Podcasts about Stroheim

A timeless classic about a young screenwriter (William Holden) who becomes involved with a former film star from the silent era (Gloria Swanson) who delusionally believes she's ready for a career comeback. Co-starring Erich von Stroheim and Nancy Olson. Co-written and directed by Billy Wilder.

Parece un beso de lo más épico con el campo de batalla al fondo y el sol escondiéndose tras las colinas, en realidad el actor está borracho y acaba de vomitar mientras subía el terraplén a duras penas, es el engaño del cine, algo más grande que la misma vida, así lo dice un eufórico Manny – Diego Calva- a su musa Nellie -Margot Robbie-, entre montículos de coca, ambos quieren comerse el mayor trozo de la tarta incipiente del cine. En este maremágnum de excesos y escatologías, particular ensoñación de Damien Chazelle sobre los años 20 y la transición del cine mudo al sonoro en la Meca de Hollywood. La película patinó en la taquilla, denostada por bastantes y muy aplaudida por algunos. Fue calificada de pastiche, demasiado extenso y con ínfulas. Tiene escenas innecesarias, la huida a Méjico escapando de los gángsters está de más. Me reí con los ademanes de Brad Pittb imitando a John Gilbert, con los estudios Kinescope y la secuencia genial de Nellie acudiendo a su primera cita de trabajo con una resaca criminal, y seguí los pasos de la mano de Manny el mejicano asistente de dirección quiere formar parte de algo más grande que la vida. Para exponer su irreverente sucesión de fiestas, borracheras y rodajes el autor se inspiró en obras literarias como Hollywood Babilonia de Kenneth Anger, donde se narra la lujuria, sordidez y excentricidades de la fábrica de sueños. O en las memorias recogidas en The Parade´s gone by, de Kevin Brownlow. Y de fondo una historia de amor condenada al fracaso, un actor alcohólico y su declive, un músico negro explotado, estados de ánimo, alegrías y depresiones muy presentes en Whiplash y La La Land, y un antro de perversiones en las entrañas de una montaña, el ojete de Los Ángeles lo llama el mafioso macilento interptetado por Tobey Maguire en su única escena del film. Quizá Chazelle alargó el metraje homenajeando obras memorables del cine mudo como Avaricia de Stroheim, sus siete horas originales fueron mutiladas por el productor de la Metro Irvin Thalberg, por cierto ambos, Stroheim y Thalberg aparecen en la peli interpretados por los cineastas Spike Jonze y Max Minghella. Esta noche procuramos no situarnos debajo del elefante… Rosario Medina, David Velázquez, Zacarías Cotán, Raúl Gallego y Salvador Limón

Another full week in physical media captured by Erik Childress and Peter Sobczynski. Within they discuss the debut of director Lisa Cholodenko and the history of one of Erich von Stroheim's final works as a filmmaker. Sidney Poitier plays a militant revolutionary and Lin Manuel Miranda's historical musical are here. In the wake of Steven Spielberg's Disclosure Day might we recommend Charlie Sheen solving an alien conspiracy. They talk about the film which may have been part of the last hurrah of Arnold Schwarzenegger's run as a box office megastar. Finally one of the great atomic age monster movies and the third in George Romero's zombie films round out the week.3:15 - Criterion (High Art)11:12 - Milestone (Queen Kelly)21:08 - Lionsgate (The Arrival 4K)30:44 - Kino (Unearthly Stranger, A Man Could Get Killed, The Lost Man)47:55 - Disney (Hamilton (4K))54:01 - Warner (Eraser (4K))1:06:42 - Shout (Them! (4K), Day of the Dead (1985) (Collector's Edition) (4K))TV (A Knight of the Seven Kingdoms: The Complete First Season, Dark Winds (Season 4), Difficult People: The Complete Series)New (Scream 7 (4K Steelbook), The Super Mario Galaxy Movie (4K), Ready or Not 2: Here I Come, EPiC: Elvis Presley in Concert (4K), You, Me & Tuscany)CLICK ON THE FILMS TO RENT OR PURCHASE AND HELP OUT THE MOVIE MADNESS PODCAST OR BUY FROM MOVIEZYNGBe sure to check outErik's Weekly Box Office Column – At Rotten TomatoesCritics' Classics Series – At Elk Grove Cinema in Elk Grove Village, ILChicago Screening Schedule - All the films coming to theaters and streamingPhysical Media Schedule - Click & Buy upcoming titles for your library.(Direct purchases help the Movie Madness podcast with a few pennies.)Erik's Linktree - Where you can follow Erik and his work anywhere and everywhere.The Movie Madness Podcast has been recognized by Million Podcasts as one of the Top 100 Best Movie Review Podcasts as well as in the Top 60 Film Festival Podcasts and Top 100 Cinephile Podcasts. MillionPodcasts is an intelligently curated, all-in-one podcast database for discovering and contacting podcast hosts and producers in your niche perfect for PR pitches and collaborations.USE COUPON “MOVIEMADNESS” TO GET 10% OFF ALL DUBBY PRODUCTSSIGN UP FOR AUDIBLE This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit erikthemovieman.substack.com

Plongez dans la vie haute en couleurs d'Erich von Stroheim, figure légendaire du cinéma muet américain. De ses origines viennoises à sa carrière tourmentée à Hollywood, ce récit captivant vous entraînera dans les coulisses d'un artiste aussi talentueux qu'excentrique.Né dans une famille juive aisée de Vienne, Erich von Stroheim rêve d'une carrière militaire qui lui sera refusée. Rejetant alors ses origines, il s'invente une nouvelle identité d'aristocrate autrichien et part tenter sa chance à New York, puis à Hollywood. Repéré pour son jeu d'acteur impeccable dans les rôles de méchants allemands, il accède rapidement à la réalisation et signe des chefs-d'œuvre du cinéma muet, tels que 'Les Rapaces' et 'La Reine Kelly'. Mais son perfectionnisme légendaire et son caractère inflexible lui valent de nombreux conflits avec les producteurs. Licencié, ruiné, Stroheim se reinvente une fois encore en acteur avant de connaître un ultime triomphe dans 'Boulevard du crépuscule' de Billy Wilder en 1950. Jusqu'à la fin, cet homme à la vie romanesque aura entretenu le mystère autour de ses origines et de son passé, cultivant sa légende d'officier autrichien.Découvrez les rebondissements passionnants de cette existence hors du commun, qui a marqué l'histoire du 7e art. Un récit palpitant à ne pas manquer !Plongez dans l'histoire des grands personnages et des évènements marquants qui ont façonné notre monde ! Avec enthousiasme et talent, Franck Ferrand vous révèle les coulisses de l'histoire avec un grand H, entre mystères, secrets et épisodes méconnus : un cadeau pour les amoureux du passé, de la préhistoire à l'histoire contemporaine.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Neste episódio, Alexandre Cataldo, Rafael Amaral e Felipe Pecci conversam sobre a obra-prima de Erich von Stroheim, "Ouro e Maldição" (Greed, 1924). Mais do que apenas um filme, esse verdadeiro estudo sobre a ganância humana é o objeto de toda uma mitologia, a ponto de ser chamado O Santo Graal do cinema. Concebido por seu criador como uma obra gigantesca, de quase 10 horas de duração, acabou sendo exibido em sua época com pouco mais de 2 horas. -------------------------------LINKS PARA ADQUIRIR O LIVRO DO PFC ("Uma Jornada pelo Cinema - Anos 1950"):UICLAP - ⁠⁠⁠https://loja.uiclap.com/titulo/ua98290/⁠⁠⁠AMAZON (capa dura e e book) - ⁠⁠⁠https://www.amazon.com.br/dp/6501481376⁠⁠⁠-------------------------------Acesse nosso site: ⁠⁠⁠⁠http://www.filmesclassicos.com.br⁠⁠⁠⁠Instagram: @podcastfcProcure "Podcast Filmes Clássicos" no seu aplicativo de podcast do celular, no Spotify, YouTube, Anchor ou iTunes.

This week, we discuss Billy Wilder's other definitive LA-based film noir, the gothic movie-about-movies classic, Sunset Boulevard, famous for its daring narrative and one of the most iconic "mad scenes" in cinema history.SPOILER ALERT We will be talking about this movie in its entirety, including the famous opening image of the floating narrator and the tragic, delusional finale. If you haven't seen this classic, we strongly suggest you watch it before listening to our takes.A Paramount Pictures production. Released on August 10, 1950. Directed by Billy Wilder. Screenplay by Charles Brackett, Billy Wilder, and D.M. Marshman Jr. Starring Gloria Swanson, William Holden, Erich von Stroheim, and Nancy Olson. Cinematography by John F. Seitz. Edited by Arthur P. Schmidt and Doane Harrison. Score by Franz Waxman.

It's time to start talking about Donovan's Brain! But this first time, we're not gonna call it Donovan's Brain. Yes, there's a guy named Donovan. And yes, we're going to take his brain out and put it in a jar. But we're gonna call it The Lady and the Monster. Is there a lady in the film? Sure, two even! Is there a monster? Um... depends on your definition of "monster". But Erich von Stroheim is in it! Join us!Please rate, review, and tell your fiends. And be sure to subscribe so you don't miss future installments. Join us on Patreon at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/thefrankencast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Find all of our various links at⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠linktr.ee/frankencast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or send us a letter at thefrankencast@gmail.com. We'd love to hear from you!Your Horror Hosts: Anthony Bowman (he/him) & Hayden Orr (he/him). Cover painting by Amanda Keller (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@KellerIllustrations on Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠).

This week's 1933 Fox Film Studios Year by Year episode paradoxically digs into the Hollywood beginnings of a couple of Paramount powerhouses via William Dieterle's Adorable, a musical based on a German operetta co-written by Billy Wilder (who'd be writing for Fox directly by 1934), and William K. Howard's The Power and the Glory, with an innovative screenplay by Hollywood newcomer Preston Sturges. Important early 30s Fox stars Janet Gaynor (permitted to play against type as a saucy princess who wants to play with the plebs) and Spencer Tracy (as a self-made - with a little help from his wife - tycoon) supply the charisma for the respective proceedings. And in Fear and Moviegoing in Toronto, the TIFF Lightbox Naruse retrospective continues with Hideko the Bus Conductress, The Whole Family Works, and Sudden Rain (starring Setsuko Hara), and we see a new restoration of Erich von Stroheim's famously unfinished, visually lavish, absolutely unhinged censor-baiting silent melodrama Queen Kelly. Join us as we bat the ball around – but try to keep your knickers on! Time Codes: 0h 00m 25s:      1933 and Fox 0h 06m 00s:      ADORABLE (1933) [dir. William Dieterle] 0h 19m 39s:      THE POWER AND THE GLORY (1933) [dir. William K. Howard] 0h 39m 17s:      Fear and Moviegoing in Toronto: Naruse Retrospective at TIFF Lightbox (3 films) The Whole Family Works (1939), Hideko the Bus Conductress (1941) and Sudden Rain (1956) and Reconstruction of Queen Kelly, directed by Erich von Stroheim Studio Film Capsules provided by The Fox Film Corporation: 1915-1935 by Aubrey Solomon Additional studio information from: The Hollywood Story by Joel W. Finler 1933 Information from Forgotten Films to Remember by John Springer                                 +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: "Sunday" by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com   We now have a Discord server - just drop us a line if you'd like to join! 

Dan Woren is an American voice actor. He's best known for voicing Byakuya Kuchiki in Bleach, Igor in the Persona series, Zorthy Kanai in Gurren Lagann, Daisuke Jigen in the Lupin the IIIrd films, Rudol von Stroheim in Jojo's Bizarre Adventure, Roy Focker in Robtech and Crosswise in Transformers: Robots in Disguise (2001). In this episode Dan and I discuss his career, anime dubbing, different acting styles, Transformers, Jojo's Bizarre Adventure, Igor, Bleach, conventions, fan interactions, the toughest character he's ever voiced, line reads, Lupin the IIIrd, and living with ADHD. Dan's Instagram: https://www.instagram.com/danworen/

This week, we discuss the intense World War II spy thriller, Five Graves to Cairo, set in the desolate landscape of North Africa during the height of the desert campaign.SPOILER ALERT We will be talking about this movie in its entirety, including the details of the central German operation. If you plan on watching it, we strongly suggest you do so before listening to our takes.A Paramount Pictures production. Released on May 13, 1943. Directed by Billy Wilder. Screenplay by Charles Brackett and Billy Wilder, based on the play Hotel Imperial by Lajos Biro. Starring Franchot Tone, Anne Baxter, Akim Tamiroff, and Erich von Stroheim (as Field Marshal Rommel). Cinematography by John F. Seitz. Edited by Doane Harrison. Music by Miklós Rózsa.

It's time to class up the joint.  This month The Johns are joined by two very special guests: Producer/Editor Glenn Morgan and Screenwriter/Film Historian Ray Morton.  The Holdup continues its dive into the silent film era with a viewing of the 1924 infamous work of filmmaker Erich von Stroheim: Greed. Glenn provides a first hand account of the 1999 narrative reconstruction he edited for Turner Classic Movies and Ray gifts historical knowledge of the silent film era, von Stroheim and the production itself.  Will this century old film stand the test of time?  Listen and find out!

Eli joins the other boys hot off of his Lincoln Center press screenings to tell us the must-watches and the maybe-skip-overs of this year's New York Film Festival. But before that, Wilson and Ben briefly get their words in for the latest Paul Thomas Anderson joint, One Battle After Another. Catch Eli talk about other NYFF titles like Park Chan-wook's No Other Choice, Olivier Laxe's Sirāt, and possible film of the year: Bi Gan's Resurrection. Links:Secret Goldfish - Bi Gan short filmI'm walking here at our FREE patreon, discord server, and our socials @ www.deepcutpod.com Timestamps:00:00 Intro04:46 One Battle After Another (2025, dir. Paul Thomas Anderson)13:32 No Other Choice (2025, dir. Park Chan-wook)16:58 Sirāt (2025, dir. Oliver Laxe)20:18 Queen Kelly (1932, dir. Erich von Stroheim)25:29 Angel's Egg (1982, dir. Mamoru Oshii)31:27 Japanese Film Festival (in Singapore)34:34 The Arch (1968, dir. T'ang Shushuen)35:09 The Mastermind (2025, dir. Kelly Reichardt)38:03 Mare's Nest (2025, dir. Ben Rivers)41:13 Jay Kelly (2025, dir. Noah Baumbach)42:22 Back Home (2025, dir. Tsai Ming-liang)44:49 Ecce Mole (2025, dir. Heinz Emigholz)48:15 Peter Hujar's Day (2025, dir. Ira Sachs)50:34 What Does That Nature Say To You? (2025, dir. Hong Sang-soo)53:10 A House of Dynamite (2025, dir. Kathryn Bigelow)57:40 Resurrection (2025, dir. Bi Gan)

durée : 01:32:06 - Les Nuits de France Culture - par : Albane Penaranda - Inoubliable officier allemand dans "La Grande illusion", Eric von Stroheim fut non seulement un grand acteur mais aussi et surtout un grand réalisateur, novateur et libre. En 1996, l'émission "Les Mardis du cinéma" brosse le portrait de celui qu'Hollywood baptisa "l'homme que vous aimerez haïr". - réalisation : Rafik Zénine - invités : André S. Labarthe Critique de cinéma, documentariste et producteur français; Jean-Charles Tacchella Cinéaste français né le 23 septembre 1925.; Charles Tesson Critique et historien du cinéma; Patrick Brion Historien du cinéma et fondateur du Cinéma de minuit; Jean Dreville Réalisateur cinéma

Michela Gorini ci racconta la prima settimana del Festival di Venezia con alcuni importanti film che è riuscita a vedere:"Ghost Elephants" di Werner Herzog"La grazia" di Paolo Sorrentino "Bugonia" di Yorgos Lanthimos"The Last Vikings" di Anders Thomas Jensen con Mads Mikkelsen"After the Sun" di Luca Guadagnino"Jay Kelly" di Noah Baumbach "Il Maestro" di Andrea Di Stefano con Pierfrancesco Favino"Portobello" mini serie TV di Marco Bellocchio"Queen Kelly" di Erich von Stroheim (1929) - Resturo

Join Dan and Tom as they decode the 1943 movie, FIVE GRAVES TO CAIRO. Is this World War II movie a spy movie? Listen as Dan tries to convince Tom it is, despite Tom's uncertainty. The story with this menacing title follows the exploits of Cpl. John Bramble in June 1942 after he fell out of his tank in the North African desert.  Later on, he ends up meeting Rommel, The Desert Fox, himself.  Most of the movie takes place inside the hotel “Empress of Britain”. It is a great setting. Also, something is interesting there underneath the first floor. The people behind this movie are top-notch.  Billy Wilder directed and co-wrote it with Charles Brackett, adopting Lajos Biró's play “Hotel Imperial”. It garnered three Academy Award nominations and has an excellent cast. Specifically, Anne Baxter, Franchot Tone, Akim Tamiroff, and Erich von Stroheim play the leads. This is a movie where you don't want to be scanning your phone at the same time as you watch it.  You need to pay close attention. However, by listening to this episode, you will enhance your viewing experience.  We give you some things to look out for. What we will decode in this episode While we don't give away the key answers for this movie, these are the things we decode in our look at FIVE GRAVES TO CAIRO: ·         Details on this great cast. ·         How it had a real-world impact on the war. ·         The humor in this serious movie. For example, we include a clip from the movie about bedbugs. ·         Without a doubt, there is a tie-in to Boris Karloff. What is it? ·         The production, cinematography, costuming, and the score. ·         What Tom thought Bramble needed to have with him on the tank. ·         The use of the German language.  Authentic? ·         Opera in a World War II movie? ·         The dialogue - good, or bad? ·         Certainly, Rommel would not have said what he said at that lunch. Would he? ·         Answering Tom's question of if this is a spy movie ·         And more! What we don't answer is what the “five graves to Cairo” are. You need to watch the movie for that. Where to download the movie As of the time of the release of this episode (June 2025), you can stream this movie for free at: https://archive.org/details/five-graves-to-cairo-1943-billy-wilder. Tell us what you think about our no-spoiler review of FIVE GRAVES TO CAIRO. So, take a listen and let us know what you think. Have you heard of FIVE GRAVES TO CAIRO before this episode?  As a result of listening to this episode, did you watch it? To sum up, if you have seen this movie, what do you think?  Were we on point with our review?  What did you like and what would you have changed about the movie? Let us know your thoughts, ideas for future episodes, and what you think of this episode. Just drop us a note at info@spymovienavigator.com.  The more we hear from you, the better the show will surely be!  We'll give you a shout-out in a future episode!   You can check out all of our CRACKING THE CODE OF SPY MOVIES podcast episodes on your favorite podcast app or our website. In addition, you can check out our YouTube channel as well.   Episode Webpage: https://bit.ly/3FtdIJD

“All right, Mr. DeMille, I'm ready fro my close up” Sunset Boulevard (1950) directed by Billy Wilder and starring Gloria Swanson, William Holden, Erich von Stroheim and Nancy Olson Next Time: But I'm A Cheerleader (1999)

"IT'S FATAL: WHAT IS FILM NOIR?" (PART III) (080) 3/24/2025 Welcome to the third and final installment of our series on Film Noir. As we have previously discussed the technical elements of noir and met the typical character's of noir, we will now take a look at the creative aspects of the genre that help create that special brand of dark, sexy, deadly movies. We'll discuss dialogue, and clever devices like voice overs, flashbacks, and dream sequences that enhance these dark, moody films. We'll also look at the fatalistic themes that reigned supreme throughout the genre.  SHOW NOTES:  Sources: Film Noir (2017), by Alian Silver & James Ursini; Into the Darkness: The Hidden World of Film Noir 1941-1959 (2016), by Mark A. Viera; More than Night: film Noir in Its Contexts (2008), by James Naremore; Dark City: The Lost World of Film Noir (1998), by Eddie Muller; Voices in the Dark: The Narrative Patterns of Film Noir (1989), by J.P. Telotte; Film Noir: An Encyclopedia Reference to the American Style (1979), edited by Alain Silver & Elizabeth Ward; Wikipedia.com; TCM.com; IMDBPro.com; Movies Mentioned:  Impact (1949), starring Brian Donlevy, Ella Raines, Charles Coburn, Helen Walker, & Anna May Wong; Gilda (1946), starring Rita Hayworth & Glenn Ford; Gun Crazy (1950), starring John Dall & Peggy Cummins; The Brother's Rico (1957), starring Richard Conte, Diane Foster, & James Darren; D.O.A. (1950), starring Edmond O'Brien; Cape Fear (1962), starring Robert Mitchum, Gregory Peck, and Polly Bergen; Double Indemnity (1944), starring Barbara Stanwyck, Fred MacMurray, & Edward G. Robinson; Clash By Night (1952), starring Barbara Stanwyck, Robert Ryan, & Paul Douglas; The Man I Love (1947), starring Ida Lupino & Robert Alda; The Maltese Falcon (1941), starring Humphrey Bogart & Mary Astor; Dead Reckoning (1947), starring Humphrey Bogart & Lizabeth Scott; Detour (1945), starring Tom Neal & Ann Savage; Laura (1944), starring Gene Tierney & Dana Andrews; City That Never Sleeps (1953), starring Gig Young & Mala Powers; Sunset Boulevard (1950), starring Gloria Swanson & William Holden; The Killers (1946), starring Burt Lancaster & Ava Gardner; The Great Flamarion (1945), starring Erich von Stroheim & Mary Beth Hughes; The Locket (1946), starring Laraine Day, Robert Mitchum, & Brian Aherne; The Invisible Wall (1946), starring Don Castle & Virginia Christine; The Strange Love of Martha Ivers (1946), starring Barbara Stanwyck, Van Heflin, Lizabeth Scott & Kirk Douglas; The Dark Past (1948), starring William Holden, Nina Foch, & Lee J. Cobb; Murder My Sweet (1945), starring Dick Powell & Claire Trevor; The Woman On The Beach (1947), starring Robert Ryan & Joan Bennett; Spellbound (1945), starring Ingrid Bergman & Gregory Peck; Manhandled (1949), starring Dorothy Lamour, Sterling Hayden, & Dan Duryea; Scarlet Street (1945), starring Edward G. Robinson, Joan Bennett, & Dan Duryea; Moonrise (1948), starring Dane Clark & Gail Russell; Out of the Past (1947), starring Robert Mitchum, Jane Greer, & Kirk Douglas; In a Lonely Place (1950), starring Humphrey Bogart & Gloria Grahame; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Episode Website Link: https://frombeneaththehollywoodsign.com Learn more about your ad choices. Visit megaphone.fm/adchoices

"MARY BETH HUGHES - CLASSIC CINEMA STAR OF THE MONTH" - 3/03/2025 For those of you who don't know the charms of MARY BETH HUGHES, when she was under contract at MGM, she was dubbed "the poor man's LANA TURNER." It was a rather unfair assessment since MGM gave Lana all the plum roles, and Mary Beth got her hand-me-downs. But still, Mary Beth had great comic chops, and no one played bitchy, hard-boiled blondes as well as she. Despite her beauty and talent, she never managed to get out of B-pictures. She did have small parts in great films like The Women (1939) and The Ox-Bow Incident (1942). She played the good girl as often as she played the bad girl, but when she played bad....you were in for a treat. Her pouty lips, snappy dialogue, and petulant attitude lit up many a lackluster production. This week, we celebrate her as our Star of the Month. SHOW NOTES:  Sources: The Official Mary Beth Hughes Website; “Mary Beth Hughes, Born in Alton, Benign Groomed for Stardom in Movies,” January 4, 1939, Alton Evening Telegraph; “Mary Beth Hughes,” October 1971, by T.P. Turton, Films in Review; “Mary Beth Hughes Stars In A New Shampoo,” December 20, 1976, People Magazine; Mary Beth Hughes: She Never Gave Up,” December 2015, by Dave White, Classic Images; “The Look of Mary Beth Hughes,” June 6, 2019, www.grandoldmovies.com; http://www.briansdriveintheater.com/marybethhughes.html Wikipedia.com; TCM.com; IMDBPro.com; Movies Mentioned:  The Women (1939), starring Norma Shearer, Joan Crawford, & Rosalind Russell; The Ox-Bow Incident (1942), starring Henry Fonda, Harry Morgan, Dana Andrews, MBH, & Anthony Quinn; Broadway Serenade (1939), starring Jeanette MacDonald & Lew Ayres; Dancing Co-Ed (1939), starring Lana Turner & Richard Carlson;  These Glamour Girls (1939), starring Lana Turner & Lew Ayres: Fast and Furious (1939), starring Franchot Tone & Ann Sothern; Free, Blonde & 21 (1940), starring Lynn Bari, MBH, & Joan Davis; Star Dust (1940), starring Linda Darnell & John Payne; Four Sons (1940), starring Don Ameche, Alan Curtis, Eugenia Leontivich, & MBH; Lucky Cisco Kid (1940), starring Cesar Romero, Dana Andrews, & MBH; The Great Profile (1940), staring John Barrymore & MBH; Sleepers West (1941), starring Lloyd Nolan & MBH:  Ride on Vaquero (1941), starring Cesar Romero & MBHs; Charlie Chan In Rio (191410, starring Sidney Toler & MBH; Dressed To Kill (1941), starring Lloyd Nolan & MBH; Design For Scandal (1941), starring Rosalind Russell & Walter Pidgeon; The Cowboy and The Blonde (1941), starring MBH & George Montgomery; Blue, White, and Perfect, (1942), starring Lloyd Nolan & MBH; The Night Before The Divorce (1942), starring Lynn Bari, Joseph Allen, & MBH; Orchestra Wives (1942), starring Ann Rutherford & George Montgomery: Over My Dead Body (1942), starring Milton Berle & MBH; Timber Queen (1944), starring Richard Arlen & MBH; Men On Her Mind (1944), starring MBH; I Accuse My Parents, (1944), starring MBH & Robert Lowell; The Lady Confesses (1945), starring MBH & Hugh Beaumont; The Great Flamarion (1945), starring Erich von Stroheim, MBH, & Dan Duryea; Holiday Rhythm (1950), starring MBH & David Street; Young Man With A Horn (1950), starring Kirk Douglas, Lauren Bacall, & Doris Day; Highway Dragnet (1954), starring Richard Conte & Joan Bennett; Loophole (1955), starring Barry Sullivan, Charles MacGraw, & Dorothy Malone; Gun Battle At Monterey (1957), starring Sterling Hayden & MBH; How's Your Love Life? (1971), starring John Agar, Leslie Brooks, Grant Willians, & MBH; The Working Girls (1974), starring Sarah Kennedy, Laurie Rose, & Cassandra Peterson; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

In compagnia di Enrico Gaudenzi e con Michela Gorini si torna a parlare del cinema di un secolo fa attraverso quattro mostri sacri della cinematografia che nel 1924 firmano quattro opere straordinarie: "L'ultima risata" (Der letzte Mann) di Friedrich Wilhelm Murnau "La palla numero 13" (Sherlock Jr.) di Buster Keaton, "Rapacità" (Greed) di Erich von Stroheim, "Matrimonio in quattro" (The Marriage Circle) di Ernst Lubitsch.

durée : 00:26:00 - Les Nuits de France Culture - par : Philippe Garbit - Rendez-vous à cinq heures - Erich von Stroheim à Maurepas (1ère diffusion : 06/09/1954 Paris Inter) - réalisation : Virginie Mourthé

Emigré d'Autriche à Hollywood, Erich von Stroheim prétendra toute sa vie être un ancien officier aristocratique.Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Sunset Boulevard, Donald Trump, Billy Wilder, Wilder's career, film noir, how to classify Sunset Boulevard, Sunset as a horror film, the organ grinder's monkey, Mank, Citizen Kane, Orson Welles, Hollywood lore, Black Dahlia murder, Elizabeth Short, references to the Black Dahlia murder in Sunset Boulevard, William Desmond Taylor, Taylor's murder, Mabel Norman, the murders/shootings surrounding Norman, Mary Miles Minter, Thomas Ince, Ince's strange death, William Randolph Hearst, Gloria Swanson, Joseph P. Kennedy, Swanson's affair with JPK, Erich von Stroheim, Stroheim's notorious productions, was Stroheim making pornography?, pornography and honeypots in early Hollywood, Mack Sennett, the Tuna Club of Avalon, Catalina Island, the Tuna Club's possible role in sexual blackmail, Sunset Boulevard's subtle references to sexual blackmail, Peter Ivers, the bizarre parallels to Sunset and Ivers' murder, David Lynch, Inserts, pornography in early HollywoodMusic by: Keith Allen Dennishttps://keithallendennis.bandcamp.com/Additional Music by: the Four Tops Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In this episode of "Tales from Hollywoodland," the hosts and their guest Lee Tsiantis discuss the silent film era's rich history and its profound impact on the film industry. They explore the origins of film, animation, the transition to sound films, and the challenges actors faced during this shift. The conversation covers the low survival rate of silent films into the modern era, the influence of directors like Erich von Stroheim, D.W. Griffith, and Auguste Lumiere, and their influences on modern audiences.  Tales From Hollywoodland on Facebook https://www.facebook.com/talesfromhollywoodland  Tales From Hollywoodland on Instagram https://www.instagram.com/talesfromhollywoodland/ Tales From Hollywoodland on YouTube https://www.youtube.com/channel/UCdLX2kbwHqdn47FNN6vVN7Q  We want to hear from you! Feedback is always welcome. Please write to us at  talesfromhollywoodland@gmail.com and why not subscribe and rate the show on Apple Podcast, Spotify, iHeartRadio, Goodpods, PlayerFM, YouTube, Pandora, Amazon Music, Audible, and wherever fine podcasts are found.  #Silentfilmerapodcast #Earlytalkiesdiscussion #TalesFromHollywoodland #Silentfilmhistorypodcast #HollywoodGoldenAgepodcast #Silentfilmstarsanalysis #Earlycinemaexploration #Hollywoodpioneersdiscussion #ClassicHollywoodpodcast #Silentfilmdirectorsspotlight #Vintagecinemapodcast #Silentfilmactorsanalysis #Hollywoodhistorypodcast #Pre-sounderapodcast #Filmpreservationdiscussion #Earlytalkiesevolution

EPISODE 23 - “I Coulda Been a Contender: Classic Casting That Almost Happened” - 02/19/2024 It is well documented that the film “Gone With The Wind” started filming before an actress was cast in the lead role of Scarlett O'Hara. Producer DAVID O. SELZNICK made a spectacle out of who would win the coveted role. It became a national obsession. He considered everyone from TALLULAH BANKHEAD to BETTE DAVIS to LUCILLE BALL. He eventually narrowed the field to three finalists: PAULETTE GODDARD, JOAN BENNETT, and JEAN ARTHUR. But in the eleventh hour, a new contender, an unknown Brit named VIVIEN LEIGH, swept in and won the role. Listen as we discuss, debate, and guffaw over other casting choices that almost happened in some of your favorite film classics.  SHOW NOTES:  Sources: Hollywood's First Choices: How The Greatest Casting Decisions Were Made (1994), by Jeff Burkhart and Bruce Stuart; Casting Might Have Beens (2005), by Eila Mell; Jean Arthur: The Actress Nobody Knew (2004), by John Oller; George Raft: The Man Who Would Be Bogart (2015), by Stone Wallace; Life is a Banquet (1974), by Rosalind Russell; Joan Crawford: The Enduring Star (2009), by Peter Cowie; Michael Curtiz: A Life in Film (2021), by Alan Rode; Judy Holliday (1982), by Will Holtzman; Close-up on Sunset Boulevard: Billy Wilder, Norma Desmond, and the Dark Hollywood Dream (2002), by Sam Staggs Montgomery Clift: Beautiful Loser (1992), by Barney Hoskyns; Mike Nichols: A Life (2021), by Mark Harris; IMDBPro.com; Wikipedia.com; Movies Mentioned:  Scarface (1932), starring George Raft, Paul Muni, Ann Dvorak, and Boris Karloff; Dead End (1937), starring Silvia Sidney, Joel McCrea, Humphrey Bogart, Wendy Barrie, and Claire Trevor; The Maltese Falcon (1941), starring Humphrey Bogart, Mary Astor, Peter Lorre, Sydney Greenstreet, Elisha Cook, Jr, and Lee Patrick  The Maltese Falcon (1931), starring Ricardo Cortez and Bebe Daniels; High Sierra (1941), starring Humphrey Bogart, Ida Lupino, Joan Leslie, Alan Curtis, Cornel Wilde, Arthur Kennedy, Willie Best, Elisabeth Risdon, and Henry Travers; His Girl Friday (1940), starring Cary Grant, Rosalind Russell, and Ralph Bellamy; Twentieth Century (1934), starring John Barrymore and Carole Lombard; Mildred Pierce (1945), starring Joan Crawford, Ann Blyth, Jack Carson, Zachary Scott, Eve Arden, Bruce Bennett, and Lee Patrick;  Sunset Boulevard (1950), starring Gloria Swanson, William Holden, Erich von Stroheim, and Nancy Olson;    From Here To Eternity (1953); starring Burt Lancaster, Deborah Kerr, Montgomery Clift, Frank Sinatra, Donna Reed, and Ernest Borgnine; Who's Afraid of Virginia Wolf (1966), starring Elizabeth Taylor, Richard Burton, George Segal, and Sandy Dennis; Butch Cassidy and the Sundance Kid (1969), starring Paul Newman, Robert Redford, and Katharine Ross;#023: "I COULDA BEEN A CONTENDER!" --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Alright Mr. DeMille, they're ready to Babble! On today's episode of FilmBabble, Charlie and Antonio take a quick detour onto SUNSET BOULEVARD, the 1950 classic chock-full of romance, intrigue, and.... murder? Take a seat, order a coffee, and listen up! Intro/outro music: "Main Title from 'The Wild Bunch'", composed by Jerry Fielding.  SUNSET BOULEVARD (1950), written by Charles Brackett, Billy Wilder, and D.M. Marshman Jr., directed by Billy Wilder, cinematography by John Seitz, featuring William Holden, Gloria Swanson, Erich von Stroheim, Nancy Olson, and Cecil B. DeMille

On the final episode of I Am The Wiz for 2023, Kim Shactman and The WIz review the 1950 classic noir Sunset Boulevard starring Gloria Swanson, William Holden, Erich von Stroheim and Nancy Olson, directed by Billy Wilder.

The American Film Institute rated Sunset Boulevard #16 on the 2007 edition of their 100 Years…100 Movies list. This week, the legacy of this acclaimed film is sullied and tarnished by appearing on the TGMEM podcast! Tune in to hear Justus and David peel back the layers of the film noir classic to get to the bottom of this seedy tale of Hollywood's darkside. Together, they uncover mysteries like the Black Dahlia Murderer's foray into killing monkeys, Cecil B. DeMille's boundless bloodlust for horses and the devious wiles of a stone-cold cougar reliving her glory days in her lavish Hollywood mansion. Who cares about the AFI? It's time for Justus and David to settle, once and for all, if Sunset Boulevard is The Greatest Movie Ever Made! Sunset Boulevard (1950) is directed by Billy Wilder and stars William Holden, Gloria Swanson, Erich von Stroheim, Nancy Olsen, and Fred Clark. Music: “Fractals” by Kyle Casey and White Bat Audio

Season 7, Episode 18 (Originally Released on December 10th, 2023) On today's Shame List Picture Show episode, Michael is joined by movie aficionado, post-production specialist, and musician Eric Arsnow. When Eric isn't cutting music videos or playing in bands such as Devil's Teeth or Fight Dice, he's watching movies with his family. The film in question on today's episode is one of his favorites — Billy Wilder's SUNSET BLVD. As the poster claims, SUNSET BLVD is both "a Hollywood story" and "a most unusual picture" with an all-star cast featuring William Holden, Gloria Swanson, Erich von Stroheim and Nancy Olson. As always, please rate, review, and subscribe. Be sure to check out Eric's work over at FunLand Studios and Devil's Teeth Be sure to check out our Patreon at www.patreon.com/shamelistpictureshow Edited by: Michael Viers Produced by: Michael Viers Theme Music by: The Directionals Opening Narration by: Zach McClainCredits Music by: Ten-Speed Logo Design by: Amanda Viers

On this week's Blu-ray episode, Peter Sobczynski talks with Erik Childress about some genuine classics, at least one new one, some forgotten relics and a genuine oddity. Criterion does Terry Gilliam right again with one of their childhood favorites in 4K. They revisit an Oscar-winning film from the ‘80s and whether it would be made the same way today. Kino has some really enjoyable stuff from Andrew Davis, Michael Crichton and a film that got buried during the disaster craze of the '70s. Both Erich von Stroheim and William Hurt go Russian this week, more Shaw Brothers films arrive and Peter recounts the crazy tale of the Ormond family on their filmmaking journey from exploitation to Christian films. 0:00 - Intro 1:31 - Criterion (Time Bandits (4K)) 10:06 - Flicker Alley (Foolish Wives) 15:18 - Indicator (From Hollywood to Heaven: The Lost and Saved Films of the Ormond Family (1956-1984), Mexico Macabre: Four Sinister Tales from the Alameda Films Vault, 1959-1963) 23:45 - MVD (Witchtrap, Rain Man (4K)) 33:30 - Kino (The Draughtsman's Contract, Juggernaut, The Great Train Robbery, Gorky Park, The Package) 1:05:07 - Sony (The Pope's Exorcist) 1:08:44 - Universal (Super Mario Bros. Movie, The (4K)) 1:13:44 - Lions Gate (John Wick: Chapter 4) 1:17:10 - Shout! Factory (Shaw Brothers Collection: Volume One) 1:20:13 – New Blu-Ray Announcements 1:21:43 - Outro

"It took two years to make; it gives you two hours of engrossing entertainment. You may hate it, as you hate the dangerous undercurrents of life, but you will be fascinated, thrilled, held spell-bound." Heads up! This is a very different kind of episode of You're Missing Out. Instead of sitting down with a guest and bouncing all around the plot of the film like we often do, this time, Mike, Tom, and Kyle sat down on mic to record a full-length (well, full-length for the shortest of the full length versions of this film) commentary track for Erich von Stroheim's 1924 masterpiece, Greed. Listen to it here, or watch the full film with commentary attached on our Youtube channel.Find the film with commentary here: https://youtu.be/nyPQAUGGCkI Hosts:Michael NataleTwitterLetterboxd Tom LorenzoTwitterLetterboxd Producer:Kyle LamparTwitter Follow the Show:LinkTree Music by Mike Natale

In this episode of Film & Whiskey, Bob and Brad begin a mini-series of films directed by Billy Wilder with his 1950 classic "Sunset Blvd." They pair it up with the fourth in their lineup of five Benchmark bourbons, this time the Benchmark Bonded. They explore the themes of the film, analyzing the performances of the lead actors, and discussing the iconic scenes that have made the film a classic. Bob and Brad also provide their detailed review of Benchmark Bonded bourbon, discussing the flavor profile and what sets it apart from the other Benchmark bourbons they've tasted so far. The two hosts also engage in their usual games and segments, including Two Facts and a Falsehood and Let's Make it a Double. If you're a fan of classic cinema, or just looking for a new bourbon to try, this episode is not to be missed! Timestamps: 0:00 - Introduction 08:57 - Brad Explains 11:20 - Themes and Performances 35:02 - Benchmark Bonded Bourbon Review 44:05 - Two Facts and a Falsehood 49:00 - Final Analysis 54:40 - Let's Make it a Double 58:50 - Final Scores Bob and Brad begin their Billy Wilder mini-series with his iconic 1950 film, "Sunset Blvd." The movie follows the story of Norma Desmond, a former silent film star who lives in seclusion with her butler, played by Erich von Stroheim. When struggling screenwriter Joe Gillis stumbles upon her mansion, Norma recruits him to help her stage a comeback. The hosts delve into the themes of the film, discussing its commentary on Hollywood's obsession with youth and beauty, as well as the power dynamics at play in the relationship between Norma and Joe. They analyze the performances of the lead actors, including Gloria Swanson's iconic portrayal of Norma Desmond and William Holden's performance as Joe Gillis. As always, Bob and Brad also bring their expertise in bourbon to the table with their review of Benchmark Bonded bourbon. This fourth installment in their series of five Benchmark bourbons impresses with its price point, but how does it taste? Film & Whiskey website: ⁠⁠⁠https://filmwhiskey.com/⁠⁠⁠ ⁠⁠Benchmark website⁠⁠ Film & Whiskey Podcast. New episodes every Tuesday. Theme music: "New Shoes" by Blue Wednesday Film & Whiskey ⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠ Film & Whiskey ⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠ Film & Whiskey ⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Email us⁠⁠⁠⁠⁠! ⁠⁠⁠⁠⁠Join our Discord server! --- Send in a voice message: https://podcasters.spotify.com/pod/show/filmwhiskey/message Support this podcast: https://podcasters.spotify.com/pod/show/filmwhiskey/support

durée : 01:01:45 - Les Nuits de France Culture - par : Albane Penaranda - En 2009, Francesca Isidori reçoit Claude Jean Philippe, producteur du "Ciné-Club" à la télévision qui présenta pendant plus de vingt ans des milliers de films en version originale aux téléspectateurs. Pour Affinités électives Claude-Jean Philippe, âgé de 75 ans, évoque ce qui a nourri sa vie depuis son enfance : le cinéma et la littérature. Pédagogue et cinéphile passionné, il a animé sur la seconde chaine de télévision française le Ciné-Club de 1971 à 1994 et, à partir de 1976, conçu pour France Culture Le Cinéma des cinéastes, avec l'ambition de rendre plus accessible le travail des cinéastes pour les auditeurs. Claude-Jean Philippe assume d'être éclectique dans le choix de ses films et de privilégier l'émotion vécue plutôt que la critique formelle : "Ce qu'on éprouve réellement ne s'argumente pas". Errol Flynn a été le héros de mon enfance Sa passion pour le cinéma commence très jeune : "Errol Flynn a été le héros de mon enfance à cause de Robin des bois mais aussi de Capitaine Blood, de L'Aigle des mers, etc." Mais au-delà de la voix et du visage devenus familiers au fil des années de la présentation du Ciné-Club, Claude-Jean Philippe restait discret, mise à part la publication de son autobiographie La Nuit bienfaisante, en 1996. Au micro de Francesca Isidori, il évoque sa jeunesse au Maroc, sa découverte de la littérature et du cinéma, son épanouissement grâce au théâtre avec André Voisin. Il se souvient de son arrivée à Paris à vingt ans, de son amour définitif pour cette ville, pour Charles Trenet et pour Apollinaire, "ce que j'aime dans Paris c'est cette majestueuse indifférence qui me remplit d'une paix paradoxale, véritable paix". Partie de campagne de Jean Renoir fut un événement dans ma vie Claude-Jean Philippe fit découvrir aux téléspectateurs, en version originale, les films de Satyajit Ray, Fritz Lang, Stroheim, Murnau, Renoir, Bresson, Bergman, Fellini, Ozu et tellement d'autres cinéastes du monde entier. Co-auteur du livre 100 films pour une cinémathèque idéale, édité par Les Cahiers du cinéma, il cite quelques-uns de ses films préférés : Partie de campagne de Jean Renoir, mais aussi L'Atalante de Jean Vigo, Chantons sous la pluie de Stanley Donen et Gene Kelly.Le cinéphile rend hommage à son ami Jean-Marie Straub qui "éclairait les films en très peu de mots, avec le meilleur goût qu'il soit" et reste modeste sur la capacité à prédire la pérennité des films : Le meilleur critique de cinéma.c'est la postérité. A propos du cinéaste japonais, Ozu, qu'il choisirait d'emporter sur une île déserte, il dit : "Voilà quelqu'un qui savait de quoi le temps est fait." Par Francesca Isidori Avec Claude-Jean Philippe Réalisation Brigitte Alléhaut Affinités électives - Claude-Jean Philippe (1ère diffusion : 16/04/2009) Indexation web : Véronique Vecten, Documentation Sonore de Radio France Archive Ina-Radio France

The following is a choice segment from an interview between Bit Cloud, pilot of the Liger Zero from Blitz Team, and the Cartoncasters. “Look man, life's not so easy in the post-apocalypse. Which post apocalypse? Not important. At least, not any more important than bustin' up some fools with my mad sick liger zero moves. I've never met a mech I didn't want to fight, and I never didn't fight a mech I haven't wanted to beat. So let's get this show on the road, pardner! That growling either means my Liger wants to wrassle, or that I'm hungry - and I already ate! Ate what? From what food sources? Man, just from those questions I can tell you aint from around here.” * Stroheim from JoJo * Model ships in bottles * Goldar * I'm just an ex-con… * Iron Reaver Soul Stealer! * Brawndo * EVs and IVs

Jackie and Greg arrive at the third Jean Renoir on the list, GRAND ILLUSION (LA GRANDE ILLUSION) from 1937. Topics of discussion include the film's gentle satire, Erich von Stroheim as the Tin Man, Renoir's obsession with race and class, and why Strauss waltzes are the most romantic.#73 on Sight & Sound's 2012 "The 100 Greatest Films of All Time" list.bfi.org.uk/sight-and-sound/polls/greatest-films-all-time-2012#146 on Sight & Sound's 2022 "The 100 Greatest Films of All Time" list.  bfi.org.uk/sight-and-sound/greatest-films-all-timeCheck us out on Instagram: instagram.com/sceneandheardpodCheck us out at our official website: sceneandheardpod.comJoin our weekly film club: instagram.com/arroyofilmclubJP Instagram/Twitter: jacpostajGK Instagram: gkleinschmidtPhotography: Matt AraquistainMusic: Andrew CoxGet in touch at hello@sceneandheardpod.comSupport the show on Patreon: patreon.com/SceneandHeardPodorSubscribe just to get access to our bonus episodes: buzzsprout.com/1905508/subscribe

"I am big. It's the pictures that got small." For Episode 254, Brandon and Thomas dive into the greatness of SUNSET BOULEVARD for their Movies on Movies series. Listen to find out why the cast felt it was a joyous set and how the production would lead to the eventual break-up of one of Hollywood's best creative duos at the time.  Check out our new Patreon Page: https://www.patreon.com/cinenation Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast E-mail: cinenationpodcast@gmail.com

The hosts take a look at two infamous examples of films altered and changed by studio intervention. One of the earliest and most egregious alterations happened to Erich von Stroheim's 1924 Greed. Does the remaining footage yield as close to a masterpiece as its fabled original 9-hour cut?Despite the prestige of Citizen Kane, Orson Welles' The Magnificent Ambersons was not saved from the butchering hands of meddlers. Does the end product carry the gut punches the original was intended to have?

It is indeed the episode a decade in the making! Here, in Episode 43, Team Vintage Sand puts in its collective two cents on the newly released Sight and Sound decennial poll of the greatest films of all time. It is a list referred to by no less an authority than Roger Ebert as “the best damned film list of them all.” But this time, was it a “woke” poll, reflecting more our need for political correctness than a genuine and deep understanding of film history, as old-timers like Paul Schrader proclaimed? Or was it about damn time that the old white men gave up at least some of the strangle hold they've had on the poll since its inception in 1952, as many younger critics proclaimed? Does this new list signify that the battle lines have been drawn irrevocably between older and younger film people? As always, the truth is never that simple. Team Vintage Sand tries to approach the poll by avoiding either extreme, oversimplified position, reaching, as ever, for the complex and embracing the gray. Does Akerman's "Jeanne Dielman" deserve its new place atop the rankings? Probably not, but it surely is a much better film than its position in the mid-30's for the 2012 edition of the poll suggested. And if the poll is so politically correct, why are there no films by the Mexican New Wavers here? Along these same lines, 16 of the 22 directors who have multiple entries on the list are white men; four of the remaining six are Asian men. Yes, there are no films by Howard Hawks or Roman Polanski. No Buñuel. No Lean. No Altman. No Demy, or Melville, or Resnais. No Sternberg or Stroheim. No Huston. No Malick. No Tarantino. No Anderson, be it Wes or P.T. No Coen Brothers. No Linklater. No Spielberg, for goodness' sake! No silent films in the Top 10, and all the silent films that are still there from 2012, with the exception of "City Lights", plummeted to the nether reaches of the list. (If anyone tells me that there are 20 films greater than "The Passion of Joan of Arc", it's ON!) And yet… …there's "Do The Right Thing" entering the list at #24. FINALLY. And there's Burnett's brilliant "Killer of Sheep". And Dash's "Daughters of the Dust". Maybe now someone will give her some money to make a second film, three full decades after she released a Top 100 masterpiece. And there, brand spanking new, are Jordan Peele and Barry Jenkins. And there's Agnes Varda's extraordinary "Cleo from 5 to 7" entering the list in the top 15. And my historical experimental film crush Maya Deren is finally here as well for her extraordinary and endlessly influential "Meshes of the Afternoon". And Claire Denis in the Top 10. And Jane Campion, Barbara Loden(!), Celine Sciamma and the aforementioned Julie Dash. If it took some “woke” (whatever that means) younger critics to put these artists in their rightful places in the pantheon, we'll take it. Ultimately, we recognize the silly waste of energy in trying to compare, say, "Jeanne Dielman" with "Tokyo Story" with "In the Mood for Love" with "Man with a Movie Camera". For us, this poll has one purpose only, and it's the same purpose that guides what we do at Vintage Sand: it opens doors. It takes us out of our comfort zone as viewers, and reminds us that there are vast aspects of film history about which we know little or nothing. So look carefully at Sight and Sound 2022 through this lens, check off the films you haven't seen yet or not in a long time anyway, and track them down. We'll bring the popcorn!

Charles Skaggs & Xan Sprouse continue their retrospective of The Films That Inspired David Lynch by discussing Sunset Boulevard, the 1950 dark comedy film noir directed by Billy Wilder, starring William Holden as Joe Gillis, Gloria Swanson as Norma Desmond, and Erich von Stroheim as Max von Mayerling! Find Us Here: Twitter: @GhostwoodCast @CharlesSkaggs @udanax19 Facebook: Facebook.com/GhostwoodPodcast Email: GhostwoodPodcast@gmail.com Listen and subscribe to us in Apple Podcasts and leave us a review!

00:00 - 45:44 - Greed 45:44 - 1:03:35 - Malcolm in the Middle 1:03:35 - 1:33:58 - Jauja And we're back, for leg two of the Extended Clip Reunion Tour, with returning champion Ryan Swen ( @swen_ryan ) In Timeline A, it is 1924, and greed is good. that's right, we're talking about Erich von Stroheim's Greed. The big questions of life; money, p*ssy, film preservation, etc. Then, we hop back in the bus for everybody's favorite segment, Malcolm in the Middle (45:44) to talk about Toni Erdmann, The Assassin, Crazy World, and Seven Chances. In Timeline B, it is 2014, but the power of cinema takes us back a bit further than that for Lisandro Alonso's Jauja (1:03:35). see you next time, for The Passion of Joan of Arc and The Master.

Rubrique:histoire Auteur: rene-bizet Lecture: Daniel LuttringerDurée: 09min Fichier: 6 Mo Résumé du livre audio: Le film de Erich von Stroheim, sorti en 1925, raconté par René Bizet (1887-1947) et paru dans l'hebdomadaire de cinéma Pour vous le 22 août 1929. Cet enregistrement est mis à disposition sous un contrat Creative Commons.

Jackie and Greg take on Erich von Stroheim's partly-lost silent epic GREED from 1924. Topics of discussion include the film's grim subject material, von Stroheim as a liar and mythmaker, the episodic structure, and whether the 4-hour reconstructed version should be considered the definitive version of the film or not. #84 on Sight & Sound's "The 100 Greatest Films of All Time" list.Check us out at our official website! Join our weekly film club!Jacqueline Postajian on Instagram/TwitterGreg Kleinschmidt on InstagramPhotography: Matt AraquistainMusic: Andrew Cox

durée : 00:35:00 - Les Nuits de France Culture - Par René Wilmet - Avec Pierre Fresnay, Charles Sparks, Claude Autant-Lara, Henri Langlois et Gloria Swanson

Fame, jealousy and crimes of passion are discussed while the misfits routinely refer to Norma Desmond as “Nora”, breakdown the film's fascinating backstory and Brian Guynn reveals the name of his new band “Monkey Funeral”. These topics and more await you when the misfits are transported back to 1950s Hollywood as they review the 1950 film noir classic Sunset Boulevard. This film is directed by Billy Wilder and stars William Holden, Gloria Swanson and Erich von Stroheim. Ranking: AFI's 100 Years…100 Movies:  12th AFI's 100 Years…100 Movies – 10th Anniversary List:  16th All original content including sound effects, graphics, photos and music is © Classic Movie Misfits.  Movie audio clips and music are used in accordance with Fair Use, and are property of the film copyright holders. #SunsetBlvd #BillyWilder #WilliamHolden #GloriaSwanson #ClassicMovie #AFI100 #ClassicMovieMisfits  

"It's the pictures that got small." - Billy Wilder's Sunset Boulevard This week, Mr. Chavez & I continue our descent into the ruthlessness, horror, and sadness of Hollywood - Billy Wilder's Sunset Boulevard (1950), a true classic of cinema and a film that continues to astonish audiences over 70 years later. With a young William Holden cementing his stature in cinema, and brilliant performances from Silent Cinema legends, Gloria Swanson as one of the most iconic characters of the silver screen, Norma Desmond, and her broken, loyal, and forgotten manservant and one-time director, the great Erich von Stroheim (both Academy Award nominated), this is a classic of the studio system and a film that only grows in power year after year. Ibrahim & I are thrilled to talk this film and are hoping that we are introducing it to a few new viewers. Take a listen and let us know what you think. Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. Many Thanks. 

In the Season Premiere of Season 6 (Heists, Cons, & Grifters) Kyle is joined by script supervisor Katy Baldwin and fellow podcaster Ben Thelen (of the Dead Reckoner Podcast) to discuss the machiavellian undercurrents of Erich von Stroheim's elaborate and opulent con artist study in the silent film Foolish Wives (1922).

durée : 00:26:00 - Les Nuits de France Culture - Par Micheline Sandrel - Avec Erich von Stroheim et Denise Vernac

This week we're indulging in the decadent Ramos Gin Fizz for the decadent film noir classic, Sunset Boulevard as we discuss a masterful critique of Hollywood, the gold standard of acting, and how life sometimes imitates art. Starring Gloria Swanson, William Holden, and Erich von Stroheim. Cheers! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

In her creepy rundown mansion on Sunset Boulevard, aging silent screen star Norma Desmond (Gloria Swanson) dreams of reviving her long-gone film career. by happenstance, Norma runs into Joe Gillis (William Holden), who owes a lot of money. Gloria sees her opportunity and asks Joe to help her finish a script that will put her back in the spotlight, while Joe merely sees a hefty paycheck. When Joe falls in love for the young aspirant writer Betty Schaefer (Nancy Olson), Norma becomes jealous and completely insane and her madness leads to a tragic end. Release Year: 1950Genre: Film NoirStarring: William Holden, Gloria Swanson, and Erich von Stroheim.TrailerSummary: A screenwriter develops a dangerous relationship with a faded film star determined to make a triumphant return. Join Our Community Sign Up for Email Updates | Patreon | Facebook | Twitter | Reddit Visit our online shop! https://shop.screenriot.net

Fan favourite Ronaldo Sosa was kind enough to agree to discuss a very odd relationship drama. We questioned whether Erich von Stroheim is sexy, and asked why the prologue is so misleading. Twitter https://twitter.com/rsantana2024 https://twitter.com/Zita_Short https://twitter.com/300Passions Letterboxd https://letterboxd.com/CatherineShort/ https://letterboxd.com/r_santana2024/ Grant Zepernick provided the artwork for this podcast.

What is the grand illusion in The Grand Illusion? How does Jean Renoir's realism work for this World War I film? Why is director/actor Erich von Stroheim so memorable as the director of the POW camp? And why is Dita Parlo so high in the credits? Tune in to this week's show to get answers to these questions and more!