Podcast appearances and mentions of Gerald Clayton

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Lots of new music on today's episode beginning with Gerald Clayton on his new album One's and Two's and a collaboration on Out Of/Into. That is followed by more new releases from Lovano and Branford.  Playlist Artist ~ Name ~ Album Out Of/Into ~ Ofafrii ~ Motion I Gerald Clayton ~ For Peace ~ Ones & Twos Gerald Clayton ~ More Always ~ Ones & Twos Joe Lovano & Marcin Wasilewski Trio ~ Golden Horn ~ Homage Branford Marsalis Quartet ~ ‘Long As You Know You're Living Yours ~ Belonging Pat Metheny & Charlie Haden ~ The Moon Is a Harsh Mistress ~ Beyond the Missouri Sky Brad Mehldau, Mark Turner & Peter Bernstein ~ Ditty for Dewey ~ Solid Jackson Jeremy Pelt ~ Invention #2 / Black Conscience ~ Woven

On an all-new episode of Discologist, Eduardo and Kevin check in on jazz pianist Gerald Clayton and his latest boundary-pushing release, Ones & Twos; award-winning Japanese pianist Hiromi's collaboration with Sonicwonder on Out There; and, just to prove we're not obsessed with pianos, Dreams On Toast, the latest from rock and roll saviors, The Darkness. Hosted on Acast. See acast.com/privacy for more information.

Bon Iver returns. Valerie June branches out. NPR Music's Stephen Thompson welcomes Erin Wolf of Radio Milwaukee's 88Nine to the show for a quick run-through of the best new albums out April 11.Featured albums:• Bon Iver, 'SABLE, fABLE'• Valerie June, 'Owls, Omens, and Oracles'• Gerald Clayton, 'Ones & Twos'• Real Lies, 'We Will Annihilate Our Enemies' (out April 16)• Kills Birds, 'Crave' EPCheck out our long list of albums out April 11 and stream our New Music Friday sampler playlist of more than 70 songs at npr.org/music.Credits• Host: Stephen Thompson• Guest: Erin Wolf, Radio Milwakee's 88Nine• Producer: Simon Rentner• Editor: Otis Hart• Executive Producer: Suraya Mohamed• Vice President, Music & Visuals: Keith JenkinsLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

durée : 00:59:55 - Gerald Clayton "Ones & Twos" - par : Nicolas Pommaret - Le nouvel album du pianiste et compositeur Gerald Clayton est une collection de musique originale habilement écrite, pleine de groove et tournée vers l'avenir, interprétée par quelques-uns des meilleurs musiciens improvisateurs de leur génération. “Ones & Twos” paraît chez Blue Note.

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John Coltrane provides this week's Welcome with his heartfelt tenor playing. Another jazz great, Charles Lloyd is on deck with his latest release at age 86. From there we play some of the great young players of today with Gerald Clayton, Glenn Zaleski, Jahari Stampley and more. The show is ended as we began with jazz legends, Wes and Wayne. Playlist  Artist ~ Name ~ Album John Coltrane Quartet ~ Welcome ~ Transition Charles Lloyd ~ Booker's Garden ~ The Sky Will Still Be There Tomorrow Out Of/Into ~ Synchrony ~ Motion I Glenn Zaleski ~ Two Days ~ Star Dreams Jahari Stampley ~ Power ~ Still Listening Ed Kornhauser ~ Celadon ~ The Short Years Larry Goldings, Peter Bernstein & Bill Stewart ~ FU Donald ~ Perpetual Pendulum Wes Montgomery ~ Bumpin' On Sunset (Alternate Take) ~ Tequila (Expanded Edition) Wayne Shorter ~ Ana Maria ~ Native Dancer

Rod Serling singing Christmas carols, garden variety anxiety, and the dog show opener for a Beastie Boys concert. Steve Okonski (Okonski, Durand Jones & The Indications, Aaron Frazer) OKONSKI Entrance Music [RELEASE DATE: 2/28/2025]- https://www.coleminerecords.com/collections/okonski "After nearly two years, Okonski returns with Entrance Music — an album that finds the trio at the height of their improvisational prowess and celebrating the spontaneous and meditative. On the heels of 2023's debut Magnolia, pianist and leader Steve Okonski has reconvened long-time musical collaborators (Durand Jones and the Indications bandmate Aaron Frazer on drums and bassist Michael Isvara “Ish” Montgomery) for another session in the spirit of artists like the Bad Plus, Gerald Clayton, and The Breathing Effect. Ultimately Entrance Music serves as an invitation to early hours, where songs linger in the doorway, announcing their presence before returning to the air, in a meticulous drift into the next. Recorded over a five day session, Entrance Music was one of the first albums committed to tape at Portage Lounge, Terry Cole's studio in Loveland, OH. “It was a new setup, but with Terry behind the dials it was very familiar,” says Okonski. “I can't emphasize enough how much Terry feels like a fourth member [of the band] because of the space he's curating, the energy he is bringing, and the production ideas.” The energy and sound created with the Colemine label head at the helm makes for a listening experience equally at home with ECM or Stones Throw catalogs. From the rippling notes of the pastoral opener, “October,” Entrance Music is lush with anticipation, both band and listener feeling the tension in the tranquility — where the interplay of jazz improvisation and boom bap beats never shortchanges the musicianship but the talent is ever in service of the song. While the band does not play together as often as they would like, not much time is needed for the three to lock in. Montgomery's bass opening to “Passing Through” bends and moves with a singular meditative grace before piano and percussion joins the daylight filling a room with breath and light. If Magnolia resonated with last calls and late nights, Entrance Music counters with early mornings and first cups of coffee. Whereas much of the debut resonates with his time in New York, Entrance Music “feels a little less ‘on the streets at 2 A.M.' and a little more nature-based…a little more ethereal,” says Okonski. “It's definitely age, environment, and family — all of that does come through in the music.”" Excerpt from https://www.coleminerecords.com/collections/okonski Okonski: Bandcamp: https://okonski.bandcamp.com/music Instagram: @steve.okonski Website: https://linktr.ee/okonski Records: https://www.coleminerecords.com/collections Merch: https://okonski.bandcamp.com/merch Durand Jones & The Indications: Bandcamp: https://durandjonesandtheindications.bandcamp Instagram: @durandjonesandtheindications Website: https://store.durandjonesandtheindications.com Records: https://www.coleminerecords.com/collections/durand Merch: https://store.durandjonesandtheindications.com Aaron Frazer Bandcamp: https://aaronfrazermusic.bandcamp.com/music Instagram: @aaron_frazer Website: https://aaronfrazermusic.com Records: https://www.coleminerecords.com/collections/aaron Merch: https://shop.aaronfrazermusic.com The Vineyard: Instagram: @thevineyardpodcast Website: https://www.thevineyardpodcast.com Youtube: https://www.youtube.com/channel/UCSn17dSz8kST_j_EH00O4MQ/videos

durée : 00:59:12 - Out of/Into (Joel Ross, Gerald Clayton, Kendrick Scott, Matt Brewer, Immanuel Wilkins) "Motion I" - par : Nicolas Pommaret - Formé par cinq des musiciens les plus passionnants du jazz d'aujourd'hui - le pianiste Gerald Clayton, le vibraphoniste Joel Ross, le saxophoniste Immanuel Wilkins, le batteur Kendrick Scott et le bassiste Matt Brewer - Out Of/Into incarne à lui seul l'esprit du label Blue Note.

JOEL FRAHM TRIO “LUMINATION” New York, May 9, 2023The nurse is in, Loomie nation, Vesper flightsJoel Frahm (ts) Dan Loomis (b) Ernesto Cervini (d) ALICE COLTRANE “A MONASTIC TRIO” New York, January 29, 1968Gospel trane, I want to see you, Oceanic beloved (1)Alice Coltrane (p,harp) Jimmy Garrison (b) Rashied Ali (d) Pharoah Sanders (bells) BEN WENDEL “UNDERSTORY: LIVE AT THE VILLAGE VANGUARD” New York, November 4-6, 2022Proof, Jean & RenataBen Wendel (saxes,effects) Gerald Clayton (p) Linda May Han Oh (b,vcl) Obed Calvaire (d) Continue reading Puro Jazz 20 de diciembre, 2024 at PuroJazz.

JOEL FRAHM TRIO “LUMINATION” New York, May 9, 2023The nurse is in, Loomie nation, Vesper flightsJoel Frahm (ts) Dan Loomis (b) Ernesto Cervini (d) ALICE COLTRANE “A MONASTIC TRIO” New York, January 29, 1968Gospel trane, I want to see you, Oceanic beloved (1)Alice Coltrane (p,harp) Jimmy Garrison (b) Rashied Ali (d) Pharoah Sanders (bells) BEN WENDEL “UNDERSTORY: LIVE AT THE VILLAGE VANGUARD” New York, November 4-6, 2022Proof, Jean & RenataBen Wendel (saxes,effects) Gerald Clayton (p) Linda May Han Oh (b,vcl) Obed Calvaire (d) Continue reading Puro Jazz 20 de diciembre, 2024 at PuroJazz.

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In the summer of 2023 saxophonist Wayne Escoffery found himself in Europe processing changes in his personal life while at the same time nursing a broken finger that prohibited him  from playing his horn. He used this time of reflection to compose the music presented on his new record Alone on Smoke Sessions Records, which features pianist Gerald Clayton, bassist Ron Carter, and Carl Allen on drums. In this episode of LINER NOTES Wayne speaks of the challenge of creating something meaningful in a society that places a premium on the immediate.

Gerald Clayton - Bells On Sand Blue Note | Abril 1, 2022 1. Water’s Edge feat. John Clayton & Justin Brown 2. Elegia feat. John Clayton 3. Damunt de tu Només les Flors feat. MARO, John Clayton & Justin Brown 4. My Ideal 1 5. That Roy feat. Justin Brown 6. Rip feat. Justin Brown 7. Just A Dream feat. MARO 8. My Ideal 2 9. Peace Invocation feat. Charles Lloyd 10. This Is Music Where You’re Going My Friends John Clayton - Bass Justin Brown - Drums Gerald Clayton - Piano, Organ, Vibraphone Charles Lloyd - Saxophone MARO - Vocals Producer – Gerald Clayton Illustration – Philipp Igumnov Gerald Clayton is a Yamaha Artist Justin Brown is endorsed by Tama Drums, Istambul Agop Cymbals, Vic Firth Drumsticks and Remo Drumheads Proudly presented by the Blue Note/Capitol Team: Don Was, Rechel Jones, Cem Kurosman, Justin Seltzer, Melissa Cohen, Alex Anastasi, David Helfer, Traci Fuller and Eileen Whelehan Big love and thanks to Papa, Maestro Lloyd, Justin, and MARO for your magical, heartfelt contribitions to the music. To may loving family and friends for your support. To Philipp Igumnov for your beautiful artwork. To Stephanie Jones for your lovely words. To Dom and Adam Camardella, Dave Robaire, Jeremy Loucas, and David Darlington for grocefully capturing and finnnessing the sound. To Paul Solomon for your generous hospitality. To the Blue Note/Capital team, Yamaha Artist Services, Chris Mees and everyone who helped bring this project to life. Blue Note Records; ℗ © 2022 UMG Recordings, Inc. ///////////////////////////////////////// CORTINA FINAL Unhidden Life Forum Gerald Clayton Concord Jazz | Abril 2, 2013 /////////////////////////////////////////

NEW FACES “NEW SOUNDS” Brooklyn, NY, September 25, 2019Whistleblower, Hold my heart (1), Blues for TangierBrandon Lee (tp,flhrn-1) Markus Howell (as,fl-2) Nicole Glover (ts) Caili O'Doherty (p) Adi Meyerson (b) Cory Cox (d) KEITH JARRETT TRIO “STANDARDS, VOL 2” New York, January 11 & 12, 1983Never let me go, If I should lose you, I fall in love too easilyKeith Jarrett (p) Gary Peacock (b) Jack DeJohnette (d) THE ROY HARGROVE QUINTET “EARFOOD” Los Angeles, September 19-21, 2007Brown, The stinger, To wisdom the prizeRoy Hargrove (tp,flhrn) Justin Robinson (as,fl) Gerald Clayton (p) Danton Boller (b) Montez Coleman (d) Continue reading Puro Jazz 12 de septiembre, 2024 at PuroJazz.

NEW FACES “NEW SOUNDS” Brooklyn, NY, September 25, 2019Whistleblower, Hold my heart (1), Blues for TangierBrandon Lee (tp,flhrn-1) Markus Howell (as,fl-2) Nicole Glover (ts) Caili O'Doherty (p) Adi Meyerson (b) Cory Cox (d) KEITH JARRETT TRIO “STANDARDS, VOL 2” New York, January 11 & 12, 1983Never let me go, If I should lose you, I fall in love too easilyKeith Jarrett (p) Gary Peacock (b) Jack DeJohnette (d) THE ROY HARGROVE QUINTET “EARFOOD” Los Angeles, September 19-21, 2007Brown, The stinger, To wisdom the prizeRoy Hargrove (tp,flhrn) Justin Robinson (as,fl) Gerald Clayton (p) Danton Boller (b) Montez Coleman (d) Continue reading Puro Jazz 12 de septiembre, 2024 at PuroJazz.

The sound of Memphis propels this episode into a fascinating exploration of the interplay between modern-day poets and jazz musicians, the reimagining of archival gospel grooves, Ray Charles vibes and Michel Legrand classics, and more! The playlist features Parlor Greens; Booker T. & The M.G.'s; The Harlem Gospel Travelers; Taylor Eigsti, Ben Wendel; Simon Moullier, Gerald Clayton; Alistair Payne, Tongo Eisen-Martin; Mahogany L. Browne [pictured], Sean Mason; Catherine Russell; and Michela Lombardi. Detailed playlist at https://spinitron.com/RFB/pl/19343552/Mondo-Jazz [up to "The Windmills of Your Mind"] Happy listening! Photo credit: Savannah Lauren.

Markus Philippe: Pink Panther; Vicente Archer, Gerald Clayton, Bill Stewart: Bye Nashville; Kenny Barron, Buster Williams: Will You Still Be Mine?; Benny Golson, Shirley Horn, Milgrew Miller, Ron Carter, Carl Allen: One Day, Forever; Scott Hamilton, Jan Lundgren: I've Grown Accustomed To Her Face; In 4 Vocal Jazz Quartett: I Can't Help It; New York […]

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Seguimos celebrando el Día del Piano con ocho grabaciones recientes de los pianistas Moisés P. Sanchez, Chano Domínguez,  Abdullah Ibrahim, Aruán Ortiz, Gerald Clayton, Bruce Barth, Gadi Stern y David Virelles.Temas que puedes escuchar:01 2023 Moisés P. Sanchez - Dedication II 01 - Javier Vercher Tono Miguel Borja Barrueta (11' 20'')02 2024 Gregori Hollis - Dedicatoria - Dedicatoria - Chano Domínguez Ismael Alcina Delgado (5' 20'')03 2023 Abdullah Ibrahim - 3 06 Mindif - Cleave Guyton Jr. Noah Jackson (4' 19'')04 2022 James Brandon Lewis - Transfiguration 01 Transfiguration - Aruán Ortiz Brad Jones Chad Taylor (7' 00'')05 2022 Vicente Archer - Short Stories 03 Space Acres - Gerald Clayton Bill Stewart (4' 37'')06 2021 Bruce Barth Trio - Dedication 02 Courage (For all of us) - Vicente Archer Montez Coleman (5' 23'')07 2023 Shalosh - Tales of Utopía 06 The Advisor - Gadi Stern David Michaeli Matan Assayag (3' 36'')08 2022 David Virelles - Carta 04 NYChepinsón - Ben Street Eric McPherson (7' 28'')Y, para estar al día de todo lo que sucede en el jazz en Aragón os recomiendo, como siempre, la web jazzaragon.

durée : 00:59:30 - Banzzaï du mardi 02 avril 2024 - par : Nathalie Piolé -

Welcome to Jazz Piano Skills; I'm Dr. Bob Lawrence. It's time to Discover, Learn, and Play jazz piano!I am thrilled to welcome back to Jazz Piano Skills, Dr. JB Dyas. Dr. JB Dyas has been a leader in jazz education for the past two decades. Currently, Vice President for Education and Curriculum Development at the Herbie Hancock Institute of Jazz, Dyas oversees the Institute's education and outreach programs, including Jazz in America (www.jazzinamerica.org), one of the most significant and wide-reaching jazz education programs in the world. He has presented jazz workshops, teacher-training seminars, and jazz "informances" worldwide with such renowned artists as Ambrose Akinmusire, Don Braden, Bobby Broom, Dave Brubeck, Gerald Clayton, Robin Eubanks, Herbie Hancock, Antonio Hart, Ingrid Jensen, Sean Jones, Delfeayo Marsalis, Christian McBride, Bobby Watson, and Steve Wilson.Prior to his current position at the Hancock Institute, Dyas served as Executive Director of the Brubeck Institute where he implemented its College Fellowship Program, Brubeck Festival, Summer Jazz Colony, and Jazz Outreach Initiative. Before that, he served as Director of Jazz Studies at Miami-Dade College – one of the nation's largest and most multi-cultural colleges, and New World School of the Arts – Miami's award-winning performing arts high school.Throughout his career, Dyas has performed across the country, designed and implemented new jazz curricula, directed large and small ensembles, and taught various jazz courses to students at virtually every level of musical development – age seven to seventy, beginner to professional, learning-challenged to prodigy. He has conducted jazz and tune-learning clinics, adjudicated high school and collegiate jazz festivals, and presented numerous jazz seminars throughout the United States and in Australia, Canada, Columbia, Cuba, France, Germany, Japan, Mexico, Russia, and Turkey. He also teaches Jazz Pedagogy at the Herbie Hancock Institute of Jazz Performance at the UCLA Herb Alpert School of Music, is on the faculty of the Jamey Aebersold Summer Jazz Workshop, and serves as an adjudicator for the Annual GRAMMY Music Educator Award.Additionally, Dyas has written for DownBeat magazine and other national music publications, presented clinics, and performed at a number of International Association for Jazz Education (IAJE) and Jazz Education Network (JEN) Annual Conferences, co-founded the International Sisters in Jazz Collegiate Competition, served on the Smithsonian Institution's Task Force for Jazz Education in America, and contributed the chapter “Defining Jazz Education” to the biography, "David Baker - A Legacy in Music." Dyas recently introduced his “What is Jazz and Why It's Important to the World” lecture for International Jazz Day, for which he annually presents education events in conjunction with the Hancock Institute and the United Nations Educational, Scientific and Cultural Organization (UNESCO). He also has made a series of teacher-training jazz education videos (all available at jbdyas.com), including a national webinar along with Herbie Hancock and US Secretary of Education Miguel Cardona on the importance of jazz education in our public schools.Dr. Dyas received his Master's in Jazz Pedagogy from the University of Miami and Ph.D. in Music Education from Indiana University. He is a recipient of the DownBeat Achievement Award for Jazz Education. A professional bassist, Dyas has performed well over a thousand jazz and commercial dates throughout his career and continues performing in various jazz and commercial music settings.Now, sit back, relax, and welcome back to JazzPianoSkills, Dr. JB Dyas!Support the show

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Welcome to Jazz Piano Skills; I'm Dr. Bob Lawrence. It's time to Discover, Learn, and Play jazz piano!I am thrilled to welcome back to Jazz Piano Skills, Dr. JB Dyas. Dr. JB Dyas has been a leader in jazz education for the past two decades. Currently, Vice President for Education and Curriculum Development at the Herbie Hancock Institute of Jazz, Dyas oversees the Institute's education and outreach programs, including Jazz in America (www.jazzinamerica.org), one of the most significant and wide-reaching jazz education programs in the world. He has presented jazz workshops, teacher-training seminars, and jazz "informances" worldwide with such renowned artists as Ambrose Akinmusire, Don Braden, Bobby Broom, Dave Brubeck, Gerald Clayton, Robin Eubanks, Herbie Hancock, Antonio Hart, Ingrid Jensen, Sean Jones, Delfeayo Marsalis, Christian McBride, Bobby Watson, and Steve Wilson.Prior to his current position at the Hancock Institute, Dyas served as Executive Director of the Brubeck Institute where he implemented its College Fellowship Program, Brubeck Festival, Summer Jazz Colony, and Jazz Outreach Initiative. Before that, he served as Director of Jazz Studies at Miami-Dade College – one of the nation's largest and most multi-cultural colleges, and New World School of the Arts – Miami's award-winning performing arts high school.Throughout his career, Dyas has performed across the country, designed and implemented new jazz curricula, directed large and small ensembles, and taught various jazz courses to students at virtually every level of musical development – age seven to seventy, beginner to professional, learning-challenged to prodigy. He has conducted jazz and tune-learning clinics, adjudicated high school and collegiate jazz festivals, and presented numerous jazz seminars throughout the United States and in Australia, Canada, Columbia, Cuba, France, Germany, Japan, Mexico, Russia, and Turkey. He also teaches Jazz Pedagogy at the Herbie Hancock Institute of Jazz Performance at the UCLA Herb Alpert School of Music, is on the faculty of the Jamey Aebersold Summer Jazz Workshop, and serves as an adjudicator for the Annual GRAMMY Music Educator Award.Additionally, Dyas has written for DownBeat magazine and other national music publications, presented clinics, and performed at a number of International Association for Jazz Education (IAJE) and Jazz Education Network (JEN) Annual Conferences, co-founded the International Sisters in Jazz Collegiate Competition, served on the Smithsonian Institution's Task Force for Jazz Education in America, and contributed the chapter “Defining Jazz Education” to the biography, "David Baker - A Legacy in Music." Dyas recently introduced his “What is Jazz and Why It's Important to the World” lecture for International Jazz Day, for which he annually presents education events in conjunction with the Hancock Institute and the United Nations Educational, Scientific and Cultural Organization (UNESCO). He also has made a series of teacher-training jazz education videos (all available at jbdyas.com), including a national webinar along with Herbie Hancock and US Secretary of Education Miguel Cardona on the importance of jazz education in our public schools.Dr. Dyas received his Master's in Jazz Pedagogy from the University of Miami and Ph.D. in Music Education from Indiana University. He is a recipient of the DownBeat Achievement Award for Jazz Education. A professional bassist, Dyas has performed well over a thousand jazz and commercial dates throughout his career and continues performing in various jazz and commercial music settings.Now, sit back, relax, and welcome back to JazzPianoSkills, Dr. JB Dyas!Support the show

ÖVERSÄTTNING: Stewe Claeson UPPLÄSNING: Monica Wilderoth Lyssna på alla avsnitt i Sveriges Radio Play. DIKT: ”Kanske är det här världen tar slut” av Joy HarjoDIKTSAMLING: Karta över nästa värld (Bokförlaget Tranan, 2012)MUSIK: Bill Frisell: Dear old friend (for Alan Woodard)EXEKUTÖR: Bill Frisell, gitarr, Gregory Tardy, klarinett, Gerald Clayton, piano och Jonathan Blake, trummor

Nicky Schrire is a multitalented and inventive British-South African vocalist and composer based in Toronto, Canada. Her work has seen her likened to vocalists Joni Mitchell, Norma Winstone, and Esperanza Spalding with The BostonGlobe's Jon Garelick noting that “though her approach has earned her comparisons to Gretchen Parlato and Becca Stevens, the similarities are superficial…she's got her own thing, and it's very much worth listening to.”A graduate of the South African College of Music and New York's Manhattan School of Music, she studied with Anthea Haupt, Peter Eldridge, Theo Bleckmann, and Dave Liebman. Schrire has performed in New York, Los Angeles, Boston, London, Dublin and South Africa, with musicians including Ben Wendel, Gerald Clayton, Fabian Almazan, Nir Felder, and Taylor Eigsti. She released three critically acclaimed jazz albums-2012's "Freedom Flight", 2013's "Space and Time", and the 2014 EP "To The Spring"-which earned her comparisons to songwriters like Joan Baez and Mary Chapin Carpenter. Her duo album “Space & Time” featured Grammy-nominated pianists Gerald Clayton, Gil Goldstein and Fabian Almazan. The Ottawa Citizen's Peter Hum described the recording as “fifty minutes of emotionally eventful, richly crafted music”.Support the show

We look at the music we love not only as source of sonic delight, but also as a metaphor of how societies could work, in harmony and respect regardless of place of origin and without boundaries, to create something higher than themselves. So this week we focus on music that may provide either hope or relief at a time when another war has erupted. The playlist features Timmy Thomas; Gilad Atzmon; Michael Moore, Jewels and Binoculars; Gerald Clayton; Charles Lloyd; Will Holshouser, Bernardo Sassetti; Horace Silver; Brad Mehldau, Pat Metheny; John McLaughlin. Detailed playlist at https://spinitron.com/m/playlist/view/18027811 (up to "Gaza City").

Ok, it's not that hard to edit and put up one of these episodes, so why did this take so long? Well, life and how we do it is a little more confusing since Milo left the Minneapolis. But now he's in the BIG APPLE-ISS and THIS IS OUR FIRST LONG DISTANCE EPISODE! We talk about a new life in New York, which in Milo's case involves bumping into a jazz guitar legend, college, roommates, classes, pet turtles, A LOT of jazz vernacular and yes, missing home. Enjoy!Growing Up Naked theme composed, performed and produced by Isaac DellMusic- Equinox by John Coltrane, from the 1964 album "Coltrane's Sound"- John Coltrane (tenor sax), McCoy Tyner (piano), Steve Davis (bass), Elvin Jones (drums)The Pioneers by Bill Frisell, from the album "Four"- Bill Frisell (guitar), Greg Tardy (tenor sax, clarinet), Gerald Clayton (piano), Jonathan Blake (drumsQuestion, composed and performed by Milo Bunting

Chet Baker: You'd Be So Nice To Come Home To; Bob Brookmeyer: Misty; Lee Konitz, Brad Mehldau, Charlie Haden, Paul Motian: I Fall In Love Too Easily; Kurt Elling, Charlie Hunter: Only The Lonely Woman; Wayne Escoffery, Gregory Porter: My Truth; Gerald Clayton, John Clayton: Paisajes: II. El Lago; Catherine Russell: I Want To Talk About You; Claire Martin, Scott Dunn, Royal Philharmonic Orchestra: It's Only A Paper Moon; Ranee Lee: Nature Boy. Lees verder →

Abrimos con lo nuevo de ese excitante vibrafonista que se llama Behn Gillece, que este 2023 ha publicado el excelente Between The Bars. Después escuchamos el volumen 2 de los New York United, para más señas. Daniel Carter, Tobias Wilner, Djibril Toure y Federico Ughi. Nuestro Clásico de la Semana fue el pianista y compositor Bobby Timmons del que escuchamos el clásico This Here Is Bobby Timmons, publicado en 1960 por Riverside Records. Seguir leyendo La Montaña Rusa 34.2023. Behn Gillece. Daniel Carter, Tobias Wilner, Djibril Toure, Federico Ughi. Bobby Timmons Trio. Gerald Clayton. Yei Yi & Co. Johanna Summer. en La Montaña Rusa Radio Jazz.

Unexpected returns, B-sides that sound as good as the A-sides, tributes to rock and folk heroes, Impulse! signing another key band of today's scene, Colorfield Records establishing itself even more as the label to follow... this and more on this week's edition of Mondo Jazz! Greg Joseph; Daniel Villareal; Anthony Wilson; Irreversible Entanglements; Darcy James Argue; Joni Mitchell; Vicente Archer, Gerald Clayton, Bill Stewart; Kris Allen. Detailed playlist at https://spinitron.com/RFB/pl/17756229/Mondo-Jazz (up to "Blood Count"). Photo Credit: Nina Westervelt. Happy listening!

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One of the jazz world's most acclaimed performers, possessing a potent combination of dynamic vocal abilities, impeccable phrasing, and powerful emotional resonance. Nicole's passionate, soulful voice and heartfelt charisma have earned her a Soul Train Award for “Best Traditional Jazz Performance," and four Top-10 jazz albums on U.S. Billboard, JazzWeek, HMV Japan and UK Sweet Rhythms charts. Heralded by The New York Times, The Wall Street Journal, The Japan Times, El Pais, Jazz Times, Essence, and more, Nicole tells real stories through peerless interpretations of repertoire from the American Songbook, classic and contemporary jazz, popular standards, blues, and originals. She has captivated audiences in 20 countries, headlining at venues in cities including New York, Tokyo, Madrid, Moscow, Paris, Shanghai, Los Angeles, Chicago, Las Vegas, Boston, San Francisco, and Miami at such venues as Blue Note; Jazz at Lincoln Center; Blues, Alley, The Smith Center; Kravis Center; Jazz St. Louis, Feinstein's; Madrid Jazz Festival; and more. Nicole has also recorded with some of today's musical greats including Kirk Whalum, Julian Lage, John Clayton, and Gerald Clayton and has performed with the Duke Ellington Orchestra, the Henry Mancini Institute Orchestra, Pasadena Pops and Michael Feinstein. In late 2019, she returned to the theatrical stage and garnered critical praise in the musical version of The Bodyguard; in Dec. 2021, she starred in the new musical A Wonderful World, based on the life of Louis Armstrong; and in 2022, she portrayed ‘Brenda' in Smokey Joe's Cafe.

Welcome to JazzPianoSkills; I'm Dr. Bob Lawrence. It's time to Discover, Learn, and Play jazz piano!I am thrilled to welcome back to JazzPianSkills, Dr. JB Dyas. Dr. JB Dyas has been a leader in jazz education for the past two decades. Currently, Vice President for Education and Curriculum Development at the Herbie Hancock Institute of Jazz, Dyas oversees the Institute's education and outreach programs, including Jazz in America (www.jazzinamerica.org), one of the most significant and wide-reaching jazz education programs in the world. He has presented jazz workshops, teacher-training seminars, and jazz "informances" worldwide with such renowned artists as Ambrose Akinmusire, Don Braden, Bobby Broom, Dave Brubeck, Gerald Clayton, Robin Eubanks, Herbie Hancock, Antonio Hart, Ingrid Jensen, Sean Jones, Delfeayo Marsalis, Christian McBride, Bobby Watson, and Steve Wilson.Prior to his current position at the Hancock Institute, Dyas served as Executive Director of the Brubeck Institute where he implemented its College Fellowship Program, Brubeck Festival, Summer Jazz Colony, and Jazz Outreach Initiative. Before that, he served as Director of Jazz Studies at Miami-Dade College – one of the nation's largest and most multi-cultural colleges, and New World School of the Arts – Miami's award-winning performing arts high school.Throughout his career, Dyas has performed across the country, designed and implemented new jazz curricula, directed large and small ensembles, and taught various jazz courses to students at virtually every level of musical development – age seven to seventy, beginner to professional, learning-challenged to prodigy. He has conducted jazz and tune-learning clinics, adjudicated high school and collegiate jazz festivals, and presented numerous jazz seminars throughout the United States and in Australia, Canada, Columbia, Cuba, France, Germany, Japan, Mexico, Russia, and Turkey. He also teaches Jazz Pedagogy at the Herbie Hancock Institute of Jazz Performance at the UCLA Herb Alpert School of Music, is on the faculty of the Jamey Aebersold Summer Jazz Workshop, and serves as an adjudicator for the Annual GRAMMY Music Educator Award.Additionally, Dyas has written for DownBeat magazine and other national music publications, presented clinics, and performed at a number of International Association for Jazz Education (IAJE) and Jazz Education Network (JEN) Annual Conferences, co-founded the International Sisters in Jazz Collegiate Competition, served on the Smithsonian Institution's Task Force for Jazz Education in America, and contributed the chapter “Defining Jazz Education” to the biography, "David Baker - A Legacy in Music." Dyas recently introduced his “What is Jazz and Why It's Important to the World” lecture for International Jazz Day, for which he annually presents education events in conjunction with the Hancock Institute and the United Nations Educational, Scientific and Cultural Organization (UNESCO). He also has made a series of teacher-training jazz education videos (all available at jbdyas.com), including a national webinar along with Herbie Hancock and US Secretary of Education Miguel Cardona on the importance of jazz education in our public schools.Dr. Dyas received his Master's in Jazz Pedagogy from the University of Miami and Ph.D. in Music Education from Indiana University. He is a recipient of the DownBeat Achievement Award for Jazz Education. A professional bassist, Dyas has performed well over a thousand jazz and commercial dates throughout his career and continues performing in various jazz and commercial music settings.Now, sit back, relax, and welcome back to JazzPianoSkills, Dr. JB Dyas!Support the show

Welcome to JazzPianoSkills; I'm Dr. Bob Lawrence. It's time to Discover, Learn, and Play jazz piano!I am thrilled to welcome to JazzPianSkills, Dr. JB Dyas. Dr. JB Dyas has been a leader in jazz education for the past two decades. Currently, Vice President for Education and Curriculum Development at the Herbie Hancock Institute of Jazz, Dyas oversees the Institute's education and outreach programs, including Jazz in America (www.jazzinamerica.org), one of the most significant and wide-reaching jazz education programs in the world. He has presented jazz workshops, teacher-training seminars, and jazz "informances" worldwide with such renowned artists as Ambrose Akinmusire, Don Braden, Bobby Broom, Dave Brubeck, Gerald Clayton, Robin Eubanks, Herbie Hancock, Antonio Hart, Ingrid Jensen, Sean Jones, Delfeayo Marsalis, Christian McBride, Bobby Watson, and Steve Wilson.Prior to his current position at the Hancock Institute, Dyas served as Executive Director of the Brubeck Institute where he implemented its College Fellowship Program, Brubeck Festival, Summer Jazz Colony, and Jazz Outreach Initiative. Before that, he served as Director of Jazz Studies at Miami-Dade College – one of the nation's largest and most multi-cultural colleges, and New World School of the Arts – Miami's award-winning performing arts high school.Throughout his career, Dyas has performed across the country, designed and implemented new jazz curricula, directed large and small ensembles, and taught various jazz courses to students at virtually every level of musical development – age seven to seventy, beginner to professional, learning-challenged to prodigy. He has conducted jazz and tune-learning clinics, adjudicated high school and collegiate jazz festivals, and presented numerous jazz seminars throughout the United States and in Australia, Canada, Columbia, Cuba, France, Germany, Japan, Mexico, Russia, and Turkey. He also teaches Jazz Pedagogy at the Herbie Hancock Institute of Jazz Performance at the UCLA Herb Alpert School of Music, is on the faculty of the Jamey Aebersold Summer Jazz Workshop, and serves as an adjudicator for the Annual GRAMMY Music Educator Award.Additionally, Dyas has written for DownBeat magazine and other national music publications, presented clinics, and performed at a number of International Association for Jazz Education (IAJE) and Jazz Education Network (JEN) Annual Conferences, co-founded the International Sisters in Jazz Collegiate Competition, served on the Smithsonian Institution's Task Force for Jazz Education in America, and contributed the chapter “Defining Jazz Education” to the biography, "David Baker - A Legacy in Music." Dyas recently introduced his “What is Jazz and Why It's Important to the World” lecture for International Jazz Day, for which he annually presents education events in conjunction with the Hancock Institute and the United Nations Educational, Scientific and Cultural Organization (UNESCO). He also has made a series of teacher-training jazz education videos (all available at jbdyas.com), including a national webinar along with Herbie Hancock and US Secretary of Education Miguel Cardona on the importance of jazz education in our public schools.Dr. Dyas received his Master's in Jazz Pedagogy from the University of Miami and Ph.D. in Music Education from Indiana University. He is a recipient of the DownBeat Achievement Award for Jazz Education. A professional bassist, Dyas has performed well over a thousand jazz and commercial dates throughout his career and continues performing in various jazz and commercial music settings.Now, sit back, relax, and welcome to JazzPianoSkills, Dr. JB Dyas!Support the show

Lakecia Benjamin, Negah Santos, Terri Lyne Carrington, Walter Smith III & Matthew Stevens, Chet Doxas, Dan Weiss Trio, Charles Lloyd, Julian Lage, Bill Frisell, Jean-Michel Leblanc, Carl Mayotte, Sophianne Girard, Lucy Lambert's Violet Drift, and Michael JohancsikPlaylist: Lakecia Benjamin - New MorningsNegah Santos - O CocadaTerri Lyne Carrington , featuring Julian Lage, Michael Mayo and Negah Santos - CirclingWalter Smith III, Matthew Stevens, featuring Kris Davis, Dave Holland and Terri Lyne Carrington - LopingChet Doxas - The Front of WinterDan Weiss Trio, featuring Jacob Sacks and Thomas Morgan - For JacobCharles Lloyd, featuring Bill Frisell and Thomas Morgan - Blood CountCharles Lloyd, featuring Anthony Wilson and Gerald Clayton - Hagar of the Inuits (Live)Charles Lloyd, featuring Julian Lage and Zakir Hussain - The BlessingJulian Lage - ChavezBill Frisell, featuring Gerald Clayton, Johnathan Blake and Gregory Tardy - HolidayJean-Michel Leblanc - HimawariCarl Mayotte - Dans le nuagesSophianne Girard - Bright & ColdLucy Lambert - BellevilleMichael Johancsik - A Long Slow Drag

It's the shock of the new as the boys take on three 2022 releases that stretch our heads in various directions, including a solo guitar outing, a visit to a mythical cave, and a trumpet excursions that goes even stranger places.  After that, a chill-out album from Blue Note is a welcome change of pace if nothing else.  Pop matters delves into this year's edition of the Chicago Jazz Fest, so stay tuned.  And watch out for those falling trees.  Gordon Grdina – ODDLY ENOUGH THE MUSIC OF TIM BERNE; Tony Malaby – CAVE OF WINDS ; Natsuki Tamura – SUMMER TREE; Gerald Clayton – BELLS ON SAND.

Playlist: Gerald Clayton, John Clayton, Justin Brown, Maro: Damunt de tu Nomes les Flors; Kurt Rosenwinkel, Jean-Paul Brodbeck: Nouvelle Etude in A-flat major; Gerald Clayton, Charles Lloyd: Peace Invocation; Chick Corea, Origin: Armando's Tango; Larry Goldings, Peter Bernstein, Bill Stewart: … Lees verder →

The first half of this episode features the Hartford Jazz Society's Paul Brown Monday Night Jazz series. We hear from some of the artists that will be performing in the first three weeks of concerts in Hartford CT this summer. We also play new music by Matt Dwonszyk, Jonathan Barber and Gerald Clayton. Playlist Artist ~ Name ~ Album Al Foster ~ Pent-Up House ~ Reflections Julieta Eugenio ~ La Jungla ~ Jump Brandee Younger ~ Reclamation ~ Somewhere Different Arturo O'Farrill & The Afro Latin Jazz Orchestra ~ Clump, Unclump ~ Four Questions Matt Dwonszyk ~ Room to Dream ~ A Year and a Day Jonathan Barber & Vision Ahead ~ Denim ~ Poetic Gerald Clayton ~ Peace Invocation ~ Bells On Sand Freddie Hubbard ~ Birdlike ~ Ready For Freddie

This episode presents the music of composer Fredrick Chopin, as interpreted by two jazz ensembles. The first is Kurt Rosenwinkel and Jean-Paul Broadbeck. The second, Noah Preminger and Rob Garcia. Both produced albums of Chopin compositions. We finish with Irina Zaritzkaya playing Chopin the way it was written by the Polish composer, circa 1840. From there, we feature guitarist Peter Sprague with Leonard Patton on vocals, and finally something new from acclaimed jazz pianist Gerald Clayton. Playlist Artist ~ Name ~ Album Kurt Rosenwinkel & Jean-Paul Brodbeck ~ Prélude in E - Flat Minor (Op. 28, No. 14) ~ The Chopin Project Noah Preminger and Rob Garcia ~ Prelude OP28 N8 in F# minor ~ Chopin Project Kurt Rosenwinkel & Jean-Paul Brodbeck ~ Prélude in C Major (Op. 28, No. 1) ~ The Chopin Project Noah Preminger and Rob Garcia ~ Prelude OP28 N24 in D minor ~ Chopin Project Irina Zaritzkaya ~ Op. 28: Prelude No. 24 in D Minor ~ 50 of the Best: Chopin Peter Sprague ~ Going with Me ~ Peter Sprague Plays Pat Metheny, Vol. 2 Peter Sprague & Leonard Patton ~ With a Little Help from My Friends ~ Dream Walkin' Gerald Clayton ~ Water's Edge ~ Bells On Sand

This content is for Members only. Come and join us by subscribing here In the meantime, here's some more details about the show: It's a warm welcome then to the man himself: Dr. Brad Stone - the JazzWeek Programmer of the Year 2017, who's here every Thursday to present The Creative Source - a two hour show, highlighting jazz-fusion and progressive jazz flavours from back then, the here and now, plus occasional forays into the future. Please feel free to get in touch with Brad with any comments or suggestions you might have; he'll be more than happy to hear from you: brad@soulandjazz.com or follow him via Facebook or Twitter. Enjoy! The Creative Source 26th May 2022 Artist - Track - Album - Year David Benoit    A Midnight Rendezvous    A Midnight Rendezvous    2022 Peter Erskine/Alan Pasqua/Derek Oles    Turnaround    Live in Italy    2022 Jorndan VanHemert    Imjin River Song    Nomad    2022 Aaron Bazzell    Maktub    Aesthetic    2022 Yannick Rieu    Time Is, Life Was    Qui Qu'en Grogne    2022 Pat Mallinger/Brent Griffin Jr./Lenard Simpson    Tormenta    Perspectives    2022 Cory Weeds Quartet    Vendeta    Just Coolin'    2022 Matt Hall    The Thing About Sloan Hill    I Hope to My Never    2021 Mark Lipson & Detroit Composers Collective feat. Vincent Chandler    Springwells    Springwells    2021 Chris Greene Quartet    Omi (Fresh Water)    Space 2: Play Harder    2022 Aaron Seeber    Eleventh Hour    First Move    2022 Randy Napoleon    Lyrica    Puppets: The Music of Greg Hill    2022 George Cotsirilos Quartet    Aftermath    Refuge    2022 Gerald Clayton    There is Music Where You're Going My Friends    Bells on Sand    2022 Lucian Ban    My Blues    Ways of Disappearing    2022 Rich Pellegrin    Improvisation IX    Passage: Solo Improvisations II    2022 Rich Pellegrin    Improvisation X    Passage: Solo Improvisations II    2022 Gerald Clayton    My Ideal 2    Ways of Disappearing    2022 Matthew Shipp    Letter from the Galaxy    Codebreaker    2021 The post The Creative Source (#CreativeSource) – 26th May 2022 appeared first on SoulandJazz.com | Stereo, not stereotypical ®.

First Take Friday! Today Adam and Peter dive into Gerald Clayton's new album featuring John Clayton and Justin Brown. Have a question for us? Leave us a SpeakPipe Checkout courses from Adam, Peter and more at Open Studio Let us know what you think by leaving a ⭐⭐⭐⭐⭐⭐⭐ review, or head over to our YouTube channel.Follow us on Twitter | Instagram

Over the course of the pandemic, Gerald Clayton thought a lot about time. What it means, how we spend it, and how the past and the now influence the future in unexpected ways. His new album Bells On Sand is the result of this philosophizing and finds the acclaimed pianist and composer creating sublime new worlds out of simple melodies and space, and the resulting abstraction of time that both can provide. PLUS! Music we love from Father John Misty off of his latest LP Chloë and the Next 20th Century, and a new bluegrass classic of of Molly Tuttle & Golden Highway's Crooked Tree! Support this show http://supporter.acast.com/discologist. See acast.com/privacy for privacy and opt-out information.

Alto saxophonist Will Vinson hails from England but established a great many of his musical collaborations while living in New York City. These working relationships with musicians like Aaron Parks, Kurt Rosenwinkel and Ari Hoenig, to name a few, have resulted in Will's reputation as a saxophonist with incredible power and dramatic sensitivity, whose playing is characterised by his imposing sound and technique. Will's recording output has also been prolific. In fact, we met over Zoom (Will was in Australia but time-difference be damned!) to discuss TWO of his recent albums. Both released in 2020, there was “Four Forty One”, which features Will with five incredible pianists (Sullivan Fortner, Fred Hersch, Tigran Hamasyan, Gerald Clayton and Gonzalo Rubalcaba, and “Trio Grande”, which features his trio with guitarist Gilad Hekselman and drummer Antonio Sanchez. Since our conversation, he has released a 2021 album,  “Solo”, his third release for the London-based Whirlwind Recordings. While we didn't get to discuss “Solo”, there was ample musical ground to cover. Show Notes: Tracklisting: - Northbound (with Trio Grande) - Boogaloo (feat. Sullivan Fortner) - That Happened (feat. Gonzalo Rubalcaba) - Elli Yeled Tov (with Trio Grande) - Work (feat. Fred Hersch) https://triogrande-whirlwind.bandcamp.com/album/trio-grande https://willvinson-whirlwind.bandcamp.com/album/four-forty-one Theme music by The Respect Sextet Follow The Jazz Session on Twitter, Instagram and Facebook Subscribe to The Jazz Session's YouTube Channel Support The Jazz Session by becoming a member at Patreon. For $5 a month you'll get a weekly bonus episode called Track of the Week, plus early access to every show. For $10 a month you get all that plus an extra monthly bonus episode of “The Insider”, a spin-off interview series where Nicky chats to jazz industry insiders (broadcasters, artist agents, label heads, journalists) about the nuts and bolts of the business.