Podcast appearances and mentions of wendy steiner

Season 6:  “The Wendy Steiner Show: Women, Beauty and Choice”  This will be the second time Wendy Steiner has been on our podcast - on the occasion of her most timely yet perennial book The Beauty Of Choice.  At the conclusion of our episode I was treated to a viewing of some of her paintings which are truly beautiful, one aspect of her immense talents with which I had been unaware, even after reading her now for close to four decades (!)  What in an earlier era would have been classified as "current events" came up often in this episode which is only fitting since her latest book is - to my mind - one of the most successful ones to merge a discussion of aesthetics and politics, and even, other realms, like biology and geopolitics.  I found the discussion of the Chaucer one of the most exciting I have ever had with another guest about any single - or singular work - of art - the greatest proof, if such proof were ever considered necessary, that a work of written art some six hundred years ago could be as forceful and relevant as if it had been written last week.  Something tells me that Steiner's book may very well be a reference for as long into the future.  I feel that our conversation that you will watch contains within it so much that the podcast is truly about. Wendy's Bio: Wendy Steiner is the Richard L. Fisher Professor of English at the University of Pennsylvania and a wide-ranging cultural critic who has written for the New York Times, Los Angeles Times, Nation, London Review of Books, and the Times Literary Supplement. Links to Wendy's new book and other works: https://cup.columbia.edu/book/the-beauty-of-choice/9780231215268 https://press.uchicago.edu/ucp/books/author/S/W/au5427647.html More links about Wendy and her beautiful work: https://web.english.upenn.edu/~wsteiner/  A sampling of stunning Wendy's art work we spoke of  in our episode can be found on our show Facebook page, here: #chaucer #painting #kosovo #canterburytales #wifeofbath #loathlylady #metoo #feminism #democracy #anneapplebaum #timothysnyder #ukraine #russia #1990s #1970s #heroinatmemorial #1998 #balkans #newyorkcity #opera #comedy #tragedy #uk #italy #pristina #albania #yugoslavia #biology #evolution #freedom #beauty #choice #women #art #opera #ballet #music #classicalmusic #dance  --- Support this podcast: https://podcasters.spotify.com/pod/show/mitch-hampton/support

Comedian Corinne Fisher is back with guests Comedian Lucie Pohl (Mercy From Overwatch) and Comedian Wendy Steiner (Rick And Morty) to talk all about the Barbie movie, from a full synopsis of the film, what it means for the embodiment of girl hood that is Barbie to interact with our world, what made sense in the movie, what fell flat, What made Corinne cry, the poignant social commentary, what missed the mark, the right freaking out over the portrayal of Ken and much more plus the wild story of Carlee Russell, Obama's chef dying in a perplexing paddle boarding drowning and so much more!Original Air Date: 7/25/23Support Our Sponsors!Mango - https://www.mangorx.com/ - Use promo code GAS for 15% off your order!Yo Delta - https://yodelta.com/ - Use promo code GAS for 25% off your order!You can watch Without A Country LIVE for FREE every Tuesday at 7:00pm at GaSDigital.com/live. Once you're there, sign up for GaSDigitalNetwork.com with promo code WAC to receive a 7 Day FREE TRIAL with access to our entire catalog of archived episodes! On top of that, you'll also have the same access to ALL the other shows that GaS Digital Network has to offer!**PLEASE SUBSCRIBE, RATE & REVIEW ON iTUNES & SUBSCRIBE TO OUR YOUTUBE CHANNEL**WHERE YOU CAN ANNOY US:Corinne Fisher:Twitter: https://twitter.com/PhilanthropyGalInstagram: https://www.instagram.com/philanthropygal/Executive Producer: Mike HarringtonInstagram: https://www.instagram.com/themharrington/Twitter: https://twitter.com/TheMHarringtonEngineer: JorgeEditor: Rebecca KaplanInstagram: https://www.instagram.com/rebeccatkaplan/Special Thanks: GaS DigitalInstagram: https://www.instagram.com/gasdigital/Twitter: https://twitter.com/gasdigitalGUUURRRRLLLLLThe Barbie MovieFull Amala Ekpunobi reviewhttps://www.youtube.com/watch?v=t89aiVLgf1kCarlee Russell Storyhttps://www.wvtm13.com/article/carlee-russell-update/44631514Obama Chef's Passing Clinton Similaritieshttps://www.newsweek.com/tafari-campbells-death-has-eerie-parallels-clinton-chef-walter-scheib-1815122See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week we are joined by comedian Wendy Steiner. Wendy brings us some interesting inventions including a couple app ideas, one for helping pick movies with your partner and one for keeping you from telling the same story to your friends over and over again. Leland and Charlie also come with some spicy inventions, like a toilet that flushes and makes a shower better or Train ASMR. If you want to follow us you can find us at: Wendy Steiner - @Wendysteinerlol Leland Long - @lelandcomedy Charlie Dawson - @charlievdawson The Idiots Catalog - @idiots_catalog And if you want to email us any questions, inventions of your own, or problems you want us to solve with inventions You can reach us at theidiotscatalog@gmail.com Thanks for listening!

"I have been reading Wendy Steiner since the publication of her 1996 book The Scandal Of Pleasure. Imagine my astonishment that I actually got to speak with her on this podcast after so many years. If I had to describe Wendy Steiner's contribution in arts and letters I would discuss her first as one of the very best public intellectuals.In her case, one who writes books for a general readership on the subjects closest to my heart. For her art and beauty are essential and very real things in the world, never abstractions or options that come after necessities. The ways she weaves examples into her prose from both popular and non- commercial works and, above all, HOW she writes of them - with great erudition and wisdom - seems to me so rare in today's world. And I look forward to her next book on beauty - even if I must wait a year. Only recently did I discover that she is a part of the world of opera in writing librettos.I have been learning from her for decades and I hope you can feel my enthusiasm at being able to discuss my favorite subjects in the world with her in this dream come true episode." Bio: Wendy Steiner is the author or editor of fourteen books on aesthetics and cultural criticism, including The Scandal of Pleasure: Art in an Age of Fundamentalism (NY Times “100 Best Books of 1996”); Venus in Exile: The Rejection of Beauty in Twentieth-Century Art (2001); and The Real Real Thing: The Model in the Mirror of Art (2010). At the University of Pennsylvania, she was the Richard L. Fisher Professor of English and Founding Director of the Penn Humanities Forum (now the Wolf Center). A Guggenheim, ACLS, Bellagio, and NEH Fellow, Steiner received a NYSCA Individual Artist's Grant for her photography-opera-hologram installation in the 2022 Venice Biennale, Upon Reflection: An Opera in Ten Images (composer, Frances White). For the 2019 Biennale, Steiner co-designed Traces on the Farther Side (with Andrew Lucia), a “digital visualization” of an earlier composition by White. Steiner is the librettist of four operas with composer Paul Richards, two of which premiere in 2022: Mondo Novo, in the Vienna Summer Music Festival; and A Braided Light, commissioned by White Snake Projects in Boston. Steiner lives in New York, where she is at work on a new book, “The Beauty of Choice: Aesthetics and the Agency of Women.” Links to Wendy's beautiful works: Website: https://web.english.upenn.edu/~wsteiner/ Links to Wendy's Books: https://www.amazon.com/Wendy-Steiner/e/B000APVXBA%3Fref=dbs_a_mng_rwt_scns_share A recent webinar about Wendy's Venice Biennale project, Upon Reflection: An Opera in Ten Images: https:// www.youtube.com/watch?v=YdrplK6Zkgk --- Send in a voice message: https://anchor.fm/mitch-hampton/message Support this podcast: https://anchor.fm/mitch-hampton/support

Often we make investments in a new software solutions and jump right into using it before we really know how to maximize its effectiveness.  Today on the Tyler Tech Podcast, Wendy Steiner, Tyler's Director of Training and Education, shares with us the 5 Reasons Why Training and Education is critical for your success.  They are:Maximizes your investmentImproves productivityElevates job satisfactionSaves your department moneyCreates more well-rounded employeesGet more information at Tyler TechLearn more about Tyler Connect 2022Learn more about Tyler Community

Dale waits for that second shot and experiences a new wave of what-happens-now social anxiety as he welcomes comedian Wendy Steiner to the Deep Night. Wendy talks with Dale about her path from shy audience member at comedy clubs in San Francisco to confident performer on stages around New York. The two also discuss the...

Dale waits for that second shot and experiences a new wave of what-happens-now social anxiety as he welcomes comedian Wendy Steiner to the Deep Night. Wendy talks with Dale about...

  It's Genetic welcomes Wendy Steiner (Refinery 29) and her mom, Heidi! Blair and Roger discuss celebrities.  In this episode we talk: Birth order Heidi's crushes on Vince D'onofrio and Jack Black Wendy's childhood aspirations to be a Rolling Stone writer The pressure to succeed Peter Frampton getting denied entry at Heidi's place of work The evolving stigma of divorce Working at a fish cannery in Alaska And more! Wendy interview starts at 35:45   Follow Blair IG @Blairsimone, Twitter @urgirlblair Follow Wendy Steiner IG @wendysteinerlol, Twitter @wendysteinerlol  

How did a nice(ish) girl like Brenda end up at a murderous improv theatre like ImpConn? Music by Elijah Crocker. Written by Laura Merli. Fea voices by (order of appearance) Laura Merli, Alana Johnson, Brett Johnson, Jerry Burgos, Srilatha Rajamani, Tristan Miller, Wendy Steiner, Aarushi Agni, J.W. Crump, and Candi Clare.

A bitter rivalry gets especially ugly at an open mic. Music by Elijah Crocker. Written by Laura Merli. Fea voices by (order of appearance) Alana Johnson, Laura Merli, Fredric Goldstein, Wendy Steiner, Tristan Miller, and Chris Madden

This week on Love About Town, hosts Rohan Padhye and Kenice Mobley discuss sex, dating and relationships with their guests comedians Wendy Steiner and Zach Brazao. In this season premiere, we discuss when to tell someone you like them, what makes a good first date, and how to determine if you're a freak bitch. This episode was edited by Leif Enoksen and presented by the Brain Machine Network and the WICF Podcast Network.         

Wendy Steiner (Weird but Nice Comedy Show) Dalton Pruitt (The Bad Boy of Brooklyn) and I have a nice chill hang. We discuss doing stand up, Fartgate, Dalton's LinkedIn, SNL, movie reboots, and more! Fun Ep! Please remember to Rate Subscribe and Review Follow the show -- Robbie https://twitter.com/robbiegoodwinhttps://www.instagram.com/robbiegoodwin/Wendy Steiner Instagram https://www.instagram.com/wendysteinerlol/https://twitter.com/wendysteinerlolDalton Pruitthttps://twitter.com/newdalton69420 See acast.com/privacy for privacy and opt-out information.

Comics:Anna Roisman!Chase Montavon!Megan Gilbert!Marshall Stratton!Wendy Steiner!Bill Schaefer!Drew Drevykano!Opening with Joanna Hausmann written by Lani Harms!

Comics:Niccolo Aeed!Wendy Steiner!Bill Schaefer!Brian Bahe!Rachel Lenihan!Chase Montavon!Megan Gilbert!Gus Constantellis!With music from Rob Tanchum (ft. Max Ash!)

As the last of what Wendy Steiner refers to as “a loose trilogy” with her earlier works, The Scandal of Pleasure (1995) and Venus in Exile (2001), The Real Real Thing: The Model in the Mirror of Art (University of Chicago, 2010) sets out to establish the centrality of “the model” in art to our understanding of subjectivity and freedom and the ethical imperative that she suggests lies within it. For Steiner, “the model,” historically conceptualized and understood as female and objectified as such, assumes the level of ontological importance and acts as a symbolic structure that not only lays bare the hierarchies and mechanics of power, but possess the unique ability to reimagine and “introduce new hierarchies into the world” (20). “The model” along with politics and power in Steiner’s estimation are closely linked and in fact bound together. The intriguing and theoretical tension between the seeming contradiction that what on the level of the symbol can be read as object can also be accessed in order to influence the real is one that is thrilling to see the author trace and work out. To this point specifically, Steiner does an incredible job. Her theoretical argument invokes the work of Kant, Roman Jakobson, Jacques Lacan, and Judith Butler to varying degrees. Neatly divided into three parts, The Real Real Thing moves from a theoretical exploration of “the model” to several fascinating studies of artists and art works that have employed the model as Steiner envisions it.Bringing “the model” from the realm of the theoretical to that of the real, Steiner closes the book by returning to her notion of the ethical imperative inherent to it. She makes a strong and impassioned case for modern art and what she sees as its “democratic” and “progressive” nature in its ability to not just call attention to itself as art, as an end in itself, but to invite the spectator into a symbiotic union that creates. It is within this union that traditionally rigid aesthetic notions of beauty and perfection can be overridden and redefined anew. I thoroughly enjoyed reading The Real Real Thing: The Model in the Mirror of Art and I encourage anyone interested in aesthetics, the future of art, and the future of the arts especially to read this book. Learn more about your ad choices. Visit megaphone.fm/adchoices

As the last of what Wendy Steiner refers to as “a loose trilogy” with her earlier works, The Scandal of Pleasure (1995) and Venus in Exile (2001), The Real Real Thing: The Model in the Mirror of Art (University of Chicago, 2010) sets out to establish the centrality of “the model” in art to our understanding of subjectivity and freedom and the ethical imperative that she suggests lies within it. For Steiner, “the model,” historically conceptualized and understood as female and objectified as such, assumes the level of ontological importance and acts as a symbolic structure that not only lays bare the hierarchies and mechanics of power, but possess the unique ability to reimagine and “introduce new hierarchies into the world” (20). “The model” along with politics and power in Steiner’s estimation are closely linked and in fact bound together. The intriguing and theoretical tension between the seeming contradiction that what on the level of the symbol can be read as object can also be accessed in order to influence the real is one that is thrilling to see the author trace and work out. To this point specifically, Steiner does an incredible job. Her theoretical argument invokes the work of Kant, Roman Jakobson, Jacques Lacan, and Judith Butler to varying degrees. Neatly divided into three parts, The Real Real Thing moves from a theoretical exploration of “the model” to several fascinating studies of artists and art works that have employed the model as Steiner envisions it.Bringing “the model” from the realm of the theoretical to that of the real, Steiner closes the book by returning to her notion of the ethical imperative inherent to it. She makes a strong and impassioned case for modern art and what she sees as its “democratic” and “progressive” nature in its ability to not just call attention to itself as art, as an end in itself, but to invite the spectator into a symbiotic union that creates. It is within this union that traditionally rigid aesthetic notions of beauty and perfection can be overridden and redefined anew. I thoroughly enjoyed reading The Real Real Thing: The Model in the Mirror of Art and I encourage anyone interested in aesthetics, the future of art, and the future of the arts especially to read this book. Learn more about your ad choices. Visit megaphone.fm/adchoices

Wendy Steiner, a professor of English at the University of Pennsylvania presents a lecture based on her book The Trouble with Beauty.