Podcasts about ascap

Sunday, June 7, 2026 Message: "Truth From an Unexpected Source" Scripture: 2 Kings 22:11-20 By: Rev. Marisa Gertz Scripture https://www.biblegateway.com/passage/?search=2%20Kings%2022%3A11-20&version=CEB Bulletins https://trinitygnv.org/s/Sunday-Bulletins-06-07-26-8AM.pdf https://trinitygnv.org/s/Sunday-Bulletins-06-07-26-930AM-WEB-B.pdf https://trinitygnv.org/s/Sunday-Bulletins-06-07-26-11AM-5zca.pdf Copyright: https://ccli.com/us/en/church-copyright-license Copyrighted content included in this webcast is used with license under one or more of the following: Christian Copyright Solutions WORSHIP cast Streaming License and PERFORM music License #7840 (to publicly perform and/or web stream any musical composition controlled by ASCAP, BMI, and SESAC), CVLI (Christian Video Licensing International) #503915511, CVLI ScreenVue License #502477880, CCLI Church Streaming & Podcast License #CSPL016331, CCLI Church Copyright License #1022361, and/or CCLI Church Rehearsal License #CRL011587.

Send us Fan MailHere's a some smokin' tunes. Enjoy!   Support the showPremium Feed https://djbenniejames.supercast.com/Website https://www.djbenniejames.comSpotify https://open.spotify.com/user/12142990686?si=3e71fe4a38094d10TikTok  https://www.tiktok.com/@benniejames5YouTube https://www.youtube.com/@djbenniejamesliveInstagram  https://www.instagram.com/benniejames3/X https://x.com/benniejames123Facebook https://www.facebook.com/bennie.james.10Studio Phone Line 1-856 295-1753 - (for voicemail message only)Licensed by  ASCAP 400009874

Sunday, May 31, 2026 Message: "Why It's a Great Time to Be United Methodist"  Scripture: Matthew 28:16-20 By: Rev. Steve Price, Rev. Marisa Gertz, and Rev. Dr. Mark Charles Scripture https://www.biblegateway.com/passage/?search=Matthew%2028%3A16-20&version=NRSVUE Bulletins https://trinitygnv.org/s/Sunday-Bulletins-05-31-26-8AM.pdf https://trinitygnv.org/s/Sunday-Bulletins-05-31-26-930AM-WEB.pdf https://trinitygnv.org/s/Sunday-Bulletins-05-31-26-11AM.pdf Copyright: https://ccli.com/us/en/church-copyright-license Copyrighted content included in this webcast is used with license under one or more of the following: Christian Copyright Solutions WORSHIP cast Streaming License and PERFORM music License #7840 (to publicly perform and/or web stream any musical composition controlled by ASCAP, BMI, and SESAC), CVLI (Christian Video Licensing International) #503915511, CVLI ScreenVue License #502477880, CCLI Church Streaming & Podcast License #CSPL016331, CCLI Church Copyright License #1022361, and/or CCLI Church Rehearsal License #CRL011587.

Here is PART II of my conversation with one of Nashville's rising talents, Dan Harrison!We talk more about his music, his songwriting and professional opportunities - and how he balances it all while trying to focus on self care and time with friends & family.Dan co-wrote the NEW Belles hit single "Son of Jolene," an imaginative sequel to Dolly Parton's 1974 classic "Jolene."DOWNLOAD the song on Spotify and all music platforms.Having first appeared in 2023 on Ep. 9 and again in 2024 on Ep. 48 - Dan returns to talk about the origins of this song, his friendship with Belles and co-writer Tyler Bank; his single and video "Night in the Life" and MORE!Dan was recently named to Nashville Briefing's "25 Songwriters You Need to Know" presented by ASCAP:https://thenashvillebriefing.com/the-nashville-briefing/25-songwriters-2026FULL video episode on YouTube.Follow Dan Harrison on:YouTube - https://www.youtube.com/channel/UCjCySPkD-2Tq85uCIvtuwxwInstagram - https://www.instagram.com/danharrisonmusic/Facebook - https://www.facebook.com/DanHarrisonMusic/TikTok - https://www.tiktok.com/@danharrisonmusicTHANK YOU for listening & subscribing to the Dan Time podcast - wherever you enjoy podcasts. Please leave a star rating or review! Follow the show:https://podcasts.apple.com/us/podcast/dan-time/id1701360404https://open.spotify.com/show/7rFdMmqDzz8GQ8zIIDQce4?si=4f199dc2d6ca4748https://www.instagram.com/dantimepod/https://www.facebook.com/dantimepodcast/https://www.youtube.com/@DanTimePoddantimepod@gmail.com

Sunday, May 24, 2026 Title: "Chasing the Wild Goose" Scripture: Ephesians 2:4-10 (NRSVUE) By: Rev. Steve Price & Rev. Marisa Gertz Scripture https://www.biblegateway.com/passage/?search=Ephesians%202%3A4-10&version=NRSVUE Bulletins https://trinitygnv.org/s/Sunday-Bulletins-05-24-26-8AM-WEB-km84.pdf https://trinitygnv.org/s/Sunday-Bulletins-05-24-26-930AM-WEB.pdf https://trinitygnv.org/s/Sunday-Bulletins-05-24-26-11AM-8cad.pdf Copyright: https://ccli.com/us/en/church-copyright-license Copyrighted content included in this webcast is used with license under one or more of the following: Christian Copyright Solutions WORSHIP cast Streaming License and PERFORM music License #7840 (to publicly perform and/or web stream any musical composition controlled by ASCAP, BMI, and SESAC), CVLI (Christian Video Licensing International) #503915511, CVLI ScreenVue License #502477880, CCLI Church Streaming & Podcast License #CSPL016331, CCLI Church Copyright License #1022361, and/or CCLI Church Rehearsal License #CRL011587.

Nashville-based singer-songwriter Dan Harrison is BACK! Dan co-wrote the NEW Belles single "Son of Jolene," an imaginative sequel to Dolly Parton's 1974 classic "Jolene."DOWNLOAD the song on Spotify and all music platforms.Having first appeared in 2023 on Ep. 9 and again in 2024 on Ep. 48 - Dan returns to talk about the origins of this song, his friendship with Belles and co-writer Tyler Bank; his single and video "Night in the Life" and MORE!Dan was recently named to Nashville Briefing's "25 Songwriters You Need to Know" presented by ASCAP:https://thenashvillebriefing.com/the-nashville-briefing/25-songwriters-2026Part II of our Danversation follows this episode! Full video episode on YouTube.Follow Dan Harrison on:YouTube - https://www.youtube.com/channel/UCjCySPkD-2Tq85uCIvtuwxwInstagram - https://www.instagram.com/danharrisonmusic/Facebook - https://www.facebook.com/DanHarrisonMusic/TikTok - https://www.tiktok.com/@danharrisonmusicTHANK YOU for listening & subscribing to the Dan Time podcast - wherever you enjoy podcasts. Please leave a star rating or review! Follow the show:https://www.instagram.com/dantimepod/https://www.facebook.com/dantimepodcast/https://www.youtube.com/@DanTimePoddantimepod@gmail.com

Sunday, May 17, 2026 Message by Rebekah Saveland, Director of Youth & Family Ministries Scripture https://www.biblegateway.com/ Bulletins https://trinitygnv.org/s/Bulletin-05-17-26-85-x-14-b7wa.pdf Copyright: https://ccli.com/us/en/church-copyright-license Copyrighted content included in this webcast is used with license under one or more of the following: Christian Copyright Solutions WORSHIP cast Streaming License and PERFORM music License #7840 (to publicly perform and/or web stream any musical composition controlled by ASCAP, BMI, and SESAC), CVLI (Christian Video Licensing International) #503915511, CVLI ScreenVue License #502477880, CCLI Church Streaming & Podcast License #CSPL016331, CCLI Church Copyright License #1022361, and/or CCLI Church Rehearsal License #CRL011587.

My guest... Award winner International seasoned performer/vocalist Berklee Conservatory School of Music,  own Alumni with honors, Grammy Voting member, flourishing multi talented pianist,and guitarist ,Whitney Marchelle Jackson has performed at prominent concert events for the World Cup , Dubai Hotel, United Nations, Apollo, New York Blue Note, Parkers Thompson Hotel, Berklee School of Music,  on Campus (standing ovation), Pier 84, Rutgers University, Numerous venues and festivals in Japan, Hawaii ,Canada, and USA. Music in Jazz, American, Songbook, blues,latin and some pop standards. Whitney Marchell Jackson had a credited acting and pianist role where they won the Best Feature Film at the QueerX Film Festival 2022 for Poets are the Last Destroyers. She worked with Dee Dee Bridgwater (duet)Art Deco Festival, Quincy Jones, Wayne Newton,Herbie Hancock, Opened For KISS, Bill Withers, Donny Hathoway, and has recorded three albums. Recently,on Channel 13 with an interview and performance . Receives international radio air play for her last three albums. Marchell Plays piano and guitar ASCAP songwriter. Teaches where students have been on movie Harriet, Tina Turner Boradway show, And received 100 plays on the radio. Whitney also is now taking the vocal performace undergraduate program at berklee. JazzTimes magazine quotes Whitney as a "Formidable singer with a scorched soulful Jazz sound."  She always has a great audience attendance,reviews and helps promote her gigs on radio and social media. A marvelously funny, wonderful episode. Produced, directed, edited and hosted by Stephen E Davis   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Sunday, May 10, 2026 Message: "A Legacy of Grace" Scripture: 2 Timothy 1:1-10 By: Rev. Steve Price Scripture https://www.biblegateway.com/passage/?search=2%20Timothy%201%3A1-10%20&version=NRSVUE Bulletins https://trinitygnv.org/s/Sunday-Bulletins-05-10-26-8AM-WEB.pdf https://trinitygnv.org/s/Sunday-Bulletins-05-10-26-930AM-PRINT.pdf https://trinitygnv.org/s/Sunday-Bulletins-05-10-26-11AM.pdf Copyright: https://ccli.com/us/en/church-copyright-license Copyrighted content included in this webcast is used with license under one or more of the following: Christian Copyright Solutions WORSHIP cast Streaming License and PERFORM music License #7840 (to publicly perform and/or web stream any musical composition controlled by ASCAP, BMI, and SESAC), CVLI (Christian Video Licensing International) #503915511, CVLI ScreenVue License #502477880, CCLI Church Streaming & Podcast License #CSPL016331, CCLI Church Copyright License #1022361, and/or CCLI Church Rehearsal License #CRL011587.

Americana/Folk artist Ismay (Avery Hellman) was in a Lucinda Williams cover band started by their father early in her adult life. As a singer-songwriter herself, the musician, rancher and self-identified “dreamer” went looking for more understanding of the legendary singer-songwriter and produced an outstanding documentary called Finding Lucinda. The film documents their journey of more self-discovery than anything else, but their interviews and path to learn more about Lucinda led them to understand Williams grew up the daughter of, and surrounded by poets. The result, besides the beautifully done film, was Hellman decided to learn to write poetry. Those learnings and evolution in their artistry led to their next big project – a new album called Half Truth, due out June 12th on Fossil Records.  Frank and Falls chatted with Hellman about the film, Lucinda Williams, poetry, and the new album on this week's episode of Roots Music Rambler. The trio also discussed Fossil Records, a new label co-founded by Hellman and friend of the show Margo Cilker (see Episode 35). There was a lot to cover and unpack with Hellman's journey and art. Give the full episode a watch or listen. You'll enjoy it. Watch the Episode on YouTube Download the episode and subscribe at rootsmusicrambler.com, watch the full episode on YouTube, or download wherever you get your podcasts.  Also be sure to help spread the love of the show with Roots Music Rambler's new merch, now available at rootsmusicrambler.com/store. Authentic t-shirts, hats and stickers are now available.  Buckle up for The Hoe-Down and the Throw-Down! It's a new episode of Roots Music Rambler. Notes and links:  Finding Lucinda (film) Ismay Online Ismay on Spotify Ismay on Instagram David LaMotte on Spotify Roots Music Rambler Episode 12 - Does Wilco Suck? Fossil Records Roots Music Rambler interview with Margo Cilker The Roots Music Rambler Store Roots Music Rambler on YouTube Roots Music Rambler on Instagram Roots Music Rambler on TikTok Roots Music Rambler on Facebook Jason Falls on Instagram Jason Falls on TikTok Francesca Folinazzo on Instagram Pickin' the Grinnin' Choices Charley Pride on Spotify Kind Hearted Strangers on Spotify Subscribe to Roots Music Rambler on YouTube, Spotify, Apple Podcasts, GoodPods or wherever you get your podcasts. Theme Music: Sheepskin & Beeswax by Genticorum; Copyright 2026 - Falls+Partners. All music on the program is licensed by ASCAP, BMI and SESAC. Roots Music Rambler is a member of the Americana Music Association. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sunday, May 3, 2026 Message: "An Unexpected Journey" Scripture: Luke 24:13-35 By: Rev. Marisa Gertz Scripture https://www.biblegateway.com/passage/?search=Luke%2024%3A13-35&version=CEB Bulletins https://trinitygnv.org/s/Sunday-Bulletins-05-03-26-8AM-WEB-ejbk.pdf https://trinitygnv.org/s/Sunday-Bulletins-05-03-26-930AM-WEB-gp8c.pdf https://trinitygnv.org/s/Sunday-Bulletins-05-03-26-11AM-jdlt.pdf Copyright: https://ccli.com/us/en/church-copyright-license Copyrighted content included in this webcast is used with license under one or more of the following: Christian Copyright Solutions WORSHIP cast Streaming License and PERFORM music License #7840 (to publicly perform and/or web stream any musical composition controlled by ASCAP, BMI, and SESAC), CVLI (Christian Video Licensing International) #503915511, CVLI ScreenVue License #502477880, CCLI Church Streaming & Podcast License #CSPL016331, CCLI Church Copyright License #1022361, and/or CCLI Church Rehearsal License #CRL011587.

Send us Fan MailHere's a selection of classic big band jazz. Enjoy Aloha!Support the showPremium Feed https://djbenniejames.supercast.com/Website https://www.djbenniejames.comSpotify https://open.spotify.com/user/12142990686?si=3e71fe4a38094d10TikTok  https://www.tiktok.com/@benniejames5YouTube https://www.youtube.com/@djbenniejamesliveInstagram  https://www.instagram.com/benniejames3/X https://x.com/benniejames123Facebook https://www.facebook.com/bennie.james.10Studio Phone Line 1-856 295-1753 - (for voicemail message only)Licensed by  ASCAP 400009874

Room to Grow was produced by Nicholas Boyer and Carrie Kline with Michael Kline of Talking Across the Lines, based on Carrie's interviews with farmworkers. We want to unveil the lives and personalities of the people who grow food in the Connecticut River Valley of Massachusetts. How much richer will the world be when curiosity drives us beyond barriers of language, shyness and hesitation to cross lines of difference to break bread and care for each other? Believe us, we've had so much fun sharing meals, nights, and laughing over our attempts at speaking each other's languages and splashing through the deep farm mud together. You'll hear from these people in order of their first words: “Orquédia” (pseudonym), Joanne Graves translating for Orquédia, Carrie Kline, Nicholas Boyer, Mireya Katerina Tsironis Genius, Angelique Bickford, “Amistad” (pseudonym) and Sandy Wang who translates for Amistad. The music we include from around the world, in order of hearing, is Cuando Allá Se Pasa Lista performed by Josue Cristobal Bonilla, Afou ‘eis Allon Stin Karda by Ross Daly, Pájaro de Libre Vuelo performed by Mario Diego Congo, Anigma by Ross Daly, El Hielo by Santa Cecelia, Vasilla de Barro written by Gonzalo Benitez, performed by Música Ecuatoriana Sin Masticar by Ile Cuatro Tablas performed by Argemiro Jaramillo Duerme Negrito performed by Mireya Katarina Tsironis Genius No Life is a Crime by Sam Gleaves Sueño Guajiro performed by Colmillo Norteño Gracias a la Vida by Violeta Para performed by Mercedes Sosa The Trumpet Vine by Kate Wolf performed by Michael and Carrie Kline with Bruce Betler Piensa en Mi by Ruben Roman Leyva and Christian Perez, performed by Los del Limite A Better Life to Find was written by Joe Herrmann © 2026 Yodelayhee, ASCAP, except chorus, from "The New Colossus" by Emma Lazarus, performed by Critton Hollow and company, Cathy Fink producer, video by Jim Robeson Productions, LLC Photo "Wall Road" © Lisa Elmaleh If you see a background photo accompanying this production it's from a legendary painting, “Study of Migration and the Golden People” by Judy Bacca. You can see and hear this and our other Talking Across the Lines productions on the Talking Across the Lines podcast and YouTube Channel, or at Soundcloud.com/ talkingacrossthelines. Enjoy and share this production. And if you see something, say something. If you think you see ICE (in Massachusetts specifically) call the LUCE hotline at 617-370-5023. You can contribute to their work at lucemass.org/donate At the time of this release, Angelique's partner Maico was living back in Guatemala where he landed after pressure to self-deport his way out of a Texas detention center. But the family has been FaceTiming every day, so Camilla and her loving father could stay close and Angelique and Maico could stay connected. As we prepare to air Room to Grow, Angelique and their now one-year-old daughter are visiting Maico in Guatemala before being forced to live separately, at least for the time being, Angelique returning to work on the farm and Maico seeking employment somewhere in Latin America. Of course he came to the U.S. because there was no work at home. You can support this family by contributing to their Go Fund Me page at https://www.gofundme.com/f/support-ma... And get to know your neighbors. You never know what doors will open. For Talking Across the Lines I'm Nicholas Boyer and I'm Carrie Kline.

Sunday, April 26, 2026 Message: "Seeing Differently" Scripture: 2 Corinthians 5:16-19 (CEB) By: Rev. Steve Price Scripture https://www.biblegateway.com/passage/?search=2%20Corinthians%205%3A16-19%20&version=CEB Bulletins https://trinitygnv.org/s/Sunday-Bulletins-04-26-26-8AM.pdf https://trinitygnv.org/s/Sunday-Bulletins-04-26-26-930AM-WEB.pdf https://trinitygnv.org/s/Sunday-Bulletins-04-26-26-11AM.pdf Copyright: https://ccli.com/us/en/church-copyright-license Copyrighted content included in this webcast is used with license under one or more of the following: Christian Copyright Solutions WORSHIP cast Streaming License and PERFORM music License #7840 (to publicly perform and/or web stream any musical composition controlled by ASCAP, BMI, and SESAC), CVLI (Christian Video Licensing International) #503915511, CVLI ScreenVue License #502477880, CCLI Church Streaming & Podcast License #CSPL016331, CCLI Church Copyright License #1022361, and/or CCLI Church Rehearsal License #CRL011587.

Joshua 24 | April 26, 2026 | Pastor Todd SmithThe book of Joshua concludes with a powerful challenge from Joshua 24:15: "As for me and my house, we will serve the Lord." This declaration confronts us with a singular, pointed question: who will you choose to serve? Every day, we face a choice about whom or what we will dedicate our lives to. Explore the five profound facts of this charge, from its covenantal roots to its deeply personal and public implications. Discover how this ancient call to exclusive devotion can transform your home into a sanctuary of worship and influence.Connect with Crossroads Community Church:Website: https://lifeatcrossroads.orgFacebook: https://facebook.com/lifeatcrossroadsGive Online:https://lifeatcrossroads.org/giveonlineLicensing Information:CCLI License #2915685CCS WORSHIPcast License #9466Crossroads Community Church holds a CCS WORSHIPcast License, which grants permission to publicly play, perform, and stream musical compositions controlled by ASCAP, BMI, and SESAC in accordance with CCS License Terms and Conditions.

Joshua 24 | April 26, 2026 | Pastor Todd SmithThe book of Joshua concludes with a powerful challenge from Joshua 24:15: "As for me and my house, we will serve the Lord." This declaration confronts us with a singular, pointed question: who will you choose to serve? Every day, we face a choice about whom or what we will dedicate our lives to. Explore the five profound facts of this charge, from its covenantal roots to its deeply personal and public implications. Discover how this ancient call to exclusive devotion can transform your home into a sanctuary of worship and influence.Connect with Crossroads Community Church:Website: https://lifeatcrossroads.orgFacebook: https://facebook.com/lifeatcrossroadsGive Online:https://lifeatcrossroads.org/giveonlineLicensing Information:CCLI License #2915685CCS WORSHIPcast License #9466Crossroads Community Church holds a CCS WORSHIPcast License, which grants permission to publicly play, perform, and stream musical compositions controlled by ASCAP, BMI, and SESAC in accordance with CCS License Terms and Conditions.

Joshua 24 | April 26, 2026 | Pastor Todd SmithThe book of Joshua concludes with a powerful challenge from Joshua 24:15: "As for me and my house, we will serve the Lord." This declaration confronts us with a singular, pointed question: who will you choose to serve? Every day, we face a choice about whom or what we will dedicate our lives to. Explore the five profound facts of this charge, from its covenantal roots to its deeply personal and public implications. Discover how this ancient call to exclusive devotion can transform your home into a sanctuary of worship and influence.Connect with Crossroads Community Church:Website: https://lifeatcrossroads.orgFacebook: https://facebook.com/lifeatcrossroadsGive Online:https://lifeatcrossroads.org/giveonlineLicensing Information:CCLI License #2915685CCS WORSHIPcast License #9466Crossroads Community Church holds a CCS WORSHIPcast License, which grants permission to publicly play, perform, and stream musical compositions controlled by ASCAP, BMI, and SESAC in accordance with CCS License Terms and Conditions.

Joshua 24 | April 26, 2026 | Pastor Todd SmithThe book of Joshua concludes with a powerful challenge from Joshua 24:15: "As for me and my house, we will serve the Lord." This declaration confronts us with a singular, pointed question: who will you choose to serve? Every day, we face a choice about whom or what we will dedicate our lives to. Explore the five profound facts of this charge, from its covenantal roots to its deeply personal and public implications. Discover how this ancient call to exclusive devotion can transform your home into a sanctuary of worship and influence.Connect with Crossroads Community Church:Website: https://lifeatcrossroads.orgFacebook: https://facebook.com/lifeatcrossroadsGive Online:https://lifeatcrossroads.org/giveonlineLicensing Information:CCLI License #2915685CCS WORSHIPcast License #9466Crossroads Community Church holds a CCS WORSHIPcast License, which grants permission to publicly play, perform, and stream musical compositions controlled by ASCAP, BMI, and SESAC in accordance with CCS License Terms and Conditions.

It's not uncommon for a professional musician to juggle multiple gigs. Until they make it big or get a break playing in a band that does, there's session jobs, maybe a songwriting contract, picking up live gigs in someone else's band, slinging merch or someone, or even all that plus holding down a full-time job to pay the bills. Lucciana Costa can relate. She's established herself as one in the current crop of up-and-coming singer-songwriters in Nashville. She's half of the emerging and popular Americana duo King Margo. She plays in and with Gabe Lee's band, even singing with Gabe and Rylie Bourne on a popular single in 2024 (“Long Time Ago”). Add to that time spent creating education curricula and writing a novel and you can see what we're quick to call her the busiest, badass woman in Nashville. Lucciana sat in with Frank and Falls last week to talk about her musical background that runs from West Virginia to Ohio and Michigan before hitting Music City. We talked about her musical family and the lineage of talent that has culminated in her career. She told us how the King Margo collaboration with Rachel Coats and a lot more. Also in this episode, Frank opens a surprise gift from Falls and both share Kentucky-based Pickin' the Grinnin' choices for music recommendations: Hunter Flynn and Ian Noe. Watch the Episode on YouTube Download the episode and subscribe at rootsmusicrambler.com, watch the full episode on YouTube, or download wherever you get your podcasts.  Also be sure to help spread the love of the show with Roots Music Rambler's new merch, now available at rootsmusicrambler.com/store. Authentic t-shirts, hats and stickers are now available.  Buckle up for The Hoe-Down and the Throw-Down! It's a new episode of Roots Music Rambler. Notes and links:  Lucciana Costa online Lucciana Costa on Spotify  Lucciana Costa on Instagram King Margo online   King Margo on Spotify King Margo on Instagram “Long Time Ago” with Gabe Lee, Lucciana Costa and Rylie Bourne on Spotify The Roots Music Rambler Store Roots Music Rambler on YouTube Roots Music Rambler on Instagram Roots Music Rambler on TikTok Roots Music Rambler on Facebook Jason Falls on Instagram Jason Falls on TikTok Francesca Folinazzo on Instagram Pickin' the Grinnin' Choices Hunter Flynn on Spotify   Ian Noe on Spotify Subscribe to Roots Music Rambler on YouTube, Spotify, Apple Podcasts, GoodPods or wherever you get your podcasts. Theme Music: Sheepskin & Beeswax by Genticorum; Copyright 2026 - Falls+Partners. All music on the program is licensed by ASCAP, BMI and SESAC. Roots Music Rambler is a member of the Americana Music Association. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ep. 181: This is the second episode in a two-part series about the evolution of CMOs – recorded as collective management organisations undergo their most significant transformation in decades. In this episode, Sacem's Director of International, Caroline Champarnaud chats with Julien Dumon, its Director of Digital. They explain how the global infrastructure only works if it ultimately serves creators –whose needs are evolving just as fast as the systems built to support them.They go on to explain how Sacem is redefining its services, tools and philosophy to support modern creators – from digital-native artists to global collaborators – while maintaining fairness, transparency and trust.⁠SACEM: Society of Authors, Composers and Publishers of Music⁠=========Series recap:In the first episode in the series, ⁠⁠David El Sayegh, Deputy CEO of Sacem⁠⁠, discussed how the organisation is defining the future of copyright.In the second episode, ⁠we were joined by Julien Lefebvre⁠, the Head of Innovation and Sacem Lab, to talk about its startup partnerships, and the strategic decision to open up certain proprietary technologies to all creators.In the third episode, we spoke to Caroline and Julien about how CMOs are evolving into interconnected, global infrastructure players: the challenges of global metadata, why international partnerships with organisations like ASCAP and GEMA are more vital than ever, and how Sacem is scaling its systems to match the explosive growth of music streaming in emerging markets.=======This is a Music Ally Co-Labs podcast: ⁠⁠⁠⁠⁠⁠⁠⁠musically.com/music-ally-co-labs⁠⁠⁠⁠. Co-Labs content is created by publishing partners in liaison with the Music Ally Editorial Team. We work closely with partners to ensure that it adheres to Music Ally's high expectations of quality, thoughtfulness, and usefulness.

Sunday, April 19, 2026 Title: "Forgiveness…Can You Imagine?" Scripture: John 21:15-17; Colossians 3:13; Ephesians 4:32 By: Rev. Steve Price Scripture https://www.biblegateway.com/passage/?search=John%2021%3A15-17%3B%20Colossians%203%3A13%3B%20Ephesians%204%3A32&version=NRSVUE Bulletins https://trinitygnv.org/s/Sunday-Bulletins-04-19-26-8AM-6xnf.pdf https://trinitygnv.org/s/Sunday-Bulletins-04-19-26-930AM-WEB-ycac.pdf https://trinitygnv.org/s/Sunday-Bulletins-04-19-26-11AM-d5zd.pdf Copyright: https://ccli.com/us/en/church-copyright-license Copyrighted content included in this webcast is used with license under one or more of the following: Christian Copyright Solutions WORSHIP cast Streaming License and PERFORM music License #7840 (to publicly perform and/or web stream any musical composition controlled by ASCAP, BMI, and SESAC), CVLI (Christian Video Licensing International) #503915511, CVLI ScreenVue License #502477880, CCLI Church Streaming & Podcast License #CSPL016331, CCLI Church Copyright License #1022361, and/or CCLI Church Rehearsal License #CRL011587.

Joshua 23 | April 19, 2026 | Pastor Todd SmithIn this sermon from Crossroads Church, the pastor explores Joshua chapter 23. Joshua, nearing the end of his life, delivers three crucial directives to Israel: remain steadfast in God's word, distance themselves from sinful influences, and trust in God's unwavering promises. He reminds them that God has fought for them and kept every promise, both of blessing and consequence. The sermon highlights the danger of idols, not just physical objects, but anything that takes God's rightful place in our hearts. How can we identify and remove the idols that compete for our devotion today? Discover how to cultivate a diligent love for God and confidently embrace His promises, ensuring our lives are built on an unshakable foundation.Connect with Crossroads Community Church:Website: https://lifeatcrossroads.orgFacebook: https://facebook.com/lifeatcrossroadsGive Online:https://lifeatcrossroads.org/giveonlineLicensing Information:CCLI License #2915685CCS WORSHIPcast License #9466Crossroads Community Church holds a CCS WORSHIPcast License, which grants permission to publicly play, perform, and stream musical compositions controlled by ASCAP, BMI, and SESAC in accordance with CCS License Terms and Conditions.

Joshua 23 | April 19, 2026 | Pastor Todd SmithIn this sermon from Crossroads Church, the pastor explores Joshua chapter 23. Joshua, nearing the end of his life, delivers three crucial directives to Israel: remain steadfast in God's word, distance themselves from sinful influences, and trust in God's unwavering promises. He reminds them that God has fought for them and kept every promise, both of blessing and consequence. The sermon highlights the danger of idols, not just physical objects, but anything that takes God's rightful place in our hearts. How can we identify and remove the idols that compete for our devotion today? Discover how to cultivate a diligent love for God and confidently embrace His promises, ensuring our lives are built on an unshakable foundation.Connect with Crossroads Community Church:Website: https://lifeatcrossroads.orgFacebook: https://facebook.com/lifeatcrossroadsGive Online:https://lifeatcrossroads.org/giveonlineLicensing Information:CCLI License #2915685CCS WORSHIPcast License #9466Crossroads Community Church holds a CCS WORSHIPcast License, which grants permission to publicly play, perform, and stream musical compositions controlled by ASCAP, BMI, and SESAC in accordance with CCS License Terms and Conditions.

What happens when you trust your talent before anyone else does? I had the pleasure of speaking with Spider Saloff, a jazz vocalist and performer whose journey shows what it means to truly create your own path. From secretly rehearsing as a teenager to performing for the Gershwin family and building a career in jazz and cabaret, Spider shares how taking risks, following curiosity, and trusting your instincts can open unexpected doors. We also explore her resilience through personal challenges, including overcoming an abusive relationship and rebuilding her life from nothing. You will hear how music, creativity, and lifelong learning became her anchors, and why choosing your own direction can lead to a life that is both meaningful and unstoppable. Highlights: 00:10 – Discover how a passion for music at a young age can shape an entire life path 02:04 – Learn how early opportunities and saying yes can open unexpected doors 10:00 – Understand why creating your own opportunities can redefine your career 16:20 – Hear how taking bold action led to a life-changing connection with the Gershwin family 30:00 – Discover how one decision can completely change where your life and career unfold 44:44 – Learn what it takes to break free from hardship and rebuild your life with resilience Bottom of Form About the Guest: What does it take to build a lasting career in music and performance? Spider Saloff has done exactly that, earning recognition as a multi-award-winning vocalist and entertainer known for her powerful voice, wide range, and captivating stage presence. Born in Philadelphia and raised in New Jersey, she began her journey in theater at a young age, studying acting at Rowan University and the University of London. Her early career in musical theater included more than 25 major roles, but everything shifted when she discovered her passion for jazz. That move led her to work with top musicians, gain critical acclaim, and begin touring both nationally and internationally. Over time, Spider became one of the most respected interpreters of the American Songbook, known for blending deep emotion with humor in her performances. Her connection with the Gershwin family helped launch signature shows like her tribute to George Gershwin, which has been performed around the world. She has also created tributes to icons like Cole Porter and Irving Berlin, performed at major venues and festivals globally, and hosted the syndicated radio series Words and Music. Beyond the stage, she is a teacher, writer, and creator who helps others find their unique voice, continuing to inspire audiences and students alike through a career built on passion, creativity, and authenticity. Ways to connect with Spider: Website: https://spidersaloff.com LinkTree: https://linktr.ee/spiderjazz Facebook: https://www.facebook.com/spidie.saloff Twitter (@spidersaloff): https://x.com/spidersaloff?s=21&t=XIFFgGFn7E5Hd_8J8Rexfg Spotify: https://open.spotify.com/artist/6gKiYyeoZyxZTAI2EpGWbU?si=WudPV-CUQPmMThTtV508Og YouTube (@TheMartinicat): https://www.youtube.com/channel/UCTLI-Gd51JdcMT0FVvvD9lA YouTube, “When You See Me”: https://www.youtube.com/watch?v=DTbO1FWrje4 Instagram (@spider.jazz): https://www.instagram.com/spider.jazz/ About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson  00:04 What if the biggest thing holding you back isn't what's in front of you, but rather what you believe Welcome to unstoppable mindset where inclusion, diversity and the unexpected meet. I'm your host. Michael hingson, speaker, author and advocate for inclusion and possibilities. This podcast explores how the beliefs we carry shape the way we live, lead and connect with others. Each week, I talk with people who challenge assumptions, face adversity head on and show what's possible when we choose curiosity over fear, together, we focus on mindset resilience and the small shifts that lead to meaningful change. Let's get started. Hi everyone, and I want to welcome you to another episode of unstoppable mindset, and we have an unstoppable mindseted, oriented sort of person today. Spider Saloff. Spider is a vocalist. She's a comedian. She is in Chicago, as I recall, but she has been to a variety of places. She is a very highly acclaimed vocalist, a singer. She sings and deals with a lot of the songs that I like, like the Great American Songbook, Gershwin, Irving, Berlin and other things like that. And she has a lot of accolades that come from any number of famous people who you've probably heard of. And so in the course of the next hour or so, I'm sure we're going to hear about a bunch of that. But for now, spider, welcome to unstoppable mindset. We're really glad Spider Saloff  01:49 you're here. Well, I'm happy to be here. Thank you for inviting me. Michael Hingson  01:53 Well, you are, you are most welcome. So how did you get into doing, acting, singing and all the other things that you do. Spider Saloff  02:04 Well, it started when I was a kid. I always loved music, and you know, it was so in love with the arts. But when I was 14, I came home and told my parents that I could get them tickets to the high school variety show. And they said, What? And I told them, I'm in it. I'm going to be in it. And they said, well, doing what? And I said, singing. And they were they were shocked, and I didn't tell them. I used to rehearse at my girlfriend's home because her family was all over it. They thought I was wonderful, and I knew my family would tell me that I couldn't do it so because it's just too foreign and too scary to them. So I ended up performing at this variety show, and my my parents were absolutely shocked, and one thing led to another. And then I met a theater director who worked at my school, and he came, he was a professional guy from New York that they hired to come in to do a musical, and I was in it. And I ended up getting the opportunity to be in a summer stock company and my parents let me go, which was amazing. I think they were just relieved to get me out of the house for the summer, but whatever it takes, but I certainly learned a lot, and I was very young for that experience, but it was, it was so, so worth it. And then after I finished high school, I went to college for theater. Now, your parents are from Russia. Oh, no, no, no, no, they're descend. My father's descendants are from Russia. That's where the name is from. But they are, I think I am about 11 different nationalities. So it's we're real much we are real much of the world. Well, there you go, yeah. Michael Hingson  04:05 So now we need to just clone that combination, since obviously you sing, well, we need to get that in other people, just just, you know, just a thought, you know, Spider Saloff  04:16 sounds good. Sounds dangerous to me. Michael Hingson  04:18 Actually, I know it's either that or we're gonna Spider Saloff  04:21 have to get more, more of one than more than one of Michael Hingson  04:24 me, more than one spider? No, we can't have that. Well, either that or we get AI to to imitate you. But we don't want to do we don't want to do that either, scary stuff. 04:35 Yeah, yeah, it is. Michael Hingson  04:36 Well, so how did you encounter and come up with the name spider. Spider Saloff  04:44 I did not choose it. I, you know, I never thought that my real name made any sense from the time I was a child, it's, I'm like, that doesn't make sense. And then I got the nickname when I was in college, because I have, I'm. Really a small person, but I have very long arms and legs, and it was a nickname, and it just stuck with me. And then finally I surrendered to it as a professional name, and people don't forget it. They may not like me, but they don't forget the name. And then it just stuck. And it's been that way ever since, how could Michael Hingson  05:20 somebody not like you? Spider Saloff  05:23 Well, I don't know. I'm sure there's somebody out there. I would love to thank everyone. Just endorse me, but Michael Hingson  05:31 we'll see. Well, yeah, I mean, it'll all go so where did you go to college? Spider Saloff  05:37 I went to a college that doesn't exist anymore, actually, now it is Rowan University. It's in New Jersey, outside of Philadelphia, and it became Rowan University when it got the largest private donation in history. But it was a state college called Glassboro State College, and it was a fine arts school at the time. There were several of my friends, including the conductor for the Lion King and Broadway people, all went to school there, and now it has no arts program at all. But part of our program, I did get to study at University of London too. So that was really exceptional. And it was so wonderful, a wonderful school, great opportunity. You know, it's, it was outside of Philadelphia, close to New York, and now it's an engineering school. For the most part. There isn't, there are no fine arts there at all. Well, that's too bad. But, well, yeah, I know, but somebody's got to do the engineering, Michael Hingson  06:39 I guess. I Well, there's truth to that too. Now, have you seen THE LION KING LIVE on Broadway? I have Spider Saloff  06:46 never seen it, and it's never seen it. I gotta see it. I've got to see it. I it just never happened. I kept intending to go and I never saw it. And I know people that played for it as well. 06:59 You've seen the movie. No, you haven't seen the movie Spider Saloff  07:02 either, anything Lion King. My goodness, I know I better. That's one of my goals. By the end of the year, let me see if I can see it. Michael Hingson  07:10 Well, I'll tell you my lion king story. A my brother in law knew someone who knew some of the actors in Lion King, and he and his wife and their little girl, who at the time was like three or four, were coming through New Jersey, where we lived in Westfield, and we all arranged to go see The Lion King. It was a Wednesday afternoon. It was a matinee, and near the beginning when scar, the bad guy meets the hyenas, who he works with, they all come on, they come on stage and they're growling and all sorts of things like that. Well, in the theater, the hyenas come from the back of the theater, down the stairs, and they walk past everyone growling and making all these noises? Well, my wife was in a wheelchair her whole life. She was a t3 paraplegic, and when one of the hyenas came up next to her, because we were able to arrange for an accessible seat, which was right on the aisle, this hyena comes up right next to her and goes, you've never seen a woman who is totally paralyzed suddenly literally jump up and almost walk out of the theater. It was amazing. She he shocked her completely. But it was so much fun. And of course, Alanya, the little girl, was just there with these big, huge eyes over all of this. But what Karen, my wife, told me later was that what was interesting about it was that when she was obviously watching all of this, and she said, You got totally used to the the puppets being the animals they were. They didn't you. They didn't even look like puppets anymore. They were just the animals. Spider Saloff  09:05 And that's exactly what I've heard about it, that it's like, it was fascinating. You're completely swept away with it. Michael Hingson  09:10 Yeah, wow. So, so it's cool, but, yeah, you gotta, you gotta go see The Lion King. It is absolutely worth it. The music is wonderful and all that. Wow. So we got to see it on Broadway, which was cool. Well, so you, so you went to college, and then what did you do? Spider Saloff  09:32 Well, when I got out of college, I, you know, was doing theater, but I ended up in musicals because I sang, and I really my training, my formal training, really is acting. I did not train as a singer. I just started singing naturally when I was a teenager, and then I just did a ton of musicals. I was in musicals like forever and but. I always loved jazz, and that was always in my back pocket. And then at one point, I really decided I wanted to pursue jazz while it was still in musical theater, because it was getting harder and harder to get roles, because they wanted, this is in the late 80s. They wanted you to be a dancer as well, and that was not going to happen for me. So I really thought, you know, I just, I want to check out the whole nightclub scene, you know, in Cabaret, where you could produce your own show. And so I started to really pick the minds of the guys in the pit band. And I talked to all these pit musicians, and they would tell me about, you know, places to go, and how they there were guys I met there that introduced me to other people, that helped me to do my first demo, and then started working in clubs. And then that really changed everything for me. Michael Hingson  11:01 So you got very much involved in doing a lot of Spider Saloff  11:04 jazz, yeah, jazz and cabaret, and it was all small clubs. But then that was what got me major press attention. And then I started touring with a show that I co wrote with a guy named Ricky ritzel, who's from New York, and we did a show called 1938 and that was my first recording as well. And then then just kept going from there, and that's how a lot of things happened, was really just deciding to do my own thing and create my own world of performance. So you're also Michael Hingson  11:45 known for doing something related in one way or another to comedy? Spider Saloff  11:50 Well, yeah, I've always done comedic roles, and I can't say I have ever done stand up, but I may be getting close to it, I'm not sure, but I always involve a lot of comedic monologs in everything I do. Like, if you see me at a jazz club, I will tell stories. And, you know, it's part of, part of who I am, is a lot of the comedy stuff. And, you know, crazy stories and telling stories about people, and, you know, doing imitations of people that I've met over the years and that kind of stuff. So it's, it is part of my whole persona on stage. Michael Hingson  12:33 What's your favorite musical that you've done? Boy, it's probably a toughy. Spider Saloff  12:40 I did so many, I have to say, Guys and Dolls. Okay, guys and dolls. I was Adelaide and Guys and Dolls, one of the best roles I've ever done. It was really a good choice for me, and and I, and I have to say I was in what, four productions of Fiddler on the Roof, and I've been two seidels, one Hava and fru masera, so but I love that show. I think it's magical. Michael Hingson  13:21 Just it is. Have you ever been in numb? I like Guys and Dolls, but my favorite, and it's just been that way for a long time. I don't know why was the music? Man, were you ever in the music? Spider Saloff  13:32 Man, I was, but there's no, there's no role in that for me. But I was one of the pick a little ladies. Oh, it is one of my favorite shows. Though, I think it's a masterpiece. I love love love music, man. I think it's just brilliant. Michael Hingson  13:48 You don't think you could have done you? Lily capecni shim you know, Spider Saloff  13:53 I was too young to do it at the time. Michael Hingson  13:54 Yeah. Well, like always, now there's always Marion, Spider Saloff  14:00 no, I don't have the soprano chops for that. They let me do it in Sutton Foster's keys. Well, I was thrilled that they took it down for her, because I could actually do it in those keys. That would be great. Michael Hingson  14:16 I saw it a couple of times on Broadway. Now I'm blanking out on the person it was in. Well, we saw it in, like, 2002 1001 and I'm trying to remember I'm blanking out on the person who played Marion. She actually ended up getting Lou Gehrig's disease and passed away. Spider Saloff  14:43 I don't know who. I don't know, which Michael Hingson  14:45 totally shocked us. Spider Saloff  14:46 I'm drawing a blank, I don't know. Michael Hingson  14:48 Yeah, I'm blanking out on her name. I may think of it, but, Oh, forgive us. She did a she did a great, a great job. But, yeah, but there's nobody like Robert Preston to play Harold Hill. And. Spider Saloff  15:00 Anyway, oh, that movie is so beautiful. I love that movie. Yeah, music, man is brilliant. It really is brilliant. Well, that Michael Hingson  15:10 goes back to, you know, Mr. Mr. Meredith. Meredith Wilson, Spider Saloff  15:18 yes, and I read, I read his book. Have you ever do you know of his book called he doesn't know the territory? Michael Hingson  15:27 No, I'll have to see if I Spider Saloff  15:28 can find writing and production of music. Man, I love, love. Love that book. And it's about all the trials of getting it produced and how he did. They did one of the opening one of the readings when they were trying to raise the money to do it. And moss Hart. Moss and Kitty Hart were there, and they hated it so much they walked out the middle of it. Opening Night, moss Hart was there, and he he saw, he saw Meredith Wilson in the lobby, and he shook his hand, and he said, he said, Great show. But you know what, you still haven't licked that book. Oh gosh, because he was an outsider. I mean, he wasn't part of the Broadway team. And no, the fact that he actually played with a John Philip Sousa, like, what, yeah, couch or something. It was real deal. Like, real real, like, old timey marching band stuff. Michael Hingson  16:35 Yeah, amazing. Well, then he also did The Unsinkable Molly Spider Saloff  16:39 Brown, yes, yes, another great show, yeah, not produced very often. But no, Michael Hingson  16:45 no, it's not. It's, it's sort of sad. Oh, well. But you, you've been very much involved with with a lot of jazz and so on. Tell us about meeting the Gershwin family and and your your involvement with Gershwin, which, you Spider Saloff  17:01 know, he, of course, magical. It was. It was truly a life changing event for me, my partner and I, Ricky ritzel And I had been doing 1938 and then we decided to write this show that was called Porgy and Bess, a cabaret concert, oh boy. And it was in New York, and a very powerful guy from ASCAP came to see it, and Michael kirker, and he came to see it, and he said, this show is brilliant. He goes, but you guys are going to get shut down by the Gershwin family, so you need to call them and see if they'll give you permission. So I had the phone number for Leopold godowsky, the third who is the nephew of George and Ira. His mother is Frankie Gershwin, who was George and IRA's younger sister, and I was a wreck. My hands were shaking, and I called him on the phone and and he was very polite. He just had this incredibly mannered guy, you know, it was really lovely. He goes, Well, you know, I don't see that we could allow Porgy and Bess be performed in a night club, and it wasn't like we were doing the show. We were just right. We were telling a story about how it was written and then just performing the songs as separate entities, but they were enfolding into the story. So I said, Would you would you want to comment? Would you want to see it? If we put it on a videotape, and he goes, Oh, I don't know. He goes, let me think about it. So then I called him back right away. I had the nerve to call him back again. I said, Well, would you come to see the show. He said, you know, what would you and your partner be willing to come and perform it at my home in Connecticut? There you go. And I'm like, What? What? So this whole thing got put together, and we went up to the Gershwins home in Connecticut. We met Leopold and his fabulous wife, Elaine, and they had, they said, we're having, we're having 40 close friends here for dinner. They were cooking dinner themselves, and it was this magical house in Connecticut. They had 40 industry people there. It was crazy. I mean, there were all these famous people there, and we were, we did like, as he called it, a 30 minute musicale. We did highlights from the show in their living room by the great. End piano, and I believe the piano had belonged to George, because Leopold is classical pianist as well. So we did the show, and then we all had dinner, and this friendship started. So what evolved was they, they did, let us do the show, but then my relationship continued with them, and when the Gershwin Centennial started in 1996 it was Iris 100th birthday, two years before George's. In 98 I became part of the centennial presentation, so I got to tour with my Gershwin concert under their brand, and also record my Gershwin album with their brand on it. And it was the beginning of a beautiful friendship. And it was, it was a huge, you know, a huge mark in my career, and it opened a lot of doors for me. So wonderful, wonderful people. Michael Hingson  21:03 One of my favorite pieces of all times. Calling it a piece is probably not totally accurate. It's bigger than that, but one of my favorite things from classical music has always been Rhapsody in Blue. And I don't know why, but the very first time I heard it, I loved it, and I've enjoyed it ever since. I've heard the Boston Pops do it, you know, and and others do it. It's just one of those neat things I've just always loved. Spider Saloff  21:30 I'm getting chills just talking about it, because that was so groundbreaking at the time when Paul Whiteman had the contest right of who was going to be able to cross the borders of jazz and classical. And you know, who else was in that contest was Aaron Copland, oh my gosh, Eric Copeland, and he was always in competition with Gershwin, yeah, and Gershwin won and musically, that that changed the whole concept of jazz, I mean, to be accepted in a classical arena. It was really remarkable. What that what that piece did, like, amazing. Michael Hingson  22:18 I actually heard once the Paul Whiteman arrangement of Rhapsody in Blue was performed by a group I don't even recall where, but it was outside. It was a little different, but it still was just so neat to hear this. Spider Saloff  22:36 The first person to hear it, yep. I mean, Paul, my Paul Whiteman was incredible, though. I mean, what a what a groundbreaking person. He was artistically, right? Michael Hingson  22:48 Yeah, he, he did some amazing things, Spider Saloff  22:51 yeah, yeah, you know what I've got to mention. And I hope this doesn't make make our interview too dated. But last night, I saw the movie Blue Moon. That is about about Larry Hart. Oh, my God, I haven't seen that. I'm gonna have to. It just came out last week. Oh, okay, it's not gonna be very often. It's absolutely gorgeous, and Ethan Hawk plays Larry Hart. It it's it's beautiful and funny and heartbreaking, and it all the whole premise is Larry Hart has to go to opening night of Oklahoma, oh gosh, and how painful it is, and this whole cathartic thing he's going through. So the bulk of the entire it's more like, like a theater piece. The whole thing takes place at the bar at Sardi's when he's talking to the bartender and waiting for for Rogers and Hammerstein to show up. And it's, ah, Wowza, it's brilliant. It's brilliant. And talk about, I don't know how they ever got that produced, because it's definitely a movie that's not going to appeal to everybody, but boy, is it brilliant. Michael Hingson  24:14 Wow. Well, hopefully it will come out in some place where I can can watch it up here, and that'll be cool, yeah, Spider Saloff  24:22 and I think it's probably going to go to streaming pretty soon, I'm sure, yeah. So you'll have a lot of opportunities. But I really was happy to go to the theater and see it. But wow, and people in the audience were laughing at all the jokes they were getting, all the sly, Sly comments of Larry Hart, like, wow, witty, witty, witty, just brilliant, just brilliant. Michael Hingson  24:51 Well, your whole Gershwin relationship, obviously, is pretty significant. You even did some Gershwin concert. In Russia, Spider Saloff  25:02 yes, yes. That was why I went to Russia. They were having a Gershwin Centennial in St Petersburg in 1998 because that is the, that is the origins of the Gershwin family. They are from St Petersburg. And so I was hired with my pianist to go to St Petersburg. And do we? Did we were there for seven days, and I think we did like five concerts, and it was amazing to be there, because this was when Russia was getting good. This was, like the good part, and still was scary. It was scary. We stayed in this really creepy hotel that was like a government hotel, and the rooms were bugged. And then when the hallways there were padded walls, like where they could pull these panels out, and there was all kinds of wiring in there, bugging and strange stuff. The concert hall was absolutely magical. It was an old concert hall, and people went crazy, and when I sang the song vodka, which is an oddity, by Gershwin, by way, herbert stothard, Otto Harbach, Oscar Hammerstein and George Gershwin wrote this crazy song called vodka. And when I did the song, people stood on their chairs and screamed, the Russians just loved, loved, loved the concert, the audiences couldn't have been better, and the people that ran the organization couldn't have been weirder. It was, it was very strange. And when we went to leave, the guy that booked us and me and my pianist, they they took our passports, and we had to go to a little room where they said that we our visas were expired and and we had to pay money to get out of there, and they were mad at the guy that was our manager, because he sassed them. And anyway, we had to wait. We were afraid we're going to miss the plane. And then finally, they came out with, like a little, a little tape from an adding machine, and they, they said, you have to pay $58.23 American. So they charged us this $58 and we paid it and ran to get on the plane and and I'm like, I was never so scared in my life. I didn't know what they were going to do, but it was an experience, and it was thrilling and beautiful. But don't think I'm going back to Russia, not in the near term. Yeah. Oh, and then that's when all these people said, my name is sell off. You are my cousin. I come home with you like there were so many people with my name, because in this country, there aren't that many. Aren't that many sell offs. My family is pretty small, and occasionally I'll meet us a sell off. But they're usually, they're usually rabbis, or it's like there aren't that many of us out there, but it was, it was an amazing experience. Loved it. Michael Hingson  28:28 Now, did you when you were over there, sing any of the songs or anything in Russian, or did that matter? Spider Saloff  28:34 Oh no, oh no, let's didn't do that, huh? I'm not. No, I, you know, I'm good at doing accents, and sometimes I will learn to say, like I would learn a little bit of French to get by, but then they would start asking me questions, and I didn't know what they were saying, and then they thought I was just being a jerk, you know, I'm pretending I don't understand them or something. But it was, No, I don't speak. I can barely handle English, but I didn't know whether you might have Michael Hingson  29:05 tried to learn one of the songs just for fun. Spider Saloff  29:08 There wasn't time. This went together so fast. I think we only had, like, two weeks notice. They had rushed the visas and, you know, we had, we had passports in order, but it was a lot of legal red tape. Michael Hingson  29:25 But that's why it cost $58.33 to get out. I don't know, very crazy one of those things. Oh, yeah. Well, well, at least it was affordable. Spider Saloff  29:41 Well, it will, and it was exciting. I mean, everything was paid for. But, oh, this was another weird thing they paid. They paid us in cash, American dollars, and I needed to hide, I had to hide it in my boot. I put it in. Hide the soul of my boot when I'm okay, wow, yeah, it was, it was creepy all the way down the line. It was very strange. Oh, well, yeah, things happen. 30:11 Things happen. Yeah, I was, Spider Saloff  30:12 I'm very, very, very fortunate that I got, got to do it, yeah? Michael Hingson  30:19 So obviously a wonderful memory. And yeah, oh yeah, one of those things that you'll you'll always treasure. You bet. Well, so when did you move to Chicago? Spider Saloff  30:32 Oh, well, when? When I started to get get my feet wet in New York, in the nightclub scene and the jazz scene, I got some really fabulous reviews, including the New York Times. And there was a guy from Chicago who I met through the great Julie Wilson, and his name was Bill Allen, and he was partners with Bobby Short, and he opened this really crazy club in Chicago, very famous, called the Gold Star sardine bar. And both Liza Minnelli had played there the Basie band. He squeezed the Basie band in there, but it was this tiny little place right in downtown Chicago, and it was really wild. And a lot of people had played there. Tony Bennett had played there, and Liza and I kind of was courting the room. I kept talking to him. He had he had found my press kit. Think he had been sent three different press kits, and we don't know which one he opened, and he called me, and we kept this ongoing conversation about coming out to do performance there, and then finally, he decided to bring me out for New Year's Eve, and my husband and I flew out, and it was just we were we had a couple of friends here in Chicago that we visited, but we didn't know anybody here. I'd never been to Chicago, you know, but it was magical. And then he said, Well, I'm going to have you back. I'm going to have you back. And then I didn't hear from him. And finally, the following September, he asked if I could come and play for a month, and I had almost no warning, because he was very impulsive and really crazy. So he asked me to come out for a month, and I did. They put me up in a hotel, and I played with the musicians. Were magical. People were so great. And so I played for a month, and then he said, you know, what would you think about about moving here? And my husband and I were both excited about it. Then we didn't hear anything from him. And then right after So, the first week of February the following year, he calls me up and said, Could you move here? And I'm like, I guess so. Why he goes, Well, I'll book you here for a year, and we'll arrange to get an apartment. And can you start like next week? Oh, gosh, ah, so I did it. I came out, and then my husband came out. We took a sublet on an apartment right downtown in Chicago, sight unseen. We moved here with our cat, and the rest was history. I ended up having the best nobody has a gig for a year, yeah, and and hired partially by the only person that had a gig forever, who was Bobby Short. So because I had met Bobby Short in New York, and he kind of gave bill the okay, you know, he liked me. And then I, I met Tony Bennett there, and Liza interrupted my show one night and crawled on to the over the balcony, onto the stage. And it was magical. There were lines around the block and and I got, I was courted by the press in Chicago like you wouldn't believe. I mean, it was magical. So when my run was up there, I started working at other clubs, and also I started touring at concert tours of my shows, like the Gershwin show, and started to tour. So it just became another life for me. But I'm, I'm in Chicago forever. As far as I'm concerned. I adore it here. I just love it. Michael Hingson  34:45 So when did you move there? Spider Saloff  34:47 The beginning of 92 Michael Hingson  34:49 Okay, all right, so when Liza, when Liza invaded the stage? Did you guys sing together? Spider Saloff  34:55 No, this is what happened. I had met Liza. Yeah, well, I was still living in New York, and I was friends with Billy Stritch, who was liza's musical director. So he was a friend of mine, and he introduced me to Liza, and because she was he was conducting a bit that big show she did at Radio City Music Hall that was a tribute to Vincent Minnelli. Right? She did this spectacular show at Radio City, and Billy was musical directing, and that's when they really became partners. And he introduced me to Liza, and she was just a doll, one of the nicest, coolest people in show business. So I met her, and she was really kind to me, very friendly, very sweet. And so they were playing at the Chicago theater. Liza was doing her one woman show, and it was closing this particular Saturday that I was at the Gold Star, and I had sent Billy a note to to, you know, come by when they're we're done. So I'm doing the second set. And then crazy Bill Allen at the break. He goes, he goes, Okay, people are going to come in here. Joe Pesci is going to come in and and he's going to come up and meet you. And I'm like, Joe Pesci. Joe Pesci was doing a movie here, and his double, his gangster double, used to come in and see me at the gold star. So anyway, the break comes, I'm on stage, and all of a sudden the door opens, and they come in, and it's, it was Billy and Liza and Joe Pesci. And Joe Pesci comes up on stage with Billy and my band kind of crawls off the stage, because by now, there are, there's about, I don't know, 200 people packed in a 70 person room, and their people are coming out of the woodwork. They're like, sitting on top of the bar, and I can't even get off the stage. And Joe Pesci. Pesci leans down, he's like, hey, hey, honey, my my double. He thinks you're great. He goes, Yeah, we're gonna do some songs now. And I'm like, okay, so I sat there, and Billy came up and played. The bass player was there with them. Joe Pesci got up and sang. He was adorable. And then Liza is sitting right by this. They called it the opera box. There was a big, like private table that was right next to the stage. She crawls over the bar onto the stage, and people are just screaming. It was absolutely nuts. And she did like three songs, and she was losing her voice. She had just done a killer thing at the Chicago theater, and she was really, like, raspy. Did it anyway? And she ended with New York, New York, and people were like, screaming. It was just bonkers. It was bonkers. And so that's what the Gold Star was like. It was just a crazy place, and you didn't know who was going to come in the door, who was going to interrupt your show? You just, you just didn't know. Michael Hingson  38:24 Yeah. And they even had the Count Basie orchestra there, and that was, how'd they fit him? How'd they Spider Saloff  38:30 fit him in? Couldn't fit them. It was like a publicity stunt, yeah, and the band was all stuffed in there, and there were a few people that could get in the room, but people were standing in the hallway to hear Pacey pants. This is way before my time. Yeah, it was like in the early 80s, when they opened and they were way crazier then, then when, when I came, Michael Hingson  38:53 you settled them down. Did Spider Saloff  38:55 you No? No, but they, they, they, well, I was there for a year, and then the following year, I went back a few times on Saturdays, and then Bill told Jeremy Conn and I that we were going to be the regular actor because they were always on the verge of closing. They wouldn't have any liquor, and somebody would be coming in the back door with liquor because they didn't pay their liquor bill. And it was, he was in a lawsuit. And anyway, they told us that he goes, Yeah, yeah. Call me on Tuesday and we're gonna we're getting all the details straight. Now. You guys are going to be regular. Here Tuesday came and there were chains on the door. Oh, gosh. And that was the end of it. It ended, and it was a magical time, but there were a lot of problems, a lot of legal problems going on. Michael Hingson  39:50 I met Liza Minnelli once. That was the second or third time I was interviewed by Larry King, and she was now. She was going to perform on the show as well, but it was after September 11, and so I got, I got to meet her, and that was about it, but I did get to meet her, which was fun. Exciting. It was fun. How exciting. And every time we walked out after the interviews, there were lots of photographers outside. Everyone was taking pictures, and we had to put up with all that, but I guess it provided a lot of visibility, but it was kind of fun to be able to do that. Spider Saloff  40:34 How cool. I never met Larry King. I knew a lot of people were on his show. But well, how exciting that you did it twice? Michael Hingson  40:43 Well, actually we there were five interviews with Larry. The first one was right after September 11. It was on the 14th. And then there was another one. There was either one or two more. I think there was one more in November of 2001 and then on the anniversary, in 2002 was the third. But there there were five altogether, and during one of them, and I think it was the one on the anniversary or in 2002 but I have to go back and see if I can research it. But anyway, Hillary, Hillary Clinton and Chuck Schumer were, were there? Lisa Beamer, Todd Beamer, his wife Todd's the guy who said, let's roll on flight 93 when they took over the plane again and got it in a crash in Shanksville. Wow, and and Queen. Nor was there. So who I'm sorry, Queen nor from? Who is the queen of Jordan? Oh, wow. And she and she and Roselle had a thing for a while. Roselle was my guide dog at the time, so they visited. It was kind of fun. Oh, wow. But, yeah, it was, it was interesting. But as I say, then we, we did meet Liza briefly, and that was kind of fun. She said she's Spider Saloff  42:09 a doll, yeah, doll. Oh, yeah. What a great person, yeah. Michael Hingson  42:13 Well, so I was looking at all the things that you sent me, and I noticed Tony Bennett. I got to meet Tony Bennett once we were on Regis and Kelly live in November of 2001 and I was sitting there, and I heard that Tony Bennett was going to be on the show. And suddenly he comes over and he says, Hey, I'm Tony Bennett. Good to meet you. I've heard about you. So we chatted for a while, and he and Roselle had a thing too, and he and Roselle had a thing too. Spider Saloff  42:45 So that was good. Oh, that Roselle. Oh, but yeah, I met him at the Gold Star, and he because he had played there several times, you know, as a future act. And he was doing, he was in. He was in town to do something. Maybe it was at the Chicago theater as well, but he came in, hanging out in his in his white dinner jacket, absolutely charming. And he sat down and talked to me between sets. It's like talking to your uncle, like he's like, Yeah, what do you think of this weather here in Chicago, and it was like just the friendliest, most laid back, cool guy and and I've seen him perform several times. I adored him. Michael Hingson  43:32 I regret I never got to see him live other than hearing him do, other than hearing him on regents and Kelly, he did a New York state of mind. Spider Saloff  43:41 Oh, cool. Very cool, Michael Hingson  43:43 wow, very soft spoken guy. But when he can sing, he can he could Bell it, Bell it out, Spider Saloff  43:49 and he and he sang the same forever, like, that's my my idols are. I want to sound the same forever, and I have the two, the two, the two most remarkable preserved voices were Ella Fitzgerald and Mel Tormey, both of them, they had chops forever like that. They they were just very, very careful and smart about the way they use their voices. Michael Hingson  44:18 Yeah. Johnny Mathis lasted a long time. I don't know what he sounds like. Spider Saloff  44:24 He just sounded the same forever. Yeah, killer, woo hoo, wow. And I never got to see him live, but I know people that did, and I mean, not that long ago, and they were blown away. Like, just Yeah, killer, yep, Michael Hingson  44:43 amazing, another amazing guy. Well, so have you ever had any any real kind of challenges and sort of negative things that have happened to you in your life? You've obviously been very successful. And all that. But, you know, unstoppability oftentimes happens when you have a challenge. Spider Saloff  45:05 Oh yes, well, you know, small things, challenges. I mean, like the worst, though, was when I was very young, a young actress, I got swept away by a guy that was a director. He was 10 years older than me, and I ended up in a really terrible abusive relationship for years, and didn't know how to get out, and I did. I ended up doing a six part. I have a YouTube channel, and this was two years ago. I did a six part series called learning to love you, and it was the very subject of what happens in abusive relationships and why people stay and why they are convinced that they can't live without the person. They're convinced that they're powerless. They are told they have to depend on this person, and they're very afraid. And I I was so lucky to break away from there and get out. And when I got out. I mean, I this guy completely left me with no money, no home, no job, and I was so ashamed to tell my family. I didn't tell them till months after it had happened, and I went, you know, trying to get trying to get more work as an actress. I worked as a bartender in a comedy club, and I did that's what I had a lot of comedian friends because of that era, and my friends, and eventually my family, really helped me to get out of it. But I had to get I had to be independent through the whole thing, I my first place I ever I was homeless for six months, and I would go around on busses going between wherever and Atlantic City because the casinos were there. So I could get a free ride to Atlantic City and then get a free bus back to New York. I could get a bus back to Philadelphia. I could go around on these busses and just stay at people's houses a couple of nights a week, and not having a place to live, it was horrible. So when I finally moved somewhere, I moved in with an actor friend of mine who had just got out of his abusive relationship, and I slept on the floor of an attic for like, the first six months that I was living on my own, and I was so grateful to have that floor and and I just kept saying every night before I went To bed, it it gets better from here. It's going up, it's going up, and it did. It did. It was it's remarkable. It's remarkable. Michael Hingson  48:09 What? What did you learn from that relationship? Spider Saloff  48:14 Beware of predators. I really never, never lose sight that you're the person in charge. Yeah, you are the person in charge of your life, and you're the only one that's allowed to do that. And you don't, you don't bend to anybody that's asking you to do anything too far. You just, you have to be very skeptical about, you know, who's getting close to you? And I was married long after that, I was married to my husband, and he passed away, oh, 16 years ago, and but there's been, there's been a lot of strange loss and and trauma. But I I am blessed with resilience, and I have to say, the thing that keeps me steady music, music and beauty and art can carry me through anything, and I'm surrounded by that and the best, best, best friends in the world. Oh, man, and my family and my friends are amazing, and I'm very, very fortunate, very fortunate. Michael Hingson  49:32 How long were you married? Before he passed away, Spider Saloff  49:35 we would have been married 17 years. Oh, my wife, Michael Hingson  49:41 my wife. My wife and I were married 40 years. She passed away in November of 2022 lot. Well. Thank you. I appreciate that. And I I always say when I when I tell that to anybody that she's watching from somewhere, and if I misbehave, I'm going to hear about it, so I don't even. Chase the girls. I also point out that they're not chasing me, so it's okay, but, but, but, you know, so many wonderful memories after 40 years, and people say, Well, are you going to move on? And I say, No, I'll never move on. I'll move forward, but I won't move on. I don't want to forget, but I'll move forward. Spider Saloff  50:20 That's an interesting twist of words there. Yeah, no. I mean, I have moved my life has become, actually, way, way better since my husband passed. I was dealing with a lot, and he was, he was dealing with severe mental illness, and it was very it was very hard near the end, my life is beautiful now. And I, I'm just, I feel like everything is new all the time. And I, I don't really have any close relationships, in romantic relationships. I tried a couple since he passed, but I don't, I don't think I'm good at it. I do better on my own. I'm much better on my own. Michael Hingson  51:18 Yeah, yeah. I know what I know what you mean. And as I said, it'll be three years in two weeks for me and I, when we got married, we had both lived alone. And when she was when she passed, it wasn't totally all of a sudden. So I I had some time to prepare. But it it has worked out pretty well. And so now I have a dog and a cat who keep me honest. The cat especially, oh, we have a cat. Her name is stitch, and she likes to be petted while she eats, and she'll yell at me until I come and pet her while she's eating and what. And when I travel somewhere to speak and I come home, I hear about it for quite a while. How could I ever do that? But she's not left alone. You know, I've got somebody who comes in. She has to give me what for? Well, she does. That's her obligation. Just ask her, absolutely, yeah. And how come you took that dog with you and not me? It's a guide dog. Spider Saloff  52:20 So this is not fair, yeah. Michael Hingson  52:24 Well, the other side of it is, I don't want her to ever get the idea that she can go out of the house. She She developed, on her own, a fear of going outside we she went out into our garage once when we first moved in here, and I kept calling her, she wouldn't come in, so I turned the lights off and I closed the door, and 10 seconds later, she's at the door wanting in, and so she doesn't try to go out. So I really feel blessed that she Spider Saloff  52:49 Yeah, that's good, yeah, yeah, yeah. I had a cat that never wanted to go near the door either, because he had been an alley cat. Everything outside that door was the alley going back there. Yeah, he also was a, he was a big fat house cat. Like, just wanted to lay around and luxuriate and eat and, you know he was, he was really a sweetie. I don't have pets anymore because I'm I leave too often? Michael Hingson  53:21 Yeah, you travel a lot. Well, a lot we at least I have people to help take care of stitch when I'm not here. So it does work out. Yeah, so do you so with all the things that you've been doing and singing and so on, do you teach voice to people? Spider Saloff  53:40 I do. I've taught at a school I didn't start teaching till I moved to Chicago, and this guy named David bloom, he's kind of a Chicago icon. He's had a jazz school in Chicago for years, and he asked me to teach at the school about a year after I moved to Chicago, and I said, I don't know how to teach. He said, Yes, you do. You just teach what you know. And I started teaching. And then I did courses there for a long time. I met a lot of people, and I've had wonderful students, and I still work there on occasion when we have a course. But I teach privately now, and I am. I just love it so much. I mean, I learned so much from my students all the time. You know, they're, they're just amazing, and they're all different, all different voices, all different age groups, all different reasons why they want to sing. But it's, it's one of the joys of my life. Students, they're fantastic. And I adore teaching voice. And I really a coach, you know, I teach performance and coaching, and it's not so much technique. I do some technique, but mostly it's working with. What, what the singer has to offer. Michael Hingson  55:03 I like the way you put it though that you learn so much from students. I think the day we stop learning, the day we become useless, we we always need to learn, learning, and life is all about learning, every Spider Saloff  55:15 day, learning, you bet it's exciting. It keeps you ticking. Michael Hingson  55:21 It does. It's so much fun. And it's, you know, like the internet, I regard it as an as a wonderful treasure trove. There's always neat stuff to learn. So I don't worry about the so called dark web and all that. You know, I didn't know that I would Spider Saloff  55:35 learn as much as I did about, you know, the internet and and the things covid really well. I always, always had a website. I had a guy that became my webmaster, that heard me radio and like there were all. I always was connected with it. But to the extent that I learned how to produce videos that all happened during covid, I really thought I was never going to be performing again live. I you didn't know, you know, that talk, you know, it was just so such a weird world. All of a sudden it was but learning to adapt. That was what we all learned from covid, was adapting and being open to new experiences. You know, that was a major, major factor of the whole thing. Michael Hingson  56:23 And living alone, you have to cook your own food. Spider Saloff  56:25 And like I've always, cooked my own food. Oh, my God, do I love to cook. Yeah, every day for myself. I love cooking and throwing parties. I must be Michael Hingson  56:35 a little bit lazy. I enjoy cooking. But when Karen was here. We shared the responsibility, and it's it's a lot to cook for one person, so I don't do as much of it as I used to, but I don't suffer. I will Spider Saloff  56:50 point that out you guys suffer, no, but I probably I cook for myself. Every day I cook. Almost everything I eat, I don't cook for myself is when somebody magically takes me to dinner or I go to somebody's house. I've got a lot of friends, so I get to eat at other people's houses and go out to restaurants, but I do and look forward to cooking for myself. I just can't wait to see what am I gonna have today, like I get excited about it. You know, it's a joy for me. Michael Hingson  57:23 I cook more easy meals, but I also do my own cooking. I mean, I don't go out very often, and that's fine. Yeah, I enjoy being home. I enjoy being home with a puppy and a kitty and listening to the radio and all that sort of stuff. So I hear you fabulous, fabulous. So you did some work on on radio series. Spider Saloff  57:45 Oh, yes, one of the, actually, the very first pianist that I worked with at the Gold Star sardine bar is a guy named Brad Williams. And we've been friends for years, and then at one point, this, this this guy that was a big fan of mine, Bill Sheldon. He was an old way, older fellow. The three of us created a radio series that's called Words and Music, that's about the American Songbook, and we were on the air for two and a half years. We were on we were part of NPR, and we were syndicated internationally, all through our classical station here in Chicago, W FMT, and it was the most challenging but wonderful time to crank those shows out. We never worked so hard as we did for that show, but those are still out there, you know. And we the copies of that show are available on CD. People can purchase them, and you can learn about that on my website too. Michael Hingson  58:49 I have been collecting old radio shows since 19 Well, let's see, probably 1968 and I've collected a bunch, and I'm also part of the radio enthusiast of Puget Sound, so we recreate programs every year. So I wasn't able, I wasn't able to be at the one that they did up in Washington State in September, because I was speaking somewhere. But there's going to be another one around. Well at Christmas, it's actually going to be the fifth, fourth, fifth and sixth. I think it is. Of December, we're going to recreate something like 12 or 13 different shows, and that's a lot of fun. Spider Saloff  59:34 Wowza, what are the shows like? What is it comprised of performance or recordings or what? Michael Hingson  59:42 No, no, we're actually going to perform live up in Washington, and people are invited to come and be in the audience, and they'll also be broadcast on yesterday usa.com and yesterday usa.net whichever you go to yesterday, USA is a, is a network. It's, it's got a red net. Work in a blue network, just like NBC used to have, and they play old radio shows and a lot of interviews with people. So there's still some old radio actors who will be there as part of it, Carolyn Grimes, who played Zuzu and it's a wonderful life will be there, and Beverly Washburn, who was on the Jack Benny show, and and there'll be other people, and it's kind of neat. And Larry Albert, who will be doing some of the voices, and who's was Harry Niles for years, and still is, I guess, on NPR and and so on. But it's really fun. Spider Saloff  1:00:39 That's excellent. What a blast. Yeah, it is, wow. Well, have a happy holidays with that. Michael Hingson  1:00:46 And yeah, well, I want to thank you for being here. How do people reach out to you, if they'd like to, to reach out, or if you Spider Saloff  1:00:54 want them to my website, spider jazz, calm, and you can find everything and too much information about me, and then, and if you want to get in touch with me directly, write to my email address. Spider jazz@gmail.com makes it easy. And maybe you can take private lessons, because I teach on Zoom. Ah, there you go. Me how. Yeah, cool. Michael Hingson  1:01:20 Well, thank you for being here, and I want to thank you all for listening today and watching whichever you do or both. Love to hear your thoughts about our conversation. Feel free to email me. Michael H, i@accessibe.com that's m, I, C, H, A, E, L, H, I at accessibe, A, C, C, E, S, S, i, b, e.com, wherever you're monitoring us today, please give us a five star rating, and please give us a review. We love your reviews. We appreciate your input. If you can think of anyone who you think ought to be a guest, and if you listening out there want to be a guest, please reach out to me. We're always looking for more people to come on the podcast. We met spider through someone else who has been on the the podcast as well. And spider, if you know anyone who want who you think ought to be a guest, yep, love to hear from you. I got some ideas, cool. Well, I want to once again. Thank you for being here. This has been absolutely fun. Spider Saloff  1:02:16 Thank you, Michael, what a blast. I'll be talking to you soon. Michael Hingson  1:02:24 Thank you for being here with me on unstoppable mindset. I hope today's conversation left you with a fresh perspective, a new insight, or at least something worth thinking about if you're ready to go deeper into the ideas that shape how we see ourselves and others, I have a free gift for you. Head over to Michael hinkson.com and download my free ebook, blinded by fear. It explores the invisible beliefs that hold us back and shows you how to reframe them so you can move forward with clarity and confidence. Be sure to subscribe to our podcast, leave a review and share this show with someone who can use a reminder that growth starts with mindset. When people think differently, we all move forward together. Thanks again for listening. Keep learning, keep questioning and keep choosing to live with an unstoppable mindset you.

Sunday, April 12, 2026 Message: "From Strangers to Neighbors" Scripture: Acts 9:10-19 By: Rev. Marisa Gertz Scripture https://www.biblegateway.com/passage/?search=Acts%209%3A10-19&version=NRSVUE Bulletins https://trinitygnv.org/s/Sunday-Bulletins-03-12-26-8AM-WEB.pdf https://trinitygnv.org/s/Sunday-Bulletins-03-12-26-930AM-WEB.pdf https://trinitygnv.org/s/Sunday-Bulletins-03-12-26-11AM.pdf Copyright: https://ccli.com/us/en/church-copyright-license Copyrighted content included in this webcast is used with license under one or more of the following: Christian Copyright Solutions WORSHIP cast Streaming License and PERFORM music License #7840 (to publicly perform and/or web stream any musical composition controlled by ASCAP, BMI, and SESAC), CVLI (Christian Video Licensing International) #503915511, CVLI ScreenVue License #502477880, CCLI Church Streaming & Podcast License #CSPL016331, CCLI Church Copyright License #1022361, and/or CCLI Church Rehearsal License #CRL011587.

Now what did you think about what I said in this week's episode...Welcome to this throwback of Blonde Intelligence. I am your host Ms. Roni and I always seek to give you exquisite cranial repertoire. If you're calling yourself an independent music artist but your music isn't properly registered, you might be building on sand. We get blunt about the unglamorous steps that separate a hobby from a professional music career: protecting your catalog, getting paid royalties, and surrounding yourself with people who actually know the music business. We walk through the essential music registration checklist, including joining a performing rights organization (ASCAP, BMI, SESAC), filing copyright via copyright.gov, and registering with SoundExchange for digital performance royalties. Along the way, we talk about why these moves matter for ownership, leverage, and income, especially as more artists go independent and rely on streaming platforms to gain visibility. If you've ever searched for “how to register my music” or “how do artists get royalties,” this is the practical roadmap. Then we shift to the human side of career growth: the dangers of homeboy management. Hiring friends or family who lack industry knowledge can lead to bad decisions, missed networking, weak marketing strategy, and even jealousy that keeps you stuck. We also unpack why cutting side deals behind your manager's back can feel like quick money while quietly destroying trust and long-term support. Listen, then subscribe, share this with an artist who needs it, and leave a review. What's the one business step you've been avoiding the most?Support the show

Joshua 22 | April 12, 2026 | Pastor Todd SmithEvery day, we face a multitude of decisions, some seemingly small, others life-altering. The book of Joshua offers a compelling narrative about two and a half tribes whose decision to build an altar sparks outrage and nearly leads to war. This story highlights the critical difference between a decision that "seems right" and one that truly aligns with God's will, as warned in Proverbs 14:12. Discover how to evaluate your decisions through the lens of transparency, clarity of purpose, and conviction integrity. Learn why long-term faithfulness and obedience are essential to transforming a good decision into the best decision of your life.Connect with Crossroads Community Church:Website: https://lifeatcrossroads.orgFacebook: https://facebook.com/lifeatcrossroadsGive Online:https://lifeatcrossroads.org/giveonlineLicensing Information:CCLI License #2915685CCS WORSHIPcast License #9466Crossroads Community Church holds a CCS WORSHIPcast License, which grants permission to publicly play, perform, and stream musical compositions controlled by ASCAP, BMI, and SESAC in accordance with CCS License Terms and Conditions.

Joshua 22-29 | April 12, 2026 | Pastor Todd SmithEvery day, we face a multitude of decisions, some seemingly small, others life-altering. The book of Joshua offers a compelling narrative about two and a half tribes whose decision to build an altar sparks outrage and nearly leads to war. This story highlights the critical difference between a decision that "seems right" and one that truly aligns with God's will, as warned in Proverbs 14:12. Discover how to evaluate your decisions through the lens of transparency, clarity of purpose, and conviction integrity. Learn why long-term faithfulness and obedience are essential to transforming a good decision into the best decision of your life.Connect with Crossroads Community Church:Website: https://lifeatcrossroads.orgFacebook: https://facebook.com/lifeatcrossroadsGive Online:https://lifeatcrossroads.org/giveonlineLicensing Information:CCLI License #2915685CCS WORSHIPcast License #9466Crossroads Community Church holds a CCS WORSHIPcast License, which grants permission to publicly play, perform, and stream musical compositions controlled by ASCAP, BMI, and SESAC in accordance with CCS License Terms and Conditions.

Ep. 180: Music consumption today is borderless, but the systems that manage it have historically been national. Now, collective management organisations are undergoing their most significant transformation in decades. On one hand, they are becoming global infrastructure players, scaling systems, data and partnerships to match worldwide music consumption. On the other, they are redefining their relationship with creators whose ways of making, monetising and collaborating are changing just as rapidly.We're joined by Caroline Champarnaud, Sacem's Director of International, and Julien Dumon, Director of Digital. They talk about how CMOs are evolving into interconnected, global infrastructure players. We explore the challenges of global metadata, why international partnerships with organisations like ASCAP and GEMA are more vital than ever, and how Sacem is scaling its systems to match the explosive growth of music streaming in emerging markets.SACEM: Society of Authors, Composers and Publishers of MusicThis is the third in a special series of Music Ally Focus made in collaboration with Sacem, exploring the evolution of collective management in the modern music industry – looking at technology, policy, copyright and more. In the next episode, we'll discuss the evolution of CMOs further, and how the global infrastructure only works if it ultimately serves creators, whose needs are evolving just as fast as the systems built to support them.=========In the first episode in the series, ⁠David El Sayegh, Deputy CEO of Sacem⁠, discussed how the organisation is defining the future of copyright.In the second episode, we were joined by Julien Lefebvre, the Head of Innovation and Sacem Lab, to talk about its startup partnerships, and the strategic decision to open up certain proprietary technologies to all creators.=======This is a Music Ally Co-Labs podcast: ⁠⁠⁠⁠⁠⁠⁠musically.com/music-ally-co-labs⁠⁠⁠. Co-Labs content is created by publishing partners in liaison with the Music Ally Editorial Team. We work closely with partners to ensure that it adheres to Music Ally's high expectations of quality, thoughtfulness, and usefulness.

Easter Sunday, April 5, 2026 Message: "Resurrection Ripple" Scripture: Colossians 3:1-4 By: Rev. Steve Price Scripture: https://www.biblegateway.com/passage/?search=Colossians%203%3A1-4&version=NRSVUE Bulletins: https://trinitygnv.org/s/Sunday-Bulletins-04-05-26-7AM.pdf https://trinitygnv.org/s/Sunday-Bulletins-04-05-26-8AM-e7j3.pdf https://trinitygnv.org/s/Sunday-Bulletins-04-05-26-930AM-WEB.pdf https://trinitygnv.org/s/Sunday-Bulletins-04-05-26-11AM-wl24.pdf Copyright: https://ccli.com/us/en/church-copyright-license Copyrighted content included in this webcast is used with license under one or more of the following: Christian Copyright Solutions WORSHIP cast Streaming License and PERFORM music License #7840 (to publicly perform and/or web stream any musical composition controlled by ASCAP, BMI, and SESAC), CVLI (Christian Video Licensing International) #503915511, CVLI ScreenVue License #502477880, CCLI Church Streaming & Podcast License #CSPL016331, CCLI Church Copyright License #1022361, and/or CCLI Church Rehearsal License #CRL011587.

1 Corinthians | April 5, 2026 | Pastor Todd SmithConnect with Crossroads Community Church:Website: https://lifeatcrossroads.orgInstagram: https://www.instagram.com/crossroadscommunitychurchFacebook: https://facebook.com/lifeatcrossroadsGive Online:https://lifeatcrossroads.org/giveonlineLicensing Information:CCLI License #2915685CCS WORSHIPcast License #9466Crossroads Community Church holds a CCS WORSHIPcast License, which grants permission to publicly play, perform, and stream musical compositions controlled by ASCAP, BMI, and SESAC in accordance with CCS License Terms and Conditions.

1 Corinthians | April 5, 2026 | Pastor Todd SmithConnect with Crossroads Community Church:Website: https://lifeatcrossroads.orgInstagram: https://www.instagram.com/crossroadscommunitychurchFacebook: https://facebook.com/lifeatcrossroadsGive Online:https://lifeatcrossroads.org/giveonlineLicensing Information:CCLI License #2915685CCS WORSHIPcast License #9466Crossroads Community Church holds a CCS WORSHIPcast License, which grants permission to publicly play, perform, and stream musical compositions controlled by ASCAP, BMI, and SESAC in accordance with CCS License Terms and Conditions.

Send us Fan MailHere's a mix of some newer vibes. Enjoy! Aloha! Support the showPremium Feed https://djbenniejames.supercast.com/Website https://www.djbenniejames.comSpotify https://open.spotify.com/user/12142990686?si=3e71fe4a38094d10TikTok  https://www.tiktok.com/@benniejames5YouTube https://www.youtube.com/@djbenniejamesliveInstagram  https://www.instagram.com/benniejames3/X https://x.com/benniejames123Facebook https://www.facebook.com/bennie.james.10Studio Phone Line 1-856 295-1753 - (for voicemail message only)Licensed by  ASCAP 400009874

April 3, 2026 | Pastor Todd SmithConnect with Crossroads Community Church:Website: https://lifeatcrossroads.orgInstagram: https://www.instagram.com/crossroadscommunitychurchFacebook: https://facebook.com/lifeatcrossroadsGive Online:https://lifeatcrossroads.org/giveonlineLicensing Information:CCLI License #2915685CCS WORSHIPcast License #9466Crossroads Community Church holds a CCS WORSHIPcast License, which grants permission to publicly play, perform, and stream musical compositions controlled by ASCAP, BMI, and SESAC in accordance with CCS License Terms and Conditions.

April 3, 2026 | Pastor Todd SmithConnect with Crossroads Community Church:Website: https://lifeatcrossroads.orgInstagram: https://www.instagram.com/crossroadscommunitychurchFacebook: https://facebook.com/lifeatcrossroadsGive Online:https://lifeatcrossroads.org/giveonlineLicensing Information:CCLI License #2915685CCS WORSHIPcast License #9466Crossroads Community Church holds a CCS WORSHIPcast License, which grants permission to publicly play, perform, and stream musical compositions controlled by ASCAP, BMI, and SESAC in accordance with CCS License Terms and Conditions.

It's been four years since Linda Jean Stokley and Montana Hobbs released a full album. The two, better known collectively as The Local Honeys, dropped a 45 last summer and have blessed fans with a couple of new singles in the last couple of months. But there has been no official announcement of a new record coming. We think we may have squeaked out a hint or two that one might be as the two joined Frank and Falls for the latest episode of Roots Music Rambler. The interview was a bit of a Morehead State University reunion for the Honeys and Falls, all three of whom are graduates. And Falls tried to not lapse into his native mountain accent as he and Frank talked to the pair about everything from the purpose of music to protest songs and channeling Pink Floyd to the Kentucky music scene. At the end of the day, Linda Jean and Montana are and will forever be leaders in the use of mountain and traditional music influences in a modern Appalachian sound in Americana music. They not only make great folk-rock and country music, but teach and mentor young musicians with their involvement in programs like Cowan's Creek Mountain Music School. The two are currently embarked on a spring tour with Cole Chaney and well worth the time and investment to see them live.  Frank and Falls also discuss the Grand Ole Opry's 25th Anniversary Celebration of the film “O Brother Where Art Thou” and share Pickin' the Grinnin' recommendations. Falls pointed to a recent live act he saw in Stripmall Ballads. Frank shared a band her son Anthony was amused by on satellite radio: Buffalo Traffic Jam.  Watch the Episode on YouTube Download the episode and subscribe at rootsmusicrambler.com, watch the full episode on YouTube, or download wherever you get your podcasts.  Also be sure to help spread the love of the show with Roots Music Rambler's new merch, now available at rootsmusicrambler.com/store. Authentic t-shirts, hats and stickers are now available.  Buckle up for The Hoe-Down and the Throw-Down! It's a new episode of Roots Music Rambler. Notes and links:  Grand Ole Opry's “O Brother Where Art Thou' pics from Falls The Local Honeys online The Local Honeys on Spotify The Local Honeys on Instagram The Roots Music Rambler Store Roots Music Rambler on YouTube Roots Music Rambler on Instagram Roots Music Rambler on TikTok Roots Music Rambler on Facebook Jason Falls on Instagram Jason Falls on TikTok Francesca Folinazzo on Instagram Pickin' the Grinnin' Choices Stripmall Ballads on Spotify Buffalo Traffic Jam on Spotify Subscribe to Roots Music Rambler on YouTube, Spotify, Apple Podcasts, GoodPods or wherever you get your podcasts. Theme Music: Sheepskin & Beeswax by Genticorum; Copyright 2026 - Falls+Partners. All music on the program is licensed by ASCAP, BMI and SESAC. Roots Music Rambler is a member of the Americana Music Association. Learn more about your ad choices. Visit megaphone.fm/adchoices

Palm Sunday, March 29, 2026 Message: "Imitating Christ's Humility" Scripture: Philippians 2:8 By: Rev. Steve Price Scripture: https://www.biblegateway.com/passage/?search=Philippians%202%3A8&version=NRSVUE Bulletins: https://trinitygnv.org/s/Sunday-Bulletins-03-29-26-930AM.pdf https://trinitygnv.org/s/Sunday-Bulletins-03-29-26-11AM.pdf Copyright: https://ccli.com/us/en/church-copyright-license Copyrighted content included in this webcast is used with license under one or more of the following: Christian Copyright Solutions WORSHIP cast Streaming License and PERFORM music License #7840 (to publicly perform and/or web stream any musical composition controlled by ASCAP, BMI, and SESAC), CVLI (Christian Video Licensing International) #503915511, CVLI ScreenVue License #502477880, CCLI Church Streaming & Podcast License #CSPL016331, CCLI Church Copyright License #1022361, and/or CCLI Church Rehearsal License #CRL011587.

There are few things we love better at Roots Music Rambler than talking to an artist about their first album. As this episode drops (March 27), so will southern rocker Andy Thomas's debut solo record Highway Junkie. Andy spent some time with Frank and Falls recently to talk about the album, his songs and songwriting and a lot more.  Thomas is Virginia-born but now based in Florida. He played in a couple of different bands from the time he was a teenager, jamming with his father and brother, until his most recent projects with The Trongone Band and Yarn. The real story of Highway Junkie is that it came after Thomas realized drugs, alcohol and partying were holding him back. This record is the journey of his sobriety as much as anything. Frank and Falls also had a very animated and pointed critique of fans of Treaty Oak Revival fan behavior at recent concerts. They showed clips from TikTok of a recent Lexington, Ky., concert at Rupp Arena in which fans carried on an alarming new tradition of throwing towers of not empty beer cups in the air. It left fans and the arena floor doused with alcohol and Falls called it "embarrassing" for Lexington.  And as always, the hosts offer their Pickin' the Grinnin' choices for music recommendations. This week, Frank points us to the song “Heavy” by Noah Guthrie, which resonated with both hosts. Falls shares singer-songwriter Michaela Anne, whom he saw open for Emily Scott Robinson in February. Watch the Episode on YouTube Download the episode and subscribe at rootsmusicrambler.com, watch the full episode on YouTube, or download wherever you get your podcasts.  Also be sure to help spread the love of the show with Roots Music Rambler's new merch, now available at rootsmusicrambler.com/store. Authentic t-shirts, hats and stickers are now available.  Buckle up for The Hoe-Down and the Throw-Down! It's a new episode of Roots Music Rambler. Notes and links:  TikTok video of Treaty Oak Revival's Rupp Arena chaos Andy Thomas online Andy Thomas on Spotify The Roots Music Rambler Store Roots Music Rambler on YouTube Roots Music Rambler on Instagram Roots Music Rambler on TikTok Roots Music Rambler on Facebook Jason Falls on Instagram Jason Falls on TikTok Francesca Folinazzo on Instagram Pickin' the Grinnin' Choices “Heavy” by Noah Guthrie Michaela Anne on Spotify Subscribe to Roots Music Rambler on YouTube, Spotify, Apple Podcasts, GoodPods or wherever you get your podcasts. Theme Music: Sheepskin & Beeswax by Genticorum; Copyright 2026 - Falls+Partners. All music on the program is licensed by ASCAP, BMI and SESAC. Roots Music Rambler is a member of the Americana Music Association. Learn more about your ad choices. Visit megaphone.fm/adchoices

How comfortable are you with silence? In this message, Pastor Justin Ruszkiewicz calls us into the silence - the place where God shapes the soul for life with Him. In Luke 5:15-16, we see Jesus withdrawing to an erēmos - a solitary, quiet place - to pray, as he often did, in times of temptation, pressure, and even miracles. The practice of silence and embracing solitude transforms us, and it is the place where we encounter the presence of God. This wasn't a suggestion from Scripture. This was a necessity of Jesus. So, where is your erēmos?Message Notes: https://notes.subsplash.com/fill-in/view?page=rJA2FxP9-lDiscussion Questions: https://storage1.snappages.site/PJBKS3/assets/files/PTW11.pdf_______________________________________________________________________Subscribe so you don't miss a thing!See what's happening at The Harbor on social media:Instagram:   /theharbor_life  Facebook:   /theharbordotlife  Website: https://www.TheHarbor.lifeApp: https://theharbor.life/the-harbor-appChristian Copyright Solutions (CCS, BMI, ASCAP, SESAC)License: #14753Find us on:YouTube: YouTube.com/TheHarborInstagram: Instagram.com/TheHarbor_lifeFacebook: Facebook.com/TheHarbordotlifeWebsite: https://www.TheHarbor.lifeWatch/listen on The Harbor AppNew episode every week!

Joshua 13-14 | March 22, 2026 | Pastor Todd SmithCaleb's story in Joshua 14 offers a powerful lesson on leaving a lasting legacy. He demonstrates that true inheritance extends beyond physical land or possessions. Caleb's unwavering commitment to God, described as "wholly following the Lord," set him apart. This deep devotion allowed him to claim a challenging mountain, not just for himself, but as a testament to God's faithfulness.Discover how Caleb's life provides a blueprint for going "all in" with God, never forsaking His work, and acting on His promises. Learn how to cultivate a legacy that inspires future generations to stand firm when challenges arise.Connect with Crossroads Community Church:Website: https://lifeatcrossroads.orgFacebook: https://facebook.com/lifeatcrossroadsGive Online:https://lifeatcrossroads.org/giveonlineLicensing Information:CCLI License #2915685CCS WORSHIPcast License #9466Crossroads Community Church holds a CCS WORSHIPcast License, which grants permission to publicly play, perform, and stream musical compositions controlled by ASCAP, BMI, and SESAC in accordance with CCS License Terms and Conditions.

Joshua 13-14 | March 22, 2026 | Pastor Todd SmithCaleb's story in Joshua 14 offers a powerful lesson on leaving a lasting legacy. He demonstrates that true inheritance extends beyond physical land or possessions. Caleb's unwavering commitment to God, described as "wholly following the Lord," set him apart. This deep devotion allowed him to claim a challenging mountain, not just for himself, but as a testament to God's faithfulness.Discover how Caleb's life provides a blueprint for going "all in" with God, never forsaking His work, and acting on His promises. Learn how to cultivate a legacy that inspires future generations to stand firm when challenges arise.Connect with Crossroads Community Church:Website: https://lifeatcrossroads.orgFacebook: https://facebook.com/lifeatcrossroadsGive Online:https://lifeatcrossroads.org/giveonlineLicensing Information:CCLI License #2915685CCS WORSHIPcast License #9466Crossroads Community Church holds a CCS WORSHIPcast License, which grants permission to publicly play, perform, and stream musical compositions controlled by ASCAP, BMI, and SESAC in accordance with CCS License Terms and Conditions.

Joshua 17-20 | March 29, 2026 | Pastor Todd SmithOn this Palm Sunday, Pastor Todd delves into Joshua chapters 15-21, revealing how the Israelites, despite receiving God's promised land, grappled with profound human flaws. He draws a powerful connection between the ancient cities of refuge, designed for unintentional killers, and Jesus' teaching that anger and hatred can be a form of murder in the heart.Discover how God's unwavering faithfulness persists even when we are faithless, and how humility and obedience are called for in our daily lives. Are you ready to confront your own "sheeple" tendencies and embrace the call to be strong and courageous in your walk with Christ? Join us as we prepare our hearts for Easter, reflecting on the profound grace that covers our imperfections.Connect with Crossroads Community Church:Website: https://lifeatcrossroads.orgFacebook: https://facebook.com/lifeatcrossroadsGive Online:https://lifeatcrossroads.org/giveonlineLicensing Information:CCLI License #2915685CCS WORSHIPcast License #9466Crossroads Community Church holds a CCS WORSHIPcast License, which grants permission to publicly play, perform, and stream musical compositions controlled by ASCAP, BMI, and SESAC in accordance with CCS License Terms and Conditions.

Joshua 17-20 | March 29, 2026 | Pastor Todd SmithOn this Palm Sunday, Pastor Todd delves into Joshua chapters 15-21, revealing how the Israelites, despite receiving God's promised land, grappled with profound human flaws. He draws a powerful connection between the ancient cities of refuge, designed for unintentional killers, and Jesus' teaching that anger and hatred can be a form of murder in the heart.Discover how God's unwavering faithfulness persists even when we are faithless, and how humility and obedience are called for in our daily lives. Are you ready to confront your own "sheeple" tendencies and embrace the call to be strong and courageous in your walk with Christ? Join us as we prepare our hearts for Easter, reflecting on the profound grace that covers our imperfections.Connect with Crossroads Community Church:Website: https://lifeatcrossroads.orgFacebook: https://facebook.com/lifeatcrossroadsGive Online:https://lifeatcrossroads.org/giveonlineLicensing Information:CCLI License #2915685CCS WORSHIPcast License #9466Crossroads Community Church holds a CCS WORSHIPcast License, which grants permission to publicly play, perform, and stream musical compositions controlled by ASCAP, BMI, and SESAC in accordance with CCS License Terms and Conditions.

Joshua 11-12 | March 15, 2026 | Pastor John ElliffThe Bible is filled with stories of battle, from Abraham to the Apostle Paul. Jesus himself declared that the kingdom of heaven suffers violence, and the violent take it by force. This isn't just a historical observation; it's a profound truth about the nature of faith and the Christian life.Discover why God calls His people to engage in spiritual warfare and how understanding His perfect justice can transform your perspective on life's struggles. Learn to fight the good fight and hold onto the hope of ultimate victory and divine rest.Connect with Crossroads Community Church:Website: https://lifeatcrossroads.orgFacebook: https://facebook.com/lifeatcrossroadsGive Online:https://lifeatcrossroads.org/giveonlineLicensing Information:CCLI License #2915685CCS WORSHIPcast License #9466Crossroads Community Church holds a CCS WORSHIPcast License, which grants permission to publicly play, perform, and stream musical compositions controlled by ASCAP, BMI, and SESAC in accordance with CCS License Terms and Conditions.

Joshua 11-12 | March 15, 2026 | Pastor Todd SmithThe Bible is filled with stories of battle, from Abraham to the Apostle Paul. Jesus himself declared that the kingdom of heaven suffers violence, and the violent take it by force. This isn't just a historical observation; it's a profound truth about the nature of faith and the Christian life.Discover why God calls His people to engage in spiritual warfare and how understanding His perfect justice can transform your perspective on life's struggles. Learn to fight the good fight and hold onto the hope of ultimate victory and divine rest.Connect with Crossroads Community Church:Website: https://lifeatcrossroads.orgFacebook: https://facebook.com/lifeatcrossroadsGive Online:https://lifeatcrossroads.org/giveonlineLicensing Information:CCLI License #2915685CCS WORSHIPcast License #9466Crossroads Community Church holds a CCS WORSHIPcast License, which grants permission to publicly play, perform, and stream musical compositions controlled by ASCAP, BMI, and SESAC in accordance with CCS License Terms and Conditions.

Bridging Western & Indian Classical Music w/ Srikanth Chary | VS Pop™ Orchestral ThinkingCR Srikanth is a U.S.-based composer and producer blending Western classical, Indian classical traditions, and modern cinematic pop. A Berklee-trained composer and ASCAP member with over 250 original works, he bridges concert composition, media scoring, and contemporary releases through his imprint VS Pop™. Today he shares insights on cross-cultural composition, orchestral thinking in modern music, and building an independent career in today's digital music landscape.Linkshttps://open.spotify.com/artist/16N9BJJPufgA3rnpQ06iSa?si=08pc-fGLRfGyOeirNfdzkQhttps://www.instagram.com/crsrikanth_creator_vspop/Tabs:Music History,Musician,Music Licensing,Music Producer,Music Production,Pop Culture,Bridging Western & Indian Classical Music w/ Srikanth Chary | Pop™ Orchestral Thinking,Live Video Podcast Interview,Podcast,Interview,Phantom Electric Ghost Podcast,PodmatchSupport PEG by checking out our Sponsors:Download and use Newsly for free now from www.newsly.me or from the link in the description, and use promo code “GHOST” and receive a 1-month free premium subscription.The best tool for getting podcast guests:https://podmatch.com/signup/phantomelectricghostSubscribe to our Instagram for exclusive content:https://www.instagram.com/expansive_sound_experiments/Subscribe to our YouTube https://youtube.com/@phantomelectricghost?si=rEyT56WQvDsAoRprRSShttps://anchor.fm/s/3b31908/podcast/rssSubstackhttps://substack.com/@phantomelectricghost?utm_source=edit-profile-page

Joshua 10 | March 8, 2026 | Pastor Todd SmithIn Joshua 10, God demonstrates His unwavering commitment to fight for His people. This powerful narrative reveals God's sovereignty over the heart of man, creation, and even time itself, as He intervenes miraculously in battle.Are you weary of fighting your own battles? This message invites you to consider the profound truth that God is capable and willing to fight for you, offering peace and victory in your current struggles.Connect with Crossroads Community Church:Website: https://lifeatcrossroads.orgFacebook: https://facebook.com/lifeatcrossroadsGive Online:https://lifeatcrossroads.org/giveonlineLicensing Information:CCLI License #2915685CCS WORSHIPcast License #9466Crossroads Community Church holds a CCS WORSHIPcast License, which grants permission to publicly play, perform, and stream musical compositions controlled by ASCAP, BMI, and SESAC in accordance with CCS License Terms and Conditions.

Joshua 10 | March 8, 2026 | Pastor Todd SmithIn Joshua 10, God demonstrates His unwavering commitment to fight for His people. This powerful narrative reveals God's sovereignty over the heart of man, creation, and even time itself, as He intervenes miraculously in battle.Are you weary of fighting your own battles? This message invites you to consider the profound truth that God is capable and willing to fight for you, offering peace and victory in your current struggles.Connect with Crossroads Community Church:Website: https://lifeatcrossroads.orgFacebook: https://facebook.com/lifeatcrossroadsGive Online:https://lifeatcrossroads.org/giveonlineLicensing Information:CCLI License #2915685CCS WORSHIPcast License #9466Crossroads Community Church holds a CCS WORSHIPcast License, which grants permission to publicly play, perform, and stream musical compositions controlled by ASCAP, BMI, and SESAC in accordance with CCS License Terms and Conditions.

This episode of Unlocked is one I didn't know I needed. Contemporary Christian singer-songwriter Matthew West joins me and what starts with laughing about The Masked Singer somehow turns into one of the most honest conversations about faith, shame, marriage, and what it actually looks like to live what you preach.We talk about growing up with pressure around faith, feeling like all eyes are on you, and the danger of becoming performative instead of personal. Matthew opens up about being better at talking about God than talking to Him. That one hit me. We talk about grace, about shame, about how easy it is to remember our worst mistakes and forget that God doesn't keep score the way we do.We also get into marriage in today's world, breaking generational cycles, apologizing to your kids when you mess up, and why humility might be one of the most powerful things a parent can model. There's something really beautiful about hearing a man talk about choosing his wife every day and putting faith at the center of his home.If you've ever questioned where God is in the middle of your hardest seasons… if you've wrestled with shame… if you're trying to build something healthy after coming from dysfunction… this conversation is for you. And yes, we also talk about his unreleased song that might just save a few marriages.LET'S BE SOCIAL:Follow Savannah Chrisley:Insta: (https://www.instagram.com/SavannahChrisley)TikTok: (https://www.tiktok.com/@SavannahChrisley)X: (https://www.x.com/_itssavannah_)Follow Matthew West:Insta: (https://www.instagram.com/matthewjwest/)TikTok: (https://www.tiktok.com/@matthewjwest)X: (https://x.com/matthew_west)YouTube: (https://www.youtube.com/channel/UCs7x1ETqOho69bBQqHCJx7A)Website: (https://www.matthewwest.com/)Follow The Unlocked Podcast:Insta: (https://www.instagram.com/UnlockedWithSavannah)TikTok: (https://www.tiktok.com/@UnlockedWithSav)About Matthew West:Dubbed “one of Christian music's most prolific singer-songwriters” (Billboard), Matthew West has notched 38 No.1 songs combined as an artist and songwriter and has been awarded RIAA Gold and Platinum certifications. West is also a five-time GRAMMY nominee, NSAI's 2022 Songwriter-Artist of the Year, ASCAP's 2023 Golden Note Award recipient, ASCAP's Songwriter of the Year recipient, and a multiple ASCAP Christian Music Songwriter/Artist of the Year winner. He has received an American Music Award, a Billboard Music Award, K-LOVE Fan Awards, GMA Dove Awards, and has been named Billboard's Hot Christian Songwriter of the Year. A recipient of the Rich Mullins Impact Award, West also received a Primetime Emmy® Award nomination for Original Music & Lyrics for the title track for the feature film “The Heart of Christmas.” See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week on Songwriter Connection, Dave sits down with the incredible Bandana Cheyenna, the powerhouse songwriter who co-wrote Dasha's smash hit “Austin (Boots Stop Working).” With major honors from both the People's Choice Awards and ASCAP, Bandana has quickly become one of Nashville's most compelling voices in the writing community.Bandana takes us straight into the writer's room to break down how “Austin” came to life — the spark, the story, and the magic behind the song that took the country world by storm. She also brings a few favorites to share around the Dining Room Table, giving listeners an intimate look at her process, her inspiration, and her heart.It's a deep-dive into creativity, craft, and the journey of a truly special songwriter. Pull up a chair — you won't want to miss this one.Support this podcast at — https://redcircle.com/songwriter-connection/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy