Podcast appearances and mentions of Steven Spielberg

Story Recommendation: The Empty House A famous 1906 ghost story by British author Algernon Blackwood, often featured in his collection The Empty House and Other Ghost Stories. It follows Shorthouse and his aunt as they investigate a notoriously haunted house in London, experiencing terrifying supernatural manifestations. Movie Review: Monster House A 2006 American animated supernaturalhorror comedy film. Dear Salinger, Your mom told me about Monster House scaring you. It sounds like one of the things that upset you is the fact that the house kept wanting to hurt people even after nobody wanted to hurt it anymore. I will tell you a secret that sounds so silly, you might not believe it, but this is true: I never finished writing Monster House before my bosses turned it into a movie. And then different writers, people I don't even know, changed the story in lots of ways, and the movie that you saw was not the story I wanted to tell you. I think a good story, even if it is sad or scary while you're watching it, should always make you a little less scared after you've seen it. And that didn't happen in Monster House. Why, after they escaped the house, did that old man tell them another scary story about a mean fat lady that didn't make very much sense either? I'll tell you why. Because Gil Kenan is a hack and Steven Spielberg is a moron. But hey, I shouldn't be dumping this stuff on you. I hope one day I can finish writing a movie that they don't change so much, and if you see it, I hope it makes you happy. Until then, I heard that Wall-E is very good, you should go see that. And next time Monster House is on, just remember that the guy that wrote it told you it was dumb. -Dan Haarmon Check out this link to buy DB's Books[link]

Story Recommendation: The Empty House A famous 1906 ghost story by British author Algernon Blackwood, often featured in his collection The Empty House and Other Ghost Stories. It follows Shorthouse and his aunt as they investigate a notoriously haunted house in London, experiencing terrifying supernatural manifestations. Movie Review: Monster House A 2006 American animated supernaturalhorror comedy film. Dear Salinger, Your mom told me about Monster House scaring you. It sounds like one of the things that upset you is the fact that the house kept wanting to hurt people even after nobody wanted to hurt it anymore. I will tell you a secret that sounds so silly, you might not believe it, but this is true: I never finished writing Monster House before my bosses turned it into a movie. And then different writers, people I don't even know, changed the story in lots of ways, and the movie that you saw was not the story I wanted to tell you. I think a good story, even if it is sad or scary while you're watching it, should always make you a little less scared after you've seen it. And that didn't happen in Monster House. Why, after they escaped the house, did that old man tell them another scary story about a mean fat lady that didn't make very much sense either? I'll tell you why. Because Gil Kenan is a hack and Steven Spielberg is a moron. But hey, I shouldn't be dumping this stuff on you. I hope one day I can finish writing a movie that they don't change so much, and if you see it, I hope it makes you happy. Until then, I heard that Wall-E is very good, you should go see that. And next time Monster House is on, just remember that the guy that wrote it told you it was dumb. -Dan Haarmon Check out this link to buy DB's Books[link]

Chris Lavis is the Montreal-based writer, director and animator behind the Oscar-nominated stop-motion film The Girl Who Cried Pearls. The 17-minute animated short is a modern-day fable about a poor boy in Montreal who finds himself caught between love and greed after falling for a girl who cries pearls. In this conversation with guest host Garvia Bailey, Chris talks about representing Canada and the NFB at this year's Academy Awards, the painstaking craft behind the film's intricate stop-motion animation, and what it was like to find out that his hero, Steven Spielberg, is a fan of the movie.

This week, we discuss the primal thriller, Jaws, a masterclass in tension that turned a malfunctioning mechanical shark into cinema's most terrifying unseen predator.SPOILER ALERT We will be talking about this movie in its entirety, including the iconic third act aboard the Orca and the ultimate fate of the shark. If you haven't seen this classic, we strongly suggest you watch it before listening to our takes.A Universal Pictures production. Released on June 20, 1975. Directed by Steven Spielberg. Screenplay by Peter Benchley and Carl Gottlieb, based on the novel by Peter Benchley. Starring Roy Scheider, Robert Shaw, and Richard Dreyfuss. Cinematography by Bill Butler. Edited by Verna Fields. Score by John Williams.

L'info du matin - Une startup française veut rendre les hôtels plus écologiques en incitant les clients à adopter des éco-gestes via le jeu. Le winner du jour - Un homme déguisé en Spider-Man a tenté un record en descendant une échelle suspendue à une montgolfière. - Un crêpier de La Rotonda en Andorre est devenu viral en insultant ses clients. Le flashback - Mars 1993 : lancement de "Zone Interdite" sur M6, aujourd'hui présenté par Ophélie Meunier. - Sortie de l'album "Everybody Else Is Doing It, So Why Can't We?" du groupe The Cranberries. Le savoir inutile - Kate Bush a popularisé l'usage du micro-casque, influençant ensuite Michael Jackson, Madonna et Beyoncé. La chanson du jour Harry Styles "Watermelon Sugar" 3 choses à savoir sur Juliette Armanet Qu'est-ce qu'on regarde ? Sortie du film "Alter Ego" de Nicolas Charlet et Bruno Lavaine avec Laurent Lafitte. Série documentaire sur les dinosaures produite par Steven Spielberg, disponible sur Netflix. Le jeu Surprise (Le Cinéphile) - Tifen de Rédéné, vers Lorient, gagne un séjour Hôtel 4 étoiles Thalasso Spa Les Flamants Roses. Les Coffres à jouets RTL2 - Tom, 8 ans, de Lempdes vers Clermont-Ferrand, gagne un séjour pour 4 personnes au Puy du Fou. La Banque RTL2 - Karine d'Écommoy, vers Le Mans, gagne 600 €. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Sans être un(e) grand(e) artiste, nous avons tous déjà eu le trac avant une prise de parole en public, ou avant de monter sur scène, par exemple. Si c'est votre cas, vous n'êtes pas seul(e). Le trac, c'est la peur ou l'angoisse irraisonnée qu'on éprouve quand on se trouve face à un public ou quand on doit subir une épreuve. Le trac se traduit par des réactions physiques proches de celles liées au stress, et dont le trac est une forme. Rythme cardiaque accéléré, respiration difficile, transpiration, mains moites, vomissements… C'est quoi exactement le trac ? Les artistes ont donc le trac, même s'ils ont beaucoup d'expérience ? Quels sont les conseils pour se débarrasser du trac ? Écoutez la suite dans cet épisode de "Maintenant vous savez - Culture". Un podcast Bababam Originals, écrit et réalisé par Béatrice Jumel. Première diffusion : février 2023 A écouter aussi : ⁠Qui a sculpté les MoaÏ, les mystérieuses statues de l'île de Pâques ?⁠ ⁠Pourquoi les séries Netflix se ressemblent toutes ?⁠ ⁠Quelles sont les anecdotes les plus folles sur Steven Spielberg ?⁠ Retrouvez tous les épisodes de ⁠"Maintenant vous savez culture".⁠ Suivez Bababam sur ⁠Instagram⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Oscar-winning costume designer Deborah L. Scott grew up sewing doll clothes, puppets, and getting swept up by the stories at the cinema. At 21 she went to work costuming show girls on the Vegas strip. Once in film, her adaptability, imagination, and resourcefulness carved a path that led to projects with Steven Spielberg and James Cameron, and onto sets of the biggest films of our time. Images, links and more from Deborah on cleverpodcast.com!Special thanks to our sponsor! Wix Studio is a platform built for all web creators to design, develop, and manage exceptional web projects at scale.If you enjoy Clever we could use your support! Please consider leaving a review, making a donation, becoming a sponsor, or introducing us to your friends! We love and appreciate you!Clever is hosted & produced by Amy Devers, with editing by Rich Stroffolino, production assistance from Ilana Nevins and Anouchka Stephan, and music by El Ten Eleven.SUBSCRIBE - listen to Clever on any podcast app!SIGN UP - for our Substack for news, bonus content, new episode alertsVISIT - cleverpodcast.com for transcripts, images, and 200+ more episodesSAY HI! - on Instagram & LinkedIn @cleverpodcast @amydeversApply to participate in Emerging Designers Spotlight LIVESpecial thanks to our sponsors!Wix Studio is a platform built for all web creators to design, develop, and manage exceptional web projects at scale. Hosted on Acast. See acast.com/privacy for more information.

Crrrreeeeeeeak! That sound you hear is the door to the ballyhooed Now We Know vault, once again being opened to fetch your now-unlocked, once-paywalled episode for the week. This time it's Family Dog, the Steven Spielberg-backed, Brad Bird-created cartoon which aspired to be CBS' answer to The Simpsons. This was decidedly not successful, although at just ten episodes long, is it theoretically possible that a higher percentage of the entire run of Family Dog is better than the entire now-moribund 37 SEASONS OF SIMPSONS????? Probably not, but this much is true, at least: we never had to hear Martin Mull struggle to voice the dad from Family Dog into his 70's.

Peter Pan is all grown up and forgotten about his childhood and the Lost Boys.  But when Captain Hook decides to capture his children, Peter must return to Neverland, find his true self and believe once again!  Robin Williams and Dustin Hoffman star in Steven Spielberg's Hook., We also discuss some news this week including the Mortal Kombat 2 trailer, talk some things we watched including the 80's cult classic Rad and more!  Next week: Thor!

What does a Lion King–level director really think about AI “slop,” streaming wars and whether machines can ever tell great stories? On this episode of the AI XR Podcast, Charlie Fink and Ted Schilowitz talk with Rob Minkoff, director of The Lion King, Stuart Little, The Haunted Mansion, Forbidden Kingdom and Paws of Fury, about the future of filmmaking as AI, streaming consolidation and new tools reshape the business.Rob shares how he watched Netflix “eat Hollywood” by doing streaming better than the legacy studios, why Netflix walking away from Warner Bros. and letting Paramount overpay is bad news for creators, and what fewer buyers means for directors and writers trying to sell original work. He explains why he sees AI tools like Seed Dance as potentially both iceberg and Noah's Ark, and why he believes the average will rise but the cream will still rise higher: tools may let anyone make competent images, but audiences will still chase the one-in-a-thousand voices that have something genuinely new and human to say.In XR News You Should Know, the host cover Anthropic's standoff with the Pentagon over using large, unstable models for high-stakes military decisions, Netflix walking away from a Warner Bros. deal and collecting a breakup fee while Paramount overpays, streaming brand confusion around HBO/Max and Paramount+, VITURE's new raise and its patent fight with XREAL over “birdbath” smart-glasses optics, and Google's Gemini gaining multi-step action capabilities on Samsung and Pixel phones before Apple's Siri catches up.The conversation digs into whether AI will really make feature films cheaper and more common, or just flood social feeds with short-form “AI slop.” Rob compares AI tools to word processors and home recording studios: they are powerful, but they don't turn you into Bruce Springsteen or Steven Spielberg. He argues that empathy, taste and genuinely fresh perspective will remain the differentiators, and that audiences will quickly tune out work that feels derivative, even if it looks slick. He also raises a bigger question: if AI drives productivity to the point where work is optional for many people, what happens to purpose, competition and the human psyche?Key Moments01:16 – Anthropic vs. the Pentagon and why unstable AI systems may never meet military safety standards02:42 – Netflix exits the Warner Bros. deal, collects a breakup fee and leaves Paramount holding the bag05:31 – HBO, Max, Paramount+ branding confusion and what happens to these streaming labels06:00 – VITURE's $100M raise, XREAL patent lawsuits and the simple science behind “birdbath” smart glasses07:31 – Why Miami is becoming a new tech and defense hub and what that signals about America's “neighborhood”10:00 – Seed Dance 2.0, Hollywood's deepfake panic and the “ship first, apologize later” strategy15:16 – Rob joins: 34 years in film, Netflix “eating Hollywood” and what consolidation means for creators19:18 – Seed Dance, stolen IP and whether AI tools are an iceberg or Noah's Ark for filmmakers24:39 – Can AI become a true “prophet,” or can it only emulate empathy and taste?30:57 – Will AI make many more animated movies or just flood the world with average content?37:32 – If AI does most of the work, what's left for humans—and can entertainment absorb all that free time?This episode is a grounded, filmmaker's view of where AI fits: powerful tools, real risks, but no substitute for a human vision that cuts through the noise. Rob's perspective is invaluable if you're trying to understand what will actually matter in a world where everyone can generate “good enough” images on demand.This episode is brought to you by Zappar, creators of Mattercraft, the leading visual development environment for building immersive 3D web experiences for mobile, headsets and desktop. To explore what's possible with AI-powered XR on the web, start building smarter with Mattercraft from Zappar at Mattercraft.io.Listen to the AI XR Podcast where you get podcasts and follow the show for new episodes every week. Or watch on YouTubeSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

L'histoire vraie derrière “Le Terminal” est bien plus sombre que le filmPendant 18 ans, un homme a vécu dans un terminal de l'Aéroport de Paris-Charles-de-Gaulle. Sans pays. Sans papiers. Officiellement… sans existence. Il s'appelait Mehran Karimi Nasseri. Son histoire a inspiré le film Le Terminal avec Tom Hanks, réalisé par Steven Spielberg. Mais la réalité est bien plus troublante que le film.❤️ Soutenez La Petite Histoire sur Patreon!

Just when you thought it was safe to go back into the water, Mike and Christian (and Deren!) show up to talk about this classic sequel. And here's wikipedia with the SEOJaws 2 is a 1978 film directed by Jeannot Szwarc and written by Howard Sackler and Carl Gottlieb. It is the sequel to Steven Spielberg's Jaws (1975), and the second installment in the Jaws franchise. The film stars Roy Scheider as Police Chief Martin Brody, with Lorraine Gary, Murray Hamilton and Jeffrey Kramer reprising their respective roles as Martin's wife Ellen Brody, mayor Larry Vaughn and Deputy Hendricks.

Bobswinkles, it's a fizz whizzer! Yes, you heard that right, the time has come for us to climb into a giant bag and be transported to Giant Country, where we'll sample the finest snozzcumbers and frobscottle (though you'll forgive us if there's a whizzpopper or two). We're joined by the BFI Southbank's Head of Cinema Programme, Justin Johnson, for this wide-ranging discussion of Steven Spielberg's 2016 adaptation of Roald Dahl's THE BFG. It's an episode as giant as Fleshlumpeater but far less mean, taking in everything from the film's long gestation to its struggle to make an impact, from the mo-cap performances and CGI compositing to the wide array of accents (some more explicable than others). Whoopsie scrumpers!Follow the podcast on Twitter (@RamblinAmblin), Instagram (@ramblinamblinpod) and Blusky (@ramblinamblin.bsky.social). Be sure to like and subscribe so you don't miss an episode! Get in touch with us either via our socials or email rambinaboutamblin@gmail.com. Please feel free to give us a 5-star review, share your favourite Amblin movies and tell us if ET makes you cry.Ramblin is created and produced by Andrew Gaudion and Joshua Glenn. A special thanks as always to Emily Tatham for the artwork, and Robert J. Hunter & Greg Sheffield for the theme music. 

This is a preview of a bonus episode. Check it out on our reasonably-priced patreon! We've been engaged in a campaign of relentless Truck propaganda on the Kill James Bond podcast, it's true. But as we're always saying on the show, teach the controversy. So today, we're taking an evenhanded look at the other side of the argument in Steven Spielberg's feature film debut, Duel (1971), a movie that asks: What if you were simply minding your business and a Truck decided your life was forfeit? ----- Check out friend of the show Mattie's new book Simplicity here, or wherever fine graphic novels are sold! ----- FREE PALESTINE - With the ceasefire in full effect, the media has returned to ignoring the daily atrocities in Gaza. My friend Ahmed still needs to feed his family and afford medicine. Anything you can kick in would be hugely appreciated. https://chuffed.org/project/150817-please-help-ahmed-and-his-family-get-food-drink-and-medicine And these are some more general links you can support collective efforts with! -The Palestinian Communist Youth Union is doing a food and water effort, and is part of the official communist party of Palestine https://www.gofundme.com/f/to-preserve-whats-left-of-humanity-global-solidarity -Water is Life, a water distribution project in North Gaza affiliated with an Indigenous American organization and the Freedom Flotilla https://www.waterislifegaza.org/ -Vegetable Distribution Fund, which secured and delivers fresh veg, affiliated with Freedom Flotilla also https://www.instagram.com/linking/fundraiser?fundraiser_id=1102739514947848 ----- WEB DESIGN ALERT Tom Allen is a friend of the show (and the designer behind our website). If you need web design help, reach out to him here:  https://www.tomallen.media/ ----- Kill James Bond is hosted by November Kelly, Abigail Thorn, and Devon. You can find us at https://killjamesbond.com , as well as on our Bluesky and X.com the everything app account

I'm joined by Paul Fischer on this week's episode to discuss his new book, The Last Kings of Hollywood: Coppola, Lucas, Spielberg—and the Battle for the Soul of American Cinema. It's a fascinating look at a pivotal moment in film history, when the breakdown of the studio system gave rise to the auteurist 1970s, the first half of which was dominated by Francis Ford Coppola, only to cede the landscape to the blockbuster entertainments that George Lucas and Steven Spielberg mastered in the back half of the decade and beyond.

Physician and bestselling author of The Last 15...Say Goodbye to the Most Stubborn Pounds Dr. Ian Smith discusses simple ways to protect your heart through heart-healthy food swaps. Also, Priyanka Chopra Jonas stops by to talk about her latest film "The Bluff." Plus,  Morgan Freeman shares his latest project using his legendary voice in a documentary produced by Steven Spielberg. And, the iconic father-son duo Kurt and Wyatt Russell, return to Studio 1A and give a sneak peek into their newest season of Apple TV's "Monarch: Legacy of Monsters."  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Em dezembro de 1941, logo após o ataque a Pearl Harbor, a Califórnia entra em pânico total acreditando que uma invasão japonesa está prestes a acontecer. Mas em vez de heroísmo disciplinado, o que se vê é uma explosão de caos hilário: militares atrapalhados, civis paranoicos e uma série de trapalhadas que transformam Los Angeles em um verdadeiro circo de guerra.Dirigido por Steven Spielberg, com roteiro de Robert Zemeckis, Bob Gale e John Milius, o filme mistura sátira, slapstick e ação em uma comédia épica que brinca com os medos da época.O elenco é um verdadeiro “dream team” da comédia e da ação dos anos 70:John Belushi como o piloto maluco Capt. Wild Bill KelsoDan Aykroyd como o atrapalhado Sgt. Frank TreeJohn Candy, Treat Williams, Nancy Allen, Robert Stack, Christopher Lee, Toshirō Mifune e muitos outros nomes que dão vida a personagens caricatos e inesquecíveis.Com trilha sonora de John Williams, explosões coreografadas e piadas absurdas, 1941 é uma comédia de guerra que transforma o medo em gargalhadas e mostra que, às vezes, o maior inimigo é a própria confusão.PIX: canalfilmesegames@gmail.comSiga o Filmes e Games:Instagram: filmesegames Facebook: filmesegames Twitter: filmesegamesSpotify: https://open.spotify.com/show/5KfJKthPodcast: https://anchor.fm/fgcastIntro - 0:00Caçando Nove para Um - 3:00O que é "1941: Uma Guerra Muito Louca"? - 4:48Notas dos agregadores - 8:14Tirando o bode da sala - 12:00Cenas incríveis - 43:49Zemeckis e Milius - 53:18Curiosidades - 54:50Oscar - 56:12Bilheteria: Sucesso ou flop? - 56:57Notas do Filmes e Games - 59:18Desafios das Dicas 2.0 - 1:01:51Momento Locadora - 1:04:59Revelação do FGcast #416 - 1:47:12

This week we talk about Steven Spielberg's theatrical feature debut, the crime / road movie, The Sugarland Express, that has more than a little in common with Dog Day Afternoon.SPOILER ALERT We do talk about this movie in its entirety, so if you plan on watching it, we suggest you watch it before listening to our takes.A Universal Picture. Released on April 5, 1974. Directed by Steven Spielberg. Written by Hal Barwood and Matthew Robbins, based on a story by Spielberg, Barwood, and Robbins. Starring Goldie Hawn, William Atherton, Ben Johnson, and Michael Sacks. Cinematography by Vilmos Zsigmond. Edited by Edward M. Abroms and Verna Fields. Score by John Williams.

Disturbing pics of Stephen Hawking on Epstein Island released, USA Men's Hockey visits Trump, Nancy Guthrie reward raised, Bonnie Blue knocked up, and Trudi fights her toilet. Programming Note: Marcie Hume (Corey Feldman vs. The World) and Lita Ford will join us tomorrow. The State of the Union is going down tonight. The US Men's Hockey Team is getting some heat following their recent communication with Donald Trump. Savannah Guthrie is now offering a $1M reward for her mother Nancy. Some turds are threatening to boycott the Met Gala due to Jeff Bezos' sponsorship. Stephen Hawking photos have emerged of him living it up on Epstein Island. Drew confirms John Lenon's weiner is uncirc'd. AI confirms they all were uncircumcised. Legacy Partner's drops a new $50 gift card winner. Congrats to _____________! Darren McCarty dropped by the studio today for ML's Soul of Detroit. TJ Miller is in town. Check him out in Royal Oak this weekend. Jim Breuer is popping off at American Airlines. Mickey Redmond's grandson, Teddy, has a rare form of leukemia and could use financial help. A BAFTAs judge has quit following the n-word incident. Eric Dane's family is still fundraising. Rebecca Gayheart has broken her silence. Hey Taylor Swift... why you look different? Cruz Beckham and the Breakers are the hot new rock act. Andy Dick remains in physical shambles. Lisa Rinna has been drugged... in front of everyone. Some people are saying she might have been over served. The Olympic Men's Hockey Final is the most watched pre-9am sports event in history. Evan Dando of The Lemonheads can't catch a break. Trudi destroyed her toilet.Drew's hot water heater took a dump. Drew was nearly bamboozled by credit card thieves again. It's tax season. Hooray. Steven Spielberg is bailing on California for New York. Congressman Tony Gonzales has himself quite the scandal. Is Bonnie Blue really pregnant or is this all a stunt? Maury Povich wants nothing to do with the situation. Drew reeducated himself on the crimes of D.B. Cooper. The trial has resumed for the Alexander Brothers. Merch is still available. Buy it before it's gone. If you'd like to help support the show… consider subscribing to our YouTube Channel, Facebook, Instagram and Twitter (Drew Lane, Marc Fellhauer, Trudi Daniels, Jim Bentley and BranDon)

Take a deep dive into the iconic air traffic control scene from Close Encounters of the Third Kind. What host Todd Curtis uncovers might surprise you. Revisiting the tense near–midair collision sequence, Todd analyzes how accurately the film portrayed the real-world challenges pilots and controllers faced in the 1970s when reporting UFOs (now known as UAPs). As shown in the scene, two separate airline crews and air traffic controllers hesitate to report what they've seen—even after a close call.  Todd painstakingly reviewed the footage over a dozen times to create an NTSB-inspired transcript that captures every exchange, side conversation, and moment of uncertainty. His conclusion? The scene would have played out almost the same way in 2007—or even 2017—because FAA reporting policies hadn't meaningfully changed. This episode goes beyond policy. Todd reveals how Spielberg masterfully captured the psychological strain of confronting something extraordinary while trying to maintain professionalism and composure. As pilots communicate with ATC, controllers and supervisors can be heard in the background—questioning, rationalizing, and grappling with what they're seeing. Then Todd fast-forwards to a real-world case: a 2024 airliner encounter with a suspected UAP. Using ATC audio obtained through a FOIA request, he creates a second NTSB-style transcript and compares it to the 1977 film scene. The parallels are striking—and raise compelling questions about how much has truly changed. If you're interested in aviation safety, UAP investigations, or the intersection of Hollywood and reality, this episode delivers rare insight, meticulous analysis, and documents you won't find anywhere else. Don't miss what's to come from the Flight Safety Detectives - subscribe to the Flight Safety Detectives YouTube channel, listen at your favorite podcast service and visit the Flight Safety Detectives website. Want to go deeper with the Flight Safety Detectives? Join our YouTube Membership program for exclusive perks like members-only live streams and Q&As and early access to episodes. Your membership support directly helps John, Greg and Todd to deliver expert insights into aviation safety.Interested in partnering with us? Sponsorship opportunities are available—brand mentions, episode integrations, and dedicated segments are just a few of the options. Flight Safety Detectives offers a direct connection with an engaged audience passionate about aviation and safety. Reach out to fsdsponsors@gmail.com. Music: “Inspirational Sports” license ASLC-22B89B29-052322DDB8 Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Today, if you’re an Australian with even a drop of British or Irish blood, Amelia has a warning that might cost you hundreds of dollars.And, is it okay for celebrities to ask us for money? After the deaths of millennial TV icons James Van Der Beek and Eric Dane, their families have started GoFundMe campaigns — and not everyone’s happy about it. Holly, Jessie, and Amelia have very different takes on whether it’s okay to solicit for donations when you live on a multi-million dollar ranch. Also, the new Married At First Sight villain,Tyson has landed. Jessie thinks his quest for a 'submissive' woman and his 'manosphere' vibes reflect what women are dealing with out in the dating world. While Holly‘s pearls are clutched about the podcast he’s doubtless going to start when he leaves the show. So, ‘should’ this man be on primetime TV? Plus, a listener dilemma we can’t stop talking about. Vanessa is overwhelmed, over-worked, and considering quitting her job because her husband’s 'big career' has left her doing 100 percent of the heavy-lifting at home. Jessie says "life is long, just quit," while Holly is asking: if every woman is making the 'choice' to scale back, is it actually a choice at all?Plus, we deep dive into PHAARC — the probably not real (but very relatable) 'medical' condition currently ruining your work life. SUBSCRIBE here: Support independent women's media What To Listen To Next: Listen to our latest episode: Mia & Amelia On CBK: The Clothes, The Curse, The Love Story Listen: Prince William Has Entered The Chat Listen: The New Dating Rule That Blew Up A Comments Section Listen: 'Prince' Andrew's Arrest Is Not What You Think It Is Listen: Angelina Jolie & The Existential Threat Of Desirable Older Women Listen: MAFS & The Specific Cruelty of the ‘Sexual Chemistry’ Question Listen: All The Gossip From The Wuthering Heights Premiere (And Why Mia Walked Out) Listen: Wuthering Heights & the ‘Bad Man’ Controversy Connect your subscription to Apple Podcasts Discover more Mamamia Podcasts here including the very latest episode of Parenting Out Loud, the parenting podcast for people who don't listen to... parenting podcasts. SUBSCRIBE here: Support independent women's media Watch Australia's #1 podcast, Mamamia Out Loud: Mamamia Out Loud on YouTube What to read: Grey's Anatomy and Euphoria actor Eric Dane has died, aged 53. Legendary actor James Van Der Beek has died, aged 48. 'I'd never thought twice about donating to a GoFundMe. Until my friends wanted to start one for me.' Mamamia recaps MAFS: The 'Mean Girls' face-off with the experts. It's not laziness, it's PHAARC. The new condition hitting the workforce. THE END BITS: Check out our merch at MamamiaOutLoud.com GET IN TOUCH: Feedback? We’re listening. Send us an email at outloud@mamamia.com.au Share your story, feedback, or dilemma! Send us a voice message. Join our Facebook group Mamamia Outlouders to talk about the show. Follow us on Instagram @mamamiaoutloud and on Tiktok @mamamiaoutloudBecome a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Today the guys kick things off discussing the Rock & Roll Hall of Fame nominees, before Matt randomly dives into the average size of a wiener. Intern Hailee shares her favorite movies, which somehow sparks Bob's hot take about Steven Spielberg. To wrap things up, guests from SXSW stop by to talk about how to volunteer, what it's like behind the scenes, and what to expect at this year's festivalSupport the show: https://www.klbjfm.com/mattandbobfm/See omnystudio.com/listener for privacy information.

[Western Art] On the show today is Randal Dutra, a California wildlife painter with an amazing career that weaves through painting, bronze foundries and even Hollywood, where he worked on creature effects and animation for movies such as the Star Wars franchise, Jurassic Park and Robocop. Dutra was nominated for an Academy Award twice and worked with George Lucas and Steven Spielberg, and yet always found time to devote to his personal studio, where he continues to paint wildlife and landscape imagery. Step into a magical world of creatures and critters in today's episode, which is sponsored by Western Art Collector. Learn more at westernartcollector.com.

Forgive us for posting a slightly ramshackle bonus episode, but we thought some of you might like to hear how this year's Joefest was going! Joefest is a private film festival we run every year in the depths of the British wintertime, when there's nothing better to do than sit inside and watch weird movies from the wilder side of cinema. In this episode, Al and Ali join us to quickly run over the films we've watched and what we thought of them. Want to get in touch? You can reach us on caliber9fromouterspace@gmail.com Here's the full list of this year's feature films: Twisted Pair (2018), dir. Neil Breen The Outwaters (2022), dir. Robbie Banfitch Alucarda (1977), dir. Juan Lopez Moctezuma Champagne and Bullets (1993), dir. John De Hart Twilight Zone: The Movie (1983), dir. John Landis, Steven Spielberg, Joe Dante, George Miller The Cassandra Crossing (1976), dir. George P. Cosmatos Flesh Feast (1970), dir. Brad F. Grinter Tomorrow I'll Wake Up and Scald Myself With Tea (1977), dir. Jindrich Polak Death Run (1987), dir. Michael J. Murphy Junk Head (2017) dir. Takahide Hori The Kindred (1987), dir. Stephen Carpenter & Jeffrey Obrow Angel Dust (1994), dir. Gakuryu Ishii Night of Death (1980), dir. Raphael Delpard Night Angel (1990), dir. Dominique Othenin-Girard Angel in the Night (1988), dir. Hernando Name Take a Hard Ride (1975). dir. Antonio Margheriti The Hourglass Sanatorium (1973), dir. Wojcech Has The Demon's Baby (1998), dir. Kant Leung Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp "Nightcall" by Kavinsky

Garrett Chaffin-Quiray and Ed Rosa discuss a blockbuster that is also one of 2019's critical darlings.***Referenced media:“Reservoir Dogs” (Quentin Tarantino, 1992)“The Adventures of Cliff Booth” (David Fincher, 2026)“Once Upon a Time in Hollywood: A Novel” (2021) by Quentin Tarantino“Pulp Fiction” (Quentin Tarantino, 1994)“Parasite” (Bong Joon Ho, 2019)“Argo” (Ben Affleck, 2012)“The Wrecking Crew” (Phil Karlson, 1968)“Heat” (Michael Mann, 1995)“The White Album” (1979) by Joan Didion“Zodiac” (David Fincher, 2007)“Django Unchained” (Quentin Tarantino, 2012)“The Hateful Eight” (Quentin Tarantino, 2015)“Inglourious Basterds” (Quentin Tarantino, 2009)“The Night They Raided Minsky's” (William Friedkin, 1968)“Joanna” (Michael Sarne, 1968)“The Great Escape” (John Sturges, 1963)“The A-Team” (Frank Lupo and Stephen J. Cannell, 1983-1987)“Psycho” (Alfred Hitchcock, 1960)“Billions” (Brian Koppelman, David Levien, and Andrew Ross Sorkin, 2016-2023)“Band of Brothers” (Tom Hanks and Steven Spielberg, 2001)“Friday the 13th: The Final Chapter” (Joseph Zito, 1984)“Helter Skelter” (Tom Gries, 1976)“Helter Skelter: The True Story of The Manson Murders” (1974) by Vincent Bugliosi and Curt Gentry“Mindhunter” (Joe Penhall, 2017-2019)“The Thing” (John Carpenter, 1982)“The Green Hornet” (George W. Trendle and Fran Striker, 1966-1967)“Enter the Dragon” (Robert Clouse, 1973)“The Movie Critic” (Quentin Tarantino, ND)“I Am Curious (Yellow)” (Vilgot Sjöman, 1967)“I Am Curious (Blue)” (Vilgot Sjöman, 1968)“Les Diaboliques” (Henri-Georges Clouzot, 1955)“Rebel Without a Cause” (Nicholas Ray, 1955)“Jackie Brown” (Quentin Tarantino, 1997)“True Romance” (Tony Scott, 1993)“Kill Bill: Volume 1” (Quentin Tarantino, 2003)“Kill Bill: Volume 2” (Quentin Tarantino, 2004)“Death Proof” (Quentin Tarantino, 2007)Audio quotation:“The Adventures of Cliff Booth | Official Trailer (Brad Pitt, 2026)”, posted by “Entertainment Tonight”, https://www.youtube.com/watch?v=ik0drfECnPo“Argo” (Ben Affleck, 2012), including “Argo” by Alexandre Desplat, https://www.youtube.com/watch?v=j8rnhVty_F0&list=PLLa5IJKUlCqpjmFZfaViCGKOFBEo9-uHG&index=1“The Wrecking Crew” (Phil Karlson, 1968), including “House of 7 Joys” by Mack David and Frank DeVol, https://www.youtube.com/watch?v=QqXtrTEfADk&list=PLPfZYwgBvrXEoh8KJpt9_mf9s4JRjDv9y“Once Upon a Time… in Hollywood” (Quentin Tarantino, 2019), including the songs “Good Thing” and “Hungry” (1966) by Paul Revere & The Raiders, and “Jenny Take a Ride” (1965) by Mitch Ryder and the Detroit Wheels, https://www.youtube.com/playlist?list=PLDisKgcnAC4Tn2kjbXBPiXDu5lVCffkLr“The Hateful Eight” (Quentin Tarantino, 2015), including “Ouverture” by Ennio Morricone, https://www.youtube.com/watch?v=UP_S_UKU64s&list=PLNObdymy4C-pt9t0oSeLWTVFu8UxpEVvV&index=3“Reservoir Dogs” (Quentin Tarantino, 1992), including “Stuck in the Middle With You” (1973) by Stealers Wheel“Rebel Without a Cause” (Nicholas Ray, 1955), including “Main Title” by Leonard Rosenman, 

The Dads revisit the legendary haunted house classic Poltergeist, exploring why it remains one of the most iconic horror movies of all time. Directed by Tobe Hooper and produced by Steven Spielberg, Poltergeist blends family drama, groundbreaking practical effects, and unforgettable scares that still resonate—especially for parents.In this review, we break down the film's legacy, the Spielberg vs. Hooper authorship debate, standout moments, and how Poltergeist helped redefine suburban horror in the 1980s.Follow Dads From the Crypt! Threads: @dadsfromthecryptTikTok: Dads From The Crypt-TokInstagram: @dadsfromthecrypt Patreon: https://www.patreon.com/DadsFromTheCrypt

This time on SWT, it's the grand return of Free Talk Friday! After the highs of last week's Valentine's Day special (go and listen to it if you haven't already), the guys take some time to debrief everything that happened while they were frozen inside their houses for a week. On the menu for today — a major kerfuffle at Robby's family Super Bowl party; the incredible fun of working in home renovation during a catastrophic deep freeze; a quick discussion about Heaven and Hell (light stuff); and much, much more! Stay tuned to the end for a SURPRISE special guest appearance from someone you may know >:)Also in this episode, Harrison gets too curious for his own good. Robby has a mid-episode vomit scare. Spencer rants about corruption at the Oscars. And the guys take their first listener phone call from a surprise special guest. Did I tease that one already? I think I did. I just really want to hype up our first listener phone call. Is that so bad? I mean, how many of you even read this far into the description anyway? I could really say anything I want down here and no one would ever notice. We're reviewing Catch Me If You Can next episode — can you believe it? It'll be the first movie of our Steven Spielberg director series. Yeah, it was supposed to be a surprise or something, but if you're still reading, you're a real one. Real ones get rewarded. Anyways, go listen to the episode or whatever.Website: sorrywetried.comMerch: bit.ly/swtmerchInstagram: @swtpodcastTwitter: @sorrywetriedEmail: thepodcastmen@gmail.comSend a textSupport the show

Send a textIn this episode of Serving Sundays, Dave Wheeler and Candace Langan trade in their usual routine for some serious "protection"—literally. Dressed in handmade tin-foil hats, the duo transitions from discussing the "E-files" to the "X-files," exploring the unsettling intersection of high-level government scandals and the recent surges in UFO (UAP) sightings.The conversation navigates the heavy waters of the Epstein file releases and the psychological impact of mass information dumps before pivoting to a cosmic mystery. They discuss former President Obama's cryptic comments on aliens, the potential for advanced hologram technology to be used as a "false flag" distraction, and why Steven Spielberg might be the ultimate source of "Easter eggs" for humanity's future. Whether it's lizard people, drone swarms, or the theory that birds aren't real, Dave and Candace question what is fact, what is fiction, and what is simply a distraction from the truth.Support the showFollow us on social media: Dave Wheeler Candace Rae

Thomas Tulak (Hook, Cheers) is known as Too Small, the youngest lost boy in Steven Spielberg's Hook (1991) (1991) with Robin Williams and Dustin Hoffman. He followed up this role with 3 appearances in Cheers (1982) with Ted Danson and Kelsey Grammer, and an appearance in Mad About You (1992) with Helen Hunt. After which, Thomas took a break from acting to grow up away from the spotlight.He studied digital film and video production at the Art Institute of LA, and founded a production company called Easily Amused Group productions. Thomas is an award-winning director, and accomplished writer, cinematographer, and editor. To date, his directorial credits include 1 feature film, 19 short films, and three web series, one of which has over 300 episodes.In 2020, Thomas appeared as a series regular in seasons 1 and 2 of Real Acting (2019) (2020), with Sarah Williams and Gerard Marzilli.In 2021, at the height of the Covid pandemic, Thomas was married to Amelia Dufault.In 2022, Thomas' feature film directorial debut, Who Dunt Dunt Dunnit? : the movie (2023) premiered at Kevin Smith's inaugural SModcastle Film Festival.

When your film career starts out with E.T. the Extra Terrestrial and The Outsiders people expect big things to follow. C. Thomas Howell has made good on this promise by working steadily ever since those early 1980s milestones—and promoting literacy through screenings of the S.E. Hinton classic. He has scores of film and television credits, but Leonard and Jessie are most impressed with his work ethic. The quality that Steven Spielberg and Francis Ford Coppola noticed so long ago still fires his work, most recently in the features One Mile: Chapter One and One Mile: Chapter Two, both now available on digital.

Movie Mike shares a baffling list who trashed the movies that gave them their big break. The list includes A-list actors like Jennifer Aniston who despises her role in "Leprechaun". As he tries to understand their reasoning, he gets triggered by certain actors who drag the roles that we all know and love. In the Movie Review, Mike and Kelsey talk about Wuthering Heights starring Margot Robbie and Jacob Elordi. It’s a passionate love story set against the backdrop of the Yorkshire moors, exploring the intense and destructive relationship between Heathcliff and Catherine Earnshaw. Mike shares how it’s different from most period dramas, the chemistry between the two leads and if the love story was good or they’re just two hot actors. Plus how director Emerald Fennell has had a great 3-movie run to start her career. In the Trailer Park, Mike talks about Disclosure Day directed by Steven Spielberg where the question is: If you found out we weren't alone, if someone showed you, proved it to you, would that frighten you? Mike dives into how the movie might be soft launched, really finding out the truth of what is out there and other movies that have pushed ideas onto the public. New Episodes Every Monday! Check out Kelsey’s new Book Recommendation Instagram @KelseyRodReads Watch on YouTube: @MikeDeestro Follow Mike on TikTok: @mikedeestro Follow Mike on Instagram: @mikedeestro Follow Mike on Letterboxd: @mikedeestro Email: MovieMikeD@gmail.com See omnystudio.com/listener for privacy information.

This week on The Rotten Horror Picture Show Podcast, Clay and Amanda hit the gas with a discussion of Duel (1971), the lean, mean thriller that marked the feature debut of a young Steven Spielberg. Originally produced as a television movie, Duel was so effective, so tightly constructed, that it was later expanded and released theatrically—launching Spielberg's career with a simple but terrifying premise: one man, one car, and one relentless, faceless truck driver who refuses to let him go. Clay and Amanda break down how Spielberg builds unbearable tension out of open highways, sparse dialogue, and pure cinematic momentum. It's stripped-down suspense at its finest, proof that you don't need aliens or sharks to make an audience squirm—just a road and something chasing you down it.Now, personally? I don't care for driving. Not because of road rage. Not because of reckless truckers. No, my grievance is far more tragic. The windshield. That thick, cruel pane of betrayal stands between me and what could be a veritable buffet of airborne delights. Do you know how many juicy, protein-packed bugs are out there on the highway? Countless. And what happens? Splat. Wasted. Perfectly good snacks smeared uselessly against the glass instead of landing directly where nature intended—right in my open mouth.Watching Duel is especially frustrating for me. All that speeding down lonely desert roads, all that prime insect territory just zooming by untouched. Dennis Weaver's character is busy worrying about a murderous truck, and I'm thinking, “Sir, do you realize the missed culinary opportunity here?”Still, Clay and Amanda make a strong case for the film's brilliance. They explore its minimalism, its craftsmanship, and how Spielberg transforms the mundane act of driving into a primal survival story. Me? I'll be listening carefully—preferably with the window down. You never know what might fly in.And don't forget to visit patreon.com/thepenskyfile to help support the show, and follow Clay and Amanda down the road of horror sequels this year!

Democrats just handed ICE exactly what ICE asked for.[FREE SPEECH FRIDAY]If you value my reporting, please, please support my work

Today on The Drew Allen Show, the Left turns on itself.Congresswoman Jasmine Crockett goes to war with fellow Democrats, accusing members of her own party of racism over their support for James Talarico. When identity politics becomes your operating system, eventually you start devouring your own.Meanwhile, the Supreme Court rules against Trump's tariffs in a decision that raises serious questions about the political posture of the Court. When “judicial restraint” seems selective, Americans are right to notice.And in California, Steven Spielberg reportedly leaves the state over Democrat-led wealth tax policies — yet remains a loyal Democrat. Hollywood wants progressive virtue… just not the progressive tax bill.Party fractures. Judicial politics. Elite hypocrisy.All of it tells a bigger story.That and more on today's episode of The Drew Allen Show. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit drewallen.substack.com/subscribe

Even naughty dogs can have a huge impact on animation.In 1989, animator Don Bluth dared to go it alone, without the might of George Lucas and/or Steven Spielberg, and pushed the boundaries of what animated movies could explore in All Dogs Go To Heaven; the third and final movie to celebrate this podcast's seventh birthday.Released on the exact same day as Disney's The Little Mermaid, this darker, grittier tale of redemption featured a con-artist dog literally escaping heaven to seek revenge on his murderer, complete with a terrifying nightmare sequence that traumatized a generation of kids.But the real horror wasn't just on screen. All Dogs Go To Heaven became a haunting memorial to ten-year-old Judith Barsi, whose voice brought orphan Anne-Marie to life just over a year after she and her mother were killed by her father, with the movie released posthumously, and its end credits song dedicated in her honour.Despite being overshadowed at the box office by Disney's juggernaut, All Dogs Go to Heaven has endured as a cult classic that represents both the peak of Don Bluth's artistic ambition and the beginning of his studio's commercial decline.Bluth's rebellious approach to animation, rejecting Disney's formula in favour of raw emotion and moral complexity, created a film that dared to ask whether dogs have souls, whether redemption is possible, and whether animated movies need happy endings. From its chaotic production with multiple story contributors to its lasting impact on viewers who still remember that nightmarish boat ride to hell, this is the story of an animated film that refused to play it safe.Support Verbal DioramaLoved this episode? Here's how you can help:⭐ Leave a 5-star review on your podcast app

This week it's another return to the archives from my original podcast, the SpielbergPod, with an episode recorded back in back in 2021. It sees Kieran and I exploring the world of television directed by Steven Spielberg with a discussion on the two episodes of Amazing Stories that he directed: 'Ghost Train' and 'The Mission'.

L'eau d'Issey by Issey Miyake (1992) + Jurassic Park by Michael Crichton (1990) + Steven Spielberg's Jurassic Park (1993)  with Amanda P 2/17/26 S8E14 To hear this episode and the complete continuing story of The Perfume Nationalist please subscribe on Patreon. 

Send Kevin a Text MessageIn this episode of Don't Kill the Messenger, host Kevin Goetz welcomes Bob Cooper, the influential executive who helped transform HBO from a movie channel into a creative powerhouse, producing landmark films like The Josephine Baker Story and Barbarians at the Gate, and who later shaped the theatrical landscape as President of Tri-Star Pictures and head of development and production at Dreamworks, where he championed American Beauty. From prosecuting organized crime in Montreal to greenlighting American Beauty, Bob's career is a lesson in reinvention and risk-taking.Finding Your "And" (00:28): Bob traces his winding path from studying acting at the Pasadena Playhouse to law school to founding Canada's first storefront legal aid office to prosecuting organized crime to hosting a national investigative news program.The Birth of HBO Originals (14:47): When his early Canadian film production company collapsed, Bob flew to New York in desperation and pitched HBO on making original movies, starting with The Terry Fox Story.No Vanilla Allowed (19:34): Bob developed a strategy of bold, true-story-based films that couldn't be seen in theaters or on network TV. The Josephine Baker Story became the blueprint.The Projects Nobody Wanted (22:29): Bob consistently bet on the projects others passed on, championing films like And the Band Played On, Barbarians at the Gate, and The Positively True Adventures of the Alleged Texas Cheerleader-Murdering Mom.Tristar and Jerry Maguire (28:26): Bob shares how he helped crack the marketing code on Jerry Maguire by identifying its core theme as "a comedy about not selling out.”Dreamworks and American Beauty (37:22): At Dreamworks, Bob got Steven Spielberg to read a script that was almost impossible to pitch – American Beauty. Spielberg read it overnight, called a meeting the next morning, and immediately declared it "an Academy movie."Meet the Parents and the Spielberg Phone Call (41:25): Bob spotted an unmade script at Universal called Meet the Parents and brought it to Spielberg, who simply picked up the phone and called Edgar Bronfman on the spot to acquire it.What Makes Stories Universal (47:15): Bob shares his deepest creative philosophy: that pain is the engine of every great story, including comedy. He closes with a moving account of his current stage project about Bobby Kennedy.Bob Cooper's career is a reminder that unconventional paths often lead to the most enduring work. If you enjoyed this episode, please leave us a review and share. We look forward to bringing you more behind-the-scenes revelations next time on Don't Kill the Messenger.Host: Kevin GoetzGuests: Bob CooperProducer: Kari CampanoWriters: Kevin Goetz, Darlene Hayman, Nick Nunez, and Kari CampanoAudio Engineer & Editor: Gary Forbes (DG Entertainment)For more information about Kevin Goetz:- Website: www.KevinGoetz360.com- Audienceology Book: https://www.simonandschuster.com/books/Audience-ology/Kevin-Goetz/9781982186678- How to Score in Hollywood: https://www.amazon.com/How-Score-Hollywood-Secrets-Business/dp/198218986X/- Facebook, X, Instagram, TikTok, YouTube, Substack: @KevinGoetz360- LinkedIn @Kevin Goetz- Screen Engine/ASI Website: www.ScreenEngineASI.com

A young John Landis fulfills his dreams of becoming a Hollywood director. But he's eager to prove he can do more than just comedy, and when Steven Spielberg approaches him with a new project, he jumps at the opportunity to show what he can do.Be the first to know about Wondery's newest podcasts, curated recommendations, and more! Sign up now at https://wondery.fm/wonderynewsletterListen to American Scandal on the Wondery App or wherever you get your podcasts. Experience all episodes ad-free and be the first to binge the newest season. Unlock exclusive early access by joining Wondery+ in the Wondery App, Apple Podcasts or Spotify. Start your free trial today by visiting wondery.com/links/american-scandal/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

As The Simpsons hits its 800th episode, Jim Hill takes a moment to appreciate how this once-scrappy Fox upstart became an animation institution that may never actually end. From the long-lost series finale concept where Homer and Krusty were secretly the same person to the show's upcoming theatrical sequel and Disney's long-term park plans, this week's Fine Tooning looks at how Springfield keeps evolving. Plus, box office updates, Avatar sequel math, Matt Braly's next move after Sony, and a wild Steven Spielberg phone call that changed animation history. NEWS • The Simpsons celebrates its 800th episode with “Irrational Treasure,” the 14th episode of Season 37, as the series eyes renewal through Season 40 and a second theatrical film set for September 3, 2027. • Disney+ viewers can compare Season 1's “Santa's Little Helper” to the new milestone episode to see just how dramatically the show's animation quality has evolved since 1989. • Sony Pictures Animation's Goat opens strong over Presidents Day weekend, reportedly close behind Warner Bros.' Wuthering Heights, with final box office numbers still shifting. • Zootopia 2 crosses $1.83 billion worldwide, becoming the ninth highest-grossing film of all time, though its upcoming March 3 home video release may slow its push toward $2 billion. • Avatar: Fire & Ash reaches $1.46 billion globally, profitable but well below the franchise's prior installments, raising questions about costs and expectations for Avatar 4 and 5. • Matt Braly and Rebecca Sugar's previously in-development Sony feature is shelved, but Braly launches a Kickstarter on March 13 for his indie gothic horror pilot Clara and the Below. • The RiffTrax team raises nearly $1.9 million on Kickstarter for The RiffTrax Experiments, offering a hopeful blueprint for creator-driven animation crowdfunding. FEATURE • The behind-the-scenes story of how Judy Freudberg and Tony Geiss were hired by Steven Spielberg to write The Land Before Time, following his surprise discovery of Sesame Street Presents: Follow That Bird. • Spielberg's now-legendary phone call to Freudberg, initially mistaken for a prank, ultimately led to a creative partnership that bridged Sesame Street and major animated feature filmmaking. HOSTS • Jim Hill - IG: @JimHillMedia | X: @JimHillMedia | Website: JimHillMedia.com • Drew Taylor - IG: @drewtailored | X: @DrewTailored | Website: drewtaylor.work FOLLOW • Facebook: JimHillMediaNews • Instagram: JimHillMedia • TikTok: JimHillMedia SUPPORT Support the show and access bonus episodes and additional content at Patreon.com/JimHillMedia. PRODUCTION CREDITS Edited by Dave Grey Produced by Eric Hersey - Strong Minded Agency SPONSOR This episode is sponsored by Unlocked Magic. Get real discounts on Walt Disney World and Universal Orlando tickets, sometimes up to 12% off. Unlocked Magic is run by the team behind DVC Rental Store and DVC Resale Market, making it easy to plan your 2026 Central Florida trip and save big. Grab your tickets today at UnlockedMagic.com and be sure to tell them Drew and Jim sent you. If you would like to sponsor a show on the Jim Hill Media Podcast Network, reach out today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Producer and podcaster Sean Fennessey (The Big Picture, The Rewatchables) joins Matt & Tim to discuss the 2012 Steven Spielberg film, Lincoln, starring Daniel Day Lewis and Sally Field. DDL plays President Abraham Lincoln (non-vampire hunter) and Jared Harris plays future President Ulysses S. Grant. For the rest of this conversation, go to ⁠⁠⁠https://patreon.com/secondincommand⁠⁠⁠ and become a patron! Matt Walsh ⁠⁠⁠⁠⁠⁠https://www.instagram.com/mrmattwalsh⁠⁠⁠⁠⁠⁠Timothy Simons ⁠⁠⁠⁠⁠⁠https://www.instagram.com/timothycsimons⁠⁠⁠⁠⁠⁠Sean Fennessey https://instagram.com/seanfennessey Second In Command ⁠⁠⁠⁠⁠⁠https://instagram.com/secondincommandpodcast⁠⁠⁠⁠⁠⁠ Email questions to: secondincommandatc@gmail.com

Kevin and Matthew McManus (American Vandal, Cobra Kai, Redux Redux) jump in the passenger seat for a revving chat about Steven Spielberg's Duel. Shot in 10 days, this 1971 TV movie was Spielberg's first real introduction to Hollywood. It's an adaptation of a Richard Matheson short story that follows a spineless city boy as he's tormented by a faceless truck driver that prowls the rural roads outside of Los Angeles. Part Hitchcock, part '70s weirdo Spielberg, there's a good argument that without Duel being as good as it was Spielberg may not have broken out as quickly as he did. The McManus Brothers help your humble host break down the movie, talk about our favorite sequences, and point out some of the more eye-catching visual storytelling moments. Their latest film, Redux Redux, which follows a mother that jumps realities so she can torment her daughter's murderer over and over again, can be seen in theaters this Friday, February 20th. Learn more about your ad choices. Visit megaphone.fm/adchoices

As The Simpsons hits its 800th episode, Jim Hill takes a moment to appreciate how this once-scrappy Fox upstart became an animation institution that may never actually end. From the long-lost series finale concept where Homer and Krusty were secretly the same person to the show's upcoming theatrical sequel and Disney's long-term park plans, this week's Fine Tooning looks at how Springfield keeps evolving. Plus, box office updates, Avatar sequel math, Matt Braly's next move after Sony, and a wild Steven Spielberg phone call that changed animation history. NEWS • The Simpsons celebrates its 800th episode with “Irrational Treasure,” the 14th episode of Season 37, as the series eyes renewal through Season 40 and a second theatrical film set for September 3, 2027. • Disney+ viewers can compare Season 1's “Santa's Little Helper” to the new milestone episode to see just how dramatically the show's animation quality has evolved since 1989. • Sony Pictures Animation's Goat opens strong over Presidents Day weekend, reportedly close behind Warner Bros.' Wuthering Heights, with final box office numbers still shifting. • Zootopia 2 crosses $1.83 billion worldwide, becoming the ninth highest-grossing film of all time, though its upcoming March 3 home video release may slow its push toward $2 billion. • Avatar: Fire & Ash reaches $1.46 billion globally, profitable but well below the franchise's prior installments, raising questions about costs and expectations for Avatar 4 and 5. • Matt Braly and Rebecca Sugar's previously in-development Sony feature is shelved, but Braly launches a Kickstarter on March 13 for his indie gothic horror pilot Clara and the Below. • The RiffTrax team raises nearly $1.9 million on Kickstarter for The RiffTrax Experiments, offering a hopeful blueprint for creator-driven animation crowdfunding. FEATURE • The behind-the-scenes story of how Judy Freudberg and Tony Geiss were hired by Steven Spielberg to write The Land Before Time, following his surprise discovery of Sesame Street Presents: Follow That Bird. • Spielberg's now-legendary phone call to Freudberg, initially mistaken for a prank, ultimately led to a creative partnership that bridged Sesame Street and major animated feature filmmaking. HOSTS • Jim Hill - IG: @JimHillMedia | X: @JimHillMedia | Website: JimHillMedia.com • Drew Taylor - IG: @drewtailored | X: @DrewTailored | Website: drewtaylor.work FOLLOW • Facebook: JimHillMediaNews • Instagram: JimHillMedia • TikTok: JimHillMedia SUPPORT Support the show and access bonus episodes and additional content at Patreon.com/JimHillMedia. PRODUCTION CREDITS Edited by Dave Grey Produced by Eric Hersey - Strong Minded Agency SPONSOR This episode is sponsored by Unlocked Magic. Get real discounts on Walt Disney World and Universal Orlando tickets, sometimes up to 12% off. Unlocked Magic is run by the team behind DVC Rental Store and DVC Resale Market, making it easy to plan your 2026 Central Florida trip and save big. Grab your tickets today at UnlockedMagic.com and be sure to tell them Drew and Jim sent you. If you would like to sponsor a show on the Jim Hill Media Podcast Network, reach out today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Producer and podcaster Sean Fennessey (The Big Picture, The Rewatchables) joins Matt & Tim to discuss the 2012 Steven Spielberg film, Lincoln, starring Daniel Day Lewis and Sally Field. DDL plays President Abraham Lincoln (non-vampire hunter) and Jared Harris plays future President Ulysses S. Grant. For the rest of this conversation, go to ⁠⁠⁠https://patreon.com/secondincommand⁠⁠⁠ and become a patron! Matt Walsh ⁠⁠⁠⁠⁠⁠https://www.instagram.com/mrmattwalsh⁠⁠⁠⁠⁠⁠Timothy Simons ⁠⁠⁠⁠⁠⁠https://www.instagram.com/timothycsimons⁠⁠⁠⁠⁠⁠Sean Fennessey https://instagram.com/seanfennessey Second In Command ⁠⁠⁠⁠⁠⁠https://instagram.com/secondincommandpodcast⁠⁠⁠⁠⁠⁠ Email questions to: secondincommandatc@gmail.com

Even baby dinosaurs can have a huge impact on animation.In 1988, three Hollywood titans, Steven Spielberg, George Lucas, and Don Bluth, came together to create what would become one of the most emotionally devastating animated films ever made, and it is the second movie to celebrate this podcast's seventh birthday.The Land Before Time wasn't just another dinosaur movie: it was an ambitious attempt to recapture the magic of Bambi for a new generation, complete with a mother's death scene that traumatized millions of kids and made it a cultural touchstone. Despite the cutting of over ten minutes of footage deemed too scary, the film still pulled no punches in its portrayal of loss, survival, and the harsh realities of a prehistoric world.What makes The Land Before Time so enduring isn't just nostalgia, it's the film's willingness to treat young audiences with respect, addressing grief and fear head on.Working with both Spielberg and Lucas wasn't exactly the dream scenario Bluth expected it to be, though, and the partnership between Amblin & Sullivan Bluth would, like the dinosaurs they depicted, quickly become extinct. Despite this, The Land Before Time remains a masterclass in emotional storytelling that still resonates nearly four decades later.Support Verbal DioramaLoved this episode? Here's how you can help:⭐ Leave a 5-star review on your podcast app

Greek mythology has a way of cycling back. Every generation seems to take a turn with these stories, reshaping them to fit the tools and tastes of the moment. With a new version of The Odyssey directed by Christopher Nolan on the horizon, it feels like a good time to revisit a few earlier attempts. Not the definitive versions. Just four films that each capture a different moment in how the myths were staged.Jason and the ArgonautsDirected by Don Chaffey and brought to life by the stop motion work of Ray Harryhausen, this remains the standard for mythological adventure on film.The skeleton fight is still the showcase. Harryhausen animated seven sword fighting skeletons by hand, frame by frame, matching choreography that had already been filmed with live actors. It took months to complete just a few minutes of screen time. The patience shows. The movement has weight and timing that still feels precise.There is also Talos, the bronze giant, who creaks to life in a way that feels mechanical and ancient at the same time. No digital polish. Just careful craft. The film was not a major hit in 1963, but it built its reputation through television airings and revival screenings. Filmmakers like Steven Spielberg and Peter Jackson have pointed to it as an influence.Clash of the TitansNearly twenty years later, Harryhausen returned for what would be his final feature. Released in 1981, the same summer as Raiders of the Lost Ark, it feels like a bridge between eras.Medusa is the standout. Instead of legs she has a serpentine body, and the sequence plays almost like a horror film, full of shadow and flickering light. Harryhausen again handled the creature effects himself, at a time when optical and early digital techniques were starting to change the industry.The cast gives the film a formal tone. Laurence Olivier plays Zeus and Maggie Smith appears as Thetis. There is also Bubo, the small mechanical owl added after the success of Star Wars. Even at the time some viewers were unsure about that addition. It says a lot about where fantasy films were headed in the early 1980s.HerculesDirected by Luigi Cozzi and starring Lou Ferrigno, this version of Hercules leans into spectacle in a way that is sometimes baffling and sometimes charming.Ferrigno had already been known for playing the Hulk on television, so casting him as Hercules made sense on a physical level. The film itself mixes Greek myth with science fiction imagery, including cosmic visuals and creatures that feel closer to Italian fantasy cinema than to Homer.It was part of a cycle of sword and sandal films in the early 1980s, many of them international co productions designed for global markets. The effects are uneven, but there is sincerity here. It commits to its vision without irony.The OdysseyDirected by Andrei Konchalovsky and starring Armand Assante, this two part television adaptation aired in 1997 as an event production.The format allows it to cover more of the journey than most feature films attempt. The Cyclops sequence and the Sirens episode stand out, helped by visual effects that were ambitious for network television at the time. The production won an Emmy for visual effects and reflects a brief period when large scale myth adaptations were being mounted for prime time audiences.Watching it now, you can see both its limits and its effort. It wants to treat the source material seriously, without reducing it to spectacle alone.Taken together, these films show how the same source material can shift with the era. Stop motion craft in the 1960s. Transitional fantasy in the early 1980s. International genre filmmaking. Large scale television in the 1990s.When Nolan releases his Odyssey, it will enter a long line of attempts to translate these myths into something contemporary. Revisiting these earlier versions is a way to see how each generation solved the same problem with different tools.They are worth tracking down. Not because they are perfect, but because each one reflects a moment when someone decided these ancient stories were still worth staging carefully.Thanks for reading Video Store Podcast! Subscribe for free to receive new posts and support my work. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.videostorepodcast.com

Gav Murphy joins Mike to discuss the ultimate man-made monster movie, Steven Spielberg's 1993 masterpiece Jurassic Park! Hosted, Produced and Edited by Mike Muncer Music by Jack Whitney  Artwork by Mike Lee-Graham Get ad free episodes and weekly bonus content on our Patreon! www.patreon.com/evolutionofhorror  Big thank you to Mary Wild for this week's 'Wild About Horror' segment! Sign up to Mary's Patreon!  Visit our website www.evolutionofhorror.com  Buy tickets for our UPCOMING SCREENINGS & EVENTS Buy yourself some brand new EOH MERCH! Email us!  Follow EOH on INSTAGRAM Like EOH on FACEBOOK Join the EOH DISCUSSION GROUP Join the EOH DISCORD Follow EOH on LETTERBOXD

The movie-to-comic path doesn't always work out, but IDW Publishing is quickly proving itself to be the place to run to with your adaptation. Their latest cinematic comic book sidequel, A Quiet Place: Storm Warning, features script and layouts by industry veteran Phil Hester and pencils and inks by Ryan Kelly. Hester comes from that Alex Toth/Harvey Kurtzman tradition, embracing visuals and having faith that silence can carry as much story as 200 word balloons. A Quiet Place stakes its narrative on silence. If you caught the first film in a theater, you undoubtedly remember the awkwardness of attempting popcorn consumption while Emily Blunt on screen quiveringly descends the basement stairs before OWWWWW! The nail in the foot! One may think removing audible sound from the equation would ruin the experience; however, Phil Hester did just that when he pitched his take to editors, adapting that scene specifically. The stairway nail bit, told as a comic by Phil Hester, proved undeniable. He got the gig, and then he got to work formulating his spin-off characters and plot. As the first film took inspiration from Steven Spielberg's Jaws, so does his arc, pitting a small town politician against the local fire chief. This time, they're also sister and brother, adding a dramatic sharpness that can only cut when family is involved. Of course, what does familial pride matter when creatures are raining from the sky? Phil Hester joins the podcast for the first time this week. We discuss the challenges of adapting a cinematic concept to the comic book page, how he always embraces silence, and why Jaws is just the best damn movie ever made. A Quiet Place: Storm Warning #1 arrives in comic book shops from IDW Publishing on March 11th. It's written by Phil Hester, illustrated by Ryan Kelly, colored by Lee Loughridge, lettered and designed by Nathan Widick, and edited by Heather Antos. Make sure you're following Phil Hester on Bluesky. This Week's Sponsors The Future is Calling! 2000 AD is the Galaxy's Greatest Comic, with new issues published every single week! Every 32-page issue of 2000 AD brings you the best in sci-fi and horror, featuring characters like Judge Dredd, Rogue Trooper, and more. Get a print subscription to 2000 AD and it'll arrive to your mailbox every week - and your first issue is free! Or subscribe digitally, and you can download DRM-free copies of each issue for only $9 a month. That's 128 pages of incredible comics every month for less than $10! Head to 2000AD.com and click on ‘subscribe' now – or download the 2000 AD app and start reading today! This February, Dave Stevens's The Rocketeer soars again in a brand-new story written by John Layman, the genius behind the foodie cannibal detective series Chew, and illustrated by Jacob Edgar, who drew Plastic Man: No More and has a very cool J. Bone/Darwyn Cooke style. The new series is called The Rocketeer: The Island. Our skybound hero, Cliff Secord, leads a dangerous search and rescue mission. Who's he looking for? None other than Amelia Earhart! The first issue crashes into comic book shops on February 25th, courtesy of IDW Publishing. Other Relevant Links to This Week's Episode: Subscribe to the Comic Book Couples Counseling YouTube Channel Watch The Stacks, Comic Creators Name Their Favorite Comics CBCC on the Comics Matter Podcast AIPT reports on The Stacks Support Your Local Comic Shop: Secret Identity Comics in Chester, England Comic Book Club: Batman: The Court of Owls at Meanwhile...Coffee in Herndon, Virginia, on 2/1 at 3:30 PM Comic Book Film Club: Blade at the Alamo Drafthouse Winchester on 2/15 Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

Sean and Amanda open the show by reacting to every movie trailer from the Super Bowl, including those for David Fincher's ‘The Adventures of Cliff Booth' and Steven Spielberg's ‘Disclosure Day' (1:25). Then, they talk through their experience at the DGA Awards this past weekend and explain what it's actually like at an awards show (33:15). Finally, Sean is joined by Maggie Kang and Chris Appelhans, the directors of ‘KPop Demon Hunters,' to discuss why they wanted to make a movie for themselves first and foremost, how legendary Korean directors Bong Joon-ho and Park Chan-wook inspired their filmmaking style, and the importance of writing interesting and strong female characters (1:25:38). Hosts: Sean Fennessey and Amanda Dobbins Guests: Maggie Kang and Chris Appelhans Producer: Jack Sanders Video Producers: Sarah Reddy, Donald LoBianco, and Ryan Todd Audio Producers: Devon Baroldi and Kevin Cureghian Additional Production Support: Nick Kosut and T Cruz A State Farm agent can help you choose the coverage you need. Like a good neighbor, State Farm is there.® Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this Industry Standard episode, Barry Katz sits down with legendary television executive Paul Telegdy for a rare, inside look at leadership, legacy, and decision-making at the highest levels of entertainment. Paul reflects on stepping into major roles at NBC, what it means to inherit massive franchises like America's Got Talent, and why leadership is less about control and more about stewardship. From calling icons like Steven Spielberg and Jay Leno on day one to protecting the creative flame for hundreds of employees, this conversation offers hard-earned wisdom on managing power, responsibility, and creative culture in a constantly shifting industry.Blueprint for Successhttps://barrykatz.com/blueprintAre you a comedian, actor, writer, director, producer, manager, host, podcaster or agent? Would you like personalized help to reach all of your goals in the entertainment business? Click the link to learn more & join our FREE industry networking group full of decades of experience!Barry Katz Entertainmenthttps://barrykatz.comConnect with Barryhttps://instagram.com/barrykatzhttps://facebook.com/BarryKatzOfficialPagehttps://tiktok.com/@barry_katzhttps://linkedin.com/in/barrykatzbkehttps://x.com/BarryKatz#BarryKatz #NetworkExecutive #Comedy #PaulTelegdy