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Day 7: Keetje Kuipers reads her poem “Cremello Horse,” which first appeared in the magazine 32 Poems and was then published in Lonely Women Make Good Lovers (BOA Editions, 2025). Keetje Kuipers' fourth collection of poetry, Lonely Women Make Good Lovers, was the recipient of the Isabella Gardner Award. Her poetry and prose have appeared in American Poetry Review, New York Times Magazine, and Poetry, and have been honored by publication in the Pushcart Prize and Best American Poetry anthologies. Keetje has been a Stegner Fellow, NEA Literature Fellow in Creative Writing, and the Margery Davis Boyden Wilderness Writing Resident. She lives with her wife and children in Montana, where she is Editor of Poetry Northwest. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog. Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language. Queer Poem-a-Day is founded and co-directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Library and host of the Deerfield Public Library Podcast. Music for this fifth year of our series is “L'Ange Verrier” from Le Rossignol Éperdu by Reynaldo Hahn, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.
In this NBN Poetry podcast, host Hollay Ghadery speaks with Rosa Castellano about her gorgeous debut collection, All is the Telling (Diode, 2025). All is the Telling is a compelling, transformative collection bridging the personal and political with an emotional intensity that lingers long after the final page. With an intimate and expansive voice, this collection speaks to the human condition in all its beauty and complexity, inviting readers to reflect on their own lives as they are drawn into the intricate web of memory, identity, and survival. The speaker's voice is grounded in the immediacy of lived experience, yet it also reaches outward, echoing the broader struggles of our time. In a world that can often feel fractured, the poems in All Is The Telling offer a space for connection, reflection, and healing. Readers are invited to witness moments of profound emotional truth, where the boundaries between self and other, past and present, blur in disorienting and revelatory ways.At its core, All is the Telling is a meditation on what it means to be human in a world that often demands silence from those who dare to speak their truths. It is a collection that insists on the importance of voice, of telling and retelling our stories so they are not forgotten. The collection's emotional landscape is vast, encompassing themes of love, loss, survival, and the enduring power of storytelling itself. These poems remind us that survival is not simply to endure but to carry forward the stories that define us and to give voice to the histories that have shaped our identities, often against the odds.This is a collection for readers who crave poetry that speaks to the soul—poetry that does not flinch in the face of brutal truths but instead transforms them into something beautiful, something that can be held, examined, and, ultimately, shared. All is the Telling will resonate with anyone who has ever grappled with the complexities of identity and sought to make sense of a world that can be both brutal and tender. It is a collection that asks us to listen—to ourselves, to each other, to the world, and in that listening, find the strength to tell our own stories. For anyone who believes in the power of words to shape lives, challenge injustices, and celebrate the human spirit, this collection will not disappoint. All is the Telling is vital, alive, and endlessly resonant. About the Author:Rosa Castellano, originally from Tampa, Florida, is a poet and teacher living in Richmond, VA. A finalist for Cave Canem's Starshine and Clay Fellowship, and co-founder of the RVA Poetry Fest, her work can be found or is forth coming from RHINO Poetry, Diode, Passages North, Nimrod, The Ninth Letter, and Poetry Northwest among others. All Is The Telling is her first collection of poetry. About Hollay Ghadery: Hollay Ghadery is an Iranian-Canadian writer living in Ontario on Anishinaabe land. Fuse, her memoir of mixed-race identity mental health, was released by Guernica Editions and won a 2023 Canadian Bookclub Award. Her poetry collection, Rebellion Box was released by Radiant Press in 2023, and her short fiction collection, Widow Fantasies, with Gordon Hill Press in fall 2024. Hollay is a host on The New Books Network and co-host on HOWL on CIUT 89.5 FM. She is a book publicist, the Regional Chair of the League of Canadian Poets as well as the Poet Laureate of Scugog Township. www.hollayghadery.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In this NBN Poetry podcast, host Hollay Ghadery speaks with Rosa Castellano about her gorgeous debut collection, All is the Telling (Diode, 2025). All is the Telling is a compelling, transformative collection bridging the personal and political with an emotional intensity that lingers long after the final page. With an intimate and expansive voice, this collection speaks to the human condition in all its beauty and complexity, inviting readers to reflect on their own lives as they are drawn into the intricate web of memory, identity, and survival. The speaker's voice is grounded in the immediacy of lived experience, yet it also reaches outward, echoing the broader struggles of our time. In a world that can often feel fractured, the poems in All Is The Telling offer a space for connection, reflection, and healing. Readers are invited to witness moments of profound emotional truth, where the boundaries between self and other, past and present, blur in disorienting and revelatory ways.At its core, All is the Telling is a meditation on what it means to be human in a world that often demands silence from those who dare to speak their truths. It is a collection that insists on the importance of voice, of telling and retelling our stories so they are not forgotten. The collection's emotional landscape is vast, encompassing themes of love, loss, survival, and the enduring power of storytelling itself. These poems remind us that survival is not simply to endure but to carry forward the stories that define us and to give voice to the histories that have shaped our identities, often against the odds.This is a collection for readers who crave poetry that speaks to the soul—poetry that does not flinch in the face of brutal truths but instead transforms them into something beautiful, something that can be held, examined, and, ultimately, shared. All is the Telling will resonate with anyone who has ever grappled with the complexities of identity and sought to make sense of a world that can be both brutal and tender. It is a collection that asks us to listen—to ourselves, to each other, to the world, and in that listening, find the strength to tell our own stories. For anyone who believes in the power of words to shape lives, challenge injustices, and celebrate the human spirit, this collection will not disappoint. All is the Telling is vital, alive, and endlessly resonant. About the Author:Rosa Castellano, originally from Tampa, Florida, is a poet and teacher living in Richmond, VA. A finalist for Cave Canem's Starshine and Clay Fellowship, and co-founder of the RVA Poetry Fest, her work can be found or is forth coming from RHINO Poetry, Diode, Passages North, Nimrod, The Ninth Letter, and Poetry Northwest among others. All Is The Telling is her first collection of poetry. About Hollay Ghadery: Hollay Ghadery is an Iranian-Canadian writer living in Ontario on Anishinaabe land. Fuse, her memoir of mixed-race identity mental health, was released by Guernica Editions and won a 2023 Canadian Bookclub Award. Her poetry collection, Rebellion Box was released by Radiant Press in 2023, and her short fiction collection, Widow Fantasies, with Gordon Hill Press in fall 2024. Hollay is a host on The New Books Network and co-host on HOWL on CIUT 89.5 FM. She is a book publicist, the Regional Chair of the League of Canadian Poets as well as the Poet Laureate of Scugog Township. www.hollayghadery.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature
In this NBN Poetry podcast, host Hollay Ghadery speaks with Rosa Castellano about her gorgeous debut collection, All is the Telling (Diode, 2025). All is the Telling is a compelling, transformative collection bridging the personal and political with an emotional intensity that lingers long after the final page. With an intimate and expansive voice, this collection speaks to the human condition in all its beauty and complexity, inviting readers to reflect on their own lives as they are drawn into the intricate web of memory, identity, and survival. The speaker's voice is grounded in the immediacy of lived experience, yet it also reaches outward, echoing the broader struggles of our time. In a world that can often feel fractured, the poems in All Is The Telling offer a space for connection, reflection, and healing. Readers are invited to witness moments of profound emotional truth, where the boundaries between self and other, past and present, blur in disorienting and revelatory ways.At its core, All is the Telling is a meditation on what it means to be human in a world that often demands silence from those who dare to speak their truths. It is a collection that insists on the importance of voice, of telling and retelling our stories so they are not forgotten. The collection's emotional landscape is vast, encompassing themes of love, loss, survival, and the enduring power of storytelling itself. These poems remind us that survival is not simply to endure but to carry forward the stories that define us and to give voice to the histories that have shaped our identities, often against the odds.This is a collection for readers who crave poetry that speaks to the soul—poetry that does not flinch in the face of brutal truths but instead transforms them into something beautiful, something that can be held, examined, and, ultimately, shared. All is the Telling will resonate with anyone who has ever grappled with the complexities of identity and sought to make sense of a world that can be both brutal and tender. It is a collection that asks us to listen—to ourselves, to each other, to the world, and in that listening, find the strength to tell our own stories. For anyone who believes in the power of words to shape lives, challenge injustices, and celebrate the human spirit, this collection will not disappoint. All is the Telling is vital, alive, and endlessly resonant. About the Author:Rosa Castellano, originally from Tampa, Florida, is a poet and teacher living in Richmond, VA. A finalist for Cave Canem's Starshine and Clay Fellowship, and co-founder of the RVA Poetry Fest, her work can be found or is forth coming from RHINO Poetry, Diode, Passages North, Nimrod, The Ninth Letter, and Poetry Northwest among others. All Is The Telling is her first collection of poetry. About Hollay Ghadery: Hollay Ghadery is an Iranian-Canadian writer living in Ontario on Anishinaabe land. Fuse, her memoir of mixed-race identity mental health, was released by Guernica Editions and won a 2023 Canadian Bookclub Award. Her poetry collection, Rebellion Box was released by Radiant Press in 2023, and her short fiction collection, Widow Fantasies, with Gordon Hill Press in fall 2024. Hollay is a host on The New Books Network and co-host on HOWL on CIUT 89.5 FM. She is a book publicist, the Regional Chair of the League of Canadian Poets as well as the Poet Laureate of Scugog Township. www.hollayghadery.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry
Slushies, this episode finds Kathy, Lisa and Jason gearing up for AWP, and it's the last one with Divina at the table (we'll miss her contributions!). Three poems by Luiza Flynn-Goodlet get close reading by the team. Lisa admits to feeling initially resistant to the Ars Poetica form with the first poem, but admits to being won over and others agree. Jason connects the meditation on death in this poem and its personification of death to Anthony Hecht's Flight Among the Tombs: Poems. The delightful ways in which the first and third poems are in conversation with each other rounds out a layered discussion. (Not to be missed – Jason attempting some Gen Z slang with his farewell!) At the table: Kathleen Volk Miller, Samantha Neugebauer, Lisa Zerkle, Jason Schneiderman, Divina Boko, Lillie Volpe (sound engineer) Luiza Flynn-Goodlett is the author of Mud in Our Mouths (forthcoming from Northwestern University Press) and Look Alive (winner of the 2019 Cowles Poetry Book Prize from Southeast Missouri State University Press), along with numerous chapbooks, most recently Familiar (Madhouse Press, 2024) and The Undead (winner of Sixth Finch Books' 2020 Chapbook Contest). Her poetry can be found in Fugue, Poetry Northwest, Third Coast, and elsewhere. She serves as a Poetry Editor for the Whiting Award–winning LGBTQIA2S+ literary journal and press Foglifter. Her critical work has appeared in Cleaver, Pleiades, The Adroit Journal, and other venues. Bluesky: luizagurley.bsky.social, Website
Joe Di Prisco reads "National Poetry Month."Novelist, memoirist, and poet, Joseph Di Prisco published his fourth book of poetry, My Last Resume: New & Collected Poems in 2023. His work has appeared in numerous journals and periodicals, and his poetry has been awarded prizes from Poetry Northwest, Bear Star Press, and Bread Loaf. Joe champions writers, artists, educators, and students through his decades of teaching and his involvement with organizations dedicated to the arts, theater, and children's mental health.
As the long, exhausting march toward summer begins for many students, the wise and compassionate David Wagoner takes us to the intersection of love and weakness. Happy reading.David Wagoner was recognized as the leading poet of the Pacific Northwest, often compared to his early mentor Theodore Roethke, and highly praised for his skillful, insightful and serious body of work. He won numerous prestigious literary awards including the Ruth Lilly Poetry Prize, two Pushcart Prizes, and the Academy of Arts and Letters Award, and was nominated twice for the National Book Award. The author of ten acclaimed novels, Wagoner's fiction has been awarded the Sherwood Anderson Foundation Award. Professor emeritus at the University of Washington, Wagoner enjoyed an excellent reputation as both a writer and a teacher of writing. He was selected to serve as chancellor of the Academy of American Poets in 1978, replacing Robert Lowell, and was the editor of Poetry Northwest until 2002.Born in Ohio and raised in Indiana, Midwesterner Wagoner was initially influenced by family ties, ethnic neighborhoods, industrial production and pollution, and the urban environment. His move to the Pacific Northwest in 1954, at Roethke's urging, changed both his outlook and his poetry. Writing in the Contemporary Authors Autobiography Series, Wagoner recalls: “when I drove down out of the Cascades and saw the region that was to become my home territory for the next thirty years, my extreme uneasiness turned into awe. I had never seen or imagined such greenness, such a promise of healing growth. Everything I saw appeared to be living ancestral forms of the dead earth where I'd tried to grow up.” Wagoner's poetry often mourns the loss of a natural, fertile wilderness, though David K. Robinson, writing in Contemporary Poetry, described the themes of “survival, anger at those who violate the natural world” and “a Chaucerian delight in human oddity” at work in the poems as well. Critics have also praised Wagoner's poetry for its crisp descriptive detail and metaphorical bent. However, Paul Breslin in the New York Times Book Review pronounced David Wagoner to be “predominantly a nature poet…as Frost and Roethke were nature poets.”Wagoner's first books, including Dry Sun, Dry Wind (1953), A Place to Stand (1958), and Poems (1959), demonstrate an early mastery of his chosen subject matter and form. Often comprised of observations of nature, Wagoner links his speakers' predicaments and estrangement to the larger imperfection of the world. In Wagoner's second book, A Place to Stand,Roethke's influence is clear, and the book uses journey poems to represent the poet's own quest back to his beginnings. Wagoner's fourth book, The Nesting Ground (1963), reflects his relocation physically, aesthetically and emotionally; the Midwest is abandoned for the lush abundance of the Pacific Northwest, and Wagoner's style is less concerned with lamentation or complaint and more with cataloguing the bounty around him. James K. Robinson called the title poem from Staying Alive (1966) “one of the best American poems since World War II.” In poems like “The Words,” Wagoner discovers harmony with nature by learning to be open to all it has to offer: “I take what is: / The light beats on the stones, / the wind over water shines / Like long grass through the trees, / As I set loose, like birds / in a landscape, the old words.” Robert Cording, who called Staying Alive “the volume where Wagoner comes into his own as a poet,” believed that for Wagoner, taking what is involves “an acceptance of our fragmented selves, which through love we are always trying to patch together; an acceptance of our own darkness; and an acceptance of the world around us with which we must reacquaint ourselves.”Collected Poems 1956-1976 (1976) was nominated for the National Book Award and praised by X. J. Kennedy in Parnassus for offering poems which are “beautifully clear; not merely comprehensible, but clear in the sense that their contents are quickly visible.” Yet it was Who Shall Be the Sun? (1978),based upon Native American myth and legend, which gained critical attention. Hayden Carruth, writing in Harper's Magazine, called the book “a remarkable achievement,” not only for its presentation of “the literalness of shamanistic mysticism” but also for “its true feeling.” Hudson Review's James Finn Cotter also noted how Wagoner “has not written translations but condensed versions that avoid stereotyped language….The voice is Wagoner's own, personal, familiar, concerned. He has achieved a remarkable fusion of nature, legend and psyche in these poems.”In Broken Country (1979), also nominated for the National Book Award, shows Wagoner honing the instructional backpacking poems he had first used in Staying Alive. Leonard Neufeldt, writing in New England Review,called “the love lyrics” of the first section “among the finest since Williams' ‘Asphodel.'” Wagoner has been accused of using staid pastoral conventions in book after book, as well as writing less well about human subjects. However, his books have continued to receive critical attention, often recognized for the ways in which they use encounters with nature as metaphors for encounters with the self. First Light (1983), Wagoner's “most intense” collection, according to James K. Robinson, reflects Wagoner's third marriage to poet Robin Seyfried. And Publishers Weekly celebrated Walt Whitman Bathing (1996) for its use of “plainspoken formal virtuosity” which allows for “a pragmatic clarity of perception.” A volume of new and collected poems, Traveling Light, was released in 1999. Sampling Wagoner's work through the years, many reviewers found the strongest poems to also be the newest. Rochelle Ratner in Library Journal noted “since many of the best are in the ‘New Poems' section, it might make sense to wait for his next volume.” That next volume, The House of Song (2002) won high praise for its variety of subject matter and pitch-perfect craft. Christina Pugh in Poetry declared “The House of Song boasts a superb architecture, and each one of its rooms (or in Italian, stanzas) affords a pleasure that enhances the last.” In 2008 Wagoner published his twenty-third collection of verse, A Map of the Night. Reviewing the book for the Seattle Times, Sheila Farr found many poems shot through with nostalgia, adding “the book feels like a summing-up.” Conceding that “not all the work reaches the high plane of Wagoner's reputation,” Farr described its “finest moments” as those which “resonate with the title, venturing into darkness and helping us recognize its familiar places.”In addition to his numerous books of poetry, David Wagoner was also a successful novelist, writing both mainstream fiction and regional Western fiction. Offering a steady mix of drama seasoned with occasional comedy, Wagoner's tales often involve a naive central character's encounter with and acceptance of human failing and social corruption. In the Contemporary Authors Autobiography Series, Wagoner described his first novel, The Man in the Middle (1954), as “a thriller with some Graham Greene overtones about a railroad crossing watchmen in violent political trouble in Chicago,” his second novel, Money, Money, Money (1955), as a story about “a young tree surgeon who can't touch, look at, or even think about money, though he has a lot of it,” his third novel, Rock (1958) as a tale of “teenage Chicago delinquents,” and his fifth novel, Baby, Come On Inside (1968) as a story “about an aging popular singer who'd lost his voice.” As a popular novelist, however, Wagoner is best known for The Escape Artist (1965), the story of an amateur magician and the unscrupulous adults who attempt to exploit him, which was adapted as a film in 1981. Wagoner produced four successful novels as a Western “regional” writer. Structurally and thematically, they bear similarities to his other novels. David W. Madden noted in Twentieth-Century Western Writers: “Central to each of these [Western] works is a young protagonist's movement from innocence to experience as he journeys across the American frontier encountering an often debased and corrupted world. However, unlike those he meets, the hero retains his fundamental optimism and incorruptibility.”Although Wagoner wrote numerous novels, his reputation rests on his numerous, exquisitely crafted poetry collections, and his dedication as a teacher. Harold Bloom said of Wagoner: “His study of American nostalgias is as eloquent as that of James Wright, and like Wright's poetry carries on some of the deepest currents in American verse.” And Leonard Neufeldt called Wagoner “simply, one of the most accomplished poets currently at work in and with America…His range and mastery of subjects, voices, and modes, his ability to work with ease in any of the modes (narrative, descriptive, dramatic, lyric, anecdotal) and with any number of species (elegy, satirical portraiture, verse editorial, apostrophe, jeremiad, and childlike song, to name a few) and his frequent combinations of a number of these into astonishingly compelling orchestrations provide us with an intelligent and convincing definition of genius.”Wagoner died in late 2021 at age 95.-bio via Poetry Foundation This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe
Joe Di Prisco reads "The Cancellation of Spring" and "I Was Just Leaving."Novelist, memoirist, and poet, Joseph Di Prisco published his fourth book of poetry, My Last Resume: New & Collected Poems in 2023. His work has appeared in numerous journals and periodicals, and his poetry has been awarded prizes from Poetry Northwest, Bear Star Press, and Bread Loaf. Joe champions writers, artists, educators, and students through his decades of teaching and his involvement with organizations dedicated to the arts, theater, and children's mental health.
Luke and Dion read some Larry Levis and then take a deep dive into Luke's latest book. Luke Johnson is the author of Quiver (Texas Review Press), a finalist for the Jake Adam York Prize, the Vassar Miller Award, The Levis Prize and the Bittingham. It was recently named a finalist for the California Book Award, winner announced in May. His second full length Distributary is forthcoming Fall 2025 from Texas Review Press. You can find more of his work at Kenyon Review, Prairie Schooner, Narrative Magazine, Poetry Northwest and elsewhere.
https://www.diprisco.com/ Joseph Di Prisco is the acclaimed author of two bestselling memoirs (Subway to California and The Pope of Brooklyn), six novels (Confessions of Brother Eli, Sun City, All for Now, The Alzhammer, Sibella & Sibella, and The Good Family Fitzgerald), and three books of poetry (Wit'sEnd,Poems in Which, and Sightlines from the Cheap Seats). He is also the co-author of two bestselling books on childhood and adolescence (Field Guide to the American Teenager and Right from Wrong). He is Series Editor of Simpsonistas: Tales from New Literary Project, the annual anthology. His book reviews, essays, and poems have appeared in numerous journals and periodicals, and his poetry has been awarded prizes from Poetry Northwest, Bear Star Press, and Bread Loaf. His new book, My Last Resume: New and Collected Poems showcases an exquisite body of poetry spanning more than five decades. Joseph champions writers, artists, educators, and students. He taught for decades, middle school, high school, college, and beyond, and he has served on boards as chair or trustee of not-for-profits dedicated to the arts, theater, children's mental health, and schools. In 2015 he founded the not-for-profit New Literary Project (New Lit), in partnership with the University of California, Berkeley, English Department. New Lit drives social change and unleashes artistic power across the generations by offering writing workshops free of charge to teenage writers, investing in creative writers who teach high school, and supporting mid-career authors via the annual Joyce Carol Oates Prize, which he directs. Born in Brooklyn and a longtime Berkeley resident and Cal graduate, he now lives with his wife, photographer Patti James, and their two whippets in Lafayette, California. --- Send in a voice message: https://podcasters.spotify.com/pod/show/lisa-tomey/message
Day 16: Matthew Gellman reads his poem “Beforelight,” originally published in Passages North, 2018. Matthew Gellman is the author of a chapbook, Night Logic, which was selected by Denise Duhamel as the winner of Tupelo Press' 2021 Snowbound Chapbook Award. His first book, Beforelight, was selected by Tina Chang as the winner of the A. Poulin, Jr. Poetry Prize and is forthcoming from BOA Editions. Matthew has received awards and honors from the National Endowment for the Arts, Brooklyn Poets, the Adroit Journal's Djanikian Scholars Program, the Saltonstall Foundation for the Arts, the New York State Summer Writers Institute and the Academy of American Poets. His poems have appeared in Poetry Northwest, Gulf Coast, Narrative, The Common, the Missouri Review, Indiana Review, Ninth Letter, Lambda Literary's Poetry Spotlight, and other publications. He lives in New York, where he teaches at Hunter College and Fordham University. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog. Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language. Queer Poem-a-Day is directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C sharp minor, by Ethel Smyth, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.
Molly talks with Diego Báez about his book, "Yagueareté White: Poems (Camino del Sol). ABOUT YAGUEARETÉ WHITE: POEMS In Diego Báez's debut collection, Yaguareté White, English, Spanish, and Guaraní encounter each other through the elusive yet potent figure of the jaguar. The son of a Paraguayan father and a mother from Pennsylvania, Báez grew up in central Illinois as one of the only brown kids on the block—but that didn't keep him from feeling like a gringo on family visits to Paraguay. Exploring this contradiction as it weaves through experiences of language, self, and place, Báez revels in showing up the absurdities of empire and chafes at the limits of patrimony, but he always reserves his most trenchant irony for the gaze he turns on himself. Notably, this raucous collection also wrestles with Guaraní, a state-recognized Indigenous language widely spoken in Paraguay. Guaraní both structures and punctures the book, surfacing in a sequence of jokes that double as poems, and introducing but leaving unresolved ambient questions about local histories of militarism, masculine bravado, and the outlook of the campos. Cutting across borders of every kind, Báez's poems attempt to reconcile the incomplete, contradictory, and inconsistent experiences of a speaking self that resides between languages, nations, and generations. Yaguareté White is a lyrical exploration of Paraguayan American identity and what it means to see through a colored whiteness in all of its tangled contradictions. ABOUT DIEGO BAEZ Diego Báez is a writer, educator, and abolitionist. He is the author of Yaguareté White (Univ. Arizona, 2024), a finalist for The Georgia Poetry Prize and a semi-finalist for the Berkshire Prize for Poetry. A recipient of fellowships from CantoMundo, the Surge Institute, the Poetry Foundation Incubator for Community-Engaged Poets, and DreamYard's Rad(ical) Poetry Consortium, Diego has served on the boards of the National Book Critics Circle, the International David Foster Wallace Society, and Families Together Cooperative Nursery School. Poems have previously appeared or are forthcoming in Freeman's, Poetry Northwest, and Latino Poetry: A New Anthology. Diego lives in Chicago and teaches poetry, English composition, and first-year seminars at the City Colleges, where he is an Assistant Professor of Multidisciplinary Studies. _______________________________________________________________ One easy way to support this show is to rate and review Read Between the Lines wherever you listen to our podcast. Those ratings really help us and help others find our show. Read Between the Lines is hosted by Molly Southgate and is produced/edited by Rob Southgate for Southgate Media Group. Follow this show on Facebook @ReadBetweentheLinesPod Follow our parent network on Twitter at @SMGPods Make sure to follow SMG on Facebook too at @SouthgateMediaGroup Learn more, subscribe, or contact Southgate Media Group at www.southgatemediagroup.com. Check out our webpage at southgatemediagroup.com
Jalen Eutsey is a 2022-2024 Wallace Stegner Fellow at Stanford University. His poems have appeared in Best New Poets 2022, Nashville Review, Poetry Northwest, Harper Pallet, and The Hopkins Review.
In this edition of Madison Book Beat, host Andrew Thomas speaks with poet Daniel Khalastchi about hist new collection The Story of Your Obstinate Survival (2024, University of Wisconsin Press).The Story of Your Obstinate Survival is a propulsive collection. It's very funny, uncannily mundane and starkly surreal. The poems are a collision of juxtapositions and images, each one brimming with a vigor and vitality that demands re-reading, reading aloud, and maybe even setting to music. The lyrical wordplay will stop you in your tracks, either with laughter or with an appreciation for the delightfully weird scenes unfolding before you. The poems speak to an obstinate persistence, to enduring beyond a routinely felt sense of an ending.Daniel Khalastchi is an Iraqi Jewish American. A graduate of the Iowa Writers' Workshop and a former fellow at the Fine Arts Work Center in Provincetown, he is the author of four books of poetry—Manoleria (Tupelo Press), Tradition (McSweeney's), American Parables (University of Wisconsin Press, winner of the Brittingham Prize in Poetry), and The Story of Your Obstinate Survival (University of Wisconsin Press). His work has appeared in numerous publications, including The American Poetry Review, The Believer Logger, Colorado Review, Denver Quarterly, Electric Lit, Granta, The Iowa Review, Poetry Northwest, and Best American Experimental Writing. Daniel has taught advanced writing, literature, and publishing courses at Augustana College, Marquette University, and the University of Iowa, most recently as a Visiting Assistant Professor at the Iowa Writers' Workshop. He currently lives in Iowa City where he directs the University of Iowa's Magid Center for Writing. He is the cofounder and managing editor of Rescue Press.Author photo courtesy of University of Wisconsin Press
Bill welcomes poet, memoirist, and novelist Joseph Di Prisco to the show. Joseph is the acclaimed author of two bestselling memoirs (Subway to California and The Pope of Brooklyn), six novels (Confessions of Brother Eli, Sun City, All for Now, The Alzhammer, Sibella & Sibella, and The Good Family Fitzgerald), and three books of poetry (Wit's End, Poems in Which, and Sightlines from the Cheap Seats). He is also the co-author of two bestselling books on childhood and adolescence (Field Guide to the American Teenager and Right from Wrong). He is Series Editor of Simpsonistas: Tales from New Literary Project, the annual anthology. His book reviews, essays, and poems have appeared in numerous journals and periodicals, and his poetry has been awarded prizes from Poetry Northwest, Bear Star Press, and Bread Loaf. His new book, My Last Resume: New and Collected Poems showcases an exquisite body of poetry spanning more than five decades.
Bellingham poet Elizabeth Vignali buzzes in to read from her newest book and also to read and discuss Dorianne Laux's poem "Facts about the Moon. Elizabeth Vignali is the author of the poetry collection House of the Silverfish (Unsolicited Press 2021) and three chapbooks, the most recent of which is Endangered [Animal] (Floating Bridge Press 2019). Her work has appeared in Willow Springs, Cincinnati Review, Poetry Northwest, Mid-American Review, Tinderbox, The Literary Review, and others. She lives in the Pacific Northwest, where she works as an optician, produces the Bellingham Kitchen Session reading series, and serves as poetry editor of Sweet Tree Review.
Tony Diaz, El Librotraficante, speaks w/ the featured artists for the celebration of poetry, prose, and visual expression w/ a special event: Nuestra Palabra & Tintero Projects Present: Poetry at Torre Latina! The night will feature a Q&A w/ our poets & artists, book signing, visual art exhibits, and a preview of the new Nuestra Palabra offices at Torre Latina are included and the best part is that admission is free. Tuesday, March 5th, 2024 Nuestra Palabra & Tintero Projects Present: POETRY AT TORRE LATINA @ Torre Latina Professional Building 150 W Parker Rd., 5th Floor (I-45N @ Parker Rd) Houston, TX 77076 FREE ADMISSION Our featured guests: ire'ne lara silva The 2023 Texas State Poet Laureate and the author of five poetry collections, furia, Blood Sugar Canto, CUICACALLI/House of Song, FirstPoems, and the eaters of flowers, two chapbooks, Enduring Azucares and Hibiscus Tacos, and a short story collection, flesh to bone, which won the Premio Aztlán. ire'ne is the recipient of a 2021 Tasajillo Writers Grant, a 2017 NALAC Fund for the Arts Grant, the final Alfredo Cisneros del Moral Award, and was the Fiction Finalist for AROHO's 2013 Gift of Freedom Award. Most recently, ire'ne was awarded the 2021 Texas Institute of Letters Shrake Award for Best Short Nonfiction. ire'ne is currently a Writer at Large for Texas Highways Magazine and is working on a second collection of short stories titled, the light of your body. Her first comic book, VENDAVAL, will be released by the Chispa Imprint of Scout Comics in April 2024. Octavio Quintanilla Author of the poetry collection, If I Go Missing (Slough Press, 2014) and served as the 2018-2020 Poet Laureate of San Antonio, TX. His poetry, fiction, translations, and photography have appeared, or are forthcoming, in journals such as Salamander, RHINO, Alaska Quarterly Review, and elsewhere. His Frontextos (visual poems) have been published in Poetry Northwest, Gold Wake Live, Newfound, Chachalaca Review, & The Langdon Review of the Arts in Texas. Octavio's visual work has been exhibited at the Southwest School of Art, Presa House Gallery, Equinox Gallery, UTRGV-Brownsville, the Weslaco Museum, and in the Emma S. Barrientos Mexican American Cultural Center / Black Box Theater in Austin, TX. He holds a Ph.D. from the University of North Texas and is the regional editor for Texas Books in Review and poetry editor for The Journal of Latina Critical Feminism & for Voices de la Luna: A Quarterly Literature & Arts Magazine. Octavio teaches Literature and Creative Writing in the M.A./M.F.A. program at Our Lady of the Lake University in San Antonio, Texas. Angelina Sáenz An award-winning educator and poet. She is a UCLA Writing Project fellow, an alumna of the VONA/Voices Workshop for Writers of Color and a Macondo Writer's Workshop Fellow. Her poetry has appeared in venues such as Diálogo, Split this Rock, Out of Anonymity, Angels Flight Literary West, Every Other, Cockpit Revue Paris and The Acentos Review. Her debut book of poetry Edgecliff was released in December of 2021 w/ FlowerSongPress. Maestra, is her second collection of poetry. Marie Elena Cortés Marie graduated from Houston Baptist University in 1996 and has teaching experience in Elementary and Middle School. Since, Cortes created her writing club in 2005, Kids Write to Know, she has presented to over 200,000 students, parents and educators at schools, libraries, churches, festivals, and conferences in over 45 cities in the USA, Mexico and Puerto Rico. Marie Elena's powerful multimedia presentations include storytelling, poetry, art, mini-writing workshops, and readings of her books: “My Annoying Little Brother”, “My First Classroom” and NEGLECTED BY TWO COUNTRIES-winner of the International Latino Book Awards (2014) and Books into Movies Award (2015). Nuestra Palabra is funded in part by the BIPOC Arts Network Fund. Instrumental Music produced / courtesy of Bayden Records baydenrecords.beatstars.com
After her prize-winning debut, Karen Rigby returns with a beguiling ars poetica and tribute to the dazzling. From Dior to Olympic figure skating, Bruegel to British crime drama, Rigby's poems revere memorable art, where “performance masks the hours.” Here, thread galvanizes air. A poem is a diamond heist. And menace and elegance are twin gloves directing each cinematic moment. A book of feminine ardor, teenaged MDD and survival, Fabulosa (Jackleg Press, 2024) embroiders beauty out of ache, raises culturally difficult topics with poise, and helps readers feel seen with elegance and originality. Born in the Republic of Panama in 1979, Karen Rigby now lives and writes in Arizona. Her latest poetry book, Fabulosa, is forthcoming from JackLeg Press in 2024. Her debut poetry book, Chinoiserie, was selected by Paul Hoover for a 2011 Sawtooth Poetry Prize.Karen's work has been honored by a National Endowment for the Arts literature fellowship, a Vermont Studio Center Fellowship, and an Artist Opportunity Grant from the Greater Pittsburgh Arts Council. She is a 2023 recipient of an Artist Opportunity Grant from the Arizona Commission on the Arts. Her poetry is published in journals such as The London Magazine, Poetry Northwest, The Oxonian Review, and Australian Book Review. She is a freelance book reviewer and lives in Arizona. Preorder Fabulosa here. You can learn more about Megan Wildhood at meganwildhood.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
After her prize-winning debut, Karen Rigby returns with a beguiling ars poetica and tribute to the dazzling. From Dior to Olympic figure skating, Bruegel to British crime drama, Rigby's poems revere memorable art, where “performance masks the hours.” Here, thread galvanizes air. A poem is a diamond heist. And menace and elegance are twin gloves directing each cinematic moment. A book of feminine ardor, teenaged MDD and survival, Fabulosa (Jackleg Press, 2024) embroiders beauty out of ache, raises culturally difficult topics with poise, and helps readers feel seen with elegance and originality. Born in the Republic of Panama in 1979, Karen Rigby now lives and writes in Arizona. Her latest poetry book, Fabulosa, is forthcoming from JackLeg Press in 2024. Her debut poetry book, Chinoiserie, was selected by Paul Hoover for a 2011 Sawtooth Poetry Prize.Karen's work has been honored by a National Endowment for the Arts literature fellowship, a Vermont Studio Center Fellowship, and an Artist Opportunity Grant from the Greater Pittsburgh Arts Council. She is a 2023 recipient of an Artist Opportunity Grant from the Arizona Commission on the Arts. Her poetry is published in journals such as The London Magazine, Poetry Northwest, The Oxonian Review, and Australian Book Review. She is a freelance book reviewer and lives in Arizona. Preorder Fabulosa here. You can learn more about Megan Wildhood at meganwildhood.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature
After her prize-winning debut, Karen Rigby returns with a beguiling ars poetica and tribute to the dazzling. From Dior to Olympic figure skating, Bruegel to British crime drama, Rigby's poems revere memorable art, where “performance masks the hours.” Here, thread galvanizes air. A poem is a diamond heist. And menace and elegance are twin gloves directing each cinematic moment. A book of feminine ardor, teenaged MDD and survival, Fabulosa (Jackleg Press, 2024) embroiders beauty out of ache, raises culturally difficult topics with poise, and helps readers feel seen with elegance and originality. Born in the Republic of Panama in 1979, Karen Rigby now lives and writes in Arizona. Her latest poetry book, Fabulosa, is forthcoming from JackLeg Press in 2024. Her debut poetry book, Chinoiserie, was selected by Paul Hoover for a 2011 Sawtooth Poetry Prize.Karen's work has been honored by a National Endowment for the Arts literature fellowship, a Vermont Studio Center Fellowship, and an Artist Opportunity Grant from the Greater Pittsburgh Arts Council. She is a 2023 recipient of an Artist Opportunity Grant from the Arizona Commission on the Arts. Her poetry is published in journals such as The London Magazine, Poetry Northwest, The Oxonian Review, and Australian Book Review. She is a freelance book reviewer and lives in Arizona. Preorder Fabulosa here. You can learn more about Megan Wildhood at meganwildhood.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry
The Poetry Vlog (TPV): A Poetry, Arts, & Social Justice Teaching Channel
In this episode of TPV, Woogee Bae discusses environmental poetry, or ecopoetry, as a way build community. She reads from Eric Sneathen's "Snail Poems" and shares the zine-making process behind the journal she edits, Snail Trail Press. This episode will be re-edited and adapted with a Critical Framing and sample lesson plans in The Poetry Vlog: Critical Edition. Forthcoming from University of Michigan Press, Fulcrum. Woogee Bae writes poems and edits at Snail Trail Press. She received her MFA from the University of Washington Bothell's Creative Writing and Poetics Program. Writings can be found in P-QUEUE, Poetry Northwest, Tagvverk, and elsewhere. Learn more at https://www.woogeebae.com. Captions and transcript available in the YouTube Edition: https://youtu.be/JlRIkuJzMhw
Erin Hoover was born in Harrisburg, Pennsylvania. She is the author of two poetry collections: Barnburner (Elixir, 2018), which won the Antivenom Poetry Award and a Florida Book Award, and No Spare People (Black Lawrence, 2023). Her poems have appeared in The Best American Poetry and in journals such as Cincinnati Review, Poetry Northwest, Shenandoah, and The Sun. Hoover lives in Tennessee and teaches creative writing at Tennessee Tech University. She curates and hosts a poetry reading series, Sawmill Poetry, and produces the “Not Abandon, but Abide” monthly interview series for the Southern Review of Books. Her most recent collection of poems can be found within her latest release, NO SPARE PEOPLE. Learn more at erinhooverpoet.com
Molly talks with author Ananda Lima about her book, "Mother/land". Order "Mother/land" from an independent bookseller at this link: https://bookshop.org/a/10588/9781625570260 or at Amazon right here https://amzn.to/3F82UgN About Mother/land MOTHER/LAND is focused on the intersection of motherhood and immigration and its effects on a speaker's relationship to place, others and self. It investigates the mutual and compounding complications of these two shifts in identity while examining legacy, history, ancestry, land, home, and language. The collection is heavily focused on the latter, including formal experimentation with hybridity and polyvocality, combining English and Portuguese, interrogating translation and transforming traditional repeating poetic forms. These poems from the perspective of an immigrant mother of an American child create a complex picture of the beauty, danger and parental love the speaker finds and the legacy she brings to her reluctant new motherland. #Poetry #Latinx Studies. About the author Ananda Lima's poetry collection Mother/land (Black Lawrence Press, forthcoming 2021) is the winner of the Hudson Prize. She is also the author of the chapbooks Translation (Paper Nautilus, 2019, winner of the Vella Chapbook Prize), Amblyopia (Bull City Press – INCH series, 2020), and Tropicália (Newfound, forthcoming in 2021 winner of the Newfound Prose Prize). Her work has appeared or is upcoming in The American Poetry Review, Poets.org, Kenyon Review Online, Gulf Coast, Poetry Northwest, The Common, and elsewhere. She has an MA in Linguistics from UCLA and an MFA in Creative Writing in Fiction from Rutgers University, Newark.
NO SPARE PEOPLE documents the joys and perils of a tiny mother-daughter family navigating life on the margins. From poems about finding autonomy as a queer, unpartnered parent by choice in the South to those chronicling a generation's economic instability, Hoover rejects so-called "acceptable losses" stemming from inequalities of gender, race, and class. The book asks, what happens to the woman no longer willing to live a lie? How does language invent not only identity, but possibility? Order "No Spare People" from Amazon right here https://a.co/d/87HOvSB About the author: Erin Hoover is the author of two poetry collections, Barnburner (2018) and No Spare People (forthcoming in 2023, Black Lawrence Press). Her poems have appeared in The Best American Poetry and Best New Poets, and in journals such as Cincinnati Review, Florida Review, Poetry Northwest, and Shenandoah. She lives in rural Tennessee and teaches creative writing at Tennessee Tech.
September 2023 Dante's Oliver de la Paz is the Poet Laureate of Worcester, MA for 2023-2025. He is the author and editor of seven books: Names Above Houses, Furious Lullaby, Requiem for the Orchard, Post Subject: A Fable, and The Boy in the Labyrinth, a finalist for the Massachusetts Book Award in Poetry. His newest work, The Diaspora Sonnets, is published by Liveright Press (2023) and is longlisted for the National Book Award. With Stacey Lynn Brown he co-edited A Face to Meet the Faces: An Anthology of Contemporary Persona Poetry. Oliver serves as the co-chair of the Kundiman advisory board. His work has appeared in The New York Times, Poetry, American Poetry Review, and elsewhere. He has received grants from the NEA, NYFA, the Artist's Trust, the Massachusetts Cultural Council, the Academy of American Poets Laureate Fellowship, and has been awarded multiple Pushcart Prizes. He teaches at the College of the Holy Cross and in the Low-Residency MFA Program at PLU. Website: https://www.oliverdelapaz.com/ Facebook: https://www.facebook.com/oliver.delapaz1 Instagram: odelapaz Twitter (X): @Oliver_delaPaz Threads; @odelapaz Blue Sky: @oliverdelapaz.bsky.social TikTok: odeladog27 Lynne Kemen lives in Upstate New York. Her chapbook, More Than a Handful, was published in 2020. She is published in Silver Birch Press, The Ravens Perch, Poetica Review, Stone Canoe, Spillwords, Topical Poetry, Fresh Words, The Ekphrastic Review, Lothlorien Poetry, and Blue Mountain Review. Lynne is the Interim President of Bright Hill Press. She is an Editor for the Blue Mountain Review and a lifetime member of The Southern Collective Experience. She has a new book, Shoes for Lucy, that will be published in early 2023 by SCE. website: https://lynnekemen.com/ Facebook: Lynne Kemen Twitter (X): @psychadv Instagram: lynnekemen Luke Johnson is the author of Quiver (Texas Review Press), a finalist for The Jake Adam York Prize, The Levis Award, The Vassar Miller Prize and the Brittingham. His second book A Slow Indwelling, a call and response with the poet Megan Merchant, is forthcoming from Harbor Editions Fall 2024. You can find more of his work at Kenyon Review, Prairie Schooner, Narrative Magazine, Poetry Northwest and elsewhere. Connect on Twitter at @Lukesrant or through email: writerswharfmb@gmail.com. Website: lukethepoet.com Songs Provided by: Christa Wells www.patreon.com/christawells https://open.spotify.com/artist/3gCNiuPNPiAA5UQSgb8Uby?si=2PSZA0SJQrmnwme_fP6kbw Instrument by: Justin Johnson www.justinjohnsonlive.com https://open.spotify.com/artist/151RUyDTIDJM8gXwGJbv7z?si=Ti4xx1_kTIGTJgEa182Rew Special Thanks Goes to: Wild Honey Tees: www.wildhoneytees.com Lucid House Press: www.lucidhousepublishing.com UCLA Extension Writing Program: The Crown: www.thecrownbrasstown.com Mercer University Press: www.mupress.org Mr. Classic's Haberdashery: theemanor.org Woodbridge Inn: www.woodbridgeinnjasper.com The Red Phone Booth: www.redphonebooth.com The host, Clifford Brooks', The Draw of Broken Eyes & Whirling Metaphysics, Athena Departs, and Old Gods are available everywhere books are sold. His chapbook, Exiles of Eden, is only available through his website: www.cliffbrooks.com/how-to-order Check out his Teachable courses on thriving with autism and creative writing as a profession here: brookssessions.teachable.com
Rooja Mohassessy buzzes into the Hive to talk about her new book, When Your Sky Runs Into Mine. She also reads a Sylvia Plath poem "Black Rook in Rainy Weather." Rooja Mohassessy is an Iranian-born poet and educator. She is a MacDowell Fellow and an MFA graduate of Pacific University, Oregon. Her debut collection When Your Sky Runs Into Mine (Feb 2023) was the winner of the 22nd Annual Elixir Poetry Award. Her poems and reviews have appeared in Narrative Magazine, Poet Lore, RHINO Poetry, Southern Humanities Review, CALYX Journal, Ninth Letter, Cream City Review, The Adroit Journal, New Letters, The Florida Review, Poetry Northwest, The Pinch, The Rumpus, The Journal, and elsewhere.
In the episode we celebrate the co-hostess with the mostess on her 2 book deal with Harper Collins! Anastacia-Renee (She/They) is a queer writer, educator, interdisciplinary artist, speaker and podcaster. She is the author of (v.) (Black Ocean) and Forget It (Black Radish) and, Here in the (Middle) of Nowhere and Sidenotes from the Archivist forthcoming from Amistad (an imprint of HarperCollins). They were selected by NBC News as part of the list of "Queer Artist of Color Dominate 2021's Must See LGBTQ Art Shows." Anastacia-Renee was former Seattle Civic Poet (2017-2019), Hugo House Poet-in-Residence (2015-2017), Arc Artist Fellow (2020) and Jack Straw Curator (2020). Her work has been anthologized in: Teaching Black: The Craft of Teaching on Black Life and Literature, Home is Where You Queer Your Heart, Furious Flower Seeding the Future of African American Poetry, Afrofuturism, Black Comics, And Superhero Poetry, Joy Has a Sound, Spirited Stone: Lessons from Kubota's Garden, and Seismic: Seattle City of Literature. Her work has appeared in, Hobart, Foglifter, Auburn Avenue, Catapult, Alta, Torch, Poetry Northwest, A-Line, Cascadia Magazine, Hennepin Review, Ms. Magazine and others. Renee has received fellowships and residencies from Cave Canem, Hedgebrook, VONA, Ragdale, Mineral School, and The New Orleans Writers Residency.
Joan Kwon Glass zooms into the Hive to talk about her new book. We also read and discuss Laura Apol's poem "Instructions for the Friends Who Are Sorting my Daughter's Things this Afternoon." Joan Kwon Glass is the mixed-race, Korean American author of Night Swim (Diode Editions, 2022), and three chapbooks (How To Make Pancakes for a Dead Boy, If Rust Can Grow on the Moon, and Bloodline). She serves as poet laureate for Milford, CT, Editor in Chief for Harbor Review and is a Brooklyn Poets Mentor. Joan is an instructor on the faculty of various writing centers including the Hudson Valley Writers Center, Brooklyn Poets & Corporeal. Her poems appear in Poetry Northwest, Ninth Letter, Tahoma Literary Review, Prairie Schooner, Asian American Writer's Workshop, The Slowdown and elsewhere. She is available for manuscript consultations, readings and workshops. Content warning: Discussion of suicide.
Luke Johnson is the author of Quiver (Fall 2023) with Texas Review Press & A Slow Indwelling (Harbor Editions 2024), a collaborative work with the poet Megan Merchant. Quiver was a finalist for the Levis Prize with Four Way Press, The Vassar Miller Award, the Jake Adam York with Milkweed and the Brittingham & Pollock through University of Wisconsin. His poems can be found in Kenyon Review, Prairie Schooner, Narrative, Florida Review, Poetry Northwest & elsewhere. You can buy my book on Amazon: https://shorturl.at/ekNS6 And through the press: https://shorturl.at/uA089 Connect on Twitter at @Lukesrant or Facebook Website: www.lukethepoet.com __________________ N.A. Windsor is the Program Manager of the UCLA Extension Writers' Program and the Co-Regional Advisor of the Los Angeles Region of SCBWI (Society for Children's Book Writers and Illustrators). In both posts, she organizes and produces writing events and conferences. In 2010 she founded the Children's Book Writers of Los Angeles (CBW-LA.org). Through her work with CBW-LA Publications, N.A. has co-created, co-produced, and co-written Story Sprouts and Story Sprouts: Voice. You can learn more about her at: https://www.nawindsor.com/ _____________________ Annette Sisson lives in Nashville, TN, where she is a professor at Belmont University. Her poems have appeared in Valparaiso Poetry Review, Birmingham Poetry Review, Glassworks, Rust and Moth, Blue Mountain Review, Citron Review, Lascaux Review, Cider Press Review, and others. Her book of poetry, Small Fish in High Branches, was published by Glass Lyre in 2022: https://glass-lyrepress.myshopify.com/collections/full-length-collections-1/products/small-fish-in-high-branches. Her poetry chapbook, A Casting Off, was published by Finishing Line in 2019: https://www.finishinglinepress.com/product/a-casting-off-by-annette-sisson/. She was a Mark Strand Scholar for the 2021 Sewanee Writers' Conference and 2020 BOAAT Fellow. She won The Porch Writers' Collective's 2019 poetry prize. ___________________ Brooke McKinney is a poet and writer from South Georgia. She earned her Bachelor of Arts in English from Valdosta State University and holds an MFA in Creative Writing from Hollins University in Roanoke, Virginia. Brooke's work was a finalist in the Key West Emerging Writer's Contest and the World's Best Short-Short Story. Her memoir in progress, Creatures Like Us, has received scholarships to the Sewanee Writers' Conference, Looking Glass Rock Writers' Conference, and Writers in Paradise. She is also the recipient of two Academy of American Poets Awards. _____________________ Music by: David Shaw: https://www.davidshaw.com/ Jacob Bryant: https://www.jacobbryantmusic.com/ Alicia Blue: https://aliciablue.com Special Thanks Goes to: Wild Honey Tees www.wildhoneytees.com The Crown www.thecrownbrasstown.com Mercer University Press www.mupress.org Mr. Classic's Haberdashery www.theemanor.org Woodbridge Inn www.woodbridgeinnjasper.com The Red Phone Booth www.redphonebooth.com The host, Clifford Brooks', The Draw of Broken Eyes & Whirling Metaphysics and Athena Departs are available everywhere books are sold. His chapbook, Exiles of Eden, is only available through my website. To find them all, please reach out to him at: cliffordbrooks@southerncollectiveexperience.com Check out his Teachable courses on thriving with autism and creative writing as a profession here: www.brooks-sessions.teachable.com
Stephen Thomas 7.1.2023Before moving to Europe, Auburn, Washington native Stephen Thomas was quite active in the Seattle literary scene. He came back to Seattle (& other parts of the U.S.) to read from his new book What Is Between Us published by Hand to Mouth Books of Walla Walla. We sat on the deck of the Casa del Colibrí in Rainier Beach and had our chat about his poetry influences, Walt Whitman and Emily Dickinson, the Cabaret Hegel, the arts venue he created and about the new book. The recording of his July 1, 2023, reading at The Booktree in Kirkland can be heard here. My intro went like this: Stephen Thomas was born into a working class Catholic family in Auburn, Washington in 1950. At 12 a teacher played a recording of Emily Dickinson's poems and he says “his fate was sealed.” A pillar of the Seattle poetry scene of the 80s, 90s and 2000s, he founded the Cabaret Hegel in an abandoned factory and presented with many notable performers such as Steven Jesse Bernstein. Stephen Thomas has published work in Exquisite Corpse, Poetry Northwest, the Malahat review and other publications and he currently lives in Germany's Black Forest where he co-founded Gemeinschaft Sonnenwald, a sustainable agriculture community.
Guest host Lena Crown talks with Jessica E. Johnson about miner parents, trees, biology and literature, meaning making, mechanism, metaphor, her new book METABOLICS, the book-length poem form, accumulation, research as authority, place and context, writing the body, troubling the notion of a self, figures and diagrams, and more.Jessica E. Johnson writes poetry and nonfiction. She's the author of the book-length poem Metabolics and the chapbook In Absolutes We Seek Each Other. Her poems, essays, and reviews have appeared in The Paris Review, Tin House, The New Republic, Poetry Northwest, River Teeth, DIAGRAM, Annulet Poetics, The Southeast Review, and Sixth Finch. Podcast theme: DJ Garlik & Bertholet's "Special Sause" used with permission from Bertholet.
Jamaica Baldwin zooms into The Hive to talk about her new book, Bone Language. We read some Vievee Frances and talk about the radical acceptance that poetry can bring. Jamaica, a Santa Cruz native, will be in town to read at The HiveLive! on July 18th at Bookshop Santa Cruz. Reading with her, will be the fabulous Francesca Bell. Jamaica Baldwin's debut collection is Bone Language (YesYes Books 2023). Her poetry has appeared in Guernica, World Literature Today, The Adroit Journal, Indiana Review, Poetry Northwest, and The Missouri Review, among others. Her accolades include a 2023 Pushcart Prize, a National Endowment for the Arts Fellowship, a RHINO Poetry editor's prize, and a Glenna Luschei Prairie Schooner Award. Her writing has been supported by Hedgebrook, Aspen Words, Storyknife, Furious Flower, and the Jack Straw Writers program. Jamaica is currently the associate editor of Prairie Schooner at the University of Nebraska -Lincoln where she is pursuing her PhD in English with a focus on poetry and Women's and Gender Studies. She is originally from Santa Cruz, CA.
Alicia Mountain reads a poem by Pat Parker and "Rewinding the Lesbian Sex Scene on a Flight to Denver" originally published in American Poetry Review. Queer Poem-a-Day Lineage Edition is our new format for year three! Featuring contemporary LGBTQIA+ poets reading a poem by an LGBTQIA+ writer of the past, followed by an original poem of their own. Alicia Mountain is the author of Four in Hand (BOA 2023). Her debut collection, High Ground Coward (Iowa 2018), won of the Iowa Poetry Prize. Her work has appeared in The Nation, Guernica, Pleiades, Poetry Northwest, and American Poetry Review. Mountain was a Clemens Doctoral Fellow at the University of Denver and the 2020-2021 Artist in Residence at the University of Central Oklahoma. She serves on the board of Foglifter, a LGBTQIA+ journal based in the Bay Area. Mountain lives in New York City, where she is an Assistant Teaching Professor in the Writer's Foundry MFA program at St. Joseph's University in Brooklyn. Text of today's original poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language. Find books from participating poets in our library's catalog. Queer Poem-a-Day is directed by poet and teacher Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this third year of our series is AIDS Ward Scherzo by Robert Savage, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.
What were you wearing in the ‘90s, Slushies? Sleeveless flannel and crochet? Paco Rabanne? We're beguiled by Emily Pulfer-Terino's poems on this episode as we discuss how she slides us back to the ‘90s. She has us sniffing magazine perfume inserts and marveling at the properly cranky voice she invokes for an epigraph, borrowed from Vogue's letters to the editor. What were we thinking wearing all those shreds? Only the girls on those glossy pages know for sure. For more context, check out Karina Longworth's excellent podcast, You Must Remember This, and her recent deep dive into the bonkers eroticism of the 1990s. Plus, Sentimental Garbage's episode on Dirty Dancing featuring Curtis Sittenfeld. For a great collection of poems that draws its title from grunge-era jargon (kinda, sorta, wink, wink), we recommend a book we love by our pal Daniel Nester: Harsh Realm: My 1990s. This episode is brought to you by our sponsor Wilbur Records, who kindly introduced us to the artist is A.M.Mills whose song “Spaghetti with Loretta” now opens our show. At the table: Jason Schneiderman, Marion Wrenn, Kathleen Volk Miller, Samantha Neugebauer, and Dagne Forrest Emily Pulfer-Terino is a poet and writer whose work has appeared in Tupelo Quarterly, Hunger Mountain, The Collagist, The Southeast Review, Poetry Northwest, Stone Canoe, The Louisville Review, Juked, and other journals and anthologies. Her poetry chapbook, Stays the Heart, is published by Finishing Line Press. She has been a Tennessee Williams Poetry Scholar at the Sewanee Writers' Conference and has been granted a fellowship for creative nonfiction at the Vermont Studio Center. She holds an MFA in creative writing from Syracuse University, and she lives in Western Massachusetts. Author website: http://emilypulferterino.com/ Instagram: @epulferterino Grunge & Glory “You're kidding. Tell me you're kidding. At least I'll know where to find my new wardrobe this year...in the nearest dumpster…talk about the Emperor's New Clothes. Tsk, tsk.”—(Letter to the Editor)[1] What's more glorious than a girl in a field, curled in the whorl of a deer bed, alfalfa haloing her dreams of fashion magazines while she plies matted hay, untatting her world? Bales score the landscape, parceling endlessness, parsing this solo tableau, while her heroes wrench their music into being in Seattle, gray, time zones away. What's grunge if not her dense crochet of castoff couture curated from dumpsters and worn with a frisson of pride and shame: flowering nightgown, old ski boots, sweater turned lace in places by moths and age? And this field like where models pose in Vogue, each page itself a piece of land and an ethos framed inside a storyboard. Scala Naturae Like prying pods of milkweed so those astral seeds effuse— unseaming magazine ads for perfume. Anointing my wrists with scented glue, running each over the edge of a page, testing scents I aspired to buy and classifying my olfactory taxonomy. Grass evoked the world I'd known with hints of rain and magnolia slight as fog above an unmown field. DNA's rosemary, oakmoss, and mint, ancient and clear as purpose; glass spiraled bottle signifying sentience and enduring iteration. Both ethereal and hyperreal, Destiny offered apricots, orchids, and roses-- bottle opaque as an eyelid, veil of petals sheer as promise. Samsara was amber, sandalwood, ylang ylang, peach. Syllabically lulling, its s and a extending, repeating, suggesting endlessness. Cycle of birth and death rebranded as serenity in ongoingness. Angel's burst of praline and patchouli lit the crystal facets of that star, making heaven of my pulse and ordinary air. [1] Wynne Bittlinger, letter to the editor in Vogue US, February 1993
Inner Moonlight is the monthly poetry reading series for the Wild Detectives in Dallas. We make poetry magic on the second Wednesday of every month. We have returned to the Wild Detectives in person, but fret not, podcast fans! We will be releasing recordings of the live show every month for y'all. On 3/8/23, we featured poet Lauren Brazeal Garza. Lauren Brazeal Garza is a disabled writer and Ph.D. candidate in literature at the University of Texas at Dallas. Her published poetry collections include Gutter (YesYes Books, 2018), which chronicles her homelessness as a teenager. She has also published three chapbooks, including Santa Muerte, Santa Muerte: I was Here Release Me (Tram Editions, 2023), which is a series of fictional interviews with ghosts and is inspired by her experiences as a translator and collector of oral histories. Her work has appeared in Poetry Northwest, Waxwing, and Verse Daily among many other journals. She can be found haunting her website at www.lbrazealgarza.com Presented by The Writer's Garret https://writersgarret.org/ www.logencure.com/innermoonlight
"The poem must resist the intelligence / Almost successfully." So begins this episode's poem, "Man Carrying Thing," by the modernist American poet Wallace Stevens. I got to talk about it with the scholar and poet Kimberly Quiogue Andrews.Kim is an assistant professor of English at the University of Ottawa and the author of The Academic Avant-Garde: Poetry and the American University (Johns Hopkins University Press, 2023). She's also a poet who has published two collections: A Brief History of Fruit (University of Akron Press, 2020) and BETWEEN (Finishing Line Press, 2018). She's the winner of the Akron Prize for Poetry, the New Women's Voices Award, the Ralph Cohen Prize for Criticism, and a development grant from the American Council of Learned Societies. Her essays and scholarship have appeared in such publications as The Los Angeles Review of Books, Contemporaries at Post45, Modernist Cultures, and New Literary History. Her creative work has appeared in The Florida Review, The Asian American Literary Review, Poetry Northwest, and Crab Orchard Review. Follow Kim on Twitter.And please follow, rate, and review the podcast if you like what you hear. Share the episode with a friend! And subscribe to my Substack, where you'll get a newsletter to go with each episode.
Donna Spruijt-Metz is a poet, a psychology professor, and a recent MacDowell Fellow. Her first career was as a classical flutist. She lived in the Netherlands for 22 years and translates Dutch poetry to English. Her poetry and translations appear in Copper Nickel, RHINO, Poetry Northwest, the Tahoma Literary Review, the Inflectionist Review, and elsewhere. Her chapbooks are ‘Slippery Surfaces' (Finishing Line Press) and ‘And Haunt the World' (a collaboration with Flower Conroy, Ghost City Press). Her full length ‘General Release from the Beginning of the World' is forthcoming (January 2023, Free Verse Editions). [Author photo credit Alexis Rhone Fancher] Amazon.com: General Release from the Beginning of the World: 9781643173511: Spruijt-Metz, Donna: Books https://www.donnasmetz.com/ https://www.instagram.com/donnasmetz/ https://twitter.com/DSMPoet https://www.facebook.com/Donnasmetz/
On this episode, Kaitlyn Airy talks about how her experience as an adoptee shapes the themes of her work on abandonment, identity, and history. Plus, she and Jared discuss the benefits they have both reaped after taking breaks from their rigorous writing habits, and Kaitlyn describes how UVA students get to design and teach their own undergraduate creative writing class. Kaitlyn Airy is a Korean American poet. Born in Minneapolis, Minnesota, she was raised in the San Juan Archipelago off the coast of Washington State. In Spring 2020, her poem “Demilitarized Zone” was selected by Elizabeth Austen as the winner of the Phyllis L Ennes Contest, sponsored by the Skagit River Poetry Foundation. In 2022, Narrative Magazine named her one of their 30 Below 30. Her recent work has been featured or is forthcoming in EcoTheo, Crab Creek Review, Cream City Review, Moss, Post Road, Poetry Northwest, Palette Poetry, and Narrative Magazine. She is an MFA candidate in poetry at the University of Virginia, where she serves as the Editor-in-Chief of Meridian and as an Editorial Assistant for Poetry Northwest. Find her on Twitter @kaitlynairy and at her website kaitlinairy.com. MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com. BE PART OF THE SHOW — Leave a rating and review on Apple Podcasts. — Submit an episode request. If there's a program you'd like to learn more about, contact us and we'll do our very best to find a guest who can speak to their experience. — Apply to be a guest on the show by filling out our application. STAY CONNECTED Twitter: @MFAwriterspod Instagram: @MFAwriterspodcast Facebook: MFA Writers Email: mfawriterspodcast@gmail.com
Blake Kilgore reads his poem, "The Parade of Death Requires Labor," and Joanne M. Clarkson reads her poem, "The Beads of War." Blake Kilgore is the author of Leviathan (2021), a collection of poetry. His writing has appeared in Barely South Review, Flint Hills Review, Lunch Ticket, and other fine journals. Joanne M. Clarkson's 6th poetry collection, Hospice House, is forthcoming from MoonPath Press in 2023. Her poems have appeared in such journals as Alaska Quarterly Review, Poetry Northwest, Beloit Poetry Journal, and Nimrod. For many years she worked as a RN specializing in hospice care. --- Send in a voice message: https://podcasters.spotify.com/pod/show/vita-poetica/message Support this podcast: https://podcasters.spotify.com/pod/show/vita-poetica/support
John Sibley Williams is the author of Scale Model of a Country at Dawn (Cider Press Review Book Award, 2021), The Drowning House (Elixir Press Poetry Award, 2021), As One Fire Consumes Another (Orison Poetry Prize, 2019), Skin Memory (Backwaters Prize, University of Nebraska Press, 2019), Summon (JuxtaProse Chapbook Prize, 2019), Disinheritance, and Controlled Hallucinations. His book Sky Burial: New & Selected Poems is forthcoming in translated form by the Portuguese press do lado esquerdo. He has also served as editor of two Northwest poetry anthologies, Alive at the Center (Ooligan Press, 2013) and Motionless from the Iron Bridge (barebones books, 2013). A twenty-eight-time Pushcart nominee, John is the winner of numerous awards, including the Laux/Millar Prize, Wabash Prize, Philip Booth Award, Janet B. McCabe Poetry Prize, American Literary Review Poetry Contest, Phyllis Smart-Young Prize, The 46er Prize, Nancy D. Hargrove Editors' Prize, Confrontation Poetry Prize, and Vallum Award for Poetry. Previous publishing credits include: Best American Poetry, Yale Review, Midwest Quarterly, Southern Review, Colorado Review, Sycamore Review, Prairie Schooner, Massachusetts Review, Poet Lore, Saranac Review, Atlanta Review, TriQuarterly, Columbia Poetry Review, Mid-American Review, Poetry Northwest, Third Coast, and various anthologies.
Michael Mark is the author of Visiting Her in Queens is More Enlightening than a Month in a Monastery in Tibet which won the Rattle Chapbook prize and will be published in 2022. His poetry has been published in Alaska Quarterly Review, The Arkansas International, Copper Nickel, Grist, Michigan Quarterly Review, Pleiades, Ploughshares, Poetry Daily, Poetry Northwest, Rattle, River Styx, The Southern Review, The New York Times, The Sun, Verse Daily, Waxwing, The Poetry Foundation's American Life in Poetry and other places. He was the recipient of the Anthony Hecht Scholarship at the Sewanee Writers' Conference. He's the author of two books of stories, Toba and At the Hands of a Thief (Atheneum). He lives with his wife, Lois, a journalist, in San Diego. Visit him at michaeljmark.com https://twitter.com/michaelgrow https://www.facebook.com/michael.mark1 https://www.linkedin.com/in/michaelmark/ https://www.rattle.com/product/visiting-her-in-queens-is-more-enlightening-than-a-month-in-a-monastery-in-tibet/?fbclid=IwAR0g-e0GOfTpNEJHJqmtFA0j_fqLTSpsC2UsnpUvn_4wAR9YimewSGnQREU
Dawn Davies is the author of Mothers of Sparta: A Memoir in Pieces (published by Flatiron Books, 2018), which won the Florida Book Award Gold Medal for General Nonfiction and the GLCA New Writers Award for Creative Nonfiction. Her essays and stories have been Pushcart Special Mentions and Best American notables. Her work can be found in McSweeney's Quarterly Concern, The Missouri Review, Poetry Northwest, The Alaska Review, Narrative, Fourth Genre and elsewhere. She teaches creative writing, and helps writers reach their publication goals. She is also a certified trauma recovery coach and works with NPE/MPE population. She lives in Florida. Dawn's coaching website is here: www.littlebirdcoaching.com Her author website: www.dawndaviesbooks.com Gabor Mate's website is here. A couple of books to check out: In the Realm of Hungry Ghosts & The Myth of Normal Learn about Trauma Informed Care here, here, and I have written about it here ACES can be read about here and here Suicide Prevention Hotline: 1-800-273- talk (8255) or dial the three digit code 988. Also please check out the Nate Chute Foundation to see how we can stop this -- It is suicide prevention month and I mention this because 30 years is far too long to be thinking about how to make it stop. Missing you every single day, C.S.D.
We are excited to welcome Raye Hendrix to the show this week with EVERY JOURNAL IS A PLAGUE JOURNAL from Bottlecap Press. Raye Hendrix (she/they) is a writer from Birmingham, Alabama. She is the poetry editor at Press Pause Press and the author of two poetry chapbooks, Fire Sermons (Ghost City Press) and Every Journal is a Plague Journal (Bottlecap Press). Their work has also appeared in Poet Lore, 68 to 05, Poetry Northwest, 32 Poems, Shenandoah, The Adroit Journal, Cimarron Review, and others. Raye is the winner of the Keene Prize for Literature and Southern Indiana Review's Patricia Aakhus Award, and she has received scholarships from Bread Loaf and the Juniper Summer Writing Institute. Raye holds a BA and MA from Auburn University, an MFA from the University of Texas at Austin, and is currently a PhD candidate at the University of Oregon, where she has been awarded fellowships and grants for her dissertation work on disability poetics.author website: https://www.rayehendrix.comauthor twitter: https://twitter.com/_rayehendrixEvery Journal is a Plague Journal (Bottlecap Press): https://bottlecap.press/products/journalFrank O'Hara at Poets.Org: https://poets.org/poet/frank-oharaTsunami Books (Eugene, Oregon): http://www.tsunamibooks.org/ Thank You Books (Birmingham, Alabama): https://thankyoubookshop.com/Thank you for listening to The Chapbook!Noah Stetzer is on Twitter @dcNoahRoss White is on Twitter @rosswhite You can find all our episodes and contact us with your chapbook questions and suggestions here: https://bullcitypress.com/the-chapbook/Bull City Press website https://bullcitypress.comBull City Press on Twitter https://twitter.com/bullcitypress Instagram https://www.instagram.com/bullcitypress/ and Facebook https://www.facebook.com/bullcitypress
Our guest this month on Conversations from the Pointed Firs is Gibson Fay-LeBlanc, poet, fiction writer, teacher and non-profit leader. Gibson's first collection of poems, "Death of a Ventriloquist", won the Vassar Miller Prize and was featured by Poets & Writers as one of a dozen debut collections to watch. His second book, "Deke Dangle Dive" was published by CavanKerry Press in 2021. Gibson's poems have appeared in magazines including The New Republic, Tin House, Narrative, Poetry Northwest, and Orion, and his prose in Kenyon Review online, Portland Magazine, and Slice. He has taught writing at conferences, schools and universities including Fordham, Haystack, and University of Southern Maine, and helped lead community arts organizations including The Telling Room, SPACE Gallery, and Hewnoaks Artist Colony. He currently serves as the Executive Director of the Maine Writers & Publishers Alliance and lives in Portland with his family.
In this episode, we welcome poet Angela Narciso Torres to discuss her collection TO THE BONE (Sundress).Angela Narciso Torres is the author of What Happens Is Neither (Four Way Books 2021) Blood Orange, winner of the 2013 Willow Books Literature Award for Poetry, and the chapbook, To the Bone (Sundress Publications 2020). Recent work appears or is forthcoming in POETRY, Missouri Review, Quarterly West, Cortland Review, and Poetry Northwest. A graduate of Warren Wilson MFA Program for Writers and Harvard Graduate School of Education, Angela has received fellowships from Bread Loaf Writers' Conference, Illinois Arts Council, and Ragdale Foundation. She received First Prize in the Yeats Poetry Prize (W.B. Yeats Society of New York). New City magazine named her one of Chicago's Lit 50: Who Really Books in Chicago. Born in Brooklyn and raised in Manila, she currently resides in San Diego. She serves as a senior and reviews editor for RHINO Poetry.Twitter: https://twitter.com/angela_n_torresAuthor site: https://www.angelanarcisotorres.comTo The Bone (Sundress): http://www.sundresspublications.com/e-chaps/totheboneWe All Face the Tremendous Meat on the Teppan by Naoko Fujimoto | author website: https://www.naokofujimoto.com Terrance Hayes: https://terrancehayes.com/about/Thank you for listening to The Chapbook!Noah Stetzer is on Twitter @dcNoahRoss White is on Twitter @rosswhite You can find all our episodes and contact us with your chapbook questions and suggestions here: https://bullcitypress.com/the-chapbook/Bull City Press website https://bullcitypress.comBull City Press on Twitter https://twitter.com/bullcitypress Instagram https://www.instagram.com/bullcitypress/ and Facebook https://www.facebook.com/bullcitypress
WERU 89.9 FM Blue Hill, Maine Local News and Public Affairs Archives
Host:Peter Neill Producer: Trisha Badger Music by Casey Neill Conversations from the Pointed Firs is a monthly audio series with Maine-connected authors and artists discussing new books and creative projects that invoke the spirit of Maine, its history, its ecology, its culture, and its contribution to community and quality of life. Our guest this month on Conversations from the Pointed Firs is Gibson Fay-LeBlanc, poet, fiction writer, teacher and non-profit leader. Gibson’s first collection of poems, “Death of a Ventriloquist”, won the Vassar Miller Prize and was featured by Poets & Writers as one of a dozen debut collections to watch. His second book, “Deke Dangle Dive” was published by CavanKerry Press in 2021. Gibson's poems have appeared in magazines including The New Republic, Tin House, Narrative, Poetry Northwest, and Orion, and his prose in Kenyon Review online, Portland Magazine, and Slice. He has taught writing at conferences, schools and universities including Fordham, Haystack, and University of Southern Maine, and helped lead community arts organizations including The Telling Room, SPACE Gallery, and Hewnoaks Artist Colony. He currently serves as the Executive Director of the Maine Writers & Publishers Alliance and lives in Portland with his family. Guest/s: Gibson Fay-LeBlanc, poet, fiction writer, teacher and non-profit leader Maine Writers & Publishers AllianceGibson Fay-LeBlance Maine Lit Fest 2022 About the host: Peter Neill is founder and director of the World Ocean Observatory, a web-based place of exchange for information and educational services about the health of the ocean. In 1972, he founded Leete's Island Books, a small publishing house specializing in literary reprints, the essay, photography, the environment, and profiles of indigenous healers and practitioners of complimentary medicine around the world. He holds a profound interest in Maine, its history, its people, its culture, and its contribution to community and quality of life. The post Conversations from the Pointed Firs 9/2/22: Gibson Fay-LeBlanc first appeared on WERU 89.9 FM Blue Hill, Maine Local News and Public Affairs Archives.
Travis Helms is the author of Blowing Clover, Falling Rain: A Theological Commentary On The Poetic Canon Of The ‘American Religion' (Wipf & Stock). His poetry and prose has been published, or is forthcoming, in Image Journal, Poetry Northwest, Slushpile, New Haven Review, The Austin American-Statesman, North American Review, and Book 2.0 among other venues. He was the inaugural William W. Cook Frost Place Fellow, runner-up for the John Kinsella / Tracy Ryan Poetry Prize, and winner of the Arthur Sale Poetry Prize. He is founder + curator of LOGOS, a liturgically-inflected reading series that congregates in-person and online, and an Executive Director of EcoTheo Collective. Travis lives in Jackson, WY with his wife and daughter, where he serves as an associate priest at St. John's Episcopal Church. Links to his online publications can be found at wtravishelms.com.
Helene Achanzar reads her poem "Chicago," followed by a conversation with Tejas Srinivasan about poetic structure, the realities of labor, modern paintings, her beloved home city, and more. Helene Achanzar is the winner of NER's 2022 Emerging Writers' Award. A Filipina-Canadian poet and educator, she is an associate editor for Poetry Northwest and director of programs at the Chicago Poetry Center. Her poems “Chicago” and “Etymology” were published in NER 42.4 (fall 2021).
Episode 121 Notes and Links to Michael Torres' Work On Episode 121 of The Chills at Will Podcast, Pete welcomes Michael Torres, and the two discuss, among other topics, his growing up in Pomona, CA, and his childhood and adolescence influences on his work, the speaker as poet and vice versa, his early reading prompted by a generous older sister, works and writers that have thrilled him and impelled him to write, his poetry collection's themes of identity and masculinity, and the real-life background of his dynamite lines and strong images. Michael Torres is a VONA distinguished alum and CantoMundo fellow. In 2016 he received his MFA in creative writing from Minnesota State University, Mankato, was a winner of the Loft Mentor Series, received an Individual Artist Initiative Grant from the Minnesota State Arts Board, and was awarded a Jerome Foundation Research and Travel Grant to visit the pueblo in Jalisco, Mexico where his father grew up. In 2019 he received fellowships and awards from the National Endowment for the Arts, the Bread Loaf Writers' Conference, and The Loft Literary Center for the Mirrors & Windows Program. A former Artist-in-Residence at the Camargo Foundation in Cassis, France as well as a McKnight Writing Fellow, he is currently a 2021-22 Jerome Hill Artist Fellow. His first collection of poems, AN INCOMPLETE LIST OF NAMES, (Beacon Press, 2020) was selected by Raquel Salas Rivera for the National Poetry Series, named one of NPR's Best Books of 2020, and was featured on the podcast Code Switch. His writing has been featured or is forthcoming in Best New Poets 2020, The New Yorker, POETRY, Ploughshares, Smartish Pace, Los Angeles Review of Books, The Georgia Review, The Sun, Water~Stone Review, Southern Indiana Review, Ninth Letter, Poetry Northwest, Copper Nickel, Fifth Wednesday Journal, Tinderbox Poetry Journal, The McNeese Review, MIRAMAR, Green Mountains Review, Forklift, Ohio, Hot Metal Bridge, The Boiler Journal, Paper Darts, River Teeth, The Acentos Review, Okey-Panky, Sycamore Review, SALT, Huizache, online as The Missouri Review's Poem of the Week, on The Slowdown with Tracy K. Smith. Michael was born and brought up in Pomona, CA, where he spent his adolescence as a graffiti artist. Currently, he teaches in the MFA program at Minnesota State University, Mankato, and through the Minnesota Prison Writing Workshop. Michael Torres' Website Buy An Incomplete List of Names Michael's Appearance on NPR's Code Switch "In The Field: Conversations With Our Contributors–Michael Torres" At about 3:20, Michael talks about growing up in Pomona, CA, and his relationship with language and literature At about 6:00, Michael highlights his older sister's contributions in introducing him to great literature, and Michael details being immediately intrigued by Luis Rodriguez's Always Running At about 10:00, Pete connects Luis Rodriguez and getting attention through his nickname and Michael's views of tagging and identity At about 13:50, Michael responds to Pete's questions about connections between peer pressure and growing up, including how Michael's “Down” was inspired by Kendrick Lamar's “The Art of Peer Pressure” At about 18:00, Pete flits from A Bronx Tale to a phenomenon with students' writing their full names in past years as the two “discuss the “desire to leave something behind” At about 20:10, Pete cites profound and interesting lines from An Incomplete List of Names that deal with identity, and Pete asks about “Michael” and the delineation between his name and “Remek” At about 22:00, Michael discusses what reading and writers inspired and thrilled him as he got into late high school and college, including 2Pac and The Rose that Grew From Concrete, Charles Bukowski, Gary Soto's The Elements of San Joaquin, and Albert Camus' The Stranger At about 26:40, Michael further explains hip-hop's influence on him, including from groups like Dilated Peoples, A Tribe Called Quest, Pharcyde, Jurassic 5 At about 30:00, Michael lays out events and people who helped him find his writing voice and skill and community At about 32:00, Michael highlights moments that convinced him of his love for poetry At about 34:00, Michael highlights John Bramingham and others who helped him learn about the publication process At about 35:30, A Mic and Dim Lights is highlighted as a open mic spot that fostered Michael's skills and confidence At about 37:00, Pete asks about the transition from student to teacher/mentor for Michael, as Michael shouts out UC Riverside and Freddy Lopez At about 40:10, Pete asks Michael about “Stop Looking My Name Like That” and ideas of the speaker as the poet At about 42:40, Michael describes “writing in resistance” to conversations had at a conference he attended At about 44:30, Pete talks about his favorite scene in moviedom, and its connections to innocence and nostalgia and Michael's writing At about 45:30, Pete quotes some dynamite lines and asks Michael about ideas of identity At about 49:30, Michael analyzes a profound line and connects it to memory and nostalgia At about 51:00, Michael discusses community and connections to a “transaction” and the moving (no pun intended) poem “Push” At about 52:10, Michael gives background on his father and perspectives on his dad's background and its connection to their relationship At about 54:15, ideas of masculinity are explored through standout lines, including “Down” and its three iterations At about 56:45, Michael talks about “masks” and tough exteriors and acting tough as ways of getting by and not getting “clowned” At about 58:45, Michael gives background on an interesting and fitting phrase he uses in his poetry At about 1:00:25, Pete and Michael discuss a tender line from “Down/II” as Michael gives background on the line as a mix of moments in his life At about 1:03:30, Michael discusses ideas of youth valuing themselves as touched upon in his work At about 1:05:20, Pete highlights a line from the collection that is representative of the whole At about 1:07:00, Pete asks about Michael's community of writers and who moves him in 2022; Michael cites Willie Perdomo, Mary Szybist and “Incarnadine,” Patricia Smith, Paul Tran, Dustin Pearson, Emily Yoon, Chris McCormick, Eduardo Corral, and Chen Chen At about 1:09:10, Michael reads from “Down/I” At about 1:15:00, Michael reads Part VI and X of “Elegy Roll Call” At about 1:17:00, Michael details upcoming projects At about 1:21:00, Michael gives out social media/contact info You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode. This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form. The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com. Please tune in for Episode 122 with Sonora Reyes, the author of the forthcoming contemporary young adult novel, THE LESBIANA'S GUIDE TO CATHOLIC SCHOOL. They write fiction full of queer and Latinx characters in a variety of genres, with current projects in both kidlit and adult categories. Sonora is also the creator and host of the Twitter chat #QPOCChat, a monthly community-building chat for queer writers of color. The episode will air on May 10.
Join Chris and Courtney of The Poetry Question in a sit down with Gabrielle Bates about passion, process, pitfalls, and poetry! Gabrielle Bates is a writer and visual artist originally from Birmingham, Alabama. Her debut collection of poems, JUDAS GOAT, is forthcoming from Tin House in 2023. Bates's work has appeared in the New Yorker, Poetry Magazine, Ploughshares, APR, Virginia Quarterly Review, New England Review, Gulf Coast, Mississippi Review, Black Warrior Review, the Best of the Net anthology, and BAX: Best American Experimental Writing, among other journals and anthologies, and her poetry comics have been featured internationally in a variety of exhibitions, festivals, and conferences. Formerly the managing editor of the Seattle Review and a contributing editor for Poetry Northwest, Gabrielle currently serves as the Social Media Manager of Open Books: A Poem Emporium, a contributing editor for Bull City Press, and a University of Washington teaching fellow. She also volunteers as a poetry mentor through the Adroit teen mentorship program and teaches occasionally as a spotlight author through Seattle's Writers in the Schools (WITS). With Luther Hughes and Dujie Tahat, she co-hosts the podcast The Poet Salon, where poets talk over drinks. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
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