Podcasts about American Theater

On the latest Whisper in the Wings from Stage Whisper, we welcomed on the actor John Stillwaggon, to talk about his upcoming production, Icon: Tennessee Williams. This incredible piece about a titan of the theatre was wonderful to talk about, and John shared some fantastic insight as well. So be sure you tune in and turn out for this great show!Icon: Tennessee WilliamsMay 26th- June 15th@ The Sargent Theater at The American Theater of ActorsTickets and more information are available at info@jmichaelsarts.com And be sure to follow John to stay up to date on all his upcoming projects and productions:infor@jmichaelsarts.comjohn_stillwaggon@yahoo.com

In this podcast episode ... It's called the launchpad for American Theater and is based in the Town of Waterford Connecticut and named after one of the country's famous writers. We visit the Eugene O'Neill Theater Center as it celebrates 60 years of the performing arts Plus we take a look at other stories from around the region.

My guest is Elizabeth Van Dyke...the Producing Director of Woodie King's New Federal Theater in New York...is an award-winning producer, actress, and director who has directed plays all over the country and received honors for her work. It's a wonderful,  thought- provoking study of the American Theater and it's inner workings of creating and staging of a play production... a must- hear!

From stories appearing in the American Weekly magazine come this series of radio dramas. Comets are depicted as being seething fire bombs from space, but are they something to be…

In this episode, I'm joined by Dr. Danelle Dickson, a performing arts specialist physical therapist from Washington, DC. We talk about the importance of training and treating dancers like athletes, and how outcomes for dancers can change with this simple mindset shift. We also learn about her online hub, the Dance Ready Project and how it's changing the game with regards to dancer screening and conditioning for optimal performance.  About Dr. Danelle DicksonDr. Danelle Dickson is a licensed physical therapist, Performing Arts Specialist, Orthopedic clinical specialist and owner at Performance Plus Physical Therapy in Washington DC. She is also the host of the Dancing around Elephants Podcast, co-founder of a business mentorship for minority women: The Business Female Foundation, and co-founder of the Dance Ready Project, an online hub for tools and resources for dancers. She is also the covering PT at DC's flagship theater location Arena Stage at the Mead Center for American Theater .Dr. Danelle's forty three years in the dance world fueled her passion to work with dancer's injuries. She has combined her passion for dance with her skills in orthopedics to work with thousands of dancers and other athletes, at both the pre-professional and professional levels. Dr. Dickson is a sought-after lecturer whose expert topics include dancer injuries, injury prevention, patient advocacy and business mentorship for minority women. Dr. Dickson lives in Takoma Park, MD with her close friends and cats Ché and Fidel. When she is out of her Washington DC clinic, you can find her traveling the world looking for new adventures, and to spend with her family in Trinidad, England, and Australia. And of course, always finding time to dance. Connect with Danelle:On Instagram: @3ptdcOn her website: Performance Plus Physical TherapyLearn more about The Dance Ready Project:On Instagram: Dance Ready Project On the website: danceready.orgLearn more about Erika Mayall:Follow me on Instagram: @dancephysioerikaLearn more about me on my website: https://www.allegroperformance.comSign up for my newsletter: Click hereSend me an email: hello@allegroperformance.com

"Shear Madness" has been acknowledged by the Guinness Book of World Records as the longest running non-musical play in American theater history. Our own Benita Zahn is reprising her role as Mrs. Shubert at the Majestic Theater, and we chat with her co-star Jeff Haffner about this one-of-a-kind interactive show that has become a staple of American Theater. This episode is sponsored by Harbinger Theater and Albany Civic Theater's co-production of "Maggie May."

Theater critic J. Wynn Rousuck joins Midday to share another weekly review of a local theatrical production. We discuss the Contemporary American Theater Festival, continuing at Shepherd University in Shepherdstown, West Virginia, through July 28. Several plays are on stage at the festivals, do share a common theme? (Photo by Seth Freeman)Email us at midday@wypr.org, tweet us: @MiddayWYPR, or call us at 410-662-8780.

with the Worst of All Possible Worlds Podcast full episode on PATREON: https://www.patreon.com/posts/107341939?pr=true listen to their podcast HERE: https://www.worstpossible.world/

In this episode of What Makes You Wonderful, we talk to Artistic Director Peggy McKowen. She tells us how we can discover the ultimate theater experience in Shepherdstown this July at the Contemporary American Theater Festival (CATF)! McKowen explains how this festival produces the newest plays in America. Since 1991, CATF has produced over 144 new plays, including many world premieres and commissions. Named one of the top theater festivals by The New York Times and others, CATF shapes the future of American theater.  Each summer, the Festival offers bold, new plays, allowing audiences to experience the entire season in just two days. Shepherdstown also hosts historic sites, cultural events, and unique boutiques, providing a charming and elegant atmosphere for visitors making it a place the whole family can enjoy - indoors and out!  You can find more information about the Contemporary American Theater Festival here: https://catf.org/

0:00 A message from Glenn 4:00 Why Clifton is planning a one-man show about Thomas Sowell 9:42 The challenge of portraying Sowell onstage 13:45 How Clifton is getting the show off the ground 19:01 The lure of acting 22:43 2020's affect on the racial dynamics of the theater 30:40 Clifton: Top-down DEI casting edicts are […]

In the face of dwindling arts funding and shrinking audiences, and while many theaters have been forced to shutter, five small to midsize theatre companies came together in Spring 2023 to share resources, foster collective learning, and champion new visions for the American Theater. Their goal, individually and collectively, is to center historically marginalized artists and audiences in all facets of their work while developing new models for artistic production, audience building, community engagement, new play development, and organizational leadership.rnrnIn January 2024, Cleveland Public Theatre was among a cohort of companies that received historic support from the Mellon Foundation--allowing them to continue innovating strategies that can be replicated by the national field.

My guest is Elizabeth Van Dyke...the Producing Director of Woodie King's New Federal Theater in New York...is an award-winning producer, actress, and director who has directed plays all over the country and received honors for her work. It's a wonderful,  thought- provoking study of the American Theater and it's inner workings of creating and staging of a play production... a must- hear!

“Roles present themselves to teach us something”: Acclaimed stage actor Elijah Alexander reflects on the anguish and accountability of Leontes in The Winters Tale, the role of relationships, how his work in The Chosen changed his life, why teaching is a mitzvah, and being an instrument of change in the changing landscape of today's American Theater. Learn more about your ad choices. Visit megaphone.fm/adchoices

When Nataki Garrett became the artistic director of Oregon Shakespeare Festival, the future looked bright. That was 2019. Garrett's tenure was marred by COVID 19, and wildfires that forced the shutdown of OSF's large outdoor theater. OSF, like most nonprofit arts organizations, suffered from revenue losses that challenged Garrett and her colleagues. Unfortunately, the pressures finally pushed Garrett to resign her post. Co-hosts Marcie Sillman and Vivian Phillips talked with Garrett about what happened to her in Ashland, and whether she has hope for the future of American theater.

In this episode, Adam and Budi respond to a divisive article making its rounds through the theatre community entitled "The Toxic Gentleness of the American Theater" by Clayton Fox.We See You White American TheaterSupport the showIf you enjoyed this week´s podcast, please leave a review on Apple Podcasts. To submit a question: Voice- http://www.speakpipe.com/theatreofothers Email- podcast@theatreofothers.com Support the Theatre of Others - Check out our Merch!Show Credits Co-Hosts: Adam Marple & Budi MillerProducer: Jack BurmeisterMusic: https://www.purple-planet.comAdditional compositions by @jack_burmeister

In this Artist Exploration, Danny Feldman from Pasadena Playhouse and MTCA Director Charlie Murphy discuss:  Behind the scenes of theater companies  How theaters handle selecting a season  The regional theater movement  “Yes, anding” you into opportunities  Be sure to check out https://www.pasadenaplayhouse.org/ and @pasadenaplayhouse If you have any questions about the college audition process, feel free to reach out at mailbag@mappingthecollegeaudition.com. If you're interested in working with MTCA for help with your individualized preparation for your College Audition journey, please check us out at mtcollegeauditions.com, or on Instagram or Facebook.  Follow Us!  Instagram: @mappingthecollegeaudition YouTube: @MTCA (Musical Theater College Auditions)  TikTok: @mtcollegeauditions  Charlie Murphy:@charmur7  Meghan Cordier:@meghanmarie2014 About MTCA:  Musical Theater College Auditions (MTCA) is the leader in coaching acting and musical theater students through the college audition process and beyond with superlative results. MTCA has assembled a roster of expert artist-educators who can guide students artistically, organizationally, strategically, and psychologically through the competitive college audition process. MTCA provides the tools, resources, and expertise along with a vast and strong support system. They train the unique individual, empowering the artist to bring their true, authentic self to their work. MTCA believes that by helping students reveal their potential it allows each school to connect with those who are truly right for their programs, which in turn guides each student toward their best college fit.  About Charlie Murphy:  Charlie is a proud graduate of Carnegie Mellon University's BFA program. As an Actor he has performed with theaters such as: NY Public Theatre's “Shakespeare in the Park”, The Pearl Theatre Company, Hudson Valley Shakespeare Festival, Chautauqua Theatre Company, Kinetic Theatre Company, and the Shakespeare Theatre of DC. With MTCA [Musical Theater College Auditions -- mtca.nyc], he has been helping prospective theatre students through the college process for over 15 years. As a Teacher and Director, he is able to do a few of his favorite things in life: help students to find their authentic selves as artists, and then help them find their best fit for their collegiate journey. Through this podcast, he hopes to continue that work as well as help demystify this intricate process. This episode was produced by Meghan Cordier and Charlie Murphy. Episode theme music is created by Will Reynolds.  Learn more about your ad choices. Visit megaphone.fm/adchoices

The history of race in American theater is more complicated than you might think, writes Dr. Josephine Lee in Oriental, Black, and White: The Formation of Racial Habits in American Theater (UNC Press, 2022). Dr. Lee, a professor of English and Asian American Studies at the University of Minnesota, examines the linked histories of orientalism, Blackface and Yellowface, in nineteenth and early twentieth century American theater, showing how identity creation and racialization occurred among multiple groups simultaneously. Within the context of large scale East Asian immigration to the West coast, labor debates, and American empire building. Theaters, both on the East and West coasts, and touring Black and white theater companies, thus both reflected and shaped American ideas about race and belonging throughout this time period. A fascinating and complex look at how Americans tried to make sense of their world, Lee asks readers to look beyond easy answers and assumptions, and look at American theater in a new way. Oriental, Black, and White is an open access book, available for free via JStor. Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

The history of race in American theater is more complicated than you might think, writes Dr. Josephine Lee in Oriental, Black, and White: The Formation of Racial Habits in American Theater (UNC Press, 2022). Dr. Lee, a professor of English and Asian American Studies at the University of Minnesota, examines the linked histories of orientalism, Blackface and Yellowface, in nineteenth and early twentieth century American theater, showing how identity creation and racialization occurred among multiple groups simultaneously. Within the context of large scale East Asian immigration to the West coast, labor debates, and American empire building. Theaters, both on the East and West coasts, and touring Black and white theater companies, thus both reflected and shaped American ideas about race and belonging throughout this time period. A fascinating and complex look at how Americans tried to make sense of their world, Lee asks readers to look beyond easy answers and assumptions, and look at American theater in a new way. Oriental, Black, and White is an open access book, available for free via JStor. Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The history of race in American theater is more complicated than you might think, writes Dr. Josephine Lee in Oriental, Black, and White: The Formation of Racial Habits in American Theater (UNC Press, 2022). Dr. Lee, a professor of English and Asian American Studies at the University of Minnesota, examines the linked histories of orientalism, Blackface and Yellowface, in nineteenth and early twentieth century American theater, showing how identity creation and racialization occurred among multiple groups simultaneously. Within the context of large scale East Asian immigration to the West coast, labor debates, and American empire building. Theaters, both on the East and West coasts, and touring Black and white theater companies, thus both reflected and shaped American ideas about race and belonging throughout this time period. A fascinating and complex look at how Americans tried to make sense of their world, Lee asks readers to look beyond easy answers and assumptions, and look at American theater in a new way. Oriental, Black, and White is an open access book, available for free via JStor. Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The history of race in American theater is more complicated than you might think, writes Dr. Josephine Lee in Oriental, Black, and White: The Formation of Racial Habits in American Theater (UNC Press, 2022). Dr. Lee, a professor of English and Asian American Studies at the University of Minnesota, examines the linked histories of orientalism, Blackface and Yellowface, in nineteenth and early twentieth century American theater, showing how identity creation and racialization occurred among multiple groups simultaneously. Within the context of large scale East Asian immigration to the West coast, labor debates, and American empire building. Theaters, both on the East and West coasts, and touring Black and white theater companies, thus both reflected and shaped American ideas about race and belonging throughout this time period. A fascinating and complex look at how Americans tried to make sense of their world, Lee asks readers to look beyond easy answers and assumptions, and look at American theater in a new way. Oriental, Black, and White is an open access book, available for free via JStor. Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

The history of race in American theater is more complicated than you might think, writes Dr. Josephine Lee in Oriental, Black, and White: The Formation of Racial Habits in American Theater (UNC Press, 2022). Dr. Lee, a professor of English and Asian American Studies at the University of Minnesota, examines the linked histories of orientalism, Blackface and Yellowface, in nineteenth and early twentieth century American theater, showing how identity creation and racialization occurred among multiple groups simultaneously. Within the context of large scale East Asian immigration to the West coast, labor debates, and American empire building. Theaters, both on the East and West coasts, and touring Black and white theater companies, thus both reflected and shaped American ideas about race and belonging throughout this time period. A fascinating and complex look at how Americans tried to make sense of their world, Lee asks readers to look beyond easy answers and assumptions, and look at American theater in a new way. Oriental, Black, and White is an open access book, available for free via JStor. Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

The history of race in American theater is more complicated than you might think, writes Dr. Josephine Lee in Oriental, Black, and White: The Formation of Racial Habits in American Theater (UNC Press, 2022). Dr. Lee, a professor of English and Asian American Studies at the University of Minnesota, examines the linked histories of orientalism, Blackface and Yellowface, in nineteenth and early twentieth century American theater, showing how identity creation and racialization occurred among multiple groups simultaneously. Within the context of large scale East Asian immigration to the West coast, labor debates, and American empire building. Theaters, both on the East and West coasts, and touring Black and white theater companies, thus both reflected and shaped American ideas about race and belonging throughout this time period. A fascinating and complex look at how Americans tried to make sense of their world, Lee asks readers to look beyond easy answers and assumptions, and look at American theater in a new way. Oriental, Black, and White is an open access book, available for free via JStor. Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

The history of race in American theater is more complicated than you might think, writes Dr. Josephine Lee in Oriental, Black, and White: The Formation of Racial Habits in American Theater (UNC Press, 2022). Dr. Lee, a professor of English and Asian American Studies at the University of Minnesota, examines the linked histories of orientalism, Blackface and Yellowface, in nineteenth and early twentieth century American theater, showing how identity creation and racialization occurred among multiple groups simultaneously. Within the context of large scale East Asian immigration to the West coast, labor debates, and American empire building. Theaters, both on the East and West coasts, and touring Black and white theater companies, thus both reflected and shaped American ideas about race and belonging throughout this time period. A fascinating and complex look at how Americans tried to make sense of their world, Lee asks readers to look beyond easy answers and assumptions, and look at American theater in a new way. Oriental, Black, and White is an open access book, available for free via JStor. Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-west

The history of race in American theater is more complicated than you might think, writes Dr. Josephine Lee in Oriental, Black, and White: The Formation of Racial Habits in American Theater (UNC Press, 2022). Dr. Lee, a professor of English and Asian American Studies at the University of Minnesota, examines the linked histories of orientalism, Blackface and Yellowface, in nineteenth and early twentieth century American theater, showing how identity creation and racialization occurred among multiple groups simultaneously. Within the context of large scale East Asian immigration to the West coast, labor debates, and American empire building. Theaters, both on the East and West coasts, and touring Black and white theater companies, thus both reflected and shaped American ideas about race and belonging throughout this time period. A fascinating and complex look at how Americans tried to make sense of their world, Lee asks readers to look beyond easy answers and assumptions, and look at American theater in a new way. Oriental, Black, and White is an open access book, available for free via JStor. Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota. Learn more about your ad choices. Visit podcastchoices.com/adchoices

More Excellence! Today we're revisiting Amajae Hardy-Jones. Amajae is an American Theater and Film Actress, Ministry Puppeteer, Philanthropist and World Traveler. Hear all about her experience as a young actress and her love for theater.

Join us on a journey through time and sound as we delve into the remarkable life of Jimmie Cameron, a true trailblazer of music and theatrics. In this special episode of The Tina Ramsay Show, we're honored to be joined by the legendary Jimmie Cameron himself, a musical maverick whose story is one of resilience, creativity, and unyielding passion. In June of 1964, against all odds, Emma Bell Cameron Simmons embarked on a transformative journey, leaving her home behind to seek better opportunities for her children. Little did she know, this act of courage would set the stage for a musical legacy that would captivate hearts around the world. At just 14 years old, Jimmie embarked on his own journey, diving headfirst into the world of music and theatrics. Through the guidance of mentors like Nichelle Nicoles of Star Trek fame and the visionary Frank Silvera, founder of the American Theater of Being, Jimmie's talent ignited like a spark on a stormy night. Imagine a theater group where Jimmie Cameron shared the spotlight with icons like Maya Angelou, Bea Richards, Isabel Sanford, and so many more. Picture the vibrant energy of Hollywood's Coronet Theater in the 1960s, where Jimmie was not just an up-and-coming star, but a force to be reckoned with. From the hallowed halls of Baldwin's "The Amen Corner" to the stages of the controversial musical "Hair" in Acapulco, Jimmie's journey was a symphony of perseverance. His unique musical style, in collaboration with Vella, became an underground sensation, touching the hearts of those lucky enough to hear it. Even without the commercial airplay, their music resonated deeply. Jimmie's path took him to New York, with a chance encounter with a song that would change his life. We'll explore the cosmic connection between Jimmie and the legendary Jimi Hendrix, and how this twist of fate led to a signing with Atlantic Records. Despite the hurdles, Jimmie and Vella shone brightly, sharing stages with legends like Cat Stevens, Patti LaBelle, and Bill Withers. Their resilience reached its peak when they signed with Unlimited Gold Records, Barry White's label, and recorded their iconic album "Song Painters." With Barry White producing alongside Jimmie and Vella, their music took on new dimensions, yet the journey wasn't without its challenges. Through highs and lows, Jimmie's spirit remained unbreakable. Join us for an inspiring conversation with Jimmie Cameron, as he reflects on his remarkable career, the power of passion, and the unwavering dedication to his craft that carried him through decades of musical exploration. Tune in to The Tina Ramsay Show as we uncover the hidden chapters of Jimmie Cameron's musical odyssey, and celebrate the indomitable spirit that continues to inspire dreamers and creators worldwide. #UnstoppableRhythm #JimmieCameronStory #MusicalMaverick #ResilienceAndCreativity #LegacyOfPassion #TrailblazingTunes #TimelessMelodies #InspiringJourney #MusicalOdyssey #BeyondTheSpotlight #UnyieldingDreams #SoulfulSounds #LegendaryTalent #HiddenChapters #CreativePersistence #HarmoniousHistory #Thetinaramsayshow #CTRMedianetwork --- Send in a voice message: https://podcasters.spotify.com/pod/show/shetrucking/message Support this podcast: https://podcasters.spotify.com/pod/show/shetrucking/support

Join us on a journey through time and sound as we delve into the remarkable life of Jimmie Cameron, a true trailblazer of music and theatrics. In this special episode of The Tina Ramsay Show, we're honored to be joined by the legendary Jimmie Cameron himself, a musical maverick whose story is one of resilience, creativity, and unyielding passion. In June of 1964, against all odds, Emma Bell Cameron Simmons embarked on a transformative journey, leaving her home behind to seek better opportunities for her children. Little did she know, this act of courage would set the stage for a musical legacy that would captivate hearts around the world. At just 14 years old, Jimmie embarked on his own journey, diving headfirst into the world of music and theatrics. Through the guidance of mentors like Nichelle Nicoles of Star Trek fame and the visionary Frank Silvera, founder of the American Theater of Being, Jimmie's talent ignited like a spark on a stormy night. Imagine a theater group where Jimmie Cameron shared the spotlight with icons like Maya Angelou, Bea Richards, Isabel Sanford, and so many more. Picture the vibrant energy of Hollywood's Coronet Theater in the 1960s, where Jimmie was not just an up-and-coming star, but a force to be reckoned with. From the hallowed halls of Baldwin's "The Amen Corner" to the stages of the controversial musical "Hair" in Acapulco, Jimmie's journey was a symphony of perseverance. His unique musical style, in collaboration with Vella, became an underground sensation, touching the hearts of those lucky enough to hear it. Even without the commercial airplay, their music resonated deeply. Jimmie's path took him to New York, with a chance encounter with a song that would change his life. We'll explore the cosmic connection between Jimmie and the legendary Jimi Hendrix, and how this twist of fate led to a signing with Atlantic Records. Despite the hurdles, Jimmie and Vella shone brightly, sharing stages with legends like Cat Stevens, Patti LaBelle, and Bill Withers. Their resilience reached its peak when they signed with Unlimited Gold Records, Barry White's label, and recorded their iconic album "Song Painters." With Barry White producing alongside Jimmie and Vella, their music took on new dimensions, yet the journey wasn't without its challenges. Through highs and lows, Jimmie's spirit remained unbreakable. Join us for an inspiring conversation with Jimmie Cameron, as he reflects on his remarkable career, the power of passion, and the unwavering dedication to his craft that carried him through decades of musical exploration. Tune in to The Tina Ramsay Show as we uncover the hidden chapters of Jimmie Cameron's musical odyssey, and celebrate the indomitable spirit that continues to inspire dreamers and creators worldwide. #UnstoppableRhythm #JimmieCameronStory #MusicalMaverick #ResilienceAndCreativity #LegacyOfPassion #TrailblazingTunes #TimelessMelodies #InspiringJourney #MusicalOdyssey #BeyondTheSpotlight #UnyieldingDreams #SoulfulSounds #LegendaryTalent #HiddenChapters #CreativePersistence #HarmoniousHistory #Thetinaramsayshow #CTRMedianetwork --- Send in a voice message: https://podcasters.spotify.com/pod/show/thetinaramsayshow/message Support this podcast: https://podcasters.spotify.com/pod/show/thetinaramsayshow/support

It's time for another visit with Midday theater critic J. Wynn Rousuck, who joins us each week with her reviews of the Maryland, DC and Virginia regional stage. Today, she tells us about the new Arena Stage production of playwright Lauren Yee's Cambodian Rock Band, a mesmerizing, music-infused drama about how war and political oppression in the 1960s and 70s ravaged the southeast Asian nation's vibrant rock music culture, and the how the war's violent legacy still haunts a Cambodian family. Directed at Arena Stage by Chay Yew, Cambodian Rock Band 's cast includes Brooke Ishibashi, Francis Jue, Abraham Kim, Kelsey Angel Baehrens, Tim Liu, Jane Lui, Alex Lydon, Joe Ngo and Vi Tran. The show incorporates a live stage band - The Cyclos - covering 1960s- and 70s-era Cambodian psychedelic rock music and Cambodian-influenced songs by the contemporary American band, Dengue Fever. CRB is a Signature Theatre production, in association with Alley Theatre, Berkeley Repertory Theatre, and ACT Theatre/5th Avenue. Cambodian Rock Band continues at Arena Stage at the Mead Center for American Theater in Washington, DC through August 27. (Photo by Margot Schulman)Email us at midday@wypr.org, tweet us: @MiddayWYPR, or call us at 410-662-8780.

Listen in as The Nobodies Who Were Everybody co-directors (and Theater in Asylum co-artistic directors) Katie Palmer and Paul Bedard, along with performer Jessie Atkinson, discuss the company's devising process, why an important bit of American Theater history has seemingly … Continue reading →

It's time for another visit with Midday theater critic J. Wynn Rousuck, who joins us each week with her reviews of the mid-Atlantic regional stage. The Contemporary American Theater festival is at Shepherd University in Shepherdstown, W.V., until July 30. This new festival tends to produce tough, edgy plays. Is that the case again this year? Are there any common themes?See omnystudio.com/listener for privacy information.

Sheldon Epps- Acclaimed Artistic Director, Director of TV & Theatre, and Author of My Own Directions- A Black Man's Journey in the American Theatre. Sheldon gives a look behind the curtain and shares his experiences and responsibilities being a Black Man running a prominent theater. Things make look pretty on stage but do you know what it takes to have a career in theater, let alone being a Black Man? Funding, Casting, Staffing, and a respected voice. Sheldon has done it and doing it and wants to make sure he is not one of a few handfuls of African-Americans Artistic Directors but the next conversation will be about the number of African-American theater owners. 

Have you ever been ghosted in academia? The mentor who no longer replies when you reach out, the collaborators who mysteriously stopped collaborating with you, the search committee that said you were a top candidate and then stopped communicating with you—these are academic ghosts. They are people who are important to your career and suddenly stop responding to you without warning or explanation. What makes academic ghosting different than romantic ghosting? And why does it seem to hurt so much more? Dr. Andrea Andrzejewski joins us to explain: The systems in academia that make some forms of ghosting inevitable. What to do about it. The lingering pain and shame that being ghosted causes. Why your ghoster may reappear but they won't apologize. The ethical and financial reasons to address the issues that perpetuate ghosting. Our guest is: Dr. Alicia Andrzejewski, an assistant professor of English at the College of William & Mary. She is a scholar of early modern literature and culture; queer, feminist, and critical race theory; and the medical humanities. Her work has appeared in Shakespeare Studies, Shakespeare Bulletin, The Chronicle, Literary Hub, American Theater, The Boston Globe, Catapult, and others. Her current book project is Rude-Growing Briars: Queer Pregnancy in Shakespeare's Plays, which argues for the transgressive force of pregnancy in his oeuvre and expansive ways in which modern people thought about the pregnant body. Our host is: Dr. Christina Gessler, who is a historian. Listeners to this episode may also be interested in: "The Sad Humiliations of Academic Ghosting," by Alicia Andrzejewski, PhD The Field Guide to Graduate School, by Jessica McCrory Calarco Candid Advice for New Faculty Members, by Marybeth Gasman The Latinx Guide to Graduate School, by Genevieve Negron-Gonzales and Magdalena Barrera Who Gets Believed, by Dina Nayeri Academic Life episode on Belonging Academic Life episode on quitting a PhD program Academic Life episode on the long road to the dream job in academia Academic Life episode on mistreatment of women of color in academia Academic Life episode on dealing with rejection Academic Life episode on Preparing for Difficult Conversations Academic Life episode on almost leaving academia Welcome to The Academic Life! Join us here each week to learn from today's experts inside and outside the academy, and embrace the broad definition of what it truly means to live an academic life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Asian American artists in LA are working to break apart the “Asian American monolith” by telling more nuanced stories and experimenting with form. LA-based Native American theater creators are also having a moment. Larissa FastHorse and DeLannaStudi talk about what this means and why it took so long.

When I was in Vegas I got to see the Burlesque Hall of Fame, And, I was lucky enough that the director Dustin M. Wax agreed to sit down and talk to me. We talked about how the museum came to exist, why it’s important, a little bit about some of these amazing performers, how gender plays out in the neo-burlesque movement and the previous incarnations, as well as some advice for aspiring performers and so much more. When you are in Las Vegas, you should plan on a visit, it’s right in the Downtown Arts District, easy to get to and well worth the time. To learn more visit https://www.burlesquehall.com We mentioned so many great performers and teased you with little bits about a bunch of fun history, I thought I’d help you get a headstart with some links. And please be sure to visit whatexcitesus.com too. Lydia Thompson and her contribution to 19th century American Theater: https://editions.covecollective.org/chronologies/lydia-thompsons-contribution-19th-century-burlesque-theater-america Tempest Storm comes up a few times: https://en.wikipedia.org/wiki/Tempest_Storm https://www.burlesquehall.com/tempest-storm/ Sally Rand: https://www.kqed.org/arts/13902628/the-burlesque-pioneer-who-fought-censorship-and-multiple-arrests Every Rocky Horror’s Fan Favorite, Lili St. Cyr: https://www.burlesquehall.com/museumathome-burlesque-legends-lili-st-cyr/ A little bit about the Riot Grrl Movement: https://www.nme.com/blogs/nme-blogs/brief-history-riot-grrrl-space-reclaiming-90s-punk-movement-2542166 The Something Weird Video Channel https://www.youtube.com/@SomethingWeirdDotCom/featured An Interview with a couple of Burlesque Legends, including Jennifer Fox: https://www.youtube.com/watch?v=vTxj2Vi94sM A little bit about Hedy Jo Star: https://zagria.blogspot.com/2012/01/hedy-jo-star-1920-1999-showgirl.html The post mentioned about Marinka: https://www.burlesquehall.com/transgender-day-of-visibility-honoring-marinka/ Aida Overton Walker’s Wiki page https://en.wikipedia.org/wiki/Aida_Overton_Walker Tony Midnite’s Wiki Page https://en.wikipedia.org/wiki/Tony_Midnite About Jennie Lee: http://redhotsburlesque.com/2013/legend-jennie-lee/ About Sherry Britton: https://burlexe.com/burlesque/burlesque-icons/sherry-britton-burlesque-history/

This is the second half of my conversation with Thomas Hischak whose new book is titled The Abbott Touch — Pal Joey, Damn Yankees and the Theatre of George Abbott. If you missed part one, you may want to catch up with the previous episode before listening to this one. George Abbott was a major force in the American Theater for more than 80 years. As an actor, director, playwright, and producer — and often several of those at the same time — he played a significant role in the creation of well over 100 Broadway plays and musicals including Jumbo, The Boys From Syracuse, On The Town, Where's Charlie, Call Me Madam, The Pajama Game, Once Upon A Mattress and Fiorello to name only a few. Thomas Hischak is the author of more than 30 books about Broadway, Hollywood and popular music including Musical Misfires — three decades of Broadway Musical heartbreak, The Mikado to Matilda — British Musicals on the New York Stage, and the Tin Pan Alley Encyclopedia. At the end of our previous episode Thomas Hischak and I were just beginning a discussion of the remarkable list of Broadway greatest writers, directors and choreographers who were all in essence trained and mentored by Mr. Abbott including Rodgers & Hart, Comden, Green & Bernstein, Adler & Ross, Bock & Harnick, Kander & Ebb, Jerome Robbins and most especially, Harold Prince. We also explore his reputation as a "show doctor." We will never now how many shows he advised and "fixed" on their way to Broadway. Become A PATRON of Broadway Nation! This episode is made possible in part through the generous support of Patron Club members Kelly Allen, Roger Klorese, and Neil Hoyt. If you too would like to support the work of Broadway Nation I will have information at the end of this podcast about how you too can join the club. If you are a fan ofBroadway Nation, I invite you to become a PATRON! For a just $7.00 a month you can receive exclusive access to never-before-heard, unedited versions of many of the discussion that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. And you will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And If you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

My guest is Elizabeth Van Dyke...the Producing Director of Woodie King's New Federal Theater in New York...is an award-winning producer, actress, and director who has directed plays all over the country and received honors for her work. It's a wonderful,  thought- provoking study of the American Theater and it's inner workings of creating and staging of a play production... a must- hear!

To Be Heard, To Be Seen, To MatterShaunda McDill is the newly appointed Managing Director of the Pittsburgh Public Theater. She is a rare type of new leader coming of age in the modern American Theater – black women who are ascending to top roles in major theatrical institutions across the country. She joins the ranks of theatrical trailblazers like Nataki Garrett, Artistic Director at the Oregon Shakespeare Festival; Dominique Morisseau, Executive Artistic Producer at Detroit Public Theater; Patricia McGregor, Artistic Director at New York Theater Workshop; and Hana Sharif, the Augustin Family Artistic Director at Repertory Theater of St. Louis. All wrestling with that question of how do we create space within the canon of the theater to make as much room as possible for a multitude of voices, perspectives, and stories to emerge that are as diverse and as expansive as is the landscape of the country today. Because in the final analysis, it comes down to Representation. And whose stories get to be heard, to be seen and to matter.For Shaunda, her answer to that question has its roots in her nontraditional journey to the Pittsburgh Public Theater. As a young girl her life as an artist began by performing in skits at the local Red Cross to highlight HIV/AIDS for kids, and reciting Bible verses in the Easter Pageants at her church. Along the way, she was mentored by such theater and literary luminaries as Ntozake Shange and August Wilson, and influenced by the words of Langston Hughes, James Baldwin, and Toni Morrison. She formed her own theater company called Demaskus – that unapologetically creates space for the underserved and underrepresented people in the theater to have the artistic license to succeed and fail, and to explore freely their artistry on their own terms. For as Shaunda says, “It is necessary for us to tell our own stories if they are going to be told. We must bear witness to what happens and what has transpired in our lives.” She has built a life buttressed by her strong, unshakeable faith and her belief that her approach to creativity isn't about struggling to convince others of her humanity, but rather a struggle to produce work and art that reflects her vision of the world. Her life and her career are not exercises in looking outward, rather they are the result of Shaunda looking inward into her innermost soul.At the Podium WebsiteAt the Podium on IGPatrick on IGFor more information contact Patrick at patrick@patrickhueyleadership.com

Sara Bareilles (Grammy-Award winner, Netflix's "Girls5Eva") and Jennifer Bareilles join host Reshma Gopaldas for a special Son of a Binge episode where the sisters break down "Bad Sisters," airing on Apple TV+.  "Bad Sisters" was created by Sharon Horgan ("Catastrophe," "Shining Vale") and is set in Ireland. "Bad Sisters" follows the story of 5 sisters, played by Eve Hewson, Sarah Greene, Eva Birthistle, and Anne-Marie Duff. The Bareilles sisters revealed they recently binged the show, when Sara recommended it to her sister. Together, they discuss the dark comedy, reveal the shows they can't stop re-watching ("Game of Thrones," "Law & Order: Criminal Intent") and why they loved Sharon Horgan's newest comedy. When Grace's awful husband, John-Paul, dies, the audience quickly realizes one of the Garvey sisters may have killed him. Darryl McCormack and Brian Gleeson play brothers who are handling John-Paul's life insurance pay out. Together, they decide to investigate if John-Paul was murdered, in the hopes of not having to pay the large sum of life insurance Grace is owed. "Bad Sisters" was renewed for a second season on Apple TV+, and has received 12 IFTA nominations (Irish Film & Television Awards) - including Lead Actress (Sharon Horgan), Best Drama, Supporting Actors and Supporting Actresses.  Jennifer Bareilles is an actor, improviser, teacher and coach. She began her improv career at the People's Improv Theater where she was a member of several House Teams including Saturday night's “Big Black Car” and “BBC2”.  She has performed regionally and in such famed New York theaters as Playwrights Horizons where she originated the role of Logan in “The Thanksgiving Play”, The American Theater of Actors, The Connelly, June Havoc and in the award winning NY Fringe show “Maybe Tomorrow” at Under St. Marks where she sat on a toilet for 90 minutes of direct address.  She currently teaches improv and acting at the PIT and performs regularly in “Bareilles and McCartney”, "Awkward Family Dinner" as well as a number of other pop up shows. Follow Jennifer on  @jenniferbareilles.Sara Bareilles is a GRAMMY® Award-winning artist, songwriter, actress, author, and philanthropist. To date, she has received two Tony® Award nominations, three Primetime EMMY® Award nominations, and eight GRAMMY® Award nominations, garnering a 2020 GRAMMY® in the category of “Best American Roots Performance” for “Saint Honesty.” On Broadway, she composed music and lyrics for Waitress, and took the stage as the lead for the first time in 2017.  As an author, she penned the New York Times bestseller Sounds Like Me: My Life (So Far) in Song. She currently co-stars in the critically acclaimed Netflix series Girls5Eva set to return for its third season in 2023. Find Sara on Instagram: @sarabareilles or Twitter: @sarabareilles.Son of a Binge production credits:Hosted by: Reshma Gopaldas (TW: @reshingbull, IG @reshmago)Producer & Editor: Emily Collins (IG @emilem124)Artwork by: Laura Valencia (IG @iamlauravalencia)

In this INspiring episode Jayne has a conversation with Sheldon Epps, author of "My Own Directions - A Black Mans Journey in the American Theater." Sheldon is one tf the most successful and universally respected leaders in American Theater, but it wasn't easy! Sheldon describes the ups and the downs, but how his passion and belief allowed him great success but also he was able to change and reignite theatre through his leadership and his insistence on making diversity a priority both onstage and off. Join us in this powerful conversation that will inspire! Lets spiral UP! JayneMarquis #empowerment #mindbody #health # healing #SelfImprovement #mindbodysoul For more INpowering episodes, linktree connects to my website, and many platforms where Inpowered is published - INpowered Mind INpowered Health - My Linktree: https://linktr.ee/INpoweredhealth https://inpoweredhealth.com/ Jayne is part of the ThrivEvolution solution and is luminary leader of Health Tribe - Mind Body Soul Join The Thrive Tribe ThrivEvolution at https://thrivetribehub.com https://www.facebook.com/healthtribe.thrivevolution This podcast is for information purposes only and represents the views and opinions of the speakers. The information presented is not meant to diagnose, treat, cure, or prevent disease. We recommend you seek the advice of a licensed healthcare practitioner before beginning any natural, complimentary, or conventional treatment. To Read Sheldon's book - https://www.amazon.com/My-Own-Directions-Journey-American/dp/1476688583

The Rachel Project is made possible, in part, by our donors and by the generosity of Inclusion in Action, an organization dedicated to creating space for people to explore what it takes to advance equity together in our workplaces, neighborhoods and communities, leveraging the powers of personal story, the arts, media, movement and humor to engage individuals in head and heart connections that promote deeper understanding of self and others. The Rachel Project is also made possible by the voters of Minnesota through a grant from the Minnesota State Arts Board, thanks to a legislative appropriation from the arts and cultural heritage fund. The Rachel Project is brought to you by Rough Magic Performance Company, a professional theater company dedicated to supporting women artists and telling women's stories.The Rachel ProjectDirection and Adaptation by George KellerSound design and engineering by Taj RulerStage Management by Salima SealeThe cast of the Rachel Project includes Darius Dotch, Thomasina Petrus, Mikel Sapp, Essence Stiggers, and Maya WashingtonMusic was performed by Aaron Gabriel and was written by J.L GaynorFull credits are available in the show notes and on our website.If you enjoyed the Rachel Project, please consider making a donation to Rough Magic in support of our mission of bringing women's stories center stage. Tax deductible contributions can be made at www.roughmagicperformance.orgPlease consider writing a review or giving us a 5-star rating to help us spread the word about the Rough Magic Podcast. 

The Rachel Project is made possible, in part, by our donors and by the generosity of Inclusion in Action, an organization dedicated to creating space for people to explore what it takes to advance equity together in our workplaces, neighborhoods and communities, leveraging the powers of personal story, the arts, media, movement and humor to engage individuals in head and heart connections that promote deeper understanding of self and others. The Rachel Project is also made possible by the voters of Minnesota through a grant from the Minnesota State Arts Board, thanks to a legislative appropriation from the arts and cultural heritage fund. The Rachel Project is brought to you by Rough Magic Performance Company, a professional theater company dedicated to supporting women artists and telling women's stories. The Rachel ProjectDirection and Adaptation by George KellerSound design and engineering by Taj RulerStage Management by Salima SealeThe cast of the Rachel Project includes Darius Dotch, Thomasina Petrus, Mikel Sapp, Essence Stiggers, and Maya WashingtonMusic was performed by Aaron Gabriel and was written by J.L GaynorFull credits are available in the show notes and on our website. If you enjoyed the Rachel Project, please consider making a donation to Rough Magic in support of our mission of bringing women's stories center stage. Tax deductible contributions can be made at www.roughmagicperformance.orgPlease consider writing a review or giving us a 5-star rating to help us spread the word about the Rough Magic Podcast. 

The Rachel Project is made possible, in part, by our donors and by the generosity of Inclusion in Action, an organization dedicated to creating space for people to explore what it takes to advance equity together in our workplaces, neighborhoods and communities, leveraging the powers of personal story, the arts, media, movement and humor to engage individuals in head and heart connections that promote deeper understanding of self and others. The Rachel Project is also made possible by the voters of Minnesota through a grant from the Minnesota State Arts Board, thanks to a legislative appropriation from the arts and cultural heritage fund. The Rachel Project is brought to you by Rough Magic Performance Company, a professional theater company dedicated to supporting women artists and telling women's stories. The Rachel ProjectDirection and Adaptation by George KellerSound design and engineering by Taj RulerStage Management by Salima SealeThe cast of the Rachel Project includes Darius Dotch, Thomasina Petrus, Mikel Sapp, Essence Stiggers, and Maya WashingtonMusic was performed by Aaron Gabriel and was written by J.L GaynorIf you enjoyed the Rachel Project, please consider making a donation to Rough Magic in support of our mission of bringing women's stories center stage. Tax deductible contributions can be made at www.roughmagicperformance.orgPlease consider writing a review or giving us a 5-star rating to help us spread the word about the Rough Magic Podcast. 

On the "CBS News Weekend Roundup", host Allison Keyes looks at the mass shootings roiling the nation, and hears from a psychologist on how they are affecting people. We'll have an update on President Biden's address to the nation on the objects traveling the skies above the U.S. In the Kaleidoscope for Black History Month, Allison takes a look at American Theater and race.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On this episode of "Kaleidoscope with Allison Keyes", Allison takes a look at American theater and race. Veteran Director Sheldon Epps speaks with Allison about his new book, "My Own Directions", and what it has been like navigating the theater community as a Black man.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

November 29, 2022ITVT/TVOT is pleased to present a new episode of “Televisionation,” our video/audio podcast exploring the advanced/interactive-TV industry.This episode features writer and director, Sheldon Epps (directing credits include episodes of Netflix's “The Upshaws,” “Frasier,” “Friends,” “The George Lopez Show,” “Everyone Loves Raymond” and many others), who for two decades was also artistic director of the Pasadena Playhouse. Among other things, he discusses “Christmas Party Crashers,” his new film for BET+, and his new book, “My Own Directions: A Black Man's Journey in the American Theater.”

Naatak is one of the largest Indian American theater companies in the country. Started in 1995 out of a dorm room at UC Berkeley, Naatak is staging its 100th production this month.  In that time, an estimated 1,000 people have participated in Naatak's productions — all volunteers, many of whom have day jobs in the tech industry. It's become an important part of the Indian American community in Silicon Valley, by and for people who do this in their free time. Guest: Rachael Myrow, KQED Silicon Valley senior editor Links: Naatak performs Ramayan at Cubberley Theatre in Palo Alto from September 4-25, 2022. South Bay's Naatak Debuts Its 100th Theater Production: The Epic 'Ramayan,' by Rachael Myrow Your support makes KQED podcasts possible. You can show your love by going to https://kqed.org/donate/podcasts. This episode was produced by Alan Montecillo and Maria Esquinca, and hosted by Ericka Cruz Guevarra.

Welcome back to a new season, SEASON SIX! I am so proud of this podcast and all the women (and men) who have shared their stories on my platform! I want to go back, way back, and talk to the people who have helped me to become the woman that I am. This new season starts with my two sisters, actress April Grant and rapper Troublesum. April Grant is an American Theater, Film, Television, and Voice Actress that was inspired to act at the age of eight by Robin Williams, John Ritter, Diahann Carroll, and Kim Fields. She started her acting career at the age of 37 after her only child graduated high school and went to Prairie View University . April enjoys volunteering in the community and is also an Inspirational Speaker. She currently resides in Houston, TX. TroubleSum, The Teflon Diva, also known as Houston's First Lady of Hip Hop, continues to be a contributing force to the growth of southern music and culture. The Fashion Forward emcee has received numerous awards and honors, representing her city everywhere she goes.  She has received coverage with top media outlets MTV, BET, VH1, Comedy Central and AllHipHop.com (where she's been awarded the coveted Breeding Ground Artist title) . She's also been bestowed the title of 2016 Best Female Rapper in Houston by The Houston Press, featured on Bun B's album "Trill OG",  and has an impressive performance on the nationally distributed “Hip Hop Life” DVD along w/Young Jeezy and Rick Ross. With a future as bright as her winning smile, this artist has not forgotten her roots. She regularly donates her time, star power, and talent to non-profit organizations and charitable causes.  We talk about their start in the industry, both musically and in television, and then discuss topics like GIRL CODE that will be the common thread in all upcoming episodes. Tune in, subscribe, rate and leave a comment.

It's time for another visit with Midday theater critic J. Wynn Rousuck, who joins Tom each week with her reviews of the regional stage. Today, she spotlights the six plays being showcased at this year's Contemporary American Theater Festival in Shepherdstown, West Virginia. This year's plays include Whitelisted, by Chisa Hutchinson; The Fifth Domain, by Victor Lesniewski; Babel, by Jacqueline Goldfinger; Ushuaia Blue, by Caridad Svich; The House of the Negro Insane, by Terence Anthony; and Sheepdog, by Kevin Artigue. The Contemporary American Theater Festival continues through July 31 at Shepherd University in Shepherdstown, West Virginia.See omnystudio.com/listener for privacy information.

American theater companies were devastated by the COVID-19 pandemic. And as we've all been getting back to a “new normal”, so are theater companies. For some, that means finding ways to be more representative and more responsive to their communities. This week, we explore the changing landscape of American theater. GUESTS: Diep Tran: Theater Journalist and Critic. Her reporting has appeared in Playbill, American Theatre and The New York Times Snehal Desai: Producing Artistic Director at East West Players Jacob Padron: Artistic Director at Long Wharf Theatre Our showis also available as a podcast on Apple Podcasts, Spotify, Google Podcasts, Stitcher, or wherever you get your podcasts. Subscribe and never miss an episode! See omnystudio.com/listener for privacy information.

Anna Deavere Smith (from broadway as well as Nurse Jackie, West Wing and Inventing Anna) is a deep thinker with an easy laugh—pretty much my favorite combination. She felt like an old friend from minute one. This heart to heart from the set of my PBS show, Tell Me More was followed by a conversation with Princeton professor Andrew Chignell who studies, among other things, hope and optimism, something Anna had a lot to say about. This is what we think of as a perfect Kelly Corrigan Wonders episode—a lot of feeling, a lot of thinking. Enjoy and share.