Podcasts about srishti school

Krishna Bala Shenoi is a visual artist who spends his days working on illustrations and exploring film. His artwork, spanning a variety of styles, has accompanied children's literature in picture books and short story collections from Tulika, Scholastic, Penguin, Karadi and Speaking Tiger, with projects from other publishers currently in development. Additionally, Krishna is the portrait-ist for Talk Easy with Sam Fragoso is a weekly series of intimate conversations with artists, activists, and politicians. His work in film and animation, passions he pursued at Srishti School of Art, Design and Technology, has been recognized by the likes of Roger Ebert and Steven Spielberg. He lives in Bangalore, where he plans to continue contributing to children's storytelling, imbuing his work with gentleness and a sense of wonder. [Neev Academy]In this episode of The Truth In This Art, Krishna Bala Shenoi discusses his work Children's book illustration, being responsible for the portraits of some of the biggest names in arts & culture and the most challenging aspects of his creative process. Creators & Guests Rob Lee - Host Krishna Bala Shenoi - Guest https://ads.chtbl.com/imp_track/ef9538d5-de85-4b2b-85ef-b32c0da40aa2;ord={cb};request_ts={timestamp};user_agent={UserAgent};ip_address={IP};listener_id={listenerId};episode_id=${parameters['awEpisodeId']!};podcast_id=${parameters['awCollectionId']!} ★ Support this podcast ★

Stuti Bajaj is the Founder and Creative Director of the lifestyle and stationery brand - Scribbling All Day. The brand offers hand-crafted, artistic products that help with productivity and mindfulness. Born and raised in Delhi, she pursued a degree in Visual Communication and Strategic Branding from Srishti School of Art and Design, Bangalore. She has also done multiple certifications in illustration, typography and digital marketing. She has collaborated with exciting brands from all kinds of industries - European Union, United Nations, PwC, KPMG, Practo and many more She is fond of all things creative and aesthetic, right from traveling, fashion and styling, photography and of course art. Her hobbies contribute to a major section of her work. She drives inspiration from nature walks, fashion shows, web series, and most importantly, the people she meets on day to day basis. She believes design has the power to change the way people think. Good design is the pillar of any brand, space and product.

Here's to the first series of this season of TBT - Learning in Architecture. Join us, students from RV College of Architecture and Srishti School of Design, as we share our experiences about discovering our own identities and learning curves in design. Speakers - Adithi Garood, Saman Aena, Srushti C, Gurjyot Kaur Graphics Team - Cherishma, Niharika Audio Team - Anuroop Chatterjee --- Send in a voice message: https://anchor.fm/talesbeyondthe-tackboard/message

Episode 9: Creative Cultural Leadership with Sanjit Sethi Sanjit Sethi has been an artist and cultural academic leader for the past twenty years and is currently the President of the Minneapolis College of Art and Design. He has also served in leadership roles at the Corcoran School of the Arts and Design at George Washington University, Memphis College of Art, the California College of the Arts and the Santa Fe Art Institute – among others. Additionally, he has taught at prestigious art schools such as the Srishti School of Art, Design, and Technology in India, MIT; and the Art Institute of Chicago. As an artist and curator, his work has spanned different media and geographies. Past works include the Kuni Wada Bakery Remembrance; Richmond Voting Stories; and the Gypsy Bridge project. Recent curatorial projects have included Spiked: The Unpublished Political Cartoons of Rob Rogers and 6.13.89 The Cancelling of the Mapplethorpe Exhibition.  Creative Cultural Leadership Creative Cultural Leadership is a philosophy that embraces artistry, innovation and empathy as fundamental to understanding and working with individuals and communities. The words creativity and innovation have taken on definitions which are too limiting. Creativity, experimentation and collaboration involves listening and decisiveness but also an embrace and an elevation of your own voice alongside the voice of others; it's not a solitary activity. All problems have a cultural aspect to it. The creative and the poetic mindset go hand in hand when building communities. Imperfection is OK Failure is an iterative process: Try, Fail, Learn – this is easier to see in art than it is in leadership. The world is asymmetrical in nature; very few things actually fit in neat tidy boxes. Our focus on symmetry allows us to avoid the real issues that exist in the world; oftentimes we're stymied thinking the system has to be perfect before being able to fix something. Leading a Team During a Crisis It's powerful to check in with your team about how they are doing – and yet be surgically efficient in how we use our time. Make space for visioning because you can't simply turn it on; inspire vision, create a visual palette cleanse to prepare the mind to vision. Push your team to not just solve current problems, but also to think about the future. Keep the team motivated: give credit, celebrate accomplishments, thank people in surprising ways, also there is no such thing as a dumb idea. Leadership Is… Leadership is how someone is able to judge when to leap from one moving freight train to another moving freight train and how to keep your hat during that leap. You have to know when to leap and when to wait. Leadership is asking what you know to be true that you think no one else in your field believes in; because you've got an idea everyone else thinks is absolutely bonkers. Leadership is being ok with the unease everyone feels which can be isolating. Leadership is showing empathy by showing a little bit of yourself. Leadership is vulnerability and contemplation which are two leadership qualities that are overlooked. Leading with Panic Check out Sanjit's article called Leading with Panic. Why Leaders Need to Talk More Openly About Anxiety. How do you take a disability or how do you take what seems like a disability and reframe it as an asset for communication and for greater empathy? Code Switching Working through leadership as a person of color Code switching can be exhausting and it's ok to acknowledge that Navigating white privilege Microaggressions can still exist even when have similar political perspectives Other References Jamie Bennett the Executive Director at ArtPlace America Ken Strickland who was the Dean at the Memphis College of Art Jean-Pierre Larocque a ceramicists and Associate Professor at Concordia University Ben Vinson, Provost and Executive Vice President at Case Western Reserve University Association for Independent Colleges of Art and Design To learn more about my work in executive coaching, leadership development and team effectiveness check out my website, connect with me on LinkedIn or email me at winnie@winnifred.org. Reach out and tell me what was helpful about today's episode or any suggestions you have for my show. Please leave a review and tell someone else about this show.  I look forward to sharing another transformative conversation with you next week!  

In episode #49 of Storytalking, Lakshya speaks with Ruchika Nambiar, an almost-26 year old artist / writer / designer / illustrator from Bangalore, India. Ruchika tells Lakshya about how she got into writing, how she found her creative voice, what it was like to be in Art school (she went to the Srishti School for Art & Design in Bangalore), how she finds the work-artist balance now that she’s an Interaction Designer, and how she conceptualized and wrote her graphic novel memoir: ‘The Breadcrumb’ - which you can read for free on her website www.ruchikanambiar.com.

On Keeping it Queer this week, Navin talks to artist and activist Durga Gawde. Their drag name is Shakti. They talk about: Durga's journey with her gender fluidity. How their parents created an artistic environment for them. What Durga's parents thought about gender roles and how it made an impact on Durga. Durga's days at the Srishti School of Art, Design and Technology in Bangalore and The Rhode Island School of Design, America.   On the Culture Vulture segment, Navin and Farhad pick on Sacred Games and some more current hot picks from pop culture, talking about the portrayal of transgender people. Durga is on Instagram at @durgagawdestudiohttps://www.instagram.com/durgagawdestudio/?hl=en Download the app from the Google Store here: https://play.google.com/store/apps/details? and check out the website! https://www.thedeltaapp.com/ You can listen to this show and other awesome shows on the IVM Podcast App on Android: https://goo.gl/tGYdU1 or iOS: https://goo.gl/sZSTU5 You can check out our website at http://www.ivmpodcasts.com/

Amitabh Kumar lives and works in Bangalore. He is a designer/artist and has worked as a part of the Sarai Media Lab where he researched and made comics, programmed events, designed books and co-curated an experimental art space. He is faculty in the Srishti School of Art and Design and Technology and is an initiating member of the Delhi based comics ensemble, The Pao Collective. He has been painting murals across India for a couple of years now and today we are here to talk more about Murals and his work. Your work has a distinct grungy look. How did you arrive at this styling? You have done a lot of murals around different cities in India. Can you tell us what a Mural is and what is it’s importance? Can you tell about your any specific artwork which created a high impact on the audience / viewer? Why and how? Do murals always have to tell stories? What is the importance of initiating a dialogue with strangers when you have worked on a mural?

Today I have Kruti Saraiya with us on Audiogyan. Kruti is a graphic designer/ typographer based in Mumbai. The focus of her practice has been to allow for a contemporary Indian design narrative to emerge to fill the gap between kitsch and traditional Indian crafts. She graduated from the London School of Printing. She has worked with Rabia Gupta Designs, Mumbai and taught at Srishti School of Art, Design and Technology, Indian School of Design and Innovation (ISDI) and Ecole Intuit for several years. 1. You are a typographer but you don’t design fonts. Can you tell us what is your process of typography? 2. You have mentioned in couple of interviews and in your bio as well, “‘the key is to change our mindset from an either-or to an AND.”. Can you tell us in what context it was and what makes you say that? 3. You have said, “language is a roadmap of culture.” Can you tell us what makes you say that? Why do you value vernacular languages so much? What is the importance of it? 4. Can you briefly tell us about Dharavi Design Museum? 5. What are your thoughts on typography of future within the realm of Indian scripts? Your comments on keeping it alive / nurturing it?