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MUSIC Lil Nas X ended up in the hospital on Monday with FACIAL PARALYSIS. Halestorm will release a new single titled "Darkness Always Wins" on April 22nd. The band's sixth album is due out later this year. Steven Tyler's daughter Mia says he started tying scarves to his microphone so he could hide pills in them. The TLC story will be told in a stage musical called "CrazySexyCool". The musical will premiere at Arena Stage in Washington, DC, in June 2026. Dolly Parton is known all over the world for her legendary country music career, her good heart and her big boobs. Apparently, there's a disease called DPS, or "Dolly Parton Syndrome", that affects female cats. And if you don't know what that is, you might be able to guess. It's officially called Feline Mammary Hypertrophy. TV When Rainn Wilson of "The Office" was on a podcast recently, he sang what he claims are the lyrics to the show's theme music. We get the feeling he channeled his egotistical character, Dwight. Mickey Rourke is considering legal action against ITV, the producer of Celebrity Big Brother, after his early exit from the show allegedly cost him a significant payday, TMZ reports. Check out the trailer for Season 3 of "And Just Like That". ‘Sex & The City' Sequel ‘And Just Like That…' Sets Season 3 Premiere; Trailer Teases Aidan's Back & Carrie's Home Is Plagued With Rats h RIP: Wink Martindale, the iconic game show host known for Tic-Tac-Dough, Gambit and High Rollers, died Tuesday at age 91 in Rancho Mirage, California. MOVING ON INTO MOVIE NEWS: "Jurassic Park" superstar Sam Neill is taking a stand for everyone who refuses to use the self-checkout at the supermarket. Oh, and he'll also be in the next "Godzilla" movie. Uma Thurman wants us all to know that she's just like us, as she washes and reuses her Ziploc bags. Which is great because she narrates the four-part PBS docuseries The Future of Nature. A "Killer Klowns from Outer Space" remake is reportedly in the works at Amazon . . . with Ryan Gosling as one of the producers. The director of "American Psycho" is still mystified that "Wall Street bros" have embraced Patrick Bateman, since the story is, quote, "a gay man's satire on masculinity." ‘I'm giving up': Cate Blanchett says she is “giving up” acting to do other things “with [her] life”. In an interview with Radio Times, Blanchett shared, “My family roll their eyes every time I say it, but I mean it. I am serious about giving up acting … [There are] a lot of things I want to do with my life”. AND FINALLY Do you ever hear a song and immediately think of a movie it was in? Loudwire.com put together a quiz where you have to identify a '90s movie based on a signature song from its soundtrack. AND THAT IS YOUR CRAP ON CELEBRITIES! Learn more about your ad choices. Visit podcastchoices.com/adchoices
NATALIE MARGOLIN (Playwright) is a Brooklyn-based playwright. Her plays have been developed with Broadway Video, The WP, The Hearth, Colt Coeur, and Fault Line Theatre. Her play The Party Hop, written for Zoom, was published by Dramatist Play Service and produced in high schools and colleges across the country during the pandemic. Currently, she is developing projects with Lorne Michaels' Broadway Video and Mark Gordon Pictures. JAKI BRADLEY (Director) is a director for theater and film. She has directed at Berkeley Repertory, NYTW, Ars Nova, NYSAF, CTG, Denver Center and Arena Stage, among others. In film, she has written for Netflix, Paramount, AGBO and FX, directed music videos and the short films Spa Day, The Big Ask, and Chow, and is preparing her feature directorial debut, The One. Jaki is a Fulbright Scholar and a proud member of SDC and WGA. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Jason Fraley interviews five-time Emmy nominee Amy Brenneman about her new comedy play "Fake It Until You Make It” at Arena Stage in Washington D.C. now through May 4. They also discuss her career highlights, including “NYPD Blue," "Casper," "Heat," "Judging Amy," “Private Practice” and “The Leftovers.” (Theme Music: Scott Buckley's "Clarion")
Send us a text Monica Mohindra is the Director of the Veterans History Project (VHP) of the American Folklife Center at the Library of Congress. In over 15 years with the Project, she has coordinated major initiatives with Members of Congress, the National Museum of the American Indian, the National Endowment for the Humanities, PBS, Ken Burns/ Florentine Films, the HISTORY Channel, and many more. Before joining the Library, she worked in various communications with a variety of theater companies including The Smithsonian's Discovery Theater, Arena Stage's Living Stage Theatre Company and The Washington Revels. She is the spouse of a US Navy Veteran.
The luminous Kate Baldwin joins The Art of Kindness with Robert Peterpaul this Women's History Month to discuss acts of kindness throughout her career on Broadway, Maestra Music and more. Kate Baldwin is a two-time Tony Award and four-time Drama Desk Award nominee who has delighted audiences across the country with performances on Broadway, in concert and on television. Kate starred as Irene Molloy opposite Bette Midler, David Hyde Pierce and Gavin Creel in the hit Broadway revival of Hello, Dolly!, for which she was nominated for the Tony, Drama Desk and Outer Critics Circle awards. She originated the role of Sandra Bloom in Big Fish on Broadway and earned accolades and a Drama Desk Award nomination for her work as Leslie Lynnton Benedict in Michael John LaChiusa's Giant at The Public Theatre. She received a Drama Desk Award nomination for her role as Jen in Keen Company's 20th Anniversary revival of Andrew Lippa and Tom Greenwald's John & Jen. She garnered critical acclaim and a Lucille Lortel Award nomination for Tom Kitt and John Logan's Superhero at Second Stage. But it was her starring role in the 2009 Broadway revival of Finian's Rainbow, which drew Tony, Drama Desk and Outer Critics Circle Award nominations and put her on the map as “a real musical theatre star.” (New York Post) Kate has appeared in the Broadway casts of The Full Monty, Thoroughly Modern Millie and Wonderful Town. Other New York theatre productions include Songbird at 59e59 and in The Dead, 1904 for Irish Rep, Fiorello! and Love Life for City Center Encores! She starred in The King and I at the Lyric Opera of Chicago, Irving Berlin's White Christmas (San Francisco, Detroit, Toronto), The Women at The Old Globe, Henry V at the Shakespeare Theatre of New Jersey, She Loves Me at the Willliamstown Theatre Festival, and The Music Man and South Pacific at Arena Stage, earning a Helen Hayes Award nomination. She drew raves for her portrayal of Francesca Johnson in The Bridges of Madison County directed by original cast member Hunter Foster and for her turn as Dorothy Brock in 42nd Street at Goodspeed Opera House directed by original creator Randy Skinner. She has performed in concert with the American Pops Orchestra, New York Pops, Boston Pops, National Symphony, Detroit Symphony, Portland Symphony, Phoenix Symphony, Chicago Symphony, American Songbook series at Lincoln Center, the Kennedy Center and at the legendary New York nightclubs Feinstein's, Birdland and 54 Below. Her concert work also includes several appearances with Stephen Sondheim as a featured performer in his critically acclaimed evening, “A Conversation with Stephen Sondheim.” On television, her work includes appearances on “The Gilded Age” (HBO), “Law &Order: SVU” (NBC) “Just Beyond” (Disney Plus) “Live from Lincoln Center: Stephen Sondheim's Passion” (PBS) and “First You Dream: the Songs of Kander and Ebb” (PBS) Kate is a 2023 Chicago/Midwest Emmy nominee, alongside partners at HMS Media for creating and producing “Broadway Comes Home,” a love letter to her hometown of Milwaukee. She is a proud advisory board member for Maestra Music, which provides support, visibility and community for the women and non-binary people who make the music in musical theatre. Kate's debut album on PS Classics, “Let's See What Happens” features Lane and Harburg songs from both stage and film. Her second album celebrates the work of lyricist Sheldon Harnick and is titled, “She Loves Him.” She is a graduate of Shorewood High School in Shorewood, WI and Northwestern University. She lives with her husband and son in Maplewood, NJ. Visit: maestramusic.org Follow Kate: @realkatebaldwin Follow us: @artofkindnesspod / @robpeterpaul youtube.com/@artofkindnesspodcast Support the show! (https://www.buymeacoffee.com/theaok) Got kindness tips or stories? Want to just say hi? Please email us: artofkindnesspodcast@gmail.com Music: "Awake" by Ricky Alvarez & "Sunshine" by Lemon Music Studio. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this very personal episode of SHE MD, we're thrilled to welcome 2 renowned guests. Betsy Brown Braun is a child development specialist and best-selling author of Just Tell Me What to Say: Sensible Tips and Scripts for Perplexed Parents (HarperCollins). Then, we have Rhea Seehorn, an American actress and director who is widely known as Kim Wexler from the spin-off prequel series of Breaking Bad. Rhea is also the bonus mom of one of our hosts Mary Alice Haney's 2 boys! Listen in as we dive into blended family dynamics, co-parenting strategies, divorced parent dynamics, and communication with children. We also talk about actionable tips for fostering resilience and happiness in children, regardless of family structure so we can protect the children's best interest.Access more information about the podcast and additional expert health tips by visiting SHE MD Podcast and Ovii. Sponsors: YNAB: Listeners of She MD can claim an exclusive three-month free trial, with no credit required at www.YNAB.com/shemdCymbiotika: Go to Cymbiotikia.com/SHEMD for 20% off your order + free shipping today. Zoe: As a ZOE member, you'll get an at home test kit and personalized nutrition program to help make smarter food choices that support your gut. Thats ZOE.com and use code SHEMD10 to get 10% off your membership.Hero Bread: Hero Bread is offering listeners 10% off your order. Go to hero.co and use code SHEMD at checkout.Momentous: Go to livemomentous.com and try it today for 20% off with code SHEMD, and start living on purpose.Deinde: Use Code SHEMD for 15% off at DEINDE.comBetsy Brown Braun's TAKEAWAYS:Prepare the Child, Not the Path: Betsy emphasizes the importance of allowing children to face challenges and learn from them, rather than smoothing every obstacle in their way.Communication is Key: Open, honest dialogue with your children creates a foundation of trust and understanding, essential for their emotional growth.Embrace Unhappiness: Counterintuitive as it may seem, allowing children to experience unhappiness and solve problems independently is crucial for developing resilience and self-reliance.Setting Boundaries: Technology use needs boundaries, and involving teenagers in creating these limits increases the likelihood of adherence.IN THIS EPISODE: (00:00) Introduction(02:32) Blended Family Dynamics and Divorce Statistics(03:28) Co-Parenting Strategies for Divorced Parents(04:41) How to Navigate Different Parenting Styles(09:45) Should You Introduce New Partners To Your Kids(19:05) How To Communicate With Kids about Divorce(22:23) How to Balance Work and Family Dynamics(27:46) House Rules and Parenting Strategies(34:47) How to Model Good Tech Habits at Home(35:32) Raising Resilient Children in Blended FamiliesRESOURCES:Betsy Brown BraunBetsy's Website"Just Tell Me What to Say" by Betsy Brown Braun"You're Not the Boss of Me" by Betsy Brown BraunParenting Pathways®Rhea SeehornRhea's InstagramRhea's IMDb ProfileGUEST BIOGRAPHY:Betsy Brown BraunBetsy Brown Braun is a best-selling author of Just Tell Me What to Say: Sensible Tips and Scripts for Perplexed Parents (HarperCollins) and You're Not The Boss Of Me: Bratproofing Your Four To Twelve Year Old (HarperCollins). Betsy is a child development and behavior specialist, parent educator, multiple birth parenting consultant, and founder of Parenting Pathways®, Inc.With over 40 years of experience in public and private early childhood and elementary education, Betsy has directed and founded school programs, taught in both public and private schools, has been a school director, and was the founding director of Wilshire Boulevard Temple's Early Childhood Center. She holds an MA in Human Development and teaching credentials from Pacific Oaks College. Rhea SeehornRhea Seehorn is an Actress and Director. In May 2014, Seehorn was cast in the Breaking Bad spin-off prequel series Better Call Saul (2015–2022). Seehorn is widely known as Kim Wexler, a lawyer and the eventual love interest of the titular Jimmy McGill (Bob Odenkirk). The series premiered on February 8, 2015. For her role as Kim, Seehorn has received widespread critical acclaim, won two Satellite Awards for Best Supporting Actress – Series, Miniseries or Television Film, one Saturn Award for Best Supporting Actress on Television out of two nominations, and received a nomination for the Primetime Emmy Award for Outstanding Supporting Actress in a Drama Series, two nominations for the Critics' Choice Television Award for Best Supporting Actress in a Drama Series and two for the Television Critics Association Award for Individual Achievement in Drama.Rhea Seehorn grew up in Virginia Beach, and has lived in a variety of places from Arizona to Japan. She has gone by her middle name Rhea since childhood, having felt a "disassociation" with the name Debbie from an early age. Seehorn graduated with a degree in drama and visual arts, which she used to further develop her craft in Washington, D.C., where she starred in numerous productions inclusive of Arena Stage and the Woolly Mammoth Theatre Company, of which she remains a member. Seehorn then transitioned to Manhattan, where she performed with Playwrights Horizons and made her Broadway debut in Neil Simon's 45 Seconds from Broadway. Shortly thereafter, she was cast as a series regular on the comedy series I'm With Her opposite Teri Polo, David Sutcliffe, and Danny Comden.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Send us a textAudrey Cefaly streamed into the Playwright's Spotlight after I had the pleasure of seeing the production of her play Alabaster at The Fountain Theatre in Los Angles. This is first time I've had the opportunity to talk to the playwright after seeing their work. We discuss asking big questions, making changes throughout the play's evolution, how much design is on the page, knowing the rules of the card game, and refraining from hardwiring stage directions to allow creative freedom. We also delve into stripping the work down to its core, the use of hashtags, writing poetic dialogue, stillness in storytelling and other way finders, and the use of overlapping and dual dialogue. We wrap it up writing regional, the use of hypnotic language, the purpose of an artistic statements, and her toolbox of playwright vocabulary and "How to Playwright." It's a great conversation that went on for another thirty minutes after I stopped recording. Won't let that happen again. Enjoy, and be sure to go catch Alabaster at any of the theaters below.Audrey Cefaly is an alumna of the Playwrights' Arena cohort at Arena Stage, a recipient of the Walter E. Dakin Fellowship from the Sewanee Writers Conference, and a Dramatist Guild Foundation Traveling Master. She is published by Concord Theatricals, Smith & Kraus, and Applause Books. Her plays have been produced by Cincinnati Playhouse, Florida Studio, Florida Rep, Gulfshore Playhouse, Signature Theatre, and many others. Her play Alabaster received an 11-city Rolling World Premiere, the largest in National New Play Network history and is now playing at The Fountain Theater in Los Angeles until March 30th.For tickets to Alabaster at The Fountain Theatre in Los Angeles, CA - https://www.fountaintheatre.com/events/alabasterFor tickets to Alabaster in Grand Rapids, MI, through March 8, 2025 -https://actorstheatregrandrapids.org/programming/coming-soon/alabaster/For tickets to Alabaster in Charolette, NC, through March 16 - https://charlottecultureguide.com/event/430227/alabaster-by-audrey-cefalyTo watch the video version of this interview, visit - https://youtu.be/pcJSzLrAk-IWebsite and Socials for Audrey Cefaly -www.audreycefaly.comSubstack - https://audreycefaly.substack.comBluesky - @audreycefaly IG - @alcefaly X - @alcefaly Websites and socials for James Elden, PMP, and Playwright's Spotlight -Punk Monkey Productions - www.punkmonkeyproductions.comPLAY Noir -www.playnoir.comPLAY Noir Anthology –www.punkmonkeyproductions.com/contact.htmlJames Elden -Twitter - @jameseldensauerIG - @alakardrakeFB - fb.com/jameseldensauerPunk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods - @playnoirla IG - @punkmonkeyprods - @playnoir_la FB - fb.com/playnoir - fb.com/punkmonkeyproductionsPlaywright's Spotlight -Twitter - @wrightlightpod IG - @playwrights_spotlightPlaywriting services through Los Angeles Collegiate Playwrights Festivalwww.losangelescollegiateplaywrightsfestival.com/services.htmlSupport the show
Send us a textWelcome back Jam Fam! You are in for a treat today! In this episode, we speak to Doriana Sanchez, a legend in the dance world. So many of you have seen her but didn't know her name. A creative with an incredible back story, a survivor and warrior, a mentor with a heart of gold, we know you will love todays chat with Doriana!DORIANA SANCHEZ is an Emmy Award and two-time American Choreography Award nominated choreographer and director, and a World Choreography Award recipient. Her love of Dance and Movement has allowed her to create in all areas of stage and media.Ryan Seacrest on E News! Has called her “The Dancing Queen”, and Tu Ciudad Magazine named her one of the 25 “Hip Hot Now” Hispanics in arts and entertainment.As a long time collaborator with Pop Icon Cher, Doriana has Created, Directed and Choreographed the superstars extravaganza performances including; Dancing with The Stars, The Voice, Good Morning America, The Late Show with David Letterman and the associated “Dressed To Kill” Tour” which, met with rave reviews. Doriana has also Conceived, Directed and Choreographed Cher at the Colosseum during its three year, 200-plus sold out performances at Caesars Palace in Las Vegas.Her work can also be seen in the Love Hurts, Believe and Living Proof tour, which was honored with four Emmy Awards including Outstanding Musical Variety Special. Over three million people saw the show during its 325 performances. It ranks as one of the most successful tours for a female artist, grossing over 200 million dollars. Doriana was also nominated for an Emmy for Best Choreography for the show's HBO special.Doriana's Stage, Circus and Touring credits include, choreographing the world premiere of Frank Loesser's musical Senor Discretion Himself, at Arena Stage in Washington, D.C. for which she received a Helen Hayes Award nomination for Best Choreography, Barry Manilow's Copcabana, at the Prince of Wales Theatre in London, which was nominated for an Olivier Award for Best new Musical, The Night is a Child, at Pasadena Playhouse and Blade To The Heat at the Mark Taper Forum.Her great love of circus arts led Doriana to China where she created The Galaxy Stars Circus featuring over 150 international performers. Other circus credits include Circo Fantastico, the all-Latin circus that Doriana wrote, directed and choreographed, as well as Odyssey, the first circus ever presented on a cruise ship, for Princess Cruises.Additional Directing and choreography credits include, Video Games Live, Jane's Addiction's Jubilee Tour, Perry Farrell's Porno for Pyros Tour, Peter Gabriel's Secret World Tour, Dirty Dancing Concert Tour (2 weeks Sold out shows at Radio City Music Hall. Her productions have been seen in nearly every large scale arena in the US and abroad.She has worked with musical legends such as Latin superstar Shakira, Gladys Knight, Natalie Cole, Frankie Valli, and David Foster musical prodigies, Jackie Evancho and Charice, as well as comedy superstar Ellen DeGeneres.She received a TEA award for outstanding achievement, for Resorts World's Crane Dance, in Singapore Harbor, the largest animatronic water and video spectacular in the world and was director and choreographer for Festive Walk's Lake of Dreams also at Resorts World.Corporate clients include, Redken, Target, Toyota, Mattel and CanonDoriana's television credits include the Grammy Awards, American Music Awards, The Voice, Dancing with the Stars,Thank you for listening Jam Fam! Make sure you follow us across social media and don't forget to like and subscribe anywhere you listen to your favorite podcasts!Facebook: JAM Joe and Michelle's Dance PodcastInstagram: jam_dance_podcastTwitter: @jamdancepodcastEmail: jamdancepodcast@gmail.com
High School Musical icon Corbin Bleu joins The Art of Kindness with Robert Peterpaul to discuss navigating the industry with kindness from tv sets to Broadway stages. The performer gets a starry surprise (spoiler alert) from his DCOM co-star and friend Lucas Grabeel. CORBIN BLEU (Joe Ross) is a versatile actor, singer/songwriter, dancer, voiceover artist and host. Bleu is best known as Chad Danforth in the Emmy-winning HIGH SCHOOL MUSICAL franchise. Recently, Bleu starred in the TV movies Love, For Real and A Christmas Dance Reunion and special guest-starred in Seasons 3 and 4 of High School Musical: The Musical: The Series on Disney+. On Broadway, Bleu starred in the Tony-nominated 2019 revival of Kiss Me, Kate at Studio 54, earning a Drama Desk nomination. He headlined as Ted Hanover in Holiday Inn, winning the Chita Rivera Award, and also appeared in Godspell (Jesus) and In the Heights (Usnavi). Additional stage highlights include Hairspray (Seaweed) and Mamma Mia! (Sky) at the Hollywood Bowl. In 2018, he played Don Lockwood in Singin' in the Rain at The Muny and Billy Crocker in Anything Goes at Arena Stage, earning a Helen Hayes Award for Outstanding Lead Actor. That same year, he was named Entertainer of the Year at the Tremaine National Gala for his contributions to dance. Most recently, Corbin starred as Seymour in Little Shop of Horrors at the Westside Theatre in New York, completing a three-month run with Constance Wu followed by a three-month run with Jinkx Monsoon. Support Our Mom Barbara's Second Cancer Journey LA Fire Resources Follow Corbin: @corbinbleu Follow Lucas: @mrgrabeel Follow us: @artofkindnesspod / @robpeterpaul youtube.com/@artofkindnesspodcast Support the show! (https://www.buymeacoffee.com/theaok) Got kindness tips or stories? Want to just say hi? Please email us: artofkindnesspodcast@gmail.com Music: "Awake" by Ricky Alvarez & "Sunshine" by Lemon Music Studio. Learn more about your ad choices. Visit megaphone.fm/adchoices
A conversation with Hana S. Sharif, Artistic Director of Arena Stage since August 2023. Sharif discusses her transformative first year at the helm and her inaugural season as Arena's producing artistic director. She reflects on the vibrant theatrical community in Washington, D.C., and her commitment to amplifying dynamic voices in American theater. With an ambitious 2024/25 season featuring eight new works, including her directorial debut at Arena Stage with the world premiere of Death on the Nile, adapted by Ken Ludwig, Sharif shares the careful curation process behind creating a year-long conversation through theater, aiming to reflect the full spectrum of American voices.Sharif also opens up about her journey from running a scrappy theater company begun at Spelman College to leading one of the country's most prominent regional theaters. As the first Black artistic director of Arena Stage, she reflects on the significance of this milestone, her dedication to fostering inclusivity, and the critical role of theater in bridging divides and exploring our shared humanity.
A conversation with Hana S. Sharif, Artistic Director of Arena Stage since August 2023. Sharif discusses her transformative first year at the helm and her inaugural season as Arena's producing artistic director. She reflects on the vibrant theatrical community in Washington, D.C., and her commitment to amplifying dynamic voices in American theater. With an ambitious 2024/25 season featuring eight new works, including her directorial debut at Arena Stage with the world premiere of Death on the Nile, adapted by Ken Ludwig, Sharif shares the careful curation process behind creating a year-long conversation through theater, aiming to reflect the full spectrum of American voices.Sharif also opens up about her journey from running a scrappy theater company begun at Spelman College to leading one of the country's most prominent regional theaters. As the first Black artistic director of Arena Stage, she reflects on the significance of this milestone, her dedication to fostering inclusivity, and the critical role of theater in bridging divides and exploring our shared humanity.
Send your questions or provocations to Adam or Budi here!Robert Barry Fleming is the Executive Artistic Director of Actors Theatre of Louisville, KY. They have a varied portfolio and a wealth of experience as an artistic leader/administrator, producer, director, choreographer, performing artist, teacher and coach. Their directing/choreography credits include Laura Kaminsky's transgender journey contemporary opera As One (KY Opera); the world premiere of Jonathan Norton's I Am Delivered't (Dallas Theatre Center/Actors Theatre of Louisville co-production); the world premiere of Grace, a new musical by Nolan Williams, Jr., and Pulitzer Prize nominee Nikkole Salter (Ford's Theatre) which was honored as a Broadway World Winner for Best Direction of a Musical and Best Choreography of a Play or Musical; the Humana Festival of New American Plays Professional Training Company's production of Vivian Barnes, Jonathan Norton and Gab Reisman's Are You There? Robert's original ballet suite Hydra for Program 4 mixed repertory (Louisville Ballet); The world premiere of Idris Goodwin's Ali Summit (Actors Theatre of Louisville), Once On This Island (Actors/Cincinnati Playhouse in the Park co-production), Native Gardens (Cleveland Play House), NEXT TO NORMAL (Tantrum Theater), The Royale (CPH), Destiny of Desire (OSF), Caroline Or Change (Tantrum Theater), and Between Riverside And Crazy (CPH). Robert formerly served as Director of Artistic Programming at Arena Stage and Associate Artistic Director at Cleveland Play House. Arena Stage world-premieres commissioned, developed and/or championed under their watch include the 2017 Best Musical Tony-winner, Dear Evan Hansen, Mary Kathryn Nagle's Sovereignty, John Strand's The Originalist, Katori Hall's Blood Quilt, Karen Zacarías' Destiny of Desire and the 2017 Pulitzer Prize winner, Sweat by Lynn Nottage. Robert was an Associate Producer for the Off-Broadway premiere of The Two Character Play by Tennessee Williams, starring Amanda Plummer and Brad Dourif. Robert is a proud member of the Professional Non-Profit Theatre Coalition (PNTC) planning committee endeavoring to evolve our relationship with governmental support for the arts as well as, our SDC, AEA, and TCG collectives working in solidarity for an equitable and sustainable praxis for our arts ecosystem. Support the showIf you enjoyed this week´s podcast, please leave a review on Apple Podcasts. To submit a question: Voice- http://www.speakpipe.com/theatreofothers Email- podcast@theatreofothers.com Show Credits Co-Hosts: Adam Marple & Budi MillerProducer: Jack BurmeisterMusic: https://www.purple-planet.comAdditional compositions by @jack_burmeister
Send your questions or provocations to Adam or Budi here!In this episode, Adam and Budi chat with Joshua Morgan, the founder of Artist's Strategy, to talk about the business side of an acting career. From financial planning to networking, they explore how artists can build sustainable careers while navigating the transition from training to the industry. Joshua Morgan is a versatile actor, director, and educator who has performed at prominent theatres across the U.S., including Woolly Mammoth Theatre Company, Arena Stage, Theatre Under the Stars, Folger Theatre, Signature Theatre, and many more. He originated the role of legendary manager Shelly Berger in Ain't Too Proud: The Life and Times of The Temptations on Broaday and stayed with the production for four years.Before moving to New York to join the last revival of Les Misérables, Joshua co-founded No Rules Theatre Company, the first dual-city theatre based in Washington, D.C., and Winston-Salem, NC. During his tenure, he produced award-winning premieres, directed acclaimed productions, and developed outreach programs for underrepresented communities, including the Deaf/Hard of Hearing.As a director, his credits include In Love and Warcraft (Helen Hayes Nomination), Hedwig and the Angry Inch, The Last Five Years, and more. He has taught at esteemed institutions such as American University, Gallaudet University, and the University of North Carolina School of the Arts.Joshua is also the founder of Artist's Strategy, an organization dedicated to helping freelance artists build sustainable careers and co-host of Creative Risk, a podcast exploring all things art, entrepreneurialism and everything in-between. Follow him on all platforms at @jmorganarts.Support the showIf you enjoyed this week´s podcast, please leave a review on Apple Podcasts. To submit a question: Voice- http://www.speakpipe.com/theatreofothers Email- podcast@theatreofothers.com Show Credits Co-Hosts: Adam Marple & Budi MillerProducer: Jack BurmeisterMusic: https://www.purple-planet.comAdditional compositions by @jack_burmeister
Joshua: Joshua is a diverse, singing actor who has worked on Broadway and regionally at esteemed theaters such as Woolly Mammoth Theatre Company, Arena Stage, Theatre Under the Stars, Folger Theatre, Triad Stage, and Signature Theatre. His television appearances include "FBI," "Law and Order," "Law and Order: Organized Crime," "Law and Order: SVU," "Lincoln Rhyme," and HBO's "Paterno." Joshua co-founded and served as Artistic Director of the Helen Hayes Award-winning No Rules Theatre Company in Washington, DC, and Winston-Salem, NC. Mike Labbadia (co-host) an actor, producer, writer and filmmaker, a “multipassionate” you can say. As a company member of BEDLAM he's appeared Off-Broadway in shows from Arcadia to Julius Caesar. Regional work includes Alabama Shakespeare Festival, Gulfshore Playhouse, Penguin Rep and Virginia Rep. He's in the upcoming film "On the End" with Tim Blake Nelson. As a producer he's had films premiere at prestigious festivals around the world. In this episode, we discuss these "Rules" actors should break: 06:15 - Rule 1 - Don't pitch yourself Sent 37 self pitching emails, without an agent, and booked a Broadway show 9:03 - Rule 2 - Don't complain to our Reps 12:45 - Rule 3 - We can only be one "kind of artist" 17:15 - Rule 4 - Wait until you have a big project to grow an audience 21:20 - Rule 5 - Don't actively pursue industry relationships 15:52 - Rule 6 - Take on Gig work to support your career 30:29 - Rule 7 - Let the Industry define you as an artist PODCAST DESCRIPTION: “CREATIVE RISK”, is a new podcast hosted by actors Joshua Morgan and Mike Labbadia of Artist's Strategy where they explore all things art, entrepreneurialism and everything in between. The acting industry is more volatile and competitive than ever before, therefore the artist must evolve in order to take radical ownership over their creative businesses. Each episode, Mike and Joshua will get raw and unfiltered, giving hot takes and cutting edge strategies on how to build a sustainable career in the arts. Guest: For Joshua Morgan : Website IMDb Instagram Broadway World For Podcast: Spotify Apple Podcasts Youtube Instagram TikTok Host: Instagram: @MentorsontheMic @MichelleSimoneMiller Twitter: @MentorsontheMic @MichelleSimoneM Facebook page: https://www.facebook.com/mentorsonthemic Website: www.michellesimonemiller.com and www.mentorsonthemic.com Youtube: https://www.youtube.com/user/24mmichelle Stay tuned to the end of the episode for a clip of the Creative Risk podcast. If you like this episode, check out my episode on their podcast" Apple Podcasts Spotify --- Support this podcast: https://podcasters.spotify.com/pod/show/michelle-miller4/support
Jason Fraley interviews Disney Channel alum Karan Brar, who makes his theater debut in the lead role of the new play “Data" at Arena Stage in Washington D.C. now through Dec. 15. He called in to discuss the show, what he's learned from acting on stage for the first time, and memories of his screen roles from TV shows like “Jessie” and “Bunk'd” to movies like “Pacific Rim Uprising” and “Hubie Halloween.” (Theme Music: Scott Buckley's "Clarion")
Check out this podcast replay of the SDCF Virtual Panel: Demystifying Pre-Production with Knud Adams, Maija García, and Delicia Turner Sonnenberg. This conversation focuses on the pre-production process, giving insights and a better understanding of all the things that happen between when a director signs a contract and first rehearsal. The panelists talked about what they have discovered over the years makes for the strongest pre-production process for them before rehearsals begin. Transcript available upon request. We hosted this panel in June 2024. Knud Adams is an Obie-winning director of artful new plays, based in New York. This season, he's directing English on Broadway. His work has been featured on "Best of the Year" lists by The New York Times, New York Magazine, The New Yorker, and The Washington Post. An avid developer of new work, his world-premiere productions include: Primary Trust (Roundabout), English (Atlantic/Roundabout), Bodies They Ritual (Clubbed Thumb), Private (Mosaic), The Headlands (LCT3), Paris (Atlantic), and The Workshop (Soft Focus). Knud also directed the radio play Vapor Trail, which premiered at the Tribeca Film Festival. Maija García is a theater director, cultural innovator and advocate for equity in the arts. She recently directed I am Betty, a world premiere hit new musical at History Theater by Cristina Luzarrága and Denise Prosek; VALOR, a Spanish golden-age play by Ana Caro; and OUR HOOD, a bi-lingual cineplay by John Leguizamo. Director of Movement for Spike Lee's Oscar award-winning Blackkklansman, CHI-RAQ and She's Gotta Have It on Netflix, and Executive Producer of Art of Dance, a documentary film, García's Theater Directing credits include Bill T. Jones' FELA! World Tour; CRANE: on earth in sky by Heather Henson and Ty Defoe and Salsa Mambo Cha Cha Cha in La Habana Cuba. Regional Theater credits include original choreography for West Side Story at the Guthrie Theater; Kiss My Aztec by John Leguizamo and Tony Toccone at Berkeley Rep, and La Jolla Playhouse; Snow in Midsummer by Frances Ya-Chu Cowhig at Oregon Shakespeare Festival; Cuba Libre by Carlos Lacámara at Artists Repertory Theater (PAMTA Award); and Fats Waller Dance Party with Jason Moran and Meshell N'degeocello at Harlem Stage, SF Jazz and the Kennedy Center. Garcia founded Organic Magnetics to generate urban folklore for the future. She wrote, produced and directed Ghosts of Manhattan: 1512-2012, an interactive history and I am New York: Juan Rodriguez. Director of Education and Professional Training at Guthrie Theater, Maija served on the Tony Award Nominating Committee and is a proud member of SDC since 2008. Delicia Turner Sonnenberg is a director, artistic leader, teacher, and mother. She is a founder and the former Artistic Director of MOXIE Theatre, which she helmed for twelve acclaimed seasons. Delicia has directed plays for the Old Globe Theatre, San Diego REP, La Jolla Playhouse, Actors Theatre of Louisville Humana Festival, Cygnet Theatre, New Village Arts, and Diversionary Theatre, among others. Delicia has directed countless workshops and staged readings of new plays for National New Play Network, Old Globe, Bay Area Playwrights Festival, San Diego REP, and Arena Stage. Delicia was twice a recipient of the Van Lier Directing Fellowship through Second Stage Theatre in New York and is an alumna of the New York Drama League's Directors Program, as well as Theatre Communication Group's New Generations Program.
Check out this podcast replay of our one on one conversation with 2023 Tony Award Winner Michael Arden hosted by SDCF and the Museum of Broadway. Interviewed by SDC Executive Director Laura Penn, this conversation focuses on Michael's expansive career to date including a deeper dive into his work as an artist and practice as a director. We held this conversation in March 2024. The video and audio was recorded by Michael Weir supported by the Maria Torres Emerging Artists Foundation. Transcript available upon request. Michael Arden (Director) was awarded the 2023 Tony Award for Best Direction of a Musical for his production of Parade starring Ben Platt and Micaela Diamond, which will have a national tour beginning early 2024. Michael was also Tony nominated for his revivals of Once On This Island and Spring Awakening. Michael wrote and directed Charles Dickens' A Christmas Carol which played the Nederlander Theatre last Holiday season and starred Jefferson Mays. Michael will helm the new Stephen Schwartz and Lindsey Ferrentino musical The Queen of Versailles starring Kristin Chenowith and a new musical adaptation of the cult film The Lost Boys. Other directing credits include: Maybe Happy Ending at the Atlanta Alliance, Joseph and the Amazing Technicolor Dreamcoat at Geffen Hall at Lincoln Center, and site specific works: American Dream Study and ALIEN/NATION with his company The Forest of Arden. Arden has been named on Variety's Impact List and is the winner of an NAACP Award for best direction of his revival of Merrily We Roll Along at the Wallis Annenberg in Los Angeles. In addition to directing theater in America and around the globe, he regularly directs “The Connors” on ABC, and has appeared in numerous features and TV shows, most notably: Grey's Anatomy, Bride Wars, Anger Management, Source Code, and The Marvelous Mrs. Maisel. On stage, Arden has appeared on Broadway in Big River; The Times, They Are A-Changin', and King Lear. Arden is a Presidential Scholar in the Arts and alumni of the Interlochen Arts Academy and The Juilliard School. Michael and longtime creative and design partner Dane Laffrey founded AT RISE CREATIVE, a production company that strives to create groundbreaking live experiences with an emphasis on design and innovating technologies. Photo credit: Laura Penn has been Executive Director of Stage Directors and Choreographers Society (SDC) since 2008. This year, she was appointed by President Biden to serve as a member of the President's Committee on the Arts and the Humanities. Most recently, she was elected to the Board of the Entertainment Community Fund. Under her leadership, SDC's Membership has grown more than 100%, a result of her work expanding jurisdictions; leading bold and successful negotiations; and furthering the Union's Equity, Diversity, and Inclusion (EDI) initiatives and political engagement. She serves on the General Board of the Department for Professional Employees, AFL-CIO (DPE) and is an active member of DPE's Arts, Entertainment, and Media Industry Coordinating Committee (AEMI). She is co-Chair of the Coalition of Broadway Unions and Guilds, the first woman to hold a leadership position with this coalition of 18 influential unions representing workers on Broadway. Laura serves on the Tony Awards Administration Committee and is a Tony Voter. She served as a panelist for the New York State Council for the Arts, for more than a decade was a site evaluator for the National Endowment for the Arts, was Vice President of the League of Resident Theatres, and was two-term Chair of the Seattle Arts Commission. Recognized with Seattle's Distinguished Citizen Medal, she is an advocate for civic dialogue and public participation and has been dedicated throughout her career to the idea that artistic excellence and community engagement are intrinsically connected. Laura previously served as an arts executive for Intiman Theatre and Seattle Repertory Theatre and began her career at D.C.'s Arena Stage, Living Stage Theatre Company. She currently teaches Labor Relations in the graduate program at the David Geffen School of Drama at Yale.
EL Legendario actor, productor y ganador de los premios Emmy el Latinoamericano John Leguizamo hablo con "El Meneo" sobre su nueva obra de teatro puesta en escena, en el ARENA STAGE de DC. "The Othe Americans" una historia de la vida real que cuenta los sufrimientos de los latinos en los Estados Unidos y la salud mental. Escucha la charla con John Leguizamo Aqui abajo:
In this episode, I'm joined by Dr. Danelle Dickson, a performing arts specialist physical therapist from Washington, DC. We talk about the importance of training and treating dancers like athletes, and how outcomes for dancers can change with this simple mindset shift. We also learn about her online hub, the Dance Ready Project and how it's changing the game with regards to dancer screening and conditioning for optimal performance. About Dr. Danelle DicksonDr. Danelle Dickson is a licensed physical therapist, Performing Arts Specialist, Orthopedic clinical specialist and owner at Performance Plus Physical Therapy in Washington DC. She is also the host of the Dancing around Elephants Podcast, co-founder of a business mentorship for minority women: The Business Female Foundation, and co-founder of the Dance Ready Project, an online hub for tools and resources for dancers. She is also the covering PT at DC's flagship theater location Arena Stage at the Mead Center for American Theater .Dr. Danelle's forty three years in the dance world fueled her passion to work with dancer's injuries. She has combined her passion for dance with her skills in orthopedics to work with thousands of dancers and other athletes, at both the pre-professional and professional levels. Dr. Dickson is a sought-after lecturer whose expert topics include dancer injuries, injury prevention, patient advocacy and business mentorship for minority women. Dr. Dickson lives in Takoma Park, MD with her close friends and cats Ché and Fidel. When she is out of her Washington DC clinic, you can find her traveling the world looking for new adventures, and to spend with her family in Trinidad, England, and Australia. And of course, always finding time to dance. Connect with Danelle:On Instagram: @3ptdcOn her website: Performance Plus Physical TherapyLearn more about The Dance Ready Project:On Instagram: Dance Ready Project On the website: danceready.orgLearn more about Erika Mayall:Follow me on Instagram: @dancephysioerikaLearn more about me on my website: https://www.allegroperformance.comSign up for my newsletter: Click hereSend me an email: hello@allegroperformance.com
Jason Fraley interviews actor, playwright and comedian John Leguizamo, who writes and stars in the world premiere of "The Other Americans" at Arena Stage in Washington D.C. now through Nov. 24. They discuss the play's timely themes and reflect on his prolific career, including "Super Mario Bros.," "Carlito's Way," "Freak," "Moulin Rouge," "Ice Age," "When They See Us" and "Encanto." That's right, they talk about Bruno. (Theme Music: Scott Buckley's "Clarion") Learn more about your ad choices. Visit podcastchoices.com/adchoices
Jason Fraley interviews actor, playwright and comedian John Leguizamo, who writes and stars in the world premiere of "The Other Americans" at Arena Stage in Washington D.C. now through Nov. 24. They discuss the play's timely themes and reflect on his prolific career, including "Super Mario Bros.," "Carlito's Way," "Freak," "Moulin Rouge," "Ice Age," "When They See Us" and "Encanto." That's right, they talk about Bruno. (Theme Music: Scott Buckley's "Clarion") Learn more about your ad choices. Visit podcastchoices.com/adchoices
Lydia Diamond's play Smart People took her 7 years to write. It's a character study which boldly explores how race can be an explosive ingredient in contemporary American conversation. Listen in as Jackson and Jacob explore Diamond's smart structuring and theatricality. ------------------------------ Check out these other conversations on Smart People: Lydia Diamond discusses her Radcliffe Fellowship: https://www.youtube.com/watch?v=ukI00tDhbIk Lydia Diamond Interview at UW-Madison: https://www.youtube.com/watch?v=ga8HZ8BDLBs Lydia Diamond Interview for Arena Stage: https://www.youtube.com/watch?v=la68QOH8iB0 Review by Yuko Kurahashi for the San Diego Free Press: https://sandiegofreepress.org/2017/05/race-gender-nostalgia-lydia-r-diamonds-play-smart-people/ ------------------------------ Please consider supporting us on Patreon. For as low as $1/month, you can help to ensure the No Script Podcast can continue. https://www.patreon.com/noscriptpodcast ----------------------------- We want to keep the conversation going! Have you read this play? Have you seen it? Comment and tell us your favorite themes, characters, plot points, etc. Did we get something wrong? Let us know. We'd love to hear from you. Find us on social media at: Email: noscriptpodcast@gmail.com Facebook: https://www.facebook.com/No-Script-The-Podcast-1675491925872541/ Instagram: https://www.instagram.com/noscriptpodcast/ Twitter: https://twitter.com/noscriptpodcast/ ------------------------------ Thanks so much for listening! We'll see you next week.
In this episode of Art Works, a conversation with Jocelyn Bioh, the brilliant and funny mind behind Jaja's African Hair Braiding, a play set in a Harlem salon that explores the lives of African immigrant women. Bioh shares how her childhood visits to New York City's hair braiding shops inspired the play and discusses the influence of current immigration debates on its themes. She also discusses the unexpected journey of Jaja's African Hair Braiding having its world premiere on Broadway and collaborating with a creative team to bring the play's unique magic to life—including its Tony Award-winning costumes and wigs.The conversation touches on Bioh's background as a first-generation Ghanaian-American, her transition from acting to writing, and how her personal experiences fuel her storytelling. From the cultural nuances within the African diaspora to the broader themes of community and belonging, Bioh explains how the specificity of her stories connects with diverse audiences and offers reflections on the power of comedy as a tool for addressing serious issues. Note: Jaja's African Hair Braiding has started it National tour. It is running at Washington DC's Arena Stage until October 13. It moves to Berkeley Repertory Theatre November 8, and then Chicago Shakespeare Theater January 14, 2025.
In this episode of Art Works, a conversation with Jocelyn Bioh, the brilliant and funny mind behind Jaja's African Hair Braiding, a play set in a Harlem salon that explores the lives of African immigrant women. Bioh shares how her childhood visits to New York City's hair braiding shops inspired the play and discusses the influence of current immigration debates on its themes. She also discusses the unexpected journey of Jaja's African Hair Braiding having its world premiere on Broadway and collaborating with a creative team to bring the play's unique magic to life—including its Tony Award-winning costumes and wigs.The conversation touches on Bioh's background as a first-generation Ghanaian-American, her transition from acting to writing, and how her personal experiences fuel her storytelling. From the cultural nuances within the African diaspora to the broader themes of community and belonging, Bioh explains how the specificity of her stories connects with diverse audiences and offers reflections on the power of comedy as a tool for addressing serious issues. Note: Jaja's African Hair Braiding has started it National tour. It is running at Washington DC's Arena Stage until October 13. It moves to Berkeley Repertory Theatre November 8, and then Chicago Shakespeare Theater January 14, 2025.
This episode we are joined by actress Kerstin Anderson! Kerstin Anderson made her Broadway debut in My Fair Lady as the understudy then alternate of Eliza Dolittle. She also played the role of Maria in the Sound of Music national tour directed by Jack O'Brien. She was last seen in Lincoln Center's concert of A Little Night Music and her other credits include Cult of Love at Berkeley Rep, Unknown Solider at Playwrights Horizons and Arena Stage and Doubt at Westport Playhouse. Kerstin also is a teaching artist and if you are interested in working with her, contact her via her website or DM her on Instagram!We chat with Kerstin about her experience leading a national tour, working as an understudy then alternate in My Fair Lady, what excites her about teaching and much more!
Lucie Tiberghien - A Brooklynite since 2001, Molière in the Park's Founding Artistic Director Lucie Tiberghien was raised in France and Switzerland. Specializing in new work, Lucie spent 15 years developing and directing new plays in New York City and all over the country. She directed World Premieres at La Jolla Playhouse, CATF, Second Stage, Rattlestick Theater, Arena Stage, Hartford Stage, Kansas City Rep, Manhattan Class Company and more. As a translator and adapter, Lucie's work has been produced in Paris and in New York. In 2021, she was awarded the prestigious designation of chevalier de l'ordre des Arts et des Lettres, by the French Government. Learn more about your ad choices. Visit podcastchoices.com/adchoices
WTOP's Jason Fraley interviews Tony-winning hair stylist Nikiya Mathis, who just became the first artist to ever win a Special Tony Award for hair and wig design on the Broadway play "Jaja's African Hair Braiding," which arrives at Arena Stage in Washington D.C. today. They discuss her pioneering work in this groundbreaking stage comedy. (Theme Music: Scott Buckley's "Clarion") Learn more about your ad choices. Visit megaphone.fm/adchoices
WTOP's Jason Fraley interviews Tony-winning hair stylist Nikiya Mathis, who just became the first artist to ever win a Special Tony Award for hair and wig design on the Broadway play "Jaja's African Hair Braiding," which arrives at Arena Stage in Washington D.C. today. They discuss her pioneering work in this groundbreaking stage comedy. (Theme Music: Scott Buckley's "Clarion") Learn more about your ad choices. Visit podcastchoices.com/adchoices
Edward Gero joins the CONVERSATION during a break in rehearsals for The Lehman Trilogy at the Guthrie Theater in Minneapolis, Minnesota. Gero's performance is another highlight in a distinguished, award-winning career spanning forty-seven years with upwards to one hundred fifty roles and counting including The Originalist at Court Theatre in Chicago, Angels in America at Arena Stage and earlier this year, in the critically-acclaimed production of The Lehman Trilogy at the Shakespeare Theatre Company that has now transferred to the Guthrie and opens September 19, 2024. Stefano Massini's epic multi-generational story, adapted by Ben Power and directed by Arin Arbus, chronicles the true-to-life rise of three Jewish immigrant brothers who built their own version of the American Dream from a small fabric business in 1844 to the international financial firm whose spectacular collapse in 2008 sent global markets spiraling out of control. The Guthrie Theater production includes Gero, Mark Nelson and William Sturdivant in the cast of three who play the Lehman brothers and recreate all of the over fifty other roles. 7 Episode 3 Originally posted September 4, 2024
Weekly Shoutout: coalitionworks issue 8, our latest publication is here! -- Hi there, Today I am so excited to be once again arts calling playwright Audrey Cefaly! audreycefaly.com About our Guest: Cefaly is an alumna of the Playwrights' Arena cohort at Arena Stage, a recipient of the Walter E. Dakin Fellowship from the Sewanee Writers Conference, and a Dramatist Guild Foundation Traveling Master. She is published by Concord Theatricals, Smith & Kraus, and Applause Books. Cefaly's plays have been produced by Cincinnati Playhouse, Florida Studio, Florida Rep, City Theatre, Penobscot Theatre, Gulfshore Playhouse, Merrimack Rep, Signature Theatre, Barter Theatre, Vermont Stage, Oregon Contemporary Theatre, 16th Street Theater, Capital Stage, About Face, Kitchen Dog Theatre, Circle Theatre, Theatre Three, Aurora Theatre, Quotidian Theatre Company and University of Alabama at Birmingham. Her play Alabaster received an 11-city Rolling World Premiere, the largest in National New Play Network history. Instagram: @alcefaly Twitter: @alcefaly Her play, The Last Wide Open, is currently running at American Blues Theater through August 18th! Subscribe to her insightful playwriting newsletter, HOW TO PLAYWRIGHT! https://audreycefaly.substack.com/ Thanks for this wonderful conversation, Audrey! All the best! -- Arts Calling is produced by Jaime Alejandro (cruzfolio.com). HOW TO SUPPORT ARTS CALLING: PLEASE CONSIDER LEAVING A REVIEW, OR SHARING THIS EPISODE WITH A FRIEND! YOUR SUPPORT TRULY MAKES A DIFFERENCE, AND I CAN'T THANK YOU ENOUGH FOR TAKING THE TIME TO LISTEN. Much love, j
WTOP's Jason Fraley marks the Fourth of July by interviewing Margaret Colin, who starred in the 1996 sci-fi action blockbuster “Independence Day," in which she played Jeff Goldblum's ex-wife and the White House Communications Director for Bill Pullman's president. They discussed the film's 20th anniversary back in 2016 when she visited Washington D.C. to perform in the Arena Stage play “The City of Conversation.” (Theme Music: Scott Buckley's "Clarion") Learn more about your ad choices. Visit podcastchoices.com/adchoices
WTOP's Jason Fraley marks the Fourth of July by interviewing Margaret Colin, who starred in the 1996 sci-fi action blockbuster “Independence Day," in which she played Jeff Goldblum's ex-wife and the White House Communications Director for Bill Pullman's president. They discussed the film's 20th anniversary back in 2016 when she visited Washington D.C. to perform in the Arena Stage play “The City of Conversation.” (Theme Music: Scott Buckley's "Clarion") Learn more about your ad choices. Visit megaphone.fm/adchoices
U Guys, this week's BroadwayWorld Recap is short and sweet, bringing you the hottest Bway tea. Then I am joined by actor and writer Joel Perez to talk about their amazing career! Joel's performance career spans genres and stages, from being part of the original Broadway cast of Fun Home, to playing opposite Sutton Foster in the off-broadway run of Sweet Charity, for which they received a Lucille Lortel Award. But what I love most about Joel is that their artistry runs so much deeper than just performing, as they are a writer and creator as well, while also being a seasoned voice actor. Joel shares about their experience growing up in a religious household, and finding their way to the world of the arts. We touch on their work in the first National Tour of In The Heights, as well as the new musical we are currently working on together at Arena Stage in Washington D.C. Joel is an absolute joy to speak to, U don't wanna miss this episode! Follow Joel on Instagram: @misterjoelperez Follow the pod on Instagram: @ohmypoduguys Learn more about your ad choices. Visit megaphone.fm/adchoices
U Guys, this week's BroadwayWorld Recap has all the latest Bway tea, including Idina Menzel's return to Broadway! Then I am joined by Leanne Antonio to talk all about her life as an artist and Broadway performer. From originating roles in new works to covering principal roles in Disney's The Lion King on Broadway, Leanne has run the gamut of performance experience. Born in the Bahamas to Jamaican parents, Leanne had a very special road to the world of musical theater and the performing arts. After graduating from the University of Michigan, she has gone on to make her mark on the New York City theater scene, and I am so honored to get to share the stage with her in the latest iteration of the new musical adaptation of A Wrinkle In Time at Arena Stage in Washington D.C. Leanne is simply the best, U don't wanna miss this episode! Follow Leanne on Instagram: @leannejantonio Follow the pod on Instagram: @ohmypoduguys Learn more about your ad choices. Visit megaphone.fm/adchoices
Across two decades Idris Goodwin has forged an impactful and diverse career as a multiple award-winning playwright, breakbeat poet, director, educator, and culturist. Idris is a 2021 United States Artist Fellow, recognized as one of the most compelling artists living and working in the country, and The New York Times has hailed his work as “incisive and moving.” Idris is the author of over 50 original plays ranging from his Hip Hop inspired breakbeat series to historical dramas to works for young audiences. Goodwin has appeared on or created content for HBO Def Poetry, Sesame Street, NPR, BBC Radio, Nickelodeon and the Discovery Channel. His plays include And In This Corner Cassius Clay, How We Got On, Hype Man and This is Modern Art. Idris is the co-host The Same Old New School Podcast on Vocalo Radio. Idris is currently the Artist Director for the Seattle Children's Theater. Previous to that, he was the Director of The Colorado Springs Fine Arts Center at Colorado College, the first Black man to hold the position in its 100-year history and served two seasons as Producing Artistic Director at StageOne Family Theatre in Louisville, Kentucky. Supported by prestigious institutions like The Kennedy Center, The Eugene O'Neill Conference, Oregon Shakespeare Festival, Actors Theatre of Louisville, Arena Stage, and The Playwrights' Center, Goodwin uses his full creative powers to galvanize people into the community square to sculpt better tomorrows. Find him at idrisgoodwin.com. Goodwin's debut children's book YOUR HOUSE IS NOT JUST A HOUSE was published by Harper Collins on May 7, 2024. About YOUR HOUSE IS NOT JUST A HOUSE One rainy day, a kid opens their closet to discover a teleportation chamber. In the adventure of make-believe that follows, we are invited to see our homes as more than places to live—they are vessels for creativity and joy. With whimsy and musicality, Idris Goodwin calls on his theater and hip-hop backgrounds to deliver an irresistible read-aloud, inviting us to see that our homes are more than places to live—they are vessels for creativity and joy. It's a rainy summer day, and one child is about to go on an adventure of the imagination, as illustrated by Lorraine Nam's beautiful and vivid cut-paper artwork. Want to watch: YouTube Meisterkhan Pod (Please Subscribe)
Catrina talked to first time guest, Lynne Childress about all things Shrek! Lynne Streeter Childress is a playwright, actor, teaching artist, singer, director, and the founder and artistic director of Building Better People Productions, an organization based in Annapolis, MD, that uses theatre-based shows, workshops and classes based in themes of empathy, kindness, respect and the things that make us all better people. This is her 30th year in professional theater, with much of that experience in theater for young audiences. This includes performing at the Kennedy Center, Arena Stage and Adventure Theatre, and teaching for institutions like the Folger Shakespeare Library, Everyman Theatre, and Baltimore School for the Arts. Through all those experiences, Lynne has seen firsthand how theater can communicate the most important things in the clearest and most interesting of ways, especially to young people. Lynne is on the Arts In Education roster for the Maryland States Arts Council and the Arts Council of Anne Arundel County, and through Building Better People Productions, has served students served by the Arlington (VA) Humanities Project, Arts Every Day, and the Howard County Arts Council. Lynne, along with fellow teaching artists Khaleshia Thorpe-Price and Jennifer Ridgway, facilitates Empathy Works, a program that helps organizations discover how empathetic thinking can change their company for the better.
DOUG WAGER is the former Artistic Director of the Arena Stage in Washington, DC, succeeding Zelda Fichandler where he served for twenty-five seasons as resident director, producing over two hundred productions and directing over 50 productions from 1975-2000 ranging from large-scale musicals to classics and new plays, world and American premieres. Mr. Wager currently serves as Artistic Director and Head of Directing for Temple University which he joined in 2004. He is the recipient of three Helen Hayes awards. His work has been seen in New York, both on and off Broadway, and at major regional theaters across the country. ZELDA FICHANDLER co-founded Arena Stage on August 16, 1950 with her husband, Thomas Fichandler. She led Arena Stage for 40 years stepping down in 1991 producing more than 400 shows and directing more than 50 shows. In 1961 she opened the new Arena Stage Theater an 800 in the round building and the Kreeger Theater in 1970 and the Old Vat Room in 1976. She produced productions of Indians by Arthur Kopit, Moon Children by Michael Weller, and The Great White Hope on Broadway. It won a Tony Award for Best Play and the Pulitzer Prize. She became head of the Graduate Acting program at New York University's Tisch School of the Arts, a post she held until 2009. She also served as Artistic Director of the Acting Company founded by John Housman. She was awarded a National Medal of Arts by Bill Clinton in 1996, and in 1999 she was inducted into the Theater Hall of Fame.
Playwright and director Psalmayene 24 discusses his career trajectory from his unique approach to theater, his recent direction of the world premiere of Tempestuous Rising at Arena Stage and his upcoming projects, including his current direction of Metamorphosis at the Folger Theatre. We talk about his journey from dance to theater, first as an actor and eventually to playwriting and directing in response to the lack of satisfying roles for young Black men. We discuss the collaborative nature of his directing style, involving actors and creative teams in the development of the production, ensuring that every aspect from costume design to choreography reflects the thematic richness of the play. Psalmayene 24 highlights the challenges and strategies of directing in different theater spaces, especially the round configuration of the Fichandler Stage at Arena Stage and the Elizabethan stage at the Folger Theatre. He also shares his vision for Mary Zimmerman's adaptation of Metamorphosis focusing on an all-Black cast and the use of movement to convey the universality of human conditions through the lens of Blackness and Black culture and without the iconic pool used in previous productions. And Psalmayene 24 shares his excitement about upcoming projects, including a musical about John Lewis that he is writing. And as well as being smart and thoughtful, Psalmayene 24 has a truly terrific voice!
Playwright and director Psalmayene 24 discusses his career trajectory from his unique approach to theater, his recent direction of the world premiere of Tempestuous Rising at Arena Stage and his upcoming projects, including his current direction of Metamorphosis at the Folger Theatre. We talk about his journey from dance to theater, first as an actor and eventually to playwriting and directing in response to the lack of satisfying roles for young Black men. We discuss the collaborative nature of his directing style, involving actors and creative teams in the development of the production, ensuring that every aspect from costume design to choreography reflects the thematic richness of the play. Psalmayene 24 highlights the challenges and strategies of directing in different theater spaces, especially the round configuration of the Fichandler Stage at Arena Stage and the Elizabethan stage at the Folger Theatre. He also shares his vision for Mary Zimmerman's adaptation of Metamorphosis focusing on an all-Black cast and the use of movement to convey the universality of human conditions through the lens of Blackness and Black culture and without the iconic pool used in previous productions. And Psalmayene 24 shares his excitement about upcoming projects, including a musical about John Lewis that he is writing. And as well as being smart and thoughtful, Psalmayene 24 has a truly terrific voice!
Katie checks in with actor, Eli Mayer (National Yiddish Theatre Folksbiene, Barrington Stage, the MUNY, Ride the Cyclone at Arena Stage and McCarter Theatre Center, and currently Reuven in The Chosen at Cincinatti Playhouse).
Loki Karuna returns after a month-long hiatus to offer words of encouragement to those dealing with difficult times, to share his conversation with Hana S. Sharif, Artistic Director of the Arena Stage, and to unpack the concept of "running from your karma". The Arena StageHana S. Sharif IntroductionUnknown Soldier PromoLars-Erik Larsson: Concertino for Trombone and String Orchestra, Op. 45, feat. Weston Sprott ★ Support this podcast ★
WTOP Entertainment Reporter Jason Fraley interviews Marg Helgenberger as “CSI: Vegas” returns tonight for its Season 3 premiere on CBS. They spoke when she starred in the landmark play “The Little Foxes” at Arena Stage in Washington D.C. back in 2016, sharing memories of her favorite career roles, including Catherine Willows in the original “CSI." (Theme Music: Scott Buckley's "Clarion") Learn more about your ad choices. Visit podcastchoices.com/adchoices
WTOP Entertainment Reporter Jason Fraley interviews Marg Helgenberger as “CSI: Vegas” returns tonight for its Season 3 premiere on CBS. They spoke when she starred in the landmark play “The Little Foxes” at Arena Stage in Washington D.C. back in 2016, sharing memories of her favorite career roles, including Catherine Willows in the original “CSI." (Theme Music: Scott Buckley's "Clarion") Learn more about your ad choices. Visit megaphone.fm/adchoices
Our guest this week is a talented designer who is redefining the world of hospitality design. With over 25 years of experience, she has lent her expertise as an Adjunct professor at the New Jersey Institute of Technology. Please welcome to the show Senior Director, Design & Project Management at Marriott International, Linda Laucirica!Linda joins Host Dan Ryan for an in depth conversation on design philosophy. Linda shares the importance of starting with a cohesive design strategy before creating a narrative, the necessity of having an elevator pitch, and how the hospitality industry can create more welcoming spaces in the healthcare industry. Takeaways: Hospitality is the desire to give comfort and joy. True hospitality comes from a celebration of shared human experience, and a desire to connect through that humanity with others The intersection of storytelling and design, with an emphasis on editing and conveying clear messages, is crucial in creating impactful narratives. This is important in full-service lifestyle brands, where aspirational design plays a key role in brand identity. When conducting research and designing for a brand, it is essential to effectively summarize the concept in a concise elevator pitch. This helps align design decisions with the brand's vision and ensures unique project outcomes. Creating successful narratives for "soft brands" requires a different approach than for "hard brands". Designers must create a strategy that directly connects with the brand's vision, ethos, and personality, before jumping into crafting a compelling narrative. Technology has impacted the design process, shifting from manual creation to digital tools and 3D visualization. This transformation emphasizes the need for designers to adapt, understand scale, and create spaces that resonate with our human experience. Hospitality focused design has an important role in the healthcare industry. By creating welcoming hospitals and treatment centers, you can leave a positive impact on someone's journey to healing. For Mariott's W Hotels there are three tenets of design: form follows fantastic, tactile materiality, and clean maximalism. These three elements combine to create unique experiences for guests. Quote of the Show:“That message also wants to have an emotional connection to who you're speaking with, right? Otherwise why write the story? Why share your thoughts?” - Linda LauciricaLinks: Instagram: http://www.instagram.com/lindalaucirica/ LinkedIn: https://www.linkedin.com/in/lauciricadesign/ Website: https://www.marriott.com/marriott/aboutmarriott.mi Shout Outs: 01:38 - McCartan Design: http://www.mccartan.com/ 03:26 - The Peanuts 04:10 - NJIT: https://www.njit.edu/ 06:07 - Cornell: https://www.cornell.edu/ 09:22 - Starwood Hotels 09:49 - Westin Hotels: https://westin.marriott.com/ 09:49 - Autograph Collection Hotels: https://autograph-hotels.marriott.com/ 09:50 - Le Méridien Hotels: https://le-meridien.marriott.com/ 09:51 - Renaissance Hotels: https://renaissance-hotels.marriott.com/ 09:52 - Design Hotels: http://designhotels.com/ 09:53 - Tribute Hotels: https://tribute-portfolio.marriott.com/ 09:56 - Gaylord Hotels: https://www.gaylordhotels.com/ 10:19 - W Hotels: https://w-hotels.marriott.com/ 19:31 - Dune 20:59 - Rockwell Group: https://www.rockwellgroup.com/ 21:01 - Barnes And Noble: https://www.barnesandnoble.com/ 21:29 - Pinterest 21:30 - Instagram 22:01 - Revit 27:04 - Woolly Mammoth Theatre: https://www.woollymammoth.net/ 27:05 - Arena Stage: https://www.arenastage.org/ 28:17 - New York School Of Interior Design: https://www.nysid.edu/ 29:50 - Mohegan Sun: https://mohegansun.com/ 30:10 - David Rockwell 30:46 - Children's Hospital at Montefiore: https://www.cham.org/ 31:43 - Carl Sagan 34:32 - Lionel Ohayon: https://www.linkedin.com/in/lionelohayon/ 34:35 - Memorial Sloan Kettering: https://www.mskcc.org/ 36:58 - W Union Square: https://www.whotelsnewyork.com/property/w-new-york-union-square/ 44:02 - Steve Higgins 44:08 - Theresa Fatino: https://www.fatinodesign.com/ Ways to Tune In: Spotify: https://open.spotify.com/show/0A2XOJvb6mGqEPYJ5bilPX Apple Podcasts: https://podcasts.apple.com/us/podcast/defining-hospitality-podcast/id1573596386 Google Podcasts: https://podcasts.google.com/feed/aHR0cHM6Ly93d3cuZGVmaW5pbmdob3NwaXRhbGl0eS5saXZlL2ZlZWQueG1s Amazon Music: https://music.amazon.com/podcasts/8c904932-90fa-41c3-813e-1cb8f3c42419
How do we support leaders in the cultural sector?In this episode, host Tim Cynova has a fun and fascinating conversation with Gail Crider (President & CEO) and Kristina Newman-Scott (Board Chair) of National Arts Strategies (NAS), an organization dedicated to building and supporting a community of arts and culture leaders who drive inspiring change for the future. We dive into the transformative work they've been doing to create more inclusive and innovative spaces and approaches within the sector through their programs and offerings.Episode Highlights:Introduction to our guests from National Arts Strategies and their roles within and outside of NAS.The history and mission of NAS, and how they are working to strengthen the arts and culture sector.The importance of embracing change and adapting to the ever-evolving landscape of the arts industry.The role of technology in creating new opportunities and challenges for arts organizations.NAS's commitment to its values, and how they're working to create more inclusive spaces within the arts sector.The impact of the COVID-19 pandemic on the arts industry and how NAS has adapted its programs to support leaders during these challenging times.The future of NAS and their vision for the arts and culture sector and what exciting things are in store.GAIL CRIDER is the granddaughter of Bob and Carrie, farmers who figured things out as they went and nurtured both plants and neighbors; she is the daughter of Carolyn, an educator who built spaces for people of all ages to understand and learn tools to turn learning disabilities into different abilities; she is the sister of Catherine, a psychiatrist who is as dedicated to truth finding as she is to planet nurturing; she is mother to Alex, a recent graduate who plans to run for public office, dismantle harmful and oppressive systems, and link arms with others to heal the world.Gail is part of a collaborative management team of creative and resourceful individuals at NAS who sit inside a larger and greatly gifted staff and board of agitators and change agents. She facilitates strategy, program design and partnerships, and values alignment. Gail was instrumental in the organization's transition from the National Arts Stabilization Fund to National Arts Strategies and providing the range of services offered today that support a diverse community of leaders driving inspiring change for the future.Over the course of her career, Gail has been an entrepreneur, worked with a variety of nonprofit organizations and spent a decade in public and private philanthropy. Prior to NAS, she was as a program officer for a foundation where she worked on inner-city redevelopment and community building in Washington, D.C. Gail has also worked for the Arizona Commission on the Arts, Arena Stage, Shakespeare Theatre, the National Endowment for the Arts, and Key Bank. She co-chaired the Community Development Support Collaborative in Washington, D.C., and has served as a senior fellow for the Center for High Impact Philanthropy at the University of Pennsylvania, on the audit committee for the National Assembly of State Arts Agencies and on grant panels for the Corporation for National Service (AmeriCorps), the National Endowment for the Arts and the Department of Treasury, CDFI Fund. She holds a B.S. in theater from Lewis and Clark College and continues to learn formally and informally through her work at NAS, including continuing education at Stanford University, Harvard Business School, and University of Michigan – Ross School of Business. She is an ICF trained leadership coach.KRISTINA NEWMAN-SCOTT is an award-winning, purpose-driven leader with over 20 years of experience in contemporary visual and
Accomplished and versatile, Deborah Jean Templin has performed on stage, screen and television. Her most recent appearance was as the inspired, but vocally flawed, wannabe opera diva, Florence Foster Jenkins, in Stephen Temperley's Souvenir. She has performed in the critically acclaimed York Theatre Company's “Musicals in Mufti” series in Darling of The Day, Miss Liberty, Johnny Johnson, and Take Me Along. Theatrical Awards include Richard Burton Award for Acting, Los Angeles; Barrymore Award, Philadelphia for her performance as Kay Goodman in Nite Club Confidential and the New Hampshire Theatre Award for Frau Blucher in Young Frankenstein. Television credits include Gotham “Late Night with Jimmy Fallon, What Would You Do? and Midnight Caller. Regional theatre performances include Washington D.C.'s Arena Stage as Mary Stewart in Marx Brothers' Animal Crackers. the Walnut Street Theatre as Dolly in Hello, Dolly!, Hannigan in Annie and The Bird Woman & Miss Andrew in Mary Poppins. On the international stage, she starred at the Edinburgh Fringe Festival in Arthur Miller's Playing for Time. The Titanic production inspired Templin to create her solo show UNSINKABLE WOMEN: Stories and Songs from the Titanic. Having successfully toured the country with UNSINKABLE WOMEN, Templin created her autobiographical play, SINGING FOR THE COWS. These solo shows have played more than 150 venues, including the New York's Lincoln Center Performing Arts Library Series. Thomas Netter is a New York based performer, director/choreographer, and teacher. He started performing at the age of 5 as Michael in Peter Pan and hasn't stopped since! Other performance credits include the North American Tour of A Charlie Brown Christmas (Charlie Brown), A Gentleman's Guide… (D'Ysquith Family), Matilda (Miss Trunchbull), and many more.
It's time for another visit with Midday theater critic J. Wynn Rousuck, who joins us each week with her reviews of the Maryland, DC and Virginia regional stage. Today, she tells us about the new Arena Stage production of playwright Lauren Yee's Cambodian Rock Band, a mesmerizing, music-infused drama about how war and political oppression in the 1960s and 70s ravaged the southeast Asian nation's vibrant rock music culture, and the how the war's violent legacy still haunts a Cambodian family. Directed at Arena Stage by Chay Yew, Cambodian Rock Band 's cast includes Brooke Ishibashi, Francis Jue, Abraham Kim, Kelsey Angel Baehrens, Tim Liu, Jane Lui, Alex Lydon, Joe Ngo and Vi Tran. The show incorporates a live stage band - The Cyclos - covering 1960s- and 70s-era Cambodian psychedelic rock music and Cambodian-influenced songs by the contemporary American band, Dengue Fever. CRB is a Signature Theatre production, in association with Alley Theatre, Berkeley Repertory Theatre, and ACT Theatre/5th Avenue. Cambodian Rock Band continues at Arena Stage at the Mead Center for American Theater in Washington, DC through August 27. (Photo by Margot Schulman)Email us at midday@wypr.org, tweet us: @MiddayWYPR, or call us at 410-662-8780.
Melissa was thrilled to chat with Karen Zacarías about her world premiere adaptation of Shane, based on the novel by Jack Schaefer, which is now playing (in August 2023) at the Guthrie Theater. In this episode, we discuss:How this co-commission and co-production came to beThe challenges of adapting a Western for the stageCreating a more complete and accurate picture of the American WestBeach Karen!And more!Resources MentionedCincinnatti Playhouse in the ParkGuthrie TheaterShane at the GuthrieAbout Our GuestKAREN ZACARÍAS was recently hailed by American Theater Magazine as one of the most produced playwrights in the US. Her plays include The Copper Children, Destiny of Desire, Native Gardens, The Book Club Play, Legacy of Light, Mariela in the Desert, The Sins of Sor Juana, and the adaptations of Just Like Us, The Age of Innocence, Into the Beautiful North, How the Garcia Girls Lost Their Accent and a bilingual Romeo y Juliet. She has been produced at The Kennedy Center, The Goodman, The Guthrie, Arena Stage, Oregon Shakespeare Festival, GALA Hispanic Theater, Cincinnati Playhouse, Old Globe, The Alliance Theater, Repertorio Español, The Latino Theater Company, Milagro Theater, and many more. She is the author of ten renowned TYA musicals and the librettist of several Ballets. She is one of the inaugural resident playwrights at Arena Stage, a core founder of the Latinx Theatre Commons- a large national organization of artists seeking to update the American narrative with Latinx stories-, and she is the founder of the award-winning Young Playwrights' Theater (YPT), noted as one of the best arts educational programs by the Obama White House. Karen was voted a 2019 Washingtonian of the Year for her arts advocacy by Washingtonian Magazine. She was awarded the 2019 Sine Fellowship at the American University School of Public Policy for connecting art with policy making. She is a recipient of 2019 Lee-Reynolds-Award for “social, cultural, or political change with theater” awarded by the League of ProfessioConnect with host Melissa Schmitz***Sign up for the 101 Stage Adaptations Newsletter***101 Stage AdaptationsFollow the Podcast on Facebook & InstagramRead Melissa's plays on New Play ExchangeConnect with Melissa on LinkedInWays to support the show:- Buy Me a Coffee- Tell us your thoughts in our Listener Survey!- Give a 5-Star rating- Write a glowing review on Apple Podcasts - Send this episode to a friend- Share on social media (Tag us so we can thank you!)Creators: Host your podcast through Buzzsprout using my affiliate link & get a $20 credit on your paid account. Let your fans directly support you via Buy Me a Coffee (affiliate link).
Miriam Silverman's Broadway credits include The Sign In Sidney Brustein's Window and Junk. Other theater credits include - A Delicate Ship at The Playwrights Realm, Everything You Touch at Rattlestick Playwrights Theatre, You Got Older at Page 73, The Hour of All Things and Finks at Ensemble Studio Theatre (Drama Desk Award nomination for Outstanding Actress), Septimus and Clarissa at Ripe Time, The Witch of Edmonton at Red Bull Theater, Hamlet at The Public Theater/NYSF and Bone Portraits at Walkerspace at Soho Repertory Theatre. Regional credits include The Moors at Yale Repertory Theatre; The Dog in The Manger (Helen Hayes Award nomination), Measure for Measure, All's Well That Ends Well, The Two Gentlemen of Verona, As You Like It and the world premiere of David Ives's The Liar at Shakespeare Theatre Company, where she is an affiliated artist; Extremities and Moonchildren at the Berkshire Theatre Festival; Peer Gynt at the Guthrie Theater; Awake and Sing! at Arena Stage, As You Like it at the Folger Theatre and numerous productions with Trinity Repertory Theatre. Film and Television credits include Breaking, Bad Education, Fleishman Is In Trouble, The Marvelous Mrs. Maisle, Dead Ringers, Elementary, Pan Am, Law & Order: Criminal Intent and Better Days Ahead. She received her BA and MFA from Brown University and is a recipient of the 2011 TCG Fox Foundation Fellowship. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Sheldon Epps was artistic director of the renowned Pasadena Playhouse for two decades, and still acts as artistic director emeritus for the playhouse. Previously, he was associate artistic director of the Old Globe Theatre. Sheldon directed numerous plays and musicals at many of the country's major theatres, including the Roundabout, Manhattan Theatre Club, the Guthrie, Playwrights Horizons, Seattle Repertory Theatre, Arena Stage, Ford's Theatre and the Goodman Theatre. He conceived and directed the highly acclaimed Broadway musicals “Play On!” and “Blues In the Night,” which both received Tony Award nominations. “Blues in the Night” also was nominated as Best Musical for the prestigious Olivier Award in London. He co-directed the Tony-nominated production of “Baby It's You!” Sheldon has had a busy career as a television director, helming episodes of shows such as “Frasier,” “Friends,” “Everybody Loves Raymond,” “Girlfriends” and many others. He is a longtime board member of the Society of Directors and Choreographers and is the chair of the SDC Foundation Board of Trustees. BUY SHELDON'S BOOK HERE Learn more about your ad choices. Visit megaphone.fm/adchoices
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