Podcast appearances and mentions of Steven Spielberg

I've been hated by the Party of Hate for five years and counting, maybe longer. For a while, I tricked myself into thinking it was people who didn't really know me. They judged me on my tweets or my opinions. But then, after I came out as a Trump voter, I felt hate even from the people who did know me.I've seen sons disown their mothers, wives disown their husbands. I've felt the hatred from the people in my town who put up alienating lawn signs that seem to come from a good place until you think about what they're really saying: agree with us, or we will hate you. When I was a kid, my stepdad forbade us from using the word “hate.” We were not allowed to say it for any reason, not “I hate brusselsprouts,” “I hate doing the dishes,” or most especially, “I hate you.”I felt it bubbling up so many times - what is a better word, I would wonder. There is no better word, I would conclude. Hate is the word we use to describe that all-consuming heat that bubbles up inside us that we can't control. There are perfect words for things, or as Anton Chigurh said in No Country for Old Men, “you pick the one right tool.”What is love? I knew what that was the first time I saw my baby's face. What is hate? What all of us felt in November of 2016 when Donald Trump won the election. From that day forward, for the next ten years, we would be defined by and consumed by hate.The hate wrapped itself around us. It comforted us. It made us feel morally superior and less alone in our misery and less helpless in our actions. It justified everything we did, whether it was protesting Trump's inauguration or forming the #Resistance. It justified even worse, beating up, spitting on, and knocking the red hats off of Trump supporters. The rulers of the Left's aristocracy, the empire that is now in tatters, said nothing. They seemed to delight in watching all of us good soldiers protest, even smash windows and burn buildings to show how angry we were, because that made them feel less like the failures they are. Blame Trump, blame the voters for the crime of voting them out. Blame anyone but themselves.All of culture was now consumed by the hatred that blotted out the sun and kept us trapped in a long, dark winter of misery and rage. It was our obligation as citizens of utopia to take a side against the half of America that had betrayed Barack Obama and Hillary Clinton. Hollywood, universities, corporations, institutions, book publishing, libraries, and restaurants all sent the same message to the Red Hats: you are not welcome here.The directive from on high was not to “normalize” what was not “normal.” The people didn't just vote in Trump to represent them — that would be democracy. This was something else. This was an affront to all the better people —the ones with all the power. Those who called themselves the good side, the moral side, the side written by Aaron Sorkin and directed by Steven Spielberg, the lawn sign people who say JUST BE KIND, were in the grips of an emotion they could not name, let alone control.You do not speak like we do. You do not believe what we believe. You do not accept our version of reality. We don't want you here. We hate you. Hate was what we were feeling, and yet hate was a word we'd given away. It didn't mean this overwhelming sensation that made us use our social media to demonize and dehumanize the working class. It meant people who did not go along with our progressive ideology. It started back in the 1990s with the fight for gay marriage. “Love is love” meant you're with us. “Hate” meant you were against us. Hate was what all of those bad people over there were, the God people, the Conservatives, that's what defined them, not us.Without the right words to describe what we were feeling, we had to find other words. Nazi, fascist, dictator, bigot, homophobe, racist, rapist, xenophobe, transphobe. And when that wasn't enough, we had to go after how he looked, his weight, his hair, his hands, his skin, his relationship with his family, the cars he drove, the food he ate.Trump was the only thing we could see because hate was the only thing we could feel. Like this woman on TikTok who embodies so much of what defines the Left today.It wasn't that Trump didn't troll or provoke us or give as good as he got. He did. Every one of his tweets drove us deeper into our hatred. How could he say that? That's not funny. That's not a joke. That's offensive. Presidents don't talk that way. Who would dare talk that way? Don't laugh. Take it seriously. Don't normalize him. Maybe for a while, the hatred was an understandable response to someone who offended everything we stood for. But after years of it, even I couldn't take it anymore. It wasn't just poison I could feel — a poison that began to make me sick — it was poison in our culture. It touched everything, ruined everything, destroyed a once-mighty movement, and collapsed an empire. That hate we felt, that united us, meant everything had to be sucked into it, like a black hole. Jokes weren't funny. Movies were dystopian and apocalyptic, and still are. Keep the people afraid. We are oppressed, said the wealthy ruling class. Hate became a useful weapon for the empire. They could police thought and speech to aim their weapon at anyone who disagreed with them, defied their rules, and thought for themselves. Two Minutes of Hate Although they will deny it and wish for it not to be true, what we all built back when Obama won was like 1984. We built an “inside” that kept everyone else on the “outside.” If you wanted to be on the “inside,” you had to follow our strict rules; otherwise, you were out.In 1984, Big Brother uses Two Minutes of Hate to keep the people consumed by an emotion that prevents them from ever thinking for themselves. Who would want to be hated like that?And yet, that described exactly what it was like to watch everyone I knew every single day on social media. It spilled over into real life because the media drove it — from morning news on NPR and the networks, through the day with social media feedback loops, to cable news, and late-night comedy. It was Two Minutes of Hate all day, every day.I didn't want to be part of it, and I had to know what was true and what wasn't. In 1984, we know Big Brother is lying about Goldstein, if Goldstein even existed. The version of Trump we thought existed was the same kind of useful illusion. What was the way out of this, I wondered. I'd already felt the wrath of my friends online for asking questions or breaking our strict code of thought and speech. They hated me, too. So I decided to try to reprogram my brain by cutting off all information coming from the media and social media.It wasn't easy. I filled up my head with only news from the Right. I wanted to know who they really were. I had to know if any of it was true. What I eventually found out was that no, it wasn't true. Every screeching accusation is a choice to condemn someone on flimsy evidence without giving them the benefit of the doubt. How can we live like this, I thought. We must be able to tolerate one another. But how? The first thing I needed to do was remember what words really meant. NewspeakNewspeak is necessary in 1984 for the same reason it's necessary on the Left. Like masks, it identifies who is who in a civilization migrating online, where words are sometimes all we have to decide who is who.Our manipulation of words like 'love' and 'hate' meant that they became elastic over time. We used them for our own purposes to drive our agenda. Break the rules of language, no matter how crazy and ridiculous they become, and you are HATE. The worst offender of Newspeak is undoubtedly “Gender Affirming Care.” It's a word game for them. You can't oppose it without opposing the “affirmation” of their gender. It is demanded and mandated. Which is how we get videos like this.Children are conditioned to obey these strict rules because waiting on the other side for them is Two Minutes of Hate, or a lifetime of it.Obey our rules, or else it's all done with rainbows and unicorns and a smile. Now look at how Charlie Kirk approached this difficult subject, with compassion and grace, but also by edging ever so closely to the truth. Is it any wonder they had to silence him by any means necessary? Child-like words are given for extreme procedures that they are in no way ready for. Top surgery is, in reality, a double mastectomy on a pre-teen or teenage girl who can't consent. Bottom surgery is either chemical or surgical castration, or mutilating your otherwise healthy organs to fake male body parts. The words became ways to define this bizarre new fundamentalism that has overtaken so many young people, and why so many of them are fleeing for freer, saner pastures. Did you know there was a word called Adultism? It means, “behaviors and attitudes based on the assumption that adults are better than young people, and entitled to act upon young people without their agreement. This mistreatment is reinforced by social institutions, laws, customs, and attitudes.” Heterosexism, cisgender — so many words. All it means is that you cannot question any of it and must follow these words to decide the meaning of things, rather than what you know in your mind and heart to be true; it's 2+5=5.Trump's biggest crime was that he stripped away gentle language and spoke the plain truth. None of their weapons of war — the Two Minutes of Hate — worked on him. We forgot the lesson from our childhood about the power of words. They are just words. They are not bullets whizzing through the air from rooftops. They are not shooting a CEO on the streets of New York. They are not setting fire to Teslas.I don't have to look far to see what the Left has become. I only have to scroll social media, and the algorithm gives me what is most popular. Yes, these are just words, but more and more lately, violence is echoing them. And on TikTok:Sticks and StonesCharlie Kirk was silenced because the shooter said he “spread too much hate” and it could “not be negotiated down.” An assassin did the dirty work. The end result was the same. That he wasn't immediately silenced, that his voice got louder as people mourned him and defended him, brought the hate back with a white hot fury. I've been waiting for five years for those I know on the Left to snap out of it, to thaw out, to find their humanity and their tolerance. Yet every day, it just seems to get worse. Because to them, they are becoming hate while combating what they have defined as hate. That's not everyone on the Left. I know some brave people who still treat me with kindness and decency. Those who lead their party, however, including their influencers, journalists, celebrities, and comedians, are the ones defined by hate that leave no room for any middle ground.Here is Jesse Kelly:Those who aren't consumed by hate are too afraid to stand up to the party. They can't even stand up against text messages that fantasize about violence and death against Republicans. Here is Abigail Spanburger in a debate with Winsome Earle-Sears, refusing to back off her support of Jay C. Jones:But I know that violence on the Left in the era of Trump is not new. The issue dates back to 2015 and has been reported on by Tucker Carlson and Liz Wheeler, tracing its origins to Trump's first term.But the Left controls the media narrative, and even if that's changing, it isn't changing fast enough. There aren't enough Democrats willing to stand up against any of it. Here is Pam Bondi and Benny Johnson on the arrest of a man who threatened Johnson's life:When I found my way into Trump world, I found exactly the opposite of what I expected: hate. I found tolerance. I found decency. I found kindness. I found love. It was unusual to find people who were not eternally miserable, bearing the weight of the world on their shoulders, like most progressives. Many of them are not driven by politics but rather by a higher power, and that is what prevents them from becoming a people and a movement defined by hate. There is also a lightness in escaping totalitarian oppression that polices every word that comes out of your mouth. It feels good to speak the truth, and it feels good to feel free. The death of Charlie Kirk has shaken moderate Democrats out of their hate stupor because of how so many on the Left reacted to his death.The Democrats didn't used to be the party of hate. But powerful people don't like having things taken away from them. In their fury and fanaticism, almost nothing of what they built, supposedly on inclusion and tolerance, remains. All that's left is the thing they can't name, the thing they can't extinguish: that all-consuming hate. I don't know how we end this madness. I don't have any hope that the Democrats will emerge from it any time soon. I guess that means we must move on without them to shape an America that, at the very least, understands the meaning of fundamental words like love and hate. // This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.sashastone.com/subscribe

Michael Savage speaks with Steve Williams, a pioneer in computer animation. Steve is renowned for his work on major films like Terminator 2 and Jurassic Park, where he developed groundbreaking visual effects including the T-1000 and the T-Rex. They discuss Steve's journey from being a weapons engineer to his significant role at Industrial Light and Magic (ILM), working with high-profile directors such as Steven Spielberg and James Cameron. Steve shares personal anecdotes about his rebellious nature, experiences with famous personalities, and technical insights into computer graphics and animation. The conversation also touches upon the evolution of the film industry, the impact of AI, and Steve's relocation to the Ozarks for a simpler life.

This was an enjoyable Wednesday crossword, with a warm, uplifting, nostalgia-centric theme that both cohosts greatly appreciated. We were glad to see Jules VERNE in the grid for his 77th time, in 48A, Author of "L'Île Mystérieuse"; we were not at all surprised to see YAOA (Yet Another OREO Answer) at 60D, Double Stuf cookie; and we also appreciated the next clue over, 62A, A 2-1 record has one, LOSS (of course!).A nice debut by Daniel Trujillo Diaz. Will his second appear before not too long? Outlook good!Show note imagery: Ariana DEBOSE as Anita in Steven Spielberg's West Side StoryWe love feedback! Send us a text...Contact Info:We love listener mail! Drop us a line, crosswordpodcast@icloud.com.Also, we're on FaceBook, so feel free to drop by there and strike up a conversation!

Edy Hurst is a critically acclaimed and award winning stand-up comedian and musician who has appeared on BBC Radio 4, MTV UK, NextUp Comedy, and BBC Radio Manchester. Having been successful in numerous new act competitions in his early career, he has also made the finals of the 2021 Musical Comedy Awards and been nominated for North West Comedy Award for Best Alternative Act and Best Comedy Show at Buxton Fringe. Edy has previously toured the UK with his debut hour Hurst Schmurst and Edy Hurst's Comedy Version of Jeff Wayne's Musical Version of H.G. Wells' Literary Version (Via Orson Welles' Radio Version and Steven Spielberg's Film Version) of The War of the Worlds and his podcast Edy Hurst's Podcast Version of… The War of the Worlds has been at the top of sci-fi podcast charts across the world. Edy is also the co-creator of Cultural Comedy Tours, which sees stand-up comedians perform tours across museums, galleries and heritage sites .Edy Hurst is our guest in episode 533 of My Time Capsule and chats to Michael Fenton Stevens about the five things he'd like to put in a time capsule; four he'd like to preserve and one he'd like to bury and never have to think about again .Tickets for Edy's tour are available here - https://www.edyhurst.co.uk/witches-on-tour .Follow Edy Hurst on Twitter/X & Instagram @edyhurst . Follow My Time Capsule on Instagram: @mytimecapsulepodcast & Twitter/X & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter/X: @fentonstevens & Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by matthewboxall.com .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people .To support this podcast, get all episodes ad-free and a bonus episode every Wednesday of "My Time Capsule The Debrief', please sign up here - https://mytimecapsule.supercast.com. All money goes straight into the making of the podcast. Hosted on Acast. See acast.com/privacy for more information.

Welcome to another episode of Pods Like Us! Host Marv sits down with Cam from the Jacked Up Review Show for a lively, insightful conversation about podcasting, pop culture, and the power of positive discussion. Timestamps & Topics: ● 00:00 – Introduction ○ Marv introduces Cam from the Jacked Up Review Show and sets the stage for the conversation. ● 01:07 – What is the Jacked Up Review Show? ○ Cam explains the origins and mission of his podcast, focusing on pop culture, movies, and community. ● 02:15 – The Power of Validation & Community ○ Discussion about validating different perspectives and the importance of positive podcasting. ● 03:25 – Reminiscing: James Cameron Films ○ Marv and Cam recall their previous chat about James Cameron movies and share laughs about favorite moments. ● 05:00 – Creative Process & Show Format ○ Cam talks about the show's creative approach, including roasts, deep dives, and the unpredictability of what resonates with listeners. ● 06:40 – Highlight: Best of the Rest Podcast ○ Cam introduces “Best of the Rest,” a show that only says good things about infamous movies and focuses on self-improvement. ● 08:00 – Seeing Films & Music in a New Light ○ The hosts discuss how podcasts can help listeners appreciate lesser-known works by directors like Alfred Hitchcock and Steven Spielberg, and bands like Rage Against the Machine. ● 10:00 – Audience Engagement & Community ○ Marv and Cam encourage listeners to suggest topics and join the conversation. ● 11:30 – Where to Find the Shows ○ Cam shares how to connect with the Jacked Up Review Show on social media, and Marv shares where to find Pods Like Us. Best of the Rest Key Topics: ● Positive podcasting and community building ● James Cameron film discussions ● The value of looking for the good in movies, music, and pop culture ● Celebrating lesser-known works by famous directors and musicians Connect with the Hosts: ● Find Cam and the Jacked Up Review Show on Instagram, Twitter, and Blue Sky. ● Discover more episodes of Pods Like Us on all major streaming platforms and at marvzone.org. SEO Keywords: podcast interview, Jacked Up Review Show, Pods Like Us, Best of the Rest podcast, James Cameron films, Alfred Hitchcock, Steven Spielberg, Rage Against the Machine, positive podcasting, movie discussion, pop culture podcast, podcast community, film podcast, music podcast

Every Wednesday, Jake & Ben compete in Two 5-selection drafts - One sports-related & one not sports-related. This week on What You Got Wednesday: Biggest Wastes of Time in Sports | Best Steven Spielberg Movies Vote for your winner @JakeAndBenKSL on X. 

Episode 136: A Martha's Vineyard special report on the Joe Alves Documentary shoot. This week's episode is a little different. It is a behind the scenes update on our ongoing feature documentary about production designer and director Joe Alves (Jaws, Close Encounters, Escape from New York, Jaws 2, Jaws 3D). I take you through our trip to Martha's Vineyard in June 2024 to capture Joe's return to the island for the 50th anniversary of Jaws. Thanks to your generosity, we raised over £7,000 to cover the travel, ferry, car hire, and accommodation. Every penny went into the shoot. In this episode, I share:The challenges and triumphs of making the trip possibleShooting new interviews with Joe Alves, Marty Milner, Charles de Lauzirika, and Richard DreyfussFilming at iconic Jaws locations including Menemsha and the 4th July beach.The overwhelming warmth of the Jaws community and the atmosphere of the anniversary celebrationsHow the project has evolved from a short film idea into a full feature documentaryYour support is still needed!We still have more to do, including chasing interviews with Dean Cundey, John Carpenter, Lea Thompson, and Steven Spielberg. If you would like to support the film, visit the GoFundMe link in the show notes. Thanks again for helping us push this project forward. We could not do it without you. Support the documentary GoFundMeThis podcast is completely independent and made possible by listener support. If you'd like to help me keep making these episodes, you can join my Patreon community here: https://patreon.com/jamiebenning Watch more on YouTube:Check out the Filmumentaries YouTube channel for behind-the-scenes clips and extra content: https://youtube.com/filmumentariesAll my links

Creativity through the lens of a multifaceted artist, singer, composer, speaker and leadership coach"The creative impulse is what brings renewal."Owen Ó Súilleabháin is a multifaceted artist, renowned for his work as a singer, composer, speaker, and leadership coach. He draws on his rich heritage in the performing arts and academic background in philosophy, Greek and Roman civilization, and Peace Studies to inspire creativity and leadership. Owen believes in the transformative power of art and has collaborated with notable figures such as Steven Spielberg, Russell Crowe, Nigel Kennedy, and The Chieftains.In 2024 he established Inner Soul Circle, an online community focused on Celtic spirituality and the arts, alongside his mother Rev. Nóirín Ní Riain Ph.D and his brother Mícheál Moley Ó Súilleabháin.Owen's work spans various fields, including education, healthcare, and the corporate world, where he emphasizes the importance of listening and creativity for personal and organizational transformation. His contributions to the arts and leadership are recognized and sought after by numerous organizations globally.https://www.turasdanam.com/https://www.facebook.com/turasdanamhttps://www.youtube.com/@turasdanam/videosSend us a text

It's our fourth episode of the increasingly-inaccurately-titled Patreon Request "Month" 2025, and in the longest official episode of this podcast to date, the randomizer is going all the way back to 1988 to pick ArthurCrane's request for, quite simply, one of the greatest cinematic triumphs of all time, a tour-de-force of animation, live action and pre-CGI special effects wizardry, wrapped up in a still-relevant metaphorical fable about civil rights and gentrification set in an impossible fantasy world that combines a gritty film noir aesthetic with off-the-wall cartoon zaniness. Directed by future Oscar-winning blockbuster visionary Robert Zemeckis at the peak of his powers, with animation directed by often-underappreciated genius Richard Williams, and representing a Disney studio with new management eager to swing for the fences and conquer the world, this masterpiece was truly a once-in-a-lifetime perfect melding of artistry, ambition and anarchy. And granted, the whole project was blown out of the water just a few years later by the even greater achievement that was Ralph Bakshi's Cool World, but this movie was still pretty darn swell too. Join Tony Goldmark, Laura Barry, Sam Barry and Kit Quinn as they investigate WHO FRAMED ROGER RABBIT! Check out my guests' stuff! LAURA BARRY Website: https://www.laurabarryfinearts.com/  Twitter: https://twitter.com/laurabarry330   SAM BARRY Facebook: https://www.facebook.com/sambarry.author/  Twitter: https://twitter.com/sambarry  KIT QUINN  Podcast: https://channelkrtpodcast.libsyn.com/  Letterboxd: https://letterboxd.com/muppetvision3d/  And check out this show on social media! Bluesky: https://bsky.app/profile/vaultdisneypod.bsky.social  Host's Bluesky: https://bsky.app/profile/tonygoldmark.bsky.social  Twitter: https://twitter.com/efvdpodcast Host's Twitter: https://twitter.com/tonygoldmark Facebook Group: https://www.facebook.com/groups/972385353152531 YouTube: https://www.youtube.com/tonygoldmark Hear new episodes early and AD-FREE by supporting this show on Patreon: https://www.patreon.com/tonygoldmark

Steven Spielberg tried his hand at a Twilight Zone-ish series in 1985 that didn't exactly set the ratings world on fire, but would prove to be formative for a whole generation of imaginative kids. Amazing Stories brought in a combination of seasoned pros like Scorsese and Clint Eastwood and exciting, young talent, including today's guest, writer and filmmaker Mick Garris. Mick became famous for his Stephen King adaptations like The Stand and The Shining mini-series, but it was Steven Spielberg who gave him his first shot, first writing a few episodes on the first season of Amazing Stories, and then acting as head writer overseeing all the scripts coming in before eventually giving him a chance at directing an episode in Season 2. Mick makes his first appearance on The Spiel talking about his time on Amazing Stories, collaborating with Spielberg, and writing for people like Martin Scorsese and Joe Dante. Learn more about your ad choices. Visit megaphone.fm/adchoices

On Day 6 of our 31 Days of Halloween, Ryan, Matt, and I dive into Tobe Hooper and Steven Spielberg's 1982 classic Poltergeist. This suburban nightmare about a family haunted by restless spirits is one of our all-time favorite horror films, blending heart, humor, and hair-raising terror. We share our love for its unforgettable characters, groundbreaking special effects, and eerie moments that still hold up today. From “They're here” to the terrifying clown and beyond, we celebrate why Poltergeist remains a cornerstone of supernatural horror.Support The Conner & Smith Show on Patreon here:https://www.patreon.com/ConnerandSmith?utm_campaign=creatorshare_fan

Our two new books... STORY QUESTIONS: How To Unlock Your Story One Question At A Time - https://payhip.com/b/ZTvq9 and 17 Steps To Writing A Great Main Character - https://payhip.com/b/kCZGd Want to watch the video version of this podcast? https://www.youtube.com/watch?v=RrmKkDlprnI 0:00 - The Truth About Finding Work In The Movie Business 13:29 - How The Dinosaurs In Jurassic Park Were Created 24:29 - How Telling The Truth... Led To A 20 Year Job With Steven Spielberg 35:07 - Day I Realized That CGI Was Taking Over Hollywood 49:32 - How Filmmaking Is Better Today Than It Was 30 Years Ago 1:02:47 - 12 Principles Of Animation (According To Disney) 1:31:59 - Best Movies To Watch To Learn The Craft Of Filmmaking 1:38:00 - Big Reason Why Many People Quit The Movie Business 1:46:28 - Best Way To Teach Students Filmmaking With over 40 years in the film industry, Craig Caton-Largent is a legendary visual effects artist and the current Chair of 3D Animation & VFX at New York Film Academy (NYFA) Los Angeles. He has worked on over 100 films, creating some of Hollywood's most iconic creatures, including the Slimer ghost in Ghostbusters (1984), the penguins in Batman Returns (1992), and the raptors in Jurassic Park (1993). Craig has collaborated with top directors like Tim Burton, Steven Spielberg, and James Cameron, earning six Academy Award nominations for Best Visual Effects. A pioneer in digital effects, Craig co-founded Digital Domain and developed groundbreaking VFX software like Animservo, used by top studios and theme parks. As the Chair of the Visual Effects and Animation Department at NYFA, Craig is dedicated to helping his students develop animation and storytelling skills that will lead to success in the industry. Craig is also a sought-after speaker on motion capture technology at film festivals and universities worldwide. CONNECT WITH CRAIG CATON-LARGENT https://www.nyfa.edu/3d-animation-school https://www.imdb.com/name/nm0146253 Founded in 1992 by Jerry Sherlock, the New York Film Academy (NYFA) provides an accessible, hands-on education in filmmaking, media, and the performing arts. With a mission to make the film industry more accessible to all, NYFA empowers students from diverse backgrounds to tell powerful stories through a project-based, immersive curriculum. Students work closely with industry professionals, gaining invaluable mentorship and real-world experience while building creative, technical, and collaborative skills. NYFA's global community includes students from over 160 countries, fostering a network of passionate storytellers. From day one, students dive into creating projects that refine their craft and prepare them for successful careers. With a focus on practical experience and individualized support, NYFA equips students with the tools and confidence to excel in the competitive world of filmmaking and the arts. CONNECT WITH NYFA https://www.nyfa.edu SUPPORT FILM COURAGE BY BECOMING A MEMBER https://www.youtube.com/channel/UCs8o1mdWAfefJkdBg632_tg/join SUPPORT FILM COURAGE BY BECOMING A PATRON https://www.patreon.com/filmcourage (Affiliates) ►WE USE THIS CAMERA (B&H) – https://buff.ly/3rWqrra ►WE USE THIS SOUND RECORDER (AMAZON) – http://amzn.to/2tbFlM9 Stuff we use: LENS - Most people ask us what camera we use, no one ever asks about the lens which filmmakers always tell us is more important. This lens was a big investment for us and one we wish we could have made sooner. Started using this lens at the end of 2013 - http://amzn.to/2tbtmOq *Disclaimer: This video and description contains affiliate links, which means that if you click on one of the product links, we'll receive a small commission. This helps support the channel and allows us to continue to make videos like this. Thank you for your support!

Mark discusses the Obamas hanging out on Steven Spielberg's yacht; people in Chicago are complaining about the Obama Presidential library; Putin's calling up 135,000 more soldiers to go to Ukraine; LI pizza place fighting back against bad customers; 7-11 starting in-store dining and offering fresher food; AOL getting rid of dial-up Internet service; US test scores for kids are at all-time lows; major changes at NBC and MSNBC; luxury housing market in NYC is going crazy, bucking national trends in real state and the downsides to Ozempic. 

Mark discusses the Obamas hanging out on Steven Spielberg's yacht; people in Chicago are complaining about the Obama Presidential library; Putin's calling up 135,000 more soldiers to go to Ukraine; LI pizza place fighting back against bad customers; 7-11 starting in-store dining and offering fresher food; AOL getting rid of dial-up Internet service; US test scores for kids are at all-time lows; major changes at NBC and MSNBC; luxury housing market in NYC is going crazy, bucking national trends in real state and the downsides to Ozempic. See omnystudio.com/listener for privacy information.

For our final Hollywood Week episode, we welcome iconic character actor and comedian Eddie Deezen for a career retrospective exploring his journey from performing stand-up at The Comedy Store to becoming Hollywood's go-to "nerd" character in beloved films. Eddie shares his origin story growing up in Cumberland, Maryland, moving to Los Angeles after graduating high school in 1975, and his breakout role as Eugene Felsnic in the 1977 blockbuster Grease. That led to high-profile comedy films including Robert Zemeckis' I Wanna Hold Your Hand, Steven Spielberg's 1941, Midnight Madness, WarGames, and Grease 2. We explore his transition to independent films including cult favorites like Surf II, and his successful pivot to voice acting in the mid-80s, landing iconic roles as Mandark in Dexter's Laboratory and the Know-It-All in The Polar Express. You can keep up with all things Deezen by following Eddie on Facebook.Support the show___________________Check out video versions of this and other episodes on YouTube: youtube.com/dollarbinbandits!If you like this podcast, please rate, review, and subscribe on Apple Podcasts or wherever you found this episode. And if you really like this podcast, become a member of the Dollar Bin Boosters on Patreon: patreon.com/DollarBinBoosters.You can follow us @dollarbinbandits on Facebook, Instagram, and Bluesky, or @DBBandits on X. You can email us at dollarbinbandits@gmail.com.___________________Dollar Bin Bandits is the official podcast of TwoMorrows Publishing. Check out their fine publications at twomorrows.com. ___________________ Thank you to Sam Fonseca for our theme music, Sean McMillan for our graphics, and Pat McGrath for our logo.

ABOUT APRIL RINNE:BIO: My North Star: Helping people and organizations understand what's on the horizon – and how they fit into it. I decipher signals of change, help leaders and teams improve their tolerance for uncertainty, and scout new insights and opportunities in a world in flux. Over 25+ years and 100+ countries, I've been exposed to a wide range of companies, cultures, business models, leadership styles, and norms. And I've seen time and time again: Every organization, every team, and every individual struggles with change and uncertainty in some way. Even before the pandemic, and especially today. We've all had different experiences of change, and we could all use some help with the unknown. Leveling up our relationships to change and uncertainty is the opportunity of our lifetimes.My career portfolio includes futurist, speaker, author, advisor, global development executive, microfinance lawyer, investor, mental health advocate, certified yoga teacher, globetrotter, insatiable handstander, and ambassador of joy. Along the way I've been named one of the 50 Leading Female Futurists in the world, a World Economic Forum Young Global Leader, a member of Thinkers50 Radar and the Silicon Guild, and one of the earliest Estonian e-Residents. I'm also the author of the international bestseller Flux: 8 Superpowers for Thriving in Constant Change.My journey to Flux has been deeply personal. It began with the death of both of my parents in a car crash when I was 20. My entire life flipped upside-down. And today, there is nothing I enjoy more than sharing with others how I learned to see differently, find meaning, and strengthen my Flux Superpowers -- and how you can do so, too.April's LinkedIn Profile: https://www.linkedin.com/in/aprilrinne/Websites: https://aprilrinne.comBUY THE BOOK: https://www.amazon.com/Flux-Superpowers-Thriving-Constant-Change/dp/1523093595email: april@aprilrinne.comSHOW INTRO:Welcome to Season 7 of the NXTLVL Experience Design podcast – Episode 80!What started at a pivotal moment during the COVID pandemic in early 2020 has continued for seven seasons and now 80 episodes. This season we continue to follow our catch phrase of having “Dynamic Dialogues About DATA: Design, Architecture, Technology and the Arts. In the coming weeks we have some terrific conversations that are both fun and inspiring. They are going to include thought provoking futurists, AI technology mavens, retailers, international hotel design executives as well as designers and architects of brand experience places.We'll talk with authors and people focused on wellness and sustainable design practices as well as neuroscientists who will continue to help us look at the built environment and the connections between our mind-body and the built world around us.We'll also have guests who are creative marketing masters from international brands and people who have started and grown some of the companies that are striking a new path for us follow.And I don't know, maybe there will be a couple of mystery guests that will just shake things up and give us a perspective on things that we've never thought about before.As in the past couple of seasons, we are grateful for the support of VMSD magazine.VMSD brings us, in the brand experience world, the International Retail Design Conference. The IRDC is one of the best retail design conferences that there is bringing together the world of retailers, brands and experience place makers every year for two days of engaging conversations and pushing us to keep on talking about what makes retailing relevant. You will find the archive of the NXTLVL Experience Design podcast on VMSD.com.Thanks also goes to Shop Association the only global retail trade association dedicated to elevating the in-store experience. SHOP Association represents companies and affiliates from 25 countries and brings value to their members through research, networking, education, events and awards. Check then out on SHOPAssociation.org So, fasten your seat belt we're in for some good times…Today, EPISODE 80… I talk with April Rinne whose North Star is helping people and organizations understand what's on the horizon – and how they fit into it. April deciphers signals of change, helps leaders and teams improve their tolerance for uncertainty, and scouts new insights and opportunities in a world in flux. As well as being an excellent hand stander, (check out pics of her doing handstands in places all over the world on her website), she is also the author of the international bestseller “Flux: 8 Superpowers for Thriving in Constant Change.”We will get to her book, some of the key ideas and so much more in a minute but first a few thoughts…It seems to me that over the past few seasons I've tended to talk about the idea of ‘the pace of change' a lot.I'm beginning to think it's a little like my unnatural fear of sharks (thank you Steven Spielberg) and that I keep on talking about them and seeking out images of them on Instagram as some sort of cognitive behavioral therapy to get me better with the idea that I can actually go swimming in the ocean and not feel afraid of Spielberg's Bruce sneaking up on me. I seem to talk about change a lot for a few reasons…maybe because, I will confess, that I don't think that I was actually good with change for years. I was pretty set in my ways about having a plan and making sure the plan was followed. I got significantly bent out of shape if the plan didn't go as, well… planned.If we were off on our timing, if something was late or if some spontaneous moment interrupted the calendar and I was going to have to re-adjust, it took me sometimes quite a while to recalibrate and get with the ‘new' program.And then there was the spring of 2020 where, well…everything changed. No doubt for someone who wasn't so good with the idea that things could change on a dime and a path you had so expertly crafted into the near future would just disappear in front of you,I came to understand that there were three types of change:the change that's innate - you know built into the system of everything the seasons the sun rising in the east and setting in the West and that kind of change that if it didn't happen you would think something was significantly wrong with the universethere was the change that we choose that gives us a sense of agency the kind of change we actually like more than others because we get to determine where it's going and what it actually means for usand then there's a kind of change like the COVID pandemic that is thrust upon you and in those moments shifting circumstances open a door to uncertainty that sense of clarity and purpose dissipates into a swell of unknowns and deep discomfort settles in making everything seem tenuous.That kind of change, I would hazard a guess, not many of us are fond of.That sort of change demands an openness to confront the necessity of things we have often held so dear or the veracity of things we've believed in about ourselves and others.This type of change asks us to embrace the unknown and find an opportunity for transformation in the ambiguity.This kind of change is the kind of change that requires you to stare long into the face of hard questions, discover inconvenient answers and make challenging decisions.That kind of change, turns out, is where all the growth is.That kind of change is embracing the Robert frost poem of the ‘path not travelled…'The thing is… as I think I've said before… it's easy for us to fall for nostalgia.It's cozy. It's welcoming and reassuring because it's familiar and it's easy to continue to keep doing the same thing that we have always done because, for some, there's security in choosing the familiar in preference for going on an adventure.I love that one scene from The Hobbit where Bilbo Baggins, after refusing to go on the trip with the dwarves, finally gets it that maybe there's something in it for him, a growth opportunity, and he runs after the company exclaiming to neighbors, when asked where he was going, that he was ‘going on an adventure.'But there's a strange paradox in all of this and that is; we both avoid the perceived danger of the unknown because the unfamiliar signals potential dangers and our neurobiology is geared to sounding the alarms when the unfamiliar lurks near…while at the same time being driven towards novel and the unexpected because that's where our brain ultimately finds learning opportunities (should we care to pay attention).There's no point in continuing to pull a covers over your head and hope that the uncertainty will pass because it's quite likely that when you reemerge whatever the challenge was it will still be thereand you'll open up your eyes and feel a like Dorothy and you not being in Kansas anymore,because while you were conveniently not paying attention, the world was swept up tossed upside down and blown into a new reality in the context of the ever-increasing pace of change that we are all now exposed to.Of course, all of the speed that we're exposed to these days is forcing cultural shifts to happen, some of which we are not neurobiologically or evolutionarily adequately adapted to. Remember, it's taken a few billion years to get where we are. We can't expect that we'll be able to keep up with the mental machinery we now have. (Another challenge to talk about another time.)As we move into a new experience paradigm of continual change, failing fast and continual iteration may become ‘de rigeur' because constant change will demand it and make it mainstream. In order to remain in sync with change, we will have to find a way to get right with the idea of change.This presents a particular problem for leaders of all sorts who have been traditionally looked upon to be able to divine the future and help lead their teams with certainty into a near ordistant future state. How do leaders maintain a sense of trust and engender followership from their teams when they may legitimately be unsure of where their businesses might need to go as the ground shifts beneath their feet?All of this suggests a need for extraordinary flexibility when trying to plan a pathway through a period of unprecedented change. That flexibility in large part comes not from our ability to develop some sort of control over the pace of change in the outer world - those things that are happening around us - but trying to find a sense of calm and flexibility within our inner world - to adjust and find a way to be in relationship with change rather than imposing our will on and resisting change as it comes to us.This is where I get to introduce April Rennie, author of the book “Flux: 8 Superpowers For Thriving In Constant Change.”April's highly readable book landed on my desk during the COVID pandemic when I was struggling with trying to adapt to the unknown. Her idea of flux is looked at as a noun and a verb;in the case of a noun, FLUX could be considered as “constant change”as a verb FLUX can mean “to learn to become fluid”What April really focuses on however is 8 Superpowers that help you to develop what she calls the “FLUX Mindset”- ‘the state of mind that allows you to see all change whatever it is, the good the bad, the things that you have control over and the things you can't control, the expected and the unexpected, and see all of it as an opportunity to learn to grow and improve.'For April Rinne, the idea of change and living within a world in flux, as about seeing it as a space of emergent possibility.That has a lot to do with feeling OK with being lost, being comfortable with not knowing.This may mean letting go of old scripts, narratives that just don't fit anymore but that you've come to rely on as a way of explaining, or explaining away, circumstances of your life.Perhaps we need to embrace a mindset of change that is closer to indigenous wisdom than perhaps other more wired cultures on our planet.It's not that we control nothing, but that we shift our view to be in relationship with change.April suggests that when we can be in relationship with uncertainty there's a kind of a dance, a push and pull, and that indigenous cultures seemed to have a keener sense of relationship - a relationship with themselves, with one another and with Mother Nature.Our conversation leads to the invitation to see the value in our interdependence to each other and the world around us ( even if the world is in a state of FLUX ) and that we work on growing our appreciation for and prioritization of fostering a positive relationship with change.If we can, the healthier we will be, both individually and collectively….    The next level experience design podcast is presented by VMSD magazine and Smartwork Media. It is hosted and executive produced by David Kepron. Our original music and audio production by Kano Sound. The content of this podcast is copywrite to David Kepron and NXTLVL Experience Design. Any publication or rebroadcast of the content is prohibited without the expressed written consent of David Kepron and NXTLVL Experience Design.Make sure to tune in for more NXTLVL “Dialogues on DATA: Design Architecture Technology and the Arts” wherever you find your favorite podcasts and make sure to visit vmsd.com and look for the tab for the NXTLVL Experience Design podcast there too.

Matthew Rolston describes his big break into editorial photography, which came through Andy Warhol and *Interview* magazine. His first significant assignment was photographing Steven Spielberg, who was a rising director at the time, having just completed *Jaws* and with *Close Encounters of the Third Kind* about to be released. Rolston also reflects on the decline of print magazines and the shift towards digital and experiential media.Show Clip from The Paris Chong Show with Matthew Rolstonhttps://youtu.be/SGbg4x9LIG8https://www.theparischongshow.com

This week, I'm joined by Jake to revisit Steven Spielberg's War of the Worlds. Jake shares how the film made a lasting impression on him as a kid, from its groundbreaking effects to its relentless tension. Beyond the spectacle, he opens up about the parallels he saw in the story's father-son relationship and how that connection turned this sci-fi blockbuster into a personal comfort movie. Together, we explore why this reimagining of a classic still resonates and is worth another look. twitter/X: @ILTMpodcast   Instagram: @Ilovethatmoviepodcast   Support us on Patreon: https://www.patreon.com/Ilovethatmovie    

October is haunted at Film Seizure! It's a whole month of ghost movies kicked off by perhaps the most famous of them all, 1982's Poltergeist from Tobe Hooper and Steven Spielberg. Episodes release on Wednesday at www.filmseizure.com "Beyond My Years" by Matt LaBarber LaBarber The Album Available at https://mattlabarber.bandcamp.com/album/labarber-the-album Copyright 2020 Like what we do? Buy us a coffee! www.ko-fi.com/filmseizure Follow us on Facebook: www.facebook.com/filmseizure/ Follow us on BlueSky: https://bsky.app/profile/filmseizure.bsky.social Follow us on Mastodon: https://universeodon.com/@filmseizure Follow us on Instagram: www.instagram.com/filmseizure/ You can now find us on YouTube as well! The Film Seizure Channel can be found here: https://www.youtube.com/c/FilmSeizure

This week it's another return to the archives from my original podcast, the SpielbergPod, with an episode recorded back in either 2020 or 2021. It sees Kieran and I delve into the world of television directed by Steven Spielberg, specifically his contributions to the anthology show Night Gallery- 'Eyes' and 'Make Me Laugh'.

In 1975, Steven Spielberg's JAWS shattered box office records and became what many consider to be the first summer blockbuster. When Universal Studios Florida opened in 1990, the first full-scale JAWS ride was born. The only problem? It didn't work. In this episode, Morgan takes a deep dive into the troubled (and thrilling) history of one of Universal's most iconic attractions. Listen along and join the discussion on social media @neverlandnavco

James Lloyd and Steve Smith from The Alcohol-Free Revolution podcast join Flixwatcher to review James' choice E.T. the Extra-Terrestrial. E.T (1982) is a sci-fi adventure film directed by Steven Spielberg. It stars Henry Thomas as Elliot, a boy who befriends E.T, who had accidentally been left on earth during a visit with his family. It also stars Dee Wallace as Henry's mum Mary, Robert MacNaughton as Michael, Henry's brother and in her debut role, Drew Barrymore as Gertie, the boys younger sister. When ET, a small brown alien with big blue eyes, is left behind, Elliot finds him and takes him in. As they begin to bond they start sharing thoughts and emotions. Elliot with his brother Michael and sister Gertie's help manage to hide ET from their mother and help ET make a device to phone home. It quickly becomes a race against the authorities when government agents locate ET. Recommendability scores for ET were pretty high, for a film from the 1980s it has aged pretty well and ET scores 3.91 overall. [supsystic-tables id=409]     Thanks to the Episode # 394 crew of with Amon Warmann and Cheyenne Bart-Stewart You can find their website here ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ And at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Please make sure you give them some love   For more info on ET can visit Elvis ⁠⁠⁠⁠⁠⁠⁠⁠⁠ET IMDB⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠page here ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ET Rotten Tomatoes⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ page here. If you enjoyed this episode of Flixwatcher Podcast you probably know other people who will like it too! Please share it with your friends and family, review us, and join us across ALL of the Social Media links below. More about Dumplin Plug! Subscribe, Share and Review us on iTunes Learn more about your ad choices. Visit megaphone.fm/adchoices

In today's episode, we dive into Poltergeist (1982), Tobe Hooper's suburban haunted-house classic produced by Steven Spielberg. We unpack the Freeling family's ordeal, Carol Anne's iconic “They're here,” and why this 80's-era paranormal horror still defines the genre. Support the show on Patreon Our Instagram Our Website Our Facebook Our TikTok Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Uma trilha sonora memorável, uma praia cheia de turistas desavisados e um tubarão mecânico rebelde. Esses foram os elementos necessários para que um novo clássico do cinema estadunidense surgisse.Com filmagens conturbadas e o título de primeiro blockbuster de verão, Tubarão estreou nas telonas em 20 junho de 1975. Com um enredo relativamente simples, Steven Spielberg criou uma obra-prima que mudou para sempre nossa relação com as águas do mar.Para celebrar os 50 anos dessa joia cinematográfica, hoje nos dirigimos até Amity Island para conversar sobre como um simples tubarão branco entrou para a história do cinema e redefiniu todas as regras do jogo. O Cabana RdM começa agora.O RdMCast é produzido e apresentado por: Gabi Larocca, Thiago Natário e Gabriel Braga.ARTE DA VITRINE: Estúdio GrimESTÚDIO GRIM – Design para conteúdo digitalPortfólio: https://estudiogrim.com.br/Instagram @estudiogrimcontato@estudiogrim.com.brPODCAST EDITADO PORFelipe LourençoSEJA UM(A) APOIADOR(A)Apoie o RdM a produzir mais conteúdo e ganhe recompensas exclusivas!Acesse: https://apoia.se/rdmConheça a Sala dos Apoiadores: https://republicadomedo.com.br/sala-dos-apoiadores/CITADOS NO PROGRAMATubarão (1975)Tubarão 2 (1978)Tubarão 3 (1983)Tubarão 4: A Vingança (1987)off topicO Encouraçado Potemkin (1925)Encurralado (1971)Piranha (1978)Orca: A Baleia Assassina (1977)Megatubarão (2018)EpisódiosRdMCast #348 – Horror na estradaRdMCast #284 – Animais no HorrorTem algo para nos contar? Envie um e-mail!contato@republicadomedo.com.brTwitter: @RdMCastInstagram: Republica do Medo

Marcus Toji is one of the rare actors to play two totally unrelated characters in the same season, and now he’s stopping by Pod Meets World to talk about both “Einstein Kid” and “Kid #1.” Marcus, an established actor by the time he visited BMW, began his career at just 3 years old, experiencing all the good (and bad) of being a rare Asian child actor in the ‘90s. He also shares stories from the set of “Little Giants,” where he had to learn how to be “bad” at football and goof off in front of Steven Spielberg. So hit the gridiron and get ready for an all-new, touchdown episode of Pod Meets World! Follow @podmeetsworldshow on Instagram and TikTok!See omnystudio.com/listener for privacy information.

INTO THE OASIS!!! Going to therapy is a sign of strength, not weakness. My sponsor BetterHelp makes therapy simple, with 10% off your first month to help you get started: https://betterhelp.com/thereelrejects Ready Player One Full Movie Reaction Watch Along:   / thereelrejects   Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Hot on the heels of an Iron Giant rewatch, Greg & Aaron immerse themselves in the pop-culture-riddled world of The Oasis, giving their Ready Player One Reaction, Recap, Commentary, Breakdown, & Spoiler Review! Greg Alba & Aaron Alexander dive into Steven Spielberg's Ready Player One (2018), the visually explosive adaptation of Ernest Cline's bestselling sci-fi novel. Set in the dystopian year 2045, the story follows Wade Watts / Parzival (Tye Sheridan, X-Men: Apocalypse, Mud), a teenager escaping his bleak reality by immersing himself in the OASIS — a sprawling virtual reality universe where people can be anyone and do anything. When OASIS creator James Halliday (Mark Rylance, Bridge of Spies, Dunkirk) dies, he leaves behind a contest: whoever finds his hidden Easter Egg inherits his fortune and control of the OASIS. Joining Wade are Olivia Cooke (Thoroughbreds, House of the Dragon) as Art3mis/Samantha, Lena Waithe (Master of None, Westworld) as Aech/Helen, Win Morisaki as Daito, and Philip Zhao as Sho. Opposing them is corporate villain Nolan Sorrento (Ben Mendelsohn, Rogue One: A Star Wars Story, The Dark Knight Rises), who will stop at nothing to seize control of the OASIS. The film also features Simon Pegg (Shaun of the Dead, Mission: Impossible series) as Halliday's partner Ogden Morrow. Spielberg fills Ready Player One with jaw-dropping references and famous pop culture moments — from the epic The Shining hotel sequence, to the giant Mechagodzilla vs. Iron Giant battle, to iconic cameos like the DeLorean from Back to the Future and countless video game and movie Easter eggs. With dazzling visuals, a nostalgic soundtrack, and a thrilling commentary on escapism and corporate control, Ready Player One delivers a fan-favorite blend of action, adventure, and geek culture celebration. Join Greg & Aaron as they react, comment, and break down every thrilling twist, nostalgic Easter egg, and Spielberg-level spectacle in this Ready Player One Reaction & Review! Follow Aaron On Instagram: https://www.instagram.com/therealaaronalexander/?hl=en Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

On the Saturday September 27, 2025 edition of The Richard Crouse Show we meet actress Kim Roberts. She is s a distinguished Canadian actress with over 200 credits in film, television, theater, and voice acting. Born in Toronto to Caribbean parents, she began performing at age seven and is best known for roles like Mayor Goodway in PAW Patrol, Christine in The Handmaid's Tale, and Marnie in Schitt's Creek. A co-founder of Obsidian Theatre Company, she has worked alongside luminaries like Steven Spielberg and Robin Williams, earning accolades such as the 1996 Harold Award and the 2014 Reelworld Trailblazer Award. Then, we get to know Canadian actress, comedian, and musician Lauren Ash. Best known for her role as the no-nonsense Dina Fox on the NBC sitcom Superstore, Ash has also made her mark in films like Lars and the Real Girl and voiced characters such as Scorpia in She-Ra and the Princesses of Power. A Second City Toronto and Chicago alumna, she’s a two-time Canadian Comedy Award winner for Best Female Improviser and co-hosts the popular podcast True Crime and Cocktails. In 2023, she launched a music career, and today we talk about “Call Me When You Get This,” her gut-punching, emotionally charged pop-punk debut album.

On the Saturday September 27, 2025 edition of The Richard Crouse Show we meet actress Kim Roberts. She is s a distinguished Canadian actress with over 200 credits in film, television, theater, and voice acting. Born in Toronto to Caribbean parents, she began performing at age seven and is best known for roles like Mayor Goodway in PAW Patrol, Christine in The Handmaid's Tale, and Marnie in Schitt's Creek. A co-founder of Obsidian Theatre Company, she has worked alongside luminaries like Steven Spielberg and Robin Williams, earning accolades such as the 1996 Harold Award and the 2014 Reelworld Trailblazer Award. Then, we get to know Canadian actress, comedian, and musician Lauren Ash. Best known for her role as the no-nonsense Dina Fox on the NBC sitcom Superstore, Ash has also made her mark in films like Lars and the Real Girl and voiced characters such as Scorpia in She-Ra and the Princesses of Power. A Second City Toronto and Chicago alumna, she's a two-time Canadian Comedy Award winner for Best Female Improviser and co-hosts the popular podcast True Crime and Cocktails. In 2023, she launched a music career, and today we talk about “Call Me When You Get This,” her gut-punching, emotionally charged pop-punk debut album.

Is it illegal to take a photo of an empty chair in Malta? Welcome back to the Chris Moyles Show on Radio X Podcast.As it's the 10 year anniversary of Radio X, we had one final £10,000 to give away. Plus, we announced Radio X is Ten Live! Circa Waves, Hard-Fi, and Jake Bugg are all going to be there in Manchester this November, as well as headliners Blossoms who joined the team to chat about their journey with Radio X.We spoke to Sir Stephen Fry about his play ‘The Importance of Being Earnest' which is now showing in London's West End. Etiquette expert William Hanson waltzed in for a huge podcast announcement and more importantly, try something he's never got his mouth around before. Jason Byrne was on the show this week to talk about his love of Bono, and his UK tour of new show ‘Head In The Clouds'. And the guy who once sat behind a laptop, Richard Osman, popped by to discuss his books being made into films by Steven Spielberg, spelling Piers Brosnan's name incorrectly, and his new book ‘The Impossible Fortune' that made Chris cry. That's all for this week but keep an ear out for these crackers:A certain jam eater's birthday Dom's nudey cruiseOne of our most excited winners of tickets ever! Enjoy!The Chris Moyles Show on Radio XWeekdays 6:30am - 10am

Widely credited with creating the modern summer blockbuster in 1975, Steven Spielberg's Jaws has captured the imaginations (and entered the nightmares) of audiences ever since. For Jaws’ 50th anniversary, the Academy Museum of Motion Pictures has created an all-ages experience: combining unprecedented behind-the-scenes access and interactive elements. The unique structure of the exhibit will take visitors scene by scene through the film, exploring the iconic story in an entirely new way. Today on FilmWeek, Larry Mantle is joined by Jenny He, Senior Exhibitions Curator, to talk about the exhibit and the film’s enduring legacy. Jaws: The Exhibition is open at the Academy Museum of Motion Pictures now through July 26, 2026. You can get more information and tickets for the exhibition here. Visit www.preppi.com/LAist to receive a FREE Preppi Emergency Kit (with any purchase over $100) and be prepared for the next wildfire, earthquake or emergency!

As Spider Month comes to a close, we felt it was only right to bring you a review on one of the most iconic spider movies ever made. One that 35 years ago, made us all afraid of spiders, 1990's ARACHNOPHOBIA. From the Venezuelan jungles to a small Californian town, this film brings us the journey one man will take to overcomes his fears and stop an invasion. With names like Frank Marshall, Steven Spielberg, Jeff Daniels and John Goodman attached, you expect a gripping, funny, edge of your seat experience. Is that we got? Lets find out, this week on the Dissect That Film Podcast.    Intro/Outro Music by DARKRAIZARD Intro video created by Mickey Joe Smith Help support the show and join us on PATREON: https://patreon.com/dissectthatfilm GO TO OUR LINKTREE FOR ALL OF OUR LINKS https://linktr.ee/dissectthatfilm Check out Dan's MTG podcast Manawurm on Spotify.

Fifty years ago, a picture about a shark inaugurated a new era in cinema. And like the Chinese alchemists who accidentally invented gunpowder while trying to create the elixir of life, Jaws has led to immense suffering and exploitation. But who cares? Steven Spielberg's debut on the world stage remains an untouchable masterpiece of Big Movie Magic. It is a perfect film. To dislike it is to be inhuman. There is nothing new to say about this movie but Danny and Kevin would probably be reading books if it weren't for this film. And like the Qianlong Emperor, we believe books serve only to corrupt youth. So listen and celebrate fifty years of Jaws with us.Follow us on Instagram at coffeeanddeathpod or email us at coffeeanddeathsticks@gmail.com

Vanguardistas have more fun—so if you don't already subscribe to the podcast, join the Vanguard today via Apple Podcasts or extratakes.com for non-fruit-related devices. In return you'll get a whole extra Take 2 alongside Take 1 every week, with bonus reviews, more viewing recommendations from the Good Doctors and whole bonus episodes just for you. And if you're already a Vanguardista, we salute you.  ‘One Battle After Another' hits the big screen this week—and there's already plenty of buzz, not least from Steven Spielberg, about this much anticipated new flick starring Leonardo DiCaprio and the dazzlingly named newcomer Chase Infiniti. Its director—and one of the most exciting directors working today—Paul Thomas Anderson is our very special guest this week. He and Simon unpack his decades-long writing process on the movie, his first ever car chase, and getting binned off by DiCaprio for ‘Titanic'. Could this be the year PTA finally gets his Oscar? Answers in an envelope now please...  Mark reviews ‘One Battle After Another' too--along with two more of the week's most popcorn-worthy cinema releases. First up, ‘The Dead Of Winter'--where we see Emma Thompson explore new territory in a frozen thriller set in chilly Minnesota. And yes, that means she does the accent. Plus, ‘The Strangers: Chapter 2'... let's see if this unintentionally silly slasher can improve on its predecessor, which shouldn't be difficult... one would hope.  All the usual tasty features too as Mark runs down the full Box Office Top 10 and Simon tries to wring some genuine humour out of the Laughter Lift. Tope correspondence from you as always--and don't forget you can now watch the full show on YouTube!     Timecodes (for Vanguardistas listening ad-free):    The Dead of Winter Review: 09:16 (00:11:04 – 11:40:19)  Box Office Top Ten: 15:44  Paul Thomas Anderson Interview: 28:17  One Battle After Another Review: 42:04 (Clip: 00:28:34 – 00:29:16)  Laughter Lift: 56:11  The Strangers: Chapter 2 Review: 01:00:06 (Clip 01:01:23 – 01:02:06)        You can contact the show by emailing correspondence@kermodeandmayo.com or you can find us on social media, @KermodeandMayo  Please take our survey and help shape the future of our show: https://www.kermodeandmayo.com/survey   EXCLUSIVE NordVPN Deal ➼ https://nordvpn.com/take Try it risk-free now with a 30-day money-back guarantee!  A Sony Music Entertainment production.      Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us @sonypodcasts    To advertise on this show contact: podcastadsales@sonymusic.com  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today we're deep diving the Dawson's Creek pilot episode and discussing the live reunion show."Your emerging hormones aren't developing a thang for me, are they?"Jillian went to the Dawson's Creek Class Reunion in New York where the cast performed a live reading of the show's pilot episode! She tells all about the event, gushes over Katie Holmes and Joshua Jackson, and reviews Lin-Manuel Miranda's performance stepping in for James Van Der Beek.Then teen TV fangirl Jillian got her husband Tyler to watch the first episode of Dawson's Creek. They discuss Joey Potter's locker room talk, Pacey Witter and the inappropriate teacher Tamara, Dawson's movie obsession, Michelle Williams, Steven Spielberg, and Tyler tries to predict where the show is going.00:00:00 Pilot opening scene reenactment00:01:22 Introduction00:02:32 Jillian attended Dawson's Creek reunion00:07:56 Lin-Manuel Miranda as Dawson00:12:21 Cast seems very close00:15:54 Introduction part 2 - reunion and "Pilot" episode00:17:26 Top 5 moments of Dawson's Creek Class Reunion00:18:09 Fire alarm went off during Dawson's Creek reunion00:19:28 Who played which character00:20:59 Ending scene with "I'll Stand by You"00:23:01 Katie Holmes and Joshua Jackson being cute00:25:53 James Van Der Beek's video appearances00:26:30 Singing the theme song "I Don't Want to Wait"00:28:41 Steven Spielberg made a video00:30:46 Final thoughts on the reunion00:31:41 Dawson's Creek "Pilot" review and realistic dialogue00:34:57 Character types00:37:25 Joey Potter talk00:42:42 Pacey Witter and influence on American Pie00:45:57 Video rental stores00:47:32 Dawson's parents and the Joey & Dawson dynamic00:50:32 Capeside High School00:51:05 Tyler's Takes00:51:48 Opening shots of the pilot00:52:45 Forrest Gump00:54:01 Dawson's Letterboxd four favorite films00:55:47 Inappropriate teacher Tamara00:56:08 Dawson ruining the end of Psycho00:56:45 Joey's boat00:57:16 Dawson making a movie00:59:06 Show's love triangle and Jen01:01:36 Dawson's film interests today01:05:37 Will Tyler watch the whole series?01:06:56 Tyler tries to predict what happens in Dawson's Creek01:09:28 Final thoughts on Dawson's CreekBuy our merch: ⁠https://www.etsy.com/shop/PreviouslyOnTeenTV⁠Follow Previously On Teen TV on Instagram: ⁠⁠https://www.instagram.com/previouslyon_teentv/Follow Previously On Teen TV on TikTok: ⁠⁠https://www.tiktok.com/@previouslyon_teentv⁠⁠Subscribe to our YouTube: ⁠⁠https://www.youtube.com/channel/UCe2lgvvZGKMrQ8v24FmDdWQ?sub_confirmation=1⁠

This week on Forgotten Cinema, the Mikes ride into Steven Spielberg's "War Horse"(2011).It's no surprise that Mike Butler and Mike Field are fans when it comes to Spielberg, his filmmaking skill and ability to tell a story is always front and center. But this rewatch hit especially hard for Field, who now counts "War Horse" among his favorite Spielberg films.The Mikes break down how the film looks absolutely stunning on screen, with Janusz Kamiński's cinematography painting each frame like a classic war epic. They also highlight Spielberg's practical approach—remarkably, there are only three digital shots in the entire film, all used solely to ensure the safety of the horses during production.From emotional storytelling to technical brilliance, the Mikes explore why "War Horse" is both an underappreciated Spielberg film and a cinematic experience worth revisiting.What's your favorite moment in "War Horse"? Let us know in the comments!

On episode 39 on REEL ONES, MrMarinKnows and RB3 discuss the many *new* re-releases in the market, including Prince's SIGN O THE TIMES and Steven Spielberg's JAWS. Plus, the fellas reviews other new releases including THE LONG WALK, THE CONJURING: LAST RITES, CAUGHT STEALING, TOGETHER, DEMON SLAYER: INFINITY CASTLE, and more!

Detroit sacks Baltimore on MNF, Jimmy Kimmel returns, Eli Zaret joins us as the Tigers flail, WATP Karl dials in as Stuttering John embarrasses himself & Bill Corgan makes Bill Maher's Club Random awkward, revisiting Charlie Sheen's Korner, and new Corey Feldman antics. Eli Zaret drops by to recap the Detroit Lions incredible victory over the Baltimore Ravens, Amon-Ra's hot mic moment, the collapse of the Detroit Tigers, Virginia Tech's money troubles, Jordon Hudson on the UNC sidelines, Livvy Dunne's new commercial and more. Jessie Cave's OnlyFans cost her her Harry Potter career. Jimmy Kimmel vs The United States of America. Some markets will not air the show. JB Pritzker vs WGN. Politricks: Shots were fired into an ABC affiliate. No more politics for Howard Stern. Keith Olbermann vs Scott Jennings. Brenda Tracy's non-profit has failed. Where is former MSU head coach Mel Tucker these days? His former home is for sale. The mullet Mike Gundy BLOWN OUT at Oklahoma State. We check out some highlights of Charlie Sheen's short-lived ‘Sheen's Korner'. Karl from WATP joins the show to laugh at Stuttering John's license suspension & pathetic show, cover Club Random with Bill Maher featuring Billy Corgan and more. Corey Feldman: Being heckled. Jamming at The Who. and practicing his dance moves. Hey Ryan Seacrest… why you look different? James Van Der Beek looks really different. F**k cancer. Priscilla Presley can't believe her daughter ‘nailed' Michael Jackson. She herself banged Robert Kardashian. Martha Stewart f**ks… a lot. Victoria's Secret is trying to be sexy again. Gary Busey gets probation for groping. D4vd's house has been raided. That turd child murderer in Washington is found dead. The head of BLM Boston is headed to slammer for massive fraud. Kamala Harris is making the rounds and complaining a lot. A Process Server was arrested trying to serve Taylor Swift. Megan Farina is straining to do some explaining following a Charlie Kirk rant. The Obama's are separately galivanting on Steven Spielberg's super yacht. If you'd like to help support the show… consider subscribing to our YouTube Channel, Facebook, Instagram and Twitter (Drew Lane, Marc Fellhauer, Trudi Daniels, Jim Bentley and BranDon).

In this enchanting episode of the Cinderella X Podcast, the whimsical fairy-tale influencer Cinderella X teams up with her sassy feline sidekick, Slippers the cat, to deliver a spellbinding movie review of Steven Spielberg's iconic 1971 thriller Duel—a high-octane road rage masterpiece that redefined suspense cinema and launched the legendary director's career with pulse-pounding truck terror and unrelenting tension. Hosted by veteran British podcaster Julian Charles, whose classy voice and razor-sharp wit have captivated audiences for years with blockbuster breakdowns, this Duel 1971 analysis uncovers the film's raw psychological dread, Dennis Weaver's everyman panic behind the wheel, and its timeless themes of anonymous evil lurking on America's highways. Perfect for cat lovers and cinephiles alike blending pop culture nostalgia with expert film critique. Tune in now for viral vibes, heart-racing spoilers, and discover why Duel remains the ultimate underrated gem in 1970s suspense storytelling!

This week on The Art of Costume Podcast, we're setting off on an adventure with a true classic—Indiana Jones and the Raiders of the Lost Ark. Spencer is joined by the legendary costume designer who first brought Indiana Jones to life, Professor Deborah Nadoolman Landis. Together, they dig into the origins of this cinematic icon—from collaborating with Steven Spielberg and dressing Harrison Ford to crafting the now-legendary look, the fedora heard 'round the world, and...Snakes. Why did it have to be snakes?But beware… the adventure doesn't end there! After this conversation, Elizabeth and Spencer open the tomb on our coveted Spooky Season lineup—revealing the chilling films that will carry us through October.

This week on The Art of Costume Podcast, we're setting off on an adventure with a true classic—Indiana Jones and the Raiders of the Lost Ark. Spencer is joined by the legendary costume designer who first brought Indiana Jones to life, Professor Deborah Nadoolman Landis. Together, they dig into the origins of this cinematic icon—from collaborating with Steven Spielberg and dressing Harrison Ford to crafting the now-legendary look, the fedora heard 'round the world, and...Snakes. Why did it have to be snakes?But beware… the adventure doesn't end there! After this conversation, Elizabeth and Spencer open the tomb on our coveted Spooky Season lineup—revealing the chilling films that will carry us through October.

Masters of the Air, the incredible series from Tom Hanks and Steven Spielberg, closes out our mini-series on World War II projects. Greg Cass from the Long Take Review, joins the show to chat about the air war in Europe and to try to understand the courage it took to get in those planes day after day.Topics Discussed Include:1. The Horrors of the Air War2. The Characterization of the Men in the Planes3. The Inclusion of the Tuskegee AirmenSupport the show on Patreon - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/forceghostconversations⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠If you want to continue the conversation, please follow us at the following websites:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Blue Sky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Merchandise

Film writer and critic Brendan Hodges joins to discuss Steven Spielberg's Saving Private Ryan, a self-proclaimed love letter to the filmmaker's WWII veteran father and all the fighting men of the Second World War. Visceral, upsetting, and deeply conflicted, the film formally disavows many of Spielberg's more populist tendencies as director and creates a tension between the valorizing, mythic tone of its war movie forebears and its own aims as a subjective, hyperreal chronicle of boots-on-the-ground combat. Is the film a viscious, jingoistic piece of propaganda? A formally exhilarating but ideologically dubious piece of late 20th century moviemaking? Or is it, as our guest asserts, one of the most misunderstood texts in popular American cinema? We begin by reflecting on Saving Private Ryan's legacy and cultural context, its place as a cultural behemoth and its application as a load-bearing hagiography for American militarism that found new purchase in a post-9/11 context just a few years after its release. Then, we examine Spielberg's formalism, how images contradict text within the film, and what to make of the movie's propositions on its own terms. Finally, we address the movie's evocation of difficult realities of warfare, and ask if the film meets the mandate and responsibility of such images; how history and contemporary context color our interpretations, and what value there is in continuing to return to such questions in our current moment. Follow Brendan Hodges on TwitterRead Peter Labuza's Radical Democracy: Mythos and Politics in Saving Private RyanGet access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish

Steven Spielberg was just 28 when Jaws hit theaters, forever changing his life and the movie industry. To mark the opening of the Academy Museum of Motion Pictures Jaws exhibition, Spielberg sits down with Joe Fryer to reflect on the grueling 159-day shoot on Martha's Vineyard, the origin of the mechanical shark's “Bruce” nickname, and how he feared the film might end his career before it began. Spielberg also discusses the movie's impact on shark conservation over the last 50 years and how a community of cast, crew, and locals helped create one of the most enduring films in history. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Una temporada más, en el Espacio Fundación Telefónica estaremos charlando sin parar de películas, de libros, de cómics y, bueno, de aquello que se le pase por la cabeza a este equipo que ya es como el sofá de nuestra casa, un lugar donde sentirnos a gusto y divertirnos. Y han decidido volver retomando el repaso a la carrera de Steven Spielberg para empezar arriba del todo. Así que ya lo sabes, prepara tus ganas de TODOPODEROSOS porque ¡ya están de vuelta!

Movie Meltdown - Episode 647 Join us for a prehistoric-packed episode as we welcome special guest "Dino" Don Lessem. He is an author, journalist, and was a scientific advisor for Steven Spielberg's Jurassic Park! Not to mention building giant, robotic dinosaurs, befriending Michael Crichton and having a dinosaur named after him!  Then we discuss some of our favorite dinosaurs in movies. And then more specifically... our favorite dinosaurs from the Jurassic Park series of films.  And while we all try to figure out what our dinosaur names would be - we also mention… The Valley of Gwangi, getting a loan from Mark Cuban, the fake dinosaur dig, Troodon, Vince Vaughn, different things about dinosaurs impressed me, fire-breathing stripper dinosaurs, The Golden Age of Dinosaurs, apparently there's a lot of nudity, exotic places, a dinosaur head infested with wasps, paleontologist Jack Horner, an iguana dressed as a dinosaur, we're Disney… this is what we do… we traumatize children, the real Indiana Jones, opening a Mexican restaurant, The Boston Globe, the scavenger hunt for pieces, windshield wiper motors, the movie set is filled with suckups, it's a very 19th century kind of technology, low budget David Attenborough, if you can find the bootleg unedited version I highly recommend it, it's all about funding, lighting the desert in daytime, gorillas, could E.T. happen and where do I get amber? “I had a great Aunt who took me every Sunday to meet T-Rex… and it was like - love at first sight.”

A MODERN FORM OF WORSHIP—Name the five photographers who, more than any others, defined the dramatic shift in the approach to magazine photography in the late eighties and early nineties. There's Herb Ritts, Bruce Weber, Steven Meisel. Richard Avedon, of course. Who's missing? I'm getting to that.Today's guest was discovered while still a student at ArtCenter College of Design in Los Angeles, by Andy Warhol no less, whose upstart (and budget-deficient) team at "Interview" couldn't afford to send a crew to LA for a shoot. His first subject, newbie director Steven Spielberg, launched his photography career, and soon he was shooting for every magazine you could imagine.We're talking, of course, about Matthew Rolston. He, and his fellow rebels, changed everything by bringing both a sensuality and a sexuality to newsstands that big publishing hadn't seen before. Readers ate it up. Ask him to explain this transformation and you'll get a hot take that will completely change how you think about media and celebrity:“I think glamour—and glamour photography—is a substitute for god and goddess worship. The altar is the photo studio. So the goddess comes to the dressing room like she would've come to the preparation chamber of a temple. She's anointed with oils and potions—that would be the hair and makeup team. She's dressed in symbolic raiment—that would be the styling. And she's led to the altar where the adherents kneel before her—that would be me on the floor with my camera. It is really the same thing. It's just a modern, twisted version of the same impulses that we have to idolize people and worship them.” Just this year ArtCenter, his alma mater, presented the photographer, director, author, artist, and educator with its prestigious Lifetime Achievement Award, honoring both his creative legacy and his role as a mentor to the next generation. It's the perfect moment to look back on his remarkable career, and to hear directly from Rolston himself.Our Anne Quito caught up with Matthew in the lead up to the premiere of an evocative new body of work, "Vanitas: The Palermo Portraits," a site-specific installation at ArtCenter, which premieres this weekend.—This episode is made possible by our friends at Commercial Type and Freeport Press. A production of Magazeum LLC ©2021–2025

In 1982, director Steven Spielberg followed up Raiders of the Lost Ark with a family-centered feature about a young boy who meets an alien, based on his own childhood experience of creating an imaginary friend after his parents' divorce. With a budget of just over $10 million, Spielberg and screenwriter Melissa Mathison brought the alien to life with the help of Italian special effects master Carlo Rambaldi, with the music of John Williams hitting all the right notes. Add in some product placement from Reese's Pieces (let's not talk about that Atari video game) and a stellar young cast including Henry Thomas, Robert MacNaughton, and Drew Barrymore, and the flick was a hit. In fact, it surpassed Star Wars to become the highest-grossing film of all time, until Spielberg's own Jurassic Park broke the record in 1993. Much of the film feels iconic now, from William's score to the flying bikes. Critic Roger Ebert, in an essay he wrote in 2002 as a letter to his grandchildren about watching it with them, wrote of that moment: “I remember when I saw the movie at Cannes. Even the audience there, people who had seen thousands of movies, let out a whoop at that moment.” But despite the praise, it's worth remembering that Columbia Pictures put the film in turnaround, and M&Ms passed on the opportunity to feature their candy because they thought the film would scare children. So, over 40 years since its release, is E.T. the Extra-Terrestrial still worth phoning home about? Or is it better left in the back of the childhood closet? For more geeky podcasts visit GonnaGeek.com  You can find us on iTunes under ''Legends Podcast''. Please subscribe and give us a positive review. You can also follow us on Twitter @LegendsPodcast or even better, send us an e-mail: LegendsPodcastS@gmail.com    You can write to Rum Daddy directly: rumdaddylegends@gmail.com    You can find all our contact information here on the Network page of GonnaGeek.com Our complete archive is always available at www.legendspodcast.com, www.legendspodcast.libsyn.com    Aug-Heist: The Getaway Theme features beats produced by Anabolic Beatz https://www.anabolicbeats.com | Remixed with lyrics and vocals by Jonolobster   Normal Show Music:Danger Storm by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 https://creativecommons.org/licenses/by/4.0/

What if I told you there was a movie written by Robert Zemeckis and Bob Gale — the duo who would go on to create Back to the Future… directed by Steven Spielberg, fresh off the massive success of Jaws and Close Encounters… starring comedy legends John Belushi, Dan Aykroyd, and John Candy… and scored by the music genius behind Star Wars, Indiana Jones, Jaws, E.T., Jurassic Park — himself, John Williams? You'd expect a guaranteed blockbuster. Instead, what audiences got in 1979 was 1941 — Spielberg's first spectacular misfire.

Many people who have more than a passing interest in the UFO subject might be aware that the scene in Steven Spielberg's 1977 movie, Close Encounters of the Third Kind, where several UFOs go speeding by the main character's stalled car, followed by police cars in hot pursuit, was based on a real case. This was the 1966 incident where police officers Dale Spaur and Wilbur “Barney” Neff reportedly chased a single UFO at high speed across the state of Ohio into Pennsylvania, with other officers joining them in the chase. However, another scene in the movie, where a house occupied by a mother and son is flooded with light from a UFO, was also inspired by a real case, but this one is not nearly so well known.The front-page headline of the November 1963 APRO Bulletin is “Family Beseiged [sic] by Discs.” According to the article, on October 21, 1963, at his ranch near Tranca, Argentina, Antonio de Moreno was woken up by a fifteen-year-old employee who told him there seemed to have been an accident at the railway tracks about a half mile away from the house, as, in the reporter's words, “there was a lot of light and people moving around at that location.” Read more →Thank you for Supporting Us! ~ Stay Connected!

Jeff and Christian welcome Eric Warner from Mature Minded Gamers to discuss board games based on video games, Sony's latest State of Play about 007, the Call of Duty movie that will not be directed by Steven Spielberg, and more! The Playlist: Eric: March of Giants - Amazon Games Montreal, Noble Legacy - Studio 369, Discounty - Crinkle Cut Games, Grounded 2 - Obsidian Entertainment, Skull and Bones -Ubisoft Sigapore, Asheron's Call Emulated Server - DragonMoon Christian: Shinobi: Art of Vengeance (directed by Ben Fiquet), Everybody's Golf: Hot Shots (Zin Hasegawa - dev manager), Easy Come Easy Golf (headed by Masashi Muramori at Clap Hanz), Indiana Jones and the Great Circle: The Order of Giants (game co-directed by Jerk Gustafsson & Axel Torvenius) Jeff: Hollow Knight: Silksong - Team Cherry Tabletop Time: GenCon 2025 in review Parting Gifts!