Podcasts about aapi

Third generation Japanese American Philip Kan Gotanda has gained renown as one of the most prolific Asian American playwrights, filmmakers, and musicians, but he came this close to becoming a lawyer. East West Players (www.eastwestplayers.org) is remounting his seminal play Yankee Dawg You Die in July 2025 after first staging it in 2001. Here's your chance to let him educate you about the (sadly) still-relevant message of this play, while he regales you with astonishing and hilarious stories of his journey to embrace his calling as a pioneering artist.

Welcome to Season 5, Episode 24! In this episode, we have Part 1 of a Conversation with Olivia Cheng, a storyteller known predominantly for her acting, but beginning to make waves with her writing, directing, and producing.  Originally from Edmonton, Olivia's acting credits include playing Mei Lin in Marco Polo on Netflix, Ah Toy in Warrior on Cinemax and HBO, Charlotte in See on Apple TV+, Master Gao in Deadly Class, and Noel in the feature Lucky Star… just to name a few of her projects. Her performances have been praised for their depth and complexity, and she often plays roles that explore themes of identity, resilience, belonging, and empowerment. In addition to being a talented actress, she's also getting recognition for her action sequences in several roles she's played.  In this part of the conversation, we talk about her origin in acting, some of the key roles she has played, life as a journalist, how she approaches action scenes, and more. Additionally Olivia shares some of her thoughts on being part of productions with cast members of Asian Pacific descent both in front of and behind the camera.  If you're interested in seeing more of Olivia's work, then you can do the following: find her in the roles on the above listed projects, rent or buy Lucky Star on Apple TV or Amazon services, and/or follow her on Instagram @thatoliviacheng. If you like what we do, please share, follow, and like us in your podcast directory of choice or on Instagram @AAHistory101. For previous episodes and resources, please visit our site at https://asianamericanhistory101.libsyn.com or our links at http://castpie.com/AAHistory101. If you have any questions, comments or suggestions, email us at info@aahistory101.com. *Above Photo of Olivia Cheng by Noah Asanias

NOTE: This interview was recorded prior to the announcement of "S.W.A.T.: Exiles"Actor David Lim joins Actors With Issues to reflect on his eight-season run on CBS's S.W.A.T. and the importance of positive AAPI representation on TV. From starting in finance to booking a role on ABC's "Quantico", Lim talks about becoming a series regular for the first time, how S.W.A.T. broke stereotypes in male AAPI roles, and the power of telling authentic stories.

Regina Linke was born and raised in Texas, and she always enjoyed the creative arts, but she didn't learn traditional Chinese painting until after moving with her young family to Taiwan in her mid-thirties. Holding management degrees from Washington University in St. Louis and Cornell University, she worked in marketing technology and information systems for the travel and tourism industry. Now, however, she creates and illustrates stories that celebrate East Asian folklore and philosophy in an accessible way. Her most notable creations are the characters from The Oxherd Boy, a single-panel, webcomic that started on Instagram. A young boy, his family ox, and a rabbit living in his garden convey the three core schools of Classical Chinese thought: Taoism, Buddhism, and Confucianism. The best-selling collection of these inspirational pieces called THE OXHERD BOY: Parables of Love, Compassion, and Community released in 2024, and was followed in 2025 by its first original story for children called Big Enough. A second picture book, Little Helper expanding on this world is slated for release in Summer 2026. Here's a link for behind the scenes of her painting: https://oxherdboy.org/pages/digital-painting And here's a link if you'd like to purchase "Big Enough": https://oxherdboy.org/pages/big-enough  

Vera Chow is a Hong Kong-raised, NYC/LA-based Film and TV Costume Designer best known for her work on AMC's The Walking Dead and Netflix's The Brothers Sun, starring Michelle Yeoh. With nearly 20 years of global experience, her dynamic portfolio spans period dramas, sci-fi, arthouse, and large-scale epics, including recent critically acclaimed projects Lucky Lu (Cannes) and RoseMead (Tribeca). She is currently filming The Season in Hong Kong with SK Global (Crazy Rich Asians). A survivor of bullying, Vera found solace in movies and art from a young age, fueling her lifelong passion for storytelling through design. She holds degrees from NYU's Tisch School of the Arts, Parsons School of Design, and Istituto Europeo di Design in Barcelona. Known for her fearless creativity—mixing thrifted finds with couture—Vera is also a proud advocate for AAPI representation in media.

Welcome to Season 5, Episode 23! It's hard to find any other apparel that signifies vacation more than a Hawaiian shirt AKA an Aloha shirt. It's not just a symbol of going on vacation, for some it means being part of the ska community, hanging out at a tiki bar, relaxing at get togethers, and even just dressing up for “casual Friday.” But what is the origin and background of the Aloha shirt, how did it grow in popularity, and what is the importance of it to the Hawaiian islands? In this episode we talk about some key early designers like Ellery Chun of King-Smith Clothiers and Koichiro Miyamoto of Musa-Shiya the Shirtmaker, who both helped popularize the Aloha shirt. We also discuss how the Hawaiian shirt grew in popularity and what the shirt symbolizes in Hawaii. And if you want to buy an authentic Aloha shirt, you're in luck because we also share several current makers like Sig Zane, Kahala, Reyn Spooner, and Ted's favorite, Rix Island Wear. Is there a brand that you like? If you like what we do, please share, follow, and like us in your podcast directory of choice or on Instagram @AAHistory101. For previous episodes and resources, please visit our site at https://asianamericanhistory101.libsyn.com or our links at http://castpie.com/AAHistory101. If you have any questions, comments or suggestions, email us at info@aahistory101.com. Segments 00:25 Intro and Catching Up 03:45 The History of the Aloha Shirt 16:02 Expanded Current Events

Asians Represent is back with a charity actual play benefiting AAPI United! Liana facilitated "A Family Affair", a Valor adventure she contributed to Unbreakable: Pathways. Unbreakable: Pathways is a collection of Asian-centric adventures that showcase the intersections of culture, tradition, and experiences utilizing a plethora of Tabletop Roleplaying systems and rulesets. AAPI UNITED is a 501(c)(3) non-profit organization committed to championing the diverse and collective interests of the Asian American and Pacific Islander (AAPI) community. AAPI UNITED aims to address systemic challenges, promote equality, and amplify the voices of the AAPI community. Crew: Liana - @valorliana.bsky.social Steve - @dmsteve.bsky.social Michelle - @kilnfiendpotter.bsky.social Danny - @br00taldan.bsky.social Kevin - @knitnack.bsky.social //SUPPORT  Help us produce new and exclusive content! Join us on Patreon for ad-free audio and exclusive series! ⁠⁠patreon.com/aznsrepresent⁠⁠ Join the conversation on our Discord server | ⁠⁠discord.gg/aznsrepresent⁠⁠ Check out Daniel's new TTRPG, Wandering Blades, at ⁠⁠wanderingblades.com⁠⁠ //SPONSOR  The Asians Represent! podcast is brought to you by HERO FORGE! Visit ⁠⁠HeroForge.com ⁠⁠to start designing your custom miniature today and check back often: new content is added every week! //FOLLOW  Website | aznsrepresent.com  Blue Sky | @aznsrepresent  YouTube | @aznsrepresent  //CONTACT  If you have questions about this episode's themes, suggestions, or anything else related to Asians Represent, get in touch with us at ⁠⁠aznsrepresent.com⁠⁠  //MUSIC Euphoria by PAVALON

Alaska's Perseverance Theatre's Artistic Director Leslie Ishii has the distinction of recently being awarded to prestigious awards: The 2024 Stage Directors & Choreographers Foundation Zelda Fichandler Award and the 2025 Paul Robeson Award. To win either of these honors is remarkable; but to win them both, back-to-back, is nothing short of extraordinary. Here's your chance to get to know why and how this fourth generation Japanese American grew up doing acts of social justice, and when she realized the power that storytelling has to educate and motivate people to act on things that truly matter.

Asian American Pacific Islander Pride is about creating safe spaces.It's also a celebration of culture and identity and visibility, and, for many, a moment to finally feel seen.Indy Pride aims to uplift Asian American Pacific Islander voices within the LGBTQ+ community, voices that are often overlooked.The organization on May 16 had its third annual AAPI Pride Celebration at 10 East Arts Hub, filled with comedians, drag queens, and traditional foods and performances. Castillo Jimenez says this year's celebration had a great turnout with over 60 people celebrating their identity. He is glad that the Asian American Pacific Islander LGBTQ+ community has expanded over the last few years. “Indy Pride started with a not-so-good representation. It was mainly white cisgendered individuals, and, I think, five years to now, we've made diversity and inclusion the center of who we are.”Indy Pride plans to make the 2026 Asian American Pacific Islander Pride celebration even bigger, and hopes the community supports Asian American Pacific Islander LGBTQ+ Hoosiers beyond Pride month in June.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Photo credit for Bobo: Kristine Cofsky Photography Photo credit for Jeremy: Studio Aviva Welcome to Season 5, Episode 22! It's a 2-for-1 episode! Today we have a two of the stars of the re-imagination of The Wedding Banquet, Bobo Le and Jeremy Hoffman. This modernized version of the Ang Lee's classic film is written and directed by Andrew Ahn.  Bobo and Jeremy both come from creative backgrounds. Bobo in dance and martial arts, and Jeremy in music and musical theatre. But lucky for audiences, they've transferred some of that creativity to the screen. In the Wedding Banquet, Bobo plays Kendall, the cousin of Bowen Yang's character. Jeremy plays Marshall the executive director of an LGBTQIA+ non-profit. This is a fun conversation in large part because of the synergy between Bobo and Jeremy. To get more of Bobo and Jeremy, you can follow them on Instagram @bobojle and @therealjerhoffman.  If you like what we do, please share, follow, and like us in your podcast directory of choice or on Instagram @AAHistory101. For previous episodes and resources, please visit our site at https://asianamericanhistory101.libsyn.com or our links at http://castpie.com/AAHistory101. If you have any questions, comments or suggestions, email us at info@aahistory101.com.

Maxwell Lee's Malaysian immigrant parents first put a violin in his hands when he was just three years old, but he soon demonstrated that he had precocious and exceptioinal musical abilities that he would later display as a classical pianist. As he focused on his music in college and graduate school, he seemed destined to make music his career path, either as a performer or an instructor. But after getting married, he dropped music altogether, becoming a successful real estate investor instead. A few years ago, however, he learned that the musician inside of him was slowly waking up. He and his family moved to Taipei, Taiwan, and he secured a coveted 3-year visa for foreign professionals.  This is Part 1 of a special series where Maxwell has graciously agreed to let us tag along with him on his dream to become a professional, performing musician. For now, you can follow him on Facebook. In Part 2, I'll share one of his latest original songs!

As part of MM+M's coverage of AAPI month, reporter Heerea Rikhraj sits down with Sheldon Zhai, president and head of technology and AI at Supreme Group, to chat about his journey as the founder of Supreme Optimization, as well as the future of marketing and AI. Check us out at: mmm-online.com Follow us: YouTube: @MMM-onlineTikTok: @MMMnewsInstagram: @MMMnewsonlineTwitter/X: @MMMnewsLinkedIn: MM+M To read more of the most timely, balanced and original reporting in medical marketing, subscribe here.

May 28, 2025 - Young adult literature is rapidly becoming one of the most popular genres in publishing today. Also increasingly visible are YA novels featuring Asian American and Pacific Islander characters at the forefront, providing insight into the expectations and identity issues many members of the AAPI community experience and offering a unique perspective on these universal themes. Catherine Hong will moderate a discussion between YA authors Claire Ahn and Kat Cho about their latest books, the growing popularity of YA novels with Korean and Korean-American characters, and the shifting views surrounding Asian-American YA novels among both readers and the publishing industry. For more information, please visit the link below: https://www.koreasociety.org/arts-culture/literature/1998-writing-ya-novels-with-claire-ahn-and-kat-cho

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Happy Asian American & Pacific Islander Heritage Month! Even though the Trump Administration has eliminated recognizing cultural heritage months, we are still celebrating diversity and inclusion here at APEX Express and KPFA. We believe in lifting up people's voices and tonight on APEX Express the Powerleegirls are focusing on “Asian American Children's book authors”. Powerleegirl hosts Miko Lee and daughter Jalena Keane-Lee speak with: Michele Wong McSween, Gloria Huang, and Andrea Wang   AAPINH Month Children's Books part 1 transcript Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.   Ayame Keane-Lee: [00:00:49] Happy Asian American and Pacific Islander Heritage Month. Even though the Trump administration has eliminated recognizing cultural heritage months, we are still celebrating diversity and inclusion. Here at Apex Express and KPFA, we believe in lifting up people's voices. And tonight on Apex Express, the PowerLeeGirls are focusing on Asian American Children's book authors. PowerLeeGirl hosts Miko Lee and daughter Jalena Keane-Lee. Speak with Michele Wong McSween, Gloria Huang and Andrea Wang. Thanks for joining us tonight on Apex Express. Enjoy the show.   Miko Lee: [00:01:21] Welcome, Michele Wong McSween to Apex Express.    Michele Wong McSween: [00:01:26] Thank you, Miko. It's nice to be here.    Miko Lee: [00:01:28] I'm really happy to talk with you about your whole children's series, Gordon & Li Li, which is absolutely adorable. I wanna start very first with a personal question that I ask all of my guests, which is, who are your people and what legacy do you carry with you?   Michele Wong McSween: [00:01:45] I would say my people are really my family starting with, my great, great grandparents who came here down to my grandparents, my parents, and onto my children because, to me family is. The reason why I created Gordon & Li Li in the first place, it was really to bridge that connection for my children. I didn't grow up feeling that connected with my culture because as a fourth generation Chinese American, I was really in the belief that I'm American. Why do I need to know anything about my culture? Why do I need to speak Chinese? I never learned. As a sidebar to that, I never learned to speak Chinese and it didn't really hit me until I had my own kids that I was really doing a disservice to not only my kids, but to myself. my people are my family. I do this for my kids. I do this to almost apologize to my parents for being so, Disrespectful to my amazing culture and I do it for the families who really want to connect and bridge that gap for their own children and for themselves.    Miko Lee: [00:02:53] And what legacy do you carry with you?    Michele Wong McSween: [00:02:55] Again, my family. My, great grandparents. Really. Started our family's legacy with the hard work and the prejudices and all the things that they endured so that we could have a better life. And I've always felt that it is my responsibility to teach my own kids about the sacrifices that were made and not to make them feel guilty, but to just make them appreciate that we are here. Because of the the blood, sweat, and tears that their ancestors did for them. And so we are, eternally grateful for that. I think it's important for us to continue that legacy of always doing our best, being kind and doing what we can do to further the experience of not just our family, but the people in our community that we connect with and to the greater world.    Miko Lee: [00:03:43] when you were growing up, were your parents speaking with you in Chinese and did you hear about your great grandparents and their legacy? Was that part of your upbringing?    Michele Wong McSween: [00:03:52] I heard about my great grandparents in the stories that my mom told us, but to be quite honest, I wasn't receptive to really digging deep in my cultural understanding of. my great-grandfather and what he went through. I know mom, I know he came over in 19 whatever. I know he brought over all these young sons from his village, but I really didn't fully take it in and. No, I didn't hear Chinese spoken in the house much. The only time my parents spoke it was to each other so that we didn't know what they were talking about. They had like this secret code, language. My experience with my language was not, That positive. we did attempt to go to Chinese school only to be teased by all the other kids because we didn't speak it. It didn't end up well. my mom ended up pulling us out and so no, we were really not connected all that much to the language.   Miko Lee: [00:04:48] I can really relate to what you're saying. As a fifth generation Chinese American, and my parents their ancestors came from different provinces, so their dialects were so different that they even spoke to each other in English. 'cause they couldn't understand each other in Chinese. So it happens so often. Yeah. Yeah. And so I really relate to that. I'm wondering if there was an epiphany in your life or a time where you thought, oh, I. I wish I knew more of those stories about my ancestors or was there some catalyst for you that changed?   Michele Wong McSween: [00:05:17] All of this really kind of happened when I moved to New York. I, you know, raised in Sacramento, went to college in the Bay Area, lived in San Francisco for a while with a job, and then I eventually moved to New York. And it wasn't until I came to New York and I met Asians or Chinese Americans like me that actually spoke Chinese and they knew about cool stuff to do in Chinatown. It really opened my eyes to this new cool world of the Chinese culture because I really experienced Chinatown for the first time when I moved to New York. And it was just so incredible to see all these people, living together in this community. And they all looked the same. But here's the thing, they all spoke Chinese, or the majority of them spoke Chinese. So when I went to Chinatown and they would look at me and speak to me in Chinese and I would give them this blank stare. They would just look at me like, oh my gosh, she doesn't even speak her own language. And it kind of made me feel bad. And this was really the first time that it dawned on me that, oh wow, I, I kind of feel like something's missing. And then it really hit me when I had my kids, because they're half Chinese and I thought, oh my gosh, wait a minute, if I'm their last connection to the Chinese culture and I don't speak the language. They have no chance of learning anything about their language they couldn't go that deep into their culture if I didn't learn about it. So that really sparked this whole, Gordon & Li Li journey of learning and discovering language and culture for my kids.    Miko Lee: [00:06:51] Share more about that. How, what happened actually, what was the inspiration for creating the Children's book series?    Michele Wong McSween: [00:06:58] It was really my children, I really felt that it was my responsibility to teach them about their culture and language and, if I didn't know the language, then I better learn it. So I enrolled all of us in different Mandarin courses. They had this, I found this really cute kids' Mandarin class. I went to adult Mandarin classes and I chose Mandarin because that was the approved official language in China. I am from Taishan, My parents spoke Taishanese, but I thought, well, if Mandarin's the official language, I should choose that one probably so that my kids will have at least a better chance at maybe some better jobs in the future or connecting with, the billion people that speak it. I thought Mandarin would be the way to go. When I started going to these classes and I just realized, wow, this is really hard, not just to learn the language, but to learn Mandarin Chinese, because we're not just talking about learning how to say the four different tones. We're talking about reading these characters that if you look at a Chinese character, you have absolutely no idea what it sounds like if you're, if you're learning Spanish or French or German, you can see the letters and kind of sound it out a little bit. But with Chinese characters. No chance. So I found it extremely difficult and I realized, wow, I really need to support my kids more because if I am going to be the one that's going to be bridging this connection for them, I need to learn more and I need to find some more resources to help us. when we would have bedtime story time, that whole routine. That was always the favorite time of my kids to be really, quiet and they would really absorb what I was saying, or we would talk about our days or just talk about funny things and I realized, wow, these books that they love and we have to read over and over and over again. this is the way that they're going to get the information. And I started searching high and low for these books. back in 2006, they didn't exist. and so I realized if they didn't exist and I really wanted them for my kids, then I needed to create them. That's the impetus, is there was nothing out there and I really wanted it so badly that I had to create it myself.   Miko Lee: [00:09:09] Oh, I love that. And I understand you started out self-publishing. Can you talk a little bit about that journey?    Michele Wong McSween: [00:09:15] I'm glad I didn't know what I know today because it was really hard. luckily I had, A friend who used to work for a toy company, it was all through connections. there was nothing really on Google about it. there was no Amazon print on demand. There were none of these companies that provide these services like today. So I just kept asking questions. Hey, do you know a toy manufacturer in China that maybe prints books? Do you know a company that could help me? get my books to the states. Do you know an illustrator that can help me illustrate my books? Because I had gone to fashion design school, but I had not learned to illustrate characters or things in a book. So asking questions and not being afraid to ask the questions was really how I was able to do it because, Without the help of friends and family, I wouldn't have been able to do this. I had all my friends look at my books, show them to their kids. I had my kids look at them, and I kind of just figured it out as I went along. Ultimately when I did publish my first book, I had so much support from my kids' schools. To read the books there, I had support from a local play space for kids that we would go to. I really leaned on my community to help me, get the books out there, or actually it was just one at the time. Two years later I self-published two more books. So I had three in total. no one tells you that when you self-publish a book, the easy part is actually creating it. The hard part is what comes after that, which is the pr, the marketing, the pounding, the pavement, knocking on the doors to ask people to buy your books, and that was really hard for me. I would just take my books in a bag and I would explain my story to people and I would show them my books. sometimes they would say, okay, I'll take one of each, or Okay, we'll try it out. and slowly but surely they would reorder from me. I just slowly, slowly built up, a whole Roster of bookstores and I kept doing events in New York.    I started doing events in Los Angeles and San Francisco, and through that I gained some following, some fans and people would tell their friends about me. they would give them to their nieces they would give them to their cousin's kids, or, things like that. I knew that I had to do it because my ultimate goal was to have Scholastic be my publisher. That was my ultimate goal. Because they are the publisher that I grew up with, that I love that I connected with, that I was so excited to get their book club, little flyer. I would check off every book that I wanted. And my mom never said no. She always let me get every single book I wanted. I realize now that that's what really Created the love of books for me is just having access to them and, going to the libraries and seeing all these books on the bookshelves and being able to take them out and read them on the spot. And then if I loved them enough, I would check them out and take them home and read them over and over. So it was really, my experience, having that love for books that I thought, oh gosh, it would be a dream. To have Scholastic become my publisher. So after 10 long years of events and community outreach and selling to these bookstores, I finally thought, okay, I've sold, about 17,000, 18,000 books. Maybe, maybe now I can take my series to them. I also had created an app. Maybe I can take this to them and show them what I've done. Maybe they'll be interested in acquiring me. And I got an appointment with the editor and I pitched my books on my app and within a couple of days they offered to acquire my books, which was my dream come true. So anyway, that was a very long story for how self-publishing really is and how ultimately it really helped my dream come true.    Miko Lee: [00:13:08] Now your books are on this Scholastic book, fair Circuit, right?    Michele Wong McSween: [00:13:13] Yes, they are. Well, it's actually just one book. They took the three books, which were everyday Words. Count in Mandarin and learn animals in Mandarin. They took all three books and they put them in one big compilation book, which is called My First Mandarin Words with Gordon & Li Li. So it's a bigger book. It's a bigger board book. Still very, very sturdy and it's a great, starter book for any family because it has those three first themes that were the first themes that I taught my own boys, and I think. It just, it's very natural for kids to want to learn how to count. animals were, and my kids were animal lovers, so I knew that that's what would keep them interested in learning Mandarin because they actually loved the topic. So, yes, my first mandarin words with Gordon & Li Li does live on Scholastics big roster.   Miko Lee: [00:14:01] Fun. Your dream come true. I love it. Yeah. Thanks. And you were speaking earlier about your background in fashion design. Has there been any impact of your fashion design background on your voice as a children's book author?   Michele Wong McSween: [00:14:14] I don't know if my background as a fashion designer has had any impact on my voice. I think it's had an impact on how I imagined my books and how I color my books and how I designed them because of working with, you know, color palettes and, and putting together collections I can visually see and, can anticipate. Because I have that background, I can kind of anticipate what a customer might want. And also, you know, speaking with people at my events and seeing what kids gravitate to, that also helps. But I think there's so much more to being an author than just writing the books. You know, when I go to my events, I have a table display, I have setups, I have props, I have, I actually now have a, a small. Capsule of merchandise because I missed designing clothes. So I have a teeny collection of, you know, sweaters, hoodies, onesies, a tote bag, and plushies   Miko Lee: [00:15:04] they're super cute by the way.    Michele Wong McSween: [00:15:06] Oh, thank you. So, you know, fashion has come in in different ways and I think having that background has really helped. kind of become who they are    Miko Lee: [00:15:17] Can you tell us about the latest book in the series, which is Gordon and Li Li All About Me. Can you tell a little bit about your latest?   Michele Wong McSween: [00:15:25] Gordon & Li Li All About Me is really, it's, to me, it's. I think my most fun interactive book because it really gets kids and parents up and out of their chairs, out of their seats and moving around. And you know, as a parent, I always would think about the kind of books that my kids would gravitate towards. What would they want to read and what as a parent would I want to read with my kids? Because really reading is all about connection with your kids. That's what I loved about books is it gave me a way to connect with my kids. And so a book about body parts to me is just a really fun way to be animated and get up and move around and you can tickle and, and squeeze and shake it around and dance around. And, you know, having three boys, my house was just like a big energy ball. So I knew that this book would be a really fun one for families and I have two nieces and a nephew, and I now, they're my new target market testers, and they just loved it. They had so much fun pointing to their body parts and the book ends with head, shoulders, knees, and toes in English and in Mandarin. And so of course. Every kid knows head, shoulders, knees, and toes in English. So we sing that. We get up, we point to our pottered parts, we shake it around, we dance around. And then the fun part is teaching them head, shoulders, knees, and toes in Mandarin because they're already familiar with the song. It's not scary to learn something in Mandarin. It just kind of naturally happens. And so I think the All About Me book is just a really fun way to connect with kids. I've actually launched it at a couple of events already and the response to the book has been overwhelming. I was at the Brooklyn Children's Museum and even the president of the museum came and did the head shoulders. Knees and toes, songs with us. It was so much fun. Everybody was dancing around and having a great time. So I'm just really, really excited for people to pick up this book and really learn about the body. It's, you know, body positivity, it's body awareness, and it's just a great way to connect with your kids.   Miko Lee: [00:17:31] So fun. I, I saw that you're recently at the Asian American Book Con. Can you talk a little bit about that experience?    Michele Wong McSween: [00:17:38] Oh, that was great. That was the first of its kind and. I led the entire author segment of it. I would say individual authors. There were, there were, publishing companies that brought in their own authors, but I was responsible for bringing in the independent authors. And so I think we had about eight of us. There were Indian, Korean, Chinese, Taiwanese, and we all came together for this one really special day of celebrating our voices and lifting each other up. And there was so much energy and so much positivity in that event, and I. Actually was just thinking about reaching out to the organizers last year and seeing if we could maybe do, part two? So, I'm glad you brought that up. It was a really positive experience.    Miko Lee: [00:18:27] So we're celebrating the end of Asian American Pacific Islander Native Hawaiian month. Can you tell us why this month is important to you?    Michele Wong McSween: [00:18:36] When you have something designated and set aside as, this is the month that we're going to be celebrating Asian American Native Hawaiian Pacific Islander heritage all month long, I think it kind of perks up. People's ears and they think, oh wow, this is a great opportunity for me to see what's happening in my community. I think it just brings the awareness to. The broader community and ultimately the world. And I think when we learn about each other and each other's cultures, it brings us closer together and makes us realize that we're really not that different from each other. And I think when there are so many events happening now it peaks the interest of people in the neighborhood that might otherwise not know about it and it can, really bring us closer together as a community.   Miko Lee: [00:19:27] Michelle Wong McSween, thank you so much for joining me on Apex Express. It's great to hear more about you and about your latest book Gordon & Li Li and the entire series. Thank you so much.    Michele Wong McSween: [00:19:39] Thank you, Miko   Jalena Keane-Lee: [00:19:40] Thank you all so much for joining us. I'm here with Gloria l Huang, author of Kaya of the Ocean. Thank you so much for joining us, Gloria.    Gloria Huang: [00:19:48] Oh, thanks so much for having me here.    Jalena Keane-Lee: [00:19:50] So first off, one question that we're asking all of our guests on our show tonight is, who are your people? However you identify, you know, your community, your ancestors, and what legacy do you carry with you?    Gloria Huang: [00:20:01] Oh, that's such a good question. So I am my heritage is Chinese. My parents were born in China and then grew up in Taiwan. And I myself was actually born in Canada. But then moved the states pretty young and and American Canadian dual citizen and now, but I, my heritage plays a lot into my. Kind of my worldview. It really shaped, how I grew up and how I saw things. And so it features very prominently in my writing and in my stories as you could probably tell from Kaya the ocean.    Jalena Keane-Lee: [00:20:34] Yes. And I love the book so much. It was such a    Gloria Huang: [00:20:37] thank you,    Jalena Keane-Lee: [00:20:38] amazing read. And I'm also half Chinese and love the ocean. Just love the beach so much and have always felt such a connection with the water. I don't wanna give away too much things about the book, but I was wondering if you could talk about your inspiration for writing it and a little bit about, setting and everything.   Gloria Huang: [00:20:56] Of course. So the inspiration for the book actually started I came up with the idea when the world was first emerging from the pandemic and I was seeing a lot of people obviously experiencing a lot of anxiety, but a lot of children very close to me in my life. And they were experiencing it for the first time, which was can be so difficult. I remember when it happened to me and there's just this tendency to. Worry that there's something wrong with you or that you've done something and you feel so alone. And so I remember standing by the ocean one night actually and thinking that I'd really love to write a book about a girl who is struggling with. The anxiety just to be able to send a message to all these kids that there's nothing wrong with them. They're not alone and really all parts of who they are. Even the parts they might not love so much are important parts of these amazing, beautiful, complicated people. They are. So that was the inspiration for that part of the story, the setting. I was very inspired. As you mentioned, the ocean is a huge inspiration to me. It actually comes into my mind, a lot of my stories and someone pointed that out once and I was like, you're right, it does. And I think part of it is that I love the ocean. I love the beach. I love being there, but I'm also so in awe of this powerful thing that, you know, where we know so little about it. It is. There's so much mystery to it. It can look so beautiful on the surface and be so dangerous underneath. I love it as a metaphor. I love it as a part of nature. So I think that was a huge part of why I wanted to incorporate that, especially because I think it also plays well into the metaphor for how some people experience anxiety and you can be calm on the surface, but so much is happening underneath.    Jalena Keane-Lee: [00:22:29] Absolutely. Yeah. Those interplay with each other and are metaphors for each other in such a beautiful way, mirror the experience. Yeah. I wanted to talk a little bit more about anxiety and particular, as a young Asian American girl the cultural specificity of having anxiety as a young Asian American woman.    Gloria Huang: [00:22:46] Yes I definitely think it's no coincidence. I think that anxiety often goes hand in hand with perfectionism and pressure and I, many people feel that kind of pressure, but certainly a young Asian girl especially with immigrant parents, will feel specific kind of pressure. And so I was really trying to portray that, Somebody once said to me, they were like, oh, I really like how Kaya on the surface seems so put together. She's, got really good grades. She works really hard at school. She's close to her parents, but there's all this going on underneath. And I actually think that's not unusual in terms of that experience for Asian American children of immigrants, and especially if you're female I was really trying to. Tease that out. And then in addition I think there's a tendency, and this might exist in other cultures as well, but in Asian culture, at least in my family history there's a tendency not to really want to talk about mental health. There was a, there's a joke in my family that my parents thought anything could be solved with good sleep and good nutrition, like anytime you had any problem. And I think that there is a, there's a. resistance to feeling like your child can be struggling in a way you can't help them. So I, really wanted to touch on that, part of the cultural pressures at play in kaya's life.    Jalena Keane-Lee: [00:23:59] And you did so beautifully and it was very relatable, as a anxious Asian girly. And also just, the discussion of big feelings and somehow, having inklings that you may be more powerful than you even realize, but the kind of like emotions that come with that too.    Gloria Huang: [00:24:15] Yes. I think that's a huge part of it is that like when you experience these huge feelings they feel powerful, know, in a negative way. But what I was really trying to get at was, there is also power in accepting these parts of yourself and realizing that They can make up this powerful being that you are, even if you might not love them in that moment.    Jalena Keane-Lee: [00:24:34] Yeah. I felt very seen by the book and I, couldn't help but wonder wow, what would it have been like if I had read this when I was, 13 or 12 or kind of Closer to the age of the characters in the book.   Gloria Huang: [00:24:45] Thank you so much for saying that it actually means a lot because a lot of my motivation when I do write these books is to write for people who are either of that age or, wish they had a book like that at that age, which is also how I feel a lot about books nowadays and oh, I, I'm so glad that exists. I wish that had been around when I was that age.    Jalena Keane-Lee: [00:25:03] Yes. Were there any books that really set an example for you that either you read, maybe when you were, in the young adult. Age range or that you've read now as an adult where you're like, okay, this is definitely the audience that I wanna be writing for.   Gloria Huang: [00:25:17] Definitely. I actually love this question 'cause I'm a big reader and so I love talking about books . When I was a kid, middle grade books were my gateway into my love of reading. So I still remember a lot of my favorite books, but I would say a recent book, it's actually maybe not that recent now, it's maybe a couple years old, but a book that really. Had an effect on the middle grade book was when you trap a tiger by Tae Keller and it explores. The kind of Korean experience, but also through the prism of kind of understanding generational grief. And it was just so beautifully done and really made an impact on me. So that was one recently that I thought was really powerful. And, I was like, this is an important book. This is definitely a book I would've loved as a child. When I was younger and I was reading books, there were three books that meant a lot to me. One was called the true confessions of Charlotte Doyle, and it was like a swashbuckling adventure story starring a girl, which was, at that time not very common. And it was, it meant, it was so earth shattering to me to be able to see a female character in that role. So that was great. There's a book called. Homecoming by Cynthia Voigt. And it's an adventure story and it also stars. The main character is a very strong female character and Tuck everlasting, which I just think is a beautiful book. It's also female characters. Now I'm saying it out loud. They are all female main characters. And all about, existentialism and adventure and things that, it was important for me to see. Female characters exploring. But I did also wanna say that when I was reading middle grade books, some of my favorite books included a series called, babysitters Club, which I think that they've redone now as a graphic novel. And that was actually really important, not necessarily for the stories, but because there's a character named Claudia Kishi who. Was a Japanese American character and she absolutely shattered the minds of, I think all kids that age were Asian descent and female in reading these books because there just wasn't a character like her before that, she was so cool and artistic but she had immigrant parents and she had a sister who was very good at math and they didn't get along and she loved junk food and she was. So incredibly nuanced and it was just not something that we saw back then. So that really inspired me, I think, to want to add to the diversity of voices. And thankfully there are many more diverse voices now than when I was reading.    Jalena Keane-Lee: [00:27:30] I love that. And I also feel like books that you read at that age, they stay with you forever.   Gloria Huang: [00:27:35] They really do.    Jalena Keane-Lee: [00:27:35] And they shape so much of like your worldview and your friendships. And I'm curious, 'cause I know the book was released this year in January. Mm-hmm. So what has it been like for you on your book tour and what's been some other responses that you've heard? I.    Gloria Huang: [00:27:48] It's been really great. It was so exciting to do the book launch and then just the amount of support from the writing community from, my, my kind of network, my agents and my publisher and editor. And also just readers. It's been really great. But one thing I think I wasn't expecting to love quite so much, not because I was expecting to not love it. I just said, it occurred to me that I would feel this way is getting feedback from, child readers is amazing because, I think as writers we love feedback no matter what. And if it's positive feedback, that's even better. But having a child reach out and as some of my friends will send a video of their. Children reacting to the book or they'll, their, let their child type out a text messages and just to hear how the book hits with them and to hear their excitement or to hear that they were moved or to have them want to know what happens next. It meant so much to me because it was, they're the target audience and to have them feel seen in that way was just, it's just the ultimate kind of powerful feeling.    Jalena Keane-Lee: [00:28:51] That is so sweet. Oh my gosh. I can only imagine. And so you're talking about the young readers. Yes. But I'm also curious if you have any advice or thoughts for young writers who might be wanting to share and get similar stories out to the world?   Gloria Huang: [00:29:05] Yeah I definitely do. And one of the. Experiences I've had that's been great is I've been doing, some school visits and I go and I talk about the book, but I actually talk about the writing process. And when I do that, I really talk to the kids. As if they're writers. The one of the first questions I ask is, hold up your hand. If you love writing or you think you want me, you might wanna be a writer someday. And a lot of hands go up and I tell them like, what the publishing process is, what are, the different genre options, what you might wanna consider, how you come up with an idea, how you sit down and write it, how you reach out to an agent. And I am surprised at how. Intensely, they're hanging onto every word and they're insightful questions after it. It shows me that a lot of them are really thinking about this. I think for one of the school visits, I remember someone held up her hand and she said what is the youngest age I. Someone has been able to be published. And I thought that was great. Because they're so inspired and you can tell that, that they're thinking for the first time this is a possibility. I have all kinds of advice during the school visits, the main piece of advice is really. Just that it can be a tough industry. writing is a very isolated process usually. There's a lot of kind of obstacles and there's a lot of gatekeeping. And so I tell 'em that the most important thing they can do is just keep pushing through and not to let any, setbacks stop them, because the ultimate goal is to reach even just one person.    Jalena Keane-Lee: [00:30:24] Absolutely. And what kind of advice do you give around learning how to hone your own voice and also having discipline when it comes to an artistic practice?   Gloria Huang: [00:30:33] Yeah, I think that's such a great question. And I was gonna say this piece of advice is probably more for I. Older writers, but adult writers, I guess I should say. The one thing that I've really been thinking about having published a middle grade book is the very specific and unique experience of writing for middle grade audiences. I think a lot of my friends who write for older audience groups, young adults, adults, They have their own challenges, but one of the things that is different is when they're writing, they are writing for the same target audience. That's also the decision makers. So generally, adults and young adults are picking their own books, and they're speaking to someone who will. Ultimately be the ones to pick up the books where when you're writing for middle grade audiences they're not usually the decision makers. at bookstores, they may or may not be in charge of which book they buy, in. Schools, usually it's a librarian or a teacher. So in some ways you're writing for one audience, but you're also writing a subject matter that you're hoping the decision makers will decide is worthy to put in front of your ultimate readers. So that's one challenge. And then the other challenge is I think middle grade audiences are so. fascinating because they're going through this amazingly unusual time in their lives, whether it's eventful and there's new experiences and that can be exciting, but also scary. So there's a lot to mind in terms of topics, but they are also a mixture of being very sophisticated readers who are on the cusp of being teens. And so there's a healthy dose of, skepticism, but they're still young enough that they. Believe in magic, at least in the literary world. So you, there's a lot of room to play with that. But they also. They sound different. They speak differently than adults. So it's important to get the dialogue, for me I, turn to children in my life, including my own, just to do a check to make sure that the dialogue sounds authentic and something that, people, that kids would say. So a lot of thoughts there, but I think, I've been thinking a lot about middle grade and writing for middle grade, and what a unique experience it is.   Jalena Keane-Lee: [00:32:26] Yeah, that's such a good point about the decision maker and having the multiple audiences, and I'm sure sometimes the decision makers are reading the books too, right? Or reading it with their kids or what have you. For your personal writing practice, are there any upcoming projects that you can share with us? And how do you stay inspired for what I imagine is like the long haul of writing something.    Gloria Huang: [00:32:45] I'm happiest when I have like several projects in the pipeline. So as soon as I am done a book or it's, outta my hands, it's with my agents or my editors. I'm looking to write another book. And I think sometimes I probably overwhelm my amazing book before agents. 'cause I'm like, I'm ready to start another story. And they're like, we're still looking at the book you just sent us. But I, that's very much how. I am happiest. I would definitely say that everybody finds their own rhythm. I'm in some writers groups and some people are incredibly fast drafters and just need multiple projects at a time. And some people are like, no, I need to work on one project and I need to have it to perfection and I'm gonna work on it for a year or two. And I think whatever works for the individual artist, I think is the best kind of process for them. But yes, for me it's very much about having multiple projects. I think I'm most inspired when I have different projects going at the same time. finding your own rhythm, I think is my advice.    Jalena Keane-Lee: [00:33:40] kaya of the ocean has, strong themes and storylines about, myths, mythology, Chinese mythology, and goddesses. I'm curious if you wanna talk any more about that and then also if that shows up in any of the other projects you're working on    Gloria Huang: [00:33:54] Yes, the Chinese mythological water goddess that features. Pretty prominently in Kaya of the Ocean is Matsu. And I find her to be such a fascinating character. She is a real goddess who's worshiped still in Asia. I think. Fishermen often will, pray to her for safe passage when they go out on the water. And my father told me about her when I was younger he told me like the side stories and I thought that was really interesting. But it was only when I started thinking about this book that I thought, I'd love to, I'd love to incorporate her. I hadn't heard about her too much in, in the fictional world, even though I knew she was still like a revered goddess. But I thought it was so cool that she was this strong. I. Strong female figure in a space that didn't always have that, hundreds of years ago. And so I dove into her story a little bit and found out, the story is that she was once a human child who loved to read and then she was afraid of swimming in water until she was older and then she drowned, saving, trying to save some relatives and it was interesting 'cause I'd already started plotting out Kaya and writing Kaya. And so much of her story wove easily into what I had already come up with. Like there, I think she has two sidekicks that were one time enemies that she, made into her friends and I'd already had Kaya written with two friends, Naomi and Ana. So I, there was just so much that I felt was kismet. And it was really fun to be able to weave that story together and fictionalize it. But I think it was also meaningful for me to be able to do that because. When I was younger, I loved reading Greek mythology. the stories are beautiful and they've been redone in beautiful ways, but it definitely was an area where I didn't necessarily see myself reflected. As part of my goal to add to the diversity of voices, I really wanted to feature Chinese mythology and bring those stories in so that. Kids can either see themselves reflected in those stories and or understand a new kind of set of mythology and learn about a new culture.   Jalena Keane-Lee: [00:35:46] Yes. I'm so glad you put it that way because it is, it's such a privilege to have access to, our own I. Cultural stories and knowledge through these, like fun and modern interpretations. Definitely. So I'm so glad that this can provide that.    Gloria Huang: [00:36:00] Oh, thank you. I did realize I didn't answer your other question, which is does it feature my other works? Which so I have sold another middle grade novel and I'm, it's not announced yet. I'm hoping to announce it soon. And I have some other. Books. I'm working on a young adult novel so far. They have not featured Chinese mythology, but I do definitely have a type that my most of my books tend to be contemporary settings, but with elements of speculative. Fantasy, just like the light touch of that and sometimes a little bit of historical elements as well. So they, they definitely all have that similar motif, but so far chi of the ocean is the only one to feature a Chinese mythological goddess.   Jalena Keane-Lee: [00:36:43] Thank you so much for sharing that. I love that. And I really love the relationship that Kaya had with her two friends and just and then also like the cousin that comes and just capturing like the banter amongst, amongst the girls.    Gloria Huang: [00:36:56] Thank you so much. that was really important to me, I think because at the stage that Kaia is in her life the loves of her life really are her two friends, Naomi and Ana, and they feature very prominently in how she learns to cope with her anxiety and her symptoms of anxiety. And so I really, I think that I really wanted to center her their friendship as much as possible. So I'm I'm glad that you saw it that way too.    Jalena Keane-Lee: [00:37:19] Yeah. And I feel like, I mean, it truly is the most important relationship. And so it's nice when works of fiction and yeah, works of fiction, can reflect that in such a beautiful way. I know you mentioned that you have daughters or have children?    Gloria Huang: [00:37:32] I do, yes. I have a son and a daughter. And my daughter actually was quite involved because when I first started writing Kaya, I think she was exactly of the age that she would be the target reader group. And so she actually helped Beta read it. She provided a lot of feedback. She became like a cheerleader. She was definitely involved in the process and I think that was really exciting for her. my son became of the reading age once it came out, so he reads it and he's a big fan too,   Jalena Keane-Lee: [00:38:00] that's so sweet. I love that your daughter was part of the editing process too. That's amazing.    Gloria Huang: [00:38:04] Yeah. Yeah. She loves writing and always says she wants to be a writer herself, so it was really special that she got to be part of this and see it up close.    Jalena Keane-Lee: [00:38:13] Oh wow. Do you think you would do any collaborative projects with her in the future?   Gloria Huang: [00:38:16] It's so funny that you say that. She always suggests that. And then sometimes they'll actually start a Google doc and they'll say, let's write a story together. And we all have, of course, very different writing styles. And then at some point they both actually usually just start reading what I'm writing. And at that point I'm like, this is not collaborative. You have to write as well. So we've had a couple of false starts, but that's always a joke that we're gonna do that together.    Jalena Keane-Lee: [00:38:39] that's so sweet. What else is upcoming for you? I know this is, Asian American and native Hawaiian Pacific Islander month right now, and the episode will come out towards the end of May. So if there's anything else coming up from you for this month or for June or the summer. Yeah. We'd love to hear what you have going on.    Gloria Huang: [00:38:57] Oh, yeah. Today actually Kaya's audio book was released people can listen to it. It was narrated by this amazing, narrator, Cindy K. And so anywhere you find audio books is available. And that was really cool. I've listened to a little bit of it and you, when you write, you hear the words in your head one way, and then it's amazing to hear like another artist do their take on it. So that's really cool. I will be at the Bay Area book Festival at the end of the month of May. There. Doing like different panels and I'll be on a panel. it's about Fantastical Worlds. I'm really excited about that. hopefully we'll be able to announce this other book soon. As you, you may know publishing is a very long lead time it will be a while before it's released, but I think the hope is to release it during, a API month as well just not this year. And working on a young adult novel that hopefully we can go on submission with at some point. But it's an exciting time for sure.    Jalena Keane-Lee: [00:39:51] Wow, that does sound so exciting. I can't wait to hear about your new projects and to continue to read the work that you put out into the world. Is there anything else that you'd like to discuss or talk about?   Gloria Huang: [00:40:01] I think just to say a thank you to you for, having me on here and reading Kaya of the Ocean and really anyone who's been interested in joining Kaya and her friends on their journey. It's just, it's so amazing, I think, to create these characters that become real to you, and then have them become real to other people. I don't have the words to describe how meaningful it is to me, but thank you.    Jalena Keane-Lee: [00:40:24] Thank you for letting us join into the world of Kaya for a little bit 'cause it was very fun and healing and all of the amazing things. And thanks so much for joining us today on Apex Express.    Gloria Huang: [00:40:36] For sure. Thanks so much.   Miko Lee: [00:40:38] Welcome, Andrea Wang, award-winning children's book author to Apex Express.    Andrea Wang: [00:40:43] Thank you, Miko. I'm so happy to be here.    Miko Lee: [00:40:46] Happy to have you. I'd love to start first with a personal question, which is, who are your people and what legacy do you carry with you?   Andrea Wang: [00:40:57] My people are from China. My mother's family belonged to an ethnic minority, called the Haka or the Kaja people, and she and her siblings were. A military family, and we're each born in a different province. And when the Chinese Civil War ended in 1949, they went to Taiwan where she grew up and immigrated to the United States in 1965 or 1966. My father's family are from Guangdong Province, and so I'm Cantonese on that side, although I don't speak any Cantonese. And he went to Hong Kong after the Chinese Civil War. So I am the daughter of Chinese immigrants, second generation Chinese American.    Miko Lee: [00:42:01] And what legacy do you carry with you?   Andrea Wang:[00:42:03]  I carry the legacy of their stories, both the ones that I know and the ones that I don't know yet.    Miko Lee: [00:42:12] Ooh. It sounds like there's lots of juicy things for you still to discover. That is fun.    Andrea Wang: [00:42:16] Yes.    Miko Lee: [00:42:17] Today we're talking about your new book, watercress, can you share what the audience, what the book is about, and then what is your inspiration for this book?    Andrea Wang: [00:42:25] So the book is about a Chinese American girl who is growing up in rural Ohio and her parents spot watercress growing in a ditch by the side of the road, and they immediately pull over and make her enter older brother, get out of the car and get down into the ditch with them and collect this. Vegetable, but to her it's a weed. And so when they serve it to her and her family at dinner, she really is unhappy about this and. For her, picking food out of a ditch has a really different meaning than it does to her parents who survived a lot of hardship in China. And it's not until her mom tells her a story about her childhood growing up in China and spoiler alert, loses a sibling to the famine that the girl begins to understand and better appreciate her parents, her culture, and her heritage.   Miko Lee: [00:43:29] And the inspiration for this book.    Andrea Wang: [00:43:32] So the inspiration is largely my own life. this is a semi autobiographical story. The memory of picking watercress by the side of the road was just something that I couldn't forget, I don't know why this memory continued to haunt me into adulthood. And then after my mom passed away, I started writing down, memories and stories of being with my family in order to maintain a connection to her. When I wrote this, at first it was a personal essay and it just wasn't working. I would put it away and I would occasionally take it out and I would put it away and take it out and work on it again. And it wasn't until I decided to pursue writing for young people that I completely changed the manuscript from a personal essay into a picture book. But at that point it still wasn't working. It was in third person and it wasn't very personal It took me several more years to figure out the heart of the story for me. So it was largely based on my own memories and my mother's childhood stories that she shared with me.   Miko Lee: [00:44:39] Can you share more about the power of memory and the artistic process? 'cause you've written many books and in different genres as well, but can you talk a little bit more about memory and its impact on your work?   Andrea Wang: [00:44:52] Yeah, that's a great question. I tend to write primarily for myself. And to figure out how I felt about certain experiences, how they've changed me, to try and process things I feel like I remember a lot about my childhood. parts of it are very vivid and I like to go back to those. Moments that have stuck with me all these years and explore what it means to me. Like I'm just very curious about why I remember certain things watercress was largely my way of processing my childhood feelings of shame about my family and my culture. I have leaned into that and am still writing stories about identity and the struggle to find our identity. Memory has a lot to do with it. I put myself in every single book.    Miko Lee: [00:45:45] Ooh, that's so interesting. And you're talking a little bit about shame and overcoming that. I'm wondering if you could speak more on, if you feel like memories hold the power to heal.    Andrea Wang: [00:45:56] I firmly believe that memories hold the power to heal. I think that writing watercress and talking about these feelings has really helped me, , heal from, that sort of trauma of not feeling like I belonged as a kid and also that I may have been. Not the nicest kid to my parents, not the most filial, right? And so writing this story was, as I say in the author's note, sort of an apology and a love letter to my parents. So it's been very healing and healing to hear about from all the. People who have read the book and had it resonate with them, the things that they regretted in their lives and hoped to, heal as well.    Miko Lee: [00:46:42] Oh, have you heard that story a lot from adult readers?   Andrea Wang: [00:46:46] I have. They will often tell me about the things that their parents did that embarrassed them. A lot of foraging stories, but also stories about, relatives and ancestors who were sharecroppers or indigenous peoples. And it's just been fascinating how many people connect to the story on different levels. There is that theme of poverty. I think recognizing. That's not often talked about in children's books, I think makes people feel very seen.   Miko Lee: [00:47:14] Yeah. That feeling of shame is really showcased by the illustrator Jason Chin. I mean your young you character kind of has a grumpy look on their face. And it was just so fun. Even in the book notes, Jason Chin, the illustrator, writes about how he combined both the western and eastern style of art, but also his similar cross-cultural background. I'm wondering when you very first saw the artwork and this was kind of young you did anything surprise you by it?    Andrea Wang: [00:47:42] I mean, it's amazing, gorgeous artwork and I was really struck by how he dealt with the flashbacks because when I sold this manuscript, I. Had no idea how an illustrator would deal with how interior it is and, , and how they would tackle those flashbacks. And there's one spread where on the left hand side of the page, it shows the main character's current time and then it morphs across the gutter of the book into. The moms past and her childhood memories in China, and it was just exquisite is really the only way to describe it. It was, it's just brilliant, and amazing. We don't, as picture book authors typically get to work with our illustrators. We often do not have contact with them through the making of a picture book. But in this case. Our editors said since it was such a personal story for me, that he, , felt that Jason and I should collaborate. And so I provided photos, family photos, photos of Ohio, lots of different, , source materials to Jason and would talk to him about the feelings that young me in the book went through. And so the fact that, he was able to take all of that and put it on the page, it was just. Spectacular.    Miko Lee: [00:49:01] Oh, that's so fun. I also understand that you love mythical creatures as you I, and one of your children's books is the Nian Monster, which I love. I'm wondering what is your favorite mythical creature and why?   Andrea Wang: [00:49:15] I. Have been sort of fascinated with the qilin, the, or they call it the Chinese unicorn. Right. Although it looks very different from what we think of a, a European unicorn looks like. Yes. And I think it's because they're supposed to be this really benevolent, creature and Have all sorts of powers and I would love to do more research about the qilin and, you know, incorporate that into a book someday.   Miko Lee: [00:49:42] Ooh, fun. Next book. I love it. you have so many books and I'm really curious about your upcoming book Worthy about Joseph Pierce. I love these as Helen Zia talks about these. MIH moments that are missing in history. And Joseph Pierce was the highest ranking Chinese American man who fought in the Civil War. Some people might recognize this picture of this Chinese American guy in a kind of civil war, uniform. Can you tell us one, when is the book being released and a little bit more about it?    Andrea Wang: [00:50:11] Sure. The book is being released on September 9th, 2025, and it is. A picture book, which we typically think of as for younger readers, but it is 64 pages. So you know, it's an all ages picture book. I think my editor and I would like to say, and it is the story of a Chinese boy born in the, First half of the 18 hundreds in China in Guangdong province, and was sold by his father to an American ship captain named Amos Peck. the reasons for that are, lost to time, right? He left no primary sources behind, there was so much going on in China at the time. Famine war, you know, all of these, Difficult things that his father probably sold him in order to keep the rest of the family alive and as well as give him the opportunity to have a better life. And he did end up in Connecticut. He was raised with the captain's, siblings and sent to school and treated almost like a member of the family except for the fact that he was. Clearly Chinese and there were very few Chinese people in, Connecticut at that time. he joined the Union Army when he came of age and was able to leverage his service into gaining citizenship, which really people of color, weren't really able to do successfully back then. And so. He gained a citizenship. He married, he had a family. He was able to own property and accomplish all these amazing things. Sort of right before the Chinese exclusion Act was, enacted. So he was a very brave guy.    Miko Lee: [00:51:45] It's a wild story and you sent me on a little bit of a rabbit hole, which is fun. Just, looking at Ruth Ann, McCune's. historical piece that there were 10 different Chinese American men in the Civil War, but he was exceptional because he rose to such high ranks. And I just think it's so interesting that, in the 1880 census, he registered as Chinese. But then after the Chinese Exclusion Act in 1882, he listed his race as Japanese in the 1890 census. but he was racialized as white so that he could buy property and everything. Yeah. Can you just talk a little bit about that, like talk about code switching? He like literally changed his race,    Andrea Wang: [00:52:26] right. And people at that time could not tell the difference. Similar to now, people often can't tell different Asian, ethnicities apart. Right. I found actual newspaper articles where Joseph Pierce was interviewed about the battles, that the United States was having with Japan or the battles that Japan was having. He was asked his opinion on what the Japanese government was doing because he told these reporters he was Japanese and that was really the only clue that I had that he, Was code switching that after the Chinese exclusion Act was passed, he felt like he needed to protect himself and his family and he must have cut off his cue because otherwise, you know, that would've identified him immediately as Chinese. So that went into the book. I think it's a powerful moment, right, where he's doing what he has to do to survive and ensure his protection and his family's safety,   Miko Lee: [00:53:25] You have a, a really interesting background. Just having No really, I mean, having done all these different things and I, you know, I think you have a science background too, right? Can you talk about the times that we're living in right now, the political times that we're living in, where our government is banning books that don't align with certain conservative ideologies, where right now certain words are forbodden suddenly. And can you talk a little bit about how that impacts you as a children's book author?    Andrea Wang: [00:53:59] it is very disheartening and discouraging that the current climate is against, people who look like me or other people of color. And as a children's book author, we are experiencing a huge decrease in the number of teachers and librarians who are asking us to come and visit schools, to talk to students, which is horrible because. These young people are the ones who need to learn from books, right? Knowledge is power. And if we are not keeping them informed, then we are doing them a disservice. I think the attacks on our freedom to read are really unjust. and. personally as an author of color, I understand that books like Worthy may end up on some of these banned book lists because it does talk about racism. but these are the stories that we need now, and I'm going to continue writing these stories about the Hidden History, And to talk about these difficult subjects that I think kids understand on some level. but if they're not reading about it in books, then it's hard to spark a conversation with, educators or adults about it. So I think these books that I'm writing, that many of my friends and other children's book authors are writing are providing that. Sort of gateway to talk about, the topics that are so important right now.    Miko Lee: [00:55:29] Thank you so much for sharing, and thank you so much for being on Apex Express today. We appreciate your voice and the work that you're putting out there in the world. Is there anything else you'd like to say?   Andrea Wang: [00:55:39] you know, there's so much to say, I think just to. Stand up for what we all believe in and to, I encourage people to stand up for their intellectual freedom and that of their children.   Miko Lee: [00:55:56] Thank you, Andrea Wang. I appreciate hearing from you and hearing your voice and seeing your work out there in the world.    Andrea Wang: [00:56:03] Thank you so much, Miko. It was a pleasure.   Miko Lee: [00:56:05] Please check out our website, kpfa.org. To find out more about our show tonight. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world because your voices are important. Apex Express is created by Miko Lee, Jalena Keane-Lee, Preti Mangala-Shekar, Swati Rayasam, Aisa Villarosa, Estella Owoimaha-Church, Gabriel Tanglao, Cheryl Truong and Ayame Keane-Lee.   The post APEX Express – 5.29.25 AAPI Children's Books appeared first on KPFA.

Lisa is community organizer, mental health advocate, and proud daughter of Chinese immigrants. As a cofounder of the Asian Mental Health Collective, she's helped raise over $3 million for mental health in her community. As the CEO of Project EmpowerHER, Lisa uplifts the next generation of Asian women leaders through mentorship and funding. On top of all of that, Lisa is aiming for the crown at the Miss Asian Global Pageant in August. But behind all of these accolades is someone who had a harsh upbringing with no direction, someone who experienced discrimination based on her looks, and someone who is just trying her best day after day to see a better future. In commemoration of AAPI and Mental Health Awareness Month, tune in on this newest episode of Back At It as David and Lisa converse about her tramautic past, and instead of using it as a barrier, is turning it as an opportunity for change within herself and future generations of Asian women.TIMESTAMPS:(00:00): Intro(03:17): Why she's so committed to empowering Asians, especially Asian women(08:54): The importance of having safe spaces and resources for Asian mental health(14:05): Her parents finding a better life in America from the cultural revolution in China(18:12): The cycle of resentment to accepting and understanding your parents(25:25): Using the experience of harsh Asian parenting into change for future generations through AMHC and Project EmpowerHER(30:17): Uplifting Asian women by showing how to lead and achieve what they want in life(35:55): Having a strained relationship with her sister growing up(37:47): Being the role model she never had for thr next generation through Project EmpowerHER(41:07): Guiding her mentees without holding their hand(47:26): The Bamboo Ceiling (52:34): Using past generations of women, especially her mother, as motivation to help spur change(57:24): Using pageantry for personal growth and to be an inspiration that narratives change(1:00:11): Reflecting on how hard her life was, yet using the past as an opportunity(1:05:38): What she envisions in the next generation, especially for Asian women(1:09:28): How groups like Asian Mental Health Collective opened the door for Asians to be communicative about their mental health(1:14:20): How competing in Miss Houston Chinatown led to audience members open up about their mental health for the first time(1:19:02): Predicting what problems the next generations will face(1:23:56): Preparing for the coming months(1:25:57): What would previous versions of Lisa think about what you're currently doing?(1:27:28): Socials and wrapping up 

  In honor of AANHPI Heritage Month and Mental Health Awareness Month, join us for an inspiring conversation with Dr. Noel Ramirez, Founder & Director of Mango Tree Counseling & Consulting, an AAPI mental health resource center in Philadelphia.  This episode delves into the unspoken realities of intergenerational trauma, racial microaggressions and macroaggressions, exploring the complex relationship between work, identity, and self-worth for Asian Americans, Native Hawaiians, and Pacific Islanders.  Dr. Ramirez shares powerful insights on how cultural narratives around labor and gratitude impact mental health, the struggle to find language for self-care and boundaries in Asian languages, and the vital importance of witnessing and validating shared experiences.  Discover pathways to belonging, resilience, and finding harmony in a world that often questions our "enoughness." Key topics covered: Navigating racial microaggressions, betrayal trauma, and toxic workplace dynamics for AANHPI individuals and communities. Dissecting the "good enough to work, but not good enough to cultivate" narrative for Asian Americans. Understanding compulsive behaviors rooted in societal expectations and "toxic indebtedness" within AANHPI communities. Examining the absence of self-care and boundary language in some Asian cultures and its impact on well-being. Recognizing the critical impact of racial violence and the power of community healing for Asian Americans. Challenging the "not Asian enough" or "not American enough" identity struggle and cultivating wholeness. Addressing mental health disparities and the vital need for culturally sensitive mental healthcare. Connect with us: Learn more about Noel at https://mangotreecc.com/, via email at noel at mangotreecc.com, or Instagram @mangotree.counseling. Follow Samorn on LinkedIn at https://www.linkedin.com/in/samornselim/. Get a copy of Samorn's book, “Belonging: Self Love Lessons From A Workaholic Depressed Insomniac Lawyer” at https://tinyurl.com/2dk5hr2f.  Get weekly career tips by signing up for our advice column at www.careerunicorns.com. Schedule a free 30-minute build your dream career consult by sending a message at www.careerunicorns.com.

For AAPI month, the More Than Graphics Podcast recently interviewed a close friend of our own podcast team and this sister convo gets ALL the way real sharing Asian American thoughts and experiences

In celebration of Asian American and Pacific Islander (AAPI) Heritage Month, a dynamic group of industry leaders gathered for MediaVillage's fourth annual AAPI Leadership Roundtable to discuss the ongoing evolution of inclusion in the media and advertising sectors. The panel featured Suzie Bao, VP Group Account Director for McDonald's at IW Group; Bernice Chao, Chief Creative Officer at Aster and Founder of Asians in Advertising; Irene Kwak, EVP of Client Growth at Starcom; Jinie Kwak, Executive Director of Global Communications and Marketing at VML; and David Lai, President and Head of Global Data, Analytics & Transformation at Publicis Collective.

In this episode, we kick off Asian American and PacificIslander Heritage Month with a Health Promotion Practice Paper of the Year. Phuc To, Julia Huynh, Dr. Judy Tzu-Chun Wu, Dr. Thuy Vo Dang, Cevadne Lee, and Dr. Sora Tanjasiri discuss where their Photovoice project has taken them. They previously explored their paper in Season 2, Episode 12 before receiving this recognition, and this time they reflect back on wonderful stories of mentorship, growth, permanence, and hope. They remind us of the importance of interdisciplinary work and archiving stories. Check out other ⁠Sarah Mazelis Paper of the Year Award Winners⁠ and ⁠HPP's special collection⁠ of recently published papers, poetry, and podcast episodes ddressing health promotion that centers Asian, Asian American, and Pacific Islander communities and authors. This episode references the article titled "Through Our Eyes, Hear Our Stories: A Virtual Photovoice Project to Document and Archive Asian American and Pacific Islander Community Experiences During COVID-19" by Phuc Duy Nhu To, MA,Julia Huynh, MA, Judy Tzu-Chun Wu, PhD, Thuy Vo Dang, PhD, MA, Cevadne Lee, MPH, and Sora Park Tanjasiri, DrPh, MPH.

A new health care facility on the southeast side of Indianapolis says it's working to break down language barriers and deliver care with compassion.Inside the Chin Family Clinic, patients can find more than just medical care, they can also finding a place that understands them. The clinic, located on Emerson Avenue north of East Stop 11 Road, offers multilingual staff and follow-up care in patients' native languages, which is considered to be an important step for a community where many still struggle to communicate in English.But, the clinic also tackles a silent issue: weight gain after immigration.Chin says many immigrants adapting to American life face drastic dietary changes, such as eating more fast-food, that can lead to higher risks of obesity, diabetes and hypertension.Other services at the clinic include pediatric and women's care, urgent care, labs, routine physicals, and IV infusions, which have been highly requested by patients.Beyond breaking down barriers, the clinic hopes to inspire more culturally specific care across Indiana, including for the growing Chin community. The Chin people are from a group of related tribes that make up one of the major ethnic groups in Myanmar, formerly Burma. Indianapolis is known for having a Chin population of about 30,000.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

As we close out AAPI month 2025, we highlight some relevant organizations doing amazing work in that realm.See omnystudio.com/listener for privacy information.

Jenna and Justin weigh in on some tricky social situations submitted by male listeners. Also, Michelle Williams stops by to catch up and talk about heading to Broadway in the Tony-nominated musical ‘Death Becomes Her.' Plus, Faith Xue, editor-in-chief of Coveteur magazine, shares some top beauty picks in honor of Asian American and Pacific Islander Heritage Month. And, comedian Urzila Carlson joins to discuss her new comedy tour, ‘Just Jokes.'

Carmela Prudencio works at Pacific Arts Movement or Pac Arts, which highlights Asian American and Pacific Islander stories through media arts.

This episode of Ministry Monday is brought to you by Boston College Clough School of Theology and Ministry (CSTM). Boston College Clough School of Theology and Ministry (CSTM) is accepting applications for Courage to Preach: A Post-Master's Certificate. Courage to Preach trains participants to read and interpret Scripture and use it as a foundational collection to preach on contemporary issues, such as racial, economic, and environmental justice. The certificate is completed over 12 months. Learn more at bc.edu/preach. NPM is blessed with a rich community of Asian/Pacific American pastoral musicians that support their parishes and the NPM community at large. Ariel Mayormita, Jose Gallardo and Maria Nieva are all pastoral musicians across the United States. They each demonstrate hospitality, kindness, and a deep Catholic faith in their lives. Today's episode highlights the deep faith and profound hospitality found in AAPI culture, from 500 years of Christianity in the Philippines to today. Our presenters to reflect on this topic today are Ariel Mayormita, Jose Gallardo and Maria Nieva, joining us from New Jersey, Texas, and the Philippines!

https://linktr.ee/Bartenderatlarge?fbclid=PAQ0xDSwKYNv1leHRuA2FlbQIxMAABpxQXKrMJx1fMvwrHYnk-mLVEhm-0XQ-ImKqZBqd5ZN6_w5nhWVrbLw_BejiP_aem_rDrfqHqrX2L49kNrt8ZqdA

Welcome to Season 5, Episode 21! We're really honored to have today's guest Georgette Bhathena, the Chief Programs Officer at The Asian American Foundation. She's here to talk to us about the 2025 STAATUS Index, AKA (Social Tracking of Asian Americans in the United States). Georgette has extensive work experience in the philanthropy and grant-making sector. Prior to joining TAAF, they worked at Zoom as the Global Philanthropy Pillar Lead for Zoom Cares. And that's not the only place that Georgette has left their impact. Georgette has held various roles at both private and not for profit groups including at Tipping Point Community, the San Francisco Foundation, JPMorgan Chase & Co., and Citibank, just to name a few places. And Georgette helped lead the creation of the 2025 STAATUS Index. Now in its fifth year, the data continues to amaze, and sometimes dishearten us. However, the only way to change things is through education and more of us trying to make things better. We highly recommend that you download and read the 2025 STAATUS Index. You can also support TAAF's work through donations and using their resources. If you like what we do, please share, follow, and like us in your podcast directory of choice or on Instagram @AAHistory101. For previous episodes and resources, please visit our site at https://asianamericanhistory101.libsyn.com or our links at http://castpie.com/AAHistory101. If you have any questions, comments or suggestions, email us at info@aahistory101.com.

Original Release Date: Monday 26 May 2025    Description:   It's Memorial Day in the USA. Dean Haglund in Michigan and Phil Leirness in California are joined by Jon Lawlor in New Jersey to discuss New Jersey Transit, the importance of celebrating everyone, and the challenges involved when someone you meet or care about is experiencing memory loss issues. May is also Asian American and Pacific Islander Heritage Month in the USA. To celebrate this, Phil sits down for an in-depth personal interview with a giant of the AAPI community, and a legendary actress who made her mark on stage, one screen, and in voice work. Takayo Fischer has worked in huge movies, with legendary stars, has been a fixture on television for decades, has lent her voice to many animated programs, and has worked on iconic stage projects with major talents of the 20th and 21st Century. The story of how she got to the stage is unlike any other.

In honor of Asian American and Pacific Islander Heritage Month, we'll be sharing three stories from AAPI storytellers - which take place everywhere from a Korean Spa to a crisis hotline. This episode was hosted by Chloe Salmon. Storytellers: Helen Langlee Wyss finds confidence at a jimjilbang. Hari Sanghvi resents the sound of his own voice, until he's able to help someone in crisis. Wendy Suzuki studies memory as a doctor, and finds a new way of looking at her work when she's confronted with her own father's memory loss. Podcast # 920 To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

On this episode of the podcast, we have Andrew Suseno, who I met through his workshop Brotherhood in Motion: Explore Masculinity through Movement & Reflection. It was a powerful space for Southeast Asian men to move through and discuss concepts of strength, manhood, resilience, and care using a framework designed by Moving Rasa. Andrew Suseno is a Chinese-Indonesian American movement artist and Doctor of Physical Therapy, living on Lenapehoking land. Certified in Feldenkrais and Laban Movement Analysis, Andrew is the founder of Moving Rasa, a pioneering initiative that blends indigenous Indonesian philosophy with somatics and improvisational movement to help people reclaim agency and build meaningful connections.Andrew's work centers the Southeast Asian diaspora, including an ongoing Virtual Healing Space for Southeast Asian men in partnership with ManForward, and Moving Rasa Weekend workshops with Kilusan Wellness supporting AAPI communities in the Bay Area. Moving Rasa is a proud recipient of a two-year American Rescue Plan grant, delivering culturally specific healing programs for AAPI survivors of sexual assault nationwide.One participant reflected, “I mourned the colonization of my motherland through the caring touch of my body as land.”Brotherhood in Motion will be offered again on Saturday, May 31st in Philadelphia, and Saturday, June 22nd in New York City 10am - 4pm. You can learn more about the workshop and sign up here!

An assistant field hockey coach at Indiana University is shaping more than athletes: She's helping redefine what leadership looks like in sports.Dani Castro, a Pacific Islander and assistant coach at IU, is breaking barriers in her field, and also paving the way for future leaders.Castro has spent years building up IU's field hockey program, first as a player, and now as an assistant coach.Since returning to her alma mater in 2019, the 2009 graduate helped lead IU to record-setting success. That includes seven shutout victories in one season (a program best) and back-to-back winning seasons for the first time in nearly a decade.But the journey hasn't always been smooth. Early in her coaching career, Castro was often mistaken for head coach Kayla Bashore, who is also of Asian American and Pacific Islander Heritage.Despite being overlooked, Castro has become a visible and vocal leader. She recently shared her story on a university panel called Redefining the Game, focusing on representation, microaggressions, and the importance of inclusion in sports leadership.She hopes her presence sends a clear message to the next generation.Through her role, Castro is paving the way for others, on and off the fieldCastro's message is clear: Representation isn't just important, it's necessary, and it starts with being seen and having a sense of belonging.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

[@2 min] Alright, this week…we go Inside the Huddle with Composer Huang Ruo and librettist David Henry Hwang! Later this month will be the world premiere recording of their first collaboration, An American Soldier will be released, just in time for Asian American and Pacific Islander Heritage Month. [@37 min] Plus, in the ‘Two Minute Drill'…Santa Fe Opera announces their new season where friends of the show abound, Houston Grand Opera is teaming up with an English orchestra, and Eurovision gets in on the AAPI celebration. GET YOUR VOICE HEARD operaboxscore.com facebook.com/obschi1 operaboxscore.bsky.social

From discussing their complicated relationships with food as mixed AAPI folks to dealing with sensory issues and cooking struggles as AuDHD folks, it's all about food this week!PS- if you love the podcast and wanna show support, we'd really appreciate a 5-star review and let us know your favorite episode!

This episode is dedicated to my family, especially my parents, who I appreciate more and more every year for everything they equipped my arsenal for life with. Happy AAPI month! This week, we are diving into my personal experiences as a first generation female Asian American from growing up in the 90s/2000s to understanding how to break generational habits and trauma as an adult. I chat about the obstacles this specific generation of American-born Asians go through from managing expectations to teaching our elders how to be emotionally equipped and break the chain of harmful cultural beliefs. Lastly, we discuss the phenomenon of "woke" culture and how to properly navigate it as a curious outsider and as an Asian American with the capabilities to educate others. Please keep in mind that this is just touching the surface of my experiences. I did my best to summarize. These are also solely my own experiences, so I am not speaking for anyone but myself. 

Erica goes over a nice mix of new YA books by AAPI authors, while Kelly has a great convo with Erin Entrada Kelly and Kwame Mbalia, authors of the new rom-com On Again, Awkward Again. Subscribe to the podcast via RSS, Apple Podcasts, or Spotify. To get even more YA news and recommendations, sign up for our What's Up in YA newsletter! Ready to level up your reading life? Become a Book Riot All Access member and explore our full library of members-only content, including must-reads, deep dives, and reading challenge recommendations. For a limited time, the first 50 new All Access annual members get a FREE copy of Automatic Noodle by Annalee Newitz courtesy of Tor Publishing! Join Book Riot All Access to level up your reading life and claim your free copy of Automatic Noodle. This content contains affiliate links. When you buy through these links, we may earn an affiliate commission. Books Discussed: Eliza, from Scratch by Sophia Lee Fitting Indian by Jyoti Chand, illustrated by Tara Anand Dragonfruit by Makiia Lucier When Devils Sing by Xan Kaur The Summer I Remembered Everything by Catherine Con Morse On Again, Awkward Again by Erin Entrada Kelly, Kwame Mbalia A Universe of Wishes edited by Dhonielle Clayton Black Boy Joy edited by Kwame Mbalia The White Guy Dies First edited by Terry J. Benton-Walker The Black Girl Survives in This One edited by Desiree S. Evans and Saraciea J. Fennell Highly Illogical Behavior by John Corey Whaley Then Again, Maybe I Won't by Judy Blume The Fell of Dark by Caleb Roehrig Darius The Great Is Not Okay by Adib Khorram Gabi, A Girl in Pieces by Isabel Quintero You Should See Me In a Crown by Leah Johnson Goodbye Stranger by Rebecca Stead Shine by Candy Gourlay Hurricane Child by Kacen Callender Hello Universe and Lalani of the Distant Sea by Erin Entrada Kelly Kaya Morgan's Crowning Achievement by Jill Tew Moko Magic: Carnival Chaos by Tracey Baptiste Kwame Mbalia's Freedom Fire imprint (more info) You can follow both Erin Entrada Kelly and Kwame Mbalia on Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices

Asian Americans and Pacific Islanders may have different opinions about cutting federal funding for DEI programs in higher education. AP correspondent Donna Warder as the results of a new poll.

Welcome to Season 5, Episode 20! The Titanic sank over 110 years ago, but people are still fascinated with the disaster. This is especially true when there are new stories that come out about The RMS Titanic that are relatable or pique our curiosity. Hearing about the eight Chinese nationals who were on the Titanic as passengers and the six who survived is one of those moments where we learned something new, and we felt that we could relate to the story. But we wouldn't have known about this obscure bit of ignored history without the work of our guest, Steven Schwankert.  Steven is an award-winning editor and author who seeks adventure and truth. His work researching and writing about the eight Chinese nationals and six survivors of the RMS Titanic resulted in both a documentary (completed by his creative partner Arthur Jones) as well as a new non-fiction book (completed by him)… both entitled The Six.  In our conversation with Steven, we discuss his process of research, some of the narratives that came out of their discoveries, the treatment of the Chinese nationals who survived the disaster, the experience of providing closure for living relatives of these Chinese Nationals, seeking truth, and so much more. The Six book and documentary were both really informative engaging. If you like what we do, please share, follow, and like us in your podcast directory of choice or on Instagram @AAHistory101. For previous episodes and resources, please visit our site at https://asianamericanhistory101.libsyn.com or our links at http://castpie.com/AAHistory101. If you have any questions, comments or suggestions, email us at info@aahistory101.com.

We're honoring AAPI month with one of our favorite local AAPI community leaders, Cynthia Huie, owner of On Waverly, an AAPI gift shop and bookstore in the heart of Chinatown. Cynthia shares her childhood fondness for shrimp chips made at home by her grandfather, her lasting love for the crunchy, salty, airy snack. Cynthia talks about representation through retail, her relationship with her grandparents and how that has led to intergenerational friendships as an adult, and how our kids get to take a lot of things for granted–and that's a good thing! Plus creating community and bringing people back to Chinatown, super cool events series and spaces, and that one time Freesia met a Grammy winner when she was hanging out at On Waverly.

➡️ Join 321,000 people who read my free weekly newsletter: https://newsletter.scottdclary.com➡️ Like The Podcast? Leave A Rating: https://ratethispodcast.com/successstoryDr. Tiffany Moon is a Chinese-American anesthesiologist, entrepreneur, and television personality best known for appearing on The Real Housewives of Dallas. Born in Beijing and raised in the U.S., she earned her medical degree by age 23 and is now an Associate Professor at UT Southwestern. In addition to her medical career, she is the founder of Aromasthesia Candles and Three Moons Wine. A dedicated philanthropist and advocate for AAPI communities, Dr. Moon shares her story of resilience and connection in her upcoming memoir, Joy Prescriptions.➡️ Show Linkshttps://www.instagram.com/tiffanymoonmd/https://www.linkedin.com/in/tiffany-moon-md-fasa-06938455/https://www.tiffanymoonmd.com/ ➡️ Podcast SponsorsHubspot - https://hubspot.com/ Vanta - https://www.vanta.com/scott Federated Computer - https://www.federated.computer Lingoda - https://try.lingoda.com/success_sprintCornbread Hemp - https://cornbreadhemp.com/success (Code: Success)FreshBooks - https://www.freshbooks.com/pricing-offer/ Quince - https://quince.com/success Northwest Registered Agent - https://www.northwestregisteredagent.com/success Prolon - https://prolonlife.com/clary Stash - https://get.stash.com/successstory NetSuite — https://netsuite.com/scottclary/ Indeed - https://indeed.com/clary➡️ Talking Points00:00 – Intro01:34 – The Moment That Changed Everything06:01 – The “Good Asian Daughter” Script08:51 – Breaking Away from Her Parents13:28 – Healing & Finding Joy After Trauma14:39 – Redefining High Performance17:48 – Sponsor Break21:40 – Tiffany's First Taste of Joy30:13 – What Writing Taught Her About Herself32:24 – The #1 Joy-Killing Trait34:30 – Sponsor Break38:35 – Tiffany the Entrepreneur43:15 – Loving the Journey, Not Just the Goal46:57 – Escaping the Scarcity Mindset48:40 – Joy in Her Career53:10 – Comparison: The Thief of Joy1:01:53 – A Lesson for Her KidsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week on the special edition Bruce Lee Foundation takeover of the Bruce Lee Podcast for the month of May, Shannon sits down with her friend, Katie Soo. Katie is a creative force, tech innovator, and passionate advocate for underrepresented voices in storytelling. With a career that spans Hulu, HBO Max, DC Universe, Dollar Shave Club, and more, she has been instrumental in building and launching some of the most iconic and disruptive brands in entertainment and media. But what Shannon admires most about Katie is that behind every strategic move is a deep sense of imagination, heart, and a commitment to mentorship and community. In this episode, Katie talks about how it's been to navigate leadership, tech, and Hollywood as an Asian American woman—and why creating access and pathways for others has always been central to her purpose. Katie was also instrumental in helping Warrior to get a 3rd season at Max so you can thank her, Warrior Fans!  Katie shares how she continues to champion bold, creative storytelling as well as her reflections on the power of mentorship and the importance of holding the door open for others. Katie also has a robust creative life beyond the boardroom — from writing her first children's book, to serving on numerous nonprofit boards, to raising her own family to creating inspiring content on social - Katie is the ultimate community connector, creator and friend to those around her! Tune in and listen to see why Katie is such a powerful reminder that true leadership is grounded in personal passion, a desire to lift others up, and boundless imagination. Show notes and more episodes at Brucelee.com/Podcast  Connect with Katie Soo…. Website:  www.katiesoo.com  Instagram: @katie_soo

Sportscaster and TV personality Erin Andrews continues her week co-hosting alongside Jenna! Also, Bravo personality Daryn Carp breaks down the top five hottest moments in pop culture right now. Then, actor Young Mazino stops by Studio 1A to talk about his role in the upcoming second season of "The Last of Us." And, chef Jordan Andino shares his passion for Filipino cuisine with recipes for beef sinigang and a rich ube tres leches cake.

On this episode of the AACC Podcast, Ray Chang interviews Alice Matagora and discusses the journey of finding belonging and embracing her identity as an Asian American woman within white evangelical spaces. Alice emphasizes the need for communities that embrace and value the full expression of God's kingdom, where individuals can be their authentic selves. When faced with challenges as Asian American Christians in discipleship and leadership development, she emphasizes the importance of true belonging and being fully oneself, rather than fitting in and disowning parts of who we are. Listen in as we explore the question: How do we find true belonging and take up space?    Linked Resources:  https://www.alicematagora.com/   Hosts: Raymond Chang   Guest: Alice Matagora    Engineer: Elliot Koo   Producer: Daniel Harris   Manager: Gracie Hulse   Follow us on IG: @aachristcollab To find out more about AACC's work, donate, or learn more visit asianamericanchristiancollaborative.com.  

Welcome back F.A.B. FAM. This week the ladies sink thier teeth into Ryan Cooglers first original film and instant classic, Sinners! Sinners is a genre-blending horror set in 1932 Mississippi. This haunting tale follows twin brothers returning home to escape their past—only to find something far darker waiting for them... Vampires! As always, the crew pulls no punches, unpacking the film's rich themes: the duality of human nature, the eternal struggle between good and evil, and how racism itself is a real-life horror story. Tune in for a conversation that's as gripping as the film. You won't want to miss this one. Cheers!

A new book spotlights the Asian heritage chefs who have served U.S. presidents for more than a century from Navy stewards to Executive White House chefs. It's titled Asian Heritage Chefs in White House History: Cooking to the President's Taste. Authors Adrian Miller and Deborah Chang discuss the book and the history.

Fresh off the Boston Marathon weekend, we talk about EVERYTHING that happened from Thursday to Marathon Monday, including seeing Kara Goucher and Alysia Montaño, fawning over senior penguins, and getting to bring in the final finishers at the 26.True Marathon!We are also excited to share our FIRST SPONSOR, Pen & Paces! A local, AAPI-woman-owned small business, Pen & Paces is all about supporting every runner in their own, unique running journey.  Check out the bestselling, Custom Bib Kit, which Stef and I wore at the 2024 New York City Marathon! We saw hundreds of runners sporting them out on the course at both the Boston Marathon and the 26.True Marathon this year! The bib kits make it super easy for loved ones and spectators to call out your name and cheer for you!Grab your Pen & Paces Custom Bib Kit for any of your upcoming Spring races, and get 20% off when you use code MAKINGSTRIDES at checkout!We hope you enjoy our Boston Marathon weekend recap, and, as always, we are so grateful that all of you are here! #Keepshowingup and keep making strides in being the change we wish to see!Special thanks to our Audio Engineer, ⁠⁠Mark Kalagayan⁠⁠, from the non-profit, ⁠⁠SPARC Worldwide⁠⁠.The Making Strides Podcast is about building representation and about changing the ways we expect ourselves and others to show up in the running world. If you enjoy this convo please share about us with your friends! And of course, we appreciate your subscribing and leaving a rating and review.#MakingStridesPod#letsFlippindothis#diversewerunShow Notes:01:00 - how Carolyn has been since marathon weekend03:40 - how Stef has been05:50 - Stef's upcoming Spring race plans09:25 - significance of how the marathon weekend overlapped with the 250th anniversary of the start of the Revolutionary War10:35 - Boston Marathon Wreath Ceremony!20:00 - Boston Marathon Expo!24:50 - Stef getting to see the burial site of her 12th-great-ancestor, who was one of the original settlers of the United States42:00 - BAA 5K and the 26.True Marathon58:10 - lululemon Shakeout Run1:02:40 - why we visited the New England Aquarium1:07:50 - Carolyn's morbid pre-marathon tradition1:15:50 - Marathon Monday!1:33:30 - our first SPONSOR announcement!Links:Pen & Paces code MAKINGSTRIDES for 20% offFind Stef ⁠⁠⁠here⁠⁠⁠Find Carolyn ⁠⁠⁠here⁠⁠⁠ and ⁠⁠⁠here⁠⁠⁠

Welcome to Season 5, Episode 19! Health and wellbeing are so important to people who want to live a more productive and fulfilling life. So it's such a thrill that today's guest is Michelle Jungmin Bang who is an award-winning eco-entrepreneur, Chivas Venture Social Impact Fellow, and Harvard Business School graduate who spent 16 years living in Asia as a Korean-American from New York City. She is the author of the recently published Sun & Ssukgat, a wellness guide covering her research, interviews, and personal eco-conscious journey in writing about centuries-old well-being traditions she learned about during her time throughout Asia in general and Korea specifically. Ssukgat, or Chrysanthemum greens, are treasured in Korean culture for their healing abilities. In our conversation, Michelle shares some of the healthy habits of Koreans and Asians that are helping them not just live longer, but thrive in the years that many would consider more advanced. She also talks about her own personal journey, some tips for helping us all be more mindful and slow down, and so many other things. Sun & Ssukgat is a great book that's a blend of memoir, recipes, self-help, research, and more. You can find places to buy Sun & Ssukgat on Michelle's website. You can also follow Michelle on Instagram or subscribe to her Substack.  If you like what we do, please share, follow, and like us in your podcast directory of choice or on Instagram @AAHistory101. For previous episodes and resources, please visit our site at https://asianamericanhistory101.libsyn.com or our links at http://castpie.com/AAHistory101. If you have any questions, comments or suggestions, email us at info@aahistory101.com.

Ashlyn So is a remarkable rising star in the design world, already showcasing collections at New York and Paris Fashion Weeks by age 16. She powerfully combines her striking fashion with dedicated activism, driven by the belief that fashion provides both identity and a voice. This conviction fuels her work speaking out against bullying and AAPI/Asian-Hate. In this conversation, host Jay Ruderman and Ashlyn delve into the experience of being an introverted activist, the importance of building supportive communities for change, and how Ashlyn intentionally grows her distinct design work and impactful activism in tandem. Episode Chapters (0:00) intro (0:41) becoming an “accidental activist” (2:44) combating AAPI hate during COVID 19 (6:17) Ashlyn's design origin story (9:30) how Ashlyn integrates her culture and activist causes into designs (12:09) Mental health as a young person with an audience (15:50) How Ashlyn organized a safe and successful rally (22:11) What's next for Ashlyn's design work and activism? (24:22) outro For video episodes, watch on www.youtube.com/@therudermanfamilyfoundation Stay in touch: X: @JayRuderman | @RudermanFdn LinkedIn: Jay Ruderman | Ruderman Family Foundation Instagram: All About Change Podcast | Ruderman Family Foundation To learn more about the podcast, visit https://allaboutchangepodcast.com/ Looking for more insights into the world of activism? Be sure to check out Jay's brand new book, Find Your Fight, in which Jay teaches the next generation of activists and advocates how to step up and bring about lasting change. You can find Find Your Fight wherever you buy your books, and you can learn more about it at ⁠www.jayruderman.com⁠.

Even though New Jersey freshman Senator Andy Kim has already served three terms in the House of Representatives, he still primarily sees himself as a life-long public servant rather than a politician. Prior to becoming a member of Congress, Kim served at USAID, the Pentagon, the State Department, the White House National Security Council, and in Afghanistan as an advisor to Generals Petraeus and Allen. The proud son of South Korean immigrants, Senator Kim also has the distinction of being the first Asian American that New Jersey has elected to the Senate, and the first American of Korean ancestry to be a senator. Many people in the world first came to know about him when a photo of him cleaning up the Rotunda of the U.S. Capitol on January 6, 2021, went viral.

A fatal crash involving a tour bus and SUV shut down the 60 Freeway this morning. This week, the Supreme Court takes up the issue of birthright citizenship more than a century after a Chinese American man born in California successfully defended his right to be in this country. There's a new Pope, so it makes sense that there's now a new Pope sandwich. And more. Support The L.A. Report by donating at LAist.com/join and by visiting https://laist.com Visit www.preppi.com/LAist to receive a FREE Preppi Emergency Kit (with any purchase over $100) and be prepared for the next wildfire, earthquake or emergency!Support the show: https://laist.com

In these uncertain times, we here at Add To Cart will remain steadfast and true every May as we uplift, celebrate and in this episode…create history for our AAPI brothers and sisters. These old Aunties get into the Blackpink fray, deconstruct identity and uplift unsung heroes. Happy AAPI month today, every day, forever and beyond. Please note, Add To Cart contains mature themes and may not be appropriate for all listeners. To see all products mentioned in this episode, head to @addtocartpod on Instagram. To purchase any of the products, see below.See omnystudio.com/listener for privacy information.