Podcasts about Urinetown

Matty and Kikau chat with Steven Gross who is currently the program head of The Abbott MFA in Musical Theater Collaboration Program at Temple University. Steven is the founder and CEO of MusicalTheatreSongs.com. His recommendation for today is the television show Hacks. ---Steven Gross has worked on Broadway, Off-Broadway, the West End and internationally as a music director, conductor, pianist, sub and vacation conductor. He is a Lortel Award nominee for Best Musical for his adaption of The Pirates of Penzance at the South Street Seaport. He has conducted the European premieres of The Life, Urinetown, Falsettos, Beehive, Forever Plaid, Closer Than Ever, Flora the Red Menace and other works. He also works extensively as a classical conductor and has appeared with many national and international opera companies, symphony orchestras and festivals. He is as an orchestrator and arranger for many symphony orchestras, theatrical, digital and online productions. His musical Nijinsky has been performed in Berlin, Zurich and Monte Carlo.Steven has collaborated on new musicals with Award-winning composers and lyricists including Benny Andersson & Bjorn Ulvaeus, Sam Carner & Derek Gregor, Douglas Cohen and Zoe Samuel, Cy Coleman, David Friedman, Zina Goldrich & Marcy Heisler, Mark Hollmann & Greg Kotis, Brett Macias, Lauren Taslitz & Danny Ursetti. Steven holds a Doctor of Musical Arts in Conducting from Yale University and is a Fulbright and Rotary Scholar. He has extensive experience working in academia as a clinician, guest artist and professor. 

Send us a textOver a long career in musical theatre, Matthew Seadon-Young has performed in some of the most acclaimed productions in recent history including Marianne Elliott's gender-swapped 'Company' and Jamie Lloyd's hit production of 'Urinetown'. His latest venture sees him playing con-man Gordy in the UK premiere of 'Shucked' at Regent's Park Open Air Theatre. In our interview, Matthew shares with us his excitement at making his Regent's Park debut and at the start of Drew McOnie's tenure as Artistic Director. 'Shucked' was a huge success on Broadway and audiences are eagerly anticipating the transfer of Brandy Clark and Shane McAnally's joyful musical.  Jack O'Brien also makes his directorial debut at Regent's Park, and we hear Matthew talk about how the show has been adapted for the great outdoors.In this new interview with Matthew Seadon-Young, he shares his insight into the craft of carving out a career in musical theatre. Indeed since leaving Mountview, he's been seen in 'Les Miserables' and 'Billy Elliot' on the West End, 'Rockets and Blue Light' at the National Theatre and Manchester Royal Exchange as well as more recently 'The Baker's Wife' at the Menier Chocolate Factory. As an ever-evolving creative, it's been great seeing how he's continued to prove how versatile a performer he is. It will be interesting to see what productions he finds himself attached to in the future, but it seems certain that he will continue expanding his CV with new shows and revivals. As 'Shucked' prepares to open, Matthew sounds like he is in a good place and excited to keep finding new challenges.Shucked runs at Regent's Park Open Air Theatre from 10th May - 14 June.Support the show

Elyse Jasensky and tanner Sperry join the show to discuss URINETOWN, opening soon thanks to the Goshen Players.

On the April 25 Friday LIVE at Nebraska Public Media, host Genevieve Randall has lively conversations about: the next concert by Lincoln's Symphony Orchestra (1:45); Nebraska Repertory Theatre's production of "Urinetown: the Musical (20:32);" Neihardt Spring Conference (26:30); Jessica Korgie's new book (36:30); and WanderNebraska Adventures (50:07). Also, the poetry of Ted Kooser read by Stephen Buhler (13:36), a Ross film review by Kwakiutl Dreher (45:08) and a preview of Opera Omaha's next production (58:33).

On the April 25 Friday LIVE at Nebraska Public Media, host Genevieve Randall has lively conversations about: the next concert by Lincoln's Symphony Orchestra (1:45); Nebraska Repertory Theatre's production of "Urinetown: the Musical (20:32);" Neihardt Spring Conference (26:30); Jessica Korgie's new book (36:30); and WanderNebraska Adventures (50:07). Also, the poetry of Ted Kooser read by Stephen Buhler (13:36), a Ross film review by Kwakiutl Dreher (45:08) and a preview of Opera Omaha's next production (58:33).

"Raised on Vancouver Island, Canada, Zachary is an internationally recognized award-winning actor, musician and writer. Best known for his performances as Buddy Holly, Zach was coined a “dead ringer for dead singers” by the Victoria Times Colonist for his portrayal of the legendary rock 'n' roller as well as Hank Williams, Elvis Presley, Carl Perkins, Jerry Lee Lewis and Phil Ochs. In 2018, Zachary won the prestigious "Jeff" Award in Chicago for Outstanding Performance by an Actor in a Leading Role (Musical) for the Buddy Holly Story, a role he's honed in more than a dozen productions of across Canada and the United States. Other acting highlights include Million Dollar Quartet, Hair, Fire, Urinetown, Assassins, Sweeney Todd, Company and Ring of Fire. Zachary is also an accomplished songwriter and active frontman for several bands including his original trio: the Oh Boys, a Tribute to Buddy Holly, and The Fortunate Sons. He's been featured as an original artist at countless festivals including the Ottawa Folk Fest, Blue Skies Festival, Summerfolk, Winterfolk (Toronto), Folk Alliance (Memphis, Ottawa and Kansas City), and the Ottawa Blues Festival" (zacharystevenson.com). If you enjoy the podcast, please let others know, subscribe, or write a review! IF YOU'D LIKE TO SUPPORT THE PODCAST IN A MONETARY WAY, I'M NOW ON PATREON! Please note: new Patreon members get to pick a cover song for me to record especially for them! www.patreon.com/andysydow Guest Links: https://zacharystevenson.com Episode Music: Original music by Andy Sydow Contact me: middleclassrockstar@gmail.com (or) andysydowmusic@gmail.com

We preview the Paramount Theatre's staging of the Tony Award winning musical Urinetown. Plus, Vermont communities lose FEMA funding for a hazard mitigation program canceled by the Trump administration, an executive order signed by the president condemns the Vermont Climate Superfund Act created to allow the state to seek damages from major oil companies, Vermont State Police investigate calls made to multiple schools with false reports of shooting incidents, and a Vermont lawmaker says he's got an alternative and more cost-effective plan for restoring the Bennington Battle Monument.

Urinetown, the Tony Award-winning musical, will be on stage this weekend at Rutland's Paramount Theater. The dark comedy is set in a dystopian future where water is so scarce, corrupt companies control where people relieve themselves — and charge for it. Those who don't follow the rules are sent to Urinetown, until rebels fight back.

In this Chapter, Rosemary wanted to talk with leaders of Albany's unusually dynamic theater community about escape and make believe, but Patrick White and Chris Foster, the organizers of a unique Festival of Theater happening this summer, men who don't own a TV and watch plays every night of the week,  say live theater demands engagement, community involvement and public debate of controversy ad issues. You aren't just seeing a play, you are making a statement about values. A fantastic look at the importance of drama in our lives.Patrick White is a Capital Region "theatre maker" with more than 45 years experience acting, directing, producing, reviewing, and podcasting. He attends 300 shows a year. He has worked at nearly all the Capital Region theatres,  teaches an adult acting class at the Albany Barn, and  is a co-founder of Harbinger which has produced 14 Capital Region premieres in three years. White is also president of the Capital Region Festival of Theatre which will celebrate the 100+ theatres in Albany and its surrounding cities, towns and hamlets.Chris Foster  is the director of the Harbinger Theatre and secretary of the Capital Regional Festival of Theatre. He has directed numerous productions at the Harbinger theatre, Curtain Call Theatre, the Schenectady Civic Playhouse, the Albany Civic Theater and the Actor's Collaborative. His acting credits include: Ben Butler, In the Heat of the Night, Destroying David, The Normal Heart, Gross Indecency: The Three Trials of Oscar Wilde, Time Stands Still, Turn of the Screw, Clever Little Lies, The Night Alive, Urinetown, Tigers Be Still, Opus, On the Twentieth Century, Bill W & Dr. Bob, The Andersonville Trial, Urinetown, and Sunday in the Park with George. He holds a BA in theater from Cal State University at Long Beach and an MFA from Penn State.

It's Act 2 and we're ready to be tossed off the .. I mean, find out what Urinetown ACTUALLY is! Where is it? Who lives there? What is a metaphor? None of these questions and more will be answered until we have a musical song and snap number. Remember to leave a five star review and note that we have an email!!! Send us your questions and loving feedback!https://www.facebook.com/TY5Podcastthanku5pod@gmail.com

This episode we are joined by performer Tiffany Mann!  Tiffany was last seen in City Center's production of Urinetown. She's been on Broadway in Waitress and Be More Chill, off-Broadway in Jerry Springer:the Opera (where she won a Lucille Lortel Award), Jelly's Last Jam and Ragtime at City Center, on television in Rise, Orange is the New Black and New Amsterdam, the film You Go Girl! And much more!We speak with Tiffany about the hustle of being/making it as an artist, originating a role on Broadway, working on Ragtime at City Center and being the "Princess of City Center", and much more!

We continue the year of revolutionary thinking to bring you Urinetown! What is Urinetown? Where is Urinetown? Unfortunately, we'll have to wait for act 2 for this to be revealed in song and dance but until then, we can learn more about this city we live in and the people who inhabit it who have to pay for the privilege to pee.https://www.facebook.com/TY5Podcast

In this episode, we dive into the City Center Encores! production of "Urinetown," the Tony Award-winning musical that blends political satire with catchy tunes. We explore how this unconventional show holds up in today's political climate, dissecting the effectiveness of its humor and the relevance of its themes. From standout performances to intriguing direction and design choices, we'll give you our take on whether this production makes a splash or needs a flush. Plus, we'll discuss City Center's role in reviving lesser-known musicals and speculate on Urinetown's future prospects. Is this production a refreshing stream of theatrical brilliance or does it leave audiences high and dry? Tune in for our thoughts on this unique piece of musical theater and what it reveals about the current state of Broadway. Follow and connect with all things @HalfHourPodcast on Instagram, and YouTube. Share your thoughts with us on "Urinetown" on our podcast cover post on Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Bobby and Steffan are joined by the incredible Vicki Lee Taylor, whose career has taken her from iconic musicals to TV screens and everything in between! Fresh from starting 2025 as the offstage standby for Jane McDonald & Marisha Wallace in Robin Hood at the London Palladium (while still making a brief appearance in every show!), Vicki's versatility and talent have made her a force in the industry.

Urinetown runs at New York City Center through February 16th. For more information, visit www.nycitycenter.org.  Follow The Present Stage on Instagram at @thepresentstageThe Present Stage: Conversations with Theater Writers is hosted by Dan Rubins, a theater critic for Slant Magazine. You can also find Dan's reviews on Cast Album Reviews and in The New Yorker's Briefly Noted column.The Present Stage supports the national nonprofit Hear Your Song. If you'd like to learn more about Hear Your Song and how to support empowering youth with serious illnesses to make their voices heard though songwriting, please visit www.hearyoursong.org

Peter Filichia, James Marino, and Michael Portantiere talk about Urinetown @ Encores!, The Kleban Prize for Musical Theatre, 121 Project, Schmigadoon! @ The Kennedy Center, and National Symphony Orchestra (NSO): Opera in Concert: Noseda conducts Barber’s Vanessa. Schmigadoon! Photo by Matthew Murphy and Evan Zimmerman. “This Week on Broadway” has read more The post This Week on Broadway for February 9, 2025: Urinetown @ Encores! appeared first on BroadwayRadio.

It's a show about peeing! Join us this week as we chat with Andrew (Bobby) and Michelle (Hope) about South Bay's latest production, Urinetown, running until February 16th at the Saratoga Civic Theater.

Dolly Parton Musical Coming to Broadway in 2026, Jennifer Nettles Musical to Have Premiere This Year, ‘Urinetown’ Rehearsal Footage Since 2016, “Today on Broadway” has been the first and only daily podcast recapping the top theatre headlines every Monday through Friday. Any and all feedback is appreciated:Grace Aki: grace@broadwayradio.com | @ItsGraceAkiMatt Tamanini: matt@broadwayradio.com | read more The post Today on Broadway: Wednesday, Jan. 29, 2025 appeared first on BroadwayRadio.

Tonys Makes Confusing Ruling on ‘Eureka Day,’ Christopher Fitzgerald Joins ‘Urinetown’ at Encores, Matt’s New York Trip Schedule Since 2016, “Today on Broadway” has been the first and only daily podcast recapping the top theatre headlines every Monday through Friday. Any and all feedback is appreciated:Grace Aki: grace@broadwayradio.com | @ItsGraceAkiMatt Tamanini: matt@broadwayradio.com | @BWWMatt read more The post Today on Broadway: Monday, Jan. 20, 2025 appeared first on BroadwayRadio.

In this episode, we're joined by the incredibly talented Stephanie Styles! Stephanie is currently preparing to star as Hope in Encores! production of Urinetown! We chat all things musical theatre, her time in Newsies, and preparing for Urinetown. Plus, we dive into our shared love for Taylor Swift, Disney, and even create our own dream productions!

SCOTT LOGSDON has written the book/lyrics for STICKS & STONES (with composer John McDaniel) which had a premiere concert starred Audra McDonald, Javier Muñoz, and George Salazar for Lady Gaga's Born This Way Foundation/BC/EFA; 12 DAYS TILL CHRISTMAS (with composer Dana P. Rowe, currently in development as a film with Jerry Mitchell attached); JOYCE JACKSON'S GUIDE TO DATING, (with composer Steve Marzullo) which premiered in Orlando and was seen in concert at 54 Below; AN AMERICAN COUNTRY CHRISTMAS CAROL (with various CMA winning and nominated composers) THE CRINOLYNNS and LOVE (r)EVOLUTION, a song cycle covering 120 years of LGBTQIA+ history, both written with Aaron Gandy. Both STICKS & STONES and JOYCE JACKSON won the Florida Theatrical Association's New Musical Discovery Competition. JOYCE was featured in the NAMT Composer's Concert Series and was a finalist for Richard Rodgers/ Jonathan Larson Awards. Scott has written Broadway specialty lyrics for Roundabout Theater Company's Tribute to Alec Baldwin (directed by Scott Ellis) and the GYPSY OF THE YEAR Competition for the LES MISERABLES company, as well as for notable performers including Jason Alexander. Logsdon was vetted by the Cole Porter estate to rewrite lyrics for the documentary, Fabulously Fake: The Real Life of Kenneth Jay Lane. With Dana P. Rowe, he wrote the theme song for the series Stars In the House. His non-musical plays include THE BOIS (an all-male, contemporary take on the classic play THE WOMEN), which received a staged reading at the Abbey in Orlando, and THE MOURNING AFTER (a dark comedy.) As an actor, he was an originating cast member in the LES MISÉRABLES national company. He's been seen in such roles as Thenardier, Sweeney Todd, Billy Bigelow, Che, El Gallo, and King Herod. He has performed across North America as a soloist with symphonies and as a guest star in the award-winning Sondheim Unplugged at 54 Below in New York City. His many directing credits include CHESS, THE FANTASTICKS, DRIVING MISS DAISY, THE GLASS MENAGERIE, and the southeastern premiere of SECRETS EVERY SMART TRAVELER SHOULD KNOW. He holds a degree in musical theatre from Shenandoah Conservatory and received a Distinguished Alumni Award for work in the field of musical theatre.   Aaron Gandy A specialist in American musical theater and American popular song, Aaron Gandy's concerts and recordings embrace the best of Broadway from Kern to Lloyd-Webber, while encompassing Swing, Jazz and the golden age of Hollywood. Recent recordings include the all-star Jule Styne In Hollywood (PS Classics) and the upcoming Busker Alley (Jay Records). In 2004 he conducted the premiere recording of Kay Swift's Fine & Dandy on PS Classics featuring Broadway's Carolee Carmello and HBO's Mario Cantone. Upcoming recordings include Alec Wilder's Miss Chicken Little (originally broadcast on CBS television in 1953) and a restoration of Walter Donaldson's jazz-age romp Whoopee! Regarded as a leading authority on composer Vincent Youmans, Mr. Gandy restored and conducted the premiere recording of Youmans' final Broadway score Through the Years starring Metropolitan Opera Soprano Heidi Grant Murphy. Mr. Gandy restored the original film orchestrations for Rodgers & Hammerstein's The King and I, and Irving Berlin's White Christmas. His restoration of the original film orchestrations for Rodgers & Hammerstein's Oklahoma! was performed by the Hollywood Bowl Orchestra in 1997. Mr. Gandy's Broadway credits include Disney's The Lion King, Urinetown, and Dora the Explorer Live! at Radio City Music Hall. He has concertized with The Chamber Music Society of Lincoln Center, The Chicago Humanities Festival, 42nd Street Moon, Cami Hall, San Francisco's 42nd Street Moon, The Museum of Television and Radio, Symphony Space, Tribeca Performing Arts Center and solo appearances with Davis Gaines, Leslie Uggams, Christianne Noll, Jerry Hadley, Jim Dale, Dick Hyman, Lainie Kazan and Glenn Close.

Broadway Drumming 101 is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.In this episode, we're honored to feature Ed Shea, a distinguished musician whose career spans from the Philadelphia soul scene to the stages of Broadway.Highlights from the Episode:* Early Musical Influences: Ed shares his initial fascination with music, sparked by the lively bands performing at his grandfather's bar in Wildwood, New Jersey.* Educational Journey: Attending North Catholic High School in Philadelphia, Ed was mentored by esteemed band director Tony Marchione, leading to his first theatrical experience with Do Re Mi.* Mentorship and Development: The impact of Nick D'Amico, a leading Philadelphia show drummer, in honing Ed's drumming skills and professional approach.* Philadelphia Sound Era: Insights into recording at Sigma Sound Studios with legends like Gamble and Huff, contributing to the iconic “Philadelphia Sound” alongside artists such as the O'Jays and Teddy Pendergrass.* Atlantic City Performances: Experiences from the peak of Atlantic City's entertainment scene, including performances with luminaries like Sammy Davis Jr. and Tony Bennett.* Broadway Transition: Ed's move to New York City in the early '90s, marking his Broadway debut and solidifying his reputation through tours like The Music of Andrew Lloyd Webber.* Sustaining Performance Excellence: Strategies for maintaining enthusiasm and precision in performances, and the camaraderie among Broadway musicians.* Guidance for Aspiring Musicians: Practical advice on preparation, subbing, networking, and succeeding in the competitive Broadway environment.* Adapting to Technological Advances: Navigating the integration of drum machines and evolving demands of contemporary drum compositions.Memorable Anecdotes:* Performing for Frank Sinatra at the Latin Casino at 25 and managing on-stage challenges.* Bringing personal timpani to a Sigma Sound session, receiving support from producer Thom Bell.* Mentoring emerging Broadway drummers, including Joe Nero, Taylor Simpson and Dan Berkery.Ed reflects on his dynamic career, the music industry's evolution, and the privilege of being part of Broadway's vibrant community. He encourages perseverance, adaptability, and embracing the challenges of a musical career in New York City.About Ed SheaEd Shea is a seasoned percussionist and drummer whose career began in the rich musical landscape of Philadelphia. A member of the American Federation of Musicians across multiple cities, including New York and Philadelphia, Ed has showcased his versatility across various platforms.Broadway Contributions:* Dream (1996)* Peter Pan (1999–2000)* Martin Short: Fame Becomes Me (2006)* Newsies The Musical (2012–2014)* Holiday Inn, The New Irving Berlin Musical (2016–2017)He has also substituted in productions such as Cats, Phantom of the Opera, Grease, and Les Misérables.Touring Experience:* A Chorus Line (National Company, 1977; Japan Tour, 1986)* Paul Anka East Coast Tour (1982)* Debbie Reynolds Tour (1990)* The Music of Andrew Lloyd Webber (1991–1992)* Jesus Christ Superstar (1994)* South Pacific West Coast Tour (2002)* Urinetown (2003–2004)* Chicago (2006–2007)Television Appearances:* Miss America Pageant (1988–1991)* Dick Clark's Freedom Festival (1989)* Merv Griffin's New Year's Eve (1990–1992)* A&E's Live by Request with Johnny Mathis (1997)* PBS's Wonderful, Wonderful with Johnny Mathis (2006)Recording Collaborations:Ed has recorded with labels such as Philadelphia International, Columbia, and Motown, working with artists including:* Four Tops* Spinners* Temptations* Patti LaBelle* O'Jays* Teddy Pendergrass* Lou Rawls* Stylistics* James Ingram* Deniece WilliamsFilm Contributions:* The Fish That Saved Pittsburgh (1979)* Staying Alive (1982)* City Slickers (1991)* Flirting with Disaster (1996)Educational Background:Ed studied at the Philadelphia Music Academy, graduating in 1972. He is also a professor of percussion at Seton Hall University, aiming to develop well-rounded percussionists and music educators.

‘Stranger Things’ Cast Announced, Star-Studded ‘Urinetown’ Cast Revealed, Historic Thanksgiving Week Grosses Since 2016, “Today on Broadway” has been the first and only daily podcast recapping the top theatre headlines every Monday through Friday. Any and all feedback is appreciated:Grace Aki: grace@broadwayradio.com | @ItsGraceAkiMatt Tamanini: matt@broadwayradio.com | @BWWMatt Patreon: BroadwayRadiohttps://www.patreon.com/broadwayradio For a transcript of read more The post Today on Broadway: Thursday, Dec. 5, 2024 appeared first on BroadwayRadio.

We've got the Lutherans to thank for this one. It's the worst-ever name for a musical, but Peter & Nathan think that 2001's Urinetown, with music and lyrics by Mark Hollmann & Greg Kotis, is worthy of your attention – and some sustained theological reflection. _________________________________________ We talk about: The show's origin story (thanks, Lutherans!) and its unfortunately timed Broadway debut on the heels of 9/11. The politics of Urinetown – capitalist overlords versus the people's revolution, all painted in broad, satirical brushstrokes. Are there any responsible political figures in this show? What is Urinetown? A prison for malefactors? A way for the powerful to prey on the vulnerable? Death? Despair? "Following your heart" – What does that mean? And what if whatever your heart seems to be telling you turns out to be wrong? The power of music (particularly Gospel music) to move us to action. Who "should" be singing this music, and who is it for?   You'll hear: "Too Much Exposition" / "What is Urinetown?" – satirical take-downs of conventional musical theatre tropes "I See A River" / "Run Freedom, Run" / "Follow Your Heart" – Urinetown asks some complicated questions about love and justice. And the music is pretty dang good. You'll hear Hunter Foster, John Cullum, Jennifer Laura Thompson, Jeff McCarthy, Spencer Kayden and the Original Broadway Cast from the 2001 recording. _________________________________________ Check out some of our all-time favorites! Phantom of the Opera Joseph and the Amazing Technicolor Dreamcoat Jesus Christ Superstar! Schmigadoon! (Season 1 / Season 2) West Side Story! Yentl! Frozen! Barbie! Never miss an episode! Sign up for our email list to get updates when new episodes are released, info about upcoming special events, and more.

This week, host Alex Gryciuk interviewed guest Aya Sherian, a theater arts performing major who recently performed as Hope Caldwell in the California Repertory Company's production of the musical Urinetown. In this episode, learn more about the theater department from a student perspective, what it takes to be in a school production and what theater arts performance majors look forward to for the future. Host: Alex GryciukGuest: Aya SherianEditors: Alex Gryciuk, Aidan SwanepoelProducers: El Nicklin, Aidan SwanepoelLike, comment, and follow us on your favorite platform for more content! Apple Podcastshttps://podcasts.apple.com/us/podcast/long-beach-current-podcasts/id1488484518 Spotify⁠https://open.spotify.com/show/4HJaqJep02kHeIQy8op1n1⁠ ⁠⁠⁠Overcasthttps://overcast.fm/itunes1488484518/long-beach-current-podcasts

In this episode, Hayley and Amy talk with Broadway performer Happy McPartlin about always being prepared to go on as a standby/cover, the importance of storytelling for human connection, holding onto your values and identity as a theatre person through career ups and downs, and more. Click here for a transcript of the episode! Episode Notes Hosts: Hayley Goldenberg and Amy AndrewsGuest: Happy McPartlinMusic: Chloe Geller Episode Resources: The Notebook Come From Away Guest Bio: Happy McPartlin (she/her) is currently understudying Older Allie and Mother/Nurse Lori on Broadway in the new musical The Notebook, written by Ingrid Michaelson and Bekah Brunstetter, directed by Michael Greif and Schele Williams. Prior to that, she completed a 5-year run as a standby with Come From Away on Broadway, performing in the show well over 400 times in 5 different roles. Prior to that, she spent time working in some of the preeminent theaters in Washington, DC, performing in the ensembles of 110 In The Shade at Ford's Theatre, The Secret Garden for The Shakespeare Theatre, Gun & Powder (workshop ) at Signature Theatre, as well as standing by for the Pre-Broadway run of Come From Away. Happy was honored to be chosen to play the role of Beulah in Come From Away for the 20th Anniversary Memorial Concert for 9/11 in Washington, DC at the Lincoln Memorial, which was attended by roughly 10,000 people. She has also appeared on the Come From Away national tour and performed the role of Hannah for the Come From Away Tiny Desk Concert for NPR. Other favorite credits include - Broadway: Hands on a Hardbody. National tours: Memphis 1st National Tour, Hairspray (Velma), The Full Monty (Georgie). Regional: Stages Repertory: Diana in Next to Normal; Paper Mill & TUTS: Curtains; Geva: …Spelling Bee; Ogunquit Playhouse: Les Misérables, Sunset Boulevard, and The Full Monty; Bucks County Playhouse: Pennywise in Urinetown, the Witch in Into The Woods, and Sugar Babies; The Chaperone in The Drowsy Chaperone at Theatre By the Sea. Happy's biggest joy is her family - an 8-year-old son and husband - and she loves spending time with dear friends doing just about anything, baking, and watching way too much television! Find Happy Online: Instagram Thanks for listening! Who do you want to hear from next on the Women & Theatre Podcast? Nominate someone here. The Women & Theatre Podcast is created and produced by Hayley Goldenberg and Amy Andrews. Please like, comment, subscribe, follow us on Instagram and Facebook, and consider making a donation to support our work. Thank you for listening!

Katie Bernstein returns to co-host The West End Frame Show! Andrew and Katie talk about the sad loss of Dame Maggie Smith, Gavin Creel and Ken Page. They also discuss Buyer and Cellar (King's Head Theatre), Cake (The Other Palace) and A Chorus Line (Wycombe Swan Theatre, UK Tour) as well as the latest news about Operation Mincemeat, West End Musical Halloween, Hadestown, Choir Of Man and lots more. Katie was most recently in Power of Sail and Habeas Corpus, both at the Menier Chocolate Factory. Her West End credits include The Man in the White Suit, The Play That Goes Wrong, Mrs Henderson Presents and Urinetown. Katie was in Allegro at the Southwark Playhouse and the 2013 concert tour of Rent.  She also works extensively on screen. Follow Katie on Instagram: @katiebernsteinukHosted by Andrew Tomlins. @AndrewTomlins32  Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.   

Remembering Maggie Smith, Reviews for ‘Hills of California,’ Stars Join Encores’ ‘Urinetown’ Since 2016, “Today on Broadway” has been the first and only daily podcast recapping the top theatre headlines every Monday through Friday. Any and all feedback is appreciated:Grace Aki: grace@broadwayradio.com | @ItsGraceAkiMatt Tamanini: matt@broadwayradio.com | @BWWMatt Patreon: BroadwayRadiohttps://www.patreon.com/broadwayradio For a transcript of read more The post Today on Broadway: Monday, Sept. 30, 2024 appeared first on BroadwayRadio.

Running from Oct. 2 to Oct. 13, the California Repertory Company will be putting on their production of Urinetown! This dark-humored musical is about our rights, or lack thereof, to go to the bathroom. Shows during the week begin at 7:30 p.m., but on Saturday and Sunday, there will be daytime shows at 2 p.m. This hour-and-a-half show will cost $23 for students and $25 for non-students.  On Wednesday, Oct. 2 from 11 a.m. to 1 p.m. in the University Student Union Ballrooms, several Long Beach State organizations will be hosting the OUTober Kick Off. The event will have activities and snacks along with music and drag! Use the Events & Orgs app in your CSULB Single Sign-On to stay updated with possible opportunities for connection and conversation within your community. On Friday, Oct. 4, the Long Beach Museum of Art will open two new exhibitions with receptions beginning at 5 p.m. for members and 7 p.m. for non-members. The event is free with an RSVP. Both exhibitions will be in the museum until early next year. Visit LBMA.org to get tickets, RSVP or sign up to become a member.  Last Tuesday, Sept. 24 Long Beach Fire was responding to a call when they fatally struck a man experiencing homelessness while pulling out of the station. The man, identified as 61-year-old Michael Shaun Ross, was resting in front of the roll-up garage at the station when he was struck. Currently, no charges are being brought against the firefighters. The mayor of New York City, Eric Adams, was indicted on Thursday, Sept. 26 on five federal charges. All the charges relate to public corruption, including bribery and conspiracy. Even though he is facing a 57-page indictment, Adams says he will continue running business as usual. He urges the people of New York City to listen to his defense before making assumptions, saying he was not surprised by these charges. There are many alleged actions within the indictment such as taking illegal contributions for his campaign and receiving international luxuries in exchange for exercising his power. Apalachee High School reopened on Sept. 24 after the fatal mass shooting earlier in the month. Classes will be half days and will return to full days after fall break on Oct. 14. The building where the shooting occurred remains closed and students who had classes there are being bussed to nearby schools. Although law enforcement, counselors and therapy dogs are on-site to make students feel safe, concerned community members and parents have started a petition asking for additional security. Sept. 26 marked 10 years since 43 students were abducted in Guerrero, Mexico. Although no connection has been directly established, parents of the missing students claim that officials in the state were in constant dealing with the cartels and blame them for the loss of their children. Protests will not stop until they feel justice has been served.  On Thursday, Sept. 26, Ukrainian President Volodymyr Zelenskyy visited the White House in hopes of urging the Biden administration to heighten their military assistance as he believes Ukraine can win the war with Russia. The following day on Friday, Sept. 27, Zelenskyy met with former president Trump to share his ideas and extended his plea in case the 2024 election should cause a change in administration. In the past, Trump has shown a lack of support for Ukraine's war efforts but was willing to meet with Zelenskyy as he hopes the war will soon come to a close.  Host: Gianna Echeverria Editor: Aidan Swanepoel Producers: El Nicklin, Aidan Swanepoel Like, comment, and follow us on your favorite platform for more content! Apple Podcastshttps://podcasts.apple.com/us/podcast/long-beach-current-podcasts/id1488484518 Spotify⁠https://open.spotify.com/show/4HJaqJep02kHeIQy8op1n1⁠ ⁠⁠⁠Overcasthttps://overcast.fm/itunes1488484518/long-beach-current-podcasts

Yesterday, Missouri executed 55-year-old Marcellus Williams, ignoring calls from prosecutors and the victim's family asking the state to spare his life. We discussed the ethics of the death penalty and how listeners feel about it.GBH executive arts editor Jared Bowen discussed a notorious vandal who smashed an Ai Wei Wei sculpture, plus, "Laughs in Spanish" at the SpeakEasy and "Urinetown" at Lyric Stage.Harvard national security expert Juliette Kayyem discussed our nation's history of political violence and the context of today's violent rhetoric.NBC Boston's Sue O'Connell discussed Biden's final speech to the UN and Ellen DeGeneres' new Netflix special.Then, we talked about chicken tenders and nuggets for six minutes on why Americans hate to love the little chicken snacks.Naturalist Sy Montgomery zoomed in to discuss her recent trip to Ecuador diving with giant manta rays and a Rhode Island community mourning the loss of their 20-year-old library tarantula, Beezus.Then, we asked about your best and worst excuses for getting out of commitments. Sorry, we have worm brain.

In this week's mini-sore, we are shining the spotlight on Urinetown the Musical. We may be a little sleepier than usual in this episode, but when dealing with a urinary piece of theatre, a little delusion, never hurt anyone!Support the showHost/ Production/ Editing: Brennan StefanikMusic: Dylan KaufmanGraphic Design: Jordan Vongsithi@batobroadway on Instagram, Threads, and TikTokPatreon.com/batobroadway

Are we still a video game podcast? Well, sorta kinda! That, pop culture, and beyond as we say, (with an emphasis on the latter two lately...) But still, it's a question we find we are asking ourselves lately! tbh, We find it a little difficult to care as deeply about video games when we are so busy living through major current events and existing in the context of all in which we live (& what came before us, as you will see in this time capsule of an episode)... alas in this episode we endeavor to anyway! This week Eric and Laurence convene to the mics to discuss the remake of Paper Mario: The Thousand Year Door, along with a good deal of other video games we've been spending time with us these past couple months. Then in the back half of the show, we share our feelings Charli XCX's brat as we unpack our own brat summers, and we yap at length about all of the other culture (music! live theatre! film! etc!) that we're gay for as of late! Strap in for this time capsule of an episode on Summa 2024~Games Discussed:Paper Mario: The Thousand Year Door, Kingdom Hearts (now on Steam!), Animal Well, Baldur's Gate 3, Lil Gator Game, Zenless Zone Zero, Overwatch 2, Lego 2K DrivePop girlies discussed: Charli XCX, Tinashe (Stream "NASTY" on all platforms!!!), Sabrina Carpenter, Chappell RoanTheatre/Movies/TV Discussed:Fiddler on the Roof, Urinetown, The Acolyte, The People's Joker by Vera Drew, Big Boys by Corey Sherman, Twin Peaks, Pokémon Horizons================Get in touch with us!EMAIL US at gayforplaypodcast@gmail.comFOLLOW G4P (& Message us on any of our socials for a link to our Discord!)Twitter: @GayForPlayPodInstagram: @GayForPlayPodTwitch: twitch.tv/gayforplaypodSupport the Show & Unlock Bonus Episodes on our PATREON========CREDITSIntro and outro music by Connor Marsh (@connorjmarshmallow)Show art by Benny Kessler (@retro.spectacle.studio)Special thanks to our patrons: Blueberri Mary,  Elijah Punzal,  Trevor McTavish,

Today’s Peoples Bank Let’s Talk Indianola features Alex Lindsley with Carousel Theatre about their upcoming performance of Urinetown.

IT'S HAPPENING IN YOUR REFRIGERATOR: Deutero-Fung, a mold spore with big ideas, attempts to rally his fellow mold spores into blooming immediately and take over the apartment-verse, but Hyphae-Fung, a mold spore with even bigger ideas, warns the community that blooming early will be a mistake. Look out! Cuz it's Happening in your Refrigerator! Written by Greg Kotis Directed by Jonathan Cook Performed by Sol Baird as "Deutero-Fung"; Brad King as "Hyphae-Fung"; and the cast of Urinetown the Musical at Le Chat Noir Theatre as the mold spore community. Intro/Outro music: JK/47 About the writer: GREG KOTIS is a two time Tony™ Award winning author of many plays and musicals including Urinetown (Book/Lyrics), The End of All Flesh, I Am Nobody, The Truth About Santa, The Sting (Lyrics), Lunchtime, Give the People What They Want, Michael von Siebenburg Melts Through the Floorboards, Yeast Nation (Book/Lyrics), Pig Farm, Eat the Taste, and Jobey and Katherine. His work has been produced and developed in theaters across the country and around the world, including Actors Theatre of Louisville, American Conservatory Theater, American Theater Company, The Apollo (West End), The Brick, the Eugene O'Neill National Theater Conference, The Geva Center, Goodspeed, Musicals, Henry Miller's Theatre (Broadway), Manhattan Theatre Club, New York Stage and Film, New Line Theatre, The Old Globe, Perseverance Theatre, Roundabout Theatre Company, Soho Rep, South Coast Rep, The Saint James (Off West End), The Tank, and Village Theatre, among others. Future projects include ZM, an original musical about teenaged fast-food workers trying to survive a zombie plague. Greg co-founded Theater of The Apes with his wife Ayun Halliday (www.theater-of-the-apes.com), and is a member of the Neo-Futurists, the Cardiff Giant Theater Company, ASCAP, and the Dramatists Guild. He grew up in Wellfleet, Massachusetts, lives in New York City, and is the proud father of India and Milo. You can watch the full video of this episode at https://www.youtube.com/@GatherbytheGhostLight Gather by the Ghost Light merch is available at www.ghostlightpubs.com (Ghost Light Publications) If you would like to further support this podcast, please visit Gather by the Ghost Light is increasing public knowledge of emerging writers and actors (buymeacoffee.com) If you enjoy this podcast, please please please leave a rating on your preferred podcast app! For more info or if you wish to contact us, please visit www.gatherbytheghostlight.com Learn more about your ad choices. Visit megaphone.fm/adchoices

U! Yeah, I'm talking to U! It's the "U" episode! This week, Justin and Erika record literally moments after they finsihed their last reguirment of grad school and they're beat but have an amazing time! Erika fins you an amazing ten-minute play treasure trove, Justin deep dives on an epic and intense playwright with a huge interwoven canon of plays, and the two of them come up with musicals that start with "U" because there is basically only Urinetown. Enjoy!SOME BUSINESS: Thank you to the two playwrights we featured in this episode! You can find some of their plays in the links below. Erika's play, Kill The Bird, can be found on her New Play Exchange and you can purchase and produce Justin's plays, Community Garden and Cabin Chronicles, through his publisher, Playscripts. You can also check out Justin's new podcast, The Scene: Podcast, which features Erika on the pilot! Finally, you can check out Justin's YouTube channel for more longform theatre content! For any more information, check out Justin's website and Erika's website for more cool stuff!Links to out playwrights:Mfoniso Udofia's WebsiteMfoniso Udofia's DramatistUma Incrocci's WebsiteUma Incrocci's New Play ExchangeIf you like the show, feel free to subscribe and give us a five star review! Also, follow us on instagram @justinborak and @actualerikakuhn and Justin on TikTok for any news and notes on upcoming episodes and more theatre reccomendations!

Today on the show I get to speak with Laura Victoria Ward, CMA, RSME, a dancer, choreographer, movement teacher, Laban/Bartenieff Movement Analyst, musician, painter, consciousness explorer, somanaut, and meditator.She is the artistic director of Kingston Contemporary Dance Theatre (formerly Octavia Cup Dance Theatre), a multi-disciplinary, multi-generational company. She has been creating dance theater and performing in New York City, the Hudson Valley, and internationally for over 25 years.She regularly creates and performs with Tonus Maximus and the Glam Rock Cabaret, The Goddess Party, and she is in your grandmother's punk rock band–a.k.a. Dick Pinchers. Recently, she played Columbia in Rocky Horror Picture Show with R'Ville Stage Creations.She holds a BA from SUNY Empire State in Dance, Theatre, and Movement Studies and has studied with Irene Dowd, Liz Koch, and Gil Hedley. She studied the Meisner technique with Michael Harney.  Her teaching experience includes Wagner College, Gina Gibney, Dance New Amsterdam, Equinox, Dutchess Community College, Manhattan School of Music, the Laban/Bartenieff Institute of Movement Studies, Cornell Creative Arts Center, and privately. She has received several KCACTF Awards for her choreography at Ramapo College in New Jersey, as have the ensembles she has worked with. Her Ramapo choreography credits include Spring Awakening, Twelfth Night, Urinetown, Church, Ride the Cyclone, and Church.This year Laura received a Dance Force Choreographer's Initiative grant (NYSCA) which she is just beginning to work on. She has 2 paintings in a show at the Berkeley Alembic.She shares her early memories of movement and how her awareness of the body has developed and shaped who she is and the work she does. It's quite an inspiring conversation as Laura is steeped in body wisdom while being playful and open about how that weaves into her life. We learn about her own practices in both movement and stillness and what she offers to others as their guide. She indulges my questions about toddler movement, the nervous system and truth and offers a short yet powerful practice towards the end of the show. Connect with her via Facebook or Instagram for updates on classes, Dick Pinchers and Tonus Maximus and the Glam Rock Caberet.You can also check out her YOUTUBE Channel, Somatics with Laura V Ward here!See you at The Goddess Party performance this Saturday. And here's the info on costume designer Ramona who we gushed about!Today's show was engineered by Ian Seda from Radiokingston.org.Our show music is from Shana Falana!Feel free to email me, say hello: she@iwantwhatshehas.org** Please: SUBSCRIBE to the pod and leave a REVIEW wherever you are listening, it helps other users FIND IThttp://iwantwhatshehas.org/podcastITUNES | SPOTIFYITUNES: https://itunes.apple.com/us/podcast/i-want-what-she-has/id1451648361?mt=2SPOTIFY:https://open.spotify.com/show/77pmJwS2q9vTywz7Uhiyff?si=G2eYCjLjT3KltgdfA6XXCAFollow:INSTAGRAM * https://www.instagram.com/iwantwhatshehaspodcast/FACEBOOK * https://www.facebook.com/iwantwhatshehaspodcast

C'est le 99e épisode de All That Jazz ! Et aujourd'hui nous vous proposons une rencontre avec quatre membres d'une troupe de passionné.e.s de comédie musicale : la compagnie L'Art qui cache la forêt, qui jouera une adaptation française du musical de Broadway Urinetown les 19 et 20 avril 2024 à Bourg-la-Reine. On revient avec elles et eux sur le choix de cette œuvre, et les étapes et difficultés dans l'aboutissement du projet (adaptation, financement, casting, répétitions…). Plus d'info : https://allthatjazzpodcast.wordpress.com/2024/03/29/entretien-monter-une-comedie-musicale-avec-la-troupe-lart-qui-cache-la-foret-pour-urinetown/

Majo (diseño de vestuario), Eli (directora de movimiento) y Migue Siman (director) hablan sobre los nuevos retos de montar el primer musical de Black Coyote… y como a pura prueba y error les toco cambiar cosas justo antes del estreno.  Jon Alas nos manda un par de preguntas para conversar sobre colores, procesos, texturas y nuestra excelente habilidad para bailar. Urinetown estrenó en el Teatro de Galerias a finales del 2022.

Katherine Reay joins us to talk about her book The Berlin Letters, the ciphers she created for it, Berlin Wall history, and East German punk rock. Plus- Dave's Urinetown set is fraught with hazards, Laura makes the New York Times, and Andrew goes to yet another animatronic convention. We also recommend: Plastic by Scott Guild, … Continue reading Ep. 245 Cipher Crafting With Katherine Reay

Durango High School Troupe 1096 presents the satirical comedy musical Urinetown from February 29th through March 9th at Durango High School. Urinetown envisions a dystopic future where water shortages have led to government regulation and corporate control of bathroom use, and the divide between the rich and the poor comes down to the right to pee freely. The critically acclaimed, Tony Award-winning musical is known for its clever storytelling and impressive musical score. Troupe 1096's production will be sure to entertain audiences and make them think.  For ticket sales and information on how to donate, visit Troup 1096's website. By Jessica McCallum. Watch this story at www.durangolocal.news/newsstories/durango-high-school-troupe-1096-presents-comedy-musical-urinetown  This story is sponsored by Kroegers Ace Hardware and Tafoya Barrett & Associates. Support the show

Bryan (Oficial Lockstock) y Gabo (Bobby Strong) chistean con Migue (director) sobre los secretos atrás del pipí de nuestro primer musical: "Urinetown". Es un episodio que casi nos hace correr al baño de la risa, pero no teníamos dinero para pagar la entrada. Regina Cañas y Bea Garzona nos mandan preguntas. Es un viaje duro, frio y retumbante que retará a estos dos actores a recordarse de los secretos, los errores, las canciones perdidas y la sorpresa que los dos se llevaron al entender que SI podían cantar. Urinetown: El Musical estreno en el Teatro de Galerías a finales del 2022.

Jen Cody is probably best known as the voice of Charlotte La Bouff in Disney's The Princess and The Frog. This performance won Jen the Annie Award, which is Excellence in Animation for Outstanding Performance by a Voice Actor in a Feature Film. Charlotte's voice can be heard in the film, in animated comics, and at Disney on Ice.  Jen has toured the country in Gypsy, Cats, Grease and Hello Dolly!, where she won the Kevin Kline Award for Best Supporting Actress. She's also been performing on Broadway for the past 25 years where she originated roles in many shows including Seussical the Musical, Urinetown, Shrek the Musical, The Pajama Game revival starring Harry Connick Jr, and Henry and Mudge in which she received a Drama League nomination. Also on Broadway, Jen was Rumpleteazer in Cats, Cha Cha in Grease, and was a Silly Girl in Disney's Beauty and the Beast! Jen's voice can be heard on many cast recordings and commercials and as many animated characters including Darcy in Nickelodeon's The Winx Club, Maggie in Disney's Mickey Mouse Mixed-up Adventures, and multiple voices on Phineus and Ferb.  These are just her theatre and VoiceOver credits! Jen has also done a ton of television and film work. To see her full list of credits, visit her website at www.jen-cody.com.   Her character, Charlotte La Bouff, said, “I never get anything I wish for.” Well…luckily for Scott, he does. He wished to talk with her and we are pleased to give you his interview with the incredible Jen Cody! Email: TheMouseAndMePodcast@gmail.com Support: www.patreon.com/themouseandme FB & Instagram: The Mouse and Me TikTok: @TheMouseAndMePodcast Twitter: @MouseMePodcast Music by Kevin MacLeod from https://incompetech.filmmusic.io --- Support this podcast: https://podcasters.spotify.com/pod/show/themouseandme/support

Sydney Gauvin was once described (by her best friends ex boyfriend) as "Effortlessly Quirky", Canadian native, Sydney Gauvin, grew up in Brampton Ontario. the same birthplace of Michael Cera! Her passion and love for singing, dancing, acting and all things theatrical ignited when she was 7 years old. When one magical day of kindergarten, her teacher told her mother to put her in theatre. Miss Jones if you're reading this, you changed her life! Duncan Lang is a Candian performer and graduate of Sheridan College. Past credits include 'The Words and Music of Britta Johnson" and Urinetown. Shifting Ground Collective was founded in the Spring of 2022, Shifting Ground Collective is Toronto's newest home for emerging musical theatre voices. Our work spans developmental processes for new Canadian musicals, concert and cabaret programming, and full-scale productions of beloved musical theatre favourites – all with a focus on spotlighting the next-generation of great Canadian musical theatre talent.

Caleb's doing another show! Get your tickets now for Urinetown: The Musical! Right now! (Link below). So we're talking about it, bringing back a season 4 guest, Rob Jessup, who is directing our production, and two of my fabulous co-stars and first time guests on the podcast, Anthony Palermo and Claire Ivy Stoller!! We're talking about the importance of the show, the comedy and humor, our characters and if we are or aren't like them, and so much more! We also celebrate Split Stage Productions 10 year anniversary, which is AMAZING! To see us absolutely SHINE in Urinetown, you can get your tickets now at the link below. Urinetown runs February 2nd, 3rd, 8th, 9th, and 10th at 8pm at the Lamp Theater in Irwin, PA. TicketsSupport the showLinks for Making A MartiniLinktreeBuy Me A CoffeeInstacart

In this episode, Hayley and Amy speak with music assistant and score coordinator Stephanie Leah Evans about her Broadway debut, the importance of music notation for opening up creativity, representation and power dynamics in music departments, setting boundaries to establish trust, and more. Click here for a ⁠transcript⁠ of the episode! Episode Notes Guest: Stephanie Leah EvansHosts: Hayley Goldenberg and Amy AndrewsMusic: Chloe Geller Episode Resources: Sweeney Todd - Broadway Revival Maestra Music Meg Zervoulis Emily Grishman VIVO Tick, Tick…Boom! Guest Bio: Stephanie Leah Evans, a.k.a. "SLE" (she/her) is a Score Coordinator/Music Assistant specializing in Piano/Vocal score upkeep and formatting, copy-editing, transcription, and team organization. Her versatility with numerous music programs, from Finale to Sibelius and from Logic Pro X to ProTools, readies her to assist and liaise for any Music Team! Previous credits include stage productions Sweeney Todd 2023 Revival (Broadway), Kiss My Aztec (Hartford Stage), The Visitor (The Public Theater), Bob & Carol & Ted & Alice (The New Group), and The Wrong Man (MCC Theater). Stephanie also serves as an assistant to Alex Lacamoire, for whom she did Music Preparation and Score Coordination on the films In the Heights, VIVO, and Tick, Tick…Boom! Additionally, Stephanie is a singer with an extensive background in opera, musical theater, choir, and a cappella. Throughout her education, she played roles such as Susanna in Le Nozze Di Figaro, Miss Todd in The Old Maid and the Thief, Hope Cladwell in Urinetown, and Hodel in Fiddler on the Roof. All the while, she performed choral pieces from Bach to Esenvalds, recorded albums of Jewish music, and studied the psychological implications of chromatic harmony in film scores. Summary is: Stephanie has always been a music nerd. Currently, she's working on her own writing — exploring her passions of social justice, mental health, Jewish identity, and romance through musical storytelling. Find Stephanie Online: Website: stephanieleahevans.com Instagram: @steph.l.evans Thanks for listening! Who do you want to hear from next on the Women & Theatre Podcast? Nominate someone here. The Women & Theatre Podcast is created and produced by Hayley Goldenberg and Amy Andrews. Please like, comment, subscribe, follow us on Instagram and Facebook, and consider making a donation to support our work. Thank you for listening!

Irene gabs away with the multi-talented Tracey Power, live from her current Directing contract in Alberta, BC! Tracey has incredible career all over Canada working as an Actress, a Director, a Choreographer, a Producer and she is a published Writer and Creator of multiple published Plays| She is an award winner and a multi nominee from the Jessie Richardson Awards, the Ovation Awards and the Sterling Haynes Awards. Her last name says it all, POWER!!  Her Plays have been produced and performed in multiple Theatre companies all across Canada and Tracey is in demand both on and off the stage, infront of the camera, and at the helm directing and choreographing musicals as well as her new works across BC.  Hit shows, like "Chelesea Hotel", "Glory", "Miss Shekespeare", "The Jungle Book", and she is currently on tour with her latest collaboration "Hey Viola", and "Chelsea Hotel" is being performed again at the Firehall Arts Centre in February 2024!  Tracey's last show "The Prom" just closed after a successful summer run at Theatre Under the Stars, and she is opening her next show as we speak at the Mayfield Theatre! While Tracey is dominating the Theatre industry with her work she is also performing keeping busy as an actress in such shows as "Ubuntu", "Urinetown", "Les Miserables", "The Wizard of Oz", "La Cage Aux Folles", and multiple roles for Hallmark, Lifetime and the CW Networks.  Like I said her last name says it all Power!!  She's a power house and an amazing woman who brings her positive and warm energy to the workroom, her freindships and any company she is working with making her one of Canadas in demand Artists in all mediums and soon enough we will see her transition her creations from the stage to the screen!!!  ALIST!!!! To BOOK Tracey for her Acting, Directing, Choreographing and Writing skills please contact her Agent Lisa King, at King Talent Inc. To learn more about Tracey and see her upcoming projects please visit her Social Media platforms on Instagram, Facebook, Twitter, and her personal website at www.traceypower.ca.  Join me in celebrating my friend, Tracey Power!! #ilo_artistseries

Chances are if you're alive in 2023, you've been to Urinetown... the place not the musical. That's because despite being a hit back in 2001, the near apocalyptic state that URINETOWN: THE MUSICAL hilariously captures is somehow more relatable than ever: greedy corporate CEO's, environmental disasters, progressives with grand platitudes... sound familiar? This week professor, director, and choreographer Kikau Alvaro is our guest to explore this brilliantly unique piece of musical theatre that inspires us to create art (no matter how weird it may seem) and laugh our way into having tough conversations. Follow Kikau on Instagram and Twitter where you'll find info on his podcast "Carefully Taught." You can also see what he's up to at University of the Arts by visiting https://www.uarts.edu/kikau-alvaro Want to support "A Musical Theatre Podcast?" Be sure to leave us a nice rating and review! You can also follow us on Instagram, Twitter, and TikTok for more great content. For only $1 a month you can receive bonus episodes on PATREON! And don't forget about our TeePublic Store where the profits we receive are donated to Broadway Cares: Equity Fights AIDS. Learn more about your ad choices. Visit megaphone.fm/adchoices

Matty and Kikau catch up on what they've been working on, including Kikau's production of Urinetown at University of the Arts and Matty Sabbatical writing project Burn Ban: A Horror Musical. They also discuss their feelings about the state of summer theatre and a little Disneyland. Carefully Taught is a podcast to create a community of sharing amongst musical theatre educators. Make sure to follow us @carefullytaughtpodcast! Music provided by Joshua Hegg follow him @joshhegg23

Liz is an actor, writer, and musical theatre kid from way back. And she's here with a show that is possibly more relevant now than when it debuted. Topics include: going into the City by yourself when you're 13, Little Sally, Urinetown the place, transferring at Jamaica, Brechtian (in the true sense), and is this show ahead of its time? Liz on Medium Featured recordings: Urinetown the Musical - The Original Cast Recording (2001) • Songs in the Key of Springfield - The Simpsons (1997) ORIGINAL CAST MERCH! Visit our Patreon for access to our monthly live stream The Original Cast at the Movies where 2023 is THE YEAR OF BARBRA celebrating the filmography of Ms. Barbra Joan Streisand! Patreon • Twitter • Facebook • Email

Let's hear it for the girl! We are back for another summer episode and we dive into the nitty gritty of life on the Great White Way with Tony nominated actress and singer, Jennifer Laura Thompson. You might know her from the original Broadway productions of Footloose, Wicked, Urinetown, Lend Me a Tenor, Nice Work if You Can Get It, and Dear Evan Hansen. We cover our deep and abiding love of Urinetown as well as the stress of stepping into the bubble as the first replacement Glinda in Wicked. Plus, playing a killer on Law and Order: SVU, reading your reviews, being bound and gagged at the Tonys, and the possibility of playing Little Edie in a revival of Grey Gardens. S-T-A-U-N-C-H! Follow us on social media: @damianbellino || @rodemanne Discussed this week: Claim to Fame tv show on ABC Frankie Jonas Kevin Jonas' other reality show as a contractor? Whoopi's relative yes she's on the show JoJo Siwa is an icon  We are sad about the loss of Olivia Newton-John Starred as Hope Cladwell in original Broadway cast of Urinetown the musical.  Cast included John Cullum, Nancy Opel, Jeff McCarthy, and Hunter Foster Was a replacement Julie Jordan in national tour of Carousel  The Henry Miller Theatre (now the Stephen Sondheim) had sound effects making it sound run down All That Chat very much still around Cast performed "Run Freedom Run" at the Tonys and JLT was bound and gagged for the entire number NYC is due for a Urinetown revival and JLT wants to play Penelope Pennywise this time around Broadway debut was in Footloose (1998)  Bonnie Tyler's "Holding Out for a Hero" was JLT's big number Today Show was a nightmare (here she is performing with the cast) Played Connor's mom in the Pasek and Paul musical juggernaut, Dear Evan Hansen for 2.5 years on Broadway  Dee Hoty played JLT's mom in Footloose The much maligned film adaptation of Dear Evan Hansen was not something she watched First replacement Glinda in Wicked on Broadway. JLT 5'7" and had to fit in Kristin Chenoweth's (4'11") bubble Idina Menzel fell through the stage while performing with JLT Shoshana Bean (first Broadway replacement Elphaba) currently in Mr Saturday Night on Broadway Attacks Emily Deschanel in her ep of Law and Order: SVU (Season 3, ep 17 “Surveillance”) Meloni was most method Performed with cast of Dear Evan Hansen for the Macys Day Parade  Ben Platt talked less on show days than Idina Menzel  Starred in revival of Lend Me a Tenor on Broadway with Tony Shalhoub Anthony LaPaglia Was in the NY Philharmonic Philharmonic production of Company production of Company as Jenny, the character who gets stoned JLT is halfway to EGOT: Grammy for cast recording of DEH and a Emmy for performance on The Today Show Wants to win a Tony for Edie in Grey Gardens or Pennywise in Urinetown Performed "For Good" on set of The View with Idina Little Fish the musical Trailer of Bernadette Peters and Debra Monk in Mozart in the Jungle Got very into Couples Therapy (Showtime) We love Orna Guralnik. Found out she's Israeli and won't discuss her sexuality