Podcasts about Cheap Trick

I sit down and listen to the new Cheap Trick album "All Washed Up" with immediate reaction to hearing each song for the first time and also have thoughts on tapas......MERRY ACKMAS Ticketshttps://www.eventbrite.com/e/merry-ackmas-a-tribute-to-ace-frehley-of-kiss-tickets-1917207742969?utm-campaign=social&utm-content=attendeeshare&utm-medium=discovery&utm-term=listing&utm-source=wsa&aff=ebdsshwebmobilePATREON - https://www.patreron.com/realizzypres...WEBSITE - https://www.izzypresley.comIzzy's linkshttps://www.lasvegasguitartradeshow.comhttps://www.sotastick.comhttps://vintageguitarsrus.comhttps://www.beeteramplification.comhttps://www.thesmokinkills.comhttps://www.7thavenuepizza.comhttps://www.lockecustomguitars.com https://valkenburgusa.com https://www.monstersofrockcruise.comMERCH https://official-izzy-presley-store.creator-spring.comhttps://www.teepublic.com/user/official-izzy-presleyCAMEOhttps://www.cameo.com/realizzypresley RAISE YOUR GLASSEShttps://www.amazon.com/RAISE-YOUR-GLA...

MUSICPras Michel, a founding member of the hip-hop group the Fugees, was sentenced Thursday to 14 years in federal prison for illegally funneling millions of dollars in foreign money into U.S. political campaigns.A jury found him guilty in April 2023 of 10 counts, including conspiracy and acting as an unregistered foreign agent, in connection with a scheme involving Malaysian financier Jho Low.The judge rejected prosecutors' call for a life sentence, but described Michel's conduct as “brazen.” Nine Inch Nails drummer Josh Freese will release a new album next Friday, November 28th.Just a Minute, Vol. 2, which will be out on Pearl Jam guitarist Stone Gossard's Loosegroove Records, is the follow-up to 2021's Vol. 1, which contained 20 one-minute songs. Freese will hit the road next month for three shows with Weezer in Australia in which he will play guitar. He will be back behind the drums for the Nine Inch Nails' Peel It Back tour, which starts February 5th in New Orleans.Quick Hits:Documentary One Shot With Ed Sheeran hits Netflix.Stage played and autographed Gibson Guitars from Kirk Hammett of Metallica, Halestorm, Rise Against, Cheap Trick, and Pat Benatar and Neil Giraldo auctioned at Julien's Auctions' Played, Worn & Torn event.Jonas Brothers, Isley Brothers, David Bryan (Bon Jovi) among those inducted into New Jersey Hall of Fame. NEW ALBUMS OUTAerosmith and Yungblud teamed up for the five-song One More Time EP.Def Leppard's latest live release, Diamond Star Halos Life From Sheffield, is available in multiple formats.KISS's Alive Super Deluxe Edition expands the band's 1975 breakthrough with additional shows recorded on that tour.The Smashing Pumpkins' Mellon Collie and the Infinite Sadness 30th Anniversary Edition is a four-CD or six-LP set with previously unreleased live tracks. TVThe Academy Awards wants us to be prepared with extra snacks before the 2026 ceremony. https://abcnews.go.com/Entertainment/wireStory/2026-oscars-broadcast-include-24-awards-including-new-127685530 "I'm Chevy Chase and You're Not" premieres on CNN New Year's Day, then will stream on their app. https://ew.com/chevy-chase-admits-mistake-leave-snl-new-documentary-11850147 Kim Kardashian revealed that she was the winning bidder for her father's old Bible, which he gave to O.J. Simpson after he was arrested for murder. She paid $80,276 for it. Superman comic shatters world record … A super-rare copy of Superman No. 1 sold for $9.12 million at Heritage Auctions, making it officially the most expensive comic book ever. That $9.12 million price tag didn't just beat the previous record. It crushed it. The previous record? "Only" $6 million for an Action Comics No. 1 sold in 2024. The record-breaking Superman No. 1 was found tucked away in a California attic by three brothers after their mother passed away. It turns out, she quietly stored away some serious comic treasure -- to the tune of nine million bucks. https://sports.yahoo.com/article/superman-no-1-becomes-most-183000973.html?guccounter=1 MOVING ON INTO MOVIE NEWS:IN THEATERS:Wicked: For Good (Ariana Grande, Cynthia Erivo, Jonathan Bailey, Michelle Yeoh) The late Chadwick Boseman was honored with a Star on the Hollywood Walk of Fame. https://www.cnn.com/2025/11/20/entertainment/chadwick-boseman-hollywood-walk-of-fame Our first official look at the next Hunger Games movie is finally here! https://variety.com/2025/film/trailers/hunger-games-sunrise-on-reaping-first-look-haymitch-1236442928/ Kristen Bell, Idina Menzel, and Josh Gad have reportedly scored big pay days to return for "Frozen 3" and "Frozen 4". The voices of Anna, Elsa, and Olaf will be paid over $60 million each for the two sequels. https://www.usmagazine.com/entertainment/news/frozen-stars-reportedly-score-60m-salaries-for-2-new-movies/ AND THAT IS YOUR CRAP ON CELEBRITIES!Follow The Rizzuto Show @rizzshow on social media for more from your favorite daily comedy show. Connect with The Rizzuto Show online at 1057thepoint.com/RizzShow. Heard daily on the radio at 105.7 The Point in St. Louis, MO.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Family VacationerEpisode 203: Christmas in Rockford, IllinoisGuest: Kristen Paul, Director of Marketing and Public Affairs, Rockford Area Convention & Visitors Bureau Host: Rob Jones Episode Summary If you're dreaming of twinkling lights, festive markets, and that perfect small-town holiday charm, you'll love this stop in our Christmas in the U.S. series. In this episode, Rob heads to Rockford, Illinois, a city that knows how to celebrate Christmas in a big way — with dazzling light displays, heartwarming traditions, and a community that truly embraces the season. Rob chats with Kristen Paul from the Rockford Area Convention and Visitors Bureau about what makes this Northern Illinois destination a must-see during the holidays. From the magical Stroll on State celebration to breathtaking attractions like Anderson Japanese Gardens: Illuminated, Festival of Lights, and All Aglow along the Rock River, Kristen shares how Rockford shines bright with festive fun for the whole family. You'll also discover where to shop for locally made gifts, can't-miss holiday eats (yes, brunch lovers, this one's for you!), and how Rockford celebrates its quirky and creative history with nods to Cheap Trick, the Rockford Peaches, and even the original sock monkey. Whether you're looking for a new holiday getaway or just a little Christmas inspiration, this episode captures the heart, community, and magic that make Rockford feel like a Hallmark movie come to life. In This EpisodeWhy Rockford's Stroll on State is one of the Midwest's best free holiday eventsThe story behind the city's beloved sock monkey and how it became a local iconFamily-friendly attractions including Festival of Lights, Anderson Gardens Illuminated, and All AglowWhere to find the best holiday brunch (hint: try Abrio's biscuits and gravy or shrimp and grits!)Tips for visiting with kids and grandparents — including easy walkability and hotel recommendationsHow Rockford celebrates its musical and sports heritage through Cheap Trick and the Rockford PeachesFeatured GuestKristen Paul Director of Marketing and Public Affairs Rockford Area Convention and Visitors Bureau Learn more and start planning your trip at GoRockford.comResources MentionedGoRockford.com – Official visitor information, events, and itinerariesAnderson Japanese Gardens – “Illuminated” holiday event detailsNicholas Conservatory & Gardens – “All Aglow” light displaysFestival of Lights – Rockford's iconic drive-thru holiday traditionConnect with Rob

This week, Stub chats about and pairs drinks with new music from Cheap Trick and Kaitlin Butts. He also chats about some Grammy news before moving on to the use of Generative AI in creating art. There also might be a word or tow about His & The Rib's trip to Paris to celebrate the 250th Birthday of the United States Marine Corps for the second weekend in a row! If you find yourself liking, singing along to, or playing along with One Bourbon, One Chard, or One Beer, please Please PLEASE rate and review us on iTunes, Spotify, Stitcher, Soundcloud, or wherever you found our podcast. It helps other lushes like you find our podcast and to build our community. Our intro music is "Bad Guy In My Story" by Wild Talk. If you rate and review us and we ever meet you, we'll buy you one bourbon, one chard, or one beer (our choice). Cheers, mates!

Dans Noiseweek sur Heavy1, honneur aux vétérans américains Cheap Trick qui viennent de sortir leur 21e disque, « All Washed Up » : c'est notre album de la semaine. Egalement au programme présenté par Christophe Droit, sa sélection des nouveautés discographiques albums et singles de Aerosmith & Youngblud • Kiss • Sainted Sinners • Annisokay • The Pretty Wild • Electric Boys • The Halo Effect • Danko Jones • Stryper et Bloodbound.Une émission réalisée par Jean-Baptiste Lamet - En partenariat avec RIFFX.frHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

As I started today's show, I noticed the AI Algorithm is playing funny again! When you check out the list below, the song from @The Kennedys, @Steve Caraway and who is soing the song “Femme Fatale”? Also, @Popdudes covering @Cheap Trick and later in the hour a song from @Cheap Trick themselves. OK AI ENOUGH! The Music Authority Podcast...download, listen, share, repeat…heard daily on Belter Radio, Podchaser, Deezer, Amazon Music, Audible, Listen Notes, Mixcloud, Player FM, Tune In, Podcast Addict, Cast Box, Radio Public, Pocket Cast, APPLE iTunes, and direct for the source distribution site: *Podcast - https://themusicauthority.transistor.fm/  AND NOW there is a website! TheMusicAuthority.comThe Music Authority Podcast! Special Recorded Network Shows, too! Different than my daily show! Seeing that I'm gone from FB now…Follow me on “X” Jim Prell@TMusicAuthority*The Music Authority on @BelterRadio Monday, Tuesday, Thursday, Friday 7 pm ET & Wednesday 9 pm ET*Radio Candy Radio Monday Wednesday, & Friday 7PM ET, 4PM PT*Rockin' The KOR Tuesday, Wednesday, and Thursday at 7PM UK time, 2PM ET, 11AM PT  www.koradio.rocks*Pop Radio UK Friday, Saturday, & Sunday 6PM UK, 1PM ET, 10AM PT! *The Sole Of Indie https://soleofindie.rocks/ Monday Through Friday 6-7PM EST!*AltPhillie.Rocks Sunday, Thursday, & Saturday At 11:00AM ET!November 20,2025, Thursday…a week away from the day of THANKS…@Orbis 2.0 - TMA SHOW OPEN THEME@Popdudes - Hello There [Never Surrender A Tribute To Cheap Trick] (@Zero Hour Records)@The Kennedys - Big Star Song [Closer Than You Know]@Steve Caraway – Big Star [Upon This Rock]@Big Star - Femme Fatale [Third/Sister Lovers]@Goodbye Victory Road - Somewhere [Act 2] (@GVR Records)@The Real Numbers - You, Me, And The Sunshine [Thank You!]@The Cherry Drops - Light 'Em Up [Life Is A Bowl Of Cherry Drops]@Cheap Trick - I'll Be With You Tonight@Abbie Barrett - Reconcile [I Will Let You Know] (@Rum Bar Records)@The Poptarts - I Won't Let You Let Me Go [Fresh Out The Toaster…The Poptarts Anthology]@The Glad Machine - Collide [All The Pretty Things] (koolkatmusik.com)@Holly & The Byrd Featuring @Tony Valentino - So Into Everything You Do@The Catherines - Gobble Wobble (Thanksgiving)@Kevin Robertson - Magnify The Sun [Teaspoon of Time] (@Futureman Records) (@Subjangle)@Joe Grushecky - Rock And Roll Heart [Iron Houserocker Anthology]@The Cynz - You're Gonna Miss Me@The Parlophonics - God Speed Helena [A Day In The Life]

Are you spending more to save more—and is it costing your retirement? This episode dives into “spaving,” the sneaky habit of overspending in the name of saving, and how it can quietly erode your nest egg. Host Steve Anzuoni unpack hidden fees, smart saving strategies, and the emotional side of retirement decisions. Plus, hear insights from rock legend Robin Zander of Cheap Trick on why staying passionate keeps you young. Tune in for practical tips and real stories to help you retire with confidence. SCHEDULE A MEETING OR PHONE CONSULTATION TODAY! Get a Copy of Steve's Book - Tee Up Your Retirement! Social Media: Facebook I LinkedIn I Instagram I YouTube See omnystudio.com/listener for privacy information.

By Walt HickeyWelcome to the Numlock Sunday edition.This week, I spoke to Chris Dalla Riva, author of the new book Uncharted Territory: What Numbers Tell Us about the Biggest Hit Songs and Ourselves. Chris is a fixture here at Numlock, we're big fans of his newsletter Can't Get Much Higher and have been eagerly waiting for this book, which tracks the history of music by coasting along the top of the Billboard Hot 100. The book can be found at Amazon and wherever books are sold, grab a copy!This interview has been condensed and edited. Chris Dalla Riva, it is great to have you back on. Especially great this week, because you are finally out with a book that I know you've been working on for a very long time, Uncharted Territory. Thanks for coming back on.Yeah, thrilled to be back, but also thrilled to have the book come out. The book publishing world is one of the only worlds left in the world that moves slow enough where you're waiting for so long for something to happen.You have guest-written for Numlock before; you have been a staple of the Sunday editions in the past. You are definitely familiar to the audience at this point because you are doing some of the best music data journalism out there. You've been working on this thing for, I feel like, as long as I've known you, and it is just great to have it come out finally, man.Yeah, actually, I met you because I was working on this project. I was trying to track down some data that you'd used at FiveThirtyEight, and you responded to my email with your phone number. You were like, “This is easier to explain over the phone.”Yeah, I remember I had scraped the radio for months at FiveThirtyEight just to see where it went, and you hit me up with that. I think that you focused some of your energies on the newsletter, and that's been so fun to follow, but this is truly what you've been working at. It is great to get you on finally to talk all about it.What would you describe this book as? How would you describe it, either to folks who might be familiar with your newsletter or unfamiliar with your newsletter, about what you're setting out to do with this particular project?The subtitle, I think, is helpful. It's What Numbers Tell Us About the Biggest Hit Songs and Ourselves. My typical pitch is that it's a data-driven history of popular music that I wrote as I spent years listening to every number one hit song in history. You get a balance of music history, data analysis, just random music chart shenanigans. I wrote it over such a very long period of time that you get a little bit of how my life was intersecting with this book over the years as I tried to get it published.I love the angle on the No.1s being a place to go with, because it gives you a pulse on what's popular at the time and not necessarily what's the most influential at the time. You can see there's a lot of stuff that hit number one at one point or another that have no musical legacy whatsoever, but nevertheless are still interesting. It's dipping your toe in the stream, right? You can see that a lot of things that we assume about how the music industry works weren't always the case.You wrote a little bit about the early transition from big bands to singers as the front-facing people in their operation. That was informed in no small part by what was performing on the charts, but also, I think, labor action, right?An under-discussed part of music history in the last 100 years is that when thinking of any band now or any musical artist, you almost certainly think of the front person being the singer. But if you go look back at big bands of the 1930s and 1940s, anyone whose name was attached to the band was often not a singer. Some that come to mind are Glenn Miller, the Glenn Miller band. Glenn Miller was a trombone player. Artie Shaw was a clarinet player. If none of these names are familiar to you, that's okay. But you can ask your grandparents.Why does this transition happen: suddenly, the lead singer is always getting top billing in a band? There are a bunch of things that contributed to this. One thing I talk about pretty extensively is just the advent of better microphones. If a voice cannot be heard over the roar of an orchestra or a big band, you need a choir of people to sing. It makes the singer less identifiable. As we get better amplification, better microphones, you can get a wider range of vocal styles. Those vocalists can now compete with the sound of a ton of instruments.At the same time, something you mentioned that I think is a fun bit of history is how music used to be much better organized. They had better labor organization, the same way that Hollywood has much better labor organization than music these days. There still exists a group called the American Federation of Musicians. For two years, they had a strike for a work stoppage, when no new music was being recorded. This was during World War II. You weren't allowed to strike during World War II.They were frowned upon very much, it seems, yes.Yes, even if you were a musician. People were like, “Come on, why are the musicians striking?” There's a lot of interesting history there. One of the weird loopholes was that singers could not join the American Federation of Musicians. Because of that, some labels would get around the strike by just recording acapella songs or songs with instruments that were not eligible to be membership because they weren't “serious” enough, like the harmonica. There were weird harmonica songs that were popular at this time. By the time the strike ended, by the time World War II ended, suddenly, singers had a much more prominent role because they were the only ones allowed to perform.There is tons of weird stuff about this strike. Like, labels backlogged tons of recordings because they knew the strike was coming. “White Christmas,” maybe the best-selling record of all time, was one of those backlogged recordings — recorded in July of 1942 and put out however many months later.That's fun. That's basically why Tom Cruise is in a union but Bad Bunny isn't?I guess so. Music and labor have a history that I'm not an expert on. For some reason, musicians have had a much more difficult time organizing. It seemed to be a little bit easier back when there were these big bands that needed to be rolled out to perform in movie theaters or local clubs. You needed a tuba player and a trombone player and a sax player. I guess it was easier for those musicians to organize. Whereas now, things are so scattered and productions can be super small, and you could record something in your bedroom. They never got that level of organization. I think it's actually hurt artists to some degree because they don't have the protections that the film industry does.Because you're able to just coast along at the top of the charts throughout basically the century, you're able to get lots of different interweaving stories of labor and also legal disputes/legal outcomes, as well as this technological evolution. What are some of the ways that technology has informed how the music that we listen to changes or evolves over time? Or even some of the litigation that we have seen over the course of the century of musical creation. It just seems like it's a really fun way to track some of these bigger trends that we don't even know are really trends.Yeah, totally. I think one of the key themes of the book is that musical evolution is often downstream from technological innovation, which has a nice little ring to it. But in general, there's this idea that creativity is being struck by the muse, and you create something. Whereas in reality, there are usually physical constraints or technological constraints that shape the art that we make. One of the most basic examples is the length of songs. From the '40s up till the early, mid-60s, the pop song sits around 2.5 to three minutes. The reason for this is that vinyl singles could literally not hold more sound without degrading, which is completely backwards from the idea that there was an artist who chose to write a 2.5-minute song.I was like, “Well, you had to work within the constraint.” Then technology gets better, singles start to get longer. During the disco era, they actually made bigger discs to put out these long dance mixes. The single sat around like 3.5 to 4.5 minutes for decades until about 10 years ago, when it started to shorten again. People typically point to music streaming for this reason, because artists are paid if a song is listened to for more than 30 seconds, so it's really just a volume game. If you have a 14 minute song that someone listens to one time, they get paid once. But if I listen to a two-minute song seven times (which is again, the same amount of time spent listening), I will be paid out seven times. There is this financial incentive to shorten songs.I don't think artists are sitting in the studio thinking about this constantly. But what I see, what I saw again and again, is that artists were rational beings to some degree and would work within the constraints that they were given. They would usually push against those constraints. That's where a lot of great art comes out of.Even new mediums are offering new opportunities. You wrote a little bit about MTV and how that really changed a lot of what was able to be successful at the time. You had new types of acts that were able to really start competing there, and other acts that just weren't. Do you wanna speak a little bit about like what video did?Yeah, video certainly changed the game. There were artists who had visual presences earlier. The Beatles had a very visual presence. I think part of their success is tied to the fact that television was becoming a thing, and mass media was really becoming a thing. However, we associate musicians with visuals so much these days. That really emerged in the 1980s, where you needed your visual concepts to be as strong, if not stronger than, your musical concepts. I think because of that, you start seeing some artists break through who I don't think are considered great musicians.I always sadly point to the song, “Hey Mickey” by Tony Basil. If it's your favorite song, sorry. I don't think it's a masterful musical creation, but it had this fun music video where she's dressed up as a cheerleader. A lot of that song's success was just the fact that MTV was willing to put that in heavy rotation because it was a fun video to watch. We live in the shadow of that era where visuals matter just as much as anything else.When you think about the most popular artists, outside of maybe a handful, you think of their visual concepts. You think of what Beyoncé looks like, what her videos are like, same with Taylor Swift, as much as you think about their music. That really reshaped our relationship with popular music. We expect to know what artists look like. It's odd to think about that; it really wasn't a thing decades before. You could be a fan of an artist and not really know what they look like. How would you know? Maybe you saw them in a magazine. Maybe you caught them on one television show. The idea that we have access to what everyone looks like is a pretty new phenomenon.That's fun. It's just so interesting to see how a simple change, whether it's today an algorithm or then a medium of distribution, can just have material impacts on the popularity of British synth music in America.Yeah, that's the perfect example. There's a great book called I Want My MTV, and it's an oral history of MTV. They talked to one of the founders. Early MTV would play, as you're saying, all these British new wave acts. Think A Flock of Seagulls, Duran Duran or even someone like U2. They asked the founder, “Why were you playing so many British artists on early MTV?” He was like, “For some reason, British artists happened to make music videos. And there were about 200 music videos in existence. We had to fill 24 hours of programming.” A Flock of Seagulls was gonna get played a bunch of times just because they happened to make music videos.It is a weird thing. Why would anyone make a music video if there was nowhere to really play them? I don't know why specifically the British had more videos, but there were occasional times where television shows might show a video.They do love that over there, like Top of the Pops. I can see why.Music and television have always been connected. You even think Saturday Night Live still has musical acts. Back then, say your label didn't wanna send you out to Britain to go on Top of the Pops. Maybe they would send a video of you instead. There were videos that would float around on these variety shows, and some early videos were just concert footage. It was like, it was a chicken or the egg thing. Once some people had success on MTV, everyone started producing videos. MTV somehow pulled off the miracle of convincing labels that they needed to make videos and that they needed to front the cost for that. Then they had to give MTV the video for free. I don't know how MTV managed to do that.Well, all of Gen X can't be wrong. If you do wanna get it out there, you do have to get it out there. One really fun recurring thing in the book — which again, like I really enjoyed. I think it's a phenomenal work. I think it's a great history. I'm telling stories that I learned in your book to everybody. It is a really fun read in that regard, I wanna say.I do love how you occasionally clock a genre that really only exists briefly. There's one that always goes around for like the strangest things to hit number one, like the Ballad of the Green Berets. I think like there's a Star Wars disco track that I definitely have on vinyl at home about that. You wrote a lot about like teen tragedy songs. What are some of the fascinating like brief trends that only made a small splash and that all of us have forgotten ever existed, but nevertheless achieve some measure of immortality?Yeah, the teen tragedy song is a good one. That actually inspired the writing of this whole book because I got 50 No. 1s, and I was like, “Why are there so many number ones about teenagers dying? That's a little weird.” And then I did a little digging and tried to piece together why that was. The teenage tragedy song, late '50s, early '60s, there are all of these songs about two teenagers in love, usually high schoolers. One tragically dies often in a car crash, and the other is very sad and maybe says that they'll reunite again one day in the afterlife. Some of the big ones are “Leader of the Pack” by the Shangri-Las and “Teen Angel” by Mark Dinning.It's a very weird blip in popular music history. I won't say it has cast a long shadow, but there are some occasional people who pull from that tradition. The craziest teen tragedy song ever was “Bat Outta Hell” by Meatloaf, in which Jim Steinman tried to write a nine-minute motorcycle crash song. I think that's a really interesting one.Disco: bizarre in the amount of people that made disco songs. I really came to like disco and the best disco music, I'm like, “These are the greatest sounds that have ever been recorded.” But it got so big and so popular that everyone felt the need to record disco songs.Not everything is “I Feel Love,” right?No, most things are not. It strikes me that this happened with disco, but has not happened with other genres. Frank Sinatra recorded disco songs. Basically, every television theme song got a disco remix. I Love Lucy had a disco remix. The Rocky theme song had a disco remix.What? I'm sorry, Frank Sinatra did a disco song? Is it good?It's not good. It's “Night and Day” over a disco beat. And it's not clear to me if they just remixed it or if he actually recut the vocal because I just cannot imagine him doing that. In the mid-60s, there was a nun who topped the charts, The Singing Nun with a song called “Dominique.” Of course, during the disco era, it was remixed as a disco song. There are examples of this where people went sort of disco. The Rolling Stones record “Miss You” and it has the disco beat, or Pink Floyd does “Another Brick in the Wall” or Queen does “Another One Bites the Dust.”Everyone was gonna give it a try. There was so much money being made in the disco world at the time. You can always find some artists you would never think would do a disco song probably tried. They probably gave it their best.That's great. It's just fun because the things that hit number one for a week don't necessarily have to be good. They just have to be popular for like a week. Even the construction of the Top 40 chart, which you get into in the book, isn't exactly science. A lot of times, it's a little bit of intuition. It's a lot of what's selling and what's selling where specifically. It is a little bit woo woo, right?Yeah, definitely. The goal of this chart is “What's the most popular song in America in a given week?” Back in the day, that meant what were people buying? What were people listening to on the radio? What were people spinning in jukeboxes? Today, most music is done on streaming. It's consumption-based, rather than sales-based. So the chart's the same in name only, but it's really measuring very different things. The equivalent would be if we knew after you purchased your copy of “I Feel Love,” how many times did you actually play it at home? You could have purchased it, went home and never played it again. Something like that would not register on the charts these days.I respect the people at Billboard because they have an impossible task. It's like “We're gonna take all the information and we're going to boil it down into choosing or measuring what the most popular song is.” It's an impossible task to some degree.I have watched the evolution of the chart, and I go back and forth on whether they have given up on actually trying to rank stuff or if they are just ranking things in a different way. I think that the apples-to-apples between the era stuff is just so hard to do.One thing I really enjoyed about your book, in particular, is that it's not a story of why these songs are the best. It's a story of why these songs were popular at the time, just dipping the toe into the river of human sound. One thing that I'll ask as you wrap: as you were going through these eras, who did you hear a lot more of than you thought? Who did you hear a lot less than you expected?I joked with some people that if you just looked at the top of the charts, the greatest rock band of the 1970s is either Grand Funk Railroad or Three Dog Night because they both had three number one hits, and many other bands in the classic rock canon have none. Led Zeppelin does not really exist on the pop chart, the singles chart. Led Zeppelin really only put out albums. The Eagles were also big during the '70s on the music charts. But Three Dog Night, they're the legends.There are tons of people that I didn't realize how much I would see of them. Someone like Lionel Richie and Phil Collins, of course, they're tremendously popular, but they were so popular. Phil Collins was popular at the height of the bald pop star era, which I think is a thing of the past. You had multiple bald men who were regularly topping the charts in the mid-80s. You see a ton of Phil Collins, more than I was expecting, even though I know he's very popular.Who don't you see a ton of? Sometimes you don't see people until a bit later in their careers. This is actually an interesting phenomenon. Artists do not score a number one hit during their most critically acclaimed period, and then a decade later, they do. For example, Cheap Trick. They have a number one hit, but it's at the end of the '80s song called “The Flame.” Whereas if you hear Cheap Trick on the radio, it's probably their live album from the 1970s. This is a phenomenon you see again and again. Some old timer will get their number one much later in their career. Tina Turner gets her number one when she's probably in her 40s. It's always interesting to see that.There are also some artists where I feel like there's a divergence between what their most popular songs are these days and what was topping the charts. Elton John is a good example there. “Benny and the Jets” was a number one hit, still a tremendously popular song. But he's got a lot of weird No. 1s that I don't think have as much street cred these days. He has a song called “Island Girl.” Did not age like fine wine. I don't even think he plays it live anymore because it's considered somewhat racially insensitive. But it was a No. 1 hit at the time. “Philadelphia Freedom” is another one by Elton John. I feel like when people think of the Elton John catalog, it's probably not the first song that comes to mind. But it was a No. 1 hit, huge smash. His cover of “Lucy in the Sky with Diamonds” was a No. 1. Elton John has been very popular throughout the decades, but I feel like the reasons he's been popular have changed.People have just gravitated towards different songs as time has gone on. You get distortions at the top of the charts. But I think, as you mentioned, it provides a good sample of what was actually popular. You have the good, the bad, and the ugly. Whereas if you look at some other sources, people are just gonna be like, “Oh, listen to these records. These are the best records.” In reality, the bad records are important, too.Yeah, bad records are great. They're at least interesting. I imagine also some of this process must have been missing out on a lot of interesting music because one song was just dominating the charts. Were there any songs in particular that come to mind that wooled the roost for potentially a little bit too long?Yeah, the quintessential example is the “Macarena” in the ‘90s.Oh, no!I think it was No. 1 for 13 weeks.Christ!There's a great clip of people at the Democratic National Convention and '96 dancing the “Macarena.” It's so bad. Yeah, so a very popular song. There are tons of stuff that gets stuck behind it. There's a great No.1 hit in the '90s called “I Love You Always Forever.” It's a very nice song by Donna Lewis. It's stuck at No. 2 because it just happened to be popular during the “Macarena's” very long run. YYour life's work, your greatest accomplishment, being stymied by the “Macarena” feels like a level of creative hell that I have never envisioned before.Yeah, there are other artists who got unlucky. Bruce Springsteen never performed a No. 1 hit. He wrote a No.1 hit for another artist. His closest was “Dancing in the Dark” got to No. 2, but that was also when Prince released “When Doves Cry,” so it's a tough, tough week. Bob Dylan, similar thing. He wrote a No. 1 hit, but he only ever got to No. 2. I think he got to No. 2 twice. Once, he got stuck behind “Help” by the Beatles, and another time he got stuck behind “Monday Monday” by the Mamas and the Papas.This is another thing when I talk about the charts. There could be many fewer units sold in a given week, or there could be many more units sold. There's a lot of luck involved if you're gonna go all the way to No. 1. You could be Bruce Springsteen: you release the biggest record of your life, and Prince also releases the biggest record of his life at the exact same time.Incredible. So again, I have read the book. I really, really like it. People are doubtlessly familiar with the newsletter at this point, but I am also a big fan and booster of that. But I guess I'll just throw it to you. Where can folks find the book, and where can folks find you?Yeah, you can find me, Chris Dalla Riva, basically on every social media platform under cdallarivamusic. I'm most active on TikTok and Instagram. The book, Uncharted Territory: What Numbers Tell Us About the Biggest Hit Songs and Ourselves, should be available from every major retailer online. Amazon, Barnes & Noble, Walmart, Booklist, all that good stuff. Not available physically in stores, so definitely order it online.Like I said, I spent years listening to every No. 1 hit in history, built a giant data set about all those songs and used that to write a data-driven history of popular music from 1958 to basically 2025. So go pick up a copy, buy one for your mother for Christmas. Or your father, I don't discriminate. Yeah, check it out. I'm hoping people enjoy it, and I'm really excited to finally get it out in the world. It's been a long, circuitous journey to get it published.It's a really fun read, and I wish it nothing but the best. And yeah, congrats, thanks for coming on.Yeah, thanks for having me.Edited by Crystal WangIf you have anything you'd like to see in this Sunday special, shoot me an email. Comment below! Thanks for reading, and thanks so much for supporting Numlock.Thank you so much for becoming a paid subscriber! Send links to me on Twitter at @WaltHickey or email me with numbers, tips or feedback at walt@numlock.news. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.numlock.com/subscribe

What keeps a legendary rock band energized after 50 years? Frank Guida sits down with Cheap Trick’s Robin Zander and Tom Peterson to uncover the stories behind their new album, “All Washed Up,” the origin of their iconic name, and the secrets to their enduring passion for music. Tune in for candid moments, laughs, and a glimpse into the band’s unstoppable spirit. “Cheap Trick’s new album ALL WASHED UP is available now wherever you buy your music and at www.cheaptrick.com Schedule a complimentary appointment: A Better Way Financial CLICK HERE to register for one of our upcoming Tax-Smart Retirement Planning Dinner Workshops. Read our book! Amazon Best Seller, “The Book on Retirement: A Better Way to Stretch Your Retirement Dollars While Living the Lifestyle of Your Dreams.” Follow us on social media: Facebook | LinkedIn | YouTube See omnystudio.com/listener for privacy information.

We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2021 conversation with Richard Marx. ABOUT RICHARD MARX:Grammy-winning performer Richard Marx has sold more than 30 million albums as an artist, but if you only know him from late 1980s ballads such as “Hold on to the Nights” and “Right Here Waiting,” you only know part of the story. A prolific songwriter, Marx has landed fourteen songs at the top of various Billboard charts, and has written a #1 single in each of the last four decades. His genre-crossing songwriting success includes “What About Me” and “Crazy,” which Kenny Rogers carried to the top of the Adult Contemporary and Country charts, respectively; “Edge of a Broken Heart,” a hit for the female metal band Vixen; “This I Promise You,” a Top 5 pop single for NSYNC that stayed at #1 on the Adult Contemporary Chart for 13 weeks; Josh Groban's debut single “To Where You Are,” which also reached #1; and “Dance With My Father,” which Richard wrote with the song's performer, Luther Vandross, and which earned the pair the prestigious Grammy Song of the Year award in 2004. Additionally, Richard has scored three major hits with Keith Urban: the Top 5 “Everybody,” and the #1 singles “Better Life” and “Long Hot Summer.”  Despite all his songwriting success, however, Marx is best known as a singer and performer who today jokes about his 80s hairstyle and of-the-era drum sounds. But the songs are undeniable, all of which Marx wrote and produced himself. His debut self-titled album yielded four Top 5 singles: “Don't Mean Nothing,” “Should've Known Better,” “Endless Summer Nights,” and “Hold on to the Nights.” His follow-up, 1989's Repeat Offender, was even more successful, going quadruple-platinum and earning two number one Billboard pop singles, “Satisfied” and “Right Here Waiting,” in addition to the Top 5 “Angelina.” More hits followed, including “Keep Coming Back,” “Hazard,” “Take This Heart,” “Now and Forever,” and “Until I Find You Again.” In addition, Richard's songs have been integral to a number of successful film soundtracks. He earned a Grammy nomination for his contributions to St. Elmo's Fire; scored a Top 10 pop hit with “Surrender to Me,” which Ann Wilson of Heart and Robin Zander of Cheap Trick recorded for the movie Tequila Sunrise, and wrote “At the Beginning,” a hit duet for the film Anastasia that Richard performed with Donna Lewis. Over the course of his career, Richard's songs have been recorded by Barbra Streisand, The Tubes, Sarah Brightman, Monica, Natalie Cole, Michael Bolton, Paulina Rubio, Emerson Drive, Chicago, Billy Ray Cyrus, Vince Gill, Kenny Loggins, LeAnn Rimes, Celine Dion, Julio Iglesias, Berry Manilow, Daughtry, Vertical Horizon, Lifehouse, Dave Koz, Jennifer Nettles, Ringo Starr, and many others. His memoir, Stories to Tell, is available from Simon & Shuster.   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

It's a full house in the studio this week. Eric, Tim, Mike, and John join Dayton as they countdown their picks for the 2000's. A couple of them had a tough time just getting 7. Others had a hard time narrowing it down. Can you guess who was who? Do your favorite albums match any of our guests? Playlisthttps://open.spotify.com/playlist/4CzXIx2w79maK05k6wUVXv?si=zfc_J2XHQ0ieYSJYR31E9QSend us a textTwitter @dockingbay77podFacebook @dockingbay77podcastdockingbay77podcast@gmail.compatreon.com/dockingbay77podcasthttps://discord.gg/T8Nt3YB7 https://www.youtube.com/@DockingBay77podcast https://dockingbay77pod.buzzsprout.com

John Cena, the biggest wrestling star of the past two decades and one of the biggest wrestling stars of all time, is just weeks away from his last match. On this episode, Andrew and returning guest Suit Williams (Voices of Wrestling) discuss Cena's imminent retirement and the putridity of his final run, then get musical by playing bands and artists that start with the letter C. It's a play on Cena's catchphrase "You can't see me," where we replace the word "see" with the letter... well, you get it. Artists played include Cheap Trick, Ciara, Chaka Khan, The Crystal Method, Chromatics, Clipse, Chappell Roan, The Cult, and many more. Put on your finest jorts and brush up on your basic thuganomics, because this episode is all about hustle, loyalty, and respect.Theme song: "Hemispheres" by Silent PartnerBluesky: @MusicoftheMat / @justandrew / @suitwilliamsTwitter: @suitwilliamsSuit's blog: Suitwilliams.comAll VOW podcasts, articles, previews, and reviews: VoicesofWrestling.comJoin the VOW Discord to discuss Music of the Mat and other shows/topics: VoicesofWrestling.com/DiscordDonate to Music of the Mat and other VOW podcasts: VoicesofWrestling.com/DonateAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Episode 190 started a mini-series within A-SIDES called "Everybody Loves Cheap Trick." In this next edition, 5 more guests share their interactions, experiences, and memories of one of the most beloved rock n roll bands, Cheap Trick. Episode 215 features- Matt Gabs, guitarist with Ravagers, formerly with Biters Jerry Gaskill, drummer for the rock trio known as King's X Matt Andersen, bassist with Nashville's The Great Affairs Jamie Markley, Illinois talk and rock radio personality Acey Slade, musician and owner of New Jersey-based Catfight Coffee Thanks to all the guests for sharing their stories and time with A-SIDES and thanks to everyone who listens!

This week, Steve picked a set of imagination songs.  Here are the artists you will hear this week: Elvis Costello And The Attractions, She Wants Revenge, The Happy Fits, Cheap Trick, Nada Surf, Simple Minds, The Pretenders, Radiohead, The Shazam, The Damned, Rilo Kiley, The Tories, The Help Desk, Siouxsie And The Banshees. AI-free since 2016! On the Air on Bedford 105.1 FM Radio      *** 5pm Friday ***      *** 10am Sunday ***      *** 8pm Monday *** Stream live at http://209.95.50.189:8178/stream Stream on-demand most recent episodes at https://wbnh1051.podbean.com/category/suburban-underground/ And available on demand on your favorite podcast app! Facebook: SuburbanUndergroundRadio   ***    Instagram: SuburbanUnderground   ***    #newwave #altrock #alternativerock #punkrock #indierock

Jenn Tully joins Matt Sidhom for the last new music mix of 2025!  They trace November's most interesting new releases and rare finds, from soulful love songs to rediscovered Springsteen, with detours through genre-bending pop and hopeful rock. Surprises, callbacks, and a few future anthems round out the mix.• Why St. Paul and the Broken Bones still hit with tender, timeless soul• The Neighbourhood's DIY textures and Haim's thoughtful George Michael nod• Big Wild's airy lift and why minimal lyrics can still feel huge• Balu Brigada's bright groove carrying conflict fatigue• The Tuk Smith comeback and classic hooks done right• Foo Fighters balancing grief, grit and forward motion• Noga Erez's shapeshifting production and pointed perspectives• Kacey Musgraves' elegant devotion without clichés• Cheap Trick's new spark and modern parallelsSponsor: Early Bird Morning Cocktail with promo code SUPERMIX10https://music.apple.com/us/playlist/sam-new-music-november-2025/pl.u-E4p3sVMmxr1. Fall Moon - St Paul & The Broken Bones2. Private - The Neighbourhood3. Gone - HAIM4. Sideways - Balu Brigada5. Troubled Paradise - Tuk Smith & The Restless Hearts6. Stardust - Wild Child7. Gun in Every Home - Bruce Springsteen8. Telephone Busy - 5 Seconds of Summer9. Asking for a Friend - Foo Fighters10. Penny Lame - Noga Erez11. If The World Burns Down - Kacey Musgraves12. Twelve Gates - Cheap Trick Support the showVisit us at https://www.superawesomemix.com to learn more about our app, our merchandise, our cards, and more!

Text us about this show.To say Miles Nielsen has seen and experienced a lot over his three decade career in music would be an understatement. Let's cut to the chase... when your dad is Rick Nielsen, guitarist for Cheap Trick, you get inspired to follow in his footsteps but you do it your way. Miles has done just that. Over his three decade career he not only has grown as a music maker, but as a devoted husband, father, and friend. He's gone through the heartache of losing one of his closest friends and musical partners to cancer. He's played the roles of a support player and leader in bands that garnered national attention. Yet he remains grounded knowing he's fortunate to be making music with people he loves. Listen to Miles's story, his music, and even a little nugget that bridges generations."Cowbell" performed by Harmony Rileywritten by Miles Nielsen℗ 2001 Harmony Riley. Used with permission of Miles Nielsen."A Festival" written and performed by Miles Nielsen℗ 2009 Rusted Hearts Music. Used with permission of Miles Nielsen."Waiting On The Rain" performed by Miles Nielsen and the Rusted Heartswritten by Dave McClellan℗ 2025 Miles Nielsen Inc. Used with permission of Miles Nielsen."Surrender (live)" performed by The Nielsen Trustwritten by Rick NielsenThis version ℗ 2021 Rusted Hearts Music. Used with permission of Miles Nielsen.Melody Audiology LLCAudiology services for all. Specializing in music industry professionals and hearing conservation.Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showVisit Into The Music at https://intothemusicpodcast.com!Support the show: https://www.buymeacoffee.com/intothemusic E-mail us at intothemusic@newprojectx.com YouTube Facebook Instagram INTO THE MUSIC is a production of Project X Productions.Host/producer: Rob MarnochaVoiceovers: Brad BordiniRecording, engineering, and post production: Rob MarnochaOpening theme: "Aerostar" by Los Straitjackets* (℗2013 Yep Roc Records)Closing theme: "Close to Champaign" by Los Straitjackets* (℗1999 Yep Roc Records)*Used with permission of Eddie Angel of Los StraitjacketsThis podcast copyright ©2025 by Project X Productions. All rights reserve...

Randy welcomes Coney Hatch bassist/vocalist Andy Curran to talk about their new expanded and remastered debut album, their upcoming unplugged and acoustic show at The Redwood Theatre in Toronto and why he thinks the band fell apart in the 80's. Plus he tells some great stories about opening for some heavy hitters back in the day like Judas Priest, Iron Maiden, Cheap Trick, Ted Nugent, Peter Frampton and more. This was an fun convo...do yourself a favour and check it out!Welcome to the 'Beer Rum & Rock N Roll' podcast. A rock music podcast hosted by Randy Legault. Saving rock - one conversation at a time.Click this link to access your format of choice. https://linktr.ee/beerrumrocknrollt's happy hour! Subscribe now and join us.Randy Legault is a serious motherfucker when it comes to rock music, owns a video editing company 'Legault Post' and enjoys beer and rum. He's a good boy, crazy 'bout Elvis. Loves Kiss and his lovely wife too. A true defender of the faith with a serious arsenal of knowledge that is fun tapping into.*BR&RNR theme music courtesy of Reed Shimozawa.https://twitter.com/BEERRUMROCKROLLhttps://www.facebook.com/BEERRUMROCKNROLLhttps://www.instagram.com/beerrumrocknrollhttps://linktr.ee/beerrumrocknroll#musicpodcast #coneyhatch #andycurranLinks to Check Out: Devil's Deck - CONEY HATCH official video releasehttps://www.youtube.com/watch?v=a4bq5yP7JvkConey Hatch - Shake It 1983 (Full HD Remastered Video Clip)https://www.youtube.com/watch?v=KZ7G9BGp27cFirst Time for Everything - CONEY HATCH - OFFICIAL VIDEOhttps://www.youtube.com/watch?v=5Vu1AkRnQRQConey Hatch - Fantasy (Official Video)https://www.youtube.com/watch?v=3c_3i7lob5cBehind The Vinyl: Andy Curran of Coney Hatch "Hey Operator"https://www.youtube.com/watch?v=QhWhA0i9BrI

224 - Robin Taylor Zander (Cheap Trick, Solo) In episode 224 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host James Patrick Regan speaks with Robin Taylor Zander who is Cheap Trick's “Secret Weapon” and has his second solo album out. In their conversation Robin talks about his hometown of Clearwater, Florida and he talks about his current projects: producing and songwriting and performing with Cheap Trick, his dad's band. Robin talks about his musical upbringing at Florida state and with his dad's band. Robin tells us about his solo dates, when he decides to use a band versus playing solo and the venues he's playing. Robin describes the instruments he's playing solo, guitar, pedal steel, bass and the instruments he played in Cheap Trick singing, guitar, bass and even drums subbing for everyone except his dad. Robin discusses Jack Douglas and Jay Messina's production help throughout his career including Jack signing Robin to his record label. Robin talks gear and collecting gear. To find out more about RTZ you can go to his website: robintaylorzander.com Please subscribe, like, comment, share and review this podcast! #VintageGuitarMagazine #RobinTaylorZander #RTZ #CheapTrick #VoxAmps #Gibson #JamesPatrickRegan #theDeadlies #JackDouglas #Rickenbacker #JayMessina #haveguitarwilltravelpodcast #HGWT #tourlife Please like, comment, and share this podcast! Download Link

In this episode of The Rhythm Section Podcast, hosts Derrick and Jeff kick things off by paying tribute to the legendary Ace Frehley of KISS and sharing highlights from their time at Fall Fest during the Starship featuring Mickey Thomas concert. For the feature interview, the guys welcome their friend Ken Houston, one half of the acoustic duo Ken & Darrin and lead singer of No Hit Wonders. Ken opens up about his lifelong love for Cheap Trick and music as a whole, the origin story of No Hit Wonders, how the band came to a halt during COVID, and its exciting relaunch planned for 2026. He also shares some memorable tales from the historic Memphis venue Stage Stop and its beloved owner, Nita Makris.   TIP BUCKET If you find it in your heart to donate to the cause and help fuel the podcast you can do so through our new Venmo and CashApp. Your support is greatly appreciated and will help shine a brighter spotlight on the great Memphis Music Community. Venmo - @‌therhythmsectionpod CashApp - $therhythmsectionpod Thanks for tuning in and supporting the Rhythm Section Podcast.  

Send us a textTHE POST-APOCALYPTIC MUSICAL FUTURE IS NOWWWWWW.  Join us as we watch 1983's animated, demon-fighting, Canadian rock-opera "Rock and Rule;" featuring the music of Lou Reed, Debbie Harry, Iggy Pop, Cheap Trick, and Earth, Wind and Fire.  Sounds pretty amazing, right?  Unfortunately. . .this movie is not as great as it sounds on paper.  So be sure to listen in to hear our terrible, terrible disappointment.  

So many great cover songs.  My list is really long.  That's why we have part two. Find Waylon Jennings, Todd Snider, Tom Petty, Pat Green, Cheap Trick, and a bunch more.  Pretty simple, really.  Dive into the magic on Rock Pop and Roll. 

The Second Summer is an alternative power pop band from the Chicagoland area drawing inspiration from Cheap Trick and the Gin Blossoms. In this interview, Peter Kreten sits down with Steve Gatland from The Second Summer to learn how the band came together, why the hook is what matters most to him, and why YOU should take a chance on going to a local show. Photo Credit: Steve Gatland and The Second Summer. Used with Permission

This week, double shots from lots of artists with new releases. One new, one classic from Cheap Trick, Public Enemy, Rob Zombie & Megadeth. Plus faves from Bowie, The Stones, and check out the premiere of a live version of NIN "As Alive As You Need Me To Be." Rock. Mock. Dance. Laugh.

Our deep-dive on the history behind "Don't Be Cruel" continues through Elvis's television appearances on the Ed Sullivan show, live concerts such as the Louisiana Hayride, the Mississippi-Alabama Fair & Dairy Show, and the USS Arizona Memorial fundraiser, and the revealing insights heard in the Million Dollar Quartet recording. Justin and Olivia catch back up with Otis Blackwell as he rides the success of "Don't Be Cruel" to launch a career writing and arranging for other artists in the late 1950s, and we discuss why Elvis Presley appears as a co-writer on the song. We leapfrog over Elvis's movie career, as "Don't Be Cruel" doesn't show up again until the filming of the '68 Comeback Special but from there we're able to trace its appearances in Elvis's live setlists up to his final concert in 1977. We then discuss a number of covers including ones by Billy Swan, The Judds, Cheap Trick and more before finally closing out with Otis Blackwell as he remembered and paid tribute to Elvis, and finally got his chance to fulfill his lifelong musical dream at the very end of his career.

if you're like me (and I suspect a few of you are), you were surprised but hardly outraged at the NFL's recent announcement that Bun E. Carlos would be headlining the Super Bowl halftime show next February.  Granted, a 15 minute drum solo is not everyone's brand of entertainment (and technically, since this is an instrumental performance, no one will be singing in English) but given Cheap Trick's election to tour without Bun E. for several years now, this is a unique opportunity to remind the world what an incredible player he is and at the end of the day that's all that matters. It's a shame this is being politicized like everything else these days but if some enterprising kook wants to counter program (Appice brothers drum clinic, rig rundown with Bobby Blotzer, etc.)  by all means, go for it.    This week's show will not feature any Cheap Trick songs with Bun E., not for the usual rights clearance issues but rather because all of my Cheap Trick records are in deep storage and every time I go to the storage space there's a guy working there who wants to argue that Off Broadway were the better band.  

Rock and Roll Music That Deserves to Be Heard – New Episode Out Now!Turn it up loud, because this week's episode of RadioBypass is packed with fresh fire and legendary classics that prove Rock and Roll is alive, well, and louder than ever!Brand-New Rock and Roll That Demands AttentionWe're kicking things off with a killer lineup of new music from some of the heaviest hitters and rising stars in the scene. This week, you'll hear brand-new tracks from:Mammoth – carrying the torch with powerful riffs and passion.Judas Priest with Ozzy Osbourne – two titans of metal joining forces.Wings Of Steel – flying high with pure energy.Gary Hoey with Lita Ford – guitar mastery meets vocal fire.Stonetrip – fresh grooves straight from down under.Tommy Denander with Robin McAuley – a collaboration built for rock fans.Bangalore Choir – back with their unmistakable hard rock punch.Skyes Law – new blood making a strong statement.Black Stone Cherry – still delivering Southern rock thunder.Spinal Tap – turning it up to 11, as only they can.Timeless Rock You LoveAlongside the new, we're celebrating the legendary sounds that built the foundation of rock:Cheap Trick – power pop perfection.Led Zeppelin – the masters that need no introduction.Sword – heavy metal forged in fire.Why This MattersEvery week, RadioBypass brings you the best of both worlds: groundbreaking new music that deserves your ears and the classics that shaped the soundtrack of our lives. This episode is no exception — it's wall-to-wall Rock and Roll that refuses to fade away.So grab your headphones, crank up the volume, and let this week's show remind you why Rock and Roll matters.Listen now and spread the word: Rock and Roll Music That Deserves to Be Heard!Songlist:Mammoth - I Really WannaCheap Trick - You're All TalkJudas Priest & Ozzy Osbourne - War PigsLed Zeppelin - In The LightWings Of Steel - Burning SandsGary Hoey & Lita Ford - You Know I WouldStonetrip - PostcardsTommy Denander with Robin McAuley - Blood Red SkyBangalore Choir - Driver's SeatSkyes Law - Made For MeBlack Stone Cherry - Neon EyesSpinal Tap - Let's Just Rock Again#freshrock #classicrock #rockandrollmusicthatdeservestobeheard #radiobypass #mammoth #cheaptrick #judaspriest #ozzy #wingsofsteel #sword #garyhoey #litaford #stonetrip #tommydenander #robinmcauley #bangalorechoir #skyeslaw #blackstonecherry #spinaltap #rock #rockmusic #music #rocklives #rockandrollaintdead

John Loeffler has spent nearly fifty years making music that moves the world, from crafting the unforgettable Pokémon sound to working with iconic bands like Cheap Trick and Earth, Wind & Fire. In this episode, Jacob chats with John about how a few chance encounters in New York set him on a unique path, the many surprising directions a career in music can take, and why following your passion means living beyond the ordinary. Join us for a story about creativity, persistence, and making your own kind of noise.

A singer, songwriter and multi-instrumentalist, Eliot Lewis has toured the world over as a member of the Daryl Hall & John Oates band, as well as a former member of The Average White Band. Eliot has also been the only musician to appear on every episode of Daryl Hall's popular, "Live From Daryl's House” show all while keeping his own solo career going at a seemingly impossible pace. Over the course of his career he has worked with the music business' elite including, Billy Gibbons (ZZ Top), Joe Walsh, Sammy Hagar, Todd Rundgren, Train, Cheap Trick, Grace Potter,  Squeeze, Rob Thomas,  Jason Mraz, Darius Rucker, Gavin DeGraw and many, many others.TO PURCHASE TICKETS FOR THE WESTPORT, CT SHOW Click link:  https://tinyurl.com/3wycyk47For more on Eliot's website https://www.eliotlewis.com

PREVIEW EPISODE! This time on the PURE TOKYOSCOPE Podcast, authors Matt Alt (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pure Invention: How Japan Made the Modern World⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) and Patrick Macias (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Mondo Tokyo: Dispatches from a Secret Japan⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) face the rise of “kidult” collectors in Japan, who are helping the toy industry reach new heights of fun and profits! Also, Cheap Trick returns to Tokyo Budokan for a farewell concert!You can hear the full episode by joining the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pure TokyoScope Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!You'll get access to full episodes, bonus content, our Discord server, and an archive of past episodes. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Head over to Pure TokyoScope Patreon to subscribe today!⁠⁠⁠⁠

A recurring theme throughout the 6-year lifespan of A-SIDES has been the beloved Illinois rock band Cheap Trick. Episode 190 titled, "Everybody Loves Cheap Trick", was packed with 6 different guests sharing their origin stories and love for Cheap Trick, so this anniversary episode of the podcast seemed like a perfect opportunity for a follow-up. Episode 207 features returning guests, familiar voices, and more! Brent Stortzum, co-host/musician/Illinois resident Kenny Wright, drummer and co-vocalist in The Great Affairs Billy Baker, drum builder/drummer of Valentine Saloon Dug Pinnick, bassist for King's X Patrick Kennison, of Heaven Below and Lita Ford Huge thanks to all 5 friends of the podcast who contributed and shared their passion for Cheap Trick. Thanks to all the friends, guests, and listeners of the last 6 years of A-SIDES, too!

Vagabond jubilee! new Cheap Trick, Primal Fear, Ricky Warwick & Helloween plus XYZ, Metallica and more! 

The Slamfest Podcast brings the premier rock concert pregaming experience from the parking lot to the podcasting airwaves. Episode 272 - Brad saw Boston and Cheap Trick on 6/24/14 at DTE Energy Music Theatre in Clarkston, MI - this was his first and only time seeing Boston.  For the band on the bill spotlight, he puts a song from each of Boston's first three albums up against each other and chooses his favorite.  After a Slamfest Tip of the Week, he is faced with a variation of "Which Side are you On?" segment, Side 1 from RTZ's self-titled debut album, from 1991 vs. Side1 from Boston's fourth studio album, Walk On, from 1994.Music in this episode by:BostonCheap TrickBon JoviMotorheadBlack SabbathKissDesmond ChildOzzyVisit the Slamfest Podcast online at: https://slamfest-podcast.simplecast.comRequest to join the Slamfest Podcast private Facebook page here:https://www.facebook.com/groups/slamfestpodcastE-mail us at : slamfestpodcast@gmail.com

Send us a textOn this episode we talk about the future of the podcast, the pitfalls and sheen of ai, hear new music from Cheap Trick and the Redrocker, play MixTape and climb the Wall of Tunes for the 2nd album of a 90s supergroup. #newmanagement #ai #cheaptrick #sammyhagar #damnyankeeshttps://www.facebook.com/obrienanddoug/ https://instagram.com/obrien_and_doug

Dream pod-lice. The first ever Deprogrammed road trip has Randy, Chris, and Justin talking about Cheap Trick.Learn Em and Love Em People.Please consider pledging to our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.If you wanna play ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠sign up⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Listen to the⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠playlist

On this week's show, we celebrate the 50th anniversary of Bruce Springsteen's Born to Run, spend quality time with new records from Superchunk and Charley Crockett and spin fresh tracks from Ivy, The Last Dinner Party and Margo Price. All this & much, much less! Debts No Honest Man Can Pay is a podcast that thinks it's a radio show...because it used to be one. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004. It phoenixed into a podcast in 2020, thanks to the fine and fabulously furious folks at NRM Streamcast. 

On this episode I talk about the brand new Cheap Trick song called "Twelve Gates". That's it. That is all. Album called "All Washed Up" out on 11/14. Pre-order the record now!PATREON - https://www.patreron.com/realizzypres...WEBSITE - https://www.izzypresley.comKILLER DWARFS w/ACK Tix - https://dice.fm/event/bbm8lo-killer-dwarfs-29th-aug-backstage-bar-billiards-las-vegas-ticketsIzzy's linkshttps://www.lasvegasguitartradeshow.comhttps://www.sotastick.comhttps://vintageguitarsrus.comhttps://www.beeteramplification.comhttps://www.thesmokinkills.comhttps://www.7thavenuepizza.comhttps://www.lockecustomguitars.com https://valkenburgusa.com https://www.monstersofrockcruise.comMERCH https://official-izzy-presley-store.creator-spring.comhttps://www.teepublic.com/user/official-izzy-presleyCAMEOhttps://www.cameo.com/realizzypresley RAISE YOUR GLASSEShttps://www.amazon.com/RAISE-YOUR-GLA...

Tony Platt is a legendary UK recording engineer. He pioneered working in reggae with Bob Marley and with Toots and the Maytals, and he worked on rock sessions with Traffic, Free, The Who, The Rolling Stones and Led Zeppelin. He worked on AC/DC's classic albums “Highway To Hell” and “Back To Black”. He also produced and engineered Iron Maiden, Motorhead and Cheap Trick.                           My featured song is my reimagined version of The Who's “I Can't Explain”, recorded live in Serbia, from the album It's Alive by my band Project Grand Slam. Spotify link.------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH TONY:www.platinumtones.com____________________ROBERT'S NEWEST ALBUM:“WHAT'S UP!” is Robert's new compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

Long live Rock and Roll Music! This week we have NEW Rock and Roll music that DESERVES to be heard from Richie Sambora, Robert Plant, The Quarantined, Reinforcer, Halestorm, Burning Witches, Cheap Trick, Frank Hannon, Dream Theater, Engines Of Ruin, and Steve Gordon, plus music from Mike Tramp and Led Zeppelin! Play it LOUD!Songlist:Mike Tramp - HungryRichie Sambora - Born To RockRobert Plant - Everybody's SongLed Zeppelin - In The EveningThe Quarantined - ShadowReinforcer - Five BrothersHalestorm - Rain Your Blood On MeBurning Witches - Soul EaterCheap Trick - Twelve GatesFrank Hannon - Our Father's LoveDream Theater - Bend The ClockEngines Of Ruin - Fear Is GodSteve Gordon MIA - We Go To War#freshrock #hardrock #heavymetal #rockandroll #rockwillneverdie

Nick opens with a push for movie fans to get back into theaters, especially to catch Spike Lee's powerful new film Highest 2 Lowest. Music journalist Jim Ryan from Forbes then drops by to recap a run of standout shows, including Rod Stewart with Cheap Trick, Al Green with The O'Jays, Paul Simon, and a throwback 80s fest featuring John Waite and Wang Chung. He also shares highlights from his interview with Morgan Freeman and delivers a full Lollapalooza report. Later, Esmeralda Leon joins Nick for a dive into 90s pop culture. They swap stories about Airheads, Pogs, the Pink Power Ranger, and how Mentos commercials somehow made it acceptable to act like a complete jerk. Esma clears up the mysteries of Clarissa Explains It All, while Nick revels in the nostalgia of a decade defined by quirky candy and questionable fashion. [Ep 378]

In this episode, we catch up on recent events including Allen's finds while cleaning out his mother-in-law's house, Dennis' new guitar, and their various music equipment acquisitions. They share detailed accounts of recent and upcoming concerts they've attended or plan to attend, including performances by Men at Work, Christopher Cross, Toto, Rod Stewart, Cheap Trick, and Queensrÿche, with special mention of Bill's experience at the Sphere in Las Vegas. We conclude the episode by discussing KISS's upcoming Kennedy Center Honor induction and analyzing interesting statistics about KISS band members' touring history.

There's something magical about a determined paperboy chasing John Cusack down, saying "I want my two dollars!" That's the power of an unforgettable movie moment - it sticks with you for decades. In this episode, I dive into why Johnny the Paperboy from 1985's "Better Off Dead" created one of cinema's most quotable running gags despite being just a minor character in the film.But that's just the beginning of our musical journey. I share my recent rockstar encounter with Cheap Trick's legendary guitarist Rick Nielsen, who took time to reminisce over an old band photo I brought him to sign. There's nothing quite like watching a music legend examine his younger self and tell stories about the shoes he wore in 1977! And yes, he flipped the bird in our photo together - a true rock and roll moment I'll never forget.The concert experiences continue as I recount seeing Cheap Trick open for Rod Stewart (who sounds incredible at 80!), connecting with podcast listeners at shows, and my adventure of turning lawn seats into something much better. We explore musical history with deep dives into Squeeze's 1985 comeback tour, Queen's landmark album "The Game" (their only US #1), and why The Cars' underappreciated "Panorama" album deserves another listen. Plus, Jimmy takes us back to 1955 to discover Big Maybel's original version of "Whole Lot of Shakin' Going On" before Jerry Lee Lewis made it famous.Throughout our musical exploration, we discover how certain songs become time machines, instantly transporting us back to specific moments with friends, first listens, and the emotions attached to them. From $2 newspaper deliveries to multimillion-dollar rock tours, this episode celebrates how music connects our past to our present. Give it a listen, then share your own musical memories with us - we'd love to hear which songs define your life's soundtrack!“Music In My Shoes" where music and memories intertwine.Learn Something New orRemember Something OldVisit our Facebook and Instagram pages and spread the word if you enjoy the podcast. Contact us at musicinmyshoes@gmail.com with your own musical memories.Send us a one-way message. We can't answer you back directly, but it could be part of a future Music In My Shoes Mailbag!!!

The New Orleans rock band Zebra has always existed out of time. Despite having one of the fastest selling debuts in Atlantic Records' history, Zebra never really fit in with the glammed up ‘80s metal bands they were being lumped in with on the pages and airwaves of Hit Parader and MTV. But that apparent inability to fit in may be exactly what endeared them to hordes of avid listeners who would wear out their bare bones cassette of ZEBRA and eventually go to Kmart and stealthily rip open a vinyl copy of the record to steal the lyric sheet so he could figure out what Randy Jackson was singing. Okay. We may be talking about Scott here. ANYWAY — this week we're thrilled to welcome Mr. Jackson to the podcast to talk about the 50th anniversary of Zebra, recording with Jack Douglas, being a rock band in New Orleans, being a rock band in Long Island, befriending Twisted Sister, touring with Cheap Trick, seeing The Beatles live, being forced to talk about Bon Jovi, and the lyrical prowess of the Moody Blues. And more black beans.

This week, my guest is Sahan Jayasuriya, musician & author of Don't Say Please: The Oral History of Die Kreuzen, who discusses the influential but polarizing band, DIE KREUZEN, as we look at the two legendary cable access performances that bookended the band's career in 1983 & 1991.We discuss how Die Kreuzen is beloved by musicians such as Neko Case, Thurston Moore & Ian MacKaye; why fans often don't want their favorite band to ever change musically and how Die Kreuzen struggled with that, the band's origin story and what led to their first EP Cows And Beer, their devastating first s/t LP and how some listeners were not ready for the follow-up October File, Maximum Rocknroll, how Die Kreuzen were a chemistry band not unlike R.E.M. or Cheap Trick, how a single photo of Keith from the band moved Chris to start dressing and performing like him, the 1983 Milwaukee cable access show: Who Am I: The Punk Rock Attitude & the roundtable discussion in it plus the band's blistering 17 minutes set, how the sound of pain resonated from the band sonically on all their records, Corey Rusk and Touch & Go Records, working with Butch Vig, the artwork of Richard Kohl, Chris witnessing a punk audience turn on the band at their live show, fog machines, Pink Flag, the band working with Steve Albini, why they disbanded shortly after their 1991 cable access performance, and the great story of Lou Barlow freaking out backstage because "Die Kreuzen are right behind that door!"Whether you know Die Kreuzen or not, this is a fantastic story about whether or not audiences are willing to go where a band wants to go. All this and more on this week's episode of Revolutions Per Movie.SAHAN JAYASURIYA: https://www.instagram.com/diekreuzenbook/DON'T SAY PLEASE: THE ORAL HISTORY OF DIE KREUZEN: https://feralhouse.com/30258/DIE KREUZEN: https://www.instagram.com/diekreuzenbook/THE CABLE ACCESS PERFORMANCES: 1983: https://www.youtube.com/watch?v=ZN3hwQ3gOP81991: https://www.youtube.com/watch?v=IbaOoxvdtMwREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods. Thanks!SOCIALS:@revolutionspermovie Hosted on Acast. See acast.com/privacy for more information.

Chip Z'NuffTo say Chip Z'Nuff is good for a laugh is putting it mildly. The high-spirited bassist and founding member of long-running glam rockers, Enuff Z'Nuff, joins us to discuss the star-studded new album, “Xtra Cherries,” featuring members of Cheap Trick, Billy Idol, Journey, Nelson, Trixter, GN'R and past alumni. We also learn about an early tour with Chicago doom-metal band, Trouble, getting kicked off a Cheap Trick tour, wild times living with Steven Adler, where he buys his trademark sunglasses and hats, and how a spilled cocktail inspired the new album title.Created and Produced by Jared Tuten

Classic Rewind Episode #64:  This episode is takes excerpts from episodes #49 and #48 that can not be found on any podcast platform. Kick back and enjoy a blast from the past.  The HRTS is broadcast from Southern California and Delaware.Hard Rocking Trivia Show Free Spotify Playlists:Hard Rock & Classic Metal (1989)https://open.spotify.com/playlist/1tiGdAvehbSTUtytfR6N9f?si=t37TN_ECRRmwAg2-b11qhQLong Lost Rock (1975-1984)https://open.spotify.com/playlist/2AlX7wsKrwpMmTr7HoxWie?si=SRPSSWmASWqudK1QicMnyg----------------------------------------------------------------------------------------------------------------------------Hard Rocking Trivia Show on X:https://x.com/ResedaCCHRTS YouTube Channel:  (Check out the concerts in the Playlists)https://www.youtube.com/@hardrockingtriviashow667

Darren and Steve debate, discuss and dive into the first few dates of David Lee Roth's tour, the good and not so good, from the vocals to the setlist to attendance and more. Plus, Darren's upcoming three DLR shows, will there be more dates after this first leg, and where? Also, more Van Halen bootlegs are showing up again, Happy Gilmore, and the wonderful Black Sabbath/Ozzy tribute concert is exactly how a Van Halen tribute concert could've/should've been. **** When Darren isn't talking about David Lee Roth and Van Halen, he's talking about a ton o' other things on the Paltrocast, available via YouTube and at Paltrocast.com. When Steve isn't talking about David Lee Roth, Van Halen, Cheap Trick and others, he's talking with other rockers via the Another Cool Rock Podcast, available everywhere you get your favorite podcasts.

This week I am joined by the guitar legend that is Nancy Wilson of Heart! Nancy talks about the summer/fall Royal Flush 2025 tour and hitting the road with Cheap Trick and Todd Rundgren, fifty years of Dreamboat Annie (and where it falls on her list of favorite Heart records), Nancy's live guitar rig, her involvement with Roadcase Management and much moreNANCY WILSON/HEARTwww.heart-music.comwww.instagram.com/heartofficialwww.instagram.com/nancywilsonwww.roadcasemanagement.comPCHInstagram - www.instagram.com/powerchordhourTwitter - www.twitter.com/powerchordhourFacebook - www.facebook.com/powerchordhourYoutube - www.youtube.com/channel/UC6jTfzjB3-mzmWM-51c8LggSpotify Episode Playlists - https://open.spotify.com/user/kzavhk5ghelpnthfby9o41gnr?si=4WvOdgAmSsKoswf_HTh_MgDonate to help show costs -https://www.paypal.com/paypalme/pchanthonyhttps://cash.app/$anthmerchpowerchordhour@gmail.comCheck out the Power Chord Hour radio show every Friday night at 8 pm est/Tuesday at Midnight est on 107.9 WRFA in Jamestown, NY. Stream the station online at wrfalp.com/streaming/ or listen on the WRFA app.

Will and Jon discuss new albums by Alex G, Golomb, and caroline, plus live reports, near live reports, Ozzy, etc.

July 25, 2025 Today we look at the top songs debuting on the Billboard chart this week back in 1985, 1995, 2005, & 2015. Dustin, Jason, & Tyler welcome back Rob to the show. We discuss 14 songs from this week in music history, including 6 Top 10s.  We have new songs from Garbage, Elle King, Relient K, Cheap Trick, and more. Want to be cool like us and watch the music videos for all the songs? Then here's a convenient playlist that has them all in order of discussion.

"Xtra Cherries" An aspiring baseball player with a solid fastball, the Illinois-born Chip Znuff put down the glove in favor of the bass and he left home at 17 going west with his punk rock band D-Generation. The D Generation story is told best by Chip himself, so I'll leave that one to him, and I'll cover what happened after that band broke up. Licking his wounds from his first time around on the rock and roll train, Chip formed Enuff Z'Nuff in 1984. Inspired by everyone from The Rasberries to Cheap Trick to Squeeze, Enuff Z'Nuff had pop hearts filled with hooks, but they were marketed as glam metal dudes, which led them into that lane, but it was probably a misrepresentation of the band's real chops. If you listen to the music and and ignore the image, they come across more like a tougher version of Jellyfish. Nevertheless, they made it work; in spite of their image, hits from their debut self-titled album like Fly High Michelle and "New Thing" were catchy blasts of ragged psychedelia that found the band all over MTV. Their follow-up record Strength found them looking decidedly less glam and it garnered rave reviews from Rolling Stone and the Washington Post and they absolutely crushed it on Letterman. Over the course of their career, Enuff Z'Nuff has toured all over the world, been on Howard Stern numerous times, been featured on VH-1, played on the Jenny Jones show, had Little Steven sing their praises as one of the most underrated bands on the planet and have put out close to thirty albums, including greatest hits and live recordings. Although the band has had its share of tragedies, losing members like Derek Frigo and Rickey Parent and its share of personnel changes with singer Donnie Vie stepping away from the band on two separate occasions, Enuff Z'Nuff are survivors. Chip took over vocals in 2014 and the band has never sounded better. Their new album Xtra Cherries has a deep bench, featuring Steve Stevens, Robin Zander of Cheap Trick, Donnie Vie, Gunnar Nelson and Steven Adler, who Chip played with in Adler's Appetite. The album is a refreshing blast of gritty pop that's played with muscle and heart, each track finding the band tearing the cover off the ball. https://enuffznuff.bandcamp.com/album/xtra-cherries https://www.enuffznuff.com/music www.bombshellradio.com (http://www.bombshellradio.com) www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.alexgreenbooks.com (http://www.alexgreenbooks.com) Stereo Embers: Email: editor@stereoembersmagazine.com (mailto:editor@stereoembersmagazine.com) BLUESKY + IG: @emberspodcast