Podcasts about Ploughshares

John Murillo is an acclaimed poet. He is the author of the collections “Up Jump the Boogie”, his debut work, “Kontemporary Amerikan Poetry”, a meditation on racism and institutional violence in America, and “Variation On A Theme By Gil Scott-Heron”. His honors include the Kingsley Tufts Poetry Award, the North American Book Award, and the Four Quartets Prize. His poetry has appeared in Prairie Schooner,  American Poetry Review, Ploughshares, Poetry, and Prairie Schooner as well as Best American Poetry. And he's been a professor at several major colleges. My featured song is “Constable On Patrol” from the album East Side Sessions by my band, Project Grand Slam. Spotify link. —----------------------------------------------------------- The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for All Episodes  Click here for Guest List  Click here for Guest Groupings  Click here for Guest Testimonials Click here for Reflections Click here for Special Collections Click here for Legends Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH JOHN:www.johnmurillo.com —---------------------------------------- ROBERT'S NEWEST RELEASE:“MI CACHIMBER ALL STARS” is the new, expanded version of Robert's single, “Mi Cachimber”, which he wrote for his father. Featuring Camila Cortina on Rhodes and Xito Lovell on trombone in addition to Benny Benack III and Dave Smith on flugelhorn, and Project Grand Slam's rhythm section. CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- ROBERT'S RECENT RELEASE: “MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars. CLICK HERE FOR YOUTUBE LINK CLICK HERE FOR ALL LINKS —---------------------------------------- Audio production: Jimmy RavenscroftKymera Films   Connect with the Follow Your Dream Podcast: Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com   Follow Robert's band, Project Grand Slam, and his music: Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com    

The Nuclear Non-Proliferation Treaty is the "glue" that holds the entire global nuclear security architecture together — but is it fraying? I spent much of last month at the United Nations covering the review conference of the Nuclear Non-Proliferation Treaty. This is a conference of all members of the NPT that happens every five years. Countries come together to assess progress toward the treaty's goals and plot ways to enhance the treaty's impact and effectiveness in preventing the spread of nuclear weapons, reducing nuclear stockpiles, and supporting the peaceful uses of nuclear energy. That's the idea. But on Friday, as the conference gaveled to a close, the 191 states parties could not come to an agreement. The conference failed to achieve consensus on a way forward for the NPT. And this failure comes amid a host of other challenges in the nuclear security landscape: China's rapid buildup; the end of all bilateral arms control agreements between the United States and Russia; the U.S.-Israel war on Iran; Russia's war on Ukraine; the increasing integration of AI into nuclear weapons systems; and more and more countries openly suggesting that nuclear weapons may be a solution to their security challenges. My interview guest today is Alexandra Bell, head of the Bulletin of the Atomic Scientists — the organization perhaps best known for the Doomsday Clock. We kick off by discussing what the NPT has achieved since it entered into force more than 50 years ago, and what this major conference at the United Nations suggests about the state of global nuclear security today? This episode is produced in partnership with Ploughshares, a foundation committed to reducing and ultimately eliminating nuclear threats.

Everyone gets stuck. And in this interview with writer and teacher Ramona Ausubel, we talk about why this is normal and practical, usable ways to meet a page when we don't think we can go on. Drawing from her newest book, Unstuck:101 Doorways leading from the Blank Page to the Last Page, Ramona shares with us why certain strategies work only at certain stages of creative projects. We talk about finding patterns, ways to develop characters and create scenes, different ways to approach different drafts, the half-draft approach, finding opposition and so much more.Ramona Ausubel is the national bestselling author of Unstuck: 101 Doorways Leading From the Blank Page to the Last Page, The Last Animal, Awayland: stories, Sons and Daughters of Ease and Plenty, A Guide to Being Born and No One is Here Except All of Us. She is the recipient of the National Book Foundation Science + Literature Prize, the PEN/USA Fiction Award, the Cabell First Novelist Award and has been a finalist for both the California and Colorado Book Awards and the New York Public Library Young Lions Award. Her work has been published in The New Yorker, The New York Times, The Paris Review daily, One Story, Tin House, The Oxford American, Ploughshares and elsewhere. She is a professor at Colorado State University and lives in Boulder, Colorado with her family. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit emergingform.substack.com/subscribe

 “They're all me. Every single one. I see them almost as if they're inoculated on various petri dishes, and the petri dishes are all put into this pressure-cooker situation — that of a missile alert.” — Vincent Yu So what would you do with the last 19 minutes of your life? That's the question Vincent Yu plays with in Seek Immediate Shelter. Triggered (so to speak) by a 2018 Hawaii missile alert of an apocalypse that fizzled, Yu's novel is about a false alarm that sent Asian-American residents of a small Massachusetts town into 19 minutes of existential panic. Seek Immediate Shelter really starts after the fictional all-clear. Because now everyone has revealed their cards. The real games begin. F. Scott Fitzgerald famously wrote that there are no second acts in American lives. Seek Immediate Shelter is really a novel about third acts, not second. The first act is normal life. The second is the nineteen minutes of terror. The third — the one that really matters — is the reckoning: the mother who used the alert as an excuse to cruelly insult her daughter; the man who hit the gas and sped away from his family; the woman who confessed her unrequited love. So all clear does not mean all right. The missile alert strips away all the lies of daily life. What's left is a truth as explosive as any missile. Five Takeaways •       The Third Act, Not the Second: F. Scott Fitzgerald said there are no second acts in American lives — and Yu's novel is a direct argument against that claim. But the book's real focus is the third act: not the nineteen minutes of terror (the second), but the aftermath. The mother who used the alert as permission to say something cruel. The man who sped away from his wife and child. The woman who confessed her love. These are the decisions people made when they thought it was the end. Now they have to live with them. All clear does not mean all right. •       The Petri Dish Method: Yu has a background in biology and no formal training in fiction. He approaches writing scientifically: characters as specimens on petri dishes, a missile alert as the experimental conditions. The pressure-cooker situation strips away the social armour and reveals the character beneath. His goal was not cruelty but pressure — there's a difference. He feels profound empathy for every character. When asked if any are based on real people: they're all me. Every single one. •       Asian American Silence and the Langston Hughes Principle: Yu originally wrote the characters without race. But honesty required him to make them Asian American — citing Langston Hughes's argument that a Black poet cannot write outside of race even if he wants to. Asian American fiction has long focused on immigrant trauma and the difficult parent-child relationship. Yu wants to push beyond that: third- and fourth-generation stories, people who are simply American. The missile alert forces the silence of striving and quiet excellence to break. What's underneath is the novel's real subject. •       Can AI Write This Kind of Novel? Yu has never used AI for his writing and — he admits — hasn't been curious enough to try. His verdict: AI is nowhere close to writing a novel like this. Some genres, with more uniform rubrics, are more vulnerable. But the distinctive cadences of AI writing are currently easy to detect. He is, however, optimistic: the proliferation of AI-generated plots may make readers more discerning, better at recognizing tropes, more hungry for genuinely fresh storytelling. AI might, paradoxically, sharpen the audience for literary fiction. •       The Cuban Missile Crisis, Trump, and COVID as Crucibles: Andrew's provocation: was the Cuban Missile Crisis actually good for America? Did it force a national reckoning? And might Trump and COVID do the same? Yu is reluctant to apply this logic to countries — he deals in characters. But at the individual level: yes. A crucible that forces you to confront what you most cannot bear to part with, what truly matters, can be clarifying. The novel's premise is that the missile alert was such a crucible. The broader lesson may be that we are all living through one. About the Guest Vincent Yu is a fiction writer and sales manager at W. W. Norton/Liveright. He is the winner of the 2021 Ashley Bourne Prize for fiction from Ploughshares and the author of Seek Immediate Shelter (Flatiron Books, May 5, 2026). His short fiction has been published in Prairie Schooner, StoryQuarterly, Ninth Letter, Able Muse, and elsewhere. He lives in Brooklyn, New York. References: •       Seek Immediate Shelter by Vincent Yu (Flatiron Books, May 5, 2026). •       The 2018 Hawaii missile alert — the real-life false alarm that inspired the novel. •       Langston Hughes, “The Negro Artist and the Racial Mountain” (1926) — the essay Yu cites on writing within race. •       Episode 2898: James Lasdun on The Family Man — the companion episode on fiction's capacity to go where journalism cannot. About Keen On America Nobody asks more awkward questions than the Anglo-American writer and filmmaker Andrew Keen. In Keen On America, Andrew brings his pointed Transatlantic wit to making sense of the United States — hosting daily interviews about the history and future of this now venerable Republic. With nearly 2,900 episodes since the show launched on TechCrunch in 2010, Keen On America is the most prolific intellectual interview show in the history of podcasting. WebsiteSubstackYouTubeApple PodcastsSpotify Chapters: 

Sit back, relax, and brush up on your Reagan-era politics—today on the Nuclear Movie Club, we're talking about Nicholas Meyer's 1983 television movie, The Day After. On this episode, Scott and I discuss if The Day After is defining film of the nuclear film canon, the hopeful yet inconsistent tone of this disaster movie, and The Day After's legacy among an entire generation, including its impact on President Ronald Reagan.  This is our last (movie) episode of NukeTalk's Nuclear Movie Club season! Tune in the next couple of weeks for our wrap-up episode. Follow NukeTalk on Instagram and X @nuke_talk and Ploughshares on Instagram and X @plough_shares to be the first in the know about what's next for NukeTalk. NukeTalk is edited by Ryan Kuhfeld.

Julian Zabalbeascoa is the author of the debut novel called What We Tried to Bury Grows Here, available now in trade paperback from Two Dollar Radio. It was a finalist for the Los Angeles Times Book Prize. A dual citizen of Spain and the US, Julian Zabalbeascoa was born and raised in California's Central Valley. He earned his MFA in Creative Writing in Madrid from the University of New Orleans and taught at various institutions throughout California before moving to Boston, where he now teaches in the Honors College at the University of Massachusetts Lowell, leading annual study abroad programs to Donostia-San Sebastian, Havana, Madrid, Paris, and Seville. Among other journals, his stories have appeared in American Short Fiction, Boulevard, The Common, Electric Literature, The Gettysburg Review, Glimmer Train, One Story, and Ploughshares. His interviews and reviews have been published in The Believer, Electric Literature, The Millions, and Salamander. *** ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Otherppl with Brad Listi⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, etc. Get ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠How to Write a Novel,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ the debut audio course from DeepDive. 50+ hours of never-before-heard insight, inspiration, and instruction from dozens of today's most celebrated contemporary authors. Subscribe to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Brad's email newsletter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support the show on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email the show: letters [at] otherppl [dot] com The podcast is a ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠proud affiliate partner of Bookshop⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Nuclear Non-Proliferation Treaty is the most important and impactful global agreement on nuclear weapons. 191 counties have joined the NPT since it entered into force in 1970, with just a few notable exceptions, including India, Pakistan, Israel and South Sudan. The NPT has three essential pillars: countries that do not have nuclear weapons cannot acquire them; countries that do have nuclear weapons need to work towards disarmament; and countries should have the ability to access civilian nuclear technologies, under proper safeguards. Every five years, the parties to the NPT come together for what is known as a Review Conference in which they assess progress towards these three pillars and discuss ways to enhance the treaty. The NPT RevCon, as it's known, is one the major multilateral conference on nuclear security, and it is taking place at UN from April 27 to May 22. Joining me to discuss the significance of this NPT Review Conference is Kelsey Davenport, Director for Nonproliferation Policy at the Arms Control Association. We kick off with a discussion of the NPT itself, and it's impact over the decades and then have a long conversation about the key storylines, diplomatic intrigues and key policy debates that will unfold over the next three weeks at the UN. Consider this episode your curtain-raiser for the most important global gathering on nuclear security of the half-decade. A few notes. This episode is produced in partnership with Ploughshares, a foundation committed to reducing and ultimately eliminating nuclear threats. I'll have a follow up episode at the end of conference that discusses what exactly happened during the NPT RevCon. Also, I'll be attending much of the RevCon in person. I'll be serving as something akin to a "pool reporter," covering this conference in support of dozens of international journalists who report on nuclear security issues and feeding them news and insights from the confab. This project is backed by the Stanley Center for Peace and Security Developing Story Project, an initiative to support, strengthen, and sustain reporting on nuclear weapons and related issues. I'm looking forward to this. If you are around the UN, say hi.

Bestselling and award-winning author Ramona Ausubel spoke with us about the value of low-residency MFA programs, and how to jumpstart your writing process with her latest book UNSTUCK: 101 Doorways Leading from the Blank Page to the Last Page. Ramona Ausubel is the author of five books, most recently The Last Animal which was a national bestseller and received the National Book Foundation Science + Nature Prize and was a Barnes & Noble book of the month.  She was the recipient of the PEN/USA Fiction Award, the VCU Cabell First Novelist Award and has been a finalist for both the California and Colorado Book Awards, the New York Public Library Young Lions Award, and has had multiple selections as a New York Times Book Review Editors' Choice.  Her latest non-fiction, Unstuck: 101 Doorways Leading From the Blank Page to the Last Page is a companion for writers at all stages of the process, and described as a book “… about staying in love with your writing: feeling excited, mischievous, productive, and hopeful—the opposite of being stuck. “ A Most Anticipated Book of 2026 from LitHub, Kirkus Reviews described it as, “An upbeat guide to navigating the writing process . . . Warm-hearted and practical, Ausubel emerges as trustworthy companion for a writer who's stuck anywhere on the challenging road of creativity. Generous, empathetic, and unfailingly encouraging.” Ramona's work has been published in The New Yorker, The New York Times, The Paris Review daily, One Story, Tin House, The Oxford American, Ploughshares and others. She is a professor at Colorado State University and has taught in the Bennington Writing Seminars, Tin House Writing Workshop, Writing by Writers, the Community of Writers, Bread Loaf Environmental, Writing Workshop Paris and elsewhere. [Discover The Writer Files Extra: Get 'The Writer Files' Podcast Delivered Straight to Your Inbox at writerfiles.fm] [If you're a fan of The Writer Files, please click FOLLOW to automatically see new interviews. And drop us a rating or a review wherever you listen] In this file Ramona Ausubel, Milena and I discussed: Why getting stuck is normal and productive rather than something to fear How to fall back in love with your own work Practical exercises to help writers navigate the creative process The magic prompt that never fails Why you need to let "not knowing" to be your companion And a lot more! Show Notes: ramonaausubel.com  UNSTUCK: 101 Doorways Leading from the Blank Page to the Last Page By Ramona Ausubel – April 14, 2026 (Amazon) Ramona Ausubel Amazon Author Page Ramona Ausubel on Instagram⁠⁠ Milena Gonzalez | Writer | Reader | Book Reviewer diary_of_a_book_babe on Instagram Kelton Reid Instagram Kelton Reid on Twitter Learn more about your ad choices. Visit megaphone.fm/adchoices

Growing up in the San Francisco Bay Area in the 1980s, Jane Kim and her brother, Kevin, dutifully embodied the model minority myth as their parents demanded: both stellar tennis players and academically gifted, they worked hard to make their parents proud. Jane went on to law school. Kevin came close to becoming a professional tennis player. But where they started is nowhere near where they have ended up: Jane has stopped going to her law school classes, and Kevin, now a policeman, has become increasingly distant. Their parents, each on their own path toward the elusive American Dream (their mother hell-bent on having the perfect house and the perfect family, their father obsessed with working his way up from one successful business to the next), don't want to see the family unraveling. When Kevin goes missing, no one recognizes his absence as the warning sign it is until it erupts, forcing them all to come to terms with their past and present selves in a country that isn't all it promised it would be. Both deeply serious and wickedly funny, American Han (Algonquin Books, 2026) is a profound story about striving and assimilation, difficult love, and family fidelity. A searing portrait that challenges assumptions about the immigrant experience, Lisa Lee's debut introduces a powerful new voice on the literary landscape. Lee is the recipient of the Marianne Russo Emerging Writer Award from the Key West Literary Seminar, an Emerging Writer Fellowship from the Center for Fiction, and a Pushcart Prize. She has received additional fellowships and awards from Kundiman, Millay Arts, Hedgebrook, the Rona Jaffe Foundation, Tin House, Jentel Artist Residency, the Korea Foundation, and others. Her work has appeared in Ploughshares, VIDA: Women in Literary Arts, North American Review, Sycamore Review, Gulf Coast, Tusculum Review, Reed Magazine, New World Writing, and elsewhere. She holds an MFA from the University of Houston and a PhD in Creative Writing and Literature from the University of Southern California. She lives in Los Angeles and grew up in Napa, California. Recommended Books: Giada Scodellaro, Ruins, Child Morgan Day, The Oldest Bitch Alive Elaine H. Kim, “Home is Where the Han Is” Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

Growing up in the San Francisco Bay Area in the 1980s, Jane Kim and her brother, Kevin, dutifully embodied the model minority myth as their parents demanded: both stellar tennis players and academically gifted, they worked hard to make their parents proud. Jane went on to law school. Kevin came close to becoming a professional tennis player. But where they started is nowhere near where they have ended up: Jane has stopped going to her law school classes, and Kevin, now a policeman, has become increasingly distant. Their parents, each on their own path toward the elusive American Dream (their mother hell-bent on having the perfect house and the perfect family, their father obsessed with working his way up from one successful business to the next), don't want to see the family unraveling. When Kevin goes missing, no one recognizes his absence as the warning sign it is until it erupts, forcing them all to come to terms with their past and present selves in a country that isn't all it promised it would be. Both deeply serious and wickedly funny, American Han (Algonquin Books, 2026) is a profound story about striving and assimilation, difficult love, and family fidelity. A searing portrait that challenges assumptions about the immigrant experience, Lisa Lee's debut introduces a powerful new voice on the literary landscape. Lee is the recipient of the Marianne Russo Emerging Writer Award from the Key West Literary Seminar, an Emerging Writer Fellowship from the Center for Fiction, and a Pushcart Prize. She has received additional fellowships and awards from Kundiman, Millay Arts, Hedgebrook, the Rona Jaffe Foundation, Tin House, Jentel Artist Residency, the Korea Foundation, and others. Her work has appeared in Ploughshares, VIDA: Women in Literary Arts, North American Review, Sycamore Review, Gulf Coast, Tusculum Review, Reed Magazine, New World Writing, and elsewhere. She holds an MFA from the University of Houston and a PhD in Creative Writing and Literature from the University of Southern California. She lives in Los Angeles and grew up in Napa, California. Recommended Books: Giada Scodellaro, Ruins, Child Morgan Day, The Oldest Bitch Alive Elaine H. Kim, “Home is Where the Han Is” Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Growing up in the San Francisco Bay Area in the 1980s, Jane Kim and her brother, Kevin, dutifully embodied the model minority myth as their parents demanded: both stellar tennis players and academically gifted, they worked hard to make their parents proud. Jane went on to law school. Kevin came close to becoming a professional tennis player. But where they started is nowhere near where they have ended up: Jane has stopped going to her law school classes, and Kevin, now a policeman, has become increasingly distant. Their parents, each on their own path toward the elusive American Dream (their mother hell-bent on having the perfect house and the perfect family, their father obsessed with working his way up from one successful business to the next), don't want to see the family unraveling. When Kevin goes missing, no one recognizes his absence as the warning sign it is until it erupts, forcing them all to come to terms with their past and present selves in a country that isn't all it promised it would be. Both deeply serious and wickedly funny, American Han (Algonquin Books, 2026) is a profound story about striving and assimilation, difficult love, and family fidelity. A searing portrait that challenges assumptions about the immigrant experience, Lisa Lee's debut introduces a powerful new voice on the literary landscape. Lee is the recipient of the Marianne Russo Emerging Writer Award from the Key West Literary Seminar, an Emerging Writer Fellowship from the Center for Fiction, and a Pushcart Prize. She has received additional fellowships and awards from Kundiman, Millay Arts, Hedgebrook, the Rona Jaffe Foundation, Tin House, Jentel Artist Residency, the Korea Foundation, and others. Her work has appeared in Ploughshares, VIDA: Women in Literary Arts, North American Review, Sycamore Review, Gulf Coast, Tusculum Review, Reed Magazine, New World Writing, and elsewhere. She holds an MFA from the University of Houston and a PhD in Creative Writing and Literature from the University of Southern California. She lives in Los Angeles and grew up in Napa, California. Recommended Books: Giada Scodellaro, Ruins, Child Morgan Day, The Oldest Bitch Alive Elaine H. Kim, “Home is Where the Han Is” Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Brendan Constantine first appeared on Rattlecast 108. He's back with a brand new book from Red Hen Press, The Opposites Game. Brendan is a poet based in Los Angeles. His work has appeared in many of the nation's standards, including Poetry, The Nation, Best American Poetry, Ploughshares, Tin House, Virginia Quarterly, and Poem-a-Day. A popular performer, Brendan has presented his work to audiences throughout the U.S. and Europe, also appearing on NPR's All Things Considered, TED ED, numerous podcasts, and YouTube. Brendan currently teaches at the Windward School and the Los Angeles County Museum of Art. Since 2017, has been developing poetry workshops for people with Aphasia and Traumatic Brain Injuries (TBI). Find more here: https://brendanconstantine.com/ As always, we'll also include the live Prompt Lines for responses to our weekly prompt. Submit your poems through Submittable by midnight Sunday for a chance to be invited: https://rattle.submittable.com/submit/269309/rattlecast-prompt-poems-online For links to all the past episodes, visit: https://www.rattle.com/page/rattlecast/ This Week's Prompt: Write a poem that rallies against its own epigraph. Next Week's Prompt: Write a villanelle that features something you see every day–and you're the only person in the world that does. The Rattlecast livestreams on YouTube, Facebook, and Twitter, then becomes an audio podcast. Find it on iTunes, Spotify, or anywhere else you get your podcasts.

Lindsey Weishar is a freelance editor, writer, and college English instructor. Her work has appeared in Verily, Ploughshares, and The Young Catholic Woman. We are speaking today about her hard work, creativity, and published work. Lindsey is an amazingly eloquent wordsmith; she works hard at her craft, and in every piece, her gentle, heartfelt personality shines through.(This episode originally aired on Jan. 19, 2021.)

In this episode of What Are You Reading?, host Jason Blitman sits down with Lisa Lee to talk about the books that shaped and sustained her through the decade-long journey to her debut novel, American Han.Lisa Lee is the recipient of the Marianne Russo Emerging Writer Award from the Key West Literary Seminar, an Emerging Writer Fellowship from the Center for Fiction, and a Pushcart Prize. She has received other fellowships and awards from Kundiman, Millay Arts, Hedgebrook, the Rona Jaffe Foundation, Tin House, Jentel Artist Residency, and the Korea Foundation. Her work has appeared in Ploughshares, VIDA, North American Review, Sycamore Review, Gulf Coast, and elsewhere. Lee holds an MFA from the University of Houston and a PhD in Creative Writing and Literature from the University of Southern California. She lives in Los Angeles.Sign up for the Gays Reading Book Club HERESUBSTACK! MERCH! WATCH! CONTACT! hello@gaysreading.com Hosted on Acast. See acast.com/privacy for more information.

Sit back, relax, and don't watch this movie after you've eaten—today on the Nuclear Movie Club, we're talking about Mick Jackson's 1984 television movie, Threads. On this episode, Scott and I discuss if Threads is the most "comprehensive" nuclear film, the movie's jarring and unflinching portrayal of a post-nuclear landscape, and the news that a British production studio plans to develop Threads into a television show. Plus, Scott gives a brief download on the US and Israel's war with Iran and the thought leadership some of Ploughshares' grantees & partners are producing in response (this was recorded on March 11—and much has transpired since).  In the episode, we mention a stellar retrospective write up on Threads published by our friends at the Outrider Foundation. Read it here: Revisiting 'Threads' – Director and Star Reflect on the 1984 Nuclear Apocalypse TV Movie and Its Enduring Impact Follow NukeTalk on Instagram and X @nuke_talk and Ploughshares on Instagram and X @plough_shares to be the first in the know about the movie of the week. NukeTalk is edited by Ryan Kuhfeld. Questions, comments, or movie trivia? Email podcast@ploughshares.org! See you at the movies!

At the table: Eric Baker, Dagne Forrest, Tobi Kassim, Jason Schneiderman, Kathleen Volk Miller, Lisa Zerkle, Lillie Volpe (sound engineer)   We made it back from AWP, Slushies! Welcome to any new listeners who have joined our audience since seeing us there. And please join us in welcoming our longtime reader, Eric Baker, to the table.    We're honored to discuss three poems from Jane Zwart. Once again, we call on Jason's knowledge of meter and syntax. Here we look at how the recursive syntax, like the memory of the woman in the poem, loops back on itself. The poem's epigraph places the reader in the cultural moment of the Great Depression and World War II era. Inherited family treasures, like Noritake China, carry memory. The poem echoed, for Dagne, one of Michael Montlack's poems from Episode 144.   The team is charmed by Zwart's use of unexpected words like “redoubt” and “hypotenuse” in the second poem. Kathy notes that the poem is successful at conveying sentiment without slipping into the sentimental. She admires the use of the word “startlement” and we realize we'll be seeing more of it given Ada Limón's new book of the same name. Jason admires the ending's gentle touch, which lands on a lilt. In a happy synchronicity, the final poem's take on springtime's fickle nature matches our exasperation with the changeable weather. While the poem's postpositive placement of adjectives sends us back to elementary school grammar, we're enthralled with how such a simple reversal refreshes our attention. Thanks, as always, for listening!   Author Bio: Jane Zwart teaches at Calvin University and co-edits book review for Plume. Her poems have appeared in Poetry, Ploughshares, The Southern Review, Threepenny Review, and The Nation. Her first collection of poems came out with Orison Books in February 2026.   Author Website: janezwart.com Blue Sky: @janezwart.bsky.social   Inheritance for Janet Knol, 1922 - 2019 I took the china from occupied Japan just as my uncles took seconds of corn. It wasn't about taste. Or want. When it came to last helpings, the starving children were conveniences, the tureen gratuitous, and if they were about wanting— Janet's divestments—wanting was nothing so forthright as hunger: my uncles eating for two, themselves and their mother; my wishing that teacups edged in corsage were my cup of tea; or, reared to hoard and abhor waste, my grandma's berating herself for an ingrate when each windfall knocked the wind from her, the handsome earner she wed, the sons they made. My grandma didn't dare ask for more, and God knows she didn't dare ask for less. There were reasons, of course. Some, in an expansive mood, she could name. Hunger, her father, and from that summer so hot no one slept, one extravagance— to drive, windows down, for the relief of a breeze. From her, my dad learned to waste nothing. But on what more to ask of life she left no instructions, so my dad cannot say what he wants for his birthday. Instead, he'll tell you he has all he needs, as if need were the whole of deserving, as if all the years' wisdom were getting on with what was. And from him, I learned. Waste nothing; get on with what is. Of the heirlooms, these come in handy. Still, if they were about wanting— Janet's divestments—they were not about choosing, though, in the end, my grandma had enough of pretending that what she had was enough and asked her sons to brush her hair when it didn't need brushing and left the corn on her tray. Hold my hand, she told me, then slipped in and out of knowing I held her hand until she slipped out and out and back into her father's car, its windows were down, and I'll tell you the breeze forgave everything: hunger and waste, want and wanting things to be otherwise, betrayal, demural, even the mezcal— even the time we sipped it from her Noritake when no other glasses were clean. I steal from children who do not hide their tests with a forearm, and I steal from those who do. I steal the soft redoubt an arm makes around a field of tents, their calculable heights, and I steal the stickman roughing it in a lean-to of unknown hypotenuse. Of my sons' wonder, I'm the chief plagiarist. Of their neologisms, the unauthorized scribe. Without asking, I borrow a kid's ardor for tire swings, his grief for lost dogs. I steal what I've mislaid: the art of startlement, the art of artlessness. Rabbit Redux Not spring, but its fickle scout: from the park, the smell of skunk and the skunk of weed; in gardens, exhumed saints and righted gnomes. Robin redux, rabbit redux—season of small resentments, the hassle of jackets, the discrepant grass. Of pent-up revving, of soft-serve soft openings. Season of ephemerals, the old bundled as if for the tundra. Season of warblers, the young rouged in dandelion, riding the oaks bareback.

Notes and Links to Lisa Lee's Work     Lisa Lee is the recipient of the Marianne Russo Emerging Writer Award from the Key West Literary Seminar, an Emerging Writer Fellowship from the Center for Fiction, and a Pushcart Prize. Her work has appeared in Ploughshares, VIDA: Women in Literary Arts, North American Review, Sycamore Review, and elsewhere. Her essay on racial invisibility and erasure in the writing workshop was featured on Bitch Media's feminism & pop culture podcast Popaganda, on the episode “Writing About Race.”  Today, March 31, is Pub Day for her novel, American Han.   Buy American Han   Lisa Lee's Website   Review of American Han from Kirkus Reviews   At about 1:40, Lisa discusses the exhaustion and excitement that comes with Pub Day and the book's unveiling At about 4:45, Lisa gives info on publishing and buying her book At about 5:40, Lisa and Pete shout out meaningful writers in her life and talk about her book events coming up At about 6:15, Lisa responds to Pete's question about her language and reading life in childhood and into young adulthood At about 9:00, Lisa cites Housekeeping by Robinson and Everett's Erasure as changing her perceptions of what writers At about 10:30, Lisa expands upon the greatness of Percival Evertett, homing in on Erasure At about 13:20, Pete reads a generic definition of han and compares it to a word like saudade that is virtually untranslatable  At about 14L15, Lisa responds to Pete's questions about the meaning(s) of han At about 16:00, Pete sets the book's exposition, and Lisa expands on the narrator Jane's mindset at the beginning of American Han  At about 20:45, The two discuss the competitiveness within the family and expectations of Jane's mother  At about 21:45, Lisa responds to Pete asking about the quote that Jane has succeeded “despite” her mother, not “because of” her mother  At about 25:15, Pete cites the Korean folk tale of Chun in talking about parental-child relationships and sibling relationships  At about 26:05, Lisa responds to Pete's question about empathy/sympathy for her characters  At about 29:05, Lisa reflects on Pete's wondering about han and intergenerational traumas in the book, and expands upon differences in han's impact in contemporary Korea and among members of the Korean diaspora At about 33:30, Pete highlights a memorable scene that  At about 34:05, Pete riffs on the "manosphere" and connections to Kevin, the narrator's sister, and his misogyny; Lisa speaks on Kevin's background and sense of han and sense of gender identity At about 40:15, Lisa and Pete discuss the book's timing and pacing and flashbacks At about 42:40, Pete highlights an important and well-drawn scene about an alternate way of being mother and daughter  At about 43:55, Lisa expands on a Korean custom of associating parents with their children through different forms of address At about 45:40, The two reflect on children as the parents' “identity” At about 46:40, Pete points out the independence of the mother and father at a point in the book where Kevin's horrific act shakes up the family  At about 47:35, The two discuss the importance of a family vacation and ideas of “let[ting] the lid off” At about 48:10, Pete asks Lisa about ending the book as she does, with a flashback, and with the tone that she uses      You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, is up now at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode features an exploration of formative and transformative writing for children, as Pete surveys wonderful writers on their own influences.    Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 335 with Toni Ann Johnson, who won the 2024 Screen Door Press Prize for Fiction with her linked collection, BUT WHERE'S HOME? (UPK 2026). In 2021, she won the Flannery O'Connor Award for her linked short story collection LIGHT SKIN GONE TO WASTE (UGA Press 2022). The collection was shortlisted for an NAACP Image Award for Outstanding Literary Work, and also shortlisted for the Saroyan Prize. A novella, HOMEGOING, won Accents Publishing's inaugural novella contest in 2020 and was released in May of 2021.    She is also a screenwriter with a number of produced projects to her credit including, Ruby Bridges (ABC), Crown Heights (Showtime), The Courage to Love (Lifetime) the TV pilot, Save The Last Dance (Fox Television), and the feature film, Step Up 2: The Streets (Summit Entertainment).    The episode airs March 31 or April 1.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.    You can also donate at chuffed.org, World Central Kitchen, and so many more, and/or you can contact writer friend Ursula Villarreal-Moura directly or through Pete, as she has direct links with friends in Gaza.

Notes and Links to Keith O'Brien's Work     Keith O'Brien has written five books, won the PEN America award for best biography, and has contributed to multiple publications over the years.    Keith's work has appeared in the New York Times Magazine, the Atlantic, Rolling Stone, the Wall Street Journal, and on National Public Radio. His radio stories have aired on All Things Considered, Morning Edition, and Weekend Edition, as well as Marketplace and This American Life. His latest gem is Heartland: A Forgotten Place, an Impossible Dream, and the Miracle of Larry Bird.   Buy Heartland: A Forgotten Place, an Impossible Dream, and the Miracle of Larry Bird    Keith O'Brien's Website   Review for Heartland from The Wall Street Journal   At about 1:50, Pete shouts out his brother as a huge Larry Bird fan At about 2:30, Keith talks about his book tour for the launch of Heartland and gives a summary of the book at about 4:40, Keith responds to Pete asking about the time period covered in the book and how he figured out his angle for the book at about 7:55, Keith talks about his attempts to talk to Larry Bird for the book at about 10:00, Pete sets the record straight grammatically, and Keith expands on Indiana State University President Dick Landini's persona  at about 11:20, The two discuss the book's opening sequence, and Keith explains why he started the book where he did, with an Indiana State NIT loss and Larry Bird fracas  at about 16:25, Keith talks about Larry Bird's treatment as "The Great White Hope" and the ways in which he was talked about and treated in the late 1970s at about 19:00, Larry Bird's childhood is discussed, including his father's military background, and Larry talks about his research and work to make Joey Bird "three-dimensional"  at about 22:40, Keith gives background on the poverty and hardship in Larry Bird's upbringing at about 23:40, Dave Bliss, Bobby Knight, and Larry Bird's college recruitment are discussed at about 24:20, Keith recounts an amazing story involving Denny Crum and Larry Bird's recruitment  at about 26:45, Larry's short time at Indiana University and Northwood Institute are highlighted at about 29:40, The two discuss important recruits for Indiana State to team up with Larry Bird, including Harry Morgan and his upbringing in a racist town/society at about 33:00, Larry responds to Pete's asking about the college basketball Magic Johnson/Larry Bird dynamic, and the racial dynamics and popularity of the NBA in the late 1970s at about 36:30, Keith gives background on the Celtics drafting Larry Bird after his junior year of college at about 37:10, Pete discusses the "glue guys" that Coach Hodges brought in to ISU for Larry's third year and the novelty of nationally-televised games  at about 39:00, Keith reflects on the fact that while Magic Johnson is crucial to the book's events, he was at the time of the book's action, largely unknown to Larry, and vice versa at about 41:30, Keith responds to Pete's referring to the book's last section, a sort of "Where are they now?" by calling it his favorite section and how the players and connections to ISU were irrevocably-changed    You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, is up now at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode features an exploration of formative and transformative writing for children, as Pete surveys wonderful writers on their own influences.    Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 334 with Lisa Lee. She is the recipient of the Marianne Russo Emerging Writer Award from the Key West Literary Seminar, an Emerging Writer Fellowship from the Center for Fiction, and a Pushcart Prize. Her work has appeared in Ploughshares, VIDA: Women in Literary Arts, North American Review, Sycamore Review, and elsewhere. Her essay on racial invisibility and erasure in the writing workshop was featured on Bitch Media's feminism & pop culture podcast Popaganda, on the episode “Writing About Race.”     The episode airs on March 31, Pub Day for her novel American Han.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.    You can also donate at chuffed.org, World Central Kitchen, and so many more, and/or you can contact writer friend Ursula Villarreal-Moura directly or through Pete, as she has direct links with friends in Gaza.

Sit back, relax, and find love at the La Brea Tar Pits for Miracle Mile, a 1988 film written and, after being passed around Hollywood for a decade, also directed by Steve De Jarnatt.  In this episode of the Nuclear Movie Club, NukeTalk cohosts Rebecka Green and Scott Strgacich discuss Miracle Mile's tumultuous pre-production history, the film's startling tonal shifts, whether a nuclear movie can—or should—have a happy ending, and how Anthony Edwards' character is an all-time "simp" in cinema. PS: If the start of this episode's audio sounds a bit different to you, one of the microphones jumped around during recording. After the first question, the audio clears up. Thanks for understanding. Follow NukeTalk on Instagram and X @nuke_talk and Ploughshares on Instagram and X @plough_shares to be the first in the know about the movie of the week. NukeTalk is edited by Ryan Kuhfeld. Questions, comments, or movie trivia? Email podcast@ploughshares.org! See you at the movies!

This book has a very fabulous determined, genderfluid, and Bi character. Reading her released something in me.Today we meet Sarah Stone and we're talking about the queer book that saved their life: The Passion by Jeanette Winterson.Sarah Stone (she/they) is the author of Marriage to the Sea; Hungry Ghost Theater, a finalist for the 38th annual Northern California Book Awards; and The True Sources of the Nile, as well as co-author, with Ron Nyren, of Deepening Fiction: A Practical Guide for Intermediate and Advanced Writers.Sarah's work has appeared in many publications, including Ploughshares, StoryQuarterly, Scoundrel Time, Alta Journal online for the California Book Club, and A Kite in the Wind: Fiction Writers on Their Craft. She has taught for UC Berkeley, the Warren Wilson MFA Program for Writers, and Stanford Continuing Studies, AND has written for Korean public television, reported on human rights in Burundi, AND looked after orphan chimpanzees at the Jane Goodall Institute.The Passion was a 1987 novel described as "arresting, elegant." Set in Napoleon's Europe, The Passion tells the intertwined stories of Henri, a young Frenchmen who serves as a cook in Napoleon's army, and Villanelle who is a red-haired (and web-footed!) Venetian.Jeanette Winterson's (CBE) first novel was Oranges Are Not the Only Fruit. She has written thirteen novels, one memoir, and two collections of short stories. She has also written children's books, non-fiction and screenplays. She is Professor of New Writing at the University of Manchester.Connect with Sarahwebsite: sarahstoneauthor.cominstagram: @sarahstoneauthorOur BookshopVisit our Bookshop for new releases, current bestsellers, banned books, critically acclaimed LGBTQ books, or peruse the books featured on our podcasts: bookshop.org/shop/thisqueerbookBuy your copy of The Passion here: https://bookshop.org/a/82376/9780802135223Buy your copy of Marriage to the Sea: https://bookshop.org/a/82376/9781961897847Become an Associate Producer!Become an Associate Producer of our podcast through a $20/month sponsorship on Patreon! A professionally recognized credit, you can gain access to Associate Producer meetings to help guide our podcast into the future! Get started today: patreon.com/thisqueerbookCreditsHost/Founder: John ParkerExecutive Producer: Jim PoundsAssociate Producers: Archie Arnold, K Jason Bryan and David Rephan, Bob Bush, Natalie Cruz, Troy Ford, Jonathan Fried, Joe Perazzo, Bill Shay, Sean Smith, and Karsten VagnerPatreon Subscribers: Stephen D., Terry D., Stephen Flamm, Ida Göteburg, Thomas Michna, Sofia Nerman, and Gary Nygaard.Creative and Accounting support provided by: Gordy EricksonQuatrefoil LibraryQuatrefoil has created a curated lending library made up of the books featured on our podcast! If you can't buy these books, then borrow them! Link: https://libbyapp.com/library/quatrefoil/curated-1404336/page-1Support the show

Welcome to the final installment of my interview with Cynthia Weiner, author of “A Gorgeous Excitement,” a coming of age novel set in 1980s New York City that was named a best book of 2025 by The New Yorker, Kirkus Reviews, and Oprah Daily and is freshly out in paperback.Cynthia is also the assistant director of the writer's studio in New York City and her short fiction has been published in “Open City,” “Ploughshares,” and “The Sun,” has earned a Pushcart Prize and been anthologized in Coolest American Stories 2024.In this fun episode, we covered:- The 90s soundtrack that's helping Cynthia get into her next project- The three writers whose examples inspire Cynthia on her own path- Her burning desire to have a house with a yard and, most importantly, a tree- The Max show she's bingeing, her elaborate daily diet soda ritual, the best day of the week, and the fast food meal she's cravingConnect with Cynthia on Instagram at @cynthiaweinerThere are new Finding the Throughline episodes roughly every other week–hit “subscribe” so you know when the next ones drop!For full show notes with links to everything we discuss, plus bonus photos!, visit ⁠katehanley.substack.com⁠.Thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices

Jane Zwart teaches literature and writing at Calvin University, where she also co-directs the Calvin Center for Faith & Writing. Her poems have appeared widely in periodicals, including Poetry, The Poetry Review, Ploughshares, The Southern Review, and Threepenny Review. Her first book, Oddest & Oldest & Saddest & Best, was just released from Orison Books. Find more info here: https://www.janezwart.com/ As always, we'll also include the live Prompt Lines for responses to our weekly prompt. Submit your poems through Submittable by midnight Sunday for a chance to be invited: https://rattle.submittable.com/submit/269309/rattlecast-prompt-poems-online For links to all the past episodes, visit: https://www.rattle.com/page/rattlecast/ This Week's Prompt: Write a poem which confesses something that's secretly seasonal to you, but not so much to others. Next Week's Prompt: Write a poem about a time you couldn't keep the correct time straight. Include at least one temporal shift. The Rattlecast livestreams on YouTube, Facebook, and Twitter, then becomes an audio podcast. Find it on iTunes, Spotify, or anywhere else you get your podcasts.

Sit back, relax, and brew a pot of tea for When the Wind Blows, a 1986 animated film directed by Jimmy Murakami based on the graphic novel by Raymond Briggs. In this episode of the Nuclear Movie Club, NukeTalk producer Rebecka Green and Ploughshares Roger L. Hale Fellow Scott Strgacich discuss When the Wind Blow's domestic eeriness, the big punch a small-scale story can make, how the film's animation is key to its impact, and why you should probably keep your home's doors where they are...for now. PS: If part of this episode's audio sounds a bit different to you, one of the microphones unknowingly cut out during recording and required some post-production magic by our editor, Ryan Kuhfeld. Thanks for understanding. Follow NukeTalk on Instagram and X @nuke_talk and Ploughshares on Instagram and X @plough_shares to be the first in the know about the movie of the week. Questions, comments, or movie trivia? Email podcast@ploughshares.org! See you at the movies!

We're so over the snow and ice, Slushies. Join us as we cozy up to three poems from Hilary King. We admire the first poem's warm nostalgia towards old technology and its recollection of a burgeoning appreciation for art. Sam notes how well the poem's title prepares the reader for the poem that follows. The pairing of the projection of art and the projection of memory intrigues Jason. The setting in an art history class sends Sam to the Julia Roberts' movie Mona Lisa Smile, also set in 1953. Whether mothers or daughters, we consider how much we can know about another person's interior life.     Kathy puts on her bad cop hat, but in the nicest way possible. We're thinking about the importance of sharply observed details and how they can focus a poem from the general to the specific. In the final poem we'll clarify whether we're talking about drunk aunts or drunk ants and why either would be preferable to a drunk uncle. And Dagne questions what duties an epigraph can or should perform.   Slushies, if you're attending AWP in March, please stop by and see us at the book fair. We'll be at table 1272. We'd love to see you in person. Thanks, as always, for listening! At the table: Dagne Forrest, Tobi Kassim, Samantha Neugebauer, Jason Schneiderman, Kathleen Volk Miller, Lisa Zerkle, and Lillie Volpe (sound engineer) Author Bio: Originally from the Blue Ridge mountains of Virginia, Hilary King is a poet now living in the San Francisco Bay Area of California. Her poems have appeared in Ploughshares, Salamander, The Louisville Review, Fourth River, Common Ground Review, and other publications. She was the 2023 winner of the Rose Warner Prize from Freshwater Review and the second place winner of the 2025 Common Ground Review Annual Poetry Prize. She serves as an editor for DMQ Review, and her book of poems Stitched on Me was published by Riot in Your Throat Press in 2024.  Author Website: www.hilarykingwriting.com   Instagram: @hilaryseessomething Facebook: Hilary Rogers King Bluesky: @hilary299.bsky.social   My Mother's Scholarship Job, 1953   In the ivied dark, she rushes to keep up. The professor barks out facts, theories, slows only for art he likes, or to hiss when she fumbles a slide, sending a Renoir sideways, her face hot in the yellow projector light, rows of girls in store-bought clothes turning to stare at her. After she was accepted, her mother began sewing, made her six versions of the same dress,  full-skirted, round necked, good as any  that ever dressed  a mannequin.  She does fumble the slides. She hasn't mastered  this machine, dazed by how it transforms a square into the magnificent. Monet's shimmering train station, Van Gogh's glowing garden at Arles. She never tells her mother she wears dungarees for the class she takes over and over again, the machine oily, trapping her in the dark, in the back, never up front, her pencil poised  like a fork for a feast. Nest She turned thirteen and shut her door on us. We let her, let her make a freedom of those four walls. What she did, watched,  heard, learned, hid– we had only outlines,  fear and hope filled in the rest. Mornings she stepped over the threshold, shouldered her childhood, cycled towards the gristmill. Afternoons she returned, spent, recovered only with the door closed. Gone just yesterday, grown enough to go, I leave her door open, let it swing like memory. How to Be Peonies              from Trader Joe's   Enter the house in a shroud. Allow the presence of water. Exist as a fist. When no one is looking, peep out one pink petal. That night, alone again, unfurl another. Watch them walk past the golden pollen you fed the table. Get drunk on your own beauty, open your face wide as a drunk aunt's smile. One day later, die spectacularly, fabulously your magenta remains scattered like broken glass.

Debut author Lauren Morrow joins us to discuss Little Movements, a sharp, funny, and deeply perceptive literary novel set in the world of professional dance.Lauren Morrow joins Book Gang to discuss her satirical novel, Little Movements, which follows Layla, a Black choreographer navigating a fragile marriage, a long-delayed hope of motherhood, and a career-defining opportunity at a prestigious arts institution.When Layla relocates alone to create a new piece from the ground up, she finds herself confronting not just the physical demands of dance but the subtler pressures of tokenization, institutional expectations, and who gets to define what her work "means."Drawing from Morrow's background in dance and arts publicity, Little Movements offers an insider's view of how cultural organizations frame progress, how money shapes artistic freedom, and how women—especially Black women—are often asked to carry symbolic weight they never volunteered for.In this fascinating conversation, we explore:

Sit back, relax, and run like Tom Cruise trying to prevent an evil AI entity from causing nuclear war, for the Mission Impossible franchise. Mission Impossible is an 8-movie run of action films starring Tom Cruise and spanning three decades, concluding with 2025's MI: Final Reckoning, which is the main focus of our conversation. In this episode of the Nuclear Movie Club, NukeTalk producer Rebecka Green is joined by Ploughshares Senior Manager of Impact, Alex Hall, to discuss the Mission Impossible franchise's steady nuclear weapons escalation, the narrative appeal of a "hero" against nukes, Final Reckoning's positioning of AI threats, and how Tom Cruise's Ethan Hunt character is always on planes instead of in them. Follow NukeTalk on Instagram and X @nuke_talk and Ploughshares on Instagram and X @plough_shares to be the first in the know about the movie of the week. Questions, comments, or movie trivia? Email podcast@ploughshares.org. NukeTalk is edited by Ryan Kuhfeld. See you at the movies!

Luisa Muradyan is originally from Odesa, Ukraine and is the author of I Make Jokes When I'm Devastated (Bridwell Press, 2025), When the World Stopped Touching (YesYes Books, 2027), and American Radiance (University of Nebraska Press, 2018). She holds a Ph.D. in Poetry from the University of Houston and won the 2017 Raz/ Shumaker Prairie Schooner Book Prize. Additionally, Muradyan is a member of the Cheburashka Collective, a group of women and nonbinary writers from the former Soviet Union. Additional work can be found at Best American Poetry, the Threepenny Review, Ploughshares, and Only Poems among others. Find more at her website: https://www.luisamuradyan.com/ As always, we'll also include the live Prompt Lines for responses to our weekly prompt. Submit your poems through Submittable by midnight Sunday for a chance to be invited: https://rattle.submittable.com/submit/269309/rattlecast-prompt-poems-online For links to all the past episodes, visit: https://www.rattle.com/page/rattlecast/ This Week's Prompt: Write a Petrarchan, Shakespearean, Spenserian, or Miltonic sonnet. Use an exclamation mark at some point, and don't forget the volta! Next Week's Prompt: Quick! Write a poem that moves fast. Include as many unique verbs as possible. The Rattlecast livestreams on YouTube, Facebook, and Twitter, then becomes an audio podcast. Find it on iTunes, Spotify, or anywhere else you get your podcasts.

Lindsey Weishar is a freelance editor, writer, and college English instructor. Her work has appeared in Verily, Ploughshares, and The Young Catholic Woman. We are speaking today about her hard work, creativity, and published work. Lindsey is an amazingly eloquent wordsmith; she works hard at her craft, and in every piece, her gentle, heartfelt personality shines through.(This episode originally aired on Jan. 19, 2021.)

After their first time reading together, poet-pals Lynne and Patricia sit down with a seriously sleep-deprived Dion at the Dream Inn in Santa Cruz, California to read and discuss their poems as the sound of waves pulses in the background.Lynne Thompson was the 4th Poet Laureate for the City of Los Angeles. The daughter of Caribbean immigrants, her poetry collections include Beg No Pardon (2007), winner of the Perugia Press Prize and the Great Lakes Colleges Association's New Writers Award; Start With A Small Guitar (2013), from What Books Press; and Fretwork (2019), winner of the Marsh Hawk Press Poetry Prize. Thompson's honors include the Tucson Festival of Books Literary Award (poetry) and the Stephen Dunn Prize for Poetry as well as fellowships from the City of Los Angeles, Vermont Studio Center, and the Summer Literary Series in Kenya. Her work has appeared in Ploughshares, Poetry, Poem-A-Day (Academy of American Poets), New England Review, Colorado Review, Pleiades, Ecotone, and Best American Poetry, to name a few.Patricia Smith is the author of ten books of poetry, including The Intentions of Thunder: New and Selected Poems (Scribner 2025), winner of the National Book Award for Poetry; Unshuttered; Incendiary Art, winner of the 2018 Kingsley Tufts Poetry Award, the 2017 Los Angeles Times Book Prize and the 2018 NAACP Image Award, and finalist for the 2018 Pulitzer Prize; Shoulda Been Jimi Savannah, winner of the Lenore Marshall Prize from the Academy of American Poets; Blood Dazzler, a National Book Award finalist; and Gotta Go, Gotta Flow, a collaboration with award-winning Chicago photographer Michael Abramson. Her other books include the poetry volumes Teahouse of the Almighty, Close to Death, Big Towns Big Talk, Life According to Motown; the children's book Janna and the Kings and the history Africans in America, a companion book to the award-winning PBS series.  Her work has appeared in The New Yorker, Poetry, The Paris Review, The Baffler,  BOMB, The Washington Post, The New York Times, Tin House and in Best American Poetry and Best American Essays.Smith is a professor in the Lewis Center for the Arts at Princeton University and a former Distinguished Professor for the City University of New York.

Sit back, relax, and pack snacks for the War Room for Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, Stanley Kubrick's 1964 political satire starring Peter Sellers (x3) and George C. Scott. After a brief New Years break, in this episode of the Nuclear Movie Club, NukeTalk producer Rebecka Green and Ploughshares Roger L. Hale Fellow Scott Strgacich discuss Dr. Strangelove's unique satirical approach to depicting nuclear threat, war rooms, and...Chess: The Musical?  Follow NukeTalk on Instagram and X @nuke_talk and Ploughshares on Instagram and X @plough_shares to be the first in the know about the movie of the week. Questions, comments, or movie trivia? Email podcast@ploughshares.org—we'll do our best to read it on the air! See you at the movies!

Liz Robbins won the 2025 Rattle Chapbook Prize for her book Backlit. She's author of four previous collections, including Night Swimming, which won the 2023 Cold Mountain Press Annual Book Contest, and Play Button, which won the Cider Press Review Book Award, judged by Patricia Smith. She lives in St. Augustine, Florida, where she works as an editor, as well as a poetry screener for Ploughshares. Find more on Liz at her website: https://www.lizrobbins.net/ As always, we'll also include the live Prompt Lines for responses to our weekly prompt. Submit your poems through Submittable by midnight Sunday for a chance to be invited: https://rattle.submittable.com/submit/269309/rattlecast-prompt-poems-online For links to all the past episodes, visit: https://www.rattle.com/page/rattlecast/ This Week's Prompt: Write a poem about a time something was put somewhere that it didn't belong. Include an unusual detail about the person that found it. Next Week's Prompt: Write a poem that explores how one of the cognitive biases has shaped your life. The Rattlecast livestreams on YouTube, Facebook, and Twitter, then becomes an audio podcast. Find it on iTunes, Spotify, or anywhere else you get your podcasts.

On this episode of the Below the Radar B-Sides, our host Am Johal is joined by Kelsey Gallagher, Senior Researcher with Project Ploughshares. They chat about Kelsey's work with Ploughshares on Canadian arms export control policies, and Bill C-233, or the No More Loopholes Act. Bill C-233 is a private member's bill put forward by MP Jenny Kwan to press Canada to abide by the Arms Trade Treaty that it signed in 2019. It is set to be voted on in Parliament at Second Reading in late-February 2026. Full episode details: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/btr-bsides-kelsey-gallagher.html Resources: Kelsey Gallagher's work with Ploughshares: https://ploughshares.ca/author/kelsey-gallagher/ Ploughshares Report on Bill C-233: https://ploughshares.ca/situating-bill-c-233-within-canadas-arms-control-framework/ Parliamentary Petition on No More Loopholes Act: https://www.ourcommons.ca/petitions/en/Petition/Details?Petition=e-6808&fbclid=IwY2xjawPSRrFleHRuA2FlbQIxMABicmlkETFKNndhNE1pV0tKTVhCQlRKc3J0YwZhcHBfaWQQMjIyMDM5MTc4ODIwMDg5MgABHox9BGh-D98cXXqyy823e2-_3ehTWtk_u1bHQNbpF4E0PwvdRYLwV5BT2on__aem_1GUchewA_DmcwDwE2Gp0Iw Public Forum on January 30, 2026: https://events.sfu.ca/event/47169-the-no-more-loopholes-act-cleaning-up-the-canadian Bio: Kelsey Gallagher is a Senior Researcher with Project Ploughshares, where he focuses on conventional arms controls and the Canadian arms trade. He monitors exports of conventional weapons and their use in conflict abroad, as well as export control policy and transparency. Cite this episode: Chicago Style Johal, Am. “No More Loopholes Act — with Kelsey Gallagher.” Below the Radar, SFU's Vancity Office of Community Engagement. Podcast audio, January 12, 2026. https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/btr-bsides-kelsey-gallagher.html.

We read and discuss "Ode on a Grecian Urn" by John Keats and poems from her newest book Burn, published in 2025 by Pitt Press.Barbara Hamby was born in New Orleans and raised in Honolulu. Her poems have appeared in The New Yorker, Poetry, American Poetry Review, Ploughshares, Yale Review, and The New York Times. She is the author of seven poetry collections including Holoholo (2021), Bird Odyssey (2018), On the Street of Divine Love: New and Selected Poems (2014), All-Night Lingo Tango (2009), and Babel (2004). Her second book, The Alphabet of Desire (1999) won the New York University Press Prize for Poetry. Her first book, Delirium (1995), won the Vassar Miller Prize, The Kate Tufts Award, and the Poetry Society of America's Norma Farber First Book Award.The John Simon Guggenheim Memorial Foundation honored Barbara as a 2010 Guggenheim Fellow in Poetry. Her short story collection Lester Higata's 20th Century won the 2010 Iowa Short Fiction Award.Barbara edited an anthology of poems, Seriously Funny (Georgia, 2009), with her husband David Kirby. She teaches at Florida State University where she is a Distinguished University Scholar.

We read from Matthew's newest book and also the poem My Father's Locker by James Ciano.Matthew Nienow's recently released collection, If Nothing (Alice James Books, 2025), has been recommended by the New York Times Book Review, the Washington Post Book Club, Publishers Weekly, and Poetry Northwest. He is also the author of House of Water (Alice James Books, 2016) and three earlier chapbooks. His poems and essays have appeared in Gulf Coast, Lit Hub, New England Review, Ploughshares, and Poetry, and have been recognized with fellowships from the Poetry Foundation, the National Endowment for the Arts, the Bread Loaf Writers' Conference, and Artist Trust. He lives in Port Townsend, Washington, with his wife and sons, where he works as a mental health counselor.

Sit back, relax, and hold your loved ones tight for On the Beach, Stanley Kramer's 1959 apocalyptic drama starring Gregory Peck, Ava Gardner, Fred Astaire, and Anthony Perkins. In this episode of the Nuclear Movie Club, NukeTalk producer Rebecka Green and Ploughshares Roger L. Hale Fellow Scott Strgacich discuss On the Beach's depiction of the end times, the creep of nuclear fallout, and whether or not On the Beach may have too much...beach. Love, loss, auto racing, Australians sans Australian accents, nuclear fallout—On the Beach has it all. Follow NukeTalk on Instagram and X @nuke_talk and Ploughshares on Instagram and X @plough_shares to be the first in the know about the movie of the week. Questions, comments, or movie trivia? Email podcast@ploughshares.org—we'll do our best to read it on the air! See you at the movies!

Sit back, relax, and choose your second-in-command wisely for Crimson Tide, Tony Scott's 1995 military thriller starring Denzel Washington and Gene Hackman. In this episode of the Nuclear Movie Club, NukeTalk producer Rebecka Green and Ploughshares Roger L. Hale Fellow Scott Strgacich discuss Crimson Tide's submarine technicalities, the nuclear attitude of the mid-90s, and if the film's mutiny plotline(s) could happen or if they're merely a Hollywood fabrication. Deep sea drama, problematic horse metaphors, command and control, Quentin Tarantino, tiny dogs—Crimson Tide has it all. Follow NukeTalk on Instagram and X @nuke_talk and Ploughshares on Instagram and X @plough_shares to be the first in the know about the movie of the week. Questions, comments, or movie trivia? Email podcast@ploughshares.org—we'll do our best to read it on the air! See you at the movies!

Sit back, relax, and join the Nuclear Movie Club for WarGames, John Badham's 1983 technothriller starring Matthew Broderick and Ally Sheedy—and perhaps better known as the movie that caused President Ronald Reagan *major anxiety* about U.S. cybersecurity. In this episode, NukeTalk producer Rebecka Green and Ploughshares Roger L Hale Fellow Scott Strgacich discuss WarGames's many (many!) themes, technical intricacies, and 80s parenting styles. AI, video games, NORAD, dinosaurs—this movie has it all. Follow NukeTalk on Instagram and X @nuke_talk and Ploughshares on Instagram and X @plough_shares to be the first in the know about the movie of the week. Questions, comments, or movie trivia? Email podcast@ploughshares.org—we'll do our best to read it on the air! See you at the movies!   ***This season of NukeTalk is produced and hosted by Rebecka Green with support from Scott Strgacich. Editing by Ryan Kuhfeld.

Julia Lisella reads her poem "Amulet," and Lisa López Smith reads her poem "Emigrant."Julia Lisella's latest collection of poems, Our Lively Kingdom (Bordighera Press), was named a finalist in the 2023 Paterson Book Prize and Grand Prize Finalist and Poetry Honorable Mention for the Eric Hoffer Book Award. Her other collections include Always, Terrain, and the chapbook, Love Song Hiroshima. Her poems have appeared in Ploughshares, Alaska Quarterly, The Common, Nimrod, Pangyrus and many others. She has received writing residencies at MacDowell, Millay and the Vermont Center for the Arts. She teaches at Regis College and co-curates the Italian-American Writers Association Literary Reading Series in Boston. For more, see www.julialisellapoetry.com.Lisa López Smith is a mother and farmer based in Mexico. Her poems and essays have appeared in over sixty literary journals and have been nominated for the Pushcart, Best New Poets, and Best of the Net. She has a chapbook published by Grayson Books and a forthcoming collection from Nightwood Editions.

Thanksgiving Story with co-hosts, Brian Sellers Petersen and Jerusalem Greer and guests, Rev Jennifer Mattson, St Thomas Episcopal Church, Lancaster PA and Lindsey Martin from the Endall Movement, also Lancaster.  Endall Movement Saint Thomas Episcopal Church, Lancaster Agrarian Ministry Course at the Stevenson School for Ministry RAWTools Swords to Plowshares Northeast   

For the first episode of NukeTalk's new season, Nuclear Movie Club, we are joined by Noah Oppenheim, screenwriter of A House of Dynamite—a new Netflix film by Kathryn Bigelow—and former president of NBC News.  The Nuclear Movie Club will cover 10 defining movies in the nuclear film canon that represent a breadth of plot, theme, tone, and cultural impact. What do these films get right, and wrong, about depictions of nuclear threat? And what are the lasting impacts nuclear films can have on culture, policy, and public opinion? We will explore these questions, themes, and lots of fun facts on this season of NukeTalk. Follow NukeTalk on X @nuke_talk and Instagram @nuke_talk. Learn more about how you can contribute to global nuclear threat reduction by visiting Ploughshares at: ploughshares.org and signing up for our newsletter. This season of NukeTalk is produced and hosted by Rebecka Green. Editing done by Ryan Kuhfeld.

Kai Carlson-Wee is the author of RAIL (BOA Editions, 2018). His next book, The Cloudmaker's Key, is coming out in the fall of 2027. He has received fellowships from the MacDowell Colony, the Bread Loaf Writers' Conference, the Sewanee Writers' Conference, and his work has appeared in Ploughshares, Best New Poets, and the most recent issue of Rattle. His poetry film, Riding the Highline, received the Jury Award at the 2015 Napa Valley Film Festival. A former Wallace Stegner Fellow, he lives in San Francisco and is a lecturer at Stanford University. Find more most recent books here: http://kaicarlsonwee.com/ As always, we'll also include the live Prompt Lines for responses to our weekly prompt. A Zoom link will be provided in the chat window during the show before that segment begins. For links to all the past episodes, visit: https://www.rattle.com/page/rattlecast/ This Week's Prompt: Write a poem about a time you found yourself somewhere you didn't belong, but have the poem turn to somewhere that you do. Next Week's Prompt: Write an assay that includes an allusion to at least five senses. The Rattlecast livestreams on YouTube, Facebook, and Twitter, then becomes an audio podcast. Find it on iTunes, Spotify, or anywhere else you get your podcasts.

National Book Award Finalist Amber McBride, spoke with me about finding her authentic voice, getting yelled at by kids, near-death experiences and the story behind her latest novel-in-verse THE LEAVING ROOM. Amber McBride is an award-winning author, poet, and former assistant professor of poetry, writing, and protest literature. Her debut young adult novel, Me (Moth) was a finalist for the National Book Award, 2021 and won the 2022 Coretta Scott King/John Steptoe Award for New Talent, among many other accolades. Her latest YA novel-in-verse is The Leaving Room, also a 2025 National Book Awards Finalist. “Told from the perspective of a girl hovering between life and death, The Leaving Room is a poignant story about connection, grief, love, and the power of memories.” Amber McBride's middle-grade debut, Gone Wolf, won the Los Angeles Times Book Prize. She holds an MFA in poetry from Emerson College, and her poetry has been published in Ploughshares, The Rumpus, DecomP Magazine, Provincetown Arts, and more. [Discover ⁠⁠⁠⁠The Writer Files Extra⁠⁠⁠⁠: Get 'The Writer Files' Podcast Delivered Straight to Your Inbox at ⁠⁠⁠⁠writerfiles.fm⁠⁠⁠⁠] [If you're a fan of The Writer Files, please ⁠⁠⁠⁠click FOLLOW to automatically see new interviews⁠⁠⁠⁠. And drop us a rating or a review wherever you listen] In this file Amber McBride and I discussed: Overcoming hundreds of rejections early on Finally quitting her assistant professorship to write full time How the loss of her grandfather changed her writing Why anything beyond publishing is icing on the cake How she creates an entire world with a quarter of the words Writing while the world sleeps And a lot more! Show Notes: amber-mcbride.com  76th National Book Awards - Young People's Literature - Finalists The Leaving Room by Amber McBride (Amazon) Amber McBride Amazon Author Page Amber McBride on Threads Amber McBride on TikTok Amber McBride on Instagram Kelton Reid on Twitter Learn more about your ad choices. Visit megaphone.fm/adchoices

Thomas McMullan lives and works in London. His debut novel, The Last Good Man, won the 2021 Betty Trask Prize. His short fiction has been published in Ploughshares, The Dublin Review, Granta, 3:AM Magazine, Lighthouse and Best British Short Stories, and his journalism has appeared in The Guardian, The Times Literary Supplement, frieze, ArtReview and BBC News. On this episode of Little Atoms he talks to Neil Denny about his latest novel Groundwater. Hosted on Acast. See acast.com/privacy for more information.

Elaine Hsieh Chou is the author of the debut story collection Where Are You Really From, available from Penguin Press. Official September 2025 pick of the Otherppl Book Club. Elaine Hsieh Chou is a Taiwanese American author and screenwriter from California. Described as “the funniest, most poignant novel of the year” by Vogue, her debut novel Disorientation was a New York Times Editors' Choice Book, New York Public Library Young Lions Fiction Award Finalist and Thurber Prize Finalist. A former Rona Jaffe Graduate Fellow at New York University, her Pushcart Award–winning short fiction appears in Guernica, Black Warrior Review, Tin House Online, Ploughshares and The Atlantic, while her essays appear in The Cut and Vanity Fair. She is a Fred R. Brown Literary Award recipient, a Sundance Episodic Lab Fellow and a Gotham Series Creator to Watch. Her work has been supported by the Harry Ransom Center, the New York Foundation for the Arts and Hedgebrook's Writers-in-Residence Program. *** ⁠Otherppl with Brad Listi⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, etc. Get ⁠⁠⁠⁠⁠How to Write a Novel,⁠⁠⁠⁠⁠ the debut audio course from DeepDive. 50+ hours of never-before-heard insight, inspiration, and instruction from dozens of today's most celebrated contemporary authors. Subscribe to ⁠⁠⁠⁠Brad's email newsletter⁠⁠⁠⁠. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support the show on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email the show: letters [at] otherppl [dot] com The podcast is a ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠proud affiliate partner of Bookshop⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

Notes and Links to Andrew Porter's Work     Andrew Porter is the author of four books, including the short story collection The Theory of Light and Matter (Vintage/Penguin Random House), which won the Flannery O'Connor Award for Short Fiction, the novel In Between Days (Knopf), which was a Barnes & Noble “Discover Great New Writers”  selection, an IndieBound “Indie Next” selection, and the San Antonio Express News's “Fictional Work of the Year,” the short story collection The Disappeared (Knopf), which was longlisted for The Story Prize and the Joyce Carol Oates Prize, and the novel The Imagined Life, which was published by Knopf in April 2025. Porter's books have been published in foreign editions in the UK, Australia, and New Zealand and translated into numerous languages, including French, Spanish, Dutch, Italian, Bulgarian, and Korean. In addition to winning the Flannery O'Connor Award, his collection, The Theory of Light and Matter,  received Foreword Magazine's “Book of the Year” Award for Short  Fiction, was a finalist for The Steven Turner Award, The Paterson Prize  and The WLT Book Award, was shortlisted for the William Saroyan International Prize for Writing, and was selected by both The Kansas City Star and The San Antonio Express-News  as one of the “Best Books of the Year.” The recipient of a Pushcart Prize and fellowships from the James Michener-Copernicus Foundation, the W.K. Rose Foundation,  and the Helene Wurlitzer Foundation,  Porter's  short stories have appeared in The Best American Short Stories, One Story, Ploughshares, The Southern Review, The Threepenny Review, The Missouri Review, American Short Fiction, Narrative Magazine, Epoch, Story, The Colorado Review, Electric Literature, and Texas Monthly, among others. He has had his work read on NPR's Selected Shorts and numerous times selected as one of the Distinguished Stories of the Year by Best American Short Stories.  A graduate of the Iowa Writers' Workshop, Porter is currently a Professor of English and Director of the Creative Writing Program at Trinity University in San Antonio.   Buy The Imagined Life   Andrew's Website   Andrew's Wikipedia Page   Book Review for The Imagined Life from New York Times   At about 1:30, Pete makes a clumsy but heartfelt comparison between The Imagined Life and Hemingway's Old Man and the Sea and Andrew shares feedback from readers of his novel At about 3:10, Andrew responds to Pete's question about the book's seeds and talks about “tinker[ing]” with the book's opening for years At about 4:45, Pete remarks on the book's first-person account, and Andrew and Pete discuss the book's opening and ideas of naivete and fallible parents At about 6:45, Pete asks Andrew, who expands about structuring the book and its connection to revision  At about 8:45, Pete compares the setting of the book, 1983 Fullerton, CA, to The Smashing Pumpkins' “1979,” and Andrew discusses similarities  At about 10:30, Pete reflects on the importance of the age given to the book's narrator and the two characterize the book's “father” and Andrew talks about using a 70s/early 80s atmosphere through the young narrator's lens At about 15:30, Pete summarizes an important character introduction and Andrew talks about the importance of an embarrassing faux pas by the narrator's father that might have "professional ramifications” At about 17:30, Andrew responds to Pete's question about the visits that Steven takes to speak with his father's former colleagues in the present-day At about 21:20, Andrew explains connections between Proust (“Proo-st”) and the father, who is obsessed in some ways with Proust's work; Andrew notes personal parallels between the father and Proust At about 24:10, Andrew gives background on Uncle Julian's connection to his brother and his family  At about 25:40, Andrew responds to Pete's questions about the importance of the book's cabana and complicated coupling  At about 27:40, Andrew reflects on Chau's relationship with Steven and the connection as a shared “escape from their home lives” At about 31:00, Andrew responds to Pete's questions about fleeting beautiful moments between father and son At about 32:25, Pete wonders about how Andrew picks character names At about 34:10, Andrew discusses the narrator's son, Finn, and his acting out in school as a function of his parents' marital shakiness  At about 35:30, Pete asks Andrew about a pivotal party and any “ruptures” in relationships that may have followed   At about 38:00, Andrew reflects on possible foreshadowing through letters and notes left behind by Steven's father  At about 40:40, Andrew discusses his mindset in writing an important and off-the-wall culminating scene At about 43:35, The two reflect on ideas of traumas and cycles and anger, especially with regard to Steven's recognition of same  At about 46:30, Pete compliments the ending of the book, ideas of legacy and wonderful book timing At about 47:30, Andrew reflects on his book's setting as key in exploring contrasts between Steven's life then and now, as well as with the world as a whole At about 48:30, Swatch Watch discourse! and vague Bel Biv Devoe reference!      You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Hannah Pittard, a recent guest, is up at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode features an exploration of flawed characters, protagonists who are too real in their actions, and horror and noir as being where so much good and realistic writing takes place. Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 295 with Wright Thompson, a senior writer for ESPN, contributing writer to the Atlantic, and the New York Times bestselling author of Pappylandand The Cost of These Dreams. The Barn, a captivating story of the tragedy of Emmett Till's racist murder, is out in paperback on the day the episode airs, today, September 9.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.  

Notes and Links to Joan Silber's Work    Joan Silber was raised in New Jersey and received her B.A. from Sarah Lawrence College, where she studied writing with Grace Paley. She moved to New York after college and has made it her home ever since. She holds an M.A. from New York University. She's written ten books of fiction--most recently, Mercy, out in fall 2025.  Secrets of Happiness was a Washington Post Best Book of the year and a Kirkus Reviews Best Fiction of the Year.  Improvement won The National Book Critics Circle Award for Fiction and the PEN/Faulkner Award.  She also received the PEN/Malamud Award for Excellence in the Short Story.  Her other works of fiction include Fools, longlisted for the National Book Award and finalist for the PEN/Faulkner Award, The Size of the World, finalist for the Los Angeles Times Prize in Fiction, and Ideas of Heaven, finalist for the National Book Award and the Story Prize.  She's also written Lucky Us, In My Other Life, and In the City (to be reissued by Hagfish in 2026), and her first book, Household Words, won the PEN/Hemingway Award. She's the author of The Art of Time in Fiction, which looks at how fiction is shaped and determined by time, with examples from world writers.  Her short fiction has been chosen for the O. Henry Prize, Best American Short Stories, and the Pushcart Prize.  Stories have appeared in The New Yorker, Tin House, The Southern Review, Ploughshares, Zyzzyva, and other magazines. She's been the recipient of an Award in Literature from the American Academy of Arts and Letters, a Guggenheim Fellowship, and grants from the National Endowment for the Arts and the New York Foundation for the Arts. For many years Joan taught fiction writing at Sarah Lawrence College and in the Warren Wilson MFA Program for Writers.  Joan lives on the Lower East Side of Manhattan, with Jolie, her rescued street dog from Taiwan, and she travels as often as she can, with a particular interest in Asia. Buy Mercy   Joan Silber's Website   Joan Silber's Wikipedia Page   Boston Globe Review of Mercy   At about 2:55, Joan talks about responses about her new novel and how uncertainty is always  At about 3:45, Joan talks about places to buy her new novel and upcoming book events At about 5:05, Joan traces her early relationship with reading and writing and talks about early inspirations like Louisa May Alcott At about 6:55, Joan responds to Pete's question about the catalysts for her writing career, and she references the wonderful Grace Paley and her generative teaching methods At about 8:35, Joan talks about contemporary writers and influences like Charles Baxter, Andrea Barrett, and Margo Livesy At about 9:50, Pete bumbles through a vague comparison in complimenting Joan on her depiction of New York in the 1970s and gives some exposition of the book, especially regarding the book's main protagonist, Ivan  At about 11:25, Joan reflects on Ivan and Eddie as “intellectuallizing” their drug adventures  At about 12:35, Joan responds to Pete asking about Eddie and his mindset and personality  At about 14:45, the two trace the book's inciting incident, involving Eddie and Ivan indulging in drugs to an extreme  At about 17:30, Joan expands on her initial thoughts for the book, and on the secret that Ivan keeps to himself, as well as how she views Ivan in a “complicated” way At about 18:45, Joan responds to Pete's question about whether or not she “sit[s] in judgment of [her] characters” At about 20:20, Pete highlights Ivan and asks Joan's about Eddie “hav[ing] his own kingdom” in Ivan's life, especially with regard to his atonement for Alcoholics Anonymous At about 21:50, Pete traces Astrid/Ginger's career arc, as Ivan sees her rise and connects to Eddie, and Joan expands on why her film being done in Malaysia is connected to real-life regulations in China At about 23:30, Pete asks Joan about how she gets into the mindset to write about “What if?” At about 24:50, Chapter Two is discussed, with a new narrator in Astrid, and her tragedies and triumphs At about 26:10, Joan talks about the movie that takes place in the book, with Astrid as a star; Joan expands upon the “circle” of heroin/opioids in the novel At about 28:30, Joan discusses the “echo in the title” about heroin as the “drug of mercy” At about 29:00, Joan gives background on her choice in including Cara as a character who is a “bystander” to Eddie's abandonment  At about 30:15, Joan and Pete discuss the whys of Cara leaving and getting on the road At about 31:40, Joan talks about Chapter Three as a previously-published chapter/standalone, and how she likes “getting her characters in trouble” At about 32:00, Joan explains how she “follows” Nini into the next chapter, based on a previous quote, and how Joan's own travels influenced her writing about the Iu Mien of Thailand and Laos At about 35:00, Joan describes how Nini's injury in Southeast Asia serves as a vessel for a description of opium's uses/the way it's viewed in a variety of ways around the world  At about 36:15, Pete and Joan discuss the roles of anthropologists and their roles At about 38:30, Cara's chapter is highlighted, with Cara's relationship with her previously-absent father discussed   At about 41:00, Pete asks Joan to discuss the book's title-its genesis and connections to the book's events and characters  At about 42:30, Joan differentiates between mercy and forgiveness  At about 43:00, Pete compliments Joan's work in tracing a long but coherent storyline and her depiction of New York At about 44:10, Joan discusses an exciting upcoming project  At about 45:20, Pete and Joan discuss youth and innocence and aging as key parts    You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Hannah Pittard, a recent guest, is up at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode features an exploration of flawed characters, protagonists who are too real in their actions, and horror and noir as being where so much good and realistic writing takes place. Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 293 with Melissa Lozada-Oliva, a Guatemalan-Colombian-American writer. Her chapbook peluda explores the intersections of Latina identity and hair removal. In her novel-in-verse Dreaming of You (2021, Astra House), a poet brings Selena back to life through a seance and deals with disastrous consequences. Candelaria was named one of the best books of 2023 by VOGUE and USA Today. Her collection of short stories is BEYOND ALL REASONABLE DOUBT, JESUS IS ALIVE! The episode airs on September 2, today, Pub Day.    This episode airs today, September 2, Pub Day.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.

Sylvia Jones is the author of the debut poetry collection Television Fathers, available from Meekling Books. Jones is an adjunct professor at George Washington University. She also works as poetry editor for Black Lawrence Press and serves as a first reader for Ploughshares. Her next book, Dope Callisthenics, is forthcoming from Relegation Books in the Fall of 2026. She earned her M.F.A. from American University in Washington D.C. and lives in Baltimore, MD. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Otherppl with Brad Listi⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, etc. Get ⁠⁠⁠How to Write a Novel,⁠⁠⁠ the debut audio course from DeepDive. 50+ hours of never-before-heard insight, inspiration, and instruction from dozens of today's most celebrated contemporary authors. Subscribe to ⁠⁠Brad's email newsletter⁠⁠. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support the show on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email the show: letters [at] otherppl [dot] com The podcast is a ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠proud affiliate partner of Bookshop⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

Lily Lloyd Burkhalter speaks to managing editor Emily Everett about her essay “Raffia Memory,” which appears in The Common's spring issue. Lily talks about traveling to the Cameroon Grassfields to research the rituals and production of ndop, a traditional dyed cloth with an important role in both spiritual life and, increasingly, economic life as well. She also discusses the book-length project she's working on, which explores loss, grief, fabric, sewing, and weaving. Lily Lloyd Burkhalter is a writer living in Lille, France. She is a Pulitzer Center Reporting Fellow and holds degrees from the University of Virginia and the School of the Art Institute of Chicago. Her work can be found in Ploughshares, Gulf Coast, The Missouri Review, Denver Quarterly, and elsewhere. She is represented by Audrey Crooks at Trident Media Group. She learned to sew in Cameroon and learned to weave in Chicago. ­­Read Lily's essay “Raffia Memory” in The Common here. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine here, and follow us on Instagram, Bluesky, and Facebook. Emily Everett is managing editor of the magazine and host of the podcast. Her new debut novel All That Life Can Afford was the Reese's Book Club pick for April 2025. Her work has appeared in The New York Times Modern Love column, the Kenyon Review, Electric Literature, Tin House, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this episode, Bill and National Security Analyst Joe Cirincione discuss a historic meeting at the White House with multiple world leaders uninvitedly uniting to support Ukrainian President Zelensky and sway President Trump to maintain the alliance commitments to Ukraine. The episode delves into the strategic maneuvering used by European leaders to manipulate Trump through flattery and offers, highlighting how these tactics have momentarily shored up Western support for Ukraine. The discussion extends to the implications of potential US troop involvement, and the complexities surrounding the possibility of Ukraine joining NATO. Plus a brutal assessment of the Putin's Alaska Summit with Trump. Additionally, the episode touches on other geopolitical hot spots, notably the Israeli-Palestinian conflict, and the potential shift in public and political sentiment against Netanyahu's aggressive Gaza strategy. Finally, the conversation veers into the enduring threat of nuclear weapons, recommending Annie Jacobson's book 'Nuclear War: A Scenario' as a gripping read on the subject. Today Bill highlights the work of The Ploughshares, an organization committed to eliminating the threat of nuclear weapons. More information at Ploughshares.orgSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.