Podcasts about perseverance theatre

IT'S HAPPENING IN YOUR REFRIGERATOR: Deutero-Fung, a mold spore with big ideas, attempts to rally his fellow mold spores into blooming immediately and take over the apartment-verse, but Hyphae-Fung, a mold spore with even bigger ideas, warns the community that blooming early will be a mistake. Look out! Cuz it's Happening in your Refrigerator! Written by Greg Kotis Directed by Jonathan Cook Performed by Sol Baird as "Deutero-Fung"; Brad King as "Hyphae-Fung"; and the cast of Urinetown the Musical at Le Chat Noir Theatre as the mold spore community. Intro/Outro music: JK/47 About the writer: GREG KOTIS is a two time Tony™ Award winning author of many plays and musicals including Urinetown (Book/Lyrics), The End of All Flesh, I Am Nobody, The Truth About Santa, The Sting (Lyrics), Lunchtime, Give the People What They Want, Michael von Siebenburg Melts Through the Floorboards, Yeast Nation (Book/Lyrics), Pig Farm, Eat the Taste, and Jobey and Katherine. His work has been produced and developed in theaters across the country and around the world, including Actors Theatre of Louisville, American Conservatory Theater, American Theater Company, The Apollo (West End), The Brick, the Eugene O'Neill National Theater Conference, The Geva Center, Goodspeed, Musicals, Henry Miller's Theatre (Broadway), Manhattan Theatre Club, New York Stage and Film, New Line Theatre, The Old Globe, Perseverance Theatre, Roundabout Theatre Company, Soho Rep, South Coast Rep, The Saint James (Off West End), The Tank, and Village Theatre, among others. Future projects include ZM, an original musical about teenaged fast-food workers trying to survive a zombie plague. Greg co-founded Theater of The Apes with his wife Ayun Halliday (www.theater-of-the-apes.com), and is a member of the Neo-Futurists, the Cardiff Giant Theater Company, ASCAP, and the Dramatists Guild. He grew up in Wellfleet, Massachusetts, lives in New York City, and is the proud father of India and Milo. You can watch the full video of this episode at https://www.youtube.com/@GatherbytheGhostLight Gather by the Ghost Light merch is available at www.ghostlightpubs.com (Ghost Light Publications) If you would like to further support this podcast, please visit Gather by the Ghost Light is increasing public knowledge of emerging writers and actors (buymeacoffee.com) If you enjoy this podcast, please please please leave a rating on your preferred podcast app! For more info or if you wish to contact us, please visit www.gatherbytheghostlight.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Greg Kotis is the author of many plays and musicals including Yeast Nation (Book/Lyrics), The Truth About Santa, Pig Farm, Eat the Taste, Urinetown (Book/Lyrics, for which he won an Obie Award and two Tony Awards), and Jobey and Katherine. His work has been produced and developed in theaters across the country and around the world, including Actors Theatre of Louisville, American Conservatory Theater, American Theater Company, Henry Miller's Theatre, Manhattan Theatre Club, New York Stage and Film, Perseverance Theatre, Roundabout Theatre Company, Soho Rep, South Coast Repertory, and The Old Globe, among others. Mr. Kotis is a member of the Neo-Futurists, the Cardiff Giant Theater Company, ASCAP, and the Dramatists Guild. He grew up in Wellfleet, Massachusetts, and now lives in Brooklyn with his wife Ayun Halliday, his daughter India, and his son Milo.

Jacqueline Goldfinger (she/they) is a Visiting Professor of Theatre at UC Davis and is authoring a new book titled "Playwriting with Purpose: A Guide and Workbook for New Playwrights." She won the Yale Drama Prize, Smith Prize, Generations Award, and Barrymore Award. Her poetry-play, Bottle Fly, is published by Yale Press and was a finalist at the International Book Awards. Jackie’s plays have been on The Kilroy’s List; her stage work has been developed and/or produced by theaters including: The National Theatre/London, The Kennedy Center, Oberlin Opera, AMUSE Choral Singers (NYC), Contemporary American Theatre Festival, Unicorn Theatre, Disquiet/Lisbon, The Court Theatre/New Zealand, Kansas City Rep, Perseverance Theatre, Seattle Public, and Manhattan Theatre Works. She is currently commissioned by Oberlin Opera, Kennedy Center, Florida Studio Theatre and Wilma Theatre. Represented by The Gurman Agency. MFA University of Southern California, BA Agnes Scott College. www.jacquelinegoldfinger.com

In this week's program the Season Announcements include the summer theatre Hope Summer Repertory Theatre in Holland, MI, Pan Asian Repertory Theatre in NYC, Skylight Music Theatre in Milwaukee WI, Sierra Repertory Theatre in Sonora, CA. In our segment Who's In and Who's Out finally after a few weeks of no changes three people are moving into new positions. Stephanie Ybarra will helm Center Stage in Baltimore, Classical Theatre of Harlem will welcome Carl Cofield as associate artistic director and up in Alaska at Perseverance Theatre, Joshua Midgett joins the team as the managing director. Next up will be Articles and Interviews I want to share with you. TDF.org has an interview with Austin Pendleton "Meet the Hardest Working Man in New York Theatre." Broadwayworld.com has a piece about Actors' Equity's new BAT agreement. Then I have an update to last week's Something I Had To Share With You courtesy of my pal, Jo Twiss.

Dmae features Alaska Native Playwright Vera Starbard and her play Our Voices Will Be Heard that was first produced at Perseverance Theatre and adapted into a radio play by Native Voice One. The play focuses on the journey of a mother and daughter and infuses Alaska Native storytelling traditions to tell a story of childhood sexual abuse. We’ll hear […]

Erik is excited to tell a story at Arctic Entries, and sad he can tell only one! Born and raised in Alaska, he went to college in Washington before moving back and finding work as an environmental engineer. In his spare time, he constantly attempts to eliminate blank space on his calendar with as many hobbies as possible. He currently performs with Scared Scriptless and Urban Yeti Improv, and just wrapped up a run of A Christmas Carol with Perseverance Theatre; he does not miss the mutton chops.

From Arena Stage's newly opened Mead Center for American Theater, artistic director Molly Smith discusses the development and construction of the new building, which encompasses the company's original theatres and adds a third stage, and how the plans for the venue began during her interview process by the board back in the late 1990s. She also talks about her connection to theatre in her youth, first in Washington State and then in Juneau, Alaska; her theatre studies and 7-year residency in Washington DC in the 70s, when she had the opportunity to see the early work of Arena Stage; her return to Juneau to found the Perseverance Theatre, which she led for 19 years, and how that company operated within the geography and frontier spirit of Alaska; how she managed to get the Arena job without a more traditional artistic resume; the theatrical scene she found in Washington upon her return, and how that led her to focus Arena Stage on American works, both new and classic; and what her personal focus on classic American musicals over the past decade has meant to her creatively. Original air date - January 26, 2011.

From Arena Stage's newly opened Mead Center for American Theater, artistic director Molly Smith discusses the development and construction of the new building, which encompasses the company's original theatres and adds a third stage, and how the plans for the venue began during her interview process by the board back in the late 1990s. She also talks about her connection to theatre in her youth, first in Washington State and then in Juneau, Alaska; her theatre studies and 7-year residency in Washington DC in the 70s, when she had the opportunity to see the early work of Arena Stage; her return to Juneau to found the Perseverance Theatre, which she led for 19 years, and how that company operated within the geography and frontier spirit of Alaska; how she managed to get the Arena job without a more traditional artistic resume; the theatrical scene she found in Washington upon her return, and how that led her to focus Arena Stage on American works, both new and classic; and what her personal focus on classic American musicals over the past decade has meant to her creatively. Original air date - January 26, 2011.