Podcast appearances and mentions of tracy bryant

On this episode of the Dripping in Black Podcast, we are Dripping in the Inkster High Takeover. Volume 5 closes out Dripping in Black's first edition of the Inkster Series with a bang as we sit down with some of Inkster High School's most beloved former teachers. We travel down memory lane with Mrs. Floretta Marino, Ms. Tonya Floyd, Mrs. Tracy Bryant, and Mr. Kente Rosser, discuss the unjustifiable dissolution of the entire Inkster Public School District, and pay homage to former Inkster High students, teachers, coaches and staff. Thursday, April 29, 2021, the Dripping in Black Podcast showcases another true story of Black Excellence, the story of Inkster High. Join us. Watch the Episode on YouTube: Dripping in the Inkster High Takeover. Volume 5 Reny Marino Social Media Facebook: @Reny Marino Tonya Floyd Social Media Facebook: @Tonya Floyd Instagram: @SheTeachez Tracy Bryant Social Media Facebook: @TracyBryant Instagram: @Presidential_Sweet Twitter: @TCB_Principal Kent`e Rosser Social Media Facebook: @KenteRosser Instagram: @Kente_Rosser Twitter: @KenteRosser1 YouTube: The Organic Think Tank Dripping In Black Social Media Website: drippinginblack.com Instagram: @dibk20 Facebook: @dibk20 Twitter: Dibk20 --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Tracy Bryant is the Founder/CEO of Black Lit Matters. Black representations in literature for Black kids Debunking the myths of “Black people don't read” Promoting healthy dialogue around literature and societal issues are the topics discussed in this episode. Tracy Bryant Social Media: Facebook Black Lit Matters Instagram @Black.lit.matters Twitter @blacklit4life website: blacklitmatters.com Music produced by Keith "Bubby" Webb for BeatMob Productions --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

[PODCAST] LCDS #49 - Lundi 2 mars 2020 - Les règles Notre invitée Gaëlle MARTIN de l'association MenstruActions LHC qui lutte contre la précarité menstruelle et organise des discussions, conférences, rencontres, collectes du 9 au 13 mars à l'Université du Havre https://www.univ-lehavre.fr/spip.php?article2728 https://www.facebook.com/Menstruactions/ https://www.facebook.com/safecocottes/ https://www.facebook.com/regleselementaires/ News : Hommage à Katherine Johnson, ingénieure, mathématicienne de génie ! L'Ecosse rend les protections périodiques gratuites pour toutes les femmes, une première mondiale https://www.topsante.com/medecine/gyneco/regles-douloureuses/regles-en-ecosse-les-protections-periodiques-deviennent-gratuites-pour-toutes-635342 Coup de coeur, soutien à Adèle Haenel, Florence Foresti, Virginie Despentes

Tracklist: Iggy Pop – Free Khruangbin – The Red Book Beak> – We Can Go Alexandra Savior – Crying All the Time RF Shannon – Don’t Be Shy James Matthew VII, Young Guv – Love For A Day Mystic Braves […]

Tracklist: L’Epee – Dreams Doug Tuttle – In This World Alone Trey Gruber – Sister Say Michael Nau – Rides Through The Morning Tracy Bryant – Drag B Boys – Pressure Inside Floating Action – Richard Swift Pipe-eye – Tequila […]

Featuring Fling, Moses, Screaming Maldin, Tracy Bryant, Working Men's Club, The Kecks & an exclusive from Sons.

TRACY BRYANT "A Crowded Room" A Place For Nothing And Everything In Its Place (Burger, 2017) LP/CD/CS/DIGITAL AVAILABLE OCTOBER 20, 2017 VIDEO FOR "FOREVER CERTAIN": www.youtu.be/UqhPJyrRc1Y PRE-ORDER NOW: www.burgerrecords.com Los Angeles based musician Tracy Bryant, as a one of a kind solo artist, is speaking out as an outstanding singer/songwriter who isn’t afraid to dig below the surface. With his work he is filling the gap between lush pop-arrangements and a genuine, distinctive sound. One not hard to enter, but no way to just pass by. While Tracy Bryant’s music may call out as a memento from the lonely highway, we can’t help but wish to join him on his journey. As the frontman and founder of post-punk experimentalists Corners, he recorded the group’s first album, Beyond Way, in his Echo Park apartment in 2012 with just a four-track tape recorder. While the follow-up LP, Maxed out on Distractions, was very much a group effort, Bryant has continued to cultivate the haunted, solitary sounds that permeate through Beyond Way on his own. Corners toured the U.S. and Europe extensively before Bryant decided to end the band in early 2016 to fully focus on his solo endeavors. His first full length solo album “Subterranean” was released February 19th, 2016 on Burger Records. Imbued with the studied swagger of Lou Reed and the emotionally damaged earnestness of Johnny Thunders, the 12 songs are a logical extension of Beyond Way’s dark Americana, with layered acoustic guitars, hypnotic electric leads and hushed vocals setting an eerily inviting tone. Recorded in the Arizona desert by Matt Rendon of The Resonars, it was tracked mostly live with the help of friends Joo-Joo Ashworth, Jeremy Katz (Froth) and Cameron Gartung (Mystic Braves). The album garnered positive reviews worldwide and peaked at #43 on the CMJ radio 200 chart. Upon its release, Bryant embarked on a full band European tour supporting King Khan And The Shrines which culminated with a sold-out show at the 800 capacity Columbia Theater in Berlin, Germany. The band followed the tour with a successful debut at 2016’s SXSW music festival in Austin, Texas. With an all-star new band line up consisting of Nick Murray (Thee Oh Sees / White Fence) on drums, Brian Allen (Burnt Ones) on bass and Miles Luttrel (Useless Eaters) on second guitar, the group will be on the road touring the west coast up to Vancouver Island, Canada to play Otalith Festival. To introduce Bryant’s new album “A Place for Nothing And Everything in its Place” (out on Burger Records October 20th, 2017) he will head over to Europe and the UK for a month long tour in December joined by his European backing band of Brian Allen on bass, Nick Winfrey (Adult Books) on second guitar and Leonard Kaage (Jawbones, Anton Newcombe & Tess Parks) on drums.. “A Place for Nothing And Everything In Its Place” was recorded in early 2016 in Berlin, Germany. Originally conceived to be an introspective acoustic album, the written songs, once in the studio, developed into a fully arranged, conceptual work. With the help of producer Leonard Kaage, the acoustic intention became the red line that guides the nine songs through their variety. Bryant’s lyrics go a more personal way and follow inner and outer conflicts captured through the words of a restless outsider who ends up finding the company of love. The album is filled with dreamy footnotes of piano, 60‘s percussion and a more than once appearance of edgy guitars. Imagine a classic singer/songwriter record loaded with the intimacy and grit reminiscent of Alex Chilton or Nikki Sudden. A true milestone that marks an important progression in Bryant’s career as a solo artist. The album got its finishing touch by the mastering of Los Angeles pioneer Dave Cooley (Ariel Pink, The Black Angels, M83).

TRACY BRYANT "Velvet Kids" A Place For Nothing And Everything In Its Place (Burger, 2017) LP/CD/CS/DIGITAL AVAILABLE OCTOBER 20, 2017 VIDEO FOR "FOREVER CERTAIN": www.youtu.be/UqhPJyrRc1Y PRE-ORDER NOW: www.burgerrecords.com Los Angeles based musician Tracy Bryant, as a one of a kind solo artist, is speaking out as an outstanding singer/songwriter who isn’t afraid to dig below the surface. With his work he is filling the gap between lush pop-arrangements and a genuine, distinctive sound. One not hard to enter, but no way to just pass by. While Tracy Bryant’s music may call out as a memento from the lonely highway, we can’t help but wish to join him on his journey. As the frontman and founder of post-punk experimentalists Corners, he recorded the group’s first album, Beyond Way, in his Echo Park apartment in 2012 with just a four-track tape recorder. While the follow-up LP, Maxed out on Distractions, was very much a group effort, Bryant has continued to cultivate the haunted, solitary sounds that permeate through Beyond Way on his own. Corners toured the U.S. and Europe extensively before Bryant decided to end the band in early 2016 to fully focus on his solo endeavors. His first full length solo album “Subterranean” was released February 19th, 2016 on Burger Records. Imbued with the studied swagger of Lou Reed and the emotionally damaged earnestness of Johnny Thunders, the 12 songs are a logical extension of Beyond Way’s dark Americana, with layered acoustic guitars, hypnotic electric leads and hushed vocals setting an eerily inviting tone. Recorded in the Arizona desert by Matt Rendon of The Resonars, it was tracked mostly live with the help of friends Joo-Joo Ashworth, Jeremy Katz (Froth) and Cameron Gartung (Mystic Braves). The album garnered positive reviews worldwide and peaked at #43 on the CMJ radio 200 chart. Upon its release, Bryant embarked on a full band European tour supporting King Khan And The Shrines which culminated with a sold-out show at the 800 capacity Columbia Theater in Berlin, Germany. The band followed the tour with a successful debut at 2016’s SXSW music festival in Austin, Texas. With an all-star new band line up consisting of Nick Murray (Thee Oh Sees / White Fence) on drums, Brian Allen (Burnt Ones) on bass and Miles Luttrel (Useless Eaters) on second guitar, the group will be on the road touring the west coast up to Vancouver Island, Canada to play Otalith Festival. To introduce Bryant’s new album “A Place for Nothing And Everything in its Place” (out on Burger Records October 20th, 2017) he will head over to Europe and the UK for a month long tour in December joined by his European backing band of Brian Allen on bass, Nick Winfrey (Adult Books) on second guitar and Leonard Kaage (Jawbones, Anton Newcombe & Tess Parks) on drums.. “A Place for Nothing And Everything In Its Place” was recorded in early 2016 in Berlin, Germany. Originally conceived to be an introspective acoustic album, the written songs, once in the studio, developed into a fully arranged, conceptual work. With the help of producer Leonard Kaage, the acoustic intention became the red line that guides the nine songs through their variety. Bryant’s lyrics go a more personal way and follow inner and outer conflicts captured through the words of a restless outsider who ends up finding the company of love. The album is filled with dreamy footnotes of piano, 60‘s percussion and a more than once appearance of edgy guitars. Imagine a classic singer/songwriter record loaded with the intimacy and grit reminiscent of Alex Chilton or Nikki Sudden. A true milestone that marks an important progression in Bryant’s career as a solo artist. The album got its finishing touch by the mastering of Los Angeles pioneer Dave Cooley (Ariel Pink, The Black Angels, M83).

TRACY BRYANT "Forever Certain" A Place For Nothing And Everything In Its Place (Burger, 2017) LP/CD/CS/DIGITAL AVAILABLE OCTOBER 20, 2017 WATCH THE VIDEO: https://youtu.be/UqhPJyrRc1Y PRE-ORDER NOW: www.burgerrecords.com Los Angeles based musician Tracy Bryant, as a one of a kind solo artist, is speaking out as an outstanding singer/songwriter who isn’t afraid to dig below the surface. With his work he is filling the gap between lush pop-arrangements and a genuine, distinctive sound. One not hard to enter, but no way to just pass by. While Tracy Bryant’s music may call out as a memento from the lonely highway, we can’t help but wish to join him on his journey. As the frontman and founder of post-punk experimentalists Corners, he recorded the group’s first album, Beyond Way, in his Echo Park apartment in 2012 with just a four-track tape recorder. While the follow-up LP, Maxed out on Distractions, was very much a group effort, Bryant has continued to cultivate the haunted, solitary sounds that permeate through Beyond Way on his own. Corners toured the U.S. and Europe extensively before Bryant decided to end the band in early 2016 to fully focus on his solo endeavors. His first full length solo album “Subterranean” was released February 19th, 2016 on Burger Records. Imbued with the studied swagger of Lou Reed and the emotionally damaged earnestness of Johnny Thunders, the 12 songs are a logical extension of Beyond Way’s dark Americana, with layered acoustic guitars, hypnotic electric leads and hushed vocals setting an eerily inviting tone. Recorded in the Arizona desert by Matt Rendon of The Resonars, it was tracked mostly live with the help of friends Joo-Joo Ashworth, Jeremy Katz (Froth) and Cameron Gartung (Mystic Braves). The album garnered positive reviews worldwide and peaked at #43 on the CMJ radio 200 chart. Upon its release, Bryant embarked on a full band European tour supporting King Khan And The Shrines which culminated with a sold-out show at the 800 capacity Columbia Theater in Berlin, Germany. The band followed the tour with a successful debut at 2016’s SXSW music festival in Austin, Texas. With an all-star new band line up consisting of Nick Murray (Thee Oh Sees / White Fence) on drums, Brian Allen (Burnt Ones) on bass and Miles Luttrel (Useless Eaters) on second guitar, the group will be on the road touring the west coast up to Vancouver Island, Canada to play Otalith Festival. To introduce Bryant’s new album “A Place for Nothing And Everything in its Place” (out on Burger Records October 20th, 2017) he will head over to Europe and the UK for a month long tour in December joined by his European backing band of Brian Allen on bass, Nick Winfrey (Adult Books) on second guitar and Leonard Kaage (Jawbones, Anton Newcombe & Tess Parks) on drums.. “A Place for Nothing And Everything In Its Place” was recorded in early 2016 in Berlin, Germany. Originally conceived to be an introspective acoustic album, the written songs, once in the studio, developed into a fully arranged, conceptual work. With the help of producer Leonard Kaage, the acoustic intention became the red line that guides the nine songs through their variety. Bryant’s lyrics go a more personal way and follow inner and outer conflicts captured through the words of a restless outsider who ends up finding the company of love. The album is filled with dreamy footnotes of piano, 60‘s percussion and a more than once appearance of edgy guitars. Imagine a classic singer/songwriter record loaded with the intimacy and grit reminiscent of Alex Chilton or Nikki Sudden. A true milestone that marks an important progression in Bryant’s career as a solo artist. The album got its finishing touch by the mastering of Los Angeles pioneer Dave Cooley (Ariel Pink, The Black Angels, M83).

Ranking 2016 exclusivo en orejasaluniverso.com. Parte de dos emisiones radiales y dos en la web. En este primer programa de la web escucharemos Alt-J, Kevin Morby, Deux Ex Machina, Pixies, Frightened Rabbit, The Dandy Warhols, Parabelle, Paul Simon, Josefin Ohrn + The Liberation, The Dunwells, Wilco, Madness, Communist Daughter, Wolf Parade, Bloc Party, Tracy Bryant, Honeyblood, Graham Nash, 3 Doors Down, Pelander, Blue Pills, Peter Wolf, Nick Cave, Cheap Trick, Pete Yorn, Shearwater, Deftones, The Veils, Santana, Baaba Mal

Ranking 2016 exclusivo en orejasaluniverso.com. Parte de dos emisiones radiales y dos en la web. En este primer programa de la web escucharemos Alt-J, Kevin Morby, Deux Ex Machina, Pixies, Frightened Rabbit, The Dandy Warhols, Parabelle, Paul Simon, Josefin Ohrn + The Liberation, The Dunwells, Wilco, Madness, Communist Daughter, Wolf Parade, Bloc Party, Tracy Bryant, Honeyblood, Graham Nash, 3 Doors Down, Pelander, Blue Pills, Peter Wolf, Nick Cave, Cheap Trick, Pete Yorn, Shearwater, Deftones, The Veils, Santana, Baaba Mal