Podcasts about Louis Armstrong

In At the Vanguard of Vinyl, Darren Mueller examines how the advent of the long-playing record (LP) in 1948 revolutionized the recording and production of jazz in the 1950s. The LP's increased fidelity and playback capacity allowed lengthy compositions and extended improvisations to fit onto a single record, ushering in a period of artistic exploration. Despite these innovations, LP production became another site of negotiating the uneven power relations of a heavily segregated music industry. Exploring how musicians, producers, and other industry professionals navigated these dynamics, Mueller contends that the practice of making LPs significantly changed how jazz was created, heard, and understood in the 1950s and beyond. By attending to the details of audio production, he reveals how Black musicians such as Louis Armstrong, Miles Davis, Duke Ellington, and Charles Mingus worked to redefine prevailing notions of race and cultural difference within the United States. Mueller demonstrates that the LP emerges as a medium of sound and culture that maps onto the more expansive sonic terrain of Black modernity in the 1950s. Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In At the Vanguard of Vinyl, Darren Mueller examines how the advent of the long-playing record (LP) in 1948 revolutionized the recording and production of jazz in the 1950s. The LP's increased fidelity and playback capacity allowed lengthy compositions and extended improvisations to fit onto a single record, ushering in a period of artistic exploration. Despite these innovations, LP production became another site of negotiating the uneven power relations of a heavily segregated music industry. Exploring how musicians, producers, and other industry professionals navigated these dynamics, Mueller contends that the practice of making LPs significantly changed how jazz was created, heard, and understood in the 1950s and beyond. By attending to the details of audio production, he reveals how Black musicians such as Louis Armstrong, Miles Davis, Duke Ellington, and Charles Mingus worked to redefine prevailing notions of race and cultural difference within the United States. Mueller demonstrates that the LP emerges as a medium of sound and culture that maps onto the more expansive sonic terrain of Black modernity in the 1950s. Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In At the Vanguard of Vinyl, Darren Mueller examines how the advent of the long-playing record (LP) in 1948 revolutionized the recording and production of jazz in the 1950s. The LP's increased fidelity and playback capacity allowed lengthy compositions and extended improvisations to fit onto a single record, ushering in a period of artistic exploration. Despite these innovations, LP production became another site of negotiating the uneven power relations of a heavily segregated music industry. Exploring how musicians, producers, and other industry professionals navigated these dynamics, Mueller contends that the practice of making LPs significantly changed how jazz was created, heard, and understood in the 1950s and beyond. By attending to the details of audio production, he reveals how Black musicians such as Louis Armstrong, Miles Davis, Duke Ellington, and Charles Mingus worked to redefine prevailing notions of race and cultural difference within the United States. Mueller demonstrates that the LP emerges as a medium of sound and culture that maps onto the more expansive sonic terrain of Black modernity in the 1950s. Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In At the Vanguard of Vinyl, Darren Mueller examines how the advent of the long-playing record (LP) in 1948 revolutionized the recording and production of jazz in the 1950s. The LP's increased fidelity and playback capacity allowed lengthy compositions and extended improvisations to fit onto a single record, ushering in a period of artistic exploration. Despite these innovations, LP production became another site of negotiating the uneven power relations of a heavily segregated music industry. Exploring how musicians, producers, and other industry professionals navigated these dynamics, Mueller contends that the practice of making LPs significantly changed how jazz was created, heard, and understood in the 1950s and beyond. By attending to the details of audio production, he reveals how Black musicians such as Louis Armstrong, Miles Davis, Duke Ellington, and Charles Mingus worked to redefine prevailing notions of race and cultural difference within the United States. Mueller demonstrates that the LP emerges as a medium of sound and culture that maps onto the more expansive sonic terrain of Black modernity in the 1950s. Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Songs include: Faith Can Move Mountains by Nat King Cole, When the Moon Comes Over the Mountain by Kate Smith, Foggy Mountain Breakdown by Flatt and Scruggs, Blueberry Hill by Louis Armstrong, I'd Climb the Highest Mountain by the Ink Spots and The Old Man of the Mountain by Cab Calloway. 

'Comparing our insides to other people's outsides' Jim Carmichael, Cliff Edwards, Hall Johnson Choir,  Seamus O'Rourke, Rangan Chatterjee, Robert Waldinger, Marc Shulz, Duke Ellington, Louis Armstrong, The Dave Brubeck Quartet, Mary Martin with Toots Camarata and His Orchestra, Hal Leonard, Louis Prima, Phil Harris, Bruce Reitherman, Laura Mvula, Joyce

Ellis Hall is an American singer-songwriter, multi-instrumentalist, actor and composer. He was described as "The Ambassador of Soul" by conductor, Jeff Tyzik. Hall has been blind since the age of 18. Citing Ray Charles as his inspiration, Hall has written over 4000 soul, gospel, blues and pop songs, and has performed with Stevie Wonder, James Taylor, Natalie Cole, Patti LaBelle, Toby Keith, Herbie Hancock, George Benson, Bobby Womack, Sheila E, Maurice White of Earth, Wind and Fire, Tower of Power and Ray Charles. Ellis eventually mastered the drums, piano, keyboards, guitar, upright and electric bass. He was able to develop and define himself as a vocalist as well, possessing a five-octave range. Starting with the Ellis Hall Band opening for Earth Wind and Fire through the years as the lead singer for Tower of Power, Ellis has been making impactful music.  Ellis both wrote and performed on the soundtracks of multiple television movies and films including The Lion King 2, Shrek 2, Chicken Run, Invincible, and Bruce Almighty, sang gospel tunes in the comedy film, Big Momma's House with Martin Lawrence, and sang a Louis Armstrong tune in the crime drama film Catch Me If You Can with Leonardo DiCaprio. Ellis Hall's latest single, a remake of the England Dan and John Ford Coley 1976 hit, “I'd Really Love To See You Tonight”.  A deeply soulful ballad that marks his return to the heart of R&B blending classic smoothness with modern vibrancy, Hall channels the passionate artistry of Luther Vandross and the magnetic energy of Bruno Mars in a track that promises to captivate listeners across generations.   Want to watch: YouTube Meisterkhan Pod (Please Subscribe)

Shane and Andrew dive into the world of James Bond theme songs, creating a tier list that categorizes each song based on its impact, quality, and personal preference. They explore the evolution of Bond themes and discuss the unique qualities of each song, including the emotional resonance of Louis Armstrong's 'All the Time in the World' and the camp appeal of 'Diamonds Are Forever'. #JamesBond #Bondthemes #music #tierlist #moviepodcast #filmmusic #popculture #songanalysis #moviesoundtracks #Bondsongs #musicanalysis #musictierlist list #shirleybassey #tomjones #johnbarry #007theme #madonna #aha #duranduran #tinaturner #billieeilish #adele #samsmith #louisarmstrong #carlysimon #nancysinatra

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Jaume Segalés habla del espectáculo sobre María Callas, de cine clásico y de dónde viene la expresión "aquí hay gato encerrado"."María Callas, Sfogato" María Callas sigue siendo considerada, casi medio siglo después de su muerte, la cantante de ópera más grande de la Historia. Podemos conocer más sobre su Arte, su legado y, sobre todo, su personalidad y su visión del mundo gracias a un gran espectáculo: María Callas, Sfogato (cuando Callas encontró a María). Hasta el 12 de octubre, en el Teatro Amaya (Paseo del General Martínez Campos, 9). Una propuesta íntima que nos muestra los últimos momentos de la vida de esta gran diva apodada «La Divina». María Anna Cecilia Sofía Kalogeropoulos, de ascendencia griega, nació en Nueva York en 1923 y murió poco antes de cumplir 54 años en París, en 1977, probablemente por una ingesta excesiva de tranquilizantes. La obra nos muestra ese tiempo final. Recluida y vulnerable, acosada por la prensa, por los admiradores y por los recuerdos del pasado, pero siendo una artista con mayúsculas en todo momento, apasionada por la música, la vida y el amor. Una historia que nos acerca a la María real a través del diálogo entre ella (interpretada por Mabel del Pozo) y su ama de llaves Bruna, que lleva acompañándola décadas, a la que da vida la actriz Anabel Maurín. El texto (de Pedro Villora, bajo la dirección de Alberto Frías), se intercala con pasajes musicales, en directo, de las arias más célebres de María Callas, a cargo de la pianista Natasha Belenova y de la soprano Eva Marco a quien entrevistamos. Sección lingüística "Dicho Queda" Carlota Izquierdo Gil (Instagram: @cigservicioslinguisticos) nos explica de dónde proviene la expresión "aquí hay gato encerrado".Sección de cine clásico "Es sesión continua" Antolín de la Torre hoy nos habla sobre "Hello, Dolly! ". Película musical estadounidense de 1969 basada en el musical de Broadway del mismo título.Gene Kelly dirigió y produjo el guion de Ernest Lehman. El reparto incluye a Barbra Streisand, Walter Matthau, Louis Armstrong, Michael Crawford, Tommy Tune y Fritz Feld. Louis Armstrong alcanzó el número uno de las listas con la canción principal de la película.

September marks the 50th anniversary of the debut of Mel Brooks' short-lived Robin Hood spoof "When Things Were Rotten," starring beloved character actors Dick Gautier and Bernie Kopell. Back in 2016, Bernie joined Gilbert and Frank to talk about that series, as well as his six decades in show business, working with legends Steve Allen, Jack Benny and Phil Silvers and his signature roles on "Get Smart" and "The Love Boat." Also, Charles Boyer apologizes, Raymond Burr takes a seat, Sid Caesar surrounds himself with comedy geniuses and Bernie "gifts" Harvey Korman with a bidet. PLUS: Jose' Jimenez! The world's slowest agent! Louis Armstrong hails a cab! Jonathan Winters lays down the law! In praise of Dick Van Dyke (and Mary Tyler Moore)! And a surprise guest calls in to the show! Learn more about your ad choices. Visit megaphone.fm/adchoices

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Francis Albert Sinatra (Hoboken, Nueva Jersey, 12 de diciembre de 1915-Los Ángeles, California, 14 de mayo de 1998), conocido popularmente como Frank Sinatra, fue un cantante y actor estadounidense. Dejó, a través de sus discos y actuaciones en directo, un legado canónico en lo que respecta a la interpretación vocal masculina de la música. Sus grabaciones alcanzaron las listas musicales 209 veces. Es uno de los 33 artistas que ostenta tres estrellas en el Paseo de la Fama de Hollywood. Sinatra construyó su estilo sobre la base de una comprensión natural de la música popular, tal como la habían entendido Bing Crosby, Fred Astaire, Benny Goodman y Louis Armstrong, explotando la idea de que esta, debería ser una extensión de la conversación. Técnicamente, se caracterizó por su cuidada precisión en el fraseo y su dominio del control de la respiración; el rango de su voz estaba próximo al de bajo-barítono.[ A Sinatra se le reconoce el haber sido el primer cantante que hace un uso consciente de los medios de amplificación del sonido con el objeto de situar su voz por encima del sonido de la orquesta (dominadora de la música popular estadounidense de principios del siglo XX) y para aproximarla a la intimidad del oído del oyente. A lo largo de su carrera profesional, Sinatra grabó más de 1300 canciones y participó en más de cincuenta películas. Recibió multitud de premios y homenajes, entre los que se cuentan diez premios Grammy, otorgados por la Academia de Artes y Ciencias de la Grabación la Medalla de la Libertad del gobierno estadounidense. El crítico de música estadounidense Robert Christgau se refirió a Sinatra como "el mejor cantante del siglo XX". Descubre mas de SINATRA... https://www.sinatra.com/😎Escucha este episodio completo y accede a todo el contenido exclusivo de ONDA 88 FM con Aaron Henriques. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/2313218

The Tennis Tribe join Brenner for a doubles roundup, including a look back on the US Open mixed version. If you use this link to create an account, you will get a $ bonus. Enjoy Want to create live streams like this? Check out StreamYard: https://streamyard.com/pal/d/45794234...

The Real Ambassadors is a poignant tale of cultural exchange, anti-racism, and jazz history. And it's a love story — between life-long husband and wife partners, Iola & Dave Brubeck and their vision for a better world. Appalled by the racist treatment of Black jazz musicians in the United States in the 1950s and 60s, the Brubecks wrote a musical based on the Jazz Ambassadors Program established by President Eisenhower and the US State Department during the Cold War. In an effort to win hearts and minds, jazz musicians were sent out around the world to represent the freedom and creativity of America through their art form. Louis Armstrong, Dizzy Gillespie and most of the other Jazz Ambassadors were Black. The irony is that they were treated like royalty around the world, but could not stay in hotels or play in integrated bands in their own country.Performed live only once, at the Monterey Jazz Festival in 1962, the Real Ambassadors featured Louis Armstrong, Carmen McCrae, Dave Brubeck and Lambert Hendricks and Bavan. The musical was a chance for Louis Armstrong to speak out about his deep feelings about racism and segregation in this country — feelings he rarely expressed publicly.The story features original music, rare archival recorded letters sent back and forth between the Brubecks and Louis Armstrong about the project, rehearsal recordings and interviews with Dave and Iola Brubeck. Other voices include: the Brubecks' sons, Chris and Dan Brubeck, Keith Hatschek, author of the  book, "The Real Ambassadors,” Ricky Riccardi, Director of Research Collections for the Louis Armstrong House Museum, and singer/actress Yolande Bavan, the last surviving performer involved in the project.Thanks to: Keith Hatschek, Chris Brubeck, Dan Brubeck, Ricky Riccardi, Yolande Bavan,  Lisa Cohen, and Wynton Marsalis.Special thanks to: The Louis Armstrong Educational Foundation and the Louis Armstrong House Museum; Michael Bellacosa and the Brubeck Collection, Wilton Library, Wilton, Connecticut; The Complete Louis Armstrong Columbia & RCA Victor Studio Sessions 1946-66 Mosaic Records 270; The Milken Family Foundation Archive Oral History Project; and The Library of Congress.Produced by The Kitchen Sisters (Nikki Silva and Davia Nelson) and Brandi Howell in collaboration with Jackson Spenner. Mixed by Jim McKee.

DJ Davis is back!  An entertaining conversation with Louis Armstrong scholar Ricky Riccardi while he was on his book tour, promoting "Stomp Off, Let's Go"

Er ist der wohl bekannteste deutsche Jazzmusiker der Gegenwart. Und auch, wenn seine vielen Fans von großer Wiedererkennbarkeit sprechen werden, gehört Till Brönner zu den Musikern, die sich mit ihrem Instrument und ihrer Stimme gerne mal auf neues Terrain begeben, das aktuelle Album „Italia“ zeugt davon. Er komponiert und probiert, er fotografiert und unterrichtet und: er kocht. Mit Leidenschaft und Expertise, wie Ihr auch gleich feststellen könnt. Geboren wurde Till 1971 im rheinischen Viersen, aber schon mit wenigen Wochen ging's für die Familie für ein paar Jahre in die ewige Stadt, nach Rom. Und so sprechen wir natürlich über das Flair dieser besonderen Metropole, über den Duft von Mimosen und Thai-Basilikum, darüber, wie man Mayonnaise am einfachsten selbst macht, über Oliven und Vanilleeis, Feinkostgeschäfte und Louis Armstrong, über den Zauber der perfekten Tomate und die Enttäuschung, wenn sie einfach nur nach Wasser schmeckt. Viene con me - kommt mit. *** WERBUNG Toast Hawaii wird unterstützt von dmBio, die Bio-Lebensmittelmarke von dm-drogerie markt. Ganz nach dem Motto „Natürlich lecker erleben“ bietet dmBio mit mehr als 550 Produkten eine vielfältige Auswahl – von leckeren Snacks für zwischendurch bis hin zu original italienischen Tomatensaucen. Haben auch Sie eine dmBio-Geschichte, die im Podcast erzählt werden soll? Dann schreiben Sie uns gerne unter rustberlin@icloud.com ÖKO-Kontrollstelle: DE-ÖKO-007

This week, we're testing our extremely limited James Bond knowledge! Highlights include: - No explanation necessary... - I hope you like bad Louis Armstrong impressions... - What do you mean, you've never heard of Fisherman's Wharf? - The strategy is... know stuff.

Today, the Spotlight shines On bestselling author and journalist Larry Tye.Larry's latest book, The Jazzmen, tells the story of how Duke Ellington, Louis Armstrong, and Count Basie transformed America. But this isn't just another music biography. Larry explores nearly every aspect of the lives and music of these men and demonstrates how their artistry helped lay the groundwork for the civil rights movement.This is Larry's ninth book, following acclaimed biographies of figures like Bobby Kennedy, Joe McCarthy, and Satchel Paige. As a former Boston Globe reporter who now runs Harvard's Health Coverage Fellowship, he's spent decades making complex stories accessible to all of us.Larry's here to share how three jazz masters changed more than music—they changed America itself.–Dig DeeperAuthor and Book:Visit Larry Tye at larrytye.comPurchase Larry Tye's The Jazzmen: How Duke Ellington, Louis Armstrong, and Count Basie Transformed America from Bookshopor other online retailersLarry Tye author page at HarperCollinsFeatured Musicians:Duke Ellington - Official website and musical legacyLouis Armstrong - Louis Armstrong House MuseumCount Basie - Count Basie Theatre and legacy resources–Dig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

This Sunday, Track 4 of Finding God in the music looks at the good creation of God through the music of Louis Armstrong.

Today, the Spotlight shines On bestselling author and journalist Larry Tye.Larry's latest book, The Jazzmen, tells the story of how Duke Ellington, Louis Armstrong, and Count Basie transformed America. But this isn't just another music biography. Larry explores nearly every aspect of the lives and music of these men and demonstrates how their artistry helped lay the groundwork for the civil rights movement.This is Larry's ninth book, following acclaimed biographies of figures like Bobby Kennedy, Joe McCarthy, and Satchel Paige. As a former Boston Globe reporter who now runs Harvard's Health Coverage Fellowship, he's spent decades making complex stories accessible to all of us.Larry's here to share how three jazz masters changed more than music—they changed America itself.–Dig DeeperAuthor and Book:Visit Larry Tye at larrytye.comPurchase Larry Tye's The Jazzmen: How Duke Ellington, Louis Armstrong, and Count Basie Transformed America from Bookshopor other online retailersLarry Tye author page at HarperCollinsFeatured Musicians:Duke Ellington - Official website and musical legacyLouis Armstrong - Louis Armstrong House MuseumCount Basie - Count Basie Theatre and legacy resources–Dig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Taylor Townsend pushed two-time Grand Slam champion Barbora Krejickova close in an epic three-set battle on Louis Armstrong. The American had eight match points but was unable to convert. The doubles world No 1 still has unfinished business in New York with doubles partner Katerina Siniakova. Felix Auger-Aliassime is looking more and more like the top 10 player he was back in 2022. The 25th seed took out 15th seed Andrey Rublev in straight sets on Arthur Ashe in the opening match on Labor Day. FAA, through to the last eight in New York for the first time since 2019, is playing with a swagger that can carry him a long way.  In the day's most anticipated match, Naomi Osaka was too hot to handle for third seed Coco Gauff. The two-time US Open champion saw off the American 6-3, 6-2 in 64 minutes to set up a quarter-final clash with 11th seed Karolina Muchova.  We cannot wait for Osaka vs Gauff when both players are in peak form. Listen out for post-match press snippets from Auger-Aliassime and Gauff. Credits: US Open Tennis Championships. Don't forget to rate, review and share on Apple Podcasts, Spotify and Audioboom.  For daily tennis updates:  Instagram: https://www.instagram.com/blackspinglobal Twitter:  https://twitter.com/BlackSpinGlobal TikTok: https://www.tiktok.com/@blackspinglobal GET OUR MERCH HERE: https://blackspinglobal.com/collections

Labor has such a negative connotation to so many, but why? We have an idea or two on that. The question is, "Can I be comfortable with allowing time to do it's work?" Believe it or not, patience isn't anxiously waiting for something to happen—it's not putting up with delays or setbacks until our desires are accomplished or completed. Patience isn't just an attribute or virtue, it can also be a lifestyle. When that happens, Labor starts to become enjoyable. Pace and patience are some of the best ways our work, our jobs, our labor, our service becomes Happy. Ralph Waldo Emerson tells us it's the hardest working Mother of All's secret, and it should become ours as well.Listen and share, and you'll be become Happier already.Nature Is Speaking – Julia Roberts is Mother Nature from Conservation International link https://www.youtube.com/watch?v=WmVLcj-XKnM.  Toki Motivation link https://www.enliventhemind.com/motivational-quote-guides/ralph-waldo-emerson-quote-about-patience-adopt-the-pace-of-nature/The song we used for the intro was "Are You Happy" by Primitive Radio Gods. The ending song was "Make Someone Happy" by Jimmy Durante. We also used "What A Wonderful World" by Louis Armstrong. We don't own any rights, but we sure love the songs. Contact usLinktree: www.Linktr.ee/HappyLifeStudiosEmail: Podcast@HappyLife.StudioYo Stevo Hotline: (425) 200-HAYS (4297)Webpage: www.HappyLife.lol YouTube: www.YouTube.com/StevoHaysLinkedin: www.linkedin.com/in/steve-hays-b6b1186b/TikTok: www.tiktok.com/@happylifestudiosFacebook: www.Facebook.com/HappyLifeStudios Instagram: www.Instagram.com/HappyLife_Studios Twitter: www.x.com/stevehays If you would like to help us spread the HappyPayPal: www.PayPal.me/StevoHaysCash App: $HappyLifeStudiosZelle: StevoHays@gmail.comVenmo: @StevoHaysBuy Me A Coffee: buymeacoffee.com/HappyLifeStudioCheck: Payable to Hays Ministries or Steve Hays and send to 27240 213th Place S.E. Maple Valley, WA 98038

Coco Gauff beat Magdelena Frech 6-2, 6-3 in the first match on Arthur Ashe. The third seed, who said she “felt a lot lighter going on court”, put up some good numbers against Frech. Stat sheet made for nice reading for the 2023 champion, too. Was nearly perfect at the net 10/11, won 71% of points on first serve and only hit four double faults (one in the first and three in the second). Naomi Osaka handled (15)Daria Kasatkina in three sets – 6-0, 4-6, 6-2 on Louis Armstrong. The two-time champ was near flawless in the first set, had a wobble in the second after Kasatkina raised her level, but locked back in during the third set to close out the match and book her place in the second week. The Japanese shared her thoughts on facing Gauff. Felix Auger-Aliassime took down third seed Alexander Zverev in four sets – 4-6, 7-6, 6-4, 6-4 – in a performance that took us back to the days when FAA was a top 10 player. The Canadian was teeing off from the forehand wing and was evidently loving the conditions in New York, which he alluded to during his post-match presser. Venus Williams and Leylah Fernandez are going strong in doubles, they beat Ulrikke Eikeri and Eri Hozumi 7-6(1), 6-1. So are top seeds Taylor Townsend and Katerina Siniakova, who beat Alycia Parks and Dayana Yastremska 6-3, 6-3 on a packed Court 12. Credits: US Open Tennis Championships. Don't forget to rate, review and share on Apple Podcasts, Spotify and Audioboom.  For daily tennis updates:  Instagram: https://www.instagram.com/blackspinglobal Twitter:  https://twitter.com/BlackSpinGlobal TikTok: https://www.tiktok.com/@blackspinglobal GET OUR MERCH HERE: https://blackspinglobal.com/collections

In 1956, Ella Fitzgerald and Louis Armstrong released “Ella and Louis” — the first of three classic albums the two jazz greats would record together. Now, a Canadian production is paying tribute to these records and these artists with a new stage show called “Ella and Louis,” which is running at this season's Shaw Festival. The award-winning Toronto singer and actor Alana Bridgewater co-created the show and also plays Fitzgerald. She joins guest host Gill Deacon to talk about the legacy of these albums and what it's like to step into the shoes of a music legend.

Only one place to start, Court 11 that was packed for Taylor Townsend's upset-victory over (25)Jelena Ostapenko. The Latvian took the L badly and resorted to some pretty derogatory insults, accusing Townsend of having “no class” and “no education”. Townsend handled the situation superbly, both on court and in press afterwards. To think all that happened on HBCU Live Day, that was brilliantly acknowledged with a great discussion in the morning on the legacy of Althea Gibson. Leslie Allen, Sloane Stephens, Kamau Murray and Boris Kodjoe were on the panel that was excellently moderated by Monica McNutt. Frances Tiafoe saw off big-serving qualifier Martin Damm in four sets. Big Foe had to stay patient, but took care of business on his side, served great and played smart against the lefty who he spoke highly of in press. Jasmine Paolini, playing her second night match in a row in New York, convincingly beat Iva Jovic in straight sets. The Italian seventh seed confirmed the dress was a night-session fit and spoke about her next opponent Marketa Vondrousova. Ben Shelton beat Pablo Carreno Busta in straights. The American looked very comfortable on Louis Armstrong and managed the match well which is something we put to him in his post-match presser. Listen out for interview snippets from Townsend, Mirra Andreeva, Tiafoe, Paolini and Shelton. Don't forget to rate, review and share on Apple Podcasts, Spotify and Audioboom.  For daily tennis updates:  Instagram: https://www.instagram.com/blackspinglobal Twitter:  https://twitter.com/BlackSpinGlobal TikTok: https://www.tiktok.com/@blackspinglobal GET OUR MERCH HERE: https://blackspinglobal.com/collections

Ahead of Hailey Baptiste vs. Naomi Osaka, the match of the day at the US Open, we sat down with Coach Franklin Tiafoe. He shares his story, how he got into coaching, his work with Eric Hechtman, what it's like being a young Black coach, what makes Hailey such a great player, and more. Make sure to tune in for the match today, second on Louis Armstrong! Don't forget to rate, review and share on Apple Podcasts, Spotify and Audioboom.  For daily tennis updates:  Instagram: https://www.instagram.com/blackspinglobal Twitter:  https://twitter.com/BlackSpinGlobal TikTok: https://www.tiktok.com/@blackspinglobal GET OUR MERCH HERE: https://blackspinglobal.com/collections

Today we feature two black female vocalists, born 66 years apart, both renown for their independent spirit, singing songs about trying to make love work -  despite clear signs to the contrary. As artists, they've both shunned the spotlight, maintaining the mystery of their magic: Sippie Wallace quit show business for 30 years, preferring to express herself through her church organ, and LGBTQ icon Tracy Chapman staunchly separates her private life from her public one. Sippie returned to the spotlight by way of the blues festivals of the 60s, and was celebrated and covered by Bonnie Raitt, among others, and although Tracy appears regularly to perform for political causes she champions, only recently did she resurface in a big way in the mind the general public, by way of an emotional re-appearance at the 2023 Grammy's to perform her song “Fast Car” in a duet with Luke Combs, who made it a Country hit almost 40 years after its original release. SIPPIE WALLACEOn this 1926 Okeh recording of “Special Delivery Blues”, we first hear the whistle of the approaching mail train, then the crescendoing piano rolls building up suspense musically. This wave of energy is capped by the immortal cornet of Louis Armstrong and the yearning phrases of Sippie Wallace begging for news of her man's return. She wishes and hopes that the guy who left her will come back soon, but it doesn't look good. Despite this, Sippie makes it clear she'll keep up the vigil as long as it takes.“The Texas Nightingale” built up her reputation playing tent shows, and releasing a spate of recordings that put her up there with Ma Rainy and Bessie Smith, but she decided to chuck it all and dedicate her musical talents to the Church, where she played organ for 30 plus years. During the folk/blues revival of the mid-1960s, she was rediscovered and enjoyed immense appreciation for another 20 years, until her death at age 88. TRACY CHAPMANI love GIVE ME ONE REASON because it's so simple and direct. Tracy is drawing a line: “I'm telling you that I love you, but you have to reciprocate, or I'm gone”. It's clearly stated without equivocation, but as the verses add up, you can just picture her, standing in the doorframe, giving her object of desire just one more chance, then another, then another…. Drawing one line, then moving it back a bit. She doesn't want to go, but it looks like she's going to have to.Tracy Chapman catapulted out of the Boston coffeehouse scene in 1986, 25 years after Joan Baez had accomplished the same feat, and her first single, “Fast Car,” a song which alluded to economic inequality, was ubiquitous - a definite anomaly during the MTV era, which shows that the public can respond to bare-boned honesty, (without bells and whistles), when they hear it.  And, she has maintained her integrity as a socially conscious artist throughout the intervening decades.  

Catherine, David and Matt react to an opening day of the US Open which saw a couple of extraordinary moments and matches involving raucous crowds. Part one - Men's results. We start by reacting to all the late night drama involving Daniil Medvedev, Benjamin Bonzi, a photographer, and umpire Greg Allensworth on Louis Armstrong. There's also chat about Novak Djokovic's fitness in his three-set win over Learner Tien, straight sets wins for the top Americans, and some very Tennis Podcast coded matches. Part two - Women's results (29:26). We cover Alexandra Eala's crazy comeback to defeat Clara Tauson which sent Grandstand into a frenzy. There's also analysis of Aryna Sabalenka and Emma Raducanu's straight sets wins, and we get to know Indonesian qualifier Janice Tjen. Part three - Day 2 Order of Play and a trailer for Tennis Podcast Meets (50:30)Tickets are now on General Sale for The Tennis Podcast - Live in Wrexham on Wednesday October 22nd! Buy ⁠here⁠.Become a ⁠Friend of The Tennis Podcast⁠Check out our ⁠⁠⁠⁠new merch shop⁠⁠⁠⁠! Talk tennis with Friends on ⁠⁠⁠⁠The Barge! ⁠⁠⁠⁠Sign up to receive our free ⁠⁠⁠⁠Newsletter⁠⁠⁠⁠ (daily at Slams and weekly the rest of the year, featuring Matt's Stat, mascot photos, Fantasy League updates, and more)Follow us on ⁠⁠⁠⁠Instagram⁠⁠⁠⁠ (@thetennispodcast)Subscribe to our ⁠⁠⁠⁠YouTube⁠⁠⁠⁠ channel. Hosted on Acast. See acast.com/privacy for more information.

Lucy and Eugene recap Day 1 at the US Open, which fell on a Sunday for the first time. Ben Shelton opened proceedings on Arthur Ashe, seeing off Peruvian qualifier Ignacio Buse in straight sets – 6-3, 6-2, 6-4. The American sixth seed was untroubled and looked locked in from the first ball and handled business the way a top-10 seed should in the opening round of a Grand Slam. Afterwards, in a nod to the celebrations taking place to celebrate trailblazer Althea Gibson at this year's US Open, Shelton was asked whether his father and coach, Bryan Shelton ever spoke about any racial issues he faced growing up as an aspiring professional.  Buse spoke about how difficult it was to get a read on the American's serve that was not only coming in with pace, but also different variations. In our second and final match of the day, Jasmine Paolini took care of business against Australian qualifier Destanee Aiava, winning 6-2, 7-6(4) on Louis Armstrong. The seventh-seeded Italian, steamrolled the first set, before going down an early break in the second. But in typical Paolini fashion, the Italian No 1 broke back immediately, firming up her game before closing out the match in the tiebreak. Afterwards, Aiava shared her surprise at the weight of the Italian's groundstrokes. We asked Paolini about her thoughts on the Sunday start. To close, we talk about Serena Williams introducing Maria Sharapova for the Russian's Tennis Hall of Fame induction and run through the matchups we are looking forward to on Day 2. Listen and watch out for post-match press snippets from Shelton, Buse, Aiava and Paolini. Credits: US Open Tennis Championships

Laurence Bergreen discusses with Ivan six things which should be better known. Laurence Bergreen is an award-winning biographer, historian, and chronicler of exploration. His books have been translated into more than 25 languages. They include Columbus: The Four Voyages, a New York Times bestseller, published by Viking in 2011. In 2007, Knopf published his Marco Polo: From Venice to Xanadu. For this book he crossed China from east to west and camped out on the steppe with hospitable Mongolians in their yurts. His bestselling Over the Edge of the World: Magellan's Terrifying Circumnavigation of the Globe, was published by William Morrow in 2003.  In its 40th printing, it was awarded the Medalla de Honor by the Asociación de Alcades de V Centenario (Spain). He has also published In Search of a Kingdom about Francis Drake's voyage of discovery (Simon & Schuster, 2021) and Voyage to Mars: NASA's Search for Life Beyond Earth published by Riverhead in 2000. His research for these books included extensive fieldwork.  He has sailed twice through the Strait of Magellan and is one of the few individuals to visit the volcanic island of Surtsey off the coast of Iceland, thanks to the agile helicopters of the Icelandic Coast Guard, among other remote destinations. At NASA's request, he named numerous geographical features around the crater Victoria on Mars. Find out more at https://laurencebergreenauthor.com/. Louis Armstrong's favourite instrument https://oztypewriter.blogspot.com/2020/09/what-wonderful-world-with-typewriters.html The Well Dressed Man with a Beard by Wallace Stevens https://allpoetry.com/The-Well-Dressed-Man-With-A-Beard Vladimir Zworykin https://lemelson.mit.edu/resources/vladimir-zworykin Surtsey https://whc.unesco.org/en/list/1267/ The Strait of Magellan https://www.youtube.com/watch?v=TOOKr8Y2xsM The Rubin Observatory https://rubinobservatory.org/ This podcast is powered by ZenCast.fm

Episode Summary:In this episode, host Steve Roby welcomes singer Stella Heath for an intimate look at the Billie Holiday Project—a heartfelt tribute to Lady Day's music and legacy. Ahead of her performances at SF Jazz, Stella shares her journey from a musically rich upbringing in Petaluma, California, to her deep dive into jazz and acting, and how these experiences shape her storytelling on stage.Key Topics & Highlights:Stella's early musical influences included Louis Armstrong, Edith Piaf, and her mother's eclectic taste.The impact of classical training and acting (including Shakespeare) on her jazz phrasing and storytelling.The origins and inspiration behind the Billie Holiday Project, focusing on Billie's emotional depth and social impact, especially through songs like “Strange Fruit.”Live performances from the Billie Holiday Project, including “No Regrets” and “I'll Be Seeing You.”Stella's approach to interpreting Billie Holiday's phrasing—balancing homage with her own voice.Insights into “back phrasing” and how Billie Holiday reshaped melodies.The band lineup for the SF Jazz shows, featuring musicians like Neil Angelo Fontano (piano), Robbie Elman (reeds), Daniel Fabricant (bass), Spike Klein (drums), Ian Sheer (guitar), and guest trumpeter Justin.What audiences can expect at the live shows: a mix of classic and lesser-known 1930s tunes, narrative arcs, and a unique setlist for each performance.Show Details:The Billie Holiday Project with the Stella Heath Sextet comes to SF Jazz's Joe Henderson Lab:Saturday, September 6th: 7:00 PM & 8:30 PMSunday, September 7th: 6:00 PM & 7:30 PMFor tickets and more information, visit sfjazz.org.Connect with Stella Heath:Website: stellaheathmusic.comListen & Subscribe:Find this episode, past conversations, and show notes (including ticket links) wherever you get your podcasts.Thanks for listening, and we'll see you at the show!

On tonight's show: Louis Armstrong, Sittin' In The Sun Nat "King" Cole, Route 66 Julie London, Goody Goody Mundell Lowe, Crazy Rhythm Ella Fitzgerald, Misty Horace Parlan, There Is No Greater Love Etta Jones, And the Angels Sing Jacy Parker, But Beautiful Bud Shank, A Flower Is a Lovesome Thing Nina Simone, Mood Indigo The Jazz At the Philharmonic All-Stars, I Surrender Dear (feat. Roy Eldridge) Abdullah Ibrahim, Manenberg (Revisited) The Charlie Byrd Trio, Jive at Five (Live)

Marcus and Corey What You Know 'Bout That trivia game for Friday August 15, 2025.

With special guest: Jeff Apter… in conversation with Bill Kable It is hard to discover who the real Lee Gordon was but Jeff Apter provides a whirlwind tour of this extraordinary life in his new book Lee Gordon Presents. We know Lee Gordon arrived for the first time in Australia in September 1953. We know he left for the last time in 1963 before he died alone in a London hotel at the age (probably) of 40. Not much is certain about his real name, his date of birth and why this brash American decided on making Australia his home. But in the ten years he lived in Australia he revealed himself as a force of nature. Lee Gordon must have been a charming personality. He prevailed upon a whole host of the most successful entertainers in America to make the long trip to Australia and perform in sometimes primitive venues such as the Sydney Stadium. Those entertainers who fell under his spell included Frank Sinatra, Louis Armstrong, Johnny Cash, Buddy Holly, Jerry Lee Lewis and the list goes on. Podcast (mp3)

Musicians include: Louis Armstrong, Jelly Roll Morton, Mahalia Jackson, Lonnie Johnson, Louis Prima, Sidney Bechet and Blanche Thomas. 

Episode 17: Dr. Marshall HawkinsIdyllwild Arts Academy Jazz Program Founder, Bassist with Richie Cole, Miles Davis Quintet, Betty Gray, Donny Hathaway, Lena Horne, Roberta Flack, Manhattan Transfer, and more…►about Dr. Hawkins: https://idyllwildarts.org/people/marshall-hawkins/Selected quotes from our podcast:·      “Pay attention to your subject matter. Your subject matter is your life”·      “I think about that first note that I'm going to play. I think about that note with such reverence, that I may never get a chance to play that note again”.·      “Don't let anyone get in the way of you and the love in your heart”. “Don't get in the way of my love. I will fight you”.·      “You have to be careful what you wish for because you're going to get it. So, you've got to be prepared”.·      “I've never, never thought about money”.►Key Moments:0:00 - Introductions2:16: Earliest memories, gift of memory, and “second childhood”5:07: Growing up in Washington D.C. in the 1940's, “Victory Gardens”, church, being humble, “C Jam Blues”, the Boy Scouts, model airplanes, glee club, and the building of Frederick Douglass Junior High School.15:30: Brown vs. Board of Education (1954) and exposure to racism. Being a track star and la musica as passports, “U.S. History”, and scout master.21:40: Voices above the crowd and becoming a professional musician.26:58: L.O.V.E. and not taking the “J” out of joy.31:49: Louis Armstrong: “what are you going to do to leave a legacy for humanity”?33:20: Giving and receiving34:45: Playing the bass and becoming a professional musician overnight.38:52: Betty Gray (first gig at the Bohemian Caverns in DC), Lena Horne and Travelin' Light (1965), and Miles Davis41:53: Working with Miles Davis44:08: Idyllwild Arts and numerical configuration (1978)47:58: Tanzania, respect for elders, Maasai ancestral lineage, “we know who you are”55:50: Advice for young musicians: “Silence is golden!” 59:03: Marshall and John improvise “All the Things You Are”►Follow John Daversa Online:Instagram: https://www.instagram.com/johndaversa/Facebook: https://www.facebook.com/JohnDaversaMusic/YouTube:  https://www.youtube.com/johndaversamusicWebsite: http://www.johndaversa.com  ►CreditsHost and Producer: John DaversaVideo and Audio Capture: Justin HolmesVideo and Audio Editing: Izzi GuzmanGraphic Design: Izzi GuzmanRecorded in Idyllwild, CA, July 3, 2024Special Thank you to:Idyllwild Arts AcademyPamela JordanRose ColellaTom Hynes►Music"The John Daversa Podcast""Moonlight Muse""Junk Wagon"All compositions composed and arranged by John DaversaDaversafications Publications (ASCAP),Except “All the Things You Are” by Jerome Kern and Oscar Hammerstein II#drmarshallhawkins #idyllwildarts #idyllwildsummerarts #jazzbass #bass #milesdavis #milesdavisquintet #johndaversa #johndaversapodcast #jazzpodcast #jazzeducator Support the show►CreditsHost and Producer: John DaversaVideo: Max Nierlich Audio: Dudley MerriamAdditional Audio: Jake SondermanVideo and Audio Editing: Yang YangIzzi Guzman: Graphic DesignRecorded in Miami, FL►Music"The John Daversa Podcast""Moonlight Muse""Junk Wagon" All compositions composed and arranged by John DaversaDaversafications Publications (ASCAP)

Jahrgang 1924, Jazzmusiker & Profigitarrist (verstorben am 28. Januar 2018) Mit 13 entdeckt der Berliner Heinz Jakob "Coco" Schumann den Jazz für sich, kurz darauf schwappt die Swingwelle ins Land, ausgerechnet als der Krieg schon in vollem Gange und Swing Tanzen streng verboten war. Mit 16 spielt er das erstmal öffentlich. Ein riskantes Unterfangen. Er spielt nachts heimlich in den Clubs mit Bully Buhlan und Helmut Zacharias um die Wette. 1943 wird er denunziert und kommt in Gefangenschaft. Deportation nach Theresienstadt, dann nach Auschwitz und nach Dachau. Coco Schumann musiziert selbst in den Lagern, wird so zum "Ghetto-Swinger" und rettet sich so das Leben. 1945 kehrt er nach Berlin zurück, heiratet und bespielt mit seiner Jazzgitarre und neuer Band sämtliche Tanzschuppen rund um den Kurfürstendamm. Trotzdem wandert er 4 Jahre nach Ausstralien aus. Endgültig zurück im Wirtschaftswunder Berlin, jammt er mit Ella Fitzgerald, Dizzy Gillespie und Louis Armstrong. Kurz - er wurde der deutsche Grandmaster of Swing. 40 Jahre hat Coco Schumann über seine Erlebnisse während des Nationalsozialmus geschwiegen. In seinen Memoiren "Der Ghetto Swinger - erzählt der 80jährige Jazzmusiker, wie er Auschwitz und seine Peiniger überlebte und gab uns in der Hörbar ein paar Einblicke in sein spannendes Leben. Coco Schumann wurde 93 Jahre alt. Playlist: Coco Schumann Quartett - Georgia on my Mind (Live) Coco Schumann - Exotique 1963 Louis Armstrong - I've got the World on a String Coco Schumann & Toots Thielemans - Caravan Helmut Zacharias - Swing 48 Coco Schumann y su combo - Senorita de la Mambo Diese Podcast-Episode steht unter der Creative Commons Lizenz CC BY-NC-ND 4.0.

An interview with Larry Tye about his triple biography of Louis Armstrong, Duke Ellington and Count Basie.

RUNDOWN   Piano lessons, online gambling in the Cayman Islands, and Louis Armstrong trivia. We've got it all. Mitch and Hotshot dissects Ichiro's Hall of Fame speech, particularly his omission of managers like Lou Piniella. Mitch and Hotshot Scott unpack the Mariners' blockbuster moves—bringing back Eugenio Suarez and adding Josh Naylor at the trade deadline—instantly transforming a middling offense into one of the most dangerous in baseball. They contrast the current optimism with the baffling decision to trade Suarez last year for pennies, which may have cost the team a playoff spot. With Bryce Miller returning to form after injury and the offense now averaging nearly five runs per game, the duo argues that anything less than a playoff berth would be a major disappointment for the 2025 Mariners. David Samson join Mitch and reflects on his relationship with Ichiro Suzuki after being name-checked in Ichiro's Hall of Fame speech — including a humorous jab at the Miami Marlins. Samson details their deep personal friendship, Ichiro's elite preparation and humility, and why he believes Ichiro still deserves a roster spot even today. The conversation pivots to MLB trade deadline winners and losers, with Seattle emerging as a serious AL contender, and whether Cal Raleigh's heroic season could translate into an MVP — if Judge stumbles. Samson also criticizes the anonymous voter who snubbed Ichiro from a unanimous Hall induction, calling it “cowardice. Joe Doyle and Brady Farkas (Mariners No-Table) break down Seattle's pivotal week: winning three of four against Texas, the return of Eugenio Suarez, and a stretch that has them closing in on the AL West lead. The trio analyzes the revamped lineup, including Julio's hot August and Randy Arozarena in the leadoff spot, while also addressing Cal Raleigh's slump and bullpen concerns. They assess Bryce Miller's return timeline, why the team passed on Jhoan Duran, and whether George Kirby and Logan Gilbert can anchor the final playoff push. Out-on-a-limb predictions and plenty of Mariner optimism round out the episode. Brady Henderson joins Mitch Unfiltered to break down the top three storylines from Seahawks training camp: the major quarterback transition from Geno Smith to Sam Darnold, a loaded and returning defensive core with a few key injury concerns, and a possible shift in the running back hierarchy as Zach Charbonnet gains favor. Henderson also highlights emerging rookie wide receiver Tory Horton as more than just a training camp darling, weighs in on trade rumors involving Micah Parsons and Terry McLaurin, and offers key insight into position group battles, injury timelines, and contract status updates.   GUESTS   David Samson | Former Miami Marlins President, Host of Nothing Personal podcast Brady Farkas | Host, Refuse to Lose Podcast (Mariners on SI) Joe Doyle | MLB Draft & Mariners Analyst, Over Slot Substack Brady Henderson | Seahawks Insider, ESPN.com   TABLE OF CONTENTS   0:00 | Mariners Fans Miss the Plot, Cayman Island Trivia, and Ichiro's Quiet Snub 26:08 | Mariners All-In: Gino's Redemption, Bryce Miller's Return, and a Loaded Lineup Sparks Playoff Hopes 41:00 | GUEST: David Samson on Ichiro's Hall of Fame Roast, Seattle's MVP Catcher, and MLB Deadline Fallout. 1:09:43 | GUEST: Mariners No-Table; Mariners Hit Their Stride, Gino Returns, and Julio Ignites August Surge 1:41:00 | GUEST: Brady Henderson; Seahawks Camp Buzz: QB Shakeup, Defensive Depth, and a New WR Star? 1:56:03 | Other Stuff Segment: John Schneider contract extension, Seahawks GM performance over the last 8 years, Seahawks first-round draft picks review, Russell Wilson trade, Jamal Adams trade failure, philosophical questions about GM evaluation, Shannon Sharpe ESPN departure after legal settlement, Pete Carroll's return and fan reaction, Yankees fans caught in sexual act at stadium, Marcus Morris bad check scam at Vegas casinos, Marcus Morris jail food complaint, Eric Schmidt buys Spelling Manor for $110 million, history of Aaron and Tori Spelling, Gilbert Arenas illegal gambling ring in mansion, Poltergeist house recreated as Airbnb, Scottie Scheffler wins $18 million while not playing, PGA Tour bonus payouts. RIP Segment: Ryne Sandberg death from prostate cancer, Lonnie Anderson death and career highlights. Headlines: Indian child kills cobra with his mouth, tractor trailer crash spills 1,000 pounds of hot dogs, Google Street View captures naked man awarded $12,500

(00:00-20:55) Voice of the Blues, Chris Kerber joins the show for his Monday hit. Moving mattresses. Top 5 NHL players in Fantasy Hockey. Bad Sport on Netflix. Robert Thomas #45 on the Fantasy Hockey list. Getting into fantasy baseball a few years ago. Doug Armstrong's method for success. Army admitting they probably wouldn't make the top 3 a few years ago. Building credibility and being honest with the fan base.(21:03-39:59). Today would have been Louis Armstrong's 124th birthday. Just about a month away from Border War in Columbia. Wedding season is pure chaos. Mark Mangino was asked this weekend about the Mizzou/Kansas game coming up. Audio of what he had to say. Delusional Mizzou fans. Why does Jackson hate Tennessee? I guess it's not a valid argument. Jackson's got us ready to run through a brick wall.(40:09-57:45) The Billy Joel documentary. Jeff Passan's trade deadline awards. Congrats Cardinals on the Less Is More Award. Mozeliak and Bloom. Can you really expect any of these guys to take significant steps forward next year and beyond? May have to make some trades in the offseason to clear the roster.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Back on this day in 1901, Jazz Legend Louis Armstrong was born.  KTAR Timeline is brought to you by Beatitudes Campus. 

636. We talk to Frank Perez about the place of LGBTQ+ people in New Orleans history. “Want to learn about New Orleans' rich and vibrant LGBT+ history? I can help with that! It has been my pleasure for the last several years to not only preserve and document that history, but also to be a small part of it.  I've written several books and hundreds of articles on local queer history and I'm proud to be a co-founder of the LGBT+ Archives Project of Louisiana.  In addition, I also founded and love conducting The Rainbow Fleur de Lis Walking Tour, which is a leisurely sashay the French Quarter's rainbow history.” (French Quarter Frank). Now available: Liberty in Louisiana: A Comedy. The oldest play about Louisiana, author James Workman wrote it as a celebration of the Louisiana Purchase. Now it is back in print for the first time in 221 years. Order your copy today! This week in the Louisiana Anthology. Street poet Stevie Jean (@typewritergypsy) has written a poem for the Louisiana Anthology. MIDNIGHT JAZZ ON ROYAL STREET WITH ET. listen, fluctuating ups and downs of lost & found the heart seeks love and settles on warmth, the even flowing, unbended forward march of melody, feeling leaning out toward rumbling, fist bump, dark cloud passing by, we react, can't help ourselves but to stop and stand, face the brass like dissidents against the firing squad breathless and furious to rise up the brass snaps against closed mouths, fistless, liveliness it loves regardless and will settle and will feed deep within, with renegade speed 9-26-19. royal, nola. typewritergypsy. This week in Louisiana history. July 26, 1810. Rebellion of West Florida Parishes. This week in New Orleans history. The first permanent picture show opened on July 26, 1896, at the Vitascope Hall at 623 Canal Street. This week in Louisiana. Satchmo SummerFest August 2-3, 2025 New Orleans Jazz Museum (The Old Mint) 400 Esplanade Ave. New Orleans, LA 70116 (504) 522-5730 Website     Our two-day celebration is one of the only festivals in the world dedicated to honoring Louis Armstrong and features two stages of music, a delicious culinary lineup featuring Louisiana restaurants, and an incredible indoor lecture series poised to educate guests on Armstrong's history and enduring impact.     Satchmo SummerFest is scheduled annually to coincide with Louis Armstrong's birthday on August 4th; the first festival took place on what would have been his 100th birthday, the same year the New Orleans airport was renamed Louis Armstrong International Airport. The artist often stated in public interviews that he was born on July 4, 1900 (Independence Day), a date that has been noted in many biographies. Armstrong died in 1971 and his true birthdate, August 4, 1901, was not discovered until the mid-1980s. Postcards from Louisiana. Lawrence Cotton on piano at the French Quarter Fest. Listen on Apple Podcasts. Listen on audible. Listen on Spotify. Listen on TuneIn. Listen on iHeartRadio. The Louisiana Anthology Home Page. Like us on Facebook. 

Louis Armstrong's rendition of It's a Wonderful World remains timeless. George Weiss and Bob Thiele tell us that incoming souls will “learn much more than I'll ever know.” While that may be beautifully true, what we know, and love, is always expanding.  Learn more about your ad choices. Visit megaphone.fm/adchoices

The 25th annual Satchmo Summerfest, an event celebrating the life and legacy of New Orleans jazz visionary Louis Armstrong, kicks off this weekend. Emily Madero, CEO of French Quarter Festivals, Inc., tells us what festivalgoers can expect during the two-day celebration.Researchers from Pennington Biomedical and Tulane University are collaborating to find a cure for amyotrophic lateral sclerosis, commonly known as ALS or Lou Gherig's disease. We speak with the two doctors leading the project, Pennington Biomedical's Dr. Jeffery Keller and Tulane's Dr. Aron Culotta, about how they're using artificial intelligence to discover new drugs.__Today's episode of Louisiana Considered was hosted by Diane Mack. Our managing producer is Alana Schreiber and our assistant producer is Aubry Procell. Our engineer is Garrett Pittman.You can listen to Louisiana Considered Monday through Friday at noon and 7 p.m. It's available on Spotify, the NPR App, and wherever you get your podcasts. Louisiana Considered wants to hear from you! Please fill out our pitch line to let us know what kinds of story ideas you have for our show. And while you're at it, fill out our listener survey! We want to keep bringing you the kinds of conversations you'd like to listen to.Louisiana Considered is made possible with support from our listeners. Thank you!

Send us a textWarner Archive's George Feltenstein discusses the stunning new 4K UHD and Blu-ray restoration of MGM's 1956 musical "High Society" starring Bing Crosby, Grace Kelly, and Frank Sinatra with Louis Armstrong.Purchase links:HIGH SOCIETY (1956) 4K&Blu-ray Combo PackHIGH SOCIETY (1956) Blu-rayEPISODE DETAILS:• VistaVision's horizontal filming process presented unique challenges for scanning and restoration• Original film negatives were scanned using specialized Director scanners adapted specifically for horizontal use• Audio restoration utilized original six-track pre-recordings to create authentic multi-channel sound• Finding and preserving the original stereophonic music recordings was crucial to the restoration process• "High Society" was MGM's highest-grossing film of 1956 despite strong competition• Louis Armstrong functions as a Greek chorus throughout the film, with Bing Crosby having roots in jazz• Grace Kelly's final Hollywood film before becoming Princess of Monaco shows her comedic talents• Director Charles Walters moved from Broadway dancer to MGM choreographer to successful director• Special features include behind-the-scenes material, audio promos, and the appropriate "Millionaire Droopy" cartoon• Warner Archive's commitment to high-quality 4K releases continues with more titles plannedCheck out Warner Archive's Facebook page for more information and updates on upcoming releases. The Extras Facebook pageThe Extras Twitter Warner Archive & Warner Bros Catalog Group As an Amazon Affiliate, The Extras may receive a commission for purchases through our purchase links. There is no additional cost to you, and every little bit helps us in the production of the podcast. Thanks in advance. Otaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers. Contact us today to see how we can work together to achieve your goals. tim@theextras.tv

636. We talk to Frank Perez about the place of LGBTQ+ people in New Orleans history. “Want to learn about New Orleans' rich and vibrant LGBT+ history? I can help with that! It has been my pleasure for the last several years to not only preserve and document that history, but also to be a small part of it.  I've written several books and hundreds of articles on local queer history and I'm proud to be a co-founder of the LGBT+ Archives Project of Louisiana.  In addition, I also founded and love conducting The Rainbow Fleur de Lis Walking Tour, which is a leisurely sashay the French Quarter's rainbow history.” (French Quarter Frank). Now available: Liberty in Louisiana: A Comedy. The oldest play about Louisiana, author James Workman wrote it as a celebration of the Louisiana Purchase. Now it is back in print for the first time in 221 years. Order your copy today! This week in the Louisiana Anthology. Street poet Stevie Jean (@typewritergypsy) has written a poem for the Louisiana Anthology. MIDNIGHT JAZZ ON ROYAL STREET WITH ET. listen, fluctuating ups and downs of lost & found the heart seeks love and settles on warmth, the even flowing, unbended forward march of melody, feeling leaning out toward rumbling, fist bump, dark cloud passing by, we react, can't help ourselves but to stop and stand, face the brass like dissidents against the firing squad breathless and furious to rise up the brass snaps against closed mouths, fistless, liveliness it loves regardless and will settle and will feed deep within, with renegade speed 9-26-19. royal, nola. typewritergypsy. This week in Louisiana history. July 26, 1810. Rebellion of West Florida Parishes. This week in New Orleans history. The first permanent picture show opened on July 26, 1896, at the Vitascope Hall at 623 Canal Street. This week in Louisiana. Satchmo SummerFest August 2-3, 2025 New Orleans Jazz Museum (The Old Mint) 400 Esplanade Ave. New Orleans, LA 70116 (504) 522-5730 Website     Our two-day celebration is one of the only festivals in the world dedicated to honoring Louis Armstrong and features two stages of music, a delicious culinary lineup featuring Louisiana restaurants, and an incredible indoor lecture series poised to educate guests on Armstrong's history and enduring impact.     Satchmo SummerFest is scheduled annually to coincide with Louis Armstrong's birthday on August 4th; the first festival took place on what would have been his 100th birthday, the same year the New Orleans airport was renamed Louis Armstrong International Airport. The artist often stated in public interviews that he was born on July 4, 1900 (Independence Day), a date that has been noted in many biographies. Armstrong died in 1971 and his true birthdate, August 4, 1901, was not discovered until the mid-1980s. Postcards from Louisiana. Lawrence Cotton on piano at the French Quarter Fest. Listen on Apple Podcasts. Listen on audible. Listen on Spotify. Listen on TuneIn. Listen on iHeartRadio. The Louisiana Anthology Home Page. Like us on Facebook. 

Why settle for ordinary when you can have extraordinary?   Want to create the perfect moment with your grandfather at your wedding?     This podcast is for engaged couples who are stressed out with wedding planning and family expectations, but want a fun wedding day.   Our latest podcast edition explores "12 Must-Have Songs for a Grandfather-Granddaughter Dance."   Discover timeless classics from Louis Armstrong, Stevie Wonder, and Ray Charles, plus new classics from Taylor Swift and Carrie Underwood.   Stress-free Wedding Planning Podcast #158: 12 Must-Have Songs for a Grandfather-Granddaughter Dance Host: Sal & Sam Music: "Sam's Tune" by Rick Anthony   TIMESTAMP 00:00 Introduction to 12 Must-Have Songs for a Grandfather-Granddaughter Dance 01:00 Podcast Overview and Goals 02:15 Prioritizing the Grandfather-Granddaughter Dance 04:45  "What a Wonderful World" by Louis Armstrong 05:05 Stevie Wonders, "Isn't She Lovely" 05:45 "You are My Sunshine by Ray Charles 06:15 Natalie Cole Nat King Cole's "Unforgettable" 06:45 Luther Vandross "Dance With My Father" 07:15 The Judds "Grandpa, Tell Me 'Bout The Good Old Days".  08:15 Wedding Tip Wednesday: No Phone Zone 10:00 Recap 10:30 Beatles, with "In My Life" 10:45 Rod Stewart " Forever Young" 11:15 "My Girl" by The Temptations 11:45 Carrie Underwood "The Girl You Think I Am" 12:00 Taylor Swift "Never Grow Up” 12:45 Van Morrison “Have I Told You Lately” 13:00 Full Recap of Grandfather-Granddaughter Dance Songs 14:00 Final Thoughts and Community Engagement 14:30 Closing Remarks and Farewell   Get your FREE no-obligation report TODAY: "8 QUESTIONS YOU MUST ASK A WEDDING PROFESSIONAL BEFORE BOOKING THEM" http://forms.aweber.com/form/55/756659955.htm Music List Giveaway  https://www.afterhourseventsofne.com/guestcontact *** Join us in the Stress-free Wedding Planning Facebook group https://urlgeni.us/facebook/stress-free-wedding-planning Copyright © 2025 Atmosphere Productions LLC All Rights Reserved. Produced by Atmosphere Productions in association with After Hours Events of New England https://atmosphere-productions.com https://www.afterhourseventsofne.com #FamilyTraditions #GrandfatherGranddaughter #WeddingDance #2025Bride #2026Bride #2027Bride #WeddingPlanning #WeddingCeremony #WeddingPreparations #WeddingChecklist #weddingpro #weddingexperts #WeddingInspo #WeddingIdeas #WeddingPhotography #WeddingGoals #WeddingWisdom #WeddingMusic #WeddingTips #DreamWedding #WalkDownTheAisle #StressFreeWedding #StressFreeWeddingPlanning #StressFreeWeddingPlanningPodcast #WeddingPodcast #WeddingTipWednesday #WeddingAdvice #WeddingDay #CTweddingdj #WeddingDJ #AtmosphereProductions #AfterHoursEventsOfNE

Author Ricky Riccardi says Armstrong's innovations as a trumpeter and vocalist helped set the entire soundtrack of the 20th century. His book about Armstrong's early life is Stomp Off, Let's Go. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

June 28, 1928. Louis Armstrong is in the studio recording what he hopes will be another hit. His career is on the rise, but he's not a household name yet. But he's about to lay down a track – “West End Blues” – that won't just change his career, but the entire genre of jazz.  But Armstrong didn't compose “West End Blues” – it was written by his mentor, a man only remembered by people who are really into the history of jazz, a cornet player named Joe “King” Oliver. Armstrong records this song likely as a favor to this father figure, someone who set him on the path to becoming an American icon. Oliver might be forgotten by many, but his role is undeniable. Before “What a Wonderful World” or “Hello Dolly,” how did Louis Armstrong get his start following King Oliver around New Orleans? And how did the complicated, sometimes fractured relationship with his mentor give rise to this legendary career? Special thanks to Ricky Riccardi, director of research collections at the Louis Armstrong House Museum in Queens, New York, and author of several books on Armstrong, including his most recent, Stomp Off, Let's Go: The Early Years of Louis Armstrong. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices