Podcasts about Stroheim

"IT'S FATAL: WHAT IS FILM NOIR?" (PART III) (080) 3/24/2025 Welcome to the third and final installment of our series on Film Noir. As we have previously discussed the technical elements of noir and met the typical character's of noir, we will now take a look at the creative aspects of the genre that help create that special brand of dark, sexy, deadly movies. We'll discuss dialogue, and clever devices like voice overs, flashbacks, and dream sequences that enhance these dark, moody films. We'll also look at the fatalistic themes that reigned supreme throughout the genre.  SHOW NOTES:  Sources: Film Noir (2017), by Alian Silver & James Ursini; Into the Darkness: The Hidden World of Film Noir 1941-1959 (2016), by Mark A. Viera; More than Night: film Noir in Its Contexts (2008), by James Naremore; Dark City: The Lost World of Film Noir (1998), by Eddie Muller; Voices in the Dark: The Narrative Patterns of Film Noir (1989), by J.P. Telotte; Film Noir: An Encyclopedia Reference to the American Style (1979), edited by Alain Silver & Elizabeth Ward; Wikipedia.com; TCM.com; IMDBPro.com; Movies Mentioned:  Impact (1949), starring Brian Donlevy, Ella Raines, Charles Coburn, Helen Walker, & Anna May Wong; Gilda (1946), starring Rita Hayworth & Glenn Ford; Gun Crazy (1950), starring John Dall & Peggy Cummins; The Brother's Rico (1957), starring Richard Conte, Diane Foster, & James Darren; D.O.A. (1950), starring Edmond O'Brien; Cape Fear (1962), starring Robert Mitchum, Gregory Peck, and Polly Bergen; Double Indemnity (1944), starring Barbara Stanwyck, Fred MacMurray, & Edward G. Robinson; Clash By Night (1952), starring Barbara Stanwyck, Robert Ryan, & Paul Douglas; The Man I Love (1947), starring Ida Lupino & Robert Alda; The Maltese Falcon (1941), starring Humphrey Bogart & Mary Astor; Dead Reckoning (1947), starring Humphrey Bogart & Lizabeth Scott; Detour (1945), starring Tom Neal & Ann Savage; Laura (1944), starring Gene Tierney & Dana Andrews; City That Never Sleeps (1953), starring Gig Young & Mala Powers; Sunset Boulevard (1950), starring Gloria Swanson & William Holden; The Killers (1946), starring Burt Lancaster & Ava Gardner; The Great Flamarion (1945), starring Erich von Stroheim & Mary Beth Hughes; The Locket (1946), starring Laraine Day, Robert Mitchum, & Brian Aherne; The Invisible Wall (1946), starring Don Castle & Virginia Christine; The Strange Love of Martha Ivers (1946), starring Barbara Stanwyck, Van Heflin, Lizabeth Scott & Kirk Douglas; The Dark Past (1948), starring William Holden, Nina Foch, & Lee J. Cobb; Murder My Sweet (1945), starring Dick Powell & Claire Trevor; The Woman On The Beach (1947), starring Robert Ryan & Joan Bennett; Spellbound (1945), starring Ingrid Bergman & Gregory Peck; Manhandled (1949), starring Dorothy Lamour, Sterling Hayden, & Dan Duryea; Scarlet Street (1945), starring Edward G. Robinson, Joan Bennett, & Dan Duryea; Moonrise (1948), starring Dane Clark & Gail Russell; Out of the Past (1947), starring Robert Mitchum, Jane Greer, & Kirk Douglas; In a Lonely Place (1950), starring Humphrey Bogart & Gloria Grahame; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Episode Website Link: https://frombeneaththehollywoodsign.com Learn more about your ad choices. Visit megaphone.fm/adchoices

"MARY BETH HUGHES - CLASSIC CINEMA STAR OF THE MONTH" - 3/03/2025 For those of you who don't know the charms of MARY BETH HUGHES, when she was under contract at MGM, she was dubbed "the poor man's LANA TURNER." It was a rather unfair assessment since MGM gave Lana all the plum roles, and Mary Beth got her hand-me-downs. But still, Mary Beth had great comic chops, and no one played bitchy, hard-boiled blondes as well as she. Despite her beauty and talent, she never managed to get out of B-pictures. She did have small parts in great films like The Women (1939) and The Ox-Bow Incident (1942). She played the good girl as often as she played the bad girl, but when she played bad....you were in for a treat. Her pouty lips, snappy dialogue, and petulant attitude lit up many a lackluster production. This week, we celebrate her as our Star of the Month. SHOW NOTES:  Sources: The Official Mary Beth Hughes Website; “Mary Beth Hughes, Born in Alton, Benign Groomed for Stardom in Movies,” January 4, 1939, Alton Evening Telegraph; “Mary Beth Hughes,” October 1971, by T.P. Turton, Films in Review; “Mary Beth Hughes Stars In A New Shampoo,” December 20, 1976, People Magazine; Mary Beth Hughes: She Never Gave Up,” December 2015, by Dave White, Classic Images; “The Look of Mary Beth Hughes,” June 6, 2019, www.grandoldmovies.com; http://www.briansdriveintheater.com/marybethhughes.html Wikipedia.com; TCM.com; IMDBPro.com; Movies Mentioned:  The Women (1939), starring Norma Shearer, Joan Crawford, & Rosalind Russell; The Ox-Bow Incident (1942), starring Henry Fonda, Harry Morgan, Dana Andrews, MBH, & Anthony Quinn; Broadway Serenade (1939), starring Jeanette MacDonald & Lew Ayres; Dancing Co-Ed (1939), starring Lana Turner & Richard Carlson;  These Glamour Girls (1939), starring Lana Turner & Lew Ayres: Fast and Furious (1939), starring Franchot Tone & Ann Sothern; Free, Blonde & 21 (1940), starring Lynn Bari, MBH, & Joan Davis; Star Dust (1940), starring Linda Darnell & John Payne; Four Sons (1940), starring Don Ameche, Alan Curtis, Eugenia Leontivich, & MBH; Lucky Cisco Kid (1940), starring Cesar Romero, Dana Andrews, & MBH; The Great Profile (1940), staring John Barrymore & MBH; Sleepers West (1941), starring Lloyd Nolan & MBH:  Ride on Vaquero (1941), starring Cesar Romero & MBHs; Charlie Chan In Rio (191410, starring Sidney Toler & MBH; Dressed To Kill (1941), starring Lloyd Nolan & MBH; Design For Scandal (1941), starring Rosalind Russell & Walter Pidgeon; The Cowboy and The Blonde (1941), starring MBH & George Montgomery; Blue, White, and Perfect, (1942), starring Lloyd Nolan & MBH; The Night Before The Divorce (1942), starring Lynn Bari, Joseph Allen, & MBH; Orchestra Wives (1942), starring Ann Rutherford & George Montgomery: Over My Dead Body (1942), starring Milton Berle & MBH; Timber Queen (1944), starring Richard Arlen & MBH; Men On Her Mind (1944), starring MBH; I Accuse My Parents, (1944), starring MBH & Robert Lowell; The Lady Confesses (1945), starring MBH & Hugh Beaumont; The Great Flamarion (1945), starring Erich von Stroheim, MBH, & Dan Duryea; Holiday Rhythm (1950), starring MBH & David Street; Young Man With A Horn (1950), starring Kirk Douglas, Lauren Bacall, & Doris Day; Highway Dragnet (1954), starring Richard Conte & Joan Bennett; Loophole (1955), starring Barry Sullivan, Charles MacGraw, & Dorothy Malone; Gun Battle At Monterey (1957), starring Sterling Hayden & MBH; How's Your Love Life? (1971), starring John Agar, Leslie Brooks, Grant Willians, & MBH; The Working Girls (1974), starring Sarah Kennedy, Laurie Rose, & Cassandra Peterson; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

In compagnia di Enrico Gaudenzi e con Michela Gorini si torna a parlare del cinema di un secolo fa attraverso quattro mostri sacri della cinematografia che nel 1924 firmano quattro opere straordinarie: "L'ultima risata" (Der letzte Mann) di Friedrich Wilhelm Murnau "La palla numero 13" (Sherlock Jr.) di Buster Keaton, "Rapacità" (Greed) di Erich von Stroheim, "Matrimonio in quattro" (The Marriage Circle) di Ernst Lubitsch.

durée : 00:26:00 - Les Nuits de France Culture - par : Philippe Garbit - Rendez-vous à cinq heures - Erich von Stroheim à Maurepas (1ère diffusion : 06/09/1954 Paris Inter) - réalisation : Virginie Mourthé

Emigré d'Autriche à Hollywood, Erich von Stroheim prétendra toute sa vie être un ancien officier aristocratique.Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Sunset Boulevard, Donald Trump, Billy Wilder, Wilder's career, film noir, how to classify Sunset Boulevard, Sunset as a horror film, the organ grinder's monkey, Mank, Citizen Kane, Orson Welles, Hollywood lore, Black Dahlia murder, Elizabeth Short, references to the Black Dahlia murder in Sunset Boulevard, William Desmond Taylor, Taylor's murder, Mabel Norman, the murders/shootings surrounding Norman, Mary Miles Minter, Thomas Ince, Ince's strange death, William Randolph Hearst, Gloria Swanson, Joseph P. Kennedy, Swanson's affair with JPK, Erich von Stroheim, Stroheim's notorious productions, was Stroheim making pornography?, pornography and honeypots in early Hollywood, Mack Sennett, the Tuna Club of Avalon, Catalina Island, the Tuna Club's possible role in sexual blackmail, Sunset Boulevard's subtle references to sexual blackmail, Peter Ivers, the bizarre parallels to Sunset and Ivers' murder, David Lynch, Inserts, pornography in early HollywoodMusic by: Keith Allen Dennishttps://keithallendennis.bandcamp.com/Additional Music by: the Four Tops Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In this episode of "Tales from Hollywoodland," the hosts and their guest Lee Tsiantis discuss the silent film era's rich history and its profound impact on the film industry. They explore the origins of film, animation, the transition to sound films, and the challenges actors faced during this shift. The conversation covers the low survival rate of silent films into the modern era, the influence of directors like Erich von Stroheim, D.W. Griffith, and Auguste Lumiere, and their influences on modern audiences.  Tales From Hollywoodland on Facebook https://www.facebook.com/talesfromhollywoodland  Tales From Hollywoodland on Instagram https://www.instagram.com/talesfromhollywoodland/ Tales From Hollywoodland on YouTube https://www.youtube.com/channel/UCdLX2kbwHqdn47FNN6vVN7Q  We want to hear from you! Feedback is always welcome. Please write to us at  talesfromhollywoodland@gmail.com and why not subscribe and rate the show on Apple Podcast, Spotify, iHeartRadio, Goodpods, PlayerFM, YouTube, Pandora, Amazon Music, Audible, and wherever fine podcasts are found.  #Silentfilmerapodcast #Earlytalkiesdiscussion #TalesFromHollywoodland #Silentfilmhistorypodcast #HollywoodGoldenAgepodcast #Silentfilmstarsanalysis #Earlycinemaexploration #Hollywoodpioneersdiscussion #ClassicHollywoodpodcast #Silentfilmdirectorsspotlight #Vintagecinemapodcast #Silentfilmactorsanalysis #Hollywoodhistorypodcast #Pre-sounderapodcast #Filmpreservationdiscussion #Earlytalkiesevolution

EPISODE 23 - “I Coulda Been a Contender: Classic Casting That Almost Happened” - 02/19/2024 It is well documented that the film “Gone With The Wind” started filming before an actress was cast in the lead role of Scarlett O'Hara. Producer DAVID O. SELZNICK made a spectacle out of who would win the coveted role. It became a national obsession. He considered everyone from TALLULAH BANKHEAD to BETTE DAVIS to LUCILLE BALL. He eventually narrowed the field to three finalists: PAULETTE GODDARD, JOAN BENNETT, and JEAN ARTHUR. But in the eleventh hour, a new contender, an unknown Brit named VIVIEN LEIGH, swept in and won the role. Listen as we discuss, debate, and guffaw over other casting choices that almost happened in some of your favorite film classics.  SHOW NOTES:  Sources: Hollywood's First Choices: How The Greatest Casting Decisions Were Made (1994), by Jeff Burkhart and Bruce Stuart; Casting Might Have Beens (2005), by Eila Mell; Jean Arthur: The Actress Nobody Knew (2004), by John Oller; George Raft: The Man Who Would Be Bogart (2015), by Stone Wallace; Life is a Banquet (1974), by Rosalind Russell; Joan Crawford: The Enduring Star (2009), by Peter Cowie; Michael Curtiz: A Life in Film (2021), by Alan Rode; Judy Holliday (1982), by Will Holtzman; Close-up on Sunset Boulevard: Billy Wilder, Norma Desmond, and the Dark Hollywood Dream (2002), by Sam Staggs Montgomery Clift: Beautiful Loser (1992), by Barney Hoskyns; Mike Nichols: A Life (2021), by Mark Harris; IMDBPro.com; Wikipedia.com; Movies Mentioned:  Scarface (1932), starring George Raft, Paul Muni, Ann Dvorak, and Boris Karloff; Dead End (1937), starring Silvia Sidney, Joel McCrea, Humphrey Bogart, Wendy Barrie, and Claire Trevor; The Maltese Falcon (1941), starring Humphrey Bogart, Mary Astor, Peter Lorre, Sydney Greenstreet, Elisha Cook, Jr, and Lee Patrick  The Maltese Falcon (1931), starring Ricardo Cortez and Bebe Daniels; High Sierra (1941), starring Humphrey Bogart, Ida Lupino, Joan Leslie, Alan Curtis, Cornel Wilde, Arthur Kennedy, Willie Best, Elisabeth Risdon, and Henry Travers; His Girl Friday (1940), starring Cary Grant, Rosalind Russell, and Ralph Bellamy; Twentieth Century (1934), starring John Barrymore and Carole Lombard; Mildred Pierce (1945), starring Joan Crawford, Ann Blyth, Jack Carson, Zachary Scott, Eve Arden, Bruce Bennett, and Lee Patrick;  Sunset Boulevard (1950), starring Gloria Swanson, William Holden, Erich von Stroheim, and Nancy Olson;    From Here To Eternity (1953); starring Burt Lancaster, Deborah Kerr, Montgomery Clift, Frank Sinatra, Donna Reed, and Ernest Borgnine; Who's Afraid of Virginia Wolf (1966), starring Elizabeth Taylor, Richard Burton, George Segal, and Sandy Dennis; Butch Cassidy and the Sundance Kid (1969), starring Paul Newman, Robert Redford, and Katharine Ross;#023: "I COULDA BEEN A CONTENDER!" --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Alright Mr. DeMille, they're ready to Babble! On today's episode of FilmBabble, Charlie and Antonio take a quick detour onto SUNSET BOULEVARD, the 1950 classic chock-full of romance, intrigue, and.... murder? Take a seat, order a coffee, and listen up! Intro/outro music: "Main Title from 'The Wild Bunch'", composed by Jerry Fielding.  SUNSET BOULEVARD (1950), written by Charles Brackett, Billy Wilder, and D.M. Marshman Jr., directed by Billy Wilder, cinematography by John Seitz, featuring William Holden, Gloria Swanson, Erich von Stroheim, Nancy Olson, and Cecil B. DeMille

On the final episode of I Am The Wiz for 2023, Kim Shactman and The WIz review the 1950 classic noir Sunset Boulevard starring Gloria Swanson, William Holden, Erich von Stroheim and Nancy Olson, directed by Billy Wilder.

The American Film Institute rated Sunset Boulevard #16 on the 2007 edition of their 100 Years…100 Movies list. This week, the legacy of this acclaimed film is sullied and tarnished by appearing on the TGMEM podcast! Tune in to hear Justus and David peel back the layers of the film noir classic to get to the bottom of this seedy tale of Hollywood's darkside. Together, they uncover mysteries like the Black Dahlia Murderer's foray into killing monkeys, Cecil B. DeMille's boundless bloodlust for horses and the devious wiles of a stone-cold cougar reliving her glory days in her lavish Hollywood mansion. Who cares about the AFI? It's time for Justus and David to settle, once and for all, if Sunset Boulevard is The Greatest Movie Ever Made! Sunset Boulevard (1950) is directed by Billy Wilder and stars William Holden, Gloria Swanson, Erich von Stroheim, Nancy Olsen, and Fred Clark. Music: “Fractals” by Kyle Casey and White Bat Audio

On this week's Blu-ray episode, Peter Sobczynski talks with Erik Childress about some genuine classics, at least one new one, some forgotten relics and a genuine oddity. Criterion does Terry Gilliam right again with one of their childhood favorites in 4K. They revisit an Oscar-winning film from the ‘80s and whether it would be made the same way today. Kino has some really enjoyable stuff from Andrew Davis, Michael Crichton and a film that got buried during the disaster craze of the '70s. Both Erich von Stroheim and William Hurt go Russian this week, more Shaw Brothers films arrive and Peter recounts the crazy tale of the Ormond family on their filmmaking journey from exploitation to Christian films. 0:00 - Intro 1:31 - Criterion (Time Bandits (4K)) 10:06 - Flicker Alley (Foolish Wives) 15:18 - Indicator (From Hollywood to Heaven: The Lost and Saved Films of the Ormond Family (1956-1984), Mexico Macabre: Four Sinister Tales from the Alameda Films Vault, 1959-1963) 23:45 - MVD (Witchtrap, Rain Man (4K)) 33:30 - Kino (The Draughtsman's Contract, Juggernaut, The Great Train Robbery, Gorky Park, The Package) 1:05:07 - Sony (The Pope's Exorcist) 1:08:44 - Universal (Super Mario Bros. Movie, The (4K)) 1:13:44 - Lions Gate (John Wick: Chapter 4) 1:17:10 - Shout! Factory (Shaw Brothers Collection: Volume One) 1:20:13 – New Blu-Ray Announcements 1:21:43 - Outro

"It took two years to make; it gives you two hours of engrossing entertainment. You may hate it, as you hate the dangerous undercurrents of life, but you will be fascinated, thrilled, held spell-bound." Heads up! This is a very different kind of episode of You're Missing Out. Instead of sitting down with a guest and bouncing all around the plot of the film like we often do, this time, Mike, Tom, and Kyle sat down on mic to record a full-length (well, full-length for the shortest of the full length versions of this film) commentary track for Erich von Stroheim's 1924 masterpiece, Greed. Listen to it here, or watch the full film with commentary attached on our Youtube channel.Find the film with commentary here: https://youtu.be/nyPQAUGGCkI Hosts:Michael NataleTwitterLetterboxd Tom LorenzoTwitterLetterboxd Producer:Kyle LamparTwitter Follow the Show:LinkTree Music by Mike Natale

In this episode of Film & Whiskey, Bob and Brad begin a mini-series of films directed by Billy Wilder with his 1950 classic "Sunset Blvd." They pair it up with the fourth in their lineup of five Benchmark bourbons, this time the Benchmark Bonded. They explore the themes of the film, analyzing the performances of the lead actors, and discussing the iconic scenes that have made the film a classic. Bob and Brad also provide their detailed review of Benchmark Bonded bourbon, discussing the flavor profile and what sets it apart from the other Benchmark bourbons they've tasted so far. The two hosts also engage in their usual games and segments, including Two Facts and a Falsehood and Let's Make it a Double. If you're a fan of classic cinema, or just looking for a new bourbon to try, this episode is not to be missed! Timestamps: 0:00 - Introduction 08:57 - Brad Explains 11:20 - Themes and Performances 35:02 - Benchmark Bonded Bourbon Review 44:05 - Two Facts and a Falsehood 49:00 - Final Analysis 54:40 - Let's Make it a Double 58:50 - Final Scores Bob and Brad begin their Billy Wilder mini-series with his iconic 1950 film, "Sunset Blvd." The movie follows the story of Norma Desmond, a former silent film star who lives in seclusion with her butler, played by Erich von Stroheim. When struggling screenwriter Joe Gillis stumbles upon her mansion, Norma recruits him to help her stage a comeback. The hosts delve into the themes of the film, discussing its commentary on Hollywood's obsession with youth and beauty, as well as the power dynamics at play in the relationship between Norma and Joe. They analyze the performances of the lead actors, including Gloria Swanson's iconic portrayal of Norma Desmond and William Holden's performance as Joe Gillis. As always, Bob and Brad also bring their expertise in bourbon to the table with their review of Benchmark Bonded bourbon. This fourth installment in their series of five Benchmark bourbons impresses with its price point, but how does it taste? Film & Whiskey website: ⁠⁠⁠https://filmwhiskey.com/⁠⁠⁠ ⁠⁠Benchmark website⁠⁠ Film & Whiskey Podcast. New episodes every Tuesday. Theme music: "New Shoes" by Blue Wednesday Film & Whiskey ⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠ Film & Whiskey ⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠ Film & Whiskey ⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Email us⁠⁠⁠⁠⁠! ⁠⁠⁠⁠⁠Join our Discord server! --- Send in a voice message: https://podcasters.spotify.com/pod/show/filmwhiskey/message Support this podcast: https://podcasters.spotify.com/pod/show/filmwhiskey/support

durée : 01:01:45 - Les Nuits de France Culture - par : Albane Penaranda - En 2009, Francesca Isidori reçoit Claude Jean Philippe, producteur du "Ciné-Club" à la télévision qui présenta pendant plus de vingt ans des milliers de films en version originale aux téléspectateurs. Pour Affinités électives Claude-Jean Philippe, âgé de 75 ans, évoque ce qui a nourri sa vie depuis son enfance : le cinéma et la littérature. Pédagogue et cinéphile passionné, il a animé sur la seconde chaine de télévision française le Ciné-Club de 1971 à 1994 et, à partir de 1976, conçu pour France Culture Le Cinéma des cinéastes, avec l'ambition de rendre plus accessible le travail des cinéastes pour les auditeurs. Claude-Jean Philippe assume d'être éclectique dans le choix de ses films et de privilégier l'émotion vécue plutôt que la critique formelle : "Ce qu'on éprouve réellement ne s'argumente pas". Errol Flynn a été le héros de mon enfance Sa passion pour le cinéma commence très jeune : "Errol Flynn a été le héros de mon enfance à cause de Robin des bois mais aussi de Capitaine Blood, de L'Aigle des mers, etc." Mais au-delà de la voix et du visage devenus familiers au fil des années de la présentation du Ciné-Club, Claude-Jean Philippe restait discret, mise à part la publication de son autobiographie La Nuit bienfaisante, en 1996. Au micro de Francesca Isidori, il évoque sa jeunesse au Maroc, sa découverte de la littérature et du cinéma, son épanouissement grâce au théâtre avec André Voisin. Il se souvient de son arrivée à Paris à vingt ans, de son amour définitif pour cette ville, pour Charles Trenet et pour Apollinaire, "ce que j'aime dans Paris c'est cette majestueuse indifférence qui me remplit d'une paix paradoxale, véritable paix". Partie de campagne de Jean Renoir fut un événement dans ma vie Claude-Jean Philippe fit découvrir aux téléspectateurs, en version originale, les films de Satyajit Ray, Fritz Lang, Stroheim, Murnau, Renoir, Bresson, Bergman, Fellini, Ozu et tellement d'autres cinéastes du monde entier. Co-auteur du livre 100 films pour une cinémathèque idéale, édité par Les Cahiers du cinéma, il cite quelques-uns de ses films préférés : Partie de campagne de Jean Renoir, mais aussi L'Atalante de Jean Vigo, Chantons sous la pluie de Stanley Donen et Gene Kelly.Le cinéphile rend hommage à son ami Jean-Marie Straub qui "éclairait les films en très peu de mots, avec le meilleur goût qu'il soit" et reste modeste sur la capacité à prédire la pérennité des films : Le meilleur critique de cinéma.c'est la postérité. A propos du cinéaste japonais, Ozu, qu'il choisirait d'emporter sur une île déserte, il dit : "Voilà quelqu'un qui savait de quoi le temps est fait." Par Francesca Isidori Avec Claude-Jean Philippe Réalisation Brigitte Alléhaut Affinités électives - Claude-Jean Philippe (1ère diffusion : 16/04/2009) Indexation web : Véronique Vecten, Documentation Sonore de Radio France Archive Ina-Radio France

The following is a choice segment from an interview between Bit Cloud, pilot of the Liger Zero from Blitz Team, and the Cartoncasters. “Look man, life's not so easy in the post-apocalypse. Which post apocalypse? Not important. At least, not any more important than bustin' up some fools with my mad sick liger zero moves. I've never met a mech I didn't want to fight, and I never didn't fight a mech I haven't wanted to beat. So let's get this show on the road, pardner! That growling either means my Liger wants to wrassle, or that I'm hungry - and I already ate! Ate what? From what food sources? Man, just from those questions I can tell you aint from around here.” * Stroheim from JoJo * Model ships in bottles * Goldar * I'm just an ex-con… * Iron Reaver Soul Stealer! * Brawndo * EVs and IVs

Jackie and Greg arrive at the third Jean Renoir on the list, GRAND ILLUSION (LA GRANDE ILLUSION) from 1937. Topics of discussion include the film's gentle satire, Erich von Stroheim as the Tin Man, Renoir's obsession with race and class, and why Strauss waltzes are the most romantic.#73 on Sight & Sound's 2012 "The 100 Greatest Films of All Time" list.bfi.org.uk/sight-and-sound/polls/greatest-films-all-time-2012#146 on Sight & Sound's 2022 "The 100 Greatest Films of All Time" list.  bfi.org.uk/sight-and-sound/greatest-films-all-timeCheck us out on Instagram: instagram.com/sceneandheardpodCheck us out at our official website: sceneandheardpod.comJoin our weekly film club: instagram.com/arroyofilmclubJP Instagram/Twitter: jacpostajGK Instagram: gkleinschmidtPhotography: Matt AraquistainMusic: Andrew CoxGet in touch at hello@sceneandheardpod.comSupport the show on Patreon: patreon.com/SceneandHeardPodorSubscribe just to get access to our bonus episodes: buzzsprout.com/1905508/subscribe

"I am big. It's the pictures that got small." For Episode 254, Brandon and Thomas dive into the greatness of SUNSET BOULEVARD for their Movies on Movies series. Listen to find out why the cast felt it was a joyous set and how the production would lead to the eventual break-up of one of Hollywood's best creative duos at the time.  Check out our new Patreon Page: https://www.patreon.com/cinenation Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast E-mail: cinenationpodcast@gmail.com

Art particulièrement propice à l'autoréflexion et à la mise en abyme, le cinéma s'est très vite saisi de lui-même comme sujet privilégié. Ses métiers, sa vocation, ses coulisses, son histoire ; le 7e art a souvent brillé lorsqu'il était éclairé par ses propres projecteurs. De LA BANDE À ZAPATA d'Urban Gad qui mettait en scène une équipe de tournage qui ne parvient plus à distinguer les brigands de sa fiction des vrais voleurs, à l'hommage uchronique de Tarantino au Hollywood des années 1969 en passant par la rencontre avec Méliès, premier père inspirateur, dans HUGO CABRET, les films qui parlent de cinéma sont innombrables. Cela témoigne-t-il d'une obsession narcissique pour son propre reflet ? Faut-il en déduire que ce retour sur soi, qui prend souvent la forme de bilan, fait office d'étape indispensable à tout grand cinéaste ? À l'heure où Damien Chazelle s'intéresse lui aussi à l'histoire de sa propre industrie, nous avons décidé de parler de films davantage portés sur l'intime. La sortie du nouveau fim de Steven Spielberg, qu'on pourrait qualifier d'autobiopic, sera l'occasion pour nous de nous intéresser à une série de films qui dépeignent le cinéma comme une vocation ou comme une passion dévorante. Une série de films dans lesquels les personnages vouent leur vie entière au cinéma, au détriment parfois des autres dimensions de leur existence. Il s'agit de l'américain BOULEVARD DU CRÉPUSCULE de Billy Wilder, de l'italien CINEMA PARADISO de Giuseppe Tornatore et du japonais WHY DON'T YOU PLAY IN HELL? de Sono Sion. Bienvenue dans Exposed épisode 21, consacré à THE FABELMANS de Steven Spielberg. --- (00:00) Introduction (03:07) THE FABELMANS (Steven Spielberg, 2023) (41:03) BOULEVARD DU CRÉPUSCULE (Billy Wilder, 1950) (59:55) CINEMA PARADISO (Guiseppe Tornatore, 1988) (01:25:07) WHY DON'T YOU PLAY IN HELL? (Sono Sion, 2013) (01:50:09) Conseils --- Jean : ON CINEMA AT THE CINEMA, une web series de Tim Heidecker et Gregg Turkington Alex : PATHAAN, un film de Siddarth Anand Thomas : IMORTALITY, un jeu vidéo de Sam Barlow Sébastien : SHIRKERS, un film de Sandi Tan --- Autres films évoqués : BABYLON (Damien Chazelle, 2023), SOUS LE PLUS GRAND CHAPITEAU DU MONDE (Cecil B. DeMille, 1952), E.T., L'EXTRA-TERRESTRE (Steven Spielberg, 1982), RENCONTRES DU TROISIÈME TYPE (Steven Spielberg, 1977), A.I. INTELLIGENCE ARTIFICIELLE (Steven Spielberg, 2001) ARRÊTE-MOI SI TU PEUX (Steven Spielberg, 2002), L'ESPRIT DE LA RUCHE (Victor Erice, 1973) UNE LONGUE JOURNÉE QUI S'ACHÈVE (Terence Davies, 1992), CHEVAL DE GUERRE (Spielberg, 2011), READY PLAYER ONE (Steven Spielberg, 2018), WEST SIDE STORY (Steven Spielberg, 2021), PENTAGON PAPERS (Steven Spielberg, 2017), LA LA LAND (Damien Chazelle, 2016), HAMILTON (Thomas Kail, 2020), WHITE NOISE (Noah Baumbach, 2022), BARBIE (Greta Gerwig, 2023), LA REINE KELLY (Erich von Stroheim, 1932), SAMSON ET DALILA (Cecil B. DeMille, 1949), ASSURANCE SUR LA MORT (Billy Wilder, 1944), QUINZE JOURS AILLEURS (Vincente Minnelli, 1962), FEDORA (Billy Wilder, 1978), CERTAINS L'AIMENT CHAUD (Billy Wilder, 1959), MULHOLLAND DRIVE (David Lynch, 2001), LE GOUFFRE AUX CHIMÈRES (Billy Wilder, 1951), THE DISASTER ARTIST (James Franco, 2017), THE ROOM (Tommy Wiseau, 2003), AMARCORD (Frederico Fellini, 1973), LA TERRE TREMBLE (Luchino Visconti, 1948), WHIPLASH (Damien Chazelle, 2014), FIRST MAN (Damien Chazelle, 2018), THE GREASY STRANGLER (Jim Hosking, 2016), HIMIZU (Sono Sion, 2011), GUILTY OF ROMANCE (Sono Sion, 2011), LOVE EXPOSURE (Sono Sion, 2008), TAG (Sono Sion, 2015), LAND OF HOPE (Sono Sion 2012), NOPE (Jordan Peele, 2022), SUICIDE CLUB (Sono Sion, 2001), BELLE DE JOUR (Luis Buñuel, 1967), COLD FISH (Sono Sion, 2010), LOVE AND PEACE (Sono Sion, 2015) Titre d'outro : Destruction Babies, Shutoku Mukai Exposed est un podcast animé par l'équipe de www.filmexposure.ch : Thomas Gerber, Alexandre Rallo, Jean Gavril Sluka.

Un grand merci au chat, aux follows & sub ! --------------------------------------------------------------- Un live sans langue de bois avec Linkexelo, Martelus, Kima, Arktall & Dhrus ! ► Tous les jeudis dès 19h15 sur twitch.tv/kahikusu ► https://twitter.com/kahikusu ► https://twitter.com/Linkexelo ► https://twitter.com/M4rtelus ► https://twitter.com/Kima_FGC ► https://twitter.com/iamarktall ► https://twitter.com/GoodDhrus --------------------------------------------------------------- 0:00 : Intro, anecdotes & sommaire 11:14 : Les résultats de la semaine 30:59 : L'agenda FGC 40:04 : Candidature pour le MixUp 41:02 : Le Summer Game Fest 2023 daté 41:44 : La fin du Celtic Throwdown 45:31 : 1000$ de bonus pour CVS2 au TXS2023 46:19 : La série Guilty Gear populaire aux US 49:38 : Le 1er Major SF6 est daté 53:22 : Les cashprize de Brawlhalla à la Dreamhack 1:01:02 : Defend The North passe sur PC grâce à MSI 1:06:00 : Groovebox met à jour son plugin 1:07:01 : Une bêta du firmware PS5 dispo 1:08:00 : Stroheim dans Jojo Bizarre Adventure ASB 1:10:05 : le online de GGStrive bientôt réparé 1:10:53 : Le Roguelike Blazblue sur steam 1:12:38 : World Heroes 2 Jet sur smartphone 1:15:12 : Le rollback sur KOF13 possible ? 1:19:46 : Un patch correctif KOFXV 1:20:33 : Un road to EVO Japan (1e/2e Frosty Fausting & 1e Shatter Strike) 1:21:33 : KOFXV en promo 1:27:08 : Breifing des finales TWT 2022 1:28:26 : Le TWT 2022 en quelques chiffres 1:31:35 : Le point joueurs du TWT 2022 2:07:03 : Un mod Bruce dans Tekken 7 2:12:57 : À quoi ressemblait SFV il y a 8ans 2:17:08 : 7 millions de SFV vendus 2:18:24 : Le gameplay initial d'Akuma dans SFV 2:20:38 : Tuto crosscut par M.Crimson 2:23:27 : Tirage au sort Capcom Cup 2:24:16 : Capcom sur PC attire l'attention 2:25:46 : L'input lag SFV sur PC 2:28:33 : Street Fighter Duel arrive chez nous 2:31:48 : Le Thème de Manon dans SF6 2:37:21 : Les jaquettes SF6 par les fans 2:41:49 : Le mode 120hz de SF6 en multi (Input Delay Reduction) 2:51:01 : La promo de SF6 est lancée (fin coupée par YouTube) 3:00:51 : Un media day SF6 la semaine prochaine 3:04:10 : Le thème de Dee Jay ce vendredi 3:07:44 : La Bagarre du Week-end 3:09:28 : Résultats des prédictions + fin de l'émission, des bisous !

The hosts take a look at two infamous examples of films altered and changed by studio intervention. One of the earliest and most egregious alterations happened to Erich von Stroheim's 1924 Greed. Does the remaining footage yield as close to a masterpiece as its fabled original 9-hour cut?Despite the prestige of Citizen Kane, Orson Welles' The Magnificent Ambersons was not saved from the butchering hands of meddlers. Does the end product carry the gut punches the original was intended to have?

It is indeed the episode a decade in the making! Here, in Episode 43, Team Vintage Sand puts in its collective two cents on the newly released Sight and Sound decennial poll of the greatest films of all time. It is a list referred to by no less an authority than Roger Ebert as “the best damned film list of them all.” But this time, was it a “woke” poll, reflecting more our need for political correctness than a genuine and deep understanding of film history, as old-timers like Paul Schrader proclaimed? Or was it about damn time that the old white men gave up at least some of the strangle hold they've had on the poll since its inception in 1952, as many younger critics proclaimed? Does this new list signify that the battle lines have been drawn irrevocably between older and younger film people? As always, the truth is never that simple. Team Vintage Sand tries to approach the poll by avoiding either extreme, oversimplified position, reaching, as ever, for the complex and embracing the gray. Does Akerman's "Jeanne Dielman" deserve its new place atop the rankings? Probably not, but it surely is a much better film than its position in the mid-30's for the 2012 edition of the poll suggested. And if the poll is so politically correct, why are there no films by the Mexican New Wavers here? Along these same lines, 16 of the 22 directors who have multiple entries on the list are white men; four of the remaining six are Asian men. Yes, there are no films by Howard Hawks or Roman Polanski. No Buñuel. No Lean. No Altman. No Demy, or Melville, or Resnais. No Sternberg or Stroheim. No Huston. No Malick. No Tarantino. No Anderson, be it Wes or P.T. No Coen Brothers. No Linklater. No Spielberg, for goodness' sake! No silent films in the Top 10, and all the silent films that are still there from 2012, with the exception of "City Lights", plummeted to the nether reaches of the list. (If anyone tells me that there are 20 films greater than "The Passion of Joan of Arc", it's ON!) And yet… …there's "Do The Right Thing" entering the list at #24. FINALLY. And there's Burnett's brilliant "Killer of Sheep". And Dash's "Daughters of the Dust". Maybe now someone will give her some money to make a second film, three full decades after she released a Top 100 masterpiece. And there, brand spanking new, are Jordan Peele and Barry Jenkins. And there's Agnes Varda's extraordinary "Cleo from 5 to 7" entering the list in the top 15. And my historical experimental film crush Maya Deren is finally here as well for her extraordinary and endlessly influential "Meshes of the Afternoon". And Claire Denis in the Top 10. And Jane Campion, Barbara Loden(!), Celine Sciamma and the aforementioned Julie Dash. If it took some “woke” (whatever that means) younger critics to put these artists in their rightful places in the pantheon, we'll take it. Ultimately, we recognize the silly waste of energy in trying to compare, say, "Jeanne Dielman" with "Tokyo Story" with "In the Mood for Love" with "Man with a Movie Camera". For us, this poll has one purpose only, and it's the same purpose that guides what we do at Vintage Sand: it opens doors. It takes us out of our comfort zone as viewers, and reminds us that there are vast aspects of film history about which we know little or nothing. So look carefully at Sight and Sound 2022 through this lens, check off the films you haven't seen yet or not in a long time anyway, and track them down. We'll bring the popcorn!

Charles Skaggs & Xan Sprouse continue their retrospective of The Films That Inspired David Lynch by discussing Sunset Boulevard, the 1950 dark comedy film noir directed by Billy Wilder, starring William Holden as Joe Gillis, Gloria Swanson as Norma Desmond, and Erich von Stroheim as Max von Mayerling! Find Us Here: Twitter: @GhostwoodCast @CharlesSkaggs @udanax19 Facebook: Facebook.com/GhostwoodPodcast Email: GhostwoodPodcast@gmail.com Listen and subscribe to us in Apple Podcasts and leave us a review!

00:00 - 45:44 - Greed 45:44 - 1:03:35 - Malcolm in the Middle 1:03:35 - 1:33:58 - Jauja And we're back, for leg two of the Extended Clip Reunion Tour, with returning champion Ryan Swen ( @swen_ryan ) In Timeline A, it is 1924, and greed is good. that's right, we're talking about Erich von Stroheim's Greed. The big questions of life; money, p*ssy, film preservation, etc. Then, we hop back in the bus for everybody's favorite segment, Malcolm in the Middle (45:44) to talk about Toni Erdmann, The Assassin, Crazy World, and Seven Chances. In Timeline B, it is 2014, but the power of cinema takes us back a bit further than that for Lisandro Alonso's Jauja (1:03:35). see you next time, for The Passion of Joan of Arc and The Master.

Puntata speciale registrata durante il "Sedicicorto Forlì International film festival", dove si parla del cinema di un secolo fa. Correva l'anno 1922 e venivano distribuiti 3 pietre miliari della storia del cinema: "Nosferatu il vampiro" di Friedrich Wilhelm Murnau, "Dottor Mabuse" di Fritz Lang, "Femmine Folli" di Eric von Stroheim. Ne parliamo insieme al professore di storia e critico Enrico Gaudenzi, Michela Gorini ed Emilio Occhialini

Rubrique:histoire Auteur: rene-bizet Lecture: Daniel LuttringerDurée: 09min Fichier: 6 Mo Résumé du livre audio: Le film de Erich von Stroheim, sorti en 1925, raconté par René Bizet (1887-1947) et paru dans l'hebdomadaire de cinéma Pour vous le 22 août 1929. Cet enregistrement est mis à disposition sous un contrat Creative Commons.

Jackie and Greg take on Erich von Stroheim's partly-lost silent epic GREED from 1924. Topics of discussion include the film's grim subject material, von Stroheim as a liar and mythmaker, the episodic structure, and whether the 4-hour reconstructed version should be considered the definitive version of the film or not. #84 on Sight & Sound's "The 100 Greatest Films of All Time" list.Check us out at our official website! Join our weekly film club!Jacqueline Postajian on Instagram/TwitterGreg Kleinschmidt on InstagramPhotography: Matt AraquistainMusic: Andrew Cox

Kars demonstra suas habilidades de ser supremo! Será que JoJo e Stroheim conseguirão dar conta?! Contaremos com a participação de Carol Tomé e Nath Misaki! Não deixe de seguir o Kanshow no Twitter, no Instagram e no TikTok!Gosta do nosso trabalho? Considere se tornar um apoiador!Capa por Analu AraújoPétalas de AkayamaNewsletterTapasWattpad

durée : 00:35:00 - Les Nuits de France Culture - Par René Wilmet - Avec Pierre Fresnay, Charles Sparks, Claude Autant-Lara, Henri Langlois et Gloria Swanson

Após derrotarem AC/DC, quase custando a vida de Suzi Q, os usuários de Hamon partem para a fronteira com a Suíça para recuperarem a pedra de Super Aja, porém um reencontro inesperado toma lugar. Contaremos com a participação de Carol Tomé e Nelson Haraguchi! Não deixe de seguir o Kanshow no Twitter, no Instagram e no TikTok!Gosta do nosso trabalho? Considere se tornar um apoiador!Capa por Analu AraújoPétalas de Akayama:WattpadNewsletterTapas

Fame, jealousy and crimes of passion are discussed while the misfits routinely refer to Norma Desmond as “Nora”, breakdown the film's fascinating backstory and Brian Guynn reveals the name of his new band “Monkey Funeral”. These topics and more await you when the misfits are transported back to 1950s Hollywood as they review the 1950 film noir classic Sunset Boulevard. This film is directed by Billy Wilder and stars William Holden, Gloria Swanson and Erich von Stroheim. Ranking: AFI's 100 Years…100 Movies:  12th AFI's 100 Years…100 Movies – 10th Anniversary List:  16th All original content including sound effects, graphics, photos and music is © Classic Movie Misfits.  Movie audio clips and music are used in accordance with Fair Use, and are property of the film copyright holders. #SunsetBlvd #BillyWilder #WilliamHolden #GloriaSwanson #ClassicMovie #AFI100 #ClassicMovieMisfits  

É a hora da verdade: quão poderoso é Santana? Qual a extensão de seus poderes? Que malandragens nosso protagonista tem nas mangas para enfrentar tal inimigo? Stroheim fará algo de útil? Contaremos com a participação de Carol Tomé e Nelson Haraguchi! Não deixe de seguir o Kanshow no Twitter e no Instagram!Gosta do nosso trabalho? Considere se tornar um apoiador!Capa por Analu AraújoPétalas de Akayama:WattpadNewsletterTapas

"It's the pictures that got small." - Billy Wilder's Sunset Boulevard This week, Mr. Chavez & I continue our descent into the ruthlessness, horror, and sadness of Hollywood - Billy Wilder's Sunset Boulevard (1950), a true classic of cinema and a film that continues to astonish audiences over 70 years later. With a young William Holden cementing his stature in cinema, and brilliant performances from Silent Cinema legends, Gloria Swanson as one of the most iconic characters of the silver screen, Norma Desmond, and her broken, loyal, and forgotten manservant and one-time director, the great Erich von Stroheim (both Academy Award nominated), this is a classic of the studio system and a film that only grows in power year after year. Ibrahim & I are thrilled to talk this film and are hoping that we are introducing it to a few new viewers. Take a listen and let us know what you think. Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. Many Thanks. 

In the Season Premiere of Season 6 (Heists, Cons, & Grifters) Kyle is joined by script supervisor Katy Baldwin and fellow podcaster Ben Thelen (of the Dead Reckoner Podcast) to discuss the machiavellian undercurrents of Erich von Stroheim's elaborate and opulent con artist study in the silent film Foolish Wives (1922).

Si hay un género que identifica al cine universal es sin duda el WESTERN. Hay toda una mitología a su alrededor que trasciende épocas y generaciones. Su estilo ya forma parte del inconsciente colectivo de todos los espectadores. En este podcast vamos a hablar de nuestros westerns favoritos y de aquellos que pusieron los cimientos del género, pero también queremos saber tus favoritos. 00:00 Introducción y frase secreta 05:21 El cuchitril de Manu 20:22 RETO 1001 PELÍCULAS: Avaricia ( Erich von Stroheim , 1925) 26:05 LOS MEJORES WESTERNS 1:33:23 La BricoPelícula: GRUPO SALVAJE y la CÁMARA LENTA. 1:37:06 Resolución de la frase secreta. 1:39:54 Tema de la semana que viene y despedida. Si quieres que el canal continúe, hazte mecenas desde sólo 3€/mes en Patreon: https://www.patreon.com/bricocine Síguenos en: Facebook: https://www.facebook.com/bricocineCanal/ Instagram: https://www.instagram.com/bricocinech... Youtube: https://www.youtube.com/c/bricocinecanal Twitter: https://twitter.com/BricoCine Toda la info en: www.canalbricocine.com --- Send in a voice message: https://anchor.fm/bricocine/message

Santana, o Homem do Pilar desperta e Stroheim subestima seus poderes! Enquanto isso, Joseph dá um jeitinho de entrar na base secreta... Contaremos com a participação de Carol Tomé e Nelson Haraguchi! Não deixe de seguir o Kanshow no Twitter e no Instagram!Gosta do nosso trabalho? Considere se tornar um apoiador!Capa por Analu AraújoPétalas de Akayama:WattpadNewsletterTapas

Straits, apesar de poderoso, não conta com o poder de Joseph e o Hamon! Enquanto isso, no México, Stroheim consegue despertar Santana, o Homem do Pilar, mas à que preço?! Contaremos com a participação de Carol Tomé e Nelson Haraguchi! Não deixe de seguir o Kanshow no Twitter e no Instagram!Gosta do nosso trabalho? Considere se tornar um apoiador!Capa por Analu AraújoPétalas de Akayama:WattpadNewsletterTapas

durée : 00:26:00 - Les Nuits de France Culture - Par Micheline Sandrel - Avec Erich von Stroheim et Denise Vernac

Os cinéfilos receberam Fred Almeida, um dos criadores do Podcast Filmes Clássicos, para conversar a respeito deste marcante filme de Billy Wilder. Quando fala-se de clássicos do cinema, esse é um daqueles que têm sua característica indiscutível. Protagonizado por Gloria Swanson, William Holden e Erich von Stroheim, tratar da história de Joe Gillis, um roteirista fracassado que conhece uma antiga estrela do cinema mudo que agora vive isolada em sua mansão decadente. Eles acabam por se envolver profissional e pessoalmente, e assim provocam uma grande reflexão sobre Hollywood. Sucesso e desgraça caminham juntos pelas calçadas da fama enquanto as luzes da película se acendem para uns e apagam para outros. E o bate papo é imperdível. ------------------------------------------------- Entre em contato com o Cinefilia & Companhia, e deixe seus comentários, elogios e opiniões sobre os filmes tratados. E-mail: cinefilia.companhia@gmail.com Instagram: @cinefiliaecompanhia YouTube: https://www.youtube.com/channel/UCN5rLEZLWrqNclWE1KshDVg ------------------------------------------------- Pauta e Apresentação: Henrique Pires, Hugo Harris e Juliana Varella Convidado especial: Fred Almeida Edição do episódio: Henrique Pires Artes gráficas: Joe Borges Trilha de aberturas: JF Borges Coordenação de Comunicação: Juliana Varella Coordenação de Edição e Artes: Henrique Pires Coordenação Geral: Hugo Harris

1950's Billy Wilder masterpiece Sunset Blvd is already beloved by film fans around the world. Mike is delighted to have this opportunity to introduce Allyson to this fairly controversial for its time film about the dark side of Hollywood and the disposable nature of fame. Sunset Blvd stars William Holden, Gloria Swanson, and Nancy Olson. It also features real life legendary directors Cecil B DeMille and Erich von Stroheim in pretty substantial roles. Oh yeah, and super serious cop actor Jack Webb as a goofy assistant director. Oh man, Sunset Blvd is chocked full of greatness. And don't forget, Norma was fucking the monkey. If you want to let us know what you thought about Sunset Blvd, or you have a movie you think we should watch, let us know. Join our https://www.facebook.com/groups/youmademewatch (Facebook group) for more movie talk! https://www.facebook.com/groups/youmademewatch Follow us on Instagram @YouMadeMeWatch to get sneak peeks at which movie we'll talk about next. Logo by Martin Butler. Follow him on Instagram @MartyButtons Theme song by Thomas Medelheim. https://www.fiverr.com/medelheim

This week we're indulging in the decadent Ramos Gin Fizz for the decadent film noir classic, Sunset Boulevard as we discuss a masterful critique of Hollywood, the gold standard of acting, and how life sometimes imitates art. Starring Gloria Swanson, William Holden, and Erich von Stroheim. Cheers! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

In her creepy rundown mansion on Sunset Boulevard, aging silent screen star Norma Desmond (Gloria Swanson) dreams of reviving her long-gone film career. by happenstance, Norma runs into Joe Gillis (William Holden), who owes a lot of money. Gloria sees her opportunity and asks Joe to help her finish a script that will put her back in the spotlight, while Joe merely sees a hefty paycheck. When Joe falls in love for the young aspirant writer Betty Schaefer (Nancy Olson), Norma becomes jealous and completely insane and her madness leads to a tragic end. Release Year: 1950Genre: Film NoirStarring: William Holden, Gloria Swanson, and Erich von Stroheim.TrailerSummary: A screenwriter develops a dangerous relationship with a faded film star determined to make a triumphant return. Join Our Community Sign Up for Email Updates | Patreon | Facebook | Twitter | Reddit Visit our online shop! https://shop.screenriot.net

Fan favourite Ronaldo Sosa was kind enough to agree to discuss a very odd relationship drama. We questioned whether Erich von Stroheim is sexy, and asked why the prologue is so misleading. Twitter https://twitter.com/rsantana2024 https://twitter.com/Zita_Short https://twitter.com/300Passions Letterboxd https://letterboxd.com/CatherineShort/ https://letterboxd.com/r_santana2024/ Grant Zepernick provided the artwork for this podcast.

Con el cambio de año, varias obras artísticas pasaron al dominio público en Estados Unidos. Hablamos de novelas como "El gran Gatsby" de F. Scott Fitzgerald o "El proceso" de Franz Kafka, e incluso películas del cine mudo como "The Freshman" de Harold Lloyd o "The Merry Widow" de Erich von Stroheim. En esta edición en vivo de El Contador de Películas, Daniel Villalobos y Paula Molina hablan de las nuevas posibilidades de adaptar estas obras, y también las consecuencias de inscribir mal tu propiedad intelectual.

Spooktober continues (kind of) on Wasteland! Nathaniel discusses the manga Record of Ragnarok (Shuumatsu no Valkyrie) , and briefly discusses the new Attack on Titan chapters. While Dom updates us on his first Death Note watch through. In this week's JoJo episodes, the boys discuss cyborg Stroheim, the 20-minute fall down a ravine, Caesar's troubled past and the past of Lisa Lisa. Join us now and for a full month of cursed anime and manga watching/reading to get all of our horror fill this Halloween. Follow us on Twitter @WastelandTv Timestamps: Spooky Intro: 0:00 What we're watching/reading: 15:58 JoJo Episodes: 57:00 • • • Hosts Dom Esclovon & Nathaniel Garofalo explore anime (and sometimes manga) together with determination and the power of friendship. In the show's first season, we will be watching the anime/manga JoJo's Bizarre Adventure in its entirety. One of us a JoJo expert and the other a JoJo virgin.

What is the grand illusion in The Grand Illusion? How does Jean Renoir's realism work for this World War I film? Why is director/actor Erich von Stroheim so memorable as the director of the POW camp? And why is Dita Parlo so high in the credits? Tune in to this week's show to get answers to these questions and more!

What is the grand illusion in The Grand Illusion? How does Jean Renoir's realism work for this World War I film? Why is director/actor Erich von Stroheim so memorable as the director of the POW camp? And why is Dita Parlo so high in the credits? Tune in to this week's show to get answers to these questions and more!

Set during World War One, Jean Renoir's La Grande Illusion (1937) stars Jean Gabin as Lt. Marechal, an airman who, along with Captain Boeldieu (Pierre Fresnay), are shot down by Captain Rauffenstein, who's played by Erich von Stroheim. The two Frenchmen then spend most of the rest of the film in POW camps, primarily Hallbach and Wintersborn where they meet an array of fellow prisoners.Tom Jennings and Ken Stanley join Mike to discuss this seminal humanist film.Learn more about your ad choices. Visit megaphone.fm/adchoices

We're joined by suave Brit Dave Probert to chat briefly about Logan, the new Twin Peaks, 50 Shades Darker, and Erich von Stroheim as The Batman. Scott reports from the premiere of the Mystery Science Theater 3000 pilot, Jeff and Mary catch up on the last few episodes of Bones, then Dave brings us the Trojan Horse-like gift of A Pound of Flesh, a 2015 movie starring Jean-Claude Van Damme's naked, naked ass.

or: It's Better to be James Brolin's Son Than Barbra Streisand's Son-in-Law In this very special episode, Hunter and Chris wax nostalgic about Spielberg movies and finally watch The Goonies in their inaugural War Crimes review. During Special Features, the dudes man-up and confess their personal War Crimes - essential films they're ashamed to have never seen. CHAPTERS (00:04:50) - Review - The Goonies Beer Recommendation: Saint Arnold Root Beer - Saint Arnold Brewing Company (00:34:34) - Special Features - War Crimes: Confessions (00:54:10) - Really Rad Recommendations RECOMMENDATIONS Hunter - Steven Spielberg Documentary from the early 1980's Chris - House (1977) MUSIC Ben Rector LINKS Rent The Goonies - iTunes, Amazon, Google Play Hook on Rotten Tomatoes Roger Ebert's review of Hook The Optical Podcast Poltergeist episode KCRW's The Treatment - Christopher Nolan: Interstellar CHRIS'S 5 SELECT WAR CRIMES Taste of Cherry - Hulu Doctor Zhivago - iTunes, Amazon, Google Play Greed - iTunes, Amazon (VHS), Google Play Nashville - iTunes, Amazon, Google Play Porco Rosso - Amazon (Blu-Ray) Chris's full War Crimes list HUNTER'S 5 SELECT WAR CRIMES Ferris Bueller's Day Off - Netflix, iTunes, Amazon, Google Play M - Hulu, iTunes, Amazon One Flew Over the Cuckoo's Nest - iTunes, Amazon, Google Play Pretty Woman - iTunes, Amazon, Google Play Paper Moon - iTunes, Amazon, Google Play Hunter's full War Crimes list CORRECTIONS Chris claimed to like Erich von Stroheim as a director. It turns out he hasn't seen a single film directed by the man, though he has spent the past few years thinking von Stroheim directed The Phantom Carriage when in fact it was Victor Sjöström. Not even the right country! While physical copies are expensive and hard to find it appears that Greed is available digitally on iTunes & Google Play (links above)