Podcasts about type foundry

Elliot sits down with Ty Finck — an old friend in internet terms — to talk about making music regularly, liberating his last foundry to Google Fonts, his F-Bombs project, and — a recurrent theme this season — the woes of social media.Special plug: Elliot's new book, Universal Principles of Typography, is out now and available from anywhere that sells books. You can find a few handy links to buy it on elliotjaystocks.com/book You might also enjoy Elliot's newsletter Typographic & Sporadic, which is typographic in its nature and sporadic in its delivery.

Elliot sits down with James Edmondson of OH no Type Co. — whose typefaces Degular and Swear are used in Elliot's new book and indeed the branding for this podcast — to talk about the realities of launching and growing a type foundry, making his own bass guitars, stealing good ideas, and a bit of reminiscing about the good ol' CSS Zen Garden. You might also enjoy Elliot's newsletter Typographic & Sporadic, which is typographic in its nature and sporadic in its delivery.

Have a look at Eric's website, his twitter, his instagram, and his essay, “Towards a Decentralized Autonomous Type Foundry.” Three type designers were mentioned: Gerrit Noordzij, Berton Hasebe, and Stephen Nixon.

Learn more about FoundryCore and Fontdue.

Darden Studio's website.

Extra #2 — Vídeo disponível em nosso canal do YouTube.Esse encontro foi liderado por Rodrigo Saiani, professor do curso de Design "Tipografia do Metal ao Digital". Rodrigo é fundador da Plau, uma Type Foundry brasileira, além de ser um estúdio de branding e plataforma de ensino de tipografia para todos os públicos.Flora de Carvalho é designer e sócia-fundadora do Estúdio Passeio em São Paulo. Juntamente com Saiani, ela foi responsável pelo desenho da extensa família tipográfica Vinila, e com sua equipe no Passeio, executaram diversos projetos de identidades, como o DiaTipo (2019) e assinatura visual de Silva.

Před pěti lety založil písmolijnu Superior Type, kde tvoří písma na zakázku. Za písma Kunda Book, Pramen, Kakao nebo Vegan Sans dostal Vojtěch Říha několik mezinárodních cen a využívají je designérská studia po celém světě. Jejich autora jsme loni zařadili do žebříčku 30 pod 30. „Bylo to staré písmo, které se jmenovalo Vega, tak jsem ho upravil a pojmenoval Vegan, protože bylo teď jednoduše takové vyčištěné – jako vegan,“ říká se smíchem Říha, který si na zvláštních názvech svých písem zakládá. Kromě toho, že se věnuje typografii, vytvořil s designérem Matějem Poláchem také projekt Superior Objects – hravé porcelánové objekty inspirované jednotlivými písmeny.

Před pěti lety založil písmolijnu Superior Type, kde tvoří písma na zakázku. Za písma Kunda Book, Pramen, Kakao nebo Vegan Sans dostal Vojtěch Říha několik mezinárodních cen a využívají je designérská studia po celém světě. Jejich autora jsme loni zařadili do žebříčku 30 pod 30. „Bylo to staré písmo, které se jmenovalo Vega, tak jsem ho upravil a pojmenoval Vegan, protože bylo teď jednoduše takové vyčištěné – jako vegan,“ říká se smíchem Říha, který si na zvláštních názvech svých písem zakládá. Kromě toho, že se věnuje typografii, vytvořil s designérem Matějem Poláchem také projekt Superior Objects – hravé porcelánové objekty inspirované jednotlivými písmeny.

Made by Folk's Glenn Garriock chat with graphic designer Rick Banks about starting his type foundry F37. Find out more and read the full transcript on madebyfolk.com

We’re back in the World Cup Coffee and Tea at NW 18th and Glisan for another OMN Coffeeshop Conversation. They’ve finished completely re-doing the place and it’s fabulous. You should stop in and check it out. With me today is Dylan Magierik who twenty years ago founded Badman Records. Over that time they’ve put out a whole lot of albums including Starfucker, My Morning Jacket and many others. They’re having a twenty-year anniversary celebration at Doug Fir Lounge on Saturday, June 30 featuring three Badman bands: The Builders and the Butchers, N. Lannon and TENTS. Dylan is also a recording engineer, among other things, and one of the partners in the Type Foundry recording studio. Did you think record labels were a thing of the past? Apparently not. What kind of person keeps a small record label alive? Let’s find out. The tune at the end is "Rawnald Gregory Erickson The Second" from STRFKR's Badman album STRFKR.

We’re back in the World Cup Coffee and Tea at NW 18th and Glisan for another OMN Coffeeshop Conversation. They’ve finished completely re-doing the place and it’s fabulous. You should stop in and check it out. With me today is Dylan Magierik who twenty years ago founded Badman Records. Over that time they’ve put out a whole lot of albums including Starfucker, My Morning Jacket and many others. They’re having a twenty-year anniversary celebration at Doug Fir Lounge on Saturday, June 30 featuring three Badman bands: The Builders and the Butchers, N. Lannon and TENTS. Dylan is also a recording engineer, among other things, and one of the partners in the Type Foundry recording studio. Did you think record labels were a thing of the past? Apparently not. What kind of person keeps a small record label alive? Let’s find out. The tune at the end is "Rawnald Gregory Erickson The Second" from STRFKR's Badman album STRFKR.

Melting Faces With Mark Caneso Ready for some down to earth advice and have your face melted with mind-bending letterforms? If so, you're in for a treat as I have a very special guest on the show today none other than Mark Caneso. Mark operates under the name PPRWRK Studio and runs PSTypeLab which is a Type Foundry and home for his products. Side note: I'm currently loving the shit out of his custom Apple Pencil wraps. Not only does Mark create amazing typefaces you can find on Adobe Typekit like Hatch, Quatro or Neplus, but he’s made a name for himself pushing letters to the extreme. His Instagram will make your brain hurt in the all right ways with his ambigrams, encrypted messages and wild experiments. Not only is he crazy talented, but he’s a genuine down to earth guy who shows you behind the scenes of his process which I highly respect. Overview In today’s episode, Mark gives you a permission slip to: constantly play share unpolished work break the rules push the boundaries create things you want to see and so much more... I think you're going to find a lot of value in this episode. I was a sponge the entire time and there were multiple areas I found that I can push my boundaries more instead of playing it safe. When you're done listening, ask yourself how you can take that piece of work you created and push it to the next level? Shownotes Mark’s Dribbble  / Instagram  / Behance PSTL Digital Type Foundry Site PPRWRK Studio (Mark’s website) LetterFarm Instagram Bob Ewing Print Mag Interview High On Type Collective Burnt Toast Creative Podcast theme music by Blookah Want to Support the Show? Become a backer on Patreon Leave an iTunes Rating and Review Share the show on social media or follow the Perspective Podcast Instagram Crypto Donation Support Bitcoin: 1j5vE64PWgkJHGnGSrAiJK82bnfn7fBgu Ethereum: 0xFf60588C873E34235dE371450d58129d8d7cAC16 Litecoin: LerTFZfvtW4iH7qJM8vSE9mkdQA24yKmB6 Subscribe on your favorite podcast player: iTunes Spotify Google Play Radio Overcast Stitcher

Interview with Colophon Type Foundry

A lot of designers and creatives assume you need to be a business genius to make a passive income. But the truth is that you just need to practice making a simple shift in your mindset. If you want to make an income online you need to make a habit of carefully studying what sales online and why.  In this episode, I talk to Jeremy Vessey, owner of Hustle Supply Co. about how he built a six-figure font foundry by starting by solving a small problem for himself. Here're some of my favorite takeaways from the interview: Study products selling online regularly. Think critically and ask yourself "Why?" they're doing so well. Create things that help your customers make the work they aspire to create. Don't hold your cards too close to your chest. Share your secrets and you'll gain loyal fans and customers. People fear if they sell what they do best no one will hire them. But creating products that showcase your best work actually whets clients appetites for custom work. Enjoy! Want to start building your own passive income business? Visit www.passiveincomefordesigners.com and subscribe to get my email training series "5 Essential Lessons for Building a Passive Income"

Renowned songwriter, singer, true believer, Alejandro Escovedo released Burn Something Beautiful on October 28th, 2016 via Fantasy Records. The new album, Escovedo’s first solo endeavor since 2012’s highly acclaimed Big Station, is in actuality, a highly collaborative affair. Teaming with Peter Buck (R.E.M.) and Scott McCaughey (The Minus 5) to co-write the album’s songs, Escovedo also enlisted the pair to act as the project’s producers. At once a celebration of the rock and roll life, a contemplation on mortality, and the healing power of love, Burn Something Beautiful connects repeatedly with Escovedo’s soulful heart and voice at its core. Recorded at Portland’s Type Foundry studio, cwith the help of an esteemed group of musicians .They include guitarist Kurt Bloch (The Fastbacks), drummer John Moen (The Decemberists), vocalists Corin Tucker (Sleater-Kinney) and Kelly Hogan (Neko Case, The Flat Fie) as well as saxophonist Steve Berlin (Los Lobos). In a trailblazing career that began with The Nuns, San Francisco’s famed punk innovators, to the Austin-based-based alt-country rock pioneers, Rank & File, to Texas bred darlings, True Believers, through countless all-star collaborations and tribute album appearances and finally a series of beloved solo albums beginning with 1992’s acclaimed Gravity, Escovedo has earned a surplus of distinctions: No Depression magazine’s Artist of the Decade Award in 1998 and the Americana Music Association’s Lifetime Achievement Award for Performing in 2006, just to name two. “You just do your good work, and people care,” Alejandro says. “I always believed, when I was a kid, that if you worked hard, you would find fulfillment. I think I got a lot of that from my father and my brothers. A working musician is all I ever wanted to be. Hard work, stay true to what you want to do, and then eventually someone would notice for that very reason.”