Podcasts about dark noise collective

In this week's episode of the Get Lit Minute, your weekly poetry podcast, we spotlight the life and work of poet, filmmaker, educator and performer, Fatimah Asghar. Their work has appeared in many journals, including  POETRY Magazine, Gulf Coast, BuzzFeed Reader, The Margins, The Offing, Academy of American Poets and many others.  Their work has been featured on new outlets like PBS, NPR, Time, Teen Vogue, Huffington Post, and others. In 2011, they created a spoken word poetry group in Bosnia and Herzegovina called REFLEKS while on a Fulbright studying theater in post-genocidal countries. They are a member of the Dark Noise Collective and a Kundiman Fellow. They are the writer and co-creator of Brown Girls, an Emmy-Nominated web series that highlights friendships between women of color.  Their debut book of poems, If They Come For Us, was released One World/ Random House, August 2018. Along with Safia Elhillo, they are the editor of Halal If You Hear Me, an anthology that celebrates Muslim writers who are also women, queer, gender nonconforming and/or trans. SourceThis episode includes a reading of their poem, “If They Come for Us”  featured in our 2023 Get Lit Anthology.“If They Come for Us”these are my people & I findthem on the street & shadowthrough any wild all wildmy people my peoplea dance of strangers in my bloodthe old woman's sari dissolving to windbindi a new moon on her foreheadI claim her my kin & sewthe star of her to my breastthe toddler dangling from strollerhair a fountain of dandelion seedat the bakery I claim them toothe Sikh uncle at the airportwho apologizes for the patdown the Muslim man who abandonshis car at the traffic light dropsto his knees at the call of the Azan& the Muslim man who drinksgood whiskey at the start of maghribthe lone khala at the parkpairing her kurta with crocsmy people my people I can't be lostwhen I see you my compassis brown & gold & bloodmy compass a Muslim teenagersnapback & high-tops gracingthe subway platformMashallah I claim them allmy country is madein my people's imageif they come for you theycome for me too in the deadof winter a flock ofaunties step out on the sandtheir dupattas turn to oceana colony of uncles grind their palms& a thousand jasmines bell the airmy people I follow you like constellationswe hear glass smashing the street& the nights opening darkour names this country's woodfor the fire my people my peoplethe long years we've survived the longyears yet to come I see you mapmy sky the light your lantern longahead & I follow I followSupport the showSupport the show

Join Chris of The Poetry Question in a one-on-one about passions, process, pitfalls, and poetry with the author of Finna (Penguin Random House), Nate Marshall. Nate Marshall is an award-winning writer, editor, educator, and MC. His most recent book, Finna, was recognized as one of the best books of 2020 by NPR and The New York Public Library. His first book, Wild Hundreds, was honored with the Black Caucus of the American Library Association's award for Poetry Book of the Year and The Great Lakes College Association's New Writer Award. He was also an editor of The BreakBeat Poets: New American Poetry in the Age of Hip-Hop. Marshall co-wrote the play No Blue Memories: The Life of Gwendolyn Brooks with Eve Ewing. He also wrote the audio drama Bruh Rabbit & The Fantastic Telling of Remington Ellis, Esq., which was produced by Make-Believe Association. Marshall records hip-hop as a solo artist and with the group Daily Lyrical Product. Marshall is an experienced and versatile educator, working with learners of all ages in both academic and community settings. He co-wrote Chicago Public School's first literary arts curriculum and develops lesson plans using creative writing to help participants discuss social justice, mental health, community development, and other issues. He is an assistant professor of English at Colorado College. He previously served as the Assistant Director of Wabash College's Malcolm X Institute of Black Studies and the Director of National Programs at Young Chicago Authors. Marshall has taught in a number of traditional and community-based settings including Wabash College, Young Chicago Authors, Northwestern University, InsideOut Literary Arts, and the University of Michigan. Nate is a member of The Dark Noise Collective and co-directs Crescendo Literary, a partnership that develops community-engaged arts events and educational resources as a form of cultural organizing. As a young person Nate won Chicago's Louder Than A Bomb Youth Poetry Festival and was a finalist at Brave New Voices International Youth Poetry Slam. Nate was born at Roseland Community Hospital and raised in the West Pullman neighborhood of Chicago. He is a proud Chicago Public Schools alumnus. Nate completed his MFA in Creative Writing at The University of Michigan's Helen Zell Writers' Program. He holds a B.A. in English and African American Diaspora Studies from Vanderbilt University. Marshall has received fellowships from Cave Canem, The Poetry Foundation, and The University of Michigan. Nate loves his family, friends, Black people, dope art, literature, history, comedy, arguing about top 5 lists, and beating you in spades. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Chris and Courtney sit down with Danez Smith to talk about Passion, Process, Pitfalls, and Poetry!  Danez Smith is a Black, Queer, Poz writer & performer from St. Paul, MN. Danez is the author of “Homie” (Graywolf Press, 2020), "Don't Call Us Dead" (Graywolf Press, 2017), winner of the Forward Prize for Best Collection, the Midwest Booksellers Choice Award, and a finalist for the National Book Award, and "[insert] boy" (YesYes Books, 2014), winner of the Kate Tufts Discovery Award and the Lambda Literary Award for Gay Poetry. They are the recipient of fellowships from the Poetry Foundation, the McKnight Foundation, the Montalvo Arts Center, Cave Canem, and the National Endowment for the Arts. Danez's work has been featured widely including on Buzzfeed, The New York Times, PBS NewsHour, Best American Poetry, Poetry Magazine, and on the Late Show with Stephen Colbert. Danez has been featured as part of Forbes' annual 30 Under 30 list and is the winner of a Pushcart Prize. They are a member of the Dark Noise Collective and is the co-host of VS with Franny Choi, a podcast sponsored by the Poetry Foundation and Postloudness. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Franny Choi’s book-length collection of poetry, Soft Science (Alice James Books 2019), explores queer, Asian American femininity through the lens of robots, cyborgs, and artificial intelligence. As she notes in this interview, “this book is a study of softness,” exploring feeling, vulnerability, and desire. How can you be tender and still survive in a hard and violent world? What does it mean to have desire when you yourself are made into an object of desire? What does it mean to have a body that bears the weight of history? Choi’s poetry contemplates such questions through the technology of poetic form. “Once, an animal with hands like mine learned to break a seed with two stones – one hard and one soft. Once, a scientist in Britain asked: Can machines think? He built a machine, taught it to read ghosts, and a new kind of ghost was born. At Disneyland, I watched a robot dance the macarena. Everyone clapped, and the clapping, too, was a technology. I once made my mouth a technology of softness. I listened carefully as I drank. I made the tools fuck in my mouth – okay, we can say pickle if it’s easier to hear – until they birthed new ones. What I mean is, I learned.” — from “A Brief History of Cyborgs” by Franny Choi Franny Choi is the author of two poetry collections, Soft Science (from Alice James Books) and Floating, Brilliant, Gone (Write Bloody Publishing), as well as a chapbook, Death by Sex Machine (Sibling Rivalry Press). She is a Kundiman Fellow, a 2019 Ruth Lilly and Dorothy Sargent Rosenberg Fellow, and a graduate of the University of Michigan's Helen Zell Writers Program. She is a Gaius Charles Bolin Fellow at Williams College and co-hosts the podcast VS alongside fellow Dark Noise Collective member Danez Smith. Andrea Blythe is a cohost of the New Books in Poetry podcast. She is the author of Your Molten Heart / A Seed to Hatch (2018) a collection of erasure poems, and coauthor of Every Girl Becomes the Wolf (Finishing Line Press, 2018), a collaborative chapbook written with Laura Madeline Wiseman. She is a cohost of the New Books in Poetry podcast and is a member of the Science Fiction and Fantasy Poetry Association and the Horror Writers Association. Find her online at andreablythe.com or on Twitter and Instagram @AndreaBlythe. Learn more about your ad choices. Visit megaphone.fm/adchoices

Franny Choi’s book-length collection of poetry, Soft Science (Alice James Books 2019), explores queer, Asian American femininity through the lens of robots, cyborgs, and artificial intelligence. As she notes in this interview, “this book is a study of softness,” exploring feeling, vulnerability, and desire. How can you be tender and still survive in a hard and violent world? What does it mean to have desire when you yourself are made into an object of desire? What does it mean to have a body that bears the weight of history? Choi’s poetry contemplates such questions through the technology of poetic form. “Once, an animal with hands like mine learned to break a seed with two stones – one hard and one soft. Once, a scientist in Britain asked: Can machines think? He built a machine, taught it to read ghosts, and a new kind of ghost was born. At Disneyland, I watched a robot dance the macarena. Everyone clapped, and the clapping, too, was a technology. I once made my mouth a technology of softness. I listened carefully as I drank. I made the tools fuck in my mouth – okay, we can say pickle if it’s easier to hear – until they birthed new ones. What I mean is, I learned.” — from “A Brief History of Cyborgs” by Franny Choi Franny Choi is the author of two poetry collections, Soft Science (from Alice James Books) and Floating, Brilliant, Gone (Write Bloody Publishing), as well as a chapbook, Death by Sex Machine (Sibling Rivalry Press). She is a Kundiman Fellow, a 2019 Ruth Lilly and Dorothy Sargent Rosenberg Fellow, and a graduate of the University of Michigan's Helen Zell Writers Program. She is a Gaius Charles Bolin Fellow at Williams College and co-hosts the podcast VS alongside fellow Dark Noise Collective member Danez Smith. Andrea Blythe is a cohost of the New Books in Poetry podcast. She is the author of Your Molten Heart / A Seed to Hatch (2018) a collection of erasure poems, and coauthor of Every Girl Becomes the Wolf (Finishing Line Press, 2018), a collaborative chapbook written with Laura Madeline Wiseman. She is a cohost of the New Books in Poetry podcast and is a member of the Science Fiction and Fantasy Poetry Association and the Horror Writers Association. Find her online at andreablythe.com or on Twitter and Instagram @AndreaBlythe. Learn more about your ad choices. Visit megaphone.fm/adchoices

Franny Choi’s book-length collection of poetry, Soft Science (Alice James Books 2019), explores queer, Asian American femininity through the lens of robots, cyborgs, and artificial intelligence. As she notes in this interview, “this book is a study of softness,” exploring feeling, vulnerability, and desire. How can you be tender and still survive in a hard and violent world? What does it mean to have desire when you yourself are made into an object of desire? What does it mean to have a body that bears the weight of history? Choi’s poetry contemplates such questions through the technology of poetic form. “Once, an animal with hands like mine learned to break a seed with two stones – one hard and one soft. Once, a scientist in Britain asked: Can machines think? He built a machine, taught it to read ghosts, and a new kind of ghost was born. At Disneyland, I watched a robot dance the macarena. Everyone clapped, and the clapping, too, was a technology. I once made my mouth a technology of softness. I listened carefully as I drank. I made the tools fuck in my mouth – okay, we can say pickle if it’s easier to hear – until they birthed new ones. What I mean is, I learned.” — from “A Brief History of Cyborgs” by Franny Choi Franny Choi is the author of two poetry collections, Soft Science (from Alice James Books) and Floating, Brilliant, Gone (Write Bloody Publishing), as well as a chapbook, Death by Sex Machine (Sibling Rivalry Press). She is a Kundiman Fellow, a 2019 Ruth Lilly and Dorothy Sargent Rosenberg Fellow, and a graduate of the University of Michigan's Helen Zell Writers Program. She is a Gaius Charles Bolin Fellow at Williams College and co-hosts the podcast VS alongside fellow Dark Noise Collective member Danez Smith. Andrea Blythe is a cohost of the New Books in Poetry podcast. She is the author of Your Molten Heart / A Seed to Hatch (2018) a collection of erasure poems, and coauthor of Every Girl Becomes the Wolf (Finishing Line Press, 2018), a collaborative chapbook written with Laura Madeline Wiseman. She is a cohost of the New Books in Poetry podcast and is a member of the Science Fiction and Fantasy Poetry Association and the Horror Writers Association. Find her online at andreablythe.com or on Twitter and Instagram @AndreaBlythe. Learn more about your ad choices. Visit megaphone.fm/adchoices

Franny Choi’s book-length collection of poetry, Soft Science (Alice James Books 2019), explores queer, Asian American femininity through the lens of robots, cyborgs, and artificial intelligence. As she notes in this interview, “this book is a study of softness,” exploring feeling, vulnerability, and desire. How can you be tender and still survive in a hard and violent world? What does it mean to have desire when you yourself are made into an object of desire? What does it mean to have a body that bears the weight of history? Choi’s poetry contemplates such questions through the technology of poetic form. “Once, an animal with hands like mine learned to break a seed with two stones – one hard and one soft. Once, a scientist in Britain asked: Can machines think? He built a machine, taught it to read ghosts, and a new kind of ghost was born. At Disneyland, I watched a robot dance the macarena. Everyone clapped, and the clapping, too, was a technology. I once made my mouth a technology of softness. I listened carefully as I drank. I made the tools fuck in my mouth – okay, we can say pickle if it’s easier to hear – until they birthed new ones. What I mean is, I learned.” — from “A Brief History of Cyborgs” by Franny Choi Franny Choi is the author of two poetry collections, Soft Science (from Alice James Books) and Floating, Brilliant, Gone (Write Bloody Publishing), as well as a chapbook, Death by Sex Machine (Sibling Rivalry Press). She is a Kundiman Fellow, a 2019 Ruth Lilly and Dorothy Sargent Rosenberg Fellow, and a graduate of the University of Michigan's Helen Zell Writers Program. She is a Gaius Charles Bolin Fellow at Williams College and co-hosts the podcast VS alongside fellow Dark Noise Collective member Danez Smith. Andrea Blythe is a cohost of the New Books in Poetry podcast. She is the author of Your Molten Heart / A Seed to Hatch (2018) a collection of erasure poems, and coauthor of Every Girl Becomes the Wolf (Finishing Line Press, 2018), a collaborative chapbook written with Laura Madeline Wiseman. She is a cohost of the New Books in Poetry podcast and is a member of the Science Fiction and Fantasy Poetry Association and the Horror Writers Association. Find her online at andreablythe.com or on Twitter and Instagram @AndreaBlythe. Learn more about your ad choices. Visit megaphone.fm/adchoices

Franny Choi’s book-length collection of poetry, Soft Science (Alice James Books 2019), explores queer, Asian American femininity through the lens of robots, cyborgs, and artificial intelligence. As she notes in this interview, “this book is a study of softness,” exploring feeling, vulnerability, and desire. How can you be tender and still survive in a hard and violent world? What does it mean to have desire when you yourself are made into an object of desire? What does it mean to have a body that bears the weight of history? Choi’s poetry contemplates such questions through the technology of poetic form. “Once, an animal with hands like mine learned to break a seed with two stones – one hard and one soft. Once, a scientist in Britain asked: Can machines think? He built a machine, taught it to read ghosts, and a new kind of ghost was born. At Disneyland, I watched a robot dance the macarena. Everyone clapped, and the clapping, too, was a technology. I once made my mouth a technology of softness. I listened carefully as I drank. I made the tools fuck in my mouth – okay, we can say pickle if it’s easier to hear – until they birthed new ones. What I mean is, I learned.” — from “A Brief History of Cyborgs” by Franny Choi Franny Choi is the author of two poetry collections, Soft Science (from Alice James Books) and Floating, Brilliant, Gone (Write Bloody Publishing), as well as a chapbook, Death by Sex Machine (Sibling Rivalry Press). She is a Kundiman Fellow, a 2019 Ruth Lilly and Dorothy Sargent Rosenberg Fellow, and a graduate of the University of Michigan's Helen Zell Writers Program. She is a Gaius Charles Bolin Fellow at Williams College and co-hosts the podcast VS alongside fellow Dark Noise Collective member Danez Smith. Andrea Blythe is a cohost of the New Books in Poetry podcast. She is the author of Your Molten Heart / A Seed to Hatch (2018) a collection of erasure poems, and coauthor of Every Girl Becomes the Wolf (Finishing Line Press, 2018), a collaborative chapbook written with Laura Madeline Wiseman. She is a cohost of the New Books in Poetry podcast and is a member of the Science Fiction and Fantasy Poetry Association and the Horror Writers Association. Find her online at andreablythe.com or on Twitter and Instagram @AndreaBlythe. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of Black Market Reads, the acclaimed poet Danez Smith. Smith is the author of two award-winning collections of poetry: 2014’s [insert] boy which was awarded the winner of the Kate Tufts Discovery Award and the Lambda Literary Award for Gay Poetry; and their most recent collection, Don’t Call Us Dead, published by Graywolf Press in 2017, which was winner of the Forward Prize for Best Collection, the Midwest Booksellers Choice Award, and a finalist for the National Book Award. Smith is the recipient of fellowships from the Poetry Foundation, the McKnight Foundation, the Montalvo Arts Center, Cave Canem, and the National Endowment for the Arts. Smith is a member of the Dark Noise Collective and is the co-host of  VS, a podcast sponsored by the Poetry Foundation and Postloudness. To learn more about Smith's work, visit their website: http://www.danezsmithpoet.com/

Oh there you are, lovely. Last week, we chopped it up with worldwide sensation Danez Smith on reading for the National Book Awards, joy, and the violence necessary to achieve utopia. For this week's episode, they brought in Franny Choi's "Introduction to Quantum Theory" for us to discuss, and spoiler alert: it's a banger. DANEZ SMITH is a Black, Queer, Poz writer & performer from St. Paul, MN. Danez is the author of Don't Call Us Dead (Graywolf Press, 2017), winner of the Forward Prize for Best Collection, the Midwest Booksellers Choice Award, and a finalist for the National Book Award, and [insert] boy (YesYes Books, 2014), winner of the Kate Tufts Discovery Award and the Lambda Literary Award for Gay Poetry. They are the recipient of fellowships from the Poetry Foundation, the McKnight Foundation, the Montalvo Arts Center, Cave Canem, and the National Endowment for the Arts. Danez's work has been featured widely including on Buzzfeed, The New York Times, PBS NewsHour, Best American Poetry, Poetry Magazine, and on the Late Show with Stephen Colbert. Danez is a member of the Dark Noise Collective and is the co-host of VS with Franny Choi, a podcast sponsored by the Poetry Foundation and Postloudness. Danez's third collection, Homie, will be published by Graywolf in Spring 2020. FRANNY CHOI is a writer, performer, and educator. She is the author of Floating, Brilliant, Gone (Write Bloody, 2014) and the chapbook Death by Sex Machine (Sibling Rivalry Press, 2017). She has been a finalist for multiple national poetry slams, and her poems have appeared in Poetry Magazine, American Poetry Review, the New England Review, and elsewhere. She is a Kundiman Fellow, Senior News Editor for Hyphen, co-host of the podcast VS, and member of the Dark Noise Collective. Her second collection, Soft Science, is forthcoming from Alice James Books

You're back, dear listener, and just in time to hear us fangirl over fangirling, We also interview American treasure Danez Smith while sipping Hot Daddies.  DANEZ SMITH is a Black, Queer, Poz writer & performer from St. Paul, MN. Danez is the author of Don't Call Us Dead (Graywolf Press, 2017), winner of the Forward Prize for Best Collection, the Midwest Booksellers Choice Award, and a finalist for the National Book Award, and [insert] boy (YesYes Books, 2014), winner of the Kate Tufts Discovery Award and the Lambda Literary Award for Gay Poetry. They are the recipient of fellowships from the Poetry Foundation, the McKnight Foundation, the Montalvo Arts Center, Cave Canem, and the National Endowment for the Arts. Danez's work has been featured widely including on Buzzfeed, The New York Times, PBS NewsHour, Best American Poetry, Poetry Magazine, and on the Late Show with Stephen Colbert. Danez is a member of the Dark Noise Collective and is the co-host of VS with Franny Choi, a podcast sponsored by the Poetry Foundation and Postloudness. Danez's third collection, Homie, will be published by Graywolf in Spring 2020.  THE HOT DADDY Fun fact! Langston Hughes's favorite cocktail was one he invented called the ‘Hard Daddy.' As described in a letter to a friend, the ‘Hard Daddy' = whiskey, maple syrup, lemon juice, and ice. For our recording sesh with Danez Smith, we decided to make a hot version of this intriguingly named cocktail, subbing hot water for the ice and serving it in a cozy mug. Go generous with the lemon and light on the syrup and your taste buds will be happy. Pairs perfectly with cold winter Mondays, Ezell's chicken, and this here episode.    INGREDIENTS: 2 oz Irish whiskey; fresh lemon; maple syrup; hot water  REFERENCES: 2018 National Book Award Poetry Finalists, The Fat Sonnets by Samantha Zighelboim, The Tradition by Jericho Brown, Youth Speaks Brave New Voices, "summer, somewhere", "Litany with Blood All Over" and "Not an Elegy" by Danez Smith; Stamped from the Beginning by Ibram X. Kendi; Heavy by Kiese Laymon

Denison’s Beck Series welcomes GLCA poetry prize winner Nate Marshall, author of “Wild Hundreds” and an editor of “The BreakBeat Poets: New American Poetry in the Age of Hip-Hop.” “Wild Hundreds” has been honored with the Black Caucus of the American Library Association’s award for Poetry Book of the Year and The Great Lakes College Association’s New Writer Award. His last rap album, “Grown,” came out in 2015 with his group Daily Lyrical Product. Marshall is a member of The Dark Noise Collective, a multiracial, multi-genre collective featuring some of the most exciting, insightful, and powerful spoken word artists performing today.

Nate Marshall is from the South Side of Chicago. He is the author of Wild Hundreds (University of Pittsburgh Press, 2015), winner of the Agnes Lynch Starrett Prize, and an editor of The BreakBeat Poets: New American Poetry in the Age of Hip-Hop (Haymarket Books, 2015). He is a founding member of The Dark Noise Collective, and he is the National Program Director of Louder Than A Bomb Youth Poetry Slam. A Cave Canem fellow, his work has appeared in Poetry Magazine, Indiana Review, and The New Republic, among others.

Fatimah Asghar is a poet, photographer, and writer whose forceful presence and fierce work from stages, on pages, and behind lenses have made her one of the city's strongest young poetic voices. She is a member of the Dark Noise Collective, a teaching artist at Young Chicago Authors, and is the creator of Let Me Love Me, a "a nude photo project for people of color to talk about [their] bodies and [their] journeys with self love." Her chapbook After dropped last November through YesYes Books. Recorded live 3/10/16 at WHPK 88.5FM in Chicago Music from this week's show: Tha' Coop - @karavelo Patriot Act - Heems Always on Time (feat. Ja Rule) - Ashanti

When did you first hear a voice that cut through madness and helped the listener heal and grow? Perhaps more so than any other person in the city of Chicago, Jamila Woods brings meaningful empowerment to the spaces and people with whom and which she connects. She's the Associate Artistic Director of Young Chicago Authors, an award-winning poet who is member of the illustrious Dark Noise Collective, and a magnificent vocalist and songwriter, who listeners may know as the voice of the Social Experiment's hit song "Sunday Candy." The wonderfully talented and supportive Woods is a Chicago native. Recorded live 1/21/16 at WHPK 88.5FM Music from this week's show: Questions feat. Jamila Woods - Donnie Trumpet and the Social Experiment Blk Girl Soldier - @jamilawoods The Joy (live @kdicrecordings) - M&O Lovin' You - Minnie Riperton

Poetry Northwest‘s monthly podcast series, The Subvocal Zoo, features editors and friends of the magazine interviewing poets. Each episode features lively conversation between writers in a different location. Episode 9 features Danez Smith in conversation with William Camponovo during the 2015 AWP Conference in Minneapolis. Topics of discussion include the importance of community; The Dark Noise Collective; composing for the page vs. composing for performance; Ocean Vuong, Chinaka Hodge, Patricia Smith; Yusef Komunyakaa; The BreakBeat Poets and the April 2015 issue of Poetry magazine. iTunes | Stitcher | RSS Danez Smith is the author of [insert] boy (2014, YesYes Books), winner of the 2014 Lambda Literary Award for Gay Poetry and “Black Movie,” winner of the 2014 Button Poetry Chapbook Prize. His second full-length collection will be published by Graywolf Press in 2017. His work has been published & featured widely including in Poetry Magazine, Beloit Poetry Journal, Buzzfeed, Blavity, and Ploughshares. He is a 2014 Ruth Lilly – Dorothy Sargent Rosenberg Fellow, a Cave Canem and VONA alum, and a recipient of a McKnight Foundation Fellowship. He is a two time Individual World Poetry Slam finalist, placing second in 2014. He edits for The Offing and is a founding member …