Podcasts about minneapolis college

Longtime CICC partner and colleague Cory Woosley of Minneapolis College joins us for an important conversation about navigating the relationships of siblings when one has a diagnosis of a special need.  Cory shares her perspective as a parent of a child with a disability and how her family traversed this path.  We discuss the idea of Glass Children, Parentification, and ways to support healthy overall development of the sibling who may have some unique needs and behaviors that get overlooked. *Coming Soon! A CICC Self-Study on this important topic! 

Cory Woosley from Minneapolis College joins us again to highlight key information about inclusion.  Our focus during this conversation is on the ways we as those caring for and teaching young children can help them build positive friendships.  We discuss the importance of friendships and the ways we can set up the environment to support quality play connections for children with special needs. *Coming Soon! A CICC Self-Study on this important topic! 

Editors - Mark Strand ACE, Joey Reinisch, Lauren Pendergrass and Annie Eifrig In this episode, we explore how THE PITT editing team of Mark, Annie, Joey, and Lauren navigated the unique challenges of cutting this intense medical drama. From their experiences working with producer John Wells to dealing with emotionally charged scenes, they reveal their techniques for maintaining authenticity and managing the show's fast-paced environment. They also share their personal connections to the material and how they balance relentless action with powerful storytelling. Created by R. Scott Gemmill and executive produced by John Wells and Noah Wyle, THE PITT follows an emergency department staff as they attempt to overcome the hardships of a single 15-hour work shift at the fictional Pittsburgh Trauma Medical Hospital. They do this while having to navigate staff shortages, underfunding, insufficient resources and a handful of rats run amok in the ER. Each episode of the season covers approximately one hour of the work shift. MARK STRAND, ACE Mark Strand is a Los Angeles-based editor with 25 years of experience in scripted drama, comedy, and procedurals, as well as long format documentaries, reality television, clip shows, news programs, television commercials, and everything in between.  Past projects include ANIMAL KINGDOM, RIZZOLI & ISLES and SHAMELESS. JOEY REINISCH Joey Reinisch is a seasoned editor known for his work on "Better Call Saul," with extensive experience in editing various genres including one-hour films, features, drama, dramedy, and horror. LAUREN PENDERGRASS Editor and director Lauren Pendergrass is known for her work on NEW AMSTERDAM, MAYANS MC and THE SONS OF ANARCHY. ANNIE EIFRIG Annie fell in love with editing at the Minneapolis College of Art & Design where she received a Bachelor of Fine Arts degree. Since then she's worked with a wide variety of directorial talents, always striving to bring an internal vision to the screen.  Past projects include MAID, BETTER THINGS and TOO OLD TO DIE YOUNG. The Credits Visit ExtremeMusic for all your production audio needs Check out what's new with Avid Media Composer Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

A new partnership is helping Minnesotans get their college degrees, if for some reason they couldn't finish. Minneapolis College, St. Paul College and Metro State University are working with a ReUp Education, a national organization that helps reenroll people in college.  According to data from the National Student Clearinghouse Research Center, the state of Minnesota has more than 600,000 residents who have some college but no credential.Greg Mellas, dean of Liberal and Fine Arts at St. Paul College, and Katy VanVliet, ReUp Education's senior vice president of Learner Services, joined Minnesota Now to share more about the program.

Color and Emotion, the topic of a 5-week online course I have  designed and will be teaching in March/April 2025 for the Continuing Education Department of the Minneapolis College of Art and Design.Color and Emotion: Experience and Aesthetic AwarenessOnline course, five weeksWednesday eveningsMarch 5 - April 9 (off March 19)7-9:30 pm CTCourse websiteMark Rothko at MoMAMichelangelo Sistine Chapel Michelangelo Doni Tondo, Uffizi GalleriesCoca-Cola and Santa ClausCrane bathroom tiles and fixturesAuntie Mame, 1958 Movie TrailerThe Velvet Underground, Who Loves the Sun, Loaded, 1970 Send us a textPodcast website with access to all episodes also at Chromosphere: The Color Theory Podcast

Artist Shen Wei joins me to talk about his book, A Season Particular (TBW Books). We talk about Shen's mixing of body and flora as representative of his own cultural identity and exploration of desire and intimacy. Shen and I discuss the process of editing and making this book with Paul Schiek as well as what Shen had learned when he worked with Lesley A. Martin on his first monograph, Chinese Sentiment (Charles Lane Press). We also talk about Shen's suggested assignment in The Photographer's Playbook (Aperture) which involves self-portraiture in a hotel room. https://shenwei.studio https://tbwbooks.com/products/a-season-particular This podcast is sponsored by the Charcoal Book Club Begin Building your dream photobook library today at https://charcoalbookclub.com @charcoalbookclub Shen Wei is a Chinese-American artist based in New York City. He is known for his intimate self-portraiture and contemplative images of people and nature, highlighting the understated beauty of his surroundings. He also works in painting, sculpture, and video. Shen Wei's work has been exhibited internationally, including at the Museum of the City of New York, the National Portrait Gallery in London, the Philadelphia Museum of Art, the Power Station of Art in Shanghai, China, La Triennale di Milano in Italy, the North Carolina Museum of Art, and the Morgan Library & Museum in New York. His work has been featured in The New York Times, The Guardian, The New Yorker, Aperture, ARTnews, Paris Review, ArtReview, Financial Times, and The Burlington Magazine. Shen Wei's work is included in the permanent collection of the Museum of Modern Art in New York, the Philadelphia Museum of Art, the Getty Museum, the Museum of Contemporary Photography, the Library of Congress, the Carnegie Museum of Art, the Morgan Library & Museum, the CAFA Art Museum, and the Ringling Museum of Art, among others. He holds an MFA from the School of Visual Arts, New York, and a BFA from Minneapolis College of Art and Design.

In this episode of Trending in Education, host Mike Palmer interviews Sanjit Sethi, the President of the Minneapolis College of Art and Design (MCAD). Sanjit shares insights from his journey from ceramics to college presidency, emphasizing the importance of creativity and community in leadership. The conversation covers challenges faced during the pandemic and social unrest, the significance of mentorship, diversity, and equity, as well as the impact of AI on creative practice. Sanjit highlights the need for fearless listening and collaborative leadership to navigate the complex educational landscape. He concludes making likening transformational leadership to the expeditionary behavior of NASA astronauts. Don't miss this deep dive with a leader in creative leadership in higher ed. Subscribe wherever you get your podcasts. Visit us at TrendinginEd.com for more. Video episodes now available on Youtube and Spotify. TIMESTAMPS: 00:00 Introduction and Guest Welcome 00:43 Sanjit Sethi's Journey to MCAD 02:11 The Role of Creativity in Leadership 05:32 Navigating Challenges in Higher Education 14:05 Diversity and Leadership in the Wake of George Floyd 24:17 The Impact of AI on Creative Education 31:34 Concluding Thoughts and Future Outlook

How can colleges and universities see student success as part of broader community success? What structures and processes can you use to accelerate innovation? Who can you learn from and partner with at other institutions and other industries? We discuss these questions with Sanjit Sethi, President of the Minneapolis College of Art and Design (MCAD).

Hang out with Al Mega as he chats with comic book writer/illustrator, Blue Delliquanti who is contributing illustrations to Drawing Lessons at Children's Theatre Company. They are a comic artist and the author of graphic novels including Across a Field of Starlight. They teach comics classes at the Minneapolis College of Art and Design. Tune in to learn all about their journey and this wonderful new project!   Instagram: @bluedelliquanti X: @bluedelliquanti Instagram: @childrenstheatrecompany X: @ChildrensTheatr Facebook: / childrenstheatremn Thank You for Watching / Listening! We appreciate your support! Episode 483 in an unlimited series! Host: Al Mega Follow on: Twitter | Instagram | Facebook: @TheRealAlMega / @ComicCrusaders Make sure to Like/Share/Subscribe if you haven't yet: Rumble: https://rumble.com/c/ComicCrusaders YouTube: / comiccrusadersworld Twitch: / comiccrusaders Visit the official  Comic Crusaders  Comic Book Shop: comiccrusaders.shop Visit the OFFICIAL Comic Crusaders Swag Shop at: comiccrusaders.us Website: https://www.comiccrusaders.com/​​​​ * Edited/Produced/Directed by Al Mega

Blue Delliquanti (they/them) is contributing illustrations to Drawing Lessons at Children's Theatre Company. They are a comic artist and the author of graphic novels, including Across a Field of Starlight. They teach comics classes at the Minneapolis College of Art and Design. Learn about the play and what to expect in today's episode. ------BLUE'S WEBSITE-------- bluedelliquanti.com ---------DRAWING LESSONS By Michi Barall------------- WHEN: from October 8-November 10, 2024 (Opening Night is Saturday, October 12, 2024, at 7pm) WHERE: CTC's Cargill Stage (2400 Third Avenue South Minneapolis MN 55404) AGE RECOMMENDATION: Best for independent readers of all ages. Due to the capacity of the Cargill Stage, a limited number of lap passes are available for those 18 months and younger.  RUNNING TIME: 90 minutes with one 20-minute intermission.  TICKETS: Starting at $15 and available at childrenstheatre.org/drawing or by calling the Ticket Office at 612.874.0400. ---------ALL OUR PODCAST AND SOCIALS--------- linktr.ee/podsbykenzie

Behavioral Science Meets Learning Design. We feature a deep dive into the role of behavioral science in creating effective learning interventions. Our conversation sheds light on how principles from behavioral science can be employed to bridge the gap between knowledge and action. By focusing on learner behavior and the contexts in which they operate, we discuss how to craft learning experiences that lead to meaningful and lasting change. Our guest, a seasoned learning strategy consultant, shares practical examples and methodologies to ensure that learning is not just informative but also transformative. This is a must-listen for educators and instructional designers seeking to enhance their impact. Julie Dirksen is the author of the books Design For How People Learn and Talk to the Elephant: Design Learning for Behavior Change. She is a learning strategy consultant with a focus on incorporating behavioral science into learning interventions. Her MS degree is in Instructional Systems Technology from Indiana University. She's been an adjunct faculty member at the Minneapolis College of Art and Design and is a Learning Guild Guildmaster. She is happiest when she gets to learn something new, and you can find her at usablelearning.com. Rob is a host and consultant at Professor Game as well as an expert, international speaker and advocate for the use of gamification and games-based solutions, especially in education and learning. He's also a professor and workshop facilitator for the topics of the podcast and LEGO SERIOUS PLAY (LSP) for top higher education institutions that include EFMD, IE Business School and EBS among others in Europe, America and Asia.   Guest Links and Info Website: usablelearning.com Julie on LinkedIn Julie's Group on Facebook   Links to episode mentions: Proposed guest: Dan Meyer Recommended book: Badass: Making Users Awesome by Kathy Sierra Favorite game: Gorogoa Plants vs. Zombies Behavioral Design Wheel   Lets's do stuff together! Get started in Gamification for FREE! LinkedIn Twitter Facebook Instagram TikTok YouTube Ask a question

Shannon Gibney is a writer, educator, and activist. The author of several books, including The Girl I Am, Was, and Never Will Be: A Speculative Memoir of Transracial Adoption, which received a Michael L. Printz Honor and a Minnesota Book Award; See No Color and Dream Country, both winners of Minnesota Book Awards; and Sam and the Incredible African and American Food Fight, a children's picture book about a cross-cultural family also published by the University of Minnesota Press. A Bush Artist and McKnight Writing Fellow, Gibney teaches at Minneapolis College, where she was named Educator of the Year in 2023. She lives with her two children in Minneapolis.Website: https://www.shannongibney.com/Music by Corey Quinn

This week we share a live recorded conversation Sarah hosted as part of her solo exhibition, Things Worth Saving, at Dreamsong Gallery in Minneapolis. Elisabeth Workman flips the script and asks Sarah questions this time. Let's get nerdy about painting! About Elisabeth Workman Elisabeth Workman is a writer and poet with a background in dance. Originally from the pharmaceutical suburbs of Philadelphia, she has since lived in Boston, rural Pennsylvania, the Netherlands, the Standing Rock Nation of the Dakotas, Qatar, and now Minneapolis.A recipient of a Jerome Emerging Writer Fellowship, a McKnight Artist Fellowship in Poetry, a University of Minnesota Marcella DuBourg Fellowship, and honors from the Pennsylvania Council on the Arts and the Minnesota State Arts Board, Workman has collaborated on numerous projects with visual artists and other poets. She is the author of twelve chapbooks—including ANY RIP A THRESHOLD (Shirt Pocket Press 2015) and with Michael Sikkema, TERRORISM IS WHAT WHALE (Grey Book Press 2014)—and the full-length collections ULTRAMEGAPRAIRIELAND (Bloof Books 2014) and ENDLESSNESS IS NO DESOLATION (Dusie Press 2016). She teaches creative writing and poetry at Minneapolis College of Art & Design. Show Notes Things Worth Saving at Dreamsong https://dreamsong.art/exhibitions/things-worth-saving-sarah-thibault Elisabeth Workman http://www.elisabethworkman.com/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/thesidewoo/message

Julie Dirksen is the author of the books Design for How People Learn and Talk to the Elephant: Design Learning for Behavior Change. She is a learning strategy consultant with a focus on incorporating behavioral science into learning interventions. Julie was my guest for episode 42 of the show. In this episode, we talk about her latest book, ways to motivate learners and workshop participants, designing learning experiences for skill development, and more. Listen to learn about:>> Julie's latest book, Talk to the Elephant: Design Learning for Behavior Change >> Behavior change challenges >> The biggest challenge when creating virtual learning experiences >> Motivating and engaging learners >> AI in education Our Guest Julie Dirksen is the author of the books Design For How People Learn and Talk to the Elephant: Design Learning for Behavior Change. She is a learning strategy consultant with a focus on incorporating behavioral science into learning interventions. Her MS degree is in Instructional Systems Technology from Indiana University. She's been an adjunct faculty member at the Minneapolis College of Art and Design and is a Learning Guild Guildmaster. She is happiest when she gets to learn something new, and you can find her at usablelearning.com. Show Highlights[02:02] Julie gives a quick summary of her first book and how Talk to the Elephant is its natural sequel. [02:42] The new book tackles the challenges in actually changing behavior. [04:26] On learning experiences. [05:21] Julie is starting to organize a third book, which will be on skill acquisition. [05:34] The evolution of behavioral design. [06:21] The COVID-19 pandemic is the biggest behavior change experiment in the history of the world. [07:06] The book's audience are those in the learning and development field — people who design learning experiences. [08:00] The Change Ladder. [08:54] Julie offers one case study she uses in the book to demonstrate the challenges around behavior change. [14:17] The importance of communicating and working with the people you serve when it comes to changing behaviors. [14:58] Julie tells a story illustrating the importance of talking to and understanding the people you serve and their needs. [17:57] It's important for people to participate in their own behavioral design. [20:15] Creating the conditions for learners to motivate themselves. [21:22] Making things as easy as possible for someone to do. [22:42] A Miro Moment. [25:27] Creating learning experiences that engage learners. [26:14] The biggest challenge in designing virtual workshops. [27:55] Why Julie is interested in Virtual Reality. [29:34] The top two challenges Julie sees in almost every behavior change. [34:55] Immediate impact and immediate rewards help learners stay motivated. [37:21] Helping learners see what they will be able to do with this new skill or new knowledge. [42:53] Julie shows appreciation for how video games onboard players as a great example of guiding people along the learning curve. [45:11] Designing learning experiences to make your learner feel smart and capable as they acquire new skills and knowledge. [48:42] Julie talks about research on self-directed learning by Catherine Lombardozzi. [49:20] Julie and Catherine will be doing a webinar on the key behaviors seen in good self-directed learners. [52:05] Julie ponders how systems thinking and design fits into behavior change. [52:54] Dawan and Julie talk about AI and its role in education. LinksJulie on LinkedIn Usable Learning Designing for how people learn Book RecommendationsDesign for How People Learn, by Julie Dirksen Talk to the Elephant: Design Learning for Behavior Change, by Julie Dirksen Thinking, Fast and Slow, by Daniel Kahneman Nudge: The Final Edition, by Richard Thaler and Cass Sunstein How Change Happens, by Cass Sunstein Misbelief: What Makes Rational People Believe Irrational Things, by Dan Ariely Predictably Irrational, Revised and Expanded Edition: The Hidden Forces That Shape Our Decisions, by Dan Ariely DT 101 EpisodesLearning Design + Designing for How People Learn with Julie Dirksen — DT101 E42 Learning Design with Yianna Vovides — DT101 E58 Adding System Awareness to System Design to Your Innovation Stack with Julie Guinn — DT101 E43

Julie Dirksen is the author of the books Design For How People Learn and Talk to the Elephant: Design Learning for Behavior Change. She is a learning strategy consultant with a focus on incorporating behavioral science into learning interventions. She's been an adjunct faculty member at the Minneapolis College of Art and Design and is a Learning Guild Guildmaster. Mentioned on the Show:Talk to the Elephant: Design Learning for Behavior Change (book): https://a.co/d/hYJTByTDesign For How People Learn (Voices that Matter) (book): https://a.co/d/9BoCfdXAugmented and Virtual Reality for Behavior Change (white paper): https://www.learningguild.com/insights/237/augmented-and-virtual-reality-for-behavior-change/Connect with Julie on LinkedIn: https://www.linkedin.com/in/juliedirksenJulie's website: https://usablelearning.com/________________________Connect with O'Brien McMahon on LinkedIn: https://www.linkedin.com/in/obrienmcmahon/Learn more about O'Brien: https://obrienmcmahon.com/O'Brien's new book—How You Become You—is available now: https://a.co/d/22kZ0sVTimestamps:(2:04) - Welcoming Julie(3:58) - Do adults and kids learn differently?(8:00) - Can you explain the title of your book ‘Talk to the Elephant'?(18:34) - How does delayed gratification play into corporate training?(26:53) - How do you feel about the concept of experiential learning?(31:18) - How do you see people using augmented reality and virtual reality in the workplace?(41:29) - Can you talk about what is extrinsic vs. intrinsic motivation?(49:49) - Can you talk about what is the difference between individual and group behavior change?(1:03:20) - Where can people find you if they want to learn more about this?(1:04:16) - What suggestions would you give people to start implementing instructional design?

This week, the world lost an amazing light of a human: Diane Ragsdale. This episode is a previously lost and unreleased conversation that host Tim Cynova recorded with Diane at the Banff Centre in February 2020, a few weeks before the world shut down for the global pandemic... and they promptly forgot they even recorded this conversation together.Originally intended to be titled, "Investing in Personal and Professional Growth," the conversation explores Diane's thoughts on the role of the arts and artists in society, the role arts management and leadership programs can and should play, and how we can craft our own learning and development plan. It also includes a few clips they thought would eventually be left on the cutting room floor.Sending love and strength to Diane's family and friends, students and colleagues who are located all over the world.GUEST BIO:DIANE RAGSDALE is Director of the MA in Creative Leadership, an online master's program that welcomed its first cohort in summer 2022 and for which she additionally has an appointment as Faculty and Scholar. After 15 years working years working within and leading cultural institutions and another several years working in philanthropy at The Andrew W. Mellon Foundation in NYC, she made the shift to academia and along the way became a widely read blogger, frequent speaker and panelist, published author, lecturer, scholar, and advisor to a range of nonprofit institutions, government agencies, and foundations on a wide range of arts and culture topics.Diane joins MCAD from both Banff Centre for Arts & Creativity, where she served as Faculty and Director of the Cultural Leadership Program, and Yale University where she is adjunct faculty and leads an annual four-week workshop on Aesthetic Values in a Changed Cultural Context. She was previously an assistant professor and program director at The New School in New York, where she successfully built an MA in Arts Management and Entrepreneurship in the School of Performing Arts and launched a new graduate minor in Creative Community Development in collaboration with Parsons School of Design and the Milano School of Policy, Management and Environment. Diane is a doctoral candidate at Erasmus University Rotterdam where she was a lecturer in the Cultural Economics MA program from 2011–15. She continues to work on her dissertation as time permits. Her essay “Post-Show” was recently published in the Routledge Companion to Audiences and the Performing Arts (2022); and a teaching case that she developed from her doctoral research on the relationship between the commercial and nonprofit theater in America–currently titled “Margo Jones: bridging divides to craft a new hybrid logic for theater in the US”–will be published in the forthcoming Edward Elgar handbook, Case Studies in Arts Entrepreneurship. Diane holds an MFA in Acting & Directing from University of Missouri-Kansas City and a BS in Psychology and BFA in Theater from Tulane University. She was part of Stanford University's inaugural Executive Program for Nonprofit Arts Leaders, produced in partnership with National Arts Strategies. She holds a certificate in Mediation and Creative Conflict Resolution from the Center for Understanding in Conflict.HOST:TIM CYNOVA (he/him) is the CEO of Work Shouldn't Suck, an HR and org design firm helping organizations dust off their People policies, practices, and offerings to co-create workplaces where everyone can thrive. He is a certified Senior Professional in Human Resources (SPHR) and a trained mediator, and serves on the faculty of Minneapolis College of Art & Design, the Hollyhock Leadership Institute (Cortes Island, Canada), and The New School (New York City) teaching courses in Strategic HR, Co-Creating Inclusive Workplaces, and...

Alex Toth's daughter, Dana Palmer joins the program to talk about growing up Toth, her view of her dad and his work from a distinct perspective, and reconnecting with him after a long estrangement - how she and her siblings intervened the last two years of his life, which she's chronicled in the insightful book, "My Father, My Faith: A Daughter's Inspiring True Story of Medical Advocacy and Love's Ability to Heal."Copies are available, both print & digital - links below...+++For a daily dose of Toth images, and updates on the program, Follow @alextothindepth on Instagram.+++Alex Toth In Depth is hosted by Paul Fricke, cartoonist and comics instructor at the Minneapolis College of Art & Design since 2012. Email: paul@opaulo.comLinks:• Alex Toth In Depth podcast• Alex Toth In Depth on Youtube• My Father, My Faith site• https://www.alexandertoth.com/• Blood Orange comic - New Day Noir• Blood Orange instagram• opaulo comics, art & music Instagram• Prof Paul instagram• https://linktr.ee/opaulo+++Show bumper music - “Silver Summer” from the album “Hungarian Jazz Rhapsody” used with permission from Mihaly Borbely Quartet+++Audio & video edits by Rudy Brumm - Follow their instagram

On this episode, hear from one of last year's YLAI Fellows who recently returned to Minnesota to showcase his new projects as part of the State Department's Citizen Diplomacy Action Fund. Leorian Ricardo is Creative Director at Moro Studio, an arts and publishing studio that is leading the development of the comic book industry and providing professional opportunities for young talent and new, underrepresented voices in the Dominican Republic. He shared his comic book workshops called "Be the Superhero of Your Own Story" at local schools including Gideon Pond Elementary, Nova Classical Academy, and Risen Christ Catholic School and spoke with next generation creators at the Minneapolis College of Art & Design. He was also featured at our recent Global Social with international visitors on October 5th.   Links Global Minnesota Professional Exchanges YLAI Program CDAF Fellowship Moro Studio Website

Sean Murphy (Batman:White Knight; Plot Holes; Punk Rock Jesus, etc...) joins the program to talk Zorro, crowdfunding, career management, Toth's thinking, and the dream projects we'd choose for Alex were he still with us.Support Sean's Zorro: Man of the Dead graphic novel NOW on Kickstarter!More Links below.+++For a daily dose of Toth images, and updates on the program, Follow @alextothindepth on Instagram.+++Alex Toth In Depth is hosted by Paul Fricke, cartoonist and comics instructor at the Minneapolis College of Art & Design since 2012. Email: paul@opaulo.comLinks:• Alex Toth In Depth podcast• Alex Toth In Depth on Youtube• Sean Murphy instagram• Blood Orange comic - New Day Noir• Blood Orange instagram• opaulo comics, art & music Instagram• Prof Paul instagram• https://linktr.ee/opaulo+++Show bumper music - “Silver Summer” from the album “Hungarian Jazz Rhapsody” used with permission from Mihaly Borbely Quartet+++Audio & video edits by Rudy Brumm - Follow their instagram

Artist and educator Preston Drum of Burnsville recommends a visit to the Rochester Art Center.  He highlights two solo shows by Minneapolis College of Art and Design graduates, Roshan Ganu and Ivonne Yáñez. Roshan Ganu's show “जत्रा (Ja-tra) : A Feeling At The Beginning Of Time” is one large artwork in a space that is made up of various mirrors, projections and animation. It's a multi-sensory installation, with sounds of vendor calls and sung prayers. जत्रा' (“ja-tra”) is a Marathi word for a town or village fair. The installation feels carnivalesque, with thousands of tiny interactions that you can choose to focus on specifically or let wash over you. Drum says it feels “as though you were walking into a time-traveling / space-traveling device. And when you walk inside, it's kind of like you're being teleported to India, but also in India in different times.” Ganu, who is the 2022-23 MCAD-Jerome Foundation Fellow, will participate in an artist spotlight tour Saturday, Oct. 7 at 11 a.m. The show runs until Nov. 5. Ivonne Yáñez's show “Like a Little Tlaquepaque Vase or Como Jarrito de Tlaquepaque” is an intimate show that Drum says is “full of little hidden treasures to discover.” The title of the show refers to a phrase in Spanish that describes an overly sensitive person. Here, brightly colored vases are made of bright, shimmery fabric. The ceiling and walls of the room are hung with sculptures, which feature detailed embroidery work, images of tarot cards and Mexican lottery games. Drum appreciates the juxtaposition of real human-made plants and the way all the elements work together. This show runs through Jan. 21.Lisa Hartwig of Hudson, Wis., loves to attend the Sogn Valley Art Fair (pronounced “so-gun”), which holds its 51st annual event this weekend in Cannon Falls. She appreciates the high level of quality of the art, ranging from pottery to jewelry, from painting to printmaking. More than 50 artists' work is on view. Hudson describes it as a park-and-walk event that feels like a street festival and is anchored by the printmaking nonprofit ArtOrg.  “I think it's such a nice community and it's such lovely work that you can't beat it,” Hartwig says.  The art fair is Oct. 7 from 10 a.m. to 5 p.m. and Oct. 8 from 10 a.m. to 4 p.m. Alexander Jabbari, assistant professor of Asian and Middle Eastern Studies at the University of Minnesota, is looking forward to the Mehtegan Fall Iranian Culture Festival this Saturday in St. Paul. The event, which is open to all, features Iranian music, dance and food. He's particularly excited to see Twin Cities-based singer-songwriter Marjan Farsad, who sings in Persian in a style he describes as “dreamy indie pop.” Farsad will perform at 1:30 p.m., ahead of a national tour. She will also perform at the Parkway Theater in Minneapolis on Nov. 5. Other musical performances include piano, the poetry of Omar Khayyam set to setar, and a DJ playing Persian pop in the evening. There will also be tea and Iranian food for sale.   Marjan Farsad

#90 Just do it mit Greg HoffmannGreg Hoffman ist ein globaler Markenführer, ehemaliger Chief Marketing Officer von NIKE und Gründer und Leiter der Markenberatungsgruppe Modern Arena.Greg Hoffman war über 27 Jahre lang in führenden Positionen in den Bereichen Marketing, Design und Innovation bei NIKE tätig, unter anderem als CMO der Marke. In seiner letzten Position als Vice President of Global Brand Innovation bei NIKE leitete er Teams, die die Zukunft des Storytellings und der Kundenerlebnisse für die Marke vorhersehen sollten. Greg beaufsichtigte die Markenkommunikation und -erlebnisse von NIKE, als NIKE seine Position als einer der herausragenden Marken-Storyteller der modernen Ära und als führender Innovator für digitale und physische Markenerlebnisse festigte. Seine Rolle beim Aufstieg von Marketing und Design in dieser Zeit wurde 2015 gewürdigt, als Fast Company ihn zu einem der kreativsten Menschen in der Wirtschaft ernannte. Außerdem wurde er für seine transformative Führungsrolle in der Branche in den jährlichen Listen der 50 innovativsten CMOs von Business Insider und der Power Players von AdAge ausgezeichnet.Mehr als zwei Jahrzehnte lang war er ein wichtiger strategischer und kreativer Einfluss für Nike bei jedem großen globalen Sportereignis, bei der Einführung der charakteristischen NIKE-Produkte und -Innovationen und beim Aufbau der Marken seiner Athleten. Unter seiner Führung hat Nike Themen wie Gleichberechtigung, Nachhaltigkeit und Empowerment durch Sport in einigen seiner wichtigsten Markenkommunikationen vorangetrieben. Diese Arbeit wurde zum Teil durch seine Rolle im Beirat des NIKE Black Employee Network und als Mitglied des NIKE Foundation Board of Directors vorangetrieben. Heute berät Greg als Gründer und Leiter von Modern Arena Fortune 1000-Marken, Start-ups und gemeinnützige Organisationen bei der Schaffung von Markenstärke, Geschäftswachstum und sozialer Wirkung. Er sitzt in den Beiräten der Marken Shred Adventures und AO-Air und ist Vorstandsmitglied von Summit Impact, dem philanthropischen Arm von Summit Series. Darüber hinaus ist er Dozent für Branding am Lundquist College of Business der University of Oregon und Vorsitzender des Kuratoriums für Innovation am Minneapolis College of Art and Design. Im Jahr 2022 bringt Greg seine gesamte Markenerfahrung in seinem neuen Buch Emotion by Design: Creative Leadership Lessons From a Life at Nike. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

A short eyespot episode from episode 1: Why Is Toth Timeless? If you like this episode, listen to the full first episode of Alex Toth In Depth (or give it another listen you have already).+++For a daily dose of Toth images, and updates on the program, Follow @alextothindepth on Instagram.+++Alex Toth In Depth is hosted by Paul Fricke, cartoonist and comics instructor at the Minneapolis College of Art & Design since 2012. Email: paul@opaulo.comLinks:• Alex Toth In Depth podcast• Alex Toth In Depth on Youtube• Episode 1: Why Is Toth Timeless?• Blood Orange comic - New Day Noir• Blood Orange instagram• opaulo comics, art & music Instagram• Prof Paul instagram• https://linktr.ee/opaulo+++Show bumper music - “Silver Summer” from the album “Hungarian Jazz Rhapsody” used with permission from Mihaly Borbely Quartet+++Audio & video edits by Rudy Brumm - Follow their instagram

I catch up with comics creator and Toth die-hard, Phil Hester - we talk over some of Phil's Toth favorites like The Crushed Gardenia, the Batman tale, Death Flies the Haunted Sky, Rude Awakening, The Fox stories, and F-86 Saber Jet. We also discuss believable drawing, the benefits of personal standards and perils of creative stagnation, Alex's storytelling and the Magic of the Comics Medium. Links below.+++For a daily dose of Toth images, and updates on the program, Follow @alextothindepth on Instagram.+++Alex Toth In Depth is hosted by Paul Fricke, cartoonist and comics instructor at the Minneapolis College of Art & Design since 2012. Email: paul@opaulo.comLinks:• Alex Toth In Depth podcast• Alex Toth In Depth on Youtube• @philhester on Twitter/X• Blood Orange comic - New Day Noir• Blood Orange instagram• opaulo comics, art & music Instagram• Prof Paul instagram• https://linktr.ee/opaulo+++Show bumper music - “Silver Summer” from the album “Hungarian Jazz Rhapsody” used with permission from Mihaly Borbely Quartet+++Audio & video edits by Rudy Brumm - Follow their instagram

Art comes in many forms, whether it's music, film, theater performances or the art you display in your home. Creative work can spark emotions and reflect humanity, but what happens when a robot creates it?MPR News guest host Chris Farrell talks about how artificial intelligence is changing creative fields, how creative people can use this technology and the concerns artists have for the future.  Guests: Damien Riehl is a Twin Cities-based lawyer, musician and coder at Vlex, an AI-powered legal research platform. He's also the co-founder of the All the Music project, which has composed 471 billion melodies.Tim Brunelle is a freelance creative consultant and adjunct professor at the Minneapolis College of Art and Design.Kelly Groehler is the co-founder and CEO of Alice Riot, an art licensing and creative consulting agency in Minneapolis.Subscribe to the MPR News with Angela Davis podcast on: Apple Podcasts, Google Podcasts, Spotify orRSS.Use the audio player above to listen to the full conversation.  

Observing and unpacking the first two pages of Eternal, featuring the bullied Terwit on the clock tower ledge. Alex Toth flips the script on page one, playing with time, focus and sequence, and is all about POV on page 2. I include thoughts on the balance of the silly story (The Witching Hour # 1 • DC Comics • February, 1969).+++For a daily dose of Toth images, and updates on the program, Follow @alextothindepth on Instagram.+++Alex Toth In Depth is hosted by Paul Fricke, cartoonist and comics instructor at the Minneapolis College of Art & Design since 2012. Email: paul@opaulo.comLinks:• Alex Toth In Depth podcast• Alex Toth In Depth on Youtube• Eternal Hour story link• Blood Orange comics site• Blood Orange comic instagram• opaulo comics, art & music Instagram• Prof Paul instagram• https://linktr.ee/opaulo+++Show bumper music - “Silver Summer” from the album “Hungarian Jazz Rhapsody” used with permission from Mihaly Borbely Quartet+++Audio an & Video edits by Rudy Brumm

In this episode, embark on an extraordinary artistic journey with Ed Charbonneau. From teenage mural painter to aspiring Disney animator, Ed's path takes unexpected twists. Join him as he ventures to Alaska, returns to study art, and discovers a passion for large-scale abstract painting and buildings in need of murals. Ed openly talks about his mental health challenges and the vital support system that fuels his creativity, emphasizing that his accomplishments are not solely his own but the result of collaboration and connection with others. Delve into the captivating power of color as a language of communication, the democratization of art through digital platforms, and the importance of inclusive and applicable approaches to color theory education. Ed Charbonneau is an artist, adjunct faculty at the Minneapolis College of Art & Design (MCAD) and host of the wildly popular Chromosphere: The Color Theory Podcast. QUOTES ED: “...so...yes, this has to do with art and I'm an abstract painter, but to me this is about human experience of color” ED: “And part of being isolated in the pandemic, and I'm writing this thing, my natural inclination is to try and share what I have with people. Yeah. Just like painting a mural on the side of the building... And so I shared it with a number of people and you know, over the years I've noticed that those people are my support system...” ED: “we have a saying at our studio that 50% of creativity is lunch, as opposed to that old thing of like 1% inspiration, 99% perspiration, you know...back to that manly, like, I gotta work.” LINKS Ed Charbonneau Chromosphere: The Color Theory Podcast How COVID Accelerated the Evolution of the Art World, University of Demo | January 20, 2021 Color: A Visual History From Newton to Modern Color matching Guides by Alexandra Loske New Life for a 1902 Manual About Color, NY Times, By Julie Lasky, Oct. 4, 2018

Reading list for episode:* “John Pistelli,” by Blake Smith* “The Souls of Yellow Folk, by Wesley Yang,” by John Pistelli* “The Souls of Yellow Folk—A Review,” by Daniel Oppenheimer* “Platonic Complex: Why Do the Intellectuals Rage?"“ by John Pistelli* “The Face of Seung-Hui Cho,” by Wesley YangCritic, novelist, and sorta-academic and I have two things on our agenda for this episode of the podcast. The first is , the author of the 2018 essay collection The Souls of Yellow Folk and arguably the single most influential writer of the past decade when it comes to articulating the basic premises of the more substantive anti-woke perspective. John and I both wrote early reviews of Yang's book, and both of us have remained relatively close Yang-watchers.My review, though it included a few modest criticisms of the book, was immensely admiring. Of the book's centerpiece essay, “The Face of Seung Hi Cho,” I wrote:There aren't many essayists alive today who can sustain the level of brilliance Yang maintains in the essay for as long as he does. Zadie Smith can do it. Dave Hickey and Joan Didion could do it once, but are too old now. David Foster Wallace could do it, but although he should be alive, he is not. Ta-Nehisi Coates looked like he was on his way toward being able to do it, but he made other choices. A few other writers, maybe, but not many.The essay doesn't just teem with sentence-level excellence. Through all the micro-level fascination Yang has a larger point to make about what it is like to be an unlovable young man in America, a loser in the sexual and cultural marketplace, and the ways in which that loserdom intersects with and reinforces the experience of Asian-American-ness.John's review of Yang's book is a much more mixed assessment. He thinks some of it is brilliant, some not, and in general takes it to task for being a rather slapdash collection of things that don't entirely hang together. He also makes the case (accurately I think, though I don't have the theory background to confidently affirm) that Yang misdiagnoses the theoretical ancestry of wokeness and identity politics. For Yang it is post-structuralist theory that sets the stage. John writes:A deeper flaw … makes itself known in the concluding pages of this book, when in essays from 2017 Yang provides a detailed critique of the social justice left. He accuses its activists of having absorbed a set of lessons from poststructuralism that posit both language and institutions as nothing other than vectors of power, obviating the old liberal ambition to reform institutions by using language to persuade a majority to abandon its prejudices and alter its practices. By contrast to the social justice left's radical ambition to bring in an egalitarian millennium through linguistic and institutional engineering, Yang concedes the manifold injuries social life deals to those who have lost its lottery while also worrying that attempts to reduce harm through new forms of undemocratic social control may only entrench new hierarchies under the false labels of peace and equality.Why do I call this theory flawed? … Social-justice theory comes ultimately from Marxism, which is the attempt to overcome existential alienation by altering power relations within political and social institutions. Marx began as a Romantic rebel and ironist, hailing Prometheus and imitating Sterne, until he became convinced that his alienation could be ameliorated through a total social transformation, one premised on what we now call identity politics. What differentiated Marx's scientific from his precursors' utopian socialism was precisely the identification of a mechanism—in the form of a social class—that could effect the transformation of an inegalitarian society to an egalitarian one. A social class whose exploitation was the engine of the entire system could, by resisting that exploitation, bring the system to a halt; having been exploited, this class would not replicate exploitation in its turn but rather abolish the class relation as suchJohn and I talk about the brilliance of Yang at his best; his snarky aside, in his review, about my review; his subsequent penance for his snarky aside; the possible connection between Yang and old school neocon Norman Podhoretz; and Yang's recent descent into anti-trans, anti-woke monomania.The other thing on our agenda is the emergence of a newly influential cohort of writer intellectual types who earned their PHDs in humanities fields—in particular English and English-adjacent departments—who are exerting influence primarily through non-academic channels. They are writing for high or middle brow magazines—The Point, Compact, American Affairs, Tablet, etc—or, as in John's case, they're writing the vast majority of their words for their own websites and newsletters. I proposed this to John in an email exchange before our conversation, and he wrote:I do see what you're getting at with the post-/para-academic set and the full emergence of the humanities into the online public sphere. ... I would personally draw a distinction between people I see as trying to transmit to the public the current ethos of their academic fields ( would be the chief example here, probably also and Jon Baskin) and more strictly renegade figures making a public bricolage of academic theories past and current extra-institutional or countercultural energies (e.g., Geoff Shullenberger and, well, me), with Blake Smith and JEHS somewhere in the middle). From the perspective of a certain kind of, say, economist, though, this might be the narcissism of small differences, as we're all talking various sorts of unverifiable gibberish! (Not meant as self-deprecation: I am only interested in unverifiable gibberish.)Some of these folks have academic posts, but often rather marginal ones (John is adjunct at the Minneapolis College of Art and Design, for instance; is at the City University of Paris). Other have left the academy entirely. That these people constitute a coherent group, I should say, is very much a hypothesis in progress. I described it to John, when inviting him on the podcast, as a "very wobbly, inchoate hypothesis." My hope is that it is slightly less wobbly and inchoate by the end of our discussion. John  is the author of four novels—The Class of 2000, The Quarantine of St. Sebastian House, Portraits and Ashes, and The Ecstasy of Michaela—as well as diverse short fiction, poetry, and literary and cultural criticism that has appeared in many venues. He writes a weekly newsletter on literature, culture, and politics at SubStack. A longtime teacher with a Ph.D. in English, he has uploaded the lectures for two full university literature courses at YouTube, alongside other lectures, audio essays, and audio fiction. His fifth novel, Major Arcana, is currently being serialized for paid subscribers to his newsletter. I reached out to John after , a writer we both follow, wrote a whole post on his newsletter about how great John is. Here's a bit of what Blake wrote about John:John Pistelli is my favorite critic—one of the few people I ‘read,' in the sense of regularly checking his substack/tumblr (GrandHotelAbyss) and recommending to my friends (I am a very poor ‘reader'; I don't have much room in my head for contemporaries, or maybe I already have too much room devoted to them and have to tetchily defend the cramped remainder from my own tendency to envy, revile, etc., them—one of the reasons my Twitter is locked!). He's erudite—with an easy, expansive mastery over the modern canon and its scholarly-critical adjuncts—and abreast of ‘internet culture' in ways that I'm not but (mostly) appreciate someone else being (more from the implied ‘however' later).Eminent Americans is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. Get full access to Eminent Americans at danieloppenheimer.substack.com/subscribe

While there were other schools for animation and visual design, Tefft Smith II was beckoned to Minneapolis after high school to Minneapolis College of Art and Design (MCAD) because of its proximity to all things Prince. That proximity brought him to the center of Prince Universe as he became a regular at the parties and performances Prince had at Paisley Park throughout the mid-to-late nineties.  After completing his degree at MCAD, Tefft left Minneapolis for the sunshine of Los Angeles to begin his career in animation and visual effects. In California, he continued to follow Prince closely, attending his performances throughout California.  In this Purple High episode, Tefft Smith connects you to the Prince world of the '90s and beyond. From attending parties at Paisley Park to receiving phone calls from Prince himself. His unique perspectives along with his appreciation for the creative process provide great insights into Prince and his work over the years.  Tefft is a co-founder of "Opsis" where he works with his team to provide animation and visual design on major Hollywood projects. His passion for Prince continues to this day and includes the creation of amazing visual effects for Purple High's dance parties and live streams.

The AIGA Design Educators Community (DEC) seeks to enhance the abilities of design educators and educational institutions to prepare future designers for excellence in design practice, design theory, and design writing at the undergraduate and graduate levels while supporting the fundamental mission of AIGA.Meet our Panelist and AIGA Design Educators SpotlightRebeca Méndez, Founder and Director of CounterForcelab and Chair of the Design Media Arts program at UCLA, works with vulnerable environments and communities in the Arctic to threatened ecologies in the eastern Pacific Ocean. In her ecological sustainable design philosophy and practice, she examines reciprocal relationships and environmental justice in a multi-species world in the midst of climate change, mass extinction, and a ravaging extractivist society.Holly Robbins, MCAD Adjunct Faculty and partner and creative director of This Is Folly, has collaborated with AIGA/MN, GreenBlue's Sustainable Packaging Coalition, and the Minneapolis College of Art and Design on promoting sustainability, developing design guidelines and award criteria, and advancing professional sustainable design education.

In the latest Ask Me Anything (AMA) episode from Security magazine, Todd Jones, Director of Campus Safety at the Minneapolis College of Art and Design, discusses how to best utilize the summer to improve campus security programs; partnering with external and internal stakeholders on safety; and more.

In this episode, we explore unlimited paid time off policies: what they are, what they aren't, and items to consider when implementing this type of approach to PTO.Katrina Donald takes over hosting duties and turns the interviewee's microphone unusually in Tim Cynova's direction as they discuss Paid Time Off and his experience transitioning an organization to an Unlimited Paid vacation day policy.Katrina Donald based in Treaty 7 Territory, Katrina (she/her) is the principal consultant at ever-so-curious. She believes that listening and sensemaking practices bring us into community, reveal pathways forward, encourage and embolden us, and allow for greater impact. Her approach is relational and developmental; she works in partnership with people and organizations to co-design inclusive, collaborative and continuously emerging evaluation and HR strategies.She holds a Bachelor of Arts degree from the University of Manitoba and a Masters Certificate in Organization Development and Change from the Canadian Organization Development Institute (CODI) and the Schulich Executive and Education Centre (SEEC) at York University. She is a mother, wife, daughter, sister, systems thinker, developmental evaluator, program designer, and a Registered Professional Recruiter (RPR). She's committed to showing up for her own ongoing learning and to building workplaces that are actively anti-racist, praxis-centered and humble as they work through the prickly bramble of change. Learn more on LinkedIn.Tim Cynova, SPHR (he/him) is the Principal of Work. Shouldn't. Suck., an HR and org design consultancy helping to reimagine workplaces where everyone can thrive. He is a certified Senior Professional in Human Resources (SPHR) and a trained mediator, and has served on the faculty of Minneapolis College of Art & Design, the Banff Centre for Arts & Creativity (Banff, Canada) and The New School (New York City) teaching courses in People-Centric Organizational Design, and Strategic HR. In 2021, he concluded a 12-year tenure leading Fractured Atlas, a $30M, entirely virtual non-profit technology company and the largest association of independent artists in the U.S., where he served in both the Chief Operating Officer and Co-CEO roles (part of a four-person, shared, non-hierarchical leadership team), and was deeply involved in its work to become an anti-racist, anti-oppressive organization since they made that commitment in 2013. Earlier in his career, Tim was the Executive Director of The Parsons Dance Company and of High 5 Tickets to the Arts in New York City, had a memorable stint with the Cincinnati Symphony Orchestra, was a one-time classical trombonist, musicologist, and for five years in his youth he delivered newspapers for the Evansville, Indiana Courier-Press. Learn more on LinkedIn.

It's YOUR time to #EdUp In this episode, President Series #216 YOUR guest is Sanjit Sethi, President of the Minneapolis College of Art and Design (MCAD) YOUR guest cohost is Dr. Vistasp Karbhari, Professor at Department of Mechanical & Aerospace Engineering at The University of Texas at Arlington YOUR host is Dr. Joe Sallustio & YOUR sponsor is Commencement: The Beginning of a New Era In Higher Education! What does Sanjit believe is Higher Ed's real frontier? What does Sanjit plan to lean more into to move MCAD forward? What does Sanjit see as the future of Higher Ed? Listen in to #EdUp! Thank YOU so much for tuning in. Join us on the next episode for YOUR time to EdUp! Connect with YOUR EdUp Team - Elvin Freytes & Dr. Joe Sallustio ● Join YOUR EdUp community at The EdUp Experience! We make education YOUR business! --- Send in a voice message: https://podcasters.spotify.com/pod/show/edup/message

In this episode, podcast co-hosts Tim Cynova and Lauren Ruffin discuss recent pay transparency law changes that require companies to disclose pay ranges, as well as the laws' potential to shift power and information sharing in workplaces. They explore the importance of clearly defining job requirements and the benefits of fixed-tier compensation to ensure equal – if not entirely *equitable* – pay. Lauren addresses the issues of location-based pay adjustments and speculates that increased transparency may lead to more organizations unionizing. Tim highlights the ongoing reevaluation of work's value and the need for businesses to adapt to Long COVID by creating more inclusive and equitable environments. They end the episode with a cliffhanger and agree to revisit this topic as the laws' effects become clearer.Lauren Ruffin (she/her) is a thinker, designer, & leader interested in building strong, sustainable, anti-racist systems & organizations. She's into exploring how we can leverage new technologies to combat racial and economic injustice. She frequently participates in conversations on circular economies, social impact financing, solidarity movements, and innovative, non-extractive financing mechanisms. Lauren is an Associate Professor of Worldbuilding and Visualizing Futures at Arizona State University and a co-founder of CRUX, an immersive storytelling cooperative that collaborates with Black artists as they create content in virtual reality and augmented reality (XR). Lauren was co-CEO of Fractured Atlas, the largest association of independent artists in the United States. In 2017, she started Artist Campaign School, a new educational program that has trained 74 artists to run for political office to date. Lauren has served on the governing boards of Black Innovation Alliance, Black Girls Code, and Main Street Phoenix Cooperative, and on the advisory boards of ArtUp and Black Girl Ventures. She graduated from Mount Holyoke College with a degree in Political Science and obtained a J.D. from the Howard University School of Law. Learn more on LinkedIn.Tim Cynova (he/him) is the Principal of Work Shouldn't Suck, an HR and org design consultancy helping to reimagine workplaces where everyone can thrive. He is a certified Senior Professional in Human Resources (SPHR) and a trained mediator, and has served on the faculty of Minneapolis College of Art & Design, the Banff Centre for Arts & Creativity (Banff, Canada) and The New School (New York City) teaching courses in People-Centric Organizational Design, and Strategic HR. In 2021, he concluded a 12-year tenure leading Fractured Atlas, a $30M, entirely virtual non-profit technology company and the largest association of independent artists in the U.S., where he served in both the Chief Operating Officer and Co-CEO roles (part of a four-person, shared, non-hierarchical leadership team), and was deeply involved in its work to become an anti-racist,...

Comics creator and illustrator, Paul Pope joins me to talk about his correspondence with Alex Toth, and what he learned from Toth and his work. We also cover artistic development, quality of line, international appeal, and some of his other influences, like Crepax, Pratt, Moebius, and more. AND - Pope shares news about his Battling Boy.Links below.+++For a daily dose of Toth images, and updates on the program, Follow @alextothindepth on Instagram.+++Alex Toth In Depth is hosted by Paul Fricke, cartoonist and comics instructor at the Minneapolis College of Art & Design since 2012. Email: paul@opaulo.comLinks:• Alex Toth In Depth podcast• Alex Toth In Depth on Youtube• Paul Pope website• Paul Pope instagram• Blood Orange comic - New Day Noir• Blood Orange instagram• opaulo comics, art & music Instagram• Prof Paul instagram• https://linktr.ee/opaulo+++Show bumper music - “Silver Summer” from the album “Hungarian Jazz Rhapsody” used with permission from Mihaly Borbely Quartet+++Audio & video edits by Rudy Brumm - Follow their instagram

Cosplay, a portmanteau of “costume” and “play,” emerged from geeky Japanese subcultures to become a popular hobby, and even profession, around the world. Frenchy Lunning dives into the reasons why people cosplay through interviews, pictures, and her own firsthand experience of cosplay events in America and Japan. She distills the essence of cosplay to performance and the negotiation of identity, a pair of concepts that she interrogates in part by contrasting cosplay practices in America and Japan. Cosplay: The Fictional Mode of Existence (U Minnesota Press, 2022) is livened with extensive photographs and fascinating tidbits about key figures in cosplay, such as Mari Kotani. Cosplayers are allowed to speak for themselves, describing what cosplay means to them and how they use it to negotiate their social roles and identities in fascinating detail. Lunning layers individuals' testimony on a history of cosplay that highlights the changing settings, technologies, and communities supporting cosplay over the decades to leave readers debating what role cosplay will play in the construction of future identities. Frenchy Lunning is Professor Emeritus of Liberal Arts at Minneapolis College of Art and Design and has written two books: Subcultural Fashion: Fetish Style (2013), and Cosplay: The Fictional Mode of Existence (2022). She is working on a third book, Revolutionary Girl: Shōjo. The director of the US- and Japan-based academic conferences Mechademia Conference on Asian Popular Cultures, she is Co-Editor-in-Chief of the new biannual Mechademia: Second Arc journal. Amanda Kennell is an Assistant Teaching Professor of International Studies at North Carolina State University. Her book, Alice in Japanese Wonderlands: Translation, Adaptation, Mediation, is forthcoming in July 2023 from the University of Hawai'i Press. It examines the contemporary media environment through Japanese adaptations of Lewis Carroll's Alice in Wonderland novels. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Cosplay, a portmanteau of “costume” and “play,” emerged from geeky Japanese subcultures to become a popular hobby, and even profession, around the world. Frenchy Lunning dives into the reasons why people cosplay through interviews, pictures, and her own firsthand experience of cosplay events in America and Japan. She distills the essence of cosplay to performance and the negotiation of identity, a pair of concepts that she interrogates in part by contrasting cosplay practices in America and Japan. Cosplay: The Fictional Mode of Existence (U Minnesota Press, 2022) is livened with extensive photographs and fascinating tidbits about key figures in cosplay, such as Mari Kotani. Cosplayers are allowed to speak for themselves, describing what cosplay means to them and how they use it to negotiate their social roles and identities in fascinating detail. Lunning layers individuals' testimony on a history of cosplay that highlights the changing settings, technologies, and communities supporting cosplay over the decades to leave readers debating what role cosplay will play in the construction of future identities. Frenchy Lunning is Professor Emeritus of Liberal Arts at Minneapolis College of Art and Design and has written two books: Subcultural Fashion: Fetish Style (2013), and Cosplay: The Fictional Mode of Existence (2022). She is working on a third book, Revolutionary Girl: Shōjo. The director of the US- and Japan-based academic conferences Mechademia Conference on Asian Popular Cultures, she is Co-Editor-in-Chief of the new biannual Mechademia: Second Arc journal. Amanda Kennell is an Assistant Teaching Professor of International Studies at North Carolina State University. Her book, Alice in Japanese Wonderlands: Translation, Adaptation, Mediation, is forthcoming in July 2023 from the University of Hawai'i Press. It examines the contemporary media environment through Japanese adaptations of Lewis Carroll's Alice in Wonderland novels. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Cosplay, a portmanteau of “costume” and “play,” emerged from geeky Japanese subcultures to become a popular hobby, and even profession, around the world. Frenchy Lunning dives into the reasons why people cosplay through interviews, pictures, and her own firsthand experience of cosplay events in America and Japan. She distills the essence of cosplay to performance and the negotiation of identity, a pair of concepts that she interrogates in part by contrasting cosplay practices in America and Japan. Cosplay: The Fictional Mode of Existence (U Minnesota Press, 2022) is livened with extensive photographs and fascinating tidbits about key figures in cosplay, such as Mari Kotani. Cosplayers are allowed to speak for themselves, describing what cosplay means to them and how they use it to negotiate their social roles and identities in fascinating detail. Lunning layers individuals' testimony on a history of cosplay that highlights the changing settings, technologies, and communities supporting cosplay over the decades to leave readers debating what role cosplay will play in the construction of future identities. Frenchy Lunning is Professor Emeritus of Liberal Arts at Minneapolis College of Art and Design and has written two books: Subcultural Fashion: Fetish Style (2013), and Cosplay: The Fictional Mode of Existence (2022). She is working on a third book, Revolutionary Girl: Shōjo. The director of the US- and Japan-based academic conferences Mechademia Conference on Asian Popular Cultures, she is Co-Editor-in-Chief of the new biannual Mechademia: Second Arc journal. Amanda Kennell is an Assistant Teaching Professor of International Studies at North Carolina State University. Her book, Alice in Japanese Wonderlands: Translation, Adaptation, Mediation, is forthcoming in July 2023 from the University of Hawai'i Press. It examines the contemporary media environment through Japanese adaptations of Lewis Carroll's Alice in Wonderland novels. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Cosplay, a portmanteau of “costume” and “play,” emerged from geeky Japanese subcultures to become a popular hobby, and even profession, around the world. Frenchy Lunning dives into the reasons why people cosplay through interviews, pictures, and her own firsthand experience of cosplay events in America and Japan. She distills the essence of cosplay to performance and the negotiation of identity, a pair of concepts that she interrogates in part by contrasting cosplay practices in America and Japan. Cosplay: The Fictional Mode of Existence (U Minnesota Press, 2022) is livened with extensive photographs and fascinating tidbits about key figures in cosplay, such as Mari Kotani. Cosplayers are allowed to speak for themselves, describing what cosplay means to them and how they use it to negotiate their social roles and identities in fascinating detail. Lunning layers individuals' testimony on a history of cosplay that highlights the changing settings, technologies, and communities supporting cosplay over the decades to leave readers debating what role cosplay will play in the construction of future identities. Frenchy Lunning is Professor Emeritus of Liberal Arts at Minneapolis College of Art and Design and has written two books: Subcultural Fashion: Fetish Style (2013), and Cosplay: The Fictional Mode of Existence (2022). She is working on a third book, Revolutionary Girl: Shōjo. The director of the US- and Japan-based academic conferences Mechademia Conference on Asian Popular Cultures, she is Co-Editor-in-Chief of the new biannual Mechademia: Second Arc journal. Amanda Kennell is an Assistant Teaching Professor of International Studies at North Carolina State University. Her book, Alice in Japanese Wonderlands: Translation, Adaptation, Mediation, is forthcoming in July 2023 from the University of Hawai'i Press. It examines the contemporary media environment through Japanese adaptations of Lewis Carroll's Alice in Wonderland novels. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Cosplay, a portmanteau of “costume” and “play,” emerged from geeky Japanese subcultures to become a popular hobby, and even profession, around the world. Frenchy Lunning dives into the reasons why people cosplay through interviews, pictures, and her own firsthand experience of cosplay events in America and Japan. She distills the essence of cosplay to performance and the negotiation of identity, a pair of concepts that she interrogates in part by contrasting cosplay practices in America and Japan. Cosplay: The Fictional Mode of Existence (U Minnesota Press, 2022) is livened with extensive photographs and fascinating tidbits about key figures in cosplay, such as Mari Kotani. Cosplayers are allowed to speak for themselves, describing what cosplay means to them and how they use it to negotiate their social roles and identities in fascinating detail. Lunning layers individuals' testimony on a history of cosplay that highlights the changing settings, technologies, and communities supporting cosplay over the decades to leave readers debating what role cosplay will play in the construction of future identities. Frenchy Lunning is Professor Emeritus of Liberal Arts at Minneapolis College of Art and Design and has written two books: Subcultural Fashion: Fetish Style (2013), and Cosplay: The Fictional Mode of Existence (2022). She is working on a third book, Revolutionary Girl: Shōjo. The director of the US- and Japan-based academic conferences Mechademia Conference on Asian Popular Cultures, she is Co-Editor-in-Chief of the new biannual Mechademia: Second Arc journal. Amanda Kennell is an Assistant Teaching Professor of International Studies at North Carolina State University. Her book, Alice in Japanese Wonderlands: Translation, Adaptation, Mediation, is forthcoming in July 2023 from the University of Hawai'i Press. It examines the contemporary media environment through Japanese adaptations of Lewis Carroll's Alice in Wonderland novels. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

A short eyespot episode: I Go Igoo! - observations on Alex Toth's design of the rock ape, Igoo for the Hanna-Barbera cartoon, The Herculoids.+++For a daily dose of Toth images, and updates on the program, Follow @alextothindepth on Instagram.+++Alex Toth In Depth is hosted by Paul Fricke, cartoonist and comics instructor at the Minneapolis College of Art & Design since 2012. Email: paul@opaulo.comLinks:• Alex Toth In Depth podcast• Alex Toth In Depth on Youtube• Blood Orange comic - New Day Noir• Blood Orange instagram• opaulo comics, art & music Instagram• Prof Paul instagram• https://linktr.ee/opaulo+++Show bumper music - “Silver Summer” from the album “Hungarian Jazz Rhapsody” used with permission from Mihaly Borbely Quartet+++Audio & video edits by Rudy Brumm

Minneapolis author Shannon Gibney made waves in 2015 when she published her novel, “See No Color.” The experiences of main character Alex Kirtridge — a Black girl adopted by a white family — were partially informed by Gibney's own life as a transracial adoptee. From the archives: Shannon Gibney on 'Dream Country' Gibney returns to her own story with her new memoir, “The Girl I Am, Was and Never Will Be.” But this time, she mines different timelines — that of her own life, growing up as a mixed race adoptee in Ann Arbor, Mich. — and an alternate reality where her biological mom doesn't give her up, and Shannon Gibney grows up as Erin Powers, the name she was given at birth. Race, identity and adoption are powerful themes in what she calls a '“speculative memoir.” This week on Big Books and Bold Ideas, Gibney joins host Kerri Miller to talk about why she chose this genre to tell the parallel stories of her life, and how she filled the holes in her history that adoption left behind. Guest: Shannon Gibney is a writer and a professor of English at Minneapolis College. Her books include the novel, “Dream Country” and the new speculative fiction memoir, “The Girl I Am, Was, and Never Will Be.” To listen to the full conversation you can use the audio player above.  Subscribe to the MPR News with Kerri Miller podcast on Apple Podcasts, Google Podcasts or RSS. Subscribe to the Thread newsletter for the latest book and author news and must-read recommendations. 

Minneapolis author Shannon Gibney made a splash with her first novel, "See No Color," drawn from her life as a transracial adoptee. It won the 2016 Minnesota Book Award for Young People's Literature. She returns to writing about her own life in her just released memoir, “The Girl I Am, Was and Never Will Be.” But this a memoir unlike most. Gibney calls it speculative fiction. It explores both her life as it was — and as it might have been, had she not been adopted by a white family. It's a unexpected and enterprising way to wrestle with life's “what ifs.” Gibney and host Kerri Miller will talk about it on this Friday's Big Books and Bold Ideas. While you wait, enjoy this conversation from the 2018 archives, when Gibney had just published her second book, "Dream Country.” It traces the oft-neglected history of free Blacks and former enslaved people who sailed back to Africa to colonize what is now known as Liberia. Guest: Shannon Gibney is a writer and a professor of English at Minneapolis College. Her books include the novel, “Dream Country” and the new speculative fiction memoir, “The Girl I Am, Was, and Never Will Be.” To listen to the full conversation you can use the audio player above.  Subscribe to the MPR News with Kerri Miller podcast on Apple Podcasts, Google Podcasts or RSS. Subscribe to the Thread newsletter for the latest book and author news and must-read recommendations. 

Designer Terresa Moses is talking about a massive black-and-white graphic she painted directly on a gallery wall at Augsburg University. On a freezing February night, she tells the audience, there for an artist talk, that she was trying to take up space.  From floor to ceiling, bold lettering that says “Occupy Space with Glory” nestles against the silhouette of a nude Black woman gazing over her shoulder.  “I was really trying to think about, if liberation were to happen, I would imagine it being a place where we could just take up space,” said Moses, who is an assistant professor of graphic design at the University of Minnesota. She tells the audience that the typography may look familiar to anyone who's attended a protest in Minneapolis in the past few years, as it's shown up across the city on protest signs that say, “I Can't Breathe” or “Show Up for Black Women.” “I feel like I can drive down and see that type represented,” Moses said, “and let people know that a Black woman created that.” Moses is one of nine local Black women and femme designers in the exhibition “To Illuminate Abundance” at Augsburg's Gage and Christensen galleries through March 24. Here, the curators say, “femme” refers to a person whose gender expression is considered feminine. Co-curators and participating artists Olivia House and Silent Fox have been planning this show for more than a year. It is a production of their 13.4 Collective, led and made up by Black artists and designers. They say the number, 13.4, comes from a recent study that found that Black people make up 13.4 percent of the U.S. population.  “It was basically to amplify voices of the Black community and be able to share and reach an audience for the Black community that they normally don't have access to, or aren't aware of, the opportunities because they're not handed to them,” Fox says. With “To Illuminate Abundance,” the design partners wanted to collectively imagine a sort of Afrofuturist space where Black women and femmes can celebrate a life beyond surviving and depictions of trauma. Afrofuturism, generally, is a movement and aesthetic that uses science fiction, fantasy and history to reimagine the past and present of the Black diaspora, and explore the possibilities of different futures. “We thought it was important to feature this joy and light after the past few years of what Minneapolis has experienced, and black women in particular have had to carry in those few years,” says House, who is from Minneapolis but is now based in Chicago. Augsburg's gallery and exhibition coordinator Jenny Wheatley call it a revolutionary act of community. “'To Illuminate Abundance' is an important show because it bears witness to a collaboration of joyous art making,” Wheatley explains. “The show is a celebration of power and healing, of bodies and heritage, of playfulness and sincerity. This show is important because it grounds us in our full humanity, and the possibilities of the future.” Along with Moses, House and Fox, designers Ashley Koudou, Kelsi Sharp, Leeya Rose Jackson, Marcia Rowe, Olivia Anizor and Sabrina Peitz created everything from digitally designed photographic memory quilts and murals inspired by playlists curated for healing to a tufted carpet installation celebrating curly hair. The two galleries overflow with colors and patterns at a large scale.  “I really expected it to be like a majority poster show, you know, just like thinking what a typical designer would do,” says House, explaining that designers usually have to create for a client, who is not typically themselves. “But each of the artists kind of started asking me individually, do you mind if I explore something else?” Fox and House prompted the group to create an artwork to illuminate a meaningful text or quote. Jackson, for one, chose an excerpt from science fiction author Octavia Butler: “Change is the one unavoidable, irresistible, ongoing reality of the universe,” painted across layered pieces of wood in a cosmic installation.  On a salvaged lightbox sign, Sharp painted the monster's words from Mary Shelley's “Frankenstein”: “Beware; for I am fearless, and therefore powerful.” Moses chose to create her own quote, “Occupy Space with Glory,” to take up more space, she says. There is another reason, House says, for an art exhibition featuring graphic designers. It is part of her ongoing research project, “Where Are All the Black Designers?”, which she started as an undergraduate at Augsburg a few years go. She was a graphic design student at the time and says that she couldn't name one Black graphic designer. “When I was doing some research on the history of Black graphic designers, one thing that I found was it was very rarely that designers, in general, were credited for things. And I was looking specifically at Black designers, and they were almost never credited,” House said at the artist talk. “So, I just imagine Black women and femmes are right down there, and just not going to get the credit that we deserve in those spaces. That research project culminated in a 2018 Augsburg exhibition featuring nine Black graphic designers from the 20th century, including Emory Douglas, the Minister of Culture for the Black Panthers, and Dorothy Hayes, who House says was a mentor to the next generation of designers. That exhibition also traveled to First Avenue and the Minneapolis College of Art and Design.  House says her mentor during college, associate professor of graphic design Christopher Houltberg, even adapted the curriculum with some of her research findings. Now, House says, she can add the designers of “To Illuminate Abundance” to that canon of graphic design. To close the artist talk, House told her fellow designers: “I've fan-girled over all of you. I followed you on Instagram for years. And so, for you all to be up here, sitting beside me, is just incredible.” She added, “I'm just going to keep making these spaces for us.” There will be guided tours of “To Illuminate Abundance” on Sunday afternoons through March 24, as well as on the evenings of Feb. 23 and March 23. 

Big Books and Bold Ideas is usually the show where readers meet writers. But for this final show of 2022, we decided to do something unexpected. Instead of talking to writers about books they wrote, we asked them about their favorite literary characters someone else wrote. It's an assignment these Minnesota authors took seriously, and their selections both surprised and delighted host Kerri Miller. She also asked each author to recommend their favorite book of 2022, so get your “need to read” list ready! Guests: Peter Geye writes and lives in Minneapolis and is the author of many books. His latest novel is “The Ski Jumpers.” Shannon Gibney is a writer and a professor of English at Minneapolis College. Her books include the novel, “Dream Country” and the upcoming memoir-inspired novel, “The Girl I Am, Was, and Never Will Be.” Ben Percy is a novelist and screenwriter based in Northfield, Minn. His novels include “The Unfamiliar Garden” and a collection of stories titled, “Suicide Woods.” He also writes for Marvel Comics. To listen to the full conversation you can use the audio player above.  Subscribe to the MPR News with Kerri Miller podcast on Apple Podcasts, Google Podcasts or RSS. Subscribe to the Thread newsletter for the latest book and author news and must-read recommendations. 

Toth Tidbits is a new episode format focusing on a single panel, this from "Rolling Stone," which appeared in CARTOONEWS 17 - 1977+++For a daily dose of Toth images, and updates on the program, Follow @alextothindepth on Instagram.+++Alex Toth In Depth is hosted by Paul Fricke, cartoonist and comics instructor at the Minneapolis College of Art & Design since 2012. Email: paul@opaulo.comLinks:• Alex Toth In Depth podcast• Alex Toth In Depth on Youtube• Rolling Stone• Blood Orange comic - New Day Noir• Blood Orange instagram• opaulo comics, art & music Instagram• Prof Paul instagram• https://linktr.ee/opaulo+++Show bumper music - “Silver Summer” from the album “Hungarian Jazz Rhapsody” used with permission from Mihaly Borbely Quartet+++Edits by Hershel-Mars Auberon - Follow on Instagram @marsabstract

There is probably no better training ground than Nike to learn about creativity as a team sport, and Greg Hoffman, former Chief Marketing Officer of Nike, shares this lesson—along with many other valuable insights—in his new book, Emotion by Design. In this episode, we chat with Greg about how his childhood shaped the way he thinks about creativity and collaboration, how working in inspiring spaces can influence your work (and how you might accomplish that in a remote environment), and about curiosity as a catalyst for creativity. Bio Greg Hoffman is a global brand leader, former NIKE Chief Marketing Officer, and founder and principal of the brand advisory group Modern Arena. For over 27 years, Greg held marketing, design, and innovation leadership roles at NIKE, including time as the brand's CMO. In his most recent role as NIKE's Vice President of Global Brand Innovation, he led teams tasked with envisioning the future of storytelling and consumer experiences for the brand. Greg oversaw NIKE's brand communications and experiences as NIKE was solidifying its position as one of the preeminent brand storytellers of the modern era and the leading innovator in digital and physical brand experiences. His role in the rise of marketing and design through that period was recognized in 2015 when Fast Company named him one of the Most Creative People in Business. He's also been recognized for his transformative leadership in the industry through the Business Insider's 50 Most Innovative CMO's and AdAge's Power Players annual lists. For over two decades, he was a major strategic and creative influence for Nike at every major global sporting event, for the launches of NIKE's signature products and innovations, and for the building of the brands of its athletes. Through his leadership, Nike drove themes of equality, sustainability, and empowerment through sport in some of its most significant brand communications. That work was, in part, driven by his role on the Advisory Board of the NIKE Black Employee Network and as a member of the NIKE Foundation Board of Directors. Today as founder and principal of Modern Arena, Greg advises Fortune 1000 brands, startups, and nonprofits in creating brand strength, business growth, and social impact. He sits on the advisory boards of the brands Shred Adventures and AO-Air and is a board member for Summit Impact, the philanthropic arm of Summit Series. In addition, he is the Branding instructor at the University of Oregon's Lundquist College of Business and the Innovation Chair of the Board of Trustees for the Minneapolis College of Art and Design. In 2022, Greg brings all of his brand experience to the world through his new book Emotion by Design: Creative Leadership Lessons From a Life at Nike.

Randy is a person living in long term recovery and what that means to him is, he hasn't used drugs, alcohol, or any mood-altering substance since January 9, 2005. After receiving the life-saving gifts of treatment and recovery, Randy completed his A.S. degree in addiction counseling at Minneapolis College in 2015 and worked as a full-time counselor for 2 years at RS EDEN/Eden House Recovery Services – the very same treatment facility where he was once a client. Randy served as a Board of Directors member for the Steve Rummler Hope Network, the organization responsible for passing Steve's Law in 2014. In February 2018 Randy stepped down as a board member and was hired as the full-time Overdose Prevention Manager. As a nationally recognized advocate for recovery and reform, Randy also serves on the board of directors for the MN Second Chance Coalition. There he was given the opportunity to testify during the 2015/2016 legislative session in front of several legislative committees during the drug sentencing reform hearings. Because of his testimony - and that of others - MN had the most significant change in drug sentencing in nearly three decades. He is grateful to know because of those sentencing guideline changes, approximately 700 less people will be incarcerated yearly because they have the disease of addiction. Randy completed his B.A. degree in human services at Bethel University and lives with his wife, dog and cat in Golden Valley, MN. In March 2019 Randy decided to follow is passion and venture out on his own and started Bold North Recovery and Consulting.https://www.boldnorthrecoveryandconsulting.com/https://www.linkedin.com/in/randyaanderson/

Jason Snell is a multidisciplinary artist who performs electronic music with biosensors and builds generative art installations. His performances use biofeedback loops to explore consciousness and the line between cause and effect. His installations explore the nature of authorship, requiring the presence of visitors to generate the art. These projects use live data from the body and mind to compose music and visual sequences in real-time. The resulting compositions are biomorphic - taking the shape of life patterns - and reveal a natural intelligence inherent in the world and our bodies. Jason's work has been featured at Sundance, SXSW, CPH:DOX, the Berlin Independent, SF Independent, Slamdance, and Eufonia festivals, in TV and print news, and earned ADC, IAB, Webby, and Glaad Media awards. His brainwave and bio-sonification work has captured the attention of neuroscience and arts communities. He has presented and lectured throughout North America and Europe, including at NYU, MIT, Ableton, Native Instruments, University of Iowa, and scores of music and technology shows, conferences, and festivals. He founded the Newbo Synth Group, a monthly educational forum about synthesis. He studied at the University of Iowa, Minneapolis College of Art and Design, School of Visual Arts in New York, Spektrum in Berlin, and is working on an Interactive Media Arts graduate degree from NYU New York / Berlin / Shanghai. Jason Snell: http://www.primary-assembly.com/ http://jasonjsnell.com/ Natalie Brown: http://www.soundshealstudio.com http://www.facebook.com/soundshealstudio.com http://www.instagram.com/nataliebrownsoundsheal Music by Natalie Brown, Hope & Heart http://www.youtu.be/hZPx6zJX6yA This episode is sponsored by The Om Shoppe.The OM Shoppe & Spa offers a vast array of Sound Healing and Vibrational Medicine tools for serious professionals and for those ready to make sound and vibration part of their ongoing lifestyle. More and more we are coming to understand that our individual wellness is a direct reflection of our personal vibration. How we care for ourselves, our physical bodies, our minds and our spirits. The OM Shoppe is ready to help you today in a variety of ways. They offer the countries largest showroom of Quartz Crystal Singing bowls, sound healing instruments and vibrational medicine tools. If you are ready to uplevel your sound healing practice The OM Shoppe is a great place to get guidance and direction. They are available to consult with you directly by phone or you can shop online. They really enjoy getting to know their clients and customers one on one to better help recommend the right sound healing tools in the right tones for you. Call them today or visit them at http://www.theomshoppe.com. If you are ever near Sarasota, Florida, do consider stopping in and visiting with them or enjoy a luxury spa treatment such as sound healing, energy work, massage, vibroacoustics or hypnotherapy. They truly offer a full holistic experience for practitioners and those seeking healing through natural means.

Today I talked to Greg Hoffman about his new book Emotion By Design: Creative Leadership Lessons from a Life at Nike (Twelve, 2022). For this week's guest Greg Hoffman, the characteristics of empathy and curiosity are central to everything from finding your place in the world, to connecting with others, and building a brand that exhibits a true sense of purpose by empowering people to realize their potential. Along the way, this episode explores both the value and limits of data-driven marketing takes on the central role of smartphones today, and goes back into Hoffman's own backstory as a mixed-race child growing up in a nearly all-white suburb of Minneapolis. In art and sports, Hoffman found his way forward. Greg Hoffman is a global brand leader, advisor, speaker, and former Nike Chief Marketing Office. He's now the founder and principal of the brand advisory group Modern Arena as well as a branding instructor at the University of Oregon's Lundquist School of Business and a member of the Board of Trustees at the Minneapolis College of Art and Design (MCAD). Dan Hill, PhD, is the author of nine books and leads Sensory Logic, Inc. (https://www.sensorylogic.com). His new book is Blah, Blah, Blah: A Snarky Guide to Office Lingo. To check out his related “Dan Hill's EQ Spotlight” blog, visit https://emotionswizard.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today I talked to Greg Hoffman about his new book Emotion By Design: Creative Leadership Lessons from a Life at Nike (Twelve, 2022). For this week's guest Greg Hoffman, the characteristics of empathy and curiosity are central to everything from finding your place in the world, to connecting with others, and building a brand that exhibits a true sense of purpose by empowering people to realize their potential. Along the way, this episode explores both the value and limits of data-driven marketing takes on the central role of smartphones today, and goes back into Hoffman's own backstory as a mixed-race child growing up in a nearly all-white suburb of Minneapolis. In art and sports, Hoffman found his way forward. Greg Hoffman is a global brand leader, advisor, speaker, and former Nike Chief Marketing Office. He's now the founder and principal of the brand advisory group Modern Arena as well as a branding instructor at the University of Oregon's Lundquist School of Business and a member of the Board of Trustees at the Minneapolis College of Art and Design (MCAD). Dan Hill, PhD, is the author of nine books and leads Sensory Logic, Inc. (https://www.sensorylogic.com). His new book is Blah, Blah, Blah: A Snarky Guide to Office Lingo. To check out his related “Dan Hill's EQ Spotlight” blog, visit https://emotionswizard.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/dan-hills-eq-spotlight