Podcasts about hollertronix

This month, we're diving into what's been happening in our world and beyond. Join us for a roundtable discussion where we catch up on the latest news and music trends, including wild stories from parties in LA to tornadoes in Nebraska. Plus, we talk with our special guest from Philadelphia, DJ Low Beezy aka Low Budget, co-founder of HOLLERTRONIX with Diplo.

Episode 258: THEE MIKE B + DANCES WITH WHITE GIRLS On this week's episode of the @RoadPodcast, the fellas are joined by the co-founder of LA's legendary #BananaSplit Sunday Party @TheeMikeB and Philly's own Dances With White Girls (@DancesLife). Dances speaks on his feature in @Pitbull's "Don't Stop The Party" (00:05) and Mike B shares an embarrassing story opening for @FunkFlex at NYC at #ClubEnvy (04:35). The fellas discuss @Roctakon's infamous “McGreedy” trolling on #Hollertronix's notorious #Hollerboard forum (19:55) and address the "mob mentality" on the DJ Twitter (29:55). Mike B reminisces on DJ'ing with @StretchArmstrong (48:01) and Dances talks his “Club Demon” radio show @OnAmp. Finally, @DJBossaNova jumps into the convo to speak about his weekly party in Santa Monica at @MomsBarLA (1:11:00) and Mike B asks how the current state of #Reggaeton right now differs to the 2000s (1:17:55).

We've got an old friend and Producer/DJ Kurtiss as a guest today! Together we're listening to Pikes 223-225 (Dragging the Fence, Buildor, and Florrmat) We're also discussing: Hollertronix, not releasing acapellas is bad for music, Uffie (Curtis Vodka Remix), Kurtiss - The Curtis Vodka EP (2021), The Batman (2022), Spenser tries Del Taco for the first time, cooking with Guinness, Buckethead's project Cobra Strike, fence stories, truck stop knives, head shop kratom vs gas station kratom, piracy is cool, tool-pilled diaper boys, Exa Dark Sideræl Musk, Tool is dark grunge, jerking off to audio, ejaculated through the windshield, BuckQ-pilled, flat earth bucketbots, Spenser recommends Del Taco, Bratz (2007) and Epic Ralph Battles in History: Mike Kroger vs Vinnie Paul and Lars Ulrich vs Dave Mustaine.Check out The Curtis Vodka EPhttps://shop.mutualintentions.com/album/the-curtis-vodka-epor follow him online @kurtiss_official Support the show (https://www.patreon.com/abucketcast)

Hey guys, new episodes of Hard Times Radio are dedicated to the Hollerboard era. The Hollerboard was a message board frequented by DJs in the mid-2000s and named after Diplo & Low Budget's notorious Hollertronix party. Here DJs were searching for new music of different genres as Baltimore club, jersey club, baile funk, of forgotten classics... A period where the term EDM did not exist yet and all were all hip-hop DJs, but we were a bit bored with popular hip-hop. It has been an era of huge creativity in DJing. Open your mind, all music it's nice. Tracklist very soon! FOLLOW CHRIS ARMAND: FACEBOOK --> bit.ly/2KulpB5 INSTAGRAM --> bit.ly/2FpY8fx MIXCLOUD --> bit.ly/2GetxSo YOUTUBE --> bit.ly/2IRSMvS Download for free on The Artist Union

Episode 105: LOW BEEZY (HOLLERTRONIX) On this week’s episode of the @RoadPodcast, the crew sits down with Philly’s own @LowBeezy from the famed #Hollertronix! The fellas speak about how Philly breeds such talented DJ’s (6:18), Low’s first interaction with @Diplo (14:45), the #Hollertronix Mixtape “Never Scared” being praised by the @NYTimes (21:52), the growth of Baltimore music in the mid 2000’s (24:12) and how the #Hollertronix party started (28:35) and later evolved into a community called the “Hollerboard” (51:30). Crooked asks about rumors regarding Low allegedly “ghost producing” for @MIAmatangi’s first solo project (37:49). Low breaks down some Philly terms like #Jawn and #Chumpy (59:37), how he met Spank Rock aka @NaeemJuwan (1:04:09) and the nightlife scene in Philly (1:26:32). Lastly, Low shares some of his personal struggles with addiction (1:48:38) and rant with the fellas on some crazy requests in the club (1:52:17).

Ralph Darden is a musician, DJ and composer based in Chicago.The self taught, multi instrumentalist, grew up in Philadelphia, where he graduated from the High School for Creative and Performing Arts. He spent his formative years playing in several punk bands (Random Children, Franklin, AM/FM), completing a series of self-booked nation wide tours and releasing several albums on various independent record labels. All in the pre-internet world of the early 90s.In 2005 he formed his dub infused, post punk band The Jai Alai Savant. He wrote and produced the band's album Flight Of The Bass Delegate and spent the next few years touring and performing both domestically & abroad. He currently plays guitar and sings backing vocals with Ted Leo & The Pharmacists.Contiguously, his DJ career began in the late 90s. Initially guided by an obsession with the intersectionality of punk, reggae, hip hop and electronic dance music, Ralph took on the moniker DJ Major Taylor,(a reference to his days a a cyclist), throwing a series of successful genre bending dance parties. Ralph established himself as a adept open format turntablst and a pioneering figure in the burgeoning Philadelphia nightlife scene of the early 2000’s. According to Diplo “Wow ... well ... Major Taylor (Ralph) was one of the djs/musicians in Philly that inspired Hollertronix ... he's like one of the true sources of that party". Eventually he moved to Chicago, and in 2015 started his DJ company November Electric which focuses on pairing stylistically similar DJs with high end events like weddings, fashion shows, and wrap parties for film and tv productions. He has since dj'd wrap events for Ron Howard, Vince Vaughn, Steven Sodoberg and John C Riley. He has toured the globe spinning festivals and nightclubs. He has DJ'd over 150 weddings including destination weddings in Cambodia and Melbourne, Australia.In 2008 he composed music for the independent film Polish Bar, and has since composed for several other independent films, commercials and television productions - including the short lived Comcast kids show, Gross World, in which he was a featured character. In 2012 he scored an episode of the animated series Happy Tree Friends, a collaborative effort directed by high school friend Rob Shaw. The pair went on to collaborate on other projects including a Transformers Toy Commercial for Hasbro. They are currently working their music project The Puny Humans. Ralph continues composing.

Mr. Sonny James has had an illustrious career as a DJ, writer, producer, videographer and actor. Formerly known as DJ Statik, he is the co-founder of Philly’s Illvibe Collective, he’s toured all over the world as the official tour DJ for independent hip hop legends Bahamadia and J-Live and was even invited to the White House to DJ for President Obama. Today, the LA-based Sonny James handles artist relations for Serato. In this conversation, Sonny James breaks down the love/hate relationship Philly crowds have with artists, the early Hollertronix parties with Diplo and Lowbuget, and how pursuing his passion led to relocating his family from Philly to sunny Los Angeles. You can follow Mr. Sonny James on all socials at @mrsonnyjames and at mrsonnyjames.com. --- Opening Set is a podcast about DJing and nightlife culture hosted by King Most and produced by Jon Reyes. You can follow them on Instagram at @openingset and e-mail any questions/feedback at openingsetpodcast@gmail.com. The show is produced with love from the Bay Area. Yee.

Episode 94: SERATO On this week’s nerdiest episode of the @RoadPodcast, the crew sits down with @Serato’s Artist Relations team @Kutcorners and @MrSonnyJames and offer a few solutions to some technical issues that DJ’s frequently encounter with their groundbreaking software (4:27). Kutcorners addresses a rumor that DJ Konflikt (@MyFavoriteDJ) shared on a previous episode regarding #SeratoDJ launching primarily for the “sync” feature (15:20). The fellas discuss Serato’s reasons for discontinuing software updates on #ScratchLive (17:50), the infamous “Wifi Latency Bug” in #SeratoDJPro (23:45) and future software developments like new music streaming options provided by @Beatsource, a new DJ music service merger founded by @Beatport and @DJcity (34:27). Kutcorners remembers @Ztrip initiating the “Practice Mode” feature at @DJJazzyJeff’s @PlaylistRetreat (42:22) and Sonny speaks about his Philly roots (pun intended), coming up with Philadelphia’s own @Diplo and @LowBudget (aka #Hollertronix) and spinning for “True Honey Buns” rapper @QueenBahamadia (54:30). Kutcorners speaks on the Hip-Hop scene in New Zealand (1:06:38) and his appreciation for @ItsTheRub aka @DJAyres and @DJEleven (1:14:42). The fellas speak about DJ unity, the misperception of Social Media representing actual talent (1:16:55), the evolution of club promoters becoming DJs (1:26:27) and the incredible line-up of DJ guests who appeared on Sonny and Kut’s #SeratoUnscripted podcast (1:31:55). Kutcorners shares how he got @Crazearoni and @Atrak to switch over to Serato (1:34:30), touches on the @Roctakon vs. A-Trak situation on twitter (2:02:40) and speaks about the occasional disappointment in meeting your heroes (2:07:40).

It´s 2018. It´s the "Matrix Revolution" or maybe as you call it Love. :) :) :)

It´s 2018. It´s the "Matrix Revolution" or maybe as you call it Love. :) :) :)

SOUND PELLEGRINO X TSUGI MIX #2 DON'T CALL IT EUROCRUNK BY TEKI LATEX — Track list: 01. Feadz - "Fizzle" 02. Para One - "Beat Down" (instrumental) 03. Modeselektor - "Rave Anthem" (UPS edit) 04. Tacteel - "Beats Like That" 05. Mike Jones, Slim Thug, Paul Wall - "Still Tippin" 06. Krazy Baldhead - "Revolution" (Para One remix) 07. France Copland - "Pute et Mac" 08. Ceebrolistics - "Tyomi" 09. Stacs of Stamina - "Poisson" (screwed) 10. Para One - "Nobody Cares" — Pendant la première moitié des années 2000 quelque chose a eu lieu dans le milieu de la musique électronique française. A cette époque les backpackers du rap indé se sont mis à découvrir la musique électronique dansable, puis à accepter le fait que le rap puisse être dansable également. Certains musiciens électroniques de leur côté n'avaient pas envie de choisir leur camp entre l'electroclash et l'IDM intello, deux genres qui prédominaient en France à l'époque. Une troisième voie s'est créée sans vraiment que l'on ne s'en rende compte sous l'impulsion de gens comme Feadz et Orgasmic qui mélangeant techno et rap sudiste, moins d'une année avant de découvrir le "Hollertronix" de Diplo & Low Budget qui allait changer le DJing à jamais. Une poignée d'européens gravitant autour de Bpitch Control et d'Institubes se sont mis à inventer un style entre rap d'Atlanta (le crunk à l'époque), techno et booty dopplereffekt-ienne avec une forte influence d'IDM de Prefuse73 à Team Shadetek en passant par Team Doyobi, en ajoutant à cela un attrait coupable pour les samples d'eurodance à la limite du mauvais goût. Le groupe Radioclit décide de réunir tout ce petit monde dans un article de présentation chez leurs amis du magazine anglais Hip Hop Connection. Il faut trouver un nom pour baptiser cette nouvelle scène et à moitié en rigolant, quelqu'un suggère "Eurocrunk". L'article parait et le mot "Eurocrunk" devient instantanément ringard et embarrassant. Puis arrive la grosse vague french touch 2.0 et des disques des Daft Punk et de Justice à l'énergie très rock imposent la turbine 4x4 comme seule voie possible pour un musicien électronique français ayant envie d'attirer l'attention et de se faire une carrière internationale. Ce style va tellement séduire que de nombreux musiciens de la scène dite "Eurocrunk" vont complètement abandonner les expérimentations faites dans le sens des hybrides rap/techno pour se mettre à concevoir une musique binaire énervée et distordue, bien plus immédiate et efficace en club. Le genre, mal nommé, étouffé dans l'œuf, tombe aux oubliettes. Quelques années après, pendant que les parisiens sortent banger sur banger, des soirées montréalaises prennent le nom de Turbo Crunk (collectif dont sera notamment issu Lunice) et des gens comme Machine Drum, Lazer Sword ou Hudson Mohawke prennent plus ou moins le relais de ce style. En 2013 c'est le Trap électronique qui prédomine, et il est étourdissant de voir à quel point ce style très populaire aujourd'hui à de choses en commun avec ce qu'une poignée de parisiens, d'allemands et de scandinaves produisait vers 2003. Avec ce mix j'ai essayé de faire le mix que nous aurions du faire à l'époque pour officialiser ce style. Que sont-ils devenus? - Feadz est passé du label berlinois Bpitch Control aux parisiens de chez Ed Banger via l'aventure Uffie ; - Para One a intégré TTC à l'époque de "Beat Down" (dont les scratches sont signés DJ Orgasmic) puis a eu la carrière qu'on connait avec notamment deux albums solo, l'un chez Institubes et l'autre chez Marble ; - Tacteel : co-Fondateur d'Institubes, son morceau "Beats Like That" sonne littéralement comme les beats de rap qui sortent aujourd'hui. Après un passage chez TTC il sort plusieurs EPs solo et vient de signer un album de pop française sous son vrai nom Jérôme Echenoz ; - Modeselektor ont quitté Bpitch pour lancer leurs propres labels Monkeytown et 50 Weapons à la rencontre de la techno berlinoise et de la bass UK ; - France Copland, pionniers de la booty-tech française, sont aujourd'hui d'un côté Crackboy et de l'autre Benjamin Morando chez Discodeine. - Ceebrolistics, groupe de rap finlandais, se sont scindés notamment en Teeth (post-dubstep chez 502, Ramp, Sound Pellegrino) et en Michael Black Electro (l'un des pionniers du Skweee chez Harmonia) ; - Stacs Of Stamina était le groupe de rap suédois de Johan Hugo, devenu entre temps la moitié de Radioclit avec le français DJ Tron, puis la moitié de The Very Best avec Esau Mwamwaya. —Teki Latex

slunk:music Podcast 4

sooooooo, i was on holiday but got to write sum for mad decent...they will release our ep "il buono , il brutto e il cattivo" really soon...il buono is diplo, il brutto is me (phra) and il cattivo is bot when in studio with his mastering outboards....this mix i did in the train from stresa to bern is full of what we like right now...sum diplo ,boy 8-bit, dtl, busta rhymes (bangggggalalaladaaaaash)... stuff... we was bouncin in the train (bot got to stop his movie to listen the mix :))))))but "dai" cmon listen the mix and don't ask me to speak english...i'm baaaaaaaaaadciao to all...tnx to allkiss to all...love to allcrookers bring it on this mix! some of my favorite shit right now! UH-HUHcrookers E.P.istola EP available now on mad decent!!INTROCROOKERS-BIG MONEY COMIN'BART B MORE BINGO PLAYERS (DIPLO MIX)MIA-XR2 (BOY8BIT EDIT)BOY8BIT-THE SUSPENSE IS KILLING ME (DTL MIX)CROOKERS-IL BUONODUKE DUMONT-HOYCOBRA KRAMES-WHATEVER SHE SAIDBUSTA RHYMES-I GOT BASSBENGA-26 BASSLINERUSKO-HAMMERTIMEDJ Q-YOU WOT (WIDE BOYS MIX)OUTHERE BROTHERS-ENJOY (CROOKERS WORK IN PROGRESS MIX)ALPHABEAT-BOYFRIEND (BLOODY BEETROOTS MIX)MADERA LIMPIA-LOCO (DANIEL HAAKSMAN MIX)

i met dj sega at his weekly party at Jamz skating rink.. i gotta say didnt know what tha fuck was going on in that place. something likea bunch of under 18 yr old black kids dressed kinda nu rave listening to hardcore party music and making up dances.. i had no idea this stuff was happenin right here in philly..  Now we just signed up sega to do this Hollertronix number 8 and its kinda got me thinking like how the hell did this kid from the bricks out in West Philly decide to make mudvayne and drowning pool remixes with lil jon samples.. thats just a snippet of what the brick bandit crew is up to.. this mix goes over his whole crews sound - the crew ranges between philly and newark , NJ- the brick bandits... tameil, mike v, tim dolla among others are murdering it right now. its not just a bmore thing - we got the video podcast coming next to show u how nuts it all is