Podcasts about columbia theater

In this summer episode of For the Record, Coun. Paul Minhas makes another appearance in studio to analyze the latest activities of New West city politicos. What do President Joe Biden and the New West Mayor have in common? Well, some say they may both soon have close allies and supporters asking them to step down for the 'good of the party'. That's a topic we explore as we undertake a special look ahead to what might transpire in the 2026 civic election year. Will Community First actually have a new candidate for mayor? Or will they hunker down and hope for the best under the current leadership?A proposal for a new Marriott hotel on Columbia Street above the historic Columbia Theater was on the docket for discussion. How tall should it be? Will it impact a possible redevelopment of the adjacent Army and Navy site? What type of community amenities will we get as a result of this latest tower proposal? Federal NDP leader Jagmeet Singh seems to have inspired - or perhaps heavily encouraged - his political allies in New Westminster to publicly endorse his idea of having Ottawa bureaucrats begin setting the price of our local groceries. Yes, a motion was brought to council for debate regarding sending a letter to the Prime Minister encouraging him to start setting the price of our 'essential' groceries. But just exactly what is classified as 'essential'? Furthermore, should provincial or federal politics be directly influencing civic debates in New West? The topic of e-scooters makes it on to the podcast as we play a segment that aired on the Mike Smyth Show on CKNW this week. The switchboard lit up with callers, all of whom had some pretty strong opinions. Sit back, pop in the earbuds and enjoy this latest podcast. Be sure to tell family and friends to listen too. You can download For the Record on Apple Podcast, Spotify and all major platforms.

GAG DIE SHOW LIVE 2024 kommt auch in eine Stadt in eurer Nähe. Termine: 31.03.24 Hamburg, KENT Club 01.04.24 Berlin, Columbia Theater  02.04.24 Leipzig, Blauer Salon  03.04.24 Köln, Gloria Theater  04.04.24 Frankfurt, Brotfabrik 07.04.24 Stuttgart, Im Wizemann Club 08.04.24 München, Nachtgalerie  09.04.24 Wien, Die Szene  Tickets gibt es ab jetzt hier: eventim.de/artist/gag-die-show Wir freuen uns auf euch!!!!!!!

In Episode 189 schließen wir das Kapitel GAG - der Podcast nach 4 Jahren ein für alle mal. Danke an euch Gagerettes und Mäuse, die uns seit 4 Jahren durch alle Highs und Lows begleiten! WIR LIEBEN EUCH!!! Zwar mag der Podcast jetzt vorbei sein aber natürlich nicht ohne einen Knall. Schon von Anfang an haben wir davon geträumt ein Fest an Queerness und Flamboyance auf die Bühne schmettern zu können und zum Abschied wollen wir genau das mit euch tun. GAG DIE SHOW LIVE 2024 kommt auch in eine Stadt in eurer Nähe. Termine: 31.03.24 Hamburg, KENT Club 01.04.24 Berlin, Columbia Theater  02.04.24 Leipzig, Blauer Salon  03.04.24 Köln, Gloria Theater  04.04.24 Frankfurt, Brotfabrik 07.04.24 Stuttgart, Im Wizemann Club 08.04.24 München, Nachtgalerie  09.04.24 Wien, Die Szene  Tickets gibt es ab jetzt hier: eventim.de/artist/gag-die-show Wir freuen uns auf euch!!!!!!!

Recorded LIVE at the Columbia Theater in Berlin with special guest Sudi Green! This episode features the icon, the trailblazer, the legend, THEE Peaches! Bowen and Matt make a live attempt to get into Berghain, discuss the lack of buffalo sauce in Berlin, and debate Usher as the Super Bowl headliner before welcoming Peaches herself to discuss the origin of "Fuck The Pain Away", crowdsurfing while people are holding their damn phones, Tina Turner, paving the way for sexual candor in music, taboo topics in pop music, questioning culture, and what makes a hole forgettable. All this, Barbra Streisand, museum culture, straight men in groups, restaurant acoustics, and so much more! See omnystudio.com/listener for privacy information.

Grab your broomsticks, and join us on a tour unlike any other you've taken before. Get to know some of the famous fall celebrations amidst the eerie streets of St. Helens, OR - a town steeped in history, hauntings, and Halloween! Every year the town transforms into the Spirit of Halloweentown, a month-long celebration of all things spooky. St. Helens was a backdrop for Disney's Halloweentown and Twilight, but did you know that the serene St. Helens waterfront holds secrets darker than the depths of Columbia River itself? We're not just talking about the Witches on the Water weekend! Hold on to your pointy hats, because we have chilling stories from the courthouse, Columbia Theater, the high school auditorium, and even The Klondike Restaurant and Bar - a former brothel. But St. Helens doesn't just dwell on specters of the past, it embraces its macabre history with unique local customs and Halloween celebrations. Happy hauntings, ghosts & ghouls! Today we're sharing a promo for Enmeshed!If you're enjoying our podcast, please consider leaving a rating & review on Apple Podcasts. It helps get us seen by more creepy people just like you! Stay connected with us for more creepy content. Visit our website! Find us on Facebook, Instagram, TikTok, Patreon, & more! If you have any true crime, paranormal, or witchy stories you'd like to share with us & possibly have them read (out loud) on an episode, email us at pnwhauntsandhomicides@gmail.com or use this link. There are so many ways that you can support the show: BuyMeACoffee, Apple Podcasts or by leaving a rating & review on Apple Podcasts. Pastebin: for sources.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5955451/advertisement--------- EPISODE KEYWORDS ---------St Helens, Pacific Northwest, Mt St Helens, Henry Knighton, Portland, Witches on the Water, Columbia River, Hauntings, Ghost Children, Halloween, Columbia Theater, High School Auditorium, Klondike Restaurant, The Spirit of Halloween, Brothels, Haunted Hotel, Spirits, Witchcraft, Carving Pumpkins, Safe Celebrations, Things To Do, Oregon, Batsquatch, VolcanosThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5955451/advertisement

Friedemann und Samira, radikal mittelmäßig auf der Suche nach der entrückten Mitte und dem mittigen Rechtsextremismus und der Antwort auf die Frage, wie grausam Optimismus sein kann. Am Ende springt aus der Mitte Verdruss. Erwähntes! “Die distanzierte Mitte”, Studie der Friedrich-Ebert-Stiftung, https://www.fes.de/referat-demokratie-gesellschaft-und-innovation/gegen-rechtsextremismus/mitte-studie-2023 Die Studie: https://www.fes.de/index.php?eID=dumpFile&t=f&f=91776&token=3821fe2a05aff649791e9e7ebdb18eabdae3e0fd “Why Chasing The Good Life Is Holding Us Back, With Lauren Berlant”, “Cruel Optimism” erklärt von Laurent Berlant im Big Brain Podcast, hier auf Youtube, aber auch bei allen Podcastanbietern zu finden: https://www.youtube.com/watch?v=Ppdd2R46Eh4 Hier das englische Transkript: https://news.uchicago.edu/podcasts/big-brains/why-chasing-good-life-holding-us-back-lauren-berlant Policy Paper des Else-Frenkel-Brunswik-Institut (EFBI): “Autoritäre Dynamiken und die Unzufriedenheit mit der Demokratie - die rechtextreme Einstellung in den Ostdeutschen Bundesländern", https://efbi.de/files/efbi/pdfs/2023_2_Policy_Paper.pdf “Autoritärer Nationalradikalismus - Der Soziologe Wilhelm Heitmeyer über Hintergründe des Umfragehochs der AfD im Juni 2023”, Wilhelm Heitmeyer, im Interview mit Christoph David Piorkowski https://www.bpb.de/themen/deutschlandarchiv/522277/autoritaerer-nationalradikalismus/ (Zuerst veröffentlicht im Philosophie Magazin: https://www.philomag.de/artikel/wilhelm-heitmeyer-krisen-und-kontrollverluste-sind-die-wirkungsvollsten-treiber) PP-Folge 134 zu dem Wahlerfolg der AfD in Sonneberg, "Politische Rache", https://piratensenderpowerplay.podigee.io/159-new-episode Im Wettkampf der Asylverschärfungen, Dinah Riese, taz, https://taz.de/Fluechtlingspolitik-von-SPD-bis-CDU/!5958250/ Empfehlungen! Roman Marvel Moreno, Im Dezember der Wind, Verlag Klaus Wagenbach, https://www.wagenbach.de/buecher/titel/1358-im-dezember-der-wind.html Dokumentation "All the Beauty and the Bloodshed", Regie: Laura Poitras https://www.ndr.de/kultur/film/tipps/All-the-Beauty-and-the-Bloodshed-Doku-ueber-die-Fotografin-Nan-Goldin,allthebeauty100.html Serie Painkiller, Netflix, Trailer: https://www.youtube.com/watch?v=24-YonhNS0Y “Die reichsten Drogenbarone der Welt”, FAZ+, https://www.faz.net/aktuell/feuilleton/medien/serien/painkiller-auf-netflix-die-reichsten-drogenbarone-der-welt-19091402.html Unterwegs! Lesung “Die Lügnerin”: Am 26.9. Backfabrik Berlin mit der @buchbox Und: 22.10. auf der lit.ruhr Tickets für die PP-Live-Tour 2023: https://www.contra-word.com/Kuenstler-innen/Piratensender-Powerplay/01.11.23 Köln, Comedia 02.11.23 Dortmund, Junkyard 16.11.23 Bremen, Lagerhaus 17.11.23 Hamburg, KENT 18.11.23 Berlin, Columbia Theater 27.11.23 München, Lustspielhaus 29.11.23 Stuttgart, Im Wizemann Studio 30.11.23 Frankfurt, Brotfabrik

What Michael Jordan is to basketball, and Charles Lindberg and Amelia Earhart are to aviation, Harry Houdini is to the world of magic. But even legends have slumps in their career. Harry Houdini was having one in 1908, but figured a way to turn the tide right here in St. Louis. Just press play to hear the whole story. ——— Click on search links to see if there are episodes with related content: Andrew Wanko, Arts, Entertainment, and Culture, Business, People of Note, ——— Podcast Transcript: I'm Andrew Wanko, Public Historian of the Missouri Historical Society, and Here's History on 88-one, KDHX. ——— Even a century after his death, it seems like everyone knows at least something about Harry Houdini. The most famous magician in history, Houdini took to the theater stages of St. Louis at least five times across his career, but a visit in 1908 holds a special place in Houdini lore. It was then that one of his most famous and dangerous stunts made its world debut. ——— Across the early 1900s, Houdini had escaped being lashed to planks, stuffed into packing cases, and clasped into countless handcuffs. But he sensed a problem. Audiences were getting bored with seeing the same old escapes. In January of 1908, Houdini appeared before a small and lackluster crowd at the Columbia Theater in Downtown St. Louis. Manager Frank Tate, disgusted by the empty chairs, told the famous magician he wasn't worth a five-dollar bill anymore. Houdini needed a new hook, something that brought a sense of danger to his shows. ——— On January 27, 1908, St. Louisans attending Houdini's show at the Columbia watched as a giant galvanized metal jug was hauled onto the stage. Attendants dumped in endless buckets of water. Then Houdini stepped inside, inhaled deeply, and dropped down beneath the water's surface. The heavy lid was slammed shut and locked with six locks, and a curtain drawn in front of the can. ——— The St. Louis audience sat in captivated silence, broken only by the occasional nervous cough. As the seconds ticked by, a panicked axe-wielding assistant came out ready to smash open the can, another carefully timed visual meant to set the audience's pulse racing even faster. ——— After two tense minutes, Houdini whipped back the curtain to reveal himself soaking wet and alive. The crowd that just the night before was yawning and disinterested roared with applause. The Milk Can escape's deadly stakes – or at least the appearance of them - brought Houdini's career back to life. From its St. Louis debut it would become one of his trademark escapes, baffling audiences all the way up to his death in 1926. ——— Here's history is a joint production of the Missouri Historical Society and KDHX.  I'm Andrew Wanko and this is 88.1 KDHX St. Louis. ———

Heute hatten wir leider einige technische Probleme, da Andrés Internetverbindung recht schlecht war. Dadurch konnte er sich zeitweise nicht so in das Gespräch einbringen, wie gewohnt. Trotzdem gibt es einen Ausblick auf unseren Tourabschluss an diesem Wochenende, wir beantworten viele Eurer Fragen und es gibt auch noch eine Dialektrunde mit Braunschweiger Platt. Außerdem kündigen wir 2 ganz spezielle Konzerte in 2023 an: 21.07.23 Festung Königstein Open Air 28.10.23 Oberhausen, Kulttempel Yeah! Und hier noch ein wenig unbezahlte Werbung, passend zur Episode: https://shop.herbasch.de/de/ Schickt uns gern weiter Fragen, Schnellrunden, Themen für den Podkasten oder einfach nette Mails an podcast@solarfake.de Viel Spaß!

"No Te Va Gustar", also known by the initials NTVG, is one of Uruguay's most successful and international rock bands. Since 2011, NTVG has been consistently nominated at the Latin Grammys, filling soccer stadiums in Argentina and Uruguay and touring major stages in Colombia, Chile and Mexico. Until now, they have released eleven studio albums, six live and one anniversary edition. After eleven years the band is finally back on tour in Europe and at the Columbia Theater in Berlin on August 8th. Our reporter Leticia had the opportunity to interview the lead singer Emiliano Brancciari and trombonist Martín Gil before the concert. You can hear what they had to say in our newest podcast in their native tongue Spanish.

Leute, es war Heimspiel in der Hauptstadt. Auftakt zur Tour, 300 Leute im Columbia Theater. Und drei Typen auf der Bühne, die mal wieder nichts vorbereitet hatten, um gerade deshalb so richtig aus dem Vollen zu schöpfen. Micky Beisenherz, der Dr. Eckart von Hitschhausen der Generation Mocca Master. Mehr Castrop als Jessica. Und mehr Quatschkopp als Rauxel. Maik Nöcker, unser Didi-Man der Woche, der besonders froh war, hier dabei gewesen zu sein, da er Berlin zuletzt als junger Mann besucht hatte. Vor dem Mauerbau. Und schließlich Lucas Vogelsang, der heimliche Gastgeber, das weiße Spandau Ballett, der über Fußball sprechen wollte, dann aber über Hertha sprechen musste. So ging es um den Giftschrank von Tayfun Korkut, die Ehre von Davie Selke und die koreanische Leichtigkeit des Seins. Aber natürlich auch, war ja live, um Schröders Platz in der Geschichte, Maschmeyers Hobby-Keller und Pochers Abwehrbereitschaft. Eine Show irgendwo zwischen 96 und 69. Viel Spaß also mit dem Maschinensucher, Stinnes, Katsan, Black&Decker, Condomi, Stahlwerk Triplepass. Präsentiert von der deutschen Vermögensberatung Halbzeitanalyse. Viel Spaß mit Fussball MML live aus Berlin!

12. April 2022 | Columbia Theater | Berlin

12. April 2022 | Columbia Theater | Berlin

00:00 - Bye Bye 04:58 - Rollerskate 08:02 - Don‘t go to School 11:11 - Zu spät 14:10 - Walnuss 16:38 - Diamonds 22:20 - Middleton mall 24:53 - Of Hollywood 28:41 - Moby Dick 33:06 - Territorial Pissings 35:10 - Hot Summer 38:59 - Klartraum 46:12 - #1985 Team UNPLUGGED.

Endlich geht es für Sophie Hunger wieder richtig los. Seit Anfang November ist sie mit ihrer Band auf Tour, am Wochenende spielte sie beim "Rolling Stone Beach" Festival und am 11. & 12. November ist Sophie Hunger im Columbia Theater zu Gast.

Endlich geht es für Sophie Hunger wieder richtig los. Seit Anfang November ist sie mit ihrer Band auf Tour, am Wochenende spielte sie beim "Rolling Stone Beach" Festival und am 11. & 12. November ist Sophie Hunger im Columbia Theater zu Gast.

January 25, 1908. Harry Houdini is the most famous magician in America. He’s known for his escapes – from handcuffs, boxes, jail cells, even a giant football. But the escape act is getting old, and ticket sales aren’t what they used to be. And on this day, an under-capacity audience at the Columbia Theater in St. Louis is about to witness Houdini’s most dangerous escape yet… from death itself. How did a Hungarian immigrant named Erik Weisz become Harry Houdini? And when his career was fading, how did Houdini embrace death to bring it back to life?Special thanks to our guest, Joe Posnanski (author of The Life and Afterlife of Harry Houdini). Additional thanks to San Diego magician Tom Interval for providing archival audio of Houdini. See acast.com/privacy for privacy and opt-out information.

Sie sei irgendwie schüchtern heute, entschuldigte sich Poliça-Sängerin Channy Leaneagh beim Publikum im Columbia Theater. Ein Jammer, findet Inforadio-Reporterin Henrike Möller. Die US-amerikanische Indie-Band gilt nämlich als Live-Wucht.

Die britische Funk- und Post-Punk-Band „A Certain Ratio“ hat nie den großen kommerziellen Durchbruch erreicht. Dabei macht die Gruppe aus Manchester inzwischen schon seit mehr als 40 Jahren Musik. Auch nach dieser Zeit erspielt sich die Band jeden Abend ihr Publikum von Neuem, sagt Inforadio-Kulturreporter Bruno Dietel. Bei dem Konzert im Columbia-Theater in Berlin hat ihn die Live-Qualität der Band überzeugt.

Anfang der 80er waren Fischer-Z ganz weit vorne mit ihrer Spielart des Punk und ihren politischen, sozialkritischen Texten. 1981, auf dem Höhepunkt ihres Erfolges, löste John Watts die Band auf, um sie Ende der 80er neu zu formieren. Aber an die großen Erfolge konnte Watts weder mit Fischer-Z, noch als Solokünstler, anknüpfen. 2017 feierten Fischer-Z ihr 40. Bandjubiläum und mit "Swimming In Thunderstorms" erscheint endlich auch wieder ein neues Studioalbum. Am 24. Oktober spielen Fischer-Z im Columbia-Theater und heute Abend war Frontmann John Watts live zu Gast auf radioeins.

Lars Paulsen und Andreas Lingsch erobern das Columbia Theater in Berlin. Live vor Publikum beantworten die Barone Fragen. Ist es okay, sich nach nach dem Duschen die Hoden zu föhnen? Was tun, wenn man noch nie einen Orgasmus hatte? Und wie sag ich meiner Mutter, dass es den Klimawandel wirklich gibt? Der Gagreflex Podcast witzelt über Dog Poo Photography, Rim Jobs und Peter Scholl Latour. Ja genau, Peter Scholl Latour.

Justin and Jay sit down with Kentucky native and world renowned Cellist, Ben Sollee. Ben was in Paducah, Ky doing a micro-residency and helping in efforts to raise funds for the Columbia Theater revitalization project. He also played a brilliant show at Maiden Alley Cinema that night as well. Enjoy! http://www.bensollee.com/ countyrootscollective.com

Sichert euch jetzt Tickets für Klatsch&Trasch- "Niemand muss ein Promi sein" Live am 20.05.19 am Columbia Theater in Berlin! Zum Beispiel hier: https://www.eventim.de/?doc=artistPages/tickets&fun=artist&action=tickets&key=2420621$11710629

Ein Haus in den Bergen. Zwei Übermenschen und Expartner. Zwei wieselige Topanwälte. Eine Scheidung. Wahrscheinlich wird es nie eine Dokumentation über den letzten Akt von Brad Pitt und Angelina Jolies Scheidung geben. Aber dann wenigstens einen Kinofilm! Mit Sascha Hehl und Christina Neugebauer. Das wäre fast so schön, wie dass sich die nächstprominenteren Scheidungsmenschen Lilly&Boris Becker jetzt offiziell wegen unangebrachtem Verhalten separieren, so jedenfalls steht es in ihren Scheidungspapieren. Alles vergeht also irgendwie nur Klatsch&Tratsch gehört untrennbar zusammen wie Junior&Gonzalez! Erlebt die erste große K&T Live Revue von Dr. Elena Gruschka und Max Richard Leßmann Gonzalez am 20.05.19 im Columbia Theater in Berlin! Tickets gibt es unter https://www.eventim.de/event/klatsch-tratsch-klatschtratsch-podcast-columbia-theater-11710629/?affiliate=QX7

Am 24. Februar ging dieses kleine, aber feine Basketballhörspiel zum ersten Mal live vor Publikum über – im wahrsten Sinne des Wortes – die Bühne des Columbia Theaters in Berlin. Hier nun der Mitschnitt der Liveshow aus Berlin mit C-Bas (mehr …)

TRACY BRYANT "A Crowded Room" A Place For Nothing And Everything In Its Place (Burger, 2017) LP/CD/CS/DIGITAL AVAILABLE OCTOBER 20, 2017 VIDEO FOR "FOREVER CERTAIN": www.youtu.be/UqhPJyrRc1Y PRE-ORDER NOW: www.burgerrecords.com Los Angeles based musician Tracy Bryant, as a one of a kind solo artist, is speaking out as an outstanding singer/songwriter who isn’t afraid to dig below the surface. With his work he is filling the gap between lush pop-arrangements and a genuine, distinctive sound. One not hard to enter, but no way to just pass by. While Tracy Bryant’s music may call out as a memento from the lonely highway, we can’t help but wish to join him on his journey. As the frontman and founder of post-punk experimentalists Corners, he recorded the group’s first album, Beyond Way, in his Echo Park apartment in 2012 with just a four-track tape recorder. While the follow-up LP, Maxed out on Distractions, was very much a group effort, Bryant has continued to cultivate the haunted, solitary sounds that permeate through Beyond Way on his own. Corners toured the U.S. and Europe extensively before Bryant decided to end the band in early 2016 to fully focus on his solo endeavors. His first full length solo album “Subterranean” was released February 19th, 2016 on Burger Records. Imbued with the studied swagger of Lou Reed and the emotionally damaged earnestness of Johnny Thunders, the 12 songs are a logical extension of Beyond Way’s dark Americana, with layered acoustic guitars, hypnotic electric leads and hushed vocals setting an eerily inviting tone. Recorded in the Arizona desert by Matt Rendon of The Resonars, it was tracked mostly live with the help of friends Joo-Joo Ashworth, Jeremy Katz (Froth) and Cameron Gartung (Mystic Braves). The album garnered positive reviews worldwide and peaked at #43 on the CMJ radio 200 chart. Upon its release, Bryant embarked on a full band European tour supporting King Khan And The Shrines which culminated with a sold-out show at the 800 capacity Columbia Theater in Berlin, Germany. The band followed the tour with a successful debut at 2016’s SXSW music festival in Austin, Texas. With an all-star new band line up consisting of Nick Murray (Thee Oh Sees / White Fence) on drums, Brian Allen (Burnt Ones) on bass and Miles Luttrel (Useless Eaters) on second guitar, the group will be on the road touring the west coast up to Vancouver Island, Canada to play Otalith Festival. To introduce Bryant’s new album “A Place for Nothing And Everything in its Place” (out on Burger Records October 20th, 2017) he will head over to Europe and the UK for a month long tour in December joined by his European backing band of Brian Allen on bass, Nick Winfrey (Adult Books) on second guitar and Leonard Kaage (Jawbones, Anton Newcombe & Tess Parks) on drums.. “A Place for Nothing And Everything In Its Place” was recorded in early 2016 in Berlin, Germany. Originally conceived to be an introspective acoustic album, the written songs, once in the studio, developed into a fully arranged, conceptual work. With the help of producer Leonard Kaage, the acoustic intention became the red line that guides the nine songs through their variety. Bryant’s lyrics go a more personal way and follow inner and outer conflicts captured through the words of a restless outsider who ends up finding the company of love. The album is filled with dreamy footnotes of piano, 60‘s percussion and a more than once appearance of edgy guitars. Imagine a classic singer/songwriter record loaded with the intimacy and grit reminiscent of Alex Chilton or Nikki Sudden. A true milestone that marks an important progression in Bryant’s career as a solo artist. The album got its finishing touch by the mastering of Los Angeles pioneer Dave Cooley (Ariel Pink, The Black Angels, M83).

TRACY BRYANT "Velvet Kids" A Place For Nothing And Everything In Its Place (Burger, 2017) LP/CD/CS/DIGITAL AVAILABLE OCTOBER 20, 2017 VIDEO FOR "FOREVER CERTAIN": www.youtu.be/UqhPJyrRc1Y PRE-ORDER NOW: www.burgerrecords.com Los Angeles based musician Tracy Bryant, as a one of a kind solo artist, is speaking out as an outstanding singer/songwriter who isn’t afraid to dig below the surface. With his work he is filling the gap between lush pop-arrangements and a genuine, distinctive sound. One not hard to enter, but no way to just pass by. While Tracy Bryant’s music may call out as a memento from the lonely highway, we can’t help but wish to join him on his journey. As the frontman and founder of post-punk experimentalists Corners, he recorded the group’s first album, Beyond Way, in his Echo Park apartment in 2012 with just a four-track tape recorder. While the follow-up LP, Maxed out on Distractions, was very much a group effort, Bryant has continued to cultivate the haunted, solitary sounds that permeate through Beyond Way on his own. Corners toured the U.S. and Europe extensively before Bryant decided to end the band in early 2016 to fully focus on his solo endeavors. His first full length solo album “Subterranean” was released February 19th, 2016 on Burger Records. Imbued with the studied swagger of Lou Reed and the emotionally damaged earnestness of Johnny Thunders, the 12 songs are a logical extension of Beyond Way’s dark Americana, with layered acoustic guitars, hypnotic electric leads and hushed vocals setting an eerily inviting tone. Recorded in the Arizona desert by Matt Rendon of The Resonars, it was tracked mostly live with the help of friends Joo-Joo Ashworth, Jeremy Katz (Froth) and Cameron Gartung (Mystic Braves). The album garnered positive reviews worldwide and peaked at #43 on the CMJ radio 200 chart. Upon its release, Bryant embarked on a full band European tour supporting King Khan And The Shrines which culminated with a sold-out show at the 800 capacity Columbia Theater in Berlin, Germany. The band followed the tour with a successful debut at 2016’s SXSW music festival in Austin, Texas. With an all-star new band line up consisting of Nick Murray (Thee Oh Sees / White Fence) on drums, Brian Allen (Burnt Ones) on bass and Miles Luttrel (Useless Eaters) on second guitar, the group will be on the road touring the west coast up to Vancouver Island, Canada to play Otalith Festival. To introduce Bryant’s new album “A Place for Nothing And Everything in its Place” (out on Burger Records October 20th, 2017) he will head over to Europe and the UK for a month long tour in December joined by his European backing band of Brian Allen on bass, Nick Winfrey (Adult Books) on second guitar and Leonard Kaage (Jawbones, Anton Newcombe & Tess Parks) on drums.. “A Place for Nothing And Everything In Its Place” was recorded in early 2016 in Berlin, Germany. Originally conceived to be an introspective acoustic album, the written songs, once in the studio, developed into a fully arranged, conceptual work. With the help of producer Leonard Kaage, the acoustic intention became the red line that guides the nine songs through their variety. Bryant’s lyrics go a more personal way and follow inner and outer conflicts captured through the words of a restless outsider who ends up finding the company of love. The album is filled with dreamy footnotes of piano, 60‘s percussion and a more than once appearance of edgy guitars. Imagine a classic singer/songwriter record loaded with the intimacy and grit reminiscent of Alex Chilton or Nikki Sudden. A true milestone that marks an important progression in Bryant’s career as a solo artist. The album got its finishing touch by the mastering of Los Angeles pioneer Dave Cooley (Ariel Pink, The Black Angels, M83).

TRACY BRYANT "Forever Certain" A Place For Nothing And Everything In Its Place (Burger, 2017) LP/CD/CS/DIGITAL AVAILABLE OCTOBER 20, 2017 WATCH THE VIDEO: https://youtu.be/UqhPJyrRc1Y PRE-ORDER NOW: www.burgerrecords.com Los Angeles based musician Tracy Bryant, as a one of a kind solo artist, is speaking out as an outstanding singer/songwriter who isn’t afraid to dig below the surface. With his work he is filling the gap between lush pop-arrangements and a genuine, distinctive sound. One not hard to enter, but no way to just pass by. While Tracy Bryant’s music may call out as a memento from the lonely highway, we can’t help but wish to join him on his journey. As the frontman and founder of post-punk experimentalists Corners, he recorded the group’s first album, Beyond Way, in his Echo Park apartment in 2012 with just a four-track tape recorder. While the follow-up LP, Maxed out on Distractions, was very much a group effort, Bryant has continued to cultivate the haunted, solitary sounds that permeate through Beyond Way on his own. Corners toured the U.S. and Europe extensively before Bryant decided to end the band in early 2016 to fully focus on his solo endeavors. His first full length solo album “Subterranean” was released February 19th, 2016 on Burger Records. Imbued with the studied swagger of Lou Reed and the emotionally damaged earnestness of Johnny Thunders, the 12 songs are a logical extension of Beyond Way’s dark Americana, with layered acoustic guitars, hypnotic electric leads and hushed vocals setting an eerily inviting tone. Recorded in the Arizona desert by Matt Rendon of The Resonars, it was tracked mostly live with the help of friends Joo-Joo Ashworth, Jeremy Katz (Froth) and Cameron Gartung (Mystic Braves). The album garnered positive reviews worldwide and peaked at #43 on the CMJ radio 200 chart. Upon its release, Bryant embarked on a full band European tour supporting King Khan And The Shrines which culminated with a sold-out show at the 800 capacity Columbia Theater in Berlin, Germany. The band followed the tour with a successful debut at 2016’s SXSW music festival in Austin, Texas. With an all-star new band line up consisting of Nick Murray (Thee Oh Sees / White Fence) on drums, Brian Allen (Burnt Ones) on bass and Miles Luttrel (Useless Eaters) on second guitar, the group will be on the road touring the west coast up to Vancouver Island, Canada to play Otalith Festival. To introduce Bryant’s new album “A Place for Nothing And Everything in its Place” (out on Burger Records October 20th, 2017) he will head over to Europe and the UK for a month long tour in December joined by his European backing band of Brian Allen on bass, Nick Winfrey (Adult Books) on second guitar and Leonard Kaage (Jawbones, Anton Newcombe & Tess Parks) on drums.. “A Place for Nothing And Everything In Its Place” was recorded in early 2016 in Berlin, Germany. Originally conceived to be an introspective acoustic album, the written songs, once in the studio, developed into a fully arranged, conceptual work. With the help of producer Leonard Kaage, the acoustic intention became the red line that guides the nine songs through their variety. Bryant’s lyrics go a more personal way and follow inner and outer conflicts captured through the words of a restless outsider who ends up finding the company of love. The album is filled with dreamy footnotes of piano, 60‘s percussion and a more than once appearance of edgy guitars. Imagine a classic singer/songwriter record loaded with the intimacy and grit reminiscent of Alex Chilton or Nikki Sudden. A true milestone that marks an important progression in Bryant’s career as a solo artist. The album got its finishing touch by the mastering of Los Angeles pioneer Dave Cooley (Ariel Pink, The Black Angels, M83).

Mary Church was born on September 26, 1863 in Memphis, Tennessee. Her father, a self-educated former slave, became a millionaire investing in real estate. She received a Bachelor's degree in 1884 from Oberlin College. In 1887, she moved to Washington, D.C. to teach at the M Street High School. After receiving a Master's degree from Oberlin in 1888, she toured Europe to study languages. In 1892, she founded the Colored Woman’s League of Washington, D.C., one of the first black women’s clubs. The League started a training program and a kindergarten before these were incorporated in the Washington public school system. Here's Mary Church Terrell's account of the state of "colored" children. She delivered this address before the National American Women's Suffrage Association at the Columbia Theater, Washington, D.C., February 18, 1898.