Podcast appearances and mentions of Steven Spielberg

LAST SHOT IN ANGER: 7/8: Lincoln's Peace: The Struggle to End the American Civil War Hardcover – Illustrated, March 18, 2025  by  Michael Vorenberg   https://www.amazon.com/Lincolns-Peace-Struggle-American-Civil/dp/1524733172 We set out on the James River, March 25, 1865, aboard the paddle steamboat River Queen. President Lincoln is on his way to General Grant's headquarters at City Point, Virginia, and he's decided he won't return to Washington until he's witnessed, or perhaps even orchestrated, the end of the Civil War. Now, it turns out, more than a century and a half later, historians are still searching for that end. Was it April 9, at Appomattox, as conventional wisdom holds, where Lee surrendered to Grant in Wilmer McLean's parlor? Or was it ten weeks afterward, in Galveston, where a federal commander proclaimed Juneteenth the end of slavery? Or perhaps in August of 1866, when President Andrew Johnson simply declared “the insurrection is at an end”? That the answer was elusive was baffling even to a historian of the stature of Michael Vorenberg, whose work served as a key source of Steven Spielberg's Lincoln. Vorenbergwas inspired to write this groundbreaking book, finding its title in the peace Lincoln hoped for but could not make before his assassination. A peace that required not one but many endings, as Vorenberg reveals in these pages, the most important of which came well more than a year after Lincoln's untimely death.  To say how a war ends is to suggest how it should be remembered, and Vorenberg's search is not just for the Civil War's endpoint but for its true nature and legacy, so essential to the American identity. It's also a quest, in our age of “forever wars,” to understand whether the United States's interminable conflicts of the current era have a precedent in the Civil War—and whether, in a sense, wars ever end at all, or merely wax and wane.

LAST SHOT IN ANGER: 1/8: Lincoln's Peace: The Struggle to End the American Civil War Hardcover – Illustrated, March 18, 2025  by  Michael Vorenberg   https://www.amazon.com/Lincolns-Peace-Struggle-American-Civil/dp/1524733172 We set out on the James River, March 25, 1865, aboard the paddle steamboat River Queen. President Lincoln is on his way to General Grant's headquarters at City Point, Virginia, and he's decided he won't return to Washington until he's witnessed, or perhaps even orchestrated, the end of the Civil War. Now, it turns out, more than a century and a half later, historians are still searching for that end. Was it April 9, at Appomattox, as conventional wisdom holds, where Lee surrendered to Grant in Wilmer McLean's parlor? Or was it ten weeks afterward, in Galveston, where a federal commander proclaimed Juneteenth the end of slavery? Or perhaps in August of 1866, when President Andrew Johnson simply declared “the insurrection is at an end”? That the answer was elusive was baffling even to a historian of the stature of Michael Vorenberg, whose work served as a key source of Steven Spielberg's Lincoln. Vorenbergwas inspired to write this groundbreaking book, finding its title in the peace Lincoln hoped for but could not make before his assassination. A peace that required not one but many endings, as Vorenberg reveals in these pages, the most important of which came well more than a year after Lincoln's untimely death.  To say how a war ends is to suggest how it should be remembered, and Vorenberg's search is not just for the Civil War's endpoint but for its true nature and legacy, so essential to the American identity. It's also a quest, in our age of “forever wars,” to understand whether the United States's interminable conflicts of the current era have a precedent in the Civil War—and whether, in a sense, wars ever end at all, or merely wax and wane.

LAST SHOT IN ANGER: 2/8: Lincoln's Peace: The Struggle to End the American Civil War Hardcover – Illustrated, March 18, 2025  by  Michael Vorenberg   https://www.amazon.com/Lincolns-Peace-Struggle-American-Civil/dp/1524733172 We set out on the James River, March 25, 1865, aboard the paddle steamboat River Queen. President Lincoln is on his way to General Grant's headquarters at City Point, Virginia, and he's decided he won't return to Washington until he's witnessed, or perhaps even orchestrated, the end of the Civil War. Now, it turns out, more than a century and a half later, historians are still searching for that end. Was it April 9, at Appomattox, as conventional wisdom holds, where Lee surrendered to Grant in Wilmer McLean's parlor? Or was it ten weeks afterward, in Galveston, where a federal commander proclaimed Juneteenth the end of slavery? Or perhaps in August of 1866, when President Andrew Johnson simply declared “the insurrection is at an end”? That the answer was elusive was baffling even to a historian of the stature of Michael Vorenberg, whose work served as a key source of Steven Spielberg's Lincoln. Vorenbergwas inspired to write this groundbreaking book, finding its title in the peace Lincoln hoped for but could not make before his assassination. A peace that required not one but many endings, as Vorenberg reveals in these pages, the most important of which came well more than a year after Lincoln's untimely death.  To say how a war ends is to suggest how it should be remembered, and Vorenberg's search is not just for the Civil War's endpoint but for its true nature and legacy, so essential to the American identity. It's also a quest, in our age of “forever wars,” to understand whether the United States's interminable conflicts of the current era have a precedent in the Civil War—and whether, in a sense, wars ever end at all, or merely wax and wane.

LAST SHOT IN ANGER: 3/8: Lincoln's Peace: The Struggle to End the American Civil War Hardcover – Illustrated, March 18, 2025  by  Michael Vorenberg   https://www.amazon.com/Lincolns-Peace-Struggle-American-Civil/dp/1524733172 We set out on the James River, March 25, 1865, aboard the paddle steamboat River Queen. President Lincoln is on his way to General Grant's headquarters at City Point, Virginia, and he's decided he won't return to Washington until he's witnessed, or perhaps even orchestrated, the end of the Civil War. Now, it turns out, more than a century and a half later, historians are still searching for that end. Was it April 9, at Appomattox, as conventional wisdom holds, where Lee surrendered to Grant in Wilmer McLean's parlor? Or was it ten weeks afterward, in Galveston, where a federal commander proclaimed Juneteenth the end of slavery? Or perhaps in August of 1866, when President Andrew Johnson simply declared “the insurrection is at an end”? That the answer was elusive was baffling even to a historian of the stature of Michael Vorenberg, whose work served as a key source of Steven Spielberg's Lincoln. Vorenbergwas inspired to write this groundbreaking book, finding its title in the peace Lincoln hoped for but could not make before his assassination. A peace that required not one but many endings, as Vorenberg reveals in these pages, the most important of which came well more than a year after Lincoln's untimely death.  To say how a war ends is to suggest how it should be remembered, and Vorenberg's search is not just for the Civil War's endpoint but for its true nature and legacy, so essential to the American identity. It's also a quest, in our age of “forever wars,” to understand whether the United States's interminable conflicts of the current era have a precedent in the Civil War—and whether, in a sense, wars ever end at all, or merely wax and wane.

LAST SHOT IN ANGER: 4/8: Lincoln's Peace: The Struggle to End the American Civil War Hardcover – Illustrated, March 18, 2025  by  Michael Vorenberg   https://www.amazon.com/Lincolns-Peace-Struggle-American-Civil/dp/1524733172 We set out on the James River, March 25, 1865, aboard the paddle steamboat River Queen. President Lincoln is on his way to General Grant's headquarters at City Point, Virginia, and he's decided he won't return to Washington until he's witnessed, or perhaps even orchestrated, the end of the Civil War. Now, it turns out, more than a century and a half later, historians are still searching for that end. Was it April 9, at Appomattox, as conventional wisdom holds, where Lee surrendered to Grant in Wilmer McLean's parlor? Or was it ten weeks afterward, in Galveston, where a federal commander proclaimed Juneteenth the end of slavery? Or perhaps in August of 1866, when President Andrew Johnson simply declared “the insurrection is at an end”? That the answer was elusive was baffling even to a historian of the stature of Michael Vorenberg, whose work served as a key source of Steven Spielberg's Lincoln. Vorenbergwas inspired to write this groundbreaking book, finding its title in the peace Lincoln hoped for but could not make before his assassination. A peace that required not one but many endings, as Vorenberg reveals in these pages, the most important of which came well more than a year after Lincoln's untimely death.  To say how a war ends is to suggest how it should be remembered, and Vorenberg's search is not just for the Civil War's endpoint but for its true nature and legacy, so essential to the American identity. It's also a quest, in our age of “forever wars,” to understand whether the United States's interminable conflicts of the current era have a precedent in the Civil War—and whether, in a sense, wars ever end at all, or merely wax and wane.

LAST SHOT IN ANGER: 5/8: Lincoln's Peace: The Struggle to End the American Civil War Hardcover – Illustrated, March 18, 2025  by  Michael Vorenberg   https://www.amazon.com/Lincolns-Peace-Struggle-American-Civil/dp/1524733172 We set out on the James River, March 25, 1865, aboard the paddle steamboat River Queen. President Lincoln is on his way to General Grant's headquarters at City Point, Virginia, and he's decided he won't return to Washington until he's witnessed, or perhaps even orchestrated, the end of the Civil War. Now, it turns out, more than a century and a half later, historians are still searching for that end. Was it April 9, at Appomattox, as conventional wisdom holds, where Lee surrendered to Grant in Wilmer McLean's parlor? Or was it ten weeks afterward, in Galveston, where a federal commander proclaimed Juneteenth the end of slavery? Or perhaps in August of 1866, when President Andrew Johnson simply declared “the insurrection is at an end”? That the answer was elusive was baffling even to a historian of the stature of Michael Vorenberg, whose work served as a key source of Steven Spielberg's Lincoln. Vorenbergwas inspired to write this groundbreaking book, finding its title in the peace Lincoln hoped for but could not make before his assassination. A peace that required not one but many endings, as Vorenberg reveals in these pages, the most important of which came well more than a year after Lincoln's untimely death.  To say how a war ends is to suggest how it should be remembered, and Vorenberg's search is not just for the Civil War's endpoint but for its true nature and legacy, so essential to the American identity. It's also a quest, in our age of “forever wars,” to understand whether the United States's interminable conflicts of the current era have a precedent in the Civil War—and whether, in a sense, wars ever end at all, or merely wax and wane.

LAST SHOT IN ANGER: 6/8: Lincoln's Peace: The Struggle to End the American Civil War Hardcover – Illustrated, March 18, 2025  by  Michael Vorenberg   https://www.amazon.com/Lincolns-Peace-Struggle-American-Civil/dp/1524733172 We set out on the James River, March 25, 1865, aboard the paddle steamboat River Queen. President Lincoln is on his way to General Grant's headquarters at City Point, Virginia, and he's decided he won't return to Washington until he's witnessed, or perhaps even orchestrated, the end of the Civil War. Now, it turns out, more than a century and a half later, historians are still searching for that end. Was it April 9, at Appomattox, as conventional wisdom holds, where Lee surrendered to Grant in Wilmer McLean's parlor? Or was it ten weeks afterward, in Galveston, where a federal commander proclaimed Juneteenth the end of slavery? Or perhaps in August of 1866, when President Andrew Johnson simply declared “the insurrection is at an end”? That the answer was elusive was baffling even to a historian of the stature of Michael Vorenberg, whose work served as a key source of Steven Spielberg's Lincoln. Vorenbergwas inspired to write this groundbreaking book, finding its title in the peace Lincoln hoped for but could not make before his assassination. A peace that required not one but many endings, as Vorenberg reveals in these pages, the most important of which came well more than a year after Lincoln's untimely death.  To say how a war ends is to suggest how it should be remembered, and Vorenberg's search is not just for the Civil War's endpoint but for its true nature and legacy, so essential to the American identity. It's also a quest, in our age of “forever wars,” to understand whether the United States's interminable conflicts of the current era have a precedent in the Civil War—and whether, in a sense, wars ever end at all, or merely wax and wane.

LAST SHOT IN ANGER: 8/8: Lincoln's Peace: The Struggle to End the American Civil War Hardcover – Illustrated, March 18, 2025  by  Michael Vorenberg   https://www.amazon.com/Lincolns-Peace-Struggle-American-Civil/dp/1524733172 We set out on the James River, March 25, 1865, aboard the paddle steamboat River Queen. President Lincoln is on his way to General Grant's headquarters at City Point, Virginia, and he's decided he won't return to Washington until he's witnessed, or perhaps even orchestrated, the end of the Civil War. Now, it turns out, more than a century and a half later, historians are still searching for that end. Was it April 9, at Appomattox, as conventional wisdom holds, where Lee surrendered to Grant in Wilmer McLean's parlor? Or was it ten weeks afterward, in Galveston, where a federal commander proclaimed Juneteenth the end of slavery? Or perhaps in August of 1866, when President Andrew Johnson simply declared “the insurrection is at an end”? That the answer was elusive was baffling even to a historian of the stature of Michael Vorenberg, whose work served as a key source of Steven Spielberg's Lincoln. Vorenbergwas inspired to write this groundbreaking book, finding its title in the peace Lincoln hoped for but could not make before his assassination. A peace that required not one but many endings, as Vorenberg reveals in these pages, the most important of which came well more than a year after Lincoln's untimely death.  To say how a war ends is to suggest how it should be remembered, and Vorenberg's search is not just for the Civil War's endpoint but for its true nature and legacy, so essential to the American identity. It's also a quest, in our age of “forever wars,” to understand whether the United States's interminable conflicts of the current era have a precedent in the Civil War—and whether, in a sense, wars ever end at all, or merely wax and wane.

Welcome to another Episode of the Media Boat Podcast. We start with Spotify getting a nasty letter from some US Senators. Next, several Netflix games will be going away from the platform next month. Later, South Park lawsuits heat up as South Park Studios accuses its new parent company of foul play. We wrap it up with a look at future films including what Denis Villeneuve, Aaron Sorkin, and Steven Spielberg have coming soon to a theater near you. We also have thoughts on HAIM and The Bear. All this and more on this weeks episode of the Media Boat Podcast.

A film editor's job is much like the work of a sculptor. You take a massive block of material—raw footage—and with a series of delicate, precise cuts, you shape it into something cohesive, something meaningful. In today's episode, we welcome Michael Trent, a master of cinematic storytelling who has spent his career assembling some of Hollywood's most unforgettable films. From the war-torn beaches of Saving Private Ryan to the eerie corridors of The Hatred, his work is the unseen hand that guides an audience's emotions, turning chaos into art.For Michael Trent, the journey into the editing room began long before he ever set foot in Hollywood. His father, a sound editor in England, introduced him to the craft at an early age. “I was using a Moviola by the time I was ten,” he recalls, describing the tactile magic of celluloid film. But talent alone wasn't enough to break into the industry—his leap from England to Hollywood in 1994 was an act of faith, a cold call to the right person at the right time, proving that the universe often conspires in favor of those who dare.Editing is not merely about cutting and pasting scenes together. It is about rhythm, about knowing when to hold a shot and when to move on. It is the balance between subtlety and impact, between quiet tension and explosive release. “I think a lot of editors cut too much,” Michael Trent shares. “You have to feel the emotion of a scene and let it breathe.” His work on The Hatred is a testament to this philosophy, particularly in its ability to sustain suspense, making audiences feel the presence of something sinister lurking just beyond the frame.One of the most fascinating aspects of his career was working alongside Steven Spielberg. Editing Saving Private Ryan meant moving between locations, from an Irish field to an aerospace museum in England, adapting to whatever environment was necessary. But beyond the logistics, Spielberg's ability to visualize an edit in his head was what amazed Michael Trent the most. “He called in from Japan with an edit suggestion, and when we made the change, it worked perfectly. It was as if he had a video camera inside his mind.”Horror editing, in particular, demands a unique approach. Timing becomes everything—not just in the obvious jump scares, but in the slow-building unease that keeps an audience gripping their seats.A shadow lingering a second too long, a door creaking open just slightly out of sync—these are the choices that make a horror film work. “There's a scene in The Hatred where Alice walks toward the cellar,” Michael Trent explains. “We held the shot longer than usual, just to build that sense of dread.”To be an editor is to be both an artist and a storyteller, sculpting not with clay or paint, but with time itself. The true test of an editor's skill lies not in what they add, but in what they take away. Sometimes, entire scenes—ones that took days to shoot—must be discarded for the sake of pacing and narrative flow. “You have to be ruthless,” Michael Trent says. “If it doesn't serve the story, it has to go.”Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Turning 50 is a big deal, especially for a classic like Jaws, and boy, does it have a lot to teach us about podcasting. Picture this: a film that was barely held together by duct tape and creativity, yet it became a cultural phenomenon. The behind-the-scenes drama? A mechanical shark that was more trouble than it was worth and a filming schedule that doubled in time. But instead of throwing in the towel, Steven Spielberg and crew got creative. They used suspense, killer music, and a whole lot of storytelling to keep audiences on the edge of their seats. So, what's the takeaway for us podcasters? Just like the Jaws team had to adapt, we can make magic with what we've got, even if our gear isn't top-notch. We don't need the fanciest mics or perfect lighting to tell our stories — sometimes, limitations spark the most creativity. So grab that old mic, hit record, and let's make something awesome!Takeaways: Sometimes, not having everything you need can spark more creativity than you think. Jaws was a mess behind the scenes but turned into a classic anyway, so chill! If Spielberg can make a shark out of a broken toy, you can too! Starting small with what you have can lead to amazing skills and growth. Your podcast journey doesn't need fancy gear; it needs your unique voice. Creativity often thrives in the chaos of not having everything perfectly lined up. Mentionedschoolofpodcasting.com/joinJaws at 50 TrailerThis podcast uses the following third-party services for analysis: OP3 - https://op3.dev/privacy

Tony and Johanna take a look back at Steven Spielberg's War Of The Worlds. His retelling of the classic H.G. Wells story. It's more remembered for Tom Cruise's antics off-screen these days but it was a decent hit at the time. 20 years later how does it hold up? Is it Spielberg at his best? Watch and find out!https://youtu.be/5QZHq9Dz4Z4

With the exception of those of us who no longer welcome birthdays, most people love anniversaries. But when it comes to movies, anniversaries give us the opportunity to remember great cinema and the directors who make it. On this week's show, Dan Webster, Nathan Weinbender, and Mary Pat Treuthart discuss two such directors, Akira Kurosawa, whose film “Ran” is enjoying the 40th anniversary of its release this month, and Steven Spielberg, whose 1975 film “Jaws” is celebrating its 50th anniversary.

For 50 years, the movie Jaws has kept us looking down for what might be beneath the waves when we go swimming. Carl Cottlieb is one of the screenwriters responsible for our discomfort. His friend Steven Spielberg handed him the original script and asked him to eviscerate it. Gottlieb was there every day on set to witness the mechanical shark constantly breaking down, the budget overruns, the delays and ultimately the making of highest grossing film of all time. Carl Gottlieb shares his memories as we celebrate the 50th anniversary of Jaws.

Retour sur le film Jurassic Park de Steven Spielberg avec Nico Prat, auteur d'un hors-série sur le long-métrage pour la revue Rockyrama. Redécouvrez un classique des années 90Alors que la franchise revient au cinéma avec Jurrasic Park : Renaissance, on revient sur le premier long-métrage de Steven Spielberg. Sorti en 1993, ce blockbuster iconique a marqué toute une génération de spectacteur. Le journaliste Nico Prat revient sur les grandes séquences du film ainsi que son impact dans la pop culture. Après un épisode sur le roman de Michael Crichton avec Nicolas Allard, écoutez notre deuxième épisode sur cette saga incontournable du cinéma. Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

The Real Fans celebrate 50 years of Steven Spielberg's JAWS by sharing their memories and thoughts of the original summer blockbuster. Find more Real Fans 4 Real Movies on the internet: Web | Twitter | Facebook | Instagram   Rate, review, & subscribe to the RF4RM Podcast on: Apple Podcasts | Google Play | Stitcher | TuneIn   Your feedback is appreciated. Send emails to podcast@rf4rm.com

This Week for your Daily Ratings Movie News: We have some updates on the new James Bond Film. Steven Spielberg quietly wraps his next movie. Ron Howard continues on and Jeremy Saulnier's next film gets a title. Most of all, Johnny Depp might make a comeback with Captain Jack Sparrow once more. Don't forget to check out thedailyratings.com for our New Shop! Where you can find all kinds of Daily Ratings shirts, hoodies, hats, and mugs. Also check out the massive amount films that Vince has rated and remember to send a donation in to become a Producer!!

Welcome to the first episode of Shark month!! What better way to talk about the granddaddy of them all… Jaws! 50 years since we were introduced to Bruce the shark (fuck I'm old) and his malfunctioning ways. Causing havoc and terror to both the town of Amity Island and its Director , Steven Spielberg. Join Ciaran and Trevor as they pleasantly discuss this masterpiece in filmmaking and also how it gave us one of the greatest directors of our time. Enjoy!! #StevenSpielberg #RoyScheider #RobertShaw #RichardDreyfuss #PeterBenchley #JohnWilliams #MurrayHamilton

In another excused absence episode the Say Reporter take their time to celebrate the 50th Anniversary of the film tha changed the entire landscape of cinema…Steven Spielberg's origin of the blockbuster film: “Jaws”

Erika Eleniak: From E.T. to Baywatch to Under Siege In this heartfelt episode, Steve Kmetko sits down with Erika Eleniak to discuss her iconic Hollywood journey—from stealing a scene in E.T. at just 12 years old to becoming a global sex symbol on Baywatch, and starring in the action classic Under Siege. Erika opens up about the challenges of fame, posing for Playboy, her deep love of tattoos, and the strength it took to walk away from the spotlight on her own terms.Show Credits Host/Producer: Steve Kmetko All things technical: Justin Zangerle Executive Producer: Jim Lichtenstein Music by: Brian Sanyshyn Transcription:  Mushtaq Hussain   https://stillherehollywood.com http://patreon.com/stillherehollywood Suggest Guests at: stillherehollywood@gmail.com Advertise on Still Here Hollywood: jim@stillherenetwork.com Publicist: Maggie Perlich: maggie@numbertwelvemarketing.com  

It's fitting that three unknown filmmakers caught lightning in a bottle with a B-movie that features an invisible villain. They pay homage to Steven Spielberg and other classic films from the past while creating an Inception-style moment of film history with Sean Astin! Travis and Rob break down the brilliance of this modern B-movie in Episode 26: The Invisible Raptor!

Two notes, people! Two notes kept people out of the water!We talk about the first summer blockbuster, the performances, that broken-down mechanical fish, and other aspects of a film that transcends even itself. Today's root beer is Howie's with vanilla ice cream.Intro and Outro music by Stockmusic331 on Pond5Send us a text

Max Pearson presents a collection of the week's Witness History interviews from the BBC World Service.This programme includes outdated and offensive language.It's 50 years since the original Jaws film was released in cinemas across America. The movie premiered on 20 June 1975. Our guest is Jenny He, senior exhibitions curator at the Academy Museum of Motion Pictures in Los Angeles. She tells us about the history of this blockbuster movie. We also hear from Carl Gottlieb, who co-wrote the screenplay.Also, the story of the women who were forcibly detained in sexual health clinics across East Germany, the signing of the Treaty of Versailles, and the 1964 civil rights swimming protest that ended when acid was poured into the pool.Finally, the horrific account of Polly Sheppard who was a survivor of the Charleston church shooting in South Carolina, USA in 2015.Contributors: Carl Gottlieb - Jaws co-writer. Jenny He - senior exhibitions curator at the Academy Museum of Motion Pictures in Los Angeles. Sabine - one of the women forcibly detained and abused in a sexual health clinic in East Germany. Archive of William Norman Ewer - journalist who attended the signing of the Treaty of Versailles. Archive of JT Johnson and Mimi Jones -activists in a civil rights swimming protest . Polly Sheppard- survivor of the Charleston Church shooting.This programme contains movie excerpts from the 1975 film which was a Universal Picture, a Zanuck/Brown production and directed by Steven Spielberg. (Photo: Steven Spielberg on the set of the film 'Jaws' in 1975. Credit: Archive Photos/Stringer)

In this episode of Challenge Accepted, Thomas and Frank celebrate the 50th anniversary of Steven Spielberg's iconic film Jaws. They revisit the movie that redefined the summer blockbuster, breaking down everything from unforgettable performances to behind-the-scenes innovations. The conversation explores the film's themes of fear, fatherhood, trauma, and nature vs. man, while also highlighting Spielberg's genius in turning technical failures into cinematic gold. Plus, a compelling fan theory about Chief Brody adds a whole new layer to the film. Timestamps and Topics: 00:00:00 Intro and first impressions 00:01:26 Classic vs. modern filmmaking 00:02:25 Town politics and Amity Island's denial 00:04:07 First deaths and the shift in tone 00:06:06 Brody's arc from outsider to hero 00:08:07 Quint's monologue and character intro 00:09:34 Jaws as a modern Moby Dick 00:12:01 Spielberg's camera work and blocking 00:14:48 Underwater filming innovations 00:17:10 Hooper and Quint's relationship 00:19:56 Fan theory: Is Brody a recovering alcoholic? 00:24:08 Best blocking scene: Hooper and Brody confront the mayor 00:25:11 The shark reveal and building tension 00:28:24 “You're gonna need a bigger boat” moment 00:30:09 Quint's final scene and the fear switch 00:35:02 Nature vs. man and Cold War commentary 00:38:48 Why practical effects still matter 00:39:56 John Williams' score as emotional storytelling 00:41:11 Fatherhood and generational connection through film Key Takeaways: Jaws successfully merges suspense and horror with character-driven storytelling Spielberg's limitations with the shark led to creative cinematography that enhanced the suspense The film's characters each represent a different relationship to fear and control Quint's monologue remains one of the most powerful moments in cinema Viewing Brody through the lens of a recovering alcoholic reframes the entire story Themes of misinformation, fear-driven decisions, and human error are still relevant today Quotes: “You're gonna need a bigger boat.” “That was the last time I felt fear. I was waiting for my turn.” “The shark isn't the villain. It's nature doing what it does. The villain is fear and denial.” “It's not about killing the shark. It's about what Brody's trying to kill inside himself.” Call to Action: Enjoying the show? Subscribe to Challenge Accepted, leave a review, and share your favorite Jaws moment using #ChallengeAcceptedPod. Let us know what movie you think holds up better than Jaws or what blockbuster defines summer for you! Links and Resources: Check out GeekFreaksPodcast.com for all the latest geek news and updates mentioned in the episode. Follow Us: Instagram: @challengeacceptedlive TikTok: @challengeacceptedlive Twitter: @CAPodcastLive Listener Questions: What summer movie do you watch every year? Ever had a shark encounter? Message us your thoughts or share on social media and tag us! Apple Podcast Tags: Jaws, movie review, Steven Spielberg, summer blockbuster, shark movies, film analysis, classic movies, movie podcast, John Williams, cinema history

In honor of the 50th anniversary of JAWS (1975), we are proud to publish a 2020 lecture about Steven Spielberg's film by Scott Ferguson. Far from a simple celebration, the lecture critically situates JAWS as the first genuine New Hollywood blockbuster and the originator of a distinctly neoliberal aesthetic that would come to dominate Hollywood for the next five decades. Ferguson explores the film's influence on Hollywood, its innovative use of television advertising, and its role in establishing the high-concept blockbuster. The majority of the lecture, however, teases out the film's profound aesthetic reorganization of Hollywood cinema. JAWS, Ferguson shows, employs a wide range of techniques, such as the "Spielberg face," "God lights," and what he calls the "quasi-diegetic" camera, which work together to create a sublime, immersive experience grounded in immediate physical relations. In this new aesthetic regime, abstraction is repressed, physics reigns supreme, and cinematic movement is reduced to zero-sum displacements of material forces and entities. Ferguson connects this immersive aesthetic to JAWS's narrative treatment of money as an essentially private, scarce, and politically unanswerable thing. Through this analysis, the lecture demonstrates how JAWS both expresses and contributes to a broader turn toward neoliberalism in 1970s America, revealing cinema's role in shaping the economic and political imagination of an era.

June 20, 1975. Steven Spielberg's thriller Jaws is released in theaters and becomes the highest grossing movie of all time, essentially creating the genre of the “summer blockbuster”. This episode originally aired in 2022.Support the show! Join Into History for ad-free listening and more.History Daily is a co-production of Airship and Noiser.Go to HistoryDaily.com for more history, daily.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

It's 50 years since the original Jaws film was released in cinemas across America. The movie premiered on 20 June 1975. Directed by a young Steven Spielberg, who was relatively unknown at the time, it was considered Hollywood's pioneering summer blockbuster. The thriller broke records by becoming the first movie to gross over $100 million at the US box office and made millions of people afraid to go into the water. Carl Gottlieb, who co-wrote the screenplay, looks back at guiding the chaotic production into cinematic history. Produced and presented by Megan Jones. With movie excerpts from the 1975 film which was a Universal Picture, a Zanuck/Brown production and directed by Steven Spielberg. Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from football in Brazil, the history of the ‘Indian Titanic' and the invention of air fryers, to Public Enemy's Fight The Power, subway art and the political crisis in Georgia. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: visionary architect Antoni Gaudi and the design of the Sagrada Familia; Michael Jordan and his bespoke Nike trainers; Princess Diana at the Taj Mahal; and Görel Hanser, manager of legendary Swedish pop band Abba on the influence they've had on the music industry. You can learn all about fascinating and surprising stories, such as the time an Iraqi journalist hurled his shoes at the President of the United States in protest of America's occupation of Iraq; the creation of the Hollywood commercial that changed advertising forever; and the ascent of the first Aboriginal MP.(Photo: A scene from the movie. Credit: Screen Archives/Getty Images)

In this episode, we do a rewatchable review of the iconic 1975 blockbuster thriller Jaws, directed by Steven Spielberg and starring Roy Scheider. We discuss whether this film still holds up, and we debate whether it started the cinematic revolution of the term "summer blockbuster." Learn more about your ad choices. Visit megaphone.fm/adchoices

Yes, it has been 50-years. Jaws came to theatres on this date and is being celebrated throughout the world. We pay our respects by talking about the new book "Robert Shaw: An Actor's Life on the set of Jaws and Beyond." Author Christopher Shaw Myers offers an intimate portrait of his legendary uncle, the acclaimed actor and writer best known for his unforgettable role as Quint in Jaws. Today marks the 50th anniversary of Steven Spielberg's iconic blockbuster starring Roy Scheider, Richard Dreyfuss and Robert Shaw as the weather seaman, Captain Quint.

On the occasion of the 50th anniversary of Jaws, we're joined by Marty Milner to discuss his work on Steven Spielberg's legendary thriller. Marty takes us behind the scenes of one of cinema's most influential films, sharing insights into the production challenges, the infamous mechanical shark "Bruce," and the innovative filmmaking techniques that helped create a summer blockbuster phenomenon. We explore how the film's troubled production on Martha's Vineyard ultimately led to some of its greatest strengths, the collaborative process with Spielberg during his early career, and the lasting impact Jaws had on both the film industry and popular culture. We also touch on the film's legacy, its spawning of the summer blockbuster era, and what it was like being part of a movie that would become one of the most quoted and referenced films in cinema history.Support the show___________________Check out video versions of this and other episodes on YouTube: youtube.com/dollarbinbandits!If you like this podcast, please rate, review, and subscribe on Apple Podcasts or wherever you found this episode. And if you really like this podcast, support what we do as a member of the Dollar Bin Boosters on Patreon: patreon.com/DollarBinBoosters.You can follow us @dollarbinbandits on Facebook, Instagram, and Bluesky, or @DBBandits on X. You can even email us at dollarbinbandits@gmail.com.___________________Dollar Bin Bandits is the official podcast of TwoMorrows Publishing. Check out their fine publications at twomorrows.com. ___________________ Thank you to Sam Fonseca for our theme music, Sean McMillan for our graphics, and Pat McGrath for our...

Fifty years ago producers Richard Zanuck and David Brown handed the directing reins of a best-selling novel to a young, upcoming filmmaker named Steven Spielberg. Moviegoers, the motion picture industry, and the country at large had no idea what was in store. An unprecedented release - and a critical and commercial triumph - “Jaws” has endured for decades and will forever remain part of the cultural conversation. Jim Camlek and his little brother celebrate this masterclass in story, character and execution. Here's to swimming with bowlegged women! Hosted on Acast. See acast.com/privacy for more information.

"No! It can't be. I just sent you back to the future!" - Doc Brown"No, I know. You did send me back to the future. But I'm back - I'm back from the future..." - Marty McFly That's right, we're back assembling podcasters from around the world (and all timelines) to celebrate the 1989 blockbuster sequel, "Back to the Future - Part II" - starring: Michael J. Fox and Christopher Lloyd, produced by Steven Spielberg, and directed by Robert Zemeckis! Podcasters Featured:Erik Slader from ⁠⁠Epik Fails of History⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠Comic Zombie⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠Nerdeagram⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Super Switch Club⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Zack Derby (and Bob) from ⁠The Great Pop Culture Debate⁠Elyse, ⁠⁠⁠⁠⁠⁠⁠Kaslo 25⁠⁠⁠⁠⁠⁠⁠⁠, and Kaeldrannas from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Super Switch Club⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ben from Dragoon EffectJustin Ache from ⁠⁠Epik Fails of History⁠⁠⁠⁠⁠⁠⁠⁠⁠Stephen White and Laceya from ⁠PencilPaperProductions.com⁠Douglas Gale from ⁠⁠⁠⁠What's Your Damage?⁠⁠⁠⁠⁠⁠⁠⁠Kory Torjussen from ⁠⁠⁠The World Is My Burrito⁠⁠Johnny from ⁠The Rapper's Corner⁠Jed Shaffer from ⁠First Gen Gamers⁠And Matt Shea from ⁠You Didn't Ask For This⁠!(Edited by Erik Slader / ⁠⁠⁠⁠⁠⁠⁠Music by Vigo ⁠⁠⁠⁠⁠⁠⁠⁠@DeftStrokeSound!⁠⁠⁠⁠⁠⁠⁠) The Podcasters will Assemble again... If you would like to be featured on an upcoming episode head over to: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://probablywork.com/podcasters-assemble/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠You can also join the discussion in our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord server⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy Our Merch!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Network InfoThis podcast is a production of the We Can Make This Work (Probably) Network. Follow us below to keep up with this show and discover our many other podcasts! The place for those with questionable taste!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠| ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠| ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: @probablywork⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ www.probablywork.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ProbablyWorkPod@gmail.com

José Raúl Cepeda, Jaime Vázquez y Luis Raúl Sánchez Peraza a los que se une Marta Figueroa discuten hoy sobre cine… Segmento 1 Luis Raúl trae el tema de las referencias a las relaciones de poder a nivel político y en el caso de la nueva oferta de Misión Imposible la inteligencia artificial. Segmento 2 Hablamos de la nueva representación del poder mirado con desconfianza por la sociedad. Como el cine refleja ideas y conceptos contemporáneos logrando captar la atención del espectador. Hablamos del 50 aniversario de Jaws y la cinematografía de Steven Spielberg. Segmento 3 Sobre Misión Imposible, Karate Kid Legends. Segmento 4 Las nuevas tendencias del cine de llevar animaciones al cine “live action” como Lilo & Stich y como entrenar tu dragón.

Welcome back to The Georgia Politics Podcast! This week, we're diving into another installment of our 1975 series—this time focusing on the blockbuster film Jaws, its cultural legacy, and its enduring impact on the film industry. From its groundbreaking effects and unforgettable score to its lasting influence on Hollywood and summer blockbusters, we explore how Steven Spielberg's thriller redefined fear and filmmaking. Whether you're a longtime fan or dipping your toes in for the first time, join us for a look back at the movie that made an entire generation afraid to go in the water. Connect with The Georgia Politics Podcast on Twitter @gapoliticspod Hans Appen on Twitter @hansappen Craig Kidd on Twitter @CraigKidd1 Proud member of the Appen Podcast Network. #gapol

In this One Perfect Scene episode, Paul, Kieran and I continue to celebrate the 50th birthday of 'Jaws'- which came out exactly 50 years ago today - with a conversation on the final stretch of the Spielberg classic. So we're covering Quint's death (spoiler!) and the death of the shark (double spoiler!!)

Okay, Jaws turns 50 years old this very day - the film being released in the USA on June 20th 1975. Since this is a film very near and dear to us, we decided to mark this birthday by talking about the film once again. So, this is a One Perfect Scene episode, where Kieran, Paul and I talk about the unforgettable scene where young Alex Kintner is killed by the shark, towards the start of the film.

Back on this day in 1975, Jaws premiered. Directed by Steven Spielberg, the film was based on the 1974 novel and would go on to win several awards for it's music and editing 

Get your shark bait ready and keep those beaches open becuase today we are reviewing the all-time classic, Jaws. It's been 50 years since Steven Spielberg created the original summmer blockbuster and we take the time review, celebrate, and maybe throw some chum on it. Give us a listen and let us know what you think on this 50th anniversary. Twitter - @podcastBADMOVIE Insta - @badmoviepodcast Email - badmoviereviewpodcast@gmail.com Gil - @WR_Gil Romero - @RomeroinATX Zach - @ZachfromNB

From Hollywood Hits to Finding Happy: Peter Samuelson's Mission to Lift Others Peter Samuelson could have stayed in Hollywood, producing box-office hits like Revenge of the Nerds and The Return of the Pink Panther. Instead, he utilized his storytelling and leadership skills to rewrite the script of his life, founding seven nonprofits that empower society's most overlooked individuals, including those in foster care. In this inspiring episode, Peter reveals the decisive moments that shaped him, like a life-changing nudge from a 10th-grade teacher and his father's unwavering belief in education. We explore his journey from film sets to social impact, from co-founding the Starlight Children's Foundation with Emma Samms and STARBRIGHT World with Steven Spielberg, to building First Star, a program that sends 90% of foster teens to college. Peter also shares the wisdom behind his new book, Finding Happy, a field guide for Gen Z and Millennials navigating life's complexities. Packed with insight, humour, and “madcap adventures,” it's a reminder that long-term happiness isn't about fame or fortune—it's about helping others. If you're looking for hope, purpose, and 'finding happy', don't miss this conversation. Andrea Barrack returns to the show to talk about the role organizations can play to support individuals and communities.    

As everyone and their cousin is telling you these days, it's the 50th anniversary of Steven Spielberg's classic monster movie blockbuster Jaws (1975). Directed by wunderkind Spielberg when he was only 28 years old (yet had already been a professional director in the TV & movie game at least 8 years), Jaws set the template Hollywood is still chasing: promising young director, huge recognition with a pre-existing IP (intellectual property), massive opening weekend on the most amount of screens, etc. Yet Jaws is still a classic 50 years later (unlike the majority of summer blockbusters) because of how it differs from the rules it established. Secret Movie Club programmer Craig Hammill waxes rhapsodic and caustic about the moviemaker, the movie, the team, and the phenomenon that casts a shadow on the ocean floor over everything so many decades later. 

In the wake of SNL's success the Second City gang get their own show, they rub elbows in Hollywood, and John gets his first taste of movie stardom after scoring a plum role in Steven Spielberg's next film.John Candy: The Lou Gehrig of Comedy is a series that honours the timeless humour and heartfelt performances of John Candy, star of hits like Splash, Planes, Trains and Automobiles, and Home Alone.Follow us on our socials: Instagram, Bluesky, LinkedIn, YouTube & SubstackWritten & Hosted by Ryan BarnettProduced by Ryan Barnett & Sonia GemmitiRecorded by Tyler RaumanAdditional voices by Matthew Barnett & Sean QuinlanA Knockabout Media ProductionAdditional audio material:Retrontario, The Bobbie Wygant Archive, Breadcrustcouncil, Dash Retro, Kamenliter, Ugazzovision*This program and all relevant content is for educational purposes only and to the best of our knowledge is being used under Fair Dealing/Fair Use Act guidelines and within Canadian and United States standards of fair dealing/fair use* Hosted on Acast. See acast.com/privacy for more information.

This week, Kyle and Mikey discuss Steven Spielberg's Jaws which turns 50 this year. It was the movie that spawned the term "Blockbuster," is one of the greatest movies ever made, and might just be the most perfect summer movie in history. We're all gonna need a bigger boat!

Beneath the surface of Hollywood's most iconic ocean thriller lies a deeper, darker truth. In this chilling episode, we venture into the murky waters behind the making of Jaws—a film that forever altered our perception of the sea and its apex predator. But the terror didn't end on screen. We dive into real-life great white shark attacks that fueled the public's fear and expose how Steven Spielberg's cinematic masterpiece led to decades of shark persecution, misinformation, and ecological imbalance. From behind-the-scenes chaos and mechanical monsters to blood-soaked beaches and misunderstood killers, this is the untold story of fear, fiction, and fallout.

Today we look back at the 1975 American thriller film directed by Steven Spielberg, based on the 1974 novel by Peter Benchley, in celebration of its 50 year anniversary. It stars Roy Scheider as police chief Martin Brody, who, with the help of a marine biologist (Richard Dreyfuss) and a professional shark hunter (Robert Shaw), hunts a man-eating great white shark that attacks beachgoers at a summer resort town. Murray Hamilton plays the mayor, and Lorraine Gary portrays Brody's wife.Hosted by Ausha. See ausha.co/privacy-policy for more information.

Indiana Jones and the Last Crusade gets the Five Bucket Club treatment in this episode -   James Bond and Han Solo, together at last!  Just don't put your popcorn in any of those golden chalices please….  #indianajonesandthelastcrusade #indianajones #harrisonford #seanconnery #stevenspielberg #georgelucas

In this special Documentary First episode, Christian steps off the beaten path to share an exciting guest appearance on the Movie Rob Minute podcast. Christian is joined by her college friend and actor Corey Johnson to dive into a Saving Private Ryan minute, making it even more special since Corey played a role in the film! Christian thought it would be a lot of fun to bring Corey along, and she was right.In Part 1, Corey shares his story of landing a part in Saving Private Ryan, working with Hollywood legends, and experiencing the chaotic D-Day scenes firsthand. Christian also opens up about her documentary filmmaking journey, especially with The Girl Who Wore Freedom, and how her conversations with veterans have shaped her understanding of gratitude, storytelling, and the healing power of sharing war stories. The episode takes some fun tangents as they explore the impact of WWII films on veterans and their families and dive deep into the culture of storytelling as a tool for healing.Timestamps:00:35 - Christian introduces the episode w/ special co-host, Rob of MovieRob Minute.04:00 - Rob introduces the episode and welcomes Christian Taylor and Corey Johnson.05:12 - Corey Johnson's surprising role in Saving Private Ryan is revealed.07:20 - A fun backstory on how Rob connected with Christian and Corey through Hollywood veterans and mutual friends.13:02 - Discussion about how military veterans sometimes find it hard to share their stories, including insights from Christian's work on The Girl Who Wore Freedom.20:08 - Corey shares his views on WWII and the importance of telling veterans' stories.26:04 - How Saving Private Ryan impacted veterans and helped them open up about their war experiences.29:02 - Corey talks about how he got his role in Saving Private Ryan and the luck involved in landing the part.39:41 - Behind-the-scenes of Saving Private Ryan filming, including the gritty realism of the D-Day scenes.44:56 - The filmmaking genius of Steven Spielberg and how his directorial decisions made the film stand out.47:50 - A final reflection on the lasting impact of WWII films like Saving Private Ryan and The Girl Who Wore Freedom on veterans and audiences.Key Takeaways:Corey Johnson shares the story of how a small part in Saving Private Ryan became a milestone in his career, thanks to sheer luck, perseverance, and talent.The importance of WWII films in shaping cultural perceptions of war and heroism, and how they help veterans open up about their experiences.Christian Taylor discusses how her documentary The Girl Who Wore Freedom offers a unique perspective on D-Day from the French civilian's point of view.How Steven Spielberg's filmmaking techniques captured the chaos and intensity of war, making Saving Private Ryan an unforgettable experience for both actors and audiences.Additional Information:You can learn more about Christian Taylor's documentary The Girl Who Wore Freedom at thegirlwhoworefreedom.com.Part 2 of this conversation will dive deeper into Corey Johnson's filming experiences and his perspective on working with Hollywood legends.Sponsor: http://ArtillerySports.com Use the code DocFirst for 10% off your...

Director Joe Johnston, who worked in design and VFX for George Lucas and Steven Spielberg, is best known for effects-heavy family pics like Honey, I Shrunk the Kids, The Rocketeer, and Jumanji. But in 1999, he tried his hand at the “based on a true story” inspirational biopic genre, based on the early life of NASA engineer Homer Hickam, as told in Hickam's memoir Rocket Boys. Starring Jake Gyllenhaal, Chris Cooper, Chris Owen, and Laura Dern, the film tells the story of a coal miner's son who was inspired by the launch of Sputnik in 1957 to take up rocketry with a group of friends against his father's wishes. A critical and commercial success, the anagramically-titled October Sky sounds stellar. But over two decades later, does it still shoot for the moon, or is it a dud?   For more geeky podcasts visit GonnaGeek.com    You can find us on iTunes under ''Legends Podcast''. Please subscribe and give us a positive review. You can also follow us on Twitter @LegendsPodcast or even better, send us an e-mail: LegendsPodcastS@gmail.com    You can write to Rum Daddy directly: rumdaddylegends@gmail.com    You can find all our contact information here on the Network page of GonnaGeek.com Our complete archive is always available at www.legendspodcast.com, www.legendspodcast.libsyn.com  Music: Title Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 https://creativecommons.org/licenses/by/4.0/

It's June 17th. This day in 1975, Steven Spielberg's JAWS is in theaters -- it is the first proper summer blockbuster, and also has a massive political and cultural effect.Jody, NIki, and Kellie discuss how the movie ruined the reputation of sharks, and also served as a parable for late-1970s American malaise.Sign up for our newsletter! Get your hands on This Day merch!Find out more at thisdaypod.comThis Day In Esoteric Political History is a proud member of Radiotopia from PRX.Your support helps foster independent, artist-owned podcasts and award-winning stories.If you want to support the show directly, you can do so on our website: ThisDayPod.comGet in touch if you have any ideas for future topics, or just want to say hello. Follow us on social @thisdaypodOur team: Jacob Feldman, Researcher/Producer; Brittani Brown, Producer; Khawla Nakua, Transcripts; music by Teen Daze and Blue Dot Sessions; Audrey Mardavich is our Executive Producer at Radiotopia Learn about your ad choices: dovetail.prx.org/ad-choices

In today's episode, we present a retrospective on 10 years of Jurassic World! You'll hear audio from the past, interviews, behind the scenes and more! Plus you'll hear from many of the community members and their thoughts on 10 years of Jurassic World! Sit back, relax and ENJOY this episode of The Jurassic Park Podcast!Please check out my Newsletter featured on Substack! You can sign up for the newsletter featuring the latest from Jurassic Park Podcast and other shows I'm featured on - plus other thoughts and feelings towards film, theme parks and more!FOLLOW USWebsite: https://www.jurassicparkpodcast.com/YouTube: https://www.youtube.com/@JurassicParkPodcastInstagram: https://www.instagram.com/jurassicparkpodcast/Bluesky: https://bsky.app/profile/jurassicparkpod.bsky.socialThreads: https://www.threads.net/@jurassicparkpodcastFacebook: https://www.facebook.com/jurassicparkpodcastApple Podcasts: https://apple.co/2VAITXfSpotify:  https://spoti.fi/2Gfl41TDon't forget to give our voicemail line a call at 732-825-7763!Catch us on YouTube with Wednesday night LIVE STREAMS, Toy Hunts, Toy Unboxing and Reviews, Theme Park trips, Jurassic Discussion, Analysis and so much more.

Steven Spielberg's movie “Jaws” hit theaters 50 years ago this month, in June 1975, and became a phenomenon almost instantly. In some ways that was no surprise: The Peter Benchley novel it was based on, also called “Jaws,” had been a huge best seller the year before, and the public was primed for a fun summer scare. Brian Raftery — the author of “Best. Movie. Year. Ever: How 1999 Blew Up the Big Screen” — wrote about “Jaws” for the Book Review last year in honor of the novel's 50th anniversary, and this week he visits the podcast to talk about the book, the movie adaptation and the era of blockbuster thrillers.“If you've seen ‘Jaws,' you could probably guess what the opening chapter of the book is,” he tells Gilbert Cruz (who has indeed seen “Jaws,” dozens of times). “It's this shark attack, where this shark at night just devours this young female swimmer. The writing is really fun. It's really gnarly, and it's one of those amazing opening chapters where the book is moving as fast as the shark. After you read that first chapter, you are just completely pulled in.”We would love to hear your thoughts about this episode, and about the Book Review's podcast in general. You can send them to books@nytimes.com. Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.