Podcasts about Americana Music Association

Singer-songwriters and multi-instrumentalists, Sarah Jarosz, Aoife O'Donovan, and Sara Watkins, collectively comprise the powerhouse trio I'm With Her. Their 2018 album, *See You Around*, garnered them Grammy and Americana Music Association nominations, taking awards for Best American Roots song for "Call My Name," and Best Duo/Group of the Year. Their second release, *Wild and Clear and Blue*, is a collection of deeply personal songs and incredible playing, produced by Josh Kaufman and engineered by D. James Goodwin. Geoff Stanfield caught up with the band to talk about the making of the record, their collaborative songwriting process, influences, and more. Enjoy

We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2020 conversation with Lucinda Williams. ABOUT LUCINDA WILLIAMSOne of the most revered songwriters on the face of the earth, Lucinda Williams was once crowned “America's Best Songwriter” by People magazine. She first gained widespread attention after Mary Chapin Carpenter made her song “Passionate Kisses” a Top 5 hit, which earned Lucinda a Grammy award for Country Song of the Year. She went on to release a string of critically-acclaimed albums that garnered her a total of 15 Grammy nominations spanning the genres of rock, pop, country, folk, and Americana. One of the primary architects of the Americana genre, Lucinda has received more Americana Music Association award nominations than nearly any other artist, and she was the first female recipient of the AMA's Lifetime Achievement Award for Songwriting. VH1 named her one of the 100 Greatest Women in Rock & Roll, while Rolling Stone named her among its 100 Greatest Songwriters of All Time. In addition to her own success as an artist with songs such as “I Just Wanted to See You So Bad,” “Right in Time,” “Essence,” “Righteously,” “Are You Alright,” “Come On,” and “Real Love,” the daughter of famed poet Miller Williams has also had her songs recorded by Tom Petty, Elvis Costello, Emmylou Harris, Willie Nelson, Patty Loveless, Bettye LaVette, and many others.  

In this bonus episode of the Perfectly Good Podcast, hosts Jesse Jackson and Sylvan Groth recap their experience of watching the Americana Music Association's pre-Grammy celebration honoring John Hiatt. Recorded on February 5th, the episode delves into the performances by various artists such as Tom Morello, Michael McDonald, and Lyle Lovett, and discusses the setlist, standout moments, and the technical aspects of the live stream. The hosts share their personal anecdotes and thoughts on the event, hoping for an official release of the show for those who missed it. 00:00 Introduction and Welcome 00:29 Special Episode: Grammy Awards Honoring John Hiatt 02:24 Live Stream Experience and Technical Setup 04:22 Performances and Personal Reactions 07:42 Unexpected Performers and Surprises 10:27 Memorable Moments and Set List Highlights 20:00 Final Thoughts and Wrap Up Learn more about your ad choices. Visit megaphone.fm/adchoices

In this bonus episode of the Perfectly Good Podcast, hosts Jesse Jackson and Sylvan Groth recap their experience of watching the Americana Music Association's pre-Grammy celebration honoring John Hiatt. Recorded on February 5th, the episode delves into the performances by various artists such as Tom Morello, Michael McDonald, and Lyle Lovett, and discusses the setlist, standout moments, and the technical aspects of the live stream. The hosts share their personal anecdotes and thoughts on the event, hoping for an official release of the show for those who missed it. 00:00 Introduction and Welcome 00:29 Special Episode: Grammy Awards Honoring John Hiatt 02:24 Live Stream Experience and Technical Setup 04:22 Performances and Personal Reactions 07:42 Unexpected Performers and Surprises 10:27 Memorable Moments and Set List Highlights 20:00 Final Thoughts and Wrap Up Learn more about your ad choices. Visit megaphone.fm/adchoices

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Welcome to Episode 17 of Roots Music Rambler! Join us – hosts Francesca Folinazzo (Frank) and Jason Falls (Falls) as we explore the real roots of the music we love. This week, folk music legend Si Kahn joins the program to celebrate his 80th birthday (April 23). He looks back on his over 50-year career of making music and talks about a new album coming out in September called “Labor Day.”  Kahn is a long-time labor organizer and advocate whose songs are typically laced with political punditry and satire. His first album, New Wood, was recorded in the 1970s and chronicled electioneering and old boy's clubs of small mountain towns, among other themes.  Kahn has recorded over 20 albums and written four books, the latter of those mostly focus on community organizing and grass-roots community building. He is the former leader of Grassroots Leadership and has served in various roles with songwriting unions and organizations over the years. In 1987, Kahn recorded Carry It On: Songs of America's Working People with Jane Sapp and legendary folk singer-songwriter Pete Seeger. He has also written several theatrical plays and musicals.  Frank and Falls also discuss the ambiguous definition of Americana music and, of course, offer up another offering of Pickin' the Grinnin' – recommendations for you to discover new or rediscover older music this week.  Don't forget you can now show your support of the show with Roots Music Rambler's new merch, now available at rootsmusicrambler.com/store. Authentic t-shirts, hats and stickers are now available.  Buckle up for The Hoe-Down and the Throw-Down! It's a new episode of Roots Music Rambler. Notes and links: Americana Music Association's definition of Americana Si Kahn online Si Kahn on Spotify The Charlie Daniel's Band on Spotify Born in the USA by Bruce Springsteen on Spotify Nebraska by Bruce Springsteen on Spotify John Prine's Paradise on Spotify Bob Dylan on Spotify Me and Bobby McGee by Kris Kristofferson on Spotify Harry Chapin's Cats in the Cradle on Spotify Musk Ox Flannels (Use RAMBLER for a discount) New Wood by Si Kahn on Spotify The Roots Music Rambler Store Roots Music Rambler on Instagram Roots Music Rambler on TikTok  Roots Music Rambler on Facebook Jason Falls on Instagram Francesca Folinazzo on Instagram Pickin' the Grinnin' Recommendations Sierra Ferrell's Trail of Flowers on Spotify The Animals on Spotify And be sure to get your MuskOx premium flannel shirts just in time for fall. Use the code RAMBLER on checkout for a discount! - https://gomuskox.com/rambler Subscribe to Roots Music Rambler on Spotify, Apple Podcasts, Google Podcasts, GoodPods or wherever you get your podcasts. Theme Music: Sheepskin & Beeswax by Genticorum Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 468 features an interview with Acclaimed Americana Band 'Driftwood' whose new record December Last Call, which finds the band returning to their Upstate New York roots for a reflective album showcasing the evolution of the band – both as musicians and close friends – over their 15-year career Already garnering praise from No Depression, Holler, Glide Magazine, the Americana Music Association and others, December Last Call also looks confidently towards the future, experimenting with new sounds like hard-rocking guitars and driving percussion, all while staying true to the bluegrass roots that have earned Driftwood a loyal following for more than a decade. Topics discussed included the two-year process to finish this album, creativity during parenthood, the genesis of the band, and more. 

Welcome to Episode 16 of Roots Music Rambler! Join us – hosts Francesca Folinazzo (Frank) and Jason Falls (Falls) as we explore the real roots of the music we love. This week, Falls caught up with rising star Brit Taylor before a recent performance in support of her Kentucky Bluegrassed album. The Hindman, Ky., native actually took 2023's Kentucky Blue, her second album comprised of a number of strong country and Americana nongs, and rendered a bluegrass version of many of those songs with Kentucky Bluegrassed.  The bluegrass version entered the Americana Music Association charts in early March as Taylor went on the road to promote both records. Kentucky Blue was produced by Sturgill Simpson and Dave Ferguson. Taylor also previous wrote songs with Dan Auerbach of the Black Keys.  Frank and Falls also talk about his trip to see Taylor play which included some celebrity spotting, of sorts. They also chat about the potential break-up of Lovejoy, Falls's experience seeing Jason Isbell & the 400 Unit for the first time.  And, of course, both share their regular pickin' the grinnin' recommendations for new music.  Don't forget you can now show your support of the show with Roots Music Rambler's new merch, now available at rootsmusicrambler.com/store. Authentic t-shirts, hats and stickers are now available.  Buckle up for The Hoe-Down and the Throw-Down! It's a new episode of Roots Music Rambler. Notes and links: Lovejoy controversy on The Mirror Brit Taylor online Brit Taylor on Instagram Kentucky Blue on Spotify Kentucky Bluegrassed on Spotify The Americana Music Association charts (current not archived) Silas House on Wikipedia Kindred Valley on Spotify Falls's Instagram post from the Jason Isbell show Isbell's Threads post Frank commented on Joan Shelley on Spotify The Roots Music Rambler Store Roots Music Rambler on Instagram Roots Music Rambler on TikTok  Roots Music Rambler on Facebook Jason Falls on Instagram Francesca Folinazzo on Instagram Pickin' the Grinnin' Recommendations Smushie on Spotify Reilly Downes & The Acid Cowboys on Spotify Sparkle Carcass on Spotify The Waco Brothers on Spotify Jon Langford on Spotify Cabeza de Chivo on Spotify Hermanos Gutierrez on Spotify Logan Ledger on Spotify And be sure to get your MuskOx premium flannel shirts just in time for fall. Use the code RAMBLER on checkout for a discount! - https://gomuskox.com/rambler Subscribe to Roots Music Rambler on Spotify, Apple Podcasts, Google Podcasts, GoodPods or wherever you get your podcasts. Theme Music: Sheepskin & Beeswax by Genticorum Learn more about your ad choices. Visit megaphone.fm/adchoices

Hello and welcome to a new episode and a new year Americana Podcast listeners. We're so happy to be back and we have a very exciting episode for you today to celebrate the new year. I'm particularly excited for this show because it really brings us to a full circle moment in the history of this podcast. From long-time audience members to latest episode listeners, you know that every episode features a  break in programming to feature the wonderfully written recommendations from our friend and contributor Will Vogt. Will has been with us since the very first episode of the show and has been on the ground floor for many artists—kindly sharing with our audience who he's been listening to during his segment. Which brings us to this episode's guest- Hiss Golden Messenger. One of the first picks Will ever submitted was one detailing the works of M.C. Taylor, aka Hiss Golden Messenger. A native of California but long time North Carolina resident, Hiss Golden Messenger brings together the elements of soul, rhythmic rock, blues and experiential lyricism. His punk-rock DIY acumen combined with an elevated style of songwriting has garnered praise from both fans and critics alike, as well as grammy nominations. And since his first ever feature as a Will's Pick, I can biasedly say he's one of my all time favorite artists working in the Americana scene today.  Donate to the show!https://tiptopjar.com/americanapodcastInstagram@americanapodcast Have questions or suggestions? Emailcreatedirector@robertearlkeen.com

What is Americana music? Is it a genre? A community? A refuge? Twenty four years after the founding of the Americana Music Association and thirteen years since the first Grammy was awarded for Best Americana Album, defining “Americana” remains tricky. In our experience, the most common answer has been “you know it when you hear it.”   However you define it, however, there is one thing everyone agrees on: Emmylou Harris and Rodney Crowell are Americana legends.   In this episode, recorded in front of a live audience in Nashville, TN, Emmylou and Rodney discuss their musical careers, how they became associated with Americana music, and what Americana means to them. Bob too shares his musical journey both before and after joining the Avett Brothers and the ways that genre (Americana and otherwise) has been part of that story.   Bob, Gary and I would like to thank Paul Lohr at New Frontier Touring for helping us get such incredible guests for the show, Adam Botner at Riverside Revival for making both the live show and the audio on this episode sound so good, Austin Sawyer of Drumming Bird & Annie DiRusso for opening the show with their incredible talent, and everyone who came out to make this such a special night.   We'd also like to give a special thanks to Jefferson Cowie for helping us prepare for the show.   This episode was edited by Gary Fletcher. Live audio recording and mixing by Adam Botner.  

Trauma Stories We Don't Share with Grammy Nominated Mary Gauthier Welcome to Episode #15 with special guest Grammy-nominated singer/songwriter, Mary Gauthier. Today we are talking about stories that we don't feel like we can share. You know the ones, the stories that we call bad, dark, or embarrassing and maybe even just too sad to share. A lot of times there is trauma associated with what happened in this story which becomes wrapped around a shadow of shame that it happened to us in the first place. One thing I know for sure, is that we are close to a breakthrough when a client says this about their story. Why? Often the story we have the most shame around, is the very story that can set us free. Tune in to find out more as Mary share's her own stories behind the songs, and how songs offer a lifeboat to get to the other side of our traumatic stories. You won't want to miss this one! Maybe music really can save your soul! Mary Gauthier's Bio: Photo Credit: Alexa Kinigopoulos “With songwriting as powerful as her, there's no need to go looking for qualifiers.  She's a unique, intrinsically valuable musical voice. And there's never a surplus of those.” Randy Lew, Los Angeles Times. Her eleventh the first record in over 8 years consisting of all her own songs, Dark Enough to See the Stars, follows the profound antidote to trauma, Rifles & Rosary Beads, her 2018 collaborative work with wounded Iraq war veterans. It garnered a Grammy nomination for best Folk Album, as well as a nomination for Album of the Year by the Americana Music Association. Publication of her first book, the illuminating Saved by a Song: the Art and Healing Power of Songwriting, in 2021, brought her more praise.  Brandi Carlile has said, “Mary's songwriting speaks to the tender aspects of our humanness. We need her voice in times like these more than we ever have.”  The Associated Press called Gauthier “one of the best songwriters of her generation.” Mary's songs have been recorded by dozens of artists, including Jimmy Buffet, Dolly Pardon, boy George, Blake Shelton, Tim McGraw, Bettye Lavette, Mike Farris, Kathy Mattea, Bobby Bare, Amy Helm and Candi Staton and have appeared extensively in Film and Television, most recently on HBO TV's Yellowstone. Learn More about Carrie here: https://carrierowan.com/

It seems we're back in that strange space in time where there are days that can 70 degrees and sunny and beautiful. The birds are singing and the blossoms on trees are beginning to light up the branches like a holy and natural Christmas lights… and then the next day we're right back into the holds of a winter that every year seems to overstay its welcome. You get a taste of that warmth in your bones, and it's just enough to whet your appetite for all the things that feel so far away… long walks outside, swimming, afternoons on restaurant patios with friends… and the sun not setting at 4:30 pm. It's like a brief kind of nostalgia. We know that these things were within our grasp just few months ago but a few months darkness is enough to make it feel like it's been that much longer. And it's in this liminal space, it's nice to reflect on some of the things that reminds of these warmer points in time.Its in the sunshine and humid air of the summer of 2022 that we sat down with John R. Miller and Chloe Edmonstone. John is a singer-songwriter and West Virginia native, orginally from the Shenandoah Valley. A long-time songsmith, Miller has been running in the Appalachian circuit for a few years before settling in Nashville. His first studio album “Depreciated” was released in July of 2021. Miller's songwriting style is as natural as flowing river and and is backed by voice that has a crackling warmth to it. It is friendly and picturesque, even in his darker moments across the album. Backed by harmonies and almost familial sounding fiddle playing by Chloe Edmonstone (who was a founding member of the group Locust honey)- the album is all parts familiar and strange. 

 Multi-instrumentalist, vocalist, songwriter, and producer Cruz Contreras joins Chris McAdoo this week on the Big Ideas Welcome podcast. Cruz is the founder and frontman of The Black Lillies, co-founder of Robinella and the CCstringband, and has collaborated with musicians ranging from John Oates and Jim Lauderdale to Langhorne Slim and The Turnpike Troubadours. His projects have topped both the Billboard and Americana radio charts, won Independent Music Awards, and been nominated for the Americana Music Association's Emerging Artist of the Year award. Contreras is working on his debut solo album, ‘Cosmico', which will be released this summer. In this episode, Chris and Cruz discuss the transformation that has happened to Cruz both personally and professionally over the past few years, his early roots with music, the sense of "humanity" that music creates, the energy that comes from being around other creatives, talent vs. skill, getting back to the thing that you love, and what the future looks like for Cruz. In This Episode: Cruz Contreras Website | Instagram | Patreon - - - - - - - - - -KEC: Instagram | Facebook | Website I Twitter | Linkedin#MadeforKnoxville: https://www.madeforknoxville.com/Chris McAdoo: Instagram | LinkedIn | WebsiteSubscribe: Apple Podcast | SpotifyCheck Us Out: WebsiteIf you have any questions, comments, or big ideas of your own, email us at hello@bigideaswelcome.com The show is Produced and Edited by Palm Tree Pod Co. 

This year the Visit Bentonville teamed up with Arkansas State Tourism, Arkansas Department of Parks, Heritage and Tourism, and The House of Songs to attend the 2022 AMERICANAFEST in Nashville, Tennessee. This year, the Americana Music Association selected the state of Arkansas as the regional music focus for its 22nd annual AMERICANAFEST. In partnership with Arkansas Tourism and Visit Bentonville, the destination music festival and conference event included special programming that featured multiple panels, special events, and an Arkansas music showcase over four days. Highlights include a panel focusing on the life and legacy of Johnny Cash; a special event with the brightest, upcoming Arkansan artists that are pushing the Americana genre forward; and an evening showcase of music with a star-studded tribute to Levon Helm.Tune into this episode to hear more about the team's experience, Arkansas' role in American music, and some local artists you'll want to keep an eye on! 

Producer and Songwriter Michael Coleman has been creative practically his entire life. As the Artistic Director of See Your Shadow Songwriting, Michael has been the driving force behind all the company's artistic works utilizing the extremely talented vocalists and musicians that make up the See Your Shadow Network of Stars. As a lyricist, Michael's writing style is filled with imagery and emotion and his lyrics stand alone as pieces of literature earning Michael two nominations as Poet Laureate for the State of Ohio under then Governor John Kasich. Michael applies an innovative production style and is not afraid to take risks, go outside industry norms or be edgy.  Michael was the first to combine hip hop and country and western for his recording “Like a Kid Again” featured in the motion picture H2indO and Michael produced the first ever Techno dance version of the baseball classic, “Take Me Out to the Ballgame”, featured at the NAGAA Softball World Series, as well as the edgy and controversial, over the top, LGBTQA themed dance track about oral sex, “Rug Burn”, which inspired a live action game show and board game. See Your Shadow Songwriting under The Metropolitan Cowboy has had five Number 1s on the iTunes Country Chart in South Africa, reached Number 2 on the iTunes Pop chart in South Africa with the female empowerment anthem, “I Know My Worth”, had a top 20 Christmas single on the iTunes Chart in Great Britain with the Fair Play Country Music Award Winner, “Christmas on Cellblock 9”, as well as a top 20 single on the Christian Radio Charts “I Will Tell Jesus You Said Hello”. Michael is a member of The Country Music Association, The Americana Music Association, The International Singer-Songwriter's Association, The Inspirational Country Music Association, The International Music Association and Nashville Songwriter's Association International.

Welcome to Episode #39 of Profiles in Franceformation. I'm your host Allison Grant Lounes and today I'm speaking with Steve Wilkison and his wife, Carole Richmond. Steve is a web designer, writer and photographer who lives in Vence, France, with his wife Carole and their dog Myla. Originally from southern California, he first became enchanted with France when he backpacked throughout Europe at the age of 18. He fell in love with Vence the first time he saw it in 2007 while passing through one day on his bike. It only took him 12 years to talk Carole into moving there! He loves to explore France, especially Vence, the Alpes-Maritimes and the Côte d'Azur, be it by car, bike, or foot. On any given day, you might find him exploring a medieval perched village in the southern Alps, cycling along the Mediterranean coastline or hiking in the Mercantour National Park. He writes about his adventures and discoveries on their website Steve and Carole in Vence.Carole Richmond grew up in Minneapolis, MN. And some more in Austin, TX. She's also lived in San Marcos TX, Nashville TN and Glen Cove NY. Carole worked as a nurse and as an Administrative Assistant/Bookkeeper at Dejadisc, E-Squared Records and The Americana Music Association. She loves cats, dogs, wildlife, music, books, the outdoors and Austin. It wasn't her idea to move to France, but she's making the most of it! Some days are better than others as she adjusts to life in a new country. If you need someone to talk to about the ups and downs of being an expat in France she's a good listener.In this episode, we learn…Why Steve wanted to move to France, and how he and Carole made the decision to turn that dream into a realityThe process of obtaining their visas, first as Americans and then as British citizensSome of the obstacles they had to overcome in their first year of living in FranceHow they integrated into their community of Vence in the south of FranceAbout their day to day life in VenceTheir favorite places to visit in FranceA hilarious anecdote that involves a simple misunderstanding of two very similar sounding French wordsWhat Steve and Carole miss most about the US, but also what they're looking forward to exploring in France and EuropeTheir advice to anyone wishing to move to FranceCheck out Steve and Carole's website here: https://steveandcaroleinvence.comIf you are considering moving to France like Steve and Carole, Foolproof French Visas can help you navigate the path toward finding the right visa for you. It can be purchased here: https://www.yourfranceformation.com/books or in paperback on Amazon. If you would like to pursue your own Franceformation, you can also request a free 30-minute clarity call with Allison to review your visa options and decide how to move toward creating your ideal life in France: https://www.yourfranceformation.com/free-call     If you liked this episode, please leave a positive review and be sure to subscribe so you won't miss next week's episode!

Amy Wright sits down with Jed Hilly, Executive Director of the Americana Music Association, which, since 1999, has helped American roots music assume an elevated place in the world. Hilly's career has included work for Orbison Records (as in Roy Orbison), Sony Music Entertainment, and various other notable organizations. Following the 9/11 disaster in 2001, Jed relocated his family from New York to Nashville, Tennessee, and in the spring of 2007, he accepted the position as Executive Director of the Americana Music Association where he continues today. We're excited for you to learn more about his story and the work he's doing that positively affects so many lives in the music industry.Part of Pantheon Podcasts    

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Joseph Franklyn McElroy got a chance to interview our special guest this week, Jim Lauderdale. Jim won two Grammys, released 34 full-length albums, and took home the Americana Music Association's coveted Wagonmaster Award. But his forthcoming album Game Changer is convincing evidence that the North Carolina native is only continuing to hone his craft.Check out this episode to hear about how he's been making music, the strategies and techniques that help him stay inspired and focused on his craft, and what advice he'd have for other musicians in their own creative pursuits.-------------------------------------------------------------------------------------------Also, we've got something special for all of you #music lovers, and it's a bit of a collaboration between Jim Lauderdale and friends. The #Songwriters Camp and Concert on August 12- 13,2022, will feature our own special guest Jim Lauderdale with Charles, Humphrey III, Darren Nicholson, Clay Mills, and Charles Chamberlain, who will be instructing on songwriting techniques and helping out with some live performances. This event is going to be jam-packed full fun, so be sure to check it out!https://meadowlarkmotel.com/event/songwriters-camp/#smokymountainsnationalpark #songwriter #northcarolina #maggievalley #podcast---------------------------------------------------------------------------------------------TRANSCRIPT00:00: 27--00:00: 47 Joseph Franklyn McElroy: Howdy. Welcome to the gateway to the Smokies podcast. This podcast is about America's most visited national park, the Great Smoky Mountains National Park. In the surrounding towns, this area is filled with ancient natural beauty, deep-storied history, and rich mountain cultures that we explore with weekly episodes. 00:00: 48--00:01: 01 Joseph Franklyn McElroy:  I am Joseph Franklin McElroy, a man of the World, but also with deep roots in these mountains. My family has lived in the Great Smokies for over 200 years. My business is in travel, but my heart is in culture.00:01: 02--00:01: 27 Joseph Franklyn McElroy: First a few sponsor messages and some events coming up. I want you to imagine a place evocative of motor courts of the past, yet modern and vibrant, with a chic Appalachian field. A place for adventure and for relaxation. Imagine a place where you can fish in a mountain heritage, trout stream, grill to catch on fire and eat accompanied by fine wine or craft beers.00:01: 28--00:01: 39 Joseph Franklyn McElroy: Imagine a place with old-time music and world cultural sounds. There is no other place like the Meadowlark Motel in Maggie Valley, North Carolina. Your Smoky Mountain Adventure Starts with Where you Stay.00:01: 40--00:02: 07 Joseph Franklyn McElroy: Another sponsor is Smokiesadventure.com. That's smokies plural. Adventure, singular. The Smoky Mountains and surrounding area is a vacation destinations for all seasons. Some of the nation's best hiking trails, waterfalls, outdoor adventures, and family entertainment can be found right here. Start your adventure by using Smokiesadventure.com to explore all the wonderful features of the Great Smoky Mountains National Park.00:02: 08--00:02: 18 Joseph Franklyn McElroy: The trails, the waterfalls, the caves, cove, the elk, and more. Then check out all the awesome family attractions and entertainment you and your family can enjoy.00:02: 19--00:02: 35 Joseph Franklyn McElroy: Find lodging, find places to stay. Find places to eat. Find where you can do outdoor life events like weddings and honeymoons. It's all at Smokiesadventure.com, which is the leading information portal for adventure experiences in the Great Smoky Mountains.00:02: 36--00:02: 54 Joseph Franklyn McElroy:  So, events coming up at the Meadowlark, August 12 to 13th we're having a Songwriters Camp it's a songwriter's camp in concert with Grammy-winning artists Jim Lauderdale and Charles Humphrey III, along with award-winning artists such as Darren Nicholson, Clay Mills, and Charles Chamberlain.00:02: 54 --00:03: 10 Joseph Franklyn McElroy:  It's a two-day event of interactive songwriting instruction for world-class musicians, and a demo tape will be produced for each participant. And there'll be a concert of songs from the Rogue Band on Friday night and a barbecue dinner and also our concert on Saturday night.00:03: 10 --00:03: 50 Joseph Franklyn McElroy:  This is going to be a unique event like no other, and space will be limited to ensure individual tension is given to all participants. The price is $675 per person, including all the activities and demo tapes and concerts, and barbecue dinner. And then there's special pricing for rooms, and there'll be room packages as well. Call 828-926-1717 for details. And there's also a limited amount of concert tickets available for the general public, and those are available on Friday and Saturday nights, and they're $30 each. And again, you can reserve your spot by calling 828-926-1717.00:03: 50 --00:03: 56 Joseph Franklyn McElroy:  Welcome to the Gateway to the Smokies podcast with my guest Jim Lauderdale. Hey, Jim. How are you doing?00:03: 56 --00:03: 57 Jim Lauderdale:  Great, how are you?00:03: 57 --00:04: 01 Joseph Franklyn McElroy:  I'm doing good. We're huge fans of yours.00:04: 01 --00:04: 02 Jim Lauderdale: Thank you.00:04: 02 --00:04: 16 Joseph Franklyn McElroy:  And all the artists are coming to that songwriter camp. I'm really thrilled that this came up. Was the songwriter camp your idea, Bob's idea? You guys came up with it together or what happened?00:04: 16 --00:04: 30 Jim Lauderdale:  I think Bob approached Charles Humphrey about it and then he asked me. And so luckily, timing-wise, it worked out00:04: 30 --00:04: 36 Joseph Franklyn McElroy:  cool. Yeah. I see that you do another couple of other camps, like one out west somewhere, don't you? 00:04: 36 --00:04: 49 Jim Lauderdale: I did. I did Steve Polt's camp out in Joshua Tree in May. And I just did the Swannanoa gathering and November00:04: 49 --00:05: 05 Jim Lauderdale:  I Believe it is. I'll be at Jorma Calconin's Fur Piece Ranch. Cool. Yeah. But I enjoy it a lot. I really do. Yeah.00:05: 05 --00:05: 19 Joseph Franklyn McElroy: Cool. I have a friend of mine I think is going to make it who's been doing music for a number of years but really wants to learn from some real professionals. I got some people that are fairly excited. It's an exciting thing, I think, for people to get to work with some great artists like yourself. 00:05: 19 --00:05: 39 Jim Lauderdale: It's exciting for me to see people it means a lot to people that are writing songs, and I think they're just as valid as somebody that's been doing it for a long time.00:05: 19 --00:05: 39 Jim Lauderdale: And so, it's great to see that enthusiasm and the ideas and to see where these songs can go, too well.00:05: 39 --00:05: 49 Joseph Franklyn McElroy:  it's nice to bring it to Western North Carolina. You grew up with Westville, right?00:05: 49 --00:06: 19 Jim Lauderdale: I lived around the Piedmont area and then in South Carolina for a few years not too far from Greenville in due west. And I've been coming to Flat Rock every summer of my life since I was born and have continued to come here a lot. 00:06: 19 --00:06: 36 Jim Lauderdale: And then other times in North Carolina. Winston Salem and Chap Hill for school. So, yeah, North Carolina is my home. Yeah.00:06: 36 --00:06: 43 Joseph Franklyn McElroy: Well, I'm glad that you're bringing the art of songwriting here. So, when did you get involved in writing songs? Did you start pretty young?00:06: 43 --00:07: 03 Jim Lauderdale:  I guess I was going through my last year of high school and the idea came to me when I was visiting Troutman, North Carolina, where I lived my first five years.00:07: 03 --00:07: 34 Jim Lauderdale: And so, this melody and a title came to me in a few lines here and there. It was kind of an old, tiny, like, string band type thing. I'd been doing bluegrass banjo for a few years, but that type of melody hit me first, and then I had some melodies I gave to one of my classmates when I was a freshman at the North Carolina School of the Arts.00:07: 34 --00:07: 55 Jim Lauderdale:  And he wrote some lyrics. And from there then I started writing on my own and doing a few demos produced by a guitar-playing friend of mine named Zan McCloud, who I knew in Chapel Hill.00:07: 55 --00:08: 33 Jim Lauderdale: I had a duo when I was in high school with a mentor named Rick Bowley who started a music store called Oxpo Music. And I would travel around with him to festivals and help him sell stuff, and we played as much as we could. And then I went off to college, and these songs were coming to me. So Zan took me to a place kind of out in the country there, outside of Chapel Hill fella named Steve Grandback, who later moved to Charlotte and opened up a studio.00:08: 34 --00:09: 08 Jim Lauderdale: And I thought, just doing three songs and six songs, I thought, well, hey, a record deal is going to come any day. I'll be touring all over the place. I'll have to quit school, but this is what I want to do. I was naive about that process. Like everybody, it took a while, but that's where my passion for songwriting started, really. 00:09: 08 --00:09: 21 Joseph Franklyn McElroy: I've always wondered. I've been a visual artist, and I've done a few things as a visual artist. I learned that there are different kinds of visionaries.00:09:21 --00:09: 42 Joseph Franklyn McElroy: There's, like, people that are haptic and there are people that are not haptic and non- haptic. Non-Haptic are people get the vision of the painting in their head, and then they just go create the vision, whereas a haptic artist gets the idea and sort of the sense of a painting, but then they have to work it with their hands.00:09:42 --00:09: 50 Joseph Franklyn McElroy: Haptic, they got to do it. Is that similar to songwriting? Do some people get, like, just the whole thing in their head and just put it on paper and other people have to work it? 00:09:50 --00:10: 25 Jim Lauderdale: That's right. It's different, really, for everybody. For me, a melody usually comes first, sometimes along with the title, but sometimes just a melody. I know some people who write down whole songs on paper and don't have a melody, or else then a melody comes to them or kind of simultaneously. So, it happens a lot of different ways.00:010:25 --00:10: 36 Joseph Franklyn McElroy That's interesting. So, in a songwriter camp, how would you help the different types of creators with the different ways of doing their creating of songs? How do you help them?00:10:38 --00:12: 33 Jim Lauderdale: I kind of feel like because usually these camps, there's so much to kind of cover in a short amount of time. I like to do things kind of spontaneously. I don't really have much of a format I follow. And it's kind of like that with me. With writing songs, if I'm co-writing or writing alone, it just kind of is spontaneous. And so, I kind of have to evaluate those writers in front of me at that time and ask them what they need, what do they need to learn, or to help them. And it's funny. My friend Steve Polts was saying at the start of this camp we did a few months ago, it's like, I can't teach you how to write songs, but I can help facilitate them, we'll kind of go through certain very briefly personal experiences of like well, this happened to me one time and that's how I got out of this block or something like that to help them. But I really make it about them. Usually, people have things that question of places where they need to work through.00:12:33 --00:012: 43 Joseph Franklyn McElroy: Now, does every songwriter really need to practice the discipline or can they come and go from it? How does the discipline work in the songwriting craft?00:12:43 --00:014: 03 Jim Lauderdale:  I think it happens in all different ways too. Some people are super disciplined and I try to be putting and everything I've got into it, but I don't have necessarily set times. Like I don't have a schedule where I go okay, I'm going to get up at eight, have a cup of coffee, right, for 2 hours. Some playwrights and novelists and people like that. It's like I get up at five, I write for 3 hours, that's it. And some people I've also written really late at night with co-writers. We will have tried to write at nine and then we kind of plugging along and then as I'm about to leave or something, somebody will say something and an idea comes out. And then you stay till two or three in the morning. If you're on a role, it's good if you can go ahead and capture that magic.00:14:03 --00:014: 15 Joseph Franklyn McElroy:  Now, when you are just going about your life and living, do thoughts for a song come to you all the time and you write them down and put them into snippets? Do you save those?00:14:03 --00:015: 25 Jim Lauderdale: My song ideas do come to me quite often in conversation or hearing something or just the thought will come into my head. So, I record them on my phone, on an app, on a voice memo app and refer to them later. I go back to them sometimes if I'm then though just playing also something comes out and then you've got your guitar there. But a lot of times I'll just hum the melody. I'm kind of old school. Instead of doing everything on my phone or computer as far as writing out lyrics, I write them down with a pen on if I have a notebook with me or just a scrap of paper. Sometimes I've lost a movie about that. Was there really somebody lost it.00:15:25 --00:016: 15 Joseph Franklyn McElroy:  Some creative piece and they spent the whole movie trying to find it? Yeah, it was a silly movie, I'm sure. But it's true. When you're in the visual arts is the same thing. You wake up in the middle of night and think you have solved the mystery of the perfect painting. You write down the thing and then you lose that piece of paper and you're searching for it forever. the creative process is really interesting. If you do voice memos, how do you remember what to search for to find the thing that you went?00:15:25 --00:017: 23 Jim Lauderdale: I labeled them. I labeled them like if it's a bluegrass song, I say BG. If it's a country song, I say c. If it's for donna the buffalo, I say donna. Songs from the road band SFRB. So different thing. If it's a soul thing, I'll say royal or soul. I do have a bunch of unfinished things. I've recorded a few albums at royal studios in Memphis, which was a great sole studio. If I have a studio booked in advance and I'm trying to write for that outright, like, for instance, blackbird for blackbird studio for those sessions. So, I'm not very organized, but at least I can reference those. Then when I'm flipping through the phone, trying to find something to have ready,00:17:25 --00:18: 00 Joseph Franklyn McElroy: I mean the human database is the most complex and sometimes also the most infuriating product. We own mine, trying to remember what it was you had thought of. Yeah.So, given that you're going to be working with some people in a collaborative manner here at the Meadowlark Motel August 12, 13th, but then you also write by yourself, what do you prefer? Do you prefer to write solo or with a partner or with a group?00:18:00 --00:18: 40 Jim Lauderdale:  When you're writing with somebody else, I feel like you always come up with something that neither one of you could do alone, necessarily. There's some different strength about that collaboration, but I still like to write alone to kind of challenge myself to do it because it's harder for me to write a loan. It's slower and sometimes more tedious, but I enjoyed both.00:18:40 --00:20: 07 Joseph Franklyn McElroy: Cool. You've written with some really great people, and I know that you have a podcast with another legend, Buddy Miller. Have you written with him? Yes. We've got a radio show on Sirius X outlaw country on channel 60 called the buddy and gym show. We have written it's been a few years. The last time we wrote, we did a record together, gosh, I think it was eight years ago, and we wrote for that record, and before that, we'd written some things for his albums. He'd usually save a song or two and say we'd work backwards. Usually somebody gives me lyrics and I put a melody to them, but he gave me melodies and I put lyrics to them, and then he'd be under a deadline, too, so I put deadlines on myself also. But he would be like, hey, I've got to finish this record. How are those lyrics coming along? You have to deliver in those situations,00:20:07 --00:20: 10 Joseph Franklyn McElroy: Especially professional and the legend.00:20:10 --00:20: 12 Jim Lauderdale: Yeah, absolutely.00:20:12 --00:20: 15 Joseph Franklyn McElroy: You have a reputation to meet now. 00:20:15 --00:20: 17 Jim Lauderdale: Yeah, that's right.00:20:19 --00:20: 25 Joseph Franklyn McElroy:  Is there any other people that you have co-written with that are sort of favorite co-writers?00:20:25 --00:21: 32 Jim Lauderdale Yes. The man I've probably written the most songs with is Robert Hunter, who used to write with Jerry Garcia and wrote kind of just so many of the grateful dead songs. And we've probably written about 100 together. And sadly, Robert passed a few years ago, and I've written a lot with John Levanthal, great writer and producer, guitar player, and a lot with OD Blackman and several songs with Harlan Howard, who was one of my songwriting heroes, and also Melbourne Montgomery and Charles Humphrey that will be there at the camp. I really enjoy riding with him a lot.00:21:32 --00:21: 36 Joseph Franklyn McElroy: He's a good guy. I've had him on the sales.00:20136 --00:22: 38 Jim Lauderdal: He really is. He's a good he really is. He's really a really great writer. And we have a few things. I did a bluegrass record at Echo Mountain a few years ago here, and my concept of it was to have North Carolina bands and North Carolina artists do tracks with me for this record. And so, Charles and I have a couple of cowrites on that. And then I've got a song coming up on a country record that's coming out in August of Charles. And I wrote that original I was thinking it was going to be more acoustic and bluegrass, and then now it's kind of more of a western not western swing, but slight swing thing. Well, I guess you could call it a western swing. Swing to it, right? Yeah. So that's going to be great to work with him at this camp.00:22:38 --00:22: 42 Joseph Franklyn McElroy: Is the swing a hard thing to get into performing?00:22:42 --00:22: 52 Jim Lauderdale: No, it's good. Not think it breaks up the other grooves you might be doing. I really like it a lot.00:22:52 --00:23: 16 Joseph Franklyn McElroy: Yeah. The reason I asked is my wife is actually a Brazilian percussionist, a swing in that that you have to have or it's just no good. Right. She's done all right with that. It's an advocation, but she got to be on Saturday Night Live and that sort of thing. 00:23:17 --00:23: 18 Jim Lauderdale: Oh, that's awesome.00:23:18 --00:23: 20 Joseph Franklyn McElroy: That's a great hobby.00:23:20 --00:23: 25 Jim Lauderdale:  Yeah, that's terrific.00:23:26 --00:23: 29 Joseph Franklyn McElroy: Which do you prefer? Do you prefer writing or do you prefer performing?00:23:29 --00:24: 15 Jim Lauderdale: I like them both. They both have their attractions and fulfilling things about them. It's a great feeling to write a song and then it's great in those circumstances when you're on stage and then you get to do those songs and interact with people, interact with the audience. And if you're playing in a band setting, those other musicians. So, I wouldn't be able to choose one from the other.00:24:16 --00:24: 18 Joseph Franklyn McElroy: Have you done, like, over 30 albums? Is that right? 00:24:19 --00:24: 22 Jim Lauderdale This will be my 35th coming out in August.00:24:22--00:24: 23 Joseph Franklyn McElroy: Wow. Yeah. What's the name of that one coming out in August?00:24:23 --00:24: 24 Jim Lauderdale Game Changer. 00:24:24--00:24: 25 Joseph Franklyn McElroy: Game Changer. And00:24: 32 --00:24: 56 Jim Lauderdale: it's a country record. I consciously I kind of go in different cycles with records, whether it's country, bluegrass, kind of singer-songwriter, soul or blues rock, or whatever. And this is a consciously focused country record.00:24:56 --00:24: 58 Joseph Franklyn McElroy: That's fabulous. Of all your records, which one is your favorite?00:25:01 --00:25: 14 Jim Lauderdale: I can't decide. I mean, I really don't have a favorite because a lot of times the most current record is the favorite one.00:25:14 --00:25: 42 Joseph Franklyn McElroy:  It said as the tea surpasses. People would ask the question, what's your favorite painting and they say, the last one. But I think there's a lot of truth to that. Yeah. When you hear a song or you see a song that you've written or listen to it, do you think, oh, I could improve it? There's something I should have done to improve it here? 00:25:42 --00:26: 10 Jim Lauderdale: Not really, no. I'm always if I hear somebody doing one of my songs, I'm just so elated that somebody else is doing, and I've never heard I've been asked before if I've ever been disappointed in a song offer, and I never have. It's always just real rewarding to hear somebody else's take on it.00:26:10 -00:26:14 Joseph Franklyn McElroy:  Cool. Well, people come into the songwriter camp. What kind of things can we expect?00:26:17--00:26: 55 Jim Lauderdale: I think hopefully they'll walk away from that camp with a different take on their own writing and that they will be able to incorporate some of the tips and methods and things like that and suggestions and that. They'll walk out of there feeling more confident about their writing and their minds will be more open to things and their creativity, hopefully, will expand.00:26:55 -00:27:00 Joseph Franklyn McElroy: And will you give them insights on how to pursue a songwriting career and that sort of thing?00:27:00 --00:28: 59 Jim Lauderdale: I think first somebody's got to develop their catalog. They've got to have a body of work to and it doesn't have to be hundreds of songs or anything. You could have ten or 15 songs and go out there and try, but it's a process we won't get into because, see, the business part of things changes a lot all the time. But, basically my thing to people, and to myself, too, is that you have got to constantly challenge yourself. If you feel like, hey, this one song am I, this is it. This is going to change everything. It's going to change my life. This is going to open up the doors. That's terrific that you've got that song, but you've got to keep going and create another one and another one and another one. Not to just set that aside and go, well, Madison, but to build on what you're doing. And I feel like it might be naive or old fashioned or something, but I feel that when the songs are there, then those doors open. But it doesn't matter what kind of contacts you have or this or that. The songs have to be there. 00:28:59 -00:29:02 Joseph Franklyn McElroy: Well, there's less than people write a good song, they can sing a good song, right? 00:29:02 -- 00:30:22 Jim Lauderdale Well, maybe, possibly, but sometimes it's mentioning that one song that somebody has. Some people have had careers, though, off of one song, but I think it's good to kind of be well rounded and have, let's say if you're outperforming, if you're a performing singer-songwriter, you've got to have a whole set of songs that you really feel are stand up to other people, other writers that you really like, and to your other good ones. And of course, that's a process. It doesn't happen all at once. It's like an art show. You've got to have a room full of art. You might have that one painting in the show. Yeah. And hopefully, those paintings in the room will be just as compelling.00:30:24 -00:30:31 Joseph Franklyn McElroy Your whole body of work. I know in other writing professions, there's writer's block. There's a writer's block in songwriting as well.00:30:32 -- 00:31:17 Jim Lauderdale: Oh, yeah, definitely. Yes. If we only had a series, we could do, Right? It would be a marathon. Yeah. I think that anybody that's riding something, will come across that rider block. That's one of the secrets I will talk about during this songwriter's workshop of how to break free of that rider's block.00:31:18 -- 00:31:19 Joseph Franklyn McElroy: Oh, wow.00:31:21 -- 00:31:34 Jim Lauderdale I would say right now, but people will have to come to see that one time. 00:31:34 -- 00:31:43 Joseph Franklyn McElroy:  That's the magic sauce, folks. Now you can learn, especially if you're starting out, you probably have riders block a lot.00:31:43 -- 00:32:45 Jim Lauderdale: Yeah, you do. But it takes practice and getting through growing as a writer, and you'll go through different steps and stages and things and just keepexpanding your abilities as time goes on. The more you do it, that 10,000. What is the expression when you do something for 10,000 hours, then you are good at something like that? Now you won't have to do that long, especially with the techniques people will be learning at this camp. They'll take a shortcut of 10 hours instead of 10,000.00:32:45 -- 00:33:06 Joseph Franklyn McElroy: There you, That's a big promise, man. I knew you had that big thing in you. Oh, that's great. And then you guys can have an all- star concert on the finale, right?00:33:06 -- 00:32:08 Jim Lauderdale: Yeah.00:33:08 -- 00:33:12 Joseph Franklyn McElroy: So, have you prepared to play this?00:33:012 -- 00:33:58 Jim Lauderdale: Yeah, we'll jam. I'm sure we'll talk about it before we get up there but on stage. But that's the cool thing about people can pick up. They can look at you while you're playing, or you can just say, Kia, this is like a one, four, five progressions. I'll kick it off. Whatever. It's fun to jam like that with people and hear what comes out.00:33:58 -- 00:34:25 Joseph Franklyn McElroy: So, it's going to be a fabulous time. I've got my whole family booked in at our motel, Meadowlark Motel, where it's going to be. That's great to be here because we're excited just to be around it. It's a two-day thing. It's two concerts. I imagine there'd be some jamming as well. Oh, yeah. Wonderful meals. I'm a cookie guy. Breakfast on Saturday morning.00:34:25 -- 00:34:28 Jim Lauderdale: Oh, nice. Yeah. Great. I'm a supporter of that. I'm a big breakfast guy. 00:34:28 -- 00:34:33 Joseph Franklyn McElroy: Have your requests? What do you like for breakfast?00:34:33 -- 00:34:40 Jim Lauderdale: You know what? Whatever you have I'm sure will be delicious.00:34:43 -- 00:34:50 Joseph Franklyn McElroy: Well, I can range from chicken fried steak to tomatoes with a smoked trout dip. Whatever slowed to you folk.00:34:50-- 00:34:52 Jim Lauderdale: Stop. You making me hungry.00:34:54 -- 00:34:56 Joseph Franklyn McElroy:  So, what's next for you?00:34:56-- 00:35:23 Jim Lauderdale:  I am working on my follow-up to the Game Changer record, and that's coming out, and several bluegrass things right now. And I have a fair amount of gigs coming up starting in September until the rest of the year.00:35:24 -- 00:35:36 Joseph Franklyn McElroy: Okay. Yeah. Cool. And are there any shoutouts you want to do? Any websites or anything you want to mention for people checking things out?00:35:36-- 00:36:02 Jim Lauderdale:  I guess my website is Jimlauderdalemusic.com and then all the social media things, I've got stuff on those. Yeah. So that's kind of got the current things that will be happening on there listed.00:36:02 -- 00:36:19 Joseph Franklyn McElroy: I will be sure to follow some of that. That is exciting for us. I want to thank you for being on this podcast and also thank you for doing this campaign.00:36:20-- 00:36:56 Jim Lauderdale: Guess I'll say one more thing about the camp. When you're a kid and you went camping and how much you enjoyed it and everything, this camp will make those times when you're a kid look like a Greek tragedy. This camp is going to be even though it's short, we don't have time these days to go to a summer camp for two weeks. We cram all the gusto in two days.00:37:02 -- 00:37:35 Joseph Franklyn McElroy: In a day and two- days, it'll be the center of your life for the rest of your existence. That's right. It'll be the sun about which your life repeats. Yes. Well, that's fabulous. We are about to change people's lives and looking forward to it. Well, thank you. This has been the Gateway to the Smokies podcast. You can find us@ facebook.com GatewaytotheSmokies and also smokiesadventure.com and there'll be this episode as well as other episodes on that website that you can find. Thank you much. And that's it.00:37:35-- 00:37:36 Jim Lauderdale: Thanks a lot.Bye!

Jackie's email to me prior to recording: "It is literally a trade secret that I would never share, but the heck with it... if you like the idea once you hear it, I'd love to do this topic with you. It's very 'plan the work, work the plan,' so that you have measurable feedback per your timeline, which allows you to quickly shift if something catches fire or fizzles. Like the 12 Steps... the plan works if you work it.” UM… YES, JACKIE! Need I say more!? TUNE IN! Jackie is the Founder/President of Marushka Media, the first Latina-owned PR/Branding agency in Nashville. A New Mexico native and creative entrepreneur with 30 years' experience, Jackie wrapped her 14-year tenure with Sony Music as one of its youngest VPs (1999-2013) and established Shore Fire Media's Nashville office as GM (2013-2016) before launching Marushka Media in 2016. She currently serves on the boards of the Tennessee Latin American Chamber of Commerce and the Americana Music Association. In 2021, she was appointed to the City of Nashville's Auditorium Commission by Mayor John Cooper. During awards season, Jackie serves on the Academy Awards PR team.CONNECT WITH JACKIE: https://www.marushkamedia.com/contact IG: https://www.instagram.com/marushkamedia THE 12 STEPS (to screen shot after listening!):1. Differentiate yourself; solve a problem2. Research outlets; create a grid with tabs3. Research contact info for all outlets on your grid4. Craft a pitch for each outlet5. Follow up (tactfully!)6. Make sure to include your contact info in your pitch7. Make sure to include your unique selling points in your pitch8. Declare and articulate what you want to be known for9. Gather testimonials to include when pitching10. Identify panels/conferences in your industry, and make a plan 11. Represent yourself with integrity; know why you're in the room12. Send thank-you's when appropriateBONUS TIP: Be a mentor, and GIVE BACK!CONNECT FURTHER WITH ANGIE:Podcast: https://www.yougetwhatimsaying.com Listen Early and Dynamic Ad-Free on Apple Podcasts: https://apple.co/44Y6rbYSocial Media: https://beacons.ai/theactualangie/socialmedia Contact: yougetwhatimsaying.podcast@gmail.com Monetize Your Podcast: https://beacons.ai/theactualangie/monetizeSupport the Show: https://www.buymeacoffee.com/yougetit/membershipADVERTISE ON THE SHOW: To inquire about host-read ads or to become the show's next Presenting Sponsor, please send an email to yougetwhatimsaying.podcast@gmail.com.EPISODE CREDITS:Podcast Logo: Abby MurdockPodcast Cover Photography: April Bowers CreativeBE ADVISED:Formerly titled Podfluencer Society (for before that, 4 Things For Your Podcast), episodes 1-114 share insights and strategies specifically for podcasters. As the podcast has undergone a complete rebrand, some links and information referenced in earlier episodes have likely changed. Please contact us at yougetwhatimsaying.podcast@gmail.com if you cannot find what you are looking for. The views and opinions expressed in each episode are those of the individual contributors and do not necessarily reflect those of the podcast host and team or the owner of this Intellectual Property. This podcast is not an authority of legal advice, and listeners are encouraged to seek professional counsel with regard to their brand, business, and otherwise. Many of the product and service promotions in each episode are under the negotiated terms of affiliate or sponsorship agreements. If a link is clicked and a purchase is made, an affiliate commission may be received. However, we recommend products or services that we personally endorse and believe may be beneficial to others. This information is disclosed in accordance with the Federal Trade Commission's 16 CFR, Part 255: “Guides Concerning the Use of Endorsements and Testimonials in Advertising."

Amy Wright sits down with acclaimed singer-songwriter, much-admired activist, and champion of civil rights and progressive thought, Mary Gauthier. Mary made a breathtaking collection of songs that she recently released as a studio album titled, Dark Enough to See the Stars, and you'll get to hear all about the inspiration behind and making of the record today. It's her eleventh album, the follow-up to the profound, Rifles & Rosary Beads, her 2018 collaborative work with wounded Iraq war veterans. That record garnered a Grammy nomination for Best Folk Album, as well as a nomination for Album of the Year by the Americana Music Association, so that should give you an idea of the caliber of artist Mary truly is. We're honored to host her on the show today and excited to hear what she has to say.Part of Pantheon Podcasts 

Amy Wright sits down with acclaimed singer-songwriter, much-admired activist, and champion of civil rights and progressive thought, Mary Gauthier. Mary made a breathtaking collection of songs that she recently released as a studio album titled, Dark Enough to See the Stars, and you'll get to hear all about the inspiration behind and making of the record today. It's her eleventh album, the follow-up to the profound, Rifles & Rosary Beads, her 2018 collaborative work with wounded Iraq war veterans. That record garnered a Grammy nomination for Best Folk Album, as well as a nomination for Album of the Year by the Americana Music Association, so that should give you an idea of the caliber of artist Mary truly is. We're honored to host her on the show today and excited to hear what she has to say.Part of Pantheon Podcasts 

Drummer and Nashville native, Jerry Pentecost has played with John Prine, Brent Cobb, Amanda Shires, Caitlin Rose, Aaron Lee Tasjan, and many others. In 2018 he became only the second drummer ever nominated for the Americana Music Association's Instrumentalist of the Year award. Since around 2019, Jerry has been the drummer for the Grammy award winning group, Old crow Medicine Show. In this episode, Jerry talks about:    Loyalty over pay when juggling multiple gigs    Playing the Medallion Ceremony at the Country Music Hall of Fame honoring Eddy Bayers    Drumming for Old Crow Medicine Show    Covering many roles with OCMS including playing mandolin, bones and singing    Recording the latest OCMS record, Paint This Town    Two op-eds he wrote for the Tennessean focusing on Black History    Dealing with systemic racism    Traditional country drumming and serving the song

SUMMARY:Our guest is Richard Thompson, a  three-time Grammy nominee who has earned lifetime achievement honors from the Americana Music Association and the BBC Awards. Named one of the top 20 guitarists of all time by Rolling Stone magazine, Thompson is a highly revered musician and songwriter whose music has been covered by Elvis Costello, Robert Plant, REM, Emmylou Harris, and many others. Algonquin Books recently released the paperback version of Richard's memoir Beeswing: Losing My Way and Finding My Voice, 1967-1975.  PART ONE:Paul and Scott talk about which music books they love, and one that Scott really hates. PART TWO:The guys chat about their friends at Pearl Snap Studios.PART THREE:Our in-depth conversation with Richard Thompson.ABOUT RICHARD THOMPSON:Our guest on this episode of Songcraft is three-time Grammy nominee and Ivor Novello award winner Richard Thompson. Named as one of the top 20 guitarists of all time by Rolling Stone magazine, Thompson began his career as one of the architects of the British Folk Rock movement with his band Fairport Convention in the late 1960s. The 1970s and early ‘80s brought a series of critically-acclaimed duo albums by Richard and his then-wife Linda Thompson. Two of those releases—I Want to See the Bright Lights Tonight and Shoot Out the Lights—were named among Rolling Stone's 500 Greatest Albums of All Time. Returning to a solo career after the musical and marital partnership concluded, Thompson has released more than 20 solo studio albums and film soundtracks, and has earned lifetime achievement honors from the Americana Music Association and the BBC Awards. He was bestowed with an Order of the British Empire by Queen Elizabeth II at Buckingham Palace, and his song “1952 Vincent Black Lightning” was named by Time magazine on its list of the 100 Greatest Songs Since 1923.” As influential a songwriter as he is a guitarist, Richard's music has been covered by Elvis Costello, Robert Plant, Don Henley, REM, Sleater-Kenny, David Byrne, Linda Ronstadt, The Five Blind Boys of Alabama, Emmylou Harris, Bonnie Raitt, Los Lobos, The Del McCoury Band, David Gilmour, Alison Krauss, Patty Loveless, Shawn Colvin & Loudon Wainwright III, among others. Algonquin Books recently released the paperback version of Richard's memoir Beeswing: Losing My Way and Finding My Voice, 1967-1975. 

“I'm better at writing songs after I've processed an emotion. I have to let myself feel an emotion before I can write about it.”—Katie Pruitt."I write the best when I'm not putting pressure on myself to write about what's happening around me.”—Molly Tuttle. For Pruitt and Tuttle, dreams are an especially fruitful time for song ideas: both women have been awoken in the middle of the night by incredible melodies running through their head. (And as you'll also hear, one of those daytime melodies actually caused a car crash.)Katie Pruitt's debut album Expectations (Rounder Records) came out in 2020, and it's one of my favorite albums of that year. Molly Tuttle released her debut When You're Ready (Compass Records) in 2019. In 2017, Tuttle was the first woman to win the International Bluegrass Music Association's Guitar Player of the Year award. She won the award in 2018 too, when she was also named the Americana Music Association's Instrumentalist of the Year.

Bob Weir is one of the founding members of the legendary Grateful Dead. Since establishing the band in 1965, Weir has become one of rock's finest and most distinctive rhythm guitarists. The band has received a GRAMMY Lifetime Achievement Award and appeared on Forbes' list of top-grossing entertainers. The Grateful Dead is still one of the highest-grossing concert attractions in the US and their final tally of 2,318 total concerts remains a world record. He is currently a member of Dead & Company (featuring Grateful Dead members Mickey Hart, Bill Kreutzmann, along with John Mayer, Oteil Burbridge, Jeff Chimenti) as well as his own trio Bob Weir and Wolf Bros (a trio featuring Weir, Don Was and Jay Lane). Weir has been honored with Lifetime Achievement Award from the Americana Music Association and is also a Les Paul Spirit Award recipient. Weir has teamed up with the United Nations Development Program (UNDP) as a Goodwill Ambassador to raise awareness and mobilize support for the UN agency's work to end poverty while fighting climate change. Weir has a partnership with D'Angelico Guitars for two signature models, the Bob Weir SS and Bob Weir Bedford. In 2017, the Bob Weir SS won the Editor's Choice Award for Guitar, Amps and Accessories at the Summer National Association of Music Merchants (NAMM) show, while Musical Merchandise Review (MMR) nominated the Premier Bob Weir SS for Dealer's Choice Award in the Electric Guitar category. Music and Sound Retailer deemed the Deluxe Bob Weir Bedford the Best Electric Guitar of 2019. Weir's Blue Mountain LP (2016) on Columbia/Legacy/ROAR marked his first album of solo material in more than 10 years and first album of entirely original material in more than 30 years. The album received raves from critics including NPR who called the LP "stately, autumnal, metaphysical cowboy songs.”

SUMMARY:Our guest on this episode of Songcraft is Natalie Hemby, a six-time Grammy nominee and two-time winner who has earned five CMA Song of the Year nominations and was named Music Row magazine's 2021 Female Songwriter of the Year. Her songs have been recorded by Kacey Musgraves, Alicia Keys, Lady Gaga, Maren Morris, Ed Sheeran, Sheryl Crow, Dierks Bentley, Eli Young Band, Kelly Clarkson, Chris Isaak, Blake Shelton, Lee Ann Womack, and many others. We last spoke with Natalie in 2017, but we catch up with her today to find out more about her life as a behind the scenes songwriter, her work with supergroup The Highwomen, and her critically-acclaimed solo album Pins and Needles. PART ONE - 2:49Scott and Paul chat about Pearl Snap Studios and set the stage for this very special "old friends" episode.PART TWO - 6:02They guys welcome longtime friend and fellow music geek David Manning to argue about beloved songs that they actually hate. PART THREE - 39:20Our in-depth conversation with Natalie HembyABOUT NATALIE HEMBY:When we first spoke with Natalie Hemby in 2017 she'd already racked up three CMA Song of the Year nominations and written a half dozen #1 singles, including “Pontoon” and “Tornado” by Little Big Town, “Downtown” by Lady A, “You Look Like I Need a Drink” by Justin Moore, and Miranda Lambert's “White Liar” and “Automatic,” the latter of which was named ACM Song of the Year and snagged Natalie her first Grammy nomination for Best Country Song. In the five years since then, her songwriting star has continued to rise. She co-wrote three songs on Kacey Musgraves' Golden Hour, which won the Grammy for Album of the Year—across all categories—and earned Natalie a CMA Song of the Year nomination for “Rainbow.” Natalie co-wrote two songs with Lady Gaga for the soundtrack to A Star is Born, including Song of the Year Grammy nominee “Always Remember Us This Way” and the Grammy winner for Best Song Written for Visual Media, “I'll Never Love Again.” She has scored additional #1 hits with Jon Pardi's “Heartache Medication,” as well as Miranda Lambert's “Bluebird,” which was nominated for both CMA and ACM Song of the Year, and the Best Country Song Grammy. Natalie beat herself in that Grammy category when she won the Best Country Song honors for “Crowded Table,” which she wrote with Lori McKenna and Brandi Carlile. The song was recorded by the supergroup The Highwomen, of which Natalie is a member alongside Carlile, Marren Morris, and Amanda Shires. “Crowded Table” was also named Song of the Year by the Americana Music Association, while The Highwomen won Americana Album of the Year and Duo or Group of the Year. Recent pop cuts, including Kelly Clarkson's “I Dare You” and Ed Sheeran's “Love in Slow Motion,” illustrate Natalie's versatility and underscore why she was named Music Row magazine's 2021 Female Songwriter of the Year. In addition to her work with The Highwomen, Natalie's been flexing her considerable artist muscles recently with the release of her album Pins and Needles, which PopMatters calls “a phenomenal album from an artist coming into full possession of her gifts.”  

  Join me and Allison Moorer as we discuss her new memoir, I Dreamed He Talks to Me, A Memoir of Listening How to Listen a profoundly moving account of parenting her autistic son, John Henry. Moorer brings voice to what it means to love and support someone she may never understand and offers important life lessons of compassion and understanding all readers will benefit from. Guest Allison Moorer Allison Moorer is a singer/songwriter, producer, and author who has released ten critically acclaimed albums. Her first memoir, Blood, was released in October 2019 to high praise and received starred reviews in Publisher's Weekly, Kirkus, and Booklist. She has been nominated for Academy, Grammy, Americana Music Association, and Academy of Country Music Awards. Allison holds an MFA in Creative Writing from The New School; her work has been published in The New York Times, The Wall Street Journal, American Songwriter, Guernica, No Depression, Literary Hub, and The Bitter Southerner. She received the Hall-Waters Prize for Excellence in Southern Writing in 2020. Her second memoir, “I Dream He Talks To Me,” was published in October 2021. She lives in Nashville. Host Michael Zeldin Michael Zeldin is a well-known and highly-regarded TV and radio analyst/commentator. He has covered many high-profile matters, including the Clinton impeachment proceedings, the Gore v. Bush court challenges, Special Counsel Robert Muller's investigation of interference in the 2016 presidential election, and the Trump impeachment proceedings. In 2019, Michael was a Resident Fellow at the Institute of Politics at the Harvard Kennedy School, where he taught a study group on Independent Investigations of Presidents. Previously, Michael was a federal prosecutor with the U.S. Department of Justice. He also served as Deputy Independent/ Independent Counsel, investigating allegations of tampering with presidential candidate Bill Clinton's passport files, and as Deputy Chief Counsel to the U.S. House of Representatives, Foreign Affairs Committee, October Surprise Task Force, investigating the handling of the American hostage situation in Iran. Michael is a prolific writer and has published Op-ed pieces for CNN.com, The Wall Street Journal, The New York Times, The Hill, The Washington Times, and The Washington Post. Follow Michael on Twitter: @michaelzeldin Subscribe to the Podcast: https://podcasts.apple.com/us/podcast/that-said-with-michael-zeldin/id1548483720

  Join me and Allison Moorer as we discuss her new memoir, I Dreamed He Talks to Me, A Memoir of Listening How to Listen a profoundly moving account of parenting her autistic son, John Henry. Moorer brings voice to what it means to love and support someone she may never understand and offers important life lessons of compassion and understanding all readers will benefit from. Guest Allison Moorer Allison Moorer is a singer/songwriter, producer, and author who has released ten critically acclaimed albums. Her first memoir, Blood, was released in October 2019 to high praise and received starred reviews in Publisher's Weekly, Kirkus, and Booklist. She has been nominated for Academy, Grammy, Americana Music Association, and Academy of Country Music Awards. Allison holds an MFA in Creative Writing from The New School; her work has been published in The New York Times, The Wall Street Journal, American Songwriter, Guernica, No Depression, Literary Hub, and The Bitter Southerner. She received the Hall-Waters Prize for Excellence in Southern Writing in 2020. Her second memoir, “I Dream He Talks To Me,” was published in October 2021. She lives in Nashville. Host Michael Zeldin Michael Zeldin is a well-known and highly-regarded TV and radio analyst/commentator. He has covered many high-profile matters, including the Clinton impeachment proceedings, the Gore v. Bush court challenges, Special Counsel Robert Muller's investigation of interference in the 2016 presidential election, and the Trump impeachment proceedings. In 2019, Michael was a Resident Fellow at the Institute of Politics at the Harvard Kennedy School, where he taught a study group on Independent Investigations of Presidents. Previously, Michael was a federal prosecutor with the U.S. Department of Justice. He also served as Deputy Independent/ Independent Counsel, investigating allegations of tampering with presidential candidate Bill Clinton's passport files, and as Deputy Chief Counsel to the U.S. House of Representatives, Foreign Affairs Committee, October Surprise Task Force, investigating the handling of the American hostage situation in Iran. Michael is a prolific writer and has published Op-ed pieces for CNN.com, The Wall Street Journal, The New York Times, The Hill, The Washington Times, and The Washington Post. Follow Michael on Twitter: @michaelzeldin Subscribe to the Podcast: https://podcasts.apple.com/us/podcast/that-said-with-michael-zeldin/id1548483720

Over the course of nearly three years, we at Americana podcast have spoken with a wonderful collective of artists and industry professionals alike about the workings in and of this ever expanding umbrella of music we lovingly refer to as Americana music. Parts of that discussion have at times touched on its history- but we have never really broached the subject of its early days and what that entailed. And who exactly was there at the beginning. With that in mind, we've decided to shake it up a bit and welcome longstanding Americana advocate and friend Rob Bleetstein. Bleetstein in casual circles, is a music lover. A long time ticket collecting, road junkie, band following fan if there ever was one.  Which all tracks for an original deadhead mind you- but he's not someone stuck completely in the past either. Driven by just the desire to hear good music- there isn't an artist old or young on the scene that he seemingly doesn't already know about. And if you happen to somehow introduce him to someone he hasn't heard of- he'll send you what can only be described as an essay or a review of his thoughts on their first two records in addition to the direction their heading with their next one. You can't beat him. Professionally, Bleestein's credentials range from publicist, archivist, and currently program director of Pearl Jam Radio on Sirius XM. What he is to Americana as a genre though… well he was one of the early, if not original adopters of the term. From when he worked at Gavin magazine in the 90's. One of the original coiners of the description “Americana”. Rob Bleetstein is not only a music lover- but a true music shaper. So Join us as our host Robert Earl Keen speaks with Rob Bleestetin about the early days of Americana, his experiences as a long-time music lover, his contributions, and what's on the horizon of the genre

Keb' Mo' released a breakthrough album in 1994, often called his debut, though he'd been recording and releasing music for decades beforehand. In late 2021, he received the Americana Music Association's Lifetime Achievement Award for Performance. Now he's out with a new album titled Good To Be, written between Nashville and his childhood home of Compton, California. Mo' joins us for a release day Listening Party.

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This show is going to be a little different from our usual programming. As I'm sure you've noticed- we've taken a little bit of a break over the last few months as we've taken the time to regroup, and reconstruct etc. As we move forward, it is important to us to reiterate that we are still very much dedicated as a platform to the expansion and definition of Americana Music through conversations with those working within its spectrum.This show has come a very long way from its initial launch. From interview formatting, the artists we book, the kind of questions we ask, and the locations we've been- it's grown and expanded in ways I don't think we could have ever imagined. And admittedly, sometimes it's hard to appreciate the work we've done as we look at the work we want to do. As we plot out that future, we wanted to take this time and opportunity to look back on some of our favorite moments that we've had. In our very first Artist's Archive, we go back to the very beginning and revisit some of the best times with artists we love and cover everything from the hardest conversations to the most rewarding laughs and all topped off with the music we all love so well. We hope you enjoy this nod to our past and continue to join us as we look (or should I say listen) to the future.

The three original principal songwriters - Colin Brooks, Ed Jurdi and Gordy Quist - shared the bill at Momo's, an Austin club.[1] Originally, each singer/songwriter performed his own set. However, they eventually started sharing the stage, and collaborating with bassist Seth Whitney. The Wednesday night series was billed as "The Good Time Supper Club". A misprint in a local paper billed the act as "The Heathens." Drummer John Chipman joined the band in 2007, and Keyboardist Trevor Nealon, who played in the studio during the recording of both "One Foot in the Ether" and "Top Hat Crown & the Clapmaster's Son", joined the touring unit in 2011.Their first recording, "Live from Momo's", recorded at the now closed club on West 6th Street in Austin brought the band national attention and they were voted "Best New Band" at the 2007 Austin Music Awards. Following the Momo's release, the band released a second live recording, the CD/DVD "Live at Antone's" which was recorded at the venerable Austin club.May 20, 2008 the band released their first, self-titled, studio album. Produced by Ray Wylie Hubbard, and featuring notable guests Patty Griffin, Stephen Bruton, and Gurf Morlix, the record went to #1 on the Americana Music Association's radio charts. In November 2008 the album was ranked 8th place on the Americana Music Association's Top 100 Albums of the Americana Charts for 2008.[2]In July 2009 BOH taped an Austin City Limits show that aired in the Fall of 2009. The year was especially significant for ACL in that Austin City Limits was celebrating its 35th anniversary year. The band's unique genesis and creativity were highlighted during the Austin City Limits interview conducted after their performance.[3] The TV performance showcased a set by both the Band Of Heathens and Elvis Costello.[4]

Every so often here at Infectious Groove Podcast, we come across an artist that just blows us away. Not all that long ago Michelle happened upon a singer/songwriter/musician from Oklahoma, and she knew immediately what she heard, needed to be heard by as many people as possible. Second in line, Russ and he felt exactly the same way she did. Hooked immediately. Kyle comes along, Michelle and Russ both throw a few songs at him, and boom hooked immediately. Fast forward a couple of years and the social media gods somehow made our paths align. Hailing from Purcell, Oklahoma, Parker Millsap set forth on a mission, and never looked back. Named one of 2014's Emerging Artists of the Year by The Americana Music Association after the release of his eponymous album. Gaining even more attention after being featured on NPR's music program "The Record", Parker kept the ball rolling, by opening for the likes of Jason Isbell, Lake Street Dive, and Old Crow Medicine Show just to name a few. Five studio albums in, headlining his own tours and he still puts on a show like he's trying to get a record deal. We sat down with Parker to talk about growing up, early influences, getting started, performing, touring, Twitter, and so much more. You're not going to want to miss this one. It's season 4, episode 19, of your favorite NPR intern's, little sister's favorite music podcast. LET'S GO!!! KEEP UP WITH EVERYTHING PARKER MILLSAP HAS GOING ON:Catch him ON TOUR NOW.Pick up his latest album "Be Here Instead", OUT NOW.Find him on Twitter & Instagram @parkermillsapLink with him on Facebook -----> www.facebook.com/parkermillsapmusicVISIT HIS OFFICIAL WEBSITE: WWW.PARKERMILLSAP.COM Keep up with all of the music we talk about in each episode by listening to the Infectious Groove Podcast Companion Songs playlist, exclusively on Spotify. Infectious Groove Podcast, part of the OddPods Media Network.

Nanci Griffith was a Grammy award winning American singer, songwriter, and musician, known for blending together Country & Folk music stylings. Throughout her life she had multiple appearances on Austin City Limits, and had an illustrious touring career. In 2008, Griffith was awarded the Lifetime Americana Trailblazer Award by the Americana Music Association.   First broadcast in 1994, Tent Show Radio is a one-hour public radio program created from the best live recordings from acclaimed musical acts who grace the Big Top Chautauqua stage each summer in beautiful Bayfield, WI.  During intermission, host Michael Perry spins a story “from the backstage dressing room, with the one lonely little light bulb burning."  Topics range from Mike's battles with trees, to the behavior of rogue chickens, to the search for hope while stoking a wood stove in the darkness. ​ Running 52 weeks a year, Tent Show Radio is broadcast on 31 listener supported radio stations across 6 states and on most podcast streaming platforms. "Tent Show Radio" is also available for streaming at www.tentshowradio.org. ​ Lake Superior Big Top Chautauqua was founded in 1986. The first show under canvas was the Nelson-Ferris Concert Company Production Riding the Wind, the story of Bayfield and Madeline Island. Since then Big Top has welcomed over 700,000 patrons to the grounds for 2,000+ concerts and shows and countless lectures, workshops and other unique events. In addition to the action on the tent grounds, Big Top has also broadcast its performances over the public radio airwaves since 1994 through Tent Show Radio, bringing Big Top concerts into living rooms across the country and around the world via internet streaming and podcasts. Our resident band, the Blue Canvas Orchestra, also tours to theaters and schools throughout the Upper Midwest. Over the course of 30 years we've touched millions of lives and created millions of memories with our eclectic blend of excellent musical offerings.

Panelists:Allison Moorer is a singer/songwriter, producer, and author who has released ten critically acclaimed albums. Her first memoir, Blood, was released in October 2019 to high praise and received starred reviews in Publisher's Weekly, Kirkus, and Booklist. She has been nominated for Academy, Grammy, Americana Music Association, and Academy of Country Music Awards. Allison holds an MFA in Creative Writing from The New School; her work has been published in The Wall Street Journal, American Songwriter, Guernica, No Depression, Literary Hub, and The Bitter Southerner. She received the Hall-Waters Prize for Excellence in Southern Writing in 2020. Her second memoir will be released in October 2021. She lives in Nashville.BRIAN BROOME is an award-winning writer, poet, and screenwriter, and K. Leroy Irvis Fellow and instructor in the Writing Program at the University of Pittsburgh, where he is pursuing an MFA. He has been a finalist in The Moth storytelling competition and won the grand prize in Carnegie Mellon University's Martin Luther King Writing Awards. He lives in Pittsburgh.ELIZABETH MIKI BRINA is the recipient of a Rona Jaffe Bread Loaf Scholarship and a New York State Summer Writers Institute Scholarship. She currently lives and teaches in New Orleans.Margaret McMullan is the author of nine award-winning books including the novel, In My Mother's House, the story collection Aftermath Lounge, and the anthology, Every Father's Daughter. Her young adult novels How I Found the Strong, When I Crossed No-Bob, and Sources of Light have received best book awards from Parents' Choice, School Library Journal, the American Library Association, and Booklist among other educational organizations. Margaret received an NEA Fellowship and a Fulbright professorship in Hungary to research her memoir Where the Angels Lived.Margaret's work has appeared in USA Today, The Washington Post, The Huffington Post, The Los Angeles Times, The Chicago Tribune, The Boston Herald, Glamour, The Millions, The Morning Consult, Teachers & Writers Magazine, National Geographic for Kids, Southern Accents, Ploughshares, StorySouth, TriQuarterly, Michigan Quarterly Review, The Greensboro Review, Other Voices, Boulevard, The Arkansas Review, Southern California Anthology, and The Sun among others. She served on the faculty at Stony Brook Southampton's MFA Program in New York and she was the Melvin Peterson Endowed Chair in Literature and Creative Writing at the University of Evansville in Indiana. She writes full time in Pass Christian, Mississippi. See acast.com/privacy for privacy and opt-out information.

Welcome back to The Road Trip Playlists Podcast and to season two of The Road Trip Playlists Podcast. This week I'm joined by Parker Millsap. Parker has shared the stage with Elton John, opened for Jason Isbell and performed on Conan. His album ‘The Very Last Day' was nominated for the Americana Music Association's album of the year. He is currently on tour promoting his newest album ‘Be Here Instead' and will be at New York City's Bowery Ballroom Saturday night. Check out the new album and buy tickets to see him on tour at parkermillsap.com. I really enjoyed my conversation with Parker, we talk about his favorite road trip candy, his new album ‘Be here instead', and being back on tour. Thank you for listening. For more music coverage head to roadtripplaylists.com and stay tuned for more episodes in the coming weeks!  --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

435. We talk to Steven Shepard about his novel. Brother Against Brother: Civil War is a historical fictional novel about the Red River Campaign of the American Civil War as it was as experienced by Captain Douglas Ivey. Captain Ivey gets assigned by his commander, General Richard Taylor, to assemble a rag tag squad of soldiers drafted from local Louisiana civilians and regular Confederate Army to conduct a recon mission south along the Red River to locate and number an invading Yankee Army. The story Brother Against Brother illustrates the personal losses and suffering the people of Northwest Louisiana and Captain Ivey experienced from the Civil War and the Red River Campaign that brought a bloody war to their doorstep. Along the way, Captain Ivey meets a unique assortment of characters from the North Louisiana region that illustrate the kind of people involved in that conflict, period and the war of 1864. The action of the story climaxes with Captain Ivey's experience at the Battle of Mansfield and the capture of Captain Ivey's own brother from the Union Army. The book is a dramatic story of what happens to two brothers on opposite sides of a war after they have to face each other in armed combat. This week in Louisiana history. September 18, 1799. Sebastian Calvo is appointed governor general of Louisiana. This week in New Orleans history.  Malcolm John "Mac" Rebennack receives a Lifetime Achievement Award, September 18, 2013. Dr. John was awarded the Americana Music Association's 2013 Lifetime Achievement Award on Wednesday, September 18, 2013 at  11th annual Americana Music Awards at the Ryman Auditorium in Nashville. This week in Louisiana. Highland Jazz & Blues Festival September 18, 2021 The best local and national musicians gather every year at the Highland Jazz & Blues Festival. Shreveport's own "party in the park" is held every year in September in the historic Highland neighborhood. This free festival features great food and local artwork and has become one of the fastest growing events in the city. Family friendly. Dog friendly and people friendly. Phone: 318-469-5642 Email: highlandjazzandblues@gmail.com Postcards from Louisiana. Violinist Tanya Huang on Royal St.Listen on iTunes.Listen on Google Play.Listen on Google Podcasts.Listen on Spotify.Listen on Stitcher.Listen on TuneIn.The Louisiana Anthology Home Page.Like us on Facebook.  

If you haven't discovered the incredible Liverpool based artist Robert Vincent, you are certainly in for a treat! Since his debut album ‘Life in Easy Steps' in 2013, Robert Vincent from Liverpool has been one of the most acclaimed new voices in Americana, Country and Folk. Having received the inaugural Emerging Artist Award from ‘Whispering' Bob Harris in 2016 – who described Vincent as “absolutely magnetic”, Vincent was then invited onto BBC4's ‘Old Grey Whistle Test: For One Night Only'. That performance marked a real breakthrough for Vincent, establishing him as one of the UK's leading lights in Americana and propelling him to #1 in the iTunes Country chart. On Robert's latest offering ‘In This Town You're Owned', he returns with his most relevant album to date, produced by Brit Award winning Ethan Johns – who has won acclaim for his production work with, amongst others, Paul McCartney, Ray LaMontagne, Laura Marling, Kings of Leon, The Boxer Rebellion, The Staves, Gilbert O'Sullivan and Tom Jones. What a great result for Robert and Ethan Johns scooping Album of the Year. Overall fantastic achievements for Robert. What an unbelievable climb it's been after so many years of writing and recording.Robert has performed extensively across the UK, Europe and the USA alongside such classic artists as Elvis Costello, Robert Plant, James Blunt, Mary Chapin Carpenter, Beth Neilson Chapman and Paul Carrack. Exciting times ahead as plans are now well under way for Robert's return to a live stage. Stay tuned for future announcements on ‘THIS TOWN TOUR 2021/22' and ‘STRINGS ATTACHED' concert events. Be sure to check out Robert Vincent online at https://robertvincentmusic.com/ and his music that is also available on iTunes and most outlets!Host Lee Zimmerman is a freelance music writer whose articles have appeared in several leading music industry publications. A former promotions representative for ABC and Capital Records and director of communications for various CBS - affiliated television stations. Lee, who currently lives in East Tennessee, recently authored "Americana Music - Voices, Visionaries & Pioneers of an Honest Sound" which is now available on Amazon and other outlets. You can contact Lee at lezim@bellsouth.netCohost/Producer Billy Hubbard is a Tennessee based Americana Singer/Songwriter and former Regional Director of A&R for a Grammy winning company, as well as a music and podcast producer. Billy is also the venue developer and booking manager of The Station in East TN. As an artist Billy is endorsed by Godin's Simon & Patrick Guitars. You can find Billy Hubbard online at http://www.BillyHubbard.com  

Mary Gauthier was twelve years old when she was given her Aunt Jenny's old guitar and taught herself to play with a Mel Bay basic guitar workbook. Music offered her a window to a world where others felt the way she did. Songs became lifelines to her, and she longed to write her own, one day. Then, for a decade, while struggling with addiction, Gauthier put her dream away and her call to songwriting faded. It wasn't until she got sober and went to an open mic with a friend did she realize that she not only still wanted to write songs, she needed to. Today, Gauthier is a decorated musical artist, with numerous awards and recognition for her songwriting, including a Grammy nomination. In Saved by a Song: The Art and Healing Power of Songwriting (St. Martin's Essentials, 2021), Mary Gauthier pulls the curtain back on the artistry of songwriting. Part memoir, part philosophy of art, part nuts and bolts of songwriting, her book celebrates the redemptive power of song to inspire and bring seemingly different kinds of people together. The Associated Press named Mary Gauthier one of the best songwriters of her generation. Her album Rifles & Rosary Beads was nominated for a Grammy award for Best Folk Album and Record of the Year by the Americana Music Association. Her songs have been recorded by dozens of artists, including Boy George, Blake Shelton, Tim McGraw, Bettye Lavette, Kathy Mattea, Amy Helm and Candi Staton. Saved by a Song is her first book. She lives in Nashville. Morris Ardoin is author of STONE MOTEL – MEMOIRS OF A CAJUN BOY (2020, University Press of Mississippi), which was optioned for TV/Film development in 2021. A communications practitioner, his work has appeared in regional, national, and international media. He divides his time between New York City and Cornwallville, New York, where he does most of his writing. His blog, Parenthetically Speaking, can be found at www.morrisardoin.com. Twitter: @morrisardoin Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

Mary Gauthier was twelve years old when she was given her Aunt Jenny's old guitar and taught herself to play with a Mel Bay basic guitar workbook. Music offered her a window to a world where others felt the way she did. Songs became lifelines to her, and she longed to write her own, one day. Then, for a decade, while struggling with addiction, Gauthier put her dream away and her call to songwriting faded. It wasn't until she got sober and went to an open mic with a friend did she realize that she not only still wanted to write songs, she needed to. Today, Gauthier is a decorated musical artist, with numerous awards and recognition for her songwriting, including a Grammy nomination. In Saved by a Song: The Art and Healing Power of Songwriting (St. Martin's Essentials, 2021), Mary Gauthier pulls the curtain back on the artistry of songwriting. Part memoir, part philosophy of art, part nuts and bolts of songwriting, her book celebrates the redemptive power of song to inspire and bring seemingly different kinds of people together. The Associated Press named Mary Gauthier one of the best songwriters of her generation. Her album Rifles & Rosary Beads was nominated for a Grammy award for Best Folk Album and Record of the Year by the Americana Music Association. Her songs have been recorded by dozens of artists, including Boy George, Blake Shelton, Tim McGraw, Bettye Lavette, Kathy Mattea, Amy Helm and Candi Staton. Saved by a Song is her first book. She lives in Nashville. Morris Ardoin is author of STONE MOTEL – MEMOIRS OF A CAJUN BOY (2020, University Press of Mississippi), which was optioned for TV/Film development in 2021. A communications practitioner, his work has appeared in regional, national, and international media. He divides his time between New York City and Cornwallville, New York, where he does most of his writing. His blog, Parenthetically Speaking, can be found at www.morrisardoin.com. Twitter: @morrisardoin Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Mary Gauthier was twelve years old when she was given her Aunt Jenny's old guitar and taught herself to play with a Mel Bay basic guitar workbook. Music offered her a window to a world where others felt the way she did. Songs became lifelines to her, and she longed to write her own, one day. Then, for a decade, while struggling with addiction, Gauthier put her dream away and her call to songwriting faded. It wasn't until she got sober and went to an open mic with a friend did she realize that she not only still wanted to write songs, she needed to. Today, Gauthier is a decorated musical artist, with numerous awards and recognition for her songwriting, including a Grammy nomination. In Saved by a Song: The Art and Healing Power of Songwriting (St. Martin's Essentials, 2021), Mary Gauthier pulls the curtain back on the artistry of songwriting. Part memoir, part philosophy of art, part nuts and bolts of songwriting, her book celebrates the redemptive power of song to inspire and bring seemingly different kinds of people together. The Associated Press named Mary Gauthier one of the best songwriters of her generation. Her album Rifles & Rosary Beads was nominated for a Grammy award for Best Folk Album and Record of the Year by the Americana Music Association. Her songs have been recorded by dozens of artists, including Boy George, Blake Shelton, Tim McGraw, Bettye Lavette, Kathy Mattea, Amy Helm and Candi Staton. Saved by a Song is her first book. She lives in Nashville. Morris Ardoin is author of STONE MOTEL – MEMOIRS OF A CAJUN BOY (2020, University Press of Mississippi), which was optioned for TV/Film development in 2021. A communications practitioner, his work has appeared in regional, national, and international media. He divides his time between New York City and Cornwallville, New York, where he does most of his writing. His blog, Parenthetically Speaking, can be found at www.morrisardoin.com. Twitter: @morrisardoin Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Annemarie Picerno is a Grammy member, Americana Music Association member, and Indie Collaborative Artist. She is a Josie Music Award Winner for her hit song "Bonfire" along with being presented in 2019 and 2020 The Gran Royale Music Award, Holland Red Carpet 2020 Female Entertainer of Year, and a 2019 LDM Radio Music Award.  She has performed in theater, bands in every musical genre, comedy shows, film, radio and television and is a popular radio host on several specialty featured radio stations. Her music videos are seen by millions on Bongo Boy TV and also on Rebel TV Productions , Roku and Apple Tv  channels.  She has topped numerous Top 40 indie radio charts with her powerful voice and harmonies in country, rock, pop, blues, and American Roots.  www.annemariepicerno.com OFFICIAL WEBSITE www.youtube.com/amplifiedsound         www.facebook.com/annemariepicerno PERSONAL FACEBOOK https://www.facebook.com/AnnemariePicernoOfficialMusicPage/  BAND PAGE FACEBOOK www.twitter.com/amplifiedsound TWITTER www.instagram.com/annemariepicerno/ INSTAGRAM  www.linkedin.com/in/annemariepicerno/ LINKEDIN

Pam Matthews is a proven leader with four decades in the entertainment business. She began her career at age fifteen as a runner for Mid South Concerts in Memphis. Today, she serves the industry as executive director of one of its most influential trade organizations. Matthews toured internationally in the early 80s as an accountant for KISS and Ozzy Osbourne. She was part of the team that constructed and managed Starwood Amphitheater, the first venue owned & operated by Live Nation (then Pace Concerts). In 1988, Matthews began her twelve-year tenure with The Judds. Matthews was named General Manager of Nashville's Ryman Auditorium in 2000. During her eight years managing the historic venue, the Ryman rose to prominence as one of the top-grossing theaters in the world. IEBA chose Matthews to be its Executive Director in 2013. Since then, the 50-year old organization has tripled its membership and attendance at its annual conference continues to break records year-after-year. In 2017, IEBA established its Educational Outreach Fund, a 501(c)(3) charity, that has endowed over $1 million in scholarships and awards more than $60k annually to students across the U.S. Matthews attended Christ Church College, Oxford University as a Rhodes Scholar. In 1989, she passed the Uniform Certified Public Accountant Examination. In 2006, Billboard magazine ranked Matthews on its first “Women in Music” list. Recent honors include Nashville Business Journal “Women in Music City” and VenuesNow “Women of Influence.” Matthews has served on the Board of Directors of the Opry Trust Fund, Nashville Downtown Partnership, Leadership Music, Americana Music Association, and Music City Music Council's Leadership Forum.

To kick off the start of season two we have Traci Thomas joining us this week! Traci is the current owner and operator of TT Management, alumni of MTSU, and a founding member of the Americana Music Association. But we'll let her tell you all about that.

Alejandro Escovedo was born into a musical family in San Antonio Texas. Where his older siblings and father pursued Mexican music, he dove into rock and roll. His San Francisco punk band The Nuns played dates with The Ramones and the Sex Pistols. He moved to Austin where he emphasized songwriting and formed early roots rock bands Rank and File and The True Believers. Then through a solo career and enthusiastic collaborations he took on the status of an underground icon. In 1998, No Depression magazine named him its first Artist of the Decade. In 2006 the Americana Music Association granted him a Lifetime Achievement Award as a performer. Escovedo's newest project stemmed from collaboration of old friends Peter Buck - former guitarist of REM - and Scott McCaughey of power pop band The Minus 5. They collectively wrote and produced Burn Something Beautiful, a ruminative folk rock album that confronts aging and some of Escovedo's life struggles, including a 20 year battle with Hepatitis C. Escovedo sat down with me at the City Winery Nashville a few hours before the Burn Something Beautiful Band took the stage.  

Sam Bush has been officially certified by his home state of KY as a musical legend - The Father of Newgrass Music - and he won a lifetime achievement award from the Americana Music Association. There's nothing he hasn't achieved or proven in the studio, on the stage or in life. He's beaten cancer twice, and even written a song about it with the late Guy Clark. That and a bunch of other self-revealing songs are on his new album - his first in five years - called Storyman. We'll talk about that and more in the hour ahead. Also on this show, Time Machine Tape from Sam Bush hero and bluegrass founding father Bill Monroe, in conversation in 1973.   

After releasing her album 'All or Nothin'' and being nominated for Emerging Artist of the Year by the Americana Music Association in 2015, Nashville based country rock outlaw Nikki Lane and her band spent most of their time on the road, playing for ever-increasing crowds, working to expand their fan base, and just generally ripping things up. No surprise, then, that she got tired. So when she went into a studio to record a new album (her third), she wasn't pleased with the results " it was technical perfection, she says, but it wasn't the record she wanted to make. When her partner " musical and life " Jonathan Tyler suggested she try again with no outside producer, she was initially hesitant. But after tracking a song or two, she knew she was well on her way to a record that is, she says, the best thing she has done so far. Released in February, Highway Queen is a mixtape of an album, one with both tearjerkers and barn burners, and at the 30A Songwriters Festival in Florida earlier this year, Nikki Lane and Jonathan Tyler shared stripped down versions of a few of the new tunes.

David Serby is a stalwart member of Los Angeles' vibrant roots music community. He's a local boy, born in North Hollywood, and aside from leading his own band (The Latest Scam) and playing bass for other artists, Serby co-founded The California Roots Union, an advocacy group with a stated mission of "preserving and promoting the California roots music scene, upholding its long legacy and fostering new talent." It's enough to make any mortal musician tired just thinking about it. When asked if he's something other than mortal, or if, perhaps, his days have an extra hour or two, and Serby will politely demur - but his resume speaks otherwise. He is a prolific songwriter who has released five albums to date, the most recent of which is an eponymous double-disc set comprised of twenty songs that were culled from the fifty-odd songs he'd complied since his prior record. The David Serby and The Latest Scam record also marked a stylistic shift from the reputation he'd built as a country musician with a closet jones for acoustic folk. Inspired by the 80s British rock band Rockpile, Serby turned up the amps and jacked up the tempos in order to find a sonic palette that would allow him to express any Beatles, Stones, Ramones and Elvis Costello influences that had snuck in along with the Merle, Cash, Buck and Hank during his formative years. His band stepped up to the challenge and the record came with instructions to "PLAY LOUD" - thereby illuminating the blurred line between rock and country music that has evolved into the modern alternative country movement - a subgenre that now comes complete with its own awards show put on by the Americana Music Association, a distinct Grammy category and a growing fan base of people searching for authenticity in the digital music millennium. With feet planted firmly in both camps, David Serby has always had a front row seat at the party at the house where he has always lived.