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An embarrassing public bet payoff… and yes, it's ALL on video. Laura pays the ultimate price in public and the cameras do not look away. Cringe, laughter, secondhand embarrassment—consider yourself warned. Then we debut a brand-new game, “F, Marry, Kill,” and somehow take it way more seriously than anyone should. Celebrities, well-known faces, bold opinions, and zero backtracking. It gets heated. It gets hilarious. Plus, don't miss your chance to see Hedda Gabler at The Old Globe, opening in early February. Our podcast family is going together on February 13th—come with us!
This episode is pure theater magic. We sit down with Barry Edelstein, Artistic Director of Old Globe Theatre, as he kicks off the year with Hedda Gabler—starring Katie Holmes. Barry is a producer, director, author, teacher, actor, Rhodes Scholar, Tufts and Oxford alum—and one of the world's leading authorities on Shakespeare. His insight, passion, and command of storytelling will have you absolutely riveted. This is one heck of an interview, and a true honor to have him on set with us.Get your tickets now at theoldglobe.org. Use code LCAD! ❤️ Love your podcast!Become a supporter of this podcast: https://www.spreaker.com/podcast/laura-cain-after-dark--4162487/support.SUBSCRIBE to our YouTube Channel, FOLLOW us on Instagram, Facebook, and TikTok, SHARE, LIKE, and by all means COMMENT. We love your feedback. Thanks for being part of the Laura Cain After Dark family. Love your podcast!
You might well up too after you see what Laura's sister, Jenny, gave Erik for Christmas. Laura finally presents it to him, and his reaction is precious. Our new sponsor, The Old Globe, is starting off their season strong with Hedda Gabler starring Katie Holmes. That's where Erik drops another one of his truth bombs upon us...another crazy thing we didn't know about him after all these years. Laura delivers a captivating Rando News report including the things America stuck up their butts last year...bad enough to visit the ER. No joke. It's hysterical. Get ready, buckle up, or kick back and relax. You do you, and we hope you have fun listening to this episode. Love your podcast!!Become a supporter of this podcast: https://www.spreaker.com/podcast/laura-cain-after-dark--4162487/support.SUBSCRIBE to our YouTube Channel, FOLLOW us on Instagram, Facebook, and TikTok, SHARE, LIKE, and by all means COMMENT. We love your feedback. Thanks for being part of the Laura Cain After Dark family. Love your podcast!
In this episode, we spotlight Ngozi Anyanwu and her compelling plays. In Good Grief, Nkechi, a med-school dropout and first-generation Nigerian, navigates first loves, losses, and the stars in search of answers. In The Homecoming Queen, Kelechi returns to Nigeria after fifteen years to care for her father, confronting family, culture, and past traumas. The Last of the Love Letters offers a tender exploration of love, choices, and the difficult act of saying goodbye. We also discuss Ngozi's remarkable career. A 2020 Steinberg Playwright Award winner, her works have been produced at Atlantic Theatre Company, Vineyard Theatre, Center Theatre Group, Steppenwolf, and more. Her plays have appeared on the Kilroys List, earned Humanitas and Leah Ryan honors, and she has been commissioned by leading theaters such as Two River and The Old Globe. Ngozi also directs and teaches, shaping the next generation of theater artists. This conversation is moderated by Chi Chi Anyanwu. Learn more about your ad choices. Visit megaphone.fm/adchoices
Earlier this month Mickey-Jo travelled to San Diego, California to see some new musicals including HUZZAH! at the Old Globe.Check out this full video review to find out what Mickey-Jo thought of the show, and its potential future...•00:00 | introduction02:45 | overview07:18 | synopsis13:25 | material19:30 | performances24:33 | future lifeAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 89,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.
Originally aired as episode 120 on December 9, 2020. Nik Walker is an artist, educator, and activist who made his Broadway debut in Motown The Musical. He spent 3 years with the Broadway and touring companies of Hamilton, adding both Aaron Burr and George Washington to his resume. Other stage credits include Peter and the Starcatcher (off-Broadway), and regional productions at La Jolla Playhouse, The Old Globe and The Denver Center, to name a few. He can also be seen on TV in Law & Order: SVU. Nik is a self-proclaimed cinefile and theme park nerd, and co-hosts his own movie analysis podcast called Little Justice The Podcast. He also co-hosts a video series on Broadwayworld.com called The Chaos Twins. Nik currently leads the Broadway cast of Ain't Too Proud playing Otis Williams, and is an adjunct professor at his alma mater, New York University. Nik shares that his mother worked a job as a news anchor when he was growing up, so she wasn't really home a lot. So it was movies that played babysitter and kept his imagination going. But movies and stories played an even bigger and more important role in focusing him as a child after he was diagnosed with ADHD, eventually leading to his early involvement in theater. And later, a BFA in Theater from NYU. During our conversation, Nik speaks candidly about coming to Broadway with very little dance background, sharing that Motown was his first brush with dancing professionally and getting paid for it. He shares memories of intense dance training for Ain't Too Proud while still on tour with Hamilton - 5 hours of dance a day, and a performance of Hamilton in the evening - and the sense of pride he gained as a result of “being comfortable with letting go of your comfort zone”. Nik also opens up about the journey he has taken during the COVID pandemic which brought him back to NYU, this time as a professor. And while he acknowledges performing in Ain't Too Proud and teaching at the same time will be a lot of work, he not only feels rewarded by his new job, but knows he is contributing to the education and growth of the next generation of theater artists. Connect with Nik: Listen to Little Justice, the Podcast Instagram: @nikkywalks Twitter: @nikkywalks Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices
First, a Republican school board member in North County has come out as transgender, we share how the community reacted. Then, the city of Oceanside is being sued over a controversial warehouse project. Finally, we get a behind-the-scenes preview of Huzzah!, a musical on the stage at The Old Globe.
What would it take for one to venture into hell?Author Rebecca F. Kuang's latest novel, "Katabasis" explores that question and more. In the novel, two graduate students journey into the underworld to rescue their professor's soul.Thursday on Midday Edition, Kuang joins producer Julianna Domingo to talk about the hellish inspirations for "Katabasis" and writing about the absurdities of academia.And, hear ye, hear ye! The Old Globe's latest musical comedy, "Huzzah!" follows two sisters as they try to save their father's renaissance faire from financial ruin. KPBS arts reporter Beth Accomando goes behind-the-scenes to speak with the director and creators.Guests:R.F. Kuang, author, "Katabasis"Nell Benjamin, lyricist, writer and composer, 'Huzzah!'Lawrence O'Keefe, composer, 'Huzzah!'Annie Tippe, director, 'Huzzah!'
Adrian Hall born in Van, Texas on December 3, 1927 was an American theater director. His directing style has been described as "bold" and his work was considered part of the first and second generation of the regional theater movement of the 1960s and late 1980s. He was the founding Artistic Director of the Trinity Repertory Company in Providence, Rhode Island and in residence from 1963 to 1989, and the Artistic Director of the Dallas Theater Center from 1983 to 1989. Randy Moore is a founding member of Paul Baker's , Dallas Theatre Center and was in residence from 1961 to 1994. From 1995 to 2012, he migrated to the Denver Center Theatre. He has performed with Denver's Curious Theatre Company, the Alley, the Old Globe, and the Colorado Shakespeare Festival.Today, Randy joins us to discuss the life and work of Adrian Hall and the Dallas Theatre Center.
Hello Booty Gang! Buckle those harnesses and hydrate—because this week, Dr. Carlton and Dangilo are back from their San Diego Pride escapades! Both of our favorite butt men marched their way through the Pride parade and into more than a few steamy situations after dark. From wild nightlife stories to daytime parade dazzle, you'll get the full rainbow-colored rundown—naked bits and all.Dr. Carlton trades in his jockstrap for some theater critique and dishes on Noises Off at the Old Globe (yes, she's cultured and kinked)This week's listener Q&A about switching between Truvada and Descovy. Is it safe? Does it provide the same level of protection? We have your answer.PLUS: The latest update in the ever-evolving Trampaige saga!And as always, we wrap it up with our Love Language of the WeekWhether you're listening from a sling, your car, or while pretending to do work at your desk—this one's a ride you don't want to miss.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
We rate this show one Costco stack of sardines.
Each year, about 150,000 students from high schools across the country compete in regional competitions for musical theatre. Only 110 of those make it to the prestigious National High School Musical Theatre Awards, also known as the Jimmy Awards.On Midday Edition Thursday, we hear from one nominee about his Jimmy Awards experience and his musical theatre journey thus far.Snapseed.jpg (6000x4000, AR: 1.5)Then, at the Old Globe, summer means Shakespeare. KPBS arts reporter Beth Accomando previews two Shakespeare comedies taking place under the stars.And finally, KPBS arts reporter Julia Dixon Evans shares her top event picks in arts and culture this weekend, from an upcoming textile art exhibition to a Fourth of July concert at Rady Shell.Guests:Bruno Dominguez, Jimmy Award nominee, graduate of Coronado School of the ArtsJames Vasquez, director of "The Comedy of Errors"Peter Francis James (PFJ), director of "All's Well That Ends Well"Denja Harris, textile artistJulia Dixon Evans, arts reporter, KPBS]]>
"One of the Good Ones" is writer Gloria Calderón Kellett's first full-length play and will run at The Old Globe through June 22. Plus, our Midday Movies critics celebrate independent cinema and an upcoming Japanese film series. And finally, your weekend arts preview.
"Directors are authors of a production," is the vision held by Trip Cullman, director of the play, We Had a World. This beautiful play explores intergenerational relationships in a family with complicated dynamics. Starring Joanna Gleason, Andrew Barth Feldman, and Jeanine Serralles and written by Joshua Harmon. Sarah and Trip discuss the play, queer representation on stage, the importances of live theatre, and more! Trip Cullman (Director). Broadway: Cult Of Love, The Rose Tattoo, Choir Boy, Lobby Hero (Tony nom., Best Revival), Six Degrees of Separation (Tony nom., Best Revival), Significant Other. Select Off Broadway: I Can Get It For You Wholesale (Best Revival, Drama Desk and Outer Critics) (CSC); The Lonely Few, Moscow Moscow…, YEN, Punk Rock (Obie), A Funny Thing Happened… (MCC); Days Of Rage, The Layover, The Substance of Fire, Lonely I'm Not, Bachelorette, Some Men, Swimming In The Shallows (Second Stage); Unknown Soldier, The Pain Of My Belligerence, Assistance, A Small Fire (Drama Desk nom.), The Drunken City (Playwrights Horizons); Significant Other (Roundabout); Choir Boy (MTC); Murder Ballad (MTC and Union Square); The Mother, I'm Gonna Pray For You So Hard (Atlantic); Roulette (EST); The Hallway Trilogy: Nursing (Rattlestick); The Last Sunday In June (Rattlestick and Century Center); Dog Sees God (Century Center); US Drag (stageFARM); several productions with The Play Company. Select regional: Berkeley Rep, McCarter, Geffen, Arena, Alliance, Old Globe, La Jolla, South Coast Rep, Bay Street, Williamstown. Connect with GOOD SHOW! Instagram: @goodshowpodcast Tik Tok: @goodshowpodcast Learn more about your ad choices. Visit megaphone.fm/adchoices
On today’s episode, Matt Tamanini is in conversation with two-time Tony-nominated lyricist Amanda Green. Known for her shows like “High Fidelity,” “Bring It On,” “Hands on a Hardbody,” and “Mr. Saturday Night,” Green’s latest musical is “Regency Girls,” currently enjoying a critically acclaimed world premiere run at The Old Globe read more The post Special Episode: Amanda Green on ‘Regency Girls’ world premiere appeared first on BroadwayRadio.
A week before the High Holidays, three rabbis find themselves in a room fighting to save a family by building a bridge between orthodoxy and modernity. One of these rabbis is Chava, the child of a dynastic Hasidic rabbinical family and destined to become a leader of the next generation before the revelation of her trans identity clashed explosively with the strictly gendered world in which she was raised. As we jump through memory—and wrestle with theology—truths and secrets emerge that ensure no one will read the old stories the same way again. Sarah chats with playwright, Emil Weinstein about this exciting new play, Becoming Eve. EMIL WEINSTEIN (Playwright) is a writer and director whose work spans theater, television, and filmmaking. He graduated from the David Geffen School of Drama at Yale, where he directed the first workshop production of Slave Play by Jeremy O. Harris. His productions as a theater director include Twelfth Night and Romeo & Juliet at Two River Theater, Comedy of Errors and As You Like It (upcoming) at the Old Globe, and developmental work with EnGarde Arts, Rattlestick Theater, Shakespeare and Company, and New York Theatre Workshop. For television, Emil worked as a staff writer on Amazon's “A League of Their Own,” and directed four episodes for the final season of “The L Word Generation Q” for Showtime. His short films “Candace” and “In France Michelle is a Man's Name” played at festivals around the world, winning multiple awards including two Academy Award Qualifying Grand Jury Prizes. Becoming Eve is Emil's Off-Broadway playwriting debut. Emil is a transgender man and uses he/him pronouns. Connect with GOOD SHOW! Instagram: @goodshowpodcast Tik Tok: @goodshowpodcast Learn more about your ad choices. Visit megaphone.fm/adchoices
San Diego's wastewater surveillance program was shut down and that has scientists worried. Plus, we talk to a San Diego business about President Trump's decision to pause reciprocal tariffs. And, a musical premiering at the Old Globe is using humor to tackle serious issues.
Initially an actress ('Les Miserables', 'Aspects of Love', et al.), Merri found herself out West some years back where she quickly made a name for herself at Liberman/Hirschfeld Casting, then Liberman/Patton Casting, working on such shows as Seinfeld, Party of Five, HBO's Band of Brothers, the feature film My Big Fat Greek Wedding and the Miramax feature film "Playing By Heart", starring Sean Connery and Angelina Jolie. In 2000, Merri moved to Dreamworks Studios as the Casting Executive in charge of TV Pilots and Series- including "Spin City", “Freaks and Geeks” and the critically acclaimed "The Job", starring Denis Leary. She was then offered a position as the Director of Casting for Dramas and Movies at ABC Television, overseeing the casting of the series "Alias", "NYPD Blue", "The Practice" and the made for television movies "Gilda Radner - It's Always Something" and "The Music Man", starring Matthew Broderick and Kristin Chenoweth, to name just a few. Merri then returned to the East Coast to teach and coach actors – something she still does (and loves) as time permits, when Tara Rubin offered her a Senior Casting Director position where she's been happily ensconced ever since, working on, among many others - the Broadway, touring and international companies of THE WHO'S TOMMY, COMPANY, AIN'T TOO PROUD, JERSEY BOYS,THE PHANTOM OF THE OPERA, LES MISERABLES, SCHOOL OF ROCK, MISS SAIGON, A BRONX TALE, CLUELESS the Musical, TREVOR the Musical (2023 Artios Award) and FIDDLER ON THE ROOF (2024 Artios Award) The TRC office is also responsible for the casting of Billy Crystal's series “Before” for Apple TV and the Broadway productions of The Outsiders, SIX and Death Becomes Her, just to name a few Merri also casts for many theaters regionally – including The Papermill Playhouse, Lyric Opera of Chicago, The Old Globe, Seattle Rep, The Goodman and The La Jolla Playhouse. She is the very proud Casting Director of the critically acclaimed web series SUBMISSIONS ONLY and also boasts having cast many other independent TV & film projects, workshops and readings. In 2024, Merri took on some passion projects on the side, as well. These include the highly acclaimed and starry concert production of “FOLLIES” at Carnegie Hall for Transport Group's annual benefit gala, and a reading of a new play at The Actors Studio written by Lyle Kessler (“Orphans”) and directed by Academy Award winner Bobby Moresco – starring Chazz Palminteri, Tim Blake Nelson and Gina Gershon. In addition, Merri is now also the Casting Director at The South Carolina New Play Festival. Learn more about your ad choices. Visit podcastchoices.com/adchoices
The luminous Kate Baldwin joins The Art of Kindness with Robert Peterpaul this Women's History Month to discuss acts of kindness throughout her career on Broadway, Maestra Music and more. Kate Baldwin is a two-time Tony Award and four-time Drama Desk Award nominee who has delighted audiences across the country with performances on Broadway, in concert and on television. Kate starred as Irene Molloy opposite Bette Midler, David Hyde Pierce and Gavin Creel in the hit Broadway revival of Hello, Dolly!, for which she was nominated for the Tony, Drama Desk and Outer Critics Circle awards. She originated the role of Sandra Bloom in Big Fish on Broadway and earned accolades and a Drama Desk Award nomination for her work as Leslie Lynnton Benedict in Michael John LaChiusa's Giant at The Public Theatre. She received a Drama Desk Award nomination for her role as Jen in Keen Company's 20th Anniversary revival of Andrew Lippa and Tom Greenwald's John & Jen. She garnered critical acclaim and a Lucille Lortel Award nomination for Tom Kitt and John Logan's Superhero at Second Stage. But it was her starring role in the 2009 Broadway revival of Finian's Rainbow, which drew Tony, Drama Desk and Outer Critics Circle Award nominations and put her on the map as “a real musical theatre star.” (New York Post) Kate has appeared in the Broadway casts of The Full Monty, Thoroughly Modern Millie and Wonderful Town. Other New York theatre productions include Songbird at 59e59 and in The Dead, 1904 for Irish Rep, Fiorello! and Love Life for City Center Encores! She starred in The King and I at the Lyric Opera of Chicago, Irving Berlin's White Christmas (San Francisco, Detroit, Toronto), The Women at The Old Globe, Henry V at the Shakespeare Theatre of New Jersey, She Loves Me at the Willliamstown Theatre Festival, and The Music Man and South Pacific at Arena Stage, earning a Helen Hayes Award nomination. She drew raves for her portrayal of Francesca Johnson in The Bridges of Madison County directed by original cast member Hunter Foster and for her turn as Dorothy Brock in 42nd Street at Goodspeed Opera House directed by original creator Randy Skinner. She has performed in concert with the American Pops Orchestra, New York Pops, Boston Pops, National Symphony, Detroit Symphony, Portland Symphony, Phoenix Symphony, Chicago Symphony, American Songbook series at Lincoln Center, the Kennedy Center and at the legendary New York nightclubs Feinstein's, Birdland and 54 Below. Her concert work also includes several appearances with Stephen Sondheim as a featured performer in his critically acclaimed evening, “A Conversation with Stephen Sondheim.” On television, her work includes appearances on “The Gilded Age” (HBO), “Law &Order: SVU” (NBC) “Just Beyond” (Disney Plus) “Live from Lincoln Center: Stephen Sondheim's Passion” (PBS) and “First You Dream: the Songs of Kander and Ebb” (PBS) Kate is a 2023 Chicago/Midwest Emmy nominee, alongside partners at HMS Media for creating and producing “Broadway Comes Home,” a love letter to her hometown of Milwaukee. She is a proud advisory board member for Maestra Music, which provides support, visibility and community for the women and non-binary people who make the music in musical theatre. Kate's debut album on PS Classics, “Let's See What Happens” features Lane and Harburg songs from both stage and film. Her second album celebrates the work of lyricist Sheldon Harnick and is titled, “She Loves Him.” She is a graduate of Shorewood High School in Shorewood, WI and Northwestern University. She lives with her husband and son in Maplewood, NJ. Visit: maestramusic.org Follow Kate: @realkatebaldwin Follow us: @artofkindnesspod / @robpeterpaul youtube.com/@artofkindnesspodcast Support the show! (https://www.buymeacoffee.com/theaok) Got kindness tips or stories? Want to just say hi? Please email us: artofkindnesspodcast@gmail.com Music: "Awake" by Ricky Alvarez & "Sunshine" by Lemon Music Studio. Learn more about your ad choices. Visit megaphone.fm/adchoices
President Donald Trump's 25 percent tariffs on all aluminum and steel imports are concerning local brewers. Plus, two San Diegans are doing what they can to help people heal from the LA fires with the help of some feline friends. And, a new play premiering at The Old Globe explores loss and the supernatural.
Check out this podcast replay of our SDCF Panel: The Journey from Dancer to Choreographer with Mayte Natalio, Adesola Osakalumi, and Ellenore Scott. This conversation focuses on career transitions or expansions, specifically for dancers who have shifted or added choreography to their artistic practice. We hosted this panel at Sunlight Studios in February 2024. This video and audio was recorded by Michael Weir supported by the Maria Torres Emerging Artists Foundation. Transcript available upon request. Ellenore Scott (she/her) is a BIPOC, New York based choreographer and director. Through her work, Scott values lifting diverse voices in her community while creating a joyous space where the creative process can bring as many people in as possible. Her Broadway credits include Grey House, Funny Girl, Mr. Saturday Night. Her Off-Broadway credits include Little Shop of Horrors, Titanique (Lucille Loretel Nomination), I Can Get It For You Wholesale. Other choreography credits include: So You Think You Can Dance?, Single All the Way (Netflix). In 2023, Scott co-directed The Lonely Few, a world premiere rock musical at the Geffen Playhouse in Los Angeles, CA that will transfer to Off-Broadway's MCC Theatre in Spring of 2024. Scott's work has also been seen at The Bushwick Starr, The Old Globe, Hudson Valley Shakespeare Festival, McCarter Theatre, Cherry Lane Theatre, Asolo Repertory Theatre, Cape Fear Regional Theatre and Seattle Repertory Theatre. In 2020, Scott was a finalist for the SDC Breakout Award for the first ever TikTok Music Ratatouille: The TikTok Musical which raised over $2 million for The Entertainment Fund. As a performer, Scott appeared in numerous television shows (Marvelous Mrs. Maisel, Smash, The Blacklist, Glee! to name a few) and was a finalist and All-Star on So You Think You Can Dance? Scott is the Artistic Director of ELSCO Dance, a contemporary-fusion dance company. Mayte Natalio: Broadway: Suffs (spring 2024), For Colored Girls… (Associate Choreographer). Off-Broadway: Measure for Measure (The Public Theater, Mobile Unit). Regional: The Winter's Tale (DTC, Public Works), Into the Woods (Barrington Stage Company), Love in Hate Nation (Two River Theater), Hair (The Old Globe), Kiss My Aztec (Hartford Stage), How to Dance in Ohio (Syracuse Stage). Adesola Osakalumi: is a Bronx native, Bessie Award-winning, Drama Desk-nominated Choreographer and Actor. Inspired by his family's dance company Africa 1 Dance Theater, he began performing at an early age and was immediately captivated by popping, locking, and all diasporic hip-hop dance styles. He began training seriously at every opportunity possible while maintaining a strong presence in the New York club scene where these styles flourished. Selected Choreographic credits include: Fall For Dance/Jam On The Groove 3 For 30 (City Center),Skeleton Crew (Broadway MTC), Cullud Wattah, Coal Country, Othello (Public Theater), runboyrun, Eyewitness Blues (NYTW), Good Grief (Vineyard), Jam on the Groove (Minetta Lane) and the film School Of Rock. Upcoming: The Hippest Trip (Soul Train Musical) Associate Choreographer & Dance Consultant and Syncing Ink (Victoria Theater) Spring 2025. As an Actor: Skeleton Crew, Fela!, Equus (Broadway), runboyrun (NYTW), Syncing Ink (Flea/Alley Theater) and the films Red Pill, IBRAHIM, Enchanted, Across the Universe, and Sex and the City 2. TV: "Endgame", “Ice”, Blue Bloods. Awards: Bessie Award Recipient, Drama Desk Recipient. I give thanks to my Ori, Ancestors, and Family for their constant support and love. adesola.com IG @adesolaosakalumi.
Check out this podcast replay of the SDCF Virtual Panel: Demystifying Pre-Production with Knud Adams, Maija García, and Delicia Turner Sonnenberg. This conversation focuses on the pre-production process, giving insights and a better understanding of all the things that happen between when a director signs a contract and first rehearsal. The panelists talked about what they have discovered over the years makes for the strongest pre-production process for them before rehearsals begin. Transcript available upon request. We hosted this panel in June 2024. Knud Adams is an Obie-winning director of artful new plays, based in New York. This season, he's directing English on Broadway. His work has been featured on "Best of the Year" lists by The New York Times, New York Magazine, The New Yorker, and The Washington Post. An avid developer of new work, his world-premiere productions include: Primary Trust (Roundabout), English (Atlantic/Roundabout), Bodies They Ritual (Clubbed Thumb), Private (Mosaic), The Headlands (LCT3), Paris (Atlantic), and The Workshop (Soft Focus). Knud also directed the radio play Vapor Trail, which premiered at the Tribeca Film Festival. Maija García is a theater director, cultural innovator and advocate for equity in the arts. She recently directed I am Betty, a world premiere hit new musical at History Theater by Cristina Luzarrága and Denise Prosek; VALOR, a Spanish golden-age play by Ana Caro; and OUR HOOD, a bi-lingual cineplay by John Leguizamo. Director of Movement for Spike Lee's Oscar award-winning Blackkklansman, CHI-RAQ and She's Gotta Have It on Netflix, and Executive Producer of Art of Dance, a documentary film, García's Theater Directing credits include Bill T. Jones' FELA! World Tour; CRANE: on earth in sky by Heather Henson and Ty Defoe and Salsa Mambo Cha Cha Cha in La Habana Cuba. Regional Theater credits include original choreography for West Side Story at the Guthrie Theater; Kiss My Aztec by John Leguizamo and Tony Toccone at Berkeley Rep, and La Jolla Playhouse; Snow in Midsummer by Frances Ya-Chu Cowhig at Oregon Shakespeare Festival; Cuba Libre by Carlos Lacámara at Artists Repertory Theater (PAMTA Award); and Fats Waller Dance Party with Jason Moran and Meshell N'degeocello at Harlem Stage, SF Jazz and the Kennedy Center. Garcia founded Organic Magnetics to generate urban folklore for the future. She wrote, produced and directed Ghosts of Manhattan: 1512-2012, an interactive history and I am New York: Juan Rodriguez. Director of Education and Professional Training at Guthrie Theater, Maija served on the Tony Award Nominating Committee and is a proud member of SDC since 2008. Delicia Turner Sonnenberg is a director, artistic leader, teacher, and mother. She is a founder and the former Artistic Director of MOXIE Theatre, which she helmed for twelve acclaimed seasons. Delicia has directed plays for the Old Globe Theatre, San Diego REP, La Jolla Playhouse, Actors Theatre of Louisville Humana Festival, Cygnet Theatre, New Village Arts, and Diversionary Theatre, among others. Delicia has directed countless workshops and staged readings of new plays for National New Play Network, Old Globe, Bay Area Playwrights Festival, San Diego REP, and Arena Stage. Delicia was twice a recipient of the Van Lier Directing Fellowship through Second Stage Theatre in New York and is an alumna of the New York Drama League's Directors Program, as well as Theatre Communication Group's New Generations Program.
Check out this podcast replay of the SDCF Panel: Art of Collaboration with Shana Carroll, Jesse Robb, and Jessica Stone that we hosted at the Museum of Broadway. They discuss the ins and outs of their creative processes as they collaborated on Water for Elephants, both the finer details as well as overarching ideas about what goes into a productive collaboration on a show. This was a moderated panel with dedicated time for a Q & A. We hosted this panel in August 2024. This video and audio was recorded by Michael Weir supported by the Maria Torres Emerging Artists Foundation. Transcript available upon request. Shana Carroll is Co-Founding Artistic Director of the Montreal based circus company The 7 Fingers. Since its founding in 2002, Carroll has written, directed and choreographed 12 of their touring and/or resident shows, 3 of which (Passengers, Duel Reality, Dear San Francisco) are currently running, and which also includes Sequence 8 at NY City Center and Traces off- Broadway run at Union Square Theatre. Carroll received a Drama Desk Nomination for Choreography and Best Theatrical Experience for their show Traces. Outside The 7 Fingers, Carroll directed Cirque du Soleil's first- ever ice show Crystal, in addition to their performance at the Academy Awards in 2012. Also, for Cirque du Soleil, Carroll was circus choreographer and designer for their shows Iris (Los Angeles) and Paramour (Broadway). Other credits include: Queen of the Night (Drama Desk Recipient); Soul of the Ocean (Moment Factory); Cité Mémoire (Lemieux-Pilon); and the Sochi Winter Olympics Opening Ceremonies (medieval segment). Prior to directing and choreography, Carroll was herself a trapeze artist, performing for over 20 years in the air with circuses and dance companies around the world, most notably as the original solo trapeze artist for Cirque du Soleil's Saltimbanco. She also appeared in Cirque du Soleil produced television and film. Now based in Montreal, where she relocated in 1991 to attend l'École Nationale de Cirque, Carroll is originally from Berkeley, California. In 2023, Carroll was inducted into the Ordre of Arts and Letters of Quebec, a distinction honoring those who have contributed to artistic and cultural development in the province of Quebec. Most recently, Carroll was Circus Designer and Co-choreographer of the musical Water For Elephants, first at the Alliance Theatre in Atlanta and now in its Broadway run at the Imperial Theatre, for which she received a Suzi Bass Award and the Chita Rivera Award for Best Choreography, as well as Tony, Drama Desk and Outer Critics' Circle nominations in the same category. Jesse Robb's work spans Broadway, Cirque Du Soleil, Momix, Les Ballet Jazz de Montréal, Mirvish Productions, Disney, Cameron Mackintosh, Prime Video, Opera Philadelphia, and more. He is the co-choreographer (alongside Shana Carroll) for the Broadway production of Water For Elephants, which was nominated for seven Tony Awards including Best Musical. Jesse and Shana were nominated for Tony, Drama Desk, and OCC Awards and received the 2024 Chita Rivera award for Outstanding Choreography. Jesse is the Movement Director for the North American Touring, South Korean, and Japanese productions of the international hit Les Misérables. He was also the Associate Choreographer for the Broadway, North American Touring, and Austrian companies of the 2017 Revival of Miss Saigon. Regionally, Jesse has choreographed at The MUNY, The Alliance Theater (Suzi Bass Award for Outstanding Choreography), The Stratford Festival of Canada, Theatre Calgary, and Ogunquit Playhouse among others. Jessica Stone: Most recently, Stone was nominated for a Tony Award for directing the original Broadway musical Kimberly Akimbo, which won 5 Tony Awards including Best Musical. Stone worked as an actress on and off-Broadway, in television and in film for decades before transitioning to directing. Broadway credits included Anything Goes, Butley, The Odd Couple, The Smell of the Kill, Design for Living, How to Succeed in Business Without Really Trying and Grease. Her directing career began in earnest with her all-male 2010 production of A Funny Thing Happened on the Way to the Forum for the Williamstown Theatre Festival. She has since been directing all over the country at such theaters as The Old Globe, A.C.T, Shakespeare Theatre Company, Huntington Theatre Company, Two River Theatre Company, and the Williamstown Theatre Festival among others. Productions include As You Like It, Kate Hamill's Vanity Fair, Barefoot in the Park, Dancing at Lughnasa, Bad Dates, Ken Ludwig's Robin Hood! (World premiere), Ripcord, Bad Jews, Arms and the Man, Vanya and Sonia and Masha and Spike, Charlotte's Web, June Moon, Last of the Red Hot Lovers, The 25th Annual Putnam County Spelling Bee, Absurd Person Singular, and Kimberly Akimbo (off-Broadway premiere at the Atlantic). She currently lives in Brooklyn with her husband and two sons.
Karma Jenkins is a multi-hyphenate artist whose work on screen includes The Time Traveler's Wife (HBO), Ghost: PowerBook II (Starz) and The Last O.G (TBS). She's appeared in commercials for Amazon Prime & William Hill Winery and is a member of SAG/AFTRA & Actors Equity. Karma has worked across the United States at reputable regional stages such as The Old Globe, 5th Ave Theatre & The MUNY, and has recently joined the production side of upcoming new stage works. Karma believes that the change we want to happen starts in our own backyards and she is dedicated to the idea that art and activism go hand in hand. In today's episode, Karma discusses using one's voice for change, the lack of diversity and representation behind the scenes in the entertainment industry, and the need for more diverse voices and perspectives in decision-making roles. She also discusses taking care of one's mental health, finding outlets for self-expression and joy outside of the industry, and the power of being true to oneself in auditions. Learn more about Karma Jenkins & The Story Project. --- Support this podcast: https://podcasters.spotify.com/pod/show/storyproject/support
KPBS' Midday Movies critics share their top picks for films set on Halloween. Plus, a new play at the Old Globe commemorates Día de Muertos. And finally, one exhibit reimagines a series of high-rise projects abandoned along the Baja coast.
One of our favorite human beings and most beloved guests Drew Droege takes a break from Dracula: A Comedy of Terrors to talk about working with Luca Guadagnino and Daniel Craig in the upcoming Queer, plus: flake culture in San Diego, important vampires and villains in The Lost Boys, Dark Shadows, and Sleepaway Camp, relating to the Final Girl, our collective lack of interest in the Terrifier franchise, Lady Gaga's pen, paper, and process, the significance of Desiree Gould, a paranormal experience at Casita del Campo, why Saturday Night is worth seeing, and the long-overdue streaming debut of Kate & Allie. Do not flake: See Drew as Lady Van Helsing and many more demented characters in Dracula at the Old Globe in San Diego: visit theoldglobe.org for tix!
Veteran theater and film actor James Sutorius has performed for the most prestigious regional and repertory theater companies including The Old Globe, La Jolla Playhouse, Center Theatre Group, South Coast Repertory, and Pasadena Playhouse. He's also performed at Lincoln Center, Yale Repertory, Long Wharf Theatre, Seattle Repertory, and many more. In 2007, he won two San Diego Theatre Critics Awards for his performance as George in "Who's Afraid of Virginia Woolf?" and for his multiple supporting roles in John Strand's play "Lincolnesque." James made his Broadway debut in 1973 in "The Changing Room." In his very first entrance as a member of a rugby team, he had to walk downstage and strip off all his clothes! Instead of finding the experience terrifying, he actually found it liberating. And he played Laertes opposite Sam Waterston's Hamlet at the Vivian Beaumont Theater, alongside a cast of rising stars including Jane Alexander, Mandy Patinkin, George Hearn and John Heard. Most recently James was seen on Broadway in Aaron Sorkin's play "The Farnsworth Invention" that was directed by Des McAnuff and produced by Steven Spielberg. James was the voice for Ragu Spaghetti Sauce for 17 years, spawning the national catchphrase "Now, THAT'S Italian!" He continues to pitch other products for Coca Cola and Wrangler Jeans. He also lends his distinctive voice to audio books and short story anthologies on tape.On TV, James' break came when he starred as investigative reporter Mike Andros in The Andros Targets. He's also appeared on such well-known TV series as Dynasty, Cannon, Kojak, St. Elsewhere, Family Ties, 21 Jump Street, Murder, She Wrote, L.A. Law, The X Files, Judging Amy, and many others. And he was a regular on Bob Crane's short-lived sitcom, The Bob Crane Show. Additionally, he's appeared in such notable TV movies as: A Death in Canaan, A Question of Love, Skokie, Space, and On Wings of Eagles. In feature films, James can be seen in Dancing as Fast as I Can starring Jill Clayburgh and Windy City with John Shea and Kate Capshaw.
This week Erin is joined by star of stage and screen Drew Droege, who is currently starring in Dracula, A Comedy of Terrors at The Old Globe in San Diego! We discuss the differences in San Diego and LA culture, make modern movie references to Backdraft and Terminator, and figure out who the hell Hailey Bieber is. Plus, Erin discusses the $1.5 million dollar settlement Kansas City, Missouri made to Rebecca Reynolds - a lesbian paramedic and firefighter who endured decades of harassment and abuse from her coworkers. For tickets to Drew's show, click here! For this week's bonus 20/20 Recap visit www.patreon.com/attitudes Join us on Discord for episode discussions and Watch Parties! https://discord.gg/gK2eZHCSM7See omnystudio.com/listener for privacy information.
Chilina Kennedy is known for playing Carole King in the musical Beautiful on Broadway for over 1,200 performances. She also recently originated the Tony-award winning role of Dina on the First Broadway National Tour of The Band's Visit. Chilina's first appearance on Broadway was in 2012 when she played Mary Magdalene in Des McAnuff's Jesus Christ Superstar, which also had successful runs at the Stratford Festival of Canada and the La Jolla Playhouse. Other US credits include the world premiere of A Gentleman's Guide to Love and Murder, in which she originated the role of Phoebe at Hartford Stage and The Old Globe in San Diego (San Diego and Connecticut Outer Critics nominations), the world premiere of A Sign Of The Times as Cindy (Delaware Theatre Company), Binky in the Off-Broadway world premiere of This Ain't No Disco (Dir. Darko Tresnjak/Chor. Camille A. Brown) and Sophie in the 1st US National Tour of Mamma Mia!. Selected Canadian credits include the title role in Ted Dykstra's Evangeline (Charlottetown Festival and original recording), the title role in Ross Petty's Pantomime The Little Mermaid (Toronto Critic's Award), three seasons at the Stratford Festival (three Broadways World Awards) including Maria in Gary Griffin's West Side Story, Eva Peròn in Evita, Lois Lane in Kiss Me Kate, three seasons at the Shaw Festival, the World Premiere of The Lord of the Rings (Mirvish), Philia in A Funny Thing Happened on the Way to the Forum (Stratford/Toronto), Cecily in The Importance of Being Earnest (Neptune), and the title role in Mary Poppins (Theatre Aquarius). Chilina is also a singer/songwriter with a debut album What You Find in a Bottle, released in 2015. Chilina has written a new musical Call It Love with Eric Holmes, who is known for being a writer for “The Good Fight” on CBS. Featuring music and lyrics by Chilina, book co-written by Eric and Chilina, and musical arrangements by Rick Fox, Call It Love has been developed in the New York City area by Eclipse Theatre Company (http://eclipsetheatre.ca/). Chilina has worked with Burt Bacharach, guest starred in concert with the TSO, Colm Wilkinson and Jason Robert Brown. You can hear Chilina's voice on CBC's “Celebrate the Seasons” and “Carols for a Cure.” Chilina is a graduate of Sheridan College and the Birmingham Conservatory for classical theatre Learn more about your ad choices. Visit podcastchoices.com/adchoices
This episode we are joined by actor Shereen Ahmed! Shereen made her Broadway debut in My Fair Lady where she became the first woman of color to play the role of Eliza Doolittle on Broadway! She later would tour with My Fair Lady across the country as Eliza. She was most recently seen in Nine at The Kennedy Center and her other credits include A Man of No Importance at Class Stage Company, The Light in the Piazza New York City Center Encores! and The Age of Innocence at The Old Globe.We chat with Shereen about her journey to making her Broadway debut, her "master classes" in watching her fellow performers work, finding new ways to use her voice and much more!
This summer San Diego's Old Globe became one of only 10 theaters in America who have produced all of Shakespeare's plays (or 11, depending on how you count it) with their production of Henry VI, parts 1, 2, and 3. Artistic Director Barry Edelstein shares the details of how they tackled staging three rarely seen works with more than 150 characters, and condensed it into two exciting nights of theater. The epic production includes contributions from nearly a thousand San Diegans, many of whom have participated in the Globe's community programs. Edelstein, the Erna Finci Viterbi Artistic Director of The Old Globe, is one of America's most experienced Shakespeare directors and has staged more than half the canon himself. Before joining the Globe in 2012, he directed the Public Theatre's Shakespeare Initiative and was the artistic director for Classic Stage Company in New York City. He is the author of Thinking Shakespeare about American Shakespearean acting and Bardisms: Shakespeare for All Occasions. Henry 6 runs through September 14 and 15, 2024 at the Globe in San Diego, California. For tickets and more information, visit https://www.theoldglobe.org. From the Shakespeare Unlimited podcast. Published August 13, 2024. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the associate producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services provided by Clean Cuts at Three Seas, Inc.
This week, in our annual summer bonus episode, we're joined once again by Mr. Hale "Satan" Appleman, of stage, screen, "The Magicians," "American Horror Story," Teeth, and more. Our assignment: Longlegs, Osgood Perkins' insidiously stylish brain-twister featuring off-the-hook performances by Maika Monroe, Alicia Witt, and a barely recognizable Nicolas Cage. Also along for the fun, in the next installment of our "Campus Radio" segment, is Mr. Marcus Dunstan, director of the new film #AMFAD All My Friends Are Dead. Intro, Math Club & Debate Society, Campus Radio, To Sir With Love (spoiler-free): 00:00-29:04Honor Roll and Detention (spoiler-heavy): 29:05-1:06:40Superlatives (spoiler-heavier): 1:06:41-1:21:39 Screenplay/Direction Osgood PerkinsFeaturing Nicolas Cage, Michelle Choi-Lee, Maika Monroe, Kiernan Shipka, Blair Underwood, Alicia Witt Hale Appleman is perhaps best known for playing Eliot in “The Magicians,” currently streaming on Netflix, and Tobey in the Sundance horror comedy Teeth. Genre fans have seen him in the eleventh season of “American Horror Story,” and he's appeared in the NBC series “Smash,” AppleTV's “Truth Be Told,” and in the films Beautiful Ohio, Pedro, and Private Romeo. He is also an accomplished stage actor whose credits include the Roundabout Theatre Company, ART, the Berkshire Theater Festival, and The Old Globe. Hale can be heard on the L.A. Theatre Works recording of Sam Shepard's Buried Child. Marcus Dunstan's screenwriting with his partner, Patrick Melton, include such horror films as Feast 1-3, Saw IV-V-VI and Saw 3D The Final Chapter, Pirahna, Pacific Rim, God Of War, Final Destination 6, and Scary Stories to Tell in the Dark. #AMFAD All My Friends Are Dead marks Dunstan's sixth feature as a director. Dunstan's previous directing credits include The Collector, The Collection, The Neighbor, Blumhouse's Pilgrim, and 2022's Blumhouse Presents: Unhuman. He is a producer of The Candidate, and executive producer of 2022's horror-thriller Take Back the Night. Fall 2023 saw the release of the Dunstan-directed, Clio Award-winning Jack In The Box horror short film Feeding Time. Currently, Dunstan and Melton are collaborating on Saw XI for Director Kevin Greutert and Lionsgate, an animated take on Gris Grimley's Frankenstein, as well as the horror film Escape: Halloween with Live Nation and Insomniac. This fall, Dunstan returns behind the camera for production of the horror-thriller film Death Valley, co-written by Melton and Dunstan. Our theme music is by Edward Elgar and Sir Cubworth. Music from Longlegs by Elvis Perkins. For more information on this film, writing by your hosts (on our blog), and other assorted bric-a-brac, visit our website, scareupod.com. Please subscribe to this podcast via Apple Podcasts, Spotify, or wherever you get yours. If you like what you hear, please leave us a 5-star rating. Join our Facebook group. Follow us on Instagram.
The first part of Backstage Babble's 200th episode celebration is here, and it is an honor to be talking theater legend Jack O'Brien, who recently received the lifetime achievement award at the 2024 Tonys. Tune in to hear some of the stories of his expansive career, including the genesis of his newest show THE ROOMMATE, his advice for young directors, his friendship an collaboration with Stephen Sondheim, figuring out the sensitive timing of SHUCKED, learning from Ellis Rabb about how to give notes to actors, the show of his that launched more careers than any other, his unique relationship with the cast of PORGY AND BESS, how he decided to leave his position as artistic director of The Old Globe, the intriguing critical response to IMAGINARY FRIENDS and CAROUSEL, how his revival of ST. LOUIS WOMAN almost came to Broadway, revising DAMN YANKEES with George Abbott, his criteria for choosing shows to direct, how INTO THE WOODS changed the regional theater landscape, and so much more. This episode is a masterclass in directing from one of the greatest theatrical minds of all time. I can't think of a more perfect way to celebrate 200 episodes.
Playwright, philanthropist and theater icon Dea Hurston died on July 7. On Thursday we discuss Hurston's legacy. Also, a look at how the Old Globe is engaging the community. Then, a preview of weekend arts events ahead.
Meet veteran stagehand Brandon Resenbeck on the Union or Bust podcast Today's labor history: 5,000 rally for the "Charleston Five" Today's labor quote: Helen Marot @UnionOrBustPod @wpfwdc @AFLCIO #1u #UnionStrong #LaborRadioPod Proud founding member of the Labor Radio Podcast Network
"Henry the Sixth" marks the largest Shakespeare production at the Old Globe. Plus, one graphic novel tells a queer coming-of-age story through diary entries. And finally, your weekend arts preview.
IT'S HAPPENING IN YOUR REFRIGERATOR: Deutero-Fung, a mold spore with big ideas, attempts to rally his fellow mold spores into blooming immediately and take over the apartment-verse, but Hyphae-Fung, a mold spore with even bigger ideas, warns the community that blooming early will be a mistake. Look out! Cuz it's Happening in your Refrigerator! Written by Greg Kotis Directed by Jonathan Cook Performed by Sol Baird as "Deutero-Fung"; Brad King as "Hyphae-Fung"; and the cast of Urinetown the Musical at Le Chat Noir Theatre as the mold spore community. Intro/Outro music: JK/47 About the writer: GREG KOTIS is a two time Tony™ Award winning author of many plays and musicals including Urinetown (Book/Lyrics), The End of All Flesh, I Am Nobody, The Truth About Santa, The Sting (Lyrics), Lunchtime, Give the People What They Want, Michael von Siebenburg Melts Through the Floorboards, Yeast Nation (Book/Lyrics), Pig Farm, Eat the Taste, and Jobey and Katherine. His work has been produced and developed in theaters across the country and around the world, including Actors Theatre of Louisville, American Conservatory Theater, American Theater Company, The Apollo (West End), The Brick, the Eugene O'Neill National Theater Conference, The Geva Center, Goodspeed, Musicals, Henry Miller's Theatre (Broadway), Manhattan Theatre Club, New York Stage and Film, New Line Theatre, The Old Globe, Perseverance Theatre, Roundabout Theatre Company, Soho Rep, South Coast Rep, The Saint James (Off West End), The Tank, and Village Theatre, among others. Future projects include ZM, an original musical about teenaged fast-food workers trying to survive a zombie plague. Greg co-founded Theater of The Apes with his wife Ayun Halliday (www.theater-of-the-apes.com), and is a member of the Neo-Futurists, the Cardiff Giant Theater Company, ASCAP, and the Dramatists Guild. He grew up in Wellfleet, Massachusetts, lives in New York City, and is the proud father of India and Milo. You can watch the full video of this episode at https://www.youtube.com/@GatherbytheGhostLight Gather by the Ghost Light merch is available at www.ghostlightpubs.com (Ghost Light Publications) If you would like to further support this podcast, please visit Gather by the Ghost Light is increasing public knowledge of emerging writers and actors (buymeacoffee.com) If you enjoy this podcast, please please please leave a rating on your preferred podcast app! For more info or if you wish to contact us, please visit www.gatherbytheghostlight.com Learn more about your ad choices. Visit megaphone.fm/adchoices
We have details on San Diego County's budget for the next fiscal year. It will be bigger than this year's spending plan. In other news, UC San Diego students continue their encampment in support of Palestinians caught in the Israel-Hamas War. Plus, an original play about family, food and love is making its in-person debut at the Old Globe this weekend.
Gordon Greenberg has directed on Broadway, Off-Broadway, in London's West End, written for television and stage, and developed, directed and produced new works for arts institutions across America. Current Directing/Writing projects include The Heart of Rock and Roll , which opens on Broadway at the James Earl Jones Theatre in April, 2024, following its record breaking run at The Old Globe, the hit Off-Broadway show Dracula, A Comedy of Terrors (Director & Co-Writer, with Steve Rosen, New World Stages & podcast starring John Stamos, Laura Benanti, & Annaleigh Ashford), a new musical about Picasso (directing & co-writing with Stephen Schwartz & Caridad Svich), the NBC television series Most Talkative (Co-Executive Producer/Writer, NBC, Blumhouse, Andy Cohen), Crime and Punishment, A Comedy (directing & co-writing with Steve Rosen) for the Old Globe, a London revival of The Baker's Wife (Menier Choclate Factory, 2024), Single White Female (A.T.G.), The Wedding Banquet (Ang Lee, Hua Musicals, Taiwan), Ghost Tour, The Play, and the new comedy podcast series Rolling Calls starring Julie Halston & Richard Kind (co-writer, Steve Rosen). His acclaimed revival of Who's Afraid of Virgina Woolf starring Calista Flockhart and Zachary Quinto at the Geffen Playhouse won the Los Angeles Drama Critics Award for Best Revival. Variety called it “Inspired”, the L.A. Times called it “Unerringly good…Qunto & Flockhart expose something infinitely fragile in Edward Albee's shatterproof play”, Entertainment Weekly called it “A riveting production…brilliantly staged by Gordon Greenberg”, and the Wall Street Journal called it “Intriguing…Here, unusually, there is the suggestion that the oncoming dawn may truly presage a fragile new beginning.” Other directing work includes the revisal of Working (Drama Desk Award, adapted with Stephen Schwartz and Lin-Manuel Miranda), Jacques Brel…(Drama Desk, Drama League, Outer Critics Award noms), Terms of Endearment with Alfred Molina & Calista Flockhart (Geffen Playhouse for Greg Berlanti), the stage adaptation of Tangled (Disney), Johnny Baseball (Williamstown), Stars of David by Jeanine Tesori, Tom Kitt, Tony Kushner (Daryl Roth), Pirates! (created with Nell Benjamin, Huntington, Paper Mill, Goodspeed, MUNY), Band Geeks! (also co-writer, Goodspeed, NEA grant), The Baker's Wife (Paper Mill, Goodspeed), 1776 (Paper Mill), Floyd Collins (Signature), the Klezmer-Rock reimagining of Isaac Bashevis Singer's Yentl (Asolo Rep), Blue Sky Boys by Deborah Breevort (Capital Rep.), the professional premiere of Edges The Musical (Capital Rep.), the acclaimed reimagining of Jesus Christ, Superstar starring Billy Porter (Helen Hayes, St. Louis MUNY), the U.S. national tour of Guys & Dolls, Disney's Believe, the Disney Fantasy Christening (with Neil Patrick Harris & Jerry Seinfeld), West Side Story (MUNY, Circle Award nom), Happy Days, A New Musical (Paper Mill, Goodspeed, U.S. National Tour), Vanities, A New Musical (Theatreworks Palo Alto - San Francisco Bay Area Theatre Critics Award), We The People (Lucille Lortel Theatre & Paper Mill Playhouse), Rags (Roundabout, workshop), and the all-female workshop of Man of La Mancha (Mirvish, Toronto), Other writing work includes, for television, Herbie Rebooted for Disney, Emerald City Music Hall, an original movie musical for Nickelodeon Television and Scramble Band, an original movie musical for the Disney Channel, The Single Girls Guide (co-writer Tommy Newman) for Dallas Theatre Center, Ars Nova, Capital Rep, the podcast Theatre Camp (with Jonathan Marc Sherman) for Sirius XM, Killing Time (with Steve Rosen), an At Home Play Commission from The Old Globe, and the new book of Meet Me In St. Louis for the St. Louis MUNY's 100th Anniversary. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Eric Stern recalls how Paul Gemignani mapped out their sharing of musical director duties as well as his own contributions to the underscoring. Join host Ben Rimalower for this candid conversation exploring how Sondheim and Lapine went Into the Woods. Learn more about your ad choices. Visit megaphone.fm/adchoices
Get your DEMYSTICON 2024 tickets here: https://www.eventbrite.com/e/demysticon-2024-tickets-727054969987 The true identity of the person who wrote Shakespeare's plays has long been debated. At least 87 potential authors - from Daniel Defoe to Sir Francis Drake to Anne Hathaway to Sheikh Zubar - have been proposed as candidates, but all of these proposals suffer from the same problem - they don't quite fit the historical facts and so have to be stretched, ill fitting, to even be considered. Only one of the theories seems to make sense in context of history and biography, and it is that the true author of the plays was Sir Thomas North, soldier, lawyer, and translator. Returning guest Dennis McCarthy is joined by journalist Michael Blanding and author Derek Hunter for a conversation about uncovering the true identity of Shakespeare, the life and times of Thomas North, and the tangled thread of politics, philosophy, and liberty that stretches from the printing press to ChatGPT by way of the Old Globe. Tell us what you think in the comments or on our Discord: https://discord.gg/MJzKT8CQub Support the podcast by buying Michael Blanding, Dennis McCarthy, and Dennis Hunter's books: North by Shakespeare: https://amzn.to/4a3xp4n Thomas North, the Original Author of Shakespeare's Plays: https://amzn.to/3wF1nNx Anonymous Agnostic Antichrist: https://amzn.to/3v17rj7 Sign up for a yearly Patreon membership for discounted conference tickets: https://bit.ly/3lcAasB (00:00) Go! (00:03:22) The man & the myth (00:16:08) Repurposing of ancient tales (00:29:27) Conventional Shakespeare Story (00:49:11) Lost Plays of Other Authors (01:04:39) Ressurection of ancient mythology (01:10:25) Theory without a home (01:19:41) Thowing out the good with the bad (01:23:33) Cycles of secular idealism (01:42:42) Telling theory in fiction (01:49:46) Essex rebellion (02:04:20) How to move the needle? (02:16:48) Modern renaissance in the future? (02:28:22) Pendulum of history (02:30:46) Where to find more #Shakespeare #authorshipdebate #SirThomasNorth #DennisMcCarthy #MichaelBlanding #DerekHunter #history #biography #literature #myths Check our short-films channel, @DemystifySci: https://www.youtube.com/c/DemystifyingScience AND our material science investigations of atomics, @MaterialAtomics https://www.youtube.com/@MaterialAtomics Join our mailing list https://bit.ly/3v3kz2S PODCAST INFO: Anastasia completed her PhD studying bioelectricity at Columbia University. When not talking to brilliant people or making movies, she spends her time painting, reading, and guiding backcountry excursions. Shilo also did his PhD at Columbia studying the elastic properties of molecular water. When he's not in the film studio, he's exploring sound in music. They are both freelance professors at various universities. - Blog: http://DemystifySci.com/blog - RSS: https://anchor.fm/s/2be66934/podcast/rss - Donate: https://bit.ly/3wkPqaD - Swag: https://bit.ly/2PXdC2y SOCIAL: - Discord: https://discord.gg/MJzKT8CQub - Facebook: https://www.facebook.com/groups/DemystifySci - Instagram: https://www.instagram.com/DemystifySci/ - Twitter: https://twitter.com/DemystifySci MUSIC: -Shilo Delay: https://g.co/kgs/oty671
David Warren was in the room where it happened and remembers everything from the moment he first heard No One Is Alone to leaving Sondheim lost in the middle of San Diego. Join host Ben Rimalower for this candid conversation exploring how Sondheim and Lapine went Into the Woods. Learn more about your ad choices. Visit megaphone.fm/adchoices
From cults and documentaries to their deeply thought out character motivations, actors John Lavelle and Haskell King look back on their theatre journey. The two share their background, doing productions when they were younger, and what eventually made them pursue acting as a career. Currently starring in "Russian Troll Farm: A Workplace Comedy", they talk about how they got involved with the show, hitting it off on the first meeting, and the allure of cults and how people get drawn into them. With the show being as relatable as ever today, they reflect on how it changed their relationship with social media, how they interact with it, and the complexity of playing as bad guys. John and Haskell also impart some advice to aspiring actors and their motivations, including the desire to be seen and connect with others and become a better person for one's family. Haskell King has performed all over the Off-Broadway and regional stages such as the Irish Repertory Theatre, Ensemble Studio Theatre, and the Abingdon Theatre. His TV and film credits include “Dear Edward”, “Law & Order: Criminal Intent”, “As the World Turns”, “The Fly Room”, and “Shadow & Lies”. John Lavelle has been on Broadway in “The Graduate”, and off-Broadway stages including La Jolla Playhouse, The Shakespeare Center LA, and The Old Globe. His TV and film credits include “Selma”, “Frozen”, “Wreck-It Ralph”, “Zootopia”, “The Taking of Pelham 123”, “Kipo and the Age of Wonderbeasts”, and “Grace and Frankie” among many others. They are both part of the stellar cast of the off-Broadway production of “Russian Troll Farm”, an office comedy, at the Vineyard Theater in New York City. More info and tix here: https://vineyardtheatre.org/shows/russian-troll-farm/ Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices
Stephen Dolginoff "played" Jack at the Westbeth Theater so James Lapine could experiment with staging ideas before starting rehearsals for the Old Globe premiere and he remembers every moment of this seminal experience from his time studying theater at NYU. Join host Ben Rimalower for this candid conversation exploring how Sondheim and Lapine went Into the Woods. Learn more about your ad choices. Visit megaphone.fm/adchoices
As Sondheim's intern at the Old Globe, John Bell has fascinating insights into the lesbian subtext between the Witch and Rapunzel, why Ellen Foley was really replaced, and when Bernadette Peters first saw the show. Join host Ben Rimalower for this candid conversation exploring how Sondheim and Lapine went Into the Woods. Learn more about your ad choices. Visit megaphone.fm/adchoices
New Musical ‘Ride’ to Premiere at Old Globe, ‘Dicks: The Musical’ Film Reviews, Playbill Crowns $10,000 Contest Winner “Today on Broadway” is a daily, Monday through Friday, podcast hitting the top theatre headlines of the day. Any and all feedback is appreciated: Grace Aki: grace@broadwayradio.com | @ItsGraceAkiMatt Tamanini: matt@broadwayradio.com | read more The post Today on Broadway: Monday, Sept. 11, 2023 appeared first on BroadwayRadio.
Liana Hunt is a New York City based actor, singer and dancer who has appeared on Broadway, National Tours, regionally, on television and in films. Originally from Vermont, Liana received her BFA from New York University's Tisch School of the Arts and graduated with honors a semester early to star as Sophie on the National Tour of Mamma Mia!. After touring the country with the show, Liana was brought to Broadway, making her Broadway debut as Sophie in Mamma Mia! at the age of 23. Liana also starred on Broadway as Katherine Plumber in Disney's Newsies. She has returned to Broadway this summer in Back to the Future Musical that is adapted for the stage by the movie's creators Bob Gale (Back to the Future trilogy) and Robert Zemeckis (Forrest Gump) and is directed by the Tony Award-winning John Rando. She stars in the production as ‘Lorraine McFly'. Liana has performed on stages all across the country. Some of her favorite National Tour credits include the role of Nessarose in Wicked and Margo in Steve Martin and Edie Brickell's Bright Star. Favorite regional credits include creating the role of Jessie Randolph in Clint Black's new musical, Looking for Christmas, at The Old Globe, the St. Louis MUNY's centennial production of Meet Me in St. Louis (Rose), and Noel Coward's Private Lives at the Riverside Theatre (Sybil). Liana has studied Improv with UCB and is a part of the sketch comedy show SHIZ: Broadway Meets Sketch Comedy, which has had runs at UCB in Hell's Kitchen and Improv Asylum, produced by National Lampoon. Liana also teaches musical theatre masterclasses to kids of all ages and coaches. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Mahira Kakkar: Off-Broadway: 7 Minutes, Waterwell; Here We Are, Theater for One; Addressless, Rattlestick; Opus, Primary Stages; Harper Regan, Atlantic; Romeo and Juliet, Public Theater; The Winter's Tale, TFANA; When January Feels Like Summer, EST; Henry VI, NAATCO; Arturo Ui, Classic Stage Company; Ms. Witherspoon, Playwrights Horizons; Clive, The New Group. Regional: Life of Pi, A.R.T.; Skylight, McCarter Theatre; Rafta Rafta, Old Globe; Our Town, OSF; Monsoon Wedding, Berkeley Rep; Bedroom Farce, Huntington Theater Company; Inana, Denver Center; The Crucible, Cleveland Playhouse; Five Mile Lake, McCarter Theatre; Comedy of Errors, Hartford Stage, Jesus in India, Magic Theater. Film/TV: “A Suitable Boy” (series lead), “Manifest” (recurring), “New Amsterdam,” “Blue Bloods,” “The Blacklist,” “Louie,” “Odd Mom Out,” “Sweet Refuge,” “Bite Me,” Hank and Asha (Napa Valley Film Festival Best Actress, Wild Rose Festival Best Actress, Slamdance Audience winner, Bronze Lens winner), “Law & Order,” “Orange Is the New Black.” Training: Juilliard, SITI, Harold Guskin; B.A. Jadavpur University. mahirakakkar.com Salma Qarnain is a versatile Pakistani American actor, thrilled to be making her Broadway debut in the adaptation of one of her favorite books. She is a two-time Helen Hayes Award recipient, an AUDELCO nominee, and an award-winning theater and film producer. She has performed across major networks (ABC, NBC, CBS, HBO, HBO Max, Hulu, Showtime), regionally, Off-Broadway, and Off-West End. Most recently, she produced the 2023 Oscar-qualified short film, Silent Partner (19 festivals / 4 Oscar qualifiers; 8 awards / nominations) and Speak Up Brotha!, which is premiering at the Oscar-qualifying Cleveland International Film Festival. Selected credits: Bars and Measures (Off-Broadway); Acquittal (Off-Broadway); Rain + Zoe Save the World (Off-West End); “That Damn Michael Che” (RECUR, HBO Max); “FBI” (CBS); “The Blacklist” (NBC); “Law & Order: SVU” (NBC); “For Life” (ABC). Graduate of Stanford, MIT, Harvard Business School. Proud member of SAG•AFTRA, AEA, Equity. Thank you to Roderick, Gary, Lolita, Max, Finn, Duncan, Benton, Patrick, A.R.T, and Annette for getting me here. Love you, X! For my sisters Ayesha, Sonia, and Zehra and my parents Qarnain and Rashida in the stars. IG: @salma.qarnain; salmaqarnain.com Learn more about your ad choices. Visit podcastchoices.com/adchoices
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