Podcast appearances and mentions of Pete Yorn

Pete Yorn is my guest on this episode of THIRI. He's had an amazing career as a songwriter, starting with his huge debut record musicforthemorningafter in 2001. Since then he's made a ton of good records, including this year's The Hard Way. We talked about that as well as liking sad songs as a young person, learning covers, Moleskin notebooks, being wary of producers, seeing one of Tom Petty's last shows, Shrek 2, and a whole lot more. Was an absolute pleasure to speak with Pete, I really enjoyed it. Listen and subscribe! 

On the last episode, Danny and Jon stumbled across Pete Yorn Sings the Classics while listening to his cover of Warren Zevon. Intrigued by the tracklist and wanting to understand Pete Yorn better, they decided to review it immediately. Listen in and hear what they think

Jon Bell (Noise Berry Games) joins us for the second episode of Shrektember and, more importantly, the SIX YEAR ANNIVERSARY of COVER ME! There will be no talk of that in the episode but there will be talk of the biggest Buzzcocks song around! Follow Jon and Noise Berry Games on: YouTube Instagram Tiktok X (@serjonsnow) Facebook Covers by: Fine Young Cannibals; Pete Yorn; Roger Daltrey, The Datsuns, The Futureheads,  David Gilmour, Peter Hook, Elton John, El Presidente, Robert Plant, Pete Shelley, The Soledad Brothers; Nouvelle Vague and Melanie Pain; Anorak; The Bad Shepherds; Taylor Jay Tidal Playlist here

Send us a textDoes writer's block really exist? Or is it just a reluctance to write the bad stuff? The writer Anthony Doerr once told me that writer's block is just "a failure of courage." Pete Yorn tends to agree. On this episode of the podcast, Yorn and I talk about the myth of writer's block, why you should always say yes to a creative project with your kids, and why he still keeps his songwriting notebooks from his days as a college student at Syracuse University. Pete Yorn's latest album, his tenth solo studio album, The Hard Way, is out now.

Laserdiscs! Remember those things? Govier is pumped for his dated, but healthy new collection of LD's. Jeremy Irons appreciation is strong on this show in case you didn't know. Luke defends the acting of Campbell Scott who is the son of the legendary figure George C. Scott. Get ready for laughs when George lights up a heater in an old interview. Luke may have beef with Cameron Crowe & Citizen Dildo. Somehow Dave Pirner gets in the mix because he was in Reality Bites, but really his composition for Chasing Amy's title credits is what really stands out when Pirner comes to mind. Steve finally gets to talk about the non-fiction book called Among The Bros. There is no way you will be bored or zone out when you hear this story. It's funny, terrifying & absurd all at once. Also get ready to not be shocked when Steve reads off the names of well known people who come from a fraternity background known for its racist tendencies across multiple generations. We got your emails! Joe writes us for the first time in a bit & he's got a brief email about the Telegram app & the possible scumbag Pavel Durov who owns it. Mark Zuckerberg through the United States government recently, but neither of these parties can be trusted. Govier recalls the 1995 classic film Full Body Massage starring Mimi Rogers & Cocktail's Bryan Brown. There is a classic scene involving Bryan Brown asking Mimi's character,"Is this how Doug does it?". It was constantly repeated by the entire crew of this show for many years starting back in 2004. Check it out if you've never seen it! Our most dedicated podcast lover Mr. Pink emails the show! Pink has an undying passion for Luke's sexy vocal prowess. Cinema 9 Podcast host & indie horror director Eric Branstrom emails the show about his latest Sopranos rewatch & has questions about personal experiences with mob ties. Luke makes it clear he does not want to be near a dead body. Would you rat your friends to avoid jail time? Luke & Steve learn about a shared family history related to the OSS formed by the United States government back during World War II. Govier still cannot find that damn clip from Full Body Massage. Have you heard the comedic stylings of Nato Green? Check out Steve's new show Small Screen Sessions & support our friend Van Lee over at the Boob Tube Boys. We love you all! This talk show is not the same without you listening & emailing us your highly entertaining & thoroughly analyzed thoughts. We close the show with Strange Condition by Pete Yorn. If any of our nonsense provokes your thoughts, please share them with us at isitsafepod@gmail.com or check out our Discord:https://discord.gg/wXPdgujdSj

GUEST OVERVIEW: Indie Rock, Alt Country, singer songwriter Brad Byrd already hit the ground running in '24 with a return to SXSW as an official artist for the second year in a row. Byrd's forthcoming single "Cold World" released on March 7th, and is garnering a buzz in the music community. It is poised to join the over 50+ tracks off Byrd's catalog to be featured on film & tv to date. The songwriter and painter has logged many touring miles in his van in recent years, sharing the stage with the likes of Pete Yorn, Fantastic Negrito, Jesse Daniel, Jay Farrar (of Son Volt), and Paul McDonald to name a few. Along with consistent new releases and national touring; the songs off Byrd's extensive catalog have been receiving significant radio play, specifically on Nic Harcourt's morning show on KCSN in Los Angeles and on WXPN in Philly.

Pete Yorn is a musician from New Jersey who is now living in LA. We chat about nausea, Kendrick's "Euphoria," seconds after it drops, nuts dot com, the episodes Pete listened to in preparation, moving to the desert for nine months, raising a valley girl, Los Angeles in the 90s, bongs, quitting booze, his love of The Smiths, playing drums for Bruce, how to French Exit at shows, getting too shwagged out, is he a nepo brother? And how he got cast in Killers of the Flower Moon. instagram.com/peteyorn twitter.com/donetodeath twitter.com/themjeans howlonggone.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Send Santa's sleighbells to the chimney object of course! Brad talked about recording awesome drums, creating your own snare and kick samples, how to get a great kick drum sound, how to capture a guitar DI without the buzz, and mixing 9.1.4 in Atmos. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Brad Wood, a producer originally from Chicago where he had Idful Music Corporation - a small but mighty recording studio in Wicker Park. There he recorded albums by bands like Seam, Tar, Shrimp Boat and Eleventh Dream Day. In 1993 he produced Exile In Guyville for Liz Phair which became the catalyst for what became a very long and prosperous career as a producer and mixer. Brad wrapped up the 90's with many debut albums under his belt, including Sunny Day Real Estate‘s Diary, Veruca Salt‘s American Thighs, Placebo's self-titled LP, Placebo, and Ben Lee‘s Grandpaw Would. He also notably produced the Original Broadway Cast Recording for Hedwig and the Angry Inch. Throughout the iconic decade, Brad also worked with bands such as Far, that dog., Menthol, Pete Yorn, and The Smashing Pumpkins' Adore (which peaked at #2 on the Billboard 200 charts). Later Brad relocated to Los Angeles, California, where he built Seagrass Studio where he's tracked and mixed for Say Anything, mewithoutyou, The Bangles, Sherwood, Touché Amoré, and many other artists. I am excited to have Brad back on the podcast again. You can catch his earlier episode RSR095 when he talked about his work in Chicago and moving to LA. Today we will catch up with Brad to see what's new at Seagrass Studio and talk about producing and mixing in Atmos among other things. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://www.adam-audio.com https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.izotope.com/en/deals.html Save up to 50% on RX 10, plus get a free RX 11 upgrade next month! https://www.lewitt-audio.com/ray https://gracedesign.com/ https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify and Apple Music: https://open.spotify.com/playlist/3We6XxggtXJnXLbshGlXy4?si=3b400d4983f84fc7 https://music.apple.com/us/playlist/brad-wood-atmos-mixes/pl.u-8aAVVjjszJ8P8 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/451

This week is all about bands playing a famous singer–songwriter's songs better than he ever did… This is a particular phenomenon known as, “The Dylan Factor”. In this episode, we showcase songs by old Bobby Dylan that sound better than the versions he recorded. Some will say that's not a hard feat, but none can deny the powerful songwriting and auspicious lyrics of Dylan.What's this InObscuria thing? We're a podcast that exhumes obscure Rock n' Punk n' Metal and puts them in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. If you've never listened to Dylan because of his polarizing voice and delivery, try these awesome rock n' punk n' metal versions instead! Songs this week include:Frank Marino & Mahogany Rush – “All Along The Watchtower” from Tales Of The Unexpected (1979)Me First & The Gimme Gimmes – “The Times They Are A-Changin'” from Rake It In: The Greatest Hits (2017) Vains Of Jenna – “Blowin' In The Wind” from Reverse Tripped (2011)Mick Ronson – “Like A Rolling Stone” from Heaven And Hull (1994)Ministry – “Lay Lady Lay” from Filth Pig (1995)Red Hot Chili Peppers – “Subterranean Homesick Blues” from The Uplift Mofo Party Plan (1987)The Dead Weather – “New Pony” from Horehound (2009)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://twitter.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/inobscuria/og-shopCheck out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

Clint chats with Jamilah from the Music and We podcast about life, art, music and Metallica. Topics in this episode:- reflections on becoming a father and fatherhood- how being a parent has changed me- balancing touring life with family- metaphor and knowing we are going to dieWherever You Go That's Where I'll Be - Clint Wells- favorite writers- finding a voice as a writer- Raymond Carver and Charles Bukowski- reading less- balancing technology with life- my fantasy about working at Home DepotModern Bummer - Clint Wells- finding love- what makes us special- my grandfather the guitar collector- Hank Williams- when I knew I wanted to make music- being in a Birmingham cover band at 16No One At the spry (But You and Me) - Clint Wells- calling yourself an artist- bullshit artists- does making music affect listening to music- Pete Yorn- being drawn to Metallica- assignment writing- creativity vs. just playing the parts- writing for soundtracksWish You Were Here - Clint WellsListen to Music and We HERE.E-mail Music and We - musicandwejj@gmail.com If you think Metal Up Your Podcast has value, please consider taking a brief moment to leave a positive review and subscribe on iTunes here:https://podcasts.apple.com/us/podcast/metal-up-your-podcast-all-things-metallica/id1187775077You can further support the show by becoming a patron. All patrons of Metal Up Your Podcast at the $5 level receive volumes 1-4 of our Cover Our World Blackened EP's for free. Additionally, patrons are invited to come on the show to talk about any past Metallica show they've been to and are given access to ask our guests like Ray Burton, Halestorm, Michael Wagener, Jay Weinberg of Slipknot and members of Metallica's crew their very own questions. Be a part of what makes Metal Up Your Podcast special by becoming a PATRON here:http://www.patreon.com/metalupyourpodcastJoin the MUYP Discord Server:https://discord.gg/nBUSwR8tPurchase/Stream Lunar Satan:https://distrokid.com/hyperfollow/lunarsatan/lunar-satanPurchase/Stream VAMPIRE:https://distrokid.com/hyperfollow/clintwells/vampirePurchase/Stream our Cover Our World Blackened Volumes and Quarantine Covers:https://metalupyourpodcast.bandcamp.comFollow us on all social media platforms.Write in at:metalupyourpodcastshow@gmail.com

On this episode of Lipps Service, Scott sits with singer-songwriter Pete Yorn to discuss his music and recent film role in Killers of the Flower Moon. The two get into Pete's early musical influences, his experiences in the L.A. singer-songwriter scene, and his journey towards getting a record label. Next, they discuss the writing and recording process of Pete's debut, Musicforthemorningafter, and Pete even shares the backstories behind tracks like “Life on a Chain” and “For Nancy.” His collaborative album with actress and musician Scarlett Johansson is also discussed, along with his work with Frank Black of the Pixies and other legendary musicians. Along the way, Pete shares insight into his latest single, “Someday, Someday,” and other projects that are currently in the works. And, of course, he shares some of his top 5's, including his top 5 songs by The Smiths, and his top 5 most underrated bands. Tune in for an insightful chat with one of the best singer-songwriters of today! 

LA-based singer-songwriter Pete Yorn follows his acting debut on Martin Scorcese's Killers of the Flower Moon with a new song. “Someday, Someday” pulls Yorn into a roots-rock mix reminiscent of a Nick Drake song while humbly showcasing his prowess on acoustic guitar. 

Sean Barrette is an author who has since written a book "Heartstrings - First Guitars" Heartstrings – First Guitars, is a collection of memories from a variety of musicians, famous, semi-famous, up and coming, anonymous, or otherwise, about the guitar they learned on, the first guitar they bought with their own money, the first “good” guitar they owned, or the beloved first-line guitar that accompanied them on first songs, first shows, first tours, or first recordings. These short, narrative pieces, tied together with first-time author Sean Barrette's memories of a life and career spent immersed in music, tell a story that demonstrates that, no matter the guitar player, they all have this first guitar story and love to tell it. It's the thread that ties all guitar players together, but these stories also provide insight into the very beginnings of many of the musical artists we love. It may even provide insight into the guitar player who lives with you. Or encourage someone to pick up a guitar and get playing themselves. With first guitar stories by: Gordon Lightfoot, Bruce Cockburn, David Knopfler, Colin Linden (Blackie & the Rodeo Kings), Johnny Hickman (Cracker), Rob Baker (Tragically Hip), Paul Langlois (Tragically Hip), Gord Sinclair (Tragically Hip), Tom Wilson (Blackie & the Rodeo Kings), Kevn Kinney (Drivin & Cryin), Liona Boyd, Leeroy Stagger, Moe Berg and Kris Abbott (The Pursuit of Happiness), Blair Packham (The Jitters), Rik Emmett (Triumph), Finny McConnell (The Mahones), Ron Hawkins (Lowest of the Low), Dave Genn (54-40), Skye Wallace, Alun Piggins, Mark Stuart, Stacey Earle, Chris and Eleanor Masterson (The Mastersons), Preston and Alan Glass, Barney Bentall, Sean Kelly (Crash Kelly), Mr. Zero (The Kings), Jaimee Harris, Andrew Hyatt, Terry Draper (Klaatu), Dan “Chewy” Mongrain (Voi Vod), Sal Costa (My Darkest Days, Bonds of Mara), Michael Mckenzie (Lowest of the Low), François Lamoureux, Jordon Zadorozny (Blinker the Star), Ed Ringwald (Gordon Lightfoot), Joel Plaskett, Neil Osborne (54-40), Carl Harvey (Toots & the Maytals), Don Ross, Mike Turner (Our Lady Peace), Darrell Scott, Stephen Fearing (Blackie & the Rodeo Kings), Ethan Ives (Car Seat Headrest), Jeffrey Trott (Sheryl Crow), Julian Taylor, David Pulkingham, Brian Howes (DDT), Gary Lee Connor (Screaming Trees), Johnette Napolitano (Concrete Blonde), Pete Yorn, Gordie Johnson (Big Sugar), David Baerwald, Pete Droge and Elaine Summers (The Sinners), Serena Ryder, Myles Zuniga (Fastball), Jim Cuddy (Blue Rodeo), Hayes Carll, Stuart Cameron (Crash Test Dummies), Myles Goodwin (April Wine), Brian and Bruce Good (The Good Brothers), Adrian Eccleston (Drake, The Weeknd), and many more. Heartstrings – First Guitars is a feel-good read that will draw people in, whether guitar players, other musicians, or music fans, and allow them to feel the enthusiasm and gratitude towards music shared by this international cast of individuals, some legendary, others just regular people who love to play, and every kind of guitar player in between. Website: www.firstguitars.caAmazon: https://www.amazon.ca/Heartstrings-Guitars-Guitar-Players-Stories/dp/1738118002 This episode is brought to you byGo to BETTERHELP.com/apologue for confidential online counselling.use the code word Apologue for a 7 day free trial Pledge monthly with Patreon https://www.patreon.com/apologueShop Apologue products at http://apologue.ca/shop Go get the 1 hour mini Documentary on Lowest of the Low's Classic Album Shakespeare my Butt at https://thelowdoc.gumroad.com/l/SMB

The Black Keys, Tom Mcrae, The Black Crowses, Ride, Sea Girls, Ekkstacy, Hoorsees, The Charlatans, Pete Yorn, Newdad,…

After a short Sportscast segment in which Steven and Ian mourn the sorry states of their respective teams at the moment (Packers and Phillies), they get down to some inside-baseball chat about reckonings at major music publications. Rolling Stone published several articles this week that addressed Jann Wenner's recent comments about female and POC musicians, and Bandcamp was reeling after Instagram posts by the site's editorial director slamming the platform's union surfaced (6:57).After that, they delve into the latest album by The Gaslight Anthem, History Books, the band's first in nine years. Even with the long break, GLA pretty much picks up where they left off (30:31). Then Steven and Ian talk about the 20th anniversary of Chutes Too Narrow, the 2003 Shins album that Ian recently wrote about for Stereogum (37:03). In the mailbag, a listener asks about the numerous cameos by singer-songwriters in Killers Of The Flower Moon — including Jason Isbell, Sturgill Simpson, Jack White, and Pete Yorn (47:14) — while another listener talks about the surprisingly thriving Tumblr scene in the 2010s for bands like Beirut and The Decemberists (53:32).In Recommendation Corner (58:17), Ian talks up the new album by emo band awakebutstillinbed while Steven recommends a reissue from the iconic Pacific Northwest band Lync and a new EP by the jangle-pop group Lightheaded.New episodes of Indiecast drop every Friday. Listen to Episode 161 and subscribe wherever you get your podcasts. You can submit questions for Steve and Ian at indiecastmailbag@gmail.com, and make sure to follow us on Instagram and Twitter for all the latest news. We also recently launched a visualizer for our favorite Indiecast moments. Check those out here.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Move over "Oppenheimer" and "Barbie." The latest film from writer, director and producer Martin Scorsese — "Killers of the Flower Moon" — might be the best movie of 2023 and could run away with multiple Oscars when awards season approaches. Co-host Bruce Miller, who got an early screening of the film that opens October 20 after its brief run at Cannes earlier this year, shares his impressions of the film and where it stacks up with other Scorsese classics that featured Robert De Niro and Leonardo DiCaprio. The two actors have long been favorites of the director, but had never appeared in one of his films together until now. Co-host Terry Lipshetz, who has not yet seen the film, shares his thoughts on past Scorsese films such as "Goodfellas," "The Departed" and others, and introduces clips featuring Scorsese, De Niro, DiCaprio, Lily Gladstone, Jesse Plemons and Chief Geoffrey Standing Bear of the Osage Nation. Where to watch and more coverage "Killers of the Flower Moon" in theaters Osage Reign of Terror from Late Edition: Crime Beat Chronicles (Podcast) More coverage of the movie and the story that inspired the film from the Tulsa World Contact us! We want to hear from you! Email questions to podcasts@lee.net and we'll answer your question on a future episode! About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is now the editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. Episode transcript Note: The following transcript was created by Headliner and may contain misspellings and other inaccuracies as it was generated automatically:  Martin Scorsese talks about his new film Killers of the Flower Moon Martin Scorsese: Well, I think the story itself has elements of stuff that you would expect to see in my movies. This approach, however, is from another angle, and I think it's from a more personal, side, which is the story of, the husband and wife, Ernest and Molly, and more so through Molly, I think, and how it affects her. We don't shy away from showing anything, but it has different resonance because of, her, really. Terry Lipshetz: Welcome, everyone, to another episode of streamed and screened and entertainment podcast about movies and TV from Lee Enterprises. That clip you just heard was from Martin Scorsese, writer, director, and producer of Killers of the Flower Moon during the Mexico City premiere of the film. Courtesy EPKTV. Bruce Miller: This is a special film that you will want to see Terry Lipshetz: I'm Terry Lipschetz, a senior producer at Lee and co host of the program with Bruce Miller, editor of the Sioux City Journal and a longtime entertainment reporter. He is also lucky enough and is the only person I know to have seen Martin Scorsese's new film, Killers of the Flower Moon. Bruce, I'm yours here. I don't even know what else to say because you're special. You've seen it, I haven't. Bruce Miller: What can you say about a film like this? Just another thing that he put out. Just another film. It's just no, it is something. This is a special film that you will want to see. But I'm going to warn you before we even get into the rest of it, and that's that it's long. People complain, and, who complains more about a long film than I do? It really will be one that if you could break it up and watch it in parts, you'd probably enjoy it more. But I did need to have a bathroom break in the middle of it, so I'm admitting to that freely. I know that I shouldn't have had a beverage before I went in, but, yeah, it is everything you've heard about, everything you've thought about, everything you've wanted and more. If this isn't Martin Scorsese's big valedictory, I don't know what is, because there's a lot to unpack with the film, and he brings in people that truthfully. I did not know some of these actors were in the film. And so the last quarter of the film, they start popping up and you go, oh, my God. They all wanted to be in one of his films before he quits making films. And you see big names and they just are playing little throwaway roles, which I found was very fascinating to see. And it isn't like you think, okay, the movie, I kind of know where it's ending. It's ending, right? No, it gets another kind of breath and then it goes through another process. And you go, yeah, wow, that was something. And then the ending of the whole thing is a big surprise. Terry Lipshetz: So you're not going to give that away? Bruce Miller: No, I'm not going to give that away. Terry Lipshetz: Don't spoil it. Bruce Miller: You got to see that one. But yeah, I was pleasantly surprised. And I'm glad I didn't time the bathroom break at the end because I then would have missed this part. But it was like, okay, I like that. That's a nice way of putting a button on. Terry Lipshetz: Know you're talking about the length. I do see that it is three minutes shorter than his last film, The Irishman. So it is quicker. A little faster, right. But that was a long one, too. Bruce Miller: The Irishman, you could pause because it was on Netflix, right. Terry Lipshetz: This is an Apple TV production. But it's not on Apple TV. Bruce Miller: No, it's going to be theaters first, and then it will go to Apple TV. But don't expect, like, it's opening this week, and then next week you're going to see it on Apple. It's not they will have this kind of victory lap that will last, I'm sure, at least through the end of October, if not into November. And it warrants it. When you see this, it's one of the best things Leonardo DiCaprio has done. And he's done a lot of Scorsese films. It's, a different take on Robert De Niro. In fact, when I first saw him, I didn't realize it was Robert De Niro and heard his voice. He was channeling somebody other than what we've seen in the past. And what's fascinating I found about the film is that it touches on a lot of very familiar movies. There's a little Godfather in this. There's a little giant in this. Think about epic films that you've seen, and there's a little bit of that in there. But it also is its own story. So I think he's paying homage to a lot of his predecessors, but he's also creating a path for himself. There was even a little Wes Anderson in there that I, was surprised at. Terry Lipshetz: That's interesting. Bruce Miller: I don't know if that gives you anything more to go on, but there are moments with De Niro and DiCaprio that you go, this could be The Godfather. This could really be from The Godfather. It has that kind of momentum going that I really loved. Lily Gladstone plays love interest of Leonardo DiCaprio's character Bruce Miller: And then we haven't even mentioned Lily Gladstone. Lily Gladstone plays a member of the Osage Nation who is a love interest of Leonardo DiCaprio's character. And you can see where the two guys are going to be kind of heightened actory kind of characters. And she pulls back and is very natural, and they match her. And it's fascinating how this works out. And a lot of the Native American actors who I don't know if they've had long careers, are fascinating to watch. He has done something here that I think you don't see in run of the mill movies. It is a real surprise, one right after another. Terry Lipshetz: It's interesting that you bring up how this feels like one of his earlier films, scorsese's earlier films, some of the ones tied to kind of organized, crime and mafia. I have a clip from the movie and it's a scene where De Niro and DiCaprio are together and they're kind of having an argument. It comes after it sounds like a hit and there's a shooting. But when I watched this clip now, again, I haven't seen the movie. So I've only been able to see trailers and short clips. But this one felt like it had that feeling of, like, goodfellas when they're kind of yelling at each other or even like The Departed. It kind of had that kind of feeling to it. But it brings the two actors together. Robert de Niro plays Leonardo DiCaprio's uncle in the film Bruce Miller: Can I give you a little setup for the scene? Terry Lipshetz: Sure. Bruce Miller: Robert de Niro plays Leonardo DiCaprio's. Uncle Leo has been in the war, but he comes back. He doesn't really know what to do with himself. He doesn't have a career. The uncle says, Come to this area because there's a lot of opportunity. The Osage nation hit oil. They struck oil. And as a result, people were really, really rich. The Native Americans had the latest in cars. They had butlers and chauffeurs and maids and huge homes. They were living the life that everybody, I think, would love to live. And there were a group of people who were benefiting from them being around. De Niro's character is considered a, respected white man in their territory. And he has relationships with most of the people. So they trust him and they believe in what he says to them. And he brings in this nephew. And the nephew is kind of a deadbeat, if you ask me. I saw him as a deadbeat. And he's just looking for a way to get his piece of this pie. And so then De Niro has spelled out a number of things he needs to do and it's about how do you behave and what do you do in this area. And we've got to watch so that if we do something that maybe isn't above board that you're not getting caught. So here's the scene. FILM CLIP It's supposed to be a suicide, you dumbbell. You didn't tell him to leave the gun. I don't know why I told him. To leave the gun. I told him to leave the gun just like you told. I don't know why he didn't. I don't know why I told him. Just like you told him. You told him to do it in. The front of the head. And why did he do it in the back of the head? It's so simple. The front is the front. The back is the back, mate. He has to make it look like he done himself. It just looks like murder. It's not supposed to be that way, you hear? I told him the front of the head. I said the front of the head. Just like this. Just like you told me. I promise you. I promise you. I swear on my children. I swear on my children. Kane and don't swear on your children makes you look foolish. I ain't foolish, because I'm the guy. Terry Lipshetz: And that was a pretty powerful clip right there. Leonardo DiCaprio plays Ernest Burkhart in the film Terry Lipshetz: And I do have one other clip because we're talking about some of the characters, and maybe you can help set this up as well. But in this scene, Leonardo DiCaprio, who plays Ernest Burkhart, he is driving Lily Gladstone, who plays Molly Burkhart, who's eventually becomes his wife. His wife, right. But this is an early scene where he is driving her. Can you talk a little bit about that? Bruce Miller: He needs a job, and so he becomes a driver. He was like an Uber driver, for lack of a better term. And she is one of his steady customers, and he realizes there could be a relationship there because she's beautiful. She doesn't suffer fools. what I love about her is she stands her own with all the people, and yet it isn't like she needs a big showy scene to do it. She can do it with a look, and that's what's so cool about her performance. But I think this is early on in their relationship, and they are kind of feeling each other out in terms of, could this possibly be a match for me? They told me you was going with Matt M. Williams for a time. FILM CLIP Lily Gladstone: You talk too much. Leonardo DiCaprio: I don't talk too much thinking, well, I got to beat in this horse race. That's all. Lily Gladstone: I didn't realize it was a race. I don't care for watching horses. Leonardo DiCaprio: Well, I'm a different kind of horse. Lily Gladstone: Hong Kashi. Show me kasikoshi. Leonardo DiCaprio: What was that? Lily Gladstone: Show me kasi. That's how you are. Leonardo DiCaprio: I don't know what you said, but it must have been Indian for Handsome Devil. Terry Lipshetz: That sounds like a pretty good clip right there, too. And it's getting me excited. It seems like they had really good chemistry on screen. Chemistry. Did you get that feeling? Bruce Miller: Yeah. And, the thing I loved is that it did not seem like it was the same old, same old, because when you've done a lot of movies with the same director, it can be like, okay, we're using you because you can bring us this. And I thought they were both trying new kinds of characters. In fact, Leo's character reminded me more of one of the characters he played in Once Upon a Time in Hollywood, more than anything. And he always talks about being thick. That's a line that kind of, resonates throughout the film. But he says, I'm not thick. I'm not thick. And he doesn't want people to think he's dumb, that he knows what he's doing, and he's smart. But really, when you get down to it, he probably is thick. That some of these moves he makes makes him seem like, yeah, maybe we need to guide you along a little bit more. This is the first time Leonardo DiCaprio and Robert De Niro have worked together in a Martin Scorsese film Terry Lipshetz: We talked a little bit at the top of this show, know Scorsese reuniting with DiCaprio with de Niro. So this is actually, the 6th film that DiCaprio has done with Scorsese. This is the 10th that De Niro has done with Scorsese. Now the interesting thing is Robert, De Niro and Martin Scorsese did a lot of films together earlier, like 70s into the 80s. But then that relationship kind of cooled off a little bit and they went their separate ways. And DiCaprio kind of filled in to what you would consider to be that. Bruce Miller: He became the new Bobby. Terry Lipshetz: He became the new bobby. But this is the first time that the two are working together in the same film. So how is that chemistry between the two of them? Bruce Miller: You know what, i, think that, Robert De Niro has honed in a lot of his performances in recent years. And you can look at some of those bad comedies that he's done. You know that he's phoning in some of those, right? But this one challenges him in such ways that he uses different voices. It isn't the same kind of De Niro voice that you've been looking I when, I wrote a review about it and I thought that he reminded me of James Whitmore. Now this is going back. James Whitmore in the film. Give him hell, Harry. It sounded like that was what he was trying to do. And he was trying to be this kind of likable character, not necessarily somebody who has the upper hand and is going to cut you if you don't do what you say. And I think that's kind of his, you know what I mean, where, he has that. I've loved him in so many films. I, really regret that Raging Bull did not get Best Picture. I think that was one of the big mistakes of all time. Because I don't think The Departed was the best film that Scorsese has made. But we've got this one. And this one could well be the one that brings it all home for him. Terry Lipshetz: I always thought that I love the Departed. It is one of my favorite movies, one of my favorite Martin Scorsese movies. However, to me, it doesn't stand up like a Raging Bull or a Ah Goodfellas or probably half a dozen other films. It always felt like The Departed was kind of like, a makeup. Bruce Miller: You look back at some of those early ones and I think he was part of that group, if you will, that were very big in the they were all kind of jockeying for position. So I think some of those ones that he did early on were masterful something like Taxi Driver, for example. Have you ever seen De Niro better than that? And De Niro has been really good. And Raging Bull, I think, is his best picture ever. But you look at Taxi Driver and you can remember those. Are you looking at me? You're going to come up with the lines right away because it was such an indelible character. And you look at the styles of Martin Scorsese's movies and they are different. Some of those early ones are very kind of know, I do them on $5 kind of movies. And then there are ones that are very elaborate and you think, wow, they spent some bucks on them. This is one of those. They spent some bucks on them. Because the costumes, the sets, all the little details are top drawer. They're just the best. And then you get that like that string of actors. In the end, I kid you not, you are going to, don't look at any list of the actors who are in the film because you'll be looking for them. But there's even Jason Isbell is in there. And you go, wait a minute, he's in this? Come on. And so it's a nice surprise to see that last quarter of the film where they start kind of coming in as various and sundry, lawyers, politicians, representatives, whatever. Terry Lipshetz: I did cheat. Bruce Miller: You did. Terry Lipshetz: I did cheat. Well, I need to know what I'm talking about coming in here. So I did see and it's an interesting look at quite, a few musicians. You mentioned jason isbell. But Jack White is in it. Pete Yorn is in it. Sturgill Simpson. There's a lot of very recent contemporary musicians, a lot of Americana country musicians, but a lot of musicians in this. But there's also a lot of other just very well known actors like Brendan Fraser, John Lithgow, Jesse Clemens. I mean, it's a heavy hitting, right? Bruce Miller: Right. Yeah. It's and Jesse Plemons, you don't see him until, jeez, it's almost over. And then he comes in. And I thought immediately he reminded me of Ben Johnson in Last Picture Show. Now, is that not a reference? I mean, there are little things like that. If you are a fan of film, you can find touchstones here in this movie that relate. I could do like a diagram and then I could put arrows to all these different films. Look at this scene. And this reminds me of this. This reminds me of that. And yet it's uniquely his film. It is not a copy of like, oh, this worked. So I'm going to use that. Not that at all. But like I said, it is fascinating how if you love these kinds of movies, you will really love this one. And I learned stuff like I say, I did not know all this backstory on the Osage Nation and how people were treated. It's unbelievable. And why it took this long to get this story on a screen, or maybe it has and I just missed it is beyond me. This is a film about the Osage Nation and a specific time in history Terry Lipshetz: You mentioned, of course, this is a film about the Osage Nation and time in history. We actually have a clip with Chief, Standing Bear from the Osage Nation, who helped as a consultant on the film. So, let's cut away to that for a moment. Speaker G: Well, I'm principal chief of the Osage Nation, and when David Grand, was writing the book, he was spending a lot of time with us, years. And, after he sold the movie rights, he called and told us that Imperative would take, it from here. And we met with an Imperative, and we were very concerned that someone else is going to tell our story without being our story. But imperative was very careful. They didn't want to over promise. So when they started saying, this is a movie that the Osage will be proud of, and they're going to tell the story through the eyes of Molly, that really got us, in a positive mood. And then Chad Renfro, who I had appointed as our ambassador to this world and the movie, said, Chief Marty Scorsese, he'll be here in the morning. And so he came. First thing he said is, we're going to film here. And then my staff and I, encouraged him and Marianne Bauer and everyone to work with our people on this whole, process. And, it's just been something we worked with for years, every day. And for six months, the filming, was right there in Pahuska, dirt streets, everything. What you see is not computer generated. I've been down watching them film. It's an amazing process. I've never seen anything like it. We've had other movies made in Fahaska, but nothing like this. Bruce Miller: There's a lot of, native languages in this, so you really do feel like you're a part of it. It's like in The Godfather, for example, when they go to Italy and they're speaking Italian and you don't know what in the world's going on, but you know that something's happening. That's a way that the Native American characters are able to keep some of these opportunists at an arm's length, is that they can talk to one another and say, know, I am not so sure about this. Know, so it is a gangster film in a way, but it's not what we traditionally think of as a gangster film. Martin Scorsese has done a lot of films based on true stories recently Terry Lipshetz: Corsace has done a lot of films recently. I mean, he's done this all throughout his career, where he does stories that are either inspired by true stories or they're true stories. Such as the case with the Irishman, the Wolf of Wall Street, the Aviator. Where does this one stand compared to some of those others that are based on true stories in your mind? Bruce Miller: Well, I'm sure they do take liberties because it's based on a novel that was a huge, huge hit. Terry Lipshetz: Right. Bruce Miller: I think it's a great adaptation, if I can say that. But I still think Raging Bull was a more defining kind of biography, if you will. But hey, get ready. Get ready. This is a film you want to see, and this is a year of oppenheimer. Remember, we all hot about Oppenheimer. Well, this is the competition, folks. I think you really have I am going to put them both in at one time and watch them and then just see which one is better. “Killers of the Flower Moon” could win multiple Academy Awards Terry Lipshetz: Yeah, that was my next question for you. When we spoke a few weeks ago, it felt like Oppenheimer at that moment, was the best picture. But now that you've seen this yeah. Bruce Miller: it could win could because up and down the line, there are such excellent examples of what movie making is all know he got in trouble for talking about how those Marvel movies sorry, were not really movies. They were just kind of whatever. And he puts up he shows you what a real movie is. I think we've been so duped in the years of Marvel films that it becomes a formula. To make a movie, you must do this, this, and this. And you need this character and that character. And you get out of it this way. And that's how it goes. And this is creating stuff. This is a new vocabulary, a new way of looking at films. And like I say, that last little bit, you're going to go, I did not realize that that would be a way to end this film. I hope that more than anything, I've gotten you to think about wanting to see it. Terry Lipshetz: Yeah. And I was looking it up because it obviously opens this weekend. But the next thing I looked at is like, well, when is it going to go to Apple TV? is it worth waiting? And it looks like at the earliest, early 2024. So I need to get to the theater. Bruce Miller: Yeah. No, and it needs to be seen on a big screen. It is lavish. I mean, you see those outdoor scenes, and he's not working with a couple, of drones to shoot these scenes. You know, there's a crane involved. And there's a lot they're cattle. My God, the cattle are running all over. And you think, how did they wrangle this? And all those old cars. they said that the Pierce Arrow was one of the most successful cars among the Osage nation, that they all wanted to have a Pierce Arrow. And they got all these cars. And you think, how did they do this? How did they make this so exacting? And then you know that he had people who were guiding him through all of the Native American things. There are ways that they are holding the shawls or using the kind of colors. And I know it all means something. They have done due diligence to every aspect of this. And I think that those who are subliminally part of the story would appreciate what he has done. Because it isn't just I'm, making a movie that's based on a book that's about something that happened. He wants to get it right. And the Native American music that you hear throughout it, too, is a real spectacle to behold. And yeah, there are just parts of it that, you know, that they have done right by the people that they are chronicling. Leonardo DiCaprio: The film took the number of years to make. But we finally got it done Terry Lipshetz: All right, I'm going to cut away quickly now to one, more clip from Martin Scorsese. Let's go to that one really quick. Martin Scorsese: Well, I'm disappointed that we don't have the actors. it's a good time for them to be here and to enjoy, even if it's just a moment of, getting a picture taken together. And everything they went through. The film took the number of years to make. the pandemic took its toll. There's no doubt, took its toll in time and interruptions. But we finally got it done. and, it's been a very special film for me, especially over the years, trying to get it to, be in a shape that was a story I wanted to tell, along with Leo and Lily Gladstone and De Niro and Jesse Plemons and all the Osage with us on this picture. But, it's a special film for me, and I hope I learned something from it. Terry Lipshetz: Even though Martin Scorsese there was talking about how the actors can't promote the film when he was at the London premiere recently. The good news is this is we do have audio from the actors from before the strike began. So we're going to go ahead now and queue up a few clips. Now, in this first one, we have Lily Gladstone and Leonardo DiCaprio. Leonado DiCaprio: We optioned the book seven, eight years ago. And it was a, fascinating piece of forgotten history, but it was told from the perspective of the FBI. And we developed a screenplay soon after that. but there was a dynamic missing there that, we ultimately felt that we weren't getting to the heart of the story. We weren't immersed in the Osage community the way we wanted to be. And there was two short sequences of Ernest and Molly together, which was this insanely, bizarre love story, something that was hard to fathom in a lot of ways, how this woman stuck by someone who was so duplicitous. But it was true. All of it was true. And so from that point on, we said to ourselves, well, what if we take the chance on in getting to the heart of this story and the Osage community and this insane dynamic in Oklahoma at that time and what was going on? What if we made it know Molly and Ernest? And that was another four year journey of rewriting and once again going to Oklahoma to meet with the a new, another chapter of development of getting even further into the truth of that story and trying to be as honest as we possibly could about the atrocities that occurred. But it was really when we made that shift to it being about Ernest and Molly and their love for one another, it opened up a whole new arena of ideas for us and it took on a whole new life of itself. Lily Gladstone: One of the biggest responsibilities I felt about this role was that I'm not Osage Lily Gladstone: One of the biggest responsibilities I felt about this role and, the way that I had to occupy the space of Molly was that I'm not Osage from the community. I have access points being blackfeet and as purse and growing up in the Blackfeet Reservation. we don't have something like the Reign of Terror, but we have our own history with, not being able to manage our own finances, for a time, with a lot of the things that I think a lot of contemporary Native Americans feel and understand. But walking in like, Indian Country is an incredibly diverse place and Osage Country was, foreign to me walking into it. And, Oklahoma has a different history than Montana does, where I grew up. So I knew that because I had to be in this position where I'm, in a way, an access point for the audience to fall in love with Native women and to care about Native women in a really deep way. The way that that happens is I had to fall in love with everybody I was around. I had to fall in love with my sisters and that was effortless. and also with a level within the community. it's not my community, but I had to carry it as if it were, as if they were stories from my family. I think that's kind of the root of empathy and it's one of the reasons that I love being an actor, is you're serving as an access point for, other experiences and you're kind of broadening a cultural understanding of what it means to be human by doing so. yeah, I feel like there's no way I could really, really ever understand or truly embody what it would have meant to be an Osage woman at that time because it's unimaginable the things that this community had to deal with. And it's horrendous how erased it was. And early research with Leah. We were sitting down, going through some of the court documents and the testimonies from this and people were talking about the house blowing up and the documents from this and the court transcripts. They only talked about Bill Smith. The character played by Jason Isbell. There was no mention of Rita. We were sitting there looking at these just court transcripts on this very fragile old paper that we were being very tender with. And then it's like you don't necessarily feel like you're going to be moved by a court document, but I had to stop. I mean, we had this nice system where I was handing you pages and we were turning them over and being careful as we were both reading and everything. And then you were kind of waiting for me to hand you the page and wasn't getting it because I was. Crying over the lack of Rita in this paper. So that kind of took me by surprise that I was moved the way that I was in that moment. But it made it so incredibly clear that me being in this role is a responsibility for this array, is a responsibility for m this community that has been so erased out of their own history, starting with these court documents before any writer gets a hand on it. So, it's vital that this history be explored that way. And I'm so grateful that Marty also, in addition to this being so it's Killers of the Flower Moon, the book is there. It was also the heartbeat of it was so shaped by a book written about this time from an Osage perspective called A Pipe for February by Charles Redcorn. And, ah, I encourage people to read that because copy paste there's elements of that book that are very clearly in the movie in a very certain way. But the tone of that book and the sense of the relationships between the sisters in the community, the photographs that you see, the way that the book invites you into what that perspective is, the way that the community invites you into what their perspective is. Because, if you're there and you're receptive and you're open, they'll share it. they don't push too hard because we're talking about trauma, but people are willing to share, basically. Read a pipe for February. Robert De Niro talks about his role as William King Hale Terry Lipshetz: In this next clip, we have, Robert De Niro speaking about his role as William King Hale. Robert De Niro: Well, on this one, I was aware that Leo and Marty had this project and they were talking about asking me if Marty were asking me to do it. And we were working out Irishman too and so on. So, at one point I said, I told them I'll do it, I'll commit to it. I wasn't quite sure. Hale is what that's all I knew. Then later they told me that they want to change what the book was, doing and make it more about the relationship with Ernest and Hales. So, I said, yeah, that sounds good. And that was it. Then I waited for the script and then we worked on it in pieces. went over it, as I remember. and were going over it during the shooting, sort of titrating it, if you will, because of Leo's, his relationship with Molly, the poisoning and all that and how much he knew or didn't know or half knew and then my involvement and all that. So it was all kind of just making sure we were doing it in the right way. As I been saying, I don't know certain things about him. What he did is so awful. there, were certain things I could understand, but I feel that he did love the, osage or thought he loved them, but somehow felt entitled to do what he did. I don't know how that is. I know he knew he was doing something wrong, possibly, but rationalized to himself that he was doing it for some sort of greater good, whatever that is. His own family, whatever that was. But he had his family. I don't know. it's, one of those things, that you don't always know, the motivations of characters. Sometimes it's more easy, and even then, characters don't know themselves. So I just did my best. Jesse Plemons plays Tom White, a Bureau of Investigation agent Terry Lipshetz: We have one more clip. And this is from Jesse Plemons, who played Tom White, a Bureau of Investigation agent investigating the murders. Jesse Plemons: Well, I had read the book, which was shocking and really, well written. And yeah, I've played characters in the CIA and I read a complete history of that a long time ago. But I didn't know, about the birth of the CIA. I mean, of the FBI or anything. but growing up in Texas, I actually grew up in a town outside of Waco. And there's Texas Ranger Hall of Fame there in my hometown. So there was something really strange about and nice about, playing this character and something that felt like I had I don't know, it's a part of me, I guess. and I read I think it's called Ashes of Glory or something, a, History of the Texas Rangers. And that was really helpful and changed my perspective greatly, because it tells the honest story of the Texas Rangers. And I was brought up to believe that they were these heroes. And I'm sure within that there are some people that had some sort of moral compass. But my, takeaway from that was they were more of a gang that just kind of cleared the way for the White people, and did some really horrific things. So the fact that Tom White was a part of the Texas Rangers and managed to come out such an honest, good man that, treated everyone as equal and was such a voice of justice was intimidating, to take on because his goodness is so amazing, especially for that time. Director Martin Scorsese talks about the making of the Native American film Terry Lipshetz: And finally, we do have one more clip. This again is from Director Martin Scorsese. A little bit more in depth talking about the film. Martin Scorsese: Originally, I was drawn to the story by the book by David Graham, which delineates this extraordinary, tragedy, in American history that I really knew nothing about. And the script was given to me, this was in 2017. And, I understood immediately that trying to approach this material, particularly the nature of this tragedy one would have to do it from the point of view of Leo Sage and, not the Osage as victims, but as people. Ah, to really get to know who they are to understand as much as possible the values and, their appreciation of, the world around them and the life. And so, at one point, while we were working on finishing the film Irishman, we, talked about where is the heart of the story? this systemized, kind of racist tragedy occurred. and yet many of the white people that were there who were perpetrating it were still very good friends with some of the Osage. So what is that about as part of being a human being? and, Leo said, well, what about Ernest, the character? Ernest Burkhart, who he plays in the film? Now, he was going to play another character. He said, what about him? because he's married to Molly, he had to have had something to do with these murders. We don't know what to this day. And yet she stayed with him. And I said, well, she loved him, and he loved her. Did he really love her? I think he did. Is he weak, strong, whatever? And he was manipulated by his uncle. Okay, we know all that. But by going into the love story which, by the way, was, more than hinted at, but was, explained to me by the Osage themselves, they said, don't forget they were in love, Ernest and Molly. And I said, well, let's find out how. I don't know how people could be in know. I can't describe that. It's just that we can't express it. But there's something, a bond between the two of them where she trusted and trusted to the very end. And I think that's part of the tragedy of trusting people who, come from a culture where, we think we're superior and we think the other cultures have to be coming, from I'm American, European, so it's the European culture. The Western culture is superior, so everything else gets wiped out. it's not that simple, because there are values there, and we're all part of the human condition. And so for us, this project was something that, as you say, shine a light, certainly, on this time in history. And coincidentally, in 1921, while this was happening in, Pahuska and in Fairfax, Tulsa was burning, there was the, black Wall Street was going. And we didn't know anything about that until a couple of years ago. And so m this was systematic. The country was made by white Europeans. That's it. Yeah, but the democracy and freedom for all and the pursuit of happiness for all, you see, and, this is what we wanted to get into. And the only way I thought we could do it was to go to the heart of it, really. I was going to say minimalist, in a way, go and go from the center, and then come out not from the outside in. As I said, I felt that when I first read when I looked, we even took the book, I said, if you're going to be dealing with indigenous people, I said, we're going to have to know them. We simply have to know them. And so what that means is they have to be, with us. And it's got to be different from the way other films were made about them or about their world. And so automatically, once the script was in progress, we, sent a group of people to meet, Chief Standing Bear. Then I was brought out to meet them. This is before the, COVID epidemic. And so, once meeting them, I understood that we have to be understood even more that we have to be extremely careful and not, as I pointed out earlier, not stuffy, not, prissy with everything that has to be lived in and felt. And so, in learning about how a blanket is worn, and what the designs of a blanket mean, we learn who the people are and we get to know each other. And it really was interesting. It really was. And it's something that's always fascinated me about American, indigenous people and First Nations. And so I was fascinated by it. and I tried to get as much as I could into, what they put into the film. They also, as you know, ah, so many of the Osage not only, were in front of the camera, but also behind the camera, making, designing and helping making the costumes and all the props, because a lot of this had been forgotten. Even the language has been forgotten. There's only Van Bighorse and, Chris, who's the other guy, he taught the actors how to speak Osage, including Leo and De Niro. And so they were learning their language again. And the young people are coming back, you see, for their rituals now. And the young people are beginning to the young o sage are coming back and, understanding, now the value of who they are and what their nation was and still is. And so this is something that happened. Kind of a rebirth, in a way. Terry Lipshetz: Wow. You know, hearing from those actors and scorsese again, I'm just getting more and more excited to see this film. Terry Lipshetz: I think I pretty much have to drop what I'm doing this weekend and get to it. Bruce Miller: It's on your must list. I'm putting on the must list, but I'm pulling you from all liquids. You can't drink anything before you go in. Terry Lipshetz: But it's shorter than the Irishman. It's three minutes shorter. Bruce Miller: Shorter than the Irishman. But you can't pause it. That's the problem. Yeah, it's one of those ones you want to see. And I think even though we can't hear all these interviews and see them on all these talk shows now, which is what would happen, it might be better for us to experience it first, and then when they come back, to award season, as they like to call it. We'll hear all those interviews again, and then we have, a little heads up because I think I love the idea that you don't know anything really, about what's going on, and it just kind of unfolds in front of you. It was remarkable. Remarkable. Terry Lipshetz: all right, well, on that note, first off, thanks again to EPKTV for providing us with all that audio. It's just difficult to get these actors. I know you can't really get them now because of the ongoing strike. So it's good that we were able to have a source to provide us with audio for this program. I'm looking forward to seeing this movie and looking forward to having you back again next week on another episode of streamed and screened.See omnystudio.com/listener for privacy information.

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#1 ACS #3370 (feat. Linda Hamilton, Jay Mohr, Gina Grad and Bryan Bishop) (2022) #2 ACS #471 (feat. Greg Fitzsimmons, Alison Rosen and Bryan Bishop) (2011) #3 ACS #415 (feat. Greg Fitzsimmons and Pete Yorn) (2010) Hosted by Superfan Giovanni and Teresa Strasser Request clips: Classics@adamcarolla.com Subscribe and Watch Clips on YouTube: https://www.youtube.com/@AdamCarollaCorner

#1 ACS #3370 (feat. Linda Hamilton, Jay Mohr, Gina Grad and Bryan Bishop) (2022) #2 ACS #471 (feat. Greg Fitzsimmons, Alison Rosen and Bryan Bishop) (2011) #3 ACS #415 (feat. Greg Fitzsimmons and Pete Yorn) (2010) Hosted by Superfan Giovanni and Teresa Strasser Request clips: Classics@adamcarolla.com Subscribe and Watch Clips on YouTube: https://www.youtube.com/@AdamCarollaCorner

Just two films from the 67th BFI London Film Festival (4th to 15th October 2023) as part of today's @EchoChamberFP coverage!!!! We have a short film, and a 'Gala Headliner' as we look at 'Day 4'! Today we have: Hafekasi Watch Review: Here. https://youtu.be/gr6FCrnSmlU Tribeca Film Festival: 10th June 2023 BFI London Film Festival Film Strand: Shorts (No Place Called Home) Friday, 6th 2023 at 18:00pm BFI Southbank Director: Annelise Hickey Cast: Izabelle Tokava, Laura Gordon, Aurora Morrissey, Samson Uili, Iki Finau, Veisinia Tonga, Yvonne Fix, Janet Christofi Credit: Wildebeest Genre: Drama, Short Running Time: 16 min Cert: 15 Trailer: Here. https://youtu.be/u5jte7jbBxk?si=1nCzrbhQ4rw_Znkp Website: Here. https://whatson.bfi.org.uk/lff/Online/default.asp?BOparam::WScontent::loadArticle::permalink=no-place-called-home-lff23&BOparam::WScontent::loadArticle::context_id= Instagram: @hafekasi_short https://www.instagram.com/hafekasi_short/ ------------ Killers of the Flower Moon Watch Review: Here. https://youtu.be/nPCilZytn2k 76th Cannes Film Festival: 20th May 2023 BFI London Film Festival Film Strand: Galas Saturday, 7th 2023 at 17:00pm Royal Festival Hall Sunday, 8th 2023 at 10:30pm Royal Festival Hall Tuesday, 10th 2023 at 12:30pm BFI Southbank Ticket Info: Here. https://whatson.bfi.org.uk/lff/Online/default.asp?BOparam::WScontent::loadArticle::permalink=killers-of-the-flower-moon-lff23 Theatrical Release Date: 20th October 2023 Digital Release Date: 10th November 2023 Director: Martin Scorsese Cast: Leonardo DiCaprio, Robert De Niro, Lily Gladstone, Jesse Plemons, Tantoo Cardinal, John Lithgow, Brendan Fraser, Cara Jade Myers, JaNae Collins, Jillian Dion, Jason Isbell, William Belleau, Louis Cancelmi, Scott Shepherd, Everett Waller, Talee Redcorn, Yancey Red Corn, Tatanka Means, Tommy Schultz, Sturgill Simpson, Ty Mitchell, Gary Basaraba, Charlie Musselwhite, Pat Healy, Steve Witting, Steve Routman, Michael Abbott Jr, Jack White, Pete Yorn, Larry Sellers, Barry Corbin, Steve Eastin, Elden Henson, Katherine Willis, Gene Jones, Larry Fessenden Credit: Apple Original Films, Imperative Entertainment, Sikelia Productions, Appian Way Productions, Paramount Pictures Genre: Crime, Drama, History, Mystery, Thriller, Western Running Time: 206 min Cert: 18 Trailer: Here. https://youtu.be/EG0si5bSd6I?si=vqkO7XR-PsTk33mi Website: Here. https://www.killersoftheflowermoonmovie.com/home/ ------------ *(Music) 'Wake Up' by Arcade Fire - 2004 --- Send in a voice message: https://podcasters.spotify.com/pod/show/eftv/message

Part 1 of my conversation with guest Phil Stacey about the music of 2001. Show notes: In 2001, Jay found out he was going to be a dad and also went back to his old employer Jay turned 34, Phil turned 32 Phil got divorced 9/11 was a defining generational moment Jay: Saw concerts by Radiohead, Gord Downie, Tragically Hip, PJ Harvey, Built to Spill, Buddy Guy Apple launched iTunes music store and the iPod Napster got sued into oblivion Pop was big but garage rock started getting popular Lifehouse had the #1 single of the year? Scott Stapp wrote a pump-up song for the Marlins Phil got recruited by a Scientologist Phil's non-top 5 albums: Gorillaz, R.E.M., DMB, Black Rebel Motorcycle Club, Fugazi, Stephen Malkmus, Pete Yorn, Ryan Adams, Bob Dylan  To be continued Completely Conspicuous is available through Apple Podcasts. Subscribe and write a review! The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

New Jersey resident, and therefore Bruce Springsteen expert, George Brudermann returns to help us shed some light on the world of Dancing in the Dark covers. Featured Artists: Audra Mae, Nicole Atkins, Imaginary Future, Faye Webster, Ruth Moody, Eddie Berman, Jesse Daniel Smith, Juanes, Pete Yorn, Lucy Dacus, Downtown Boys, Cannons, Bastille, Hot Chip, Drew North & Veronica, Benny Sings, Scary Pockets & Darren Criss, and Pomplamoose Listen to this episode's playlist on Spotify --- Send in a voice message: https://podcasters.spotify.com/pod/show/blanketingcovers/message

Pete Yorn, Scott Litt, and me.

Pete Yorn's most recent album "Hawaii" is remarkable, and you know what, so is our conversation with him. So pull up a chair, gather the family, maybe even have a snack handy, because you're not gonna wanna miss this episode with the singer-songwriter who would tell you if you have something stuck in your teeth.

Post-Christmas, Lou offers to be more helpful next time around. Adelle gifts Lou three enormous, personalized Yeti tumblers, and a discussion on hydration and household tragedy ensues. Lastly, Pete Yorn offers his thoughts for the new year. Check out his new LP: https://music.apple.com/us/album/hawaii/1623605585 https://barlowfamilygeneralstore.com/ Hosted on Acast. See acast.com/privacy for more information.

In the latest recap episode, Beave talks about the latest Star Wars series, "Andor", and provides his review. He also gives his final opinion on Robert Pirsig's "Zen & The Art of Motorcycle Maintenance". Len and Beave discuss the conclusion of the SNL character bracket and the shocking victory of "Wayne's World". Len recommends the latest issue of The New Yorker and its article on The Spice Girls. Beave reviews albums by Pink Floyd, the Beatles, New Order and the Beastie Boys. And Len talks Pete Yorn, Matthew Sweet, Janelle Monae and goddam BILLY SQUIER. Tune in!

Superstar producer, singer-songwriter, and guitarist Butch Walker joins Rhett from his studio in Nashville to talk about Glenn, his new album centered around an alter ego who is a rock n roll balladeer. Butch tells Rhett about the moment when he decided to pursue a life in music, what it was like to perform in Atlanta clubs as a high schooler and the ups and downs of pursuing band life in L.A. Butch discusses his many successes and failures, how he manages anxiety, and why he thinks that right now is an exciting time to be in music. Singer, songwriter, guitarist and producer Butch Walker was as a member of the bands SouthGang and The Marvelous 3. He has produced hit records by a staggering number of acclaimed artists including Weezer, Fall Out Boy, Pink, Katy Perry, Panic! At the Disco, Dashboard Confessional, Pete Yorn, Avril Lavigne and many others. Butch has been called “One of America's best songwriters” by Rolling Stone. His latest album, Glenn, is available now.Wheels Off is brought to you by Osiris Media. Hosted and produced by Rhett Miller. Co-produced by Kirsten Cluthe in partnership with Nick Ruffini (Revoice Media). Editing by Matt Dwyer. Production Assistance by Matt Bavuso. Music by OLD 97's. Episode artwork by Katherine Boils. Show logo by Tim Skirven. This podcast is available on Apple Podcasts, Stitcher, Spotify, or wherever you get your podcasts. You can also ask Alexa to play it. Please leave us a rating or review on iTunes. Revisit previous episodes of Wheels Off with Rosanne Cash, Rob Thomas, Will Forte, Lydia Loveless, Allison Moorer, Ted Leo, Paul F. Tompkins, Jen Kirkman, and more. Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

Welcome to Series IV of Music at a Rational Volume, the podcast. In this episode we review Pete Yorn's new release "Hawaii." Listen in as the host's give their thoughts on the music and tell you whether you should go out and give it a spin. No curated playlist this week,  but enjoy Pete Yorn's Hawaii!Musicatarationalvolume.com@MARVpodcast on Twittermusicatatrationvolume profile on Spotify for episode playlists based on topics discussedMusicatarationalvolume.com@MARVpodcast on Twittermusicatatrationvolume profile on Spotify for episode playlists based on topics discussed

William & Mark flashback to Boyz n the Hood and chat about the financial restructuring of movies in Hollywood. Also, Mark visits the Hollywood Show. You may also hear irrelevant things in this episode about David Lynch, Twin Peaks, Oakwood Apartments, David Moscow, Christian Bale, Newsies, Jason Bateman, Melissa Gilbert, Dean Butler, Little House on the Prairie, Ed Begley Jr., Forrest Gump, Tom Hanks, Morgan Freeman peeing, Jason Blum, White Lotus, Jennifer Coolidge, John Singleton, Brie Larson and Pete Yorn.

Paolo Nutini, First Aid Kit en singles du jour et on découvre l'album de Pete Yorn. Bonne écoute… L'article Emission Sensation rock du jeudi 23 juin 2022 est apparu en premier sur Sensation Rock - webzine français.

Starcrawler, Sports Team, Clutch, Måneskin, Pete Yorn, Kasabian, Two door Cinema Club en singles du jour et on… L'article Emission Sensation rock du vendredi 17 juin 2022 est apparu en premier sur Sensation Rock - webzine français.

Sarah goes deep on the Duke lacrosse rape scandal — the complicated true story, the troubled woman who filed the claims, the abdication of due process, and the false narrative promoted by key figures including Duke faculty members calling themselves the “Group of 88.” The goal was to exact justice “regardless of the truth.” A bunch of preppy white athletes needed a historical comeuppance, though it didn't work out like that. “People who lie endorse lies,” Nancy suggests, before giving a big huzzah to a recent New Yorker piece asking why we valorize trauma and what happens when we do. In her own reporting, Nancy has seen how lies like that result in dead kids.Nancy engages in some mouth-frothing over the Fabulist of the Week, a writer on Grey's Anatomy who faked cancer for years, while Sarah shares a story about her run-in with New York Times fabulist Jayson Blair, and we bond over childhood fibbing: Nancy said she was related to the Osmonds, and Sarah told people she had a phone date with River Phoenix. Ten minutes after we wrapped, Nancy remembered the phrase she couldn't quite get during the episode: “Don't fight for your limitations.” Don't!Episode notes:“The Duke Lacrosse Scandal in Retrospect,” by Geoffrey Shullenberger (Wesley Yang Substack)Group of 88 (Wikipedia)“The Readers Strike Back,” by Gary Kamiya (Salon)Things Fell Apart, podcast by Jon RonsonFantastic Lies, ESPN 30 for 30 episode on Duke lacrosse scandal“Trayvon Martin, 10 Years Later,” Glenn Loury and John McWhorter on The Glenn Show (YouTube)What Killed Michael Brown? documentary by Shelby Steele and Eli Steele “The Case Against the Trauma Plot,” by Parul Sehgal (New Yorker)The Big Book, by Bill W.“Beyond ‘Infinite Jest'” by DT Max (New Yorker)William Langewiesche, author page at the Atlantic“How Childbirth Caused My PTSD,” by Taffy Brodesser-Akner (Salon)“Scene Stealer: The True Lies of Elisabeth Finch, Part 1,” by Evgenia Peretz (Vanity Fair)“To Tell You the Truth: As the journalism world feeds on its own frenzy, SARAH HEPOLA confronts an intimate past with exposed Times fabricator Jayson Blair, and her own history of exaggeration.” (The Morning News)“Blair's Battle With the Bottle” (NY Post)“No Exit Plan: The Lies and Follies of Laura Albert, a.k.a., JT Leroy,” by Nancy Rommelmann (LA Weekly)“Sacrificing Rebecca: For 14 years, Laurie Recht struggled with her daughter's illness. At least, that's what she wanted people to believe,” by Nancy Rommelmann (Willamette Week)“How ‘Leonardo DiCaprio' Scammed a Houston Widow Out of $800K by Claiming He Was Trapped in Scientology” by Tony Ortega (Daily Beast)“Who's the Bad Art Friend?” by Robert Kolker (NYT Magazine)Sam Houston statue in Huntsville, TXOutro music: “Relator” by Pete Yorn and Scarlett JohanssonSmoke 'Em If You Got 'Em sends our best from the past week on the road: This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit smokeempodcast.substack.com/subscribe

Seguimos cavando en el inagotable filón de las versiones de grandes clásicos del pop y el rocknroll del siglo XX a cargo de bandas de generaciones posteriores. Playlist; (sintonía) THE MOBSMEN “Flamenco” (Los Brincos) BART MENDOZA “Nadie te quiere ya” (Los Brincos) THE MOCKERS “El imperio contraataca” (Los Nikis) LOS NIKIS “Yo soy tu sombra” (The Velvet Underground) BATMOBILE “The boys are back in town” (Thin Lizzy) DIE TOTEN HOSEN “Shake Sherry” (The Contours) THE CHERRY DROPS “Tiger feet” (Mud) CHEAP TRICK “Rebel rebel” (Bowie) THE YOOHOOS “Bizarre love triangle” (New Order) THE RAVEONETTES “The kids are alright” (The Who) THE PRISONERS “Hush” (Joe South-Deep Purple) PETE YORN “Here comes your man” (Pixies) PIXIES “Winterlong” (Neil Young) IAN McNABB “Time ain’t nothing” (Green on Red) SPOON “Breakdown” (Tom Petty) THE PEAWEES “Alone again or” (Love) LUCINDA WILLIAMS “Sway” (The Rolling Stones) Escuchar audio

In the FOURTH installment of a semi-regular series, I reveal 5 MORE essential alternative rock songs you've (likely) never heard before. As a self-proclaimed "music snob", I tend to fall in love with lesser-known bands, as I dive deep into their catalogs and search for the best songs that never see the light of day. These 5 songs were meticulously handpicked and I can't wait to share them (and many more) with you. Each track gets a small intro/synopsis and then you get to indulge in the ENTIRE SONG here on the pod. I'm proud of this series. Enjoy. Featuring music from: Motion City Soundtrack, Frightened Rabbit, Spoon, Pinback and Pete Yorn. LIKE, SUBSCRIBE, SHARE...ANYWHERE YOU GET PODCASTS!

Pete Yorn is a Los Angeles, California based songwriter and musician. I chatted with Pete about how is brothers got him into playing music, working with various producers, his early beginnings as a musician, making records with Scarlett Johansson, and much more! To keep up with Pete Yorn, the sponsors for this episode, and the Dan Cable Presents Podcast. Please check out the links below! ------------------------------------------------- Thank you to DistroKid for sponsoring this episode of the podcast. Use the link below to receive 30% off your first year of DistroKid services. https://distrokid.com/?c=cable www.producerowcafe.com www.north45bar.com www.peteyorn.com INSTAGRAM: @peteyorn @north45bar @producerowcafe @dancablepresents @distrokid @vrtxmag Email: dancablepresents@gmail.com Spotify Playlists: https://open.spotify.com/user/54u8tkp1mevtd0i3cz79qbp8l?si=-4NT4PWPSlSowoXQkJhlkA Venmo: Dan-Cable-Presents Patreon: https://www.patreon.com/dancablepresents --- Send in a voice message: https://anchor.fm/dan-cable-presents/message

Pete Yorn is a Los Angeles, California based songwriter and musician. I chatted with Pete about how is brothers got him into playing music, working with various producers, his early beginnings as a musician, making records with Scarlett Johansson, and much more!To keep up with Pete Yorn, the sponsors for this episode, and the Dan Cable Presents Podcast. Please check out the links below!------------------------------------------------- Thank you to DistroKid for sponsoring this episode of the podcast. Use the link below to receive 30% off your first year of DistroKid services.  https://distrokid.com/?c=cable  www.producerowcafe.comwww.north45bar.comwww.peteyorn.com INSTAGRAM: @peteyorn@north45bar@producerowcafe @dancablepresents @distrokid @vrtxmag  Email: dancablepresents@gmail.com Spotify Playlists: https://open.spotify.com/user/54u8tkp1mevtd0i3cz79qbp8l?si=-4NT4PWPSlSowoXQkJhlkA Venmo: Dan-Cable-PresentsPatreon:https://www.patreon.com/dancablepresents 

Welcome to Click Vortex from WASTOIDS. Each episode, Sam Means (Hello Merch/The Format) and Jason Woodbury (Aquarium Drunkard) stumble down a rabbit hole of hyperlinks, following trails of interconnection between wildly varied topics. In episode one, Sam takes us on a music video journey—touching on Blur, Weezer, Sparks, Pete Yorn and Scarlett Johansson, Robbie Robertson of The Band, and Alice Cooper. Then, Jason takes us from underground cartoonist Gary Panter to Pee Wee's Playhouse, from Rob Zombie to the punk band Vatican Commandos and ultimately landing on techno star Moby. Want to share your own Click Vortex? Give us a call at 1-877-WASTOIDS. 

In this episode Nate and Kyle discuss one of the greatest albums ever recorded by humans on the planet Earth, Pete Yorn's classic Musicforthemorningafter. It's good, no description needed here. If you haven't heard it, what are you waiting for... go and enjoy. Musicatarationalvolume.com@MARVpodcast on Twittermusicatatrationvolume profile on Spotify for episode playlists based on topics discussedMusicatarationalvolume.com@MARVpodcast on Twittermusicatatrationvolume profile on Spotify for episode playlists based on topics discussed

2003's "tribute" to Ramones "We're A Happy Family" falls victim to the fat lads this week, as we're joined by Dickkie Shackleford to assess the last ditch money spinner.What will you hate more? the whispering Irishman? The wobbly-voiced Vedder? Maybe it'll be the king of clubland Pete Yorn.The big guns are out wrecking Ramones tracks as we slag everyone from U2 to Maz Manson. Some unlikely contributions get some high praise though!As well as all that, we hear about a scandal involving stealing the booze from an 80s pop group, the ultimate party popper prank and inappropriate masks.

Our Three Albums: Rings Around the World by Super Furry Animals; The Blueprint by Jay-Z; musicforthemorningafter by Pete Yorn

CLL #1970 (feat. Pete Yorn) 04/17/2003 – Thursday Night Show Source – Tucker Recording (2003) This episode is 100% complete with a medium audio upgrade, Pete is making his 2nd and final appearance...

It's safe to say that Pete Yorn uses Los Angeles as a canvas on which he paints his songs. Inspired by his home base, his latest release “Elizabeth Taylor” announces his forthcoming ninth album and is buoyed by nostalgia and a steady beat. 

Stereophonics, BRKN Love, Korn, Palace, Gang Of Youths, Ride The Tiger, Lucy Dacus, Pete Yorn en singles du jour et on découvre l'album de Dave Gahan and The Soulsavers. Bonne écoute du podcast radio rock. L'article Emission Sensation rock du lundi 15 novembre 2021 est apparu en premier sur Sensation Rock.

WTTS morning host Matt Pelsor marks 20 years since the release of Pete Yorn's debut album Musicforthemorningafter with a career retrospective chat with the singer-songwriter. They cover his film score of the Jim Carrey classic Me, Myself, and Irene, as well as his duets project with Scarlett Johansson, among other career moments.

This week's show features Wharves with music from Roosevelt, Whole Damn Mess, Pete Yorn, The Workday Release, Paper Idol, Drunken Logic, JPOLND, Never Loved, Said The Whale, Black Pistol, Fire, Alfie Templeman & Skuff Micksun! Hosted by Aaron Zytle. 03/23/2021

This week Darren has a great interview with the supremely talented and awesome singer/songwriter Jonny Polonsky. Jonny talks about first seeing David Lee Roth and Van Halen on MTV when he was 8 years old, learning Van Halen songs on guitar, Dave as a cultural influence, pursuing passions, the rock & roll lifestyle that used to be versus today, and much more.  Born in Chicago, Illinois and raised in suburban Wilmette, Illinois, Jonny Polonsky began writing, recording and self-releasing homemade cassettes as a teenager. Filled with smart rock and pop melodies, these cassettes landed in the hands of influential artists he admired, like Reeves Gabrels, Zander Schloss and Frank Black, who helped Jonny do a demo tape and find a manager. Soon the tapes got him a deal with Rick Rubin's American Records, and his debut album "Hi My Name Is Jonny" was released in 1995. Subsequent albums and musical projects included Jonny working with the Brad Wilk and Tim Comerford (Rage Against The Machine, Audioslave), Maynard James Keen from Tool, including joining Keen's side project Puscifer. As a studio musician he's appeared on albums by Johnny Cash, Neil Diamond, The Dixie Chicks, and Pete Yorn. His latest album "Power and Greed and Money and Sex and Death" was released in 2020, recorded during the COVID-19 lockdown in his aparment. For more info visit JonnyPolonsky.com.

This week's show features Harvard of the South with music from The Voidz, The Drive, Pete Yorn, Pale Waves, Light Up the Moon, DYLYN, Sydney Sprague, Teenage Fanclub, Keli Holiday, Declan McKenna & Dumbfox! Hosted by Aaron Zytle. 02/09/2021

034: Simon PettyGood morning. This is Play It Like It’s Music. I’m Trevor, thanks for listening. On Wednesday, April 8th of 2020 music is NOT content. It's connection.I'm here with the rest of planet Earth in the Club Quarantine with DJ @dnice, who you can hear in the background. I'm gonna make this quick: today in the booth I'm honored to be speaking with Simon Petty.Simon is an English singer-songwriter, born in Manchester to traditional English parents and currently based in Los Angeles. His voice hits somewhere between Nick Cave and Nick Drake, he's put out several solo albums - tracks from which you'll hear underneath us talking.These days he's focusing on the absolutely magical collaboration with Celia Chavez (who I spoke to in Episode 031) creatively named Petty Chavez. They are finishing a full length album called One Last Look At the Stars, planned for release later this year.Simon is a man driven by music from a young age. Simon and his band MINIBAR got signed to Universal and brought to LA from London in the early 2000s. They recorded their debut album with T Bone Burnett and went on to tour the USA extensively, eventually putting in a LOT of road miles with Pete Yorn.Write from the heart, sing as often as you can, play music with the people you love. — Simon Petty.Press PLAY above to hear my interview with Simon PettyThanks for listening to Play It Like It’s Music. Thanks to Simon for spending some very generous time with us. You can find him at Simon Petty dot com and you can find Petty Chavez at Petty Chavez Music dot com as well as on all the socials.If you like this show, please tell a friend:Follow me on social media @trevorexter and talk to me on there if you have thoughts about the show.We're all contending with a mutating professional landscape, jacked revenue streams, a potentially catastrophic global pandemic and a lot of noise out there in the culture.But you gotta keep playing.We don't draw any lines here between scenes or styles.As always, thank you for listening and remember to play it like its music.You can check out my music on bandcamp and other places. It’s all at my website, trevorexter.com. Sign the mailing list on substack to get this show sent right to you the very moment it comes out. Consider hiring me to score your piece, do some cello overdubs, produce your show or back you up onstage. Music is a beautiful thing and it makes the world go around.Big love to your ears.Trevor(Did you press play yet?)...If you like this stuff, help it spread by sharing it!Hear songs: the “Trevor Exter Playlist” on SpotifySign the mailing list!Take lessons from me online!Hire me remotely for cello overdubs or to score your piece.Or to produce your podcast.Follow me on IG TW FBMore @trevorexter.compsst… sign up for emails: This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit playitlikeitsmusic.substack.com

. Jarps -Everybody shines . Pele MacLeod -Estiu assolellat . PinkPoni -La frontera . Morcheeba -Find another way . Family of the year -I'm the one . Ju -M'ha passat a mi . Roger Daltrey -How far . Coeur de Pirate -Combustible . James Bay -Us . Nyand

This week I'm chatting with Charlotte Martin. Charlotte is celebrating the 10 year anniversary of the release of her record Stromata.   Over the course of her career, Charlotte Martin has recorded both major label and independent releases, performed sold-out shows to audiences around the world and shared stages with the likes of Liz Phair, Pete Yorn, Damien Rice, Jason Mraz, and many others. Her music has been licensed for a plethora of television shows, including “So You Think You Can Dance,” which regularly features her song “The Dance” during the show's open. Details magazine called her “a seductive performer” and “a skilled lyricist who writes with surgical precision” and Performing Songwriter praised Martin as “a born storyteller and affecting vocalist.” In addition to taking a deep dive into discussing some of the tracks on the record, this conversation is full of lessons and insight about navigating a career in music business. Contrary to popular belief, it's not all rainbows and unicorns after you sign a record deal.   Links  charlottemartinmusic.com Brassy Broadcast interview with Lisa Lombardo