Podcasts about Louis Armstrong

We're relaunching Let It Roll by reposting every episode in chronological order by subject matter. In this episode, host Nate Wilcox interviews Gary Giddins to discuss the opening section of his classic book "Visions of Jazz" including discussions of vaudeville greats Al Jolson and Bert Williams, W.C Handy, the man who "discovered" the blues and Louis Armstrong's signifying takes on old time songs of slavery and some of the forgotten Black songwriters of 1920s Tin Pan Alley. This episode originally dropped in 2023. GO TO THE LET IT ROLL SUBSTACK TO HEAR THE FULL EPISODE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -- The final 15 minutes of this episode are exclusively for paying subscribers to the Let It Roll Substack. Also subscribe to the LET IT ROLL EXTRA feed on Apple, Spotify or your preferred podcast service to access the full episodes via your preferred podcast outlet. We've got all 350+ episodes listed, organized by mini-series, genre, era, co-host, guest and more. Please consider becoming a paid subscriber to support the show. Thanks! Email ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letitrollpodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Twitter.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Let It Roll is proud to be part of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pantheon Podcast⁠s⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Wizard Highschool Musical part 4 of 6. The students of Wizard Highschool Academy learn the valuable lesson of dealing with loss. Meanwhile, the Headmaster cracks down in his search for Double Forbidden Necromancy for Demented Fucks, Volume II.Cast (in order of appearance)Azataz the Wize - ⁠⁠Chris Bauso⁠Darlene the Spectacular - ⁠⁠Gabriel BProfessor Witchlady - ⁠Jess McCoyMr Backsweat - ⁠⁠Ben MillsMrs Character's Boyfriend - W Kieth TimsCricket - Charcoal "Gryllus Veletis" the Springfield CricketMs Loretta - Chris BausoOrgonoth the Awful - ⁠Paul HikariQuidzel the Exquisite - ⁠Squid LudwigRandall the Rotund - Ben MillsPA Orb Announcer - M Jeffrey HowardJanitor Willie - ⁠Jon AndersonHeadmaster Dumblesnatch - ⁠Scott R McKinleySecurity Golem 1 - ⁠Pelle Frid⁠Security Golem 2 - ⁠Devin KeisterUmbrelei the Gothic - ⁠⁠⁠Krissi WilliamsThe girl who can't believe the unexpected twist - Marie Kim OuelletDouble Fucker - ⁠AJ DeLong⁠Torturer 1 - Chris BausoTorturer 2 - Frankie VegaBirthday Girl - Emily Morse-LeeKeeper Winston - NJ UnwinAutomated Orb Service - Chris BausoMeta Narrator - Kier ZhouOrcimedes - SockXSaul Centaursteen - ⁠Tim JenningsAlso featuring Frankie Vega, DJ Reed, Devin Keister and Patrick Poulson as ExtrasEpisode artwork by Ben MillsWHSM Logo designed by Jeff PenningtonPreproduction Assembly by Patrick PoulsonSpecial thanks to the Story Squires Writing Club for writing assistance, feedback & peerless critique of this story!Songs used: Hymn for Our Brothers- Alon Peretz ; Curious Capers Creative Cut & Moonlit Mischief- Adam Dib ; Turtle Blues & The Misty Lake- Ian Post ; Wondering Cat- Nir Maimon ; Opus No. 1- Tim Carleton ; Lichen Encrusted Chamber- EquipBackground Ambiences by Michael Ghelfi'Ave Maria (cover)' was originally composed by Franz Schubert in 1825, rearranged by Michele Nobler, with lyrics by Franz Schubert, (translated to English by Ben Mills) and vocals by Ben Mills'We Miss Saul' was based off 'When the Saints Come Marching Home' as made famous by Louis Armstrong, used fairly under the Copyright Act in Section 107, with lyrics by Chris Bauso, vocals by Chris Bauso & Gabriel B and accordion prowess by Gabriel B'Double Fucker's Lesson' was arranged by Chris Bauso, with stems by Ben Mills and Patrick Poulson, with lyrics by Chris Bauso and vocals by AJ DeLong & Krissi WilliamsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Missouri State Fair has given us many things over the years, and today we can add freeze-dried pickles capable of removing every drop of moisture from the human body to the list.Episode 233 begins with Rizz bringing in freeze-dried pickles his wife picked up at the Missouri State Fair. The crew loves pickles. The crew loves snacks. What could possibly go wrong?Well, they look like packing peanuts, dissolve in your mouth and contain enough salt to make you feel like you've swallowed ocean water. Moon immediately wants another one. Rafe loves them. Scott practically needs to leave the room. And Rizz, the man who brought this sodium-based building material into work, wants absolutely nothing to do with them.Welcome to daily comedy at The Rizzuto Show, where even eating a pickle requires a postgame analysis.Then we return to one of the most important educational developments of our generation: Fart Corner.The teacher whose classroom fart corner went viral has responded to all the attention and clarified her intentions. Apparently, kids today have significantly less shame about letting one rip in class, so she created a designated location where students can handle their business and return to society.There's even been a rebrand.Fart Corner is now also The Gas Station.Surely that'll make middle schoolers take it seriously.This sends the crew into a completely unnecessary but surprisingly passionate discussion about whether fart shame is actually an important part of childhood development. Rizz thinks a little shame has value. Rafe wonders whether forcing someone to physically walk across the classroom to Fart Corner actually creates MORE shame. Lern points out that kids already smell bad enough. And Moon is forced to revisit the childhood classroom fart that has apparently been living rent-free in his brain for decades.Moon remembers the room. He remembers the chairs. He remembers the embarrassment. He remembers EVERYTHING.Some people remember their first kiss. Moon remembers the acoustics of a plastic chair.Then it's time for Matchup With Moon, and whatever intellectual credibility remained in the studio immediately leaves through the emergency exit.Rizz and Moon battle through trivia involving the longest-running television game show, Walter Mondale, the PGA Hall of Fame, malware and the Rice Krispies mascots before King Scott drops the Millard Fillmore tiebreaker.Moon confidently announces that Fillmore came after Lincoln… and then lands on 1949.Millard Fillmore actually became president in 1850.Only missed it by a century. That's within radio-show margin of error.Round two somehow gets worse. The guys tackle the undefeated Miami Dolphins, continents, Louis Armstrong, bowling terminology and the origin of Spam. “Spiced ham” should have been easy, but instead we get guesses including separated ham, spectacular meats, special mail and surplus meat.Then comes the Great Bowling Debate of 2023.Moon answers that a bowling “mark” means a spare. The actual definition includes a strike or a spare. Is Moon correct? Is he partially correct? Does the word “or” save him? Should Rizz win? Should nobody win? Why are grown adults litigating bowling vocabulary like there's prize money on the line?Suddenly Lern is arguing semantics, Rafe is researching bowling terminology, listeners are taking sides and the studio has become a deeply stupid courtroom.This is daily comedy exactly as nature intended: freeze-dried food experiments, weird news, childhood humiliation, terrible trivia, St. Louis radio chaos and grown adults taking an argument about bowling significantly more seriously than necessary.By the end, Moon admits his answer may have been incomplete, Rizz immediately declares victory, and “no backsies” becomes the final legal precedent.Another successful morning.Another friendship barely surviving.Another episode of daily comedy from The Rizzuto Show.Follow The Rizzuto Show → linktr.ee/rizzshow for more from your favorite daily comedy show.Connect with The Rizzuto Show Comedy Podcast online → 1057thepoint.com/RizzShow.Hear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The morning begins with Lern trying to figure out whether Hubbard Media has a sewage problem or whether she personally needs to reevaluate some life choices. Thankfully, the mystery quickly leads us to Florida, where somebody learns one of nature's most important rules the hard way: do not jump on a manatee. Especially when you haven't taken the time to determine whether said manatee is, you know… alive.Rizz remembers the beautiful bonding experience of having baby vomit deposited directly into his mouth. Moon recalls an athletic encounter with an impressive amount of dog poop. And then Rafe casually unlocks a repressed memory from his days working in surgery that probably should've stayed repressed. There's gangrene. There's a sterile operating room. There's vomiting. There's mint extract that arrives WAY too late. At one point, breakfast officially files for divorce.Eventually, Rizz attempts to drag this funny podcast out of the biological danger zone by choosing joy. Unfortunately, he's Rizz, so even his daughter thanking him for making dinner turns into an existential crisis involving garlic, dementia, stuffed animals, retirement in Florida, and an imaginary future son-in-law handling his estate. Normal father-daughter stuff.Then we actually get GOOD NEWS. St. Charles runner Emma Kessler thought she'd be tackling a half marathon without her boyfriend Jason, who repeatedly insisted running wasn't his thing. Turns out Jason had secretly trained for months so he could surprise her and run alongside her. It's sweet. It's supportive. Nobody gets covered in anything. Naturally, Rizz's immediate concern is that this man is making every other partner look terrible.Apparently Gen X isn't going to enough concerts, so today we're solving the live music industry one folding chair and bottle of ibuprofen at a time.A concert promoter asking what it would take to get Gen X back out to shows. The answers? Bring back physical tickets. Give us cleaner bathrooms. Stop making everything cost approximately one kidney. Fine bands for showing up late. And while we're making demands, how about concerts that start at 3 p.m. and wrap by 6 so everybody can be home, showered and questioning their life choices before the evening news?The crew gets into the bigger problem facing live music right now, from third-party ticket sellers and ridiculous resale prices to mid-level artists trying to survive while fans blow their entire entertainment budget on one or two giant shows. Foo Fighters are stepping in to open for AC/DC in St. Louis, which leads to the very important question of how long the Foo Fighters actually get to play when they're technically the opener. There's also an update on Def Leppard guitarist Vivian Campbell and his continued battle with Hodgkin's lymphoma.The Jack White and Charley Crockett drama continues after Twin Temple was removed from dates on Crockett's tour. Jack White defended the band, Crockett fired back, White responded with a bizarre musical troll, and suddenly everybody is keeping track of who released more albums. Rafe likes Crockett's music but would also like everyone involved to calm down and simply make songs again.Then Demon Hunter enters the chat. The Christian metal band is suing over the KPop Demon Hunters name, arguing that the massive Netflix property and its live-event expansion could create confusion with their long-established band. King Scott once saw the band demon hunter perform KPOP.The Missouri State Fair has given us many things over the years, and today we can add freeze-dried pickles capable of removing every drop of moisture from the human body to the list.Then we return to one of the most important educational developments of our generation: Fart Corner.The teacher whose classroom fart corner went viral has responded to all the attention and clarified her intentions. Apparently, kids today have significantly less shame about letting one rip in class, so she created a designated location where students can handle their business and return to society. Fart Corner is now also The Gas Station.Then it's time for King Scott to host Matchup With Moon, and whatever intellectual credibility remained in the studio immediately leaves through the emergency exit.Rizz and Moon battle through trivia involving the longest-running television game show, Walter Mondale, the PGA Hall of Fame, malware and the Rice Krispies mascots before King Scott drops the Millard Fillmore tiebreaker.Round two somehow gets worse. The guys tackle the undefeated Miami Dolphins, continents, Louis Armstrong, bowling terminology and the origin of Spam. “Spiced ham” should have been easy, but instead we get guesses including separated ham, spectacular meats, special mail and surplus meat.Then comes the Great Bowling Debate of 2023.Another episode of daily comedy from The Rizzuto Show.Follow The Rizzuto Show → linktr.ee/rizzshow for more from your favorite daily comedy show.Connect with The Rizzuto Show Comedy Podcast online → 1057thepoint.com/RizzShow.Hear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.Boyfriend Secretly Trains For Two Months To Surprise Girlfriend and Run Alongside Her in Dreaded First Half-MarathonSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

It's Thursday, and that means it's time to talk politics with The Times Picayune/New Orleans Advocate's Stephanie Grace. Today, we learn how Sen. Bill Cassidy (R-LA) is wrapping up his time in Congress by challenging the MAHA agenda with vaccine advocacy. August marks the birthday of New Orleans jazz legend Louis Armstrong.In 2021, Hurricane Ida destroyed a building in the Central Business District where Armstrong spent much of his childhood. Years later, our managing producer Alana Schreiber visited the space to learn about efforts to reconstruct the building and honor Armstrong's legacy. Today, we give that story a second listen. For over 40 years, she has guided New Orleans' book consumers with her writing and radio conversations. Now, Susan Larson has announced her retirement from her show, The Reading Life on WWNO. She joins us to reflect on her journey as an author, critic and advocate for the local literary community. She also shares the following recommendations for those who wish to feel a stronger tie to New Orleans-related literature.Confederacy of Dunces, by John Kennedy Toole, the book that sets the bar for New Orleans comedy.Gumbo Tales: Finding My Place at the New Orleans Table, by Sara Roahen, a classic of discovering our distinctive foodways.In the Land of Dreamy Dreams, by Ellen Gilchrist, one of the best social dissections of the city.Interview with the Vampire, by Anne Rice, captures the spooky side of the city.The Moviegoer, by Walker Percy, still speaks to the New Orleans atmosphere.NO Lit: 200 Years of New Orleans Literature, edited by Nancy Dixon, a very comprehensive anthology.The Ones Who Don't Say They Love You: Stories, by Maurice Carlos Ruffin—tales of a broad cross-section of New Orleanians.New Orleans City Guide 1938—The WPA guide is still surprisingly useful and informative.Unfathomable City: A New Orleans Atlas, edited by Rebecca Solnit and Rebecca Snedeker, creative and intelligent essays and maps.The World That Made New Orleans: From Spanish Silver to Congo Square, by Ned Sublette—one of the seminal books about New Orleans culture.And of course: The Booklover's Guide to New Orleans, by Susan Larson---Today's episode of Louisiana Considered was hosted by Bob Pavlovich. Our managing producer is Alana Schreiber. We get production and technical support from Garrett Pittman, Adam Vos and our assistant producer, Aubry Procell. You can listen to Louisiana Considered Monday through Friday at noon and 7 p.m. It's available on Spotify, Google Play and wherever you get your podcasts. Louisiana Considered wants to hear from you! Please fill out our pitch line to let us know what kinds of story ideas you have for our show. And while you're at it, fill out our listener survey! We want to keep bringing you the kinds of conversations you'd like to listen to.Louisiana Considered is made possible with support from our listeners. Thank you!

durée : 00:59:48 - par : Nathalie Piolé -

Zpívala skvěle jazz stejně jako pop. Když ji slyšel Louis Armstrong, daroval jí fotografii. Narodila se 9. srpna v Brně do rodiny, kde se pěstovala láska k hudbě. Rodiče ji pravidelně brali na operu a muzikály. Malá Evička začala velmi brzy chodit do hudebky. Od malička byla brána jako velký talent. Maminka sice nebyla nejšťastnější, že Eva šla studovat zpěv na JAMU, ale nechala se obměkčit. Vždyť šla studovat klasiku. Jenže to neměla malou Evu vzít na jeden americký film...

As we start thinking about what The Flood should play for its set at the latest Diamond Teeth Mary blues festival here in Huntington later this month, one song seems like a natural. “Gee,Baby, Ain't I Good to You?” is a near-century-old tune that touched the lives of two great West Virginia jazzmen a dozen years apart. Big band composer Don Redmond, who hailed from the eastern part of the Mountain State, wrote the song in 1929. Then in 1941, the phenomenal saxophonist Chu Berry from Wheeling recorded it in his very last studio session. Here's The Flood's latest take on the Redmond-Berry classic from last week's rehearsal.About the SongAs reported here earlier, the mid-1920s had been good to Don Redman. Just barely out of his teens, he was already responsible for integrating the rhythmic approach of Louis Armstrong's playing into the work of Fletcher Henderson's Orchestra. In 1927 Redman was wooed away from Henderson to join McKinney's Cotton Pickers, the house band at the celebrated Greystone Ballroom in Detroit.“Gee, Baby, Ain't I Good to You?” was the first song that Don wrote for the Cotton Pickers. After its 1929 release, though, the tune went into cold storage.More than a decade passed before the next major jazz artist recorded the song, and, as we say, it turned out to be yet another West Virginian.Wheeling's proud native son, tenor saxophonist Chu Berry, recorded the song in 1941 on the flip side of his rendition of “Sunny Side of the Street.” (Sadly, it would be Berry's last recording; an automobile accident in northern Ohio later that year ended his life at just 33.)Two years later, Don's song finally made The Big Time when Nat King Cole turned “Gee, Baby, Ain't I Good To You?” into a national hit, topping the 1943 R&B charts. Around the same time, Count Basie also adopted the song as a favorite, using it to showcase his band's various vocalists, including legends like Jimmy Rushing and Joe Williams.For more about the song, as well as about Redmond and Berry, see our earlier Flood Watch article by clicking here.Mark Your CalendarThe Flood will be at the Diamond Teeth Mary Medicine Show on Saturday, Aug. 22, at Heritage Station, 210 11th Street, in beautiful downtown Huntington. The guys are honored to open the festivities with a set at 6 p.m. And we're pleased that our old friend Jim Rumbaugh has agreed to sit in with us on bass, subbing for Randy Hamilton, who can't make the gig.And hey, we're open to suggestions if you'd like to help up figure out our set list for the show. To get you in the mood, you can swing by the free Radio Floodango music streaming service and turn on the band's Blues Channel for a randomized playlist of the band's bluesier bits over the years.Oh, and remember we've now got ways to mobilize the ol' Floodanago.Click here to find out how to put the Flood radio on your computer desktop and on an iPhone to make your Flood fix always just a click away. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

The small southern town of Abingdon in Virginia oozes charm with its large maple and dogwood trees lining the brick sidewalks of Main Street, which had once been a pioneer trail through the Blue Ridge Mountains. Quaint shops and eateries fill the 20-block historic district here and there are several haunted locations that make this one of America's most haunted small towns. Join us for the history and hauntings of Abingdon, Virginia. This Month in History features the birth of Louis Armstrong. Check out the website: http://historygoesbump.com Show notes can be found here: https://historygoesbump.blogspot.com/2026/07/hgb-ep-649-haunted-abingdon-virginia.html Become an Executive Producer: http://patreon.com/historygoesbump Music used in this episode: Main Theme: Creepy Carnival Theme  Created and produced by History Goes Bump Licensed under Creative Commons: By Attribution 4.0 creativecommons.org/licenses/by/4.0/ (This Month in History) "In Your Arms" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ Leisure by Sasha Ende at Ende.com Licensed under Creative Commons: By Attribution 4.0 creativecommons.org/licenses/by/4.0/

Pour écouter 5000 ans d'Histoire en entier, sans pub et avec les bonus, pour 2€ par mois :https://m.audiomeans.fr/s/S-tavkjvmo Petit voyage aujourd'hui, le 4 août 1901, jour de la naissance d'une trompette nommée Louis Armstrong. Le 4 août 1901, dans un quartier noir, et disons-le, misérable de la Nouvelle-Orléans, naît un petit garçon. Il s'appelle Louis Armstrong. Très jeune, il va découvrir le cornet à pistons dans une maison de redressement où il est envoyé pour avoir tiré en l'air avec un pistolet. Il y découvre surtout la musique, le rythme, l'improvisation et la liberté. Louis Armstrong va révolutionner le Jazz. Il ne joue pas seulement les notes, il les raconte. Il ne chante pas seulement les mots, il les transforme. Sa voix rocailleuse, ses solos éclatants, son sourire immense, tout chez lui devient contagieux. Il traverse les décennies comme une légende vivante, il joue avec les plus grands, brise les barrières raciales sans faire de discours, impose le Jazz sur les scènes du monde entier. Et puis un jour, il enregistre une chanson, simple, douce, presque naïve, « What a wonderful world », comme un murmure d'espoir. Louis Armstrong n'a pas changé le monde, mais il a changé la manière dont on peut le rêver. Le 4 août 1901, c'est un souffle nouveau qui est né et il ne s'est jamais vraiment arrêté.A demain dans TIME SHOT pour une nouvelle Minute Histoire. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Back on this day in 1901, Louis Armstrong was born.  KTAR Timeline brought to you by Beatitudes Campus. 

Recordamos la vida y obra del músico Louis Armstrong para conmemorar el 125 aniversario de su nacimiento. Antelm Pujol, médico especialista en endocrinología y nutrición, explica cual es la mejor forma de administrarse los días de descanso. Laura Ballarín, eurodiputada socialista en el Parlamento Europeo y portavoz del Grupo de Socialistas y Demócratas en la Comisión de Mercado Interior y Protección del Consumidor, se asoma a La Ventana para hablar de las regulaciones que se están imponiendo a las empresas que están detrás de las redes sociales para proteger a los menores. Hablamos con Lucía Bohórquez, compañera de Radio Mallorca y El País que esta semana ha entrevistado a Priscilla Presley y va a entrevistar a los reyes.

«Jedesmal, wenn dieser Mann die Trompete an die Lippen setzt - und sei es, um nur drei Töne zu üben - tut er das mit seiner ganzen Seele». Der berühmte Dirigent Leonard Bernstein ist es, der diese zentrale Zutat im Zaubertrank von Louis Armstrong benannt hat, ans Publikum gewandt, im Sommer 1956. Armstrong hatte soeben ein Konzert gegeben zusammen mit den New York Philharmonic. Dass dem zu Beginn mausarmen Jungen aus New Orleans dieser Weg gelingt, ist schon einmalig genug. Dass er ein paar Jahre später mit «Hello, Dolly!» sogar die Beatles vom ersten Platz in den Charts verdrängt, macht ihn endgültig zum Superstar. Was das allerdings hiess für ihn, die Seele in jede Note zu legen, warum es dafür viel mehr braucht als ein breites Grinsen, und inwiefern Louis Armstrong auch Zähne zeigen konnte: das diskutiert, zum 125. Geburtstag von Louis Armstrong, der Berner Trompeter Lukas Thoeni in der Jazz Collection mit Jodok Hess. Die gespielten Titel: Interpret:in: Titel (Album / Label) - Louis Armstrong: Hello, Dolly! (Louis Armstrong: The Definitive. Ken Burns Jazz / Columbia) - Louis Armstrong: Dippermouth Blues (The complete King Oliver's Creole Jazz Band 1923 / MM) - Louis Armstrong: Hotter Than That (Louis Armstrong: Great Original Performances 1923-1931 / BBC) - Louis Armstrong: West Ende Blues (Louis Armstrong: 1928-1931 / Hermes) - Louis Armstrong: Skokiaan (Louis Armstrong and the All-Stars: I Love Jazz / Verve) - Louis Armstrong: St. Louis Blues (Louis Armstrong: Satchmo The Great / Sony) - Louis Armstrong & Ella Fitzgerald: Can't We Be Friends? (Ella Fitzgerald and Louis Armstrong: Ella and Louis / Verve) - Louis Armstrong & Duke Ellington: It Don't Mean a Thing (Louis Armstrong & Duke Ellington: The Great Summit / Roulette) - Louis Armstrong: What a Wonderful World (Louis Armstrong: The Definitive. Ken Burns Jazz / Columbia)

National Chocolate Chip cookie day. Entertainment from 1982. Champagne invented, US buys Virgin Islands, Miss Piggy and Kermit the Frog broke up. Todays birthdays - Jesse Reno, Louis Armstrong, Clara Peller, Richard Belzer, Billy Bob Thornton, Barack Obama, Cole & Dylan Sprouse. Marilyn Monroe died.Intro - God did good - Dianna Corcoran https://www.diannacorcoran.com/Cookie dance - Chocolate ChipEye of the Tiger - SurvivorHonky Tonkin" - Hank Williams jrPoor little fool - Ricky NelsonBirdays - In da club - 50 Cent https://www.50cent.com/What a wonderful world - Louis ArmstrongWendys TV commercialI'll give you a ring - The BoxmastersExit Jersey Shore - Kenny Curcio https://kennycurciomusic.com/History & Factoids about today Playlist on SpotifyHistory & Factoids about today webpagecooolmedia.comcountryundergroundradio.comNational Days Puzzles - JulyGrace & Grit Christian Country Radio

"Du kannst nichts spielen, was Louis Armstrong nicht bereits gespielt hat." Selbst Trompetenstar Miles Davis verneigte sich vor dem Mann, der den Jazz wie kaum ein anderer geprägt hat. Vor 125 Jahren wurde Louis Armstrong geboren.

Er war eine Ikone des Jazz, als Sänger genauso wie als Trompeter. Am Dienstag wäre Louis Armstrong 125 Jahre alt geworden.

Anlässlich des 125. Geburtstags von Louis Armstrong erläutert Jazzexperte Wolfram Knauer dessen außergewöhnliche Bedeutung für die Musikgeschichte. Er beschreibt Armstrong im Gesrpäch mit SWR KULTUR als wegweisenden Trompeter, der durch Improvisation, Rhythmusgefühl und Bühnenpräsenz den Jazz und viele weitere Musikrichtungen nachhaltig geprägt hat. Knauer unterstreicht: „Es ist dieses Zeigen von Individualität in der Musik, aber auch auf der Bühne, die Armstrong vorgelebt hat.“ Armstrongs authentische Persönlichkeit und sein künstlerischer Ausdruck machten ihn zu einem Vorbild für Generationen von Musikerinnen und Musikern – von James Brown bis in den heutigen Hip-Hop. Damit wirke sein musikalisches Erbe weit über den Jazz hinaus bis in die Gegenwart fort.

A rundown of mini-bios highlighting each jazz figure—trumpeter Louis Armstrong, pianist Irving Fields, drummer Terri Lyne Carrington, and guitarist Herb Ellis—who share the same birthday, August 4. 

Pour écouter 5000 ans d'Histoire en entier, sans pub et avec les bonus, pour 2€ par mois :https://m.audiomeans.fr/s/S-tavkjvmo Petit voyage aujourd'hui, le 4 août 1901, jour de la naissance d'une trompette nommée Louis Armstrong. Le 4 août 1901, dans un quartier noir, et disons-le, misérable de la Nouvelle-Orléans, naît un petit garçon. Il s'appelle Louis Armstrong. Très jeune, il va découvrir le cornet à pistons dans une maison de redressement où il est envoyé pour avoir tiré en l'air avec un pistolet. Il y découvre surtout la musique, le rythme, l'improvisation et la liberté. Louis Armstrong va révolutionner le Jazz. Il ne joue pas seulement les notes, il les raconte. Il ne chante pas seulement les mots, il les transforme. Sa voix rocailleuse, ses solos éclatants, son sourire immense, tout chez lui devient contagieux. Il traverse les décennies comme une légende vivante, il joue avec les plus grands, brise les barrières raciales sans faire de discours, impose le Jazz sur les scènes du monde entier. Et puis un jour, il enregistre une chanson, simple, douce, presque naïve, « What a wonderful world », comme un murmure d'espoir. Louis Armstrong n'a pas changé le monde, mais il a changé la manière dont on peut le rêver. Le 4 août 1901, c'est un souffle nouveau qui est né et il ne s'est jamais vraiment arrêté.A demain dans TIME SHOT pour une nouvelle Minute Histoire. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Legal Docket follows a lifeguard captain's case testing the Supreme Court's stronger standard for religious accommodation; on Moneybeat, David Bahnsen explains the case for less Fed and more market; and the WORLD History Book returns to Louis Armstrong's New Orleans—plus the Monday morning news.Support The World and Everything in It today at wng.org/donate.Additional support comes from Ambassadors Impact Network, which provides education on investing in private companies from a biblical perspective, plus access to thoroughly vetted deal flow. Members participate in shared diligence and choose individual investments aligned with their convictions. Download AIN's free Spiritual Impact Report to see how portfolio companies integrate faith into operations at ambassadorsimpact.com/reportsFrom Dordt University, host of At Work in the Garden: The Faith and Work Conference, September 17-19. Dordt.edu/gardenAnd from World Watch, a 10-minute daily news program that explores current events for students 5-12th grade. This high-energy show connects learners to the present, history and communities around the world. Join 40,000 Christian families that utilize World Watch as a tool to foster curiosity and have conversations about today's news as a discipleship rhythm within their families. “Whatever the news, the purpose of the Lord will stand!” First time? Take advantage of a 30-days free trial at worldwatch.news/podcast Not ready to sign up? Check out a free episode at https://get.worldwatch.news/free-episode

Sintonía: "Passport to Pimlico" - Herbie Stewart Quintet 1.- You Rascal You 2.- Hobo, You Can´t Ride This Train (L. Armstrong) 3.- Knockin´ A Jug (E. Condon/L. Armstrong) 4.- Dear Old Southland 5.- See See Rider (Ma Rainey) 6.- Reckless Blues (Bessie Smith) 7.- Trouble In Mind 8.- Courthouse Blues 9.- I Love Jazz10.- The Mardi-Gras March11.- Basin Street Blues12.- Otchi-Tchor-Ni-YaTodas las músicas interpretadas por Louis Armstrong (voz/trompeta) and The All Stars Todas las músicas extraídas del CD 6 de la compilación (6xCD/8xLP) "The Complete Decca Studio Recordings Of Louis Armstrong And The All Stars" (1950-58) (Mosaic, 1993)Relación de fechas de los 5 programas anteriores de este coleccionable:1.- CD 1 emitido el 11/03/20262.- CD 2 emitido el 14/04/20263.- CD 3 emitido el 05/05/20264.- CD 4 emitido el 17/06/20265.- CD 5 emitido el 06/07/2026Escuchar audio

Jeremy Cordeaux is back in the garage with Pete and Gary, and there's plenty on his mind. Pauline Hanson has regained top spot as preferred prime minister in the AFR's numbers — ahead of Labor and well ahead of the Liberals — and Jeremy can only imagine the panic in the back rooms. He turns to the quiet end of fuel excise relief, and his fury that not one journalist asked the Treasurer why the government would remove cost-of-living help while indexing the excise up on top — a fuel-price rise he warns will multiply through the price of everything. He also unpacks the $23.4 billion in electric-car subsidies running to 2036 ("no wonder they're selling well — what happens when it disappears?"), the "62 cents a day" tax cut he calls a disgrace, and Jacinta Allan's farewell speech as Victorian Premier — a "complete rewrite of history" from ten years of debt, the CFMEU, and a Commonwealth Games that cost nearly a billion and never happened. Plus H5 bird flu centred on South Australia, why the Muslim Brotherhood is banned in several countries but not Australia, and this day in history — Dom Pérignon, the Queen Mother, Marilyn Monroe, Louis Armstrong and Reg Grundy, for whom Jeremy once hosted Blind Date for $15 an episode.See omnystudio.com/listener for privacy information.

Part 1 - Host Neville James takes listeners on a lively journey through Virgin Islands music and cultural history, exploring the local connections behind classic recordings by Tommy Olivencia, The Mamas and the Papas, and jazz greats such as Charlie Parker and Louis Armstrong. Joined by guests Dwayne Henry and Frank from Frenchtown for Bush Tea, the conversation highlights the rich heritage of Charlotte Amalie, Frenchtown, seaplane travel, and the people and places that helped shape the Virgin Islands' unique story.

Today is a very special day on the podcast. It's Satchmo day! Or as you may know him - Louis Armstrong day! For anyone who doesn't know him, Louis Armstrong was simply one of the greatest American artists ever. And my guest to celebrate this occasion is Ricky Riccardi. He is the Director of Research Collections for the Louis Armstrong House Museum. Ricky has written three critically-acclaimed biographies of Louis Armstrong and is a two-time Grammy winner in the "Best Album Notes" category. He's produced numerous Louis Armstrong reissues, served as a Consulting Producer on the documentary "Louis Armstrong's Black and Blues", and he's given Louis Armstrong lectures at venues around the world. He is also a pianist. My featured song is “Mi Cachimber All Stars”, my recent single. Spotify link. —------------------------------------ The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for Start Here Click here for All Episodes  Click here for Guest List  Click here for Guest Testimonials Click here for Pillars Click here for Robert's Project Grand Slam Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH RICKY:www.louisarmstronghouse.org —------------------------------------ ROBERT'S NEWEST RELEASE:“THE BUZZ” - Ft. Darius de Haas (vocals) and Dave Eggar (Celo). Short, Sweet and Totally Different CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- Audio production: Jimmy RavenscroftKymera FilmsConnect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comFollow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.com   

Welcome back to When Words Fail, Music Speaks—the show where we dive deep into the healing power of music, especially when life's lows feel impossible to bear. I'm your host, James Cox, a lifelong music lover who's turned personal struggles with depression into a mission to help others find the same refuge I found in melody.In today's episode we sit down with a true renaissance man of the modern country scene—Dave McElroy. Dave's story reads like a novel: a businessman turned songwriter, television host, outdoorsman, and bandleader whose faith has repeatedly nudged him into unknown territory. From his early mornings in a coffee‑scented army truck listening to Loretta Lynn, to a second‑grade awe of Louis Armstrong, through a teenage fascination with Stevie Wonder, Van Halen, reggae beats, and even the occasional metal riff, Dave's influences are as diverse as his life experiences.We'll hear how those eclectic roots shape his sound—country at heart, yet tinged with rock, R&B, and a subtle Tom Petty slide‑guitar vibe that surfaces on his single “Vibin'.” We'll explore his journey from a top‑40 breakout, through the challenges of releasing singles versus a full‑length album, to the heartbreaking loss of his beloved drummer Jared and the very real conversations about mental health that now drive his podcast's purpose.Dave also shares the humble moments that keep him grounded: hunting trips in the Midwest, the smell of fresh‑mowed grass that whisks him back to childhood, and his abiding belief that music is a lifeline—“the breathing” that carries us through the darkest days. Along the way we'll touch on his “king of country” debates, his love for legends like Dolly Parton, Garth Brooks, and George Jones, and his relentless commitment to using his platform for charity, family, and faith.Stick around for the lightning round, where Dave reveals his first memorized country lyric, the instrument that challenged him the most, and the song he wishes he'd written himself. All of this—plus a sneak peek at an upcoming album slated for release this spring—makes for a heartfelt, candid conversation that underscores why, no matter the genre, music still speaks when words fall silent.Grab your headphones, sip a coffee (or a cold beer), and join us as we explore the man behind the music and the melodies that keep us moving forward.

Harry Miedema — From The O'Jays to Building UIndy's Jazz Program StudioHFL host Larry Powell interviews saxophonist Harry Miedema about his life and career. Harry discusses retiring from the University of Indianapolis about seven years ago, continuing to play weekly with his Florida-based Blue Heron Sextet (about 90 charts written), and missing teaching. He recounts joining UIndy as an adjunct in 1985 while touring, later directing the jazz ensemble after Jim Edison, and building concerts and a jazz series with help from Jamey Aebersold, including notable guest artists and Edison's donated chart library. Harry describes 23 years touring with The O'Jays (1976–1998), his West Point band service, lessons with Joe Allard and David Baker, work hiring brass players, sharing a stage with Louis Armstrong in 1971, and recent projects including a clarinet analysis book and transcriptions. 00:00 Interviews Return 00:39 Sponsors Thanks 01:37 Interview Begins 02:12 Obituary Mixup 03:25 Blue Heron Sextet 04:43 Teaching After Retirement 05:19 Building UIndy Jazz 09:03 Concert Series Highlights 10:57 Life With The O'Jays 12:43 UIndy Recruiting Reality 14:34 Teaching Philosophy 15:03 Mentors Joe Allard 17:56 David Baker Influence 18:59 Indy Roots Larry Hall 21:13 Making It Happen 22:10 Learning on the Hustle 23:41 West Point Band Life 24:44 Mentors and Clarinet 25:34 Jamey Aebersold Connection 28:00 O'Jays Brass Hiring Stories 32:43 Louis Armstrong Encounter 34:29 Jazz Game Changers 36:35 Retirement Projects in Florida 38:51 Recordings and Radio Wrap-Up

Welcome to Week In Geek Wednesday for our quick-hits segment of entertainment and interesting bits of internet debris for you... the people! This week, we recap WWE's most recent Saturday Night's Main Event, go through some real-life Ted Lasso debuts, some MCU scuttlebutt, and a live taste testing by Uncle Todd!   FULL VIDEO EPISODES! That's right folks, you can see our bright smiling idiotic faces in full color on our YouTube channel. Full episodes available as well as clips.   LINKS OF INTEREST: - Jon Bernthal on why he exited Daredevil: Born Again - Dani Rojas (Cristo Fernandez) made his Professional Futbol debut   ...AND ANOTHER THING: THE MAN THEY CALL TIM suggests checking out Paul Simon live UNCLE TODD suggests listening to Satchmo's 1970 album “Louis Armstrong and His Friends”   FOLLOW US ON THE SOCIAL MEDIAS: Facebook - http://facebook.com/freerangeidiocy Instagram - http://instagram.com/freerangeidiocy YouTube - http://youtube.com/@freerangeidiocy

durée : 00:43:48 - Les Nuits de France Culture - par : Albane Penaranda - L'art conjugué d'Ella et de Louis défie l'analyse ! La rencontre entre Ella Fitzgerald et Louis Armstrong a donné naissance à des duos devenus des classiques du jazz. À travers une sélection de disques et de concerts, retour sur cette collaboration unique entre deux géants de la musique. - équipe : Mathias Le Gargasson, Antoine Dhulster, Rafik Zénine, Vincent Abouchar, Emily Vallat, Hassane M'Béchour, INA Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Hablamos del gran Lonnie Johnson. Un tipo que ya en 1925 estaba sentando las bases de la guitarra moderna y grabando con leyendas como Louis Armstrong y Duke Ellington. Pero la industria es una amante cruel, y para finales de los años 50, Lonnie se había rendido. ¿Sabéis dónde estaba? Barriendo suelos y trabajando de conserje en el hotel Benjamin Franklin de Filadelfia.

Welcome to Episode 1 of our special On Tour With Ronnie series featuring the incredible Chanel Haynes.Before joining Ronnie Wood on his European tour, Chanel sits down with Hang Fire to discuss the music that shaped her voice — from Tina Turner and Nina Simone to Louis Armstrong, Howlin' Wolf, The Rolling Stones, and the artists who helped inspire her remarkable journey.A conversation about influences, finding your own voice, and the music that stays with us forever.

Kimmer wraps up Monday with HCIS, President Trump weighing in on the Balogun red card controversy, fallout surrounding Maine Senate candidate Graham Platner, Taylor Swift’s wedding advice, Louis Armstrong, Jackie Robinson, military history, birthdays, and more.See omnystudio.com/listener for privacy information.

National Fried Chicken day. Entertainment from 1998. First Rabbies vaccine given, US choses dollar for name of its currancy, Record hot temps in Minnesota and North Dakota. Todays birthdays - Bill Haley, Janet Leigh, Della Reese, Ned Beatty, Burt Ward, George W Bush, Sylvester Stallone, 50 Cent, Kevin Hart. Louis Armstrong died.Intro - God did good - Dianna Corcoran      https://diannacorcoran.com/ Fried chicken song - Der WitzThe boy is mine - Brandy   MonicaThe shoes your wearing - Clint BlackBirthdays - In da club - 50 Cent        50cent.comRock around the clock - Bill Haley and his cometsDon't you Know - Della ReeseBatman TV themeCandy shop - 50 CentWhat a wonderful world - Louis ArmstrongExit - Town like mine - Dillon Jones     https://www.dillonjonesband.com/History & Factoids about today Playlist on SpotifyHistory & Factoids about today webpagecooolmedia.comcountryundergroundradio.comNational Days Puzzles - JulyGrace & Grit Christian Country Radio

From the Music History Today Podcast Network, This is the Music History Today Podcast for July 6. On today's show, John meets Paul, disco hits number one, and Louis Armstrong Passes Away. For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytodayChapters: 00:00 Intro 00:34 What happened on this date in music history19:11 Music award ceremonies that were held on this date in music history20:26 Albums released on this date in music history 26:45 Singles released on this date in music history 28:08 Birthdays of music artists on this date in music history 37:40 Passings of music artists on this date in music history 45:43 What's on tomorrow's episode

TVC 740.4: Phil Gries of Archival Television Audio plays more audio highlights of In Celebration of US, including coverage of the jazz festival held on July 4, 1976 that also commemorated the 100th birthday of jazz great Louis Armstrong, plus a few minutes of the Major League Baseball game that day between the Houston Astros and the Cincinnati Reds.  Audio courtesy Archival Television Audio. Image of Louis Armstrong courtesy Britannica.com Harlem School: 1970, the "direct cinema" documentary that Phil Gries originally filmed, produced, and directed in 1970, will become available on Blu-ray through Kino Lorber on Tuesday, Aug. 25

With special guest: Jeff Apter… in conversation with Bill Kable It is hard to discover who the real Lee Gordon was but Jeff Apter provides a whirlwind tour of this extraordinary life in his book Lee Gordon Presents. We know Lee Gordon arrived for the first time in Australia in September 1953. We know he left for the last time in 1963 before he died alone in a London hotel at the age (probably) of 40. Not much is certain about his real name, his date of birth and why this brash American decided on making Australia his home. But in the ten years he lived in Australia he revealed himself as a force of nature. Lee Gordon must have been a charming personality. He prevailed upon a whole host of the most successful entertainers in America to make the long trip to Australia and perform in sometimes primitive venues such as the Sydney Stadium. Those entertainers who fell under his spell included Frank Sinatra, Louis Armstrong, Johnny Cash, Buddy Holly, Jerry Lee Lewis and the list goes on. At first Australian audiences were wary that the stars would not really be performing. They thought that when the time came they would be presented with a film or perhaps impersonators but when the stars kept coming Lee Gordon had some hugely successful tours.

From the Music History Today Podcast Network, This is the Music History Today podcast for June 28. On today's show, the saxophone is patented & Louis records the greatest recording in the history of jazz. For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytodayChapters: 00:00 Intro 00:34 What happened on this date in music history11:19 Music award ceremonies that were held on this date in music history13:04 Albums released on this date in music history 19:45 Singles released on this date in music history 23:17 Birthdays of music artists on this date in music history 27:35 Passings of music artists on this date in music history 33:13 What's on tomorrow's episode

Click on the picture/link and enjoy music to celebrate summer by. Included is Albert Collins, Sue Foley, Mike Zito, Louis Armstrong with Ma Rainy, Tommy Castro, Terry Hanck, Vanessa Collier, Rick Estrin and more. 

Fertel is the author of Winging It: Improv’s Power and Peril in the Age of Trump, in which he reveals his thoughts and theories about improv as a superpower with a shadowy, perilous side. Winging It was re-released in 2026 as an audiobook. He is currently finishing work on a follow-up book called The Age of Improv, with plans to release later this year. Fertel says, “Trump is skilled at that same improvisational quality that makes Louis Armstrong’s work transcendent, with an instinctual freedom. Yet, in the wrong hands, it becomes something dangerous.”See omnystudio.com/listener for privacy information.

Pacific Street BluesSpotlight on Bessie SmithJune 14, 20261. Janis Joplin / Black Mountain Blues2. Bob Dylan & The Band / Bessie Smith (Happy and Artie Traum)3. Dory Previn / (Janis Joplin bought a) Stone for Bessie Smith4. John Coltrane / Bessie's BluesInfluences 5. Ma Rainey / See See Rider Blues (Elvis Presley)6. Ida Cox / Wild Women Don't Have the Blues 7. Albert Hunter / Down Hearted Blues8. Maime Smith / Crazy Blues Duets: Charlie Green of Omaha9. Bessie Smith w/ Charlie Green / Empty Bed Blues10. Jim Croce / Charlie Green Play that Slide Trombone11. Bessie Smith w/ Louis Armstrong (trumpet) / St Louis Blues 12. Clara Smith w/ Bessie Smith / I'm Going Back to My Used to Be James P Johnson, The Invisible Pianist 13. Bessie Smith w/ James P Johnson / Back Water Blues 14. Fats Waller / Ain't Misbehavin' 15. Count Basie / April in Paris 16. Duke Ellington / Take the A Train (Billy Eckstine) Lieber & Stoller 17. Wilbert Harrison / Kansas City18. Kathy Tyree / Hound Dog 19. Elvis Presley / King Creole20. The Rolling Stones / Down Home Girl21. The Beatles / Young Blood John Hammond Sr. Legendary A&R Columbia Records22. Billie Holiday / Gimme a Beer and a Pigfoot23. Aretha Franklin / Soulville 24. Bruce Springsteen / Sandy (4th of July) 25. Lionel Hampton w/ Nat Cole Trio / House of Morgan Covers of Bessie Smith's Music26. Sue Foley / Send Me to the 'Lectric Chair 27. Ella Fitzgerald / Gulf Coast Blues 28. Della Reese / You've Been a Good Old Wagon 29. Etta James / Don't Cry Baby30. Bessie Smith / Tain't Nobody's Business If I Do 31. Rhiannon Giddens / You Put the Sugar in My Bowl 32. Rory Block / I'm Down in the Dumps 33. Kenny Wayne Shepherd / Back Water Blues

McKay explores Dolly Parton's philosophy of ‘finding the God-light in everyone' as a transformative leadership discipline. He argues that choosing to see potential rather than faults is a practical way to inspire growth and redirect lives.Our host highlights how belief in others alters history through the stories of Louis Armstrong, Walt Disney, and Abraham Lincoln. Detailing Nelson Mandela's healing of South Africa and John Wooden's UCLA coaching, McKay demonstrates that by applying the Pygmalion effect and defending the absent, listeners can foster trust and move beyond automatic negative thinking.Main Themes: Dolly Parton's "God light" philosophy The Pygmalion Effect on performance Lincoln's "Team of Rivals" strategy Louis Armstrong's reform school start Walt Disney and the power of affirmation Defending the absent to build character Mandela's use of rugby to unite a nation Overcoming self-centered "default settings" John Wooden's shame-free coaching Belief as a practical leadership strategyTop 10 Quotes:"I try to find the God-light in everybody.""If you see someone without a smile, give them yours.""Human nature tends to notice faults first.""When people are seen as capable, they often become more capable.""If you humiliate people, they resist; if you honor people, they change.""When you defend those who are absent, you retain the trust of those present.""Seeing the good in others is a discipline, not a feeling.""Remembering everyone is good makes a meaningful life possible.""Correct what can be improved, not what is wrong with you.""Seeing good in someone can redirect an entire life."Show Links:Open Your Eyes with McKay Christensen

The GURU is back after a few weeks off. There has been some very hard times, but we are getting through this rough stretch. The New York Knicks will play the San Antonio Spurs after a thrilling game seven, ousting the defending World Champs, the Oklahoma City Thunder. The GURU is going with the Spurs in 7. My Vegas Golden Knights are heading back to the Stanley Cup Finals against the Carolina Hurricanes, after shocking the Colorado Avalanche in four straight. The GURU Is going with the VGK in 7. There has been several people that we had to say goodbye to, but the Saxophone genius, one of the last great jazz musicians of our time has left us. Sonny Rollins was no doubt, one of the last greats that made jazz one of the greatest art forms in music history. He was legendary in every sense of the word. When we take a look back and mention the greats, Coltrane, Miles Davis, Charlie Parker, Louis Armstrong, Duke Ellington, Dexter Gordon, Sonny Rollins has to be considered in the top tier of greats. At 95 years old, he was the last of era gone by. This episode is dedicated to him. We will be back next week with Episode 316, enjoy the rest of your Sports Weekend and be safe.

Photography Historian and Curator Audrey Sands joins PhotoWork with Sasha Wolf to discuss her book, Lisette Model: The Jazz Pictures (Eakins Press Foundation). Drawing on years of research, Sands presents Lisette Model's rarely seen archive of photographs of 1950s jazz legends, including Louis Armstrong, Billie Holiday, Duke Ellington, Percy Heath, Miles Davis, and Dizzy Gillespie. Sands and Wolf discuss the rise of fine art photography as a collectible medium in the latter half of the 20th century, the role of museums and institutions in shaping the narrative of photographic history, and the role of the historian in editing and interpreting an artist's work posthumously. https://harvardartmuseums.org/about/press-media/audrey-sands-appointed-associate-curator-of-photography-at-the-harvard-art-museums https://www.instagram.com/audreyleesands/  Audrey Sands is a historian of photography and curator who specializes in twentieth-century American photography.. She holds a Ph.D. and M.Phil. in the History of Art from Yale University, an M.St. in the History of Art and Visual Culture from the University of Oxford, and a B.A. in Art History from Barnard College. Since February 2025, Sands has served as the Richard L. Menschel Associate Curator of Photography at the Harvard Art Museums, where she oversees a collection of approximately 75,000 photographs and time-based media ranging from the early 19th century to the present. Her appointment followed a postdoctoral fellowship as Andrew W. Mellon Postdoctoral Curatorial Fellow in the Department of Photographs at the National Gallery of Art, Washington, D.C. (2022–25), during which she contributed to the exhibitions Gordon Parks: Camera Portraits from the Corcoran Collection (2024–25) and the multi-venue Photography and the Black Arts Movement, 1955–1985 (2025–26). Prior to the NGA, from 2019 to 2022, Sands held the Norton Family Assistant Curator of Photography position at the Center for Creative Photography (CCP), University of Arizona—a joint appointment with Phoenix Art Museum—where her exhibitions included Freedom Must Be Lived: Marion Palfi's America, 1940–1978 (2021–22) and Farewell Photography: The Hitachi Collection of Postwar Japanese Photographs, 1961–1989 (2022). Earlier curatorial positions include the Department of Photographs at The Museum of Modern Art, the National Gallery of Art, and the J. Paul Getty Museum. Sands has been the lead scholar on the work of photographer Lisette Model for over a decade, beginning with her Yale dissertation, “Lisette Model and the Inward Turn of Photographic Modernism.” Her most recent publication, Lisette Model: The Jazz Pictures (Eakins Press Foundation, 2025), realized a suppressed collaboration between Model and Langston Hughes that had been shelved during the McCarthy era, publishing for the first time nearly 200 of Model's approximately 1,500 jazz negatives alongside Hughes's original essay and new scholarship by Sands. Her ongoing research on flash photography—supported by a 2021 Curatorial Research Fellowship from the Andy Warhol Foundation for the Visual Arts—is developing toward a publication and exhibition titled The Shape of Light: History, Ethics, and Aesthetics of Flash Photography.

The National Security Hour with Blanquita Cullum – America has a rich musical heritage, spanning many styles, composers, and performers. Dr. Rich argues that many young people are unfamiliar with influential figures such as Irving Berlin, George Gershwin, John Williams, Ella Fitzgerald, Louis Armstrong, and others. Are students not being educated in the rich legacy of American music?

The National Security Hour with Blanquita Cullum – America has a rich musical heritage, spanning many styles, composers, and performers. Dr. Rich argues that many young people are unfamiliar with influential figures such as Irving Berlin, George Gershwin, John Williams, Ella Fitzgerald, Louis Armstrong, and others. Are students not being educated in the rich legacy of American music?

Two decades after his breakout album It's Time, five-time Grammy Award winner Michael Bublé sits down with Willie Geist at New York's Blue Note Jazz Club to reflect on his journey from Canadian fishing boats to global fame. Bublé opens up about the grandfather who introduced him to Frank Sinatra, Louis Armstrong and Ella Fitzgerald, the early gigs that shaped his craft, and the moment that changed everything in his career. He also talks about his love for Christmas music, the perspective he gained after his son's illness, and his experience as a coach on NBC's The Voice. (Original broadcast date October 26, 2025) Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Hello to you listening in Desert Hot Springs, California! Coming to you from Whidbey Island, Washington this is Stories From Women Who Walk with 60 Seconds for Wednesdays on Whidbey and your host, Diane Wyzga. Recently a friend told me how she felt like a failure because the job she had she didn't want and the job she wanted she didn't get. Now what?   What if we choose to look at the lost job opportunity as an experiment that didn't produce the expected results.  Does that mean it failed? No. What if we look at the result as information pointing you in a better direction. Dr. Jonas Salk once said, “There is no such thing as a failed experiment, because learning what doesn't work is a necessary step to learning what does.” Or, as the famous American jazz musician Louis Armstrong said, “It's taken me all my life to learn what not to play.”   Practical Tip: Think of a time when you believed you had failed but with a little persistence turned the result into an unexpected opportunity. How did you do it? I believe it's because you've got what it takes to experiment! You're always welcome: "Come for the stories - Stay for the magic!" Speaking of magic, I hope you'll subscribe, share a 5-star rating and nice review on your social media or podcast channel of choice, bring your friends and rellies, and join us! You will have wonderful company as we continue to walk our lives together. AND!  Stop by my Quarter Moon Story Arts website during reconstruction, check out the Communication Services, email me to arrange a no-obligation Discovery Call, and stay current with me as Quarter Moon Story Arts on Substack. Stories From Women Who Walk Production Team Podcaster: Diane F Wyzga & Quarter Moon Story Arts Music: Mer's Waltz from Crossing the Waters by Steve Schuch & Night Heron Music ALL content and image © 2019 to Present Quarter Moon Story Arts. All rights reserved.  If you found this podcast episode helpful, please consider sharing and attributing it to Diane Wyzga of Stories From Women Who Walk podcast with a link back to the original source.

Coming up tonight, some early jazz plus jazz themes from movies. We'll hear from George Gershwin, Ray Eberle, Benny Goodman, Louis Armstrong, Julie London, Gil Evans, Winifred Atwell, Boots Randolph, Kai Winding, Henry Mancini, Wes Montgomery, Frank Sinatra, Bruce Reitherman & Phil Harris, Louis Armstrong, Shirley Bassey, Vince Guaraldi, and the Claude Bolling Big Band.

It's a short one for episode #733 of Have You Ever Seen, as I discuss Anthony Mann's biopic about the best-selling bandleader from the '30s & '40s. Smash hits Moonlight Serenade & In The Mood are Glenn Miller's 2 most-recognizable songs, tunes you'll know the minute you hear them. This is a straight-ahead "based on real people" movie (including his loving wife, Helen), but Mann, who often worked with James Stewart in this era, was an underrated director. And while Jimmy has OFTEN come up on this podcast, this is a first for June Allyson...and we also have a memorable cameo by the great trumpeter Louis Armstrong. So, honestly, take a listen to my sentimental review of the sentimental Glenn Miller Story. Subscribe to my channel in your podcast app. Rate the show too and jot down some words in a review, suggesting others give it a chance. Look for me on Letterboxd too (RyanHYES). My email is "haveyoueverseenpodcast@gmail.com". And my social-media contacts are "@moviefiend51" on Twi-X and "ryan-ellis" on Bluesky.

Thelonious Monk Plays Duke Ellington: The musicians on this album were already legends when it came out in 1955. Each of them completely reinvented how people play their instruments. Drummer Kenny Clarke: the originator of so much of modern drumming language. Bass player Oscar Pettiford: possibly the greatest bass soloist in the history of the instrument. And then there's Monk, one of the singular greatest pianists of all time. And here they are playing the music of Duke Ellington: an untouchable legend. The result is an album that brought Monk's genius to the masses. And it may just be one of his best. In this LIVE episode of You'll Hear It, jazz pianists Adam Maness and Peter Martin break down this remarkable moment in music history, playing Monk's interpretations next to Duke's originals. If you've never really got Monk, this album is your gateway into his music. And if you're already a fan, you'll never hear this album the same way again.-------------------------------Start your free Open Studio trial for ALLLLL your jazz lesson needs: https://openstudiojazz.com/yhi-------------------------------About You'll Hear It:In this popular music series Adam and Peter break down the greatest albums of all time. Stevie Wonder, Michael Jackson, Joni Mitchell, D'Angelo: Jazz is the foundation of the most GENIUS music in recent history. These seasoned jazz pianists bring their deep musical knowledge to every joyful episode to help you hear the hidden qualities that make music AMAZING. You'll never hear music the same way again.-------------------------------Sign up for the You'll Read It newsletter for little known stories about the artists you love: https://youllhearit.com/newsletter -------------------------------0:00 - "It Don't Mean a Thing (If It Ain't Got That Swing)"2:07 - You'll Hear It Live at Jazz at Lincoln Center6:02 - The Story of Thelonious Monk8:24 - First Official Recording: Coleman Hawkins Quartet (1944)10:21 - Keepnews Big Idea to Bring Monk to the Masses14:46 - "It Don't Mean a Thing": Duke's original vs. Monk's version20:40 - Bassist Oscar Pettiford's Sophisticated Musical Language24:10 - Louis Armstrong & Ella Fitzgerald's Version27:38 - "Sophisticated Lady"31:44 - "I Got It Bad and That Ain't Good" 35:08 - Bet You Can't Guess This Singer39:10 - "Black and Tan Fantasy": Duke (1927) vs. Monk42:30 - Oscar Pettiford Plays "Basso Profundo" with Duke Ellington45:00 - "Tricotism" - Oscar Pettiford 45:55 - Kenny Clarke deep dive47:48 - "Mood Indigo" 49:50 - "I Let a Song Go Out of My Heart": Duke's original vs. Monk's version52:30 - "Solitude"55:00 - "Caravan": Duke's original vs. Monk's version 58:35 - Categories: Desert Island, Apex Moments, Bespoke Playlists, Quibble Bits59:50 - Drummer Kenny Clarke's Brush Master Class1:04:00 - Is This Better than Kind of Blue?1:04:55 - What to Listen to Next