Podcast appearances and mentions of Zadie Smith

Nicholas Boggs's “Baldwin: A Love Story,” is many things at once. It's a comprehensive biography of James Baldwin. It's a nimble excavation of Baldwin's work, filled with astute literary analysis of his books and prose. And, most pressingly, it's an argument for a new critical framework to understand Baldwin through the lens of love. The biography is structured around Baldwin's relationships with a series of men — relationships that, as Boggs outlines, shaped Baldwin's life and writing in crucial ways. Boggs joins MJ Franklin on this week's episode to talk about his new book.Other works mentioned in this discussion:Zadie Smith's essay “Conscience and Consciousness: A Craft Talk for the People and the Person,” from her new collection “Dead and Alive”“James Baldwin: A Biography,” by David Leeming“Little Man, Little Man: A Story of Childhood,” by James Baldwin, illustrated by Yoran Cazac, edited by Nicholas Boggs and Jennifer DeVere Brody“Goodbye Days,” by Jeff Zentner“Virginia Woolf,” by Hermione Lee Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

Holly Walker reviews Dead and Alive by Zadie Smith, published by Penguin Random House.

TGIF! This week on Everything Is Content... a viral article, chaotic reality TV and rumours of yet another celebrity face lift.First up, if you've not read Chanté Joseph's mega viral Vogue article titled Is Having A Boyfriend Embarrassing Now? then you've definitely seen the discourse. Julia Fox has weighed in (she says it is) and now it's our turn. We ask: what did we make of the piece, do we think this is an IRL phenomenon or strictly an online shift, and what do we think is behind it?Secondly we're back in LA LA land for a brand new series of Selling Sunset. Ruchira finished it in 3 days, Beth in 2 and we're all obsessed. We discuss the inherent toxicity of reality TV, this series' houses and whether we like seeing behind the curtain on these kind of shows.And last but not least, rumours of cosmetic surgery have been swirling around Emma Stone for the last few months and people are feeling a type of way about it. But is that fair? Can we reasonably feel disappointed when our fav female stars decide to opt out of growing older naturally or is it simply none of our business?Thank you SO much for listening this week and every week. Pleeease could you gift us a review on your podcast player app so other people can find us? We adore everyone who has already. Love O, R, B xoxoxIn partnership with Cue Podcasts.------This week Beth was not really loving Think Again by Jacqueline Wilson (though she remains a lifelong devotee and fan), Oenone was loving Zadie Smith's appearance on Adam Buxton's podcast and Ruchira was loving Rosalía's interview on Popcast and season 2 of The Secret Lives of Mormon Wives.The New York Times - Shibboleth Vogue - Is Having A Boyfriend Embarrassing Now?Substack - is having a boyfriend embarrassing now? yes and that's why we're hiding them Spotify - Call Her Daddy x Spencer Pratt Substack - I Feel Sad About Emma Stone's New Face Timestamps:15:00: Is Having A Boyfriend Embarrassing Now?41:41 Selling Sunset57:37: Emma Stone's face Hosted on Acast. See acast.com/privacy for more information.

Jeff and Rebecca talk Zadie Smith's Dead & Alive. Check out Zero to Well-Read! Subscribe to The Book Riot Newsletter for regular updates to get the most out of your reading life. The Book Riot Podcast Patreon Subscribe to the podcast via RSS, Apple Podcasts, and Spotify. The Book Riot Podcast is a proud member of the Airwave Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

Zadie Smith talks about the art of the essay, as she publishes a non-fiction collection, Dead and Alive. Brenda Blethyn discusses her new film Dragonfly, for which she's just been nominated for Best Joint Performance at the British Independent Film Awards along with her co-star Andrea Riseborough. In the last of Front Row's interviews with the authors shortlisted for the Booker Prize, Samira talks to Andrew Miller about his novel The Land in Winter, set in the Big Freeze of I962-3. Film scholar Ian Christie discusses the work of the experimental British documentary filmmaker Peter Watkins, who has died at the age of 90. Presenter: Samira Ahmed Producer: Harry Graham

Adam talks with author Zadie Smith about fun, trivial things like Wordle start words, men who dress as if they're still young, and the sadness of podcasts becoming TV shows, and then not trivial things like the problems associated with empathy when it comes to politics, war and fiction writing. Plus, what is Zadie's problem with Generation X?Conversation recorded face-to-face in London on 7 October 2025 Thanks to Séamus Murphy-Mitchell for production supportPodcast illustration by Helen GreenListen to Adam's album 'Buckle Up' Order Adam's book 'I Love You Byeee' Sign up for the newsletter on Adam's website (scroll down on homepage)RELATED LINKSDEAD AND ALIVE by Zadie Smith - 2025 (PENGUIN)ZADIE SMITH ON FASHION NEUROSIS PODCAST WITH BELLA FREUD - 2025 (YOUTUBE)ZADIE AND DEVONTÉ HYNES ON 'HOLDING UP THE LADDER' PODCAST - 2025 (ACAST)ZADIE SMITH ON WILD CARD - 2025 (NPR)LISA THATCHER - THE BRILLIANCE OF WHITE TEETH - 2012CHARLIE KIRK WAS PRACTICING POLITICS THE RIGHT WAY by Ezra Klein - 11 September, 2025 (NY TIMES)CHARLIE KIRK REDEEMED, A POLITICAL CLASS FINDS ITS LOST CAUSE by Ta-Nehisi Coates - 2025 (VANITY FAIR)EZRA KLEIN AND TA-NEHISI COATES HASH OUT THEIR CHARLIE KIRK DISAGREEMENT - 2025 (YOUTUBE)PHILOSOPHERS DESCRIBED BY PEEP SHOW - 2025 (YOUTUBE)ZADIE SMITH ON HOW LANGUAGE UPSETS THE RIGHT - 2025 (YOUTUBE)THANK YOU VERY MUCH - ANDY KAUFMAN DOC (OFFICIAL TRAILER) - 2023 (YOUTUBE)CHRIS SMITH ON JIM CAREY AND ANDY KAUFMAN (ADAM BUXTON PODCAST BONUS) - 2017 (ADAM'S WEBSITE/SOUNDCLOUD) Hosted on Acast. See acast.com/privacy for more information.

It's hard to believe that Zadie Smith was just 24 years old when she wrote White Teeth, the book that made her a literary star. 25 years later, Zadie is still finding new stories from her life to reflect on — and she shares many of those in her latest essay collection, Dead and Alive. The book combines art criticism with musings about technology, parenting and the writers who've inspired her. This week, Zadie joins Mattea Roach to talk about the collection, what it's like to look back on 25 years of writing … and that time she fell out of a window.Liked this conversation? Keep listening:Chimamanda Ngozi Adichie's triumphant return to fiction Alison Bechdel on making money and seeing Fun Home in a new light

Zadie Smith - Film reviews - Down Cemetery Road preview

Since Zadie Smith published her début novel, “White Teeth,” twenty-five years ago, she has been a bold and original voice in literature. But those who aren't familiar with Smith's work outside of fiction are missing out. As an essayist, in The New Yorker and other publications, Smith writes with great nuance about culture, technology, gentrification, politics; “There's really not a topic that wouldn't benefit from her insight,” David Remnick says. He spoke with Smith about her new collection of essays, “Dead and Alive.” “The one thing about talking about essays,” she notes, ruefully, “is you find yourself saying the same thing, but worse—without the commas.” One of the concerns in the book is the role of our devices, and social media in particular, in shaping our thoughts and our political discourse. “Everybody has a different emphasis on [Donald] Trump and what's going on. My emphasis has been on, to put it baldly, mind control. I think what's been interesting about the manipulations of a digital age is that it is absolutely natural and normal for people to be offended at the idea that they are being manipulated. None of us like to feel that way. And I think we wasted about—whatever it's been since the invention of the Iphone—trying to bat away that idea, calling it a moral panic, blaming each other, [and] talking about it as if it were an individual act of will.” In fact, she notes, “we are all being manipulated. Me, too. . . . Once we can all admit that, on the left and the right, then we can direct our attention to who's been doing this and to what advantage.” New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Learn about your ad choices: dovetail.prx.org/ad-choices

Since Zadie Smith published her début novel, “White Teeth,” twenty-five years ago, she has been a bold and original voice in literature. But those who aren't familiar with Smith's work outside of fiction are missing out. As an essayist, in The New Yorker and other publications, Smith writes with great nuance about culture, technology, gentrification, politics; “There's really not a topic that wouldn't benefit from her insight,” David Remnick says. He spoke with Smith about her new collection of essays, “Dead and Alive.” “The one thing about talking about essays,” she notes, ruefully, “is you find yourself saying the same thing, but worse—without the commas.” One of the concerns in the book is the role of our devices, and social media in particular, in shaping our thoughts and our political discourse. “Everybody has a different emphasis on [Donald] Trump and what's going on. My emphasis has been on, to put it baldly, mind control. I think what's been interesting about the manipulations of a digital age is that it is absolutely natural and normal for people to be offended at the idea that they are being manipulated. None of us like to feel that way. And I think we wasted about—whatever it's been since the invention of the Iphone—trying to bat away that idea, calling it a moral panic, blaming each other, [and] talking about it as if it were an individual act of will.” In fact, she notes, “we are all being manipulated. Me, too. . . . Once we can all admit that, on the left and the right, then we can direct our attention to who's been doing this and to what advantage.”New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

This week, Scott sat down with his Lawfare colleagues Senior Fellow Eric Columbus, Ukraine Fellow Anastasiia Lapatina, and Public Service Fellow Loren Voss to talk through the week's big news in national security, including:“Visiting Concessions.” President Trump once again turned his focus to the conflict in Ukraine, announcing last week that he and Russian President Vladimir Putin would be meeting to discuss the conflict in Budapest—though it's not clear Putin has agreed. This occurred just days before a planned visit to the White House by Ukrainian President Volodymyr Zelensky, where Trump reportedly pressured him to make territorial concessions requested by Putin in exchange for an end to the conflict and failed to respond affirmatively to his requests for Tomahawk missiles and U.S. security commitments. Is this a real shift in the U.S. position? And what might it mean for the broader conflict?“Posse ComiSCOTUS.” After months of litigation in the lower courts, the Trump administration has finally gone to the Supreme Court regarding the legality of its domestic military deployments, seeking a stay on an injunction on its planned deployment to Chicago that was recently left in place by the Seventh Circuit. How big a decision point is this in terms of the legal authorities around domestic military deployments? And how does the Court seem poised to rule?“Material Contort.” Just weeks after designating ANTIFA a “domestic terrorism organization,” the Trump administration has brought its first set of related criminal charges, relating to a July event at a Texas immigration detention facility that left one police officer shot in the neck. The indictment includes charges under the material support for terrorism statute—but probably not the one you're thinking of. How much does the indictment stretch the usual use of these statutes? And what does it tell us about the Trump administration's anti-ANTIFA campaign?In object lessons, Loren thinks we should play more and recommends Wayside Farm for a pumpkin-picking, maize-mazing good time. Eric thinks we should get cozy more with a second-skin, chambray-shirt classic. Scott thinks we should reflect more with a majorly-meditative, lightlessly-enlightening retreat. And Nastya thinks we should read more with eloquent-essayist Zadie Smith's cultural commentary, “Feel Free.” To receive ad-free podcasts, become a Lawfare Material Supporter at www.patreon.com/lawfare. You can also support Lawfare by making a one-time donation at https://givebutter.com/lawfare-institute.Support this show http://supporter.acast.com/lawfare. Hosted on Acast. See acast.com/privacy for more information.

This week, Scott sat down with his Lawfare colleagues Senior Fellow Eric Columbus, Ukraine Fellow Anastasiia Lapatina, and Public Service Fellow Loren Voss to talk through the week's big news in national security, including:“Visiting Concessions.” President Trump once again turned his focus to the conflict in Ukraine, announcing last week that he and Russian President Vladimir Putin would be meeting to discuss the conflict in Budapest—though it's not clear Putin has agreed. This occurred just days before a planned visit to the White House by Ukrainian President Volodymyr Zelensky, where Trump reportedly pressured him to make territorial concessions requested by Putin in exchange for an end to the conflict and failed to respond affirmatively to his requests for Tomahawk missiles and U.S. security commitments. Is this a real shift in the U.S. position? And what might it mean for the broader conflict?“Posse ComiSCOTUS.” After months of litigation in the lower courts, the Trump administration has finally gone to the Supreme Court regarding the legality of its domestic military deployments, seeking a stay on an injunction on its planned deployment to Chicago that was recently left in place by the Seventh Circuit. How big a decision point is this in terms of the legal authorities around domestic military deployments? And how does the Court seem poised to rule?“Material Contort.” Just weeks after designating ANTIFA a “domestic terrorism organization,” the Trump administration has brought its first set of related criminal charges, relating to a July event at a Texas immigration detention facility that left one police officer shot in the neck. The indictment includes charges under the material support for terrorism statute—but probably not the one you're thinking of. How much does the indictment stretch the usual use of these statutes? And what does it tell us about the Trump administration's anti-ANTIFA campaign?In object lessons, Loren thinks we should play more and recommends Wayside Farm for a pumpkin-picking, maize-mazing good time. Eric thinks we should get cozy more with a second-skin, chambray-shirt classic. Scott thinks we should reflect more with a majorly-meditative, lightlessly-enlightening retreat. And Nastya thinks we should read more with eloquent-essayist Zadie Smith's cultural commentary, “Feel Free.” To receive ad-free podcasts, become a Lawfare Material Supporter at www.patreon.com/lawfare. You can also support Lawfare by making a one-time donation at https://givebutter.com/lawfare-institute. Hosted on Acast. See acast.com/privacy for more information.

In this episode, Neha and Shruti discuss Zadie Smith's debut novel, White Teeth. We talk about themes of religion, inheritance, class, history, and the need for control; we explore what those 'white teeth' in the title might mean; and finally we get into our issues with the book, and discuss the genre of Hysterical Realism.Links:Human, All Too Inhuman by James WoodHow White Teeth transcends its many flawsShelf Discovery:On Beauty by Zadie SmithHome Fire by Kamila ShamsieThe Shadow Lines by Amitav GhoshIf you would like to get additional behind-the-scenes content related to this and all of our episodes, subscribe to our free newsletter.We love to hear from listeners about the books we discuss - you can connect with us on Instagram or by emailing us at thenovelteapod@gmail.com.This episode description contains links to Bookshop.org, a website that supports independent bookstores. If you use these links we may earn a small commission at no additional cost to you. Hosted on Acast. See acast.com/privacy for more information.

Actor Nikki Amuka-Bird discusses her awe for Zadie Smith, the need for humour in books about difficult conversations and her relationship with playing “mean” characters.  Nikki is an actor whose career spans across film, television, and stage. She was born in Nigeria and grew up in Antigua before moving to the UK to attend boarding school. She studied at LAMDA – the London Academy of Music and Dramatic Art – and quickly fell in love with the craft, before beginning what would become a stellar stage career with the Royal Shakespeare Company. Nikki has starred in a number of critically acclaimed roles in both British and international productions. She is perhaps best known for her work in television, with standout performances in Luther & the adaptation of Zadie Smith's NW, which earned her a BAFTA nomination. Nikki also appeared in the BBC adaptation of Small Island by Andrea Levy, winner of the 2004 Women's Prize for Fiction, and most recently as the lead in UKTV's I, Jack Wright. Her impressive filmography spans a wide array of roles, from starring alongside Rachel Weisz in Denial, to working with director and producer M. Night Shyamalan in Knock at the Cabin. Nikki's book choices are: ** The Colour Purple by Alice Walker ** A Return to Love by Marianne Williamson ** The Secret History by Donna Tart ** Such A Fun Age by Kiley Reid ** Tomorrow and Tomorrow and Tomorrow by Gabrielle Zevin  Vick Hope, multi-award winning TV and BBC Radio 1 presenter, author and journalist, is the host of season eight of the Women's Prize's BookshelfiePodcast. Every week, Vick will be joined by another inspirational woman to discuss the work of incredible female authors. The Women's Prize for Fiction is the biggest celebration of women's creativity in the world and has been running for over 30 years.  Don't want to miss the rest of season eight? Listen and subscribe now! You can buy all books mentioned from our dedicated shelf on Bookshop.org - every purchase supports the work of the Women's Prize Trust and independent bookshops.  Recorded May 2025. This podcast is sponsored by Baileys and produced by Bird Lime Media.

Ben Fountain is far more than just the author of Billy Lynn's Long Halftime Walk, which won RTB hearts and minds (and the National Book Award) long before it became a weird Ang Lee movie. Back in 2020's lockdown, RTB asked Fountain what was consoling and engaging him. American novels, especially those about Americans abroad (Joan Didion. say) have always done something special for him. Marilynne Robinson's and James Baldwin's work make us confront the reality that's happening around us all the time, “a freaking massacre.” He carried the the (fictional but genuine) facts of Baldwin's If Beale Street Could Talk in his head for forty years. Allen Tate, Fugitive poet (and author most famously of the tricky post-Eliotic 1928 “Ode to the Confederate Dead“) Joan Didion, The Last Thing He Wanted (1996; “a masterpiece of tone and mood and character and profound interiority”; the movie, not so much) Joan Didion, Democracy (1984; she goes “straight after the heart of that mystery, what is America?“) Marilynne Robinson. Listeners, do you prefer her incisive nonfiction (“Poetry of Puritanism“) or the deep, torqued interiority of her first novel, Housekeeping ? Zadie Smith on the amazing, terrifying Americanness of Kara Walker Kara Walker's “A Subtlety” (also referenced in our Silvia Bottinelli episode on food art!) James Baldwin, A Letter to My Nephew (1962) James Baldwin, e.g. If Beale Street Could Talk (Ben loves those Library of America volumes…) Another Country (1962) Giovanni's Room (1956) Sewanee Review, The Corona Correspondence Chronicles of Now George Saunders “A Letter to My Students…." Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Ben Fountain is far more than just the author of Billy Lynn's Long Halftime Walk, which won RTB hearts and minds (and the National Book Award) long before it became a weird Ang Lee movie. Back in 2020's lockdown, RTB asked Fountain what was consoling and engaging him. American novels, especially those about Americans abroad (Joan Didion. say) have always done something special for him. Marilynne Robinson's and James Baldwin's work make us confront the reality that's happening around us all the time, “a freaking massacre.” He carried the the (fictional but genuine) facts of Baldwin's If Beale Street Could Talk in his head for forty years. Allen Tate, Fugitive poet (and author most famously of the tricky post-Eliotic 1928 “Ode to the Confederate Dead“) Joan Didion, The Last Thing He Wanted (1996; “a masterpiece of tone and mood and character and profound interiority”; the movie, not so much) Joan Didion, Democracy (1984; she goes “straight after the heart of that mystery, what is America?“) Marilynne Robinson. Listeners, do you prefer her incisive nonfiction (“Poetry of Puritanism“) or the deep, torqued interiority of her first novel, Housekeeping ? Zadie Smith on the amazing, terrifying Americanness of Kara Walker Kara Walker's “A Subtlety” (also referenced in our Silvia Bottinelli episode on food art!) James Baldwin, A Letter to My Nephew (1962) James Baldwin, e.g. If Beale Street Could Talk (Ben loves those Library of America volumes…) Another Country (1962) Giovanni's Room (1956) Sewanee Review, The Corona Correspondence Chronicles of Now George Saunders “A Letter to My Students…." Learn more about your ad choices. Visit megaphone.fm/adchoices

As an avid reader, I'm always seeking that next great book. The one that allows me to see myself and the world more clearly, comforts me when I'm lost, or inspires me to move through my day differently. This series is my opportunity to pass these remarkable books onto you, as readers of A Mind of Her Own, both for your own enjoyment and also, as a self-serving shout-out to the universe to send me more amazing, life-changing reads. I'm excited to hear what you think, and I'm so glad you're here!Life-Changing Reads: A Series1. Let Your Life Speak: Listening for the Voice of Vocation, by Parker Palmer“Vocation does not come from willfulness. It comes from listening…vocation does not mean a goal that I pursue. It means a calling that I hear.”I read this book when I was feeling lost, searching for a life that aligned with my values and desires, and doubting myself at every step. I kept hearing this call to write, to create, but I thought it was something I should do in my “non-work” time, because it wasn't a serious activity for a physician. Parker's discussion of his own struggle to find his true vocation, through an altruistic but ultimately unsustainable career path, was a fundamental guide on my journey.2. Quiet: The Power of Introverts in a World that Can't Stop Talking, by Susan Cain“So when introverts assume the observer role, as when they write novels, or contemplate unified field theory—or fall quiet at dinner parties—they're not demonstrating a failure of will or a lack of energy. They're simple doing what they're constitutionally suited for.”I listened to this book in the car, sitting in LA traffic, during my psychiatry residency. I still remember the feeling of hearing these words, suggesting my tendency to prefer listening to talking, observing to acting, thinking to doing was not because I was lazy, overly shy or antisocial. It was what I was “constitutionally suited for.” This was a revelation.Here I am now, writing books, listening as a psychiatrist and podcast host, and taking time to think about life's great mysteries. Thank you, Susan, for your beautiful writing.3. The Good Life: Lessons From the World's Longest Scientific Study of Happiness, by Robert Waldinger, MD and Marc Schulz, PhD“Do I matter? Some of us have lived the majority of our lives and find ourselves looking back, others have most of our lives in front of us and are looking forward. For all of us, regardless of age, it helps to remember that this question of mattering, of leaving something for future generations and of being part of something bigger than ourselves, is not just about our personal achievements—it's about what we mean to other people. And it's never too late to start now and leave a mark.”This book, by the directors of the Harvard Study of Adult Development, is a powerful summary of the lives of two generations of individuals from the same families for over 80 years. It's remarkable to read their quotes as they navigate joy, loss, struggles and successes over the years. The reason I've found it so important to read and reread is its powerful reminder of the importance of our relationships in creating happiness. Not money. Not fame. Not a perfect body. Not prizes or rings or medals. It's all about the love and connection we have in our lives.Today, as I try to navigate the overwhelmingly stressful news and constant churn of social media, it grounds me in my day-to-day life to reflect on those in my closest orbit. How can I connect with them today? How do I show my love and interest in ways both silly and sincere? Even if I've been feeling disconnected, I trust that it is never too late to leave my own mark in their lives and remember the joy of having them in mine.4. How Do You Feel? One Doctor's Search for Humanity in Medicine, by Jessi Gold, MD, MS“Sometimes, the heaviest emotional burden is to bear witness or to hold space for someone else's story. To do my job well and be someone whom people can trust, I need to care. I need to be truly empathetic. I need to be raw and available.”This beautiful book, by Jessi Gold, describes so many aspects of my experience as a psychiatrist. She writes about the unique emotional toll of meeting with patients during some of their darkest moments, as they are working to overcome trauma, abuse, loss or grave illnesses. Reading this was incredibly validating. In the past, when I had finished my clinical week, I would look back and wonder, “Why can't I do more? Why didn't I see more patients? There is so much need.”Dr. Gold's book helped me to be self-compassionate, recognizing I could only be truly present if I also took care of myself. This is a message I now try to pass along to the psychiatry residents I teach. We are human, and we have limits. Thank you, Jessi, for generously sharing your life with us. Your work is so important.Listen to Dr. Gold on The Reflective Mind Podcast at https://amindofherown.substack.com/p/speaking-the-quiet-part-out-loud?r=1wdz1l5. Finding Meaning in the Second Half of Life: How to Finally, Really Grow Up by James Hollis, Ph.D.“To engage with the summons of our souls is to step into the deepest ocean, uncertain whether we will be able to swim to some new, distant shore. And yet, until we have consented to swim beyond the familiar lights of the port left behind, we will never arrive at a newer shore.”This stunning book, by Dr. James Hollis, a Jungian scholar and prolific writer, shares his own story of midlife depression and his decision to leave the familiar to seek training in Zurich and become a Jungian analyst. He writes beautifully about his struggle to identify his own path with the guidance of Jung's theory of individuation, defined as “the lifelong project of becoming more nearly the whole person we were meant to be.” I read and re-read this book as I was struggling with my own path to meaning in midlife, and I found such comfort in his powerful belief that we all can tap into what we already know: the person we are most meant to be.You can listen to his beautiful description of his path here: https://amindofherown.substack.com/p/a-nameless-longing-when-your-soul?r=1wdz1l6. Shrill, by Lindy West (I also highly recommend the Hulu series by the same name, starring Aidy Bryant )“I am my body. When my body gets smaller, it is still me. When my body gets bigger, it is still me. There is not a thin woman inside me, awaiting excavation. I am one piece.”Thinking back on my training during medical school and beyond, I can summarize any lecture about body size with one phrase: overweight equals unhealthy. This repeated conflation means I now must consciously uncouple one from the other in my clinical work, stepping back from the broad and imprecise shorthand to consider how they are, and are not, actually related.Lindy West's book helped me significantly as I was trying to shift my thinking on this topic. Her frank depiction of life in her larger body was at times heartbreaking (especially in the doctor's office), frequently humorous (with chapter titles like “Are you there, Margaret? It's me, a person who is not a complete freak.”) and overall a powerful motivator for change. I think all health care providers should read it at least once.If this resonates, check out my interview with Dr. Mara Gordon all about the size-inclusive healthcare revolution. https://amindofherown.substack.com/p/the-size-inclusive-healthcare-revolution?utm_source=publication-search7. Words Are My Matter: Writings on Life and Books by Ursula K. Le Guin“Fiction offers the best means of understanding people different from oneself, short of experience. Actually, fiction can be lots better than experience, because it's a manageable size, it's comprehensible, while experience just steamrollers over you and you understand what happened decades later, if ever.”I grew up in a very small town in North Dakota, just a few miles from the South Dakota border. I didn't recognize the enormity of the sky above my childhood home until I returned as an adult, head tipped back, staring upward in awe. I grew up there with a loving family and a surrounding community willing to cheer me on in events from basketball games to theater performances, but I always felt a bit out of place. Reading became my reassurance that the world was as big as the sky overhead, and I would eventually find my own path. Books also helped me recognize the importance of placing myself in another's shoes, virtual empathy-building machines that taught me about those whose lives were so incredibly different from my own.This book of Ursula K. Le Guin's essays, poems and book reviews reveals a grounded, opinionated, brilliant woman who decided to create entire worlds with stunning clarity, illuminating the challenges existing in our own. Readers and writers alike will not be sorry for taking a moment to absorb her work.If this interests you, please feel free to listen to my short essay, Books are Empathy Machines.8. Intimations by Zadie Smith“Talking to yourself can be useful. And writing means being overheard.”This book by Zadie Smith, a collection of six essays, was published in 2020, and provides a glimpse into the author's life during the early months of the Covid-19 virus. I've long been an admirer of her fiction, but this series allowed a much more intimate window into her wandering mind, trying to comprehend her place in a society turned inside out with uncertainty and fear.What does it mean to be an artist when people are being categorized as “essential workers?” Is loyalty to a place something that can outlast a feeling of unique vulnerability? How can writing provide an outlet for survival when the world is so fraught? There was comfort in her struggle to understand and in her feeling of disorientation, which I certainly shared. I emerged from her writing feeling more hopeful and far less alone.If this essay resonated, please feel free to check out this podcast episode Hope is the Best Antidote for Demoralization with Dr. James L. Griffith, MD9. Flow: The Psychology of Optimal Experience by Mihaly Csikszentmihalyi“We grow up believing that what counts most in our lives is that which will occur in the future…[however] since what we experience is reality, as far as we are concerned, we can transform reality to the extent that we influence what happens in consciousness and thus free ourselves from the threats and blandishments of the outside world.”My summary: We are always living for tomorrow, while life only happens right now, in our moment-by-moment experience, which we have the power to shape through our attention.You have likely heard of the concept of Flow, described by Dr. Csikszentmihalyi (here is a googled pronunciation: chik sent mee hai ee) as an optimal experience when a “person's body or mind is stretched to its limits in a voluntary effort to accomplish something difficult and worthwhile.” It is often referred to as being in a “flow state,” so immersed in a particular task that you lose track of time and are able to concentrate in a prolonged and highly satisfying way. He refers to our attention our “psychic energy.” Where we give our attention is quite literally how we experience our lives. This has never been more relevant, each of us tasked with creating our own protective filters from the onslaught of demands on our limited—because we're human—attention spans.This book is a revelation, with insights about the very nature of consciousness, what it means to be happy, and how we can infuse our lives with more pleasure. Flow can emerge in a wide variety of settings, whether it's while listening to or creating music, engaging in satisfying sex or consuming delicious foods. It may also occur when we are working on a challenging problem at the office, pushing past a confusing but compelling problem in school, or out solving problems in the world beyond. I've learned so much from his writing, and have absorbed his ideas which influence many of my own.If the concept of a flow and the quest for a meaningful life is of interest, check out my interview, “What Lights You Up?' with Dr. Jordan Grumet, palliative care physician and writer.10. Ambiguous Loss: Learning to Live with Unresolved Grief by Pauline Boss“In the case of ambiguous loss…complicated grieving can be a normal reaction to a complicated situation—the endless searching of a battlefield by the mother of a missing soldier; a stepchild's angry outbursts when his biological parent is totally excluded; a wife's depression and withdrawal because her husband has suffered a brain injury and is no longer himself.”I've found ambiguous loss to be such a powerful and surprisingly common experience in my psychiatry practice. This idea describes the unique suffering caused by uncertainty or a lack of resolution regarding a missing loved one. This could be psychological absence of someone still in our presence, such as when our loved one is struggling with dementia or severe mental illness, or the physical absence of those we still keep very much present in our psychological lives, including missing persons with unknown whereabouts.After first reading Ambiguous Loss, I reached out to Dr. Pauline Boss, now in her 90s, to thank her for her work and speak with her about this extremely helpful framework, which had a profound effect on me. She shared the origins of the research into this topic, begun with the families of pilots declared missing in action in Vietnam and Cambodia while she was at the Center of Prisoner of War Studies in the U.S. Naval Health Research Institute in San Diego. She spoke about interviewing the wives of these missing pilots and the intense pain caused by the ambiguity surrounding their husbands' whereabouts. This ongoing, often unresolvable grief can lead to depression, isolation, and ongoing family disruption, even generations later. By giving a name to this phenomenon, however, Pauline Boss has helped countless families begin to heal from the unimaginable and move forward into a more hopeful future.11. Can't We Talk About Something More Pleasant? A Memoir by Roz Chast“After my father died, I noticed that all the things that had driven me bats about him—his chronic worrying, his incessant chitchat, his almost suspect inability to deal with anything mechanical—now seemed trivial. The only emotion that remained was one of deep affection and gratitude that he was my dad.”This is the first graphic novel on my list, but it certainly won't be the last. I've been a fan of Roz Chast for a long time, with her quirky but poignant New Yorker cartoons. This powerful memoir highlights something I've found particularly helpful in my work and personal life: difficult truths are much more palatable if we can pair them with humor. My family has always taken this approach, particularly my father, coping with some truly heartbreaking cases in the hospital with an off-color joke about bowel movements around the family dinner table. Humor is also considered one of the most mature psychological defense mechanisms we use to cope with stress or loss in our lives, so way to go, Dad!Roz shares with us a uniquely painful time in her life, as her parents age well into their 90s, experiencing the indignities of increasingly frail bodies and waning independence. She writes with brave candor about the exhausting and expensive path an adult child must walk when her parents can no longer care for themselves, and her conflicted feelings as she watches them slowly fade. Her cartoons throughout provide much-needed moments of levity, as well as a beautiful tribute to the lives of these important people. If you or a loved one is going through this painful, but common, journey, this book could provide some true comfort, and maybe even a laugh or two.12. Congratulations, By the Way: Some Thoughts on Kindness by George Saunders“Be a good and proactive and even somewhat desperate patient on your own behalf—seek out the most efficacious, anti-selfishness medicines, energetically, for the rest of your life. Find out what makes you kinder, what opens you up and brings out the most loving, generous, and unafraid version of you—and go after those things as if nothing else matters.Because, actually, nothing else does.”These words are part of a lovely convocation address George Saunders delivered to the graduating students of Syracuse University, where he is a professor of creative writing. Understandably, it resonated far beyond the campus, and speaks a truly important message for today's world.I should admit, I have a soft spot for George Saunders. I imagine I'm not alone in this. I saw him speak at a New Yorker Festival event several years ago and he did not disappoint: sharp as a tack while also being thoughtful and extremely humble. In addition, he was super funny, which made sense because he's the author of one of the most hilarious short stories I've ever read. In “Pastoralia,” two employees are assigned to a caveman diorama in a fading fun park. One of them, who takes his role incredibly seriously, frequently pretends to scan the horizon for large game and refuses to speak to his cave mate, using only grunts and body language to communicate. The other employee, a chain-smoking, mint-eating mother of a struggling adult child seems to be trying to just get through the day, breaking every rule of proper performance, much to her cave mate's dismay. The story is simply sublime.My dear friend, John, who trained with me in psychiatry residency and became one of my dearest friends, introduced me to this story, along with other memorable cultural experiences such as the show “Broad City” and referring to the bathroom as the “wazzer.” He died in 2020 after a battle with brain cancer, but his legacy lives on, especially in my plan to someday turn “Pastoralia” into a musical (his idea). After all, what better way to honor his memory? Miss you John, but thank you for all you taught me.Thanks for reading A Mind of Her Own! Subscribe for free to receive new posts and hear about upcoming episodes & book events.Find Dr. Reid on Instagram: @jenreidmd and LinkedInYou can also preorder her upcoming book, Guilt Free!Also check out Dr. Reid's regular contributions to Psychology Today: Think Like a Shrink.Seeking a mental health provider? Try Psychology TodayNational Suicide Prevention Lifeline: 1-800-273-8255Dial 988 for mental health crisis supportSAMHSA's National Helpline - 1-800-662-HELP (4357)-a free, confidential, 24/7, 365-day-a-year treatment referral and information service (in English and Spanish) for individuals and families facing mental and/or substance use disorders.Disclaimer:The views expressed on this podcast reflect those of the host and guests, and are not associated with any organization or academic site. Also, AI may have been used to create the transcript and notes, based only on the specific discussion of the host and guest and reviewed for accuracy.The information and other content provided on this podcast or in any linked materials, are not intended and should not be construed as medical advice, nor is the information a substitute for professional medical expertise or treatment. All content, including text, graphics, images and information, contained on or available through this website is for general information purposes only.If you or any other person has a medical concern, you should consult with your health care provider or seek other professional medical treatment. Never disregard professional medical advice or delay in seeking it because of something that have read on this website, blog or in any linked materials. If you think you may have a medical emergency, call your doctor or emergency services (911) immediately. You can also access the National Suicide Help Line at 1-800-273-8255 or call 988 for mental health emergencies. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit amindofherown.substack.com

We were delighted to have the chance to speak with Adam Szetela about his new book, That Book Is Dangerous! How Moral Panic, Social Media, and the Culture Wars Are Remaking Publishing. Adam shares what he learned from authors, agents, and editors about the effects of cancel culture in the publishing industry. His behind-the-scenes account is fascinating and sobering in equal measure.Show Notes* For more info on Adam Szetela, check out his website * Here is the official MIT Press link to Adam's book * The Chimamanda Ngozi Adichie audio clips come from her 2022 Reith Lecture on Free Speech (listen here; read the transcript here)* Matt Yglesias coined the term “The Great Awokening” in this 2019 Vox essay* “a rapid change in discourse and norms around social justice issues”: That's a quote from Stony Brook sociologist Musa al-Gharbi, one of the nation's foremost chroniclers of “The Great Awokening”* see Musa's 2024 book We Have Never Been Woke: The Cultural Contradictions of a New Elite * here are two Banished episodes featuring Musa: You Can't Be an Egalitarian Social Climber & Who Speaks the Language of Social Justice?* The Harper's Letter* Michael Hobbes, “Don't Fall for the ‘Cancel Culture Scam,'” HuffPo, July 10, 2020* This 2019 Zadie Smith essay from the New York Review of Books is the definitive rejoinder to the cultural critics who insist that we “should write only about people who are fundamentally ‘like us': racially, sexually, genetically, nationally, politically, personally”* On the controversy surrounding Amélie Wen Zhao's Blood Heir, see Alexandra Alter, “She Pulled Her Debut Book When Critics Found It Racist. Now She Plans to Publish,” New York Times, April 29, 2019* On the cancelation of Kosoko Jackson's book, A Place for Wolves, see Jennifer Senior, “Teen Fiction and the Perils of Cancel Culture,” New York Times, March 8, 2019* On the cancelation of a romance novel based on “criticism from readers over dialogue that some found racist or that praised Elon Musk,” see Alexandra Alter, “A Publisher Pulled a Romance Novel After Criticism From Early Readers,” New York Times, March 5, 2025* On the demographics of the people who work in the publishing industry, with an emphasis on racial diversity, see this 2022 report from Pen America, “Reading Between the Lines”* For more on literature and the culture wars, see Deborah Appleman's incisive 2022 book, Literature and the New Culture Wars: Triggers, Cancel Culture, and the Teacher's Dilemma * On the perils of teaching literature from a narrow social justice lens, see “Poverty of the Imagination,” an essay we wrote a few years back in Arc Digital* On what we keep getting wrong about the cancel culture debate, see this September 26, 2025 Banished post This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit banished.substack.com/subscribe

This week's book guest is Swing Time by Zadie Smith.Sara and Cariad are joined for the last episode of this series by the one and only Sophie Ellis-Bextor.In this episode they discuss motherhood, celebrity, white saviour complex and sexy dancing for your dad.Thank you for reading with us this series. We like reading with you! And we'll be back in October with more Weird and wonderful reads!Swing Time by Zadie Smith is available here.Follow Sara & Cariad's Weirdos Book Club on Instagram @saraandcariadsweirdosbookclub and Twitter @weirdosbookclubTickets for Sara's tour show I Am A Strange Gloop are available to buy from sarapascoe.co.uk Recorded and edited by Naomi Parnell for Plosive.Artwork by Welcome Studio. Hosted on Acast. See acast.com/privacy for more information.

Rhiannon has been fully immersed in the nudity at Wilderness, listening to Dan Wye's brilliant comedy, whilst Alex has been bobbing on the sea, reading Zadie Smith's On Beauty. What a book, exploring the mysteries of academic language, affirmative action and destructive middle aged men. Meanwhile, Rhiannon has been reading about the conflict between freedom on the internet and yet limited physical freedoms that modern children experience. Are they more anxious than ever and why? Alex has followed John Green down his turberculosis tunnel, exploring the history - from Keats to Cowboys, why it connects to everything, and why it is a disease that reveals injustice wherever it goes. An exciting, sun-filled episode!Show notesDan Wye Am I Sam Smith? at Wilderness Festival Late to the Party, Grace CampbellFootball, Feminism and Everything In BetweenOn Beauty by Zadie Smith Intimations by Zadie Smith North-West by Zadie Smith The Anxious Generation by Jonathan HaidtThe Fault in Our Stars by John GreenEverything is Turberculosis by John GreenThe Happiness Lab podcastTraitors, Destination X, Race Across the WorldMade in ChelseaGreat Company - Jamie Laing's podcast

In this episode, meet authors Zadie Smith and Nick Laird, Anne Waldman, and Fannie Flagg. Hear Zadie Smith and Nick Laird on writing a book for their children and working together in the studio, discover why poet Anne Waldman describes recording her audiobook as a “sonic investigation,” and learn what Fannie Flagg is most excited for listeners to hear. In the Wild by Zadie Smith and Nick Laird https://www.penguinrandomhouse.com/books/777195/in-the-wild-by-zadie-smith-and-nick-laird-illustrated-by-magenta-fox/audio/ Mesopotopia by Anne Waldman https://www.penguinrandomhouse.com/books/690646/mesopotopia-by-anne-waldman/audio/ Something to Look Forward To by Fannie Flagg https://www.penguinrandomhouse.com/books/767921/something-to-look-forward-to-by-fannie-flagg/9798217159581/

What if giving up isn't a failure, but a form of resistance? Arnon Grunberg meets the British writer and psychoanalyst Adam Phillips. Together they talk about letting go of control, ambition and certainty.Determination is often lauded as a virtue. But determined to do what? Adam Phillips and Arnon Grunberg explore how stepping away from expectations can bring freedom. In a world that prizes success and perseverance, can letting go open the door to new forms of autonomy and creativity — and, with it, challenge power?About: Adam Philips (1954) is a renowned psychoanalyst and essayist. He is the author of numerous books, including Missing Out: In Praise of the Unlived Life, On Wanting to Change, and Attention Seeking. His works are known for bringing psychoanalysis into conversations about literature, art, and everyday life. In his latest book, On Giving Up, Phillips continues to explore the intricacies of human emotion and self-awareness.Arnon Grunberg meets is a series of conversations in De Balie in which Arnon Grunberg speaks with prominent thinkers, writers, artists, and politicians. Grunberg previously spoke with Marlene Dumas, Zadie Smith, Tomas Sedlacek, Ulrich Seidl, Deborah Feldman, and Damiaan Denys.This programme is a part of Forum on European Culture 2025.Programme maker: Ianthe MosselmanZie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

Zadie Smith reads her story “The Silence,” from the July 7 & 14, 2025, issue of the magazine. Smith, a winner of the Orange Prize for Fiction and the PEN/Audible Literary Service Award, among others, is the author of two short-story collections and six novels, including “NW,” “Swing Time,” and “The Fraud,” which was published in 2023. Learn about your ad choices: dovetail.prx.org/ad-choices

Subscribe to Bad Faith on Patreon to instantly unlock our full premium episode library: http://patreon.com/badfaithpodcast Professor of African-American Studies, scholar of political economy and historical sociology, and author of Black Scare / Red Scare: Theorizing Capitalist Racism in the United States Charisse Burden-Stelly returns to Bad Faith to discuss the No Kings protests, the media backlash to the L.A. protests, the new Red Scare, and what history tells us about how to fight back. She also weighs on on why neoliberal pundits from Jake Tapper to Zadie Smith have been attacking the paradigm of "oppressed vs. oppressor," and why it may be time for the left to firmly defend "woke." Subscribe to Bad Faith on YouTube for video of this episode. Find Bad Faith on Twitter (@badfaithpod) and Instagram (@badfaithpod).

In this episode, we're talking with writer and historian Rachel Cockerell, author of Melting Point: Family, Memory and the Search for a Promised Land, about the process of writing a family history that Zadie Smith, Simon Schama, and others have praised. Cockerell tells us about her research and writing process; deciding to take out the narrative voice and letting the primary sources tell the story on their own; and why fiction often serves as a model for the kind of reading experience she hopes to give readers. Don't forget to rate and review our show and follow us on all social media platforms here: https://linktr.ee/writingitpodcast Contact us with questions, possible future topics/guests, or comments here: https://writingit.fireside.fm/contact

Edwidge Danticat joins Deborah Treisman to read and discuss “Two Men Arrive in a Village,” by Zadie Smith, which was published in The New Yorker in 2016. Danticat, a MacArthur Fellow and a winner of the Vilcek Prize in Literature, has published six books of fiction, including “Breath, Eyes, Memory,” “The Farming of Bones,” “Claire of the Sea Light,” and “Everything Inside.” Her memoir “Brother, I'm Dying” won the National Book Award and the Dayton Literary Peace Prize, among others. She has been publishing fiction and nonfiction in The New Yorker since 1999. Learn about your ad choices: dovetail.prx.org/ad-choices

Before we start the show today…Have you donated to the Me Little Me Virtual Food Pantry? This amazing organization works to get low-income folks (many of whom are in eating disorder recovery) fed — and with the food of their choosing. Meaning yes, ultra processed foods that bring comfort and convenience, and yes to beloved cultural foods…and yes to trusting folks in need to know what they need.We're trying to raise $12,000 and add 50 recurring donors to their rosters by June 1 AND WE ARE SO CLOSE TO OUR GOAL. But we need your help to crush it! Thank you!You're listening to Burnt Toast! Today, my conversation is with the iconic Sarai Walker. Sarai is the author of The Cherry Robbers and Dietland, which came out in May 2015—and is celebrating its 10th anniversary this month.Dietland is one of those books that means so much to me, it's hard to put into words. I consider it a foundational text of the body liberation movement of the past decade. It was adapted as a television series starring Joy Nash for AMC in 2018. It's just one of those books—that inducted so many of us into conversations about fatness, feminism, radical social action. Sarai has also lectured on feminism and body image internationally. Her articles and essays have appeared in The New York Times, The Washington Post, The Guardian and elsewhere, and she worked as a writer and editor on an updated version of Our Bodies, Ourselves.I asked Sarai to join me today to reflect on what 10 years of Dietland has meant to her. We also talk a lot about the very mixed experience of being a public fat person, as well as being a woman, and a writer, in midlife. You will love this conversation.And! If you order Dietland and Fat Talk together from Split Rock Books, you can take 20% off the combo with the code FATLAND. If you've already bought fat talk from Split Rock, you can still take 10% off Dietland or any book we talk about on the podcast, using the code FATTALK. Today's episode is free but if you value this conversation, please consider supporting our work with a paid subscription. Burnt Toast is 100% reader- and listener-supported. We literally can't do this without you.Episode 195 TranscriptVirginiaThis is really a big thrill for me. Dietland came out in 2015, we're here to celebrate its 10th anniversary. I read it pretty soon after it came out, and I remember reading about Plum and Calliope House and the Jennifer vigilantes who were killing all the evil men, and just thinking, how is she in my brain? How is she writing my whole heart in this story? So to start us off with what is probably an impossible question: How does that feel, to have contributed something that is so important to the canon? And by canon, I mean the fat feminist literary canon.SaraiIt's funny, as an author, I don't know if I feel it the way you're describing it. Man, I hope that that's the case! I guess it's for other people to decide what a book's legacy is, whether it's important or not. What I can say—you know, the book turns 10 this month, and it has really meant a lot to me over the years that people have just connected with it in such a positive way.People related to Plum's story, they really felt that I put into words something that only they had felt, which was one of the things that I really had to work hard on in the book, because I had all these feelings about my own experience with my own body. And I was like, how do I put that into words? So that was the struggle of writing the book and being able to do that. I was so happy when people really felt that the book could speak for them in certain ways, that it gave them a voice.I still hear from people! I heard from somebody just yesterday who said the book changed their life. We live in an age where so many things just seem disposable, and people forget about things and move on really quickly. Dietland, whatever its legacy may be, it has had a long life.VirginiaWe should say, for folks who don't know publishing: For a book to still be in print 10 years later is incredible. The vast majority of books have a year, two years, and then they're done. It is a huge accomplishment, and a huge contribution.SaraiIt means a lot to me. It's getting a new French publication and a new translation over there. So, you know, my girl keeps on going. And it's funny, because I think one of the things that people enjoyed about the book was the anger and the rage in it, and the revenge fantasy narrative about Jennifer.At the same time, some people were like, oh, well, things aren't that bad. You're exaggerating. Fast forward from 2015 to 2025, and things are worse than I could have ever imagined back then.VirginiaYou downplayed it a little bit.SaraiExactly. So I feel in this weird way, kind of vindicated? That's not a great feeling. But it's just so weird that the 10th anniversary is coming at a time when there's this huge backlash against feminism, against fat. Even something as watered down as body positivity is under attack, you know? It just tells you how bad things are. So in that sense, it's sort of bittersweet to have the anniversary at this time, because things are really just heartbreaking and scary right now.VirginiaBut also: We need the book more than ever. We need the Dietland story more than ever, because things are so scary right now. It gives us a way of articulating that. It gives us a place to put those feelings.SaraiI hope that new readers find the book now in this new climate that we're in and people who read it before might revisit it. I've actually thought of writing some new Jennifer stories. I feel like they would have to be so, so violent and so filled with rage, I don't know if they would be healthy for me, but I've thought about unleashing Jennifer on MAGA.VirginiaI personally am very here for this and yery, very supportive of this idea. I think there would be an audience. I would really love to see Jennifer take on MAGA and MAHA and RFK Jr. in particular.SaraiIf I end up in prison, though, I don't know.VirginiaI'm hearing that concern, as we're saying it out loud. Fictionalized versions of these things, perhaps.SaraiNames changed.VirginiaI mean, you're busy, you're doing lots of things, but it would be a public service.Many more folks discovered Dietland after it became a TV show, which aired in 2018. It was created by Marti Noxon of Buffy the Vampire Slayer fame. And it starred the incredible Joy Nash. And we only got 10 magic episodes. It's a really great season, but we only got the one season. I would love to hear how you felt about the show? I've always wondered what that feels like, to have a novel go into on the screen. It's got to be such a strange experience.SaraiIt is strange and surreal. Looking back now, it's hard to believe that it happened. I think so many writers do get their book optioned, but to actually have it not just optioned, but then go into production and become a television series is pretty rare. So I feel lucky that I had that.The show premiered three years after the book was published, which is so fast, but that was kind of the golden age of TV, I think.It was a great experience. Marti really welcomed me in. I went out to the writer's room, and I worked as a consultant. I got to visit the set in New York. And basically the the 10 episodes that we got were the whole book. So, I'm really sad that it didn't go on, that we didn't get at least a season two, preferably five seasons would have been great. But AMC just kind of bailed out on it. There was a lot of drama there going on behind the scenes that had nothing to do with the show that contributed to that.When the show was canceled, one of the cast members posted something on social media saying, “I'm so tired of shows about women that try and do interesting and groundbreaking things just being canceled and not given a chance to grow.” It's very hard to build an audience in one ten episode season. So I just felt like the show wasn't given that chance. And so that makes it a little bit bittersweet. But I treasure the ten episodes that we did get. It's an incredible privilege that we got that.Amd the show was pretty faithful to the book, actually, I thought. When I got there to the writer's room, they were already at work and they were using it as their Bible and I was this kind of like goddess of this world. It was really weird.VirginiaThat's amazing.SaraiAll these people working on something that came from my head. It was surreal.VirginiaAnd Joy as Plum—she's amazing and really embodies the character.SaraiShe is so great. I just love Joy. When I was living out in LA we used to go out to lunch, and she's so fun and just so sweet. And, yeah, I really loved working with her, and having her play Plum.VirginiaSo you mentioned feeling like a goddess in the writers room. But putting this out there did launch you as a Public Facing Fat Person, which I put in capital letters. It's an experience that that I've had, a little bit as well. And it is a real mixed bag. It's just really a weird experience to be professionally fat, especially because, in your case, your subsequent work has had nothing to do with fatness. And yet, I'm sure this is still something that comes up.SaraiYeah, I mean, you know what it's like to be publicly fat. Everyone reacts to it differently. I'm a novelist, so I'm very introverted. The book was published in 2015 and then the paperback in 2016 and the British edition, which was a whole wild ride with the media over there.VirginiaOh god, I am sorry. I know and I'm sorry.SaraiYeah. It made our media look okay!VirginiaNo, it's terrible. The British media is so awful in general, and it's so specifically fatphobic. Anytime I've done anything with the British media, it's been a deeply scarring experience.SaraiIt was awful. I had a big newspaper over there wanted me to write this big article for them, and they're like, “You have to put your weight in the article.”VirginiaI mean, what?SaraiAnd then another website, this feminist website, was like “We want pictures of you to use as stock photos for other articles on body positivity.”VirginiaI'm sorry, can you not find other fat people??SaraiI'm the only one that exists. I don't know if you know that, but I'm the only one.And so, I had years of this. I was on NPR, talking about being fat. I was on MSNBC. I was on other radio shows. I mean, that's the game, right? And at that time, “obesity epidemic” rhetoric was a really big thing. So my book had this hook, which isn't common for novels, but I got all these interviews and so I had to go along with it, and go out there.On the one hand, it's really radical to be like, “Yeah, I'm fat,” and to speak about it in a neutral or positive way. It's radical. It's a taboo. And there aren't a lot of taboos left. But it also just was hard to constantly have my body mentioned all the time. I remember Julianna Margulies, who was on the TV show, did an interview on a podcast talking about me and said something like, “Oh, Sarai's a big girl.” Which is fine. I mean, that's the thing, that's what I wrote about. And that's what it was like, actors, radio hosts, journalists, all referring to me as big or fat. And I'm not blaming them at all, but it was just the effect it had on me over time, was like, I started to kind of feel like a fat lady in like a circus or something. But I was reduced to the it was always about my bodyVirginiaAnd you're like, “I'm actually a writer. I have this whole incredible ability to invent a world. Not many people can do that. Could we maybe talk about that?” Just a thought.SaraiIt was really hard for me. I thought I would love being in the spotlight, and it was harder than I thought it would be.VirginiaI appreciate you saying that. I think it is really hard. I've had a smaller experience with it, and that was enough. I don't want more than I've had. I have a friend who says, “You don't really know how you feel about a book until three years after the book came out. You need that time to survive.” The whole experience of launching a book—especially if a book does well—is like you're basically disassociating a lot of the time to get through all the interviews and the press and the backlash and the trolls and whatever it creates. And then your nervous system needs time to slowly absorb what you just experienced. For me, one piece of it is like, okay, that was enough. I don't need more scrutiny on my body or my life. We don't owe the world that. And there's a weird expectation that because you made a thing or wrote a thing that people are connecting with, you somehow owe them more of yourself.SaraiAnd it's like you're saying, if you kind of step back, it's like, am I disappointing people? And I don't want to do that.VirginiaBut I'm still a person with a life and my own needs.SaraiI've always been fat. When I was a kid and growing up as a young adult, I was deeply ashamed of being fat. And I had the kind of the experience of Plum in Dietland, where I eventually experienced liberation about my body. But that trauma doesn't go away. So having everybody talk about me being fat all the time, it kind of triggers off things that you thought you had dealt with, or were at peace with. Then all of a sudden, it's like picking in a scab all the time.Even in the writers room for Dietland, I was the only fat woman in there. So that was my role. I'm the fat person. I have to tell you what it's like to be fat. And it was just always focusing on that. And that's what happens when you put out a book about that subject. I'm not really complaining about it. It was just harder than I thought it would be and it took a toll on me.VirginiaIt's a weird experience, and it's weird that it's a necessary part of getting this conversation into the mainstream.When Fat Talk came out, Aubrey Gordon texted me and was like, “I'm checking in to see how you're doing, because the book's doing well” Because, obviously, she's had lots of experience as a public fat person. And she was like, “Thanks for taking your turn in the trenches.” And that is kind of how it feels. In order to keep this conversation going around fat liberation and body liberation, we do need to keep putting this work out there. Somebody has to go to the front of the line and take all the hits for a while. And you did it at a time when not many people were getting a big stage to do that. And without a network of other people who had done it, maybe. So thank you.SaraiOh, well, you're welcome. And thank you for everything you do. Because I remember after your New York Times interview, I DMed you. I was like, “Are you okay?” Because I know what it's like to write something and the New York Times people go nuts when it's about fat. I'm like, are you all right? Because we have to look out for each other, you know?VirginiaI really appreciated it when you did that. It wasn't the most fun experience in my life. When we were talking about doing this episode, you were also saying how, as a writer you have gone on to write things that don't have anything to do with fatness. It's not like being a journalist on a beat. So I'm sure that's also challenging, that you're like, this can't always be the most interesting thing about me. That's not fair.SaraiYeah. I mean, my second novel, The Cherry Robbers—VirginiaWhich I loved!SaraiOh, thank you. That was historical. The novel took place mostly in the 1950s. I wanted something totally different. I didn't want to be in the contemporary culture. When the book came out, it got a glowing review in The New York Times, and great reviews, but people just weren't interested in talking to me anymore.I mean, part of that's is the publishing world thing, where your debut is like a debutante ball, and everybody wants to talk to you. And then once it's your second or third book, it's like, oh, yeah, we moved on from you. Sorry, I sound really jaded right now! But without that kind of a newsy hook, people just weren't interested really in talking to me anymore about the book. I think you could be tempted to say, “Okay, well, I'm going to write another book about fatness so I can get back in the media attention.” But no. As you say, other people have stepped up in their writing about it, and they're doing the work on it now. I had my time, I had my voice. I'm not saying I'll never write about being fat again. I'm sure I'll write an essay or who knows what, but I am just doing other things now. I've tried to carve out my space as a writer who is fat and who writes about all different kinds of things.VirginiaNo one needs a thin writer to keep writing about thinness. No one needs a male writer to keep writing about the experience of being a man. It's only when you have some kind of marginalization that people then expect that to be everything you write and think about. As opposed to saying, this is a person who writes and thinks about lots of different things. And happens to be this identity, and cares a lot about that identity and has thoughts about it. But every piece of work doesn't need to be defined by that.SaraiYeah. I mean, I live as a fat person. That's my reality. I'm not running away from it. It is who I am. It's inextricably linked to who I am. But I as a as a writer, as a person, I get bored easily. I want new challenges. I want to write new types of stories.In my next novel, the narrator is fat. But I only mention it once in the novel, so it's sort of like playing around with, yeah, this character is fat, but that's not really that relevant to the story that I'm telling. It's there, and it kind of comes up in other ways, but it's not the whole story. So kind of an evolution, I guess, too, of how I'm writing about fat, at least in fiction.VirginiaThat's where we need to get with representation—where every story about a fat character should not be just about their experience of fatness. That's so reductive. We need more characters that happen to be fat, that are doing other things. SaraiYeah, I think that that's the ultimate goal. I don't think we're there yet in any kind of medium. But, yeah, that would be the dream.VirginiaWe're working towards it.You were also saying that you feel like just a very different kind of writer now than when you wrote Dietland, which is a book with so much anger and fire in it. It's a gauntlet thrown. You described yourself as feeling “less fiery and more muted now,” but I also wonder if this is just being older and wiser and maybe a little more jaded— but also clearer about which mountains you're willing to die on now.SaraiI wrote Dietland in my 30s. But it was published when I was 42 because it took forever to find an agent. Then when we sold it, it took forever to come out. Publishing is quite slow. But that was the novel of my 30s. And I look back now at this anniversary, and I was so fired up. I was so passionate. I was bold and fierce and brave.Some of the things I wrote, I don't know if I would write now, if I'd be brave enough. So I look at that person who wrote Dietland, and I'm not exactly that person anymore. And it's something that's been bothering me for a while.And recently, I listened to an interview with Zadie Smith on the NPR Wildcard podcast. She and I are about the same age, 50-ish, going through all the hormonal changes of this time of life. And she was talking about her earlier books and how she thinks about herself when she was younger versus how she is now. She was talking about how now, at midlife, she feels kind of quieter inside. Her big personality has sort of retracted a little bit. And when I heard her say that, I just was blown away, because that's what I've been experiencing too. And I haven't really heard a lot of other people talking about it, and I hadn't really put it into words or myself. I think because it was upsetting to feel a bit more low key, a bit more apathetic.I'm not really an apathetic person. I've never thought of myself that way. But I kind of feel that way now, so it's a weird time in my life. And I've had women who are older say it gets better. Like, just wait, ride this out, and you're going to come out on the other side of this older and wiser and happier. But right now, I'm just kind of in this weird space where I just feel different. I'm a different person in some ways. I have the same values, but I'm a different kind of a writer, different kind of a person. I'm settling. That's where I am right now. I'm kind of in the thick of it. VirginiaI think we don't often hear this nuance from people after they do something that has the kind of impact and success that Dietland has. We often think, well that person just continues to soar and it's all the next peak and the next peak. And that's not every experience. Probably that's not most people's experiences after having a big success. It's okay that there are valleys and different paths and different twists and turns to it.My other thought is: How could you not be feeling that way right now, given what the world is? Given what it means to be a woman right now? And everything that we're up against. I think there's a some universal—maybe it's apathy, maybe it's… I don't know what it is, exactly. But this feels deeply relatable to me on a lot of levels.SaraiI think going through midlife and perimenopause, at a time when the whole world seems to be a disaster makes it a lot worse. Everybody is coming off the pandemic and Roe v Wade being overturned, and now Trump in office again. Our baseline is just really bad, you know? It's just kind of everything piled on at once.But it is true, I talked to some other women I know my age, who who've written novels in the past and have success and then can't get published anymore once they get into their 50s. You expect you're going to go on forever like you do at the beginning. And you have to deal with the publishing industry. It's a corporate industry. And there are lots of things at play that have nothing to do with whether books are good or not, or whether readers want certain books, or whatever.You start out having these expectations about how your career will go, and then you don't realize that it's, it's always a struggle. Unless you're some massive superstar writer who could have their grocery list published. But for the rest of us, it's a struggle that just kind of peaks and valleys, and that has been a kind of wake up call ten years into being a novelist, for sure.VirginiaThe industry is so complicated. I think the ageism is very real in our industry. I mean, and everywhere. I just turned 44 so I'm kind of getting into this zone that you're talking about. Perimenopause is definitely with me. It has begun. And I think a lot there is an invisibility that's starting to kick in, compared to what I experienced as a woman in my 20s or 30s being out in the world. I can, sort of slip by unnoticed a little more sometimes. And sometimes I really like that, and sometimes it makes me angry. Kind of depends on the day. And I don't even just mean male attention. I just mean the way people interact with you. I'm starting to notice some of those shifts.SaraiI think that's one of the things that's so strange about this time of life. There are a lot more adults who are younger than you all of a sudden. So all of a sudden, you've got 20 or 30 years worth of adults that are younger than you that start to see you as not important anymore.VirginiaMy kids like to remind me that Taylor Swift is 35. as if that's an entire different generation from me. That's not that much younger, guys! Okay, anyway.SaraiI mean, yeah, 35, she's getting up there. But it's kind of like you don't matter as much anymore, in a way. Like that's what society wants you to believe. That you're kind of fading. I think that's one of the things that you kind of have to push back against.And, you know, I'm Gen X. VirginiaI'm elder millennial, but I'm one year off of Gen X or something.SaraiI do think Gen X, despite all of our problems and flaws, are writing more about menopause and perimenopause and aging. And your generation will pick up that mantle and do even more with it. So I feel like, we're trying to change things at least and make it so that we're not fading away. I'm in my 50s now. I'm not going anywhere. And I'm still going to write. You're not going to silence me. It's kind of like just insisting that we're still here, we still have a voice. But, yeah, it's hard.VirginiaIt's hard, and when you're feeling that kind of personal, muted thing you were talking about and then it's getting reinforced by the cultural perceptions of being a midlife woman. Then it's like, am I going to summon up all the energy I need to push back against that? Or am I going to take some of that as, like, it's a little bit liberating. I don't have to be the young, shiny superstar reaching for the brass ring right now. It's kind of a mixed thing, I think.SaraiWith Dietland, I was idealistic and passionate and fiery. And I'm different now, but I'm not putting as much pressure on myself either. I'm not saying everything I write, I have to change the world. That's what I wanted before. And now I'm older, and I realize you're not really going to change the world. You might change a few people, and that's great. But one novel is not going to change the world. And I don't need to aim for that anymore. I want to write different things. I want to not put that kind of pressure on myself. So yeah, there's a kind of liberating part to it as well. I think when I'm not so taking myself as seriously and putting so much pressure on myself, I kind of loosened up a little bit. So that's kind of the flip side of the more negative stuff I was talking about a minute ago.VirginiaI appreciate how honest you're being about the struggle, because I just think it is deeply relatable. And then to this end of what you're working on now, we want to hear all about the next book. You have an announcement for us?SaraiYes, so last year, I sold my third novel. But we didn't want to announce it till I had all the edits done and we had the manuscript ready to go. So summer 2026, my third novel is going to be published. It's called Furious Violet, and it's a suspense novel, which is something I always wanted to do. Like a detective story.It's different from what I've written, but I do think there's a little bit of the spirit of Dietland in it, just in the voice, maybe. I guess, because The Cherry Robbers was in the 50s mostly, whereas I'm back and writing about contemporary culture.So I'm really excited about it. I've always wanted to write a book like this, and it's the most fun I've ever had writing a novel.VirginiaI love that.SaraiMy main character, is 49 almost 50, going through perimenopause. I got to write about that experience in a sort of darkly comedic way, which is a medium that I really like, like that dark comedy that Dietland had. She's a true crime writer. She's writing a book about a serial killer, but she's also the daughter of this very famous poet who is deceased, but like a giant of American poetry. This woman who has this cult following, and sort of is always a shadow over my my character's life.So she has that, but she's a true crime writer, and she kind of embraces her mediocrity. She's not a genius like her mom. She's just a true crime writer. And when the book begins, somebody starts stalking her and telling her, “You're my mother.” And she doesn't understand what's going on, because she doesn't have kids. And so it's this mystery about what does this mean, who is this person, and what do they mean? And it's all entangling all of that and all of the other aspects of her life, and how they all intersect. VirginiaI can't wait to read it. I'm riveted just hearing you talk about it.SaraiI had so much fun working on it. It was a wild ride. So thank you. I'm excited.VirginiaI hope you'll come back next summer when it comes out and talk to us about it some more. And I just have to say, I am filled with so much admiration for how you've evolved as a writer and how you like are going in. This book feels so different from Cherry Robbers feels so different from Dietland.SaraiThank you. I don't like to get bored. I want to do new things.SaraiI think publishing kind of wants to put you in a box, and I don't want to be in that box. I wanted to do something different.VirginiaIt's awesome. I can't wait to read it. I'm so excited.SaraiOh, thanks, thank you.ButterVirginiaSarai, do you have any Butter for us right now?SaraiI just came off months and months of edits, and when I'm doing that, I can't read. I can't read other people's stuff. So I don't have any book recommendations. But I'm really excited to start reading again. But I was listening to a lot of music. I often listen to music while I'm writing, but it can't have lyrics, has to be instrumental.I discovered this Canadian classical violinist named Angèle Dubeau. She plays the work of a lot of contemporary composers. And I don't know a lot about classical music. I'm not plugged into the contemporary classical music scene. But through her, I've discovered all these different composers. And she has one piece in particular called Experience. So if you're on Spotify or Apple Music or wherever, I would recommend looking this up. This piece I just absolutely love it. It's so beautiful, and I listen to it so many times. As I was editing, and then I keep listening to her work, and I don't know it just meant a lot to me during this time. So yeah, it was really exciting to discover that.VirginiaThat's incredible. It's so fun to discover an artist and realize there's more and more of their work, and you can go down the rabbit hole of everything they've done. I find that so satisfying.SaraiShe's introduced me to so many different composers, and I really love it.VirginiaThat's so cool. I'll do a music rec as well, although it's not nearly as sophisticated as that. But my seven year old and I are currently on a big kick with the Hamilton soundtrack. Obviously Hamilton, the musical, had its moment a minute ago. Like, it's been around for a while. But it stands the test of time, and it's very fun to listen to with kids. I end up having to answer a lot of strange questions, because for a seven year old, it's just a lot of things that she doesn't know, that she needs translated. So we have some very funny conversations. It's still a banger of a show and really great and fun to listen to a kid. It's our little bedtime ritual. Before we read, she's a kid who needs to really get her energy out. And we have a swing that she likes to swing on, and we play the Hamilton soundtrack and do three or four songs, and it's just like a fun end of day ritual that I'm really enjoying right now.SaraiI love that. I'm still listening to the Xanadu soundtrack or something for my childhood.VirginiaThese things, they're classics for a reason.Obviously, we want everyone to go pick up a 10th anniversary copy of Dietland!Get it if you haven't read it, or if you read it and loved it, but you've lost your original copy, you probably need another one. It's a great gift for someone else, some friend, mom, sister, whoever. Tell folks anything else about where we can find you, how we can support your work.SaraiSo I have a website, and, you know, I'm on Instagram, I'm on Blue Sky, and I do have a Facebook page I don't update very much. I do have a TikTok account that I don't really know what to do with, but I've done a few videos. So I'm out there, pretty easy to find. My next novel coming out next summer, but that's got a ways to go on that.VirginiaWell, we will keep people posted about that for sure. Thank you so much for being here. I really appreciate it.SaraiThanks. It was so much fun. So thank you, Virginia.The Burnt Toast Podcast is produced and hosted by Virginia Sole-Smith (follow me on Instagram) and Corinne Fay, who runs @SellTradePlus, and Big Undies.The Burnt Toast logo is by Deanna Lowe.Our theme music is by Farideh.Tommy Harron is our audio engineer.Thanks for listening and for supporting anti-diet, body liberation journalism! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit virginiasolesmith.substack.com/subscribe

"Once the tone is there, all else follows." - Stine deelt een levenswijsheid van schrijver Zadie Smith.

Bohaterką tego odcinka jest Natalia Ginzburg – jedna z najwybitniejszych pisarek XX wieku, której zbiór esejów zatytułowany „Małe cnoty” po 6 dekadach od włoskiej premiery możemy czytać po raz pierwszy w polskim tłumaczeniu.Teksty Natalii Ginzburg, mimo że pisane były w połowie ubiegłego stulecia, dziś wydają się bardziej aktualne niż pół wieku temu. I nie przestają inspirować, do fascynacji „Małymi cnotami” przyznaje się bowiem wiele współczesnych pisarek, między innymi Zadie Smith, Sally Rooney czy Elena Ferrante.Natalia Ginzburg była mistrzynią prostego, ascetycznego języka, w którym nie było miejsca na przypadkowe czy zbędne słowa. Dlatego jej zdania z jednej strony urzekają prostotą, z drugiej zaś niosą w sobie ogromną siłę.Prowadzenie: Agata KasprolewiczGość: Ewa WieleżyńskaKsiążka: „Małe cnoty” Natalia Ginzburg/przekład: Weronika Korzeniecka/  wydawnictwo Filtry---------------------------------------------Raport o stanie świata to audycja, która istnieje dzięki naszym Patronom, dołącz się do zbiórki ➡️ ⁠https://patronite.pl/DariuszRosiak⁠Subskrybuj newsletter Raportu o stanie świata ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠➡️ ⁠https://dariuszrosiak.substack.com⁠Koszulki i kubki Raportu ➡️ ⁠https://patronite-sklep.pl/kolekcja/raport-o-stanie-swiata/⁠ [Autopromocja]

Zadie Smith's White Teeth marked its 25th anniversary in January. The now canonical novel tells the story of an unlikely friendship between a shy Englishman named Archie Jones and his friend Samad Iqbal, a devout Bengali Muslim. Both men are trying to pass on their religious and moral beliefs to their children. In today's episode, we revisit a conversation between Smith and NPR's Liane Hansen that aired shortly after White Teeth's release. Then, we'll hear some of Smith's conversation last month on NPR's Wild Card with Rachel Martin in which Smith reflects on the novel's anniversary. The two discuss the author's distance from the person she was when she wrote White Teeth and the novel's place among the canon of books for teenagers.To listen to Book of the Day sponsor-free and support NPR's book coverage, sign up for Book of the Day+ at plus.npr.org/bookofthedayLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

'When you're not on heroin' Seamus O'Rourke, Zadie Smith, Malcolm Gladwell 

Entretien mené par Raphaëlle Leyris À travers cet ensemble de réflexions (issues de conférences données 2022 à l'université d'Oxford), Juan Gabriel Vásquez explore les caractéristiques du roman, les liens entre fiction et réalité, les zones d'ombre dont s'empare la littérature pour éclairer l'Histoire et sa capacité unique à « traduire » la complexité des vies humaines. Pour assoir son propos, il convoque une pléiade d'écrivains – Zadie Smith, Proust, Yourcenar, Kundera, Defoe, Tolstoï, Tchekhov, etc. –, analyse l'histoire colombienne et sa violence ou observe comment le célèbre récit du massacre des bananeraies de Cent Ans de solitude est devenu une vérité pour une partie de ses compatriotes. Réponse subtile et argumentée à la question de l'appropriation culturelle, portés par l'érudition de leur auteur, ces textes cherchent à redéfinir les usages de la fiction et les raisons pour lesquelles, aujourd'hui, elle est plus indispensable que jamais. À lire – Juan Gabriel Vàsquez, La traduction du monde, traduit de l'espagnol (Colombie) par Isabelle Gugnon, Seuil, 2025.

London today is very different from the one Zadie Smith grew up in and the one she wrote about in her debut novel "White Teeth." That is just one of the things Smith is grappling with 25 years after her best-selling book's debut. She talks to Rachel about the difficulty of revisiting the first few pages of "White Teeth," the wisdom only teenagers possess, and fighting despair with crème brûlée.To listen sponsor-free, access bonus episodes and support the show, sign up for Wild Card+ at plus.npr.org/wildcardLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Kate Wolf and Medaya Ocher are joined by Deborah Treisman, the fiction editor at The New Yorker and host of The New Yorker's Fiction podcast. Deborah is the editor of a new anthology of short stories, A Century of Fiction in The New Yorker, 1925-2025, which features some of the incredible writers that The New Yorker has published over the past 100 years. There are stories by J.D. Salinger, Philip Roth, Muriel Spark, Vladimir Nabokov, Jamaica Kincaid, Mary Gaitskill, Don DeLillo and Zadie Smith and many, many more. Deborah discusses how she put the collection together and how she thinks about the short story as a form.

“Naked Girl is a story of the enduring power of love in a family of lunatics,” says Janna Brooke Wallack of her debut novel, a poignant piece of literary fiction. Though not autobiographical, it reads like a memoir. Wallack's enduring voice and fresh vision evoke the storytelling of masterful novelists like Ann Patchett, Kristin Hannah, and Zadie Smith. Naked Girl is a captivating and moving story that explores the dysfunction of a family, the struggles of 'fitting in' and the power of hope, humor, and imperfect love. Growing up motherless in 1980's Miami Beach, Sienna and her little brother Siddhartha get by with their charismatic and capricious father, Jackson Jones. When a small windfall relocates them to a condemned mansion on the water, the siblings are forbidden traditional schooling and left to live off the land. As Jackson uses their new home to create a communal cult, the siblings are forced to raise themselves in a carefree, chaotic oasis. Living amidst the vagrant seekers who take up residence in Jackson's utopia, Sienna and Siddhartha strive to protect their unconventional family.Janna Brooke Wallack writes with warmth, compassion and comic brilliance in Naked Girl, an enthralling debut novel brimming with the adventure, resilience, humor and heartbreak of growing up on the fringe of decency and longing for the unattainable comfort of home.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Kate Wolf and Medaya Ocher are joined by Deborah Treisman, the fiction editor at The New Yorker and host of The New Yorker's Fiction podcast. Deborah is the editor of a new anthology of short stories, "A Century of Fiction in The New Yorker, 1925-2025," which features some of the incredible writers that The New Yorker has published over the past 100 years. There are stories by J.D. Salinger, Philip Roth, Muriel Spark, Vladimir Nabokov, Jamaica Kincaid, Mary Gaitskill, Don DeLillo and Zadie Smith and many, many more. Deborah discusses how she put the collection together and how she thinks about the short story as a form.

Front Row continues to look at how culture has changed in the first 25 years of this century with an edition focusing on books.Tom Sutcliffe is in the Front Row studio with two writers who've helped to shape the literary landscape over those years – the novelists Zadie Smith and Andrew O'Hagan. They are joined by the presenter of Radio 4's A Good Read and World Book Club, Harriett Gilbert, who's chosen Smith's White Teeth as one of her key books so far this century. Plus Editor of The Bookseller Philip Jones joins the discussion to reflect on the changes in publishing and the impact of technology on our reading habits Presenter: Tom Sutcliffe Producer: Ciaran Bermingham

“Naked Girl is a story of the enduring power of love in a family of lunatics,” says Janna Brooke Wallack of her debut novel, a poignant piece of literary fiction. Though not autobiographical, it reads like a memoir. Wallack's enduring voice and fresh vision evoke the storytelling of masterful novelists like Ann Patchett, Kristin Hannah, and Zadie Smith. Naked Girl is a captivating and moving story that explores the dysfunction of a family, the struggles of 'fitting in' and the power of hope, humor, and imperfect love. Growing up motherless in 1980's Miami Beach, Sienna and her little brother Siddhartha get by with their charismatic and capricious father, Jackson Jones. When a small windfall relocates them to a condemned mansion on the water, the siblings are forbidden traditional schooling and left to live off the land. As Jackson uses their new home to create a communal cult, the siblings are forced to raise themselves in a carefree, chaotic oasis. Living amidst the vagrant seekers who take up residence in Jackson's utopia, Sienna and Siddhartha strive to protect their unconventional family.Janna Brooke Wallack writes with warmth, compassion and comic brilliance in Naked Girl, an enthralling debut novel brimming with the adventure, resilience, humor and heartbreak of growing up on the fringe of decency and longing for the unattainable comfort of home.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Matías Rivas, Andrés Gómez y Javiera Díaz de Valdés recomendaron películas, series, libros y cultura.

My guest today is the fashion designer Bella Freud. Bella launched her eponymous label in 1990. Over thirty years later it remains resolutely independent, one of the very few that hasn't been subsumed by a fashion conglomerate.  Bella's clothes are for wearing and have become a byword for women who want to be glamorous but not girly with a bit of added wit. Her iconic word jumpers are one of the most covetable individual fashion items bar none. (As her instant-sell out collaboration with M&S proved.) Bella has always played with her heritage (her father, the artist Lucian Freud designed her famous dog logo and great-grandfather was Sigmund Freud, widely credited as the inventor of psycho analysis) and now she's launched a podcast - Fashion Neurosis with Bella Freud - where she literally puts celebrities on the couch to analyse their relationship with style. Eric Cantona, Zadie Smith and even Kate Moss have succumbed and, I have to say, it's an eye-opener. I met Bella at home in North West London to talk about growing up outside convention and how she finally shook off her childhood coping mechanisms. We discussed the “wonderful feeling of progress” that's come with ageing, what we can gain from unravelling life's knots and the impact of losing both of her parents in one week. Bella also told me how her body image shaped her designs and how she's learnt to appreciate her body as she's aged. Fashion is a magic carpet, she says, and she's the living proof. * You can buy all the books mentioned in this podcast at The Shift bookshop on Bookshop.org, including the book that inspired this podcast, The Shift: how I lost and found myself after 40 - and you can too, by me. * If you enjoyed this episode and you fancy buying me a coffee, pop over to my page on buymeacoffee.com. • And if you'd like to support the work that goes into making this podcast and get a weekly newsletter plus loads more content including exclusive transcripts of the podcast, why not join The Shift community, come and have a look around at www.theshiftwithsambaker.substack.com • The Shift (on life after 40) with Sam Baker is created and hosted by Sam Baker and edited by Juliette Nicholls @ Pineapple Audio Production. If you enjoyed this podcast, please rate/review/follow as it really does help other people find us. And let me know what you think on twitter @sambaker or instagram @theothersambaker. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, we'll highlight some exciting updates before we share an encore episode. In the encore episode, we'll dive into the profound power of gratitude and its impact on mental health. We'll mainly focus on the first part of our three-part mindfulness process: see what is, accept what is, and choose wisely. We'll use that process to help explore emotional resilience, the role of gratitude in building connections, and how to persist through life's challenges. Sources and Notes: Joy Lab Program: Take the next leap in your wellbeing journey with step-by-step practices to help you build and maintain the elements of joy in your life. Listen to the Joy Lab Podcast over at JoyLab.coach. Join the Natural Mental Health Newsletter Joy Lab podcast episode 31 (Gratitude in the Wild: Accept What Is) Joy Lab podcast episode 32 (Gratitude in the Wild: Choose Wisely)  Zadie Smith (personal website) Richard Rohr (Center for Action and Contemplation- founded by Richard Rohr) Sabrina Benaim (personal website) Full transcript here. Please remember that this content is for informational and educational purposes only. It is not intended to provide medical advice and is not a replacement for advice and treatment from a medical professional. Please consult your doctor or other qualified health professional before beginning any diet change, supplement, or lifestyle program. Please see our terms for more information. If you or someone you know is struggling or in crisis, help is available. Call the NAMI HelpLine: 1-800-950-6264 available Monday through Friday, 10 a.m. – 10 p.m., ET. OR text "HelpLine" to 62640 or email NAMI at helpline@nami.org. Visit NAMI for more. You can also call or text SAMHSA at 988 or chat 988lifeline.org.

Flat-World Fiction: Digital Humanity in Early Twenty-First-Century America (University of Georgia Press, 2021) Dr. Liliana Naydan analyses representations of digital technology and the social and ethical concerns it creates in mainstream literary American fiction and fiction written about the United States in the first two decades of the twenty-first century. In this period, authors such as Don DeLillo, Jennifer Egan, Dave Eggers, Joshua Ferris, Jonathan Safran Foer, Mohsin Hamid, Thomas Pynchon, Kristen Roupenian, Gary Shteyngart, and Zadie Smith found themselves not only implicated in the developing digital world of flat screens but also threatened by it, while simultaneously attempting to critique it. As a result, their texts explore how human relationships with digital devices and media transform human identity and human relationships with one another, history, divinity, capitalism, and nationality. Dr. Naydan walks us through these complex relationships, revealing how authors show through their fiction that technology is political. In the process, these authors complement and expand on work by historians, philosophers, and social scientists, creating accessible, literary road maps to our digital future. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Flat-World Fiction: Digital Humanity in Early Twenty-First-Century America (University of Georgia Press, 2021) Dr. Liliana Naydan analyses representations of digital technology and the social and ethical concerns it creates in mainstream literary American fiction and fiction written about the United States in the first two decades of the twenty-first century. In this period, authors such as Don DeLillo, Jennifer Egan, Dave Eggers, Joshua Ferris, Jonathan Safran Foer, Mohsin Hamid, Thomas Pynchon, Kristen Roupenian, Gary Shteyngart, and Zadie Smith found themselves not only implicated in the developing digital world of flat screens but also threatened by it, while simultaneously attempting to critique it. As a result, their texts explore how human relationships with digital devices and media transform human identity and human relationships with one another, history, divinity, capitalism, and nationality. Dr. Naydan walks us through these complex relationships, revealing how authors show through their fiction that technology is political. In the process, these authors complement and expand on work by historians, philosophers, and social scientists, creating accessible, literary road maps to our digital future. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Swallowing a World: Globalization and the Maximalist Novel (U Nebraska Press, 2024) offers a new theorization of the maximalist novel. Though it's typically cast as a (white, male) genre of U.S. fiction, maximalism, Benjamin Bergholtz argues, is an aesthetic response to globalization and a global phenomenon in its own right. Bergholtz considers a selection of massive and meandering novels that crisscross from London and Lusaka to Kingston, Kabul, and Kashmir and that represent, formally reproduce, and ultimately invite reflection on the effects of globalization. Each chapter takes up a maximalist novel that simultaneously maps and formally mimics a cornerstone of globalization, such as the postcolonial culture industry (Salman Rushdie's Midnight's Children), the rebirth of fundamentalism (Zadie Smith's White Teeth), the transnational commodification of violence (Marlon James's A Brief History of Seven Killings), the obstruction of knowledge by narrative (Zia Haider Rahman's In the Light of What We Know), and globalization's gendered, asymmetrical growth (Namwali Serpell's The Old Drift). By reframing analysis of maximalism around globalization, Swallowing a World not only reimagines one of the most perplexing genres of the late twentieth and early twenty-first centuries but also sheds light on some of the most perplexing political problems of our precarious present. Arnab Dutta Roy is Assistant Professor of World Literature and Postcolonial Theory at Florida Gulf Coast University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

I stumbled on a Zadie Smith line recently that stopped me in my tracks. She was writing in January 2017, and describing the political stakes of that period — Brexit in the U.K., Trump in the U.S. — and the way you could feel it changing people.“Millions of more or less amorphous selves will now necessarily find themselves solidifying into protesters, activists, marchers, voters, firebrands, impeachers, lobbyists, soldiers, champions, defenders, historians, experts, critics. You can't fight fire with air. But equally you can't fight for a freedom you've forgotten how to identify.”What Smith is describing felt so familiar — how politics can sometimes feel like it demands we put aside our internal conflict, our uncertainty, so we can take a strong position. I see it so often in myself and people around me, and yet I rarely hear it talked about. And Smith's ability to give language to these kinds of quiet battles inside of ourselves is one reason she's been one of my favorite writers for years.Smith is the author of novels, including “White Teeth,” “On Beauty” and “NW,” as well as many essays and short stories. Her latest novel, “The Fraud,” also deals with politics and identity. It's about a case in 19th-century London, but it has eerie resonances with our current political moment. I wasn't surprised to learn that Trump and populism were front of mind for her when she wrote it. In this conversation, we discuss what populism is really channeling, why Smith refuses the “bait” of wokeness, how people have been “modified” by smartphones and social media, and more.This episode contains strong language.Mentioned:Feel Free by Zadie Smith“Fascinated to Presume: In Defense of Fiction” by Zadie SmithAmusing Ourselves to Death by Neil Postman“Generation Why?” by Zadie SmithBook Recommendations:The Director by Daniel KehlmannThe Rebel's Clinic by Adam ShatzThe Diaries of Virginia WoolfThoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.This episode of “The Ezra Klein Show” was produced by Annie Galvin. Fact-checking by Michelle Harris, with Kate Sinclair. Our senior engineer is Jeff Geld, with additional mixing by Aman Sahota and Efim Shapiro. Our senior editor is Claire Gordon. The show's production team also includes Rollin Hu, Elias Isquith and Kristin Lin. Original music by Isaac Jones. Audience strategy by Kristina Samulewski and Shannon Busta. The executive producer of New York Times Opinion Audio is Annie-Rose Strasser.

[Rebroadcast from September 13, 2023] Zadie Smith joins us to discuss her new historical novel, The Fraud, which follows a white woman and a formerly enslaved Black man whose lives intersect as a result of a British court case in which a butcher claims he is the long-lost relative of a dead baronet, and should receive his fortune.

This week, Quinta and Scott were joined by Lawfare Managing Editor Tyler McBrien to discuss how he is coping with the end of the New York trial and to run through some of the week's big national security news stories, including:“A Perfect Conviction.” Last week, after less than two days of deliberation, a jury in New York state criminal court found former President Trump guilty of all 34 criminal counts on which he was being tried. He's now scheduled to be sentenced just days before the Republican National Convention this summer, where he is expected to be named the party's 2024 presidential nominee. What does this conviction mean for Trump's campaign? What are his prospects for appeal? And what happens if he still wins?“Biden Time.” Last week, President Biden laid out a three-step cease-fire plan for Gaza, sending the clearest signal yet that he is intent on ending the conflict there. Both sides have accepted the plan in principle but have yet to reach agreement on the particulars—and, meanwhile, Israel's Rafah operation has continued. Is this finally a sign of the Gaza end game? Or that the end is nigh for Israeli Prime Minister Netanyahu's government, which is under increasing domestic and international pressure?“Order on the Border.” This week, the Biden administration unveiled a new executive order that will make it harder for migrants crossing the southern U.S. border to apply for and receive asylum during periods of high border traffic, facilitating their prompt removal. Is this move a reasonable policy measure, cynical election politics, or something else entirely?For object lessons, Quinta recommended Zadie Smith's new-ish novel, “The Fraud.” Scott shared a note from the archives about high cetacean fashion. And Tyler passed along an inspirational story about Osaka airport's amazing luggage record.To receive ad-free podcasts, become a Lawfare Material Supporter at www.patreon.com/lawfare. You can also support Lawfare by making a one-time donation at https://givebutter.com/c/trumptrials.Support this show http://supporter.acast.com/lawfare. Hosted on Acast. See acast.com/privacy for more information.

This week, Quinta and Scott were joined by Lawfare Managing Editor Tyler McBrien to discuss how he is coping with the end of the New York trial and to run through some of the week's big national security news stories, including:“A Perfect Conviction.” Last week, after less than two days of deliberation, a jury in New York state criminal court found former President Trump guilty of all 34 criminal counts on which he was being tried. He's now scheduled to be sentenced just days before the Republican National Convention this summer, where he is expected to be named the party's 2024 presidential nominee. What does this conviction mean for Trump's campaign? What are his prospects for appeal? And what happens if he still wins?“Biden Time.” Last week, President Biden laid out a three-step cease-fire plan for Gaza, sending the clearest signal yet that he is intent on ending the conflict there. Both sides have accepted the plan in principle but have yet to reach agreement on the particulars—and, meanwhile, Israel's Rafah operation has continued. Is this finally a sign of the Gaza end game? Or that the end is nigh for Israeli Prime Minister Netanyahu's government, which is under increasing domestic and international pressure?“Order on the Border.” This week, the Biden administration unveiled a new executive order that will make it harder for migrants crossing the southern U.S. border to apply for and receive asylum during periods of high border traffic, facilitating their prompt removal. Is this move a reasonable policy measure, cynical election politics, or something else entirely?For object lessons, Quinta recommended Zadie Smith's new-ish novel, “The Fraud.” Scott shared a note from the archives about high cetacean fashion. And Tyler passed along an inspirational story about Osaka airport's amazing luggage record.To receive ad-free podcasts, become a Lawfare Material Supporter at www.patreon.com/lawfare. You can also support Lawfare by making a one-time donation at https://givebutter.com/c/trumptrials. Hosted on Acast. See acast.com/privacy for more information.

Ira and Louis discuss Dua Lipa's new album Radical Optimism, the Met Gala, The Idea of You, and Zadie Smith's New Yorker essay. Ira explains the Kendrick and Drake rap beef. Sarayu Blue joins to discuss her new series Expats and acting opposite actors like Nicole Kidman, Julia Louis-Dreyfus, and more.Subscribe to Keep It on YouTube to catch full episodes, exclusive content, and other community events. Find us there at YouTube.com/@KeepItPodcast

This week on the Primo episode, Jesse and Katie discuss a garden sabotage in the UK. Plus, Zadie Smith's latest essay melt brains. War in Gaza, Shibboleths on Campus | The New YorkerMother on disability benefits feeds 800 people after turning flowerbeds into vegetable allotment | Daily Mail OnlineGary Lineker among donors to … To hear more, visit www.blockedandreported.org