Podcasts about Cheap Trick

Musical Journey Through the Final Week of December: This Week in Music History As the calendar year draws to a close, the week of December 22nd through December 28th stands as a powerful reminder that music history never sleeps—not even during the holidays. In this captivating episode of “This Week in Music History,” hosts Buzz Knight and Harry Jacobs take listeners on an extraordinary journey through decades of musical milestones, tragic losses, and triumphant achievements that have shaped the soundtrack of our lives. The conversation opens with a poignant reflection on the end of another year of exploring music’s rich tapestry. Buzz muses on how, despite covering similar calendar dates year after year, they continue to uncover new stories and perspectives. “When you think about it, you would think, well, if you do it year after year, you’re going to be talking about the same things,” Buzz observes. “And the truth is, we continue to uncover new and different things.” This sentiment perfectly captures the infinite depth of music history and the endless stories waiting to be told. The Clash’s Revolutionary Voice Falls Silent December 22nd marks the anniversary of one of punk rock’s most devastating losses—the death of Joe Strummer in 2002. Born John Meller, the Clash frontman passed away from pneumonia at a time when his influence on music and culture was still reverberating through generations of artists. The Clash represented more than just a band; they were a political and social force that challenged conventions and inspired countless musicians to use their platform for more than entertainment. Strummer’s legacy as a voice for the disenfranchised and his commitment to authentic, passionate rock and roll continues to inspire artists today. A Candle in the Wind That Lost Its Luster The hosts touch on Elton John’s iconic “Candle in the Wind,” originally written about Marilyn Monroe in 1967. While the song initially resonated as a beautiful tribute, its later reworking for Princess Diana’s funeral created what Buzz describes as “overkill.” The constant repetition following Diana’s tragic death in 1997 caused the song to lose some of its original emotional impact for many listeners. This phenomenon speaks to how even the most beautiful pieces of music can become dulled through overexposure, demonstrating the delicate balance between honoring memory and respecting the power of restraint. Cheap Trick’s Complex Family Dynamics A fascinating deep dive into the internal dynamics of Cheap Trick reveals the complicated nature of band relationships and business structures. Rick Nielsen, the legendary guitar player known for his collection of hundreds of guitars—including his famous five-neck Hamer guitar—represents the performative and creative heart of Cheap Trick. The band’s 2016 Rock and Roll Hall of Fame induction marked a peak moment, but beneath the surface lay complex tensions. The departure of bassist Bunny Carlos and the subsequent addition of Rick Nielsen’s son, Dax, initially appeared to follow the pattern of other famous rock family transitions, like Michael Anthony’s replacement by Wolfgang Van Halen in Van Halen. However, the reality proved far more nuanced. Buzz’s research uncovered ongoing strife within the band, though Carlos remains part of the Cheap Trick corporation—a business structure similar to Journey’s arrangement with Steve Perry. This setup ensures that founding members maintain ownership stakes even when they’re no longer actively touring, though it can also create lasting tension and legal complications. The hosts explore the darker side of band politics, touching on stories of sabotage and ego clashes. There are tales of Journey band members allegedly pulling on Steve Perry’s microphone cord during performances to make him trip—petty acts of revenge that reveal the intense pressures and personalities at play in successful rock bands. Yet they also note that time can heal wounds, pointing to Perry and Neal Schon’s apparently warm relationship at the Rock and Roll Hall of Fame induction, despite whatever conflicts may have existed in their past. The Therapeutic Approach: A New Model for Band Longevity In a refreshing counterpoint to tales of band dysfunction, Buzz shares insights from his conversation with The Head and the Heart on his “Music Saved Me” podcast. This indie pop alternative band has taken an innovative approach to managing interpersonal relationships: group therapy. Band members openly discuss how they’ve used professional counseling to navigate the challenges of creative collaboration, life on the road, and the inevitable conflicts that arise when passionate artists work together for years. This revelation prompts fascinating speculation about how many legendary bands might have avoided breakups, lawsuits, and lasting bitterness if they’d embraced therapy earlier. The deeply personal nature of musical creation—leaving your heart exposed in every performance, every recording—makes these relationships particularly vulnerable to conflict. As Harry notes, “even if it’s a drummer or a bass player, it’s still your piece of that performance of that song you left your heart out there.” The music exists forever as a testament to that vulnerability, creating permanent emotional stakes that can intensify disagreements and hurt feelings. Joe Cocker: A Voice That Couldn’t Be Contained The passing of Joe Cocker at age 70 in 2014 brings reflection on an artist whose expressive, explosive performances made him unforgettable. While 70 might not seem particularly old from our current vantage point—as Buzz and Harry, approaching 60 and 70 respectively, can attest—Cocker’s hard-living lifestyle took its toll. His performances were legendary, inspiring John Belushi’s spot-on “Saturday Night Live” impersonation that Cocker himself found hilarious. Cocker’s career highlights include his cover of The Beatles’ “With a Little Help from My Friends,” which became the theme for the television series “The Wonder Years,” and “Up Where We Belong,” his duet with Jennifer Warnes from the film “An Officer and a Gentleman.” The latter song became inextricably linked with that powerful film starring Richard Gere and Lou Gossett Jr., whose portrayal of a drill instructor was genuinely frightening and contributed to one of cinema’s most memorable moments—Gere’s character’s desperate declaration: “I got nowhere else to go.” Eddie Vedder: The Humble Superstar December 23rd celebrates the birthday of Eddie Vedder, born in 1964, whose appreciation for musical history and those who came before him sets him apart in an industry often dominated by ego. The hosts draw parallels to Dave Grohl, noting how both artists exhibit genuine humility and respect for their influences. Vedder’s collaborations with Neil Young, particularly their version of “Rockin’ in the Free World,” helped establish his credibility beyond Pearl Jam circles, while his passionate renditions of The Who’s classics—especially “Love, Reign o’er Me”—have become legendary in their own right. Vedder’s versatility shines through in his cover work, from The Waiting by Tom Petty and the Heartbreakers to The English Beat’s “Save It for Later,” featured in the television series “The Bear.” His interpretation of Tom Petty’s “Room at the Top” particularly resonates, described as “so beautiful” in its delicate handling of Petty’s original composition. The discussion of “The Bear” opens a tangent about the show’s exceptional soundtrack curation, featuring all Tom Petty covers including a barn-burning version of “Runnin’ Down the Dream” by Larkin Poe. Despite Pearl Jam’s reputation for deep cuts and extensive catalogs—which might intimidate casual fans—the hosts acknowledge being captivated whenever they hear Vedder sing anything. His voice and interpretive skills transcend the barrier of familiarity, making even unknown material compelling. The Unsung Guitar Legends of Country Music The conversation shifts to Glen Campbell, whose passing on December 24th prompts reflection on his extraordinary but often underappreciated guitar skills. Campbell represents a generation of country musicians whose technical prowess gets overshadowed by genre stereotypes. Like Roy Clark, Campbell could do virtually anything on guitar, yet many people don’t associate country music with virtuoso instrumentalists. Campbell’s session work tells the story of his versatility—he played on albums by The Monkees, The Beach Boys, Frank Sinatra, and soundtracks for Elvis films and Phil Spector productions. This breadth demonstrates how the Nashville studio system produced some of the most skilled musicians in any genre, even if they didn’t always receive recognition outside country music circles. The discussion of Campbell also touches on Brian Wilson’s 1964 breakdown, a tragic moment that had long-lasting consequences for the Beach Boys and Wilson himself. The psychological damage inflicted by Wilson’s abusive father Murry Wilson—compared to Joe Jackson’s treatment of his children—demonstrates how family trauma can derail even the most talented artists. Brian’s struggles with touring and performing were just the beginning of severe mental health challenges that would plague him throughout his career. The Police: Reunion Done Right In 2007, The Police earned recognition as the year’s highest-grossing tour, thirty years after the band’s inception and 24-25 years after their previous collaboration. The reunion tour, which Buzz witnessed in Las Vegas, comprised over 150 shows worldwide and generated nearly $400 million—not a bad payday for a comeback. This success demonstrated the enduring appeal of Sting, Andy Summers, and Stewart Copeland’s unique blend of rock, reggae, and new wave, proving that some artistic chemistry remains potent even after decades apart.Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

We sally forth with more ‪@QueensrycheOfficial‬ albums - taking on the follow-up to "Operation: Mindcrime" with "Empire!" Did they make their best record? Did they influence ‪@metallica‬ to make the "Black Album?" Watch and see! We make references to Hockey Fights, ‪@recordstoreday‬ Black Friday, South Park, Nik tries to invoke his "legal team" - Human Centipede, Nik's knife injuries, Faith No MoreCheck out our last series on the Layne Staley years of Alice in Chains:   • Alice In Chains 

In part one of Red Eye Radio with Gary McNamara and Eric Harley, the guys begin by discussing the security detail protecting the rich and famous. From Elon Musk to the Hollywood elite, security is becoming crucial in today's violent society. Even security cameras in any environment have become critical after last weekend's series of multiple mass shootings. In fact authorities have identified the suspect in Saturday's mass shooting at Brown University as the same man believed to have carried out the murder of a renowned nuclear scientist at MIT days later. Claudio Manuel Neves-Valente was found dead Thursday evening inside a storage unit in Salem, New Hampshire. Inflation numbers are out, albeit most are speculation. Calculations from consumer spending affected by the President's tariffs are still being populated as the holiday season present shoppers with higher prices for most goods and services. Also the left goes bonkers as Maria Shriver slammed President Trump on Thursday after the Kennedy Center's board voted unanimously to rename the institution to the "Trump-Kennedy Center," accusing him of trying to attach his name to a memorial dedicated to her uncle, President John F. Kennedy. The band Cheap Trick defended the decision as they performed at the venue to honor their lifelong industry heroes KISS! For more talk on the issues that matter to you, listen on radio stations across America Monday-Friday 12am-5am CT (1am-6am ET and 10pm-3am PT), download the RED EYE RADIO SHOW app, asking your smart speaker, or listening at RedEyeRadioShow.com. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Pat welcomes bassist Tom Petersson to the show to discuss his career in music and promote the 21st Cheap Trick studio album called "All Washed Up."See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

I wanted to call this the final new release episode of 2025, but that’s technically not true as next week’s holiday extravaganza will feature almost all new tracks. But it’s the last “real” episode of this sort, and it’s as great as any show of this type we’ve put together all year. There’s a ton of veteran acts featured this week – The Wedding Present, Daniel Romano, Superchunk, Juliana Hatfield, and Cheap Trick. There’s also Fast Kids, the new side project by The Mystery Light frontman Mike Brandon, and the second album by Plosivs, one of many John Reis projects. Of course, I can’t forget the latest projects involving Wild Billy Childish – is own Thee Headcoats and the first album since 1999 by Thee Headcoatees! Of course, there’s also a Rum Bar Records segment that highights live material from The Dogs, a new supergroup called Speedtwinn, and the latest single by Girl with a Hawk. Plus, lots of the power pop and garage rock that are staples of The Ledge! For more info, including setlists, head to http://scotthudson.blogspot.com

This edition of the DBG Times looks back on the losses that shaped the rock world in the month of November, remembering Corey Smoot, Chuck Mosley, Malcolm Young, Kevin DuBrow, Hank Von Hell, Eric Carr, Freddie Mercury, George Harrison, and Tom Higgins (Klassik 78).  We also revisit a wide spread of album anniversaries, from Crazy World by Scorpions and Heartbreak Station by Cinderella to Under Lock and Key by Dokken, Come Out and Play by Twisted Sister, Delirious Nomad by Armored Saint, and Down for the Count by Y&T. The list rounds out with milestones from Helloween, Faith No More, Saxon, REO Speedwagon, Blondie, Queen, Deep Purple, and Tommy Bolin, each marking a distinct moment in rock history. On the new-release front, there's a mix of returns, surprises, and collaborations, including Finger Eleven's Last Night on Earth, Alcatrazz's Prior Convictions, Aerosmith and Yungblud teaming up for One More Time, a Metallica tribute with No Life ‘til Leather, and new drops from Cheap Trick, Stryper, Midnight City, and Danko Jones. We hope you enjoy the new edition of the DBG Times and SHARE with a friend. Decibel Geek is a proud member of the Pantheon podcasts family. Contact Us! Rate, Review, and Subscribe in iTunes Join the Facebook Fan Page Follow on Twitter Follow on Instagram E-mail Us Subscribe to our Youtube channel! Support Us! Buy a T-Shirt! Donate to the show! Stream Us! Stitcher Radio Spreaker TuneIn Become a VIP Subscriber! Click HERE for more info! Comment Below Direct Download  Learn more about your ad choices. Visit megaphone.fm/adchoices

This edition of the DBG Times looks back on the losses that shaped the rock world in the month of November, remembering Corey Smoot, Chuck Mosley, Malcolm Young, Kevin DuBrow, Hank Von Hell, Eric Carr, Freddie Mercury, George Harrison, and Tom Higgins (Klassik 78).  We also revisit a wide spread of album anniversaries, from Crazy World by Scorpions and Heartbreak Station by Cinderella to Under Lock and Key by Dokken, Come Out and Play by Twisted Sister, Delirious Nomad by Armored Saint, and Down for the Count by Y&T. The list rounds out with milestones from Helloween, Faith No More, Saxon, REO Speedwagon, Blondie, Queen, Deep Purple, and Tommy Bolin, each marking a distinct moment in rock history. On the new-release front, there's a mix of returns, surprises, and collaborations, including Finger Eleven's Last Night on Earth, Alcatrazz's Prior Convictions, Aerosmith and Yungblud teaming up for One More Time, a Metallica tribute with No Life ‘til Leather, and new drops from Cheap Trick, Stryper, Midnight City, and Danko Jones. We hope you enjoy the new edition of the DBG Times and SHARE with a friend. Decibel Geek is a proud member of the Pantheon podcasts family. Contact Us! Rate, Review, and Subscribe in iTunes Join the Facebook Fan Page Follow on Twitter Follow on Instagram E-mail Us Subscribe to our Youtube channel! Support Us! Buy a T-Shirt! Donate to the show! Stream Us! Stitcher Radio Spreaker TuneIn Become a VIP Subscriber! Click HERE for more info! Comment Below Direct Download  Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textThis week on Here's What We Know, Gary Scott Thomas sits down with Dan Ashley, an Emmy Award-winning journalist, longtime ABC7 News anchor in San Francisco, and a musician with a true storyteller's heart.From political satire and freedom of speech to small-town Southern roots, Dan opens up about his journey through media, music, and the moments that shaped him.Discover what it means to speak truth with kindness, how good writing drives great journalism, and why music became such a meaningful outlet in Dan's life. With humor, heart, and plenty of honesty, this episode offers a behind-the-scenes look at two careers built on curiosity, connection, and a love for people.In This Episode:Why being able to joke about our leaders matters and how it sets America apart from places like Russia or ChinaDan shares unforgettable moments interviewing Presidents Obama and George W. Bush and what he learned from eachGary and Dan look back on small-town life, radio mishaps, and the early days that shaped their careersHear how Dan pushed past his fear of singing and stepped into a musical life that changed everythingThis episode is sponsored by:Sterling Oak Cabinetry (Bring your dream cabinet to life!)Bio:Dan Ashley has been connected to music his whole life, beginning with childhood guitar and piano lessons in North Carolina and long summer days filled with music on his family's farm. Today, he leads his own band and has performed alongside artists like REO Speedwagon, Cheap Trick, Eddie Money, Melissa Etheridge, Dionne Warwick, Neal Schon, and Narada Michael Walden. He is also a frequent National Anthem performer for major sports events across the country.Outside of music, Dan is an Emmy Award-winning journalist and longtime ABC7 News anchor in San Francisco. He has covered major national and international stories, built strong relationships across the media world, and is known for his communication skills, generosity, and commitment to community work.Website: https://danashleymusic.com/YouTube: https://www.youtube.com/c/DanAshleyMusicFacebook: https://www.facebook.com/DanAshleyABC7/LinkedIn: https://www.linkedin.com/in/dan-ashley-479199185/?skipRedirect=trueInstagram: https://www.facebook.com/DanAshleyABC7/Connect with Gary: Gary's Website Follow Gary on Instagram Gary's Tiktok Gary's Facebook Watch the episodes on YouTube Advertise on the Podcast Thank you for listening. Let us know what you think about this episode. Leave us a review!

TrulySignificant.com presents the one and only Dan Ashley, ABC 7 anchor, in San Francisco as he debuts his fabulous Christmas single, Let It Ring. As a vocalist, Dan has led his band for many years, headlining great venues while opening for groups such as REO Speedwagon, Cheap Trick, Eddie Money, Patti LaBelle, Joan Jett and Melissa Etheridge. He has covered John Glenn returning to space, Columbine High School tragedy and walked the Nazi death camps with survivors. Dan is a born storyteller attributing his success to how and where he was raced. Hear Dan's tribute to his 92 year young Dad. He has given Dan so many pearls of wisdom including the recent wisdom about PROBLEMS. Remember this....if you have a problem that can be fixed with money, you don't have a problem. On this particular episode, learn the answers to....How did your early church and farm experiences shape not just your music, but your sense of purpose?How collaboration with Bill Bentley with his instruments, engineering, and mixing makes every song special? Buy Let It Ring and all other music from Dan Ashley on Apple Music, iTunes, Spotify, Pandora, YouTube Music and Amazon Music.Become a supporter of this podcast: https://www.spreaker.com/podcast/success-made-to-last-legends--4302039/support.

This week, new music from Fencer and catch up with the latest from Megadeth, Cheap Trick, Beyond Chaotic and Sugar. Plus faves from The Fall, Chris Cornell, The Rolling Stones and Wu Tang for Charlie! Plus roll up a couple for The Duane Strain. Rock. Mock. Dance. Laugh.

Recorded before a live Facebook (and YouTube) audience, Will, Kat and Jon discuss the following topics:0:00 - Introduction3:35 - Macaulay Culkin has a pitch for a Home Alone sequel12:20 - Did John Hughes copy Home Alone from another film?18:25 - A $9 million Superman comic was found in an attic23:10 - The copies of the Declaration of Independence found in 198531:12 - Will's kid wrote a Supergirl comic book that was just published37:11 - Cheap Trick's At Budokan wasn't49:45 - Working Girl the Musical is hoping for Broadway59:15 - Purple Rain the Musical is hoping for Broadway1:02:41 - New live-action He-Man will be "modern"1:01:34 - Wrap Up and Thank You1:15:40 - Follow us on Facebook: https://www.facebook.com/1980snow.Subscribe to our YouTube channel: https://www.youtube.com/@1980snowRead our new book Totally Bogus (But True) Tales from the 1980s!Check out Chatting Tracks at https://www.chattingtracks.com/.

MUSICThe three surviving founding members of KISS -- Gene Simmons, Paul Stanley and Peter Criss -- paid a visit to The White House on Saturday where President Trump recognized them as one of this year's five recipients of the Kennedy Center Honors, which is presented to those in the performing arts for their lifetime of contributions to American culture. Guitarist Ace Frehley, who died in October following a fall at his New Jersey home, was represented by his daughter Monique. https://youtu.be/MoEAlhUTVnEFollowing the ceremony in the Oval Office, the State Department hosted a dinner for the honorees, which also included actors Sylvester Stallone and Michael Crawford, country singer George Strait, and R&B singer Gloria Gaynor. Taking the podium there, the President spoke in more detail about each recipient.With a chair left empty in memory of Ace Frehley, KISS were honored by Garth Brooks, who, upon taking the stage said, “I see some faces of confusion. No we are in the right segment of the show, people” before performing "Shout it Out Loud."Also paying tribute were Criss Angel, Marcus King, and Cheap Trick who ended the show with "Rock and Roll All Nite."Highlights of the show will air on CBS and Paramount+ on December 23rd. Garbage was performing in Australia recently, and apparently someone started tossing a beach ball around. Shirley stopped the show to RANT about the beach balls . . . sarcastically shouting, "Guy with your big [effing] beach ball. Ooh, I'm so scared of you. So thrilled by you. What [an effing D-bag]." https://consequence.net/2025/12/garbage-shirley-manson-beach-ball-video/ TVMiley Cyrus gagged while describing this fear on "Jimmy Kimmel Live!" on Thursday night. It's caused such a problem in her daily life, that she's even known for being a Grinch during Christmastime because of her issue with wrapping paper. She has an issue with how it feels, and the way it sounds, especially if it's touched by DRY hands, which is common during winter. Jack Osbourne and his wife, Aree Gearhart, are expecting their second baby together. https://people.com/jack-osbourne-expecting-baby-no-5-his-second-with-wife-aree-gearhart-photo-11862457 MOVING ON INTO MOVIE NEWS:Five Nights at Freddy's 2 is the new number one movie in North America. https://variety.com/2025/film/news/box-office-five-nights-at-freddys-2-debut-zootopia-2-900-million-1236602529/ AND FINALLYJane Seymour isn't a doctor . . . but she played one on TV . . . and she's sharing the secret to feeling decades younger.Jane is 74 now. But she actually needs to keep looking at her birth certificate to believe it. https://people.com/jane-seymour-says-she-feels-20-to-30-years-younger-at-74-exclusive-11862954Dr. Quinn shared THREE of her secrets, and there's good news: It isn't out-of-touch, celebrity stuff . . . it's so relatable that YOU can live it. Here they are:1. Non-stop working and challenging yourself. Quote, "I work 12-, 14-hour days on sets and keep up with everyone. I don't need cue cards . . . I learn pages after pages and I have a lot of energy . . . "I keep working, and I keep pushing myself to be better . . . because I love what I do . . . it keeps me young." 2. Spending time with family, and having active friends. Quote, "I have grandchildren and my own children, some of whom are in their early 40s. I'm part of their social circle. So I've never been sort of put in the group of, 'Oh, now you're an older person . . .' Not at all. Quite the opposite." 3. Don't dismiss new things, embrace them, and join in. Jane says she's "much more open-minded" about life now, and is "not stuck in my ways." She adds, "People say, 'Are you going to wind down?' I go, 'I am winding UP' I am loving life. NOW is it . . . I only want to do things that I'm passionate about . . . and I make sure that, even if it's work, that I turn it into a fun life experience." AND THAT IS YOUR CRAP ON CELEBRITIES!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

A smiling John Lennon on Monday Night Football. A blunt 1970 interview that cut through the post‑Beatles haze. A late‑night Bermuda epiphany triggered by the B‑52s. We stitch together these scenes to tell a clear story of return, risk, and the ache of what never happened.We revisit Lennon's sharp takes on early solo albums, then jump to Howard Cosell's halftime chat where “It's always in the wind” floated a reunion hope. From there we follow the thread to Double Fantasy: phone‑call songwriting with Yoko, the decision to interleave their tracks, and the electric but shelved Cheap Trick‑backed version of I'm Losing You. The music reveals a man choosing domestic honesty over spectacle, and that choice rings loud on Watching The Wheels and Beautiful Boy. We also sit with the shock of December 8, 1980—how news broke live on TV, how radio turned into a vigil, and how listeners discovered deep cuts and new meanings in the days that followed.The legacy keeps evolving. Anthology 1 brought Free As A Bird to life from a worn cassette, reminding us that imperfections can feel truer than polish. New restoration tools now separate voices from tape hiss, reframing classics without erasing their warmth, and sparking debate around releases like Now And Then. We dig into early Beatles gems, Pete Best's late payday, and why Rubber Soul still feels like the band's great hinge moment. Seasonal staples make an appearance too—Lennon's reflective Happy Xmas and McCartney's gloriously divisive Wonderful Christmastime—because these songs hold our calendars as much as our hearts.Come for the stories, stay for the connective tissue: how culture, technology, and memory keep Lennon present. If this journey moved you, follow the show, share it with a friend who loves The Beatles, and leave a quick review so more listeners can find these conversations.Learn Something New orRemember Something OldContact us at musicinmyshoes@gmail.com with your own musical memories.Send us a one-way message. We can't answer you back directly, but it could be part of a future Music In My Shoes Mailbag!!!

This week on RadioBypass, we're turning the volume all the way up with a killer mix of brand new rock and roll alongside some unforgettable classics. Episode 403 brings you fresh, hard-hitting tracks from Wings Of Steel, The RVH Project, Smith/Kotzen, The FA, Zach Bair, Nibiru Ordeal, Cheap Trick, Frank Hannon, and Glenn Hughes — all artists delivering rock and roll that truly DESERVES to be heard.We're also cranking out powerful music from legends like Ozzy Osbourne, Keel, Mitch Perry Group, and Dead Groove, keeping the energy soaring from start to finish.And this week, we take a moment to remember the incomparable Steve Cropper with a track from his album Friendlytown — a nod to a timeless musician whose influence will always echo through rock history.Hit play, turn it up, and let's keep real rock and roll alive together.Rock on! Songlist:Ozzy Osbourne - Suicide SolutionKeel - No More Lonely NightsWings Of Steel - CryingMitch Perry Group - A Very Merry ChristmasRVH Project - VoicesSmith/Kotzen - Life UnchainedThe FA - DevourZach Bair - Succubus 30Nibiru Ordeal - The ExplorerCheap Trick - All Wrong Long GoneCheap Trick - Christmas ChristmasGlenn Hughes - Hot Damn ThingsDead Groove - Satellite KingFrank Hannon - Morning StarSteve Cropper & The Midnight Hour - Too Much Stress

This week's new albums: Avett Brothers & Mike Patton | Cheap Trick | Home Front | Dick MoveAlso, in a bonus-length holiday special*: 25% extra, country folk, now this is going to be fun, the wrong kind of WTF, it might be Tomahawk actually, tuatara evolution, big in Japan, five bands you've seen live, hello there and/or goodnight ladies and gentlemen, going home, heaven knows I'm not miserable enough now, we fix punk, coherent social arguments, Simz timestamps, scheduled leave, rescheduled Wrappeds, forgotten February albums, podcast personas, RSA in India, Uz agrees with Doc, when all you have is T20 talent every game looks like a T20, the Arc of Ange, IPL rooting interests, threes versus fives, unexpected East teams, trying circumstances, blaming the Warriors PR guy, an unconvincing argument for why this is an interesting NBA season, does anyone want Ja or Trae, a long useful middle, mercurial superheroes, broadcasting technical difficulties and sympathy for robophobic quicks.0:53  AVTT/PTTN6:06  Cheap Trick  11:45  Home Front14:27  Dick Move17:19  Next week's picks28:51  After Dark - cricket49:53  After Dark - basketball66:42  After After Dark - more cricket*We're on holiday next week, back in your feed mid Dec with the following albums - Next time: Mungo's Hi-Fi | Troy Kingi | PabstSpotify playlists: 2025 review albums | Playlist archive | Doc and Beeso's 2025 mixtapesThe database: All our review albums and year-end top 5 listsFind us on: Spotify Podcasts | Apple Podcasts | RSS feed for other appsSocials: Beeso on Bluesky | Doc on BlueSky | Pod Facebook | Pod email

Met ditmaal: Public Enemy, Guided By Voices, Psychedelic Porn Crumpets, The Lemonheads, Cheap Trick, Idlewild, Cosmic Psychos, Marcus King Band, Def P, Wire, Geese, The Coves, HighSchool, Steve Gunn, plus een exclusieve instore van Nusantara Beat. Concerto Radio, aflevering 624 (28 november 2025): Public Enemy, What Eye Said: Black Sky Over The Projects: Apartment 2025 […]

It's a Thanksgiving treat! There's a new episode of Empty Checking! In advance, I ended up doing something else and did NOT get the nap I was hoping for throughout the episode...but at least I got to talk about music from Cheap Trick, Envy of None, Drive-By Truckers, and Hayley Williams, then about the last Downton Abbey movie, Frasier, and the King of the Hill revival! I had fun doing this one, even though it was willfully rushed and could've been time spent napping. Hope it makes your Thanksgiving Day/weekend pass a little more happily. Blog: http://emptychecking.blogspot.com  Bandcamp: http://derekbrink.bandcamp.com  email: db@derekbrink.com  Time Index: 0:00 - Intro 8:01 - Forever Home 8:32 - Recent Listening 8:32 - Cheap Trick - All Washed Up 13:46 - Envy of None - Stij(e)en Wavz (That's as close as I can get to their dumb spelling without using characters that won't show up on some computers) 18:38 - Drive-By Truckers - The Definitive Decoration Day 25:15 - Hayley Williams - Ego Death at a Bachelorette Party 31:20 - You and You Alone 31:51 - Recent Watching 31:51 - Downton Abbey: The Grand Finale 43:33 - Frasier 45:28 - King of the Hill (Revival Series) 52:01 - Indelible 52:32 - Outro

The Smashing Pumpkins acaban de reeditar su mítico disco 'Mellon Collie And The Infinite Sadness' añadiendo un concierto inédito de 1996; nos sumergimos en ese potente directo de sonido demoledor escuchando 'Bullet With Butterfly Wings' (en Los Ángeles) y 'Siva' (en Detroit). Además, te presentamos a The Sophs, escuchamos el último adelanto del álbum que publica este viernes Luz Casal (protagonista este sábado 29 en El Típico Programa de Radio 3), y te traemos las últimas novedades de Cheap Trick, Rodher y Sidonie.Playlist:TURNSTILE - I CareTURNSTILE - BlackoutMY CHEMICAL ROMANCE - Dead!MOGWAI - Fanzine Made Of FleshTHE SOPHS - Im Your FriendTHE SOPHS - For the First TimeTHE STROKES - The Adults Are TalkingPLACEBO - Teenage AngstASH - Girl from MarsKULA SHAKER - Hey DudeHERMANA FURIA - Amonio [Disco Gourmet de la semana]ARIZONA BABY - Wooden NickelsCORIZONAS - Tú me dejaste de quererLUZ CASAL - Nada es imposibleDJO - Charlie's GardenPAUL MCCARTNEY - Queenie Eye (Live At Tokyo Dome)NICK CAVE & THE BAD SEEDS - Wild God (Live God)THE SMASHING PUMPKINS - Bullet With Butterfly Wings (Live In Los Angeles, 2/4/96)THE SMASHING PUMPKINS - Siva (Live In Detroit, 6/30/96)CHEAP TRICK - All Washed UpCHEAP TRICK - The Riff That Won't QuitSIDONIE - Et puc odiar molt mésREPION - Otro día seráBUM MOTION CLUB - La grieta (una casa)RODHER - Para volver empezar(me)ÁNGEL STANICH - Os traigo amorEscuchar audio

Have you ever wondered how a small-town band could conquer the world stage and leave an indelible mark on rock music history? Join us on this episode of "Takin' a Walk" as we explore the incredible journey of Tom Petersson, the legendary bassist of Cheap Trick, with your host Buzz Knight. From the streets of Rockford, Illinois, to international stardom, Petersson shares his captivating inside music stories that intertwines personal passion and musical evolution, making it a must-listen for any music history podcast enthusiast. In this musician interview podcast, Buzz and Tom delve deep into the unique sound that has made Cheap Trick a household name. They discuss the band's latest album, "All Washed Up," and the exciting new single, "The Riff That Won't Quit," showcasing how they continue to innovate while staying true to their roots. Tom reflects on the significance of the 12-string bass and how he has redefined the role of a bassist in a rock band, proving that the heartbeat of the music often lies in the rhythm section. Listeners will be fascinated to hear about the band's initial struggles, their unexpected breakthrough in Japan, and the cultural impact that their music has had across generations. Tom shares heartfelt anecdotes about the songwriting process, revealing the challenges and triumphs that come with navigating the modern music industry. His passion for performing live shines through as he emphasizes the deep connection with fans that has developed over decades, reminding us all why live music is such a powerful experience. As the episode wraps up, Buzz and Tom engage in a light-hearted discussion about their musical influences and the importance of staying true to one's artistic vision. Whether you're a lifelong Cheap Trick fan or new to their music, this episode of "Takin' a Walk" is packed with insights, laughter, and a celebration of rock music that you won't want to miss. So, lace up your walking shoes and join us for this enlightening classic episode that promises to inspire and entertain. Tune in and discover how rock music can transcend boundaries and connect us all in the most profound ways! The Takin A Walk Music History Podcast is part of The IHeart Podcast Network.Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

Have you ever wondered how a small-town band could conquer the world stage and leave an indelible mark on rock music history? Join us on this episode of "Takin' a Walk" as we explore the incredible journey of Tom Petersson, the legendary bassist of Cheap Trick, with your host Buzz Knight. From the streets of Rockford, Illinois, to international stardom, Petersson shares his captivating inside music stories that intertwines personal passion and musical evolution, making it a must-listen for any music history podcast enthusiast. In this musician interview podcast, Buzz and Tom delve deep into the unique sound that has made Cheap Trick a household name. They discuss the band's latest album, "All Washed Up," and the exciting new single, "The Riff That Won't Quit," showcasing how they continue to innovate while staying true to their roots. Tom reflects on the significance of the 12-string bass and how he has redefined the role of a bassist in a rock band, proving that the heartbeat of the music often lies in the rhythm section. Listeners will be fascinated to hear about the band's initial struggles, their unexpected breakthrough in Japan, and the cultural impact that their music has had across generations. Tom shares heartfelt anecdotes about the songwriting process, revealing the challenges and triumphs that come with navigating the modern music industry. His passion for performing live shines through as he emphasizes the deep connection with fans that has developed over decades, reminding us all why live music is such a powerful experience. As the episode wraps up, Buzz and Tom engage in a light-hearted discussion about their musical influences and the importance of staying true to one's artistic vision. Whether you're a lifelong Cheap Trick fan or new to their music, this episode of "Takin' a Walk" is packed with insights, laughter, and a celebration of rock music that you won't want to miss. So, lace up your walking shoes and join us for this enlightening classic episode that promises to inspire and entertain. Tune in and discover how rock music can transcend boundaries and connect us all in the most profound ways! The Takin A Walk Music History Podcast is part of The IHeart Podcast Network.Support the show: https://musicsavedme.net/See omnystudio.com/listener for privacy information.

Hoy en La Gran Travesía recorremos parte de la Historia del Rock con grupos como The Band, Flamin´ Groovies, Cheap Trick, Johnny Cash, Nick Drake, Eric Clapton, Bill Haley.... También recordaros que ya podéis comprar La gran travesía del rock, un libro interactivo. Jimi y Janis, dos periodistas musicales, vienen de 2027, un mundo distópico y delirante donde el reguetón tiene (casi) todo el poder... pero ellos dos, deciden alistarse al GLP para viajar en el tiempo, salvar el rock, rescatar sus archivos ocultos y combatir la dictadura troyana del FPR. ✨ El libro ya está en diversas tiendas, Amazon, Fnac y también en La Montaña Mágica, por ejemplo https://www.amazon.es/GRAN-TRAVES%C3%8DA-DEL-ROCK-autoestopista/dp/8419924938 ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además podéis acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Contell Carles, Sergio Rodríguez Rojas, Javier, Jose Antonio Moral, Juanito, Octavio Oliva, Andreea Deea, Samuel Sánchez, Igor Gómez Tomás, Matías Ruiz Molina, Eduardo Villaverde Vidal, Víctor Fernández Martínez, Rami, Leo Giménez, Alberto Velasco, Poncho C, Francisco Quintana, Con, Tete García, Jose Angel Tremiño, Marco Landeta Vacas, Oscar García Muñoz, Raquel Parrondo, Nacho, Javito, Alberto, Moy, Dani Pérez, Santi Oliva, Vicente DC, Leticia, Melomanic, Arturo Soriano, Gemma Codina, Raquel Jiménez, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, Joaquín, Horns Up, Victor Bravo, Fonune, Francisco González, Marcos Paris, Daniel A, Redneckman, Elliott SF, Sementalex, Miguel Angel Torres, Suibne, Noyatan, Iván Menéndez, Niksisley y a los mecenas anónimos.

new Megadeth, Brother Cane, Cheap Trick and Testament plus a whole lot more! 

I sit down and listen to the new Cheap Trick album "All Washed Up" with immediate reaction to hearing each song for the first time and also have thoughts on tapas......MERRY ACKMAS Ticketshttps://www.eventbrite.com/e/merry-ackmas-a-tribute-to-ace-frehley-of-kiss-tickets-1917207742969?utm-campaign=social&utm-content=attendeeshare&utm-medium=discovery&utm-term=listing&utm-source=wsa&aff=ebdsshwebmobilePATREON - https://www.patreron.com/realizzypres...WEBSITE - https://www.izzypresley.comIzzy's linkshttps://www.lasvegasguitartradeshow.comhttps://www.sotastick.comhttps://vintageguitarsrus.comhttps://www.beeteramplification.comhttps://www.thesmokinkills.comhttps://www.7thavenuepizza.comhttps://www.lockecustomguitars.com https://valkenburgusa.com https://www.monstersofrockcruise.comMERCH https://official-izzy-presley-store.creator-spring.comhttps://www.teepublic.com/user/official-izzy-presleyCAMEOhttps://www.cameo.com/realizzypresley RAISE YOUR GLASSEShttps://www.amazon.com/RAISE-YOUR-GLA...

MUSICPras Michel, a founding member of the hip-hop group the Fugees, was sentenced Thursday to 14 years in federal prison for illegally funneling millions of dollars in foreign money into U.S. political campaigns.A jury found him guilty in April 2023 of 10 counts, including conspiracy and acting as an unregistered foreign agent, in connection with a scheme involving Malaysian financier Jho Low.The judge rejected prosecutors' call for a life sentence, but described Michel's conduct as “brazen.” Nine Inch Nails drummer Josh Freese will release a new album next Friday, November 28th.Just a Minute, Vol. 2, which will be out on Pearl Jam guitarist Stone Gossard's Loosegroove Records, is the follow-up to 2021's Vol. 1, which contained 20 one-minute songs. Freese will hit the road next month for three shows with Weezer in Australia in which he will play guitar. He will be back behind the drums for the Nine Inch Nails' Peel It Back tour, which starts February 5th in New Orleans.Quick Hits:Documentary One Shot With Ed Sheeran hits Netflix.Stage played and autographed Gibson Guitars from Kirk Hammett of Metallica, Halestorm, Rise Against, Cheap Trick, and Pat Benatar and Neil Giraldo auctioned at Julien's Auctions' Played, Worn & Torn event.Jonas Brothers, Isley Brothers, David Bryan (Bon Jovi) among those inducted into New Jersey Hall of Fame. NEW ALBUMS OUTAerosmith and Yungblud teamed up for the five-song One More Time EP.Def Leppard's latest live release, Diamond Star Halos Life From Sheffield, is available in multiple formats.KISS's Alive Super Deluxe Edition expands the band's 1975 breakthrough with additional shows recorded on that tour.The Smashing Pumpkins' Mellon Collie and the Infinite Sadness 30th Anniversary Edition is a four-CD or six-LP set with previously unreleased live tracks. TVThe Academy Awards wants us to be prepared with extra snacks before the 2026 ceremony. https://abcnews.go.com/Entertainment/wireStory/2026-oscars-broadcast-include-24-awards-including-new-127685530 "I'm Chevy Chase and You're Not" premieres on CNN New Year's Day, then will stream on their app. https://ew.com/chevy-chase-admits-mistake-leave-snl-new-documentary-11850147 Kim Kardashian revealed that she was the winning bidder for her father's old Bible, which he gave to O.J. Simpson after he was arrested for murder. She paid $80,276 for it. Superman comic shatters world record … A super-rare copy of Superman No. 1 sold for $9.12 million at Heritage Auctions, making it officially the most expensive comic book ever. That $9.12 million price tag didn't just beat the previous record. It crushed it. The previous record? "Only" $6 million for an Action Comics No. 1 sold in 2024. The record-breaking Superman No. 1 was found tucked away in a California attic by three brothers after their mother passed away. It turns out, she quietly stored away some serious comic treasure -- to the tune of nine million bucks. https://sports.yahoo.com/article/superman-no-1-becomes-most-183000973.html?guccounter=1 MOVING ON INTO MOVIE NEWS:IN THEATERS:Wicked: For Good (Ariana Grande, Cynthia Erivo, Jonathan Bailey, Michelle Yeoh) The late Chadwick Boseman was honored with a Star on the Hollywood Walk of Fame. https://www.cnn.com/2025/11/20/entertainment/chadwick-boseman-hollywood-walk-of-fame Our first official look at the next Hunger Games movie is finally here! https://variety.com/2025/film/trailers/hunger-games-sunrise-on-reaping-first-look-haymitch-1236442928/ Kristen Bell, Idina Menzel, and Josh Gad have reportedly scored big pay days to return for "Frozen 3" and "Frozen 4". The voices of Anna, Elsa, and Olaf will be paid over $60 million each for the two sequels. https://www.usmagazine.com/entertainment/news/frozen-stars-reportedly-score-60m-salaries-for-2-new-movies/ AND THAT IS YOUR CRAP ON CELEBRITIES!Follow The Rizzuto Show @rizzshow on social media for more from your favorite daily comedy show. Connect with The Rizzuto Show online at 1057thepoint.com/RizzShow. Heard daily on the radio at 105.7 The Point in St. Louis, MO.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Family VacationerEpisode 203: Christmas in Rockford, IllinoisGuest: Kristen Paul, Director of Marketing and Public Affairs, Rockford Area Convention & Visitors Bureau Host: Rob Jones Episode Summary If you're dreaming of twinkling lights, festive markets, and that perfect small-town holiday charm, you'll love this stop in our Christmas in the U.S. series. In this episode, Rob heads to Rockford, Illinois, a city that knows how to celebrate Christmas in a big way — with dazzling light displays, heartwarming traditions, and a community that truly embraces the season. Rob chats with Kristen Paul from the Rockford Area Convention and Visitors Bureau about what makes this Northern Illinois destination a must-see during the holidays. From the magical Stroll on State celebration to breathtaking attractions like Anderson Japanese Gardens: Illuminated, Festival of Lights, and All Aglow along the Rock River, Kristen shares how Rockford shines bright with festive fun for the whole family. You'll also discover where to shop for locally made gifts, can't-miss holiday eats (yes, brunch lovers, this one's for you!), and how Rockford celebrates its quirky and creative history with nods to Cheap Trick, the Rockford Peaches, and even the original sock monkey. Whether you're looking for a new holiday getaway or just a little Christmas inspiration, this episode captures the heart, community, and magic that make Rockford feel like a Hallmark movie come to life. In This EpisodeWhy Rockford's Stroll on State is one of the Midwest's best free holiday eventsThe story behind the city's beloved sock monkey and how it became a local iconFamily-friendly attractions including Festival of Lights, Anderson Gardens Illuminated, and All AglowWhere to find the best holiday brunch (hint: try Abrio's biscuits and gravy or shrimp and grits!)Tips for visiting with kids and grandparents — including easy walkability and hotel recommendationsHow Rockford celebrates its musical and sports heritage through Cheap Trick and the Rockford PeachesFeatured GuestKristen Paul Director of Marketing and Public Affairs Rockford Area Convention and Visitors Bureau Learn more and start planning your trip at GoRockford.comResources MentionedGoRockford.com – Official visitor information, events, and itinerariesAnderson Japanese Gardens – “Illuminated” holiday event detailsNicholas Conservatory & Gardens – “All Aglow” light displaysFestival of Lights – Rockford's iconic drive-thru holiday traditionConnect with Rob

This week, Stub chats about and pairs drinks with new music from Cheap Trick and Kaitlin Butts. He also chats about some Grammy news before moving on to the use of Generative AI in creating art. There also might be a word or tow about His & The Rib's trip to Paris to celebrate the 250th Birthday of the United States Marine Corps for the second weekend in a row! If you find yourself liking, singing along to, or playing along with One Bourbon, One Chard, or One Beer, please Please PLEASE rate and review us on iTunes, Spotify, Stitcher, Soundcloud, or wherever you found our podcast. It helps other lushes like you find our podcast and to build our community. Our intro music is "Bad Guy In My Story" by Wild Talk. If you rate and review us and we ever meet you, we'll buy you one bourbon, one chard, or one beer (our choice). Cheers, mates!

On this episode I do a track by track review of the new Cheap Trick album, All Washed Up Purchase All Washed Up  Donate to the show – Rock and Roll Geek Friends And Family Membership Donate on Venmo Kirk Crawford – $50 Tim Schall – $50 Dan Gerawan – $50 John Morgan – $25 Richard Fusey – $25 Blake Johnston – $20 Gregg Brofer – $20 Steven Cohen – $5 Bruce McMillan – $3 Bruce McMillan – $3 (Venmo donation id is @Michael-Butler-11) PATREON DONORS Joe Pawlak – $16.66 Kirk Crawford – $12.77 Patrick Shanahan – $10 Cole Thornton – $9.99 Brian Springer – $8 Jon Scott – $8 Michael Street – $7.50 Dave Slusher – $5.55 Robert Harvey – $5 Chiaki Hinohara – $5 MedakiMetal on Instagram Jamie Jefford – $5 Erik Klein – $5 Paul Smith – $5 Justin Lefkowitz – $5 Steve Trice – $5 James Shapiro – $5 Martin Clawley – $5 Nadi Itani – $5 Eric Stowell – $4 Mike Hellyer – 4 pounds Mark Mazzel – $3 Dan McBride – $3 Adrian Boschan – $2 Amelia Bowen – $2 RnR Pleeb – $1.42 3Legs4wheels – $1 Arne Stach – $1 Piotr Wojciechoski – $1 Paypal Donors B.J Lisko – $100 Cohost Donation Steven LaPerriere $20 Dave Franco – $20 Richard Strom – $20 Ralph Miller – $10 William Bealle – $10 Jason Shepard $10 Jeff and Cheri Thieleke  – $10 School of Podcasting – $10 B.J Lisko – $10 Andrew Howe -$5 Vincent Crimi – $5 Jon Tennis – $5 Gregg Long – $5 Rachel Rosenberg – $5 Christopher Del Grande – $5 Jayce Lesniewski – $5 Benjamin Mueller – $5 Peter Spark  – $5 John Ofenloch – $5 Daniel Borden – $5 Dave Alexander – $2 Adam Gerstein – $2 Adam Bruscha – $2 Chad Kiffmeyer – $2 Adam Croft – $2 William Moffett – $2 Lasso Satvethagen – $2 Deborah Dreyfus $2 Brian Grattidge-  $2 Kai Matsuda – $2The post Cheap Trick All Washed Up Track by Track Review first appeared on The Rock and Roll Geek Show.

As I started today's show, I noticed the AI Algorithm is playing funny again! When you check out the list below, the song from @The Kennedys, @Steve Caraway and who is soing the song “Femme Fatale”? Also, @Popdudes covering @Cheap Trick and later in the hour a song from @Cheap Trick themselves. OK AI ENOUGH! The Music Authority Podcast...download, listen, share, repeat…heard daily on Belter Radio, Podchaser, Deezer, Amazon Music, Audible, Listen Notes, Mixcloud, Player FM, Tune In, Podcast Addict, Cast Box, Radio Public, Pocket Cast, APPLE iTunes, and direct for the source distribution site: *Podcast - https://themusicauthority.transistor.fm/  AND NOW there is a website! TheMusicAuthority.comThe Music Authority Podcast! Special Recorded Network Shows, too! Different than my daily show! Seeing that I'm gone from FB now…Follow me on “X” Jim Prell@TMusicAuthority*The Music Authority on @BelterRadio Monday, Tuesday, Thursday, Friday 7 pm ET & Wednesday 9 pm ET*Radio Candy Radio Monday Wednesday, & Friday 7PM ET, 4PM PT*Rockin' The KOR Tuesday, Wednesday, and Thursday at 7PM UK time, 2PM ET, 11AM PT  www.koradio.rocks*Pop Radio UK Friday, Saturday, & Sunday 6PM UK, 1PM ET, 10AM PT! *The Sole Of Indie https://soleofindie.rocks/ Monday Through Friday 6-7PM EST!*AltPhillie.Rocks Sunday, Thursday, & Saturday At 11:00AM ET!November 20,2025, Thursday…a week away from the day of THANKS…@Orbis 2.0 - TMA SHOW OPEN THEME@Popdudes - Hello There [Never Surrender A Tribute To Cheap Trick] (@Zero Hour Records)@The Kennedys - Big Star Song [Closer Than You Know]@Steve Caraway – Big Star [Upon This Rock]@Big Star - Femme Fatale [Third/Sister Lovers]@Goodbye Victory Road - Somewhere [Act 2] (@GVR Records)@The Real Numbers - You, Me, And The Sunshine [Thank You!]@The Cherry Drops - Light 'Em Up [Life Is A Bowl Of Cherry Drops]@Cheap Trick - I'll Be With You Tonight@Abbie Barrett - Reconcile [I Will Let You Know] (@Rum Bar Records)@The Poptarts - I Won't Let You Let Me Go [Fresh Out The Toaster…The Poptarts Anthology]@The Glad Machine - Collide [All The Pretty Things] (koolkatmusik.com)@Holly & The Byrd Featuring @Tony Valentino - So Into Everything You Do@The Catherines - Gobble Wobble (Thanksgiving)@Kevin Robertson - Magnify The Sun [Teaspoon of Time] (@Futureman Records) (@Subjangle)@Joe Grushecky - Rock And Roll Heart [Iron Houserocker Anthology]@The Cynz - You're Gonna Miss Me@The Parlophonics - God Speed Helena [A Day In The Life]

An 11-year-old girl was killed by a vehicle after she ran across a road outside of the crosswalk according to police, a wholesale supplier of Asian foods is opening a new location in Southern Nevada, Cheap Trick is coming to Las Vegas next year and more on 7@7.

Are you spending more to save more—and is it costing your retirement? This episode dives into “spaving,” the sneaky habit of overspending in the name of saving, and how it can quietly erode your nest egg. Host Steve Anzuoni unpack hidden fees, smart saving strategies, and the emotional side of retirement decisions. Plus, hear insights from rock legend Robin Zander of Cheap Trick on why staying passionate keeps you young. Tune in for practical tips and real stories to help you retire with confidence. SCHEDULE A MEETING OR PHONE CONSULTATION TODAY! Get a Copy of Steve's Book - Tee Up Your Retirement! Social Media: Facebook I LinkedIn I Instagram I YouTube See omnystudio.com/listener for privacy information.

By Walt HickeyWelcome to the Numlock Sunday edition.This week, I spoke to Chris Dalla Riva, author of the new book Uncharted Territory: What Numbers Tell Us about the Biggest Hit Songs and Ourselves. Chris is a fixture here at Numlock, we're big fans of his newsletter Can't Get Much Higher and have been eagerly waiting for this book, which tracks the history of music by coasting along the top of the Billboard Hot 100. The book can be found at Amazon and wherever books are sold, grab a copy!This interview has been condensed and edited. Chris Dalla Riva, it is great to have you back on. Especially great this week, because you are finally out with a book that I know you've been working on for a very long time, Uncharted Territory. Thanks for coming back on.Yeah, thrilled to be back, but also thrilled to have the book come out. The book publishing world is one of the only worlds left in the world that moves slow enough where you're waiting for so long for something to happen.You have guest-written for Numlock before; you have been a staple of the Sunday editions in the past. You are definitely familiar to the audience at this point because you are doing some of the best music data journalism out there. You've been working on this thing for, I feel like, as long as I've known you, and it is just great to have it come out finally, man.Yeah, actually, I met you because I was working on this project. I was trying to track down some data that you'd used at FiveThirtyEight, and you responded to my email with your phone number. You were like, “This is easier to explain over the phone.”Yeah, I remember I had scraped the radio for months at FiveThirtyEight just to see where it went, and you hit me up with that. I think that you focused some of your energies on the newsletter, and that's been so fun to follow, but this is truly what you've been working at. It is great to get you on finally to talk all about it.What would you describe this book as? How would you describe it, either to folks who might be familiar with your newsletter or unfamiliar with your newsletter, about what you're setting out to do with this particular project?The subtitle, I think, is helpful. It's What Numbers Tell Us About the Biggest Hit Songs and Ourselves. My typical pitch is that it's a data-driven history of popular music that I wrote as I spent years listening to every number one hit song in history. You get a balance of music history, data analysis, just random music chart shenanigans. I wrote it over such a very long period of time that you get a little bit of how my life was intersecting with this book over the years as I tried to get it published.I love the angle on the No.1s being a place to go with, because it gives you a pulse on what's popular at the time and not necessarily what's the most influential at the time. You can see there's a lot of stuff that hit number one at one point or another that have no musical legacy whatsoever, but nevertheless are still interesting. It's dipping your toe in the stream, right? You can see that a lot of things that we assume about how the music industry works weren't always the case.You wrote a little bit about the early transition from big bands to singers as the front-facing people in their operation. That was informed in no small part by what was performing on the charts, but also, I think, labor action, right?An under-discussed part of music history in the last 100 years is that when thinking of any band now or any musical artist, you almost certainly think of the front person being the singer. But if you go look back at big bands of the 1930s and 1940s, anyone whose name was attached to the band was often not a singer. Some that come to mind are Glenn Miller, the Glenn Miller band. Glenn Miller was a trombone player. Artie Shaw was a clarinet player. If none of these names are familiar to you, that's okay. But you can ask your grandparents.Why does this transition happen: suddenly, the lead singer is always getting top billing in a band? There are a bunch of things that contributed to this. One thing I talk about pretty extensively is just the advent of better microphones. If a voice cannot be heard over the roar of an orchestra or a big band, you need a choir of people to sing. It makes the singer less identifiable. As we get better amplification, better microphones, you can get a wider range of vocal styles. Those vocalists can now compete with the sound of a ton of instruments.At the same time, something you mentioned that I think is a fun bit of history is how music used to be much better organized. They had better labor organization, the same way that Hollywood has much better labor organization than music these days. There still exists a group called the American Federation of Musicians. For two years, they had a strike for a work stoppage, when no new music was being recorded. This was during World War II. You weren't allowed to strike during World War II.They were frowned upon very much, it seems, yes.Yes, even if you were a musician. People were like, “Come on, why are the musicians striking?” There's a lot of interesting history there. One of the weird loopholes was that singers could not join the American Federation of Musicians. Because of that, some labels would get around the strike by just recording acapella songs or songs with instruments that were not eligible to be membership because they weren't “serious” enough, like the harmonica. There were weird harmonica songs that were popular at this time. By the time the strike ended, by the time World War II ended, suddenly, singers had a much more prominent role because they were the only ones allowed to perform.There is tons of weird stuff about this strike. Like, labels backlogged tons of recordings because they knew the strike was coming. “White Christmas,” maybe the best-selling record of all time, was one of those backlogged recordings — recorded in July of 1942 and put out however many months later.That's fun. That's basically why Tom Cruise is in a union but Bad Bunny isn't?I guess so. Music and labor have a history that I'm not an expert on. For some reason, musicians have had a much more difficult time organizing. It seemed to be a little bit easier back when there were these big bands that needed to be rolled out to perform in movie theaters or local clubs. You needed a tuba player and a trombone player and a sax player. I guess it was easier for those musicians to organize. Whereas now, things are so scattered and productions can be super small, and you could record something in your bedroom. They never got that level of organization. I think it's actually hurt artists to some degree because they don't have the protections that the film industry does.Because you're able to just coast along at the top of the charts throughout basically the century, you're able to get lots of different interweaving stories of labor and also legal disputes/legal outcomes, as well as this technological evolution. What are some of the ways that technology has informed how the music that we listen to changes or evolves over time? Or even some of the litigation that we have seen over the course of the century of musical creation. It just seems like it's a really fun way to track some of these bigger trends that we don't even know are really trends.Yeah, totally. I think one of the key themes of the book is that musical evolution is often downstream from technological innovation, which has a nice little ring to it. But in general, there's this idea that creativity is being struck by the muse, and you create something. Whereas in reality, there are usually physical constraints or technological constraints that shape the art that we make. One of the most basic examples is the length of songs. From the '40s up till the early, mid-60s, the pop song sits around 2.5 to three minutes. The reason for this is that vinyl singles could literally not hold more sound without degrading, which is completely backwards from the idea that there was an artist who chose to write a 2.5-minute song.I was like, “Well, you had to work within the constraint.” Then technology gets better, singles start to get longer. During the disco era, they actually made bigger discs to put out these long dance mixes. The single sat around like 3.5 to 4.5 minutes for decades until about 10 years ago, when it started to shorten again. People typically point to music streaming for this reason, because artists are paid if a song is listened to for more than 30 seconds, so it's really just a volume game. If you have a 14 minute song that someone listens to one time, they get paid once. But if I listen to a two-minute song seven times (which is again, the same amount of time spent listening), I will be paid out seven times. There is this financial incentive to shorten songs.I don't think artists are sitting in the studio thinking about this constantly. But what I see, what I saw again and again, is that artists were rational beings to some degree and would work within the constraints that they were given. They would usually push against those constraints. That's where a lot of great art comes out of.Even new mediums are offering new opportunities. You wrote a little bit about MTV and how that really changed a lot of what was able to be successful at the time. You had new types of acts that were able to really start competing there, and other acts that just weren't. Do you wanna speak a little bit about like what video did?Yeah, video certainly changed the game. There were artists who had visual presences earlier. The Beatles had a very visual presence. I think part of their success is tied to the fact that television was becoming a thing, and mass media was really becoming a thing. However, we associate musicians with visuals so much these days. That really emerged in the 1980s, where you needed your visual concepts to be as strong, if not stronger than, your musical concepts. I think because of that, you start seeing some artists break through who I don't think are considered great musicians.I always sadly point to the song, “Hey Mickey” by Tony Basil. If it's your favorite song, sorry. I don't think it's a masterful musical creation, but it had this fun music video where she's dressed up as a cheerleader. A lot of that song's success was just the fact that MTV was willing to put that in heavy rotation because it was a fun video to watch. We live in the shadow of that era where visuals matter just as much as anything else.When you think about the most popular artists, outside of maybe a handful, you think of their visual concepts. You think of what Beyoncé looks like, what her videos are like, same with Taylor Swift, as much as you think about their music. That really reshaped our relationship with popular music. We expect to know what artists look like. It's odd to think about that; it really wasn't a thing decades before. You could be a fan of an artist and not really know what they look like. How would you know? Maybe you saw them in a magazine. Maybe you caught them on one television show. The idea that we have access to what everyone looks like is a pretty new phenomenon.That's fun. It's just so interesting to see how a simple change, whether it's today an algorithm or then a medium of distribution, can just have material impacts on the popularity of British synth music in America.Yeah, that's the perfect example. There's a great book called I Want My MTV, and it's an oral history of MTV. They talked to one of the founders. Early MTV would play, as you're saying, all these British new wave acts. Think A Flock of Seagulls, Duran Duran or even someone like U2. They asked the founder, “Why were you playing so many British artists on early MTV?” He was like, “For some reason, British artists happened to make music videos. And there were about 200 music videos in existence. We had to fill 24 hours of programming.” A Flock of Seagulls was gonna get played a bunch of times just because they happened to make music videos.It is a weird thing. Why would anyone make a music video if there was nowhere to really play them? I don't know why specifically the British had more videos, but there were occasional times where television shows might show a video.They do love that over there, like Top of the Pops. I can see why.Music and television have always been connected. You even think Saturday Night Live still has musical acts. Back then, say your label didn't wanna send you out to Britain to go on Top of the Pops. Maybe they would send a video of you instead. There were videos that would float around on these variety shows, and some early videos were just concert footage. It was like, it was a chicken or the egg thing. Once some people had success on MTV, everyone started producing videos. MTV somehow pulled off the miracle of convincing labels that they needed to make videos and that they needed to front the cost for that. Then they had to give MTV the video for free. I don't know how MTV managed to do that.Well, all of Gen X can't be wrong. If you do wanna get it out there, you do have to get it out there. One really fun recurring thing in the book — which again, like I really enjoyed. I think it's a phenomenal work. I think it's a great history. I'm telling stories that I learned in your book to everybody. It is a really fun read in that regard, I wanna say.I do love how you occasionally clock a genre that really only exists briefly. There's one that always goes around for like the strangest things to hit number one, like the Ballad of the Green Berets. I think like there's a Star Wars disco track that I definitely have on vinyl at home about that. You wrote a lot about like teen tragedy songs. What are some of the fascinating like brief trends that only made a small splash and that all of us have forgotten ever existed, but nevertheless achieve some measure of immortality?Yeah, the teen tragedy song is a good one. That actually inspired the writing of this whole book because I got 50 No. 1s, and I was like, “Why are there so many number ones about teenagers dying? That's a little weird.” And then I did a little digging and tried to piece together why that was. The teenage tragedy song, late '50s, early '60s, there are all of these songs about two teenagers in love, usually high schoolers. One tragically dies often in a car crash, and the other is very sad and maybe says that they'll reunite again one day in the afterlife. Some of the big ones are “Leader of the Pack” by the Shangri-Las and “Teen Angel” by Mark Dinning.It's a very weird blip in popular music history. I won't say it has cast a long shadow, but there are some occasional people who pull from that tradition. The craziest teen tragedy song ever was “Bat Outta Hell” by Meatloaf, in which Jim Steinman tried to write a nine-minute motorcycle crash song. I think that's a really interesting one.Disco: bizarre in the amount of people that made disco songs. I really came to like disco and the best disco music, I'm like, “These are the greatest sounds that have ever been recorded.” But it got so big and so popular that everyone felt the need to record disco songs.Not everything is “I Feel Love,” right?No, most things are not. It strikes me that this happened with disco, but has not happened with other genres. Frank Sinatra recorded disco songs. Basically, every television theme song got a disco remix. I Love Lucy had a disco remix. The Rocky theme song had a disco remix.What? I'm sorry, Frank Sinatra did a disco song? Is it good?It's not good. It's “Night and Day” over a disco beat. And it's not clear to me if they just remixed it or if he actually recut the vocal because I just cannot imagine him doing that. In the mid-60s, there was a nun who topped the charts, The Singing Nun with a song called “Dominique.” Of course, during the disco era, it was remixed as a disco song. There are examples of this where people went sort of disco. The Rolling Stones record “Miss You” and it has the disco beat, or Pink Floyd does “Another Brick in the Wall” or Queen does “Another One Bites the Dust.”Everyone was gonna give it a try. There was so much money being made in the disco world at the time. You can always find some artists you would never think would do a disco song probably tried. They probably gave it their best.That's great. It's just fun because the things that hit number one for a week don't necessarily have to be good. They just have to be popular for like a week. Even the construction of the Top 40 chart, which you get into in the book, isn't exactly science. A lot of times, it's a little bit of intuition. It's a lot of what's selling and what's selling where specifically. It is a little bit woo woo, right?Yeah, definitely. The goal of this chart is “What's the most popular song in America in a given week?” Back in the day, that meant what were people buying? What were people listening to on the radio? What were people spinning in jukeboxes? Today, most music is done on streaming. It's consumption-based, rather than sales-based. So the chart's the same in name only, but it's really measuring very different things. The equivalent would be if we knew after you purchased your copy of “I Feel Love,” how many times did you actually play it at home? You could have purchased it, went home and never played it again. Something like that would not register on the charts these days.I respect the people at Billboard because they have an impossible task. It's like “We're gonna take all the information and we're going to boil it down into choosing or measuring what the most popular song is.” It's an impossible task to some degree.I have watched the evolution of the chart, and I go back and forth on whether they have given up on actually trying to rank stuff or if they are just ranking things in a different way. I think that the apples-to-apples between the era stuff is just so hard to do.One thing I really enjoyed about your book, in particular, is that it's not a story of why these songs are the best. It's a story of why these songs were popular at the time, just dipping the toe into the river of human sound. One thing that I'll ask as you wrap: as you were going through these eras, who did you hear a lot more of than you thought? Who did you hear a lot less than you expected?I joked with some people that if you just looked at the top of the charts, the greatest rock band of the 1970s is either Grand Funk Railroad or Three Dog Night because they both had three number one hits, and many other bands in the classic rock canon have none. Led Zeppelin does not really exist on the pop chart, the singles chart. Led Zeppelin really only put out albums. The Eagles were also big during the '70s on the music charts. But Three Dog Night, they're the legends.There are tons of people that I didn't realize how much I would see of them. Someone like Lionel Richie and Phil Collins, of course, they're tremendously popular, but they were so popular. Phil Collins was popular at the height of the bald pop star era, which I think is a thing of the past. You had multiple bald men who were regularly topping the charts in the mid-80s. You see a ton of Phil Collins, more than I was expecting, even though I know he's very popular.Who don't you see a ton of? Sometimes you don't see people until a bit later in their careers. This is actually an interesting phenomenon. Artists do not score a number one hit during their most critically acclaimed period, and then a decade later, they do. For example, Cheap Trick. They have a number one hit, but it's at the end of the '80s song called “The Flame.” Whereas if you hear Cheap Trick on the radio, it's probably their live album from the 1970s. This is a phenomenon you see again and again. Some old timer will get their number one much later in their career. Tina Turner gets her number one when she's probably in her 40s. It's always interesting to see that.There are also some artists where I feel like there's a divergence between what their most popular songs are these days and what was topping the charts. Elton John is a good example there. “Benny and the Jets” was a number one hit, still a tremendously popular song. But he's got a lot of weird No. 1s that I don't think have as much street cred these days. He has a song called “Island Girl.” Did not age like fine wine. I don't even think he plays it live anymore because it's considered somewhat racially insensitive. But it was a No. 1 hit at the time. “Philadelphia Freedom” is another one by Elton John. I feel like when people think of the Elton John catalog, it's probably not the first song that comes to mind. But it was a No. 1 hit, huge smash. His cover of “Lucy in the Sky with Diamonds” was a No. 1. Elton John has been very popular throughout the decades, but I feel like the reasons he's been popular have changed.People have just gravitated towards different songs as time has gone on. You get distortions at the top of the charts. But I think, as you mentioned, it provides a good sample of what was actually popular. You have the good, the bad, and the ugly. Whereas if you look at some other sources, people are just gonna be like, “Oh, listen to these records. These are the best records.” In reality, the bad records are important, too.Yeah, bad records are great. They're at least interesting. I imagine also some of this process must have been missing out on a lot of interesting music because one song was just dominating the charts. Were there any songs in particular that come to mind that wooled the roost for potentially a little bit too long?Yeah, the quintessential example is the “Macarena” in the ‘90s.Oh, no!I think it was No. 1 for 13 weeks.Christ!There's a great clip of people at the Democratic National Convention and '96 dancing the “Macarena.” It's so bad. Yeah, so a very popular song. There are tons of stuff that gets stuck behind it. There's a great No.1 hit in the '90s called “I Love You Always Forever.” It's a very nice song by Donna Lewis. It's stuck at No. 2 because it just happened to be popular during the “Macarena's” very long run. YYour life's work, your greatest accomplishment, being stymied by the “Macarena” feels like a level of creative hell that I have never envisioned before.Yeah, there are other artists who got unlucky. Bruce Springsteen never performed a No. 1 hit. He wrote a No.1 hit for another artist. His closest was “Dancing in the Dark” got to No. 2, but that was also when Prince released “When Doves Cry,” so it's a tough, tough week. Bob Dylan, similar thing. He wrote a No. 1 hit, but he only ever got to No. 2. I think he got to No. 2 twice. Once, he got stuck behind “Help” by the Beatles, and another time he got stuck behind “Monday Monday” by the Mamas and the Papas.This is another thing when I talk about the charts. There could be many fewer units sold in a given week, or there could be many more units sold. There's a lot of luck involved if you're gonna go all the way to No. 1. You could be Bruce Springsteen: you release the biggest record of your life, and Prince also releases the biggest record of his life at the exact same time.Incredible. So again, I have read the book. I really, really like it. People are doubtlessly familiar with the newsletter at this point, but I am also a big fan and booster of that. But I guess I'll just throw it to you. Where can folks find the book, and where can folks find you?Yeah, you can find me, Chris Dalla Riva, basically on every social media platform under cdallarivamusic. I'm most active on TikTok and Instagram. The book, Uncharted Territory: What Numbers Tell Us About the Biggest Hit Songs and Ourselves, should be available from every major retailer online. Amazon, Barnes & Noble, Walmart, Booklist, all that good stuff. Not available physically in stores, so definitely order it online.Like I said, I spent years listening to every No. 1 hit in history, built a giant data set about all those songs and used that to write a data-driven history of popular music from 1958 to basically 2025. So go pick up a copy, buy one for your mother for Christmas. Or your father, I don't discriminate. Yeah, check it out. I'm hoping people enjoy it, and I'm really excited to finally get it out in the world. It's been a long, circuitous journey to get it published.It's a really fun read, and I wish it nothing but the best. And yeah, congrats, thanks for coming on.Yeah, thanks for having me.Edited by Crystal WangIf you have anything you'd like to see in this Sunday special, shoot me an email. Comment below! Thanks for reading, and thanks so much for supporting Numlock.Thank you so much for becoming a paid subscriber! Send links to me on Twitter at @WaltHickey or email me with numbers, tips or feedback at walt@numlock.news. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.numlock.com/subscribe

What keeps a legendary rock band energized after 50 years? Frank Guida sits down with Cheap Trick’s Robin Zander and Tom Peterson to uncover the stories behind their new album, “All Washed Up,” the origin of their iconic name, and the secrets to their enduring passion for music. Tune in for candid moments, laughs, and a glimpse into the band’s unstoppable spirit. “Cheap Trick’s new album ALL WASHED UP is available now wherever you buy your music and at www.cheaptrick.com Schedule a complimentary appointment: A Better Way Financial CLICK HERE to register for one of our upcoming Tax-Smart Retirement Planning Dinner Workshops. Read our book! Amazon Best Seller, “The Book on Retirement: A Better Way to Stretch Your Retirement Dollars While Living the Lifestyle of Your Dreams.” Follow us on social media: Facebook | LinkedIn | YouTube See omnystudio.com/listener for privacy information.

We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2021 conversation with Richard Marx. ABOUT RICHARD MARX:Grammy-winning performer Richard Marx has sold more than 30 million albums as an artist, but if you only know him from late 1980s ballads such as “Hold on to the Nights” and “Right Here Waiting,” you only know part of the story. A prolific songwriter, Marx has landed fourteen songs at the top of various Billboard charts, and has written a #1 single in each of the last four decades. His genre-crossing songwriting success includes “What About Me” and “Crazy,” which Kenny Rogers carried to the top of the Adult Contemporary and Country charts, respectively; “Edge of a Broken Heart,” a hit for the female metal band Vixen; “This I Promise You,” a Top 5 pop single for NSYNC that stayed at #1 on the Adult Contemporary Chart for 13 weeks; Josh Groban's debut single “To Where You Are,” which also reached #1; and “Dance With My Father,” which Richard wrote with the song's performer, Luther Vandross, and which earned the pair the prestigious Grammy Song of the Year award in 2004. Additionally, Richard has scored three major hits with Keith Urban: the Top 5 “Everybody,” and the #1 singles “Better Life” and “Long Hot Summer.”  Despite all his songwriting success, however, Marx is best known as a singer and performer who today jokes about his 80s hairstyle and of-the-era drum sounds. But the songs are undeniable, all of which Marx wrote and produced himself. His debut self-titled album yielded four Top 5 singles: “Don't Mean Nothing,” “Should've Known Better,” “Endless Summer Nights,” and “Hold on to the Nights.” His follow-up, 1989's Repeat Offender, was even more successful, going quadruple-platinum and earning two number one Billboard pop singles, “Satisfied” and “Right Here Waiting,” in addition to the Top 5 “Angelina.” More hits followed, including “Keep Coming Back,” “Hazard,” “Take This Heart,” “Now and Forever,” and “Until I Find You Again.” In addition, Richard's songs have been integral to a number of successful film soundtracks. He earned a Grammy nomination for his contributions to St. Elmo's Fire; scored a Top 10 pop hit with “Surrender to Me,” which Ann Wilson of Heart and Robin Zander of Cheap Trick recorded for the movie Tequila Sunrise, and wrote “At the Beginning,” a hit duet for the film Anastasia that Richard performed with Donna Lewis. Over the course of his career, Richard's songs have been recorded by Barbra Streisand, The Tubes, Sarah Brightman, Monica, Natalie Cole, Michael Bolton, Paulina Rubio, Emerson Drive, Chicago, Billy Ray Cyrus, Vince Gill, Kenny Loggins, LeAnn Rimes, Celine Dion, Julio Iglesias, Berry Manilow, Daughtry, Vertical Horizon, Lifehouse, Dave Koz, Jennifer Nettles, Ringo Starr, and many others. His memoir, Stories to Tell, is available from Simon & Shuster.   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

It's a full house in the studio this week. Eric, Tim, Mike, and John join Dayton as they countdown their picks for the 2000's. A couple of them had a tough time just getting 7. Others had a hard time narrowing it down. Can you guess who was who? Do your favorite albums match any of our guests? Playlisthttps://open.spotify.com/playlist/4CzXIx2w79maK05k6wUVXv?si=zfc_J2XHQ0ieYSJYR31E9QSend us a textTwitter @dockingbay77podFacebook @dockingbay77podcastdockingbay77podcast@gmail.compatreon.com/dockingbay77podcasthttps://discord.gg/T8Nt3YB7 https://www.youtube.com/@DockingBay77podcast https://dockingbay77pod.buzzsprout.com

John Cena, the biggest wrestling star of the past two decades and one of the biggest wrestling stars of all time, is just weeks away from his last match. On this episode, Andrew and returning guest Suit Williams (Voices of Wrestling) discuss Cena's imminent retirement and the putridity of his final run, then get musical by playing bands and artists that start with the letter C. It's a play on Cena's catchphrase "You can't see me," where we replace the word "see" with the letter... well, you get it. Artists played include Cheap Trick, Ciara, Chaka Khan, The Crystal Method, Chromatics, Clipse, Chappell Roan, The Cult, and many more. Put on your finest jorts and brush up on your basic thuganomics, because this episode is all about hustle, loyalty, and respect.Theme song: "Hemispheres" by Silent PartnerBluesky: @MusicoftheMat / @justandrew / @suitwilliamsTwitter: @suitwilliamsSuit's blog: Suitwilliams.comAll VOW podcasts, articles, previews, and reviews: VoicesofWrestling.comJoin the VOW Discord to discuss Music of the Mat and other shows/topics: VoicesofWrestling.com/DiscordDonate to Music of the Mat and other VOW podcasts: VoicesofWrestling.com/DonateAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Episode 190 started a mini-series within A-SIDES called "Everybody Loves Cheap Trick." In this next edition, 5 more guests share their interactions, experiences, and memories of one of the most beloved rock n roll bands, Cheap Trick. Episode 215 features- Matt Gabs, guitarist with Ravagers, formerly with Biters Jerry Gaskill, drummer for the rock trio known as King's X Matt Andersen, bassist with Nashville's The Great Affairs Jamie Markley, Illinois talk and rock radio personality Acey Slade, musician and owner of New Jersey-based Catfight Coffee Thanks to all the guests for sharing their stories and time with A-SIDES and thanks to everyone who listens!

This week, Steve picked a set of imagination songs.  Here are the artists you will hear this week: Elvis Costello And The Attractions, She Wants Revenge, The Happy Fits, Cheap Trick, Nada Surf, Simple Minds, The Pretenders, Radiohead, The Shazam, The Damned, Rilo Kiley, The Tories, The Help Desk, Siouxsie And The Banshees. AI-free since 2016! On the Air on Bedford 105.1 FM Radio      *** 5pm Friday ***      *** 10am Sunday ***      *** 8pm Monday *** Stream live at http://209.95.50.189:8178/stream Stream on-demand most recent episodes at https://wbnh1051.podbean.com/category/suburban-underground/ And available on demand on your favorite podcast app! Facebook: SuburbanUndergroundRadio   ***    Instagram: SuburbanUnderground   ***    #newwave #altrock #alternativerock #punkrock #indierock

Jenn Tully joins Matt Sidhom for the last new music mix of 2025!  They trace November's most interesting new releases and rare finds, from soulful love songs to rediscovered Springsteen, with detours through genre-bending pop and hopeful rock. Surprises, callbacks, and a few future anthems round out the mix.• Why St. Paul and the Broken Bones still hit with tender, timeless soul• The Neighbourhood's DIY textures and Haim's thoughtful George Michael nod• Big Wild's airy lift and why minimal lyrics can still feel huge• Balu Brigada's bright groove carrying conflict fatigue• The Tuk Smith comeback and classic hooks done right• Foo Fighters balancing grief, grit and forward motion• Noga Erez's shapeshifting production and pointed perspectives• Kacey Musgraves' elegant devotion without clichés• Cheap Trick's new spark and modern parallelsSponsor: Early Bird Morning Cocktail with promo code SUPERMIX10https://music.apple.com/us/playlist/sam-new-music-november-2025/pl.u-E4p3sVMmxr1. Fall Moon - St Paul & The Broken Bones2. Private - The Neighbourhood3. Gone - HAIM4. Sideways - Balu Brigada5. Troubled Paradise - Tuk Smith & The Restless Hearts6. Stardust - Wild Child7. Gun in Every Home - Bruce Springsteen8. Telephone Busy - 5 Seconds of Summer9. Asking for a Friend - Foo Fighters10. Penny Lame - Noga Erez11. If The World Burns Down - Kacey Musgraves12. Twelve Gates - Cheap Trick Support the showVisit us at https://www.superawesomemix.com to learn more about our app, our merchandise, our cards, and more!

Text us about this show.To say Miles Nielsen has seen and experienced a lot over his three decade career in music would be an understatement. Let's cut to the chase... when your dad is Rick Nielsen, guitarist for Cheap Trick, you get inspired to follow in his footsteps but you do it your way. Miles has done just that. Over his three decade career he not only has grown as a music maker, but as a devoted husband, father, and friend. He's gone through the heartache of losing one of his closest friends and musical partners to cancer. He's played the roles of a support player and leader in bands that garnered national attention. Yet he remains grounded knowing he's fortunate to be making music with people he loves. Listen to Miles's story, his music, and even a little nugget that bridges generations."Cowbell" performed by Harmony Rileywritten by Miles Nielsen℗ 2001 Harmony Riley. Used with permission of Miles Nielsen."A Festival" written and performed by Miles Nielsen℗ 2009 Rusted Hearts Music. Used with permission of Miles Nielsen."Waiting On The Rain" performed by Miles Nielsen and the Rusted Heartswritten by Dave McClellan℗ 2025 Miles Nielsen Inc. Used with permission of Miles Nielsen."Surrender (live)" performed by The Nielsen Trustwritten by Rick NielsenThis version ℗ 2021 Rusted Hearts Music. Used with permission of Miles Nielsen.Melody Audiology LLCAudiology services for all. Specializing in music industry professionals and hearing conservation.Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showVisit Into The Music at https://intothemusicpodcast.com!Support the show: https://www.buymeacoffee.com/intothemusic E-mail us at intothemusic@newprojectx.com YouTube Facebook Instagram INTO THE MUSIC is a production of Project X Productions.Host/producer: Rob MarnochaVoiceovers: Brad BordiniRecording, engineering, and post production: Rob MarnochaOpening theme: "Aerostar" by Los Straitjackets* (℗2013 Yep Roc Records)Closing theme: "Close to Champaign" by Los Straitjackets* (℗1999 Yep Roc Records)*Used with permission of Eddie Angel of Los StraitjacketsThis podcast copyright ©2025 by Project X Productions. All rights reserve...

224 - Robin Taylor Zander (Cheap Trick, Solo) In episode 224 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host James Patrick Regan speaks with Robin Taylor Zander who is Cheap Trick's “Secret Weapon” and has his second solo album out. In their conversation Robin talks about his hometown of Clearwater, Florida and he talks about his current projects: producing and songwriting and performing with Cheap Trick, his dad's band. Robin talks about his musical upbringing at Florida state and with his dad's band. Robin tells us about his solo dates, when he decides to use a band versus playing solo and the venues he's playing. Robin describes the instruments he's playing solo, guitar, pedal steel, bass and the instruments he played in Cheap Trick singing, guitar, bass and even drums subbing for everyone except his dad. Robin discusses Jack Douglas and Jay Messina's production help throughout his career including Jack signing Robin to his record label. Robin talks gear and collecting gear. To find out more about RTZ you can go to his website: robintaylorzander.com Please subscribe, like, comment, share and review this podcast! #VintageGuitarMagazine #RobinTaylorZander #RTZ #CheapTrick #VoxAmps #Gibson #JamesPatrickRegan #theDeadlies #JackDouglas #Rickenbacker #JayMessina #haveguitarwilltravelpodcast #HGWT #tourlife Please like, comment, and share this podcast! Download Link

In this episode of The Rhythm Section Podcast, hosts Derrick and Jeff kick things off by paying tribute to the legendary Ace Frehley of KISS and sharing highlights from their time at Fall Fest during the Starship featuring Mickey Thomas concert. For the feature interview, the guys welcome their friend Ken Houston, one half of the acoustic duo Ken & Darrin and lead singer of No Hit Wonders. Ken opens up about his lifelong love for Cheap Trick and music as a whole, the origin story of No Hit Wonders, how the band came to a halt during COVID, and its exciting relaunch planned for 2026. He also shares some memorable tales from the historic Memphis venue Stage Stop and its beloved owner, Nita Makris.   TIP BUCKET If you find it in your heart to donate to the cause and help fuel the podcast you can do so through our new Venmo and CashApp. Your support is greatly appreciated and will help shine a brighter spotlight on the great Memphis Music Community. Venmo - @‌therhythmsectionpod CashApp - $therhythmsectionpod Thanks for tuning in and supporting the Rhythm Section Podcast.  

Send us a textTHE POST-APOCALYPTIC MUSICAL FUTURE IS NOWWWWWW.  Join us as we watch 1983's animated, demon-fighting, Canadian rock-opera "Rock and Rule;" featuring the music of Lou Reed, Debbie Harry, Iggy Pop, Cheap Trick, and Earth, Wind and Fire.  Sounds pretty amazing, right?  Unfortunately. . .this movie is not as great as it sounds on paper.  So be sure to listen in to hear our terrible, terrible disappointment.  

So many great cover songs.  My list is really long.  That's why we have part two. Find Waylon Jennings, Todd Snider, Tom Petty, Pat Green, Cheap Trick, and a bunch more.  Pretty simple, really.  Dive into the magic on Rock Pop and Roll. 

The Second Summer is an alternative power pop band from the Chicagoland area drawing inspiration from Cheap Trick and the Gin Blossoms. In this interview, Peter Kreten sits down with Steve Gatland from The Second Summer to learn how the band came together, why the hook is what matters most to him, and why YOU should take a chance on going to a local show. Photo Credit: Steve Gatland and The Second Summer. Used with Permission

This week, double shots from lots of artists with new releases. One new, one classic from Cheap Trick, Public Enemy, Rob Zombie & Megadeth. Plus faves from Bowie, The Stones, and check out the premiere of a live version of NIN "As Alive As You Need Me To Be." Rock. Mock. Dance. Laugh.

Our deep-dive on the history behind "Don't Be Cruel" continues through Elvis's television appearances on the Ed Sullivan show, live concerts such as the Louisiana Hayride, the Mississippi-Alabama Fair & Dairy Show, and the USS Arizona Memorial fundraiser, and the revealing insights heard in the Million Dollar Quartet recording. Justin and Olivia catch back up with Otis Blackwell as he rides the success of "Don't Be Cruel" to launch a career writing and arranging for other artists in the late 1950s, and we discuss why Elvis Presley appears as a co-writer on the song. We leapfrog over Elvis's movie career, as "Don't Be Cruel" doesn't show up again until the filming of the '68 Comeback Special but from there we're able to trace its appearances in Elvis's live setlists up to his final concert in 1977. We then discuss a number of covers including ones by Billy Swan, The Judds, Cheap Trick and more before finally closing out with Otis Blackwell as he remembered and paid tribute to Elvis, and finally got his chance to fulfill his lifelong musical dream at the very end of his career.

Rock and Roll Music That Deserves to Be Heard – New Episode Out Now!Turn it up loud, because this week's episode of RadioBypass is packed with fresh fire and legendary classics that prove Rock and Roll is alive, well, and louder than ever!Brand-New Rock and Roll That Demands AttentionWe're kicking things off with a killer lineup of new music from some of the heaviest hitters and rising stars in the scene. This week, you'll hear brand-new tracks from:Mammoth – carrying the torch with powerful riffs and passion.Judas Priest with Ozzy Osbourne – two titans of metal joining forces.Wings Of Steel – flying high with pure energy.Gary Hoey with Lita Ford – guitar mastery meets vocal fire.Stonetrip – fresh grooves straight from down under.Tommy Denander with Robin McAuley – a collaboration built for rock fans.Bangalore Choir – back with their unmistakable hard rock punch.Skyes Law – new blood making a strong statement.Black Stone Cherry – still delivering Southern rock thunder.Spinal Tap – turning it up to 11, as only they can.Timeless Rock You LoveAlongside the new, we're celebrating the legendary sounds that built the foundation of rock:Cheap Trick – power pop perfection.Led Zeppelin – the masters that need no introduction.Sword – heavy metal forged in fire.Why This MattersEvery week, RadioBypass brings you the best of both worlds: groundbreaking new music that deserves your ears and the classics that shaped the soundtrack of our lives. This episode is no exception — it's wall-to-wall Rock and Roll that refuses to fade away.So grab your headphones, crank up the volume, and let this week's show remind you why Rock and Roll matters.Listen now and spread the word: Rock and Roll Music That Deserves to Be Heard!Songlist:Mammoth - I Really WannaCheap Trick - You're All TalkJudas Priest & Ozzy Osbourne - War PigsLed Zeppelin - In The LightWings Of Steel - Burning SandsGary Hoey & Lita Ford - You Know I WouldStonetrip - PostcardsTommy Denander with Robin McAuley - Blood Red SkyBangalore Choir - Driver's SeatSkyes Law - Made For MeBlack Stone Cherry - Neon EyesSpinal Tap - Let's Just Rock Again#freshrock #classicrock #rockandrollmusicthatdeservestobeheard #radiobypass #mammoth #cheaptrick #judaspriest #ozzy #wingsofsteel #sword #garyhoey #litaford #stonetrip #tommydenander #robinmcauley #bangalorechoir #skyeslaw #blackstonecherry #spinaltap #rock #rockmusic #music #rocklives #rockandrollaintdead

John Loeffler has spent nearly fifty years making music that moves the world, from crafting the unforgettable Pokémon sound to working with iconic bands like Cheap Trick and Earth, Wind & Fire. In this episode, Jacob chats with John about how a few chance encounters in New York set him on a unique path, the many surprising directions a career in music can take, and why following your passion means living beyond the ordinary. Join us for a story about creativity, persistence, and making your own kind of noise.

A singer, songwriter and multi-instrumentalist, Eliot Lewis has toured the world over as a member of the Daryl Hall & John Oates band, as well as a former member of The Average White Band. Eliot has also been the only musician to appear on every episode of Daryl Hall's popular, "Live From Daryl's House” show all while keeping his own solo career going at a seemingly impossible pace. Over the course of his career he has worked with the music business' elite including, Billy Gibbons (ZZ Top), Joe Walsh, Sammy Hagar, Todd Rundgren, Train, Cheap Trick, Grace Potter,  Squeeze, Rob Thomas,  Jason Mraz, Darius Rucker, Gavin DeGraw and many, many others.TO PURCHASE TICKETS FOR THE WESTPORT, CT SHOW Click link:  https://tinyurl.com/3wycyk47For more on Eliot's website https://www.eliotlewis.com

Nick opens with a push for movie fans to get back into theaters, especially to catch Spike Lee's powerful new film Highest 2 Lowest. Music journalist Jim Ryan from Forbes then drops by to recap a run of standout shows, including Rod Stewart with Cheap Trick, Al Green with The O'Jays, Paul Simon, and a throwback 80s fest featuring John Waite and Wang Chung. He also shares highlights from his interview with Morgan Freeman and delivers a full Lollapalooza report. Later, Esmeralda Leon joins Nick for a dive into 90s pop culture. They swap stories about Airheads, Pogs, the Pink Power Ranger, and how Mentos commercials somehow made it acceptable to act like a complete jerk. Esma clears up the mysteries of Clarissa Explains It All, while Nick revels in the nostalgia of a decade defined by quirky candy and questionable fashion. [Ep 378]