Podcasts about Japanese Americans

Jerry Takigawa is a rare kind of thinker, someone who approaches the world not just with creativity but with deep awareness, humility, and care. His work as an artist and storyteller explores what it means to carry a legacy, reframe pain into purpose, and make meaning in a world that often feels fragmented. In this episode of Design Of, Jerry shares how his Japanese American heritage, his parents' experience with internment, and his lifelong creative practice have shaped the way he see, and responds to, the world. This is a conversation for leaders, creators, and anyone navigating complexity. Jerry doesn't just talk about ideas, he embodies a way of thinking that invites reflection, connection, and change. You'll hear: + Why embracing uncertainty can lead to more authentic leadership + How silence and heritage shape our voice, and our responsibility vWhat it means to create from both logic and intuition + How storytelling, metaphor, and vulnerability unlock deeper trust + And why making space for meaning is essential to resilience and growth One of the most powerful ideas Jerry shares is this: “Your thinking is genesis, and your actions are contagious. So what is worth doing?” Whether you're building a business, guiding a team, or simply trying to live with more intention, this conversation is a meaningful invitation to pause, look closer, and move forward with greater clarity.

Quaranteam – Book 1: Part 10 Andy Rook is given a gift as restitution.. Based on a post by CorruptingPower, in 25 parts. Listen to the Podcast at Explicit Novels. Andy pulled his boxers back on, then his t shirt. "Well, it's entirely up to you, obviously. Take your time, get to know everyone, me included, and we'll play it by ear moving forward." The two walked out of the room, leaving Nicolette to tend to Sheridan. "Everyone's so warm and friendly, and you're not at all like that prick Covington." "I did try and tell you that in the letter." "And that's another thing! An honest to god letter, explaining everything for me before I even came out to talk to people. Who does that sort of thing?" "A writer, clearly," he chuckled. "It was a very good letter. But I think it was Niko and Ash who convinced me that everything would work out for the best," she said, hooking her arm into his. "They're still a bit worried about you, but I told them that grief is a monster you kill with a million tiny cuts, not one big one." Andy nodded. "It gets the better of us all sometimes. But you're getting along with the ladies alright?" She swatted his arm with her calloused fingers. "They're lovely, and Niko was nice enough to fill in all the details that your letter left out. I'd apologize for my first impression, but clearly that was that bastard's fault and through no fault of my own. If I had my way, I'd have been at the Olympics right now, but they're obviously being delayed until next year." "Then you should definitely not stop training," Andy told her. "Just because you're here right now doesn't mean you aren't going to get that chance next year. Talk to Jenny, let her know the kinds of dietary specifics you have for your meals, and then get back into the swing of things. Lauren's a trainer for the 49ers, so she can probably help you out a bit here and there." Piper smiled at him, waving a hand. "I'll talk to her, but we've got the team's trainer on Zoom speed dial at this point. I just hope there's enough space around New Eden for me to work out. God, are they really calling it that?" Andy shrugged. "Rich pricks have pompous tastes." "Speaking of which, I heard from Ash last night that you've got another girl showing up today." He rolled his eyes a little bit. "I swear, if I could find a way to monetize gossip, I'd be the richest man ever. Yes, there's another woman coming by today. One of the poker players, Nate Watkins, was supposed to bring someone over earlier in the week, but his son had already imprinted her while he was off playing poker. I told him it was fine, but he insisted his son needed to be punished for it, so apparently the son will be bringing his newest girl over for me today. Whole thing is a colossal fuck up if you ask me, but whatever. She'll probably show up, not be interested in me, and I'll redirect her back to the center." Piper giggled, shaking her head. "You really don't know a thing about how people work, do you Andy? Alright then, I'm off. I need to go get changed and get a run in. You're right,  I've been going too easy on myself during the pandemic, so I need to get back out there, and a run around New Eden will give me a chance to scope out the town." "There you go. Just remember to hydrate, and have fun." She kissed him on the cheek and headed back towards her room, as Andy headed downstairs, going into the kitchen. He'd worked up quite an appetite this morning. "Can I get you something, sir?" Jenny said, cleaning up the dishes from some of the girls' earlier breakfasts. "Yeah, can I get one of those weird French ham and cheese sandwiches you made the other day, Jenny?" She nodded with a smile, pushing those large oval glasses back up onto her nose. "One croque monsieur coming right up." Her oak colored hair flipped as she spun around and moved towards the fridge. "Did you speak with Nicolette this morning, sir?" "I did, and I'm sorry that I made you all feel uncomfortable, Jenny. It won't happen again." "We like feeling like part of the family, sir," she said, as she started to make the sandwich, "but that simply felt like it was going too far. Just keep us a little at arm's length, and everyone will be perfectly content. We don't mind the girls talking with us all the time, but you're the Master of the House, and, well, we prefer it remain that way." "Heard, understood and acknowledged, as my friend used to say. Oh, do me a favor and make sure Sarah eats some lunch today? You'll probably find her in the downstairs central living room, face glued to a book." "Finally told her she can read your next work, did you, sir?" "Apparently nobody told her it was in the house until I mentioned it this morning." "Very good sir. I'm sure she's having the time of her life, and she never felt like that before." Andy gave her the side eye, and Jenny began laughing. "You leave the masterpiece that is 'Dirty Dancing' out of this, Jenny." "Yes sir. Sorry sir," she said with a smile that made it clear she wasn't sorry in the least. After lunch, Andy headed upstairs to put proper pants on, then retreated to his study and worked adding more to the next Druid Gunslinger novel, although if he was entirely honest with himself, he was doing more editing than actual writing. The editing process was important, however, and he needed to trim some of the excess fat he'd been introducing to the story for a while. His editor had, on more than one occasion, accused him of "flavor bloat," where he would write pages and pages and pages of descriptives with nothing actually happening, and Andy was determined not to get such feedback on this manuscript. Early in the afternoon, Emily poked her head into his office, and the cats immediately hopped up to greet her. "So sorry to disturb you," she said, her British accent ensuring she could do no such thing, "but there's a Benny Watkins at the gate saying he's got an appointment to meet you today. Nathaniel's son I assume? Nicolette's just buzzed the gate open, so perhaps we should go out front and meet him?" He sighed, closing his laptop, nodding. "Yep, let's go see what this whole mess is about." As they walked upstairs, Emily peppered him with questions. "Do you have any idea what it is young Mr. Watkins has in store for us?" "His father, Nathaniel, gave me a little bit of an idea, but not all that much, so I have a feeling I'm going to be just as surprised as you are." "Nathaniel seemed like a rather nice man, for the short time I spoke with him. Not at all how Sarah described Mr. Vikovic." "She didn't like Gregor?" "It wasn't that she disliked him," Emily said as they reached the front door. "She just said he didn't talk very much, whereas Nathaniel seemed quite pleasant and conversational." They opened the front door just in time to see the Watkins family limo pulling up in front of the house. Andy felt a little bit nervous, but Emily reached up and took his hand, squeezing it reassuringly. "It'll be fine, love," she said to him. "Let the man keep his pride." After the limo parked, the driver, a large Israeli man who looked like he could kill Andy with an olive fork, moved to open the back door. Nathaniel Watkins stepped out first, a wide smile on his face. "Ah, Andrew, so glad to see you and Miss Stevens are getting along well. I had hopes that you two would take to each other." "He's an excellent man, Nathaniel," Emily said to him. "I never had any doubts about that." "Yes well, let me first introduce my son, Benjamin. Benny, get out here." Benny stepped out of the car, and Andy could immediately sense why Nathaniel wanted to knock him down a few pegs. The younger Watkins was dressed in several designer fashion labels, all expensive, but none of them matched even in the slightest. Benny's hair was cut short, and he looked like he trying to grow facial hair, but the man was too young to make a proper go of it, and it all just looked wrong. The boy was wiry more than fit. "Hello Mr. Rook," the young man said, staring right at Andy with resentment. Nathaniel's face made it clear that he knew this whole experience was going to be a struggle for the younger man, but also reinforced the idea that this was punishment for his son. "Are you going to apologize to him?" "I'm sorry I took your woman, Mr. Rook," Benny said, but his tone conveyed anything but regret or remorse, almost as if he was trying to goad Andy by repeating that he'd taken something from him. "Hannah dear, would you mind stepping out now?" The last person to emerge from the car was a short teenage Asian girl, dressed in an almost embarrassingly large overcoat, her dark hair in a ponytail with blonde stripes in it, an orange scrunchy holding it in place. She was shorter than both Nathaniel and Benny, around the same height as Emily, and her face had a smug grin on it. "Oh my god, it really is Emily Fucking Stevens. Shoots. I'm totally gonna be a sister wife with Emily Fucking Stevens. This is so fucking rad," the girl said. "Now Hannah," Nathaniel said, "I know you weren't particularly keen on pairing up with Benny, so let me ask you, would Mr. Rook be more to your liking?" Hannah looked Andy up and down, then nodded. "Definitely. He's fit, he's cute, and if he can make Emily Fucking Stevens happy, I don't see how I could possibly be let down," she giggled. "Then why don't you go join Mr. Rook, my dear?" Nathaniel said, while handing Hannah an envelope. "I'll take my coat back, however." Hannah slowly opened the coat, and Andy suddenly understood that while the coat might have been partially for his benefit, it was mostly to rub it even further in Benny's face. Underneath the coat, she was wearing a white, orange and black cheerleader outfit that said 'wildcats' on the front of it. One thing that captured the eye immediately was that Hannah was very well endowed. Her tits were large, almost straining against the uniform and whatever sports bra she had on underneath. She was very much bustier than most high school cheerleaders were, but it absolutely worked for her, her legs in long black stockings beneath the surprisingly long skirt. Andy remembered cheerleader skirts being more daring in his day, but this one hung down to her knees, the stockings disappearing up within. She had a rounded face, but still seemed quite athletic, despite her incredibly well-endowed chest area, and a large silver cross hung on a chain, resting on her collarbone. "You see this, Benny? These gigantic titties of mine I've caught you drooling over so many fucking times, you asshole? This toned ass you tried to get me to shake at you? These athletic thighs you were trying to sneak looks at? You're never gonna get any of it," she said as she handed the coat to Benny, making sure the boy got a good look at her in the outfit, before she skipped over to Andy, grinning the whole way. As soon as she reached him, she threw her arms around his waist and pressed her massive tits against his side, like two pillows crowding against him. "I'm Andy's tiggo biddy cheerleader slut now, you fuckin' perv," she said, sticking her tongue out at Benny, whose face was bunched up in frustration. Based on that look, Benny had clearly seen Hannah in this outfit many times, and fantasized about her again and again. Andy remembered that Nathaniel had said the boy had made multiple passes at her, and that she had rejected each and every one. "I'm gonna fuck his brains out until he can't even stand upright. But you? You ain't never gonna get nun a this. I hope you fuck off and die angry." The girl was clearly still upset about the boy's responses when she'd continually rejected him. "Now, Benjamin," Nathaniel said, "you're going to take out that envelope I gave you earlier, and you are going to read it aloud." Benny reached into the chest pocket of his designer jacket and pulled out an envelope, opening it, starting to read, but not aloud, trying to scan through it as much as he could, his eyes growing wider and wider. "It says what happens if you don't read it aloud, Benjamin," Nathaniel stressed. The younger man cleared his throat and started to read, hatred seething in his voice. "Firstly, as part of the punishment for my actions, I, Benjamin Watkins, am losing a portion of my inheritance that my father had planned for me. Active immediately, my father is hereby giving 40% ownership of Inner Light Investments to one Andrew Rook. When my father passes away, I will also receive 40% ownership of Inner Light Investments, and my father's wives will each receive 1% ownership. Secondly, as further part of my punishment, any and all educations that Hannah Nakamura wishes to receive for the rest of her life will be paid for, in full, by me, Benjamin Watkins. Thirdly, half of my two hundred million dollar trust fund is being transferred in ownership to one Andrew Rook, which he will have full access to immediately, in the form of cash, stocks and bonds. Finally, any retaliatory actions by me, my partners or my friends, against Andrew Rook, Hannah Nakamura or anyone else in Mr. Rook's circle of family and/or friends, will result in my immediate forfeiture of the rest of my trust fund to Mr. Rook, as well as all Inner Light Investments stock set to pass to me upon my father's death. Failure to read this letter aloud will be considered a retaliatory action. With this, I have paid my price in full for my transgression except for one final thing." He looked over at his dad. "That's where it ends. What's the final thing, Dad?" Nathaniel Watkins then slapped his son across the face as hard as he possibly could, knocking the boy to the ground. "There is one rule you will learn comes first and foremost in life, boy," he said, pointing a finger at the young man who had started to cry on the ground. "You do not fuck with the money, and until you have earned some on your own, I am the fucking money in this house. By stealing what didn't belong to you, you have cut off one of your own legs and will have to learn how fucking precarious your situation is." "But Dad!" "Don't you say another fucking word, you sniveling little shit. You should be thankful that Andrew was so understanding about this. His insistence that this didn't need to be made a big deal over is the reason you're still even in this fucking family. You aren't losing that money to him; you're paying it to him for being kind and courteous enough to let you keep the other fucking half of it. If he hadn't been so generous, I would've thrown your ass out of my house, my family and all of New Eden for your treachery, taking a woman who wasn't yours at any point at all. She was delivered to me, and I had promised her to Andrew, and instead, you stole from both myself and him, making me dishonor my promise to him." "Dad, it was only some bitch!" Nathaniel Watkins slapped the boy again, just as hard, if not harder. "For the next month, that 'bitch' is going to be your Mistress, you goddamned brat. Everything that woman, Deborah, says to do, you're going to do, and if you don't, you are fucking done in this family. I have clearly failed to raise you properly, and that's on me, but if there's one thing I've learned over the years, it's that you certainly do enjoy the lifestyle that you currently have, so if you want to keep even a little chance of keeping it, you are going to let her order you around like a goddamn pet. You're her bitch now, and if that means you have to wear a gimp suit and a ball gag for a month, so fucking be it." "It's not fair!" the young man wailed, tears running down his bruised face. "Fair? Fair?!" Nathaniel bellowed so loudly Andrew was afraid the man would strike his son yet again. "When I was your age, I was working three jobs to save up enough money to pay for housing while I got my education. You've never done a day's worth of hard work in your life. You've enjoyed the fruits of my labors, and you've spit in my eye every step of the way, so now you're going to learn what it's like to pay the cost. Get in the fucking car, before I change my mind and cut you out entirely." The boy glared up at him, but then crawled into the back of the limo, his sense of self preservation having won out over his pride. Nathaniel sighed, and walked over towards Andy, while the man's driver took two suitcases out of the trunk of the limo, clearly Hannah's things, bringing them up to the front door of the house. "I'm sorry you had to witness all that, Andrew, but now you know what kind of trouble my boy has been to me over the years." "Hey, better this than you or I having to going all John Wick on him." The bearded man laughed. "You know, at this point if you told me you were secretly a master assassin in the Before Times, I might just believe you." Andy laughed. "I wasn't, but don't fuck with my cats." "Ah, but that's just what a master assassin would say to throw me off the track," Nathaniel laughed, tapping at his temple with one fingertip. "All of the details about the transfer is in the envelope I gave to Miss Nakamura here, and you simply need to have your finance manager contact mine." Andy frowned in amusement. "I don't even have a finance manager, Nathaniel." "Then mine now also works for you. His name is Zack Burchelli. I'll call him on the limo ride back and tell him to expect your call. He takes his fee out of your investments, so it's in his best interests for him to do well by you, and I'll make sure you get the same deal I have." "Are you sure about this?" Andy sighed, feeling a little guilty of depriving the boy of so much of his inheritance. "I mean, we only met this week and you're just giving me a hundred million dollars." Watkins rolled his eyes, grinning. "It's only money. I'll make loads more. Besides, if it helps me reshape that worthless son of mine into a decent human being, it'll all be worth it." "Deb'll do that," Hannah said to them. "She's baller, and putting her in charge will teach him some humility. The money'll be the carrot to her stick, but most def she's gonna beat him stupid with that stick for the next month." Nathaniel smirked and gave Hannah's head a pat. "I told you that you'd like this one, Andrew. She's got spirit. Getting dressed up in her old Woodside High School cheerleading outfit was her idea, by the way, to really stick it Benny. As I said before, she should technically be a freshman at Stanford right now, but the university is closed until the pandemic passes. I have no doubt she'll be a cheerleader there as well. And you're fine with the last thing, dear girl?" Hannah nodded. "It'll be dope. I'm sure Andy won't mind, and if he does, well, I'll change his mind," she giggled. Andy turned to look at her, and the Asian girl just beamed up at him with a toothy grin, almost daring him to ask, but he decided not to. "You really didn't have to go to such lengths on my account, Nathaniel." "Again, let me stress this, it wasn't on your account, Andrew, only to your benefit," Nathaniel said, shaking his hand. "And I think I put in enough warnings that it shouldn't come back on your and yours, but if it does, well, you'll suddenly be even more wealthy, and my son will have lost everything. Oh! And before I go, I spoke to my friend over at Working Title, and they're eager to get things moving forward on a Druid Gunslinger movie, especially if you might have Sarah Washington and Emily Stevens attached for parts. They're talking possible franchise, you know, especially since you're alive and still writing more of them, because that means they won't run out of source material any time soon. That's a value add as they say." "Sarah would swallow her own fist to get that role," Emily said with a smile, "so thank you again, Nathaniel." "No problem at all, my dear," he said, shaking her hand as well. "I'm mostly just glad to have settled this with only my son's pride being wounded. I hope we can part as friends, Andrew," Nathaniel said, moving to shake Andy's hand one more time. "It's refreshing to see someone so salt of the earth here, and we're all the better for it. Emily and Hannah are very lucky ladies." "Friends it is," Andy said. "We can make it a point to have lunch or dinner once every couple of weeks." "I'd enjoy that very much. Now, time to take Benny back to Deborah, and see what she has in store for him. I'm hoping it's a chastity belt of some kind, but it is, as I said, her decision." "Make sure you have her take pictures, so if you need to, you'll have evidence to use against him later. Should be a reminder not to cross you further." Watkins smirked, tapping his temple again. "You're always thinking, Andrew. I love it. Ciao!" With that, Watkins slid back into his limo and the driver closed the door behind him before getting back into the long vehicle, slowly driving it off the property. "You know, you generally don't see limos that much these days," Emily said to him. "That's because they're chintzy AF," Hannah said. "So you DTF right now, or what?" "Look, Hannah, just because you're here doesn't mean you have to stay here if you don't want to," Andy started, but then yelped a little bit as Hannah's small fingertips closed around his groin though the jeans and boxers, squeezing his cock. "M'kay, lemme break it down for you, Andy," she purred. "I am horny like you would not fucking believe, so maybe I'm not making myself clear enough. I kinda turn into a little cock crazed bimbo when I'm too fucking horny for my own good. You got three choices right now. A) You can fuck me right here and now on the porch. B) You can take me inside the house and fuck me right there in the entryway. Or 3) you can take me into the house, up to your bedroom and fuck me there." "Being randy also apparently messes with your indexing system, Hannah," Emily giggled. "Oh, there's also option D) all of the above, but the rumor is that doing any one of the first three will knock me on my ass so I can't do the rest." She blew a stray bang of blonde hair out of her face dismissively. "Sounds like total bullshit to me, though." "I can't help myself, Andrew," Emily said, sliding her right hand down the front of his pants, having to work with Hanna just a little bit, so that she could get her fingertip across the head of his cock, getting a bit of that glistening precum onto her finger as she lifted it out. The small British girl then moved around, sliding her body in behind Hannah's, the two close to the same height, although Hannah was a little bit shorter, Emily's hips pressing up against the cheerleader's, pinning the girl's body between Andy's and her own. "Wrap your arms around him in a great big bear hug and I'll prove to you that you aren't ready for this." Hannah again dismissively blew air out of her mouth, shooting Emily a skeptical look over her shoulder before she dutifully wrapped her arms around Andy's midsection, holding onto him as best she could, before Emily pushed her fingertip into Hannah's mouth, making the cheerleader get her first taste of Andy, priming her. If it hadn't been for Emily's arms pinning Hannah against Andy, the cheerleader would've immediately collapsed to the ground in violent orgasm, but as Emily had her trapped, Andy instead got to feel Hannah's whole body experience a personal earthquake, her face scrunched up tightly, an extremely high pitched squeal shredding through the air, and he could feel the girl's thick nipples suddenly harden, pressed right against his side, even through the layers of fabric. After several seconds, the Asian girl started to breath again and looked up at him, her brown eyes watering with tears but a broad smile on her face. "Holy fuckballs it's fucking true," she whimpered. "I thought I knew what orgasms were like, but I've never felt anything like that in my life. I think I just touched God." She licked her lips, lifting one hand up to rub the back of her hand against her eyes, wiping away the water from them. "And I want more. Fuck it, I gotta have more, like right fucking now." Her other hand had moved back to his cock again, rubbing against it. "No," Andy said. "We're going to take all your stuff inside, and up to the bedrooms, and we're going to give you a bedroom of your own for the time being, and while we're walking you up and getting you settled in, you can tell us a little bit more about yourself. Then, after a little bit, we'll take you into the main bedroom and get you imprinted." "But I  " "Your other choice is that I can make you wait until after dinner," Andy said, trying to be as authoritative as he could. "Which would you prefer?" "Sooner, sir," she grumbled. "Excellent, let's take your stuff in and you can tell me and Emily all about you." "Whaddaya wanna know?" she said, grabbing one of her suitcases while Andy grabbed the other. Andy had taken the larger one, so he didn't feel bad about letting Hannah carry one herself. Even rolling it along, the larger suitcase was more like a steamer trunk than a practical travel suitcase. "You lived in California your whole life?" Andy said, as they walked into the house. She shook her head. "Moved here about five years ago from Hawaii after my dad's company closed down and we had to move. Dad's second generation Japanese American, and mom's pure blood Hawaiian, but I think she was still glad to get off the island. She said she always knew everyone everywhere she went, and wanted to go someplace we could blend in more. We moved to Woodside when I was 13. Dad's a UX engineer for Playtronics and mom teaches third grade." They headed up the stairs, starting to walk down the hallway along the collection of bedrooms. Andy had to stop and check, finding the first completely unoccupied one, leading Hannah into it. "And what are you going to Stanford for?" "Premed," she sighed. "I'm still debating if I want to get into pediatrics or be a neonatal specialist, but I'll totally have time to figure all that out, considering it's, like, totally a billion years in school, so good on me for having that choad pay for it all." "Nathaniel said you were Benny's tutor, and that the boy tried hitting on you several times." "Fuckin' perv didn't like being told no, and he even got handsy one time, so I decked him, and he went crying to daddy over it," she grumbled, moving to put her smaller bag next to the dresser in the room. "But daddy told him that girls get to say no, and he never tried getting grabby again, but he kept on talking shit." Andy rolled the trunk over as well, placing it between the bed and the dresser. "Nathaniel said you made a go at him as well." Hannah giggled a little bit, rolling her eyes. "I mean, kinda, sorta, sure, I guess. He was separated from his wife at the time, and I knew it would piss Benny off so much, I think I just wanted to see if I could get away with it, but his daddy said no, and he eventually unseparated from his wife, so I guess it all worked out. I was mostly just being a brat." "And you know you can't fuck other men any more now, yes?" Emily asked her. "I mean, I guess," Hannah shrugged. "I thought that was just bullshit too, but if that first thing they told us at the base is true, then I guess all of it is, which means if I sleep with another dude, I'll die, right?" "That's our understanding, but we've certainly never tested it," Andy said. "But the rest of the stuff? About needing to fuck? About it giving you the best orgasms of your life? And that it'll keep you safe from the virus? All that's true?" Emily grinned. "I can speak from personal experience that whether it's biochemistry or natural talent, Andrew has made me cum harder than I even thought was possible." "How many women am I gonna have to share him with?" "There are nine other women in the family currently, four of whom intend to marry him, two of whom have decided simply to remain sexual partners, and three of whom are new enough to still be as of yet uncertain of what they want for their futures," Emily said to her. "There are also three women on staff, who are sexual partners of Andy's as well, but prefer to keep that relationship more professional, enjoying a level of distant removal from the family." "What's that mean?" Hannah asked, her face scrunched up in confusion. "It means I like it when the Master orders me around," Nicolette said, poking her head into the room, "and that the cook and the gardener are lovers, but understand they have physiological needs they have to have tended to in order to stay alive. Hell, the gardener's a lesbian, but Andy's cum still makes her cream herself, so she's willing to drink it. Hey, I'm Nicolette, the house maid." She held out her hand to shake Hannah's. Hannah took it and shook it, before shooting Andy a suspicious look. "You make the French maid actually wear a French maid's outfit?" Nicolette giggled, which made the Asian girl's head spin to look at her. "He's told me multiple times I don't have to wear it, but I like it too much to stop, just like I like calling him Master, when he told me I don't have to do that either. But I just love the way he still blushes a little when I say it, so I know he likes it, don't you Master?" she said, giving a little curtsy in his direction. Andy was sure he was blushing a little, so he only smiled slightly. "No comment." "Told you," Nicolette said, poking Hannah in the side. "Just be yourself in what you want, tell him that and he'll probably give it to you, barring a few exceptions." "Oh yeah?" Hannah said, perking up a little more. "What's on the no fly list?" "He's a bit squeamish about being forceful or inflicting, but he'll do it up to a point, although he's never gonna hurt you," Nicolette said. "Uh, what else did Niko tell me?" "So I see Niko's the one with the big mouth," Andy chuckled. "Well, her and Ash told me a lot, so I can't remember which one said which. Oh! No inflicting pain on him, but I think Ash was just joking when she said she wanted to try and put nipple clamps on him," the maid said, giggling again. "She suggested it to me, and I politely declined." "The strap ons in the house are just for the girls to use on girls, not on the Master, although I don't think anyone's asked him that directly." "Niko did when she had a few drinks in her, but I shut that down right quick." Hannah nodded. "So big daddy's ass is exit only, but is he willing to have a go at ours?" Nicolette smiled broadly and gave an over exaggerated nod. "Oh yeah. In fact, I'm a little disappointed he hasn't had a go at mine yet, especially after we all heard Niko's first time not too long ago. And Taylor's." "Enjoyed it, did they?" Emily asked. "Taylor was pretty loud, but holy shit, Niko was loud enough the neighbors might have heard her, and they're at least a mile away. I asked her about it the next day and she said it the greatest sexual experience she'd ever had in her life. Said it made her cum even harder than she did when she was imprinting, if I could believe that." Nicolette licked her lips, looking at Andy. "So, needless to say, I'm hoping the Master'll take a crack at my ass sooner or later. I'm sure he's noticed me bending over a lot more as of late." Andy had turned a darker shade of red. "Well, you should've said something, Nicolette." "But it's so much fun watching you blush, Master," she said, batting her thick eyelashes at him. "Well, you've got an open invitation to my ass, Daddy," Hannah purred. "Mine and Sarah's as well," Emily said, "although you will need to go slow with us. We're, ah, both unaccustomed to it, but anything good enough for Niko is good enough for us." "Nobody's had my ass either, Daddy, so you've got a whole world of eager virgin assholes to explore," Hannah giggled. "Well, I didn't say mine was untouched," Nicolette said, "but it's still ripe for the Master's taking." "That's, good to know?" Andy laughed. "Oh, and Andy's not into bestiality or watersports, thank god," Nicolette said with a dramatic laugh, "because I'd have to be the one cleaning that shit up." Everyone laughed a little bit at that. "Everything else is fair game, though?" Hannah asked. "Well, if there's something else, I'm sure he'll tell you before you get too far down the path," Nicolette said. "If nothing else, the Master is remarkably straight forward." "He's also still in the room," Andy added, amusement on his face how they were talking about him in front of him like he wasn't present. "How many more women are you going to add here?" Hannah said, pushing the trunk up against the side of the bed. "Well, the banquet hall table holds sixteen people, so last night, I figured I was going to add just two more, but Nicolette has informed me that she, Katie and Jenny don't wish to be at our table any more, because it removes the level of distance they want, so I suppose it'll probably be five more, and I'll just have to tend to the needs of two to three women every day." Andy laughed a little. "I mean, there's worse ways to pass the time." "How are you going to pick them?" "I haven't really picked anyone," Andy said with a sheepish smile. "I took a test, several months ago, and based on that, they've just been sending me people. Although Emily told me that if I wanted to, I could apparently just ask for someone, and there's a good chance they might send them to me." Hannah looked down at her hands and then looked up, a conflicted expression on her face. "Can, may I make a request?" Andy's head tilted to one side. "I mean, you can certainly ask. The worst thing I can do is say no, so might as well ask." "Can I ask you to request someone specific for the house? Would, is that forward of me?" "It sort of depends on who you're wanting me to request, Hannah," Andy said. "I feel a little odd requesting anyone, honestly, so if you have someone specifically you want me to bring into the house, I'm going to need a reason for it." That made the Asian girl hesitate for a moment. "Can I think about it for a little bit?" "Sure," Andy said. "I expect the soonest we would see anyone else show up would be next week, and it's probably just going to be one, maybe two people. After next Friday, though, who the hell knows what's going to go on." "What happens next Friday?" "The news breaks, but let's talk about that later. It'll do your head right now. I would've talked to you about it before, but Emily went ahead and primed you already, so I imagine that lust is bubbling up pretty fierce right about now." "Sorry not sorry?" Emily said to him, a pixieish grin on her darling face. "So he can make a go at you here, Hannah, if you want to wake up alone tomorrow morning, or we can take you to the main bedroom, if you're okay waking up surrounded by other people." "Where are you sleeping, Emily?" "Oh, I'm always going to be sleeping with Andy. Always always always." The British actress had a tendency to say things three times in a row if she wanted to drive home a point particularly emphatically. "I'm going to take one of the bedrooms and turn it into a personal study, but I want to be sharing a bed with Andy all the time unless circumstance demands I be away from him for a while, on a film shoot or something." "Are there going to be more Dagger Academy movies? I don't like how they ended with you losing Eduardo, the love of Dahlia Hairtrigger's life, and her having to do her last year at the Academy alone?" "Well, poppet, I'm afraid there are no more novels to adapt, so unless E. F. Winston decides she wants to write more of them, it's quite unlikely. I'm hoping to be part of the cast for the films based on Andy's books, though." "Oh yeah!" Hannah said, looking at him. "Mr. Watkins said you were a writer, but I've never heard of the Druid Gunslinger books." "They're aimed at a slightly older audience, I think, but I'm sure Sarah will love to tell you all about them." "Who's Sarah?" "Another of Andy's soon to be wives. Sarah Washington. Maybe you've seen her in movies?" "Wait. Wait. 'Ballerina Badasses' Sarah Washington? That Sarah Washington is gonna be my sister wife?" "Well, she's certainly here," Emily said with a laugh. "She's downstairs reading Andy's most recent book right now, which I very much doubt we can pry her away from." "I've got so much to learn and discover here, but yeah, let's go to the main bedroom. I feel like it's getting hard to think, so let's go before I can't keep my head clear." "Sure," Andy said, "off to the main bedroom." "Nicolette, can you come with us?" Hannah said. "We're going to need a hand briefly." "We are?" Andy said. Hannah flashed him another broad as miles grin, nodding. "You'll see soon enough! Don't rush your surprise." She grabbed Emily's hand, and then pulled her along, as the four of them started to walk down the hallway. The girls walked several steps behind him, and Hannah whispered into Emily's ear first, making the British woman giggle, before whispering into Nicolette's ear, the maid taking a turn giggling. "Oh you're wicked, girl," Nicolette said. "I fucking love it. You've definitely got a wildcat here, Master." "It says so right here on my tits!" Hannah laughed. As soon as they got into the room, Hannah handed her cellphone to Nicolette. Emily leaned in and whispered into Hannah's ear, which made Hannah gasp and blush. "Oh god, yes! You do you, girl! I fucking love that!" Emily's face broke into a wide grin like she'd just eaten a canary. "Well, it's your show, girl, so do what you want to." She then moved over to whisper into Nicolette's ear, and the maid immediately started giggling all over again. Hannah reached up and grabbed the back of Andy's neck and pulled him down so she could kiss him, and it was sloppy, her tongue almost wanting to lick every inch of his mouth, before she pulled back. "So I can do anything I want? It's okay if I drive?" Andy laughed, shrugging his shoulders, spreading his hands. "Within reason, of course." "Oh, it's all reasonable, and enjoyable," Hannah said, before she grabbed Andy's shirt and pulled him around the room, finally settling on the big armchair, pushing him to sit down. She slowly slid one knee up on one side then her other knee up the other, straddling him. "I'm sure I'd be a shitty stripper, but I've never met a boy who didn't want to do this." She tugged up the cheerleading top, as well as the bra, and let those massive tits spill free, a tidal wave of tan flesh with large aerolas and thick stiff brown nipples. Hannah had at least double Ds, but Andy wouldn't have been at all surprised if they were even larger, and was nearly overwhelmed when she leaned forward and mashed them right up against his face, bringing her arms forward so he felt like his head was being engulfed by them. " Umm. That's it, daddy. Get a face full of those big ol' titties of mine. Some day soon Imma let you fuck'em. Boys have been asking me for a titfuck for years now, and I've always said no, but for you? Goddamn, I'm wet just at the thought of it." Her fingertips smoothed across his shaved head, and when he tried to pull back, she only pulled his face forward even more, holding him there until he thought he was going to suffocate. Eventually, though, she let him pull his face back, wrapping his lips around one of her nipples, suckling hard on it, teasing it with his teeth, which made her give a dramatic shiver, her fingernails raking against the back of his head. "But I gotta be yours first, Daddy," she said, slowly lifting one knee up, drawing it in under her before rolling in a twist, landing her ass in his lap with a heavy whomp, her back to his chest, feeling his cock straining against the jeans. "So don't you move and let your newest fucktoy do her thing." She scooted back into him so she could reach her hands down and unbutton his jeans. "All the boys at school said I was a wicked cocktease, but that's just because I didn't fancy most of them. The guys I hooked up with, though?" She leaned her head back and whispered into his ear. "I was the biggest fucking whore for them imaginable," she moaned. "Blowjobs, handjobs, missionary, doggy, cowgirl, in a car, in a bar, on a boat, near some goats. I made sure my boyfriends never went home with blue balls. A couple of them even begged me to stop, saying they were afraid they were shooting dust," she giggled. "Not one of them made me cum like just the very taste of you did though, Daddy." Andy reached a hand up, sliding it to cup one of her tits, trying to do his best to contribute, but Hannah had him pinned in place pretty good. "Now let's see what your slut's got to work with. It felt kinda big. Is it kinda big?" she giggled, then finally fished his cock out from his unzipped jeans and boxers, not pushing them down, just making them tuck underneath his cock and balls. "Holy fuckballs!" she gasped. "You thick cocked monster, Daddy! That is one big, beautiful, fat fucking prick! Oh god, I hope it tears my slutty little teenage cunt right the fuck up!" As soon as she had it free, she lifted her hips up to draw her skirt up, moving it higher and higher until Andy could feel his cock being rubbed along the one of her stockings. "I know I should wait and take it slow, but fuck it!" Her hand pulled his cock back just enough as she slammed down, forcing her tight young snatch to swallow up his cock. Apparently she hadn't put on panties beneath that skirt. She was easily the tightest cunt he'd ever felt, her body quivering and squirming atop of him, and he was almost worried that he'd hurt her until that giddy laugh burbled out from her throat. "Oh my fucking god that is some good fucking cock!" she shouted. "Where has this goddamn cock been all my life?" Hannah reached up and pulled the scrunchy from her hair, tossing it aside to let her mane hang loose, shaking her head to make her hair fall in her face for a moment, as she took one hand and pushed her skirt down her legs a little, her other arm folding across her chest. Andy heard a click sound, and tried to peek around Hannah, but she leaned over and made sure he couldn't get a good view. "Uh uh, you stay right fucking there, and you let me ride this giant fucking hog of yours until you give me what I want, and don't you doubt for a fucking second that I want it, oh hot shit do I want that fucking cum." Andy was trying to figure out where to put his hands, but Hannah was already moving, tugging the skirt back up again, lifting both of her hands back to rub along his head, when Andy heard another clicking sound. As soon as Andy's hands touched her hips, she suddenly reached down and grabbed his wrists, pulling his hands up to cup those mammoth tits of hers, followed by another click and then another moan. "I really should be bouncing on this schlong of yours, daddy, but I just love how it feels stretching my teenage cunt open, prying that cunt until I can't help but fit like a good little sleeve, only as big as you're making me," Hannah groaned. "Don't you want me, baby? Don't you wanna force fuck your newest whore until she's weeping your cum? 'Cause that's what she fucking wants. I know you can feel how fucking wet I am around that giant cock," she giggled. "Maybe just a little bounce." Hannah lifted her hips up, sliding her twat up his cock. Andy wasn't sure how far up she was going to lift, but after a few inches, she snickered and thrust down again, which only made her moan all the harder. "Fuck fuck fuck that's fucking good,” "You know, Andrew," Emily said, her voice moving closer, "when Hannah told me her plan for this moment, I offered her a little suggestion, one which she found incredibly erotic. Would you like me to tell you what it is?" "I think you should, don't you?" he said, Hannah making sure he couldn't peek and see what was happening. "Oh, I think you rather might enjoy a surprise instead," she laughed, getting even closer before Andy heard yet another click. He knew he'd heard that sound before, but couldn't place it. "You really should see her like this, Andy," Emily purred. "All wanton and wound up on your lap, eager to get your spunk inside of her but too wired to be able to move. And you, being so noble, not rushing her, when really, I think the little slut's as desperate for you to fuck her as you are." There was a rustling sound, and Andy felt his legs being pushed apart a little by Emily's soft hands. "Which is where I come in." There was another click, then another. Then Andy could feel the skirt fluttering, as one of Emily's hands shifted, the tip of her thumb rubbing along what little of his cock was exposed, before moving to strum Hannah's clit tenderly, the Asian cheerleader wriggling even more in his lap. "Fuck, she's frigging me, Daddy. She's rubbing my little cunny while you're ripping it open, and it all feels so fucking good." "It's a good starter, innit?" Emily said, "but I can do better. Hannah, be a good little fuckpuppet and start grinding on him, would you love?" "I don't know, Emily," Hannah whimpered, almost a touch of fear in her voice. "I'm scared I'm gonna start having chain orgasms or something." "Of course you are, darling," Emily replied, "but that's no reason to be frightened. They're wonderful." The movements were tentative at first, but slowly Hannah's hips began lifting up then pushing down again, starting to ride his cock, although clearly pacing herself to not go completely out of control. "Now," Emily said, as Andy thought he felt her moving to her knees, "let me see if I can expedite this along a little more." Andy damn near jumped when he felt Emily's tongue near the base of his cock, the British woman giving a delightful shiver against him, one hand still using a thumb on Hannah's clit, the other keeping Andy's thighs pressed wide apart enough that she could slip in, her head beneath the skirt, as her voice was a little muffled. "Ah yes, I know how we can kickstart this. Hannah, dear, are you ready for my husband to be to blow your fucking mind by blowing his load?" "Oh god, I want it so goddamn bad, Emily, Andy,” Click. "I need to feel that hot jizz inside of my snug snatch, I'm so fucking desperate for it." "But you know what'll happen when he does, don't you?" Hannah nodded, but didn't say anything, while Emily's tongue was flicking along the point where Andy's flesh met Hannah's. "I can't hear you, darling!" Emily said in a sing song voice. "I'll start imprinting." "And what does that mean, you silly girl?" "That I'll be bonded to him, connected to him,” "Is that what you want?" Hannah nodded again, her hair thrashing about, before she realized that Emily still couldn't hear her nodding. "I want it, I want it, I want it so fucking bad,” Click. "Well, you tell him what you want him to make you, and I'll make sure he does, but if you don't say it, he won't do it, and frankly, I won't blame him one bit." "Please, Andy, Daddy, Master, whatever the fuck you want me to call you, please give me that cum, please fill up my cunt and let it mark my very soul." Andy could feel Emily's tongue moving downward, starting to lash over his balls, flicking along them, that weird clicking sound filling the air again, as Hannah continued begging. "I've never wanted anything like this in my entire fucking life, needed something so fucking badly, to feel you jizzing me up, putting a big ol' creampie in my tight teenage twat, doing what it does, what I want it to do to me so fucking much. I wanna be your slut, Andy, yours and nobody else's. I wanna feel that nut branding me as your whore for life, your wanton and willing cheerleader fucktoy who will take every drop of cum you give her. I need it. Oh fuck do I fucking need it, You gotta give it to me, Andy, before I lose my fucking mind." At that point, Andy felt Emily's lips wrapping around his balls, sucking his nuts into her mouth, washing them with her tongue, rolling them around, almost coaxing them to give up their secrets, as Hannah started spasming again on his lap. The sensations were brutally intense, threatening to overwhelm him.. "Please, Daddy, please please please; make me your girl, your slut, your whore, your toy, your fuckhole, your plaything or wife or whatever the fuck you want me as, just make me fucking yours with that goddamn cum already! Cum in me! Show me how fucking owned I am! Oh my god, I'm fucking cumming! Cum with me! Cum! Fucking cum already!" Between Emily's tongue, Hannah's grinding movements and her quivering cunt, Andy's resistance was futile and he felt his balls try to draw up, only to be kept in place by Emily's lips, even while his cock began spewing hot cum inside of Hannah's cunt, sending the girl redoubling with spasms, her already tight snatch locking his cock inside of her until those spurts had stopped and her body sloughed almost lifeless against him in the chair. Emily began giggling profusely beneath the skirt, and he felt her mouth pull off his balls, giving the base of his cock a little lick before she pushed the cheerleader up and off his cock, forcing her to slide a bit more against Andy's chest. Once she had his cock out of the cheerleader, she moved to lick it clean, and Andy was certain he could feel Emily trembling just a little bit, having rediscovered for certain that every bit of his cum would send her into orgasms. After a minute or so of a tongue bath on his cock, Emily slipped out from under the skirt and moved to help Andy lift her up, carrying Hannah's unconscious form to the giant bed, laying her down. Emily had given his knob an excellent spit shine, so Andy tucked his cock away, and pulled up his boxers and his jeans, zipping and buttoning them up, before he noticed that Emily was standing next to Nicolette, who was still in the room. The two of them were looking at Hannah's cellphone. "No, that's definitely the one. Send him that one," the British woman said to the maid. "That's what I figured, but I wanted to be sure," Nicolette said. "And the rest of them?" "Why, send them to Andy's phone, and all the girls' phones as well," Emily said, leaning in to kiss Nicolette, letting the maid get a taste of a few remaining droplets of Andy's cum, forcing the French girl to vibrate a little, a short but nonetheless powerful orgasm rippling through her at even that small amount. "Am I going to regret asking what this is all about?" Andy said, as he walked over to join them. Emily took the phone from Nicolette's hand, selected a photo and turned the phone to show Andy. It was a picture of Hannah on his lap, although her face was covered by her hair. Her cheerleading top was pulled up, but her arm folded across her tits hid her nipples from sight, and while portions of Andy's form were visible, it didn't clearly identify him either. But also just importantly, Hannah's skirt was clearly over the head and shoulders of Emily, who wasn't totally visible in the photo either, but made the image all that more erotic. "When you told Nathaniel that you weren't going to let Benny watch, Hannah asked us to send him a picture that showed the whole thing without giving him any of the good bits, or showing anybody's face," Emily giggled. "He'll know it's her, and you, and me, but he can't prove it to anyone." "So you took a picture," Andy said to Nicolette, who had a comfortable smirk on her face. "Oh, I took loads of pictures, Master, and in most of them, you can see her tits, her face, I like this one in particular," she said, taking the phone back from Emily, scrolling over to show one that was a close up Emily's face, her tongue extended to lick his cock, Hannah's cunt visible and framed in the shot. "But these are just for the family."

Throw back. a bottle of beer and get ready for a history lesson straight from the west coast. Back in WW2 racial tension were high as Japanese Americans were being rounded up in to internment camps and anyone who didn't fit the mold or were perceived to be adhering to the social demands of the war effort domestically were  seen as 'The enemy from within'. Segregation was in full swing and when the US military built a Naval Barrack in the hispanic neighborhood of Chavez Ravine (Later the site of Dodger's Stadium)...violence ensued. As always follow us on the stuff Merch Store- http://tee.pub/lic/doEoXMI_oPI Patreon- https://www.patreon.com/Artandjacobdoamerica Website- https://artandjacobdoamerica.com/ Network- https://podbelly.com/ Instagram- https://www.instagram.com/artandjacobdoamerica YouTube Channel- https://www.youtube.com/channel/UC0rT6h3N2pWtlkxaqgIvaZw?view_as=subscriber Twitter- https://twitter.com/ArtandJacobDoA1 Facebook- https://www.facebook.com/artandjacobdoamerica/  

Two hundred and ninety-nine episodes ago, we could not have possibly imagined George Takei appearing on the podcast. Some version of the actor has hung in our imaginations for most of our lives, and we spent many days of our early marriage obsessing over Star Trek, the original series, and its subsequent films. Thankfully, through this beautiful medium called comic books, our paths have crossed, and we get to celebrate our three-hundredth episode with one of our creative and cultural heroes. Takei's latest graphic novel, It Rhymes With Takei, reunites him with the same creative team behind They Called Us Enemy: artist Harmony Becker and writers Steven Scott and Justin Eisinger. Together, they tell the rest of Takei's story, which includes his time in the Japanese American internment camps during World War II. It Rhymes With Takei explores the many lessons George Takei learned from that experience, how it shaped his activism, and gave him the courage to battle through the numerous other injustices he would face and fight for and alongside others. The word "dystopia" gets thrown around a lot these days. It's certainly a go-to for us, and when you look outside your window or scroll through your phone, it's an easy, seemingly apt descriptor. Star Trek has started to feel like fantasy, not science fiction. However, George Takei encourages us to hang onto utopian possibilities. He asks us to accept the inevitability of change but strive toward a brighter, better future. As the news continuously fills us with dread, we needed this conversation with George Takei, and we're grateful to share it with you, beautiful comic book friends. Thank you for spending your time with us over these three hundred (or so) episodes. Your presence gets us to our recording table every week, and you've given new meaning to our lives. It Rhymes With Takei is out now from Top Shelf Productions. Get it wherever rad comics are found. Follow George Takei on Facebook, Instagram, Bluesky, and his Website. This Week's Sponsor We're sponsored by 2000 AD, the greatest comic you're not reading! Within its pages is a whole universe of characters, from Judge Dredd and Strontium Dog to Rogue Trooper, Shakara, Halo Jones, and the poor sods slogging across the Cursed Earth in The Helltrekkers. Get a print subscription at your door every week - and the first issue is free! Or subscribe digitally, get free back issues, and download DRM-free copies of each issue for just $9 a month. That's 128 pages of incredible monthly comics for less than $10. Other Relevant Links to This Week's Episode: Join Comic Book Club in Person CBCC's Comic Shop Road Trip Patreon Exclusive: Saga of the Swamp Thing Book Club Support Your Local Comic Shop Free Patreon Series Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. Don't forget to grab your tickets for our June 29th Alamo Drafthouse Winchester screening of James Gunn's THE SUICIDE SQUAD, co-sponsored by Four Color Fantasies. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

The meat industry and its defenders promise ethical consumption and sustainable farming, but animal agriculture fuels ecological destruction, entrenches human supremacy, and masks cruelty with comforting myths. John Sanbonmatsu, philosopher and author of The Omnivore's Deception, shatters the myths of “humane meat” and the 'naturalness' of eating meat, and explains why abolishing the animal economy is essential to living an ethical human life. Highlights include:  Why growing up as the child of a Jewish mother and Japanese-American father in the U.S. sensitized John to bullying and injustice - against both human and nonhuman animals; Why the origins of human domination over animals are rooted in patriarchy and an ancient human estrangement from animals, and reinforced today by a toxic nexus of masculinity, human supremacy, neoliberal capitalism, and pronatalism; Why focusing only on factory farming misses the fundamental problem of human domination of animals and the planet - and how books like Michael Pollan's The Omnivore's Dilemma and the new American pastoral ethos perpetuate myths of so-called ethical meat while attacking the animal rights movement; Why justifying meat-eating as “natural” is ethically bankrupt - on par with past appeals to nature to justify slavery or denying women's rights - and how vegans and vegetarians provoke defensive ridicule because they reveal uncomfortable truths; Why the flood of scientific studies on animal cognition and emotion hasn't changed behavior - and how cultural fascination with AI and plant consciousness distracts from our brutal treatment of fully sentient animals; Why bad faith - our self-deception about how we treat animals - is the most destructive force preventing moral progress, and why what we're doing to animals deserves to be called 'evil'; How empathy, an evolved trait we share with animals and desperately need to nurture, is being eroded by increasing social disconnection and anti-empathy tech bro ideologies; Why lab meat, also known as 'clean meat', is not the solution to speciesism and human supremacism and consuming our way to animal liberation is a delusion; Why the animal rights movement is being undermined by the money pouring into utilitarian effective altruism and “realistic” approaches - when true compassion demands not animal welfarism, but the abolition of animal exploitation and a direct challenge to the entrenched power structures that prevent moral progress. See episode website for show notes, links, and transcript:  https://www.populationbalance.org/podcast/john-sanbonmatsu   OVERSHOOT | Shrink Toward Abundance OVERSHOOT tackles today's interlocked social and ecological crises driven by humanity's excessive population and consumption. The podcast explores needed narrative, behavioral, and system shifts for recreating human life in balance with all life on Earth. With expert guests from wide-ranging disciplines, we examine the forces underlying overshoot: from patriarchal pronatalism that is fueling overpopulation, to growth-biased economic systems that lead to consumerism and social injustice, to the dominant worldview of human supremacy that subjugates animals and nature. Our vision of shrinking toward abundance inspires us to seek pathways of transformation that go beyond technological fixes toward a new humanity that honors our interconnectedness with all beings.  Hosted by Nandita Bajaj and Alan Ware. Brought to you by Population Balance. Subscribe to our newsletter here: https://www.populationbalance.org/subscribe Support our work with a one-time or monthly donation: https://www.populationbalance.org/donate Learn more at https://www.populationbalance.org Copyright 2025 Population Balance

Broadway Director & Choreographer JoAnn M. Hunter (Bad Cinderella, School of Rock) joins The Art of Kindness with Robert Peterpaul to discuss creating kind communities in theatre, her magical new production of Disney's The Little Mermaid at Paper Mill Playhouse, why she only wants to work with compassionate people and more. JOANN M. HUNTER (Director & Choreographer). Always an honor and treat to be back at Paper Mill Playhouse! Over 30 Broadway, West End, and Australian first-class credits. Directed and choreographed at Carnegie Hall and the Kennedy Center. Early and infant stages: director-choreographer of Jo: The Little Women Musical, Yasuke: The Legend of the Black Samurai, and Birds of New York by Sophie B. Hawkins. I have worked with some extraordinary creatives in my career. How very lucky was I. In honing my craft, I keep my mentors in my heart. I am proud to be a Japanese American woman, and am more than just that. Follow Megan ⁠@meganhilty⁠ Follow us ⁠@artofkindnesspod⁠ / ⁠@robpeterpaul⁠ ⁠Support the show⁠! (⁠https://www.buymeacoffee.com/theaok⁠) Learn more about your ad choices. Visit megaphone.fm/adchoices

Now, a poem about how we win by showing up, and standing with one another. Here's Japanese-American poet, Lauren Ito, reading her poem, 'Arrival as We.'

Alaska's Perseverance Theatre's Artistic Director Leslie Ishii has the distinction of recently being awarded to prestigious awards: The 2024 Stage Directors & Choreographers Foundation Zelda Fichandler Award and the 2025 Paul Robeson Award. To win either of these honors is remarkable; but to win them both, back-to-back, is nothing short of extraordinary. Here's your chance to get to know why and how this fourth generation Japanese American grew up doing acts of social justice, and when she realized the power that storytelling has to educate and motivate people to act on things that truly matter.

This “Best Of” episode originally aired in 2013 and was voted a listener favorite. David Hiroshima is a 3rd generation Japanese-American psychologist. He shares his experience and observations counseling sexual predators (rapists and child molesters) at Coalinga, a lockdown mental hospital in central California and how he used Buddhism to help him cope.If you're interested in seeing or buying the furniture that Paul designs and makes follow his IG for his woodworking which is transitioning from @MIHHfurniture to its new handle @ShapedFurniture WAYS TO HELP THE MIHH PODCASTSubscribe via Apple Podcasts (or whatever player you use). It costs nothing. It's extremely helpful to have your subscription set to download all episodes automatically. https://itunes.apple.com/us/podcast/mental-illness-happy-hour/id427377900?mt=2Spread the word via social media. It costs nothing.Our website is www.mentalpod.com our FB is www.Facebook.com/mentalpod and our Twitter and Instagram are both @Mentalpod Become a much-needed Patreon monthly-donor (with occasional rewards) for as little as $1/month at www.Patreon.com/mentalpod Become a one-time or monthly donor via PayPal at https://mentalpod.com/donateYou can also donate via Zelle (make payment to mentalpod@gmail.com) To donate via Venmo make payment to @Mentalpod See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Newt talks with Gerard Robinson, a professor of practice at the Batten School of Leadership and Public Policy at the University of Virginia, about his recent article on how World War II influenced prison policy. Their conversation explores Robinson's experiences mentoring youth in the juvenile justice system and teaching fifth grade, which shaped his views on criminal justice reform. They discuss the impact of high suspension rates on future incarceration, the importance of education in reducing recidivism, and innovative programs like Texas's Prison Entrepreneurship Program. Robinson shares insights from international prison visits, highlighting Norway's principle of normality and its potential application in the U.S. Their discussion also covers historical treatment of prisoners of war in the U.S. compared to Japanese Americans during WWII, and the implications of the 1871 Virginia Supreme Court ruling on prisoners as "slaves of the state." Robinson's work and publications are available through the University of Virginia and the American Enterprise Institute.See omnystudio.com/listener for privacy information.

The US is planning to scale down its military presence in Syria from eight bases to one. We also take a look back at survivors of chemical attacks conducted by Assad regime forces during the Syrian civil war. And, exit polls show center-left Lee Jae-Myung winning the snap election in South Korea by a wide margin. Also, as officials in the US suspend visa interviews for all international students looking to study in the country, those from Latin America may be looking at other options. Plus, Japanese American musician Tina Johnson, known as Shima, is shifting from being in a J-Pop band in Tokyo to becoming an electronic solo artist.Listen to today's Music Heard on Air. Learn about your ad choices: dovetail.prx.org/ad-choices

This week in Episode #695, I talk with Ethan Sacks, accomplished creator of comics including Star Wars, Old Man Hawkeye, and Midnight Suns, and his daughter and co-writer, Naomi Sacks, who are telling an allegory of a deeply personal time in their lives called A Haunted Girl. They have a Zoop.gg crowdfunding event going on until about Thursday, June 12. This book was originally published by Image Comics and Syzygy Publishing, and this hardcover edition contains all-new behind the scenes features and is the ultimate collector's item for fans of this acclaimed supernatural horror story. The book is described this way: “The fate of all life on Earth depends on a girl who doesn't know if she wants to live. Cleo, a 16-year-old adopted Japanese-American whose anxiety and depression drives her to suicidal thoughts, is fresh out of the hospital and trying unsuccessfully to reintegrate back into her old life.” This campaign went live on the Zoop crowdfunding platform, Tuesday, May 6th.  This date was chosen specifically to coincide with World Mental Health Awareness month, due to the book's subject matter. We explore how the series came to be, who the various characters are, and also talk about how these creatives worked together and what else they might have coming our way soon. Subscribe to the Major Spoilers Podcast Network Master Feed! Major Spoilers Podcast Network Master Feed RSS Feed Show your thanks to Major Spoilers for this episode by becoming a Major Spoilers Patreon member. It will help ensure Wayne's Comics Podcast continues far into the future!

Enjoying cars doesn't require financial hardship. Memories, events and people matter more than metal. Why did Japan make 660cc Kei Cars for their own market while America offered 6500cc V8 entry level sedans? Why did Ferrari make a 2-liter version of the 308GTS?    

We can't even pretend to have chill about this. On this extra special episode, we interview the namesake of our mascot and inspiration for the title of the show, Waverly herself, the legend, the icon, Tamlyn Tomita! We of course ask Tamlyn about the Joy Luck Club, what it meant 30 years ago, what it means now, and her thoughts on playing Waverly. She also talks Karate Kid II, her equally iconic role of Kumiko, and her personal ties to it as a person of Okinawan-descent. Plus she shares one of her all-time comfort foods, what it meant growing up as the daughter of an Okinawan-Filipina mom and a Japanese-American cop dad.  Listen in as we try to keep our cool and Freesia almost makes it through the whole episode without crying, almost. Huge thanks to Tamlyn for being so gracious and so generous with her time and storytelling. Truly a best quality heart.

The GGACP team marks May's Asian American and Pacific Islander Heritage Month by revisiting this interview with one of the world's best-loved pop culture figures, actor-activist George Takei. In this episode, George shares his feelings about Caucasian actors in Asian roles, speaks frankly about Japanese-American internment, expresses his gratitude to Trekkies and fondly remembers old friend Leonard Nimoy. Also, George feuds with William Shatner, chats up Jerry Lewis, runs into Cary Grant and rebukes Arnold Schwarzenegger. PLUS: Frank Gorshin! Celebrating James Hong! George channels Sir John Gielgud! Gilbert does his best Richard Burton! And the last of the Paramount contract players! Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on the special edition Bruce Lee Foundation takeover of the Bruce Lee Podcast for the month of May, Shannon is honored to welcome Olympic gold medalist Kristi Yamaguchi to the show. Everyone knows Kristi as a champion on the ice, but in her years since winning gold she has also become a devoted author, philanthropist, and lifelong advocate for youth literacy. Born in California to Japanese-American parents, Kristi's mother was born in a WWII internment camp while her grandfather served as a U.S. Army lieutenant. Kristi's journey reflects strength across generations and  is one of legacy and service. Kristi shares how a treasured Dorothy Hamill doll ignited her early passion for skating, and what it felt like to meet her idol moments before the biggest performance of her life. She also reflects on her touring years with Stars On Ice. Kristi opens up about the values her parents instilled in her around service and gratitude—and how those principles ultimately led her to found Kristi Yamaguchi's Always Dream, a nonprofit dedicated to early literacy and family engagement. Through her foundation, Kristi is helping ensure that children in underserved communities not only have access to high-quality books, but also the support needed to build a lifelong love of reading. Finally, Kristi opens up about a new passion she's been engaged in, and it's VERY Bruce Lee of her! Join Shannon and get to know how Kristi is continuing to shape an inspiring legacy that continues across generations! Show notes and more episodes at Brucelee.com/Podcast  Connect with Kristi…. Website:  www.alwaysdream.org Instagram: @kristiyamaguchi | @alwaysdream Facebook: Kristi Yamaguchi | Kristi Yamaguchi's Always Dream X: @kristiyamaguchi

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Happy Asian American & Pacific Islander Heritage Month! Even though the Trump Administration has eliminated recognizing cultural heritage months, we are still celebrating diversity and inclusion here at APEX Express and KPFA. We believe in lifting up people's voices and tonight on APEX Express the Powerleegirls are focusing on “Asian American Children's book authors”. Powerleegirl hosts Miko Lee and daughter Jalena Keane-Lee speak with: Michele Wong McSween, Gloria Huang, and Andrea Wang   AAPINH Month Children's Books part 1 transcript Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.   Ayame Keane-Lee: [00:00:49] Happy Asian American and Pacific Islander Heritage Month. Even though the Trump administration has eliminated recognizing cultural heritage months, we are still celebrating diversity and inclusion. Here at Apex Express and KPFA, we believe in lifting up people's voices. And tonight on Apex Express, the PowerLeeGirls are focusing on Asian American Children's book authors. PowerLeeGirl hosts Miko Lee and daughter Jalena Keane-Lee. Speak with Michele Wong McSween, Gloria Huang and Andrea Wang. Thanks for joining us tonight on Apex Express. Enjoy the show.   Miko Lee: [00:01:21] Welcome, Michele Wong McSween to Apex Express.    Michele Wong McSween: [00:01:26] Thank you, Miko. It's nice to be here.    Miko Lee: [00:01:28] I'm really happy to talk with you about your whole children's series, Gordon & Li Li, which is absolutely adorable. I wanna start very first with a personal question that I ask all of my guests, which is, who are your people and what legacy do you carry with you?   Michele Wong McSween: [00:01:45] I would say my people are really my family starting with, my great, great grandparents who came here down to my grandparents, my parents, and onto my children because, to me family is. The reason why I created Gordon & Li Li in the first place, it was really to bridge that connection for my children. I didn't grow up feeling that connected with my culture because as a fourth generation Chinese American, I was really in the belief that I'm American. Why do I need to know anything about my culture? Why do I need to speak Chinese? I never learned. As a sidebar to that, I never learned to speak Chinese and it didn't really hit me until I had my own kids that I was really doing a disservice to not only my kids, but to myself. my people are my family. I do this for my kids. I do this to almost apologize to my parents for being so, Disrespectful to my amazing culture and I do it for the families who really want to connect and bridge that gap for their own children and for themselves.    Miko Lee: [00:02:53] And what legacy do you carry with you?    Michele Wong McSween: [00:02:55] Again, my family. My, great grandparents. Really. Started our family's legacy with the hard work and the prejudices and all the things that they endured so that we could have a better life. And I've always felt that it is my responsibility to teach my own kids about the sacrifices that were made and not to make them feel guilty, but to just make them appreciate that we are here. Because of the the blood, sweat, and tears that their ancestors did for them. And so we are, eternally grateful for that. I think it's important for us to continue that legacy of always doing our best, being kind and doing what we can do to further the experience of not just our family, but the people in our community that we connect with and to the greater world.    Miko Lee: [00:03:43] when you were growing up, were your parents speaking with you in Chinese and did you hear about your great grandparents and their legacy? Was that part of your upbringing?    Michele Wong McSween: [00:03:52] I heard about my great grandparents in the stories that my mom told us, but to be quite honest, I wasn't receptive to really digging deep in my cultural understanding of. my great-grandfather and what he went through. I know mom, I know he came over in 19 whatever. I know he brought over all these young sons from his village, but I really didn't fully take it in and. No, I didn't hear Chinese spoken in the house much. The only time my parents spoke it was to each other so that we didn't know what they were talking about. They had like this secret code, language. My experience with my language was not, That positive. we did attempt to go to Chinese school only to be teased by all the other kids because we didn't speak it. It didn't end up well. my mom ended up pulling us out and so no, we were really not connected all that much to the language.   Miko Lee: [00:04:48] I can really relate to what you're saying. As a fifth generation Chinese American, and my parents their ancestors came from different provinces, so their dialects were so different that they even spoke to each other in English. 'cause they couldn't understand each other in Chinese. So it happens so often. Yeah. Yeah. And so I really relate to that. I'm wondering if there was an epiphany in your life or a time where you thought, oh, I. I wish I knew more of those stories about my ancestors or was there some catalyst for you that changed?   Michele Wong McSween: [00:05:17] All of this really kind of happened when I moved to New York. I, you know, raised in Sacramento, went to college in the Bay Area, lived in San Francisco for a while with a job, and then I eventually moved to New York. And it wasn't until I came to New York and I met Asians or Chinese Americans like me that actually spoke Chinese and they knew about cool stuff to do in Chinatown. It really opened my eyes to this new cool world of the Chinese culture because I really experienced Chinatown for the first time when I moved to New York. And it was just so incredible to see all these people, living together in this community. And they all looked the same. But here's the thing, they all spoke Chinese, or the majority of them spoke Chinese. So when I went to Chinatown and they would look at me and speak to me in Chinese and I would give them this blank stare. They would just look at me like, oh my gosh, she doesn't even speak her own language. And it kind of made me feel bad. And this was really the first time that it dawned on me that, oh wow, I, I kind of feel like something's missing. And then it really hit me when I had my kids, because they're half Chinese and I thought, oh my gosh, wait a minute, if I'm their last connection to the Chinese culture and I don't speak the language. They have no chance of learning anything about their language they couldn't go that deep into their culture if I didn't learn about it. So that really sparked this whole, Gordon & Li Li journey of learning and discovering language and culture for my kids.    Miko Lee: [00:06:51] Share more about that. How, what happened actually, what was the inspiration for creating the Children's book series?    Michele Wong McSween: [00:06:58] It was really my children, I really felt that it was my responsibility to teach them about their culture and language and, if I didn't know the language, then I better learn it. So I enrolled all of us in different Mandarin courses. They had this, I found this really cute kids' Mandarin class. I went to adult Mandarin classes and I chose Mandarin because that was the approved official language in China. I am from Taishan, My parents spoke Taishanese, but I thought, well, if Mandarin's the official language, I should choose that one probably so that my kids will have at least a better chance at maybe some better jobs in the future or connecting with, the billion people that speak it. I thought Mandarin would be the way to go. When I started going to these classes and I just realized, wow, this is really hard, not just to learn the language, but to learn Mandarin Chinese, because we're not just talking about learning how to say the four different tones. We're talking about reading these characters that if you look at a Chinese character, you have absolutely no idea what it sounds like if you're, if you're learning Spanish or French or German, you can see the letters and kind of sound it out a little bit. But with Chinese characters. No chance. So I found it extremely difficult and I realized, wow, I really need to support my kids more because if I am going to be the one that's going to be bridging this connection for them, I need to learn more and I need to find some more resources to help us. when we would have bedtime story time, that whole routine. That was always the favorite time of my kids to be really, quiet and they would really absorb what I was saying, or we would talk about our days or just talk about funny things and I realized, wow, these books that they love and we have to read over and over and over again. this is the way that they're going to get the information. And I started searching high and low for these books. back in 2006, they didn't exist. and so I realized if they didn't exist and I really wanted them for my kids, then I needed to create them. That's the impetus, is there was nothing out there and I really wanted it so badly that I had to create it myself.   Miko Lee: [00:09:09] Oh, I love that. And I understand you started out self-publishing. Can you talk a little bit about that journey?    Michele Wong McSween: [00:09:15] I'm glad I didn't know what I know today because it was really hard. luckily I had, A friend who used to work for a toy company, it was all through connections. there was nothing really on Google about it. there was no Amazon print on demand. There were none of these companies that provide these services like today. So I just kept asking questions. Hey, do you know a toy manufacturer in China that maybe prints books? Do you know a company that could help me? get my books to the states. Do you know an illustrator that can help me illustrate my books? Because I had gone to fashion design school, but I had not learned to illustrate characters or things in a book. So asking questions and not being afraid to ask the questions was really how I was able to do it because, Without the help of friends and family, I wouldn't have been able to do this. I had all my friends look at my books, show them to their kids. I had my kids look at them, and I kind of just figured it out as I went along. Ultimately when I did publish my first book, I had so much support from my kids' schools. To read the books there, I had support from a local play space for kids that we would go to. I really leaned on my community to help me, get the books out there, or actually it was just one at the time. Two years later I self-published two more books. So I had three in total. no one tells you that when you self-publish a book, the easy part is actually creating it. The hard part is what comes after that, which is the pr, the marketing, the pounding, the pavement, knocking on the doors to ask people to buy your books, and that was really hard for me. I would just take my books in a bag and I would explain my story to people and I would show them my books. sometimes they would say, okay, I'll take one of each, or Okay, we'll try it out. and slowly but surely they would reorder from me. I just slowly, slowly built up, a whole Roster of bookstores and I kept doing events in New York.    I started doing events in Los Angeles and San Francisco, and through that I gained some following, some fans and people would tell their friends about me. they would give them to their nieces they would give them to their cousin's kids, or, things like that. I knew that I had to do it because my ultimate goal was to have Scholastic be my publisher. That was my ultimate goal. Because they are the publisher that I grew up with, that I love that I connected with, that I was so excited to get their book club, little flyer. I would check off every book that I wanted. And my mom never said no. She always let me get every single book I wanted. I realize now that that's what really Created the love of books for me is just having access to them and, going to the libraries and seeing all these books on the bookshelves and being able to take them out and read them on the spot. And then if I loved them enough, I would check them out and take them home and read them over and over. So it was really, my experience, having that love for books that I thought, oh gosh, it would be a dream. To have Scholastic become my publisher. So after 10 long years of events and community outreach and selling to these bookstores, I finally thought, okay, I've sold, about 17,000, 18,000 books. Maybe, maybe now I can take my series to them. I also had created an app. Maybe I can take this to them and show them what I've done. Maybe they'll be interested in acquiring me. And I got an appointment with the editor and I pitched my books on my app and within a couple of days they offered to acquire my books, which was my dream come true. So anyway, that was a very long story for how self-publishing really is and how ultimately it really helped my dream come true.    Miko Lee: [00:13:08] Now your books are on this Scholastic book, fair Circuit, right?    Michele Wong McSween: [00:13:13] Yes, they are. Well, it's actually just one book. They took the three books, which were everyday Words. Count in Mandarin and learn animals in Mandarin. They took all three books and they put them in one big compilation book, which is called My First Mandarin Words with Gordon & Li Li. So it's a bigger book. It's a bigger board book. Still very, very sturdy and it's a great, starter book for any family because it has those three first themes that were the first themes that I taught my own boys, and I think. It just, it's very natural for kids to want to learn how to count. animals were, and my kids were animal lovers, so I knew that that's what would keep them interested in learning Mandarin because they actually loved the topic. So, yes, my first mandarin words with Gordon & Li Li does live on Scholastics big roster.   Miko Lee: [00:14:01] Fun. Your dream come true. I love it. Yeah. Thanks. And you were speaking earlier about your background in fashion design. Has there been any impact of your fashion design background on your voice as a children's book author?   Michele Wong McSween: [00:14:14] I don't know if my background as a fashion designer has had any impact on my voice. I think it's had an impact on how I imagined my books and how I color my books and how I designed them because of working with, you know, color palettes and, and putting together collections I can visually see and, can anticipate. Because I have that background, I can kind of anticipate what a customer might want. And also, you know, speaking with people at my events and seeing what kids gravitate to, that also helps. But I think there's so much more to being an author than just writing the books. You know, when I go to my events, I have a table display, I have setups, I have props, I have, I actually now have a, a small. Capsule of merchandise because I missed designing clothes. So I have a teeny collection of, you know, sweaters, hoodies, onesies, a tote bag, and plushies   Miko Lee: [00:15:04] they're super cute by the way.    Michele Wong McSween: [00:15:06] Oh, thank you. So, you know, fashion has come in in different ways and I think having that background has really helped. kind of become who they are    Miko Lee: [00:15:17] Can you tell us about the latest book in the series, which is Gordon and Li Li All About Me. Can you tell a little bit about your latest?   Michele Wong McSween: [00:15:25] Gordon & Li Li All About Me is really, it's, to me, it's. I think my most fun interactive book because it really gets kids and parents up and out of their chairs, out of their seats and moving around. And you know, as a parent, I always would think about the kind of books that my kids would gravitate towards. What would they want to read and what as a parent would I want to read with my kids? Because really reading is all about connection with your kids. That's what I loved about books is it gave me a way to connect with my kids. And so a book about body parts to me is just a really fun way to be animated and get up and move around and you can tickle and, and squeeze and shake it around and dance around. And, you know, having three boys, my house was just like a big energy ball. So I knew that this book would be a really fun one for families and I have two nieces and a nephew, and I now, they're my new target market testers, and they just loved it. They had so much fun pointing to their body parts and the book ends with head, shoulders, knees, and toes in English and in Mandarin. And so of course. Every kid knows head, shoulders, knees, and toes in English. So we sing that. We get up, we point to our pottered parts, we shake it around, we dance around. And then the fun part is teaching them head, shoulders, knees, and toes in Mandarin because they're already familiar with the song. It's not scary to learn something in Mandarin. It just kind of naturally happens. And so I think the All About Me book is just a really fun way to connect with kids. I've actually launched it at a couple of events already and the response to the book has been overwhelming. I was at the Brooklyn Children's Museum and even the president of the museum came and did the head shoulders. Knees and toes, songs with us. It was so much fun. Everybody was dancing around and having a great time. So I'm just really, really excited for people to pick up this book and really learn about the body. It's, you know, body positivity, it's body awareness, and it's just a great way to connect with your kids.   Miko Lee: [00:17:31] So fun. I, I saw that you're recently at the Asian American Book Con. Can you talk a little bit about that experience?    Michele Wong McSween: [00:17:38] Oh, that was great. That was the first of its kind and. I led the entire author segment of it. I would say individual authors. There were, there were, publishing companies that brought in their own authors, but I was responsible for bringing in the independent authors. And so I think we had about eight of us. There were Indian, Korean, Chinese, Taiwanese, and we all came together for this one really special day of celebrating our voices and lifting each other up. And there was so much energy and so much positivity in that event, and I. Actually was just thinking about reaching out to the organizers last year and seeing if we could maybe do, part two? So, I'm glad you brought that up. It was a really positive experience.    Miko Lee: [00:18:27] So we're celebrating the end of Asian American Pacific Islander Native Hawaiian month. Can you tell us why this month is important to you?    Michele Wong McSween: [00:18:36] When you have something designated and set aside as, this is the month that we're going to be celebrating Asian American Native Hawaiian Pacific Islander heritage all month long, I think it kind of perks up. People's ears and they think, oh wow, this is a great opportunity for me to see what's happening in my community. I think it just brings the awareness to. The broader community and ultimately the world. And I think when we learn about each other and each other's cultures, it brings us closer together and makes us realize that we're really not that different from each other. And I think when there are so many events happening now it peaks the interest of people in the neighborhood that might otherwise not know about it and it can, really bring us closer together as a community.   Miko Lee: [00:19:27] Michelle Wong McSween, thank you so much for joining me on Apex Express. It's great to hear more about you and about your latest book Gordon & Li Li and the entire series. Thank you so much.    Michele Wong McSween: [00:19:39] Thank you, Miko   Jalena Keane-Lee: [00:19:40] Thank you all so much for joining us. I'm here with Gloria l Huang, author of Kaya of the Ocean. Thank you so much for joining us, Gloria.    Gloria Huang: [00:19:48] Oh, thanks so much for having me here.    Jalena Keane-Lee: [00:19:50] So first off, one question that we're asking all of our guests on our show tonight is, who are your people? However you identify, you know, your community, your ancestors, and what legacy do you carry with you?    Gloria Huang: [00:20:01] Oh, that's such a good question. So I am my heritage is Chinese. My parents were born in China and then grew up in Taiwan. And I myself was actually born in Canada. But then moved the states pretty young and and American Canadian dual citizen and now, but I, my heritage plays a lot into my. Kind of my worldview. It really shaped, how I grew up and how I saw things. And so it features very prominently in my writing and in my stories as you could probably tell from Kaya the ocean.    Jalena Keane-Lee: [00:20:34] Yes. And I love the book so much. It was such a    Gloria Huang: [00:20:37] thank you,    Jalena Keane-Lee: [00:20:38] amazing read. And I'm also half Chinese and love the ocean. Just love the beach so much and have always felt such a connection with the water. I don't wanna give away too much things about the book, but I was wondering if you could talk about your inspiration for writing it and a little bit about, setting and everything.   Gloria Huang: [00:20:56] Of course. So the inspiration for the book actually started I came up with the idea when the world was first emerging from the pandemic and I was seeing a lot of people obviously experiencing a lot of anxiety, but a lot of children very close to me in my life. And they were experiencing it for the first time, which was can be so difficult. I remember when it happened to me and there's just this tendency to. Worry that there's something wrong with you or that you've done something and you feel so alone. And so I remember standing by the ocean one night actually and thinking that I'd really love to write a book about a girl who is struggling with. The anxiety just to be able to send a message to all these kids that there's nothing wrong with them. They're not alone and really all parts of who they are. Even the parts they might not love so much are important parts of these amazing, beautiful, complicated people. They are. So that was the inspiration for that part of the story, the setting. I was very inspired. As you mentioned, the ocean is a huge inspiration to me. It actually comes into my mind, a lot of my stories and someone pointed that out once and I was like, you're right, it does. And I think part of it is that I love the ocean. I love the beach. I love being there, but I'm also so in awe of this powerful thing that, you know, where we know so little about it. It is. There's so much mystery to it. It can look so beautiful on the surface and be so dangerous underneath. I love it as a metaphor. I love it as a part of nature. So I think that was a huge part of why I wanted to incorporate that, especially because I think it also plays well into the metaphor for how some people experience anxiety and you can be calm on the surface, but so much is happening underneath.    Jalena Keane-Lee: [00:22:29] Absolutely. Yeah. Those interplay with each other and are metaphors for each other in such a beautiful way, mirror the experience. Yeah. I wanted to talk a little bit more about anxiety and particular, as a young Asian American girl the cultural specificity of having anxiety as a young Asian American woman.    Gloria Huang: [00:22:46] Yes I definitely think it's no coincidence. I think that anxiety often goes hand in hand with perfectionism and pressure and I, many people feel that kind of pressure, but certainly a young Asian girl especially with immigrant parents, will feel specific kind of pressure. And so I was really trying to portray that, Somebody once said to me, they were like, oh, I really like how Kaya on the surface seems so put together. She's, got really good grades. She works really hard at school. She's close to her parents, but there's all this going on underneath. And I actually think that's not unusual in terms of that experience for Asian American children of immigrants, and especially if you're female I was really trying to. Tease that out. And then in addition I think there's a tendency, and this might exist in other cultures as well, but in Asian culture, at least in my family history there's a tendency not to really want to talk about mental health. There was a, there's a joke in my family that my parents thought anything could be solved with good sleep and good nutrition, like anytime you had any problem. And I think that there is a, there's a. resistance to feeling like your child can be struggling in a way you can't help them. So I, really wanted to touch on that, part of the cultural pressures at play in kaya's life.    Jalena Keane-Lee: [00:23:59] And you did so beautifully and it was very relatable, as a anxious Asian girly. And also just, the discussion of big feelings and somehow, having inklings that you may be more powerful than you even realize, but the kind of like emotions that come with that too.    Gloria Huang: [00:24:15] Yes. I think that's a huge part of it is that like when you experience these huge feelings they feel powerful, know, in a negative way. But what I was really trying to get at was, there is also power in accepting these parts of yourself and realizing that They can make up this powerful being that you are, even if you might not love them in that moment.    Jalena Keane-Lee: [00:24:34] Yeah. I felt very seen by the book and I, couldn't help but wonder wow, what would it have been like if I had read this when I was, 13 or 12 or kind of Closer to the age of the characters in the book.   Gloria Huang: [00:24:45] Thank you so much for saying that it actually means a lot because a lot of my motivation when I do write these books is to write for people who are either of that age or, wish they had a book like that at that age, which is also how I feel a lot about books nowadays and oh, I, I'm so glad that exists. I wish that had been around when I was that age.    Jalena Keane-Lee: [00:25:03] Yes. Were there any books that really set an example for you that either you read, maybe when you were, in the young adult. Age range or that you've read now as an adult where you're like, okay, this is definitely the audience that I wanna be writing for.   Gloria Huang: [00:25:17] Definitely. I actually love this question 'cause I'm a big reader and so I love talking about books . When I was a kid, middle grade books were my gateway into my love of reading. So I still remember a lot of my favorite books, but I would say a recent book, it's actually maybe not that recent now, it's maybe a couple years old, but a book that really. Had an effect on the middle grade book was when you trap a tiger by Tae Keller and it explores. The kind of Korean experience, but also through the prism of kind of understanding generational grief. And it was just so beautifully done and really made an impact on me. So that was one recently that I thought was really powerful. And, I was like, this is an important book. This is definitely a book I would've loved as a child. When I was younger and I was reading books, there were three books that meant a lot to me. One was called the true confessions of Charlotte Doyle, and it was like a swashbuckling adventure story starring a girl, which was, at that time not very common. And it was, it meant, it was so earth shattering to me to be able to see a female character in that role. So that was great. There's a book called. Homecoming by Cynthia Voigt. And it's an adventure story and it also stars. The main character is a very strong female character and Tuck everlasting, which I just think is a beautiful book. It's also female characters. Now I'm saying it out loud. They are all female main characters. And all about, existentialism and adventure and things that, it was important for me to see. Female characters exploring. But I did also wanna say that when I was reading middle grade books, some of my favorite books included a series called, babysitters Club, which I think that they've redone now as a graphic novel. And that was actually really important, not necessarily for the stories, but because there's a character named Claudia Kishi who. Was a Japanese American character and she absolutely shattered the minds of, I think all kids that age were Asian descent and female in reading these books because there just wasn't a character like her before that, she was so cool and artistic but she had immigrant parents and she had a sister who was very good at math and they didn't get along and she loved junk food and she was. So incredibly nuanced and it was just not something that we saw back then. So that really inspired me, I think, to want to add to the diversity of voices. And thankfully there are many more diverse voices now than when I was reading.    Jalena Keane-Lee: [00:27:30] I love that. And I also feel like books that you read at that age, they stay with you forever.   Gloria Huang: [00:27:35] They really do.    Jalena Keane-Lee: [00:27:35] And they shape so much of like your worldview and your friendships. And I'm curious, 'cause I know the book was released this year in January. Mm-hmm. So what has it been like for you on your book tour and what's been some other responses that you've heard? I.    Gloria Huang: [00:27:48] It's been really great. It was so exciting to do the book launch and then just the amount of support from the writing community from, my, my kind of network, my agents and my publisher and editor. And also just readers. It's been really great. But one thing I think I wasn't expecting to love quite so much, not because I was expecting to not love it. I just said, it occurred to me that I would feel this way is getting feedback from, child readers is amazing because, I think as writers we love feedback no matter what. And if it's positive feedback, that's even better. But having a child reach out and as some of my friends will send a video of their. Children reacting to the book or they'll, their, let their child type out a text messages and just to hear how the book hits with them and to hear their excitement or to hear that they were moved or to have them want to know what happens next. It meant so much to me because it was, they're the target audience and to have them feel seen in that way was just, it's just the ultimate kind of powerful feeling.    Jalena Keane-Lee: [00:28:51] That is so sweet. Oh my gosh. I can only imagine. And so you're talking about the young readers. Yes. But I'm also curious if you have any advice or thoughts for young writers who might be wanting to share and get similar stories out to the world?   Gloria Huang: [00:29:05] Yeah I definitely do. And one of the. Experiences I've had that's been great is I've been doing, some school visits and I go and I talk about the book, but I actually talk about the writing process. And when I do that, I really talk to the kids. As if they're writers. The one of the first questions I ask is, hold up your hand. If you love writing or you think you want me, you might wanna be a writer someday. And a lot of hands go up and I tell them like, what the publishing process is, what are, the different genre options, what you might wanna consider, how you come up with an idea, how you sit down and write it, how you reach out to an agent. And I am surprised at how. Intensely, they're hanging onto every word and they're insightful questions after it. It shows me that a lot of them are really thinking about this. I think for one of the school visits, I remember someone held up her hand and she said what is the youngest age I. Someone has been able to be published. And I thought that was great. Because they're so inspired and you can tell that, that they're thinking for the first time this is a possibility. I have all kinds of advice during the school visits, the main piece of advice is really. Just that it can be a tough industry. writing is a very isolated process usually. There's a lot of kind of obstacles and there's a lot of gatekeeping. And so I tell 'em that the most important thing they can do is just keep pushing through and not to let any, setbacks stop them, because the ultimate goal is to reach even just one person.    Jalena Keane-Lee: [00:30:24] Absolutely. And what kind of advice do you give around learning how to hone your own voice and also having discipline when it comes to an artistic practice?   Gloria Huang: [00:30:33] Yeah, I think that's such a great question. And I was gonna say this piece of advice is probably more for I. Older writers, but adult writers, I guess I should say. The one thing that I've really been thinking about having published a middle grade book is the very specific and unique experience of writing for middle grade audiences. I think a lot of my friends who write for older audience groups, young adults, adults, They have their own challenges, but one of the things that is different is when they're writing, they are writing for the same target audience. That's also the decision makers. So generally, adults and young adults are picking their own books, and they're speaking to someone who will. Ultimately be the ones to pick up the books where when you're writing for middle grade audiences they're not usually the decision makers. at bookstores, they may or may not be in charge of which book they buy, in. Schools, usually it's a librarian or a teacher. So in some ways you're writing for one audience, but you're also writing a subject matter that you're hoping the decision makers will decide is worthy to put in front of your ultimate readers. So that's one challenge. And then the other challenge is I think middle grade audiences are so. fascinating because they're going through this amazingly unusual time in their lives, whether it's eventful and there's new experiences and that can be exciting, but also scary. So there's a lot to mind in terms of topics, but they are also a mixture of being very sophisticated readers who are on the cusp of being teens. And so there's a healthy dose of, skepticism, but they're still young enough that they. Believe in magic, at least in the literary world. So you, there's a lot of room to play with that. But they also. They sound different. They speak differently than adults. So it's important to get the dialogue, for me I, turn to children in my life, including my own, just to do a check to make sure that the dialogue sounds authentic and something that, people, that kids would say. So a lot of thoughts there, but I think, I've been thinking a lot about middle grade and writing for middle grade, and what a unique experience it is.   Jalena Keane-Lee: [00:32:26] Yeah, that's such a good point about the decision maker and having the multiple audiences, and I'm sure sometimes the decision makers are reading the books too, right? Or reading it with their kids or what have you. For your personal writing practice, are there any upcoming projects that you can share with us? And how do you stay inspired for what I imagine is like the long haul of writing something.    Gloria Huang: [00:32:45] I'm happiest when I have like several projects in the pipeline. So as soon as I am done a book or it's, outta my hands, it's with my agents or my editors. I'm looking to write another book. And I think sometimes I probably overwhelm my amazing book before agents. 'cause I'm like, I'm ready to start another story. And they're like, we're still looking at the book you just sent us. But I, that's very much how. I am happiest. I would definitely say that everybody finds their own rhythm. I'm in some writers groups and some people are incredibly fast drafters and just need multiple projects at a time. And some people are like, no, I need to work on one project and I need to have it to perfection and I'm gonna work on it for a year or two. And I think whatever works for the individual artist, I think is the best kind of process for them. But yes, for me it's very much about having multiple projects. I think I'm most inspired when I have different projects going at the same time. finding your own rhythm, I think is my advice.    Jalena Keane-Lee: [00:33:40] kaya of the ocean has, strong themes and storylines about, myths, mythology, Chinese mythology, and goddesses. I'm curious if you wanna talk any more about that and then also if that shows up in any of the other projects you're working on    Gloria Huang: [00:33:54] Yes, the Chinese mythological water goddess that features. Pretty prominently in Kaya of the Ocean is Matsu. And I find her to be such a fascinating character. She is a real goddess who's worshiped still in Asia. I think. Fishermen often will, pray to her for safe passage when they go out on the water. And my father told me about her when I was younger he told me like the side stories and I thought that was really interesting. But it was only when I started thinking about this book that I thought, I'd love to, I'd love to incorporate her. I hadn't heard about her too much in, in the fictional world, even though I knew she was still like a revered goddess. But I thought it was so cool that she was this strong. I. Strong female figure in a space that didn't always have that, hundreds of years ago. And so I dove into her story a little bit and found out, the story is that she was once a human child who loved to read and then she was afraid of swimming in water until she was older and then she drowned, saving, trying to save some relatives and it was interesting 'cause I'd already started plotting out Kaya and writing Kaya. And so much of her story wove easily into what I had already come up with. Like there, I think she has two sidekicks that were one time enemies that she, made into her friends and I'd already had Kaya written with two friends, Naomi and Ana. So I, there was just so much that I felt was kismet. And it was really fun to be able to weave that story together and fictionalize it. But I think it was also meaningful for me to be able to do that because. When I was younger, I loved reading Greek mythology. the stories are beautiful and they've been redone in beautiful ways, but it definitely was an area where I didn't necessarily see myself reflected. As part of my goal to add to the diversity of voices, I really wanted to feature Chinese mythology and bring those stories in so that. Kids can either see themselves reflected in those stories and or understand a new kind of set of mythology and learn about a new culture.   Jalena Keane-Lee: [00:35:46] Yes. I'm so glad you put it that way because it is, it's such a privilege to have access to, our own I. Cultural stories and knowledge through these, like fun and modern interpretations. Definitely. So I'm so glad that this can provide that.    Gloria Huang: [00:36:00] Oh, thank you. I did realize I didn't answer your other question, which is does it feature my other works? Which so I have sold another middle grade novel and I'm, it's not announced yet. I'm hoping to announce it soon. And I have some other. Books. I'm working on a young adult novel so far. They have not featured Chinese mythology, but I do definitely have a type that my most of my books tend to be contemporary settings, but with elements of speculative. Fantasy, just like the light touch of that and sometimes a little bit of historical elements as well. So they, they definitely all have that similar motif, but so far chi of the ocean is the only one to feature a Chinese mythological goddess.   Jalena Keane-Lee: [00:36:43] Thank you so much for sharing that. I love that. And I really love the relationship that Kaya had with her two friends and just and then also like the cousin that comes and just capturing like the banter amongst, amongst the girls.    Gloria Huang: [00:36:56] Thank you so much. that was really important to me, I think because at the stage that Kaia is in her life the loves of her life really are her two friends, Naomi and Ana, and they feature very prominently in how she learns to cope with her anxiety and her symptoms of anxiety. And so I really, I think that I really wanted to center her their friendship as much as possible. So I'm I'm glad that you saw it that way too.    Jalena Keane-Lee: [00:37:19] Yeah. And I feel like, I mean, it truly is the most important relationship. And so it's nice when works of fiction and yeah, works of fiction, can reflect that in such a beautiful way. I know you mentioned that you have daughters or have children?    Gloria Huang: [00:37:32] I do, yes. I have a son and a daughter. And my daughter actually was quite involved because when I first started writing Kaya, I think she was exactly of the age that she would be the target reader group. And so she actually helped Beta read it. She provided a lot of feedback. She became like a cheerleader. She was definitely involved in the process and I think that was really exciting for her. my son became of the reading age once it came out, so he reads it and he's a big fan too,   Jalena Keane-Lee: [00:38:00] that's so sweet. I love that your daughter was part of the editing process too. That's amazing.    Gloria Huang: [00:38:04] Yeah. Yeah. She loves writing and always says she wants to be a writer herself, so it was really special that she got to be part of this and see it up close.    Jalena Keane-Lee: [00:38:13] Oh wow. Do you think you would do any collaborative projects with her in the future?   Gloria Huang: [00:38:16] It's so funny that you say that. She always suggests that. And then sometimes they'll actually start a Google doc and they'll say, let's write a story together. And we all have, of course, very different writing styles. And then at some point they both actually usually just start reading what I'm writing. And at that point I'm like, this is not collaborative. You have to write as well. So we've had a couple of false starts, but that's always a joke that we're gonna do that together.    Jalena Keane-Lee: [00:38:39] that's so sweet. What else is upcoming for you? I know this is, Asian American and native Hawaiian Pacific Islander month right now, and the episode will come out towards the end of May. So if there's anything else coming up from you for this month or for June or the summer. Yeah. We'd love to hear what you have going on.    Gloria Huang: [00:38:57] Oh, yeah. Today actually Kaya's audio book was released people can listen to it. It was narrated by this amazing, narrator, Cindy K. And so anywhere you find audio books is available. And that was really cool. I've listened to a little bit of it and you, when you write, you hear the words in your head one way, and then it's amazing to hear like another artist do their take on it. So that's really cool. I will be at the Bay Area book Festival at the end of the month of May. There. Doing like different panels and I'll be on a panel. it's about Fantastical Worlds. I'm really excited about that. hopefully we'll be able to announce this other book soon. As you, you may know publishing is a very long lead time it will be a while before it's released, but I think the hope is to release it during, a API month as well just not this year. And working on a young adult novel that hopefully we can go on submission with at some point. But it's an exciting time for sure.    Jalena Keane-Lee: [00:39:51] Wow, that does sound so exciting. I can't wait to hear about your new projects and to continue to read the work that you put out into the world. Is there anything else that you'd like to discuss or talk about?   Gloria Huang: [00:40:01] I think just to say a thank you to you for, having me on here and reading Kaya of the Ocean and really anyone who's been interested in joining Kaya and her friends on their journey. It's just, it's so amazing, I think, to create these characters that become real to you, and then have them become real to other people. I don't have the words to describe how meaningful it is to me, but thank you.    Jalena Keane-Lee: [00:40:24] Thank you for letting us join into the world of Kaya for a little bit 'cause it was very fun and healing and all of the amazing things. And thanks so much for joining us today on Apex Express.    Gloria Huang: [00:40:36] For sure. Thanks so much.   Miko Lee: [00:40:38] Welcome, Andrea Wang, award-winning children's book author to Apex Express.    Andrea Wang: [00:40:43] Thank you, Miko. I'm so happy to be here.    Miko Lee: [00:40:46] Happy to have you. I'd love to start first with a personal question, which is, who are your people and what legacy do you carry with you?   Andrea Wang: [00:40:57] My people are from China. My mother's family belonged to an ethnic minority, called the Haka or the Kaja people, and she and her siblings were. A military family, and we're each born in a different province. And when the Chinese Civil War ended in 1949, they went to Taiwan where she grew up and immigrated to the United States in 1965 or 1966. My father's family are from Guangdong Province, and so I'm Cantonese on that side, although I don't speak any Cantonese. And he went to Hong Kong after the Chinese Civil War. So I am the daughter of Chinese immigrants, second generation Chinese American.    Miko Lee: [00:42:01] And what legacy do you carry with you?   Andrea Wang:[00:42:03]  I carry the legacy of their stories, both the ones that I know and the ones that I don't know yet.    Miko Lee: [00:42:12] Ooh. It sounds like there's lots of juicy things for you still to discover. That is fun.    Andrea Wang: [00:42:16] Yes.    Miko Lee: [00:42:17] Today we're talking about your new book, watercress, can you share what the audience, what the book is about, and then what is your inspiration for this book?    Andrea Wang: [00:42:25] So the book is about a Chinese American girl who is growing up in rural Ohio and her parents spot watercress growing in a ditch by the side of the road, and they immediately pull over and make her enter older brother, get out of the car and get down into the ditch with them and collect this. Vegetable, but to her it's a weed. And so when they serve it to her and her family at dinner, she really is unhappy about this and. For her, picking food out of a ditch has a really different meaning than it does to her parents who survived a lot of hardship in China. And it's not until her mom tells her a story about her childhood growing up in China and spoiler alert, loses a sibling to the famine that the girl begins to understand and better appreciate her parents, her culture, and her heritage.   Miko Lee: [00:43:29] And the inspiration for this book.    Andrea Wang: [00:43:32] So the inspiration is largely my own life. this is a semi autobiographical story. The memory of picking watercress by the side of the road was just something that I couldn't forget, I don't know why this memory continued to haunt me into adulthood. And then after my mom passed away, I started writing down, memories and stories of being with my family in order to maintain a connection to her. When I wrote this, at first it was a personal essay and it just wasn't working. I would put it away and I would occasionally take it out and I would put it away and take it out and work on it again. And it wasn't until I decided to pursue writing for young people that I completely changed the manuscript from a personal essay into a picture book. But at that point it still wasn't working. It was in third person and it wasn't very personal It took me several more years to figure out the heart of the story for me. So it was largely based on my own memories and my mother's childhood stories that she shared with me.   Miko Lee: [00:44:39] Can you share more about the power of memory and the artistic process? 'cause you've written many books and in different genres as well, but can you talk a little bit more about memory and its impact on your work?   Andrea Wang: [00:44:52] Yeah, that's a great question. I tend to write primarily for myself. And to figure out how I felt about certain experiences, how they've changed me, to try and process things I feel like I remember a lot about my childhood. parts of it are very vivid and I like to go back to those. Moments that have stuck with me all these years and explore what it means to me. Like I'm just very curious about why I remember certain things watercress was largely my way of processing my childhood feelings of shame about my family and my culture. I have leaned into that and am still writing stories about identity and the struggle to find our identity. Memory has a lot to do with it. I put myself in every single book.    Miko Lee: [00:45:45] Ooh, that's so interesting. And you're talking a little bit about shame and overcoming that. I'm wondering if you could speak more on, if you feel like memories hold the power to heal.    Andrea Wang: [00:45:56] I firmly believe that memories hold the power to heal. I think that writing watercress and talking about these feelings has really helped me, , heal from, that sort of trauma of not feeling like I belonged as a kid and also that I may have been. Not the nicest kid to my parents, not the most filial, right? And so writing this story was, as I say in the author's note, sort of an apology and a love letter to my parents. So it's been very healing and healing to hear about from all the. People who have read the book and had it resonate with them, the things that they regretted in their lives and hoped to, heal as well.    Miko Lee: [00:46:42] Oh, have you heard that story a lot from adult readers?   Andrea Wang: [00:46:46] I have. They will often tell me about the things that their parents did that embarrassed them. A lot of foraging stories, but also stories about, relatives and ancestors who were sharecroppers or indigenous peoples. And it's just been fascinating how many people connect to the story on different levels. There is that theme of poverty. I think recognizing. That's not often talked about in children's books, I think makes people feel very seen.   Miko Lee: [00:47:14] Yeah. That feeling of shame is really showcased by the illustrator Jason Chin. I mean your young you character kind of has a grumpy look on their face. And it was just so fun. Even in the book notes, Jason Chin, the illustrator, writes about how he combined both the western and eastern style of art, but also his similar cross-cultural background. I'm wondering when you very first saw the artwork and this was kind of young you did anything surprise you by it?    Andrea Wang: [00:47:42] I mean, it's amazing, gorgeous artwork and I was really struck by how he dealt with the flashbacks because when I sold this manuscript, I. Had no idea how an illustrator would deal with how interior it is and, , and how they would tackle those flashbacks. And there's one spread where on the left hand side of the page, it shows the main character's current time and then it morphs across the gutter of the book into. The moms past and her childhood memories in China, and it was just exquisite is really the only way to describe it. It was, it's just brilliant, and amazing. We don't, as picture book authors typically get to work with our illustrators. We often do not have contact with them through the making of a picture book. But in this case. Our editors said since it was such a personal story for me, that he, , felt that Jason and I should collaborate. And so I provided photos, family photos, photos of Ohio, lots of different, , source materials to Jason and would talk to him about the feelings that young me in the book went through. And so the fact that, he was able to take all of that and put it on the page, it was just. Spectacular.    Miko Lee: [00:49:01] Oh, that's so fun. I also understand that you love mythical creatures as you I, and one of your children's books is the Nian Monster, which I love. I'm wondering what is your favorite mythical creature and why?   Andrea Wang: [00:49:15] I. Have been sort of fascinated with the qilin, the, or they call it the Chinese unicorn. Right. Although it looks very different from what we think of a, a European unicorn looks like. Yes. And I think it's because they're supposed to be this really benevolent, creature and Have all sorts of powers and I would love to do more research about the qilin and, you know, incorporate that into a book someday.   Miko Lee: [00:49:42] Ooh, fun. Next book. I love it. you have so many books and I'm really curious about your upcoming book Worthy about Joseph Pierce. I love these as Helen Zia talks about these. MIH moments that are missing in history. And Joseph Pierce was the highest ranking Chinese American man who fought in the Civil War. Some people might recognize this picture of this Chinese American guy in a kind of civil war, uniform. Can you tell us one, when is the book being released and a little bit more about it?    Andrea Wang: [00:50:11] Sure. The book is being released on September 9th, 2025, and it is. A picture book, which we typically think of as for younger readers, but it is 64 pages. So you know, it's an all ages picture book. I think my editor and I would like to say, and it is the story of a Chinese boy born in the, First half of the 18 hundreds in China in Guangdong province, and was sold by his father to an American ship captain named Amos Peck. the reasons for that are, lost to time, right? He left no primary sources behind, there was so much going on in China at the time. Famine war, you know, all of these, Difficult things that his father probably sold him in order to keep the rest of the family alive and as well as give him the opportunity to have a better life. And he did end up in Connecticut. He was raised with the captain's, siblings and sent to school and treated almost like a member of the family except for the fact that he was. Clearly Chinese and there were very few Chinese people in, Connecticut at that time. he joined the Union Army when he came of age and was able to leverage his service into gaining citizenship, which really people of color, weren't really able to do successfully back then. And so. He gained a citizenship. He married, he had a family. He was able to own property and accomplish all these amazing things. Sort of right before the Chinese exclusion Act was, enacted. So he was a very brave guy.    Miko Lee: [00:51:45] It's a wild story and you sent me on a little bit of a rabbit hole, which is fun. Just, looking at Ruth Ann, McCune's. historical piece that there were 10 different Chinese American men in the Civil War, but he was exceptional because he rose to such high ranks. And I just think it's so interesting that, in the 1880 census, he registered as Chinese. But then after the Chinese Exclusion Act in 1882, he listed his race as Japanese in the 1890 census. but he was racialized as white so that he could buy property and everything. Yeah. Can you just talk a little bit about that, like talk about code switching? He like literally changed his race,    Andrea Wang: [00:52:26] right. And people at that time could not tell the difference. Similar to now, people often can't tell different Asian, ethnicities apart. Right. I found actual newspaper articles where Joseph Pierce was interviewed about the battles, that the United States was having with Japan or the battles that Japan was having. He was asked his opinion on what the Japanese government was doing because he told these reporters he was Japanese and that was really the only clue that I had that he, Was code switching that after the Chinese exclusion Act was passed, he felt like he needed to protect himself and his family and he must have cut off his cue because otherwise, you know, that would've identified him immediately as Chinese. So that went into the book. I think it's a powerful moment, right, where he's doing what he has to do to survive and ensure his protection and his family's safety,   Miko Lee: [00:53:25] You have a, a really interesting background. Just having No really, I mean, having done all these different things and I, you know, I think you have a science background too, right? Can you talk about the times that we're living in right now, the political times that we're living in, where our government is banning books that don't align with certain conservative ideologies, where right now certain words are forbodden suddenly. And can you talk a little bit about how that impacts you as a children's book author?    Andrea Wang: [00:53:59] it is very disheartening and discouraging that the current climate is against, people who look like me or other people of color. And as a children's book author, we are experiencing a huge decrease in the number of teachers and librarians who are asking us to come and visit schools, to talk to students, which is horrible because. These young people are the ones who need to learn from books, right? Knowledge is power. And if we are not keeping them informed, then we are doing them a disservice. I think the attacks on our freedom to read are really unjust. and. personally as an author of color, I understand that books like Worthy may end up on some of these banned book lists because it does talk about racism. but these are the stories that we need now, and I'm going to continue writing these stories about the Hidden History, And to talk about these difficult subjects that I think kids understand on some level. but if they're not reading about it in books, then it's hard to spark a conversation with, educators or adults about it. So I think these books that I'm writing, that many of my friends and other children's book authors are writing are providing that. Sort of gateway to talk about, the topics that are so important right now.    Miko Lee: [00:55:29] Thank you so much for sharing, and thank you so much for being on Apex Express today. We appreciate your voice and the work that you're putting out there in the world. Is there anything else you'd like to say?   Andrea Wang: [00:55:39] you know, there's so much to say, I think just to. Stand up for what we all believe in and to, I encourage people to stand up for their intellectual freedom and that of their children.   Miko Lee: [00:55:56] Thank you, Andrea Wang. I appreciate hearing from you and hearing your voice and seeing your work out there in the world.    Andrea Wang: [00:56:03] Thank you so much, Miko. It was a pleasure.   Miko Lee: [00:56:05] Please check out our website, kpfa.org. To find out more about our show tonight. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world because your voices are important. Apex Express is created by Miko Lee, Jalena Keane-Lee, Preti Mangala-Shekar, Swati Rayasam, Aisa Villarosa, Estella Owoimaha-Church, Gabriel Tanglao, Cheryl Truong and Ayame Keane-Lee.   The post APEX Express – 5.29.25 AAPI Children's Books appeared first on KPFA.

Lakeview once had a thriving Japanese community, but it fell victim to a push for assimilation. As one Japanese-American puts it: “You had to basically be unseen.”

Chelsea and Wade continue celebrating Asian American and Native Hawaiian/Pacific Islander (AANHPI) Heritage Month. They discuss George Takei's graphic novel memoir "They Called Us Enemy" which recounts his childhood being incarcerated during World War II with other Japanese Americans.Don't forget to like, follow, or subscribe, and leave us a review! Let us know what you'd like us to cover next!  Follow us here!Instagram: https://www.instagram.com/poddemastered/Bluesky: https://bsky.app/profile/poddemastered.bsky.socialFacebook: https://www.facebook.com/PodDemasteredYouTube: https://www.youtube.com/@poddemasteredHave any topic requests, questions, or general comments? Send us an email at demasteredpodcast@gmail.com.Music: Switch Me On by Shane Ivers - https://www.silvermansound.com

On this Memorial Day, we turn to the life and legacy of Yukio Kawamoto. The Japanese-American World War II veteran served his country under almost unthinkable circumstances and then spent a lifetime building bridges between the two cultures he called his own. Amna Nawaz has the story for our ongoing series, Race Matters. PBS News is supported by - https://www.pbs.org/newshour/about/funders

History of Japanese-American (& Asian-American in general) exclusion in California.

Here we delve into Bolen's Japanese-American heritage and some of the mystical moments that have been guideposts in her life including a transformative moment as a Girl Scout in the mountains and sleeping under the stars. Bolen emphasizes the importance of love, joy, and curiosity in life, and the potential for spiritual support and collective consciousness. Jean Shinoda Bolen, M.D. is a psychiatrist, a Jungian analyst, and an internationally known speaker. She is a former board member of the Ms. Foundation, an advocate for a 5th UN World Conference on Women and a convener of the Millionth Circle Initiative, as well as a permanent representative to the UN for the NGO, Pathways to Peace. She is the author of many books, including Ring of Power: Symbols and Themes Love Vs. Power in Wagner's Ring Cycle and in Us: A Jungian-Feminist Perspective (Jung on the Hudson Book Series) (Nicolas-Hays, Inc 1999) and Ever Widening Circles and Mystical Moments (Chiron Publications 2025)Interview Date: 2/14/2025 Tags: Jean Shinoda Bolen, Girl Scouts, Milky Way, mystical moments, Japanese American, resilience, spirit guides, synchronicity, life assignment, love, delight, joyfulness, Personal Transformation, Psychology

The girlies are back for part two of the immigration series to unpack our modern-day McCarthyism. Starting with a recap of current events (aka The Horrible Things Update), they pick up where they left off in history, discussing Japanese internment, the second Red Scare, post-9/11 surveillance, and how fear of the 'other' has always justified oppression. Digressions include Khloe Kardashian's venture into protein dust and the comforting fact that, as of today, sunlight is still legal to experience. We're going on tour!!!! Find tickets at https://linktr.ee/binchtopia  This episode was produced by Julia Hava and Eliza McLamb and edited by Allison Hagan. Research assistance from Kylie Finnigan. To support the podcast on Patreon and access 50+ bonus episodes, mediasodes, zoom hangouts and more, visit patreon.com/binchtopia and become a patron today. SOURCES:  ‘He is not a gang member': outrage as US deports makeup artist to El Salvador prison for crown tattoos At $5 Million Each, 1000 ‘Gold Card' Visas Have Been Sold. Could This Pay Off The US Debt? Ask a Historian: How Many Japanese Americans Were Incarcerated During WWII? Columbia University agrees to policy changes after Trump administration funding threats Commission on Wartime Relocation and Internment of Civilians Counterintelligence and Access to Transactional Records: A Practical History of USA PATRIOT Act Section 215 Eighty Years After the U.S. Incarcerated 120,000 Japanese Americans, Trauma and Scars Still Remain  Edward Snowden: the whistleblower behind the NSA surveillance revelations Edward Snowden Speaks Out: 'I Haven't And I Won't' Cooperate With Russia Fact check: Is Tren de Aragua invading the US, as Trump says? Florida lawmakers push legislation to weaken child labor laws  Forced to live in horse stalls. How one of America's worst injustices played out at Santa Anita Harvard Renames Diversity Office As Trump Demands Dismantling of DEI Harvard, Under Pressure, Revamps D.E.I. Office Harvard Will Not Fund Affinity Group Graduation Celebrations Following Ed Department Warning  Higher education, federal government ‘intimately connected' History of the Certificate of Citizenship, 1790–1956 Hollywood Ten How U.S. immigration laws and rules have changed through history HUAC   ICE Arrests Nearly 800 in Florida in Operation With Local Officers ICE deported 3 children who are U.S. citizens, their families' lawyers say   Immigration and Naturalization in the Western Tradition Invocation of the Alien Enemies Act Regarding the Invasion of The United States by Tren De Aragua Japanese Internment Camps Judge Blocks Deportations of Venezuelans Under Wartime Law Law from the 1950s may play role in Columbia University student deportation case   Maryland judge orders return of second man deported to El Salvador in violation of court order  McCarran Internal Security Act of 1950 (1950) McCarthyism / The "Red Scare"  McCarthyism and the Red Scare Memorializing Incarceration: The Japanese American Experience in World War II and Beyondlocked National Security Entry-Exit Registration System Of Spies and G-Men: How the U.S. Government Turned Japanese Americans into Enemies of the State PATRIOT Act    Redress and Reparations for Japanese American Incarceration The Alien Enemies Act, Explained The Alien Enemies Act Is a Weak Argument for Deportation The Alien Enemies Act Paved the Way for Japanese American Incarceration. Let's Keep It in the Past. The Alien Enemies Act: The One Alien and Sedition Act Still on the Books The case of Edward Snowden This Is What Detention Under the Alien Enemies Act Looked Like in World War II Truman's Loyalty Program Trump is promising deportations under the Alien Enemies Act of 1798. What is it? Trump May Seek Judicial Oversight of Columbia, Potentially for Years  Trump officials issue quotas to ICE officers to ramp up arrests U.S. Immigration Timeline Venezuela minister says no Tren de Aragua members among US deportees When John Adams Signed a Law to Authorize Deportations and Jail Critics World War II Japanese Americans Incarceration: Justice Denied  

In Episode 72, we talk with filmmaker Darren Haruo Rae about NISEI (2023). NISEI , written and directed by Rae, is the first historical drama short film featured on the podcast. The film shines a light on an all-Japanese-American troop of soldiers who fought in World War II for a country imprisoning them and their families in internment camps because of their ancestry. The film is inspired by Rae's Japanese American grandfather's experiences during the war.Stream NISEI (film) from the Omeleto YouTube channel.------TIMESTAMPS0:55 - Background and Introduction to NISEI film4:05 - Darren Haruo Rae explains Nisei and importance to his grandfather's generation9:20 - Historical Context and Research17:14 - Symbolism and Themes in Nisei: American flag, identity, home20:36 - NISEI Impact with Japanese veterans and community25:557 - Challenges in Production for the NISEI film30:55 - Future Projects and Historical Stories34:54 - Where to stream NISEI35:08 - Subscribe, Like, Share Historical Drama with The Boston Sisters36:33 - Disclaimer------SUBSCRIBE to HISTORICAL DRAMA WITH THE BOSTON SISTERS® on your favorite podcast platformENJOY past podcasts and bonus episodesSIGN UP for our mailing listSUPPORT this podcast  SHOP THE PODCAST on our affiliate bookstoreBuy us a Coffee! You can support by buying a coffee ☕ here — buymeacoffee.com/historicaldramasistersThank you for listening!

We walk through the history of the Japanese American community in San Diego and Imperial Counties through one family's story of migration and incarceration during World War II.

The Frankenstein Brothers are ready to rumble! In this sorta-kinda sequel to Frankenstein vs. Baragon and the final Japanese/American collab with UPA, gargantuan bros Sanda and Gaira -- one friendly and peace-loving, one violent and hungry -- have a battle to the death, but not before extensive sequences of military fights, people-eating, and a big musical number. We get into this film's underlying darkness, the troubles with lead Russ Tamblyn (of Twin Peaks!), and a strangely empty story for the human characters.Cover Art by: DougPart of⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠The Glitterjaw Queer Podcast Collective⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Cover Art Gallery⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ |⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠skreeonkpodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Theme song:⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠"BIO WARS - Synth Cover" by Kweer Kaiju⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sources include: A Critical History and Filmography of Toho's Godzilla Series by David KalatIshirō Honda: A Life in Film, from Godzilla to Kurosawa by by Steve Ryfle and Ed GodziszewskiGodzilla FAQ: All That's Left to Know About the King of the Monsters by Brian SolomonYouTube Compilation of UPA Version DifferencesWikizilla

NISEI, a short film written and directed by Darren Haruo Rae, (our guest for Ep. 72), shines a light on an all-Japanese-American troop of soldiers who fought in World War II for a country imprisoning them and their families because of their ancestry. The story is inspired by the filmmaker's Japanese American grandfather's WWII experiences in the 442nd Regimental Combat Team. In the preview, Darren Haruo Rae talks about uncovering his family story while making NISEI.The complete podcast conversation with Darren Haruo Rae is available May 13, 2025. Subcribe to Historical Drama with The Boston Sisters® on your favorite podcast platform so you won't miss a single episode.

In honor of Mental Health Awareness Month, we bring you an episode from Inheriting Season One. Inheriting is a show about Asian American and Pacific Islander families, which explores how one event in history can ripple through generations. Leah Bash is an avid runner, a dog mom, a wife – and there’s a part of her family’s history she can’t stop thinking about. The fact that both sides of her family were incarcerated alongside 125,000 other Japanese Americans during World War II. Her father and his six siblings spent more than three years behind barbed wire at isolated camps in Manzanar, California and Crystal City, Texas. After Leah learns about her father’s struggles with panic attacks and is herself diagnosed with bipolar disorder, she starts to wonder: could those experiences at camp during World War II have far-reaching consequences a generation later?

There would be no true crime without this man!! What do Marilyn Monroe, Sharon Tate, and Robert F. Kennedy have in common? They were all investigated by Dr. Thomas Noguchi, the so-called “Coroner to the Stars.” In this episode of For the Love of History, host TK sits down with author and researcher Anne Choi to talk about her book L.A. Coroner, which unpacks the bizarre true story of how one Japanese American forensic pathologist turned celebrity death into public drama while navigating life as a first-generation immigrant. We dive into the racial politics behind Dr. Noguchi's fame, how the media turned autopsies into headlines, and why Noguchi's legacy still looms large in L.A.'s culture of death and spectacle. If you're into forensic history, medical ethics, or the strange intersection of race, fame, and mortality, this episode is for you.

Send us a textIn this poignant episode of the Japanese American Podcast, we explore the incredible journey of Holocaust survivor Solly Ganor and his unexpected salvation by Japanese American soldiers during World War II. Through Solly's harrowing experiences on a death march from the Dachau death camp, listeners are introduced to the 522nd Field Artillery Battalion—soldiers who defied prejudice and became beacons of hope for many. Joined by guest Naoyuki Ikeda, the episode delves into the inner conflicts faced by these Japanese American soldiers, who were fighting abroad while their families faced internment back home. Featuring real stories of courage and kindness, including the actions of Sergeant Imamura and Chiune Sugihara, this episode highlights the complexities of wartime morality and the profound impact of individual acts of bravery. For more information about the Japanese American National Museum, please visit our website at www.janm.org. This episode the wonderful voice work of actor and friend of the podcast Naoyuki Ikeda.Here are some of the links we used to help us write this episode:https://www.sollyganor.com/ https://www.pbs.org/wgbh/sugihara/readings/ganor.html https://www.instagram.com/holocaustmuseum/p/C7pm-LxsAKy/?img_index=1 https://442sd.org/history/eric-saul-on-solly-ganor-and-the-holocaust/ https://blogs.chapman.edu/holocaust-education/2015/09/28/witness-heart-mountain/https://www.sollyganor.com/unlikely-liberators-virtual-exhibitCREDITSThe music was created by Jalen BlankWritten by Koji Steven SakaiHosts: Michelle Malazaki and Koji Steven SakaiAdditional Voice by Naoyuki IkedaEdited and produced by Koji Steven Sakai in conjunction with the Japanese American National Museum

As someone who was born into a family that got completely fucked by this country, I have some thoughts about the current situation. My family lost everything and had no due process before being incarcerated in concentration camps simply for being Japanese American. No one in my family takes freedom for granted because of this, and no one assumes this country has our best interests in mind ever. So for us, seeing what is happening, we do not hold out hope for the best outcome. For those of you who do not hail from societal and government tyranny, it has to be hard to come to grips with the fact that so much has been lost and so much is still to be lost. All the things this country has stood for, for better and for worse, are on the chopping block if they aren't already in the landfill. So it should come as no surprise that Scott thinks art and community are the only thing we can cling to as the we sink into the abyss. We are NOT going to be ok for the foreseeable future.Chapel Probation is part of the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Dauntless Media Collective⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Dauntless Media Discord ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠for more conversation with all the podcast communities.Scott's book, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Asian-American-Apostate- Losing Religion and Finding Myself at an Evangelical University⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is available now!Music by Scott Okamoto, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jenyi⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Azeem Khan⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Shin Kawasaki⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Wingo Shackleford⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Chapel Probation Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to support Scott and for bonus content. Join the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Chapel Probation Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ group to continue the conversations.Follow Scott on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠Bluesky⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Substack⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠You can subscribe to Scott's newsletter and learn more about the book, the blog, and performances at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠rscottokamoto.com⁠

Ralph welcomes back Erica Payne, founder of Patriotic Millionaires, to update us on that group's latest efforts to save American democracy by lobbying to raise wages for workers and tax the rich. Plus, according to our resident constitutional expert, Bruce Fein, the count of Trump's impeachable offenses is now up to twenty-two and rising faster than a Space X rocket.Erica Payne is the founder and president of Patriotic Millionaires, an organization of high-net-worth individuals that aims to restructure America's political economy to suit the needs of all Americans. Their work includes advocating for a highly progressive tax system, a livable minimum wage, and equal political representation for all citizens. She is the co-author, with Morris Pearl, of Tax the Rich: How Lies, Loopholes and Lobbyists Make the Rich Even Richer.What we saw on January 20th, I believe, was the result of a global oligarchical coup who just took the Queen on the chessboard. When you've got three people whose combined worth is around a trillion dollars standing behind who is an unethical at least, criminal at worst billionaire president, Houston, we have a problem here. And the problem is not actually Donald Trump. The problem is the preconditions that led to the rise of a vulnerability to an authoritarian leader and an oligarchy. And that vulnerability was brought about by the actions of both parties over decades.Erica PayneIf you ran a business, Ralph, would you ever fire your accounts receivable department? No. It would be the last department you would cut. So then it says he's either stupid because that's what he's cutting, which I think is probably inaccurate. So if he's not stupid, then why is he doing it? And he's doing it for the same reason that lawmakers have hacked at the IRS budget forever—they don't want their donors to get taxed. They don't want their donors to be audited. And so they cut the cops. So all these folks who are griping about black Americans calling to defund the police are actually defunding the police that is keeping them in line and keeping them honest.Erica PayneAt a divided moment in America, I think we can agree that the federal government shouldn't tax people into poverty, and (to the extent necessary) rich people should pick up the difference.Erica PayneBruce Fein is a Constitutional scholar and an expert on international law. Mr. Fein was Associate Deputy Attorney General under Ronald Reagan and he is the author of Constitutional Peril: The Life and Death Struggle for Our Constitution and Democracy, and American Empire: Before the Fall.I start out with the fundamental idea of due process—you simply cannot deprive someone of liberty without giving them an opportunity to explain or to refute what allegations the government has made. And the reason why I start out with that, Ralph, is we've had an experiment in World War II with what happens when you have no due process. We did that with 120,000 Japanese Americans. No, we just said that they're all likely to commit espionage or sabotage, got to put them in concentration camps. We made 120,000 errors (and later apologized for it in 1988). So there's a reason due process is not simply an academic concept. It's essential to preventing these kinds of egregious instances of injustice from happening.Bruce FeinThe Democrats and a lot of liberal economists are not keeping up with the horror show that's going on. They don't use words like cruel and vicious. They don't turn Trump's words like deranged, crazed, corrupt on him. They're still using words like authoritarian practices, or problematic, or distressing, or disconcerting, or concerning. They're not catching up with the horror show here. That's why Trump continues to have a soliloquy. The Democratic Party is now having gatherings to see how are they going to collectively deal with Trump? How does a bank deal with a bank robber? They let the bank robber rob the bank and flee with the gold while they deliberate how they're going to deal with a bank robber they see coming into the bank?Ralph NaderNews 5/2/251. At the eleventh hour, Representative Jim Jordan – Chair of the House Judiciary Committee – pulled his measure to strip the Federal Trade Commission of its antitrust enforcement powers and consolidate those within the Justice Department, Reuters reports. “The House panel…had included the proposal in its budget package on Monday. During a hearing on the package…the committee passed an amendment that would remove the measure.” Trump's FTC Chairman Andrew Ferguson opposed Jordan's move and intervened with the White House. As Reuters notes, “The proposal mirrored the One Agency Act, a Republican bill that has gotten support from Elon Musk…[which] would effectively repeal the FTC's...authority to sue companies over unfair methods of competition, which the agency is using in cases against pharmacy benefit managers, Amazon…and John Deere.” In short, the FTC's antitrust powers survive today, but there is no guarantee about tomorrow.2. Yet, while avoiding the worst possible outcome on the corporate crime front, the Trump administration is still hard at work going soft on corporate crooks. Public Citizen's Rick Claypool reports “Two Wells Fargo execs had their fines reduced by 90% (related to the bank's accounting scandal) by Trump's [Office of the Comptroller of the Currency].” Claypool links to a piece in Radical Compliance, which explains that “David Julian, former chief auditor at Wells Fargo, saw his fines cut from $7 million to $100,000 [and] Paul McLinko, executive audit director, had his fines cut from $1.5 million to $50,000.” Both Julian and McLinko were part of the senior leadership team at Wells Fargo in the 2010s, when regulators “charged the bank with turning a blind eye to employees opening bank accounts without customer consent to hit sales quotas. That misconduct eventually led to a $3 billion settlement with Wells Fargo in 2020.”3. Lest you think the Democrats are in danger of seriously opposing Trump's policies, the Bulwark reports that House Minority Leader Hakeem Jeffries is putting the kibosh on the recent spate of Democrats' trips to El Salvador exposing the reality of the CECOT deportation scheme. This report alleges that “Cory Booker and the Hispanic Caucus were planning on going [to El Salvador],” but are no longer. Perhaps worse, Jeffries is not giving clear marching orders to the party rank and file. One Democrat is quoted saying “As a member of a party you need to be disciplined…They say, ‘Get on a plane,' ‘Don't get on a plane'—that's what you do. Nine out ten times you do what they ask. But you can't take that approach if you're not having regular communications… You have to be clear in messaging what the plan is and you have to do that regularly if you want to keep people in line.” This is just another example of Jeffries' weak and indecisive leadership of the caucus.4. Advocates are having more luck resisting the administration's overreach in court. On Wednesday, Mohsen Mahdawi – the Columbia student faced with deportation after being lured into an ICE trap with the false promise of a citizenship test – was freed by a federal judge, POLITICO reports. After the judge ordered his release, Mahdawi told the press “I am saying it clear and loud…To President Trump and his Cabinet: I am not afraid of you.” Mahdawi's ordeal is not over, but he will remain free while his case winds its way through the courts and a previous order blocked the administration from changing venues, meaning the case will proceed in the relatively liberal Second Circuit.5. Mahmoud Khalil also scored a major legal victory this week. The Huffington Post reports that the ICE agents sent to arrest Khalil did not, contrary to their false claims in court, have an arrest warrant. Amy Greer, a lawyer for Khalil, is quoted saying “Today, we now know why [the government] never showed Mahmoud [a] warrant — they didn't have one. This is clearly yet another desperate attempt by the Trump administration to justify its unlawful arrest and detention of human rights defender Mahmoud Khalil, who is now, by the government's own tacit admission, a political prisoner of the United States.” The ACLU, also defending Khalil, has now moved for this case to be dismissed.6. Despite these victories though, the repression of anything pro-Palestine continues. At Yale, Prem Thakker reports hundreds of students protested in advance of a speech by Itamar Ben-Gvir, Israel's radical National Security Minister who has previously been arrested many times for inciting racism and supporting pro-Jewish terrorism in Israel itself. Yet the university responded by “stripp[ing] the school's Students for Justice in Palestine Chapter…of its status as an official student group.” If students cannot even protest Ben-Gvir, what will the colleges regard as legitimate protest of Israel?7. In Yemen, Ryan Grim reports on CounterPoints that the Trump administration has been targeting strikes against the Houthis using data gleaned from amateur Open-Source Intelligence or OSINT accounts on X, formerly Twitter. Unsurprisingly, these are completely inaccurate and have led to disastrous strikes on civilians' homes, incorrectly identifying them as “Houthi bases.” One of these accounts is based in Houston, Texas, and another as far away as the Netherlands.8. According to a new World Bank report, Mexico reduced poverty more than any other Latin American country between 2018 and 2023. Not coincidentally, this lines up almost perfectly with the AMLO years in Mexico, which saw a massive increase in the Mexican minimum wage along with other social rights and protections. These policies are now being taken forward by AMLO's successor Claudia Sheinbaum, whose popularity has now surpassed even that of her predecessor, per Bloomberg.9. In Australia, Virginia Giuffre – the most outspoken accuser of Jeffrey Epstein and Ghislane Maxwell – has passed away at the age of 41, the BBC reports. Police concluded that Ms. Giuffre died by suicide and her family released a statement indicating that the “toll of abuse... became unbearable.” Yet, her death was preceded by a bizarre chain of events. On March 31st, the BBC reported that Ms. Giuffre's car collided with a school bus, sending her into renal failure with her doctors saying she had “four days to live.” The Miami Herald also reported “At the time of her death, Giuffre had been in a contentious divorce and child custody battle with her husband, Robert.” The family's statement continued “The death is being investigated by Major Crime detectives; [but] early indication is the death is not suspicious.” One can only hope more details come to light.10. Finally, in a different kind of bizarre story, embattled incumbent New York City Mayor Eric Adams – who has already given up on the Democratic primary and was running for reelection as an independent – will now appear on two new ballot lines “EndAntiSemitism” and “Safe&Affordable,” POLITICO reports. Adams has gone to great lengths to cultivate and maintain his support in the Orthodox Jewish community in New York and is seeking to highlight his strengths and undercut former Governor Andrew Cuomo. Apparently, Adams only needs to secure 3,750 signatures from voters by May 27 for each of these ballot lines, a shockingly low threshold for the largest city in America. These ballot lines will appear without spaces, coming in just under the wire for the city's 15-character limit on ballot lines.This has been Francesco DeSantis, with In Case You Haven't Heard. Get full access to Ralph Nader Radio Hour at www.ralphnaderradiohour.com/subscribe

Trailblazer Marisa Hamamoto: Breaking Barriers in Disability Inclusion Through Dance and Film In this episode of 'Pushing Forward with Alycia,' guest Marisa Hamamoto shares her incredible journey as a trailblazing keynote speaker, dancer, founder of 'Infinite Flow Dance,' and entrepreneur. A spinal stroke survivor and late-diagnosed autistic, Marisa discusses her intersectional identity as a fourth-generation Japanese American and her mission to promote disability inclusion. Highlights include her impact on the dance world, her journey to self-advocacy, the importance of small actions leading to significant changes, and her latest project for the Disability Film Challenge titled 'Killed It.' Marisa's story is inspiring and highlights the importance of representation and inclusion in various spheres. Jump to Your Favorite Moments 00:00 Introduction to Pushing Forward with Alycia 00:25 Meet Marisa Hamamoto: Trailblazer and Advocate 01:30 Marisa's Journey: Overcoming Adversity 02:28 Infinite Flow: Redefining Dance and Inclusion 05:07 High School Experience: A Turning Point 08:47 The Power of Small Actions 17:07 Embracing Neurodiversity: Marisa's Late Autism Diagnosis 22:24 Disability Film Challenge: Creating 'Killed It' 32:32 Final Thoughts and Contact Information 33:52 Pushing Forward Moment: Inspirational Advice A Quote from Marisa: “What's that one thing that's really important right now to do? Who is left out, what new door could I open?” ~ Marisa Hamamoto Key Themes from This Episode

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Host Miko Lee celebrates AAPINH Month by interviewing Filmmakers: Sara Kambe Holland, Alleluiah Panis, and Kyle Casey Chu, also known as Panda Dulce. We also cover a bunch of AAPINH month events happening throughout the Bay Area.   Calendar of Events Community Calendar May 3 2-6pm Daly City AAPI Fest celebrating local Asian American & Pacific Islander culture in Daly City and the Greater San Francisco Bay Area     May 10 10am-12pm PT Our Heritage 5K 2025  a FREE, family-friendly 5K fun walk/run honoring the rich history and contributions of Asian American and Pacific Islander communities in San Francisco. This scenic route winds through the heart of the city, passing by over 16+ historic AAPI landmarks—featuring goodies, resources, and fun facts about its cultural significance. Expect cheer stations, photo ops, sweet treats, and entertainment along the route to keep the energy high! May 10th is also AAPI Mental Health Day! The Our Wellness Festival, will celebrate mental health, community, and joy. The festival will feature family-friendly activities, carnival-style games, music, dancing, wellness resources, and more! May 23 at 5:30 pm – 8:30 pm Asian American and Pacific Islander LGBTQ2S+ Mixer NJAHS Peace Gallery 1684 Post Street, San Francisco Children's Fairyland in Oakland, and Stanford's Asian American studies department host a series of events throughout the month that we will post in the show notes for you to check out.  Bay Area Public Libraries AAPI Month Oakland public libraries feature reading lists for all ages, a grab and grow seedling kit and events like watermelon kimchi making!San Francisco Public Libraries There will be events for all ages at Library locations throughout the City, including free author talks, book clubs, film screenings, crafts, food programs and musical and dance performances. San Jose Public libraries host a series of events with a highlights being Tapa Cloth making on May 6 and Vegan Filipino Cooking with Astig Vegan on May 7 Berkeley public libraries   CAAMFest 2025 United States of Asian America Through June 1    Transcript: Filmmakers Exploring Boundaries   Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.   Ayame Keane-Lee: [00:00:57] Welcome to Apex Express and happy Asian American and Pacific Islander Heritage Month. Even though the Trump administration has eliminated recognizing cultural heritage months, we are still celebrating diversity and inclusion. Here at Apex Express and KPFA, we believe in lifting up people's voices. And tonight on Apex Express, we are focusing on Asian American filmmakers exploring boundaries. Host Mika Lee talks with filmmakers, creators, writers Sarah Kambe Holland, Alleluiah Panis, and Kyle Casey Chu, also known as Panda Dulce. Join us on Apex Express.    Miko Lee: [00:01:51] Welcome, Sarah Kambe Holland, the amazing young filmmaker, writer, director, here to talk about your very first film, egghead and Twinkie. Welcome to Apex Express.    Sarah Kambe Holland: [00:02:04] Thanks so much for having me.   Miko Lee: [00:02:06] So first I'm gonna start with a personal question, which is an adaptation from the amazing poet Chinaka Hodges. And my first question is, who are your people and what legacy do you carry with you?    Sarah Kambe Holland: [00:02:19] Oh wow. What a great question. , I think that I represent my family and my heritage. I'm mixed, so I'm half Japanese and half British. I grew up partially in Japan and partially in the States. I feel like those experiences, my family, they make up who I am and the stories that I wanna tell.   Miko Lee: [00:02:41] And what legacy do you carry with you?    Sarah Kambe Holland: [00:02:45] I think the legacy of my family, my grandparents on both sides have overcome so much, and, , they're a big inspiration to me. Funny enough, my grandparents play kind of a secret role in this film. My grandparents on my mom's side were incarcerated in the Japanese American camps. My grandmom, my British side overcame a lot of adversity as well in her life. , I think that's the legacy that I carry.    Miko Lee: [00:03:09] Thank you. Tell me a little more, what secret role do your grandparents play in the film?    Sarah Kambe Holland: [00:03:14] all my grandparents have always been very supportive of, my art and my filmmaking. But my grandparents on my mom's side, they passed away ahead of the making of this film. And I inherited my grandfather's car. And that car is the car in the movie that, Egghead Twinkie drive cross country. So I like to think that this is their way of supporting me. I think that they would get a kick out of the fact that their car is like a main character in the film,    Miko Lee: [00:03:41] literally carrying you on your journey. I had so much fun watching the film. Can you share with our audience a little bit about what the film is about and what inspired you to create this?    Sarah Kambe Holland: [00:03:52] So the film is called Egghead and Twinkie, and it's about this mixed Asian teenage lesbian named Twinkie who's coming out and her best friend Egghead, who unfortunately is in love with her and she does not feel the same. , and they end up going on this cross country road trip to meet Twinkie Online love interest IRL for the very first time. So it's kind of like a buddy comedy road trip movie. Coming of age queer story, , and it's one that's very personal to me, I think is a mixed Asian queer person. This was a story I was drawn to tell because it was a story that I didn't really see on screen when I was growing up.   Miko Lee: [00:04:30] Can you talk to me a little bit more about the use of the name Twinkie, which for many folks in the A API community is seen as a slur, and I know she talks about it a little in the film, but can you share more how you came up with that?    Sarah Kambe Holland: [00:04:44] Yes, it's a very nuanced thing and it's something I was kind of nervous to tackle, especially like in a comedy film. , but really with the creation of Twinkie's character, , I feel like she's going on this journey to embrace herself as a lesbian, as a gay woman, but then also I think that she's searching for herself as a mixed Asian person. I feel like within the Asian American community, if you're raised here in the US or if you're mixed or if you're adopted, I think that there can be this feeling of not feeling Asian enough. I think the word Twinkie was something that was kind of weaponized against her. Like, oh, you know, you're not Asian enough, you're a Twinkie. And her way of coping with that is to kind of reclaim that word and kind of own that. As her own name.    Miko Lee: [00:05:31] Thank you so much for sharing. I read online that this is the very first feature film to be crowdfunded on TikTok. Can you talk a little bit about, I know your background is in as a social media creator. Can you talk about that journey from social media creator to filmmaker?    Sarah Kambe Holland: [00:05:51] Yes. Yeah. TikTok and social media was such a big part of getting this film made. Uh, so for myself, yeah. I was a YouTuber before I was a filmmaker. I should be clear, I wasn't like PewDiePie or anything like that. I had like 40,000 followers. Um, but for me at that time when I was like 15, 16, that felt like the whole world. Um, and I think that YouTube was really my first introduction to. Storytelling, but also to making friends with people through the internet. And that ended up being a really big influence on this film because Twinkie is traveling cross country to meet a girl that she meets online. And I think that that is such a common story nowadays. Like people make friends online all the time. Um, and the ways that we find love and community has changed.Because of the internet. Um, so it felt very appropriate that we turned to TikTok turned to social media as a means to raise money for this film. Uh, we did a whole targeted crowdfunding campaign on TikTok and we raised over $20,000 from a lot of strangers that I will never meet, but I owe a lot of thanks to.   Miko Lee: [00:06:53] So now that the film has been going out to different festivals and being screened at different places, have any of those that participated in the crowdfund, have you met any of those kind of anonymous supporters?    Sarah Kambe Holland: [00:07:05] Yes. And that was crazy. it was awesome. We screened it over 40 festivals all around the world. Our international premiere was at the British Film Institute in London. And it was at that screening that someone raised their hand during the q and a and they were like, I just wanted you to know that I backed your movie, uh, and I found you on TikTok. And that just blew my mind that someone on the other side of the world, you know, had donated whatever, you know, 10, 20 bucks to making this thing a reality.   Miko Lee: [00:07:31] Oh, I love that when the anonymous becomes real like a person in front of you that you can actually meet. How fun. I'm wondering if your use of animation is, , been influenced by your social media background.    Sarah Kambe Holland: [00:07:45] Not really. Actually. I think the animation part of this film is just because I'm a total nerd. I really love animation, I love comics. And so that kind of bled into Twinkies character. You know, she loves comics, she wants to be an animator. And, uh, I think I've always been interested in the idea of combining 2D animation with live action footage. I feel like that's something that we see a lot in like children's movies or, um.Music videos, but it's not something that you really see in like, feature films all that often. So I was kind of excited to explore that, and it was a really fun collaboration with myself and our lead animator, Dylan Ello, who did most of the animations in the movie.   Miko Lee: [00:08:28] Oh, thank you for that. I, I, it was very delightful. Um, I'm wondering, because we're, our world right now is incredibly complicated and so conflicted. How do you feel filmmaking can make a difference?    Sarah Kambe Holland: [00:08:44] I feel like art is more important now than ever because I see even in just this film's journey how art literature and movies, it can change people's minds and they don't even realize that their minds are changing.I think especially with this film, 'cause it's so lighthearted and funny and silly, you'd be like, oh, it's just, you know, a good laugh and that's it. But, but not really. I've seen this film. Open doors and open conversations. And I think that that's really my hope is that maybe, you know, parents who have a queer kid and they're not sure what to do about it, maybe they'll watch this film and they'll be able to talk to their kid about things that maybe they're afraid to talk about. I think that art really has the power to, to change people's minds.    Miko Lee: [00:09:29] Have you experienced that with somebody that has actually seen your film, that you've had a conversation with them where they walked away, changed from seeing it?    Sarah Kambe Holland: [00:09:38] Well, on a very personal level, um, my parents, uh, are conservative and I think when I first came out to them, it was an adjustment for sure. Um, I. When I initially kind of pitched the idea of Egghead and Twinkie to them years, years ago, uh, as a short film, they were confused. They were like, why do you wanna make this film about being gay? Like, why do you have to make everything about being gay? And that's not really what it was. I just wanted to tell this story.  And it's been such an amazing journey to see my parents like fully embrace this movie. Like they are egghead and Twinkie biggest fans. They might love this movie more than me. Uh, so that has been really amazing to be able to kind of talk to them about queer issues in my identity through the making of this movie.   Miko Lee: [00:10:24] I love that. So let our audience know how they can see your film, egghead and Twinkie.    Sarah Kambe Holland: [00:10:31] So Egg and Twinkie is coming out on streaming platforms on April 29th. It'll be on Apple tv, Amazon Prime, uh, any video on demand streaming platform in North America.    Miko Lee: [00:10:43] Yay. And Sarah, what are you working on next?    Sarah Kambe Holland: [00:10:46] Oh boy, have a big question. Uh, I have a few screenplays in the works, one of which is a time traveling lesbian rom-com. So, uh, I'm waiting for when I get the big bucks so I can make my first period piece.    Miko Lee: [00:10:59] Love it. Sounds fun. , thank you so much for sharing with us. It was such a delight to see your film and I look forward to seeing more of your work.   Sarah Kambe Holland: [00:11:08] Thanks so much for having me, Miko. This was great.    Jalena Keane-Lee: [00:11:11] Listen to Kushimoto Bushi by Minyo crusaders, a Japanese cumbia band    MUSIC   Welcome back. This is the Powerleegirls on apex express, and that was Kushimoto Bushi by Minyo Crusaders    Miko Lee: [00:15:24] Welcome, Alleluia Panis, the Executive Director of Kularts to Apex Express.    Alleluia Panis: [00:15:30] Thank you. I'm so honored to be here.    Miko Lee: [00:15:34] I wanna talk with you about your film, but first I wanna start with a personal question, which is an adaptation from the amazing poet Chinaka Hodges. And that is, who are your people and what legacy do you carry with you?   Alleluia Panis: [00:15:49] Wow, that's deep who are my people? My people is my community. And so it is here in, in the diaspora, Filipino Americans, Asian Americans, and folks of color. And then of course the indigenous people in the Philippines. . What I carry with me and continues to inspire me on the daily is the knowing that we have been here for a long time. Our ancestors have survived eons of whether it's, good times and bad times. And so that keeps me going.   Miko Lee: [00:16:28] Thank you so much for sharing. you have been working in the field for a long time. You're really, , a trailblazer in terms of putting Filipino arts on the map and really lifting up the culture. Can you talk about your new film Memories of Mindanao, where that came from, what it's all about?   Alleluia Panis: [00:16:49] Is a leg of, , Tribo tour, which began in 2002. But actually inspired by my first trip to, , then the wild and being with in 1989 , and, , basically traveling and. Setting myself and my, my, my music and dance company at the time to just be with indigenous people. ,and how profoundly that particular experience really impacted me. For years I've been wanting to like, how can I bring this? Experience or share the experience with other diasporic folks. Fortunately I was able to connect with Carlo Abeo in the Philippines, who's been my tour manager, in 2001. And then in 2002 we embarked on the first, Tribo tour.   Miko Lee: [00:17:50] So this was an effort to really share this powerful kind of artistic travel journey with more folks. Is that right?    Alleluia Panis: [00:17:57] Yes. And it's actually beyond artistic. It's really about recognizing something deeper, right? Because our history of colonization is pretty intense. 500 years and or is it 400 years? Give or take, a century. And so there are a lot of things that had been co-opted. It has been erased, it has been gaslit. And fortunately, I feel like within the culture of the archipelago, there are, and even those. That are, of the, what is considered the colonized people or the Christianized people. there are practices that exist today that might have a different name, um, or but actually is indigenous and so, and only. Could I say that because I was able to really experience and be with folks and, uh, and it's years, you know, it's years of kind of like assessing and looking at you know, different, uh, practices. And so that is so I don't know. It's beyond gratifying. It's connecting. I mean, it seems so cliche. It's connecting with something so deep, you know, it's like connecting to, you know, to Mother Earth in, in that way our, our Mama Ocean. And recognizing yourself that, that you are bigger and have, and has agency, you know, in terms of just. What you are connected to, uh, what we are connected to. Um, and so it's, it's it, of course within the cultural practices, which is artistic practices that we see that connection.    Miko Lee: [00:19:40] You were looking at, the impact of colonization and how arts and culture has really spoke to that or fought back against that in the Philippines. Can you talk about bringing that over to our colonized United States and how you see that playing out?    Alleluia Panis: [00:19:58] Well, I think first of all as, um, as folks of color. And as former subjects of the United States, you know, 40 years of the US and still, still, um, you know, in some ways kind of soft power over the people of the Archipelago. It's, it's really, um, first and foremost knowing or getting that sense of connection and confidence and, um, self-identity. That leads, that would lead us to create, um, in the diaspora. And so what, what this pro with this project, this particular program does and, and I continue to prove it with so many folks, is that it's really. Kind of finding yourself, I mean, that, that seems so cliche and knowing your place in the world and how you are connected so deeply despite all the, you know, like all the brainwashing that you don't know anything. Everything is, uh, you know, everything that, that, that, um, that exists in terms of the cultural practices of the arch of the people of the archipelago are borrowed or, or, um. Basically borrowed or taken from another culture, um, really kind of diminishes that, that colonized thinking. And so I think the power of it is finding your stepping into your own power in this way. Um, and, and, um, you know, it is also not just the current, like in, in once lifetime do you get that abuse or trauma, but it's also all the. You know, the, the, the inheritance from our, you know, from our parents, from our grandparents, right? Great. Passed down the generation and, um, oftentimes construed as the real deal, unt true. And so, aside from the form. Aside from, um, the practices, because this trip is really a little, is is focused more on not learning or like, you know, we don't go to learn like dance music or. Weaving or, you know, design or anything like that. Yes, that happens. We do, we do have workshops, but you know, it's not like it's, it's more like opening the ice of each, you know, individual. I. To the, to the, the whole, the whole thing. What, what is the, the presence of nature is, are they water people? Well, how does the water impact the cultural practices and therefore the artistic practices, um, and understanding sort of like, oh, they, they do that kind of steps with the, you know, flat feet or whatever. Because the sound of the bamboo slats is just. Amazing, you know, uh, under their feet. And so it's not so much that I'm gonna learn, you know, x, y, Z dance or x, y, z music, music or gongs, or, but it's more like w. Through those practices, how do we see the people, how do they mirror our own existence? And what, what we can remember really is remembering, um, what my, what, what we have forgotten or what we know it's true, but we're not sure. So I dunno if I'm answering your question. It's a roundabout response.    Miko Lee:[00:23:26]  I feel like you're talking about how we step into our ancestral wisdom and power.    Alleluia Panis: [00:23:33] Correct.    Miko Lee: [00:23:33] And I'm wondering if you can expand on that,, to talk a little bit more about this time of oligarchy we are living in, which is really built in colonization. How do we both as artists use our superpowers to fight back against that and then encourage other people? How do we use our artist beings to encourage other people to fight back against the world that we're living in right now?  Alleluia Panis: [00:24:00] One of the most powerful impact on me , in experiencing, indigenous practices and culture is the practice of spirituality, the rituals, the ceremonies. There's one specific ceremony from Ana as a magana on ceremony, um, that really, It was just such a profound experience in opening up, my senses and my sense of connection to something larger than this. And, and the EPO and, um, there's several, um. Ritual practices with different names. It's basically similar, uh, practice, uh, is the connection to the five elements and the basic, um, um, and fundamental elements of life. You know, water, earth, wind, fire, and the darkness. The, there's a transcendence. Um. And that that discovery is a, or that connection, um, is something that's, it sounds really woo woo, right? I mean, um, but it really becomes kind of a, a, an experience, an embodiment experience, a belief in your own kind of intuition, your gut feeling. My, uh, my. Um, response, you know, to it, a physical response. And, um, that, that's become like a, a guide for, for everything that I do. And so, um, to me that that is the grounding that, um, has allowed me to continue the work that that. That I've been doing, continue living, period. And so it's really, I think the, a matter of really kind of like, knowing yourself, it just sounds all so cliche, you know? And, and, the power of, Really understanding that you have or I have a depth of connection, that I can draw from in terms of energy and spirit and love, that is beyond kind of the physical, but also the physical. And so for me, that sense of knowing. Is what is allowing me to continue doing what I do despite all the, you know, challenges and difficulties and, you know, the insanity of these times or any time. and having kind of that grounding, I mean, you, you, the, the, clarity, is everything. it allows me to. follow what seems to be the correct route to wherever I was going. it doesn't mean that it's, it's, I'm, I'm not working on it, you know, but I'm also not, not pushing in a way that, you know, I'm, I'm gonna make you believe in me and I'll, you know, like, sort of like, I will tell you what is the right thing and, and, and I will make you, um, agree with me. It, it's, it's not that. Um, I is, I dunno. Is that making any sense? Do you have any other,    Miko Lee: [00:27:24] you totally make sense to me. I'm wondering how people can find out how, how can people find out more about your film and about all of your work?    Alleluia Panis: [00:27:34] Oh, sure. people can find out about, my work and the film through, um, the website. It's, uh, KulArts SF dot org and, most of, if not all of my work, uh, and the work of others, are actually on there. There's a lot of information there. the, the film is gonna be shown at the Los Angeles Asian Pacific, film Festival May 3rd at, uh, a MC. Eight or 14 or is it in, Monterey Park and, folks can actually just find that information on our website as well.    Miko Lee: [00:28:13] And what would you like audience to walk away from your film with an understanding of?   Alleluia Panis: [00:28:21] I want the audience to feel the. Power of being there in TT T is the southernness most islands of, of the Philippines. And, not too many people actually go there. If you have seen the Sam Baja, um, you know, divers, uh, where they can dive for, I think they can stay from five to 15 minutes underwater without any, you know, oxygen or assistance. These are, these are the people who, who, uh, these islands belong to. and as usual, their, you know, their live livelihood is being challenged by everything that's happening in the world. And what the, the film itself, itself, is really trying to put, put the audience within the, you know, like the, I guess the, the shoe of the there and how, you know, their experiences. there's not a lot of explanation to it because we really want it to be a more visceral experience. for the audience,    Miko Lee: [00:29:22] is there anything else you'd like to share with us?    Alleluia Panis: [00:29:26] Let's keep on going. Let's, you know, we, we all, we all need to be in community to uplift each other and keep hope alive.    Miko Lee: [00:29:38] Thank you so much for joining us today and sharing a little bit more about your film and about your work and your connection to the ancestors and the need to move forward.   Alleluia Panis: [00:29:47] Appreciate you. Thank you, Miko.   Miko Lee: [00:29:51] Welcome Kyle Casey, Chu, also known as Panda Dulce to Apex Express.    Kyle Casey Chu: [00:29:57] Hi so much for having me.    Miko Lee: [00:29:59] We're so happy to have you back here, onto Apex Express Land and you have a bunch of new things happening, not just a new film, but also a new book. First off, I'm gonna just start with a personal question, which I ask everyone. Who are your people and what legacy do you carry with you?    Kyle Casey Chu: [00:30:16] Ooh, that's a juicy one. Um, my people, I would say my people are the weirdos and the art freaks of the world. Uh, queer and trans people, Asian Americans, queer and trans Asian Americans, people of color, people from the Bay Area. Um, people who have noticed the boxes that they're in and are pushing the walls and the boundaries of that. I feel like these are the people who really inspire me the most. In terms of the legacy I bring, I am a fourth generation Chinese American, uh, queer and trans femme person living in the San Francisco Bay area where I was born and raised.   Miko Lee: [00:30:56] Thanks so much for sharing. , first let's start with just finding out more about your film, which was based on a true story called After What Happened at the Library. This was a national story, I remember hearing about it, but for folks that don't know, can you describe the real incident that inspired the film?    Kyle Casey Chu: [00:31:14] So, I'm one of the founders of Drag Story Hour, which is exactly what it sounds like., drag queens reading stories to, , children and their families and libraries, bookstores and schools. In 2022, I took a gig in Pride Month at San Lorenzo Public Library, , where I was doing a drag story hour and the Proud Boys stormed in. They called me a tranny, a groomer and an it. They wore shirts saying, kill your local pedophile and I had to retreat to the back and lock myself in the back room. They scoured the premises looking for me. , the authorities showed up and didn't get any of their names or information, um, and just. Dispersed them. And after the incident, I came back to the reading room where the children and families were there, but shaken and I completed the reading.    Miko Lee: [00:32:05] Incredibly traumatic. What happened after that in real life?    Kyle Casey Chu: [00:32:10] It's funny that you, uh, because the short film is called After What Happened at the Library, uh, for a reason because I feel like it's natural as social creatures for humans to focus on the incident itself. We want to approach people with empathy and we want to, really put ourselves in their shoes, uh, to kind of be there as a support for them. What I wasn't prepared for was the gauntlet of media attention, how people would be coming out of the woodwork to ask me about the situation. They would send gushing praise, hate mail, death threats, love letters, care packages, and this wave of attention. Almost added to the overwhelm of the experience and the fact that I had suddenly become a figure and a lightning rod in a culture war when I just wanted to read a book in a library. 'cause that's what I was doing. Um, and not only this, but in the coverage of the event. Because the authorities were so slow to act on this and only started investigating it as a hate crime after it blew up on Instagram and they suddenly felt the heat of media attention. Um, I felt the, my only recourse was to go to the media and was to talk, and especially as a writer and a storyteller, I felt I needed to kind of sound the alarm because it was pride month.  This was the first, this was the inciting incident of a national, even international anti-D drag wave of right wing extremism. Um, it was a couple days later that the oath keepers were found planning some kind of resistance, like violent insurrection in before Ohio Pride. And so I would talk to these journalists and. I felt in the beginning I trusted them because, you know, I trusted that they wanted to get the word out, that they had the same intentions that I did in protecting my people. And what I found instead was that they kind of almost, they tried to elicit the most emotional response from me, which often involved asking me to relive the most excruciating aspects of that time and that experience. So I had to go back and revisit it over and over again. And when the stories actually came out, I'd found that my story was edited to suit another preconceived formula that they had already pitched a certain idea for how the story was would go. That painted me as this static monolithic victim. And they would just plug in one tearful soundbite and the rest of the story, they could just say whatever they wanted with.And there's a certain violence in that. There's a certain. Greater injustice to going through something like that, number one. But number two, telling your story and having that be distorted to suit other political aims or to, you know, buttress a call for public safety. And that specific dynamic of the direct aftermath of notoriety is what the short film gets at.   Miko Lee: [00:35:11] Oh so you're taking back your own story.    Kyle Casey Chu: [00:35:14] Absolutely. So after what happened at the library, the short film is a very much a radical reclamation of my own voice and my own story. Um, prying it back from the hands of the media and telling it on my own terms.    Miko Lee: [00:35:26] Thank you for that. And how has it been received   Kyle Casey Chu: [00:35:29] So far it's been received very well. The short film World premiered at Florida Film Festival in Orlando. Received a special jury prize for courageous voice in a time of great need, which is incredible. It's our first screening and we already got an award, which is so exciting. It just screened at SF Film on April 23rd as part of the shorts block. SF film is an Academy Award qualifying festival, and it is going to screen again at Can Fest, one of my favorite local festivals, the world's largest Asian and Asian American film showcase it's screening on Friday, May 9th at Kabuki and tickets are on sale.   Miko Lee: [00:36:11] Thank you for that. And can you tell us about your new book? This is very exciting. You have a coming of age story, the Queen Bees of Tybee County. Can you tell us about your book?   Kyle Casey Chu: [00:36:22] Absolutely. When it rains, it pours in creative worlds. I had a lot of irons on the fire and it just so happened that all of them were exhibiting or debuting or hitting shelves in the same week of April, which is last week. The Queen Bees of Tybee County is my debut novel. It's middle grade, so for ages eight through 12, though like a Pixar movie, it's for all ages really. Um, and it is a hopeful drag coming out story about a queer Chinese American seventh grade basketball star. Derek Chan, who is unceremoniously shipped off to his grandma Claudia's in rural Georgia, and she is volunteering for a local pageant. And so he. Explores his queer identity and his love for drag via Southern pageant culture.    Miko Lee: [00:37:09] Ooh, do we see a film of this in the future?    Kyle Casey Chu: [00:37:12] Actually, Queen Bees of Tybee County was optioned by Lambert Productions, which put on the Hardy Boys on Hulu. So it is on its way to becoming a TV show if every, if all the stars align, it'll be on TVs in the uk. Fingers and toes crossed for that.    Miko Lee: [00:37:27] Amazing. I'm looking forward to that. Can we pull ourselves out a little bit and talk about the times that we're living in right now and how artists use our super powers to fight back against the oligarchy that we're living in?    Kyle Casey Chu: [00:37:43] We all know, or perhaps should know that the beginnings of fascism involve suppressing intellectuals and artistic voices, increasing police presence and trying to maintain a stiff and consistent lid on the voices of the people. And so this type of suppression is happening right now. There are book bans across the country. , there are state and federal efforts legislatively to curtail the rights of trans kids and trans athletes, and Intellectuals, diplomats and scholars are all being expelled or suppressed, and I think something that I've learned is that, and it sounds really cheesy, but that quote is so real where it's like being brave isn't the absence of fear, but it's doing things in spite of it. I know it feels very scary to speak out right now, but now is the exact time to speak out because any. Ground that is seated cannot be taken back. And so holding of the line by way of protest, by way of publication, by way of dissenting is how we crack this. The armor of fascism.    Miko Lee: [00:38:55] And can you talk a little bit about the moment of joy or celebrating joy within the context of the strife that we're living in? I bring that up because , you've given me much joy as part of the rice rocketts and a lot of the work that you do. So I wonder if you could just talk about what does joy mean in the moment like this?    Kyle Casey Chu: [00:39:16] Yeah. I think. I have a background in social work and one of the first things that we learned is this is hard work. It is hard to always start on your back foot and to have to argue your own humanity and justify your existence as an artist or as a person. I found myself doing that when coverage of the library incident was happening and. One of the things that they tell you is the way that you do your best work and the way that you best serve your communities is by keeping your own self afloat. And what this means is maintaining a balance. When you have hard work, you also need to reward yourself. You also need to take care of yourself. And I don't think it's enough to just say self-care. You need to expose yourself, and you need to fully embrace the full spectrum of human emotion, which necessarily includes joy. And so. After completing such an intense project, like after what happened at the library, I knew that I needed to engage in something that was hopeful and that really struck the cord of why community is so vital and important, and why social support is integral to all of us thriving. And so the Queen Bees of Tubby County, I was told by a reviewer, and this is my favorite review, they said that it's like Chapel R'S Pink Pony Club. If it were a book. Um, and I'm going with that 'cause I love that. But this story is really just about hope. It's about friendship, it's about, it's about dancing towards the future we want. And I don't think it is enough for us to react. I don't think it's enough for us to strike down. Terrible and horrifying regimes. We also must have a vision for the future that includes ourselves thriving and enjoying ourselves. And I think a part of that practice for me is making art and scaffolding a vision for the future that is positive.    Miko Lee: [00:41:20] And what would you like people to walk away from after either reading your book or seeing your short film?   Kyle Casey Chu: [00:41:29] I think after seeing the short film. What this gets at is whenever there's a flashpoint of a culture war and it's localized on one person, whenever a culture war is personified in one singular person, like for example, ma Moon kil. There's only so much of his life that we get to see, and it's through the headlines and this viral moment of like a flash on the pan. And I want people to realize that the way that you interact with these people in that fleeting moment is going to stick with them long after this moment of notoriety passes. And. To be conscientious and aware of what impact you're bringing to that person because it may just be a moment or a blip in your feed, but the impact is enduring for the person who's living it. And I also want us to be critical of how we consume trauma and violence in the media, and to ask ourselves if. We really, truly need to get all the details if we really, truly need to be put, put that victim in the position of reliving their experience just so we can relive it for a moment. Whereas they will have to relive it for the rest of their lives. And I think survivor narratives and victim narratives are way more messy and complicated and sometimes funny than people give it credit for or realize. And to realize that when you are reading something. That is just one dimension in one shade. Uh, yeah. So that was a lot, sorry. But, um, the other thing is for the Queen Bees of Tybee County. And the reason why I wanted to end on that is because it's uplifting is as dark as the world can be. It can also be as dazzling and bright and hopeful, and that the future that we are fighting for is worth fighting for. And we need to remind ourselves of that. Especially in times like these, and I know it might seem counterintuitive for us to celebrate or to be around each other when it feels earth shatteringly bleak, but it is essential to our survival, and don't be afraid to embrace that.   Miko Lee: [00:44:00] Kyle, thank you so much. Kyle, Casey Chu, thank you so much for joining us on Apex Express. I encourage people to check the film out and the book out and we appreciate chatting with you.    Kyle Casey Chu: [00:44:11] Thanks so much.    Ayame Keane-Lee: [00:44:14] Kyle's film will be showcased at Cam Fest, the nation's largest showcase for new Asian American and Asian films, which runs from May 8th to 11th in San Francisco at a time when it feels particularly fraught to express stories from communities of color. Cam is doing what we've done for over 40 years, sharing films from Asian America to a wide array of audiences. It says, Cam's, director of programs, Dawn Young. Watching these stories in a theater full of friends and neighbors is an opportunity to laugh and cry, and ultimately to celebrate human experiences that transcend bounds. This year's festival will return to the A MC Kabuki in San Francisco's Japan town for opening night, and a total of four days of screenings in the historic neighborhood that is undergoing its own resurgence with new restaurants, cafes, and boutiques, highlighting both traditional and youth oriented culture. The Roxy Theater will also host three days of screenings. Cam Fest continues to strengthen ties with other local arts institutions with the Asian Art Museum hosting the Cam Fest gala. Following the opening night film on Thursday May 8th and SF M Om a opening the Phyllis Wa Theater for Mother's Day programming on Sunday, May 10th. Turning a lens on history, whether it's the end of the Vietnam War or the trailblazing women in the Bay Area, offers a chance to reconsider the stories through which we come to understand ourselves. Says Cam Fest program Manager Del Holton, ranging from intimate narratives of family and memory to experimental work that bends the conventions of storytelling. These films illuminate the many perspectives of Asian America.    CAAM Fest 2025 wraps up on Mother's Day with dedicated events that highlight strength and visionary artistry of Asian American women. You can also catch my sister Jalena Keane-Lee's film Standing Above the Clouds at 5:00 PM at the Kabuki. Honoring Mothering also includes celebrating the nurturing of community and pioneering of aesthetics. Cam's final day reflects on the contributions of Asian American women's work while looking to the future of storytelling. Another major multimedia arts, dance and music festival to check out is the annual United States of Asian America which runs through June 1st at venues around the Bay Area. This year's theme Critical Refuge asks us to reflect on our journey as immigrants, refugees, and generations of descendants and or mixed raced people in the diaspora as we seek necessary sanctuary within ourselves and in our communities in times of unrest and uncertainty. The festival will honor a API Arts and Culture, reflecting on where we have been, where we are now, and what our collective future holds, while acknowledging our roots as immigrants, refugees, and mixed race descendants. Also check out the 42nd annual Himalayan Fair in Berkeley's Live Oak Park happening May 17th and 18th. There will be Himalayan Food, handicrafts, music, and Dance. There are so many events happening in celebration of Asian American and Pacific Islander Heritage Month. Check out our show notes for links to all the wheelchair accessible events In addition to the films we featured tonight, camp Fest and United States of Asian America, there is also May 3rd, two to 6:00 PM daily city AAPI fest celebrating local Asian American and Pacific Islander culture in daily city in the greater San Francisco Bay area.    May 10th, 10:00 AM to 12:00 PM Our heritage, 5K 2025. A free family friendly, 5K fun walk slash run. Honoring the rich history and contributions of Asian American and Pacific Islander communities in San Francisco. This scenic route winds through the heart of the city. Passing by over 16 plus historic A API Landmarks featuring goodies, resources, and fun facts about its cultural significance. Expect cheer stations, photo ops, sweet treats, and entertainment along the route to keep the energy high. May 10th is also a API Mental Health Day. The Our Wellness Festival will celebrate mental health, community and joy. The festival will feature family friendly activities, carnival style games, music, dancing, wellness resources, and more. May 23rd at 5:30 PM to 8:30 PM Asian American and Pacific Islander, LGBT Q2 s plus Mixer, NJAHS, peace Gallery 1684 Post Street in San Francisco. Children's Fairyland in Oakland and Stanford's Asian American Studies apartment will also host a series of events throughout the month that we will post in the show notes for you to check out in Bay Area Public Library News. Oakland Public Libraries feature reading lists for all ages, a grab and grow seedling kit and events like Watermelon Kimchi making. San Francisco Public Libraries will have events for all ages at library locations throughout the city, including free author talks, book clubs, film screenings, crafts, food programs, and musical and dance performances. Highlights for adults include the launch of Corky Lee's Asian America at the main library on May 23rd. The new book features over 200 breathtaking photos celebrating the history and cultural impact of the Asian American Social Justice movement. We've covered Corky Lee's work in multiple previous Apex episodes.    Additionally, four members of the Asian American Journalist Association, AAJA, who cover the Asian American and Pacific Islander News beat will discuss how authentic local reporting happens, important stories they've reported recently, and how having reporters dedicated to the BEAT impacts the A API community on May 8th, moderated by the interim president of the AAJA-SF Bay Area chapter Harry Mock. The panel features Ko Lyn Chang from the San Francisco Chronicle, Han Lee from the San Francisco Standard, and Ravi Kapoor, CEO of Dia, TV on May 25th. The library partners with the Chinese Cultural Center of San Francisco to welcome Curtis Chin, author of everything I Learned, I learned in a Chinese restaurant for a book talk and library popup. For youth on May 25th, join June Jo Lee Food ethnographer and award-winning children's book author for a kimchi demo. Read aloud and krautchy making activity. Experience a read aloud of New Picture Storybooks for Children and participate in a drawing workshop on comics with illustrators mini fan and Sophie Dialo on May 23rd at Excelsior Branch Library. Katie Kwan, who has been featured on Apex dives into the world of comics and zines through the lens of an Asian American artist and educator, and teaches the community how to make their own comics and zines at multiple locations throughout May. San Jose Public Libraries host a series of events with highlights being top of cloth making on May 6th and vegan Filipino cooking with Aztec Vegan on May 7th. Once again, happy Asian American and Pacific Islander Heritage Month from us at Apex Express. Please do checkout CAAM Fest. May 8th through 11th in San Francisco. If you get the chance and you'll be able to see Kyle's film. As well as many other incredible AAPI, histories and stories. You can check out all of that community calendar info in our show notes, as well as information on all of the guests you heard from tonight.   Miko Lee: [00:51:55] Please check out our website, kpfa.org to find out more about our show tonight. We think all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world because your voices are important. APEX Express is created by Miko Lee, Jalena Keane-Lee, Preeti Mangala Shekar, Anuj Vaidya, Swati Rayasam, Aisa Villarosa, Estella Owoimaha-Church, Gabriel Tangloao, Cheryl Truong and Ayame Keane-Lee.        The post APEX Express – 5.1.25 – Filmmakers Exploring Boundaries appeared first on KPFA.

We're diving into the world of Berry, a talented Japanese-American idol who first made waves as part of the idol group SORB3T. Berry launched her solo career, and she's been captivating fans ever since with her energetic music and vibrant personality. Berry is in the studio to talk about her journey and what makes her a standout in the idol scene! ・Berry | Website | YouTube | Instagram | TikTok Check out our social media below

J-Sei Home Closes After 30 Years, Leaving Bay Area Japanese Seniors in Need The 1960s and 70s were a pivotal time for community activism – with the civil rights and anti-war movements, the Black Panther Party, and student protests that established ethnic studies programs on college campuses. That activism led to a decades-old critical lifeline for Japanese American elders: culturally sensitive senior care homes. But in recent years, these kinds of homes have been closing down. As KQED's Cecilia Lei reports, the closures highlight how the Japanese American community is at a crossroads.    LA's El Compa Negro Plays Regional Mexican Music, Straight Outta Compton Compton is known for being the heart of West Coast rap – from Dr. Dre to Kendrick Lamar.  But Compton has changed a lot. According to census data, 70% of the city's residents identify as Latino or Hispanic. This shift can be seen and heard in an artist from Compton named Rhyan Lavelle Lowery, aka “El Compa Negro.” He's a Black musician who sings regional Mexican music. Reporter Aisha Wallace-Palomares takes us on a trip to meet him.  Transgender Community Builds Bonds at This SF Self-Defense Class Many transgender, nonbinary and gender-expansive people are feeling vulnerable because of anti-trans policies from the Trump administration. There are a lot of efforts to fight for trans rights on the legal front, but there's also momentum to make sure trans and nonbinary people can defend themselves from threats of physical violence. KQED's Bianca Taylor takes us to a free self-defense class in San Francisco's Transgender District, the first legally recognized cultural district of its kind in the world.     Learn more about your ad choices. Visit megaphone.fm/adchoices

Today, the Spotlight shines On digital media artist Tamiko Thiel.To mark our special milestone of 250 episodes, we are kicking off a two-part conversation with media artist Tamiko Thiel.Tamiko has lived at the crossroads of art and technology for over 40 years. She designed the Connection Machine, the first commercial AI supercomputer that now sits in New York's Museum of Modern Art. She's worked with everyone from Steven Spielberg to Richard Feynman, and pioneered virtual reality art before most people had heard of VR. Her Connection Machine even inspired Steve Jobs when he built his post-Apple computer, the NeXTcube.In part one, Tamiko shares her journey from Stanford engineer to acclaimed artist, and how her Japanese-American roots shape her work exploring identity, place, and space. Part two drops next week.–Dig DeeperVisit Tamiko Thiel at tamikothiel.comFollow Tamiko Thiel on Bluesky, Instagram, and LinkedInDanny Hillis, Richard Feynman, Tamiko Thiel & Colleagues Design the Connection MachineThe Female Supercomputer Designer Who Inspired Steve JobsCM-1/CM-2 "Feynman" T-shirtsDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

The Alien Enemies Act authorized the mass incarceration of Japanese Americans during World War II, Kathy Masaoka and Dr. Russell Endo tell host Lata Murti why they are protesting the renewed use of the Act against immigrants.

Today, the Spotlight shines On digital media artist Tamiko Thiel.To mark our special milestone of 250 episodes, we are kicking off a two-part conversation with media artist Tamiko Thiel.Tamiko has lived at the crossroads of art and technology for over 40 years. She designed the Connection Machine, the first commercial AI supercomputer that now sits in New York's Museum of Modern Art. She's worked with everyone from Steven Spielberg to Richard Feynman, and pioneered virtual reality art before most people had heard of VR. Her Connection Machine even inspired Steve Jobs when he built his post-Apple computer, the NeXTcube.In part one, Tamiko shares her journey from Stanford engineer to acclaimed artist, and how her Japanese-American roots shape her work exploring identity, place, and space. Part two drops next week.–Dig DeeperVisit Tamiko Thiel at tamikothiel.comFollow Tamiko Thiel on Bluesky, Instagram, and LinkedInDanny Hillis, Richard Feynman, Tamiko Thiel & Colleagues Design the Connection MachineThe Female Supercomputer Designer Who Inspired Steve JobsCM-1/CM-2 "Feynman" T-shirtsDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

After last week's episode, “The Emergency Is Here,” we got a lot of emails. And the most common reply was: You really think we'll have midterm elections in 2026? Isn't that naïve?I think we will have midterms. But one reason I think so many people are skeptical of that is they're working with comparisons to other places: Mussolini's Italy, Putin's Russia, Pinochet's Chile.But we don't need to look abroad for parallels; it has happened here.Steven Hahn is a Pulitzer Prize-winning historian at New York University and the author of “Illiberal America: A History.” In this conversation, he walks me through some of the most illiberal periods in American history: Andrew Jackson's Indian Removal Act of 1830, Jim Crow, the Red Scare, Japanese American internment, Operation Wetback. And we discuss how this legacy can help us better understand what's happening right now.This episode contains strong language.Book Recommendations:Democracy in America by Alexis de TocquevilleFrom the War on Poverty to the War on Crime by Elizabeth HintonTroubled Memory by Lawrence N. PowellThoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.You can find the transcript and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.htmlThis episode of “The Ezra Klein Show” was produced by Jack McCordick, Annie Galvin and Elias Isquith. Fact-checking by Kate Sinclair, Mary Marge Locker and Michelle Harris. Our senior engineer is Jeff Geld, with additional mixing by Aman Sahota and Isaac Jones. Our executive producer is Claire Gordon. The show's production team also includes Marie Cascione, Rollin Hu, Marina King, Jan Kobal and Kristin Lin. Original music by Pat McCusker. Audience strategy by Kristina Samulewski and Shannon Busta. The director of New York Times Opinion Audio is Annie-Rose Strasser. Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

In this episode Bay Area filmmaker Claudia Katayanagi goes into great detail about the myriad little-known incarceration camps that the federal government created to keep Japanese American "troublemakers" away from those confined in the larger and better known incarceration camps following the bombing of Pearl Harbor, HI. Her first two documentaries--"A Bitter Legacy" and "Community in Crisis" offer a fresh retelling of the courageous efforts of the Japanese Americans to endure terrible injustices and hardships, while fighting back against the forces of anti-Japanese racism. Today, many Japanese Americans are pushing back against the unjust deportation and incarceration policies of the Trump administration aimed at brown-skinned people. You can find out how you can watch her first two films by going to www.abitterlegacy.com. And you can also learn about her third film "Exiled" by visiting https://www.gofundme.com/f/doj-film-fund-raiser  

Send us a textInformation Source: National ArchivesExecutive Order No. 9066The PresidentExecutive OrderAuthorizing the Secretary of War to Prescribe Military AreasWhereas the successful prosecution of the war requires every possible protection against espionage and against sabotage to national-defense material, national-defense premises, and national-defense utilities as defined in Section 4, Act of April 20, 1918, 40 Stat. 533, as amended by the Act of November 30, 1940, 54 Stat. 1220, and the Act of August 21, 1941, 55 Stat. 655 (U.S.C., Title 50, Sec. 104);Now, therefore, by virtue of the authority vested in me as President of the United States, and Commander in Chief of the Army and Navy, I hereby authorize and direct the Secretary of War, and the Military Commanders whom he may from time to time designate, whenever he or any designated Commander deems such action necessary or desirable, to prescribe military areas in such places and of such extent as he or the appropriate Military Commander may determine, from which any or all persons may be excluded, and with respect to which, the right of any person to enter, remain in, or leave shall be subject to whatever restrictions the Secretary of War or the appropriate Military Commander may impose in his discretion. The Secretary of War is hereby authorized to provide for residents of any such area who are excluded therefrom, such transportation, food, shelter, and other accommodations as may be necessary, in the judgment of the Secretary of War or the said Military Commander, and until other arrangements are made, to accomplish the purpose of this order. The designation of military areas in any region or locality shall supersede designations of prohibited and restricted areas by the Attorney General under the Proclamations of December 7 and 8, 1941, and shall supersede the responsibility and authority of the Attorney General under the said Proclamations in respect of such prohibited and restricted areas.I hereby further authorize and direct the Secretary of War and the said Military Commanders to take such other steps as he or the appropriate Military Commander may deem advisable to enforce compliance with the restrictions applicable to each Military area hereinabove authorized to be designated, including the use of Federal troops and other Federal Agencies, with authority to accept assistance of state and local agencies.I hereby further authorize and direct all Executive Departments, independent establishments and other Federal Agencies, to assist the Secretary of War or the said Military Commanders in carrying out this Executive Order, including the furnishing of medical aid, hospitalization, food, clothing, transportation, use of land, shelter, and other supplies, equipment, utilities, facilities, and services.This order shall not be construed as modifying or limiting in any way the authority heretofore granted under Executive Order No. 8972, dated December 12, 1941, nor shall it be construed as limiting or modifying the duty and responsibility of the Federal Bureau of InvestigaPlan on flying? It's time to upgrade to a REAL ID. Because starting May 7, 2025, to board domestic flights, your driver's license or state issued ID must be a REAL ID – or you'll need another acceptable form of ID. So don't wait. Find out how to get your REAL ID at tsa.gov/realid, that's tsa.gov/realid, or visit your local DMV. And then you'll be cleared for takeoffU.S. Department of Homeland Securityhttps://www.dhs.gov/real-idSupport the show

Episodes Summary: A beautiful and powerful art exhibition is touring the country right now, called Pictures of Belonging, which explores three artists of Japanese descent - Miki Hayakawa, Hisako Hibi and Miné Okubo. The exhibition puts these artists and their work in their rightful place in the history of American art. For this bonus episode, producer and lead writer David Taylor visits the exhibition at the Smithsonian American Art Museum and shares his insights about Miné Okubo, who was featured in Episode 9: Is This Land Your Land? She was a painter who was working with Diego Rivera on murals for the WPA when she was detained and sent to an incarceration camp during World War 2. She used her artwork to bear witness to the mass incarceration of Japanese Americans during the war. Links and Resources:Pictures of Belonging: Japanese American National MuseumPictures of Belonging: Smithsonian American Art MuseumCitizen 13660 - a short film from the National Park ServiceSincerely, Miné Okubo - a short biography from the Japanese American National MuseumFurther Reading: Citizen 13360 by Miné OkuboMiné Okubo: Following Her Own Road by Greg Robinson Peaceful Painter: Memoirs of an Issei Woman Artist by Hisako HibiThe Other American Moderns: Matsura, Ishigaki, Nora, Hayakawa by ShiPu WangCredits: Director: Andrea KalinProducers: Andrea Kalin, David A. Taylor, James MirabelloEditor: Amy YoungFeaturing music from Pond5Produced with support from the National Endowment for the Humanities, Florida Humanities, Virginia Humanities, Wisconsin Humanities, California Humanities and Humanities Nebraska. For additional content, visit peoplesrecorder.info or follow us on social media: @peoplesrecorder Hosted on Acast. See acast.com/privacy for more information.

On this episode host Raj Sundar explores the complexities of Japanese food culture and its impact on health, addressing how American influences have altered traditional diets. Guest Jeff Sakuma discusses the importance of rice in Japanese meals and his personal transition to healthier rice options. They delve into portion control within Japanese dining customs and the concept of intuitive eating. The conversation shifts to Japanese cultural nuances, including language, religion, and familial expectations, emphasizing the importance of acknowledging expertise both in healthcare and family matters. Additionally, they discuss the role of social support systems, religious influences, and the cultural dynamics surrounding aging and caregiving in Japanese American communities. Find all of our network podcasts on your favorite podcast platforms and be sure to subscribe and like us. Learn more at www.healthcarenowradio.com/listen

Send us a textIn this captivating episode of "Bridging Generations: The Cultural Impact of Baseball in Japanese American Life," hosts Koji and Michelle explore the profound connections between baseball and cultural identity within the Japanese American community. They delve into personal stories, from Koji's admiration for Hideo Nomo to Michelle's son's early baseball antics, highlighting how the sport serves as a bridge between generations. Special guest Jason Murai, president of the Japanese American Baseball Organization, shares insights into the Sansei Baseball League's vital role in fostering cultural identity and community spirit. Through engaging anecdotes and reflections, the episode underscores baseball's enduring impact on Japanese American heritage, resilience, and representation in sports, celebrating figures like Shohei Ohtani who inspire future generations.For more about the Sansei baseball league go to:  https://www.sanseibaseball.com/ To see some of JANM's baseball related programs click on this YouTube playlist https://www.youtube.com/@janmdotorg/search?query=baseball : For more information about the Japanese American National Museum, please visit our website at www.janm.org. CREDITSThe music was created by Jalen BlankWritten by Koji Steven SakaiHosts: Michelle Malazaki and Koji Steven SakaiEdited and produced by Koji Steven Sakai in conjunction with the Japanese American National Museum

Jun Fujita is the Japanese-American photographer behind some of the most recognizable photographs taken in Chicago in the 20th century, including his shots of the St. Valentine's Day Massacre of 1929, the Eastland passenger boat disaster of 1915, and the 1919 Chicago race riots. Fujita was also a published poet and something of a regional celebrity, known for socializing with William Faulkner and Ernest Hemingway. Fujita's foreign identity also made him the subject of government inquiry and suspicion on multiple occasions — during both World War I and World War II — according to Graham Lee, Fujita's great-nephew and the author of a new Fujita biography, “Jun Fujita: Behind the Camera.” After Japan's attack on Pearl Harbor, Fujita's assets were frozen, his business was shuttered, his cameras were taken away, and he constrained himself to Chicago to avoid possible internment, Lee said. How did Fujita navigate this perilous time for an immigrant in Chicago? We sat down with Lee to discuss how Fujita, a “supremely confident person,” came to rely on both the support of his community and his wits.

The Trump administration just took things to a chilling new level — deporting people to foreign prisons without due process. They're using the Alien Enemies Act — a law last invoked to justify the internment of Japanese Americans during WWII — to deport 137 Venezuelans to El Salvador, where they're now being held in a notorious, crowded mega-prison where visitation and recreation are forbidden. Meanwhile, Chuck Schumer's decision to back the GOP's spending bill has sparked fierce backlash from Democrats across the board. Jon, Lovett, and Tommy break down the administration's defiance of the courts and debate both sides of the shutdown fight. Then, Dan talks to House Minority Leader Hakeem Jeffries about his break with Schumer and how Democrats can unite against the Trump administration.

In 1981 The Kitchen Sisters interviewed Jeanne Wakatsuki Houston for a story about life on the homefront during World War II. Jeanne told stories of her childhood growing up in Manzanar, a hastily built detention camp surrounded by barbed wire and armed guard towers in the midst of the Owens Valley in the Mojave desert, where Japanese Americans were incarcerated for 3 years during World War II. Jeanne was 7 years old when her father, a commercial fisherman, was taken away with no explanation by the FBI and imprisoned in Bismarck, North Dakota. The family had no idea where he had been taken or why.  Jeanne Wakatsuki Houston's book, Farewell to Manzanar, written in collaboration with her husband James D. Houston,  has become  a curriculum staple in classrooms across the nation and is one of the first ways many are introduced to this dark period of American history. In listening to this interview recorded 44 years ago we are struck by how Jeanne's memories of those years — the sense of fear, of families being separated, of innocent people being terrorized, hunted — resonate with what is happening in our country today.  

Over the weekend, President Donald Trump invoked a seldom-used wartime powers act to deport suspected gang members without due process. Though a federal judge blocked the administration's use of the Alien Enemies Act of 1798, more than a hundred migrants accused by U.S. officials of being part of the gang Tren de Aragua were flown to a prison in El Salvador on Saturday. It was the first time the Alien Enemies Act had been invoked since World War II, when it was used to incarcerate Japanese, Italian and German nationals and laid the foundation for the imprisonment of more than 110,000 Japanese Americans. Today on “Post Reports,” immigration reporter Marianne LeVine joins host Colby Itkowitz to unpack the strategy behind the administration's use of this act outside of wartime, the timing and legality of the move, and what El Salvador is getting out of working with Trump. Today's show was produced by Rennie Svirnovskiy and Ted Muldoon, who also mixed the show. It was edited by Reena Flores, with help from Lucy Perkins. Subscribe to The Washington Post here.

Rachel Maddow shares the amazing, historic story of how former Senator Alan Simpson and former Representative Norm Mineta partnered on hearings into the internment of Japanese-Americans during World War II, and why Donald Trump's reported plan to invoke the Alien Enemies Act of 1798, which was used to justify Japanese internment, is raising alarm.