Podcasts about Ruth Lilly

“You would've made a lousy nun.” The narrator of Diannely Antigua's “Another Poem about God, but Really It's about Me” overhears these words, and they jolt her into contrasting her life experience with the limited archetypes offered by her church — good daughter, good sister, holy woman, whore. Which of these has she been? Where does her devotion lie? And what virtue can she claim?Diannely Antigua is a Dominican-American poet and educator who was born and raised in Massachusetts. Her debut collection, Ugly Music, won a 2020 Whiting Award and the Pamet River Prize. She received her MFA in Creative Writing from NYU, where she was awarded a Global Research Initiative Fellowship to study in Florence, Italy. She was a finalist for the 2021 Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship and the recipient of fellowships from CantoMundo, Community of Writers, and the Academy of American Poets. Her work has appeared in the Best of the Net Anthology and has been nominated for the Pushcart Prize. She currently serves as the poet laureate of Portsmouth, New Hampshire, and is the host of the podcast Bread & Poetry. Her most recent poetry collection is Good Monster.Find the transcript for this show at onbeing.org.We're pleased to offer Diannely Antigua's poem and invite you to subscribe to Pádraig's weekly Poetry Unbound Substack newsletter, read the Poetry Unbound book, or listen to past episodes of the podcast. We also have two books coming out in early 2025 — Kitchen Hymns (new poems from Pádraig) and 44 Poems on Being with Each Other (new essays by Pádraig). You can pre-order them wherever you buy books.

What's involved in an English PhD with a creative dissertation? Abhijit Sarmah tells Jared about how this path allows him to pursue his research on global indigenous literatures while continuing to craft poetry on identity and insurgency in Assam, India. Abhijit also discusses postmemory, or the memories we inherit from earlier generations, writing about your homeland when you live far from it, and the strong literary scene in Athens, Georgia. Abhijit Sarmah is a poet and a researcher of Indigenous literatures with particular focus on Native American women writers and writings from the Northeast of India. Currently, he is a second-year PhD student in the creative writing program at the University of Georgia where he is also an Arts Lab Graduate Fellow. He was a finalist for the 2023 Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship and his work has appeared in magazines like Poetry, The Margins, The Lincoln Review, and elsewhere. Find him on Instagram @abhijitsarmahwritespoetry and on Twitter @abhijitsarmah_. MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com. BE PART OF THE SHOW — Donate to the show at Buy Me a Coffee. — Leave a rating and review on Apple Podcasts. — Submit an episode request. If there's a program you'd like to learn more about, contact us and we'll do our very best to find a guest who can speak to their experience. — Apply to be a guest on the show by filling out our application. STAY CONNECTED Twitter: @MFAwriterspod Instagram: @MFAwriterspodcast Facebook: MFA Writers Email: mfawriterspodcast@gmail.com

The American Poet Laureate: A History of U.S. Poetry and the State (Columbia University Press, 2023) by Dr. Amy Paeth shows how the state has been the silent centre of poetic production in the United States since World War II. It is the first history of the national poetry office, the U.S. poet laureate, highlighting the careers of Elizabeth Bishop, Robert Frost, Gwendolyn Brooks, Robert Pinsky, Tracy K. Smith, Juan Felipe Herrera, and Joy Harjo at the nation's Capitol. It is also a history of how these state poets participated in national arts programming during the Cold War. Drawing on previously unexplored archival materials at the Library of Congress and materials at the John F. Kennedy Presidential Library, Dr. Paeth describes the interactions of federal bodies, including the Central Intelligence Agency, the State Department, and the National Endowment for the Arts, with literary organisations and with private patrons, including “Prozac heiress” Ruth Lilly. The consolidation of public and private interests is crucial to the development of state verse culture, recognizable at the first National Poetry Festival in 1962, which followed Robert Frost's “Mission to Moscow,” and which became dominant in the late 1990s and early 2000s. The American Poet Laureate contributes to a growing body of institutional and sociological approaches to U.S. literary production in the postwar era and demonstrates how poetry has played a uniquely important, and largely underacknowledged, role in the cultural front of the Cold War. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The American Poet Laureate: A History of U.S. Poetry and the State (Columbia University Press, 2023) by Dr. Amy Paeth shows how the state has been the silent centre of poetic production in the United States since World War II. It is the first history of the national poetry office, the U.S. poet laureate, highlighting the careers of Elizabeth Bishop, Robert Frost, Gwendolyn Brooks, Robert Pinsky, Tracy K. Smith, Juan Felipe Herrera, and Joy Harjo at the nation's Capitol. It is also a history of how these state poets participated in national arts programming during the Cold War. Drawing on previously unexplored archival materials at the Library of Congress and materials at the John F. Kennedy Presidential Library, Dr. Paeth describes the interactions of federal bodies, including the Central Intelligence Agency, the State Department, and the National Endowment for the Arts, with literary organisations and with private patrons, including “Prozac heiress” Ruth Lilly. The consolidation of public and private interests is crucial to the development of state verse culture, recognizable at the first National Poetry Festival in 1962, which followed Robert Frost's “Mission to Moscow,” and which became dominant in the late 1990s and early 2000s. The American Poet Laureate contributes to a growing body of institutional and sociological approaches to U.S. literary production in the postwar era and demonstrates how poetry has played a uniquely important, and largely underacknowledged, role in the cultural front of the Cold War. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The American Poet Laureate: A History of U.S. Poetry and the State (Columbia University Press, 2023) by Dr. Amy Paeth shows how the state has been the silent centre of poetic production in the United States since World War II. It is the first history of the national poetry office, the U.S. poet laureate, highlighting the careers of Elizabeth Bishop, Robert Frost, Gwendolyn Brooks, Robert Pinsky, Tracy K. Smith, Juan Felipe Herrera, and Joy Harjo at the nation's Capitol. It is also a history of how these state poets participated in national arts programming during the Cold War. Drawing on previously unexplored archival materials at the Library of Congress and materials at the John F. Kennedy Presidential Library, Dr. Paeth describes the interactions of federal bodies, including the Central Intelligence Agency, the State Department, and the National Endowment for the Arts, with literary organisations and with private patrons, including “Prozac heiress” Ruth Lilly. The consolidation of public and private interests is crucial to the development of state verse culture, recognizable at the first National Poetry Festival in 1962, which followed Robert Frost's “Mission to Moscow,” and which became dominant in the late 1990s and early 2000s. The American Poet Laureate contributes to a growing body of institutional and sociological approaches to U.S. literary production in the postwar era and demonstrates how poetry has played a uniquely important, and largely underacknowledged, role in the cultural front of the Cold War. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The American Poet Laureate: A History of U.S. Poetry and the State (Columbia University Press, 2023) by Dr. Amy Paeth shows how the state has been the silent centre of poetic production in the United States since World War II. It is the first history of the national poetry office, the U.S. poet laureate, highlighting the careers of Elizabeth Bishop, Robert Frost, Gwendolyn Brooks, Robert Pinsky, Tracy K. Smith, Juan Felipe Herrera, and Joy Harjo at the nation's Capitol. It is also a history of how these state poets participated in national arts programming during the Cold War. Drawing on previously unexplored archival materials at the Library of Congress and materials at the John F. Kennedy Presidential Library, Dr. Paeth describes the interactions of federal bodies, including the Central Intelligence Agency, the State Department, and the National Endowment for the Arts, with literary organisations and with private patrons, including “Prozac heiress” Ruth Lilly. The consolidation of public and private interests is crucial to the development of state verse culture, recognizable at the first National Poetry Festival in 1962, which followed Robert Frost's “Mission to Moscow,” and which became dominant in the late 1990s and early 2000s. The American Poet Laureate contributes to a growing body of institutional and sociological approaches to U.S. literary production in the postwar era and demonstrates how poetry has played a uniquely important, and largely underacknowledged, role in the cultural front of the Cold War. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

The American Poet Laureate: A History of U.S. Poetry and the State (Columbia University Press, 2023) by Dr. Amy Paeth shows how the state has been the silent centre of poetic production in the United States since World War II. It is the first history of the national poetry office, the U.S. poet laureate, highlighting the careers of Elizabeth Bishop, Robert Frost, Gwendolyn Brooks, Robert Pinsky, Tracy K. Smith, Juan Felipe Herrera, and Joy Harjo at the nation's Capitol. It is also a history of how these state poets participated in national arts programming during the Cold War. Drawing on previously unexplored archival materials at the Library of Congress and materials at the John F. Kennedy Presidential Library, Dr. Paeth describes the interactions of federal bodies, including the Central Intelligence Agency, the State Department, and the National Endowment for the Arts, with literary organisations and with private patrons, including “Prozac heiress” Ruth Lilly. The consolidation of public and private interests is crucial to the development of state verse culture, recognizable at the first National Poetry Festival in 1962, which followed Robert Frost's “Mission to Moscow,” and which became dominant in the late 1990s and early 2000s. The American Poet Laureate contributes to a growing body of institutional and sociological approaches to U.S. literary production in the postwar era and demonstrates how poetry has played a uniquely important, and largely underacknowledged, role in the cultural front of the Cold War. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

The American Poet Laureate: A History of U.S. Poetry and the State (Columbia University Press, 2023) by Dr. Amy Paeth shows how the state has been the silent centre of poetic production in the United States since World War II. It is the first history of the national poetry office, the U.S. poet laureate, highlighting the careers of Elizabeth Bishop, Robert Frost, Gwendolyn Brooks, Robert Pinsky, Tracy K. Smith, Juan Felipe Herrera, and Joy Harjo at the nation's Capitol. It is also a history of how these state poets participated in national arts programming during the Cold War. Drawing on previously unexplored archival materials at the Library of Congress and materials at the John F. Kennedy Presidential Library, Dr. Paeth describes the interactions of federal bodies, including the Central Intelligence Agency, the State Department, and the National Endowment for the Arts, with literary organisations and with private patrons, including “Prozac heiress” Ruth Lilly. The consolidation of public and private interests is crucial to the development of state verse culture, recognizable at the first National Poetry Festival in 1962, which followed Robert Frost's “Mission to Moscow,” and which became dominant in the late 1990s and early 2000s. The American Poet Laureate contributes to a growing body of institutional and sociological approaches to U.S. literary production in the postwar era and demonstrates how poetry has played a uniquely important, and largely underacknowledged, role in the cultural front of the Cold War. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

The American Poet Laureate: A History of U.S. Poetry and the State (Columbia University Press, 2023) by Dr. Amy Paeth shows how the state has been the silent centre of poetic production in the United States since World War II. It is the first history of the national poetry office, the U.S. poet laureate, highlighting the careers of Elizabeth Bishop, Robert Frost, Gwendolyn Brooks, Robert Pinsky, Tracy K. Smith, Juan Felipe Herrera, and Joy Harjo at the nation's Capitol. It is also a history of how these state poets participated in national arts programming during the Cold War. Drawing on previously unexplored archival materials at the Library of Congress and materials at the John F. Kennedy Presidential Library, Dr. Paeth describes the interactions of federal bodies, including the Central Intelligence Agency, the State Department, and the National Endowment for the Arts, with literary organisations and with private patrons, including “Prozac heiress” Ruth Lilly. The consolidation of public and private interests is crucial to the development of state verse culture, recognizable at the first National Poetry Festival in 1962, which followed Robert Frost's “Mission to Moscow,” and which became dominant in the late 1990s and early 2000s. The American Poet Laureate contributes to a growing body of institutional and sociological approaches to U.S. literary production in the postwar era and demonstrates how poetry has played a uniquely important, and largely underacknowledged, role in the cultural front of the Cold War. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Welcome to a special episode of Divorce and Beyond!! Airing right after Thanksgiving and just before Giving Tuesday 2023 on November 28th, we're revisiting a powerful episode titled "Sharing is Caring: How Philanthropy Can Help You Heal." In this replay, Susan Guthrie speaks with Caren Yanis, a philanthropy Sherpa, and former Oprah Winfrey Foundation Executive Director. Together, they explore the transformative power of giving, delving into how it can guide us through challenging times, including the complexities of divorce. This is a heartfelt conversation about how philanthropy intersects with divorce, families, the future, and beyond. Caren, now the principal of Croland Consulting, shares insights on building a culture of purpose and legacy for families, athletes, and celebrities.  Let this episode inspire you to embrace the spirit of generosity on Giving Tuesday.   Topics and Golden Nuggets include Divorce is a prime time to do something outward-focused with your children, such as giving. Philanthropy can help you heal from the trauma of a difficult divorce Engaging in the arts and using the arts to help other people is a fabulous way to elevate everybody **************************************** About this week's special guest: Caren Yanis Caren is the principal of Croland Consulting, a philanthropic advisory group that guides families, athletes, and celebrities in building a culture of purpose and legacy. She was Executive Director of the Oprah Winfrey Foundation and Oprah's Angel Network, (2000-2009) the height of the Oprah Winfrey Show.  She went on to become President of Crown Family Philanthropies in Chicago.  Caren's focus is on deepening intergenerational engagement and social impact using a variety of assets and strategies. Keynotes, podcasts, and panel discussions have included Family Business Magazine's Legacy and Wealth Conference, Yale's Philanthropy Conference, and the Society for Trust and Estate Planners annual and regional conferences. She has been a guest on podcasts including The Heart of Giving (Better Business Bureau), Denton's, Alliance Bernstein, and Family Business Magazine's Legacy and Wealth Conference.  She is an adjunct professor at Tulane University, the University of Chicago Booth School in their Private Wealth Management program, and at the Spertus Institute where she also mentors graduate students. University speaking engagements include Northwestern Law, NYU, Duke and Johns Hopkins. Caren chairs the board of The Poetry Foundation (which received a significant bequest from Ruth Lilly in 2002) and has guided it through meaningful organizational and governance change. She is an advisor to the Aubrey and Marla Dan Foundation, and to the (Deepak) Chopra Foundation, is a member of the Board of Visitors at the Lilly Family School of Philanthropy at Indiana University, and the Women's Philanthropy Institute, a research organization focused on trends in giving. In her spare time, Caren hosts salons that bring bold thinkers together for meaningful conversations. She has a passion for listening deeply, navigating challenges, and guiding people who have the potential to make the world a better place.  Caren Croland Yanis | Philanthropic Advising: caren@crolandconsulting.com  Caren's website: CrolandConsulting.com  Caren on Linkedin: http://linkedin.com/in/carenyanis ***************************************** Episodes and Resources mentioned in this episode: The Divorce & Beyond website is a great place to visit if you want more support and information as you move through your divorce and beyond.  We have links to all the latest episodes, show notes, and the most recent episode. Plus, you can sign up for the weekly newsletter, freebies, and downloadable resources.  Visit DivorceandBeyondPod.com today!  Singing ”Single Bells” This Holiday? Surviving the Solitary Season with Special Guest, Jenny Stevens  PoetryMagazine.org/EventsOffer:1 year of Poetry Magazine for $20. Regular price is $35.   Generosity Project: https://www.ted.com/talks/sasha_dichter_the_generosity_experiment  Women's Philanthropy Institute – The Women's and Girls Index: https://scholarworks.iupui.edu/bitstream/handle/1805/21010/wgi-infographic.pdf  Women's Philanthropy Institute -Women as Change Agents:  https://scholarworks.iupui.edu/bitstream/handle/1805/21440/change-agents-infographic.pdf  Women Moving Millions: https://womenmovingmillions.org/  Thresholds  - mental health and breaking the cycle of poverty: https://www.thresholds.org/  Friends of the Children – mentoring high risk children: https://friendschicago.org/about  Multiple Myeloma Research Foundation: theMMRF.org  ***************************************** THANK YOU TO OUR SPONSOR: SOBERLINK Thriving in divorce and beyond means not having to worry about the safety of your children when it comes to co-parenting. With alcohol abuse on the rise, many co-parents are turning to the system committed to providing proof, protection, and peace of mind. Soberlink's alcohol monitoring system is the most convenient, reliable, and reasonable way for a parent to provide evidence that they are not drinking during parenting time. Soberlink's real-time alerts, facial recognition, and tamper detection ensure the integrity of each test, so you can be confident your kids are with a sober parent. With Soberlink, judges rest assured that your child is safe, attorneys get court-admissible evidence of sobriety, and both parents have empowerment and peace of mind.  Pull back the curtain on the mysteries of parenting time and trust The Experts in Remote Alcohol Monitoring Technology™ to keep you informed and your kids safe and secure. To download the addiction and children resource page that I developed with Soberlink, visit www.Soberlink.com/Susan  ********************************************************************* SPONSORSHIP OPPORTUNITIES ARE AVAILABLE!  https://divorcebeyond.com/Sponsorship-Info ******************************************************************* MEET OUR CREATOR AND HOST: SUSAN GUTHRIE®, ESQ., the creator and host of The Divorce and Beyond® Podcast, is nationally recognized as one of the top family law and divorce mediation attorneys in the country.  Susan is the Vice Chair of the American Bar Association Section of Dispute Resolution and is a sought-after keynote speaker, business and practice consultant, coach and trainer. You can find out more about Susan and her services here:  https://neon.page/susanguthrie Internationally renowned as one of the leading experts in online mediation, Susan created her Learn to Mediate Online® program and has trained more than 25,000 professionals in how to transition their practice online.  Susan recently partnered with legal and mediation legend, Forrest "Woody" Mosten to create the Mosten Guthrie Academy which provides gold-standard, fully online training for mediation and collaborative professionals at all stages of their careers.   Follow Susan Guthrie and THE DIVORCE AND BEYOND PODCAST on social media for updates and inside tips and information: Susan on LinkedIn: https://www.linkedin.com/in/susaneguthrie/ Susan on Instagram @susanguthrieesq ********************************************************************* We'd really appreciate it if you would give us a 5 Star Rating and tell us what you like about the show in a review - your feedback really matters to us!  You can get in touch with Susan at divorceandbeyondpod@gmail.com.  Don't forget to visit the webpage www.divorceandbeyondpod.com and sign up for the free NEWSLETTER to receive a special welcome video from Susan and more!! ********************************************************************* DISCLAIMER:  THE COMMENTARY AND OPINIONS AVAILABLE ON THIS PODCAST ARE FOR INFORMATIONAL AND ENTERTAINMENT PURPOSES ONLY AND NOT FOR THE PURPOSE OF PROVIDING LEGAL ADVICE.  YOU SHOULD CONTACT AN ATTORNEY IN YOUR STATE TO OBTAIN LEGAL ADVICE WITH RESPECT TO ANY PARTICULAR ISSUE OR PROBLEM.

In this episode of Get Lit Minute, we spotlight the accomplished author, poet and educator, José Olivarez.José Olivarez is the son of Mexican immigrants. His debut book of poems, Citizen Illegal, was a finalist for the PEN/ Jean Stein Award and a winner of the 2018 Chicago Review of Books Poetry Prize. It was named a top book of 2018 by The Adroit Journal, NPR, and the New York Public Library. Along with Felicia Chavez and Willie Perdomo, he co-edited the poetry anthology, The BreakBeat Poets Vol. 4: LatiNEXT. He is the co-host of the poetry podcast, The Poetry Gods. In 2018, he was awarded the first annual Author and Artist in Justice Award from the Phillips Brooks House Association and named a Debut Poet of 2018 by Poets & Writers. In 2019, he was awarded a Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship from the Poetry Foundation. His work has been featured in The New York Times, The Paris Review, and elsewhere. SourceSupport the showSupport the show

Jackson Holbert reads poems from his debut book, Winter Stranger (2023, Milkweed Editions), which won the 2022 Max Ritvo Prize. Jackson was born and raised in eastern Washington. His work has appeared in Poetry, FIELD, The Nation, Narrative, Colorado Review, Alaska Quarterly Review, Copper Nickel, The Iowa Review, and multiple editions of Best New Poets. He received his MFA in poetry from the Michener Center for Writers and is currently a Wallace Stegner Fellow at Stanford. He has received fellowships from the Michener Center for Writers, The Stadler Center for Poetry, and The Sewanee Writer's Conference and has been a finalist for the Ruth Lilly and Dorothy Sargent Rosenberg Fellowship.

Richie Hofmann reads a poem by Walt Whitman and “Reconciliation.”  Queer Poem-a-Day Lineage Edition is our new format for year three! Featuring contemporary LGBTQIA+ poets reading a poem by an LGBTQIA+ writer of the past, followed by an original poem of their own.  Richie Hofmann is the author of two books of poems, A Hundred Lovers (2022) and Second Empire (2015). His poetry appears recently in The New Yorker, The Atlantic, The New York Review of Books, and The Yale Review, and has been honored with the Ruth Lilly and Wallace Stegner fellowships. Work from a new manuscript is forthcoming in Poetry and The Paris Review. He lives in Chicago. Text of today's original poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.  Find books from participating poets in our library's catalog.  Queer Poem-a-Day is directed by poet and teacher Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this third year of our series is AIDS Ward Scherzo by Robert Savage, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.

In a church there are liturgies and prayers and statues. But in José Olivarez's poem, there are more urgent things taking place, things that have “no time to wait.”José Olivarez is the son of Mexican immigrants.  He is the author of Promises of Gold, a collection of poems. His debut book of poems, Citizen Illegal, was a finalist for the PEN/Jean Stein Award and a winner of the 2018 Chicago Review of Books Poetry Prize. It was named a top book of 2018 by The Adroit Journal, NPR, and the New York Public Library. Along with Felicia Chavez and Willie Perdomo, he co-edited the poetry anthology, The BreakBeat Poets Vol. 4: LatiNEXT. He is the co-host of the poetry podcast, The Poetry Gods. In 2018, he was awarded the first annual Author and Artist in Justice Award from the Phillips Brooks House Association and named a Debut Poet of 2018 by Poets & Writers. In 2019, he was awarded a Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship from the Poetry Foundation. His work has been featured in The New York Times, The Paris Review, and elsewhereFind the transcript for this show at onbeing.org.We're pleased to offer José Olivarez's poem, and invite you to connect with Poetry Unbound throughout this season.

Friendships deserve praise songs, and here's a praise song — an ode — to friends that have crossed continents for each other, and would go further if needed.Sudanese by way of D.C., Safia Elhillo is the author of Girls That Never Die, The January Children, and Home Is Not a Country, and is co-editor of the anthology Halal If You Hear Me. Winner of the Sillerman First Book Prize for African Poets, the Arab American Book Award, and the Brunel International African Poetry Prize, she is also the recipient of a Cave Canem Fellowship, a Wallace Stegner Fellowship from Stanford University, and a Ruth Lilly and Dorothy Sargent Rosenberg Fellowship from The Poetry Foundation. Her work has appeared in Poetry magazine, The Atlantic, and the Academy of American Poets' Poem-a-Day series, among others.Find the transcript for this show at onbeing.org.We're pleased to offer Safia Elhillo's poem, and invite you to connect with Poetry Unbound throughout this season.

Hieu Minh Nguyen is the author of two collections of poetry, This Way to the Sugar (Write Bloody Press, 2014), and Not Here (Coffee House Press, 2018), which was named the winner of the Publishing Triangle's Thom Gunn Award for Gay Poetry. A recipient of the Ruth Lilly and Dorothy Sargent Rosenberg Fellowship from the Poetry Foundation, Hieu is also a 2018 McKnight Writing Fellow, a Kundiman Fellow, and a 2017 National Endowment for the Arts Literature Fellow. His work has appeared in Poetry Magazine, Best American Poetry, The New York Times, and elsewhere. He is a graduate of the MFA Program for Writers at Warren Wilson College, a former Stegner Fellow, and a current Jones Lecturer in the creative writing program at Stanford. Originally from the Twin Cities, Hieu now lives in Oakland.

Hieu Minh Nguyen is the author of two collections of poetry, This Way to the Sugar (Write Bloody Press, 2014), and Not Here (Coffee House Press, 2018), which was named the winner of the Publishing Triangle's Thom Gunn Award for Gay Poetry. A recipient of the Ruth Lilly and Dorothy Sargent Rosenberg Fellowship from the Poetry Foundation, Hieu is also a 2018 McKnight Writing Fellow, a Kundiman Fellow, and a 2017 National Endowment for the Arts Literature Fellow. His work has appeared in Poetry Magazine, Best American Poetry, The New York Times, and elsewhere. He is a graduate of the MFA Program for Writers at Warren Wilson College, a former Stegner Fellow, and a current Jones Lecturer in the creative writing program at Stanford. Originally from the Twin Cities, Hieu now lives in Oakland.

In this episode, we are delighted to have Richie Hofmann as our guest. Richie Hofmann is the author of two collections: Second Empire (https://www.alicejamesbooks.org/bookstore/second-empire) and A Hundred Lovers (https://www.penguinrandomhouse.com/books/689918/a-hundred-lovers-by-richie-hofmann/). His poetry has appeared in The New Yorker, The Atlantic, The Yale Review, and many other literary magazines, and he is the recipient of Ruth Lilly and Wallace Stegner fellowships. To learn more about Richie, visit his website (https://www.richiehofmann.com/). To learn more about Richie Hofmann's poetry and process, read Jesse Nathan's interview with Richie Hoffman in McSweeney's (https://www.mcsweeneys.net/articles/richie-hofmann). Richie Hofmann photo credit: Marcus Jackson

This week, Esther Belin speaks with Diamond Forde, who joins us from Asheville, North Carolina, which she describes as a sort of homecoming. One of five recent recipients of the 2022 Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowships, Forde's debut collection, Mother Body, is described as “an intersectional exploration of the trauma and agency held within a body defined by its potential to mother.” Today we'll hear from a new series of poems by Forde, which appear in the December 2022 issue of Poetry. The poems continue an exploration of maternal lineage, this time centering Forde's grandmother and addressing the complex processes of self-definition, self-reclamation, and biomythography. Belin and Forde also discuss the practice of joy and how poetry is an “assertion of love.”

In this episode, Susan Guthrie, Esq. is joined by philanthropist Caren Yanis who shares the many ways that being generous and sharing with others can actually help you heal after divorce.    Being philanthropic is not just about money. We have social capital, intellectual capital, time or the ability to be purposeful with lots of different tools. Whether someone has millions of dollars or is on a shoestring budget, being able to give, in some way, can make a difference. Caren Yanis joins Susan Guthrie for a conversation about philanthropy as it intersects with divorce, families, your future, and the beyond. There is power in giving. It can help you heal, be an outlet for your children during divorce, and make the world a better place to live.  Caren Yanis is the principal of Croland Consulting, a philanthropic advisory group that guides families, athletes, and celebrities in building a culture of purpose and legacy. Topics and Golden Nuggets include  Divorce is a prime time to do something with your children that is outward-focused, such as giving The benefit of having a philanthropic advisor or sherpa to create a long view goals of giving Philanthropy can help you heal from the trauma of a difficult divorce Examples of women who come at philanthropy not with a lot of financial resources but with energy and attention, and do amazing things Engaging in the arts and using the arts to help other people is a fabulous way to elevate everybody Whether you have billions of dollars or zero dollars, we all have something to give and to benefit others. About this week's special guest: Caren Yanis Caren is the principal of Croland Consulting, a philanthropic advisory group that guides families, athletes, and celebrities in building a culture of purpose and legacy. She was Executive Director of the Oprah Winfrey Foundation and Oprah's Angel Network, (2000-2009) the height of the Oprah Winfrey Show.  She went on to become President of Crown Family Philanthropies in Chicago.  Caren's focus is on deepening intergenerational engagement and social impact using a variety of assets and strategies. Keynotes, podcasts, and panel discussions have included Family Business Magazine's Legacy and Wealth Conference, Yale's Philanthropy Conference, and the Society for Trust and Estate Planners annual and regional conferences. She has been a guest on podcasts including The Heart of Giving (Better Business Bureau), Denton's, Alliance Bernstein, and Family Business Magazine's Legacy and Wealth Conference.  She is an adjunct professor at Tulane University, the University of Chicago Booth School in their Private Wealth Management program, and at the Spertus Institute where she also mentors graduate students. University speaking engagements include Northwestern Law, NYU, Duke and Johns Hopkins. Caren chairs the board of The Poetry Foundation (which received a significant bequest from Ruth Lilly in 2002) and has guided it through meaningful organizational and governance change. She is an advisor to the Aubrey and Marla Dan Foundation, and to the (Deepak) Chopra Foundation, is a member of the Board of Visitors at the Lilly Family School of Philanthropy at Indiana University, and the Women's Philanthropy Institute, a research organization focused on trends in giving. In her spare time, Caren hosts salons that bring bold thinkers together for meaningful conversations. She has a passion for listening deeply, navigating challenges, and guiding people who have the potential to make the world a better place.  Caren Croland Yanis | Philanthropic Advising: caren@crolandconsulting.com  Caren's website: CrolandConsulting.com  Caren on Linkedin: http://linkedin.com/in/carenyanis Also mentioned in this episode: Book a Strategy Session with Susan!  Singing ”Single Bells” This Holiday? Surviving the Solitary Season with Special Guest, Jenny Stevens  PoetryMagazine.org/EventsOffer:1 year of Poetry Magazine for $20. Regular price is $35.   Generosity Project: https://www.ted.com/talks/sasha_dichter_the_generosity_experiment  Women's Philanthropy Institute – The Women's and Girls Index: https://scholarworks.iupui.edu/bitstream/handle/1805/21010/wgi-infographic.pdf  Women's Philanthropy Institute -Women as Change Agents:  https://scholarworks.iupui.edu/bitstream/handle/1805/21440/change-agents-infographic.pdf  Women Moving Millions: https://womenmovingmillions.org/  Thresholds  - mental health and breaking the cycle of poverty: https://www.thresholds.org/  Friends of the Children – mentoring high risk children: https://friendschicago.org/about  Multiple Myeloma Research Foundation: theMMRF.org  If you want to see the video version of the podcast episodes they are available on The Divorce & Beyond YouTube Channel!  Make sure to LIKE and SUBSCRIBE so you don't miss a single episode! THANK YOU TO OUR SPONSOR: HELLO DIVORCE Your divorce, your way.  Say hello to an easier, kinder, and less expensive divorce.  They can handle almost every divorce without a court for thousands less than hiring a lawyer.  Easy, quick online divorce process  We review, file, and serve for you  Expert legal and financial help as you go  Get more information, resources, and support at hellodivorce.com/beyond and receive $100 off your service with the code BEYOND!  Visit hellodivorce.com/beyond for $100 OFF! ********************************************************************* SPONSORSHIP OPPORTUNITIES ARE AVAILABLE!  https://divorcebeyond.com/Sponsorship-Info ******************************************************************* MEET OUR CREATOR AND HOST: SUSAN GUTHRIE®, ESQ., the creator and host of The Divorce and Beyond® Podcast, is nationally recognized as one of the top family law and divorce mediation attorneys in the country.  Susan is the Vice Chair of the American Bar Association Section of Dispute Resolution and is a sought-after keynote speaker, business and practice consultant, coach and trainer. You can find out more about Susan and her services here:  https://neon.page/susanguthrie Internationally renowned as one of the leading experts in online mediation, Susan created her Learn to Mediate Online® program and has trained more than 25,000 professionals in how to transition their practice online.  Susan recently partnered with legal and mediation legend, Forrest "Woody" Mosten to create the Mosten Guthrie Academy which provides gold standard, fully online training for mediation and collaborative professionals at all stages of their career.   Follow Susan Guthrie and THE DIVORCE AND BEYOND PODCAST on social media for updates and inside tips and information: Susan on LinkedIn: https://www.linkedin.com/in/susaneguthrie/ Susan on Instagram @susanguthrieesq ********************************************************************* We'd really appreciate it if you would give us a 5 Star Rating and tell us what you like about the show in a review - your feedback really matters to us!  You can get in touch with Susan at divorceandbeyondpod@gmail.com.  Don't forget to visit the webpage www.divorceandbeyondpod.com and sign up for the free NEWSLETTER to receive a special welcome video from Susan and more!! ********************************************************************* DISCLAIMER:  THE COMMENTARY AND OPINIONS AVAILABLE ON THIS PODCAST ARE FOR INFORMATIONAL AND ENTERTAINMENT PURPOSES ONLY AND NOT FOR THE PURPOSE OF PROVIDING LEGAL ADVICE.  YOU SHOULD CONTACT AN ATTORNEY IN YOUR STATE TO OBTAIN LEGAL ADVICE WITH RESPECT TO ANY PARTICULAR ISSUE OR PROBLEM.

Join Chris of The Poetry Question in a sit down with Luther Hughes, author of Shiver in the Leaves, about passions, process, pitfalls, and Poetry. LUTHER HUGHES is the author of the debut poetry collection, A Shiver in the Leaves, (BOA Editions), and the chapbook Touched (Sibling Rivalry Press, 2018). He is the founder of Shade Literary Arts, a literary organization for queer writers of color, and co-hosts The Poet Salon podcast with Gabrielle Bates and Dujie Tahat. Recipient of the Ruth Lilly and Dorothy Sargent Rosenberg Fellowship and 92Y Discovery Poetry Prize, his work has been published in various journal, magazines, and newspapers. Luther was born and raised in Seattle, where he currently lives. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

La autora de Yo no soy tu perfecta hija mexicana, Erika L. Sánchez, conversa con Lorena Mora-Mowry sobre su nuevo libro Llorando en el baño. Erika regresa con íntimas memorias a través de poesía, risas y llantos. Erika narra a través de ensayos múltiples temáticas, revelando una vida interna abundante de ideas, autoconciencia y percepción. Disponible en las tiendas digitales o donde venden libros. Como a sí misma se describe, hace 25 años era: “una revoltosa melancólica que decía demasiadas groserías y se pintaba las uñas de negro, pero a la vez amaba la comedia, en muchas ocasiones riéndose tan fuerte con sus amigos que la obligaba a salir del salón”. “Nuestras historias importan, a pesar de lo que el resto de la sociedad quiere hacernos creer.” – Erika Sánchez Llorando en el baño es un espacio en donde ningún tema está fuera de los límites, incluido el sexo, la vergüenza (y cómo estos dos conceptos se cruzan para las mujeres latinas), el feminismo, la depresión, las normas de género, los estándares de belleza, la ambición y la raza; ya sea que esté escribiendo sobre su viaje espiritual con el budismo, o su decisión de someterse a terapia electroconvulsiva (TEC). Con encantadora franqueza y con su voz inimitable, Sánchez escribe sobre cómo combatir las expectativas de quién es ella y quién debería ser; vivir auténticamente y liberarse a sí misma a través de la escritura, la lectura y los viajes. En Llorando en el baño, muestra cómo encontró esa vida para sí misma, de una manera profundamente personal. Erika L. Sánchez es una poeta y escritora estadounidense autora de la colección de poesía Lessons on Expulsion, y de la novela para adultos jóvenes No soy tu perfecta hija mexicana —esta última finalista en 2017 del Premio Nacional del Libro de Literatura Juvenil. Nació en Cicero, Illinois, y es hija de inmigrantes mexicanos. Tiene dos hermanos y creció hablando inglés y español. En su época universitaria asistió a la Universidad de Illinois en Chicago, donde se graduó magna cum laude. Luego viajó a Madrid, España, para enseñar inglés con el programa Fulbright y se dedicó a la poesía. Posteriormente obtuvo una maestría en poesía en la Universidad de Nuevo México. En 2015 Sánchez ganó la beca de poesía Ruth Lilly y Dorothy Sargent. Su primera colección Lessons on Expulsion fue publicada por la editora Graywolf en julio de 2017, y The Washington Post lo incluyó en una lista de la mejor poesía que publicó en julio de 2017, calificándolo de “debut feroz y asertivo”. (comunicado de prensa).

Join Noor Hindi and special guests for a celebration of her new book DEAR GOD. DEAR BONES. DEAR YELLOW. What is political poetry and linguistic activism? What does it mean to bear witness through writing? When language proves insufficient, how do we find and articulate a pathway forward? DEAR GOD. DEAR BONES. DEAR YELLOW. interrogates, subverts, and expands these questions through poems that are formally and lyrically complex, dynamic, and innovative. With rich intertextuality and an unwavering eye, Noor Hindi explores and interrogates colonialism, religion, patriarchy, and the complex intersections of her identity. Noor Hindi's debut is ultimately a provocation: on trauma, on art, and on what it takes to truly see the world for what it is/isn't and change it for the better. Get DEAR GOD. DEAR BONES. DEAR YELLOW. from Haymarket: https://www.haymarketbooks.org/books/1871-dear-god-dear-bones-dear-yellow --------------------------------------------------------------------- Speakers: Noor Hindi (she/her/hers) is a Palestinian-American poet and reporter. She is a 2021 Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellow. DEAR GOD. DEAR BONES. DEAR YELLOW. is her debut collection of poems. She lives in Dearborn. https://noorhindi.com/ George Abraham is a Palestinian American poet, performance artist, and writer from Jacksonville, FL. Their debut poetry collection Birthright (Button Poetry, 2020) won the Arab American Book Award and the Big Other Book Award in Poetry, was a finalist for the Lambda Literary Award in Bisexual Poetry, and was named on Best of 2020 lists with The Asian American Writers' Workshop, The New Arab, and Entropy Magazine. https://www.gabrahampoet.com/ Summer Farah is a Palestinian American poet and editor. She is currently the outreach coordinator for the Radius of Arab American Writers and co-writes the biweekly newsletter Letters to Summer. In 2021, she served as the poetry editor for the FIYAH Lit Palestine Solidarity issue. She is a Winter 2022 Tin House Fellow. Her work has been published in or is forthcoming from Mizna, LitHub, The Rumpus, and other places. https://summerfarah.com/ Ghinwa Jawhari is a Lebanese American writer based in Brooklyn, NY. She was born to Druze parents in Cleveland, OH. Her chapbook BINT was selected by Aria Aber for Radix Media's Own Voices Chapbook Prize. Her essays, fiction, and poetry appear in Catapult, Narrative, Mizna, The Adroit Journal, and others. Ghinwa is a 2021 Margins Fellow at the Asian American Writers' Workshop. https://www.ghinwajawhari.com/ Jess Rizkallah is a Lebanese-American writer and illustrator. Her full-length collection THE MAGIC MY BODY BECOMES was a finalist for The Believer Poetry Award and won the 2017 Etel Adnan Poetry Prize. She is a Radius of Arab American Writers board member and a 2022 Mass Cultural Council Fellow. jessrizkallah.com Fargo Nissim Tbakhi is a queer Palestinian-American performance artist and writer. He is the winner of the Ghassan Kanafani Resistance Arts Prize, a Pushcart and Best of the Net nominee, and a Taurus. He has received fellowships from Rhizome DC, VisArts, Desert Nights Rising Stars, Halcyon Arts Lab, Mosaic Theater, and RAWI. His writing appears in Foglifter, Mizna, Peach Mag, Apex Magazine, Strange Horizons, the Shallow Ends, Prolit, and select bags of Nomadic Grounds Coffee. His performance work has been programmed at OUTsider Fest, INTER-SECTION Solo Fest, the Rachel Corrie Foundation's Shuruq Festival, the Alwun House Monster's Ball, Mosaic Theater, and has been supported by the Arizona Commission on the Arts. https://fargotbakhi.com/ Watch the live event recording: https://youtu.be/_xVod_w964A Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks

Poet and author Safia Elhillo discusses her new book Girls That Never Die with Viewless Wings Poetry Podcast host James Morehead (Poet Laureate - Dublin, CA, and author of canvas and portraits of red and gray). Sudanese by way of D.C., Safia Elhillo is the author of The January Children and Home Is Not a Country and co-editor of the anthology Halal If You Hear Me. Winner of the Sillerman First Book Prize for African Poets, the Arab American Book Award, and the Brunel International African Poetry Prize, she is also the recipient of a Cave Canem Fellowship, a Wallace Stegner Fellowship from Stanford University, and a Ruth Lilly and Dorothy Sargent Rosenberg Fellowship from The Poetry Foundation. Her work has appeared in POETRY magazine, The Atlantic, and The Academy of American Poets' Poem-a-day series, among others. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/viewlesswings/support

Subscribe to Quotomania on Simplecast or search for Quotomania on your favorite podcast app!Ocean Vuong is the author of The New York Times bestselling poetry collection, Time is a Mother (Penguin Press 2022), and The New York Timesbestselling novel, On Earth We're Briefly Gorgeous (Penguin Press 2019), which has been translated into 36 languages.  A recipient of a 2019 MacArthur "Genius" Grant, he is also the author of the critically acclaimed poetry collection, Night Sky with Exit Wounds, a New York Times Top 10 Book of 2016, winner of the T.S. Eliot Prize, the Whiting Award, the Thom Gunn Award, and the Forward Prize for Best First Collection. A Ruth Lilly fellow from the Poetry Foundation, his honors include fellowships from the Lannan Foundation, the Civitella Ranieri Foundation, The Elizabeth George Foundation, The Academy of American Poets, and the Pushcart Prize.Vuong's writings have been featured in The Atlantic, Granta, Harpers, The Nation, New Republic, The New Yorker, The New York Times, The Paris Review, The Village Voice, and American Poetry Review, which awarded him the Stanley Kunitz Prize for Younger Poets. Selected by Foreign Policy magazine as a 2016 100 Leading Global Thinker, Ocean was also named by BuzzFeed Books as one of “32 Essential Asian American Writers” and has been profiled on NPR's “All Things Considered,” PBS NewsHour, Teen Vogue, Interview, Poets & Writers, and The New Yorker. Born in Saigon, Vietnam and raised in Hartford, Connecticut in a working class family of nail salon and factory laborers, he was educated at nearby Manchester Community College before transferring to Pace University to study International Marketing. Without completing his first term, he dropped out of Business school and enrolled at Brooklyn College, where he graduated with a BA in Nineteenth Century American Literature. He subsequently received his MFA in Poetry from NYU. He currently lives in Northampton, Massachusetts where he serves as an Associate Professor in the MFA Program for Poets and Writers at UMass-Amherst.From https://www.oceanvuong.com/about. For more information about Ocean Vuong:Ocean Vuong on A Phone Call From Paul: https://a-phone-call-from-paul.simplecast.com/episodes/a-phone-call-from-paul-67-ocean-vuongNight Sky with Exit Wounds: https://www.coppercanyonpress.org/books/night-sky-with-exit-wounds-by-ocean-vuong/“Torso of Air”: https://www.nytimes.com/interactive/2016/06/26/magazine/ocean-vuong-torso-of-air.html“Ocean Vuong is Still Learning”: https://www.newyorker.com/culture/the-new-yorker-interview/ocean-vuong-is-still-learning

Alexis V. Jackson is a Philadelphia-born, San Diego-based writer and teacher whose work has appeared in Poetry Magazine, Jubilat, The Amistad, La Libreta, Solstice Literary Magazine, and 805 Lit among others. She is a 2021 finalist for the Poetry Foundation's Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship. Erica Hunt selected Jackson's debut collection, My Sisters' Country, as second-place winner of Kore Press Institute's 2019 Poetry Prize. She has served as a reader for several publications, including Callaloo and Bomb Magazine. Jackson has lectured in the University of San Diego's English Department. She has also taught poetry at her alma mater, Messiah University. Find more information at: https://www.alexisvjackson.com/ As always, we'll also include live open lines for responses to our weekly prompt or any other poems you'd like to share. A Zoom link will be provided in the chat window during the show before that segment begins. For links to all the past episodes, visit: https://www.rattle.com/rattlecast/ This Week's Prompt: Your earliest childhood memory. Next Week's Prompt: Write a waltmarie (https://www.writersdigest.com/write-better-poetry/waltmarie-poetic-forms). The Rattlecast livestreams on YouTube, Facebook, and Twitter, then becomes an audio podcast. Find it on iTunes, Spotify, or anywhere else you get your podcasts.

TW: Mentions of Palestinian & state-sanctioned violence / Covid Trauma regarding evictions -- (S7, E2) Noor Hindi (she/her/hers) stopped by for this week's episode back in April as she is preparing for the release of her debut poetry collection book, DEAR GOD, DEAR BONES, DEAR YELLOW coming out this May. We talked about her journey in poetry including her critically acclaimed 2020 poem, "Fuck Your Lecture on Craft, My People Are Dying" which focuses on the continual violence against the Palestinian people. We discussed the diaspora, colonization, her work as a journalist uncovering the eviction crisis during Covid-19 in Akron, OH, and the self-care she does for herself. --- Bio: Noor Hindi is a Palestinian-American poet and reporter. She is a 2021 Ruth Lilly and Dorothy Sargent Rosenberg Fellow. Hindi earned her BA and MFA in poetry from the University of Akron. She released her poem, “Fuck Your Lecture on Craft, My People Are Dying” to critical acclaim in December 2020. Noor will soon be releasing her poetry book DEAR GOD. DEAR BONES. DEAR YELLOW. Due to come out on May 31st which you can order your copy now. You can follow Noor on Twitter @MyNrhindi. -- Season 7 sponsors: Nguyen Coffee Supply: You know what goes well with a banh mi? Freshly roasted Vietnamese coffee from Nguyen Coffee Supply. Yes, that's right! Nguyen Coffee Supply is America's first specialty Vietnamese coffee company and proud champion of the resilient robusta bean.The company imports through direct-trade relationships with Vietnamese farmers and roasts in Brooklyn, New York. Founded in 2018 by 1st generation entrepreneur-activist Sahra Nguyen, the company is on a mission to change the future of coffee through diversity, sustainability and cultural integrity. Specifically, they diversify the industry through Vietnamese coffee, elevate resilient robusta as the key to our sustainable coffee future and transform the landscape through economic advancement for both arabica & robusta farmers, globally. Check out their website at www.nguyencoffeesupply.com or follow them on Facebook [tag]. Be sure to use the code: BANHMI10 to get your discount when you make a purchase on their website. Red Scarf Revolution (RSR) is a merchandise line that celebrates and uplifts the Khmer diaspora identity and experiences. Get yourself a t-shirt, hoodie, or hat and learn more about them by visiting them on IG @red_scarf_revolution or at https://redscarfrevolution.com Chann Sou Consulting specializes in customizing Salesforce for your organizational needs. They will provide hands-on training for your nonprofit. Don't miss out on this amazing opportunity to help raise money for your nonprofit so you can keep making a positive impact in your community! Check out www.channsou.com and get up to two hours of free consultation. www.channsou.com --- Support this podcast: https://anchor.fm/banhmichronicles/support

Join us for the Haymarket Poetry Spring Showcase, where we'll celebrate new books by Noor Hindi, Maya Marshall, and Hope Wabuke. Pre-order Hope Wabuke's The Body Family, publishing in April: https://bookshop.org/a/1039/9781642596977 Pre-order Noor Hindi's DEAR GOD. DEAR BONES. DEAR YELLOW., publishing in May: https://bookshop.org/a/1039/9781642596960 Pre-order Maya Marshall's All the Blood Involved in Love, publishing in June: https://bookshop.org/a/1039/9781642596953 ----------------------------------------------------------------------- Noor Hindi (she/her/hers) is a Palestinian-American poet and reporter. She is a 2021 Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellow. DEAR GOD. DEAR BONES. DEAR YELLOW. is her debut collection of poems. She lives in Dearborn. Follow her on Twitter @MyNrhindi. Maya Marshall is the author of chapbook Secondhand and cofounder of underbelly, a journal on the practical magic of poetic revision. She has earned fellowships from MacDowell, Vermont Studio Center, Callaloo, Watering Hole, Community of Writers and Cave Canem. Marshall previously served as artist-in-residence at Northwestern University and as faculty for Loyola University. She is the 2021-2023 Creative Writing Fellow in Poetry at Emory University. Hope Wabuke is a Ugandan American poet, essayist, and writer. She is the author of the forthcoming memoir Please Don't Kill My Black Son Please. Hope has published in The Guardian, The Root, Los Angeles Review of Books, and NPR among others. She is an Assistant Professor of English and Creative Writing at the University of Nebraska-Lincoln, and a founding board member and former Media & Communications Director for the Kimbilio Center for African American Fiction. José Olivarez is the son of Mexican immigrants. His debut book of poems, Citizen Illegal, was a finalist for the PEN/ Jean Stein Award and a winner of the 2018 Chicago Review of Books Poetry Prize. It was named a top book of 2018 by The Adroit Journal, NPR, and the New York Public Library. Along with Felicia Chavez and Willie Perdomo, he co-edited the poetry anthology, The BreakBeat Poets Vol. 4: LatiNEXT. Suzi F. Garcia is a Peruvian-American poet and editor raised in the South. She is the author of the poetry chapbook A Homegrown Fairytale (Bone Bouquet, 2020), focusing on queering the reader relationship with Dorothy from The Wizard of Oz. She is an upcoming editor for POETRY and executive editor of Noemi Press, where she has edited several award-winning books of poetry, craft, and more. Watch the live event recording: https://youtu.be/2e3DzF-pIBU Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks

Chris sits down with Darius Simpson, winner of the 2020 Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship, to talk about all things passions, process, pitfalls, and poetry! Darius Simpson is a writer, educator, performer, and skilled living room dancer from Akron, Ohio. He received his BA in Political Science from Eastern Michigan University and his MFA in Creative Writing-Poetry from Mills College. Darius was a recipient of the 2020 Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship.​ He hopes to inspire that feeling you get that makes you scrunch up your face after a good bite of homemade Mac N Cheese. Darius' poems have appeared in POETRY Magazine, The Adroit Journal, American Poetry Review, Tinderbox Poetry Journal, and others. Currently, he lives in Oakland, CA where, as a Teaching Artist, he partners with organizations to facilitate writing and performance workshops throughout the Bay Area. Darius believes in the dissolution of empire and the total liberation of all oppressed people by any means available. Free the People. Free the Land. Free All Political Prisoners. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

In a special episode of the Poetry Podcast, Kimiko Hahn, Monica Youn, Paul Tran, and Megan Fernandes join Kevin Young to read their work, and to discuss Asian-American poetics and the role of poetry in our tumultuous times. Kimiko Hahn, a distinguished professor at Queens College, City University of New York, has received a Guggenheim Fellowship and a Shelley Memorial Award from the Poetry Society of America. She has published ten books of poems, including, most recently, “Foreign Bodies.” Monica Youn, a former lawyer and a member of the Racial Imaginary Institute, teaches at Princeton. The recipient of a Guggenheim Fellowship and the William Carlos Williams Award from the Poetry Society of America, she will publish a new book of poems, “From From,” in 2023. Paul Tran, a Wallace Stegner Fellow at Stanford University, has received a Ruth Lilly and Dorothy Sargent Rosenberg Fellowship from the Poetry Foundation, and a 92Y Discovery/Boston Review Poetry Prize. Their debut poetry collection, “All the Flowers Kneeling,” will be published in 2022. Megan Fernandes is an assistant professor of English and writer-in-residence at Lafayette College. A finalist for the Kundiman Book Prize and the Saturnalia Book Prize, her most recent poetry collection is “Good Boys.”

This is the third and final in a series of events curated by Cortney Lamar Charleston in collaboration with The BreakBeat Poets and Haymarket Books, to celebrate the release of his new collection, Doppelgangbanger. Poets: Cortney Lamar Charleston is originally from the Chicago suburbs. He completed his undergraduate education at the University of Pennsylvania, earning a BS in Economics from the Wharton School and BA in Urban Studies from the College of Arts & Sciences. While attending Penn, he was most interested in the business as a political entity, the relationship between the public and private sectors and the physical and sociological construction of cities. It was during his college years that he began writing and performing poetry as a member of The Excelano Project. Charleston's academic interests, coupled with his upbringing spent bouncing between Chicago's South Side and its South and West suburbs, immediately influence his written work. Charleston's poems paint themselves against the backgrounds of past and present; they grapple with race, masculinity, class, family, faith and how identity is, functionally, a transition zone between all of these competing markers. Said differently, his poetry is a kind of marriage between art and activism, a call for a more involved and empathetic understanding of the diversity of the human experience. This same line of thought frames his philosophy as Poetry Editor at The Rumpus. He also currently serves on the Alice James Books Editorial Board. Julian Randall is a Living Queer Black poet from Chicago. He has received fellowships from Cave Canem, CantoMundo, Callaloo, BOAAT, Tin House, Milkweed Editions, and The Watering Hole. Julian is the recipient of a Pushcart Prize. Julian is the winner of the 2019 Betty Berzon Emerging Writer Award from the Publishing Triangle and the 2019 Frederick Bock Prize. His poetry has been published in New York Times Magazine, Ploughshares, and POETRY and anthologized in The Breakbeat Poets Vol.4, Nepantla and Furious Flower. He has essays in Vibe, Black Nerd Problems, and other venues. He holds an MFA in Poetry from Ole Miss. He is the author of Refuse (Pitt, Fall 2018), winner of the 2017 Cave Canem Poetry Prize, and a finalist for a 2019 NAACP Image Award, the Middle Grade novel Pilar Ramirez And The Prison of Zafa (Holt, Winter 2022). He talks a lot about poems and other things on Twitter at @JulianThePoet. José Olivarez is the son of Mexican immigrants. His debut book of poems, Citizen Illegal, was a finalist for the PEN/ Jean Stein Award and a winner of the 2018 Chicago Review of Books Poetry Prize. It was named a top book of 2018 by The Adroit Journal, NPR, and the New York Public Library. Along with Felicia Chavez and Willie Perdomo, he co-edited the poetry anthology, The BreakBeat Poets Vol. 4: LatiNEXT. He is the co-host of the poetry podcast, The Poetry Gods. In 2018, he was awarded the first annual Author and Artist in Justice Award from the Phillips Brooks House Association and named a Debut Poet of 2018 by Poets & Writers. In 2019, he was awarded a Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship from the Poetry Foundation. His work has been featured in The New York Times, The Paris Review, and elsewhere. Watch the live event recording: https://youtu.be/d7eErci3NLs Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks

The BreakBeat Poets Live! is a virtual, multi-generational showcase of some of the illest writers on the planet rock. Each chapter features writers and performers who are part of the Haymarket Books family. While all of our events are freely available, we ask that those who are able make a solidarity donation in support of our continuing to do this important work. Penelope Alegria is the 2019 Chicago Youth Poet Laureate and a two-time member of Young Chicago Authors' artistic apprenticeship, Louder Than a Bomb Squad. Her work has been featured or is forthcoming in La Nueva Semana, El Beisman, Muse/A Journal, The Breakbeat Poets Vol. 4: LatiNext, as well as BBC Radio 4 and WBEZ Radio Archives. She is a Brain Mill Press Editor's Pick, and she was awarded the 2018 Literary Award by Julian Randall and both the 2019 and 2020 Poetry Award by the Niles West English Department. She has performed spoken word at the Obama Foundation Summit, Pitchfork Music Festival, and other venues in the Chicagoland area. She started at Harvard College in the fall of 2020. Nilah Foster is considered a part of the queer black youth that comes from the far south side of Chicago and represents it all with her pen. She was a Louder Than A Bomb Indy finalist of 2019 and Indy winner of 2020 which also allowed her to be a part of the bombsquad 2019 and 2020 cohort. But nothing serves a better medium of learning about her than from her writing where she interrogates her own truths and where she and the audience learn together. E'Mon Lauren is from the South Side of Chicago. She is a Scorpio enthusiast and a firm believer in Dorthy Dandridge reincarnation. E'mon uses poetry and playwriting to explore a philosophy of hood womanism. She was named Chicago's first Youth Poet Laureate. A former Kuumba Lynx Performance Ensemble slam team member and Louder Than a Bomb champion, E'mon has performed in many venues including The Brave New Voices International Youth Poetry Festival and The Chicago Hip Hop Theatre Fest. She was a 2016 finalist for The Gwendolyn Brooks Open Mic Award. E'mon has been published in The BreakBeat Poets: New American Poetry in the Age of Hip-Hop, The Down Dirty Word, and elsewhere. She has been featured in Chicago Magazine, The Chicago Tribune, and on WGN Radio. She is a member of Young Chicago Authors Teaching Artist Corps. José Olivarez is the son of Mexican immigrants. His book, Citizen Illegal, won of the 2018 Chicago Review of Books Poetry Prize and was named a top book of 2018 by NPR. ​He holds fellowships from CantoMundo, Poets House, and the Bronx Council on the Arts. Olivarez was awarded the Author and Artist in Justice award from the Phillips Brooks House Association and named a Debut Poet of 2018 by Poets & Writers. He is a recipient of the Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship from the Poetry Foundation. Jamila Woods is an activist, award-winning poet, and singer/songwriter whose inspirations include Gwendolyn Brooks and Toni Morrison, as well as Erykah Badu and Kendrick Lamar. As a solo artist, she specializes in an accessible yet non-commercial form of R&B that is rooted in soul and wholly modern, which can be heard on her albums HEAVN (2016) and LEGACY! LEGACY! (2019). She is also the co-editor of The BreakBeat Poets Vol. 2: Black Girl Magic. Kevin Coval is a poet and author of A People's History of Chicago and over ten other collections, anthologies, and chapbooks. ​He is the founder and editor of the BreakBeat Poets series for Haymarket Books, artistic director for Young Chicago Authors, and the founder of Louder than a Bomb: The Chicago Youth Poetry Festival. Watch the live event recording: https://youtu.be/NPvZi_3U_ZE Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks

The BreakBeat Poets Live is a virtual, multi-generational showcase of some of the illest writers on the planet rock. Hosted by Kevin Coval and Idris Goodwin, The BreakBeat Poets Live! is a virtual, multi-generational showcase of some of the illest writers on the planet rock. Each chapter features writers and performers who are part of the Haymarket Books family. --- Kevin Coval is a poet and author of A People's History of Chicago and over ten other collections, anthologies, and chapbooks. ​He is the founder and editor of the BreakBeat Poets series for Haymarket Books, artistic director for Young Chicago Authors, and the founder of Louder than a Bomb: The Chicago Youth Poetry Festival. --- Idris Goodwin is the playwright, producer, educator, who coined the term “breakbeat poet.” He is the author of Can I Kick It? and the Pushcart–nominated collection These Are the Breaks. His publications also include Inauguration, cowritten with Nico Wilkinson, and Human Highlight: An Ode to Dominique Wilkins and This Is Modern Art, both cowritten with Kevin Coval. --------- Maya Marshall, a writer and editor, is co-founder of underbelly, the journal on the practical magic of poetic revision. Marshall has earned fellowships from MacDowell, Vermont Studio Center, Callaloo, The Watering Hole, and Cave Canem. She is the author of Secondhand (Dancing Girl Press, 2016) and a former senior editor for [PANK]. Her writing appears in Best New Poets 2019, Muzzle Magazine, RHINO, Blackbird, the Volta, and elsewhere. She lives in Chicago where she works as a manuscript editor for Haymarket Books. Her debut poetry collection All the Blood Involved in Love is forthcoming from Haymarket Books. --------- Mother Nature is the irresistible force of Klevah and TRUTH—emcees devoted to building a legacy founded on defiance and self-discovery. The Chicago-based duo is the answer for listeners seeking both substance and simplicity. As educators, they have mastered the ability to deliver weighty content through uplifting BARZ that pierce the conscience. With Peace and Love as their weapon and community at their foundation, these Gr8Thinkaz are on their way to provoking a pivotal shift in the next generation. --------- José Olivarez is the son of Mexican immigrants. His book, Citizen Illegal, won of the 2018 Chicago Review of Books Poetry Prize and was named a top book of 2018 by NPR. ​He holds fellowships from CantoMundo, Poets House, and the Bronx Council on the Arts. Olivarez was awarded the Author and Artist in Justice award from the Phillips Brooks House Association and named a Debut Poet of 2018 by Poets & Writers. He is a recipient of the Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship from the Poetry Foundation. Watch the live event recording: https://youtu.be/L_xDzEE9_k4 Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks

The BreakBeat Poets Live! is a virtual, multi-generational showcase of some of the illest writers on the planet rock. Each chapter features writers and performers who are part of the Haymarket Books family. Mixing lofi soul instrumentals with funk influences and smooth vocals. Elton Aura has a unique knack for words, flow, and beat selection. He opened up for Noname on her Room 25 tour in 2019 and is in the later stages of his next project coming in 2020. Cortney Lamar Charleston is a Cave Canem fellow and Pushcart Prize-winning author of Telepathologies (Saturnalia Books, 2017) and the forthcoming Doppelgangbanger (Haymarket Books, 2021). Aracelis Girmay is the author of the poetry books Teeth, Kingdom Animalia, and the black maria, and the picture book changing, changing. She is on the editorial board of the African Poetry Book Fund and recently edited a new Selected of Lucille Clifton poems entitled How to Carry Water. --- Juan J. Morales is the son of an Ecuadorian mother and Puerto Rican father. He is the author of three poetry collections, including The Handyman's Guide to End Times, Winner of the 2019 International Latino Book Award. He is a CantoMundo Fellow, a Macondo Fellow, the Editor/Publisher of Pilgrimage Press, and Professor and Department Chair of English & World Languages at Colorado State University-Pueblo. --- José Olivarez is the son of Mexican immigrants. His book, Citizen Illegal, won of the 2018 Chicago Review of Books Poetry Prize and was named a top book of 2018 by NPR. ​He holds fellowships from CantoMundo, Poets House, and the Bronx Council on the Arts. Olivarez was awarded the Author and Artist in Justice award from the Phillips Brooks House Association and named a Debut Poet of 2018 by Poets & Writers. He is a recipient of the Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship from the Poetry Foundation. --- Willie Perdomo is the author of The Crazy Bunch, which recently won the New York City Book Award for poetry, The Essential Hits of Shorty Bon Bon, a finalist for the National Book Critics Circle Award, Smoking Lovely, winner of the PEN Open Book Award, and Where a Nickel Costs a Dime, a finalist for the Poetry Society of America Norma Farber First Book Award. He is also a co-editor of The BreakBeat Poets Vol. 4: LatiNext. His work has appeared in The New York Times Magazine, Poetry, The Best American Poetry 2019, and African Voices. He is currently a Lucas Arts Literary Fellow and teaches at Phillips Exeter Academy. --- Diamond Sharp is a poet and essayist from Chicago. She has performed at Chicago's Stage 773 and her work has been featured on Chicago Public Radio. She has been published in the New York Times Magazine, New York Magazine, Vice, Pitchfork, Lenny, PANK, and others. A Callaloo fellow, she has also attended the Wright/Hurston workshop and is a member of the inaugural Poetry Foundation Incubator class. Her debut book of poetry, Super Sad Black Girl, is forthcoming from Haymarket Books. Diamond is an alumna of Wellesley College. Watch the live event recording: https://youtu.be/9fyjCPbIKCM Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks

Join hosts Chibbi and Raqui as we welcome José Olivarez to the Words and Sh*t stage! Streaming Live on The Blah Poetry Spot's page, tune in to get to know the person behind the poetry! José Olivarez is the son of Mexican immigrants. His debut book of poems, Citizen Illegal, was a finalist for the PEN/ Jean Stein Award and a winner of the 2018 Chicago Review of Books Poetry Prize. It was named a top book of 2018 by The Adroit Journal, NPR, and the New York Public Library. Along with Felicia Chavez and Willie Perdomo, he co-edited the poetry anthology, The BreakBeat Poets Vol. 4: LatiNEXT. He is the co-host of the poetry podcast, The Poetry Gods. In 2018, he was awarded the first annual Author and Artist in Justice Award from the Phillips Brooks House Association and named a Debut Poet of 2018 by Poets & Writers. In 2019, he was awarded a Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship from the Poetry Foundation. His work has been featured in The New York Times, The Paris Review, and elsewhere.

Roy G. Guzmán’s Catrachos (Graywolf Press, 2020) is a stunning debut collection of poetry that immerses the reader in rich, vibrant language. Described as being “part immigration narrative, part elegy, and part queer coming-of-age story,” this powerful collection blends pop culture, humor, with Guzmán’s cultural experience to explore life, death, and borders both real and imaginary. “This isn’t supposed to be a history book, and yet it is,” says Guzmán in discussing Catrachos. It’s not supposed to be anthropology, sociology, or a testimonial either, and yet it is. “Those are the contradictions, especially when you’re a marginalized writer, your words are always operating on so many different frequencies at once.” “It is not a fallacy that the pulpería owner who wakes up dressed in a tunic of warriors’ pelos, or the milkman pressing his rough hands against the cow’s tectonic body, remembers the skirted boy with an ovarian lipstick for a tongue, the boy who offered a tenth of his knees to the teeth of a country with dentures.” — from “Finding Logic in a Crushed Head” Roy G. Guzmán received a 2019 grant from the National Endowment for the Arts and a 2017 Ruth Lilly and Dorothy Sargent Rosenberg Poetry fellowship. Raised in Miami, Florida, Guzmán currently lives in Minneapolis. Catrachos is their first book of poetry, published by Graywolf Press in May 2020. Learn more about your ad choices. Visit megaphone.fm/adchoices

Roy G. Guzmán’s Catrachos (Graywolf Press, 2020) is a stunning debut collection of poetry that immerses the reader in rich, vibrant language. Described as being “part immigration narrative, part elegy, and part queer coming-of-age story,” this powerful collection blends pop culture, humor, with Guzmán’s cultural experience to explore life, death, and borders both real and imaginary. “This isn’t supposed to be a history book, and yet it is,” says Guzmán in discussing Catrachos. It’s not supposed to be anthropology, sociology, or a testimonial either, and yet it is. “Those are the contradictions, especially when you’re a marginalized writer, your words are always operating on so many different frequencies at once.” “It is not a fallacy that the pulpería owner who wakes up dressed in a tunic of warriors’ pelos, or the milkman pressing his rough hands against the cow’s tectonic body, remembers the skirted boy with an ovarian lipstick for a tongue, the boy who offered a tenth of his knees to the teeth of a country with dentures.” — from “Finding Logic in a Crushed Head” Roy G. Guzmán received a 2019 grant from the National Endowment for the Arts and a 2017 Ruth Lilly and Dorothy Sargent Rosenberg Poetry fellowship. Raised in Miami, Florida, Guzmán currently lives in Minneapolis. Catrachos is their first book of poetry, published by Graywolf Press in May 2020. Learn more about your ad choices. Visit megaphone.fm/adchoices

Roy G. Guzmán’s Catrachos (Graywolf Press, 2020) is a stunning debut collection of poetry that immerses the reader in rich, vibrant language. Described as being “part immigration narrative, part elegy, and part queer coming-of-age story,” this powerful collection blends pop culture, humor, with Guzmán’s cultural experience to explore life, death, and borders both real and imaginary. “This isn’t supposed to be a history book, and yet it is,” says Guzmán in discussing Catrachos. It’s not supposed to be anthropology, sociology, or a testimonial either, and yet it is. “Those are the contradictions, especially when you’re a marginalized writer, your words are always operating on so many different frequencies at once.” “It is not a fallacy that the pulpería owner who wakes up dressed in a tunic of warriors’ pelos, or the milkman pressing his rough hands against the cow’s tectonic body, remembers the skirted boy with an ovarian lipstick for a tongue, the boy who offered a tenth of his knees to the teeth of a country with dentures.” — from “Finding Logic in a Crushed Head” Roy G. Guzmán received a 2019 grant from the National Endowment for the Arts and a 2017 Ruth Lilly and Dorothy Sargent Rosenberg Poetry fellowship. Raised in Miami, Florida, Guzmán currently lives in Minneapolis. Catrachos is their first book of poetry, published by Graywolf Press in May 2020. Learn more about your ad choices. Visit megaphone.fm/adchoices

On November 17, 2020, the Lannan Center presented a Crowdcast webinar featuring Carmen Giménez Smith and José Olivarez. Introduced by Aminatta Forna and moderated by English Department Chair Ricardo Ortíz and Professor Elizabeth Velez. Carmen Giménez Smith is most recently the author of Be Recorder (2020), which was shortlisted for both the National Book Award and the PEN Open Book Award. Her 2013 collection Milk and Filth, was a finalist for the National Book Critics Circle Award. She is a Professor of English at Virginia Polytechnic Institute and State University in Blacksburg, VA.José Olivarez's debut book of poems, Citizen Illegal, was a finalist for the PEN/ Jean Stein Award and a winner of the 2018 Chicago Review of Books Poetry Prize. It was named a top book of 2018 by The Adroit Journal, NPR, and the New York Public Library. In 2019, he was awarded a Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship from the Poetry Foundation.Music: Quantum Jazz — "Orbiting A Distant Planet" — Provided by Jamendo.

What have you had to explore on your own? What, or who, helped? This poem explores the archetype of the cave — a cave that calls, a cave that contains secrets and perhaps even information. “Someone standing at the mouth had / the idea to enter. To go further / than light or language could / go.” The poem manages — at once — to convey the bravery of exploration and the solitude and possibility that can accompany such journeys.Paul Tran – is the recipient of a Ruth Lilly and Dorothy Sargent Rosenberg Fellowship from the Poetry Foundation and a Discovery/Boston Review Poetry Prize. Their work has appeared in The New Yorker, Poetry Magazine, Good Morning America, NYLON, and elsewhere, including the RZA-directed movie Love Beats Rhymes alongside Azealia Banks, Common, and Jill Scott.Find the transcript for this show at onbeing.org.

Imani Cezanne is a writer, performer and teaching artist from San Diego, CA. As a nationally touring poet, Imani has been invited to share her work at poetry venues, colleges, universities, conferences and festivals across the nation. Imani has won 5 Grand Slam Championships, placed in the top 10 at 7 World Poetry Slams and has shared original work on three major network television shows. Imani has forthcoming work in Fugue, Nimrod, and Crab Creek Review, and was recently named a finalist for the 2020 Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship. In March she became the 2020 Women of the World Poetry Slam Champion for the second time.

Episode #51 features Rattle Poetry Prize legend Courtney Kampa. Courtney is a five-time Rattle Poetry Prize finalist, and "Poems about Grace" was winner of the 2014 Readers' Choice Award. Courtney Kampa’s first book, Our Lady of Not Asking Why, was selected by National Book Award winner Mary Szybist for New Issues Press. Her work has received awards and distinctions from Best New Poets, Poets & Writers Magazine, The Atlantic, RATTLE, North American Review, The Elizabeth George Foundation, Columbia University, and elsewhere. A 2016 Ruth Lilly finalist, she received her MFA from Columbia University and was a Wallace Stegner Fellow at Stanford University from 2017-2019. She currently lives and teaches poetry and writing in Nashville, TN. For more information, visit: https://courtneykampa.com/ As always, we'll also include live open mic for responses to our weekly prompt. For details on how to participate, either pre-recorded, via Skype, or by phone, go to: https://www.rattle.com/rattlecast/ This Week's Prompt: Write a poem in a form you've never tried before. Next Week's Prompt: Wright a poem about a Greek god or goddess. The Rattlecast livestreams on YouTube, Facebook, and Periscope.

Mia Kang. Photo by Tiona Nekkia McClodden. Mia Kang writes poems and other perversions. She is the author of City Poems (2020), a poetry pamphlet from ignitionpress. Mia was named the 2017 winner of Boston Review’s Annual Poetry Contest by Mónica de la Torre, and her writing has appeared in journals including POETRY, Washington Square Review, Narrative Magazine, and PEN America. She is a Brooklyn Poets Fellow, runner-up for the 2019 and 2017 Discovery Poetry Contests, and finalist for the 2019 Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship. She has received awards from the Academy of American Poets, the Fine Arts Work Center in Provincetown, and the Millay Colony for the Arts. Mia is also a PhD student in the history of art at Yale University, where her research focuses on the contested rise of U.S. multiculturalism and its failures. Recent publications include contributions to The Life and Times of Alvin Baltrop (Skira, 2019), Sanford Biggers: Codeswitch (Yale University Press, 2020), Published by Lugemik: Printed Matter from 2010-2019 (Lugemik, 2019), and Plot magazine. Formerly a Mellon Mays Undergraduate Fellow, she teaches as a lecturer at Yale College and Hunter College, CUNY, her alma mater. City Poems (Oxford: ignitionpress, 2020) Theresa, I Miss You (Rest) performance at garden––pleasure closing exhibition, February 8, 2020, Yale School of Architecture Gallery. Photo by Bek Andersen.

Two Latina poet laureates join Tony Diaz to discuss the power of poetry to heal and its role in a just and thriving society: Texas Poet Laureate Emmy Pérez and Madison Poet Laureate Angela C. Trudell Vasquez. This episode aired Tuesday, June 9, 2020, 6pm 90.1 FM KPFT Houston. Tune in for NP Radio every Tuesday 6 pm – 7 pm CST on 90.1 FM KPFT, Houston. Livestream on www.KPFT.org. On Demand at www.NuestraPalabra.org. Bios Emmy Pérez, Texas Poet Laureate 2020, is the author of With the River on Our Face and Solstice. Her work also appears in Other Musics: New Latina Poetry, Ghost Fishing: An Eco-Justice Poetry Anthology, What Saves Us: Poems of Empathy and Outrage in the Age of Tr---, and other publications. She is a recipient of a poets laureate fellowship with the Academy of American Poets, an NEA poetry fellowship, a CantoMundo fellowship, and the Alfredo Cisneros Del Moral Foundation Award. Since 2008, she has been a member of the Macondo Writers Workshop, and for the past 20 years, she's taught writing in the Texas borderlands. In 2017, she co-founded Poets Against Walls and makes #RascuacheProductions poetry videos. Currently, she is Professor of Creative Writing and Associate Director of the Center for Mexican American Studies at the University of Texas Rio Grande Valley. Angie Trudell Vasquez received her MFA in creative writing with a concentration in poetry from the Institute of American Indian Arts in Santa Fe, New Mexico. Her work has been published in Taos Journal of Poetry, Yellow Medicine Review, Raven Chronicles, Return to the Gathering Place of the Waters, and Cloudthroat among other journals and anthologies. She has a page and poems from her first two books on the Poetry Foundation’s website, and was a Ruth Lilly fellow as an undergraduate at Drake University. She has new work forthcoming from RED INK: International Journal of Indigenous Literature, Arts & Humanities. There are no regular shows about our art, culture, and politics on commercial television or radio. KPFT hosts a monopoly on community cultural capital. We answer to our community. Please budget a donation to KPFT, and make it support of Latino Politics and News today. Visit www.kpft.org. We thank you in advance for your support. Thanks to our crew for donating their cultural capital to the show: Leti Lopez, Rodrigo Bravo, who mixed the show remotely, Claudia Soler Alfonso, MD., Jesse Aranda Comer our summer inter through Rice University, Laurie Flores, Stefano Cavezza, and Al Castillo President of LULAC Council 60. Tune in every Tuesday from 2 pm to 3 pm for Latino Politics and News with Tony Diaz on 90.1 FM KPFT. That's followed by Nuestra Palabra: Latino Writers Having Their Say at 6 pm. And catch Tony Diaz on the political talk show What's Your Point on Fox 26 Houston, Sundays at 7 am. www.KPFT.org www.NuestraPalabra.org www.Librotraficante.com www.TonyDiaz.net

Franny Choi’s book-length collection of poetry, Soft Science (Alice James Books 2019), explores queer, Asian American femininity through the lens of robots, cyborgs, and artificial intelligence. As she notes in this interview, “this book is a study of softness,” exploring feeling, vulnerability, and desire. How can you be tender and still survive in a hard and violent world? What does it mean to have desire when you yourself are made into an object of desire? What does it mean to have a body that bears the weight of history? Choi’s poetry contemplates such questions through the technology of poetic form. “Once, an animal with hands like mine learned to break a seed with two stones – one hard and one soft. Once, a scientist in Britain asked: Can machines think? He built a machine, taught it to read ghosts, and a new kind of ghost was born. At Disneyland, I watched a robot dance the macarena. Everyone clapped, and the clapping, too, was a technology. I once made my mouth a technology of softness. I listened carefully as I drank. I made the tools fuck in my mouth – okay, we can say pickle if it’s easier to hear – until they birthed new ones. What I mean is, I learned.” — from “A Brief History of Cyborgs” by Franny Choi Franny Choi is the author of two poetry collections, Soft Science (from Alice James Books) and Floating, Brilliant, Gone (Write Bloody Publishing), as well as a chapbook, Death by Sex Machine (Sibling Rivalry Press). She is a Kundiman Fellow, a 2019 Ruth Lilly and Dorothy Sargent Rosenberg Fellow, and a graduate of the University of Michigan's Helen Zell Writers Program. She is a Gaius Charles Bolin Fellow at Williams College and co-hosts the podcast VS alongside fellow Dark Noise Collective member Danez Smith. Andrea Blythe is a cohost of the New Books in Poetry podcast. She is the author of Your Molten Heart / A Seed to Hatch (2018) a collection of erasure poems, and coauthor of Every Girl Becomes the Wolf (Finishing Line Press, 2018), a collaborative chapbook written with Laura Madeline Wiseman. She is a cohost of the New Books in Poetry podcast and is a member of the Science Fiction and Fantasy Poetry Association and the Horror Writers Association. Find her online at andreablythe.com or on Twitter and Instagram @AndreaBlythe. Learn more about your ad choices. Visit megaphone.fm/adchoices

Franny Choi’s book-length collection of poetry, Soft Science (Alice James Books 2019), explores queer, Asian American femininity through the lens of robots, cyborgs, and artificial intelligence. As she notes in this interview, “this book is a study of softness,” exploring feeling, vulnerability, and desire. How can you be tender and still survive in a hard and violent world? What does it mean to have desire when you yourself are made into an object of desire? What does it mean to have a body that bears the weight of history? Choi’s poetry contemplates such questions through the technology of poetic form. “Once, an animal with hands like mine learned to break a seed with two stones – one hard and one soft. Once, a scientist in Britain asked: Can machines think? He built a machine, taught it to read ghosts, and a new kind of ghost was born. At Disneyland, I watched a robot dance the macarena. Everyone clapped, and the clapping, too, was a technology. I once made my mouth a technology of softness. I listened carefully as I drank. I made the tools fuck in my mouth – okay, we can say pickle if it’s easier to hear – until they birthed new ones. What I mean is, I learned.” — from “A Brief History of Cyborgs” by Franny Choi Franny Choi is the author of two poetry collections, Soft Science (from Alice James Books) and Floating, Brilliant, Gone (Write Bloody Publishing), as well as a chapbook, Death by Sex Machine (Sibling Rivalry Press). She is a Kundiman Fellow, a 2019 Ruth Lilly and Dorothy Sargent Rosenberg Fellow, and a graduate of the University of Michigan's Helen Zell Writers Program. She is a Gaius Charles Bolin Fellow at Williams College and co-hosts the podcast VS alongside fellow Dark Noise Collective member Danez Smith. Andrea Blythe is a cohost of the New Books in Poetry podcast. She is the author of Your Molten Heart / A Seed to Hatch (2018) a collection of erasure poems, and coauthor of Every Girl Becomes the Wolf (Finishing Line Press, 2018), a collaborative chapbook written with Laura Madeline Wiseman. She is a cohost of the New Books in Poetry podcast and is a member of the Science Fiction and Fantasy Poetry Association and the Horror Writers Association. Find her online at andreablythe.com or on Twitter and Instagram @AndreaBlythe. Learn more about your ad choices. Visit megaphone.fm/adchoices

Franny Choi’s book-length collection of poetry, Soft Science (Alice James Books 2019), explores queer, Asian American femininity through the lens of robots, cyborgs, and artificial intelligence. As she notes in this interview, “this book is a study of softness,” exploring feeling, vulnerability, and desire. How can you be tender and still survive in a hard and violent world? What does it mean to have desire when you yourself are made into an object of desire? What does it mean to have a body that bears the weight of history? Choi’s poetry contemplates such questions through the technology of poetic form. “Once, an animal with hands like mine learned to break a seed with two stones – one hard and one soft. Once, a scientist in Britain asked: Can machines think? He built a machine, taught it to read ghosts, and a new kind of ghost was born. At Disneyland, I watched a robot dance the macarena. Everyone clapped, and the clapping, too, was a technology. I once made my mouth a technology of softness. I listened carefully as I drank. I made the tools fuck in my mouth – okay, we can say pickle if it’s easier to hear – until they birthed new ones. What I mean is, I learned.” — from “A Brief History of Cyborgs” by Franny Choi Franny Choi is the author of two poetry collections, Soft Science (from Alice James Books) and Floating, Brilliant, Gone (Write Bloody Publishing), as well as a chapbook, Death by Sex Machine (Sibling Rivalry Press). She is a Kundiman Fellow, a 2019 Ruth Lilly and Dorothy Sargent Rosenberg Fellow, and a graduate of the University of Michigan's Helen Zell Writers Program. She is a Gaius Charles Bolin Fellow at Williams College and co-hosts the podcast VS alongside fellow Dark Noise Collective member Danez Smith. Andrea Blythe is a cohost of the New Books in Poetry podcast. She is the author of Your Molten Heart / A Seed to Hatch (2018) a collection of erasure poems, and coauthor of Every Girl Becomes the Wolf (Finishing Line Press, 2018), a collaborative chapbook written with Laura Madeline Wiseman. She is a cohost of the New Books in Poetry podcast and is a member of the Science Fiction and Fantasy Poetry Association and the Horror Writers Association. Find her online at andreablythe.com or on Twitter and Instagram @AndreaBlythe. Learn more about your ad choices. Visit megaphone.fm/adchoices

Franny Choi’s book-length collection of poetry, Soft Science (Alice James Books 2019), explores queer, Asian American femininity through the lens of robots, cyborgs, and artificial intelligence. As she notes in this interview, “this book is a study of softness,” exploring feeling, vulnerability, and desire. How can you be tender and still survive in a hard and violent world? What does it mean to have desire when you yourself are made into an object of desire? What does it mean to have a body that bears the weight of history? Choi’s poetry contemplates such questions through the technology of poetic form. “Once, an animal with hands like mine learned to break a seed with two stones – one hard and one soft. Once, a scientist in Britain asked: Can machines think? He built a machine, taught it to read ghosts, and a new kind of ghost was born. At Disneyland, I watched a robot dance the macarena. Everyone clapped, and the clapping, too, was a technology. I once made my mouth a technology of softness. I listened carefully as I drank. I made the tools fuck in my mouth – okay, we can say pickle if it’s easier to hear – until they birthed new ones. What I mean is, I learned.” — from “A Brief History of Cyborgs” by Franny Choi Franny Choi is the author of two poetry collections, Soft Science (from Alice James Books) and Floating, Brilliant, Gone (Write Bloody Publishing), as well as a chapbook, Death by Sex Machine (Sibling Rivalry Press). She is a Kundiman Fellow, a 2019 Ruth Lilly and Dorothy Sargent Rosenberg Fellow, and a graduate of the University of Michigan's Helen Zell Writers Program. She is a Gaius Charles Bolin Fellow at Williams College and co-hosts the podcast VS alongside fellow Dark Noise Collective member Danez Smith. Andrea Blythe is a cohost of the New Books in Poetry podcast. She is the author of Your Molten Heart / A Seed to Hatch (2018) a collection of erasure poems, and coauthor of Every Girl Becomes the Wolf (Finishing Line Press, 2018), a collaborative chapbook written with Laura Madeline Wiseman. She is a cohost of the New Books in Poetry podcast and is a member of the Science Fiction and Fantasy Poetry Association and the Horror Writers Association. Find her online at andreablythe.com or on Twitter and Instagram @AndreaBlythe. Learn more about your ad choices. Visit megaphone.fm/adchoices

Franny Choi’s book-length collection of poetry, Soft Science (Alice James Books 2019), explores queer, Asian American femininity through the lens of robots, cyborgs, and artificial intelligence. As she notes in this interview, “this book is a study of softness,” exploring feeling, vulnerability, and desire. How can you be tender and still survive in a hard and violent world? What does it mean to have desire when you yourself are made into an object of desire? What does it mean to have a body that bears the weight of history? Choi’s poetry contemplates such questions through the technology of poetic form. “Once, an animal with hands like mine learned to break a seed with two stones – one hard and one soft. Once, a scientist in Britain asked: Can machines think? He built a machine, taught it to read ghosts, and a new kind of ghost was born. At Disneyland, I watched a robot dance the macarena. Everyone clapped, and the clapping, too, was a technology. I once made my mouth a technology of softness. I listened carefully as I drank. I made the tools fuck in my mouth – okay, we can say pickle if it’s easier to hear – until they birthed new ones. What I mean is, I learned.” — from “A Brief History of Cyborgs” by Franny Choi Franny Choi is the author of two poetry collections, Soft Science (from Alice James Books) and Floating, Brilliant, Gone (Write Bloody Publishing), as well as a chapbook, Death by Sex Machine (Sibling Rivalry Press). She is a Kundiman Fellow, a 2019 Ruth Lilly and Dorothy Sargent Rosenberg Fellow, and a graduate of the University of Michigan's Helen Zell Writers Program. She is a Gaius Charles Bolin Fellow at Williams College and co-hosts the podcast VS alongside fellow Dark Noise Collective member Danez Smith. Andrea Blythe is a cohost of the New Books in Poetry podcast. She is the author of Your Molten Heart / A Seed to Hatch (2018) a collection of erasure poems, and coauthor of Every Girl Becomes the Wolf (Finishing Line Press, 2018), a collaborative chapbook written with Laura Madeline Wiseman. She is a cohost of the New Books in Poetry podcast and is a member of the Science Fiction and Fantasy Poetry Association and the Horror Writers Association. Find her online at andreablythe.com or on Twitter and Instagram @AndreaBlythe. Learn more about your ad choices. Visit megaphone.fm/adchoices

What's good fam—did our first a live episode with the inimitable Natalie Scenters-Zapico as part of Lit Crawl: Seattle. It was wonderful. Hear us chop it up about Concha Piquer, ending poems, and the ethics of repetition.  Natalie Scenters-Zapico is a fronteriza from the sister cities of El Paso, Texas, U.S.A., and Cd. Juárez, Chihuahua, México. She is the author of Lima :: Limón (Copper Canyon 2019), which has been reviewed widely in prominent periodicals including The New Yorker, and The Verging Cities (Center for Literary Publishing 2015), which won the PENAmerican/Joyce Osterweil Award, GLCA's New Writers Award, and more. She has won fellowships from the Lannan Foundation (2017), CantoMundo (2015), and a Ruth Lilly and Dorothy Sargent Rosenberg Fellowship from the Poetry Foundation (2018). Her poems have appeared in a wide range of anthologies and literary magazines including Best American Poetry 2015, POETRY, Tin House, Kenyon Review, and more. She teaches poetry workshops in English and Spanish through the Department of English and the Latina/o Studies Program at the University of Puget Sound in Tacoma, Washington.  

Safia Elhillo is an award-winning poet who performs regularly and whose writing has been published in various journals and anthologies, the New Daugthers of Africa anthology just being one of the latest one. In 2016, her chapbook Asmarani was included in the New Generation African Poets Box Set. Her debut collection The January Children, was published in 2017 and won the Sillerman First Book Prize for African Poets. In 2018, she was awarded a Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship from the Poetry Foundation. Her latest book is the anthology Halal If You Hear Me. The Breakbeat Poets Vol. 3 which she co-edited with Fatimah Asghar. In this episode, we will talk about Safia’s books, the power of silences in poetry, using different languages in one text, facilitating poetry workshops, the importance of communities and the possibilities of fashion.

Oh yes, it’s KAVEH AKBAR in da house Pharmacy this week! All the poems we prescribe and talk about in this episode can be read here: http://bit.ly/2xu8VST Kaveh’s debut full-length collection, Calling a Wolf a Wolf, is just out with Alice James in the US and Penguin in the UK, and his chapbook, Portrait of the Alcoholic, was published by Sibling Rivalry Press. The recipient of a 2016 Ruth Lilly and Dorothy Sargent Rosenberg Fellowship from the Poetry Foundation, a Pushcart Prize, and the Lucille Medwick Memorial Award from the Poetry Society of America. Kaveh was born in Tehran, Iran, and currently lives and teaches in Florida. Kaveh also founded and edits Divedapper, a home for dialogues with the most vital voices in contemporary poetry. Previously, he ran The Quirk, a for-charity print literary journal. He has also served as Poetry Editor for BOOTH and Book Reviews Editor for the Southeast Review. Along with Gabrielle Calvocoressi, francine j. harris, and Jonathan Farmer, he starred on All Up in Your Ears, a monthly poetry podcast. CONTACT: kaveh@kavehakbar.com or on Twitter @KavehAkbar. [Theme music for the podcast is by Aretha Franklin played by the wonderful coversart & also Ahmad Jamal from his album Tranquility]

Erika L. Sánchez explains what it was like to live in Spain and to feel like she spoke a different language, even though it was still Spanish. Find Us Online: Hear the full interview with Sandra Cisneros Website: http://wfmt.com/bughouse Twitter: @StudsArchive Eve L. Ewing: @eveewing, https://eveewing.com/ Erika L. Sánchez is the daughter of Mexican immigrants. A poet, essayist, and fiction writer, she is the author of a young adult novel,* I Am Not Your Perfect Mexican Daughter* (Knopf Books for Young Readers), a 2017 finalist for the National Book Award for Young People's Literature, and instant New York Times Bestseller; and the poetry collection, Lessons on Expulsion (Graywolf), a finalist for the PEN America Open Book Award. She is the recipient of Fulbright Fellowship, a “Discovery”/Boston Review Prize and a Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship from The Poetry Foundation. She is a currently a Princeton Arts Fellow.**** About Us: WFMT is Chicago’s classical and fine arts radio station, with a long tradition of award-winning broadcasting since 1951. Through the WFMT Radio Network, the station offers programming to over 650 outlets in the U.S. and around the world Studs Terkel Radio Archive, an audio archive managed by THE WFMT Radio Network, based at Studs’ long time radio home, in partnership with the Chicago History Museum, which houses the archive. Multitude is a podcast collective and consultancy based in New York City. Their mission is to make, elevate, and market great shows. Credits: Our producer is Katie Klocksin and our composer is Ayanna Woods. Thank you to Project Manager Heather McDougall, Archivist Allison Schein Holmes, Production and Distribution Manager Stacy Gerard, Multitude Productions, and Erin Glasco, Maria Cooper and Mark Baletto on our transcription team. Archival audio was digitized by the Library of Congress, Division of Recorded Sound. Bughouse Square with Eve Ewing is made possible in part by a major grant from the National Endowment for the Humanities - Exploring the Human Endeavor.

The Rundown: Eve explains how much Sandra Cisneros’ writing means to her and how the stories resonate with her childhood in Chicago. Sandra Cisneros talks to Studs about the tradition of Chicano writers, the wisdom of her mother, and the representation of fierce women in her work. Erika L. Sánchez explains how some readers believe her work is representative of the Latinx experience and how she wrestled with mental health while writing her YA novel I Am Not Your Perfect Mexican Daughter. Find Us Online: Hear the full interview with Sandra Cisneros Website: http://wfmt.com/bughouse Twitter: @StudsArchive Eve L. Ewing: @eveewing, https://eveewing.com/ Erika L. Sánchez is the daughter of Mexican immigrants. A poet, essayist, and fiction writer, she is the author of a young adult novel, I Am Not Your Perfect Mexican Daughter (Knopf Books for Young Readers), a 2017 finalist for the National Book Award for Young People's Literature, and instant New York Times Bestseller; and the poetry collection, Lessons on Expulsion (Graywolf), a finalist for the PEN America Open Book Award. She is the recipient of Fulbright Fellowship, a “Discovery”/Boston Review Prize and a Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship from The Poetry Foundation. She is a currently a Princeton Arts Fellow. About Us: WFMT is Chicago’s classical and fine arts radio station, with a long tradition of award-winning broadcasting since 1951. Through the WFMT Radio Network, the station offers programming to over 650 outlets in the U.S. and around the world Studs Terkel Radio Archive, an audio archive managed by THE WFMT Radio Network, based at Studs’ long time radio home, in partnership with the Chicago History Museum, which houses the archive. Multitude is a podcast collective and consultancy based in New York City. Their mission is to make, elevate, and market great shows. Credits: Our producer is Katie Klocksin and our composer is Ayanna Woods. Thank you to Project Manager Heather McDougall, Archivist Allison Schein Holmes, Production and Distribution Manager Stacy Gerard, Multitude Productions, and Erin Glasco, Maria Cooper and Mark Baletto on our transcription team. Archival audio was digitized by the Library of Congress, Division of Recorded Sound. Bughouse Square with Eve Ewing is made possible in part by a major grant from the National Endowment for the Humanities - Exploring the Human Endeavor.

Kaveh Akbar joins Kevin Young to read and discuss Ellen Bryant Voigt’s poem "Groundhog" and his own poem "What Use is Knowing Anything If No One Is Around". Akbar is the author of the poetry collection “Calling a Wolf a Wolf,” as well as the recipient of a Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship, a Pushcart Prize, and the 2018 Levis Reading Prize.

Javier tells James about his journey to the United States at the age of 9. They discuss the power of teachers, the Undocupoets Campaign, transcendent readings, struggling to find an ending, and his collection of poems, UNACCOMPANIED (fall 2017). Then, Jennifer De Leon talks about opportunities for teen writers, #WeNeedDiverseBooks, and her experiences teaching in the YAWP program at Grub Street in Boston.     Javier and James Discuss: Yusef Komunyakaa Sharon Olds   Alejandro Zambra  Valeria Luiselli  Dick Scanlan Roberto Bolano  Gabriel Garcia Marquez  Jorge Luis Borges  ONE STORY  Yaddo  MacDowell Colony  Pablo Neruda  Rebecca Faust  Squaw Valley Writers' Workshops  Napa Valley Writers' Conference  Bread Loaf Writers' Conference  Alberto Rios  BIG FISH by Daniel Wallace  UC- Berkeley  NYU  Olive B. O'Connor  Peter Balakian Carolyn Forche Wallace Stegner Fellowship  Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship UndocuPoets Campaign Sibling Rivalry Press  Wil S. Hylton  Matthew Salesses  Monica Sok   Jennifer and James Discuss: YAWP (Young Adult Writers Program) Grub Street Val Wang  Celeste Ng Teen Ink  826  WriteBoston  New England Young Writers' Conference  Champlain College Young Writers' Conference  Iowa Young Writers' Studio  Sewanee Young Writers' Conference  Reggie Gibson  Junot Diaz  ROLL OF THUNDER, HEAR MY CRY by Mildred D. Taylor  #WeNeedDiverseBooks  VONA (Voices of Our Nation Arts Foundation)  -  http://tkpod.com / tkwithjs@gmail.com / Twitter: @JamesScottTK Instagram: tkwithjs / Facebook: https://www.facebook.com/tkwithjs/

Poetry Northwest‘s monthly podcast series, The Subvocal Zoo, features editors and friends of the magazine interviewing poets. Each episode features lively conversation between writers in a different location. Episode 9 features Danez Smith in conversation with William Camponovo during the 2015 AWP Conference in Minneapolis. Topics of discussion include the importance of community; The Dark Noise Collective; composing for the page vs. composing for performance; Ocean Vuong, Chinaka Hodge, Patricia Smith; Yusef Komunyakaa; The BreakBeat Poets and the April 2015 issue of Poetry magazine. iTunes | Stitcher | RSS Danez Smith is the author of [insert] boy (2014, YesYes Books), winner of the 2014 Lambda Literary Award for Gay Poetry and “Black Movie,” winner of the 2014 Button Poetry Chapbook Prize. His second full-length collection will be published by Graywolf Press in 2017. His work has been published & featured widely including in Poetry Magazine, Beloit Poetry Journal, Buzzfeed, Blavity, and Ploughshares. He is a 2014 Ruth Lilly – Dorothy Sargent Rosenberg Fellow, a Cave Canem and VONA alum, and a recipient of a McKnight Foundation Fellowship. He is a two time Individual World Poetry Slam finalist, placing second in 2014. He edits for The Offing and is a founding member …

In this episode we speak with Elizabeth Burke-Dain, Marketing and Media Director for the Poetry Foundation. With a $200M endowment and its prestigious Poetry Magazine dating to 1912, The Poetry Foundation is the largest organization promoting poetry in the United States. Join us as we learn how the Poetry Foundation works to ensure poetry has a "vigorous presence... in our culture".   Podcast Notes:   The Poetry Foundation: http://www.poetryfoundation.org/ Mission: "To bring a more vigorous presence for poetry in our culture" Poetry Magazine: http://www.poetryfoundation.org/poetrymagazine/ Ruth Lilly: http://en.wikipedia.org/wiki/Ruth_Lilly Robert Polito, President: http://www.poetryfoundation.org/bio/robert-polito Polly Faust, Media Assistant   Mentioned Poets: Robert Frost: http://www.poetryfoundation.org/bio/robert-frost Sylvia Plath: http://www.poetryfoundation.org/bio/sylvia-plath Lisel Mueller: http://www.poetryfoundation.org/bio/lisel-mueller Henry James: http://www.poetryfoundation.org/bio/henry-james John Keats: http://www.poetryfoundation.org/bio/john-keats James Joyce: http://www.poetryfoundation.org/bio/james-joyce Harriet Monroe: http://www.poetryfoundation.org/bio/harriet-monroe Walt Whitman: http://www.poetryfoundation.org/bio/walt-whitman Ezra Pound: http://www.poetryfoundation.org/bio/ezra-pound T.S. Eliot: http://www.poetryfoundation.org/bio/t-s-eliot Marianne Moore: http://www.poetryfoundation.org/bio/marianne-moore H.D.: http://www.poetryfoundation.org/bio/h-d CAConrad: http://www.poetryfoundation.org/bio/c-a-conrad Ocean Vuong: http://www.poetryfoundation.org/bio/ocean-vuong   Poetry Foundation Programs: Poetry Out Loud: http://www.poetryoutloud.org/ Harriet Monroe Poetry Institute: http://www.poetryfoundation.org/foundation/poetryinstitute   Media Sponsorships: PBS News Hour: http://www.pbs.org/newshour/ NPR: http://www.npr.org/ The Writer's Almanac: http://writersalmanac.org/ American Life and Poetry: http://www.americanlifeinpoetry.org/ Poetry Now: http://www.poetryfoundation.org/foundation/press/2015/186494   Experimental Music and Sound: LAMPO: http://www.lampo.org/ Perfumer D.S. & Durga: http://www.dsanddurga.com/   Noted Lily Rosenburg Fellows with Political Work: Wendy Xu: http://www.poetryfoundation.org/bio/wendy-xu Ocean Vuong: http://www.poetryfoundation.org/bio/ocean-vuong On Earth We are Briefly Gorgeous: http://www.poetryfoundation.org/poetrymagazine/poem/249156 Danez Smith, Dinosaurs in the Hood: http://www.poetryfoundation.org/poetrymagazine/poem/249154 Hannah Gamble, I Wanted to Make Myself Like the Ravine: http://www.poetryfoundation.org/poetrymagazine/poem/249152 Solmaz Sharif, Persian Letters: http://www.poetryfoundation.org/poetrymagazine/poem/249144 Eric Ekstrand: http://www.poetryfoundation.org/bio/eric-ekstrand   Segment Break, 3-Sentence Reviews 3-Sentence Reviews: http://tatestreet.org/category/reviews/three-sentence-reviews/ Winter Stars 3-Sentence Review: http://tatestreet.org/2011/04/13/spring-review-of-winter-stars/ Larry Levis: http://www.poetryfoundation.org/bio/larry-levis     Producers: Ray Crampton and Abigail Browning Produced by: tatestreet.org: http://tatestreet.org Music Provided by: Jonathan Stout and his Campus Five featuring Hilary Alexander: http://www.campusfive.com Podcast Facebook: https://www.facebook.com/tatestreetorg Podcast Twitter: https://twitter.com/tatestreetorg Podcast Email: mailto:writeus@tatestreet.org

Emily Rosko was born in Pennsylvania, grew up in the Midwest, and later taught English in Siberia. A recipient of the Stegner, Ruth Lilly, and Javits fellowships, she holds degrees from Cornell and Purdue universities. Her poems have appeared in journals such as Another Chicago Magazine,The Beloit Poetry Journal, and Denver Quarterly, and her new book is Raw Goods Inventory.Rosko read in Cornell’s Goldwin Smith Hall on April 5, 2007. This interview took place earlier the same day.

Ocean Vuong is the author of The New York Times bestselling novel, On Earth We're Briefly Gorgeous, out from Penguin Press (2019) and forthcoming in 30 languages. A recipient of a 2019 MacArthur "Genius" Grant, he is also the author of the critically acclaimed poetry collection, Night Sky with Exit Wounds, a New York Times Top 10 Book of 2016, winner of the T.S. Eliot Prize, the Whiting Award, the Thom Gunn Award, and the Forward Prize for Best First Collection. A Ruth Lilly fellow from the Poetry Foundation, his honors include fellowships from the Lannan Foundation, the Civitella Ranieri Foundation, The Elizabeth George Foundation, The Academy of American Poets, and the Pushcart Prize. Vuong's writings have been featured in The Atlantic, Granta, Harpers, The Nation, New Republic, The New Yorker, The New York Times, The Paris Review, The Village Voice, and American Poetry Review, which awarded him the Stanley Kunitz Prize for Younger Poets. Selected by Foreign Policy magazine as a 2016 100 Leading Global Thinker, Ocean was also named by BuzzFeed Books as one of “32 Essential Asian American Writers” and has been profiled on NPR's “All Things Considered,” PBS NewsHour, Teen Vogue, Interview, Poets & Writers, and The New Yorker.   Born in Saigon, Vietnam and raised in Hartford, Connecticut in a working class family of nail salon and factory laborers, he was educated at nearby Manchester Community College before transferring to Pace University to study International Marketing. Without completing his first term, he dropped out of Business school and enrolled at Brooklyn College, where he graduated with a BA in Nineteenth Century American Literature. He subsequently received his MFA in Poetry from NYU.  He currently lives in Northampton, Massachusetts where he serves as an Associate Professor in the MFA Program for Poets and Writers at UMass-Amherst. Support this podcast at — https://redcircle.com/the-vietnamese-with-kenneth-nguyen/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy