Podcasts about CIA

Sarah Adams is a former CIA targeter and the host of The Watch Floor, a show that breaks down global news and emerging threats for everyday people. She previously served as senior advisor to the US House of Representatives Select Committee on Benghazi and was a co-author of the Committee's report on the 2012 terrorist attack. Change Agents is an IRONCLAD Original Chapters (00:00)  Introduction: Sarah Adams (03:23)  When Are We Taking the Uranium Out (06:19)  Can Regime Change Happen From the Air Alone (10:44)  Trump Wants to Take Kirk Island (14:35)  The Haqqani Network Bombshell (18:43)  How US Money Actually Reaches the Taliban (26:55)  Confirmation That Hamza Bin Laden Is Alive (32:58)  The 2000 Foot Tunnel Discovery (36:22)  The Cartel and Al Qaeda Connection (39:19)  The Northern Border Nobody Is Watching (46:21)  The ISIS Arrests That Weren't Real ISIS (54:44)  Closing Thoughts Sponsors: Firecracker Farm  Use code IRONCLAD to get 15% off your first order at https://firecracker.farm/ Norwood Sawmills: Learn more about Norwood Sawmills and how you can start milling your own lumber at https://norwoodsawmills.com/?utm_source=podcast&utm_medium=ironclad&utm_campaign=ironclad Learn more about your ad choices. Visit megaphone.fm/adchoices

Charles Finfrock grew up with one dream — to become a spy. In this episode of Locked In with Ian Bick, Charles takes us through the extraordinary journey it took to make that dream a reality — from the US Navy to the National Air Intelligence Center to 18 years as a Senior Operations Officer at the CIA living and working across Europe the Middle East and Asia. He pulls back the curtain on CIA interrogation tactics and how to spot when someone is lying — skills he used in some of the most sensitive operations conducted at the direction of the President. He opens up about what nobody talks about — leaving the CIA with no support no follow up and a wave of trauma that led to struggles with alcohol. He shares how he rebuilt — moving to Tesla where he built their Insider Threat Program before founding Vigilance his own intelligence and security firm in 2018. He also gets into the cyber security threats most people don't take seriously enough — what to actually worry about with AI the Nancy Guthrie case and accessing home video systems whether your phone is really listening to you and what corporations and individuals need to know to stay safe. _____________________________________________ #CIA #CyberSecurity #truecrimecommunity _____________________________________________ Connect with Charles Finfrock: LinkedIn: https://www.linkedin.com/in/charles-finfrock-302021109 Website: https://vcci.io/charles-finfrock/ _____________________________________________ Hosted, Executive Produced & Edited By Ian Bick: https://www.instagram.com/ian_bick/?hl=en https://ianbick.com/ _____________________________________________ Timestamps: _____________________________________________ To advertise on the show, contact sales@advertisecast.com or visit https://advertising.libsyn.com/LockedInWithIanBicka Learn more about your ad choices. Visit podcastchoices.com/adchoices

"The Boys" is an American satirical superhero streaming television series developed by Eric Kripke for Amazon Prime Video. Based on the comic book series of the same name by Garth Ennis and Darick Robertson, it follows the eponymous team of vigilantes as they combat superpowered individuals, referred to as "Supes," who often abuse their powers for personal gain and work for a powerful company, Vought International, that ensures the general public views them as heroes. The story focuses on Hughie Campbell (Jack Quaid), a young electronics clerk, and Billy Butcher (Karl Urban), a former SAS and CIA operative, who work together with the rest of the Boys against "The Seven," Vought's premier superhero team, led by the power-hungry Homelander (Antony Starr). The series also stars Erin Moriarty, Dominique McElligott, Jessie T. Usher, Chace Crawford, Laz Alonso, Tomer Capone, Karen Fukuhara, Nathan Mitchell, Elisabeth Shue, Colby Minifie, Aya Cash, Claudia Doumit, Jensen Ackles, Cameron Crovetti, Susan Heyward, Valorie Curry, Jeffrey Dean Morgan, and Daveed Diggs. The fifth and final season premiered on April 8th and drew a mixed response from fans and critics, though the show has been an undisputed success, with a prequel series, "Vought Rising," set to premiere in 2027. Overall, the show was praised for its performances, particularly Antony Starr, visuals, satirical themes, and action sequences. The series has won four awards from 12 Primetime Emmy Award nominations, including Outstanding Drama Series in 2021, and has won seven Critics' Choice Super Awards and six Astra TV Awards. Showrunner, Executive Producer, and Writer Eric Kripke was kind enough to spend some time talking with us about his work and experience making the hit series, which you can listen to below. Please be sure to check out the show, which is available to watch on Amazon Prime Video and is up for your consideration for this year's Emmy Awards in all eligible categories. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Johnny Spoiler takes a trip back to 1990 for FEAR, a forgotten supernatural thriller starring Ally Sheedy as Cayce Bridges, a psychic investigator who helps police solve murders by experiencing visions through the minds of killers. Her latest case becomes terrifying when she discovers a murderer with the same abilities—and he wants her to experience every ounce of fear his victims feel.In this horror movie reaction and review, Johnny Spoiler breaks down the psychic-versus-psychic showdown, the creepy performance by Pruitt Taylor Vince as the Shadow Man, the bizarre Detective Eyepatch character, the film's connections to CIA remote-viewing experiments, and why this obscure Showtime thriller deserves another look from horror fans.Also on this episode: Hugh Jackman teams with Ridley Scott for a new adaptation of Treasure Island. Brad Pitt and a loyal military dog fight for survival in Heart of the Beast—and yes, the dog survives. Rose of Nevada brings haunting maritime time-travel horror to the Cornish coast with one of the most unique visual styles you'll see all year.Is FEAR a hidden gem or a forgotten relic of early '90s horror?Johnny Spoiler gives his verdict: Binge Later.Next week, Summer Slash 8 continues with I Bought a Vampire Motorcycle (1990), the cult horror comedy where a possessed motorcycle develops a taste for blood and revenge.Jolt Modern Soda: https://tr.ee/JoltCreamSodaBW #affiliates #JohnnySpoiler #HorrorMovieReaction #Fear1990 #AllySheedy #PruittTaylorVince #CultHorror #PsychicThriller #MovieReview #BingeWatchersPodcast

Live June 16, 2026 | Yaron Brook ShowMOU; SpaceX; CIA; Piker on Musk; Liberty Justice Center; Achievement | Yaron Brook Show#IranDeal #Trump #Israel #Anthropic #ArtificialIntelligence #Switzerland #PeruPolitics #Capitalism #FreeMarkets #ObjectivismThe Yaron Brook Show is Sponsored by[The Ayn Rand Institute](https://www.aynrand.org/starthere)[Energy Talking Points, featuring AlexAI, by Alex Epstein](https://alexepstein.substack.com/)[Express VPN](https://www.expressvpn.com/yaron)[Hendershott Wealth Management](https://www.youtube.com/watch?v=X4lfC...) &(https://hendershottwealth.com/ybs/)[Michael Williams & The Defenders of Capitalism Project](https://www.DefendersOfCapitalism.com)[Support the Show]( / yaronbrookshow )[Sponsor the Show](askyaron@yaronbrookshow.com/)[One-time donation](https://bit.ly/2RZOyJJ)Join the [Yaron Brook Show YouTube channel]( / @yaronbrook )Like what you hear? Like, share, and subscribe to stay updated on new videos and help promote the [Yaron Brook Show](https://bit.ly/3ztPxTx)Continue the discussion by following Yaron on [Twitter](https://bit.ly/3iMGl6z) and [Facebook](https://bit.ly/3vvWDDC )Want to learn more about Ayn Rand and Objectivism? Visit the [Ayn Rand Institute](https://bit.ly/35qoEC3)Become a supporter of this podcast: https://www.spreaker.com/podcast/yaron-brook-show--3276901/support.Yaron is the executive chairman of the Ayn Rand Institute and a world class speaker. He is the coauthor of the national best-seller Free Market Revolution: How Ayn Rand's Ideas Can End Big Government, Equal is Unfair: America's Misguided Fight Against Income Inequality and In Pursuit of Wealth: The Moral Case for Finance. He speaks around the world on a variety of topics including the morality of capitalism, Ayn Rand and her philosophy, finance and economics, and the value of inequality.

Ed is the grandson of footballing legend Gordon Banks. He was a national icon, the only goalkeeper ever to win the soccer World Cup for England. But Ed's heard a rumour: that in 1970, while defending the title, his granddad, his hero, was poisoned… by the CIA. All part of a Cold War plot to bolster a military dictatorship in Latin America, supposedly. Could this possibly be true? Banks did get ill in Mexico in 1970 with food poisoning. And England crashed out, marking the start of decades of hurt. Ed enlists the help of investigative journalist Gabriel Gatehouse. Together they embark on a journey into the bewildering world of Cold War espionage, a journey that threatens to unravel 60 years of sporting history; or possibly… to knock Ed's granddad off his pedestal. Listen to FOUL PLAY on the Audible App or wherever you get your podcasts. Audible subscribers can binge all episodes of FOUL PLAY early and ad-free right now. Join Audible in the Audible App or by subscribing on Apple Podcasts.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Serious doubts from the CIA director and secretary of state about Trump's Iran deal, according to new reporting. Plus, a MAGA heavyweight slams a UFC fighter's insult against Michelle Obama while the White House stays silent. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The backlash within the highest levels of national security is boiling over!

The mainstream narratives are imploding at warp speed!

Is the Trump administration laundering billions to Iran through Qatar?

Ed is the grandson of footballing legend Gordon Banks. He was a national icon, the only goalkeeper ever to win the soccer World Cup for England. But Ed's heard a rumour: that in 1970, while defending the title, his granddad, his hero, was poisoned… by the CIA. All part of a Cold War plot to bolster a military dictatorship in Latin America, supposedly. Could this possibly be true? Banks did get ill in Mexico in 1970 with food poisoning. And England crashed out, marking the start of decades of hurt. Ed enlists the help of investigative journalist Gabriel Gatehouse. Together they embark on a journey into the bewildering world of Cold War espionage, a journey that threatens to unravel 60 years of sporting history; or possibly… to knock Ed's granddad off his pedestal. Listen to FOUL PLAY on the Audible App or wherever you get your podcasts. Audible subscribers can binge all episodes of FOUL PLAY early and ad-free right now. Join Audible in the Audible App or by subscribing on Apple Podcasts.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Palantir was not born in a garage. It was commissioned by the CIA director who oversaw 9/11, brokered by the neoconservative architect of the Iraq War, and handed to Peter Thiel and Alex Karp as a private commercial replacement for the Total Information Awareness Office after Congress shut it down in 2003. In this episode, Matt Ehret walks through what Palantir actually is, who built it, who it serves, and why a company that named itself after the all-seeing eye of Sauron now manages the intelligence, policing, banking, and military systems of most of the Western world. He also examines Thiel's Straussian philosophy, his belief that freedom and democracy are incompatible, his obsession with the antichrist he claims to fear but appears to be building, and the fact that his Palantir UK CEO got the job after the interviewer stood up and recited an Oswald Mosley speech from memory. From the inside, it looks like a tech company. From the outside, it looks like something else entirely.

Jon Herold and Zak Paine open Episode 189 with a quick detour into a viral Sasquatch video (probably AI, possibly a guy in a suit) before tackling the newly released four-page ODNI report on global bioweapons labs and what it might mean for Anthony Fauci's accountability. A short segment pulled from Candace Owens covers a theory connecting the 2022 death of a man named Mark Liedy, who allegedly stole the explosive PETN from his job, his confidant Corey Comperatore (the firefighter killed at the Trump assassination attempt in Butler), and the Hezbollah pager bombing operation. Then the main event: the gifted and talented education program, known as GATE, and its possible ties to CIA mind development research. Jon walks through demographic and physical traits reported among former participants, binaural beats and Hemi-Sync training tracing back to the Monroe Institute's Gateway Program, code-breaking and Russian language worksheets given to grade schoolers, and the story of a friend who was approached by men claiming to be FBI agents decades after his own time in the program. The episode also covers Chase Brandon, who became a CIA officer at 18, spent decades undercover, and later became Hollywood's official CIA liaison.

Jane Fonda, like so many on the Left, is the worst kind of hypocrite. She plays the part of a free speech warrior while participating in the most totalitarian movement this country has ever seen.There she was, yet again, yapping into a microphone to protest Trump's UFC 250. The signs behind her are ablaze with pure lies - Civil Rights! The First Amendment! You can't silence us! But Jane Fonda and the company she founded, Women's Media Center, do not practice what they preach. They fired me for the crime of voting for Donald Trump. I had been regularly hired for almost ten years to write their Women in Oscars report until a story broke in the Hollywood Reporter calling me a “MAGA darling.” And just like that, my 25-year career as a “woman-owned” Oscar website went up in flames, as did my freelance gig for WMC.It's true, I did vote for Donald Trump. Not only did I vote for him, but I also made my support for him known on social media, which is what caught the reporter's attention in the first place. I was supposed to cower in fear. Support the Democrats or else. I could have done what a lot of people did and kept my vote for Trump secret, but I didn't think I should have to. Weren't we the side that stood up for free speech and free expression?No. We weren't then, and aren't now. There is a long trail of writers, thinkers, actors, artists, musicians, and ordinary citizens who have been destroyed by the Left's machine for the crime of dissent. And thousands more who suffer in silence, knowing there are so many things they can't say.Only one side regularly censored users on social media, and that was the Biden administration working with the FBI. Only one side used the FBI and the CIA to censor the Hunter Biden laptop to thwart the re-election of the sitting president. That wasn't the Right.Because Jimmy Kimmel got a slap on the wrist and Trump sued CBS News, and there's a merger with Paramount and Warner Bros., to people like Jane Fonda, that means the First Amendment is under threat. My message to her: clean your own house, Jane. Jane Fonda obviously wasn't directly involved in firing me. She has no idea who I even am. It was someone else, someone I trusted, maybe someone who seemed like a decent person, but, like everyone else, from writers to publicists to friends, once I crossed that bright red line, I was no longer someone they would associate with at parties, let alone hire.It certainly wasn't because I did not do good work. I did. I even asked Grok to fact-check my memory, and here is what came back:Nobody knows the Oscars like I do, and I did the best work for them on the cheap because I liked doing it. I tried to make my case as clearly as possible to the Hollywood Reporter that I could not go along with the unprecedented lawfare against Trump, and especially not “gender affirming care” on minor children. These things motivated me to do more than just vote. I had to go public. I thought my support would help others come out from the shadows. I knew as I was talking to that reporter that nothing I said would make a difference. I wouldn't have even talked to her except she said she'd write the story anyway. She was reporting on what I thought and what I was tweeting, which was verboten inside utopia. And boy, did the hammer come down.After the story broke and I felt every door that had once been open to me slam in my face, I kept hearing yet another piece of bad news. The studios were pulling their ads. Yet another writer was leaving the site. I was not invited to screenings, parties, and premieres. The publicists all ghosted me. It was as though I had been arrested for committing mass murder.One of the last of the gut punches was losing that freelance gig at Women's Media Center. I kind of knew it was coming because, of course, it would be. They all went along with it, and almost no one had the courage to push back or resist any of it. I wrote to them anyway because I wanted to hear it from them. And I got the expected answer.Jane Fonda founded the Women's Media Center in 2005, along with Robin Morgan and Gloria Steinem. They describe themselves as “a progressive, nonpartisan nonprofit focused on increasing the visibility, influence, and decision-making power of women and girls in media.”They were perfectly happy to drop a woman writer for the sole crime of not agreeing with their politics. I'd say they don't really support women in media so much as they support those who go along with them.I never played the woman card, but I could have. I built my site just to build it, and it became successful. I was a single mom in 1999 and raised my baby and my website at the same time. It is quite the story, especially for those who pretend to care about women in media. Why would it matter if I voted for Trump? Why would that mean I could no longer write the report? Why have they decided that all of this is okay, to treat half the country like toxic waste? How have they gotten away with it, and what will be their plans should they take back absolute power?They have painted themselves into a trauma corner with nowhere else to go, and in so doing, alienated themselves from much of this country. Where can you go when you've already gone as far as humanity ever has? Hitler, the Nazis, fascism. They've now gone to the only place they can go, wishing for and hoping for Trump's death and vowing never to forgive anyone who voted for Trump. A Royal CourtThere was a time when I believed in all of it, too. The miracle of the first Black President and First Family. How one leader could bring together so much of American society, all of us reaching for the same goal because we all believed in a New America.We projected our fantasies of goodness onto them as they built what looked like a Royal Court of the most impressive and important people in the country, including rock stars like Bruce Springsteen and Katy Perry, actors like Robert De Niro and Julia Roberts. They were the party, and we were the adoring crowd. But all of that came with a price. If you want to be in the Royal Court, you'd best play ball because if you don't, they can and will crush you. I had no idea that everything I built could be destroyed just because I dissented, and yet that is exactly what happened. Jane Fonda's Women's Media Center dropping me was the most disappointing because I believed in her, too. Now I know the truth. I am just one example. There are hundreds of people who are not welcome to work in the film industry if they are not ideologically compliant. We've been living with this for ten years now, and it's become our new normal. Very few people are brave enough to stand up to them. Deep down, they all know it because they are too afraid to say the wrong thing, too. It's easier to point their finger at Trump than confront what they have become - the blacklists, the shunning, the destroying of people's careers. If they could do it to me, they can do it to anyone.What they don't see, what they can't see, is what they've done to the other half of the country for ten years. They want us all to think it's perfectly normal that our late-night talk show hosts are purely partisan, or that it's perfectly fine for Hollywood to continue to tell the story from inside their Doomsday Cult rather than the reality of all Americans.They don't see themselves as the ones who can't tolerate dissent or free speech and who fire people just for voting for Donald Trump. They believe themselves to be the chosen ones, the righteous few who have staked their claim on the New America, and those who aren't on board must be purged. They've convinced themselves that it was perfectly fine that Jimmy Kimmel made an inhumane joke about Charlie Kirk moments after his brutal assassination, but when millions of upset viewers flooded the station with angry calls to have him removed, they called that a threat to free speech.They don't seem to care that Biden imported millions of illegal immigrants into the country, and when many of them turned out to be murderers, rapists, and child molesters, they left a trail of victims, but those victims are invisible to the Left. They never even hear about them because in their minds, those illegal immigrants are to be protected above American citizens.So Julia Roberts and Bruce Springsteen continue to use the deaths of Renee Goode and Alex Pretti as examples of authoritarianism and to make American citizens feel shame for caring about their country and wanting a secure border and to be protected from harm. They never spent one minute comforting the mothers whose children were harmed by policies they supported.It wasn't Trump who shot Pretti and Goode. They put themselves in a dangerous position to go to war against Federal agents who were doing their jobs. In the Left's fever dream, they were battling Nazis. But they never notice or care or even try to understand why so many Americans wanted Trump to follow through on his promise to mass deport illegal immigrants, something every president has done. These mothers, like a lot of Trump supporters, had no other choice because this country, at the hands of the Left, means denying reality to serve utopia. You can't talk about crime if the perp is an illegal immigrant or a person of color, just as you can't discuss the harms of “gender affirming care.” I know, I've tried. They melt down like the housewife in The Stepford Wives who glitches at any confrontation of reality. That's how it's felt to me all these years, like I'm trying to talk to preprogrammed robots who know what you can and can't say. I kept wondering what happened to everyone and why they were all acting exactly the same way. They were insulated from the rest of the country, and their imaginations got the better of them.What really happened to the ruling aristocracy, especially, is that they fell in love with their own reflection. They began to believe their own publicity, and so they couldn't imagine the fault could ever possibly lie with them.It would have just been so much easier and so much better for everyone if they had just tried to understand why they lost. They never will, and so, they are doomed to repeat the same mistakes. And we have to suffer through it every time one of them finds a microphone. // This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.sashastone.com/subscribe

The West's naivete towards Putin in the 2000s cost us dearly. Now Russia's tyrant – a creature of the KGB/FSB who has returned his country to its roots as a repressive intelligence state – is attacking us with unprecedented ferocity and deviousness. Sean Wiswesser, ex-CIA station chief in the former Soviet Union, says the “reckless” activity of FSB and GRU agents has reached new heights. But can they be stopped – and can we win the intelligence war? He tells Andrew Harrison how intelligence and dirty tricks are inextricable from Putin's power; how the old skills of “tradecraft” persist alongside new digital tactics; and what really makes Russian intelligence tick.  • Buy Sean's book Tradecraft, Tactics, and Dirty Tricks: Russian Intelligence and Putin's Secret War from our affiliate bookshop and you'll help fund the podcast by earning us a small commission for every sale. Bookshop.org's fees help support independent bookshops too. • Back us on Patreon – www.patreon.com/bunkercast Written and presented by Group Editor Andrew Harrison. Producer: James Liddell. Audio production: Jade Bailey. Managing Editor: Jacob Jarvis. Music by Kenny Dickinson. THE BUNKER is a Podmasters Production. www.podmasters.co.uk Hosted on Acast. See acast.com/privacy for more information.

#Logos #Orthodoxy #Christianity A major thank you to T S for sponsoring today's stream. In this stream I dive into the history and possible continued operations related to mind control technology, beginning in the 1950's with MK ULTRA and all the way up to today. Make sure to leave a comment and let me know what you think. God Bless

Ed is the grandson of footballing legend Gordon Banks. He was a national icon, the only goalkeeper ever to win the soccer World Cup for England. But Ed's heard a rumour: that in 1970, while defending the title, his granddad, his hero, was poisoned… by the CIA. All part of a Cold War plot to bolster a military dictatorship in Latin America, supposedly. Could this possibly be true? Banks did get ill in Mexico in 1970 with food poisoning. And England crashed out, marking the start of decades of hurt. Ed enlists the help of investigative journalist Gabriel Gatehouse. Together they embark on a journey into the bewildering world of Cold War espionage, a journey that threatens to unravel 60 years of sporting history; or possibly… to knock Ed's granddad off his pedestal. Listen to FOUL PLAY on the Audible App or wherever you get your podcasts. Audible subscribers can binge all episodes of FOUL PLAY early and ad-free right now. Join Audible in the Audible App or by subscribing on Apple Podcasts.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Ed is the grandson of footballing legend Gordon Banks. He was a national icon, the only goalkeeper ever to win the soccer World Cup for England. But Ed's heard a rumour: that in 1970, while defending the title, his granddad, his hero, was poisoned… by the CIA. All part of a Cold War plot to bolster a military dictatorship in Latin America, supposedly. Could this possibly be true? Banks did get ill in Mexico in 1970 with food poisoning. And England crashed out, marking the start of decades of hurt. Ed enlists the help of investigative journalist Gabriel Gatehouse. Together they embark on a journey into the bewildering world of Cold War espionage, a journey that threatens to unravel 60 years of sporting history; or possibly… to knock Ed's granddad off his pedestal. Listen to FOUL PLAY on the Audible App or wherever you get your podcasts. Audible subscribers can binge all episodes of FOUL PLAY early and ad-free right now. Join Audible in the Audible App or by subscribing on Apple Podcasts.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Ed is the grandson of footballing legend Gordon Banks. He was a national icon, the only goalkeeper ever to win the soccer World Cup for England. But Ed's heard a rumour: that in 1970, while defending the title, his granddad, his hero, was poisoned… by the CIA. All part of a Cold War plot to bolster a military dictatorship in Latin America, supposedly. Could this possibly be true? Banks did get ill in Mexico in 1970 with food poisoning. And England crashed out, marking the start of decades of hurt. Ed enlists the help of investigative journalist Gabriel Gatehouse. Together they embark on a journey into the bewildering world of Cold War espionage, a journey that threatens to unravel 60 years of sporting history; or possibly… to knock Ed's granddad off his pedestal. Listen to FOUL PLAY on the Audible App or wherever you get your podcasts. Audible subscribers can binge all episodes of FOUL PLAY early and ad-free right now. Join Audible in the Audible App or by subscribing on Apple Podcasts.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Ed is the grandson of footballing legend Gordon Banks. He was a national icon, the only goalkeeper ever to win the soccer World Cup for England. But Ed's heard a rumour: that in 1970, while defending the title, his granddad, his hero, was poisoned… by the CIA. All part of a Cold War plot to bolster a military dictatorship in Latin America, supposedly. Could this possibly be true? Banks did get ill in Mexico in 1970 with food poisoning. And England crashed out, marking the start of decades of hurt. Ed enlists the help of investigative journalist Gabriel Gatehouse. Together they embark on a journey into the bewildering world of Cold War espionage, a journey that threatens to unravel 60 years of sporting history; or possibly… to knock Ed's granddad off his pedestal. Listen to FOUL PLAY on the Audible App or wherever you get your podcasts. Audible subscribers can binge all episodes of FOUL PLAY early and ad-free right now. Join Audible in the Audible App or by subscribing on Apple Podcasts.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Ed is the grandson of footballing legend Gordon Banks. He was a national icon, the only goalkeeper ever to win the soccer World Cup for England. But Ed's heard a rumour: that in 1970, while defending the title, his granddad, his hero, was poisoned… by the CIA. All part of a Cold War plot to bolster a military dictatorship in Latin America, supposedly. Could this possibly be true? Banks did get ill in Mexico in 1970 with food poisoning. And England crashed out, marking the start of decades of hurt. Ed enlists the help of investigative journalist Gabriel Gatehouse. Together they embark on a journey into the bewildering world of Cold War espionage, a journey that threatens to unravel 60 years of sporting history; or possibly… to knock Ed's granddad off his pedestal. Listen to FOUL PLAY on the Audible App or wherever you get your podcasts. Audible subscribers can binge all episodes of FOUL PLAY early and ad-free right now. Join Audible in the Audible App or by subscribing on Apple Podcasts.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Ed is the grandson of footballing legend Gordon Banks. He was a national icon, the only goalkeeper ever to win the soccer World Cup for England. But Ed's heard a rumour: that in 1970, while defending the title, his granddad, his hero, was poisoned… by the CIA. All part of a Cold War plot to bolster a military dictatorship in Latin America, supposedly. Could this possibly be true? Banks did get ill in Mexico in 1970 with food poisoning. And England crashed out, marking the start of decades of hurt. Ed enlists the help of investigative journalist Gabriel Gatehouse. Together they embark on a journey into the bewildering world of Cold War espionage, a journey that threatens to unravel 60 years of sporting history; or possibly… to knock Ed's granddad off his pedestal. Listen to FOUL PLAY on the Audible App or wherever you get your podcasts. Audible subscribers can binge all episodes of FOUL PLAY early and ad-free right now. Join Audible in the Audible App or by subscribing on Apple Podcasts.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

How can horror writing help readers — and writers — work through psychological trauma? Why does cross-genre fiction take longer to find an audience, but pay off in the long run? Is running a direct sales store actually worth the inventory, postage, and learning curve? And how can SubStack work for fiction authors? With psychotherapist and award-winning author P.D. Alleva. In the intro, thoughts on why in-person conferences are still worth it, even when they are a challenge for sensitive introverts! and tips for making the best of conferences [Self-Publishing Show]. Today's show is sponsored by Draft2Digital, self-publishing with support, where you can get free formatting, free distribution to multiple stores, and a host of other benefits. Just go to www.draft2digital.com to get started. This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn P.D. Alleva is the award-winning author of horror, sci-fi, thrillers, and fantasy books. He's also a psychotherapist. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Why horror puts the human condition on display better than any other genre Emotional trauma as the silent psychological killer most people overlook The pros and challenges of cross-genre writing and finding your audience Practical lessons from running a direct store, including integration and signed-copy fulfilment How a 3 a.m. writing routine keeps the writing separate from the marketing and admin Serialising fiction on Substack, multiple newsletters, and avoiding paid subscriber promotions Why Facebook groups, TikTok Lives, and the three-to-one rule are working right now You can find P.D. at PDAlleva.com or on Substack. Transcript of the interview with P.D. Alleva Jo: P.D. Alleva is the award-winning author of horror, sci-fi, thrillers, and fantasy books. He's also a psychotherapist. So welcome, Paul. PD: Thank you very much. Thank you for having me. This is a great opportunity. I love doing interviews, and I love talking to great people. Jo: Oh, good. Well, first up— Tell us a bit more about you and how you got into writing and being an indie author. PD: So I've been writing since I was a kid, at least second grade and more than likely even before that. I've always had that creative itch. Getting into indie author publishing, I published my first book in 2011. At the time I was also operating my own business, which took up about 24 hours of my time every single day. Then I kind of got through that and sold that in 2016, and I'm like, you know what? The time has come. I'd always written books, poetry, short stories, but never really did anything with them because I just didn't have the time. So in 2017, that's when I really came out and said, all right, the time is now. Indie publishing was doing great. The one good thing I do love about Amazon is they allowed us to come out there and start showing our craft to people. So in 2017, I just started—let's do this. Let's write full time. Let's put books out there. Let's be creative. Let's really get those juices flowing. Plus, I was getting a little bit old, and I was like, now is definitely the time to do this. Since then I've been publishing consistently, and most of my books are horror books, but I dabble. I have a sci-fi series, and I'm starting to get into psychological thrillers too. I've got a new psychological thriller that'll be published in early 2027 called Girl on a Mission. For the most part, I'm definitely into the horror genre—books, short stories, all that good fun stuff. Jo: Right, so a couple of follow-ups. You said you're a bit old. Can you give us what decade you're in at least? PD: Well, I'm 51, so born in 1971. Jo: Oh, there you go. Same age as me. PD: All right, good. See that? So we're going head-to-head there. Jo: I don't think that's old at all. Also, you mentioned you sold your business in 2016. So what was your business before? Because I think business experience is so important. PD: Agreed 100%. So I'm a psychotherapist, and I had owned a treatment centre for mental health and addiction. That was started in 2011, and in 2016 is when it sold. Since then, my wife and I started a private practice. So I still, even to this day—well, about a year and a half ago is when I stopped. I specialise in trauma, PTSD, and addiction. Trauma mostly. Most of my caseload has always been trauma, PTSD, sexual abuse, psychological abuse, war-type trauma. I was doing that mostly individually since 2016 in private practice, and I'll still go into treatment centres and see patients there too, specifically for trauma. About a year and a half ago is when I started wanting to do writing 100% full time. I thought about becoming a professor, maybe going to college, but then I wasn't sure if I wanted to get into that full time, as far as a caseload and school and everything like that. So I decided to just do group therapy, group facilitation, and I've been doing that consistently since then. It may be 15 hours a week. I do love to give back, and to me, it's more what I teach. I specialise in neuro-linguistic programming, bilateral stimulation or EMDR, hypnotherapy, science of mind concepts, psychopharmacology, biological bases of behaviour—which is pretty much how your brain works—ancient wisdom, quantum physics. I do this in a drug addiction treatment centre mostly, also mental health. And of course, just living an addictive lifestyle is traumatic, too, in and of itself. So pretty much I'm teaching them. Behaviour modification is a big part of what I'm teaching during that time. You'll see that, too, if you read my books. There's two things you can figure out from my books. You can figure out how to murder people and get away with it, and two, you can figure out how to overcome trauma as well. The whole “murder people and get away with it” comes from my upbringing. I have a very sorted past, let's put it that way. My upbringing was very different than what most people grow up in. Jo: Oh, can you give us any more than that? Now everyone's like, “Oh.” PD: “What's going on with this guy, right?” So I grew up, let's say, quote unquote, “in an Italian New York family.” Jo: Okay. All right. PD: That might give people ideas, right? Jo: That's going to give people a lot of ideas. PD: If you've ever seen the movie Goodfellas, I kind of grew up in that atmosphere, and with even some of those people too. My family had connections to those people in that movie, which I find very funny. If you watch that movie with me, you get a very different perspective on what's going on in the movie. Jo: Wow. So you're an interesting guy with an interesting background, with a very interesting backstory job as well. Some people are like, “Well, of course he's writing horror because horror is just awful and full of slasher gore and all that.” I often have to say to people who don't read horror, “Look, it's not like that.” Maybe some of it is, sure. But most of it isn't. Could you talk about how reading and writing horror can also be psychologically healthy? How do these worlds intertwine for you? PD: Well, sure. It 100% can be healthy. Especially over the last few years, there's a trend going on out there right now where people are taking their trauma and putting it into a creative process through poems, short stories, and even novels. They're taking their trauma and giving it a face, like a monster, where people are overcoming that monster within the creative process. I always say that horror is the genre that puts on display, better than any other genre out there, the human condition. Why is that? When people are in a terrifying situation, you really see who they are. You get to the heart of the matter of who that person is by putting them in these horrific but undefinable situations where it's like, what are they going to come out as? That real true personality needs to come out, and that courage comes out. That's huge in horror, and I think horror gets such a bad name. Now, I know there's the extreme horror and the splatterpunk, and that has its kind of role too in what I'm saying, but that's where horror is getting its bad reputation out there with the over-the-top type of gore. For the most part, that's a small part of the horror genre. It's a subgenre for a reason. It has its readership, and that's fine. Nothing wrong with it. I read it all the time. I find a lot of joy in it, a lot of excitement. However, for the most part, any horror novel that is not completely with the gore and stuff like splatterpunk can be seen as a psychological thriller, and a lot of psychological thrillers can be seen as a horror novel. Look at books like The Silence of the Lambs, Red Dragon. That's horrific as well, but if you read the novel, it's in there. It just gets that bad rap right now, and it's not all gore. Most horror novels that I read today are psychological horror. It's tame on the gore, and the psychological aspect is there. I always see that psychological aspect—it's like psychological trauma. Most people, even in my industry, when people are out there and you mention trauma, PTSD, they're thinking about sexual abuse, physical abuse, or war-type trauma. The silent psychological one—I once wrote an article called “Emotional Trauma: The Silent Psychological Killer.” The one that's out there is the psychological trauma, the emotional trauma that is widespread. Most people go through that, and it could even be from parent to child, and most people don't understand that that's a traumatic experience. It's like a distortion of reality that you're experiencing that then creates a belief system in your brain, and you're constantly acting out that belief system. That's where the psychological component of horror really comes out. People breaking through that psychological belief system that was created through a traumatic experience by reaching courage and coming out through a horrific situation. Jo: Yes, it really annoys me, because with romance, of course people understand that romance is a huge genre. Something like a small town sweet romance is a world away from the bully romantasy, dark, or mafia. Mafia romance is a really big thing with very dark themes. I'm like, well, how can you understand that romance is a huge genre with all these different subgenres, and not think that horror or thriller or fantasy or sci-fi all have so many different subgenres within them? I personally read a lot of supernatural horror, but rarely the slasher gore kind of stuff. So I'm really glad you said that, and hopefully more people will open up a bit more. I did also want to ask you about what you write. You write all these different things. You write standalone—I mean, often horror is standalone—but you also have some series. How do you balance it? What are the benefits of cross-genre writing, but also the challenges of it? PD: Okay. So obviously I love cross-genre writing. To me, I use fantasy to explain the supernatural elements. I blend mostly a tad of fantasy to help explain the supernatural components in my supernatural novels. When I write sci-fi, specifically sci-fi, that has the fantasy element in it too, but there's also a tad of horror in there as well. It's just who I am. When I grew up, I had a lot of different influences. I had Star Wars on one side, and then I'm watching B-rated '80s slasher films on the other side. Those two mixes just kind of followed me throughout my life, and that's why I like putting them into my novels. As I tell my patients, don't limit yourself. Never limit yourself. If you're just limiting yourself to one genre, you're missing out on so much more that's out there. So I love the blend of mixing genres. It just gets my goat each and every time. It is a challenge though. I remember when I first started getting into indie publishing, I was never big into Facebook and social media up until I started becoming an indie author. Before that, with my type of upbringing, you don't advertise yourself. You don't advertise where you're going. That's a big no-no. So I always had this aversion to social media. I'll tell you a funny story. It was the late 2000s, probably 2006. I was a full-time single father at that time, and I was living in Florida. My family—brothers and sisters-in-law—were living in New York, and my sister-in-law said, “Get a Facebook account so we can see pictures of the kids.” I said, “Oh.” I didn't want to do it, but I said, “Okay,” so I did it. And I'm thinking, looking at this Facebook thing, “How do I put pictures on here?” So I figured out how to put pictures in folders. Then I phone called her, and I'm like, “Okay, so they're on there.” And they're like, “Well, where are they?” I'm like, “I put them in these folders. You can go and look at them.” She's like, “No, you've got to post them.” That to me was like, “I'm not posting pictures of my kids.” That was a big no-no. It didn't click. When I got on there finally in 2016, 2017, I'm like, “Okay, so I need to figure out social media. As an indie author, I need to be on there, so I need to get through this aversion and get on there.” I started noticing how people are so particular with their genres. If they're reading a romance, it had to be very specific with that exact type of romance, and if you deviated from it, they're not going to like it. So that was the challenge. I was like, “All right, number one, I'm not going to dilute myself” and say, “All right, take things out of my writing or out of my novel just so I could cater to a certain type of audience.” I'm like, “I'm not going to do that.” I know with me, myself, as a reader, I'll read everything. I don't limit myself to a specific genre. I'll read psychological thrillers. I'll read romance. I've been doing that all my life. So I'm like, if there's a person like me out there—and look at this, I just met like four other people who also read cross genres—then I know that there's at least another 30,000 people, and I know that at least then there's 300,000, then there's three million people out there. So just write the books that you're writing and find your audience. Now, that takes longer. So you've got to chip away. Chip away. You're going to find readers here and there, and then that reader kind of tells a few people about you, and then you've got a few more readers. Then you keep going, and you go on these Facebook groups, and you do a whole bunch of different things, and then you gather a few more readers. Then they're telling some friends, and then you've got more. The process takes a lot longer, yes, 100% agreed, but I would say be true to yourself and you can never go wrong. Jo: Yes, I agree. I write cross-genre as well, and I've browsed your collection. Golem was the one I was like, “Ooh, yes, I like that one.” I haven't read it yet, it's on my list. I think when you're cross-genre, my people come to my store as well, and it's like, “Okay, I'm interested in lots of things, but this is the one by this author that I'm interested in.” Whereas with other authors who only write one type of thing, then I might not like any of their stuff. So I think there are definitely pros and cons and different ways into our world. I also wanted to ask you about the differences in business. Obviously you ran this treatment centre and there were physical humans on all sides, and now you've got a business as an author. So what have you learned in business from what you used to do and what you do now? PD: Okay. You're right. The treatment centre industry is very different from what I'm doing now, but it's still people. Treat those people right, have integrity. If you say you're going to do something, follow through with it. My word is my bond type of thing. That definitely has fed into the writing and publishing industry that I'm in now in a huge way. Just connecting with people is, to me, the biggest part of it. I mean, treatment centres, you've got to connect with people. When I would market the treatment centre, where would I go? I would go to hospitals, residential facilities, detoxes, and talk to them about my programme and why they should be referring clients there. It's the same thing here. Why should you be reading my books? You get there through interviews like what I'm doing here with you. Other podcasts. You get there by doing Facebook Lives, TikTok. I haven't started TikTok Lives yet, but I actually love that platform. I'm falling in love with it. IG Lives, anything like that where you're talking to people and you're making a connection with those people. Through that, I've gathered so many different types of readers who are like, “Yes, I'll give this book a shot.” And then they read it and they're like, “Hey, this is really good, and I'm going to read another book.” With my books, I have very different books. Golem is my psychological horror novel. It's my slow-burn psychological horror novel, heavily inspired by Frankenstein and the Pygmalion myth. It's my first true horror book that I published. Then there's Jigglyspot and the Zero Intellect, which is inspired by B-rated '80s horror movies and the old grindhouse movies of the '70s, and it's mind manipulation. It's just wild and bizarre. And then The Sleepy Hollow Incident is my Gothic tale—it's like a dark romance mixed in with Gothic horror. So I always try to put something for everyone that's out there. To me, when I'm writing, it's got to be about depth, psychological depth. I always refer to my books to be like peeling layers off a Texas-sized onion. The more you read, the more in-depth you get into not only the characters, but the story. It's just something that comes out of me. It's part of me. That's the way I always have to do it. I always have to put that depth in there. To me, that's good storytelling. When I grew up, I read a lot of classic literature. Yes, Edgar Allan Poe, but also Dante's Inferno, Milton's Paradise Lost, The Hunchback of Notre Dame, the Brontë sisters. Keep going. Ray Bradbury, Ayn Rand, Daphne du Maurier, Shirley Jackson. Those to me are my books that I absolutely love. So there's a sweet science in today's fast-paced, social media type of world in marrying the depth of the old classic literature and the entertainment value that is required today for being an author. There's that sweet science behind it, and I love just hitting that nail on the head every time. Jo: So did you ever pitch traditional publishing, or have you thought about going that way? Because I also find that a lot of horror actually sits very close to literary. Like, I read a lot more literary horror than I do in some of the other genres. PD: Correct. So in the beginning, yes. Not in a long time. I maybe went to a couple of indie publishers, but as far as traditional, the Big Five publishers, I have an aversion to them for a big reason. I know people who have worked in that industry that have told me some pretty bad horror stories about those places. So I haven't sent anything to that type of place in a very, very long time. Maybe close to 20 years. Indie publishers, the small presses, yes, here and there, but even then, I'm always moving at a fast pace. So if I've got a book and I'm sending it out as a query letter, by the time that query letter is even read, I'm almost done publishing. I love that aspect of it. The control of my story, where I know where this character's going. And listen, I've got my beta readers, I've got my ARC readers. They're there to tell me, “Hey, maybe you should change this or change that.” Whether I take that advice or not, of course my editor too, is really up to me. I always put out the book that I know is the one I want to read. And to me, I haven't gone wrong in doing so. I know with traditional publishing, you sometimes get too many thoughts in the pot there. Let's put it that way. Jo: Okay, so coming back to being indie then. You mentioned Amazon earlier, but you have a store where you sell direct. Many authors are doing this now, but it can be a challenge. So what have you found are the pros and cons of your direct store? What's working? Any lessons there? PD: Okay. So I use a place called Big Cartel. They're the platform where the books are on. They're hosting my website, PDAlleva.com. The big challenge was actually just starting it. It was so overwhelming. How do I put this on there? At the time, I've got all these books, so how do I present them? I'm even going to be doing another revamp with it too, because I want better pictures—taking pictures of the books, stuff like that, instead of just having the covers on there. I also have a lot of shirts that I'm selling. So I think the biggest challenge is just getting on there and starting it. Then of course, you've got to learn a whole new platform, and the mechanics, and how people are going to be downloading, and how that's done on an e-book versus a print version of the book. So it's a huge learning curve that you've really got to put your focus on and give it time. What most people like in indie publishing is signed copies. It's a huge part of indie publishing, selling those signed copies. People love a signed copy, and that's primarily what my website is for. You can order signed copies from me. I also use a place called IngramSpark, and they're more like a distributor. They're used by everyone. They've been around for a very long time. Traditional publishing uses them too, and they're just distributing your novel. I'd say about a year ago, maybe two years ago, they started where you can sell your books on discount through them as well. So I have that on my website too, where you're just clicking on the book and you're pretty much going directly to their site and you're buying paperbacks and hardbacks at a discount. That's going well too. For the most part, people are definitely coming to my site because they want the signed copies. A good thing with indie publishing is limited editions, first print copies, special editions. That type of stuff really just takes off. People love to see that, especially in the indie community. You can sell them too. I go to a few different book conventions during the year, and the limited editions are there. Like I said, people love the signed copies. They love being a part of that and getting that signed copy. They treasure it, just like I treasure my books too. I'm not referring to my books that I've written, but books that I have as well. I love my e-reader, don't get me wrong, but I still prefer the physical copy—the paperback, and even more so than the paperback, the hardback. So people love those signed copies, and that's why I created the website, to sell on there for them. Jo: Yes, I mean, we're getting to a point now though where I think some people are questioning the pros and cons of it. For example, you doing the signed copies—I don't do that from my Shopify store because I don't want to hold stock and I don't want to deal with postage. So I only do it when I do a Kickstarter. I've just finished one recently, Bones of the Deep, and I'm going up to the printer, and I'm going to sign a couple of hundred copies and then they do the postage. That's the only way I'm willing to do it because of the pain of getting books to your house, signing them, getting them in the post. So how do you manage that practically? PD: Okay, so the inventory's there. I don't go and sign everything right away. I just keep the inventory. Once somebody buys the book, then I'll pull out the book, log it and all that good fun stuff, sign it, and then ship it out immediately. Here in my country, we get discounts at the United States Post Office because they're books. So they pass that shipping cost over to the reader too, so it's a little bit cheaper for shipping. I'll just take books once or twice a week over to the United States Postal Service and ship those books out. I don't sign them until I actually get that order. Jo: How many do you have in your house? It's the holding stock of all the backlist that is the problem. PD: Ooh, gotcha. All right. That's why I have a two-car garage. But here's the thing, I won't order 500 at a time. I'll order 20 at a time. Jo: Okay. Right. PD: When I see that inventory's getting low, I'll order another 20 at a time. Jo: And you get those from IngramSpark? PD: Correct. When the new one comes out, maybe at that time I'm just selling those, bringing those to conventions that I go to. Or maybe doing a sale on those books at that time to get rid of the inventory so it's not sitting around anymore. Jo: I think that's so important. Then like you mentioned, you do T-shirts or shirts. That is also really hard because of sizing. So is that all print on demand? PD: Yes. So I don't really hold the stock on the shirts. When I get an order, whatever the size is at that time, I go directly to the place and order it. I use a place called Sublimation Station that's here in Orlando. They do great all-over print T-shirts. They're fantastic. I just did one for The Sleepy Hollow Incident. So The Sleepy Hollow Incident is one long story, and it's broken up into four books. Each book has its own. The covers are fantastic. I use a lady named Cherie Foxley. She's a phenomenal cover designer. So the shirts are, like, book one is on the front of one shirt with book two on the back, and then the second shirt is book three on the cover and book four on the back. However, I can customise those. I just did a giveaway in my Facebook group and I let people know I could customise them, and she wanted book one and book four, so I just got that and sent it out to her. Now, if people go ahead and order that on the website, I can just order it right away from them, boom, and that place will get it shipped right then and there. Jo: Right, so they do the shipping. These are all sort of practical things that people need to answer because I feel like sometimes it's like, “Oh, yes, having a direct store is great,” but there's actually quite a lot of work that goes into it, isn't there? PD: There is. There's a lot of work. You're pretty much opening almost like your own brick-and-mortar store at that point. You just don't have walk-in traffic coming in—your traffic is all coming online. So there is a lot to it, but it's worth it. If you're a self-published author or even a small indie press, it's good to have. Because like I said, people love the signed copies. Jo: When you say it's worth it, is it worth it financially or just because you like to serve the customers in that way? PD: Both. Jo: Right. So it is financially worth it for you? PD: Yes. Jo: I was talking to a friend of mine and saying, are you valuing your time in terms of things like taking the books to the post office and stuff like that? Do you find it eats into your writing at all, or do you just manage it all separately? PD: No, I manage it separately. So I'm an early morning riser. I get up at 3:00 in the morning, and that's when I write my books or do editing or brainstorming. I'm about to write a new novella now called The Adam and Eve Story, which is actually based on a little-known CIA shelved book from the 1990s called The Adam and Eve Story as well. So I've been brainstorming that, and I was doing that this morning. I get up at 3:00 a.m. and I do my writing, and by the time the kids are up and by the time the wife is up, it's like 8:00 a.m. is rolling around and I'm pretty much done at that point. Then I have my days. Tuesday I'm completely working from home and I do my thing in the morning, and then the rest of the day is marketing, fulfilling orders, stuff like that. On the days when I'm going to do group facilitation, I'll of course still get up at 3:00 o'clock in the morning, and then I'll plan out the day. I've got an hour between this group and I can go ahead and do that, and I'm already there so it's not a problem. The post office is right around the corner. You kind of figure out all the logistics for yourself. There are some days, like on Monday, I don't facilitate groups until the afternoon, so I've got the whole morning to work on marketing and do other things, and fulfilment. Then of course Saturday's a big day for that too. Jo: Oh, that's good. I feel like people always need to know how to balance their time, but it sounds like you manage, because at 3:00 a.m., as you say, there's not much else to do other than write. You mentioned marketing, and you have a Substack, pdsalternativefiction.substack.com. Talk about that and serialising fiction and how Substack works. Because I feel like a load of people are jumping in but might not necessarily know how it works, especially for fiction. PD: Correct. It is becoming quite popular out there. I think the one before that was Patreon, and Patreon is pretty big for that too, kind of the same thing. I wanted to start something and just get the work out there. I was very interested when Amazon came out a few years ago with what was called Vella. They kind of started that. I was like, “This is kind of cool.” Couple chapters at a time. I'm writing the books anyway, so why don't we kick this off and see how it goes—a type of experiment. I had a lot of fun doing it. I started on October 4th, 2024. I've done four novels so far. One is still going, which is Volume 3 of my Dark Veil serie— that's a sci-fi series. I wrote three other novels. The Hypnotist, which is a thriller, heavy on the sci-fi and a tad of horror in there too. And then I wrote Girl on a Mission, which is my psychological thriller, and then Cat Fight, which is a horror novel—all within that time. I think I finished all three of those novels in January, and then the first week of February they were all pretty much done. Now what I'm doing is, I went paid recently on the Substack. It's like everything else that's out there—chip away, chip away. I fell into that hole where they say, “Hey, we can promote you and get people to sign up for your newsletter.” And I'll be honest with you, don't do it. It's not worth it. You spend money, and what happens is they're what I refer to as dead leads. They don't click. You wind up shuffling them off after three to six months, because they're just not clicking. Everybody gets a star rating, so you know—are they clicking, are they staying on, are they not? So I got rid of pretty much all of those people, and I'll never do that again. It's got to be done organically. That's why when you read my books, especially the new books, towards the end it'll say, “Sign up for my newsletter.” I do more with that newsletter too. If you're on the free tier, every month I do a monthly newsletter, which is just me talking about updates, things going on in the publishing industry, things going on with me. My daughter puts together a weekly Horror and Sci-Fi Chronicles newsletter, which gives what's going on in new releases in the industry—sci-fi, horror, books, movies, television. She does deep dives into industry tropes, historical tidbits, and a weekly quiz. I also do a monthly Terrors and Tales newsletter. I started this last year, and it was a quarterly newsletter. It's other authors who are new, upcoming, never been published before, looking to get published. It's a chance for them to be on the newsletter where they have a flash fiction story or poem or even a short story that I publish for them. It's called the Terrors and Tales newsletter. What happened is I would put out calls for submissions. And a place called Duotrope—I don't even know who these people are, but all of a sudden I got an email from them stating, “Hey, we found that you're looking for submissions, and we posted your link. We hope you don't mind.” I'm like, “No, of course I don't mind.” I got so many submissions from that one link. I'm like, “Okay.” Do I really want to deny people? I'm not like that. I want to help promote other authors. I know what it's like when you're new and upcoming, no matter what age you are, to say, “Hey, here's a platform for you to see your stuff in print.” Obviously, I read through them just to make sure they're up to a certain standard, but for the most part, if you submit, you're getting in there. With Duotrope, I'm like, I have enough here to put out one a month. So in May 2026, the first one goes out, and then I'll have one each month until December, and then who knows? In 2027 I might go back to quarterly. I might get enough submissions to just keep it going once a month. So that's the Terrors and Tales newsletter, and it usually comes out towards the end of the month—the last two weeks. I have nothing to do with it in terms of content. None of my stories are on there. None of my poems are on there. None of my flash fiction. It's all other authors, just for them to see their name in print, see their work in print, share it with their friends, and put something on their resume, and to encourage people to keep reading and keep the craft going. Jo: When you say in print, you don't mean in physical print? PD: Oh, I mean in the newsletter. I'm sorry. Jo: I think that's important, or you're going to get a lot more submissions, and you will need to do publishing contracts and all that kind of thing. I think that's the difficult thing with a Substack newsletter approach—it's difficult to know where to categorise it. Is it marketing? Is it publishing? It's all of these things, I suppose. A bit like this podcast, it's all kinds of things. In terms of Substack actually making money on its own or leading to book sales that make money, do you think it does serve that purpose? PD: I think I've gotten more book sales through it, and also ARC readers who are enjoying the books and giving reviews. As far as the paid tiers, that's kind of a little bit slow, and that's where I'm saying chip away at it. Keep it up there. Keep it going. Over time, you're going to build that type of audience where it's going to be like, “Hey, this is financially feasible for me to continue to do this.” That's the response that I'm getting out there. Jo: Yes. Before, you mentioned you were doing Facebook Lives and you're looking at TikTok, but— Is anything else working for you in book marketing? If people have a few books and they're like, “What is working for book marketing right now?”—what do you recommend? PD: Okay. For me, the thing that has made the most sense is making sure the reader knows the book is out there through some sort of social media. I've had really good success on TikTok since the beginning of this year especially. I started it about a year ago, year and a half ago, but then my father got sick and passed away, and it was a new venture and I put it off to the side. I really got the flavour going at the beginning of this year. February, March of this year. It seems to be going really well, and I've noticed an uptick in sales from just getting the videos out there and getting it in front of people's eyes. There's an event I'm going to in August called ShiverCon, which is a pretty big event. After that event, I'm going to look to see what type of inventory I have left over from the event, and I'm going to start doing TikTok Lives. I'm very comfortable being on camera. So I'm like, “Yeah, that seems like a good way to go.” I know there's a few other horror authors who are doing it and having good success with TikTok Lives as well. A guy named Jason Davis is doing really well with TikTok Lives, and a few other authors too. I'm like, “Yes, I could definitely do that.” I want to get up to a certain number of people, and I want these events. I'm going to one in July, and then ShiverCon in August. Once those are done, I'm going to have more time to do the TikTok Lives. As far as Facebook is concerned, what I've had really great success with on Facebook is being in the groups and meeting other authors. That's not always about my book per se, but whatever books I'm reading, I'm posting my reviews about those books in those groups and meeting readers. Then obviously, they always say the three-to-one rule. Post about three different books and then post about your own book, whether you're doing a sale or a new release or a re-release or whatever. I've found success through that just by interacting with readers. When they post a book, I'll comment, “Hey, I've read that book,” or, “Hey, that book looks really cool. I like the review.” Commenting on it so you start these relationships with people who are out there in these Facebook groups. I've recently started my own Facebook reader group. I kind of go with the same thing. Last night, we did a live reading for another author. I like other authors to be on there. I always like to think, what does the reader need? What do I want to see as a reader? I would love to hear live readings from authors. So I kind of learn about them, learn about the book, and get a live reading. To me, that's a good way to go. So I started that recently, and it seems to be going well. I've got a new folk horror coming out soon, and I put out a call for ARC readers and got a fantastic response from that. That kind of drives the sales anyway, because when you get those reviews, then people see it gives credibility to the book, and then other people see it, and then they're buying it too. So that comes from the groups. There's so many wheels to spin in this industry as an indie author when you're doing this, especially when you're doing 99% of it on your own. You've got to get out there. No one's going to know your book exists if you don't get out there and tell somebody about it. Jo: Brilliant. Well, tell us— Where can people find you and your books online? PD: All right. Perfect. So obviously I'm on Amazon like everyone. Most of my books are worldwide, so you'll find them in Barnes & Noble as well. And of course, if you want the signed copies or discount print books, I always lead people straight to my website, PDAlleva.com. Then, of course, if you go to my Substack, you'll get all the updates, and you'll get all the links to purchase or find out where they are on Amazon and Barnes & Noble and things like that too. Jo: Brilliant. Well, thanks so much for your time, Paul. That was great. PD: Thank you very much for having me. It was great chatting with you. The post Writing Cross-Genre, Selling Direct, And Serialising On SubStack With P.D. Alleva first appeared on The Creative Penn.

In an interview for her podcast series Broken: Jeffrey Epstein, journalist Tara Palmeri recounts a conversation Brad Edwards—who represented several of Epstein's victims—had with Igor Zinoviev, Epstein's bodyguard of approximately five years. Edwards described how Zinoviev issued a chilling warning: “‘You don't know who you're messing with and you need to be really careful. You are on Jeffrey's radar… you don't want to be on Jeffrey's radar',” to which Edwards asked, “Who am I messing with?” Zinoviev quietly responded with three letters: “C‑I‑A.”Digging deeper, Palmeri reports that, according to Edwards, Zinoviev said that in 2008—while Epstein was serving his work‑release sentence—he was sent to the CIA headquarters in Virginia. Allegedly, Epstein attended some kind of private class there as the only civilian, during which he was handed a book containing a handwritten note. Zinoviev said he was instructed not to read it, only to deliver it to Epstein behind bars. The nature of the message, and any follow‑up, remains unclear.to contact me:bobbycapucci@protonmail.comsource:Epstein Was 'Protected' By CIA and Trump, Former Bodyguard Claims

In this classic audio episode, we revisit Bill Cooper's June 28, 2001, Hour of the Time broadcast, recorded just weeks before the events of September 11. Cooper questioned a highly publicized CNN interview with Osama bin Laden and warned listeners to be cautious of narratives that might follow a major attack on American soil. This broadcast has remained one of the most discussed pieces of alternative radio history. Join us as we listen back to the original audio, examine what was actually said, and explore the historical context surrounding a moment that continues to provoke questions more than two decades later.Email: thefacthunter@mail.com

Road trip time baby! Hunting for some white rhino JFK books, hop in the passenger seat and let's go!For the visual version of this podcast, please visit - https://youtu.be/9pZX6C3HC0wBBBBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-lone-gunman-podcast-jfk-assassination--1181353/support.

Los tertulianos Mado Martínez, Josep Guijarro y Juanjo Sánchez Oro comentan los nuevos protocolos de búsqueda y posible contacto alienígena y también qué lectura sacan de "El día de la revelación" la última película de Spielberg, opinión que también dan Miguel Pedrero y Manuel Carballal. Además varias investigaciones: qué tipo de señales perciben las personas de sus seres queridos fallecidos o el ensayo que ha realizado una experta en memoria sobre el fenómeno déjà vu. ¿Quién está detrás de las IA que han comprado libros para seguir entrenándolas? ¿En qué consiste el oficio de los "comepecados"? Podría la CIA estar buscando humanos con ADN extraterrestre y un revolucionario ensayo clínico de rejuvenecimiento celular que podría tener éxito en humanos.

Welcome to Mysteries to Die For and this Toe Tag.I am TG Wolff and am here with Jack, my piano player and producer. This is normally a podcast where we combine storytelling with original music to put you at the heart of mystery. Today is a bonus episode we call a Toe Tag. It is the first chapter from a fresh release in the mystery, crime, and thriller genre.Today's featured release is Relentless by Michael MaloofRelentless is thriller. Kate Preacher is an ex-CIA analyst turned law firm investigator. When terrorists attack a Parisian café, Kate's life instantly changes. An unwitting player in a high stakes game involving cyber criminals and geopolitical masterminds, she has to get her feet under her fast to survive in a world where it's eat … or be eaten.Bottom line: Relentless is for you if you like your action physical and your thrills embedded in computer codeRelentless is promoted by Partners In Crime Tours and is available from online book retailers.https://pictbooks.tours/gRW6sBygAbout Michael MaloofMichael Maloof is the author of the Kate Preacher Thriller Series—Relentless, Unstoppable, and Defiant—known for its global scope, emotional intensity, and hard-won authenticity. A lifelong adventurer, Michael has traveled to more than forty countries across six continents, experiences that deeply inform his writing. His real-world pursuits have ranged from gold dredging in Honduras and artifact hunting in Guatemala to acquiring uncut diamonds in Liberia and surviving an elephant charge in Kenya. He has also trained alongside Navy SEALs, Marine Raiders, Army Rangers, Green Berets, and the CIA—firsthand insights that lend his fiction uncommon realism and respect for the craft of service.Catch Up With Michael Maloof: www.MichaelMaloof.comInstagram – @MichaelGoWriteFacebook – @MichaelGoWrite

Julie K. Brown has said the possibility that Jeffrey Epstein had ties to an intelligence service should not be dismissed as wild conspiracy theory. She pointed to Epstein's close relationship with Ghislaine Maxwell, whose father, Robert Maxwell, was widely reported to have longstanding connections to Israeli intelligence, as well as Epstein's access to powerful political, financial and diplomatic figures. Brown also noted Epstein's relationship with former Israeli prime minister Ehud Barak, his unusual and poorly explained source of wealth, and reports that his homes were equipped with extensive surveillance systems capable of recording influential visitors. In her view, these circumstances create credible questions about whether Epstein gathered compromising material and whether intelligence interests played some role in his operation.Brown has been careful not to declare that Epstein was conclusively an agent of Mossad, the CIA or any other organization. Instead, she has argued that the intelligence angle is plausible, supported by enough troubling connections to warrant a serious investigation rather than ridicule or reflexive dismissal. She has also raised the possibility that Epstein's suspected intelligence value could help explain why he received extraordinary protection, including the secret federal non-prosecution agreement that allowed him to escape far more serious charges in Florida. Brown's position is ultimately that the available evidence does not prove the intelligence theory, but the unanswered questions surrounding Epstein's money, surveillance, relationships and preferential treatment make it an avenue investigators and journalists should continue pursuing.to contact me:bobbycapucci@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

On this episode of Think Theory Radio we discuss the Pentagon's latest release of UAP files!! Friday, June 12 2026 the US government disclosed it's third tranche of records related to UFO sightings, non-human intelligence, and UAP phenomenon. What do these new files say?! Is this an honest release of information or some kind of distraction and or cover-up?! What did astronauts from the Apollo missions claim to have witnessed on the moon?! Plus, what does the CIA know, and is the scientific community reacting?

Join Rob and Doug as they do the epic Quick Hits Podcast LIVE at 9 A.M. EST! Topics of discussion include Operation 40 revelations, some interesting Frank Sturgis info, and the disinformation of Daniel Sheehan... JOIN US! Shall you! Get your emails in promptly to be read live on the air! See you there !A Drop D & Loose Moose Co-ProductionBBB & DOUGBecome a supporter of this podcast: https://www.spreaker.com/podcast/quick-hits-the-jfk-assassination--3682240/support.

Forbidden Knowledge News host Chris Mathieu explores why UFO disclosure, Skinwalker Ranch, and Sasquatch encounters may be less about the unknown — and more about who controls our understanding of reality — in episode 250 of the Far Out with Faust podcast.Chris Mathieu is the creator and host of Forbidden Knowledge News, an independent podcast exploring UFOs, consciousness, hidden history, paranormal phenomena, and alternative perspectives often overlooked by mainstream media. He is also a documentary filmmaker whose projects include Occult Louisiana and Doors of Perception, investigations into cryptids, anomalous encounters, and the nature of reality itself.In this conversation, Faust and Chris explore the growing tension between direct experience and institutional narratives in an age shaped by AI, information warfare, and competing versions of reality. From the co-opting of alternative media and debates surrounding UFO disclosure to questions about October 7th, hidden history, and elite power structures, they examine how public perception is formed, challenged, and manipulated. The discussion ultimately turns toward consciousness, spirituality, and the possibility that some of humanity's most enduring mysteries may be more connected than they appear.In this episode:• The Alternative Media Takeover: Why Chris believes figures like Tucker Carlson and Candace Owens helped transform the independent media landscape• October 7th and the Power of Narrative: Why Faust never believed the Hamas attack was a surprise• The UFO Disclosure Trap: Why both men distrust official transparency more than official secrecy• What's Really Happening at Skinwalker Ranch: Paranormal phenomena, military technology, and a story involving shape-shifting nanobots• The Sasquatch Encounter That Changed Everything: A Louisiana hunter's experience with telepathic beings and a mysterious Dogman• Tartaria and Historical Resets: Could evidence of a forgotten civilization be hiding in plain sight?• The CIA's Mars Remote Viewing Session: The story that led to one of the episode's strangest conversations• Geoengineering, AI, and the Electromagnetic World: Why Alana Freeland believes the transformation is already underway• The Rothschild Question: How discussions of war, banking dynasties, and hidden influence shaped the conversation• Christianity, Consciousness, and Control: Why both men distinguish personal faith from institutional religion…and much more! The claims may be controversial. The patterns are difficult to ignore.Connect with Christopher Mathieuhttps://forbiddenknowledge.news/https://www.youtube.com/@ForbiddenKnowledgeNewshttps://www.facebook.com/chris.mathieu.7509/https://x.com/ForbiddenKnow10https://www.instagram.com/forbiddenknowledgenews1Join us on PatreonFor uncensored episodes, behind-the-scenes content, and exclusive community access:https://patreon.com/FarOutWithFaustListen on Spotify + Apple PodcastsSpotify: https://open.spotify.com/show/6StPwgq2di3f8uxnc6SmIfApple: https://podcasts.apple.com/us/podcast/far-out-with-faust-fowf/id1533017218FOWF & Faust Checho on socialhttps://www.instagram.com/faroutwithfaust/https://www.instagram.com/theonefaustchecho/https://www.facebook.com/Faroutwithfausthttps://x.com/faustchechohttps://patreon.com/FarOutWithFaustQUESTION THE ANSWERS™we'd love to hear from you

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! En esta tercera hora de Días Extraños viajamos del subsuelo de Centro Europa al subsuelo de la economía global, y de ahí a los rincones más incómodos del misterio contemporáneo. Empezamos preguntándonos por qué la felicidad de los jóvenes se ha desplomado y la mítica curva en U se ha roto. Después descendemos a los Erdstall, esos miles de túneles medievales que nadie sabe quién excavó ni para qué, y donde acaba de aparecer un hallazgo perturbador: una herradura, un zorro articulado y restos de fuego. Analizamos el supuesto "apocalipsis laboral" de la inteligencia artificial y por qué tu jefe puede que te esté mintiendo cuando lo cita en los despidos. Abrimos el libro que leían a la vez Bin Laden y la CIA, "El Pico de 2030", y desgranamos sus cinco propuestas más polémicas. Y cerramos con una bomba: el testimonio de Ítalo Venturelli, neurocirujano brasileño que durante 30 años calló lo que vio en el hospital de Varginha en enero de 1996. Tres décadas después, ha decidido hablar. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

The White House has just released a massive number of previously top-secret videos and documents from the DIA, CIA, FBI, and DOD related to UFOs.  There is also a new film by Steven Speilberg that reveals a conspiracy between Extraterrestrials and world governments (his biggest first weekend box-office career open). My co-host and expert ET-hunter, Anuradha, and I intend to get to the bottom of this 79 year conspiracy and share with our viewers/listeners. In addition, we will be joined by seasoned podcaster and ET-conspiracy expert, Maria Barnes. She will blow your mind. Stay tuned! In the meantime, we are sharing this amazing episode from 2023, the last time, the United States Congress convened a multi-day hearing to investigate UFO's and brought in decorated Marine/Naval aviators to testify, share videos they also saw with their own eyes, and other empirical evidence, such as radar.

"Keeping Bitcoin running is the primary concern here. Making sure that Bitcoin is available to be used as money by everyday people, any actor who wants to come onto Bitcoin and send one UTXO from one to another. That's the most important piece for me when thinking about defending Bitcoin.And the biggest difference, of course, is that this is a decentralised system. There is no central controller. There's no central control room giving out commands and saying 'this has to change, you must do this.'We are a decentralised group of individuals who are acting on the network. And so the defence of the system is not down to, say, the CEO dictating that everyone has to have their password be 64 characters and change it every three months, which is bad practise, by the way. It's everyone working together to do their part. So that's the biggest difference." ~ Luke de Wolf I sat down with Luke de Wolf to talk about the real security risks facing Bitcoin today. Luke has spent his career protecting critical industrial control systems like oil pipelines and electrical grids. Now, he is taking that hardcore cybersecurity mindset and applying it to the Bitcoin network in his brand new book, *Defending Bitcoin*. And trust me, it is a conversation you need to hear. We spent a lot of time debating the heated topic of arbitrary data and the drama surrounding BIP 110. Should we enforce strict rules to keep the blockchain pure, or is trying to force a chain split a bigger threat to Bitcoin's integrity as money? Luke actually changed his mind on this recently, and he lays out exactly why the stakes could be too high to play games with consensus. His perspective really cuts through the noise and challenges the tribal thinking happening on both sides. But we didn't just stop there. We also get into mining centralization, selfish mining attacks, and why we need to view Bitcoin as high-stakes critical infrastructure. The decisions we make now could determine if this network survives long-term. Guest Links Luke on X (Link: https://twitter.com/lukedewolf) BTCHel's Website (Link: https://btchel.com/) Defending Bitcoin's Website (Link: https://defendingbitcoin.com/) Bitcoin Infinity Show on YouTube (Link: https://www.youtube.com/@BitcoinInfinityShow) Affiliate Links Become sovereign, hold your keys, be censorship resistant with the Bitbox hardware wallet. Get 5% off everything in the store with code GUY (Link: https://bitbox.swiss/) Get 10% off the best Bitcoin board game in the world, HODLUP! Or any of the other great games from The Free Market Kids! Use code GUY10 at checkout for 10% off your cart! (Link: https://www.freemarketkids.com/collections/games-1) (Under construction) Check out the list of products and services I use and recommend on BitcoinAudible.com (Link: https://bitcoinaudible.com/) Host Links ⁠Guy on Nostr ⁠(Link: http://tinyurl.com/2xc96ney) ⁠Guy on X ⁠(Link: https://twitter.com/theguyswann) G... Chapters (00:00:00) - Introduction(00:06:21) - Applying industrial control systems logic to Bitcoin(00:11:29) - Real-world physical system risks and attacks(00:20:15) - Bridging critical infrastructure cybersecurity(00:27:45) - The CIA triad and decentralization(00:32:32) - The arbitrary data and BIP 110 controversy(00:38:28) - Hash rate centralization and mining power(00:46:42) - Data limits and the op_return debate(00:57:56) - Inscriptions as an exploit in Bitcoin script(01:04:16) - Taproot consequences and the problem with Tapscript(01:14:43) - Fee spikes and competing with arbitrary data(01:28:54) - Why enforcing BIP 110 risks a chaotic split(01:42:07) - Bitcoin Core governance issues(01:53:35) - Closing thoughts and where to find Luke

00:00:00 – Grunge chatter and Disclosure Day setup 00:04:52 – Magnetosphere shield sparks chemtrail alarms 00:14:43 – Anthropic pulls Fable and Mithos models 00:23:46 – Trusted AI access raises liability fears 00:32:08 – Workplace AI turns into botsitting 00:40:52 – New UAP files bring orbs and potatoes 00:46:38 – Disclosure Day gets a spoiler-free review 01:00:25 – Phone lines open for movie reactions 01:13:55 – New listener binges the archive 01:17:14 – Tippy Top gets a Van Halen-style remix 01:21:58 – Coors Light launches the Taller Boy 01:27:01 – Scottish World Cup fans drink planes dry 01:31:49 – David Rush's CIA gold-bar story gets weirder 01:41:45 – SpaceX IPO talk turns into Elon blame games 01:51:21 – Verge rant rolls into show wrap-up Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research ▀▄▀▄▀ CONTACT LINKS ▀▄▀▄▀ ► Website: http://obdmpod.com ► Twitch: https://www.twitch.tv/obdmpod ► Full Videos at Odysee: https://odysee.com/@obdm:0 ► Twitter: https://twitter.com/obdmpod ► Instagram: obdmpod ► Email: ourbigdumbmouth at gmail ► RSS: http://ourbigdumbmouth.libsyn.com/rss ► iTunes: https://itunes.apple.com/us/podcast/our-big-dumb-mouth/id261189509?mt=2  

LIVE STREAMING tonight at 7:00 pm EST... Join us tonight as we take a closer look at the pissed off Cuban exiles in New Orleans and what could have possibly happened in Dallas! Join us... shall you?Silk CIty Hot Sauce - https://www.silkcityhotsauce.com Use our code GUNMAN for 20% off entire order at checkout!The COLDEST Cup - https://snwbl.io/TLG10 Follow our link to save $10 on every cup ordered!Music By - Lee Harold OswaldA Loose Moose ProductionBBB&JOEBBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-lone-gunman-podcast-jfk-assassination--1181353/support.

Strange News 19 covers six bizarre stories from around the world, including a fake bear attack insurance scam, a quadruple amputee cornhole player indicted for murder, an internet-famous dog stolen in China, a human skull found at a thrift store, an ex-CIA officer accused of stealing millions in gold bars, and a major social media addiction lawsuit against Meta and YouTube.In this episode of Theories of the Third Kind, we break down the strangest news stories making headlines, from true crime and bizarre scams to disturbing internet cases and shocking legal battles.If you're searching for strange news, weird news, bizarre true crime, odd stories, conspiracy news, or unexplained headlines, this episode covers the strangest stories happening right now.Strange News 19.Watch the full episode on YouTube:▶ https://bit.ly/TheoriesOfTheThirdKindYTSupport the show + unlock bonus episodes:

Watch every episode ad-free & uncensored on Patreon: https://patreon.com/dannyjones Kurt Metzger is a comedian, writer host of "The Derp with Kurp" podcast & "The Mystery Boys" podcast with Duncan Trussell. SPONSORS https://whiterabbitenergy.com/?ref=DJP - Use code DJP for 20% off. EPISODE LINKS @kurtmetzgercomedy https://kurtmetzgercomedy.com FOLLOW DANNY JONES https://www.instagram.com/dannyjones https://twitter.com/jonesdanny OUTLINE 00:00 - Cannibalism & the sacred hermaphrodite 05:13 - Tavistock Medical Center 07:42 - The "super users" 08:44 - Spencer Pratt sponsored by Zionists 14:47 - Non-human intelligence are parasites 22:27 - Kurt on Professor Dave & psuedo-science 24:55 - Gender-affirming care 28:03 - Sigil magic & the American religious experiment 31:18 - Wars are giving us LESS freedom 32:37 - Israel is paying influencers 33:48 - The Trump shooting was fake 39:58 - Occult words with double meanings 41:40 - White House ball room & Solomon's Temple 46:25 - Meeting Eric Weinstein 48:27 - Dave Portnoy & Pizzagate 51:11 - We would lose a war with Iran 54:47 - The missing UFO scientist 01:00:28 - Pokemon are demons 01:01:19 - "They were always going to kill Charlie Kirk" 01:03:33 - The alien deal that Eisenhower made 01:05:31 - Dark history of Rhodes Scholars 01:08:40 - How Kurt uses Grok 01:11:09 - The book Jeffrey Dahmer's dad wrote 01:14:15 - The biblical blood ritual 01:18:26 - Mormon Monarch 01:23:17 - The Serpent Race 01:28:54 - Jehovah's Witness vs. other religions 01:34:37 - Celebrities who faked their deaths 01:47:40 - Project Gestalt 01:48:48 - Drugstore Cowboy & heroin rituals 01:51:28 - CIA is like an occult society 01:57:47 - Ashkenazi sp*rm recovery 02:04:02 - The inner circle of Mormonism 02:13:12 - Hunter Biden's tattoos 02:14:48 - MK Monarch 02:18:51 - Digital borders 02:22:18 - Scott Horton's blind spot 02:25:07 - Robert Sapolsky's view on free will 02:32:59 - Ancient Dionysian cults 02:36:08 - Graham Hancock is Luciferian 02:38:12 - Hunter S. Thompson's snuff films 02:46:11 - Psychedelics + the catholic church 02:47:27 - Kurt's experience with kratom 02:54:11 - "Consciousness is radio stations" 02:58:52 - Kurt on Ammon Hillman 03:03:24 - We're missing 300,000 children 03:07:58 - U.S. gave Iran their nuclear reactor 03:14:54 - Knights Templar Learn more about your ad choices. Visit podcastchoices.com/adchoices

Breaking news: War.gov/UFO has released its third batch of UAP files, videos and NASA audio but does Release 3.0 actually move the conversation forward?Andy breaks down the new drop, including six newly released videos, several NASA audio files, and a batch of FBI, CIA, Department of War and AARO-linked documents. The headline themes this time are orbs, “plasma” sphere reports, digital recreations, and a notable Cheyenne Mountain/Fort Carson case involving a strange white, oval object witnessed by a former Army intelligence officer and others.But after the expectations set by Capitol Hill, David Grusch, the UAP Caucus and recent whistleblower momentum, this release raises a bigger question: is this transparency, or managed disappointment?A rapid reaction to Release 3.0, what stands out, what doesn't, and why this may tell us where the official UFO file drops are really heading.

Jen Psaki looks at catastrophic polling data about how Americans feel about Donald Trump and his handling of issues like the economy and his war with Iran Jen also shares interviews from MS NOW reporter Alex Tabet with frustrated Trump voters who turning away from Trump. "They thought he was going to lower costs. They thought he was going to end the wars. They thought he was going to drain the swamp. They thought he was going to release the Epstein files. And now they're feeling pretty disillusioned." Democratic candidate for Senate from Texas, James Talarico, talks with Jen Psaki about how Donald Trump's broken promises and the hardships imposed by Trump's economy are giving his campaign the opportunity to connect with previously inaccessible voters and have a real shot at flipping that Senate seat in November. Norm Eisen, executive director of Democracy Defenders Fund, talks with Jen about the illegality of Donald Trump's self-indulgent use of federal resources, including the White House, for his personal aggrandizement and birthday celebration. John Brennan, former director of the CIA, joins to discuss Jay Clayton, Donald Trump's new DNI nominee, and the perils of Bill Pulte serving in the acting-DNI role for even a short period of time. To listen to this show and other MS podcasts without ads, sign up for MS NOW Premium on Apple Podcasts. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

- 导语 -从战败国家到冷战前哨，二十世纪后半叶的日本情报体系在延续与阉割间徘徊，最终将视线转向经济战场。军事侦查权被剥夺，通产省与综合商社如何通过刺探经济情报重塑国家竞争力？冷战末期，经济与技术争端频发如何影响了美日关系？大韩航空007空难事件，自卫队情报为何能越过本国政府优先送给美方？日版CIA呼之欲出，日本情报变革将走向何方？请听本期嘉宾沙青青带来的精彩分享！《谍海轶闻｜日本谍报物语》讲述从幕末、明治时代至今的日本情报史。本系列共6集，单集售价9.9元。我们强烈推荐你以49元（原价59.4元）的优惠价，在小宇宙或微信小鹅通直接打包购买整季。若你在小宇宙已购买过本系列的单集，后续购买整季时，系统将自动抵扣已支付金额，无需重复付费。也欢迎你回顾「谍海轶闻」系列的其他节目《谍海轶闻｜苏联情报史话》《谍海轶闻｜民国蓝色恐怖小史》《谍海轶闻｜中统局往事》。- 本期话题成员 -程衍樑（微博@GrenadierGuard2）沙青青（微信公众号：13号埋立地）- 时间轴 -02:08 正片开始07:42 「鹿地事件」：美军跨境绑架引发主权争议13:22 吉田茂曾尝试打造日版CIA23:20 「旧金山对日和约」后，美日情报机构合作早于政府合作27:22 武藏机关：美国对自卫队的间谍寄生44:08 日本体制内情报机关架构：情报本部与驻外武官47:42 经济情报崛起：日本五大商社成为对外信息搜集主力49:30 通产省与日本奇迹：预判石油危机、助力反超欧美重工业57:44 「IBM产业间谍事件」掀起美日技术争端01:13:32 美日外交冲突，CIA通过「洛克希德事件」敲打田中角荣01:28:59 大韩航空007空难，自卫队情报「先给美国，再报政府」01:42:29 体制化、公开化：冷战后的日本情报体系改革01:55:00 日本情报转型，美国影响难消- 制作团队 -声音设计 hotair节目统筹 禾放节目运营 小米粒节目制作 思钊 Yologo设计 蛋花- 本节目由JustPod出品 © 2026 上海斛律网络科技有限公司 -- 互动方式 -微博：@忽左忽右leftright @播客一下 @JustPod微信公众号：忽左忽右Leftright / JustPod / 播客一下小红书：JustPod气氛组 / 忽左忽右售后及更多线下活动信息：hzhyxzs3（添加后发送整张专辑购买截图）

Send me a DM here (it doesn't let me respond), OR email me: imagineabetterworld2020@gmail.comToday you are going to hear an important story brought you by 3 MK ULTRA survivors who are bravely and courageously step up to tell us the harrowing childhood story they all have in common. Introducing: Stanford Research Institute mind-control experiment survivors: Frida, Ariadne, and Marc Victor and Marc's amazing partner, Marina Low!Taking a few quotes off Wikipedia: “Stanford Research Institute (which we will be abbreviating to ‘SRI' during this production and which is presently referred to as ‘SRI International') is an American non-profit research institute and organization headquartered in Menlo Park, California. The trustees of Stanford University established SRI in 1946 as a center of innovation to support economic development in the region.The organization was founded as the Stanford Research Institute. SRI formally separated from Stanford University in 1970 and became known as SRI International in 1977. SRI performs client-sponsored research and development for government agencies, commercial businesses, and private foundations.Herbert Hoover, then a trustee of Stanford University, was also an early proponent of an institute but became less involved with the project after he was elected president of the United States.In April 1953, Walt and Roy Disney hired SRI (and in particular, Harrison Price) to consult on their proposal for establishing an amusement park in Burbank, California. SRI provided information on location, attendance patterns, and economic feasibility. SRI selected a larger site in Anaheim, prepared reports about operation, and provided on-site administrative support for Disneyland and acted in an advisory role as the park expanded.As a belated response to Vietnam War protesters who believed that funding from the Defense Advanced Research Projects Agency (DARPA) made the university part of the military–industrial complex, the Stanford Research Institute split from Stanford University in 1970. The organization subsequently changed its name from the Stanford Research Institute to SRI International in 1977.In 1972, physicists Harold E. Puthoff and Russell Targ undertook a series of investigations of psychic phenomena sponsored by the CIA, for which they coined the term remote viewing.In 1986, SRI.com became the 8th registered ".com" domain.In December 2007, SRI launched a spin-off company, Siri Inc., which Apple acquired in April 2010.[105] In October 2011, Apple announced the Siri personal assistant as an integrated feature of the Apple iPhone 4S.[106] Siri's technology was born from SRI's work on the DARPA-funded CALO project, described by SRI as the largest artificial intelligence project ever launched.[107] Siri was co-founded in December 2007However, what they don't tell us about on Wikipedia about SRA are the horrific MK ULTRA mind control experiments that were going on behind the scenes from 1953 until 1969 at the hands of ‘Dr. Green' himself, aka: Josef Mengele on innocent children. But we are about to change that today as 3 amazing survivors come forward to share their stories with you.This is important because we often forget the vastness of where these experiments were allowed to happen. There have been many survivors on this podcast who alleged horrific abuses that happened to them within academic institutions, and we know also that secret ‘scouting' societies such as the Skull and Bones also exist within many highly reputable ivy league universities. For the sake of our own discernment and for the safety of our children and youth, we need to be brave enough to lift the veil off whatever is elevated in society and look beyond what is obvious until we come to a place of truth.And today, Friday, Marc, Marina and Ariandne are here to lift the veil with us and for us.I ask that you grab a pen and paper, take lots of notes, and give these incredible survivors your full attention. What you are about to hear you won't hear in any mainstream publication and even online, it's very hard to find information surrounding MK ULTRA and SRI.MARC & MARINA'S YT DOCUMENTARY:"The Valley: Inside MK ULTRA" - https://www.youtube.com/watch?v=Y-n-d6Bn8Vg

Get ready for another wild week of headlines.  Did you ever submit your DNA to 23 and Me or Ancestry.com?  Well, the CIA might be digging through yours right now to see if it contains extraterrestrial DNA, sorry!  Also, Mackenzie Shirilla is texting her dad about “warm milk”, Charli D'Amelio's parents are stealing her money, a contestant on Love Island looks like Chris Watts, plus so much more!

Jack Murphy, former Army Ranger and Green Beret, host of The Team House podcast, co-founder of The High Side, and author of the new military thriller The Most Dangerous Man, joins Andy to break down the Iran war, the limits of an air campaign, what it would actually take to secure Iran's enriched uranium, the threat picture inside the US, and the unprecedented era of global change we're all now navigating. Jack's new book The Most Dangerous Man is out now wherever books are sold. Change Agents is an IRONCLAD Original Chapters: (00:00) Introduction (01:09) Perpetual War Without a Declaration (11:05) Iran: How We Got Here and Why (22:39) The Air Campaign, the Reapers, and What We're Losing (28:33) The CIA, the Kurds, and Iran's Real Capability (34:57) The Enriched Uranium Problem Nobody's Talking About (43:28) Russia, China, and the Global Economic Fallout (52:23) The Truth About Iranian Sleeper Cells in the US (58:20) The Most Dangerous Man (New Book) and Closing Thoughts Sponsors: Firecracker Farm Use code IRONCLAD to get 15% off your first order at https://firecracker.farm/ Norwood Sawmills: Learn more about Norwood Sawmills and how you can start milling your own lumber at https://norwoodsawmills.com/?utm_source=podcast&utm_medium=ironclad&utm_campaign=ironclad Learn more about your ad choices. Visit megaphone.fm/adchoices

Tommy and Ben are back to discuss a week that includes collapsed ceasefire(s), the World Cup, and Jared and Ivanka pretending to be conquistadors.The so-called ceasefires between Israel and Lebanon and the US and Iran continue to unravel, while Trump insists he has Iran and Israel under his control and twists reality (and the English language) to fit his narrative. Then, Ivanka Trump claims to have "discovered" a pristine, protected ecological island off the coast of Albania, sparking major protests and a government corruption investigation. The FIFA World Cup kicks off this week across three countries and 16 cities, and the guys dig into the Trump administration's decision to use the biggest sporting event on earth as an opportunity to deny visas to fans, journalists, and even Africa's top referee. Xi Jinping pays his first visit to North Korea in seven years amidst reports about Kim Jong Un's surprising economic turnaround. Former Trump National Security advisor John Bolton pleads guilty to mishandling classified information, while a CIA official is caught with 303 gold bars and a 15-year-old Nigerian congressional candidate is exposed for faking his age on the campaign trail. Then Tommy speaks with the BBC's Mexico, Central America, and Cuba Correspondent, Will Grant, about life on the ground in Cuba, what US intervention on the island could look like, and the vibes in Mexico City ahead of the World Cup. Will's book is Populista: The Rise of Latin America's 21st Century Strongman.Buy Ben's book All We Say: The Battle for American Identity: A History in 15 Speeches  and subscribe to his Substack here.For a closed-captioned version of this episode, click here. For a transcript of this episode, please email transcripts@crooked.com and include the name of the podcast, episode title, and episode date

Darkness Radio presents Supernatural News/Parashare: Disclosure Day Edition w/Jessi Doyle!This week, we kick it off with a review of the movie of the summer! Disclosure Day!  We will also talk about a missing scientist's body that has been found, A CIA psychic spy who has pinpointed four alien bases that he claims are operating on Earth, An exorcist is removed for suggesting that UFO's are demonic in nature!  1 in 4 people now claim they have had NDE's, and are you ready for... AI OZZY?! Project Fear filmed a top secret aircraft coming out of Area 51 that they are calling the "F-47"! Check out the video and decide for yourself here: https://www.unexplained-mysteries.com/news/400030/mysterious-black-project-aircraft-spotted-in-the-skies-over-area-51Dogman Massacre: Attack in the Land Between the Lakes is a new full-length documentary from Jessi Doyle of Hellbent Holler, presented by Small Town Monsters. It appears on Small Town Monsters' YouTube channel right now, and you can find it here:  https://www.youtube.com/watch?v=4K0taYDU8OgCheck out Hellbent Holler on YouTube:  https://www.youtube.com/@hellbenthollerCheck out Hellbent Holler's website:  https://hellbentholler.com/There are new and different (and really cool) items all the time in the Darkness Radio Online store at our website! Check out the Darkness Radio Store!   https://www.darknessradioshow.com/store/Make sure you update your Darkness Radio Apple Apps!and subscribe to the Darkness Radio YouTube page:  https://www.youtube.com/@DRTimDennis#paranormal  #supernatural  #paranormalpodcasts  #darknessradio  #timdennis  #jessidoyle #paranormalinvestigator #hellbentholler #smalltownmonsters #supernaturalnews  #parashare  #ghosts  #spirits #hauntings #hauntedhouses #haunteddolls #demons #supernaturalsex #deliverances #exorcisms #paranormalinvestigation #ghosthunters  #Psychics  #tarot  #ouija  #Aliens  #UFO #UAP #Extraterrestrials #alienhumanhybrid #alienabduction #alienimplant #Alienspaceships  #disclosure #disclosureday #shadowpeople #AATIP #DIA #Cryptids #Cryptozoology #bigfoot #sasquatch #yeti  #abominablesnowman #ogopogo #lochnessmonster #chupacabra #beastofbrayroad #mothman  #artificialintelligence #AI  #NASA  #CIA #FBI #conspiracytheory #neardeatheexperience 

Donate (no account necessary) | Subscribe (account required) Join Bryan Dean Wright, former CIA Operations Officer, as he covers today's top stories shaping America and the world. In this Listener Q&A episode of The Wright Report, Bryan breaks down the latest escalation with Iran, including a dramatic at-sea rescue of two downed Apache pilots using an AI-powered drone boat, and explains what a lasting peace deal would actually require. Listeners push Bryan on oil prices, the Iran endgame, and whether the U.S. should pursue regime change or a strategic withdrawal. He lays out his case for a coordinated pullback backed by covert CIA and SOCOM operations, while also addressing the riots now tearing through Belfast following a brutal attempted beheading by an asylum seeker, and what that moment reveals about the broader clash playing out across Europe. Plus, Bryan covers a landmark development in American-made solar panels, shares a correction on Ivermectin use in dogs, and closes with three pieces of genuinely good news: a simple hospital tip that cuts pneumonia risk by 60%, new UCLA research on creatine and cancer-fighting immune cells, and a stunning case study of an 80-year-old Alzheimer's patient who temporarily recovered speech, memory, and mobility after a single dose of psilocybin. "And you shall know the truth, and the truth shall make you free." - John 8:32   Keywords: Bryan Dean Wright, Wright Report, Iran war, Apache helicopter rescue, Saronic drone boat, Task Force 59, Iran peace deal, JD Vance, oil prices, demand destruction, Belfast riots, Sudan asylum seeker, UK immigration, European migration crisis, QCells solar panels, made in USA solar, screwworm update, Ivermectin dogs, pneumonia prevention hospital, creatine cancer research, killer T cells, UCLA immunotherapy, psilocybin Alzheimer's, dementia treatment, Fourth of July film special