Podcasts about Louis Armstrong

Songs include: Don't Sit Under the Apple Tree by Glenn Miller, Chiquita Banana by Xavier Cugat, Blueberry Hill by Louis Armstrong, Beans and Cornbread by Louis Jordan and Huckleberry Duck by Raymond Scott. 

In this crossover episode with Rakeem Shabazz of Wise the Dome TV, Cold War Cinema co-host Anthony Ballas discusses the recent documentary Soundtrack to a Coup d'État (dir. Johan Grimonprez 2024). The documentary explores the weaponization of jazz music during the Cold War, the contradictions of using Black art to mask American imperialism, and the legacy of artists like Louis Armstrong, Max Roach, and Nina Simone. Ballas breaks down how the film links Cold War coups and cultural propaganda to present-day resource extraction in the Congo, and why the documentary's archival style is itself a radical political act. Ballas also discusses his recent piece on the film (co-authored with Gerald Horne), "Antidote to Soft Power: Johan Grimonprez's Soundtrack to a Coup d'État" for Scalawag Magazine.  Please subscribe to the podcast, and don't forget to leave a review! Also, make sure you check out and subscribe to Wise the Dome TV. _____________________ Logo by Jason Christian  Theme music by DYAD (Charles Ballas and Jeremy Averitt).  Please drop us a line anytime at coldwarcinemapod@gmail.com. Happy listening!

Helen and Gavin chat about Titan: The OceanGate Submersible Disaster, Becoming Led Zeppelin, Materialists, and The Life of Chuck, and it's Week 7 of the list of Grammy Record of the Year Winners from 1965, which will be picked from Hello, Dolly by Louis Armstrong, I Want to Hold Your Hand by The Beatles, Downtown by Petula Clark, The Girl from Ipanema by Stan Getz and Astrud Gilberto, and People by Barbra Streisand.

Welcome to our podcast where we discuss and deliberate over memoirs and biographies found in thrift shops. This is a great way to do things as we are not choosing who to read about. We may not be fans of the person, we may never have heard of the person and we never know who we are going to find next...There are only 2 rules to this podcast. The book has to be found in a thrift shop and we are not allowed to talk about the book until we press record, which is sometimes agonising.We have lots of episodes coming up so if you find yourself enjoying our podcast, please be sure to subscribe to be among the first to hear about each episode.

Concert will benefit Beacon exchange program Ten years ago, singer and actor Kelly Ellenwood lost her voice after contracting whooping cough, an ironic twist because for four years she played the part of an opera prima donna who began singing like a frog in The Phantom of the Opera on Broadway. To help regain the vocalizing, in 2016 she joined Stephen Clair (guitar) and Kathleen Bosman (violin, viola) to perform songs by German American composer Kurt Weill and French chanteuse Edith Piaf. On June 22, at 6 p.m., the Saint Rita trio (supported by Nate Allen and Brad Hubbard) will perform a program called Lost & Found at the Howland Cultural Center in Beacon featuring deep cuts and popular songs from the pair's repertoire. The show is a benefit for Beacon High School's German American Partnership Program, established in 2022 with support from the German founders of the Beacon-based software firm Docuware. It brings foreign students to Beacon in October. On June 28, to complete the annual exchange, 18 Beacon teens and two teachers leave for Munich. Ellenwood, known for getting things done around town, got the call and implemented the nuts and bolts with the Parent Teacher Student Organization. This year, with help from the U.S. State Department and the Goethe Institute in Manhattan, the school district took over responsibility for its administration. Growing up in Nebraska, Ellenwood studied in Finland as an exchange student and aimed to be a diplomat, but the arts beckoned. There is no German language program at Beacon High School, she says, but "last year, a bunch of students, led by Skylar Clair, started a German study group and some of the kids are going this year, so this is changing lives." Rita, "patron saint of the impossible," says Ellenwood, is also the name of a new 100-seat music venue at the KuBe Art Center that she and her family plan to open with trombonist Dick Griffin on July 19 in the former high school's band room. Relevant to the concert, Piaf is said to have asked friends "to pray for Saint Rita, patron saint of lost causes" before her death from liver cancer in 1963 at age 47. The June 22 show will include Piaf's most popular song, "La Vie En Rose," which sold 1 million discs in the U.S. when released as a single in 1947. After Mack David translated the lyrics into English in 1950, eight artists charted with it, including Bing Crosby and Louis Armstrong. Weill fused pop and classical music and collaborated with Ogden Nash, Bertolt Brecht and Ira Gershwin, among others. His hits include "Mack the Knife," "Bilbao Song" and "Alabama Song" (covered as "Whisky Bar" on the first album by The Doors). "We do a down-and-dirty version" of the latter, says Ellenwood, which is saying something because the song is about "prostitutes looking for the next trick - sex, drugs and rock 'n' roll - in 1930." The Howland Cultural Center is located at 477 Main St. in Beacon. Tickets are $20 at dub.sh/saint-rita-show.

Welcome to the final Season 04 Episode 4.16 - the "Short Shorts" edition - of Notes from the Aisle Seat, the podcast featuring news and information about the arts in northern Chautauqua County NY, sponsored by the 1891 Fredonia Opera House. Your host is Tom Loughlin, SUNY Distinguished Teaching Professor and Chair Emeritus of Theatre and Dance at SUNY Fredonia. Guests on this episode include: "The Movie Guy" Mr. Paul Preston on the Cinema Series, and Mr. Joseph Newton, director of the Main Street Studios production of Joseph and the Amazing Technicolor Dreamcoat. Notes from the Aisle Seat is available from most of your favorite podcast sites, as well as on the Opera House YouTube Channel. If you enjoy this podcast, please spread the word through your social media feeds, give us a link on your website, and consider becoming a follower by clicking the "Follow" button in the upper right-hand corner of our home page. If you have an arts event you'd like to publicize, hit us up at operahouse@fredopera.org and let us know what you have! Please give us at least one month's notice to facilitate timely scheduling. Time Stamps (Approximate) 01:55 - Paul Preston "The Movie Guy"/Cinema Series 26:55 - Arts Calendar 30:45 - Joseph Newton/Joseph and the Amazing Technicolor Dreamcoat Media Short Shorts, written by Tom Austin, Bill Crandell, Bill Dalton, Bob Gaudio; performed by The Royal Teens, January 1958, ABC-Paramount "Let's Go to the Movies", from the musical film Annie, music and lyrics by Charles Strouse, performed by Ann Reinking; 1982, Columbia Pictures "Summertime", from the musical Porgy and Bess, composed by George and Ira Gershwin, Louis Armstrong, trumpet; 1957 "Any Dream Will Do", from the musical film Joseph and the Amazing Technicolor Dreamcoat, Andrew Lloyd Weber (music) and Tim Rice (lyrics), performed by Donny Osmond; November 1999, Universal Pictures (UK) Limited. "Aquarius/Let The Sun Shine In (The Flesh Falters)", from the musical Hair, music by Gait McDermott, lyrics by Gerome Ragni and James Rado; performed by the 5th Dimension from the album The Age of Aquarius, May 1969, Soul City Artist Links Paul Preston "The Movie Guys.net"   Box Office at SUNY Fredonia Lake Shore Center for the Arts Main Street Studios Ticket Website WCVF Fredonia WRFA Jamestown   BECOME AN OPERA HOUSE MEMBER!

El 9 de junio de 1891 nació en una pequeña población del estado de Indiana uno de los mayores compositores de la historia de la música popular. Clásicos de Cole Porter en grabaciones de Stéphane Grappelli & Yehudi Menuhin ('I get a kick out of you'), Louis Armstrong ('Let´s do it'), Ella Fitzgerald ('Love for sale', I love Paris'), Frank Sinatra ('I´ve got you under my skin', 'Just one of those things'), Tony Bennett & Lady Gaga ('I concentrate on you'), João Gilberto ('You do something to me'), Bebel Gilberto ('Night and day'), Caetano Veloso ('So in love'), Melody Gardot ('Get out of town') y John Coltrane ('Everytime we say goodbye').Escuchar audio

Billie Holidays berättelse börjar på ett slavskepp som färdas i tysthet över Atlanten. Hennes liv är mer än ett liv. Det är en tyngd hon fick bära för andra, och ett system som konstant var emot henne. Detta är berättelsen om en av USA:s främsta sångare genom alla tider.Musikpodden finns även på:Instagram: Musik_poddenSpotify: Musikpodden med Arvid BranderApple podcast: Musikpodden med Arvid BranderKontakt: podcastarvid@gmail.comKällor:För avsnittet om Billie Holiday har researchen hämtats från en kombination av biografier, dokumentärer, akademiska artiklar och kulturjournalistik. Fokus har legat på att både förstå människan Billie – hennes röst, kamp och liv – och den tid och kontext hon verkade i. Här är några av de mest betydelsefulla källorna:Biografier & böckerDonald Clarke – Wishing on the Moon: The Life and Times of Billie HolidayDen enskilt mest omfattande och djuplodande källan. Clarkes bok ger både musikalisk, historisk och psykologisk förståelse för Billie. En stadig ryggrad i arbetet med manuset.Billie Holiday & William Dufty – Lady Sings the BluesBillies självbiografi, medvetet vinklad och mytbildande, men ovärderlig för att förstå hennes röst inifrån.Johann Hari – Chasing the ScreamOm drogpolitikens historia. Innehåller starka delar om Harry Anslingers personliga krig mot Billie Holiday.Angela Y. Davis – Blues Legacies and Black FeminismDjup analys av Billie Holiday som politisk röst, placerad i en större feministisk och afroamerikansk tradition.Artiklar, essäer & akademiska texterNew Yorker, Smithsonian Magazine, NPR och New York TimesArtiklar om Strange Fruit, Holidays betydelse för civil rights-rörelsen, hennes fraseringsteknik och eftermäle.JSTOR & Oxford Music OnlineAkademiska artiklar om jazzens utveckling, improvisation och kvinnliga röster i 1900-talets afroamerikanska musikliv.Billie Holiday Foundation / National Jazz MuseumSmå men informativa biografiska översikter, samt arkivmaterial kring hennes samarbeten och inspelningar.Dokumentärer & filmBillie (2020, reg. James Erskine)En gripande dokumentär baserad på journalisten Linda Lipnacks ofärdiga bokprojekt. Unika ljudinspelningar från intervjuer med Billies närmaste.The United States vs. Billie Holiday (2021, reg. Lee Daniels)Spelfilm som tar fasta på FBI:s roll i hennes liv. Konstnärlig frihet, men relevant för berättelsen om Billie som motståndssymbol.Ken Burns' Jazz (PBS, 2001)Serien behandlar Billies roll i jazzhistorien och jämför henne med samtida giganter som Ella Fitzgerald och Louis Armstrong.Kulturarv & moderna referenserNina Simone, Amy Winehouse och Lauryn HillSamtida (och postuma) artister som refererat till Billie i både musik och intervjuer. Inspiration i både uttryck och livshållning.• •Kanye West – “Blood on the Leaves” (2013)Ett exempel på hur Strange Fruit lever kvar i samtiden – i detta fall samplat till brutal effekt. Hosted on Acast. See acast.com/privacy for more information.

Un triple CD como banda sonora del libro del pianista, crítico de jazz y musicólogo francés Laurent Cugny, antiguo director de la Orquesta Nacional de Jazz y profesor emérito de la Sorbona, 'Une histoire du jazz': Original Dixieland Jazz Band ('Tiger rag'), King Oliver´s Creole Jazz Band ('Canal street blues'), Jelly Roll Morton Red Hot Peppers ('Black bottom stomp'), Louis Armstrong & His Hot Five ('Hotter than that'), Bix Beiderbecke Wolverine Orchestra ('Jazz me blues'), Fletcher Henderson ('New king porter stomp'), Lester Young ('These foolish things'), Count Basie and His Orchestra ('Jumpin´at the woodside'), Duke Ellington and His Orchestra ('Echoes of Harlem'), Benny Goodman Orchestra ('Clarinet a la king'), Dizzy Gillespie and His All Stars ('Hot house'), Charlie Parker Ribop Boys ('Roko'), Bud Powell ('Tempus fugit'), Miles Davis Nonet ('Boplicity'), The Stan Getz Quintet ('Thou swell'), Chet Baker Quartet ('I fall in love') y Dave Brubeck ('Take five').Escuchar audio

STANDAR SEMANAL.-Misterioso.-VINILOS MITICOS DEL JAZZ.sidney bechet - jazz classics vol.2.--JAZZACTUALIDAD.-sergi sirven y david viñolas Sidney Bechet (Nueva Orleans, Luisiana, Estados Unidos, 14 de mayo de 1897-Garches, 14 de mayo de 1959) fue un músico y compositor de jazz estadounidense. Fue el séptimo de los hijos de Josephine y Omar Bechet, quien era zapatero y tocaba la flauta como pasatiempo.[1]​ Se inició en la música de manera autodidacta con el aprendizaje del clarinete a los 6 años de edad, siendo señalado por sus contemporáneos como un niño prodigio en aquel instrumento. Integró una banda familiar llamada "The Silver Bells" dirigida por su hermano Leonard Bechet.[2]​ Posteriormente, integró varias bandas de metales de Nueva Orleans. En 1917 se trasladó a Chicago, donde tocó con Freddie Keppard y Joe "King" Oliver entre otros músicos. En 1919, viajó a Europa junto con la Southern Syncopated Orchestra del director Will Marion Cook, donde además de tocar clarinete, ejecutó una pieza en un pequeño acordeón. La acogida en el continente fue tan entusiasta que no regresó hasta 1922, tres años más tarde. Sus presentaciones en Londres interpretando el Characteristic Blues llamaron la atención del director de orquesta Ernest Ansermet, quien en un artículo publicado en la revista especializada Revue Romande, afirmó : "Sidney Bechet es un genio". Se cree que esta fue la primera crítica periodística sobre un músico de jazz. Estando en Londres, se interesa por el saxofón soprano, instrumento que adoptó y utilizó cada vez con más frecuencia que el clarinete, aunque siempre llevaba consigo un pequeño acordeón, con el cual grabó sólo 2 piezas en 1924: "Wild Man Blues" e "Indiana". De regreso en Estados Unidos en 1922, recaló en la ciudad de Nueva York, donde grabó su primer registro discográfico el 30 de julio de 1923, con la Clarence Williams Blue Five los temas Wild Cat Blues y Kansas City Man Blues. Entre 1924 y 1925 realizó una serie de grabaciones con su colega y compatriota, el trompetista y vocalista de jazz Louis Armstrong, quien también se había integrado a los conjuntos de Clarence Williams dedicados a las grabaciones. Posteriormente, integró la orquesta de la Revue Négre, que acompañó a París a la bailarina y cantante Joséphine Baker en 1925, permaneciendo en Europa hasta 1931, visitando diversos países y pasando 11 meses en una cárcel francesa en 1928, por involucrarse en una pelea entre músicos. Luego de ese incidente, siguió recorriendo Europa y regresó nuevamente a Estados Unidos, para participar brevemente en la orquesta de Noble Sissle, y luego en 1932 formó junto al trompetista Tommy Ladnier un grupo llamado The New Orleans Feetwarmers, con el cual alcanzan a realizar sólo una sesión de grabaciones, pero con 6 títulos de notoria calidad (entre ellos Maple Leaf Rag). Luego de ello, y en medio de la crisis reinante en Estados Unidos, sumado a su escasa popularidad, dada su ausencia tan prolongada del país, se ve en la necesidad de abrir una modesta sastrería en Harlem para sobrevivir. Entre 1934 y 1938 se une nuevamente a Noble Sissle, en cuya orquesta va adquiriendo paulatinamente una participación creciente como solista. De 1938 en adelante, emprende una carrera como líder de agrupaciones diversas, dentro de la corriente del resurgimiento del jazz de Nueva Orleans, tocando y grabando en diferentes ciudades y circunstancias. En 1939, realiza una serie de grabaciones para el recientemente creado sello discográfico Blue Note, de Alfred Lion, entre las que sobresale una versión instrumental del tema clásico del compositor George Gershwin "Summertime". Recreacions tímbriques: de Satie a Mompou SERGI SIRVENT & DAVID VIÑOLAS CD CLÁSICA CONTEMPORÁNEA COLUMNA MUSICA (COM0467 02) 8429977104672 Tras haber llevado a cabo el trabajo discográfico "Recreacions tímbríques: de Mompou a Bartók" (Selffish Records, 2020), el pianista Sergi Sirvent y el baterista David Viñolas se han embarcado en una nueva propuesta musical con el título de "Recreacions tímbríques: de Satie a Mompou". Para realizar este nuevo reto interpretativo, Sirvent y Viñolas se han basado en temas en su mayoría procedentes del compositor francés Erik Satie y del catalán Frederic Mompou así como algunas piezas de autoría propia. Sirvent y Viñolas tejen una interpretación repleta de matices, de sensaciones, de sutilezas, de sonoridades, pero ante todo de música y de hermosura. Un tema que sirve de fiel reflejo del compendio de recreaciones sonoras que pretende el proyecto que lideran tanto Sergi Sirvent como David Viñolas como unidad expresiva a partes iguales y que sin duda alguna suponen dos mitades de un todo

Magic Carpet 45xxxx 0008 Guest - Louis Armstrong, 1st Song - Always 

Billie Holidays berättelse börjar på ett slavskepp som färdas i tysthet över Atlanten. Hennes liv är mer än ett liv. Det är en tyngd hon fick bära för andra, och ett system som konstant var emot henne. Detta är berättelsen om en av USA:s främsta sångare genom alla tider.Musikpodden finns även på:Instagram: Musik_poddenSpotify: Musikpodden med Arvid BranderApple podcast: Musikpodden med Arvid BranderKontakt: podcastarvid@gmail.comKällor:För avsnittet om Billie Holiday har researchen hämtats från en kombination av biografier, dokumentärer, akademiska artiklar och kulturjournalistik. Fokus har legat på att både förstå människan Billie – hennes röst, kamp och liv – och den tid och kontext hon verkade i. Här är några av de mest betydelsefulla källorna:Biografier & böckerDonald Clarke – Wishing on the Moon: The Life and Times of Billie HolidayDen enskilt mest omfattande och djuplodande källan. Clarkes bok ger både musikalisk, historisk och psykologisk förståelse för Billie. En stadig ryggrad i arbetet med manuset.Billie Holiday & William Dufty – Lady Sings the BluesBillies självbiografi, medvetet vinklad och mytbildande, men ovärderlig för att förstå hennes röst inifrån.Johann Hari – Chasing the ScreamOm drogpolitikens historia. Innehåller starka delar om Harry Anslingers personliga krig mot Billie Holiday.Angela Y. Davis – Blues Legacies and Black FeminismDjup analys av Billie Holiday som politisk röst, placerad i en större feministisk och afroamerikansk tradition.Artiklar, essäer & akademiska texterNew Yorker, Smithsonian Magazine, NPR och New York TimesArtiklar om Strange Fruit, Holidays betydelse för civil rights-rörelsen, hennes fraseringsteknik och eftermäle.JSTOR & Oxford Music OnlineAkademiska artiklar om jazzens utveckling, improvisation och kvinnliga röster i 1900-talets afroamerikanska musikliv.Billie Holiday Foundation / National Jazz MuseumSmå men informativa biografiska översikter, samt arkivmaterial kring hennes samarbeten och inspelningar.Dokumentärer & filmBillie (2020, reg. James Erskine)En gripande dokumentär baserad på journalisten Linda Lipnacks ofärdiga bokprojekt. Unika ljudinspelningar från intervjuer med Billies närmaste.The United States vs. Billie Holiday (2021, reg. Lee Daniels)Spelfilm som tar fasta på FBI:s roll i hennes liv. Konstnärlig frihet, men relevant för berättelsen om Billie som motståndssymbol.Ken Burns' Jazz (PBS, 2001)Serien behandlar Billies roll i jazzhistorien och jämför henne med samtida giganter som Ella Fitzgerald och Louis Armstrong.Kulturarv & moderna referenserNina Simone, Amy Winehouse och Lauryn HillSamtida (och postuma) artister som refererat till Billie i både musik och intervjuer. Inspiration i både uttryck och livshållning.••Kanye West – “Blood on the Leaves” (2013)Ett exempel på hur Strange Fruit lever kvar i samtiden – i detta fall samplat till brutal effekt. Hosted on Acast. See acast.com/privacy for more information.

Sanity Lounge Episode 41: John Crocken of Persimmon DrumsticksIn this episode of Sanity Lounge, we sit down with the incredibly talented John Crocken—drummer, craftsman, and creator of Persimmon Drumsticks. We talk about his deep roots in percussion, the evolution of his career, and how his passion for drumming led to designing some of the finest handmade drumsticks on the market.

- Un pequeño paso para el hombre, un gran salto para la humanidad, como dijo Louis Armstrong. - Tu primera tortilla sin romperla. Y es Neil Armstrong, no Louis Armstrong. En un episodio anterior de esta serie te presenté tres reglas del arte de la conversación. #7 Escoge un tema de interés mutuo. #8 Sé alguien que sabe escuchar #9 Adapta tu discurso a tu entorno Consigue el texto en mi web: Unlimitedspanish.com/410-el-arte-de-la-conversacion-4/

Wake up, Sleepyheads! It's the first (official) episode of THE SANDMAN SLEPT HERE. Join Ryan Daly, Paul Kien, and Max Romero as they discuss the first four issues of Sandman Mystery Theatre. See how creators Matt Wagner and Guy Davis introduced a new generation of readers to the Golden Age pulp hero Wesley Dodds, aka the Sandman! What dark and sinister dreams keep Wesley awake at night? Who is the evil kidnapper known as "The Tarantula"? And what makes Wesley's paramour, Dian Belmont, so dang awesome?!! Also, another installment of The Sandman Slept Here's regular feature "The Dream Sequence". Don't sleep on this exciting new podcast! Have a question or comment? Looking for more great content? Leave comments on our website: http://fireandwaterpodcast.com/podcast/sandman0/ Images from this episode: http://fireandwaterpodcast.com/podcast/sandman0g/ Email the show at: justicesocietypresents@gmail.com Keep up with all #JSApril participating podcasters and bloggers: http://fireandwaterpodcast.com/JSApril Subscribe to THE SANDMAN SLEPT HERE as part of the JUSTICE SOCIETY PRESENTS Podcast: Subscribe on Apple Podcasts: https://podcasts.apple.com/us/podcast/justice-society-presents/id1549429702 Don't use Apple Podcasts? Use this link for your podcast catcher: https://feeds.feedburner.com/jsapresents Also available on Spotify, Audible, and Amazon Music Follow JUSTICE SOCIETY PRESENTS on social media: Facebook: https://www.facebook.com/jsapresents Twitter/X: https://x.com/jsapresents Instagram: https://www.instagram.com/jsapresents/ Bluesky: https://bsky.app/profile/jsapresents.bsky.social Threads: https://www.threads.net/@jsapresents This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Like our Fire & Water Facebook page: https://www.facebook.com/FWPodcastNetwork Follow Fire & Water on Twitter/X: https://x.com/FWPodcasts Follow Fire & Water on Bluesky: https://bsky.app/profile/fwpodcasts.bsky.social Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Music: "When It's Sleepy Time Down South" by Louis Armstrong and His Orchestra; "Smoke Gets In Your Eyes" by Paul Whiteman and His Orchestra Thanks for listening! Join the fight… for Justice!

Wake up, Sleepyheads! It's the first (official) episode of THE SANDMAN SLEPT HERE. Join Ryan Daly, Paul Kien, and Max Romero as they discuss the first four issues of Sandman Mystery Theatre. See how creators Matt Wagner and Guy Davis introduced a new generation of readers to the Golden Age pulp hero Wesley Dodds, aka the Sandman! What dark and sinister dreams keep Wesley awake at night? Who is the evil kidnapper known as "The Tarantula"? And what makes Wesley's paramour, Dian Belmont, so dang awesome?!! Also, another installment of The Sandman Slept Here's regular feature "The Dream Sequence". Don't sleep on this exciting new podcast! Have a question or comment? Looking for more great content? Leave comments on our website: http://fireandwaterpodcast.com/podcast/sandman0/ Images from this episode: http://fireandwaterpodcast.com/podcast/sandman0g/ Email the show at: justicesocietypresents@gmail.com Keep up with all #JSApril participating podcasters and bloggers: http://fireandwaterpodcast.com/JSApril Subscribe to THE SANDMAN SLEPT HERE as part of the JUSTICE SOCIETY PRESENTS Podcast: Subscribe on Apple Podcasts: https://podcasts.apple.com/us/podcast/justice-society-presents/id1549429702 Don't use Apple Podcasts? Use this link for your podcast catcher: https://feeds.feedburner.com/jsapresents Also available on Spotify, Audible, and Amazon Music Follow JUSTICE SOCIETY PRESENTS on social media: Facebook: https://www.facebook.com/jsapresents Twitter/X: https://x.com/jsapresents Instagram: https://www.instagram.com/jsapresents/ Bluesky: https://bsky.app/profile/jsapresents.bsky.social Threads: https://www.threads.net/@jsapresents This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Like our Fire & Water Facebook page: https://www.facebook.com/FWPodcastNetwork Follow Fire & Water on Twitter/X: https://x.com/FWPodcasts Follow Fire & Water on Bluesky: https://bsky.app/profile/fwpodcasts.bsky.social Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Music: "When It's Sleepy Time Down South" by Louis Armstrong and His Orchestra; "Smoke Gets In Your Eyes" by Paul Whiteman and His Orchestra Thanks for listening! Join the fight… for Justice!

On today's edition of Music History Today, the legend of Bruce begins, Louis Armstrong Ends the Beatles reign at number one, and the Beatles & the Rolling Stones sign on the dotted line.For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY  PODCAST NETWORK LINKS - ⁠⁠https://allmylinks.com/musichistorytoday⁠

On this week's show, we tell the tale of a jazz great beating the Fab Four, and the passing of a reggae giant, a blues pioneer, The Chairman of the Board, & The Architect of Rock and Roll. We end by celebrating the birthdays of the leader of a rock and roll band and 2 piano men, including one whose nickname is The Piano Man.For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY  PODCAST NETWORK LINKS - ⁠⁠https://allmylinks.com/musichistorytoday⁠

At the Jazz Band Ball is a podcast devoted to jazz from its earliest days through the 1940s. Every show is an exploration of an artist, a venue or an instrument. Louis Armstrong at Connie's Inn in Harlem, Duke Ellington at the Cotton Club, Bix Beiderbecke at the Palace Theatre in Cleveland, and lots more. Join me on Substack, Spotify, Apple, or wherever you listen to podcasts.

En este audio hablamos de: 1. Reflexión sobre la canción "We Have All the Time in the World", interpretada por Louis Armstrong y también por Iggy Pop. Esta canción sirve como punto de partida para reflexionar sobre el tiempo y la vida. 2. La angustia por el paso del tiempo. Con el tiempo, esa angustia se transformó en una percepción positiva del tiempo como algo disponible, no como algo que se pierde. 3. Reemplaza la preocupación por el envejecimiento o los logros con una valoración del simple hecho de estar vivo y sentir profundamente. 4. La experiencia interior se convierte en el logro más valioso. 5. existe la sensación de que el tiempo es suficiente cuando se vive desde el amor y la conexión humana. Música: 1. soundcloud.com/nhamer-garcia/hamer-metamorphosis 2. Valkiria. Nhamer García. https://www.youtube.com/watch?v=IwSu1nKgAo Si quieres invitarme a algo, puedes hacerlo aquí: 1. https://www.ivoox.com/support/36379 2. Paypal: contacto@alvarogomez.info 3. Transferencia a nombre de Álvaro Gómez Contreras en la cuenta: ES98 1491 0001 2930 0007 5447 Si quieres contactarme puedes hacerlo en : contacto@buscadoresdesentido.es

KING OLIVER'S CREOLE JAZZ BAND “CENTENNIAL TRIBUTE TO JOE KING OLIVER” Richmond, Indiana; Chicago, Ill, 1923Dippermouth Blues, Snake rag, Canal Street Blues, Froggie Moore, Chimes Blues (featuring Armstrong's first recorded solo), Zulu's Ball, Chattanooga Stomp, Buddy's HabitKing Oliver, Louis Armstrong (cnt) Honore Dutrey (tb) Johnny Dodds (cl) Lil Armstrong (p) Bud Scott (bj) Baby Dodds (d) BILL COLEMAN “PARIS 1936-1938” November 12, 1937Rose room (1,), Indiana (bc vcl,2,), Bill Street blues (1,*)Bill Coleman (tp,vcl) Stephane Grappelli (vln-1,p-2) Joseph Reinhardt (g) Ernest Myers (b) Ted Fields (d) November 19, 1937I ain't got nobody, Baby, won't you please come home ? Continue reading Puro Jazz 22 de abril, 2025 at PuroJazz.

Canciones que tienen "abril" en el título: 'April in Paris' en grabaciones de Ella Fitzgerald & Louis Armstrong, Kurt Elling y Tierney Sutton -que la une a 'Free man in Paris' de Joni Mitchell- y 'Lost april', 'Dear april', 'April again' y 'April come she will' grabadas por la cantante y compositora estadounidense April Varner. Y Duo GisBranco ('Flor de abril'), Flávio Henrique ('Céu de abril'), Toquinho y Vinicius de Moraes ('As cores de abril'), Zeca Baleiro ('Tarde de abril') y SpokFrevo Orchestra ('Onze de abril').Escuchar audio

You didn't really think we were going to sleep on JSApril, did you?!! The long-awaited premiere episode of THE SANDMAN SLEPT HERE is finally here! Ryan Daly, Paul Kien, and Max Romero wake up to introduce this new semi-regular series on the Justice Society Presents feed. On this episode, the hosts share their introductions and their passion for the character, Wesley Dodds, aka The Sandman, and what drew them to the comic Sandman Mystery Theatre. Then they review the Sandman's first published appearance back in 1939 in the pages of New York World's Fair Comics #1. All that, plus the debut of a feature exclusive to The Sandman Slept Here called "The Dream Sequence". What does that mean? Who created the Sandman? And what does the Sandman look like with his shirt off? You'll have to tune in to find out! Have a question or comment? Looking for more great content? Leave comments on our website: https://fireandwaterpodcast.com/podcast/sandman0/ Images from this episode: https://fireandwaterpodcast.com/podcast/sandman0g/ Email the show at: justicesocietypresents@gmail.com Keep up with all #JSApril participating podcasters and bloggers: https://fireandwaterpodcast.com/JSApril Subscribe to THE SANDMAN SLEPT HERE as part of the JUSTICE SOCIETY PRESENTS Podcast: Subscribe on Apple Podcasts: https://podcasts.apple.com/us/podcast/justice-society-presents/id1549429702 Don't use Apple Podcasts? Use this link for your podcast catcher: https://feeds.feedburner.com/jsapresents Also available on Spotify, Audible, and Amazon Music Follow JUSTICE SOCIETY PRESENTS on social media: Facebook: https://www.facebook.com/jsapresents Twitter/X: https://x.com/jsapresents Instagram: https://www.instagram.com/jsapresents/ Bluesky: https://bsky.app/profile/jsapresents.bsky.social Threads: https://www.threads.net/@jsapresents This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: https://fireandwaterpodcast.com Like our Fire & Water Facebook page: https://www.facebook.com/FWPodcastNetwork Follow Fire & Water on Twitter/X: https://x.com/FWPodcasts Follow Fire & Water on Bluesky: https://bsky.app/profile/fwpodcasts.bsky.social Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Music: "When It's Sleepy Time Down South" by Louis Armstrong and His Orchestra; "Smoke Gets In Your Eyes" by Paul Whiteman and His Orchestra Thanks for listening! Join the fight… for Justice!

You didn't really think we were going to sleep on JSApril, did you?!! The long-awaited premiere episode of THE SANDMAN SLEPT HERE is finally here! Ryan Daly, Paul Kien, and Max Romero wake up to introduce this new semi-regular series on the Justice Society Presents feed. On this episode, the hosts share their introductions and their passion for the character, Wesley Dodds, aka The Sandman, and what drew them to the comic Sandman Mystery Theatre. Then they review the Sandman's first published appearance back in 1939 in the pages of New York World's Fair Comics #1. All that, plus the debut of a feature exclusive to The Sandman Slept Here called "The Dream Sequence". What does that mean? Who created the Sandman? And what does the Sandman look like with his shirt off? You'll have to tune in to find out! Have a question or comment? Looking for more great content? Leave comments on our website: https://fireandwaterpodcast.com/podcast/sandman0/ Images from this episode: https://fireandwaterpodcast.com/podcast/sandman0g/ Email the show at: justicesocietypresents@gmail.com Keep up with all #JSApril participating podcasters and bloggers: https://fireandwaterpodcast.com/JSApril Subscribe to THE SANDMAN SLEPT HERE as part of the JUSTICE SOCIETY PRESENTS Podcast: Subscribe on Apple Podcasts: https://podcasts.apple.com/us/podcast/justice-society-presents/id1549429702 Don't use Apple Podcasts? Use this link for your podcast catcher: https://feeds.feedburner.com/jsapresents Also available on Spotify, Audible, and Amazon Music Follow JUSTICE SOCIETY PRESENTS on social media: Facebook: https://www.facebook.com/jsapresents Twitter/X: https://x.com/jsapresents Instagram: https://www.instagram.com/jsapresents/ Bluesky: https://bsky.app/profile/jsapresents.bsky.social Threads: https://www.threads.net/@jsapresents This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: https://fireandwaterpodcast.com Like our Fire & Water Facebook page: https://www.facebook.com/FWPodcastNetwork Follow Fire & Water on Twitter/X: https://x.com/FWPodcasts Follow Fire & Water on Bluesky: https://bsky.app/profile/fwpodcasts.bsky.social Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Music: "When It's Sleepy Time Down South" by Louis Armstrong and His Orchestra; "Smoke Gets In Your Eyes" by Paul Whiteman and His Orchestra Thanks for listening! Join the fight… for Justice!

Happy Friday, happy Good Friday, happy Easter & happy Everything Is Content Day!This week on the podcast we're talking about Black Mirror season 7, The celestial sisters who went to space, & ask whether or not you can be too hot to work.Charlie Brooker's dystopian tech anthology Black Mirror is back for its seven series, and lots of the reviews have been really positive saying it's one of the most human series yet, and a return to its best form i.e. its first season. This one is star-studded, with Chris O'Dowd, Tracey Ellis Ross, Issa ray, Emma Corrin, Rashida Jones and Paul Giamatti to truly only name a few.Next up, in what sounds like an episode of Black Mirror but isn't... Katy Perry went to space… for eleven minutes. She was joined by Bezos's fiancée Lauren Sánchez and CBS presenter Gayle King, who was reported to have said a highlight of the flight was hearing Perry sing Louis Armstrong's 'What a Wonderful World'. We discuss.And finally, we are talking about t-shirts. Okay, not quite. We're talking about a debate which was sparked on X, in part, by pictures of two t-shirts. Here's what happened- on April 8th the writer Ashley Reese tweeted this as part of a wider conversation about women and work. She wrote: “1) women have always worked 2) it's incredible that women are able to be financially independent in ways that were not as common just a few generations ago and I'm not charmed by jokes—especially from other women—about how gainful employment is the worst thing to happen to women.”Is it that deep? Or is it just some silly t-shirts? Listen to find out!Ruchira has been loving Hacks season 4Beth has been loving Who Wants Normal, Frances RyanOenone has been loving Last Of Us Season 2, Broad City and What Did You Do Yesterday?Black Mirror's pessimism porn won't lead us to a better future - Louis AnslowKaty Perry In SpaceT-Shirt TweetCartoons Hate Her Substack Hosted on Acast. See acast.com/privacy for more information.

Die popster Katy Perry sê sy sal 'n liedjie skryf oor haar ervaring in die ruimte. Sy was gister deel van 'n span vrouens wat die ruimte besoek het aan boord van Jeff Bezos se Blue Origin-vuurpyl. Die joernalis Lauren Sánchez, die uitsaaier Gayle King, die vuurpylwetenskaplike Aisha Bowe, die burgerregte-aktivis Amanda Nguyen en die rolprentvervaardiger Kerianne Flynn is ingesluit. Terwyl hulle teruggekeer het, het Perry What a Wonderful World deur Louis Armstrong gesing. Sy sê dis 'n belangrike liedjie:

durée : 00:59:51 - Pretty ! - par : Nathalie Piolé -

Take a trip with us to the most revolutionary decade in jazz (1923-1933), when a young Louis Armstrong was creating a new improvisational vocabulary in real-time. This isn't the “Wonderful World” Satchmo most know, but the young gunner whose genius trumpet solos on “West End Blues” and “Tight Like This” were toppling trumpet kings. We break down Pops' evolution from King Oliver's second to pioneering frontman, explore his inventive scat singing (supposedly born when he dropped his lyric sheet), and trace how his massive popularity caught the attention of Chicago gangsters – careful now! From his recordings with Earl “Fatha” Hines to “Black and Blue” – the first jazz song addressing racism – hear exactly why we say there would be no jazz without Louis Armstrong.Link to Spotify PlaylistABOUT OPEN STUDIO------------------------------------------------------------------------------------------------------------------------------------------------------------As the premier online jazz education platform, with an ever-expanding course library and 20,000+ members, Open Studio (OS) has everything you need to excel and thrive on your jazz journey.Featuring everything from beginner to advanced lessons, engaging courses from A-list instructors, step-by-step curriculum, real-time classes and a thriving and incredibly supportive community, OS is the perfect platform to level up your jazz playing, whether you're a total beginner, or an advanced pro-level improvisor.Try OS Membership today! → https://osjazz.link/about

We had the pleasure of interviewing Sofía Valdés over Zoom video!Acclaimed Panamanian singer-songwriter Sofía Valdés unveils her anxiously awaited self-titled debut album, Sofía Valdés, out now via Warner Records.In bringing the 10-track album to life, Sofía worked extensively with producers Michael Uzowuru (known for his work on groundbreaking albums like Rosalía's Motomami and SZA's Ctrl), Alex Goose (Vince Staples, Childish Gambino) and Carter Lang (SZA, Lykke Li), as well as in-demand musicians like Local Natives guitarist Ryan Hahn and Diana Gordon.From the epic “Tacones Por La Puerta” featuring cinematic strings from acclaimed Brazilian composer Arthur Verocai to the guitar-driven funk of “Already Yours” and the tender plea on “Un Momento,” the album affirms Sofía as a bold and eloquent songwriter inspired by her family's deep, multi-generational connection to music.She paved the way for the album's arrival with fan favorite collaborations with Latin sensations DannyLux on “Lento” and Cuco on “How's That Working Out,” which earned widespread critical praise, including Rolling Stone who hailed its “modern bossa nova blend of jangly guitar and sleek beats perfect for late summer,” and Ones To Watch who called it “a collab of indie Latino royalty."Her catalog to date — including her previous EPs Silvia, In Bloom, and Ventura — has received a long list of critical acclaim from the likes of NPR, W Magazine, Interview Magazine, NYLON, and many more for her beautifully original blend of bossa nova, folk, and pop.ABOUT SOFÍA VALDÉS Sofia Valdes, a singer/songwriter born and bred in Panama, creates the kind of emo onally honest and beautifully original pop music that could only come from years of exploration. After learning to play guitar at the age of eight and writing her first song at 13, the independent-minded artist sharpened her craft in part by building an eclectic sonic vocabulary informed by everything from folk and bossa nova to '60s Motown and '70s soul. Valdes alchemizes those inspira ons into a sound all her own, gracing each track with her indelible songwriting and beguiling voice. With its transcendent melodies and shapeshifting rhythms, Ventura is an elegant introduction the vibrant musicality that may very well be in Valdes's blood: her great-grandfather was the legendary Cuban musician Miguelito Valdes, and her great-great grandmother was Silvia De Grasse (a Panamanian singer who once performed with Louis Armstrong). We want to hear from you! Please email Hello@BringinitBackwards.comwww.BringinitBackwards.com#podcast #interview #bringinbackpod #SofíaValdés #NewMusic #ZoomListen & Subscribe to BiBhttps://www.bringinitbackwards.com/followFollow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpodBecome a supporter of this podcast: https://www.spreaker.com/podcast/bringin-it-backwards--4972373/support.

Te presentamos tres compilaciones del sello Jukebox Factory. Oscuros y divertidos singles de los años 50 y 60 extraídos de las valijas del pinchadiscos y coleccionista francés El Vidocq. Los títulos hablan por sí solos. “Monster-O-Rama Vol.4”, “Bongo a Go-Go” y “Ohana Hawaiiana”.Playlist;FRANKLYN STEIN “Zotz”ARCHIE KING “The vampire”THE MAGICS Zombie walk”BILLY WARD and HIS DOMINOES “Cave man”TOMMY BRUCE “Monster Gonzalez”IGOR and THE MANIACS “The big green”MAURICE WHITE “Big bad wolf”HARLEY HATCHER ORCHESTRA “African safari pt2”THE CATALINAS “Cha Cha Joe”LUCKY MILLINDER and HIS ORCHESTRA “Bongo boogie”FRANCES FAYE “Summertime”THE INTERNATIONAL BONGO BAND “Mr Bongo man”FRANKIE BRENT “Banging on the bongo”PRESTON EPPS “B’wana bongos”THE PLAYBOYS “Hawaiian war chant”TOMMY SANDS “Hawaiian rock”FELIX MENDELSSOHN and HIS HAWAIIAN SERENADERS “My little grass shack in Kealakekua”PEREZ PRADO and HIS ORCHESTRA “Hawaiian cha cha cha”WEBLEY EDWARDS “Hukilau”FRANKIE VAUGHAN “Little kookie paradise”LOUIS ARMSTRONG and THE POLYNESIANS “On a coconut island”Escuchar audio

Tonight's show is a retrospective on Louis Armstrong's career, with selections from across the decades: Louis Armstrong and His Hot Seven, Potato Head Blues, 1927 From 1928 – 31:  What Did I Do to Be So Black And Blue The Peanut Vendor Louis Armstrong Orchestra: When You're Smiling On the Sunny Side of the Street Red Sails in the Sunset Louis Armstrong & Billie Holiday, Farewell to Storyville Louis Armstrong and His All Stars, Atlanta Blues Ella Fitzgerald & Louis Armstrong, Can't We Be Friends Louis Armstrong & Russell Garcia, Oh Lawd, I'm On My Way Louis Armstrong and His All Stars, Struttin' with Some Barbecue Louis Armstrong & Sy Oliver, I Can't Give You Anything but Love Louis Armstrong & Duke Ellington, Duke's Place (Live on The Ed Sullivan Show, Dec. 17, 1961) Louis Armstrong & Duke Ellington, Azalea Louis Armstrong vocals, 1960s: A Kiss to Build a Dream On What a Wonderful World

    Offering more indelible proof that a great song can enjoy many lives and enthrall multiple generations, Ellis Hall's timeless, haunting ballad “Some Days Were Meant for Rain” is now the second single from In the World, the debut album of WHAT!!!!, the legendary vocalist and multi-instrumentalist's duo with Grammy winning keyboardist George Whitty.   The track follows fast on the heels of the release of the powerhouse, eclectic 10-track collection and the October 2024 drop of its lead single, “Die Living,”    The first song recorded for the project, “Hug Me” is an expansive anthemic power ballad that pays tribute to the tenacity and resolve of the citizens of Ukraine in the face of Russia's invasion and the ongoing war.    In addition to his years with the group Tower of Power, Hall – who has been sightless since age 18 - fronted the Ellis Hall Group in the 70s, has written over 4000 soul, gospel, blues and pop songs, performed with the likes of Stevie Wonder, James Taylor, Herbie Hancock, George Benson and Maurice White and recorded with John Klemmer, George Duke and Kenny G, among countless others. He has also written and performed on many film soundtracks including The Lion King 2, Shrek 2, Invincible and Bruce Almighty. He also sang a Louis Armstrong tune in the Steven Spielberg film Catch Me If You Can.      Want to watch: YouTube Meisterkhan Pod (Please Subscribe)

This is a  is the story of how New York-based pianist, composer, arranger and educator, Caili O'Doherty, developed and recently released an album called ‘Bluer Than Blue' which honors the overlooked genius of Lillian “Lil” Hardin Armstrong. If that name is somewhat familiar to you, it's because this highly talented artist and composer in her own right was married to none other than Louis Satchmo Armstrong. Lil was Armstrong's second wife, and they collaborated on many recordings in the 1920s.   But it was actually Lil who wrote many famous, classic tunes of that early jazz era.  Caili discovered Lil's prolific background while taking a course  from Ricky Riccardi, the Director of Research Collections for the Louis Armstrong Museum titled, “The Music of Louis Armstrong.” Not only did it whet Caili's appetite to learn more about this unsung Jazz heroine, but also led  to assembling her core trio of Tamir Schmerling on bass, drummer Cory Cox ,and saxophonist Nicole Glover, along with special guest vocalists Tahria Clayton and Michael Mayo, to record Lil Hardin Armstrong's music. My conversation  begins with Caili diving into even more about Lil's  early career as she unravels for us details of this  little-known magical, musical history.

TDA  The David Alliance TDAgiantSlayer@Gmail.com  Garth Heckman      Title: Created to Be You: Embracing God's Design Introduction: Begin by acknowledging that in today's world, there's a lot of pressure to conform, to fit into certain molds. But what does God's Word say about our individuality? Ask the group: "Have you ever felt pressure to be someone you're not? Where does that pressure come from?" Scripture Readings: Psalm 139:13-16: "For you created my inmost being; you knit me together in my mother's womb. I praise you because I am fearfully and wonderfully made; your works are wonderful, I know that full well. My frame was not hidden from you when I was made in the secret place, when I was woven together in the depths of the earth. Your eyes saw my unformed body; all the days ordained for me were written in your book before one of them came to be."   Discussion points: What does it mean to be "fearfully and wonderfully made"? How does this passage emphasize God's intentionality in creating each of us? How does the fact that God saw your "unformed body" and ordained your days, indicate his personal involvement in our lives? Genesis 1:27: "So God created mankind in his own image, in the image of God he created them; male and female he created them."   I have learned early on if I am singing a song that I wrote… don't worry about how my voice lines up to anyone else's… Do you think Bob Dylan, Tom Petty, Kim Carnes, Ronnie James Dio, Louis Armstrong, Tom Waits, Stephen Pearcy… I could go on and on… do you think they wished they sounded like Adelle? NOT a chance, they would not be famous right now… they are themselves and famous because of it.    If I preach a sermon… I have many times wished I could preach like other pastors and communicators… their set up, their delivery, their insight, their knowledge beyond scripture… WOW… but I have learned I am always at my best when I am just me. Discussion points: What does it mean to be created "in God's image”? IT TRULY MEANS TO BE WHO HE CREATED YOU TO BE.  How does this verse establish our inherent worth and dignity? How does this verse indicate that all humans have value, and are created uniquely? 1 Corinthians 12:12-27: This passage speaks of the body of Christ, with each member having a unique and vital function. Discussion points: How does this analogy illustrate the importance of our individual gifts and contributions? How does this passage encourage us to value our differences and recognize our interdependence? How does this apply to our individual personalities, and giftings? Romans 12:2: "Do not conform to the pattern of this world, but be transformed by the renewing of your mind. Then you will be able to test and approve what God's will is—his good, pleasing and perfect will." Discussion points: What does it mean to "not conform to the pattern of this world"? How does the renewing of our minds help us embrace our true selves? How does knowing God's will relate to being our authentic selves? Key Takeaways: God's intentional design: God created each of us with unique gifts, talents, and personalities. Value in individuality: Our differences are not flaws but essential parts of God's plan. Freedom from conformity: We are called to live authentically, not to imitate the world's standards. God's image: Each person bears the image of God, therefore each person has great value. The body of Christ: Our individual uniqueness is vital to the body of Christ. Application: Encourage participants to reflect on their own unique qualities and how they can use them to serve God and others. Discuss practical ways to resist the pressure to conform and embrace their true selves. Pray for the group, that they may find the strength to be whom God created them to be. Closing: Remind everyone that God loves them unconditionally and celebrates their individuality. Encourage them to walk in confidence, knowing that they are fearfully and wonderfully made

"You stay vibrant, you stay young, you stay healthy by participating in the life that's going on around you." On this episode of Detroit is Different, we sit down with the incomparable Theo Broughton, a true pillar of Detroit's Black political and cultural community. As the co-founder of Hood Research, Theo has spent decades shaping political awareness, fostering community engagement, and preserving Black history in the city. From Harlem's jazz era—where her father played saxophone with Duke Ellington and Louis Armstrong—to the mid-1950s when she arrived in Detroit, Theo shares her journey through the city's evolution. We dive into her deep involvement in Detroit's political landscape, from working alongside the legendary Barbara-Rose Collins to leading community forums with greats like Dr. Claud Anderson and Bob Law. She recounts her groundbreaking haunted house project that brought joy and excitement to Detroit's youth, her years of activism through media, and her relentless push for civic engagement. Theo's wisdom, passion, and storytelling bring history to life as she reflects on how Detroit has changed and what the future holds for its people. Tune in for a conversation that is as inspiring as it is deeply rooted in Detroit's legacy of resilience and empowerment! Detroit is Different is a podcast hosted by Khary Frazier covering people adding to the culture of an American Classic city. Visit www.detroitisdifferent.com to hear, see and experience more of what makes Detroit different. Follow, like, share, and subscribe to the Podcast on iTunes, Google Play, and Sticher. Comment, suggest and connect with the podcast by emailing info@detroitisdifferent.com

45:51 – Public domain jazz and blues from 100+ years ago, with commentary by Dave in Kentucky. This episode examines the first recording session by King Oliver’s Creole Jazz Band, with Louis Armstrong on second cornet, which took place at Gennett Records in Richmond, Indiana on April 5th and 6th of 1923. This show is […]

Featuring: Baby Dodds, Zutty Singleton, Sid Catlett, Viola Smith, Sidney Bechet, Louis Armstrong, James P. Johnson, Pee Wee Russell; Songs include: Spooky Drums, China Boy, Sugar Foot Strut, I Found a New Baby, Moppin' and Boppin', Rose Room, Mop Mop, Steak Face.

On tonight's show: Louis Armstrong, What Did I Do to Be So Black and Blue Gene Krupa and His Orchestra with Anita O'Day and Roy Eldridge, Let Me Off Uptown Frank Sinatra, Stormy Weather Art Pepper with Sonny Redd, These Foolish Things Ahmad Jamal, Music! Music! Music! James Clay, Pavanne Stuff Smith, They Can't Take That Away from Me Ella Fitzgerald, The Man I Love Ella Fitzgerald, Over the Rainbow Eubie Blake, Spanish Venus Charlie Byrd, Saudade de Bahía Gerry Mulligan, Walking Shoes Cassandra Wilson, O Sole Mio Funk New Orleans' Own the Dukes of Dixieland, Petite Fleur  

Celebrating 19 years of this podcast with some of the host's favorite records, along with some memories of the show's origin.  Songs include: Right Or Wrong by Bob Wills, Cherokee by Sarah Vaughn, Devil Got My Woman by Skip James, In a Mist by Frankie Traumbaur, The Half Of It Dearie Blues by Fred Astaire and Once In a While by Louis Armstrong. 

Vlny dominates Czech Lion Awards, Louis Armstrong's visit to Prague in the 1960s was a memorable occassion, 1945: the Moravia–Ostrava offensive was the largest combat operation on the territory of modern-day Czechia.

We're joined by a New Orleans institution — clarinetist and vocalist Doreen Ketchens. She's got several nicknames — "Lady Louie," "Queen Clarinet," and "Miss Satchmo," all of after her biggest idol, Louis Armstrong. Like the jazz great, Ketchens has the gift of hitting long, high notes. She and her band, Doreen's Jazz New Orleans, have performed on the corner of Royal and St. Peter's Street in the French Quarter for almost four decadesWe'll also talk with Natasha Rothwell. She returns to HBO's The White Lotus as Belinda, a spa manager who was duped in Season 1 by a wealthy visitor played by Jennifer Coolidge.Book critic Maureen Corrigan reviews Last Seen, a book about newly-freed Black Americans in the 1860s who took out ads to find lost family members.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Support us on Patreonhttps://www.patreon.com/user?u=4279967Jack Benny TV Videocasthttps://open.spotify.com/show/6BDar4CsgVEyUloEQ8sWpw?si=89123269fe144a10Jack Benny Show OTR Podcast!https://open.spotify.com/show/3UZ6NSEL7RPxOXUoQ4NiDP?si=987ab6e776a7468cJudy Garland and Friends OTR Podcasthttps://open.spotify.com/show/5ZKJYkgHOIjQzZWCt1a1NN?si=538b47b50852483dStrange New Worlds Of Dimension X-1 Podcasthttps://open.spotify.com/show/6hFMGUvEdaYqPBoxy00sOk?si=a37cc300a8e247a1Buck Benny YouTube Channelhttps://r.search.yahoo.com/_ylt=AwrOoc1Q5bllBgQA469XNyoA;_ylu=Y29sbwNncTEEcG9zAzEEdnRpZAMEc2VjA3Ny/RV=2/RE=1707891281/RO=10/RU=https%3a%2f%2fwww.youtube.com%2f%40BuckBenny/RK=2/RS=nVp4LDJhOmL70bh7eeCi6DPNdW4-Support us on Patreonhttps://www.patreon.com/user?u=4279967

Two-time Grammy winner and Director of Research Collections of the Louis Armstrong House Museum, Ricky Riccardi, talks about his new book Stomp Off, Let's Go: The Early Years of Louis Armstrong, as he takes us inside the world of Satchmo.Become a supporter of this podcast: https://www.spreaker.com/podcast/tavis-smiley--6286410/support.

We talk with author Ricky Riccardi about how Louis Armstrong became the first Black pop star and provided the foundation of improvisation for other musicians. Riccardi's book is Stomp Off, Let's Go. Also, we hear from Atlantic writer Derek Thompson. He's done a deep dive into our nation's loneliness epidemic and how our phones have become a barrier to real human connection.Critic-at-large John Powers reviews the Brazilian film I'm Still Here. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

In the 7 AM Hour: Larry O’Connor and Patrice Onwuka discussed: WMAL GUEST: 7:05 AM - INTERVIEW - JOE DIGENOVA - legal analyst and former U.S. Attorney to the District of Columbia POLITICO: Fight over Trump’s firing of watchdog reaches Supreme Court Trump DOJ fires 20 Biden immigration judges Justice Department formally asks court to drop charges against NYC Mayor Eric Adams KASH PATEL’S CONFIRMATION VOTE THIS WEEK WMAL GUEST: 7:35 AM - INTERVIEW - IAN PRIOR - Loudoun Dad and Senior Advisor, America First Legal SOCIAL MEDIA: https://x.com/iandprior VICTORY: U.S. Department of Education has launched an investigation into five Northern Virginia school districts over illegal “gender identity” policies following AFL’s complaint exposing ongoing violations of Title IX and President Trump’s Executive Order 14190. Kamala Harris blasted for rambling word salad speech while attempting to inspire the cast of Louis Armstrong musical on Broadway Where to find more about WMAL's morning show: Follow the Show Podcasts on Apple podcasts, Audible and Spotify. Follow WMAL's "O'Connor and Company" on X: @WMALDC, @LarryOConnor, @Jgunlock, @patricepinkfile, and @heatherhunterdc. Facebook: WMALDC and Larry O'Connor Instagram: WMALDC Show Website: https://www.wmal.com/oconnor-company/ How to listen live weekdays from 5 to 9 AM: https://www.wmal.com/listenlive/ Episode: Monday, February 17, 2025 / 7 AM Hour See omnystudio.com/listener for privacy information.

This month we hear from the makers of the five films nominated for the Academy Award for best feature documentary. Today, Johan Grimonprez, director of "Soundtrack to a Coup D'Etat", discusses his film's "fusion of jazz and geopolitics" that touches on colonialism, racism, the 1961 assassination of Congolese independence leader Patrice Lumumba, and a State Department-backed goodwill tour by jazz musicians like Louis Armstrong and Nina Simone.

You know Louis Armstrong, right? Jazz icon? Satchmo? Nice guy from the movies with the trumpet? Did you know he was part of a CIA coup in Africa? Did you know he compelled a President into civil rights action? Did you know Louis Armstrong was controlled by gangsters? There's a lot to learn about this one-of-a-kind musician in DISGRACELAND. Louis Armstrong famously served as a "jazz ambassador" for the United States. If you could choose one musical artist to represent America overseas, who would it be? Let Jake know at 617-906-6638, disgracelandpod@gmail.com, or on socials @disgracelandpod. To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at disgracelandpod.com/membership. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - GET THE NEWSLETTER Follow Jake and DISGRACELAND: Instagram YouTube X (formerly Twitter)  Facebook Fan Group TikTok To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

This week, Jake is thinking about Richard Pryor. If Pryor had died after setting himself on fire, would that be the strangest celebrity death of all time? Jake takes a look at some strange celebrity deaths, including Tennessee Williams, William Holden, and more. If you know some strange celebrity death stories, let us know! On Tuesday we're bringing you an episode on one of the most important musical figures of the 20th century - Louis Armstrong. But we're going beyond his musical and cultural impact to explore some of the other surprising stuff he was mixed up in - the mob, international intrigue, and a whole lot of marijuana. Jake wants to know: Which musician's behavior surprised you the most? Tell Jake at 617-906-6638, disgracelandpod@gmail.com, or on socials @disgracelandpod. For more great Disgraceland episodes, dive into our extensive archive, including such episodes as: Episode 108 - Sex Pistols pt 1. Episode 109 - Sex Pistols pt 2. Episode 193 - The Replacements (All Access) Episode 3 - Sam Cooke Episode 53 - John Denver Episode 153 - INXS' Michael Hutchence To hear an extended version of the After Party and hear Jake's thoughts on the Bob Dylan biopic A Complete Unknown, become a Disgraceland All Access member at disgracelandpod.com/membership. Visit www.disgracelandpod.com/merch to see the latest Disgraceland merch! Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - GET THE NEWSLETTER Follow Jake and DISGRACELAND: Instagram YouTube X (formerly Twitter)  To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

James Monroe Iglehart & Tonya Lewis Lee Talk A Wonderful World: & Untold Stories Of Louis ArmstrongSee omnystudio.com/listener for privacy information.

Author Ricky Riccardi says Louis Armstrong's innovations as a trumpeter and vocalist helped set the entire soundtrack of the 20th century. His new book about Armstrong's early life is Stomp Off, Let's Go. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy