in England where everything was made from first to last by the same person. The metal would be drawn and shaped by the person. If enamels were used, they would make the enamels themselves and apply them themselves. The stone setting was done by the same person. That was the beginning of Arts and Crafts, the person making the piece from beginning to end. Usually they're not terribly intricate, but they're beautifully fashioned with a lot of feeling. It's a very comfortable look, and it's infinitely wearable. The first part of Arts and Crafts started around 1883 through 1900. Then there was a repeat of it between around 1920 and 1935, around the same time as Art Deco.   What I forgot to mention during the Aesthetic Period was Carl Fabergé from Russia. He did a lot of Aesthetic pieces.   Sharon: He did the eggs, right?   Jo Ellen: He did the eggs for the Russian monarchy, but he also did jewelry for everyday people. He would make little, miniature enameled eggs for the general Russian population. Those still come up today once in a while. I saw an entire necklace of Fabergé eggs, all in different enamel colors beautifully done. Everything is so beautifully fashioned. You can tell they really took time in every single aspect of the making of that jewel. That's what I love about it. It shows so much attention to detail.   Sharon: We will have photos posted on the website. Please head to the JewelryJourney.com to check them out.    

This week, We're bringing you one of our favorite experiences of the 2023 Music Tectonics Conference: a fireside chat  with Tatiana Cirisano of MIDiA Research. We called it Music in a Post-stream Era: a Fireside Chat, but the fire was the Santa Monica sun and the chat was on a beautiful rooftop.    As the discussion unravels, we delve into the future of the music industry, shedding light on platforms like Twitch and YouTube's pivotal roles, and the . urgent need to better monetize consumer creation, while acknowledging the industry's highly competitive nature. Explore the industry's expansion, considering fascinating prospects such as derivative content, AI-trained tracks, and branded gear.   We examine how streaming models are reshaping the types of music creators and how AI is rapidly instigating changes in the music industry. Keep listening to hear the gems Tatiana dropped and if you missed out on this year's event. The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!

Tustin officials are letting the U.S. Navy hangar fire die out on its own and telling residents to stay inside, as crews with hazmat gear clean up public areas.  Makeshift businesses — like in mechanical engineering and textile industries — existed under the section of the 10 freeway that recently burned. Those workers lost everything. The 366-foot-tall Vegas entertainment orb known as Sphere is drawing crowds for its U2 residency. West Hollywood and Santa Monica are exploring building similar structures. Since the Supreme Court's Dobbs decision overturned Roe v. Wade last summer, anti-abortion measures have lost in every state where they've been on the ballot. Funghi trifolati, an Italian antipasti dish, features mushrooms sautéed in olive oil with garlic and parsley. Mushrooms can also be stuffed, and they go well in barley soup.

In episode 25 of the Divorce661 #dailyperspektiv we bring you the latest updates and insights from the world of divorce cases in Los Angeles County. With just 16 days left to file for divorce in LA County, it's crucial to stay informed about the latest developments. Here's a quick overview of what we'll cover in this video:

New laws fight fake news.

We are MarvinsMama from Santa Monica, California and Korkio from Oklahoma City, Oklahoma. Just two regular ladies that love to play and talk about Cubieverse! Korkio is now back home and we recap our epic Halloween event! Check out our merch store! www.bonfire.com/store/ladies-of-the-hunt-store/ Support the stream: https://streamlabs.com/thekorkio Follow us on Twitter @LadiesoftheHunt // https://twitter.com/LadiesoftheHunt Looking for some new music while completing your Cubieverse walking goals? Give our playlist a listen: https://open.spotify.com/playlist/565QNKKFbBhGv20kAJpnXX?si=047c7e80c720401d --- Send in a voice message: https://podcasters.spotify.com/pod/show/ladiesofthehunt/message Support this podcast: https://podcasters.spotify.com/pod/show/ladiesofthehunt/support

Dr. Akanksha Sharma is a neuro-oncologist and palliative medicine specialist at the Pacific Brain Tumor Center at Pacific Neuroscience Institute in Santa Monica, CA. To provide extra resources to brain cancer patients suffering from brain tumors such as glioblastoma and their caregivers. Dr. Akanksha Sharma is a neuro-oncologist and palliative medicine specialist at the Pacific Brain Tumor Center at Pacific Neuroscience Institute in Santa Monica, CA. To provide extra resources to brain cancer patients suffering from brain tumors such as glioblastoma and their cargivers, Dr. Sharma opened a Supportive Care Clinic in 2020. The clinic offers services to deal with symptoms, quality of life, caregiver burden and distress, and help alleviate suffering. PacificBrainTumor.org | 310-829-8265

A real estate roundup and it's Ice time in Santa Monica

Today we are heading to a sun-soaked slice of heaven. The place I chose as my all time favourite destination when I answered my own travel diaries here on the podcast. The Golden State. It is of course, California. I have been so excited to work on this episode for you, bringing to life a destination so close to my heart - so close in fact, that I even got married on one of its many golden sand beaches.The reason I love California so much is that it's a paradise of possibilities, a promise of endless adventure, that truly caters to every traveller. From the dramatic coastlines of Big Sur, where the waves dance with the rugged cliffs, to the sun-kissed beaches of Santa Monica and the iconic Santa Cruz boardwalk, this state offers a buffet of coastal delights.Speaking of buffets, don't even get me started on the food. California is a culinary playground where flavours from around the world collide. From food truck gems in Los Angeles to Michelin-starred eateries in San Francisco, your taste buds will embark on a journey of their own. Not forgetting that it's home to some of the most famous and beautiful wine country in the world. And how about the great outdoors? California is a nature lover's dream come true. Yosemite National Park, with its colossal granite cliffs and lush forests, will make you feel like you've stepped into a postcard. There's the historic redwood forests of Northern California. And for the adrenaline junkies, Lake Tahoe offers year-round thrills, from skiing in the winter to kayaking in the summer.Whether you're chasing dreams in LA, hiking in the Sierra Nevada, or sipping on cabernet in wine country, California is a place where every moment feels like a movie scene, and you're the star.Speaking of stars, today we are joined by a star-studded lineup of some of my favourite guests across the last 10 seasons, who have chosen California as part of their travel diaries. They'll be taking us on the ultimate California road trip - a trip of a lifetime you can do in two or three weeks, that everyone should be adding to their travel bucket list. Destination Recap:Holly RubensteinCalifornia Road Trip - Los Angeles, Santa Barbara, MontecitoPoppy Delevingne - Chateau Marmont Hotel, Hollywood, LASir Trevor McDonald - Shutters on the Beach Hotel, Santa MonicaEd Gamble - Madonna Inn, San Luis ObispoJon Ronson - Pacific Highway Route 1, Hearst Castle, Los AngelesBrian Chesky - Walt Disney Museum, San FranciscoMichel Roux Jr - Pacific Highway Drive, Wine Region, San Francisco, Spago Restaurant, Chez Panisse, BerkeleyGregory Porter - Yosemite National Park Chef Nancy Silverton Los AngelesAnajack Thai, Sherman OaksKato, Los AngelesDowntown Los AngelesBaroo, Los AngelesOjaiOjai Valley Inn, OjaiSolvangThe Watts Towers, Los AngelesOlvera Street, Los AngelesYosemite National ParkPalm Springs San FranciscoBerkeleySan Juan CapistranoChez Panisse, Berkeley San Ysidro Ranch, Santa BarbaraFerry Plaza, San Francisco Embarcadero Buvette, San Francisco Blue Bottle, San Francisco Farmer's Market, San Francisco Boonville Hotel & Restaurant, Mendocino CountyTo discover more about California head to visitcalifornia.com Hosted on Acast. See acast.com/privacy for more information.

I'm Josh Cooperman and this is Convo By Design. This Summer, I spent some time back in LA visiting with some very talented designers and I wanted to share some of those conversations with you.  But first, you should know that if you are in LA and listening to this episode the week it was released, November 14th, the WestEdge Design Fair is happening RIGHT NOW and you should come down to Barker Hangar in Santa Monica and take in some of the incredible conversation being produced by yours truly. These are highly curated conversations that were crafted specifically for those in the trade as well as those who love design. So check out @ConvoXDesign with an “X” on IG and message me for more details and tickets. If I have any left, they're yours for the asking. We'll be right back with this weeks episode, right after this. Designer Resources ThermaSol - Redefining the modern shower experience. Episode 271 featuring Mitch Altman Moya Living -  Beautiful, durable powder coated kitchen, bath & outdoor kitchen cabinetry Design Hardware - A stunning and vast collection of jewelry for the home! Thank you Stephanie, Kim, Lorena and Jeanne for your time, loved this. Thank you to Michele Solomons and everyone at Design Hardware for making this space available for having these important conversations. Thank you to my partners and sponsors ThermaSol, Moya Living and Design Hardware for your continued support of both Convo By Design and the design community. A side note, the sponsors and partners you hear on CXD are more than companies with a product, each of the partners I work with have been fully vetted, they are owned and operated by people who love what they do and have dedicated themselves to serving the design community and customers by providing the best products and services available. If you would like to know why I am so proud to have them part of Convo By Design, email me at convobydesign@outlook or on IG @convoxdesign with an “X”. I would be happy to share my experience. Please make sure you are also reaching out with show ideas and guests you would like to hear on the podcast. I love hearing them and it has given me the chance to meet new creatives not already on my radar, so thank you. Thank you for taking the time to listening to the show and share in the experience, until next week, be well and take today first. - CXD

There's a bunch of advice out there about the highest performing Reels or Tik Toks and visibility strategies for your business.But none of that helps if you feel horrible every time you take out your camera or try to show up authentically online.Lucia Donyel believes in the power of Spiritual Psychology. She noticed this through earning her Master's Degree from the University of Santa Monica and through 8 years of experience as a brand photographer, coaching clients to heal their unresolved visibility issues. Now she wants to help you overcome what holds you back from truly being seen.Once you get more comfortable being visible, showing up becomes simple. Creating content will be easy.You will wear your new-found comfort and confidence on your sleeve. It will show on camera.And you'll become your true unapologetic self online.TAKEAWAYS:It's not about what others think, it's about what you think. Don't get hung up on your physical appearances. Others are probably not thinking or worrying about the things you are about yourself. Show up as your authentic self.Changing your mindset is key to your business success. Energetically, your attitude towards something that you're doing online will completely be impacted by the underlying limiting beliefs that you hold around your capacity. So if something is holding you back, you need to do the mindset work so that you can move forward with confidence.We want to get to a point of thriving, not surviving. Lucia talks about the 4 ways people cope and how we can change our mindset in order to be thriving in our lives which helps our businesses thrive as well.RESOURCES:Find the blog post that accompanies this episodeGrab Lucia's Aligned Presence Workshop! Use the coupon code Lucia mentions in the episode to snag it for $0Follow Lucia on InstagramReady to sell more of your course or membership, without the hustle, burnout, and that work that keeps you “busy” but doesn't get you results? Applications are now open for the Clients on Autopilot Mastermind! Click here for more details and an application.CONNECT WITH ALLISON:Follow Allison on InstagramDID YOU HAVE AN 'AH-HA MOMENT' WHILE LISTENING TO THIS EPISODE?If you found value and are ready to take action from listening to this episode, head to Apple Podcasts and help us reach new audiences by giving the podcast a rating and a review. This helps us to reach more online coaches who are creating a thriving 6-figure business.Music courtesy of www.bensound.comThis episode is edited and managed by Haili Murch LLC.If you are interested in starting a podcast or you are currently a podcaster needing help managing or relaunching your podcast, click here to book a call Or you can directly contact Haili Murch at hello@hailimurch.com or on Instagram

Years in the planning, CheapShow is finally leaving the UK and heading across the Atlantic ocean to explore the city of angels itself, Los Angeles! In a very special episode, Paul and Eli explores the many nooks and crannies of LA in an adventure that takes them over an extremely large, and particularly varied city. Along the way, they'll take a walk along Santa Monica pier, explore 3rd Street Promenade for a thrift store, hunt for the Winkie billboard location, try to escape Hollywood and a few other odd surprises too. Paul thinks being in LA makes him a better person, Eli doesn't believe it and just wants to find a place to have a smoke! It's Part One of "The LA Trilogy" of CheapShow adventures! Alt CheapShow Theme by @noiselund See pics/videos for this episode on our website: https://www.thecheapshow.co.uk/ep-357-to-thrift-and-buy-in-la And if you like us, why not support us: www.patreon.com/cheapshow If you want to get involved, email us at thecheapshow@gmail.com And if you want to, follow us on Twitter/X @thecheapshowpod or @paulgannonshow & @elisnoid www.thecheapshow.co.uk Now on Threads: @cheapshowpod Like, Review, Share, Comment... LOVE US! MERCH Official CheapShow Merch Shop: www.redbubble.com/people/cheapshow/shop www.cheapmag.shop Thanks also to @vorratony for the wonderful, exclusive art: www.tinyurl.com/rbcheapshow Get hold of Spunk.Rock's exclusive CheapShow 300 Artwork: https://www.redbubble.com/i/t-shirt/CHEAPSHOW-EST-2016-by-spunkrock/115961855.WFLAH.XYZ www.instagram.com/spunk__rock Send Us Stuff: CheapShow PO BOX 1309 Harrow HA1 9QJ

A Manhattan jury deliberated less than four hours before finding FTX founder Sam Bankman-Fried guilty of seven counts of fraud and conspiracy. Prosecutors are calling the $10 billion scheme one of the biggest financial frauds in American history. CBS News' Errol Barnett reports.The Israel-Hamas War has seen an increase in violence in the Israeli Occupied West Bank – which is an internationally recognized Palestinian territory. For decades, Israeli settlers – with the support of the Israeli government and military -have built communities in those territories, forcefully removing Palestinians from their home and lands. Since the October 7th attack there has been an increase in tensions with more than 100 Palestinians being killed. Debora Patta has this reportWhen CBS News spoke with Jessica Nagar Zindani earlier this month, she was living in a room that served as a bomb shelter in Israel with her husband and three children while the U.S. organized evacuation plans. Since then, the American-born mother and her children have arrived in Santa Monica, California. She joins "CBS Mornings" to describe her family's journey.As part of a new series, "CBS Mornings" surprised lead national correspondent David Begnaud with a plane ticket at the airport with the challenge of finding a special story within 48 hours of arriving in the surprise destination. He was sent to Providence, Rhode Island, where his journey led him to a young but wise man who is mastering a timeless craft.Co-host Nate Burleson is joined by special guests in Times Square outside the "CBS Mornings" studio, including analyst and former coach Bill Cowher, and The Amazing Race host Phil Keoghan, to kick of 100 days until the Super Bowl on CBS. A special guest is also in studio: the Vince Lombardi Trophy.CBS News senior national correspondent Mark Strassmann introduces us to Cathy Lanier, a trailblazing former police chief who is now in charge of securing the NFL. She shares her inspiring story.In our "Countdown to Sunday" series, co-host Nate Burleson visits the Atlantic Health JETS Training center in New Jersey to see what it takes to feed a entire football team ahead of the start of the 2023 NFL season. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Decision Space is the podcast about decisions in board games. Join our active and welcoming Discord community, Join the crew today! (Decision Space Patreon), or Leave us a review wherever you found this podcast!  Episode 143 - Santa Monica   This week, the Interdecisional Spaceship takes a much-needed detour to the beach. That's right, we are catching some waves in sunny Santa Monica. In the episode, Brendan and Jake will deep dive into the game and get into some pretty deep waters about the implementation and nature of variability in this game. Enjoy!   Pre-Planners Santa Monica coming up next week!   Timestamps    Intro - 0:00 Ratings and Review - 2:09 Game Background - 5:29 Rules Overview - 6:17 Santa Monica Deep Dive - 8:15 Takes from Preplanners - 16:34   Music and Sound Credits Thank you to Hembree for our intro and outro music from their song Reach Out. You can listen to the full song on YouTube here: https://www.youtube.com/watch?v=gQuuRPfOyMw&list=TLGGFNH7VEDPgwgyNTA4MjAyMQ&t=3s You can find more information about Hembree at https://www.hembreemusic.com/.  Thank you to Flash Floods for use of their song Palm of Your Hand as a sting from their album Halfway to Anywhere: https://open.spotify.com/album/2fE6LrqzNDKPYWyS5evh3K?si=CCjdAGmeSnOOEui6aV3_nA Rules Overview Music:  Way Home by Tokyo Music Walker https://soundcloud.com/user-356546060​ Creative Commons — Attribution 3.0 Unported — CC BY 3.0 Free Download / Stream: https://bit.ly/tokyo-music-walker-way...​ Music promoted by Audio Library https://youtu.be/pJThZlOuDtI Contact We can be reached individually on Twitter at @jakefryd and @burnsidebh. You can also follow Decision Space on Instagram @DecisionSpacePod and talk to us there! If you prefer email, then hit us up at decisionspa@gmail.com. This information is all available along with episodes at our new website decisionspacepodcast.com. Byeee!

We've officially reached the halfway point of The Golden Bachelor and things are really heating up! In the final week before hometown visits, Gerry narrows down his choices to three women meaning half of the remaining women will be getting the axe. With a super special romantic one-on-one date with Faith and a group date to the always romantic Santa Monica pier, Gerry has a lot of make-out seshes and women telling him that they love him. Will Gerry tell the that he loves them back? (Spoiler alert: no he won't and it'll be awkward.) But listen anyways as Brad and Katie break it all down in another fun-filled episode of Well...I Liked It!

This week on The Hamilton Review Podcast, Dr. Bob welcomes Dr. Noel Salyer (his daughter!) to the show! In this short and informative conversation, Dr. Salyer and Dr. Bob talk about the spookiest night of the year - HALLOWEEN! Halloween is such a magical time of year for kids, but how do we keep them safe AND have a lot of fun? Dr. Salyer, pediatrician at Pacific Ocean Pediatrics and mom of three, shares valuable tips to keep your family safe - don't miss this SPOOKTACULAR discussion! Noël Hamilton Salyer, M.D., F.A.A.P., was raised in Santa Monica, California, and is the first of four daughters born to Leslie and Robert Hamilton. She graduated with a Bachelor's degree in psycho-biology from University of California, Los Angeles and then completed her medical degree at University of California, Davis. She did her internship and pediatric residency at Lucile Packard Children's Hospital at Stanford University. After eight years in Northern California, she moved back to Santa Monica and in 2010 joined us here at the pediatric practice her father founded in 1996. Dr. Salyer and Dr. Bob are a dynamic daughter-dad, doctor duo at Pacific Ocean Pediatrics in Santa Monica, California.  Dr. Salyer holds staff privileges at Providence-St. John's Health Center and UCLA-Santa Monica Medical Center.  She lives in Culver City with her husband, Kyle, their three children, and their Australian labradoodle, Poppy. How to contact Dr. Bob: Dr. Bob on YouTube: https://www.youtube.com/channel/UChztMVtPCLJkiXvv7H5tpDQ Dr. Bob on Instagram: https://www.instagram.com/drroberthamilton/ Dr. Bob on Facebook: https://www.facebook.com/bob.hamilton.1656

Sophia reunites with Hilarie Burton for a very special WIP live from Hilarie's "Grimoire Girl: A Memoir of Magic and Mischief" Live Talks LA Event in Santa Monica!  The duo talks about the importance of telling your story on your terms, discovering magic in the world, finding fun in failure, not being afraid of making poor choices, and who is the worst hoarder between the two!  Plus, the ladies reveal what bums them out, why it's important to celebrate your wins, and you won't believe the one thing Hilarie has all over her house . . . it's an eyeful!See omnystudio.com/listener for privacy information.

The Los Angeles County District Attorney's Office has launched an investigation into the working conditions at several hotels where workers are on strike.The investigation was sparked by claims that migrant workers are being underpaid off the books, and that children may also be part of the workforce being used to replace those striking workers.District Attorney George Gascón on Monday made an appearance outside Le Meridien Delfina in Santa Monica to announce the investigation into the hotel and several others."We want to make sure that those who are vulnerable are being provided the support that the laws of this country provides," he said.Gascón spoke alongside striking workers from Unite Here Local 11, who have been holding intermittent strikes at L.A. area hotels for months.Support the show

The 16:9 PODCAST IS SPONSORED BY SCREENFEED – DIGITAL SIGNAGE CONTENT Bars and restaurants have long been a targeted venue for digital OOH media start-ups, the attraction being scale, dwell time and lots of products and services that could be put in front of people sitting around having a drink or three. But there's been a lot of roadkill through the years, because selling in to these kinds of venues was time-consuming and hard, the cost of installs was substantial, and most of the operators didn't want to pay for anything. Much of that has changed, except for the evergreen fact that venue operators are highly attracted to free, with benefits. A couple of ambitious start-ups have emerged in recent years chasing the space, and arguably the most aggressive has been the LA firm Loop Media, which markets a service called Loop TV. The selling proposition is very straightforward and familiar - qualified venues get a free media player and free video and music content. What's different from the past is Loop's service is all built around streaming, and uses the connectivity and TVs already in a venue. So the capital cost to Loop is just an Android set-top box, and that gets put in a box or envelope and sent to the venue - which then plugs it in, connects to the Internet and uses an activation code to get things rolling. Minimal hardware costs and zero labor. The company is now north of 71,000 screens, with venues in all 50 US states. And it's now expanding beyond the U.S. I had a great chat with CEO and founder Jon Niermann, talking about the company, how ads are sold, what content resonates, and how he found his way from high-level executive jobs with Disney and Electronic Arts into connected TVs in places like bars, health clubs and small retail. Subscribe from wherever you pick up new podcasts. TRANSCRIPT John, thank you for joining me. Can you give me the rundown of what Loop TV is all about?  Jon Niermann: Sure Dave, you bet. We provide streaming TV for businesses. It's free, ad-supported or you could do a subscription if you like, but a majority of the businesses are free ad-supported. Think about what you do at home as a consumer using Roku or perhaps Firestick and then do streaming on that. The difference is you're watching TV series and movies primarily. In public venues, like we support, it's premium short-form content, Think of music videos. We're the largest provider of music videos, for example, across the nation. So very contextualized, customizable type of content.  What's the business model? Jon Niermann: So we provide it for free, it's ad-supported. Especially coming out of the pandemic, a lot of these public venues were looking for ways to cut costs. So what we've done is we've taken the cost of what you might have to provide for cable and satellite, for digital signage if you're doing menu boards for licensing if you're doing it correctly and we've taken that all away and put it into the loop player. If you don't mind showing ads, which a lot of public venues don't, because they're already doing that anyway, you could get this content for free.  Our model then, is the ads that we get for the content that we work with various ad supply partners, or if it's a subscription, then we have a set price per month if you don't want ads to change the vibe of your venue.  I'm guessing a hell of a lot of people are willing to have ads if they don't have to expend the operating expenses on the service.  Jon Niermann: You guessed right, it's over 90%. That's typically the way the model goes and people are more than happy to have that experience because like I said, you're out there anyway, you're partially distracted at a bar and restaurants or the doctor's office, or you're just captive. So they don't really mind it as much as they do at home ironically.  What's the footprint that you have right now?  Jon Niermann: We're in all 50 states. We're in Canada, we're testing in Australia, New Zealand, and soon in the UK. But we started in the US here in 2020, we rolled out and we've got all the major metro areas. So we've got anything as small as a corner pub all the way up to a university campus. Think of everything in between. It could be an airport, it could be a mall, It could be a gymnasium. You think of it as a public venue and that's what we cover.  And does it tend to tilt quite a bit to bars and pubs instead of fitness facilities?  Jon Niermann: The largest percentage of our business for sure are bars and restaurants. But gyms, I'd say are probably one of the top three, doctor's offices are great. For gyms, think of it this way, we provide music. So even if you're at a place where you watch sports and you have multiple screens, chances of having one of those screens on audio is pretty low. So venues will still play music. So why not have a screen showing music videos, you just play it overhead and it covers that aspect of the business. So really anything.  If you could think of changing your oil in a Jiffy Lube, for example, thinking of sick of the junk that they have on some of the TVs, you like sitting there in a bar and having Judge Judy scowl at you, Dave, it's no fun. You don't need that. You're out having a good time. You just don't need Wolf Blitzer, it just doesn't kill the vibe.  And do you hear that from your venue operators, they just want something that's just inoffensive? It's not Fox News. It's not CNN or MSNBC, and it's not Judge Judy or anything. It's just providing passive entertainment.  Jon Niermann: Exactly. It really enhances the environment, so I talked earlier about contextualizing. If you're at an Italian restaurant, and you want nothing but Italian music or Sinatra and drone footage of Italy all day, you could do that. So it really just adds to the atmosphere. And if you've got local news or something playing, a bunch of talking heads. It's not exactly that escapism moment that you're looking for when you're going out and enjoying that time away from reality.  You mentioned that it can cut out some of the costs of digital signage. Do you enable a venue operator to have some time to put in, such as Thursdays are happy hours, starting at three and running until seven or whatever? Jon Niermann: Absolutely, and it's super easy to just get on your laptop. It's very intuitive how to walk through it and throw your logo on the screen. So if you're Billy's bar and Grill. You got the old Billy's logo up at the corner and happy hour, as you said, every Tuesday and Wednesday night, on Saturdays we've got Billy and the Beaters here on Saturday. So everything that you used to do with digital signage, you could have crawlers underneath. You could have full screens. You could have a split screen. You're able to do that with your Loop system, all part of it for free.  That was going to be my question. It's not a fee-based one that's included in what you're doing if you get the media player for free in the whole bit.  Jon Niermann: Exactly. So we provide the media player for free. We try to make it as very low cost and low barrier as possible for people just to plug this Loop player up and get going.  The players are Android boxes, right? Jon Niermann: Yes. Correct.  So low cost. When you do a deployment, all you're really doing is sticking in a UPS envelope or whatever and sending it off to the site and you're done.  Jon Niermann: Yeah, that's it. And if you think about how, a lot of these bars and restaurants, especially worked in the past and still many of them today. You've got these giant AV racks full of computers and big expensive equipment that's bulky, and our players like it a little, it's about the size of a Roku player and Apple TV. You can Velcro it to the back of your screen. You can put it on a rack underneath. It's just something you're used to, and it's odd because this really never existed over the past few years until then because it's just the AV stuff, but everybody's used to using that at home. So it's quite easy for them to take that into their businesses and get it hooked up.  Yeah, if you buy an Apple TV box and plug it into the back of your TV, then it loads and you find the application. In this case, you'd find a Loop app, and then there's probably an activation code or something.  Jon Niermann: Yeah. We have for us, you have to have a specific Loop player. So we don't want to have other types of content or anything that may not be licensed. But yeah you load it, you sign in, you put in your code that you get from us, and you're good to go. And there's a bunch of channels, right? Jon Niermann: Yeah, we've got about a hundred music channels, so think of them as playlists. One of our popular ones, for example, is Beach Country. Who knew, right? Yeah, I don't know what that is, but okay.  Jon Niermann: So you get all these. We have Darcy Fulmer; she is fantastic, just in terms of customizing and putting all the playlists together for us and curating and really on the pulse, long-term time music industry executive, a great relationship with all the labels. So she really knows how to customize these things, and we weekly look at what are popular channels, we could adjust, we put in seasonal channels, we put in celebratory type channels. Obviously, with a bunch of Halloween ones now coming up, Christmas is always a popular time. So the venue has over a hundred of those to choose from, and then you've got about 50 non-music channels.  So if you want everything from Looney Tunes, believe it or not, it is a popular one for people to choose from because again, you are just looking at the visual type of stuff. But for failed videos, viral videos, we got the TikTok channel. So it's a great brand, World Surf League. So if you're at a surfing store, hunting, fishing, anything that, again, is contextual and customizes that environment, if you're in autos and cars and you want that type of playing all day, you can do that too.  So, I'm guessing you have a pretty big content edit team and also have to have folks who specialize in licensing rights and approvals, that sort of thing, right? Jon Niermann: It's funny. Our team is so small. The company itself has about 70 people. I think on the content side, we're between the studio, the creative team, and the curators; it's less than 10, believe it or not. So we're very lucky. I already mentioned Darcy, but we have Justis, who runs our content, and Luke and all the guys who have been with us for a long time who understand. What the customers need. We talk to the venues, we get ideas of what they want, and what's going to be popular, and then we strike deals with these companies. We do the editing, and the customizing and get it all ready to go.  So are you able to say to the surf channel or somebody like that, that here's the format, here's the run times that we would like and so on, and they will send that to you or do you pretty much have to take their stuff and then touch it? Jon Niermann: It's both, so you're right. There are some that could just do an RSS feed and just say, here you go, and we give them the specs, and that works. Others will just dump a bunch of stuff in a folder, and then our editing team goes at it. Are there obvious trends and things that you know that people will like and other ones that you've tried and thought, let's just see, and then you find out it resonates or it doesn't?  Jon Niermann: Yeah, it's funny you say trending-type things like what's popular now; people like to get those headlines. So, if you could picture a screen, it's full of visuals, it's full of subtitles and context because you have to be able to understand what you're looking at without lip reading.  And that's part of the reason we know that talking heads are sitting down, even like you're used to with say, ESPN or some of those shows, it doesn't necessarily work that well if you just got a bunch of people up there talking. So we've gotten that feedback. We understand that it's a very strong visual. It has to be short, like a two or three-minute type thing, and you have to have enough hours per day where it's not repetitive, and that's super important as well.  So, would a three-hour window or whatever run every day for a week or a month or something like that?  Jon Niermann: Yeah. Typically, for us, we'll do at least six hours. Some of these playlists are 20, believe it or not, and then not only that but if it repeats, it'll shuffle. So, the chances of actually seeing it really don't exist. So you can understand if you've got all those files in there and you're shuffling, you won't see the same order again. So it's not only the customers, it's clearly the employees that you don't want to get fatigued.  Do you call this a digital out-of-home, or is it like consumer TV or some sort of segment having to do with fast streaming, or what's the nomenclature for this? Jon Niermann: It's a fantastic question, and I laugh because it's what we're talking about all the time these days because it's trying to define it to the advertising community, especially. For us, it's simple. It's just TV. Just think about where you're watching your TV. If you're on your couch or if you're in a bar, you're watching the same TV, it's different content. This is premium television. This is not just all YouTube user-generated stuff. We've got branded partners.  So for us, we're very much connected to TV, CTV for out of home. So when we talk to the ad partners, they are like, look, you can take your CTV budget, and you can put this towards a Loop because it is premium TV. If you think lots of times when they're thinking out of home or digital out of home, they're thinking of billboards, they're thinking of that type of display, as you know very well. So we're developing and introducing that space of, it's just TV. It really is. It's CTV. So think of Loop that way. Yeah. It's interesting. I've been involved in this space for, God, almost 25 years now, and I can remember when I started a digital out-of-home media network in the early 2000s, going to media planners, and they're looking at me with their heads tilted and going, What the hell are you going on about? At that time, the people who were advising me or I was working with were saying somehow or other we have to tap into the TV bucket and call ourselves in some way TV because there's way more money in that bucket than there certainly was at that time in the out-of-home bucket. But that's changed a lot, but I would imagine that connected TV is still probably a bigger number to tap into than out-of-home. Jon Niermann: For sure. It's significantly higher still. I think both are growing to your point. Digital out of home, the budgets are certainly increasing. It's one of the fastest-growing components of the advertising mix, which is great, but CTV is also that way. People have shifted away from the traditional linear TV, Cable, et cetera. They moved into streaming. So, it's not unlike any evolution. It's something we often try to talk about as well. If you think back to 2007, when Netflix started and then Hulu came on and all these channels, you're like, who the hell are they? I'm used to buying NBC and Fox, and I just wrapped my head around the weather channel and ESPN, and now you're trying to introduce this streaming stuff. Today, of course, most people are buying streaming, and so for us, we're in that same evolution for the businesses with out-of-home, kind of where they were in 2007, and consumers like, look, this is another form of television. So you've got to treat it that way with your funnel of advertising span. Otherwise, you're really missing out on a fantastic mix and opportunity to reach these consumers in a captive way. So it's always a constant education going on when you're introducing something. You're competing against all kinds of media, but more specifically, Samsung TV and LG TV show up in your smart TV, whether you want it or not. Jon Niermann: Yeah. Again, it's about licensing. Many of these companies aren't licensed out of home, believe it or not. It's a whole different set of licenses, especially on the music side. You have to have performance rights. You have to, and venues could get big fines. You cannot plug your phone in and play Spotify, for example. You can't turn YouTube on and play those videos. But they do, and they will continue to do that. Just like people are seeing the 65-mile-an-hour speeding thing, they're going to get away with 75, push it up to 95, and you're pressing your luck. So, if you've got a lot of venues out there, they will do random checks. So for us, it really truly is about, we can't control that side of it, but what we can control is providing a reason for them to use us, and that's typically through the content and just through easy use and affordability. So you can say to your end-user customer base, “Use us, it's going to be reliable. It's stable, and guess what? You won't get a cease and desist letter from YouTube or Spotify or anybody like that.” Jon Niermann: That's right. Yeah, or the associations like ASCAP, BMI, all those guys out there that are just tracking and waiting to find people for public display.  One thing that interested me was how you are doing, I think this happened within the last year or so. You've activated self-serve ads. I'm curious how that works and why you went down that path. I suspect it has a lot to do with somehow tapping into local ads that are really hard to sell unless you've got an army of salespeople. Jon Niermann: That's exactly right. You nailed it on the head. As for your time in this industry, local ads are a big part of it, you've got your national and regional ads, but local ad budgets are large and growing from what we can see. So the ad server that we created, Bob Gruters, who's our chief revenue officer, came from Facebook and Instagram, and he has a lot of experience with the ad server that they used over there. And it's very easy. It's a self-serve type of thing. So we're being innovative and providing this for an ability for you to put your ad on TV that way, where you could go in as any type of business and if you want to have your ad on Loop and across our network, whether it's locally in your town, your County, your state, you'll be able to do that. So it's a very simple way just to go and upload an image or a video and have that play.  Do you give them any help in terms of video production or through templates and things like that? Jon Niermann: Yeah, we do. There are easy templates for people to follow, and again, we try to make it as simple as possible. The closer you can get to plug and play for everybody.  First of all, they don't have time, they don't have patience. If it's too complicated there, they've got 50 other things they'd rather deal with or have to deal with. So you've just gotta make it super simple for them. So, for us to be able to say, if you just want to throw your logo in, we'll do the rest. It's that automatic. You've done this like a third-party partner, right? I think it's Orca TV.  Jon Niermann: Yeah. Orca TV, they're here in Santa Monica with us in the LA area, and they are fantastic partners. They've been a partner with us for a couple of years now, and just some really talented people like Mike Woods over there and their ability to develop, they've just done a great job. I assume this is something you theoretically could have done on your own, but then you have to support it and keep it up and secure and everything else. It's just easier to go with somebody who focuses on that.  Jon Niermann: Yeah, it is. And Liam McCallum, who runs our tech, has been with us from the beginning. In fact, Liam came with me from Electronic Arts. He used to run EA's kind of online gaming out in Asia. So very capable, smart tech guy, but with a small tech team; coming to my point earlier, sometimes we just have to work with others to get it done, and Mike and the Orca team, we had a great relationship with, and they have the capability and the ability to do it now. In terms of sales, are you going direct?  I realize for hyper local, you're using this self-serve platform when you can, but do you have a direct sales force, or are you relying on programmatic partners?  Jon Niermann: We do have a direct sales force. That really only ramped up, I'd say, over the last quarter, so about the last three months. Prior to that, we had to really build our scale. We had to build our distribution. Once we got to about 20,000 venues last fall, we could start to sow the seeds directly. And as you know, that just takes time. So, over six to nine months, we went out there, spread the word, and then the deals started coming across as we continued to grow; we're over 70,000 now. We've had that ability to move from just pure programmatic.  I mean, we were in programmatic, like an open auction, and that was it, and then the bottom kind of fell out of that market, as we all know, the end of last year and the beginning of the year. So having the diversity now of direct sales and local ads is going to be much better for us going forward. Yeah. I was curious about programmatic. I was in New York last week for a couple of days and dipped my head into the DPAA conference and chatted with some people and I got a sense of frustration and disillusionment from them about the promise versus the real return that they're seeing out of programmatic, which is always challenging to me because I don't understand what the hell they're going on about, but I gather that it's not really generating the revenues that operators like you need. Jon Niermann: I think it's a couple of things. I think there was definitely a dip, and people for no fault of the programmatic partners, the advertisers weren't spending as much, but that's come back, and I think the other thing is probably what you were tapping into or hearing because we were also at that conference and we just discussed TV. How do you define where those monies go with programmatic, how did the agencies allocate them, are these programmatic partners doing a good job and really advocating for television, CTV, and digital out-of-home? That's potentially where some of the tension could come from, but we've been very fortunate to have some great programmatic partners step up and then we've also felt like there's some that could do a lot more, and certainly in defining this, the way that we're talking about would benefit them as well as the clients and it would obviously benefit people like us down the stream. Is the right mix having you primarily sell directly and then supplement that with programmatic versus relying on programmatic?  Jon Niermann: I think it just takes a minute to get there. I think it's always going to be probably a best-case, like a 50-50 type thing. I think programmatic is always going to be a big part of it. Direct needs to be built, but programmatic works. It's efficient. There are some great ads, and there are some great dollars that kind of come through that. You have all different types, right? You've got everything you need, but as part of the mix for us, I think direct and local will certainly increase. You're not alone in doing this. There are a handful of other companies currently chasing this kind of business, and it's a medium, so to speak. It's been around since the early 2000s, the whole build it and they will come at that time, it was very expensive to do now as you know more than just about anybody, it's not as expensive to do it. Where are you at with it?  Jon Niermann: It's funny, because where are we ever on the evolutionary scale? It's like you started a business ten years ago. How many times have you heard people say you were just too early? You were just ahead of your time. I think for us, to your point, people have tried. I don't know if the timing has been right. I don't know if the content or the technology has been right, but it feels like it's right now and certainly coming on the success of streaming, and how that blew up, it became huge and “ the streaming wars,” and everybody's talking about it. They completely ignored out-of-home, and I get it; the consumer pie is bigger, but this pie is not small.  So I think the big companies aren't focused on it because if you're those big companies, you've already built your libraries with the content of TVs, and movies, you spent billions of dollars. You'd have to do a whole different thing to build this. With this type of content and targeting, and even if you're a big player consumer, it doesn't mean you can all of a sudden have 50,000 locations overnight. It's a long selling process for a lot of these venues. So, I think we're at a very good place. I think that we're about 2% penetrated in this market between us and the other players, and there are a few private players that are doing this streaming TV either by ad-supported or subscription and if you add us all up, I truly believe that we're about maybe 1%-2% penetrated. So, a great green field ahead of us.  I'm sure you don't want to go on at length about your competitors, but how do you distinguish yourself from them? Jon Niermann: I think if you look at other competitors out there, some will charge an activation fee, some will take a credit card. Those are barriers to entry that we don't think are necessary and not great for customer relations. The minute you throw that credit card down, you feel better as a company, I think, because you think you've got a path to revenue or more secure revenue, but you start having things, where you just disagree with a customer and credit card comes into play. It's not a good thing.  So, I think for us, it's just more of a pure relationship of let's make this work. So, I think people are trying different models. There's nothing wrong with that. Even if it's ad-supported, a subscription, it goes back to the old cable days as well, remember there used to be big activation fees or they waived activation. So, it's just part of the business. So I think for us, we deal in premium content. We, by far, I believe, have the top premium content. We're really the only one that had those music videos with Sony, Warner Universal, and even Disney. We've got all the licenses from the majors. That really sets us apart.  Your background is with Disney, as you just mentioned, and with Electronic Arts. How did you find your way into this back in, I think it was 2016.  Jon Niermann: Yeah, it's funny. I was with Disney for 15 years. I went out to Asia with them at the end. I was actually president of Disney Asia for several years and then went over to Electronic Arts when they were really growing their online and mobile games. In fact, we launched the first online and mobile game for EA out in Asia. That was just a really big and opportunistic time for me to learn about that industry, so I really enjoyed that, but also, you got that entrepreneurial bug.  You see all these companies being built around you, and you're thinking, I really want to do that. I took about 22 years in corporate and decided that I wanted to be linked somehow to entertainment, media, and technology, and we had a couple of different iterations before it ultimately ended up here as Loop.  What did family and friends think about going from pretty substantial companies to a media startup? Jon Niermann: Oh, the typical mix that I lost my mind. Let's just start with that and stop with that, probably. But it was like, why would you leave these jobs? These stable jobs have great titles and access, and it's true. You've got that card, with Disney, EA's President on it, you can open up a lot of doors, and then all of a sudden you become a co-founder, CEO of Loop Media, it's like who, what?  Everything just has to start over, in a sense. But I found that exhilarating, and it's been up and down and sideways and easy and challenging and rewarding and regretting and every emotion that you go through. But to get to where we are today is extremely satisfying. And again, going through bumpy times this past year. The previous year was great. We launched our company. Our revenue went from 5 million to 30 million. We went to the New York Stock Exchange. In this past year, we got hit, but we're fine, and we're coming out of it and looking forward to this coming year. That's a good way to wrap this up. I am curious what we'll see out of the Loop in the next 12 months.  Jon Niermann: I think you will see us be aggressive with distribution. I think a couple of things that we lack awareness of, we're undiscovered. So a lot of people just don't know about us. So you're going to see more marketing. You're going to see more brand building, more partnerships, and more engagement with clients, consumers, and venues. For example, we're launching a new Trivia product that's hosted Trivia. You have the opportunity that'll become interactive soon. We're looking at various other things that'll become interactive within the venues. So I think it's a very exciting year to just increase that engagement and take advantage of connecting with those consumers.  Yeah, it's interesting. You mentioned some of them like doing other things in the venue. That's one of your competitors, maybe not a direct competitor, but it does similar work. They've focused as opposed to just pure entertainment. They've focused on kind of venue operations and helping to sell more stuff and communicate to staff, and everything is you're angling towards that as well. Jon Niermann: Yeah, we do. I mean, you could take your Loop player. We have it right now and use this back at home for staff communications because a lot of staff members are not going to read email, so if you just have this screen with the messaging going back of the house, you can certainly use a Loop system for that. So engagement is definitely a big part of what we're looking at in the future. All right, John. This was terrific, I appreciate spending some time with you  Jon Niermann: Thanks, Dave. I appreciated it.

August 5-11, 1978 This week Ken welcomes The Horror Timelines guy himself, author, YouTuber and fellow horror fan Josh Spiegel. Ken and Josh discuss LA heat, cats, dogs afraid of flies, growing up in Pittsburgh, working at The Monroeville Mall, George Romero, Horror Conventions, Dawn of the Dead, being born in the 1930s, being older than you look, The Jeffersons, the weird English neighbor, cable, non-24 hour HBO, movie rentals, Full Moon Features, TV Violence, when computers take over, cigarettes, cufflinks, The Bionic Woman, The Eighties Project, The Archie Situation Comedy Musical Variety Show, Moose, drugs that totally are not weight loss drugs that are weight loss drugs, Diff'rent Strokes, M*A*S*H, how the Korean War stood in for the Vietnam War, Vietnam vets on TV, why 9/11 doesn't show up in fiction, Charlotte's Web, Jack Albertson, Poor Devil, Sammy Davis Jr. Christopher Lee, needing something light hearted and dumb, Three's Company, Super Hero Disco, proto-Firestar, comic books, Santa Monica's "Little Boston", the math behind Let's Make a Deal, The Price is Right, why John Cusack hates Better Off Dead and One Crazy Summer, Lucha Libre, The Crying Woman,  Dean Martin, Sinatra, Welcome Back Kotter, Pittsburgh Symphony, Wonder Woman, The Incredible Hulk, made for TV movies and why The Midnight Hour is not only great, but trivia gold. 

This month we're taking you back to the theater to listen in with us on a fascinating conversation with iconoclast director Werner Herzog. Straight from the stage at this sold out, members only screening at the American Cinematheque, Herzog discusses his beautiful and rarely seen Cherry Bomb FAMILY ROMANCE LLC, shot nearly solo in Japan and out of pocket for under 20,000 dollars. He also dishes on his love life, evading the Tokyo subway police, his eclectic book club selections and the Dalai Lama's love of vampire movies!

Like many people we have heard on Unstoppable Mindset, Tessa Lynne Alburn had some challenges growing up. She frankly discusses them especially issues she had with her parents who, as she describes it, did not really understand how to give her the kind of love she wanted and needed. This is no criticism as she points out, but simply the way things were. She also talks about a near-drowning experience and how that affected her and her attitude for years.   With all her challenges she did finish high school and then went to college.   Tessa loves many sporting activities and, for a time, she was a musician. She learned to play the flute and to sing. She says she still uses singing today sometimes with clients.   Today Tessa lives in Steamboat Springs Colorado where she has a successful coaching business helping women to learn and gain confidence. She helps them to learn to discover themselves and to become better in the world. She will tell us some stories of how she has helped women to learn how to be better and more progressive leaders, especially in a world that doesn't always appreciate what white bright intelligent women can and do bring to the table.     About the Guest:   Tessa Lynne Alburn is a Feminine Energy Coach and Soul Connection Mentor for Women seeking to having their voice, living a lifestyle of freedom and joy, and reconnecting with the Divine.   Tessa's mission is to help women bring themselves and their ideas and their voice into the world and becoming personally powerful as a co-creator.   With a background in SCUBA instruction, energy healing and decades of experience leading live and virtual events, Tessa works with you to create the life you truly want as you maintain your important relationships, while also saying “yes” to your soul.   Tessa is intuitive, compassionate and unexpected. Her favorite past-times include hiking, solo SCUBA diving, and star-gazing. Her passions for life and learning, her interest in culture and adventures have taken her both abroad and to 38 US States.   Her top 4 values are beauty, variety, spirituality and compassion.     Ways to connect with Tessa:   Say YES to Your Soul podcast: https://www.sayyestoyoursoulpodcast.com/   https://www.facebook.com/TessaAlburn @tessaalburn https://www.linkedin.com/in/tessaalburn   https://www.instagram.com/realizedsoulwithtessa/ and @realizedsoulwithtessa      Tessa's Free Gift If you want to be happier and more courageous in life, get your free info sheet here and Say Yes to Your Soul! http://www.tessafreegift.com/     About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can also subscribe in your favorite podcast app.   Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.     Transcription Notes   Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i  capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:21 Well welcome everyone to another episode of unstoppable mindset. I'm your host, Mike Hingson. And today we have Tessa Lynne Alburn. Tessa for short. And we're really glad to hear Tessa is in Steamboat Springs, Colorado, we are a little jealous. Not too because I don't mind being in Victorville, although it's still not on the water or anything like that, like, like other places get to be. But But nevertheless, we cope with what we have. So Tessa really glad that you're here on unstoppable mindset with us today.   Tessa Lynne Alburn ** 01:53 I'm really glad to be here, Michael. Thank you.   Michael Hingson ** 01:57 Well, thanks for for having us, in your home and with you. And I'm going to have to learn all about this idea that you describe yourself as a feminine energy coach and other things we'll get to that. But why don't you start by telling us a little bit about the earlier Tessa? And where, where you came from what you did, and all your deep, dark secrets that you think we ought to know. And we won't tell   Tessa Lynne Alburn ** 02:19 us? Yes, I might have to filter a few. But where's the   Michael Hingson ** 02:23 fun in that? Typically,   Tessa Lynne Alburn ** 02:24 the early days, I would say, you know, I was most people wouldn't guess this knowing me now. But I was very shy and introverted. And I was in a dysfunctional home, where my dad chose to work night shifts and things like that, or in other states whenever possible. So he was, you know, just unavailable or had escaped us in some way. And my mother had some emotional issues, and she would be what I would call a rageaholic. From time to time, she was she had a number of borderline attributes. And so, growing up, I was very scared. And doing that thing that they call walking on eggshells, right, like, when is the volcano going to explode? That sort of thing will get ready to run, you know, you just didn't quite know what was going to happen. That's okay. Yeah, I did okay, in school, because I was able to focus all my attention there, and, and then keep myself safe by being the smartest I could be and as perfect as I could be and be a good girl. So that's how I coped with it.   Michael Hingson ** 03:32 Did you have siblings?   Tessa Lynne Alburn ** 03:34 I had one younger sibling, three years younger than I was. And at first, it started out great, you know, I was sort of like helping to take care of her and nurturing her. And then pretty soon it became a competitive thing. And so we had a rough patch from like, you know, one, two, when I was almost 20 years old. And she, she had gone overseas with a rotary exchange program. And when she came back, it was like talking with a different person entirely. It was so great. Yeah. Because she'd been out of the household, number one and live with a really loving family. And she'd been exposed to an entirely different culture. She lived in Sweden for a year. And so she gathered this worldly sense about her. And when she came back, she was like, Oh, I kind of get you now. You know, like, we can be compatible. And so we kissed and made up.   Michael Hingson ** 04:38 Wow. So you guys get along? Well, still.   Tessa Lynne Alburn ** 04:42 We do. She's a dear person, and we live many miles away from one another. But she has two amazing kids and a wonderful husband and and she's got his whole family over there. And so everybody's very supportive and loving. Where do they live? They're in Maryland.   Michael Hingson ** 05:01 That's a little. That's eastern Colorado,   Tessa Lynne Alburn ** 05:03 right? Not Colorado. Exactly. East of Colorado.   Michael Hingson ** 05:09 Maryland is just eastern Colorado, just like California is western Colorado. Right?   Tessa Lynne Alburn ** 05:14 Exactly. He's on a little place called the Magath the river. So she gets to be near water. And it's quite lovely over there.   Michael Hingson ** 05:23 So do you have husband children or any of those kinds of things?   Tessa Lynne Alburn ** 05:26 I do not. I am. happily single.   Michael Hingson ** 05:32 Someone has to keep the trend, right.   Tessa Lynne Alburn ** 05:34 Yes. Um, although I do entertain the idea of relationship   Michael Hingson ** 05:37 someday. Yeah, we'll see how that goes. That's right.   Tessa Lynne Alburn ** 05:41 I just have so many things on my plate. Like in terms of why I'm here, I feel like, you know, my sole purpose. And my sole mission is actually the number one thing in my life. So I'm happy about that.   Michael Hingson ** 05:53 My wife and I got married in our early 30s. And we just hadn't found the right persons for each other. And we didn't know each other. We met in January of 1982. And we were married in November of 1982. But we immediately hit it off. And we knew that we found soulmates and the right the right people. And so it clearly was sort of the right choice, because we live together until she passed away last November. So we were married for two years. And, you know, but you're right. It's got to be the right person. And you've got to, you got to know that and you'll know it when it happens if it happens.   Tessa Lynne Alburn ** 06:29 Exactly. And I feel like you know, spirit will definitely knock me on the shoulders tapped me on the shoulders. If If and when that person comes in, right.   Michael Hingson ** 06:40 Yeah. So, so you Where are you from originally?   Tessa Lynne Alburn ** 06:46 Originally? I am from the state of Florida. Okay, fine state.   Michael Hingson ** 06:52 Yeah. The humidity state?   Tessa Lynne Alburn ** 06:55 Yes, that's a little more accurate, isn't it?   Michael Hingson ** 06:59 I'm a fan of the old folk group, the Kingston Trio and they have a song called the Everglades and one of the lines is if the Gators don't get you than the Skeeters will.   Tessa Lynne Alburn ** 07:08 Oh, my goodness, that's hysterical. I don't remember that song. But I do remember the Kingston Trio. And yes, it's it is true. The gators or maybe the snakes?   Michael Hingson ** 07:19 Well, there's after the snakes as well. Yeah, the Gators snakes and Skeeters. They're all there. That's That's true. So did you go to school and stay in Florida? Or how long were you guys there?   Tessa Lynne Alburn ** 07:32 I did not. We, my dad worked for McDonnell Douglas. And so we had this lifestyle of moving around to different missile sites and things and always coming back for a number of years coming back to the Cape Canaveral area. And so my last year of school, I, I went to junior high and Florida and Mississippi, came back to Florida, went to high school for a year then went up to New York state for a year and then to Pennsylvania for a year so that my high school and junior high was just a real journey in adaptability.   Michael Hingson ** 08:09 What was that? Like?   Tessa Lynne Alburn ** 08:10 It was intense. Yeah. Now, I think one of the fun things that I remember is when I was younger, in Florida, I had a best friend that was from Georgia. So I had a real southern drawl, just kind of like her. And when I moved up to New York State, I was definitely kind of a standout person and people didn't know what to think of me. Maybe they thought I was dumb at first, but they figured out I wasn't and I learned to drop that accent most of the time. You don't hear it from me, but it I do think of that kind of fondly. Because some of my my teachers were like, oh, that's special. Let's hear that y'all. Y'all   Michael Hingson ** 08:49 know. All y'all and yes.   Tessa Lynne Alburn ** 08:53 So the moving moving was a kind of an intensity in our family.   Michael Hingson ** 08:57 That must have been fun. Do you have any analysis of how that affected you? Yes. made you a gypsy?   Tessa Lynne Alburn ** 09:12 Yes. Well, now I'm a nomadic Gypsy, digital nomad, a bohemian Gypsy, whatever you want to call it. And at first I was resisting that urge to wander and be in different places. And then I realized I had the skills so along with the heartache of being torn away from friends with no time to have closure or transition constantly, and my youth suddenly coming home and be like, pack up your room. We're moving next week. And you know, coming home from like summer camp, and it's just shocking, right? Especially at that age where we're one is developing the Um, hormones for boys and like relationships with older boys in the high school and that sort of thing. And I was just kind of getting a first year of popularity and then boom are gone again. And then I'm nobody. So it was like popular no one or no one too popular or now I gotta work my way back up. And then I've got to hang out with cool kids and I got to hang out in the girls room and smoke cigarettes to fit in or skip school and play hooky and be bad, you know. So there were a lot of influences that happened as a result of moving. And I think the one thing that it did help with at home was kept me kind of out of my mom's hair. So there was, I was able to feel a little more powerful when I started to rebel. But there was definitely a big rebellion that happened. When it was totally necessary for me to start to feel safe. And like I had any kind of purchase in this life.   Michael Hingson ** 10:57 Did you have any real major trauma traumatic kinds of things that happened to you as a child as so many, many kids do?   Tessa Lynne Alburn ** 11:04 Yes, yes. And so many do. And I think most of the time, we don't know that about the people all around us. And sometimes it's hard to hear those things. But yes, I had, I had a number of things, but I'll say the the main one, one of the big ones that I didn't realize how it was impacting me too much later in life was a near drowning event. And that was in Florida. And as you might well imagine, you know, it was very swampy, dark water grassy with alligators and and snapping turtles and you know, creepy, creepy, weird fish called Mud puppies, and things you just don't want to come in contact with. And I was sweeping the dock off. We used to go visit friends of ours who had this little cabin out in this underdeveloped area off of little a Kara's, it's probably super developed now, but back then it wasn't. And you took your boat and you went along the canals to go to the little fishing tackle store and get your milk. And that was it, you brought everything else with you. And there were just fields and fields of tall grasses, probably filled with all kinds of critters. And and the dock was just kind of basic, it didn't have a railing or anything. We used to just have the little skiff and we would go out fly fishing and things like that. And I was about nine years old then. And we went there in wintertime. So I had on all these sweaters this big, I'll never forget that I had this one huge hand knitted sweater that was probably a half inch thick. But just because of all the yarn that was used to make it, I was wearing that and sweeping off the dock. And I got vertigo, as I didn't realize at the time that I had a vertigo problem. And so I was there I was sweeping. And then I just my head just spun and spun. And I just tipped over and fell. And I was a good swimmer. So nobody had ever thought of, well, we have to keep the kids and life jackets or anything like that, because we were all really comfortable in the water. But when I hit the water, it was very, very cold. And I just dissociated, I'm pretty sure that would be a psychological term that happened. Where I, I had a consciousness that was like, Oh, I have to get out of here. But I was so cold, I could barely it felt like I could barely move. And then all the weight of the winter clothing on me was just dragging me down. And it was dragging me down to the bottom of the canal. And they're they're built deep. You know, they're like, I don't know, 12 to 15 feet deep, those canals. That's a lot for a little kid. And the only thing that kept me coming up that I felt like was really driving me on was the terror of the icky things down there.   Michael Hingson ** 14:16 I don't want to get to the bottom of that canal.   Tessa Lynne Alburn ** 14:18 Exactly like the month no. And I would kind of I felt like I was pushing up. I don't know if I really reached the bottom and I was not fully conscious. But I felt like I was just struggling to get to the top get to the top and then I get this little gasp of air and then I'd sink more and then I'd do the same thing over and over. And I could feel the every now and then I could feel the underneath of the top of the dock. There was nothing to hold on to Yeah. And I just kept going under fortunately, oh fortunately an angel a couple of angels were there. And one of them was my little play friend who was couple years younger than me in He saw that I was in the water and he plan to shock. And so it was like, ah you know Harry's My name is Terry at the time Terry's in the water, Terry Phelan Terry fell, and he's like whispering it. But fortunately, his dad was up on a ladder, about 30 feet away. And he finally got mad. And he's like, he was old salt, Donald. And he saw me splashing, I guess, and he just leapt off that ladder, and came down and yanked me out. And yeah, I was safe. Yeah. Although extremely stunned for at least 24 hours.   Michael Hingson ** 15:44 Yeah. What do you think you learn from that, um, as you as you developed? If you were to put a positive thing out, I mean, it was certainly traumatic. And there's, we could talk about that a lot, I'm sure. But what what positive? Did you learn from that? Do you think?   Tessa Lynne Alburn ** 16:02 Well, couple things. I mean, a couple of practical thing is, we all need love and comfort. And one of the things I didn't get at the time was that and so later in my life, I realized I was having kind of like this dread, that the creepy things were gonna get me and that I was gonna suffocate. And I needed to heal that. So I learned that one can heal that. And I think that's been really powerful for me, because growing up the way that I did, I had felt like a victim most of the time. But when I realized I could do something about it, I can actually heal the psychological scars, and take action and get, even if it was, however many years 3030 plus years later, I could still get the healing that I needed. And resolve that in myself, so that the psychological impact didn't have to keep moving forward with me. From then on.   Michael Hingson ** 17:09 How did she figure that out?   Tessa Lynne Alburn ** 17:11 Well, the hard way. Because I kind of hit rock bottom, what happened was I I went traveling, and I went to Costa Rica, and I was without enough friends. For too long when I was there. And I remember taking, I was asked to kind of look after this person's hostel while they went on vacation. And when they were gone, I was just so sad. And I felt like I was gonna die. And I was like, What is going on ma'am? And beautiful Costa Rica. You know, there's snorkeling here. It's like everything I wanted for this idea of this trip that I had taken. And then suddenly, I was depressed. And then I had this connection. In my mind, I just kind of saw this connection, that somehow the fear of death when I was underwater, was connected to my thought that I was gonna die or that I needed to die. And I was like, That is no good. Right?   Michael Hingson ** 18:19 And you hadn't let go?   Tessa Lynne Alburn ** 18:22 I did. Yeah. I hadn't been able to resolve the psychological trauma and the emotional trauma or the physical. And so I went about healing and a variety of ways. And I'll tell you one of the ones that cinched it for me, I did a number of things, and they were all good, and they all helped. But the thing that finally cleared it was something called ar e t, rapid eye therapy. And it's kind of like EMDR. So there's a stimulus to your eyes, as you recall certain parts of the story. And then basically you retell the story to yourself in a way that's empowering, that gives another meaning to the event. And the power for men comes in and kind of clears your cells and clears your memory and gives you a second memory. And it's a really can be a beautiful process. So I'm really, really grateful to all the practitioners who've helped me over the years. And that was a big, big turning point for me. And it also gave me the ability to hold that space for others when they're going through something really deep and dark.   Michael Hingson ** 19:40 I gather you didn't get a lot of support from your your parents after you fell in the water. Correct? Yeah, they saw unfortunate.   Tessa Lynne Alburn ** 19:51 Yes. It was unfortunate but you know, they really did do the best that they could. It just wasn't when I need it,   Michael Hingson ** 20:00 yeah, yeah. Well, and, and it's great that you are able to, to recognize that now. And it sounds like you're not angry at them, because they were who they were. And there's nothing we can do about other people like that. I mean, like that, not people like that, but rather people who have those characteristics and traits or any characteristics and traits, we all make our own choices.   Tessa Lynne Alburn ** 20:29 Absolutely. Part of me wants to laugh when you say like you never, you know, I don't get mad at them. Right. Because occasionally I do still, but not.   Michael Hingson ** 20:38 But but not for that. But yeah. But you're able to deal with things and move on. I understand Absolutely.   Tessa Lynne Alburn ** 20:44 Right, like accepting them that would, given who they were in the lives they had. And of course, I learned more and more about them as I grew up. I came to understand that they literally just didn't have the capacity wasn't that they didn't want to help me. Yeah. Yeah. They just short circuited. They didn't know how to do that. Yeah, exactly. Yeah. So they yelled at me get in bed that was never talked about it again. And dry   Michael Hingson ** 21:11 off. Exactly. Are dry up. But anyway, either way. Well, so did you. Yeah. Well, anyway. So did you go off to college after high school?   21:24 I did   Michael Hingson ** 21:25 want to go do that.   Tessa Lynne Alburn ** 21:27 I was able to go to a music university in the state of Pennsylvania, where I studied flute and voice and I was a big fish in a little pond.   Michael Hingson ** 21:39 Wow, there you go. I've read. Have you ever read the book. It's called David and Goliath. It's written by the gentleman who wrote the tipping point. Gladstone, Gladstone. And one of the things he talks about in there are people who make the wrong choices of going to college. They think it's important to go to Harvard and all that. And when they get there to discover their or any of the big schools, they discovered their very little fish in a very huge pond. Whereas if they would go to other schools, and then he gave some examples of people who did that, although it wasn't necessarily their intent, they ended up being pretty big fish and much littler ponds and got a much better education, and college experience. As a result.   Tessa Lynne Alburn ** 22:29 I have no doubt that that's true for many, many people. Of course, there's going to be the the stars, the people who rise to the surface right away and get the attention and all the support that they need in this big schools. But in a smaller school, you can carve your way through like a little more stylized for yourself, or customize or get the attention that you need in certain areas. And I was able to do that in certain ways. I had the complete attention of my flute teacher who really taught me taught me amazing things about playing the flute. And I had the opportunity to solo a lot in all the ensembles and choirs and all all of that. So that gave me a lot of grounding and actual performance and musicianship,   Michael Hingson ** 23:19 do you still play the flute?   Tessa Lynne Alburn ** 23:21 Only on occasion, but I do still sing now. Yes, my style has now shifted to kind of a sound healing style. So I do use it sometimes with clients. And what I would call it I don't know if you're familiar with this. Sometimes I receive kind of like a channeling of light language. And so the words don't necessarily make any sense. But the tones and the sounds that come through are very healing for the people that they come through for.   Michael Hingson ** 23:55 I occasionally do karaoke. That's as close as I go. There   Michael Hingson ** 23:58 you go. That's pretty healing. I do a mean Mack the Knife. What can I say? The show? Yeah. And a few others like that. But Threepenny Opera. Wonderful.   Michael Hingson ** 24:13 There you go, but it's fun, you know, and then it's intended to be fun. I've also heard at a few karaoke places, people who really do need to keep their day jobs, but that's okay.   Tessa Lynne Alburn ** 24:26 I would tell you, I'm terrible at karaoke. I don't know what happens. I start to freeze up. It's so strange. I guess I'm so used to being a performer. Yeah, it's hard for me to just like, do something spontaneous and have to be relying on the words and the weird sound that's coming through the speakers at a bar, you know, with funny echoes and all of that, but that's cool that you do what's best for   Michael Hingson ** 24:51 me for me. I need to know the words in advance. So I press the screen so I did pretty well. With it, it's fun.   Tessa Lynne Alburn ** 25:02 So how do you so do you pick your songs ahead of time and then tell the DJ what you want?   Michael Hingson ** 25:06 Yeah, they usually give people a choice of, or at least the places I've been to, I can choose what I want to sing. So I'll tell them in advance, which works out well. Otherwise, I what I have never tried is standing up with a song that I don't really know. And having somebody whispering the words to me, and that might work. But we had to work out we'd have to really work out the timing of doing it. So it's an experiment worth trying some time.   Tessa Lynne Alburn ** 25:33 Yes, that could be interesting. I could sort of see you with an earpiece, right. And they're like, like, you're like a covert spy. Yeah. And they're whispering in your ear saying, This singing like this?   Michael Hingson ** 25:45 Or at least telling me the words, you know? Yes. And I do I do a good version of 16 tons by Tennessee, Ernie Ford. But the problem with me doing 16 tons is I cheat. I've also heard there's a duo Homer and Jethro, who used to really do play offs on Country and Western stuff. And they, they were they, they did parodies of everything. So their course to 16 tons goes, you load 16 tons. How do you feel too tired to work or too scared to steal St. Peter, don't you call on me today? Because I'm a dick in the other way. So I always have to put that in there somewhere. Oh, my goodness. Yeah. You know, there's no sense. Not having fun with it.   Tessa Lynne Alburn ** 26:31 Exactly. I find is, is an essential part of life. Like, if we're not going to have fun. What's the point?   Michael Hingson ** 26:39 Exactly. So what did you do after college? After   Tessa Lynne Alburn ** 26:44 college?   Michael Hingson ** 26:45 I must have done something. Oh, yes,   Tessa Lynne Alburn ** 26:47 of course. My first wonder place was to go to New York City.   Michael Hingson ** 26:53 Ah, and what year was that? That would have been 1980. Okay, so you were well, prior to the World Trade Center not being there. So yeah, the skyline? Did you see King Kong up on the building or any of those things?   Tessa Lynne Alburn ** 27:07 Oh, oh, gosh, the days it was, you know, the full throttle, Big Apple just everything booming. And it was pre aids, also. Yeah. Right. Like, I mean, that was starting to happen. But no, the word wasn't out yet. And I was in the city when that hit. Note became a thing. And, of course, there were a lot of people in my circle, a lot of men who were, you know, very affected by that stare and work through it in some way. And then there was kind of a new age awakening in the city. And I was so grateful. I got to go to Lincoln Center when Eric and Olga Butterworth were there. And what a speaker he is, and then she led the guided meditations. Wow. And it was just phenomenal. You would just sit in your chair and be transported, you know, suddenly, all the whole rooms was like, filled with light I fought. And you know, I'm transported to some wonderful loving place, I had a huge impact on me, and my spiritual life. And then there was a singer. His name was Steven something. I'm gonna forget what his last name was. And he was a tenor. And he was amazing. And so he would say, you know, every, every week, he would do some solo that would just knock your socks off.   Michael Hingson ** 28:32 Yeah. Yeah. I mean, there's nothing like New York. And I think that is still true. Although there's obviously been a lot of change, but there's nothing like New York. Nothing like it. That's true. We enjoyed going to Broadway, especially musicals. And of course, nothing like seeing a musical on Broadway. One of your favorites. Well, Phantom of the Opera was clearly one of the ones that we love. We my wife and I went to see it three times. Chicago was another one. I saw The Music Man, I think a couple times. That's one of my favorites of all times movie or musical. That's fabulous. Yeah, we actually saw Rebecca lucar as Marian in well, it was before we moved down here. So is it like 2000 or maybe early 2001. And I learned that she died from ALS in 2020. And I had seen her perform the year before just online somewhere. But that was pretty sad. Probably though one of my favorite all times is we got to see Matthew Broderick and Nathan Lane and the producers.   Tessa Lynne Alburn ** 29:44 Oh, no kidding. Oh, that would have been fun.   Michael Hingson ** 29:47 It was better than the movie even but, but it was a lot of fun. Yeah, as I said, there's nothing like New York.   Tessa Lynne Alburn ** 29:55 Nothing at all. And there's also nothing like your mom embarrassing you in the theater either when she asked the star for their signature or when you're stuck on an elevator with them. We got so embarrassed, but   Michael Hingson ** 30:12 I can't give her credit for her though she had the courage to do it. That's okay. Exactly. And did she get the signature? She did. There you go see? So what are you complaining about?   Tessa Lynne Alburn ** 30:21 Exactly? I just remember like, oh, no, you're not supposed to do that. Because New Yorkers were all uptight, you know? Yeah, cool.   Michael Hingson ** 30:29 We went to see the Lion King and my niece. Well, our Karen's brother and his wife. And our niece, who was three at the time went with us to see the Lion King. And we got in because there was a friend of Gary's Karen's brother, who knew some of the actors and got us tickets. And so we're in there, as it as it started, of course, the music and everything is wonderful. And then the hyenas came in and what they do to make their entrances, they come in from the top of the theater, walking down the aisles, growling as they go by. And one of them got right up to Karen course, Karen sitting there in a wheelchair accessible seat or space in her wheelchair. This hyena comes right up to her and goes, you never saw a woman who is a paraplegic suddenly jump and almost hit the ceiling was amazing. But afterward, we got to go behind the scenes. And Alana, our three year old niece, just had, as Karen describes the eyes as big as saucers, with all the animals and everything during the play. And then we went behind the scenes, and we got to beat Mustapha, and some of the other other people. And Karen even said, they did such a good job on the design that you forget that those are people who are working those puppets,   Tessa Lynne Alburn ** 31:48 which is magical, then when that happens? Yeah, it   Michael Hingson ** 31:52 was. So you went to New York, and you had fun there. And you've you've wandered a bunch, you said, you have a wanderlust spirit. And I have   Tessa Lynne Alburn ** 32:00 I left I left New York in the late 80s. And came out west to California and spent 15 years in LA and Santa Monica went up to northern California. And somewhere in between all of that I was also on tour in a band. And yeah, so I went to a bunch of different states and sang in Louisiana, at the no name saloon. And in Hobbs, New Mexico, all kinds of fun places, Missouri, and we had a an Elvis impersonator. And it was, you know, the time of my life, enjoying that, and just really getting to see a lot of different towns meet a lot of different people. And eventually   Michael Hingson ** 32:48 doing Oh, go ahead.   Tessa Lynne Alburn ** 32:49 Yeah, no, just eventually winding up following more of a soul path than a talent path.   Michael Hingson ** 32:56 Okay? Because I was gonna say you're not doing the band, essentially. Right. So what do you do now?   Tessa Lynne Alburn ** 33:04 Well, I am a feminine energy mastery coach for women. So I help them learn how to express their voices and their true selves in a feminine way, so that they're heard and understood. So they don't have to over masculine eyes, you know, to be heard or right or be the loudest voice in the room, or the smartest voice in the room, they can just be themselves. So I help them with that. And I do what I would call soul coaching, which is helping helping people to understand more the messages of their soul, and what their gifts are their innate gifts, not necessarily their talents, although a talent could be connected to it. But it's like something that comes from deep within, you know, like, behind their heart. It's like the spark that creates all of them. And so I help might help somebody say, find their purpose, or create greater abundance, but it's always going to be through that lens of the soul and the values, the high values that come with your soul.   Michael Hingson ** 34:17 Tell me if you would some examples of what that means. Some people may be who, whose gifts you help them discover and what kind of gifts you found and so on. I'm fascinated by it, and I absolutely respect what you do. Although, if if I have to say so not trying to be too bigoted women, I find her oftentimes a whole heck of a lot smarter than men. Anyway, my wife was always smarter than me. So you'll you'll always find me   Tessa Lynne Alburn ** 34:48 that you are a very smart man for thinking that and saying that especially she   Michael Hingson ** 34:51 was always ahead of me on so many things. And I mean, there were times I was ahead, but it just was the way it was. and I respected that and loved it right from the outset. So it's one of the things that I miss and valued so much when when she was here, there's so many examples of that. But anyway, so what are some examples of gifts and so on that you've helped people discover?   Tessa Lynne Alburn ** 35:17 Well, people sometimes find themselves like in jobs, where they're like, Oh, I'm good at this thing. But then they start pushing at the edges of the job box. And they find themselves maybe in an uncomfortable position, because they have bigger ideas. They're like, Oh, this could happen with us. And this could happen with that. And usually, those are the kinds of people I work with, because they do have a brilliance beyond what is recognize, typically. And sometimes it causes ruffles. Like, say, for example, I had a client, who was a consultant and was ruffling feathers, because she was brilliant. And there was jealousy, and there's this and there's that. And then there's some people that just they don't know how to handle it. And they're like, We don't, we don't know what to do with all your ideas. So we're just gonna shut you down, right. So that person eventually like, either wears out or gets sick, or just starts to think there's something really wrong with them. And maybe they start, you know, escaping going on a lot of vacations, or drinking too much, or eating bad foods, or whatever it is. And if they come to me, and we work together, what what happens is they discover that they've got a bigger vision for humanity, than what that particular role was allowing them to express. Right, so they might learn that they're a visionary, they might suddenly realize that they're going to start a project, you know, for some fiber, one, three, C, that's going to change the world, you know, create water for villages in Africa, or whatever the idea is. But the problem was that they're just told that you don't fit in and you have to quiet down and etc. But when they really understand that it's coming from a much deeper, truer place, this this propensity, that they have to push against those boundaries. And instead of making themselves wrong, they realize and learn how to connect to the universe's calling to the greater cosmic forces that are actually there to support them, then they become freed up, to be themselves to express themselves to ask for what they need to get to the sport to get the financial support, whatever it is, and they they become empowered.   Michael Hingson ** 37:53 Sometimes, do you help them recognize that maybe rather than just trying to continue to say ideas, because they're very enthusiastic about what they do that strategically, being a little bit more patient may be helpful, or does that enter into it?   Tessa Lynne Alburn ** 38:09 Well, sometimes Absolutely, yeah. So they usually go through phases, they'll go through a phase first, where they've been super patient, not saying anything, they might not even believe their ideas are that great. And then they're like, wait a second, I see the solutions here. And then they try to speak up, but they don't know who to go to. And they don't understand how the corporation works. So that's where often where patients can pay off. But they also need to know that they're not just like in a waiting room somewhere. Right? Right. Right. Yeah, they need a plan. They need to know Yes, Patience is important. But there are also moves they could be making that would fit that would be acceptable. And to not give up when they're in the waiting room, but to keep going and taking steps toward their dream,   Michael Hingson ** 39:00 maybe being a little bit more strategic about part of the process. Absolutely. Yeah. And I think men and women, I think women probably tend to express emotions more and men think that they shouldn't, which is unfortunate, but I think people in general, so often never learned how to be strategic and what they do.   Tessa Lynne Alburn ** 39:25 That's true. I think so many of us women in particular, do seem to have a bent towards perfectionism, because that's what got them accepted, right in the family system and then in schools or wherever. And we still see it today. Like if you watch some of these reality shows, you'll see that like a man will do a certain behaviors say a certain thing. A women woman will do the exact same thing and get just like you're a bench or a witch. Yeah. Big bright judgments. And so there's a way that we can present that and communicate, you know, to connect with other people first, rather than just like showing up with all these big ideas, because we have to know are these people ready to hear it?   Michael Hingson ** 40:19 Yeah. And unfortunately, our society still says we're going to be much more ready to hear it from a man than a woman, even though oftentimes, women are going to give the smarter and more in depth idea. And it happens all too often. And it is unfortunate that women are so often shut down.   Tessa Lynne Alburn ** 40:43 Yes, and they can do something about it. And it's not beating a drum. And it's not making other people wrong. It's finding a better way to communicate, and a better way to connect first, to have your one's ideas heard. And may it may even involve presentational skills or leadership skills, right, that we don't necessarily learn. Nobody taught us. Right. Right, we have been in that positio