Podcast appearances and mentions of noah cowan

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Noah Cowan "How Do Animals Process Sensory Information To Control Their Motion?" by Marwa ElDiwiny

Noah Cowan "Clip: How Do Animals Process Sensory Information To Control Their Motion?" by Marwa ElDiwiny

Episode #73 with Dylan—Today he's talking to Noah Cowan, one of his smartest friends from Brown. Dishin' out Smart Nonsense about:Why you must start dabbling in various thingsHow to ace your college courses -- and enjoy it!What leads to broken social trust and how can we fix it?LinksConnect with Noah: TwitterCollege Championship Sizzle | Jeopardy!Contestants for $500: Who is Noah Cowan? | The Brown Daily HeraldBrown Political Review | BPRadio[First-year Brown student captures ‘Jeopardy!’ college championship](https://www.brown.edu/news/2018-04-22/jeopardy-win#:~:text=student captures 'Jeopardy!-,' college championship,big in this year's tournament.) | News from BrownWhat Is Imposter Syndrome? | Verywell MindThe Fermi Paradox | Wait But WhyThe Feynman Technique | Farnam StreetJFK And The Space Race | JFK35 Podcast[Acoustic Kitty](https://en.wikipedia.org/wiki/Acoustic_Kitty#:~:text=Acoustic Kitty was a CIA,the Kremlin and Soviet embassies.)Project MKUltraCIA Attempted to Assassinate Fidel Castro with an Exploding CigarCrime and Punishment by Fyodor DostoyevskyQED by Richard FeynmanOne Billion Americans by Matthew YglesiasThe History Channel | IMDbJeopardy! | IMDbWheel of Fortune | IMDbIt’s Academic | IMDbThe Alinea Group | Nick KokonasBraden HoltbyJames HolzhauerPatrick Leonard SajdakAlex TrebekVannevar BushSøren KierkegaardHere's the full Show Notes.Watch on YouTube & SubscribeWatch Henry's last YouTube video.P.S. Toss us a 5-star review :)

Member of the jury for the New Chinese Cinema competition at IFFAM 2019. The post Noah Cowan #IFFAM2019 appeared first on Fred Industry Channel » FRED Industry Podcast. Noah Cowan #IFFAM2019 was first posted on December 18, 2019 at 5:07 pm.©2015 "Fred Industry Channel". Use of this feed is for personal non-commercial use only. If you are not reading this article in your feed reader, then the site is guilty of copyright infringement. Please contact me at radio@fred.fm

Member of the jury for the New Chinese Cinema competition at IFFAM 2019.Noah Cowan #IFFAM2019 was first posted on December 18, 2019 at 5:07 pm.©2015 "Fred English Channel". Use of this feed is for personal non-commercial use only. If you are not reading this article in your feed reader, then the site is guilty of copyright infringement. Please contact me at radio@fred.fm

Hosts Aidan Calvelli ’19 and Noah Cowan ’19 give us some “Food for Thought” in our third episode of the season. Featuring interviews from anthropologist Sarah Besky and policy analyst Allen Hance, this episode offers a nuanced examination of how American federal food policy and ethical consumerism influence the food that ends up on our plates. _____ Special thanks to Sarah Besky and Allen Hance for their time and expertise, as well as to our podcast associates -- Izzy Belleza, Kate Dario, Rachel Lim, Henry Peebles-Capin, Moses Lurbur, and Tobi Lepecki -- for their hard work on this episode.

Drugs are a scourge to society with the power to catalyze a major public health crisis. But on college campuses, they may simply be seen as a quintessential element of the party scene. In our next episode, hosts Aidan Calvelli ' 19 and Noah Cowan '19 will tease out the complexities of drug use beyond the protective bubble of the college campus. _____ Special Thanks to: Professors Mark Suchman and Patience Moyo Podcast Associates: Kate Dario, Moses Lurbur, Henry Peebles-Capin, Rachel Lim, Tobi Lepecki, and Izzy Belleza Hosts: Aidan Calvelli and Noah Cowan Executive Producer: Emily Skahill

In this episode, hosts Aidan Calvelli ‘19 and Noah Cowan ‘19 explore the contentious politics surrounding grizzly bears, biology, and hunting tags in Grand Teton National Park, as well as Brown’s own history surrounding these most iconic of carnivores. As you’ll learn in this episode, bears are cultural symbols in myriad ways… On the one hand, they’re fluffy, harmless toys for kids to play with; on the other, they’re fierce, formidable monsters. They’ve been used as circus animals and political symbols; school mascots and cartoon characters. There’s no denying it: there’s something about bears that captivates our imaginations, as well as our fears… Bears are deeply enmeshed in the political fabric of America, and today, you’ll find out why. ___ Special thanks to: Steve Cain - A senior wildlife biologist from Grand Teton National Park. In this role, he directed wildlife research, conservation, and management for 25 years. His work focuses on black and grizzly bears, elk, bison, bighorn sheep, and birds of prey. Todd Wilkinson - A renowned environmental journalist, whose work has appeared in sources such as National Geographic and The Washington Post. He is also the author of several books, including Science Under Siege: The Politicians’ War on Nature and Truth (1998), Last Stand: Ted Turner’s Quest to Save a Troubled Planet (2013), and Grizzlies of Pilgrim Creek: An Intimate Portrait of 399, the Most Famous Bear of Greater Yellowstone. Anna Gibson - A student at Brown and a local from Jackson Hole, Wyoming. Her insights and research were integral to this episode. Tobi Lepecki - A student at Brown, and the author of this episode. Hosts: Aidan Calvelli and Noah Cowan Podcast Associates: Isabelle Belleza, Ali Martinez, Kate Dario, Rachel Lim, Ella Rosenblatt, Moses Lurbur, Henry Peebles-Capin Executive Producer: Emily Skahill

In recognition of the devastating California wildfires and the release of the Fourth National Climate Assessment this November, BPRadio dedicates this episode to a discussion on climate change. Join hosts Aidan Calvelli '19 and Noah Cowan '19 as they explore fundamental levers of adaptation and mitigation on the local, state, national, and international levels. This episode features a wide variety of guests, including Kurt Teichert, a Senior Lecturer in Brown University's Environmental Studies department, Cartie Werthman, a student in the Climate and Development Lab, and BPR writers Jackson Segal and Dan Steinfeld. Special Thanks to: Hosts: Aidan Calvelli and Noah Cowan Podcast Associates: Ali Martinez, Izzy Belleza, Rachel Lim, Kate Dario, Tobi Lepecki, and Ella Rosenblatt Executive Producer: Emily Skahill

Welcome to the second season of BPRadio! In this first episode, we explore the importance of diversity in higher education by interviewing a variety of students from Brown University to get their take on what it means to create an inclusive learning environment. Hosts Aidan Calvelli '19 and Noah Cowan '19 lead this discussion to explore three unique and commonly overlooked facets of educational diversity: data disaggregation, reflective teaching, and inclusive social studies curricula. Student Interviews: - Ifeoma Anyoku '22 - Karina Bao '21 - Gaby Castillo '22 - Valerie Santos '19 - Quentin Thomas '21 Brown Political Review Author Interviews: - Ashley Chen '20 - Why Data Disaggregation Matters for Asian Americans: http://www.brownpoliticalreview.org/2018/03/data-disaggregation-matters-asian-americans/ - Sarah Conlisk '20 - Model Learning: Closing the Teacher Diversity Gap: http://www.brownpoliticalreview.org/2018/05/model-learning-closing-teacher-diversity-gap/ - Michael O'Neill '19 - Time to be Heard: Diversifying Social Studies Curricula: http://www.brownpoliticalreview.org/2016/12/diversifying-social-studies-curricula/ Special Thanks to: - Hosts: Aidan Calvelli and Noah Cowan - Podcast Associates: Ali Martinez, Izzy Belleza, Rachel Lim, Tobi Lepecki, Sam Parmer, Kate Dario, Ella Rosenblatt, Kris Cho - Executive Producer: Emily Skahill

The big rise of independent cinema occurred right in the 80s era. The 90s was when things shifted, and there were uncertain transitions happening. The studio still dominated every conversation about movies and the future of the film industry, but it was towards the end of that decade that the rise of independent films occurred. […]

The big rise of independent cinema occurred right in the 80s era. The 90s was when things shifted, and there were uncertain transitions happening. The studio still dominated every conversation about movies and the future of the film industry, but it was towards the end of that decade that the rise of independent films occurred. Noah Cowan, executive director of NSF Film, formerly San Francisco Film Society, puts on the San Francisco International Film Festival which is one of the longest running film festivals in America. Noah says they play a gate keeping role, particularly to changes that are happening in the marketplace. Among the things that concern NSF Film is how independent films have a truly independent voice, particularly these days. They want to know more about what is going on in the creative imagination of women and people of color and try to make sure that those stories are heard and get to be seen by as many people as possible to have a more global view of what’s going on.

EICs Aidan Calvelli '19 and Noah Cowan '19 run down five highlighted articles published recently. Aidan and Noah then welcome Christopher Kobel '21 to discuss Putin's shadow game in Bosnia and Herzegovina (9:15). Carter Woodruff '20 joins the show to argue for constituencies determining their own Senators' resignations, using Al Franken and the #MeToo movement as a case study (20:30). BPRundown: http://www.brownpoliticalreview.org/2018/02/new-divisions-old-rifts-reborn/ http://www.brownpoliticalreview.org/2018/01/grant/ http://www.brownpoliticalreview.org/2018/03/milos-satanic-verses-not-banned-book-2017/ http://www.brownpoliticalreview.org/2017/12/xxx-ed-pornographys-place-sex-education/ http://www.brownpoliticalreview.org/2018/01/29791/ Interviews: http://www.brownpoliticalreview.org/2018/03/west-won-putins-bosnia-shadow-game/ http://www.brownpoliticalreview.org/2018/03/constituencies-metoo-movement-voice-heard/ Thank you to: Hosts: Aidan Calvelli and Noah Cowan Content Curators: Asher Lehrer-Small and Sam Parmer Producers: A.J. Braverman and Jack Makari Editors: Emily Skahill and Grace McCleary Jingle: Thomas Roseillo, Will Simon, Dylan Coe Executive Producer: Michael Bass

Welcome to Brown Political Radio. In our first episode, Editors-in-Chief and hosts Aidan Calvelli '19 and Noah Cowan '19 run down five highlighted articles published recently. Aidan and Noah then welcome Emily Skahill '21 to discuss the politics of cybersecurity and John Metz '20 to make his case to kill the Johnson Amendment. Thank you to: Hosts: Aidan Calvelli and Noah Cowan Content Curators: Asher Lehrer-Small and Sam Parmer Producers: A.J. Braverman and Jack Makari Editors: Emily Skahill and Grace McCleary Jingle: Thomas Roseillo, Will Simon, Dylan Coe Executive Producer: Michael Bass

One of the great things about the new TIFF Bell Lightbox is that it’s not just a movie theatre. Well, it is a movie theatre. But it’s not only that. You know? TIFF could have opted to just run limited engagements and special presentations out of their new digs, but instead, the folks at the creative helm of the Lightbox seem determined to expand the menu of cinema-related goings-on in the city. In keeping with that mandate, September 2010 the Lightbox opens its hypermodern doors to venerable Toronto post-rockers Do Make Say Think, who will be performing a live, partially improvised soundtrack for Eric von Stroheim’s silent era classic Greed. With a curious and convoluted production history, von Stroheim’s film was kind of like the Dune of early Hollywood: an exorbitantly budgeted epic that was rumoured to once exist in a whopping ten hour cut. Detailing the corrupting influence of money (it never sleeps, you know) after a woman (ZaSu Pitts) wins the lottery, Greed remains one of the more hugely ambitious productions Hollywood has ever churned out. And according to Lightbox artistic director Noah Cowan, the film was a perfect match for Do Make Say Think’s experimental rock music. “There’s something about its social consciousness and artistic inventiveness that we thought connected well with this group of Toronto musicians,” says Cowan of the pairing. “It works really well with musicians who improvise. There’s something sort of ephemeral to what constitutes story in a lot of silent era films. I think it allows for a greater reflection by artistic collaborators.” Do Make Say Think are no strangers to coupling their music with a film screening. Indeed, it was their live score for the 1919 German horror film Tales of the Uncanny (performed at Yonge-Dundas Square as part of Luminato in 2009) that informed the Lightbox’s decision to organize this week’s Greed performance. “These guys have expressed a real enthusiasm for engaging in cross-media exploration,” says Cowan. “We want to support that in Toronto. Not just at TIFF Bell Lightbox, but as a larger part of the city’s cultural fabric. This seems like a great vehicle for these sorts of hybrid events.” As Cowan suggests, the interstitial place a performance like this occupies also broadens aesthetic boundaries. Especially for a film like Greed, which has existed piecemeal in different cuts of different lengths over the years, it’s tricky to get a bead on precisely what constitutes the film. “The beginnings of cinema are starting to feel like today’s cinema, where you have all these director’s cuts and innumerable versions of films,” says Cowan. “This was the norm back in the day, where theatres would chop off bits of films. Different versions would be circulated by the studio for different marketplaces. Directors would tear their hair out, but it meant that an audience would have a general sense of what a film was, as opposed to an idea of it tied to a specific running time.” So whereas playing over a classic Bernard Herrmann score to a film like Vertigo or Taxi Driver may seem like cinematic sacrilege, a sin on par with George Lucas and Steven Speilberg’s much-maligned fiddling with their classic films, Do Make Say Think’s live score for Greed functions to tie together a film whose production and screening history was far more amorphous. The accompanying concert provides not just a compliment to the event, but the event itself. It’s something that transgresses time (setting a classic silent film to contemporary instrumental rock music) as well as the boundaries of media. And it’s precisely the kind of thing we’re happy to have the Lightbox around to host. Do Make Say Think perform a live soundtrack to Eric von Stroheim’s Greed Sept 2010 at the TIFF Bell Lightbox (350 King Street West). Special Edition. Recording Assistant: Zoe Cunningham, Michael Dal Maso Your donations pledge through paypal go 100% directly to CIUT.FM fund-drives.