Podcasts about ragtime scott joplin

Ragtime evokes images of old-timey saloons and the beginning of the 20th century. The “King of Ragtime” Scott Joplin lived in St. Louis from 1900 to 1902 — during which he published his most popular rags, including “Maple Leaf Rag” and “The Entertainer.” Fast forward to the 21st century: Musician and composer Royce Martin has picked up where Joplin left off with the album, “Memories on Morgan Street.” Royce joins the show to talk about Joplin's influence on his music and how he ties ragtime and hip-hop together to make a new genre he calls “swagtime.”

Tonya is introduced to rag time music, an old-fashioned player piano, and the era's most popular song “The Entertainer,” written by the “King of Ragtime” Scott Joplin.

During his life, Scott Joplin said that people would not appreciate his music until 50 years after his death. And he wasn't wrong, though now he's often called the king of ragtime writers. Research: "Man causes tens of thousands of dollars in damage to Scott Joplin House." St. Louis Post-Dispatch [St. Louis, MO], 4 Oct. 2022, p. A1. Gale OneFile: News, link.gale.com/apps/doc/A721049996/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=a37ef18c. Accessed 21 Mar. 2023. "Scott Joplin." Encyclopedia of World Biography Online, Gale, 1998. Gale In Context: U.S. History, link.gale.com/apps/doc/K1631003443/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=e60386d7. Accessed 21 Mar. 2023. "Scott Joplin." Notable Black American Men, Book II, edited by Jessie Carney Smith, Gale, 1998. Gale In Context: U.S. History, link.gale.com/apps/doc/K1622000255/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=4d8ac701. Accessed 21 Mar. 2023. "Scott Joplin." St. James Encyclopedia of Popular Culture Online, Gale, 2013. Gale In Context: U.S. History, link.gale.com/apps/doc/K2419200616/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=4e235f3d. Accessed 21 Mar. 2023. Albrecht, Theodore. “Joplin, Scott,” Handbook of Texas Online, accessed March 22, 2023, https://www.tshaonline.org/handbook/entries/joplin-scott. Ames, Eric. “Scott Joplin's “Great Crush Collision March” and the Memorialization of a Marketing Spectacle.” The Baylor Digital Collections Blog. 4/19/2012. https://blogs.baylor.edu/digitalcollections/2012/04/19/scott-joplin%E2%80%99s-%E2%80%9Cgreat-crush-collision-march-and-the-memorialization-of-a-marketing-spectacle/ Baumann, Timothy et al. “Interpreting Uncomfortable History at the Scott Joplin House State Historic Site in St. Louis, Missouri.” The Public Historian , Vol. 33, No. 2 (Spring 2011). https://www.jstor.org/stable/10.1525/tph.2011.33.2.37 Berlin, Ed. “Scott Joplin - the man and his music.” The Scott Joplin Ragtime Festival. https://www.scottjoplin.org/joplin-biography.html Berlin, Edward A. “King of Ragtime: Scott Joplin and His Era.” 2nd Oxford University press. 2016. Clark, Philip. “Scott Joplin's ragtime gets its dues.” The Guardian. 1/22/2014. https://www.theguardian.com/music/musicblog/2014/jan/22/scott-joplin-ragtime-josh-rifkin-the-sting Gross, Klaus-Dieter. “The Politics of Scott Joplin's ‘Treemonisha.'” Amerikastudien / American Studies , 2000, Vol. 45, No. 3 (2000). Via JSTOR. https://www.jstor.org/stable/41157951 Kjemtrup, Inge. “Scott Joplin and the history of ragtime.” Pianist. 10/8/2020. https://www.pianistmagazine.com/blogs/scott-joplin-and-the-history-of-ragtime/ Vadukul, Alex. “The Forgotten Entertainer Rag.” New York Times. 5/24/2018. https://www.nytimes.com/2018/05/24/nyregion/remembering-scott-joplin.html See omnystudio.com/listener for privacy information.

In episodes past, we've learned about composers who've earned titles such as the King of Ragtime (Scott Joplin) or Father of the Symphony (Franz Joseph Haydn). Today we're going to learn about the March King as we kick off a new composer series about American composer John Philip Sousa. Musical Samples You'll Hear in this Episode: SOUSA The Stars and Stripes Forever - "The President's Own" U.S. Marine Band SOUSA Our Flirtation (1880) - "The President's Own" U.S. Marine Band SOUSA Semper Fidelis - "The President's Own" US Marine Band SOUSA Hands Across the Sea (1899) - "The President's Own" United States Marine Band Music Listening Schedule for Episode 67 I've created a YouTube playlist for you with the music discussed in today's episode along with some other arrangements of pieces of ohn Philip Sousa's music. Click here to listen to it. Subscribe & Review in iTunes Are you subscribed to my podcast? If you're not, head on over to do that today so you don't miss an episode. Click here to subscribe in iTunes! If you're feeling extra magnanimous, I would be really grateful if you left a review over on iTunes, too. Those reviews help other families find my podcast learn more about music. Just click here to review, select “Ratings and Reviews” and “Write a Review” and let me know what you love about Busy Kids Love Music. Thanks!

¡Alohaaa, nakamas! Nos hemos hecho de rogar pero aquí estamos de nuevo. Durante estos meses han pasado muchas cosas en One Piece y aquí estamos para comentarlo. Teorías, actualidad del manga y mucha acción es lo que os traemos en este podcast. ¡¿Estáis preparados para la batalla?! Sumario: – Resumen y Comentario de los últimos capítulos del manga de One Piece Capítulos 1011-1024 ¡Spoiler alert! Resumen (min. 0:02:35) y Comentario (0:30:30). – Teorías. Desde las más plausibles a las más locas. (min. 01:11:00). “¿Está Monkey D. Dragon relacionado con el dios Quetzalcoatl?”, “¿Cuáles son los poderes de Dragon? y ¿Cuáles son sus motivaciones?”. – Atención al oyente. (min. 01:20:15) Sección donde respondemos las preguntas de nuestros queridos radionakamas. ¡¡Si nos quieres ayudar dale a like y comenta, nakama!! Recomiéndanos a vuestros amigos y difunde las bondades de este barco radiofónico por las redes. Nos puedes seguir en Twitter: https://twitter.com/PodcastOnePiece Facebook: https://www.facebook.com/podcastonepiece/ Instagram: https://www.instagram.com/podcastonepiece/ Youtube: https://www.youtube.com/channel/UCNIoPh7KBwbi6zCW2Eg4gkg Audio que aparece en el podcast: Ragtime - Scott Joplin, Hawaiian Twilight – Hawaiian Trio, M – Caligine, Bink’s sake (violin) [Creative Commons].

Scott Joplin considered his opera Treemonisha one of his greatest works, but audiences of the time didn't feel the same. As a result, the opera never premiered until decades after it was finished. Theme music is by Daryl Banner: https://darylbanner.bandcamp.com/ Join me and an incredible, growing community living healthier lifestyles in a body positive space with Roy Belzer Fitness: roybelzerfitness.com offer code chronpodcast. To become a member of The Composer Chronicles, click on the following link to Patreon: https://patreon.com/thecomposerchronicles Music for this episode: Strolling in Style by Raymond Grouse Waiting No More by Martin Klem Into the Silence by David Celeste Sources for this episode: King of Ragtime: Scott Joplin and His Era by Edward A. Berlin: https://www.amazon.com/King-Ragtime-Scott-Joplin-His-ebook/dp/B01EXC40D8/ref=sr_1_1?dchild=1&keywords=Scott+Joplin+biography&qid=1600833810&sr=8-1 http://www.guidetomusicaltheatre.com/shows_t/treemonisha.htm --- Send in a voice message: https://anchor.fm/thecomposerchronicles/message

Ya teníamos ganas de volver tras el parón veraniego. Y es que no podemos vivir sin el spoilercast de One Piece, más aún cuando la trama del manga está tan interesante. Avanza poco a poco pero de manera trepidante. Si eres fan de One Piece tienes que escuchar este programa dedicado por y para One Piece, con resumen, tertulia, curiosidades y muchas teorías. ¡Adelante grumete, ponte los auriculares y sumérgete en esta aventura con nosotros! Sumario: – Resumen y Comentario de los últimos capítulos del manga de One Piece Capítulos 984-990 ¡Spoiler alert! Resumen (min. 0:03:30) y Comentario (0:17:00). – Curiosidades. (min. 0:37:15) Los anteriores mangas de Eiichiro Oda: Monsters (Wanted!). – Teorías. Desde las más plausibles a las más locas. (min. 0:54:00). “¿Son los cuernos un indicativo de raza del gigante?". – Atención al oyente. (min. 0:59:10) Sección donde respondemos las preguntas de nuestros queridos radionakamas. ¡¡Si nos quieres ayudar dale a like y comenta, nakama!! Recomiéndanos a vuestros amigos y difunde las bondades de este barco radiofónico por las redes. Nos puedes seguir en Twitter: https://twitter.com/PodcastOnePiece Facebook: https://www.facebook.com/podcastonepiece/ Instagram: https://www.instagram.com/podcastonepiece/ Youtube: https://www.youtube.com/channel/UCNIoPh7KBwbi6zCW2Eg4gkg Audio que aparece en el podcast: Ragtime - Scott Joplin, Hawaiian Twilight – Hawaiian Trio, Super String Theory – Lobo Loco, M – Caligine, Bink’s sake (violin) [Creative Commons].

Louis Armstrong's Big Band YearsGuest: Ricky Riccardi, Director of Research Collections, Louis Armstrong House Museum, and author, “Heart Full of Rhythm: The Big Band Years of Louis Armstrong”His versatiltiy was unmatched: gravelly singing and smooth trumpet tones. Louis Armstrong could move back and forth effortlessly, and he revolutionized both pop singing and big band music. On top of that, he was a civil rights pioneer, despite not being on the front lines marching or making speeches. And through it all, he respected everyone. In fact, he said, you'd have to earn his disrespect.  Scott JoplinGuest: Edward Berlin, author, "King of Ragtime: Scott Joplin and His Era"Jazz wouldn't exist without its predecessor, ragtime, arguably America's first true musical art form. Scott Joplin was the composer of the famous ragtime "Maple Leaf Rag." But what Joplin really wanted in life was to be a classical composer. 

Estamos de vuelta tras el parón navideño con un spoilercast cargadito de One Piece. Un programa de radio dedicado a las aventuras de Luffy y su tripulación. Vuelve el Podcast One Piece en una versión cara a cara y con todas las secciones clásicas. Teorías, curiosidades, resúmenes... ¿qué más se puede pedir? Sumario: – Resumen y Comentario de los últimos capítulos del manga de One Piece Capítulos 956 al 969 ¡Spoiler alert! Resumen (min. 0:03:40) y Comentario (0:32:50). – Curiosidades. (min. 0:55:50) La relación entre Rurouni Kenshin y One Piece. – Teorías. Desde las más plausibles a las más locas. (min. 01:03:10). “¿Qué pasó en el último año de vida de Gold D. Roger?”. – Atención al oyente. (min. 01:08:00) Sección donde respondemos las preguntas de nuestros queridos radionakamas. ¡¡Si nos quieres ayudar dale a like y comenta, nakama!! Recomiéndanos a vuestros amigos y difunde las bondades de este barco radiofónico por las redes. Nos puedes seguir en Twitter: https://twitter.com/PodcastOnePiece Facebook: https://www.facebook.com/podcastonepiece/ Instagram: https://www.instagram.com/podcastonepiece/ Youtube: https://www.youtube.com/channel/UCNIoPh7KBwbi6zCW2Eg4gkg Audio que aparece en el podcast: Ragtime - Scott Joplin, Hawaiian Twilight – Hawaiian Trio, Super String Theory – Lobo Loco, M – Caligine, Bink’s sake (violin) [Creative Commons].

Un mes más nos reunimos en este espacio radiofónico para comentar lo último de One Piece. Un programa de guerrilla, más breve pero con el mismo amor a la pirate opera creada por Eiichiro Oda. ¡Ponte los auriculares o sube el volumen porque el Spoilercast del Podcast One Piece va a comenzar! Sumario: – Resumen y Comentario de los últimos capítulos del manga de One Piece Capítulos 940-943 ¡Spoiler alert! Resumen (min. 0:04:00) y Comentario (0:14:45). – Atención al oyente. (min. 27:45) Sección donde respondemos las preguntas de nuestros queridos radionakamas. ¡¡Si nos quieres ayudar dale a like y comenta, nakama!! Recomiéndanos a vuestros amigos y difunde las bondades de este barco radiofónico por las redes. Nos puedes seguir en Twitter: https://twitter.com/PodcastOnePiece Facebook: https://www.facebook.com/podcastonepiece/ Instagram: https://www.instagram.com/podcastonepiece/ Youtube: https://www.youtube.com/channel/UCNIoPh7KBwbi6zCW2Eg4gkg Audio que aparece en el podcast: Intro Primera Temporada One Piece (edited), Ragtime - Scott Joplin, Hawaiian Twilight – Hawaiian Trio, Super String Theory – Lobo Loco, M – Caligine, Bink’s sake (violin) [Creative Commons].

Few composers dominate a genre of music as completely as did Scott Joplin. From the publication of his iconic Maple Leaf Rag in 1899 onward his ragtime compositions came to serve as the soundtrack of his age. Yet Joplin aspired to be recognized not just as a successful writer of popular tunes but as a respected composer of classical music, an ambition that led him to write a ballet and two operas. In a new edition of his biography of Scott Joplin, King of Ragtime: Scott Joplin and His Era, the eminent ragtime scholar Ed Berlin reveals many new details that sharpen our understanding of Joplin's life and the times in which it was lived. Tracing his life from his childhood in rural Texas to his death in New York City in 1917, he describes Joplin's career as a musician and composer, setting it within the context of an African American community seeking to define its place within American society. Through his extensive research, Berlin sheds new light on Joplin's personal life, his business affairs, and the public reception of his music, helping us to better understand the impact and legacy of this great American artist.

Few composers dominate a genre of music as completely as did Scott Joplin. From the publication of his iconic Maple Leaf Rag in 1899 onward his ragtime compositions came to serve as the soundtrack of his age. Yet Joplin aspired to be recognized not just as a successful writer of popular tunes but as a respected composer of classical music, an ambition that led him to write a ballet and two operas. In a new edition of his biography of Scott Joplin, King of Ragtime: Scott Joplin and His Era, the eminent ragtime scholar Ed Berlin reveals many new details that sharpen our understanding of Joplin’s life and the times in which it was lived. Tracing his life from his childhood in rural Texas to his death in New York City in 1917, he describes Joplin’s career as a musician and composer, setting it within the context of an African American community seeking to define its place within American society. Through his extensive research, Berlin sheds new light on Joplin’s personal life, his business affairs, and the public reception of his music, helping us to better understand the impact and legacy of this great American artist. Learn more about your ad choices. Visit megaphone.fm/adchoices

Few composers dominate a genre of music as completely as did Scott Joplin. From the publication of his iconic Maple Leaf Rag in 1899 onward his ragtime compositions came to serve as the soundtrack of his age. Yet Joplin aspired to be recognized not just as a successful writer of popular tunes but as a respected composer of classical music, an ambition that led him to write a ballet and two operas. In a new edition of his biography of Scott Joplin, King of Ragtime: Scott Joplin and His Era, the eminent ragtime scholar Ed Berlin reveals many new details that sharpen our understanding of Joplin’s life and the times in which it was lived. Tracing his life from his childhood in rural Texas to his death in New York City in 1917, he describes Joplin’s career as a musician and composer, setting it within the context of an African American community seeking to define its place within American society. Through his extensive research, Berlin sheds new light on Joplin’s personal life, his business affairs, and the public reception of his music, helping us to better understand the impact and legacy of this great American artist. Learn more about your ad choices. Visit megaphone.fm/adchoices

Few composers dominate a genre of music as completely as did Scott Joplin. From the publication of his iconic Maple Leaf Rag in 1899 onward his ragtime compositions came to serve as the soundtrack of his age. Yet Joplin aspired to be recognized not just as a successful writer of popular tunes but as a respected composer of classical music, an ambition that led him to write a ballet and two operas. In a new edition of his biography of Scott Joplin, King of Ragtime: Scott Joplin and His Era, the eminent ragtime scholar Ed Berlin reveals many new details that sharpen our understanding of Joplin’s life and the times in which it was lived. Tracing his life from his childhood in rural Texas to his death in New York City in 1917, he describes Joplin’s career as a musician and composer, setting it within the context of an African American community seeking to define its place within American society. Through his extensive research, Berlin sheds new light on Joplin’s personal life, his business affairs, and the public reception of his music, helping us to better understand the impact and legacy of this great American artist. Learn more about your ad choices. Visit megaphone.fm/adchoices

Few composers dominate a genre of music as completely as did Scott Joplin. From the publication of his iconic Maple Leaf Rag in 1899 onward his ragtime compositions came to serve as the soundtrack of his age. Yet Joplin aspired to be recognized not just as a successful writer of popular tunes but as a respected composer of classical music, an ambition that led him to write a ballet and two operas. In a new edition of his biography of Scott Joplin, King of Ragtime: Scott Joplin and His Era, the eminent ragtime scholar Ed Berlin reveals many new details that sharpen our understanding of Joplin’s life and the times in which it was lived. Tracing his life from his childhood in rural Texas to his death in New York City in 1917, he describes Joplin’s career as a musician and composer, setting it within the context of an African American community seeking to define its place within American society. Through his extensive research, Berlin sheds new light on Joplin’s personal life, his business affairs, and the public reception of his music, helping us to better understand the impact and legacy of this great American artist. Learn more about your ad choices. Visit megaphone.fm/adchoices

Few composers dominate a genre of music as completely as did Scott Joplin. From the publication of his iconic Maple Leaf Rag in 1899 onward his ragtime compositions came to serve as the soundtrack of his age. Yet Joplin aspired to be recognized not just as a successful writer of popular tunes but as a respected composer of classical music, an ambition that led him to write a ballet and two operas. In a new edition of his biography of Scott Joplin, King of Ragtime: Scott Joplin and His Era, the eminent ragtime scholar Ed Berlin reveals many new details that sharpen our understanding of Joplin's life and the times in which it was lived. Tracing his life from his childhood in rural Texas to his death in New York City in 1917, he describes Joplin's career as a musician and composer, setting it within the context of an African American community seeking to define its place within American society. Through his extensive research, Berlin sheds new light on Joplin's personal life, his business affairs, and the public reception of his music, helping us to better understand the impact and legacy of this great American artist. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Scott Joplin was one of the most influential musicians and composers in American history. The son of poor black workers in East Texas, he was instrumental in popularizing ragtime music, an early precursor to jazz. Despite his popularity, the critical success and acceptance he craved within classical music circles eluded him, and he died an early death in poverty and obscurity. Nearly 50 years would pass before he became recognized outside of the musical world for his influence on America's music and culture.