Podcasts about Type design

Aujourd'hui, je reçois Eliott Grunewald, un typographe spécialisé dans les fontes de titrages ou ornementales. Eliott fait des études pluridisciplinaires aux Beaux-Arts de Lyon, puis en Type Design à l'ECAL. En master 2, il prépare déjà sa sortie d'école en bossant à mi-temps pour une fonderie. Il nous raconte comment les choses se sont faites petit à petit pour arriver à la création de sa fonderie OTT (Ornemental & Title Type), une fonderie sans aucune fonte de labeur. Les créations typo d'Eliott sont très singulières, très typées. Il a choisi cette pratique typographique parce qu'elle laisse plus de place à la liberté et à la spontanéité. Ce qui ne l'empêche pas de faire des recherches sur des anciennes typo pour se les réapproprier et les emmener ailleurs. Bonne écoute ! ➡️ @ornemental_title_type ott-foundry.comLes références et noms cité.es :- Olivier Lebrun- Alex Balgiu- Thierry Chancogne- Damien Gauthier- Mathieu Cortat- 205tf- Lan Party- Swiss TypefacesType in use : Rigaldon de Eliott Grunewald, disponible sur ott-foundry.com20% de remise sur StickerApp avec le code GRAPHICMATTER20 (valable tout le mois d'avril 25)Pour faire un don et soutenir le podcast.Pour vous inscrire à la newsletter mensuelle de Graphic Matter.Pour suivre le podcast @graphicmatterpodcastMerci pour votre soutien, on se retrouve toutes les deux semaines pour une nouvelle rencontre. Conception, production, curation, graphisme : Louise GomezHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

This dual feature episode explores the legacy of Susan Kare, the designer behind the original Mac icons, with guests Amy and Jennifer Hood, the twin creatives behind Hoodzpah, known for their bold branding and empowering creative business strategies._______Support this podcast with a small donation: Buy Me A CoffeeThis show is powered by Nice PeopleJoin this podcast and the Patreon community: patreon.com/womendesignersyoushouldknowHave a 1:1 mentor call with Amber Asay: intro.co/amberasay_______Sources / Links:Susan Kare's Prints: kareprints.comSmithsonian ArticleAmy and Jen's Book: Freelance and Business and Stuff by Amy Hood and Jennifer HoodAbout SusanSusan Kare is a graphic designer and pioneering iconographer best known for her work on the original Apple Macintosh in the early 1980s. With a background in fine arts, she had no prior experience in computer graphics when she was hired to design the first digital icons and typefaces for the Mac. Using graph paper and pixel constraints, she created some of the most enduring symbols in tech history, including the Happy Mac, the Command key symbol, and the original Mac fonts like Chicago and Geneva. Her designs humanized technology, making computers intuitive and accessible to non-technical users. After Apple, she continued shaping digital interfaces at NeXT, Microsoft, Facebook, and Pinterest, and today, she serves as a Design Architect at Niantic Labs while selling limited-edition prints of her iconic designs.About Amy & Jen HoodAmy and Jen Hood are the twin sister duo behind Hoodzpah, a Southern California-based branding agency known for its bold, strategic, and personality-driven design work. Since founding Hoodzpah in 2011, they have worked with major brands like Disney, Nike, and 20th Century Fox, creating memorable identities and custom typefaces. Beyond client work, they are passionate about helping creatives build successful careers—they wrote Freelance, and Business, and Stuff, a practical and empowering guide to running a creative business, and have launched resources for designers, including brand identity courses and custom fonts. With a fearless approach to branding and a deep understanding of creative entrepreneurship, Amy and Jen have carved out a distinctive place in the design world while uplifting the next generation of creatives.Amy and Jen's Book: Freelance and Business and Stuff by Amy Hood and Jennifer HoodFollow Amy & Jen:Amy's Instagram: @amyhoodlumJen's Instagram: @thegoodhoodStudio Instagram: @hoodzpahdesignWebsite: hoodzpahdesign.com ____View all the visually rich 1-min reels of each woman on IG below:Instagram: Amber AsayInstagram: Women Designers Pod

Learn about the minimalist jewelry designer, Betty Cooke, from another legend, Ellen Lupton, graphic designer, educator, and author of dozens of books including "Thinking With Type"This show is powered by Nice PeopleJoin this podcast and the Patreon community: patreon.com/womendesignersyoushouldknowHave a 1:1 mentor call with Amber Asay: intro.co/amberasayLinks:Thinking with Type, book by Ellen LuptonExtra Bold, book co-authored by Ellen LuptonBetty Cooke's Store_________About Betty Cooke:We recently lost another design legend, Betty Cooke, whose passing marks the end of an era in modernist jewelry design. Born in 1924 in Baltimore, Maryland, Betty Cooke was a trailblazing designer celebrated for her minimalist and sculptural jewelry. Her work is defined by clean lines, geometric forms, and a timeless elegance that resonated across generations. After studying at the Maryland Institute College of Art (MICA), where she later became a beloved faculty member, Betty opened her own studio and eventually co-founded The Store Ltd., a Baltimore institution that showcased her work for over five decades. Her jewelry, often handcrafted in silver and gold with touches of wood or acrylic, is iconic for its simplicity and boldness—pieces that remain instantly recognizable as “Betty Cooke.” Cooke's influence is immortalized in museums, galleries, and in the collections of those fortunate enough to own her designs. Her legacy is one of innovation, elegance, and unwavering dedication to her craft.About Ellen Lupton:Ellen Lupton is one of the most influential voices in contemporary graphic design. Born in 1963, she is a celebrated designer, writer, curator, and educator whose work has profoundly shaped design education and practice. After graduating from Cooper Union in 1985, she became a curator at the Cooper Hewitt, Smithsonian Design Museum, where she curated groundbreaking exhibitions that connected design to culture and society. Ellen is perhaps best known for her book Thinking with Type, first published in 2004, which has become an essential guide for designers and is used in classrooms worldwide. Beyond her writing, she has played a pivotal role in shaping the Graphic Design MFA program at MICA, inspiring generations of designers with her innovative teaching methods. Her body of work extends to over 20 books, exploring topics from typography to storytelling in design. Ellen's contributions continue to influence how designers think, create, and communicate in today's visual world.Keep up with what Ellen Lupton's up to:Instagram  |  Website ____View all the visually rich 1-min reels of each woman on IG below:Instagram: Amber AsayInstagram: Women Designers Pod

In this episode, host Doug Wilson sits down with his long-time friend, Kyle Read, a distinguished type designer and graphic designer based in Denver, Colorado. Kyle shares his journey from studying at the Savannah College of Art and Design, working for various design studios and advertising agencies, to founding Badson Type Foundry. The two discuss the balance Kyle maintains between branding and type design, offering insights into the economic realities of the industry and the importance of creating brand-ready, personality-driven typefaces. Additionally, the episode delves into Kyle's innovative marketing strategies for type foundries and his collaborative project, Proof & Co, which provides valuable data analyzing the independent typography market. Through it all, Kyle emphasizes the significance of community within the type industry, particularly within Denver, a city he and Doug both celebrate for its unique creative spirit and historical ties to typography. You can find blog posts for this and all our past episodes at monotype.com/podcast.

In this episode of The Angry Designer LIVE, we are thrilled to introduce Jess Goldsmith, an award-winning illustrator, lettering artist, and art director based in NYC. With a vibrant and colorful style, Jess has made waves in the design world, working with global clients to create eye-catching visuals. Her passion for amplifying important causes such as mental health, gender equality, and LGBTQAI+ issues shines through in her work, making her a true advocate for change.Jess is also the owner and curator of Women of Type, a thriving community dedicated to promoting the work and voices of underrepresented women and non-binary artists in the typography and lettering space. Through Women of Type, Jess has created a platform that not only showcases stunning work but also fosters a supportive and inclusive environment for artists to connect and grow.Join us as we dive into Jess's journey, from her beginnings in the art world to becoming a leading voice in the design community. We'll explore her creative process, the challenges and triumphs of working on meaningful projects, and the impact of her advocacy work. Whether you're an aspiring artist or a seasoned designer, this episode is packed with inspiration and insights from one of the industry's most dynamic talents.In this conversation, we discuss:The importance of using art to amplify social causes and create impactful messages.Strategies for building and nurturing a creative community.Insights into the world of typography and lettering from a leading expert.How to balance commercial work with passion projects that drive change.Tune in to hear Jess's story and get inspired by her dedication to both her craft and her causes.Angry Designer LIVE brings you event-based interviews with designers, speakers, and guests from top creative events. This series continues with an exclusive session from Creative South 2024 in Columbus, Georgia.Stay Angry our Friends –––––––––––Want to see more? See uncut episodes on our YouTube channel at youtube.com/theangrydesigner Read our blog posts on our website TheAngryDesigner.comJoin in the conversation on our Instagram Instagram.com/TheAngryDesignerPodcast

Welcome to season 4 episode 3 of Sorted: The Art of Type Design with Jen Wagner. In this episode, we bring on special guest, Jen Wagner, to talk all things type. We chat about creating a font from scratch, how long it takes to design and typeface, and why licensing your fonts are so important! — Jen Wagner⁠⁠⁠ ⁠Website⁠ ⁠⁠⁠⁠⁠Instagram⁠⁠ Newsletter⁠⁠⁠ Use code SORTED for 20% off your order at ⁠Jenwagner.co — Sign up for ⁠⁠⁠Notion⁠⁠⁠ for free! — Follow Sorted: ⁠⁠⁠⁠@sorted.pod⁠⁠⁠⁠ Follow Alex: ⁠⁠⁠⁠@apthecreative⁠⁠⁠⁠ Follow Emma: ⁠⁠⁠⁠@esm.creative⁠⁠⁠⁠ ⁠msha.ke/sortedpod⁠ — Have any questions? Reach out anytime! ⁠⁠⁠⁠howdy@sortedpod.com⁠⁠⁠⁠ Sponsorship + Advertising inquiries: ⁠⁠⁠⁠howdy@sortedpod.com⁠⁠⁠⁠ Support this podcast: ⁠https://podcasters.spotify.com/pod/show/sorted-podcast/support⁠ — Get your coffee ready and let's get Sorted! --- Support this podcast: https://podcasters.spotify.com/pod/show/sorted-podcast/support

Elliot sits down with Jamie Clarke — a  type designer and lettering artist who just happens to live in the same village in rural Somerset. Actually, Elliot and Jamie have been friends for years, and have been collaborating since the early days of 8 Faces. This is an edited version of a much longer ramblechat, in which they discuss Jamie's forthcoming new typeface Nave, his self-initiated studio projects that have won him high-profile client work, the journey to his “third” career, and the threats and opportunities posed by AI.A few things mentioned in this episode include:Jamie & Filip's article on AI for Smashing MagType Design intensive (TDi) course at ReadingThe Dark Art of Pricing by Jessica HischePrice with Purpose by GooodtypeHouse of Leaves by Mark Z. DanielewskiSpecial plug: Elliot's new project, Fine Specimens, is currently fundraising on Kickstarter until 13th June. Help bring it to life! —You might also enjoy Elliot's newsletter Typographic & Sporadic, which is typographic in its nature and sporadic in its delivery. —Hello, type friends! is published by Margin Media, Ltd. Theme music by Other Form.

Elliot sits down with Ty Finck — an old friend in internet terms — to talk about making music regularly, liberating his last foundry to Google Fonts, his F-Bombs project, and — a recurrent theme this season — the woes of social media.Special plug: Elliot's new book, Universal Principles of Typography, is out now and available from anywhere that sells books. You can find a few handy links to buy it on elliotjaystocks.com/book You might also enjoy Elliot's newsletter Typographic & Sporadic, which is typographic in its nature and sporadic in its delivery.

Elliot sits down with James Edmondson of OH no Type Co. — whose typefaces Degular and Swear are used in Elliot's new book and indeed the branding for this podcast — to talk about the realities of launching and growing a type foundry, making his own bass guitars, stealing good ideas, and a bit of reminiscing about the good ol' CSS Zen Garden. You might also enjoy Elliot's newsletter Typographic & Sporadic, which is typographic in its nature and sporadic in its delivery.

ohnotype.co/fonts/yumexhttps://dualtype.design/https://www.instagram.com/dualtype.designhttps://www.letrastica.com/en

Elliot sits down with Francis Chouquet, a type designer, lettering artist, printmaker, and former web designer who's based just outside of Basel, Switzerland, to talk about the weekly schedule that enforces time away from screens, using physically distinct locations to do different kinds of creative work, and how he's grown his audience via his newsletter, The Typochondriac Weekly.The book Francis mentions in this episode is How to Do Nothing, by Jenny Odell. He and Elliot also mention the newsletters and membership programme run by Craig Mod.  You might also enjoy Elliot's newsletter Typographic & Sporadic, which is typographic in its nature and sporadic in its delivery.

In this week's episode of Open Studio, with the brilliant James Edmondson, a renowned type designer based in San Jose, California. James, the mastermind behind Ohno Type Co., shares invaluable insights into the world of type design, from its inception to its evolution into a profitable business venture. Discover the secrets behind James's creative process, his journey from lettering to founding a type foundry, and the strategies that propelled his company to success. Whether you're a seasoned designer or a budding enthusiast, this episode offers a wealth of knowledge and inspiration. Don't miss out! Watch now and explore the fascinating realm of type design Follow James Website: https://ohnotype.co/ instagram: https://www.instagram.com/ohnotypeco/ See full show notes https://www.martinaflor.com/podcast

Elliot sits down outside a pub in Bristol with designer and lettering artist Emma Luczyn, who was responsible for Elliot's hand-lettered logo. They talk about Emma's journey as a self-prescribed black sheep in a non-creative family, budgeting sensibly as an art student, delaying getting a ‘real job' in order to travel, moving from print design to web design to lettering, and how her family life has come about as a direct result of her creative pursuits. Warning: as well as some NSFW language in this one, there's an actual mention of Bézier curves. Please forgive us. You might also enjoy Elliot's newsletter Typographic & Sporadic, which is typographic in its nature and sporadic in its delivery.

Elliot sits down for a cup of tea at Erik Spiekermann's house in London to discuss his successes and failures, his latest typeface neue Serie57®, the relationship between paper and screen, and why Frutiger could very well be the typeface Erik takes to a desert island. Warning: lots of swearing!

Irene Vlachou (*1981) gained her Masters in Type Design at the University of Reading in 2004. She subsequently started to collaborate with international type foundries and corporations, working as a type designer and as a Greek type consultant. From 2013 to 2019 she was senior designer and variable font expert at Type-Together. From January 2020 she is back to full time freelancing Greek and variable fonts.

Links mentioned in this episode:Spencer TweedyPurchase Wilco Loft Sans at SimpleBits or Wilco's StoreWilcoFjord AudioDivine NoiseDrumprintsNate SmithMetaLabBlake MillsThe LoftShips WhistleFonts of the LoftThe Tweedy ShowPretty Cool Ice Cream

Elliot sits down with Dan Cederholm, who many will know for his pioneering web design work, his multiple books, and as the co-founder of Dribbble. These days, Dan's studio Simplebits is a type foundry, so Elliot and Dan talk learning new skills, career reinvention, the woes of social media, and moving from digital to analogue and back again — all with a healthy (or is that unhealthy?) dose of reminiscing about the good ol' days of the web.

What I learned from reading ⁠Frederic Goudy⁠ Frederic Goudy was the most famous type designer in the world, the designer of over 100 different typefaces, the author of a number of published works, and a public lecturer and teacher. Join me in this conversation as we study the life, work, and mind of Frederic Goudy. --- (2:52) ⁠"Why Designers Can't Think"⁠ by Michael Bierut (5:36) Goudy's design philosophy (8:18) Titans episodes ⁠#1 (Jan Tschichold)⁠ and ⁠#2 (Paul Renner)⁠ (9:39) Goudy's Deepdene typeface (12:12) Goudy's critique of the types of the past (15:15) ⁠Call Sign Chaos: Learning to Lead⁠ by Jim Mattis (25:02) ⁠Confessions of an Advertising Man⁠ by David Ogilvy (26:58) Goudy meets Will Bradley, leading Art Nouveau Illustrator and the highest-paid American commercial artist (28:14) Goudy's first introduction to The Kelmscott Press and ideas of William Morris as well as Charles Ricketts and Charles James Cobden-Sanderson, who all became large sources of inspiration for Goudy's work (30:00) Frederic and Bertha get married and begin a long career together (31:40) Jeff Bezos on the "smartest people" in ⁠interview with Inc.⁠ (36:51) Goudys move to Hingham (38:02) The Goudys are joined in Hingham by ⁠W. A. (Billy) Dwiggins⁠, originator of the term "graphic design" (40:43) Goudy meets ⁠Mitchell Kennerley⁠ (42:02) The Village Press destroyed by first fire (44:06) Goudy visits England for the first time (44:58) The Goudys take a second trip to Europe, which changes Frederic's life (46:40) ⁠Setting the Table⁠ by Danny Meyer, founder of Shake Shack (48:17) Goudy now an expert in type design (50:34) Goudys move again to Deepdene Road in Forest Hills Gardens, Queens (52:39) Goudy as genius designer and master marketer (53:56) Goudy wins AIGA Gold Medal and begins to receive criticism (56:21) Goudys move yet again to house and adjoining mill at Marlboro-on-Hudson, naming the location Deepdene, after their previous residence street (1:01:03) Goudy's final works, A Half-Century of Type Design and Typography: ⁠Volume 1⁠, ⁠Volume 2⁠

https://jenwagner.co/https://www.tiktok.com/@jenwagner.cohttps://www.instagram.com/jenwagner.co/

https://www.typeelectives.com/https://www.instagram.com/typeelectives/Donate: https://www.typeelectives.com/donateNewsletter: https://typeelectives.substack.com/

https://klim.co.nz/https://www.instagram.com/klim_type_foundry/https://twitter.com/klimtypefoundryhttps://fontsinuse.com/foundry/133/klim-type-foundry 

In this first of the two part conversation with Nadine Chahine, type designer and CEO of I Love Typography, we dig into Arabic type design, typography and type design in general. Browse Fonts on I Love Typography

Devon Larratt, a designer and typographer, discusses the exorability of goatskin type and the new Sibylla typeface from Garamond.

https://benkiel.com/https://xyztype.com/https://www.instagram.com/xyz_type/https://twitter.com/xyz_typehttps://www.tiktok.com/@xyz_type

James Edmonson Founder of Oh no Type Co is my guest today on The Jesse Nyberg Podcast. James is a super talented type designer and his company Oh No Type has created some of my absolute favorite fonts like Obviously, Chee, and Degular. In this episode James and I chat about Getting started in type design, owning your work as a designer, following your passions and more James Links: https://ohnotype.co/ https://www.instagram.com/ohnotypeco/ If you want more content or just want to support the podcast/channel then check out: https://www.patreon.com/Jessenyberg

Have you ever hired a type designer to design type for your packaging? Sometimes it feels like that's something saved for the big brands or major agencies, but it's not. Type Designer Scott Biersack and Evelio discuss the finer points of type and Scott shares how even the big agencies buy font sets to use for packaging without hiring someone for custom typography. Learn how to pair type, talk about type, and even ways to challenge on shelf competitors with type. If you want to support the podcast you can subscribe or leave a review wherever you get your podcasts. --- Pick up a death metal PDU hoodie

Type Design School Round Up Lots of nerdy goodness this week, and don't worry, no April Fools gags here - just good, honest typographic fun. We're looking at a cool open source tool that fixes some of the pain of ragging your web type, and finding out about a designer with a background in graffiti and who uses this skill in their typographic and design work. We're also reading about two really cool revival projects; one out of France presented by the awesome folk at Velveteen, and one by Brandon Nickerson, which was an accidental typeface born out of a logo project. For this week's Nerd Alert we're chatting about type education. In this first part of a few conversations we want to have about this topic we're looking at formal type education schools. We're talking about some of the ‘big' names you often hear thrown around (Type @ Cooper, TypeWest, Type Paris, Reading, and The Hague), and talking about the differences between them, and why a formal program might be a good idea for someone. We're going to follow this up with an episode about more self-directed, virtual, and shorter options, so keep your eyes and ears peeled for those. As usual, if you spot anything cool on the internets that you'd like us to chat about, hit us up on Twitter or Instagram, you'll find us @theleagueof on both platforms. Weekly Typographic Newsletter Links Find out more at http://podcast.theleagueofmoveabletype.com

https://commercialtype.com/https://commercialclassics.com/https://vault.commercialtype.com/https://www.instagram.com/commercialtype/

才华横溢、大器晚成、命途多舛……这些标签或许可以一齐用来形容弗雷德里克·高迪。然而，标签远无法概括一位巨匠。今天的一小时，我们再次邀来 Rex 做客嘉宾，藉由人生片段和字体作品，回忆这位活跃在世纪之交的字体设计师。 参考链接 空明朝体计划在 3 月 15 日发布 弗雷德里克·高迪（Frederic Goudy, 1865–1947），美国字体设计师、印刷师；1920 至 1947 年间于 Lanston Monotype（今 Monotype Imaging）任艺术总监 Bertha Matilda Sprinks Goudy (1869–1935)，美国排字师、印刷师 高迪及其字体设计相关的纪录片，The Museum of Printing 发布于 YouTube 高迪字体作品列表 本期节目提及的部分高迪作品： Copperplate Gothic，American Type Founders 于 1901 年出品 Goudy Old Style，American Type Founders 于 1915 年出品 Garamont，高迪复刻的 Garamond 字体，Lanston Monotype 于 1921 年出品 Deepdene，Lanston Monotype 于 1927 年出品 Goudy Sans，Lanston Monotype 于 1929 年出品 Erik Spiekermann. Stop Stealing Sheep & Find Out How Type Works (3rd edition). Adobe Press, 2013 Sheep shagger American Type Founders P22 Type Foundry 出品的高迪字体复刻系列 Frederic Goudy & Bertha Goudy. Elements of Lettering. Mitchell Kennerley, 1922 Frederic Goudy. A Half-Century of Type Design and Typography: 1895–1945 (Volume 1 & Volume 2). 1946 嘉宾 Rex Chen：The Type 建立者、主编 主播 Eric：字体排印研究者，译者，The Type 编辑 蒸鱼：设计师，The Type 编辑 欢迎与我们交流或反馈，来信请致 podcast@thetype.com​。如果你喜爱本期节目，也欢迎用支付宝向我们捐赠：hello@thetype.com​。 欢迎加入 The Type 会员计划，每月可通过会刊获得本节目更多图文扩展阅读，并享受礼品赠送、活动优惠以及购物折扣等权益。

In this episode of See Through Design we interview logo and type designer Adam Greasley. Being a self taught designer with no formal education we discuss how Adam got into design, how he taught himself, got into the industry, how he's progressed into becoming a self employed designer specialising in logos and type design and a whole lot more. Check out Adam's website here - https://oakfold.co.uk Buy Adam's fonts here - https://creativemarket.com/wearecolt https://www.myfonts.com/foundry/wearecolt

In this episode of See Through Design we interview type designer and founder of Nootype Foundry, Nico Inosanto. We discuss how he got started as a type designer, how to go about creating a font, hints and tips for people looking to start type design, type design software, font licenses, starting a foundry, designing a font for Bugatti, creating glyphs in foreign alphabets and more. Check out Nootype's website - www.nootype.com

Lettering versus type design skills Look, we couldn't cover this week's type and design news without mentioning the big one… the meta-verse. What does it mean for designers? How will the future of a virtual universe change And what about that new logo?? Away from that and back into the real world(!), we're talking about a great behind the scenes interview with the Sharp Type co-founders, the news about PostScript Type 1 support being dropped by Adobe, and a super cool piece of design / visual communication by the clever folks at The Pudding. We're having more of a conversation in this week's nerd alert, where Micah and Steph grill Olivia on her experiences practicing both type design and lettering, the lessons she takes from one to the other, and how those skills help her more generally as a designer. We had fun, we hope you enjoy the conversation too. If you have more questions on the topic that we didn't cover, drop us a note on Twitter or Instagram @theleagueof. PS. If you want to hear our previous conversation about why you would using custom lettering versus typography in your designs, scroll back to episode #33 from August 2020. Weekly Typographic Newsletter Links Find out more at http://podcast.theleagueofmoveabletype.com

You can see more of Jaimey's work here and here.

Highlights from the conversation:A brand is an organism composed of hundreds of elements, logos, copywriting, photography, colours, and of course, typographyBig companies spend millions of dollars on their fucking brand. Why can't they spend a little bit more money to make sure they have a font that is recognisable?They don't even have to say anything. They just have to put type on a page and people would immediately recognise the brand It's very difficult to maintain what's good about the brandThey're rooted in this idea of being digital-friendly but they're falling in line with everybody elseIf you spend $250,000 for a photo campaign, that gets used for one season. If you spend the same amount for a font that you use for 20 years, the cost is negligible More about MatteoMatteo Bologna is the Founder and Creative Director of New York-based branding studio Mucca, a singular personality whose multidisciplinary background in architecture, graphic design, illustration, and typography has helped him build one of the most respected companies in design. Over his celebrated career, Matteo's focused but fun-loving approach has earned strong client partnerships across countless industries, from startups, small retailers and beauty powerhouses to hospitality where he has designed for various renowned hotels and restaurants. This includes work for Sephora, Barnes & Noble, Target, WeWork, Whole Foods, Adobe Systems, the legendary Balthazar in NY and many others.Matteo is also a former board member of AIGA NY and president emeritus of the Type Directors Club, frequently lecturing around the world about his passion for typography. For his efforts, he has been widely recognized by industry publications, competitions and exhibitions, including: Communication Arts, Eye, Graphis, HOW, PRINT, the Art Directors Club, and the James Beard Foundation.Find Matteo here: Website | LinkedIn | Instagram Show NotesPeople:Rainer ScheichelbauerCompanies and organisations:MuccaGlyphsBalenciagaAbsolut VodkaMiscellaneous:FontographerMatteo's course – Type Design for Non-Type designersMatteo's workWhole FoodsRise by WeWorkSephoraFarmer's Fridge How you can helpThere are four ways you can help us out.Give us your thoughts. Rate the podcast and leave a comment.Share this as far and wide as you can - tell your friends, family and colleagues about us (caveat: if you own a family business, these may all be the same people)Tell us how we can create a better podcast - tell us what you liked, didn't like, or what you'd like to hear more (or less) ofTell us who you'd like to hear on the podcast. Suggest someone that you think we should interview. One More Question is a podcast by Nicework, a purpose-driven company helping people who want to make a dent in the world by building brands people give a shit about.One of the things we do best is ask our clients the right questions. This podcast came about because we want to share some of the best answers we have heard over the last 13 years. We talk to significant creators, experts and communicators we encounter and share useful insights, inspiration, and facts that make us stop and take note as we go about our work.Hosted by our founder Ross Drakes.Subscribe iTunes, Spotify, Stitcher, Google PodcastsMusic by: @dcuttermusic / http://www.davidcuttermusic.com

Have a look at Eric's website, his twitter, his instagram, and his essay, “Towards a Decentralized Autonomous Type Foundry.” Three type designers were mentioned: Gerrit Noordzij, Berton Hasebe, and Stephen Nixon.

Learn more about FoundryCore and Fontdue.

Banknotes, branding and the optical magic of type design Banknote design, typeface post-mortems, positioning statements and a heap of free resources. It’s time for another week of design news and nuggets of goodness from around the internet. We’re getting into some deep dives this week on design, but also thinking about the tools and approaches that will help our careers as designers. Check out this week’s links, and episode, for more on these conversations. Also, Olivia has been trying her hand at magic... or at least digging into the magic of the optical illusions required in type design. Make sure you listen to this week’s Nerd Alert to hear more…

Darden Studio's website.

After the recording of this episode, Rob texted me, “oh god did i say john lennon sang get back?” He is aware that it's actually Paul on lead vocals there.Rob is on Instagram, so is Goodhertz, and you can learn more about ColdType here.This episode was recorded on April 27, 2021.

Kalapi is an Indian typeface designer and font engineer. He graduated from The Faculty of Fine Arts, MSU Baroda. And he later pursued his post-graduation in Typeface Design from University of Reading. In 2016, he joined forces with friend and fellow University of Reading graduate Gunnar Vilhjálmsson to set-up Universal Thirst, a design practice specialising in developing typefaces for writing systems of the Indian sub-continent. Universal Thirst has designed multiple latin and Indic bespoke typefaces for various companies, brands and events. Soon, they’re releasing their own retail typefaces. On this episode, we talk about Kalapi’s life, design education and type design work. We talk about his foundry Universal Thirst and the business of Type Design. RELEVANT LINKS Universal Thirst - universalthirst.com Kalapi (The Poet) - en.wikipedia.org/wiki/Kalapi Saurashtra (region) - en.wikipedia.org/wiki/Saurashtra_(region) Rahul Gajjar - http://rahulgajjar.com Sandhya Gajjar - www.dnaindia.com/ahmedabad/report-bringing-the-chhara-community-into-the-mainstream-still-a-long-way-off-2765058 MSU Baroda - msubaroda.ac.in Baroda/Vadodara - en.wikipedia.org/wiki/Vadodara Bhasha - www.bhasharesearch.org Dr. Ganesh Devy - en.wikipedia.org/wiki/G._N._Devy Pavagadh - en.wikipedia.org/wiki/Pavagadh Rajkot - en.wikipedia.org/wiki/Rajkot NID - nid.edu Bauhaus - en.wikipedia.org/wiki/Bauhaus Mahendra Patel - designedthisway.com (3rd Episode Guest) Weiden + Kennedy - www.wk.com Hanif Kureshi - guerrilla.work/About GV SreeKumar (IDC) - http://www.idc.iitb.ac.in/gvsree/bio.html Fiona Ross - en.wikipedia.org/wiki/Fiona_Ross_(type_designer) University of Reading - www.reading.ac.uk Neelakash Kshetrimanyum - www.brandnewtype.com Gerry Leonidas - leonidas.net Gunnar Vilhjálmsson - http://www.gunnarvilhjalmsson.net Erin McLaughlin - erinmclaughlin.com Linotype - www.linotype.com (Ofcourse) Gerard Unger - www.gerardunger.com Johnathan Barnbrook - www.jonathanbarnbrook.com/about/ John Hudson - fonts.adobe.com/designers/john-hudson Unicode - http://unicode.org Shri-lipi - www.modular-infotech.com/html/shreelipi.html Michael Twyman (with his ephemera) - www.flickr.com/photos/dietzsch/6318103998/in/album-72157628061754102/ , www.flickr.com/photos/wasianed/1801854874/in/album-72157602459000103/ , www.flickr.com/photos/wasianed/2175100655/in/album-72157602459000103/ James Mosley - en.wikipedia.org/wiki/James_Mosley St Bride Library - en.wikipedia.org/wiki/St_Bride_Library Linotype Gujarati - www.linotype.com/1750/linotype-gujarati-family.html Orthography - en.wikipedia.org/wiki/Orthography Matras (Devanagri) - en.wikipedia.org/wiki/Devanagari#Vowels University of Liden - www.universiteitleiden.nl Dutch Type (Book) - http://www.drukeditions.com Noto - en.wikipedia.org/wiki/Noto STEAM - en.wikipedia.org/wiki/STEAM_fields Dalton Maag - www.daltonmaag.com Metal Type - en.wikipedia.org/wiki/Type_metal Backward compatibility - en.wikipedia.org/wiki/Backward_compatibility Complex Script - en.wikipedia.org/wiki/Complex_text_layout Hangul - en.wikipedia.org/wiki/Hangul Telugu - en.wikipedia.org/wiki/Telugu_script Nokia Pure by Dalton Maag - www.daltonmaag.com/work/nokia Malcolm Wooden & Northern Block Foundry - thenorthernblock.co.uk/malcolm Typotheque Blog - www.typotheque.com/blog Logo painted by sign painter Joshua - www.instagram.com/p/B9ETrwOhGi4/ Sophy Hollington - www.instagram.com/sophyhollington/ Korra Denim - korra.in Dhaka Arts Summit - www.instagram.com/p/B3mGDi0hTvA/ Bangla - en.wikipedia.org/wiki/Bengali_language Fraser Muggeridge Studio - http://pleasedonotbend.co.uk Frieze Sans - www.instagram.com/p/B3fBx8zhtXB/ Here Maps - wego.here.com/ Indigo Airlines - goindigo.in Bauhaus (Font) - en.wikipedia.org/wiki/Bauhaus_(typeface) Anagha Narayanan - www.instagram.com/anaghanarayanan/ Elai - www.instagram.com/p/B7Giry_hUst/ Variable Font - en.wikipedia.org/wiki/Variable_font

You can get more Angy Che in your life by following her illustrations and lettering on instagram @thatsoktoo, her portraits @prettyokportraits, and her and her husband's design studio @by_numbers.

My moms article on perfectionism. Ohno Type School.

Typocast is a new series from the Quantization podcast, which focuses on the intersection of type and inclusion. Richard Hunt, type designer, typographer and type educator, has joined us for the series. For the first episode of the series, we invited Titus Nemeth to talk about Arabic typography and his practice as a type designer and researcher.

Typocast is a new series from the Quantization podcast, which focuses on the intersection of type and inclusion. Richard Hunt, type designer, typographer and type educator, has joined us for the series. For the first episode of the series, we invited Titus Nemeth to talk about Arabic typography and his practice as a type designer and researcher.

In this 19th episode, I talk with Tom Foley, Creative Type Director for Monotype, based in London. Tom reflects on his deep experience designing type in the past 10 years and how things have changed with the introduction of variable fonts, current type design tools,  the technical side of modern type, the use of AI to create Chinese fonts, and how type designers share their fonts. Not having worked in the type industry myself, I was intrigued to hear about working at Monotype, the world's largest type foundry and creators of a vast 10,000 font library including Helvetica, Univers, and Frutiger as well as creating custom fonts for major brands. Tom also shares the role of custom fonts compared to open-source fonts and how having your own company font helps differentiate your brand.Tom Foley is responsible for leading a team of type designers creating fonts for the Monotype Library and corporate brands. Words and letters are in Tom’s blood - his great-grandfather was from a family of stonemasons that specialized in letter carving, and his uncle was a sign painter. Tom spent seven years at type foundry Dalton Maag where he progressed from font developer to creative director, and worked to solve the typographical problems of some of the world’s well-known brands. He joined Monotype in July of 2018, and he continues to work on custom fonts and leading his team of type designers from the Monotype office in London.About Tom Foley:https://www.linkedin.com/in/tom-foley-75062158/https://www.monotype.com/studio/tom-foley

The Four Most Important Letters in Type Design What a party this week — from grocery packaging to color fonts, with inspiration & type design thrown in. And a pretty fun intro to a very important type design concept in the podcast this week, too, so if you've been curious about making fonts & want a fun way to learn more about starting, it might be a good week for you! Weekly Typographic Newsletter Links

In this episode, I chat with Brooklyn based creative studio and dynamic duo, Wade and Leta. Wade and Leta do it all, they're graphic designers, art directors, photographers, public speakers, they do event design, branding, sculpture, book design, type design, retail design, film, and more. If there's something they haven't done, they want to try that too. They're a duo who personifies today's topic of “Taking the Leap”. They're constantly pushing themselves into new directions and mediums. They love a good challenge, they see constraints as opportunities, and they thrive on intensity. This drive has led them to create work for a truly impressive roster of clients that include Gucci, The New York Times, Herman Miller, IBM, Instagram, Facebook, Adobe, Airbnb, Target, and the list goes on. We discuss the lessons they've learned on their journey so far, how they're able to continually “take the leap” into new directions and opportunities, how keeping an open mind and fresh perspective is key, how important it is to ask for help and learn from others, their pursuit to continually “level up”, what their dream project is, and much more.This conversation was really inspiring to me. Wade and Leta are always striving to create their best work and it's hard not to be in awe of them. These two have such wonderful energy and a refreshing perspective on life and career. I hope you're just as inspired by this one as I am.To find out more about Wade and Leta, you can follow them on instagram @wadeandleta, @wadejeffree, @letasobierajski or online at wadeandleta.com.

Yomar Augusto, also known as, Tooya is a progressive design & typographic studio built for the digital age, with more the 15 years of experience working in Brazil, Europe & United States. In 2016 Tooya relocated to California from NYC. Born in Brasilia and raised in Rio de Janeiro, Yomar initially trained as a graphic designer, earned a Masters in Type Design at the Royal Academy of Art in The Hague, The Netherlands. Yomar has also presented commercial and conceptual projects with solo exhibitions in Asia, Europe, North & South America. Yomar can be reached at @tooya.me and @yomaraugusto Master Of Your Crafts is a conversational podcast with individuals who have and are working towards mastering a craft. They have harnessed and taken ownership of a gift, talent or skill that is so innate to them. We uncover the inner dialogue, actions and life circumstances, all combined in a deep conversation to offer you words of wisdom to empower and guide you to be your own Master Of Your Crafts.

与往年一样，ATypI 2020 年度大会如期举行；但与过往全然不同的是，本届大会在线上举办，二十四小时连续进行。在今天的节目中，我们将采访来自华语地区的 8 位演讲者，与大家分享各自发表的主题、印象深刻的环节及其他参会的感受。 参考链接 ATypI 2020 All Over 于 2020 年 10 月 27 至 31 日在线上举行 “Digitized Design for Nüshu Script: Noto Traditional Nushu”，刘钊、陈永聪和姜兆勤在 ATypI 2020 的演讲 Noto Traditional Nushu 已发布在 GitHub “A Responsive Chinese SongTi typeface for Multiple-Use Occasions”，李信仪在 ATypI 2020 的演讲 “Some problems happen on apps or user interfaces when applying Chinese fonts”，吴福生和李信仪在 ATypI 2020 的演讲 “Hanzi Cooker”，厉致谦在 ATypI 2020 的演讲 “Hanzi Metrics”，厉致谦在 ATypI 2020 的演讲 “The Spread, Influence, and Redesign of Hanwen Zhengkai. China”，汪文在 ATypI 2020 的演讲 “Chinese All Over Chinese”，曾祥东在 ATypI 2020 的演讲 “Bitmapping Chinese”，刘育黎在 ATypI 2020 的演讲 “The Italic Design Process”，Victor Gaultney 在 ATypI 2020 的演讲 “Type Design in Chinese Buddhism: Digital Revivals of Chinese Buddhist Manuscripts and Wood-plate Printings”，谭泽源在 ATypI 2020 的演讲 “Exploring Chinese Culture in Hanzi Type Design in Digital Age”，刘宇在 ATypI 2020 的演讲 嘉宾 李信仪（Edwina Lee）：文鼎字库营业处处长 吴福生（Jeff Wu）：文鼎字库总经理 厉致谦：以设计为原点的多领域的研究和实践者；3type 联合创始人，The Type 撰稿人，上海活字项目发起人 汪文：方正字库字体设计副总监，方正集团技术专家，深圳市平面设计师协会（SGDA）会员，中国设计师沙龙（CDS）会员 曾祥东：复旦大学理论物理学专业，3type 技术支持 刘育黎（Willie Liu）：同济大学媒体与传达方向研究生在读；3type 设计师 谭泽源：汉仪字库字体设计师，中华女子学院外聘讲师 刘宇：汉仪字库字体设计师，英国雷丁大学字体设计专业硕士在读 主播 Eric：字体排印研究者，译者，The Type 编辑 欢迎与我们交流或反馈，来信请致 podcast@thetype.com​。如果你喜爱本期节目，也欢迎用支付宝向我们捐赠：hello@thetype.com​。 The Type 会员计划已上线，成为我们的会员，即可享受月刊通讯、礼品赠送、活动优惠以及购物折扣等权益。

Our All-Time Favorite Books on Type, Design & Lettering Besides chatting about a handful of fun, somber, and educational resources, we're diving into a few recommendations for books that have been super impactful in our own learning about type this week. Weekly Typographic Newsletter Links

Viktor Baltus is a type and graphic designer. From his Netherlands design studio, he works with brands all over the world to craft brand stories with illustrations and lettering that reflect history, heritage, and authenticity. His Instagram account turned design course—Type Design Class—is geared toward educating designers on the elements and principles of type design, and officially launches in November. In this episode, we talk about his beginnings and how it has led up to founding and operating a full creative design studio. ::::Discover Viktor Baltus: Instagram: @typedesignclassWebsite: www.viktorbaltus.comCourse: Type Design Class::::If you're getting value from these conversations, please share an episode with someone you think would benefit from it. Learn something new? Share your thoughts with us in our review and rating section here. (Your review helps creatives like you find us.)Help us cover the costs of producing resourceful content for you. Support the podcast with a donation at artisansandtrade.com/donate.Follow: @artisansandtrade

In this episode, I talk to Pauline Le Pape, a type designer and art director based in Amsterdam. We cover topics such as Pauline’s advice to young professionals, the importance of meditation and walks in her work routines, managing finances, including critical mindsets and budget negotiation tips, typography and type design, challenges she’s experiencing at the moment, and much more.BiographyPauline Le Pape is a type designer and art director that graduated in 2016 with an MA in type design from École Estienne, in Paris. After her studies, her journey took her to Amsterdam, where she is currently based. Over the years, she developed a range of meticulous typefaces and type based identities and worked on other projects in various medium and formats with a focus on typography. Some of her recent work includes a custom typeface for Nike, type design and identity for Stadscuratorium Amsterdam, and an expansion of her ever-evolving type family Till. Her work has been featured in It’s Nice That, Actual Source’s Shoplifters 8: New Type Design, and in the Japanese design magazine Quotation, to name a few. Selected Links From the EpisodePauline Le Pape's WebsitePauline Le Pape's InstagramÉcole EstienneRamit Sethi on Chase Jarvis LiveThinking With TypeConcept-driven Design and Art Direction With Charlotte Heal (The Creative Voyage Podcast E02)Mindfulness MeditationHeadspace AppShow NotesIntroduction [00:00]Episode Introduction [00:50]Advice for Young Designers [02:18]Work Routines and Habits of a Creative Professional [10:21]Making a Living As a Designer [20:15]Self-Development As a Creative Professional and Freelancer [28:35]Short Episode Break – Support the Podcast [33:18]Challenges on Pauline’s Professional Journey [34:01]Contemporary Approach to Typography and Type Design [50:26]What is Art Direction [01:00:33]How to Be a Better Creative Professional [01:00:33]Episode Outro [01:08:23]Full transcript and more at https://creative.voyage/

Yomar Augusto is a Hybrid Creative and Director of Tooya; Yomar has more than 15 years of experience working in Brazil, Europe & the United States and with Masters in Type Design at the Royal Academy of Art in The Hague, The Netherlands. Yomar had worked with global brands like Nike, Coca-Cola, Google, C+P, TBWA, Ogilvy, and many more. Yomar also taught Typography for Advertising at the Willem de Kooning Academy in Rotterdam and Bauhaus University in Germany, and the Fashion Institute of Technology and The School of Visual Arts in NYC. He has also held several experimental calligraphy and book art workshops in many countries. He has also presented commercial and conceptual projects with solo exhibitions in Asia, Europe, North & South America. In this episode of Nodes of Design, Yomar shares insights on the experimental process/approach. We spoke about different approaches to a traditional way and how to do strategies for your process. We discussed the experimental method regarding type and What are the various ways to get off a creative block and improve or change their visual vocabulary. Takeaways - What is the experimental process in type, How to find the right approach for experimentation, ways to get out of the creative block, and How to improve visual vocabulary. Thank you for listening to this episode of Nodes of Design. We hope you are enjoying the Nodes of Design Podcast on your favorite podcast platforms- Apple Podcast, Spotify, Google Podcasts. If this episode helped you understand and learn something new, please share and rate us and be a part of the knowledge-sharing community #Spreadknowledge. This podcast aims to make design education accessible to all, as knowledge shouldn't hide behind paywalls. Nodes of Design is a non-profit and self-sponsored initiative by Tejj.

MBFs Glenn Garriock chats to British logo and type designer Rob Clarke about having patience, fighting anxiety and building a reputation. Find out more about Rob's work at robclarke.com

Nelio Barros is a Designer, Entrepreneur, Paraglider pilot and a Type Designer of the popular type - Nixin Typeface which is one among the most-backed campaigns on Kickstarter. On this episode, Nelio shared his journey of creating the typeface Nixen. We also had a brief talk on breaking the doubt- Typeface vs Font. Thruout the episode, we had a great conversation on how various styles of type and how to get inspiration on choosing the right font for your next major design project. Key takeaways - What is type design, Process of making a type and tools required, How to choose the right typeface. Thank you for listening to this episode of Nodes of Design. We hope you are enjoying the Nodes of Design Podcast on your favourite podcast platforms- Apple Podcast, Spotify, Google Podcasts. If this episode helped you to understand and learn something new, please share and rate us and be a part of the knowledge-sharing community #Spreadknowledge. This podcast aims to make design education accessible to all as knowledge shouldn't hide behind paywalls. If you want to come over on the show and speak and support our cause of making design education accessible, please reach out to me @tejt3j on twitter as your knowledge will help someone to learn or know something new.

Lecture 508 (18 June 2008)

Com a participação do world class type designer, Fabio Haag, decretamos o fim das logomarcas.

Hansje van Halem is a Dutch designer based in Amsterdam. Her work revolves around the experimentation with shapes, colors, textures and type, both digitally and manually. In this interview she reflects on the work process of projects like the identity for the Lowlands festival or the ‘Theory of Type Design’ book by her former teacher Gerard Unger. Also her “In Patterns’ exhibit at Bijzondere Collecties in Amsterdam is discussed. Recorded on May 31st of 2019 in Amsterdam, The Netherlands. Hansje van Halem :: In Patterns exhibit Bijzondere Collecties :: Lowlands Festival :: File Download (54:50 min / 75 MB)

"I want to inspire more women to have a career in type..." Amber Weaver is the author of Femme Type, an all-female publication about type design and typography. While studying graphic design at university she noticed that the type projects covered in the books she found in the library were invariably created by men, so she started her own list of great work done by women. The list continued to grow after she left university and joined People of Print, and she saw the opportunity to create the book she had longed to read. The resulting publication features more than 40 women working in the type industry, funded by a successful Kickstarter campaign that raised over £10,000 – more than double its initial target. In this conversation, Amber speaks about how she ran that campaign, and explains that with her list still growing, there are lots of opportunities for building on the book and doing more to support the community that has gathered around it.

Untuk urusan Type Design, Deni Anggara adalah salah satu pelaku ternama di industri ini. Kali ini kita akan becerita soal membangun studio type design, kondisi type design di Indonesia dan pesan bagi para pelaku typography di Indonesia.

转瞬又是一年。本期，我们先花六十分钟来做听众反馈——随后，再为大家盘点近期海内外的新闻新事、新书新字。 依然期待未来的一年中，能继续有你相陪、与你相伴。 参考链接 《龙猫》（となりのトトロ）于今年 12 月 14 日首次在中国大陆地区院线上映；海报由黄海设计 OpenType name (naming table) 相关规范 听众 ruosi 在来信中附上的 Quora 和果壳的网站链接，以及 Les caractères de l'Imprimerie nationale 的书页照片 〈字谈字畅 059：数，不胜数（III）〉中讨论了数字「〇」的相关细节 米旮旯，一种九宫格双拼输入方案 速成输入法，仓颉输入法的一种简化版本 荷兰字体设计师赫拉尔德 · 因赫尔（Gerard Unger）于今年 11 月 23 日逝世，享年 76 岁 Gerard Unger. Theory of Type Design. Rotterdam: Nai010, 2018. Graphic Means，Briar Levit 导演及制作的纪录片，在 Vimeo 上可以购买或租借观看 Stockholm Design Lab 为诺贝尔奖（The Nobel Prize）设计了新的 logotype、品牌字体及相关的视觉识别系统 “Designing Greek typefaces”，Gerry Leonidas 撰写的希腊字母字体设计的教案 Berthe 字体，Charles Mazé 设计，ABYME 出品，基于 Deberny & Peignot 早年出品的 Série no. 16 字体而复刻；另有文章详细解读 Berthe 的设计 Heldane 字体，Kris Sowersby 设计，Klim Type Foundry 出品，基于早年荷兰出品的铅字而复刻 〈谈《金融时报》新字体 Financier〉，Klim 的案例介绍文章，Emily Yang 翻译，刊于 Type is Beautiful 今田欣一．『活字書体の履歴書［青春朱夏編］』．欣喜堂，2018 年． 汉仪字库于今年 11 月 23 日迎来创办 25 周年庆 方正集团于今年 12 月 12 日迎来创办 32 周年庆 ColorOS 6，OPPO 出品的 Android 操作系统；ColorOS 6 即将搭载新的中文字体 OPPO Sans，由汉仪字库联合设计出品 孙明远．《聚珍仿宋体研究》．科学出版社，2018 年． 〈孙明远谈《聚珍仿宋体研究》：「古典的回归」绝非单纯的拟古〉，厉致谦对孙明远博士的访谈，刊于 Type is Beautiful 主播 Eric：字体排印研究者，译者，Type is Beautiful 编辑 蒸鱼：设计师，Type is Beautiful 编辑 欢迎与我们交流或反馈，来信请致 podcast@thetype.com​。如果你喜爱本期节目，也欢迎用支付宝向我们捐赠：hello@thetype.com​。 Type is Beautiful 会员计划已上线，成为我们的会员，即可享受月刊通讯、礼品赠送、活动优惠以及购物折扣等权益。

Um bate-papo com a type designer e artista visual Flavia Zimbardi. Ela falou sobre seu tempo trabalhando com design editorial na Editora Abril, como foi sua mudança para NY e como ela foi chamada pela Adobe para fazer um resgate histórico de uma fonte da Bauhaus. Para mais informações e para ver o guia visual, acesse http://diagrama.co/ Facebook: http://www.facebook.com/diagramaco/
 Instagram: http://www.instagram.com/diagrama.co/ Links do programa:
Flavia Zimbardi - http://flaviazim.com Type@Cooper - http://www.coopertype.org/ Adobe Hidden Treasures - https://adobehiddentreasures.com/ Type Directors Club - https://www.tdc.org/

On this episode, we take shots of whiskey with Beth Fileti, Betty Fileti, and Elizabeth Fileti... or perhaps just one of them. You decide. Beth is an incredible designer, alum of Type @ Cooper, and founder of Polite Type. Beth's Site / Polite Type: http://politetype.com/ Polite Type on Instagram: https://www.instagram.com/politetype/ Lusine Paper Art on Etsy: https://www.etsy.com/shop/Lusine

Going the Extra Mile to Catch Your Breakthrough with Matt Vergotis Let’s get real for a second… We live in a digital age where human zombies are glued to their screens and expect instant stardom after hitting publish. When overnight success isn’t unlocked, It’s easier to quit and hop on board the next trend that may help them strike gold. One of the harder lessons I’ve learned in life is that there are no shortcuts—everything takes time. I’m talking countless hours, days, weeks, months and years obsessively hammering away at honing your craft. Something we have to remind ourselves is that continuing to show up when it’s not convenient and going that extra mile in your work can help you edge closer to catching that looming breakthrough. Patience, Disconnecting & Chin Wags This brings me to today’s guest, Matt Vergotis AKA the Verg. Matt is the prime example of being surgical with practice, having patience while knowing when to disconnect from the digital world. When he’s not surfing the Gold Coast and spending time with his family, you can find him crushing Corporate Identities, Branding, Logos, Type Design, Calligraphy and Hand Lettering. It’s a trip when I listen to Spotify and know that I’m looking at the titles he crafted on some of the most popular playlists, it makes the music I’m listening to that much better. Matt is a down to earth, super energetic dude but knows how to throw down and get to work. In today’s episode, we surf around topics such as: Putting in the time and deliberate practice The importance of presentation and going the extra mile Creating for you and future clients, not for Instagram. Having multiple creative outlets Breaking curation and experimenting with different styles My expectations were shattered with this episode and his transparency on pricing is what I think you’ll sink your teeth into the most. If you find value in this episode, please give it a share via Instagram or Twitter and share the love.   Shownotes Follow Matt Vergotis: Website  | Instagram  | Dribbble  | Twitter Black Hops Behance Presentation Troye Sevan's Blue Neighborhood Album Artwork Behance Presentation Buy or Get Dissimo Medium Font for FREE Dose of Inspiration: @kirileighjones Podcast editor: Aine Brennan Podcast music: Blookah Want to Support the Show? Become a backer on Patreon Leave an iTunes Rating and Review Share the show on social media or follow the Perspective Podcast Instagram Crypto Donation Support Bitcoin: 1j5vE64PWgkJHGnGSrAiJK82bnfn7fBgu Ethereum: 0xFf60588C873E34235dE371450d58129d8d7cAC16 Litecoin: LerTFZfvtW4iH7qJM8vSE9mkdQA24yKmB6 Subscribe via your favorite podcast player: iTunes Spotify Google Play Radio Overcast Stitcher

Ellen Lupton is a design thinker of the highest order. As curator of contemporary design at Cooper-Hewitt, National Design Museum in New York City, she has produced numerous exhibitions and books, including Thinking with Type (2004), which is used by students, designers, and educators worldwide. Her most recent book, Design is Storytelling, published in late 2017, explores the connection between good design and a compelling narrative. In this episode of Change Lab, Ellen makes a compelling case for the integral relationship between storytelling and design, drawing connections between a well-designed experience and the mythological hero’s journey and citing Ikea as Exhibit A for a successful experiential design narrative. Finally, Ellen reflects meaningfully on her role as an educator and the importance of approaching design as a full-body sensory experience guided by the physicality of the materials used and the making process itself. Learn more about Ellen's work: Thinking with Type Design is Storytelling Cooper Hewitt Maryland Institute College of Art

In this episode of the Logo Geek Podcast Ian chats with Rian Hughes, a British graphic designer, illustrator, writer and comic book artist. Rian is best known for his work in the British and American comic book industry, having created many logo designs for Marvel and DC including Batman and Robin, Bat Girl, Spider-Man, The X-Men, Captain America, Wolverine, The Script, The Invisibles… the list goes on! In this episode we talk about Rians approach to logo and type design, as well as his new book Logo-A-Gogo, an inspirational visual history of the iconic brand identities created Rian.   Resources & Books Mentioned Rian Hughes website Device Fonts Logo-A-Gogo Book Amazon UK Amazon US Cult-Ture Book Amazon UK Amazon US   Sponsored by FreshBooks I’d like to thank FreshBooks for sponsoring this episode, and for making this series possible. FreshBooks is a beautifully designed accounting software that makes it easy to create and send invoices, to track time and to manage your incoming and outgoing money. I recommend trying it out for yourself by making use of the free 30 day trial offered to listeners of this podcast – just visit https://freshbooks.com/logogeek – and enter Logo Geek in the ‘how did you hear about us’ section.

The Weekly Typographic — Episode 11 Type Design Tips, Antique Children's Books, and Github?

This episode is brought to you in collaboration with Kultureshop.in About Shiva, Shiva is a Graphic Designer, Type Designer and Illustrator from Chennai, India. He follows a research led, process driven work ethic to bring meaningful solutions to design problems. He has been awarded by Forbes for 30 under 30. Shiva’s practice has focused on Identity Systems, Publication and Exhibition Design, Custom Typefaces and Interactive Design for a wide range of international clients. He graduated from DJAD, Coimbatore, and then did MFA in Graphic Design from the Maryland Institute College of Art, Baltimore, USA. He has won many awards and recognition for his work in Type Design. What do you do and whats your journey like? Where do you draw inspiration for your typefaces & projects in general? What are the peculiar characteristics of Indian type faces? In one of your talks at Design Fabric, you drew a brilliant analogy of type faces are like real human faces. Each have distinct features. Is there a saturation point while designing? In one of your interviews you mentioned that Type is subliminal. What the are the challenges in making it so? Where do you see the Indian landscape of Font and type faces in next 10 or 20 years where we have technology in one hand and illiteracy on other?

In this session we get a rare peek at some of the type projects and mindset Rod and his team work on in their San Francisco design office, PSY/OPS. Rod also serves as Adjunct Professor of Type Design at California College of the Arts; and Instructional Lead at (The) Alphabetic Order. His passion for type and teaching are boundless, and he can usually be found experimenting with letters in some form, on screen or off. Towards the end, Michael Stinson and I discuss why typography is so essential to logotype design and development. View the show notes here: http://www.typographydojo.com/003 Tweet questions or comments to me @TypographyDojo

We're wrapping up our two-part series with a conversation with the extremely talented Tré Seals. His specialties lie in branding and illustration, but Tré is also a fantastic typographer. The interview starts off with Tré describing how he got interested in design, and talks about his time at Stevenson University (where he learned from one our former guests, Andrea Pippins). Tré also talks about his company, Vocal Type Co., and we get into a discussion on typography and fonts as he talks about the project he'd most love to do one day. You're definitely going to want to keep an eye out for Tré Seals! Tré Seals' Website Vocal Type Co. Help support Revision Path by becoming a monthly patron on Patreon! Pledges start at $1 per month, and you’ll receive special patron-only updates, early access to future episodes, and a lot more! Join today! Come join the Revision Path community on Slack! http://revisionpath.com/slack Check out the Revision Path store and buy a t-shirt or hoodie to help support the show! http://revisionpath.com/store We're on iTunes and Stitcher as well! Visit http://revisionpath.com/iTunes or http://revisionpath.com/stitcher, subscribe, and leave us a 5-star rating and a review! Thanks so much to all of you who have already rated and reviewed us! Revision Path is brought to you by Facebook Design, MailChimp, Hover, and SiteGround. Save 10% off your first purchase at Hover by visiting hover.com/revisionpath! Get 60% off all hosting plans at SiteGround by visiting siteground.com/revisionpath! Follow Revision Path on Facebook, Twitter, and Instagram!

The third of our six interviews recorded at the 2015 HOW Design Live in Chicago is with Matteo Bologna. We talk about his company (Mucca Design), his eventually upcoming Foundry (MuccaTypo), one of his loves (Type Design), being President (The Type Directors Club), and being[…]↓ Read the rest of this entry... The post Matteo Bologna: The Reflex Blue Show #143 appeared first on 36 Point.

Show notes: http://betweenscreens.fm/episodes/110

Director/actor Mitch Magee talks to us about the world of type design: fonts, signage, movie titles, handwritten scripts --- we go deep! Also, Anthony discusses bicycling and Will discusses the ancient cribbage-like game of Senet.

Show notes: http://betweenscreens.fm/episodes/41

Jovica Veljović, born in Serbia in 1954, has been designing typefaces for URW, ITC, Adobe and Linotype since 1980. He received his master’s degree in calligraphy and lettering at the Art Academy in Belgrade, where he also taught Typography until 1992. Since 1992 he lives in Germany and has been a Professor in Type Design and Typography at Hamburg University. Jovica Veljović talks about how he got interested in typography and type design by encountering a marvelous book about alphabets by Hermann Zapf. He also refers to his first awareness of letterforms as a small kid looking at the beautiful handwriting of his grandfather, who was always showing him his special letter ‘k’. We wonder how Jovica started working for ITC were he met Herb Lubalin, just two weeks before his death. Looking back Jovica is aware that he had the chance to meet the right people. People who really cared about what they’re doing. And this mentality or way of living is exactly what he would like to pass on to the younger generation. Recorded at the Klingspor Museum Symposium – on the occasion of their 60th birthday – in Offenbach Germany. Linotype interview :: Veljović on his Agmena typeface :: Hamburg HAW :: File Download (20:41 min / 28 MB)

“PRINTING, ILLUSTRATION, TYPE DESIGN, type-founding, type engraving, bookbinding, graphic design, stone cutting and digital type design are things that have occupied me for over seventy years, and do to this day.  Excepting the bit of letter cutting in stone, these occupations have all put dinner on the table; but it has been my good fortune to have loved the work.” This is how Jim Rimmer (1934-2010) starts off his Pie Tree Press, Memories from the Composing Room Floor (Gaspereau Press, 2008) Rimmer was a mainstay of the letterpress/private press community in Vancouver for much of the past 50 years. Trained as a commercial compositor in the 1950s, his aesthetic taste,  artistic talent and mechanical know-how combined to produce a long, significant career as a graphic artist, printer, type designer and caster.  Despite the many fonts he designed, engraved and cast, despite his beautiful linocuts, and despite the fact that in 2004 he completed the first engraving and casting of Carl Dair's Cartier face in metal, Jim is remembered most of all for love. The love of a business that he was passionate about; and the love that he instilled in so many, for books, the printed word, and the letterpress printing process. An archive of material from the last decade of Jim's work is held by the Special Collections Library at Simon Fraser University in Burnaby, B.C. I met there recently with Eric Swanick, Head of the Library, to talk about Jim Rimmer.

Today I have Tarun Deep Girdher on Audiogyan. Tarun is a Activity chairperson at NID. He is passionate about and also teaches Type Design, Typography, Printing Technology, Illustration, Visual Narratives, and Environmental Perception. Tarun's professional projects include socially relevant communication projects, he has deep concerns about inclusive design, disability, gender sensitization, etc. He has designed more than two dozen publications. Apart from such a huge body of work, Tarun has also designed over thirty logos including Right to Information, and None of The Above (NOTA) for the Government of India - and that is the topic of our discussion today. Designing for the government. * What is a logo? How has your definition of a logo changed over time and after designing more than 30 logos for the government? Any milestone logos which changed your perception of what a logo is? * I saw the RTI logo and its guideline document. Can you tell us the process of arriving at the final logo? From brief to final approval? Using Bell Gothic, other language script renditions, the Pantone Blue which you recommended, usage, and overall brand guidelines. * Similarly, can you briefly tell us about the NOTA logo * What is the biggest reason you kept both the logos super simple - Easy to recall, easy to reproduce or thinking of the person lowest in the educational pyramid? * A logo is the simplest way to associate with a brand. Traditionally speaking, it is always simple. What is special while designing for the government? What new dimensions get added? * How sensitive is the government about design? From function to aesthetics? Not just the current government but over all? * I am heavily influenced by the western school of thought - Do your user research, try out MVPs etc... But the actual act of designing most of the time happens solo and then we need teams to execute it. Generally, speaking, design by a community is not recommended. Do you agree and what were the 2 big challenges that you faced while designing for the world's biggest democracy - where everybody had an opinion? * How can students and professionals contribute their skills to government institutions and projects to improve standards of design? * What is one tip/suggestion you would like to give all students and designers who critic on new identities, logo or designs, without understanding the context or constraints?